Pixel Scroll 1/29/24 I’m All Lost In The Pixel-Market, I Can No Longer Scroll Happily

(1) SIC SEMPER HEAVENLY TYRANT. [Item by Anne Marble.] Xiran Jay Zhao’s social media offers a window onto their problems with the publisher of their next book, Heavenly Tyrant. They began on January 24 with these messages:

Then today, Xiran Jay Zhao implied that their publisher threatened legal action over those X.com. posts

And later:

In response to some of these posts, horror & SFF writer Zachary Rosenberg suggested at this point, Xiran Jay Zhao should get a lawyer and stop posting to protect their interests.

The hardcover was published by Penguin Teen. (Wikipedia says that they signed with Penguin Teen Canada. I’m not sure if they had a separate U.S. edition.) The paperback is published by Tundra Books, an imprint of Tundra Book Group, which is part of Penguin Random House of Canada Limited. The author lives in Canada.

(2) LUKYANENKO ENDORSES PUTIN. Well, what else did you think the Chengdu Worldcon’s absent guest of honor was going to do? “Писатель Сергей Лукьяненко поддержал решение Владимира Путина участвовать в выборах” at Звездный Бульвар (Star Boulevard) — “Writer Sergei Lukyanenko supported Vladimir Putin’s decision to participate in the elections”.

The collection of signatures in support of Vladimir Putin’s participation in the presidential elections continues in Moscow. The famous Russian science fiction writer Sergei Lukyanenko spoke about his support for the candidacy of the current president in Moscow today in a conversation with journalists from the Moscow News Agency.

“I support Vladimir Putin’s decision (to nominate his candidacy for the presidency). I think that the changes in the country are visible to everyone who has lived at least more than 20 years,” he said….

(3) DON’T SAY WORLDCON. This odd phenomenon in Chinese social media was reported earlier today. Later it was learned the ban only affected one group.

(4) FURRY CON STAFF UPRISING. [Item by Patch P.] There’s turbulent convention organizing, and then there’s having staff resign in protest to force a leadership change: “Grassroots action: Leadership changes and weeding out hate at Garden State Fur The Weekend”. Dogpatch Press has the full story, which begins —

Garden State Fur The Weekend is an upcoming furry convention set for May 3-5, 2024 in New Brunswick, New Jersey. With their launch only months away, something unusual happened. GSFTW posted an official statement about opposing hate and Nazi-fur groups….

It was followed by an announcement of the con chair stepping down and a new one stepping up. It blames medical issues of the ex-chair, Dashing Fox. Dogpatch Press wishes good health to him. The story could end there, but unofficially, the change was forced by staff resignations. You’re seeing the aftermath of revolt behind the scenes, then getting back on track for launch. Yes, they stood up with the power of collective will to change the leadership for the better….

…Let’s not beat around the bush about why staff resigned to uproot the ex-chair: He actively associated with the Furry Raiders. They are a nazifur group who wither everything they touch. Their ties to alt-right hate groups and criminal schemes could fill a book….

(5) RABBIT TESTERS. Michael Grossberg opens a discussion of “Rabbit Test: Samantha Mill’s story, which swept this past year’s sf awards, has been hailed as libertarian (But that depends on your view of its central issue.)” on the Libertarian Futurist Society’s Prometheus Blog. One learns from his post there are people who classify themselves as Libertarians and do not agree with a woman’s freedom to choose to have an abortion. However, the post doesn’t explain whether that is on religious grounds, or why.

…That story is “Rabbit Test,” by Samantha Mills.

According to at least one veteran libertarian sf fan, Mill’s story fits the distinctive focus of the Prometheus Award.

“The well-written story has a strong individual-liberty theme,” said Fred Moulton, a now-retired former LFS leader and Prometheus judge.

But does it?…

…That’s been a hot-button issue even within the libertarian movement. Since libertarianism began to be popular in the 1960s and 1970s, most libertarians have supported a woman’s right to abortion (perhaps influenced partly by Ayn Rand, whose novels and essays helped spark the modern movement).

Yet, some libertarians have always disagreed, even while being consistently “pro-choice” on everything else that doesn’t violate the basic libertarian principles of non-aggression….

(6) GASTRONOMICAL AND OTHER BALONEY. In “Around the World in Eighty Lies”, The Walrus reveals an Atlas Obscura contributor’s mystifying pattern of fabricated facts.

THE STORY WAS CHARMING: a short article about soups, continually replenished for decades, secreted in jars across oceans. The soups, according to one source, were “older than Taylor Swift.” I devoured the article, published in December 2022 on Atlas Obscura, an online publication billed as “best-in-class journalism about hidden places, incredible history, scientific marvels, and gastronomical wonders,” and texted it to a few soup-obsessed friends. Then I forgot about it for months until the weather turned chilly and I pulled up the link again, only to notice the article had changed. An italicized editor’s note had been added to the top, which began: “This article has been retracted as it does not meet Atlas Obscura’s editorial standards.” The note went on to state that multiple details and interviews had been fabricated.

Intrigued, I did a Google search for the author, Blair Mastbaum. His social media profiles and Wikipedia page suggested an American writer in his mid-forties, very active on Instagram, where he posted captionless photos of his travels in Europe. Mastbaum had written ten other articles for Atlas Obscura, eight of which, it turned out, had similar retractions. Topics ranged widely: acoustic archeology, Hawaiian cultural appropriation, an obscure dialect of sign language. Mastbaum’s first retracted story had been published in January 2022; the last one more than a year later….

(7) ONE THUMB UP. [Item by Steven French.] For folks in Chicago, a “Science on Screen” series that includes Godzilla, Don’t Look Up, Contagio and War Games at Siskel Film Center from February 9-12.

It’s the end of the world as we know it…and, if we’re being honest, we could use some help in feeling fine. From pandemics to nuclear war, from planet-pulverizing meteors to a city-smashing monster, these films explore all the ways we’re risking destruction. Watch the films with experts from the Bulletin of the Atomic Scientists, keepers of the Doomsday Clock, to discuss the end times—and how we can avoid them. Presented in partnership with the University of Chicago Existential Risk Laboratory, the Japanese Cultural Center (JCC), and the DePaul Humanities Center. Additional speakers to be added.

(8) WHAT WHO’S FIGURES WERE. [Item by SF Concatenation’s Jonathan Cowie.] This month’s SFX magazine has the final low-down on Britain’s Doctor Who viewing figures which now includes 7-day catch-up views. (Remember, for comparison the US has five times the population of the UK.)

First up, The Goblin Song by Murray Gold reach number one on the iTunes chart on the day of its release and no12 in the official single sales chart that week and number six on the official singles download chart and number four on the official top 40.

Doctor Who ‘The Star Beast’ consolidated at 9.5 million viewers including catch-up. Overnights for ‘Wild Blue Yonder’ were 4.83 million with 7.14 million adding in 7-day catch-ups. ‘The Giggle’ obtained 4.62 million overnight and 6.85 million with 7-day catch-ups added in.  ‘The Church on Ruby Road’ was the most watched scripted show (which excludes things like the King’s address to the nation) on Christmas day with 4.73 million viewers which increases to 7.49 million with 7-day catch-ups added in.

(9) BRIAN LUMLEY (1937-2024). Horror Writers Association Lifetime Achievement Award winner Brian Lumley died January 2 his website has reported. He came to prominence in the 1970s writing in the Cthulhu Mythos featuring the new character Titus Crow, and in the 1980s began the best-selling Necroscope series, initially centered on character Harry Keogh, who can communicate with the spirits of the dead. His other series included The Primal Lands, Hero of Dreams, and Psychomech. He wrote around 60 books and many works of short fiction.

Lumley also had a 22-year career as a Royal Military Policeman. He is survived by his wife, Barbara Ann (Silky) Lumley, his daughter Julie and many grandchildren and great grandchildren.

Brian Lumley at 1992 World Horror Con. Photo by and (c) Andrew Porter.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 29, 1958 Jeph Loeb, 66. It’s not likely that you’ve heard of Jeph Loeb but you’ll definitely have heard of the work he first did as a comics writer and later film writer/producer. So let’s get started.

Loeb, a four-time Eisner Award winner, started out as comic writer, with his first work being on Challengers of the Unknown with Tim Sale.  Loved that series! 

They notably would somewhat later do Batman: Legends of the Dark Knight and Batman: The Long Halloween. The latter you’ll no doubt recognize. The former is a collection of really interesting stories. It is available from the usual suspects. 

Jeph Loeb

(As always I’m not listing everything, just what I’m interested in.)

They did a really great Catwoman series, Catwoman: When in Rome. I’ll do no spoilers as it’s a six-issue story extraordinary told. If you’ve got lots of money to spare, the absolute edition is, well, absolutely amazing.

At the end of the Nineties, he started a nearly three-year run on Superman with Ed McGuinness largely being the artist. It ended with the rather amazing Emperor Joker storyline. 

Of course this being the two major comic producers, Loeb and McGuinness soon got another a series going, Superman/Batman, and that in turn led to a new ongoing Supergirl series.

Now Marvel. 

He destroyed his hometown of Stamford, Connecticut in the first issue of the Civil War series. Oh poor Stamford.

His Fallen Son: The Death of Captain America series got coverage by the Associated Press and The Washington Post. Impressive. 

Film scripts he has, oh yes.

With Matthew Weisman,  he wrote the script for Teen Wolf, you might recognize for having a major role for Michael J. Fox. Completely different in tone was his next script with Weisman, Commando, the Arnold Schwarzenegger vehicle. And he did Teen Wolf Two as well, this time with Weisman and Tim Kring.

Somewhere in the vaults of Warner Bros is his Flash film script.  Now that would really interesting to read, wouldn’t it?

He wrote a script for an episode of Smallville, after which he became a supervising producer and has written many episodes since then. He had a three year contract extension to stay on the series but left when his son developed cancer. (The son sadly passed away.)

He was writer/producer on Lost during its second season. After leaving Lost, he was co-executive producer and writer on Heroes. Tim Sale’s art was prominently featured. 

Thirteen years ago, Marvel Entertainment appointed him to the position of Executive Vice President, Head of Television of its new Marvel Television. If you’ve watched a Marvel series since then be it Agent Carter or Marvel’s Agents of S.H.I.E.L.D., he’s listed as executive producer.

He left Marvel five years ago. 

(11) COMICS SECTION.

  • Loose Parts has its own peculiar idea about saving the Earth.
  • Candorville has a debate about whether to waste words on a genre topic.

(12) REINVENTING THE WHEEL, ER, GRID? “14 Years Later, a Classic Sci-Fi Franchise Is About to Take its Biggest Risk Yet” claims Inverse.

It’s time to get back on the grid. As of now, the third film in the Tron franchise — titled Tron: Ares, but styled as Tr3N — is officially filming. Fourteen years after the second film, Tron: Legacy, and 42 years after the 1982 classicTron will finally become the weirdest sci-fi trilogy of all time.

How should Tron-heads feel about all this? Will Tr3N fix everything or destroy all programs, now and forever? At this point, it feels like Tr3N will either be great or terrible, with no room for a middle ground. Here’s why….

… Whether the movie is great or horrible, the third Tron movie will have to tackle the paradox of Tron’s essential weirdness. As a concept, Tron was both ahead of its time and terribly shortsighted. In the first film, we got an entire virtual world populated by living, sentient Programs, who manifest as people; imagine The Matrix, but most characters are Agent Smith.

Because it came out in 1982, Tron used arcade game logic to imagine this alternate digital realm, which gave the film its beautifully minimalistic aesthetic. However, this vibe also made “The Grid” seem small and empty compared to the kinds of virtual worlds that have existed in science fiction ever since.

The limitations of Tron’s world-building were so obvious that Tron: Legacy explicitly states Kevin Flynn created a bigger and better second version of the Grid. Still, this Grid feels limited in the same way the first one did, simply because the world-building feels contingent on the real world mattering more than the Grid. The paradox at the heart of Tron is the struggle to make a virtual world matter more than the real world….

(13) BOMBS AWAY. “Dr Strangelove at 60: is this still the greatest big-screen satire?” asks the Guardian.

…The message of Fail Safe: human beings are fallible. The message of Dr Strangelove: human beings are idiots.

On balance, Kubrick’s message is more persuasive. Dr Strangelove remains the greatest of movie satires for a host of reasons, not least that it hews so closely to the real-life absurdities of the cold war, with two saber-rattling superpowers escalating an arms race that could only end in mutual annihilation. There’s absolutely no question, for example, that the top military and political brass have gamed out the catastrophic loss of life in a nuclear conflict, just as they do in the war room here. Perhaps they would even nod sagely at the distinction between 20 million people dead v 150 million people dead. All Kubrick and his co-writers, Terry Southern and Peter George, have to add is a wry punchline: “I’m not saying we wouldn’t get our hair mussed.”…

(14) SLIM NOT-SO-SHADY. [Item by Mike Kennedy.] When it first landed on the Moon a week or so ago, JAXA’s (Japan Aerospace Exploration Agency) first ever Moon lander was unable to generate solar power and quickly lost energy from the battery. Now, however, it appears that the solar panel was misoriented and SLIM (Smart Lander for Investigating Moon) is back online. “Japan’s SLIM probe regains power more than a week after moon landing” reports Reuters.

… SLIM lost the thrust of one of its two main engines shortly before the touchdown for unknown reasons and ended up drifting a few dozen metres away from the target. The lander safely stopped on a gentle slope but appeared toppled with an engine facing upward in a picture taken by a baseball-sized wheeled rover it deployed.

The probe’s solar panels faced westward due to the displacement and could not immediately generate power. JAXA manually unplugged SLIM’s dying battery 2 hours and 37 minutes after the touchdown as it completed the transmission of the lander’s data to the earth.

JAXA does not have a clear date when SLIM will end its operation on the moon, but the agency has previously said the lander was not designed to survive a lunar night. The next lunar night begins on Thursday.

(15) DON’TCHA JUST LOVE DYSTOPIAS….? [Item by SF Concatenation’s Jonathan Cowie.] Dystopias are great (provided you just read about them and not begin to live in them as we now seem we are about to….) Moid over at Media Death Cult has a dive into dystopic fiction.

(16) VIDEO OF THE DAY. “Barbie with a Cat” is a parody of the movie with Owlkitty.

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Anne Marble, Daniel Dern, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 1/25/24 The Pixels Will Continue Until Morale Improves

(1) SWIMMING AGAINST THE TIDE. Malcolm F. Cross takes a deeply skeptical look at “AI, the Algorithm, and the Attention Economy” at Sin Is Beautiful.

…People using AI, even this theoretical ‘good’ kind, are shooting themselves in the foot and don’t know it.

Why? Most generative AI users are trying to participate in the attention economy – attempting to get eyes on their work, to get appreciative comments, sales, to build an audience for content that they produce.

When a generative AI user posts their image on social media, when they use it for their profile, for their website, for all the things art gets used for, they are competing for attention. And they are competing with everything else generated by AI. The same AI everyone else gets to use.

Generative AI for creating images has been big news since DALL-E’s first iteration was released in early 2021. By October 2022 it was generating two million images a day. DALL-E is only one player in the generative AI space for art.  It is estimated that in August 2023, 34 million images were being generated every day across the major generative AI art tools. 15 billion pieces of art, and that was about six months ago.

Assuming you only looked at the most excellent top 0.001% of those 15 billion images, that is still a hundred and fifty thousand images to look at….

… The best the AI artist can hope for in this ideal situation is to be a brief flicker in a constant feed of content we can barely remember.

If the ideas you were trying to express mattered, you wouldn’t have needed AI to win at the attention economy – you could have expressed them with stick figures and still won.

If your ideas actually are that good, then why obscure them by using generative AI?…

(2) AI AND THE FTC. Meanwhile, the Federal Trade Commission today announced it has launched an “Inquiry into Generative AI Investments and Partnerships”. However, apparently is the beginning of a study, not an action in response to a law violation.

…The FTC issued its orders under Section 6(b) of the FTC Act, which authorizes the Commission to conduct studies that allow enforcers to gain a deeper understanding of market trends and business practices. Findings stemming from such orders can help inform future Commission actions.

Companies are deploying a range of strategies in developing and using AI, including pursuing partnerships and direct investments with AI developers to get access to key technologies and inputs needed for AI development. The orders issued today were sent to companies involved in three separate multi-billion-dollar investments: Microsoft and OpenAIAmazon and Anthropic, and Google and Anthropic. The FTC’s inquiry will help the agency deepen enforcers understanding of the investments and partnerships formed between generative AI developers and cloud service providers….

(3) TOC OF ELLISON COLLECTION. J. Michael Straczynski had announced the table of contents for Harlan Ellison’s Greatest Hits.

  • “Repent, Harlequin,” Said the TickTockman
  • I Have No Mouth and I Must Scream
  • The Deathbird
  • Chatting with Anubis
  • The Whimper of Whipped Dogs
  • Jeffty is Five
  • Pretty Maggie Moneyeyes
  • Shatterday
  • Mefisto in Onyx
  • On the Downhill Side
  • Paladin of the Lost Hour
  • The Beast that Shouted Love at the Heart of the World
  • I’m Looking for Kadak
  • How Interesting: A Tiny Man
  • Djinn, No Chaser
  • How’s the Night Life on Cissalda?
  • From A to Z, in the Chocolate Alphabet
  • Eidolons All the Lies That Are My Life
  • With a Preface by me.
  • Foreword by Neil Gaiman
  • Intro by Cassandra Khaw

Straczynski also drew attention to a Barnes & Noble Exclusive Edition of the book.

(4) ANOTHER SFF FILM SHELVED. “Netflix Axes Halle Berry’s Sci-Fi Film ‘The Mothership’” reports Variety.

Netflix has scrapped the release of “The Mothership,” a science-fiction film starring Halle Berry.

The movie finished filming in 2021, but it couldn’t be completed after multiple delays in post-production, Variety has confirmed.

“The Mothership” is the latest Hollywood movie to disappear even though filming had wrapped. Since 2022, Warner Bros. has axed three movies — John Cena’s “Coyote vs. Acme,” the $90 million budgeted DC adventure “Batgirl” and the animated “Scoob! Holiday Haunt” — for the purpose of tax write-offs….

(5) LOVECRAFT’S MAIL. Bobby Derie explores “Her Letters To Lovecraft: Edith May Dowe Miniter” at Deep Cuts in a Lovecraftian Vein.

The details of Mrs. Miniter’s long career—a career inseparable from amateur journalism after her sixteenth year—will doubtless be covered by writers well qualified to treat of them. Reared in Worcester, taught by her poet-mother and at a private school, and given to solid reading and literary attempts from early childhood onward, the erstwhile Edith May Dowe entered amateurdom in 1883 and was almost immediately famous in our small world as a fictional realist. Controversies raged over her stories—so different from the saccharine froth of the period—but very few failed to recognize her importance. After 1890 she was engaged in newspaper and magazine work in the larger outside world, though her interest in amateur matters increased rather than diminished.

H. P. Lovecraft, “Mrs. Miniter—Estimates and Recollections” (written 1934) in Collected Essays 1.380

(6) REASONS TO READ. “25th Century Five and Dime #2: You Should Be Reading Judith Merril!” says columnist David Agranoff at Amazing Stories.

…One of the reasons I started this column is to share these discoveries. Early in the process of doing the show, I discovered the book The Future is Female edited by one of our most popular guests Lisa Yaszek. A few stories into the anthology I knew I had to have her on the show. That book has a similar mission to this column. While women like Octavia Butler and Ursula K. Leguin are famous now but The Future is Female as a book more importantly will introduce you to more obscure authors like Katherine Maclean and well known in her day Judith Merril. Her name was always a respected one in SF.

In that collection which collected the best of the pulp era SF ranging from the 20s to the end of the 60s was a story from the 40s by Merril that really stood out for me. “That Only a Mother.” The story of fall-out sickened children of atomic wars was a brutal and powerful stand-out. When Lisa gave us background on the story and author it was clear that JM was an important figure in the community and I needed to know more.

Since then, reading several histories from Fredrik Pohl, Damon Knight, Boucher, and Malzberg further made the point Judith Merril is an important voice in SF. Her role as a founding member of two major NYC clubs The Futurians and the Hydra club predates her publishing that began in 1948…. 

(7) RUBY SUNDAY MAYBE NOT GONE? RadioTimes’ Louise Griffin claims “Millie Gibson’s future on Doctor Who is still very bright”. Gibson plays Doctor Who companion Ruby Sunday.

Emotions have, understandably, been high as reports about Millie Gibson ‘being replaced’ in Doctor Who have rolled in.

First, let’s get the facts right. It’s been reported that Varada Sethu has been cast as the companion in season 15. Great news! Millie Gibson has not been “dropped” or “axed” – actually, the opposite as she’ll still be in season 15, just in a smaller role. But I think this is actually incredibly exciting….

(8) IN THE BEGINNING.  He wasn’t in it, he’s just telling the story: “Sylvester McCoy reminisces about first ever Doctor Who broadcast” in RadioTimes.

Sylvester McCoy has spoken of his fond memories of Doctor Who and reflected on the sci-fi’s first ever episode….

…He said: “It’s been 60 years now. I know where I was when it first came out, partly because I know where I was when John F Kennedy was shot, which happened the day before Doctor Who was broadcast.

“The BBC had to repeat the first episode of Doctor Who the following week because no one had watched it. They were all glued to the news about the Kennedy assassination and Doctor Who got pushed out. But when Doctor Who started, we had no concept it would go on forever and ever and ever.”…

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 25, 1926 Bob Clarke. (Died 2013.) Stepping not quite outside of genre, or maybe not at all, we have Bob Clarke. 

Clarke started at the age of seventeen according to the stories he tells as an uncredited assistant on the Ripley’s Believe It or Not! comic strip. Ripley himself traveled the world collecting his fantastic trivia tidbits and sent them back to Clarke who drew them, captioned them and circulated them. There’s no way to prove or disprove this story.

(It’s most likely true because years later, he illustrated MAD‘s occasional “Believe It or Nuts!” parody in that style.) 

Quite a few sources, briefly and without attribution, say he designed the label of the Cutty Sark bottle.

After two years with Ripley’s Believe It or Not!, Clarke joined the army, where he worked for the European edition of Stars and Stripes and met his wife. Clarke remained with Stars and Stripes after being discharged as a civilian contributor, before eventually returning to America and joining the Geyer, Newell, and Ganger (GNG) advertising firm. He was among the artists there who designed the box for the children’s game Candyland

Now to MAD Magazine. Clarke was one of the artists who took up the slack he after original MAD editor Harvey Kurtzman left MAD in an absolute rage, taking two of its three main artists Will Elder and Jack Davis, with him. He claimed working at GNG with its design needs was his best training for this endeavor —“I learned about typefaces and layouts, how to prepare comps in the styles of many artists and cartoonists.” 

In his first year alone there, he illustrated twenty-four separate articles; he would eventually draw more than six hundred. Yes, six hundred.  Here’s one of those illustrations from MAD magazine # 156.

And that doesn’t count myriad covers such as the one below. He was a principal artist of the magazine as it rose fast in circulation, being one of four general-purpose artists who took MAD through the late Fifties and early Sixties, arguably the best years of the magazine. 

(10) OH NO! File 770 contributor Steve Vertlieb had a close call but fortunately sustained just a small injury. He explained what happened on Facebook.

This has been a week from Hell. At approximately two o’clock in the afternoon on Monday, January 22nd, the proverbial “Kracken” was released onto the highway. I was driving to the post office, going North on Bustleton Avenue in Northeast Philadelphia, on “a wing and a prayer,” when an elderly woman of Russian descent, driving her car going South, took a dangerous left hand turn into opposing traffic in order to gain entrance to her apartment complex.

I was on the inside lane, and so my vision was obstructed by cars to my left. Suddenly, out of nowhere, her vehicle appeared directly in front of me, less than a car length ahead. I screamed in panic, and jammed my foot on the brakes, but it was too late. I crashed into the side of her vehicle with a sickening crunch that I’ll not soon forget.

My vehicle’s airbags deployed upon impact, hitting me in the chest, and grazing my right hand which was clutched on the steering wheel. Smoke filled my car, and fluid drained onto the street all around me.

It could have been worse, I suppose. I could have been seriously injured or killed. A bloody gash adorns the torn skin of my injured hand. My car was totaled. It was paid off, and running in fine condition. I’d taken it in for a four thousand mile checkup only several days earlier.

Now I’m facing an expensive search for a replacement vehicle, while literally stranded in my apartment for the better part of a week. I’m picking up a rental on Friday.

I’m grateful to be alive, yet wondering why my recent mini-stroke, or T.I.A., was followed in rapid succession with a nearly deadly car crash. I seem to be on a roll of late in health threatening catastrophies.

(11) ECHO OVERCOMES. [Item by Mike Kennedy.] Prepare for the cries that “wokeness is out of control.“ This despite the fact that the Marvel character’s description (female, indigenous, deaf) is pretty darn well matched by the actor’s description (female, indigenous, deaf, amputee). Echo, starring Alaqua Cox, is on Disney+ and Hulu. “Alaqua Cox Was Bullied for Being Deaf and an Amputee, Now the Marvel Star Is ‘Proud’ to Prove She ‘Can Do Anything’” in People.

Preparing to play a formidable Marvel character is a notoriously demanding process that pushes actors to the pinnacle of physical fitness.

For Alaqua Cox, who’s making history as the first Native American star to lead a Marvel series in the new Disney+ show Echo, it meant training five days a week with a stunt team to learn a slew of butt-kicking moves.

“I grew up playing different kinds of sports — I would play one-on-one basketball with my older brother — so I love doing those kinds of physical things,” the actress, who, like her character Maya Lopez, is an amputee and has been deaf all her life, tells PEOPLE in this week’s issue.

Cox, 26, originated the ruthless role with her breakthrough performance opposite Jeremy Renner in the series Hawkeye. Echo, who debuted in Marvel comics in 1999, is a gifted fighter with superhuman strength and a thirst for vengeance.

(12) CALLING WOLF. Sam Sykes on X. I laughed.

(13) VIDEO OF THE DAY. 2023 Hugo Award finalist O. Westin has started a MicroSFF YouTube channel where a selection of their stories are read and presented in a simple format. For example:

[Thanks to John King Tarpinian, Chris Barkley, Daniel Dern, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Lis Riba.]

Pixel Scroll 1/22/24 Encounter at Fargo

(1) KUANG ON BABEL’S HUGO INELIGIBILITY. Rebecca F. Kuang decided that saying nothing isn’t an option. “Rebecca F. Kuang: ‘statement’” at Bluesky.

(2) ANOTHER WAY TO RUN A RAILROAD. Answering some writers’ renewed cry that the Hugo Awards be taken away from the Worldcon, Cheryl Morgan has drafted a proposal. It’s explained in “Decoupling the Hugos” at Cheryl’s Mewsings. Morgan’s draft can be downloaded at “Independent-Hugo-Administration.pdf”.

In amongst all of the discussion as to what to do about the Chengdu Hugo issue has been one suggestion that can actually be implemented, albeit over a number of years. That is decoupling Hugo Award Administration from the host Worldcon, so that the laws of the host country cannot interfere with the voting process….

… WSFS already has an organization called the Mark Protection Committee (MPC), which is responsible for maintaining the service marks that WSFS owns (in particular “Hugo Award” and the logo). I suggest renaming this the Independent Hugo Award Administration Committee (IHAAC) and giving it, rather than Worldcon, the job of administering the voting process. The IHAAC would recruit experienced administrators in much the same way that Worldcon does, but there would be a lot more consistency from year to year.

Worldcon would still have the option of staging a Hugo Award ceremony, and creating a distinctive trophy base, but equally it could decline to do that and pass the job back to the IHAAC.

Kevin [Standlee] and I cannot take this proposal forward ourselves. Kevin is a member of the MPC, and I effectively work for them in maintaining the WSFS websites, so we both have a vested interest. Our involvement could easily be portrayed as a power grab. But we are happy to provide help and advice to anyone who does want to take this forward at Glasgow….

(3) DON’T MAKE CHANGES THAT TAKE VOLUNTEERS FOR GRANTED. Abigail Nussbaum has a remarkably insightful post about the current crisis: “The 2023 Hugo Awards: Now With an Asterisk” at Asking the Wrong Questions.

… Even taking this most charitable view of events, however, there comes a point where honest mistakes corrupt a result too thoroughly to be distinguishable from malice, and that’s before we even get into those three still-unexplained ineligibility rulings. Unless Chengdu steps forward with more information, there is, unfortunately, no avoiding the conclusion that the 2023 Hugo results are irreparably tainted.

On the matter of those three disqualifications, the assumption that many people are making—and which, again, seems like the most plausible conclusion until and unless Chengdu starts answering questions—is that all three were struck off for political reasons. This might mean outright government interference, or someone on the Hugo team complying in advance, or an independent but politically-motivated actor among the award’s administrators striking off work they don’t approve of. This may also explain the silence from the Hugo team, who may fear reprisals towards themselves or their teammates. At this point it is possible that we will never know the whole story of what happened to the 2023 Hugo Awards. Which means the important question before us is how to move forward.

That question is complicated by the erratic, increasingly rickety superstructure of the Hugos and the Worldcon as a whole. Put simply, there is no Worldcon organization. Each convention is its own corporate entity charged with holding the convention and administering the Hugos, and bound only by the WSFS constitution. Said constitution is discussed and amended in the annual Business Meeting, a sclerotic, multi-day affair administered under rules that seem designed to baffle new participants and slow change to a creeping pace. What this means, among other things, is that there is no actual oversight over any individual Worldcon’s behavior, and no mechanism to claw back either the convention or the Hugos if it appears that they are being mismanaged.

It’s not at all surprising that the reaction of many people upon learning these facts, and especially in the present context, is to immediately leap to the conclusion that this entire system should be scrapped and replaced with a centralized authority. This, I think, is to ignore some very basic facts: the Worldcon is a fully volunteer-run organization. The free labor that goes into administering it, and the Hugos specifically, probably runs to tens, perhaps hundreds, of thousands of dollars in value. The idea that one can simply erect a super-organization under those same conditions is hard to imagine….

(4) LECKIE ON THE HUGOS. If you happen to be on Bluesky, Ann Leckie has a thread with a lively discussion. It begins:

(5) MORE CHINESE SOCIAL MEDIA RESPONSES. [Item by Ersatz Culture.] Some more anonymized online reactions to social media posts about the Hugo nomination report, some of which are based on coverage of the continued Anglosphere reactions, such as John Scalzi’s blog post about Babel.

English translations are all via Google Translate unless otherwise indicated, with minor edits or commentary in square parentheses.  Some of the smileys haven’t come through, so bear in mind that some of these should be read in a sarcastic tone.

怎么感觉雨果奖次次都有瓜

Why does it feel like the Hugo’s have a melon every time? [Note: “melon” is Chinese slang – maybe “drama” is a reasonable translation in this context?  Also, this translation is via DeepL; Google Translate comes up with a less literal result, but which I think is incorrect]

2023这次应该是“中国雨果奖”吧。

This time in 2023 it should be the “China Hugo Award”. 

雨果奖到底怎么了

What happened to the Hugo Awards?

看到这新闻心里没有一丝波澜,甚至觉的这事发生在这里太正常辣,出现正面新闻才令人惊讶呢。外国人对真实的种花家还是了解太少

When I saw this news, I didn’t feel any emotion at all. I even thought it was too normal for this to happen here. It was surprising to see positive news. Foreigners still know too little about real flower growers [Note: “flower growers” = China]

太可惜了

What a pity

然而巴别塔还在国内出中译了,就很神奇 很迷惑

However, [Tower of] Babel has been translated into Chinese in China, which is amazing and confusing

到底为什么呀怎么感觉这么大的事情国内平台都没几个声??

Why on earth do you feel that there are not many domestic platforms talking about such a big thing? ?

因为雨果奖怎么样并不算大事,国内的雨果奖获奖作品能给媒体带来多少收入才是大事

[replying to previous comment] Because it’s not a big deal how the Hugo Award is, but how much income the domestic Hugo Award-winning works can bring to the media is a big deal

真实了,我记得之前国内作者获得雨果奖的时候大小媒体都在采访

[A further reply] It’s real. I remember when a domestic author won the Hugo Award, all the media were interviewing him.

我推测并不是CN康的审查而是主办方自身某种私心(虽然我不知道具体是什么动机),要知道《巴别塔》本身有一种强烈的“早产的列宁主义”的意味,在这边不要太正确。当然,我坚决拥护斯卡尔齐老师对办会章程的建议!

I speculate that it is not CN Kang’s censorship but some selfish motives of the organizer (although I don’t know the specific motivation). You must know that “[Tower of] Babel” itself has a strong sense of “premature Leninism”. Don’t be too correct. Of course, I firmly support Mr. Scalzi’s suggestion on the rules of the conference!  [I’m not sure what “CN康” is, Wikipedia says “CN” is “virgin”, but that doesn’t seem to make any sense in this context.]

????所以呢?在其他地方举办世界科幻大会没有按国外的审美标准就是存在疑问及不适合的?

????So what? Is it questionable and inappropriate to hold the World Science Fiction Convention elsewhere if it does not follow foreign aesthetic standards?

毕竟是有关国家信誉的大事,别只写获奖不写争议吧咱就说

After all, it is a major matter related to the credibility of the country. Don’t just write about the awards and not the controversies. Let’s just say  [This comment cced in half-a-dozen news organizations, some of which are ones that I recognize from earlier coverage of the con, I think some of which was linked in prior Scrolls]

《巴别塔》批判殖民主义,还以英国为背景,咋不猜是英国通过某些手段干预了提名[smiley]

“[Tower of] Babel” criticizes colonialism and is set in the United Kingdom. Why don’t you guess that the United Kingdom interfered with the nomination through certain means [smiley]

去年看的巴别塔,前不久看的Yellowface,Rebecca F. Kuang就是很灵秀啊,23年雨果奖怎么搞的评委最清楚啦

I [read] [Tower of] Babel last year and Yellowface not long ago. Rebecca F. Kuang is so smart. The judges of the [2023] Hugo Awards know best

《巴别塔》明明是歌颂中国人民反殖民主义的努力的啊,被雨果奖错过太可惜了

“[Tower of] Babel” obviously praises the Chinese people’s anti-colonial efforts. It would be a pity to miss out on the Hugo Award.

这,别人也倒罢了,她不是参与过联名抵制成都科幻大会吗?现在觉得自己被除名还应该给个具体原因了?

[Re. Xiran Jay Zhao] This is just for others. Didn’t [they] participate in a joint boycott of the Chengdu Science Fiction Conference? Now you feel like you should [be given] a specific reason for being removed?

赵希然,写武则天开机甲的那个华裔女科幻作家。她说唐代是中国的荡妇时代。

Zhao Xiran, the Chinese science fiction writer who wrote about Wu Zetian’s mecha. [They] said that the Tang Dynasty was the era of sluts in China. [referring to this Tweet]

Kuang特别棒 熬夜读完了1/4的巴别塔

Kuang is awesome. I stayed up late and read 1/4 of Tower of Babel.

(6) MAP CANNON. Yesterday’s China roundup by Ersatz Culture included the term “map cannon”, for which made an approximate English translation. Thanks to Gareth Jelley for finding a Baidu Encylopedia article that explains it in detail.

The map cannon originally refers to a map attack type weapon in the “Super Robot Wars” series. It first appeared in the “Second Super Robot Wars” in the Magic Machine God’s Sebastian , and was later used to refer to some mass destruction weapons. weapons or magic. On the Internet, the extended meaning of “map cannon” is the act of verbally attacking a certain group. On the Internet, it often refers to geographical attackers , or the behavior of a few people is used to deny the behavior of a certain group.

Since in many anime works, the map cannon exists as a weapon with great power and large area of ​​destruction, so in some forums (such as NGA), the map cannon is extended to large-scale indiscriminate deletion of posts, banning IDs, and punishing users. Behaviors such as this also often refer to some moderators who often delete and ban people on a large scale and indiscriminately.

It can also express prejudice against certain things. There is often a label that summarizes the whole based on the characteristics of the part. Prejudice against different groups of people will always exist. However, there are also some “facialization” who are willing to be accepted by others – if they think they are at the top of the discrimination chain. The rise of the Internet has redefined the standards of “us” and “them” for the first time.

(7) COMIC RELIEF KERFUFFLE. Doctor Who fandom blew up yesterday. The first one got almost 300K views. The second is one of the more entertaining replies.

(8) YOUR SF TAXONOMY. Horst Smokowski lists “All the Types of Science Fiction”: at McSweeney’s Internet Tendency. There are fifty of them. The first three are:

1. Check this place out, it’s dope

2. Technology solves problems ???? (future good)

3. Technology creates problems ???? (future bad)

(9) EXTREME SUFFRAGE. Looking for more sff awards you can vote for? (Oh, you glutton for punishment!) Rocket Stack Rank has a roundup here: “SF/F Ballots For Stories From 2023”.

Here are links to ballots for various SF/F awards, 5 that are open to all, and 4 that are open to members of a convention or association. Highlighted awards are currently open for voting.

The magazine-specific awards come with a longlist link to all stories published by each magazine, with blurbs to help you remember the ones you’ve read and scores to guide further reading….

(10) FREE READ. Marie Brennan’s “Embers Burning in the Night” is a free-to-read story at Sunday Morning Transport, offered to encourage new subscriptions.

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 22, 1970 Alex Ross, 54. So Alex Ross, eh? A fantastic, in all senses of that word, comic book illustrator and writer whose first work with comic book writer Kurt Busiek, the four-issue The Marvels for, er, Marvel Comics would been a highlight of anyone else’s career.

Not Ross though.  Another four-issue run, Kingdom Come, this time for DC, under their Elseworlds imprint, told of an aleternate DC  universe that might have happened. One of my favorite DC stories. It was written by Mark Waid and him. 

Yes, he can do pulp as he illustrated the John Layman written series, Red Sonja/Claw:  the Unconquered Devil’s Hands,  that  was co-published with Dynamite Entertainment where Red Sonja and Claw, a  cursed warrior I had never heard of before this, had a series of adventures that showed Red Sonja’s assets very well. 

He’s just not interested in the costumed superheroes. Over at his website, you’ll find the prints he’s done for the Universal Monsters – Dracula, Wolf Man and so forth, they’re all there. The prints look fantastic bad they can be yours if your pocket change is deep. 

Here’s my favorite piece of art by him. 

(12) COMICS SECTION.

  • Frazz is for editors.
  • Last Kiss breaks the fourth wall.
  • Annie mentions science fiction, and also might be a reference to this B.C. strip.

(13) THE SGT. MAJOR’S MARSCON REPORT. [Item by Dann.] Mike Burke is a retired US Marine Corps Sergeant Major.  Mike operated under the nom de plume (or perhaps nom de guerre) of “America’s Sergeant Major” for several years.  He has led Marines in peace and in war.  Since his retirement, he has written fiction and nonfiction for the US Naval Institute.  The USNI is a non-profit organization with the purpose of providing an “independent forum for those who dare to read, think, speak, and write in order to advance the professional, literary, and scientific understanding of sea power and other issues critical to global security.”

Sgt. Maj. Burke has started writing on Substack as Spearman Burke and is a self-professed “noob” at the profession of writing.

He recently attended Marscon in Norfolk, VA and has a report from the con.  He was able to meet Ben Yalow, David Weber, Kacey Ezell, and a few other notable authors.  One of Kacey’s stories was what inspired Mike to pursue his next career as a genre author.  He scored a contract to submit a short story for an anthology at the con.

(14) CRIME AND PUNISHMENT. AP News says “Reformed mobster who stole Judy Garland’s ruby slippers from ‘Oz’ wanted one last score”. Now they’re about to drop the big house on him.

The aging reformed mobster who has admitted stealing a pair of ruby slippers that Judy Garland wore in “The Wizard of Oz” gave into the temptation of “one last score” after an old mob associate led him to believe the famous shoes must be adorned with real jewels to justify their $1 million insured value.

Terry Jon Martin’s defense attorney finally revealed the 76-year-old’s motive for the 2005 theft from the Judy Garland Museum in the late actor’s hometown of Grand Rapids, Minnesota, in a new memo filed ahead of his Jan. 29 sentencing in Duluth, Minnesota.

The FBI recovered the shoes in 2018 when someone else tried to claim an insurance reward on them, but Martin wasn’t charged with stealing them until last year….

(15) ROBERT BLOCH WEBSITE UPDATE. Jim Nemeth of the Robert Bloch Official Website announced a major update.

At the (fantastic) suggestion and immense help of Mr. David J Schow (DJS) we now have a new Gallery page, showing just about every/all sides of our beloved Bob.

(16) THE REMNANT OF HUMANITY IS COMING HOME. Friends of Fred Lerner will be excited to hear that his book In Memoriam will be released by Fantastic Books And Gray Rabbit Publications on July 2.

David Bernstein is a 17-year-old member of the Remnant of Terra, the descendants of the 2,000 people who survived the Cataclysm that destroyed human life on Earth. For two centuries the Remnant has lived among the Wyneri, who rescued the few survivors and brought them to their world. Although the Wyneri are physically and psychologically very similar to Terrans, the two species interact only when they must. The Remnant earn their keep among their alien hosts, but otherwise remain apart, devoting themselves to preserving the cultural heritage of Terra.

David, however, is fascinated with the Wyneri and their culture, an interest shared by none of his contemporaries. Attending a Wyneri performance he meets a Wyneri girl his own age, and he and Harari strike up a taboo friendship.

While David learns about his Terran heritage, he feels very much alone in trying to also learn about the history of the Terran-Wyneri relationship. Violent Wyneri xenophobia drives David to intensify his studies, and to dig into the mysteries surrounding the Cataclysm, the rescue, and the ensuing two centuries of cover-ups. He begins to suspect a long-lived cabal that has spent the years working in secret, preparing for a return to Earth.

Harari’s murder crystallizes David’s need to explore the Terran-Wyneri history. Her posthumous message proving that the Cataclysm was caused by rogue Wyneri military personnel leads David to the Remnant’s leaders, who confirm it as genuine. Their conclusion? The time has come for Terrans to separate from the Wyneri. They enlist David’s help to persuade the Remnant to return to Earth, and to encourage the Wyneri to help them.

(17) RED PLANET WINGS. “Nasa plans to fly giant solar-powered Mars plane to look for water on Red Planet” reports The Independent.

Nasa has received its first set of funding to develop a giant airplane that could fly high in the planet’s atmosphere and look for signs of water on the Red Planet.

The solar-powered vehicle, called Mars Aerial and Ground Intelligent Explorer or Maggie, is expected to fly in the Martian atmosphere with vertical take-off and landing (VTOL) capability similar to Nasa’s pioneering Ingenuity Mars helicopter.

With fully charged batteries, the Mars airplane could fly at an altitude of 1,000m for about 180km with its total range over a year on Mars expected to be over 16,000 km, the space agency said earlier this month.

Using the aircraft, Nasa hopes to conduct three studies on the Red Planet’s atmosphere and geophysical features, including the hunt for water, research on the origin of the planet’s weak magnetic field as well as tracing the elusive source of methane signals on Mars….

(18) HIDDEN HISTORY. Constellation comes to Apple TV+ on February 21.

“Constellation” stars Noomi Rapace as Jo — an astronaut who returns to Earth after a disaster in space — only to discover that key pieces of her life seem to be missing. The action-packed space adventure is an exploration of the dark edges of human psychology, and one woman’s desperate quest to expose the truth about the hidden history of space travel and recover all that she has lost.

(19) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Isaac Arthurs has just had his monthly sci-fi weekend and asks who would win: robot or alien?

We often worry that humanity might be attacked by Aliens or AI, but which is worse and which would win in a battle between them?

[Thanks to Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Andrew (not Werdna), Gareth Jelley, Dann, Rich Lynch, Daniel Dern, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Henley.]

Pixel Scroll 1/20/24 Are You There, Microcosmic God? It’s Margaret’s Mini-Me

 (0) Today’s Scroll will be lean because I’ve spent my hours writing about the 2023 Hugo Award Stats Final report posted today on the official Hugo Awards website. My analysis is here: “2023 Hugo Nomination Report Has Unexplained Ineligibility Rulings; Also Reveals Who Declined”.

(2) NEIL GAIMAN. And here’s what he had to say on Bluesky about a couple of those ineligibility rulings.

(3) DIFFERENCE ENGINEER. [Item by Steven French.] “Play about computing pioneer Ada Lovelace wins Women’s prize for playwriting” reports the Guardian.

A play about the reincarnation of the Victorian computing pioneer Ada Lovelace has won this year’s Women’s prize for playwriting.

Intelligence, by Sarah Grochala, follows Lovelace’s attempts to forge a career for herself as a serious scientist in 1840s London and being continually obstructed by men.

But in an unexpected twist of fate, Lovelace finds herself repeatedly reincarnated and gets the chance to try for fame again, first as Grace Hopper (creator of COBOL) in 1940s America, and then as Steve Jobs in 1980s Silicon Valley. Eventually, confronted with the destruction of all her work by a shady tech billionaire, she realises that it is the very nature of intelligence that she should be fighting for….

(4) APPEAL TO CONSERVE PRATCHETT COVER ARTIST’S WORK. The Guardian tells that “Family of Discworld illustrator seek wealthy patron to conserve legacy of ‘one of the great artists of our time’”.

 Josh Kirby’s art has adorned hundreds of book covers – perhaps most notably dozens of Terry Pratchett novels, especially the bestselling Discworld series.

His body of work is far more wide-ranging, though – Kirby’s paintings have graced the covers of volumes by Ray Bradbury, Ian Fleming, HG Wells, Jack Kerouac, Herman Melville and Neil Gaiman, and he’s done posters for movies including the Star Wars franchise.

Now the family of the artist, who died in 2001, is looking for a philanthropist of the arts to keep the vast collection of original paintings together and make sure Kirby’s original artworks are preserved for posterity in one or more museums or galleries.

(5) MORE ON ROGER PERKINS. [Item by SF Concatenation’s Jonathan Cowie.] The British SF fan recently sadly died.  He was introduced to fandom through the ‘City Illiterates’, the Phil Strick SF class at the Sandford Institute in 1971 before moving to the City of London Institute of Literature (City Lit – hence the  ‘City Illiterates’). His first convention was Chessmancon in 1972 after which he was an Eastercon and Novacon regular.  He then became part of the BECCON (Basildon Essex Centre/Crest CONvention) team that ran series of biennial SE England regional conventions (1981, ’83 and ’85) conventions before running the BECCON ’87 Eastercon (Britain’s national convention) in Birmingham (which saw the launch of SF2 Concatenation as an annual print zine as one of a couple of the convention’s spin-offs).  Roger was BECCON’s treasurer for all four conventions. He went on to be a member of the 1989 Contrivance Eastercon. In their bid to host that year’s Eastercon, they held a fan vote on two sites: one on mainland Britain and one on the Jersey Channel Isles.  The vote for Jersey was decisive but nonetheless caused the usual ire of fandom’s vocal minority who claimed that as the Channel Isles were not part of Britain (it is a UK protectorate), they should not host the British national convention. Nonetheless, that convention was such a success that it prompted others to put on the 1993 joint Eastercon-Eurocon in the same venue a couple of years later.  Roger gafiated shortly after moving from NE London to Wales where he had a boat called Chrestomancy.

BECCON ’81 committee and GoH. From left: Peter Tyers, Simon Beresford, Jonathan Cowie (behind), Mike Westhead, Anthony Heathcote, Bernie Peek, Barrington J. Bayley (GoH), Kathy Westhead, Roger Robinson, John Stewart, Brian Ameringen, Simon Beresford, Charles Goodwin, Roger Perkins.

(6) WHO COMPANION SHOWN THE TARDIS DOOR. Deadline says after her first season “’Doctor Who’ Star Millie Gibson Dropped; Varada Sethu Joins BBC Show”.

Here’s a shocker: the BBC and Bad Wolf have reportedly replaced Millie Gibson as Doctor Who‘s companion after she filmed just one season as Ncuti Gatwa‘s sidekick.

The Daily Mirror’s Nicola Methven, who is well-sourced on Doctor Who, said Gibson would be replaced by Andor star Varada Sethu in Gatwa’s second season as the Time Lord.

The BBC and Bad Wolf did not respond to a request for comment. The story has not been denied and appeared to be confirmed by Gatwa on Instagram (see below)….

…The Mirror said the decision was made by Doctor Who showrunner Russell T Davies and Gibson will not appear in the 2024 Christmas special after her first full season, which premieres in May.

“Millie Gibson has all but left now and there’s a brand new companion, which is really exciting,” a source told the Mirror. “Russell is keeping things moving and isn’t letting the grass grow, that’s for sure.”

On Sethu, a BBC source added: “Varada is a real gem, Russell was just blown away by her talent. The cast and crew have really warmed to her and he’s sure the fans will too.”…

Here’s the Wikipedia on Varada Sethu.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 20, 1948 Nancy Kress, 76. Another one of my favorite writers. Okay, I do like a lot of female writers. I also have a fair number who get chocolate. A coincidence? You decide. 

She has won two Hugos, the first for her “Beggars in Spain” novella — later a novel as well, both are excellent in their own way.  Isaac Asimov’s Science Fiction Magazine published it first in April 1991 in three parts.  Avon than, after expanded it, adding three additional parts to the novel, published it two years. There followed Beggars and Choosers, and Beggars Ride. They make up the Sleepless series. 

Nancy Kress

She’s a prolific writer. The Probability Universe trilogy, or a trilogy so far, with an Earth wrecked by ecology disaster coupled with a stargate and an alien artifact of possible immense power is fascinating.

The Crossfire twofer reminds a bit of something Anderson might do if he was writing today with a colony finding that it’s sharing a world with an alien race. It’s excellent but then she’s a very, very good writer always.  

Under the pen name Anna Kendell, she wrote a trilogy of present day thrillers in a series called Robert Cavanaugh Genetic. Bit awkward I think but it gets some point across. 

Not to be outdone there, that name went all out fantasy in Soulvine Moor Chronicles Series where a man cross over to the land of the dead. It was set in imagined medieval times.

We’re back to her name and her fascination with genetics, so t Nebula Award-winning novella, the Yesterday’s Kin series, this purely SF looks the limits of human genetics.

Now for her short stories, oh my, I think she wrote, though I can’t count accurate that high, close to a hundred stories. So which collection is the best to get a reason sampling of these stories? That’s easy —the Subterranean Press’ massive 560 page The Best of Nancy Kress

(8) COMICS SECTION.

  • The Far Side has a writer in crisis.
  • Tom Gauld has gone revisionist.

(9) £1 MILLION COMICS. “First-edition Superman and Spider-Man comics sell for more than £3million” at Wales Online.

Heritage Auctions in Dallas, US, has sold a number of comics. A Superman> no. 1 went for £2,006,269 (US$2.34 million). The first Amazing Spider-Man from 1963 in mint condition fetched £1,086,990 (US$1.38 m) which is reportedly nearly three times the previous record for that title. Finally, an All-Star Comics no.8, which saw Wonder Woman’s debut, was sold for £1,182.166 (US$1.5m).

(10) MISSED CLOSE ENCOUNTER. [Item by SF Concatenation’s Jonathan Cowie.] I was disappointed to learn that I missed a close encounter with a UFO in central London this week: I was just several miles away and had I looked over the roof tops I would have seen it in the distance! “Massive Samsung drone show with colourful whirring lights ‘mistaken for UFO’ – and passerbys cry ‘call the Men In Black’” in The Sun.
 
The huge UFO seemed to have made it through the Moonbase interceptor shield, and evaded Sky Diver.  Over 100 feet across (police laser range finders put it at 100 cubits exactly), the UFO shone with many lights, some of which were presumably navigation landing lights.

The craft hovered and rotated for eight minutes before appearing to land on the River Thames.
 
So why did it pick Canary Wharf, London’s second financial centre and overflow from the city’s ‘Square Mile’?  Well, for us Brit Cit locals, who are used to seeing SHADO mobiles rumbling through green belt woodland, the prevailing view is that that location was picked to avoid the said SHADO mobiles as these are too bulky to operate in the city. (Besides, think of the damage a mobile cannon could do to the area’s opulent buildings.)

Of course, it wasn’t long before SHADO released its cover story. The UFO was composed of a hundred drones flying in formation to mark Samsung’s launch of its new AI powered Galaxy S smartphone. Believe that if you must.

The truth is up there.

(11) FOR YOUR BETROTHED. Manly Brands has plans for your wedding ceremony – give your spouse a selection from the “Lord of the Rings™ Ring Collection”. Others not shown include The Gollum and The Ringwraith. Fully endorsed by marriage counselors and divorce attorneys!

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/12/24 You’re Scrolling Into Another Dimension, The Signpost Up Ahead, The Pixel Scroll

(1) STOKERCON 2024 ADDS GOHS. The Horror Writers Association has announced two new Guests of Honor for StokerCon, Justina Ireland and Nisi Shawl. They join Paula Guran, Jonathan Maberry and Paul Tremblay, with a sixth guest soon to join them.

(2) SCHOLARSHIP FROM HELL. Applications are open for the Horror Writers Association’s annual Scholarship From Hell through March 1. Full details at the link.

This scholarship puts the recipient right into the intensive, hands-on workshop environment of Horror University.  Horror University takes place during HWA’s annual StokerCon. The winner of the Scholarship From Hell will receive domestic coach airfare (contiguous 48 states) to and from the StokerCon venue, $50 for luggage reimbursement, a 4 night stay at the convention,  free registration to StokerCon, and as many workshops as you’d like to attend!

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to join Izzy Wasserstein for Kansas City BBQ in episode 216 of his Eating the Fantastic podcast.

Izzy Wasserstein

The guest you and I will be breaking bread with this time around is Izzy Wasserstein, who’s published fiction in AnalogApexLightspeedFantasyFireside, and many other magazines, plus such anthologies as A Punk Rock FutureResist FascismFuture Fighting for the Future: Cyberpunk and Solarpunk TalesGlitter + Ashes: Queer Tales of a World That Wouldn’t Die, and more.

Many of those stories have been collected in her marvelous short story collection All the Hometowns You Can’t Stay Away From, which was a Lambda Literary Award finalist. Her poetry collections include When Creation Falls and This Ecstasy They Call Damnation. Her forthcoming debut novella These Fragile Graces, This Fugitive Heart will be released by Tachyon in March, and you should preorder it right now.

We discussed the way Sarah Pinsker sparked her lightbulb moment, why it’s important for her to learn your chosen D&D character, which Star Trek: The Next Generation characters caused her to take her first stab at writing, the change she’d make in her life if she were independently wealthy, why we both miss those paper rejection slips from publishing’s pre-electronic days, the disconnect between the way we feel about certain stories of ours and how readers respond, the most important gift she was given by the Clarion writing workshop, our perverse love for second-person present-tense stories, how surprised she was when she sold a story to Analog, and much more.

(4) TBRCON PANEL. Gareth L. Powell alerted fans to an upcoming event. It’s free to watch.

As part of TBRCon, I will be participating in an online panel discussion with Ai Jiang, Max Gladstone, Sadir S, Samir, Nicholas W. Fuller, and Jendia Gammon.

The panel will stream LIVE on: the FanFiAddict YouTube channel, the TBRCon Twitter feed, the SFF Addicts Twitter feed, and the FanFiAddict Facebook page.

It takes place on Jan 25 at 11.00am CST / 12.00pm EST / 17.00pm GMT and is absolutely FREE to watch.

Additional information can be found here:
https://fanfiaddict.com/tbrcon2024/

(5) FANAC FANHISTORY ZOOM SERIES. Fanac.org kicks off a new year in its zoom programming next week when they interview Joe Green, fan, sff writer, and NASA spokesman.

Next Zoom Session: An Interview with Joe Green

Please Note: NEW TIME to better accommodate our attendees requests from around the world. Graphic poster attached.

January 20, 2024 – 3PM EST, Noon PST, 8PM London GMT and 7AM Jan 21 in Melbourne

Joe Green has traced an amazing arc through fandom, prodom and the space program. Joe was a fan in the 50s, is a professional science fiction writer with his first stories having appeared in the early 60s, and later became a NASA spokesman, specializing in educating the public about the space program. Host of many a legendary launch party, Joe has lived the dream of many a young science fiction fan.

Send a note to [email protected] with “Zoom” in the title to subscribe.

View past sessions on the FANAC Fan History YouTube channel.

(6) THE GREAT TIME WAR. “Doctor Who Season 15 Trailer Brings Back a Classic Companion for a New Time War Scene”Den of Geek tells what to look for.

 [The] announcement trailer for Doctor Who: The Collection – Season 15 …features a whole new scene starring former companion Leela. In the short “Leela vs. the Time War,” Leela, played again by Louise Jameson witnesses the final moments of the Great Time War on Gallifrey. As she watches the Daleks decimate the remains of the Time Lord capitol, a soldier arrives with a gift from the Doctor, forcing her to make a decision. Check out the full scene here:

(7) STAN MATTSON (1937-2024). J. Stanley Mattson, who founded the C.S. Lewis Foundation in 1986, died January 9. He is survived by his wife Jean.

A past member of the faculty of Gordon College and of the faculty and administration of the University of Redlands, Dr. Mattson also served as Headmaster of The Master’s School of West Simsbury, CT.

One of the C.S. Lewis’ Foundation’s first projects was the restoration of Lewis’ house, The Kilns, in Headington Quarry, Oxfordshire, England. It’s now a study center for visiting academics.

(8) DAVID J. SKAL (1952-2024). A Clarion graduate and sf novelist whose greatest fame came from his film scholarship, David J. Skal died January 1 in an auto accident in Los Angeles. According to his nephew, he was struck by a drunk driver. Steve Vertlieb calls Skal “brilliant beyond mere words, and an historian of immeasurable scope and substance. He towered above most film scholars, and was an inspiration to all those who write about motion picture history.”

Skal’s science fiction novels were Scavengers (1980), When We Were Good (1981) and Antibodies (1987). He wrote numerous nonfiction works about Dracula, vampires, and monsters: Hollywood Gothic: The Tangled Web Of Dracula From Novel To Stage To Screen (1990); The Monster Show: A Cultural History Of Horror (1993); V Is For Vampire (1995); Dark Carnival: The Secret World Of Tod Browning (1995,with Elias Savada); the Norton Critical Edition of Bram Stoker’s Dracula (1996, co-edited with Nina Auerbach); Screams Of Reason: Mad Science And Modern Culture(1997); and the monumental anthology Vampires: Encounters With The Undead (2001).

As a documentary filmmaker he wrote and co-produced segments for the A&E’s series Biography, and contributed scripts chronicling the lives and careers of Bela Lugosi, Boris Karloff, Lon Chaney, Jr. and Angela Lansbury (with whom he had worked during his theatre career).

In 1999, he wrote, co-produced and co-directed a behind-the-scenes chronicle of the Academy Award-winning film Gods and Monsters. The same year, he contributed to a Universal Studios Home Video series of twelve original DVD documentaries exploring the legacies of the studio’s classic horror and science fiction films. His DVD work has continued with Disney Home Video’s Jules Verne and Walt Disney: Explorers of the Imagination (2003) and the feature commentary for Warner Home Video’s special-edition release of Tod Browning’s Freaks (2004).

Other projects include Claude Rains: An Actor’s Voice, Romancing The Vampire, and Citizen Clone: The Morphing Of America.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 12, 1980 Kameron Hurley, 43. So I’ve been listening to Kameron Hurley’s space opera The Stars are Legion as I write this Birthday essay. A most excellent story indeed. It was nominated first a Campbell Memorial Award.  

Her time travel novel which I listened to recently, The Light Brigade, is one the best works in that sub-genre I’ve encountered. It was nominated for a Hugo at CoNZealand. 

Her first novel which I need someday to listen to (if it’s in audiobook format) is the start of her matriarchal Islam culture Bel Dame Apocrypha biopunk trilogy. Her term, not mine. 

The Worldbreaker trilogywhich begins with The Mirror Empire I find delightful with its merging of hard SF underpinned by magic in a space opera setting. Now that shouldn’t work, should it? Really. But it magnificently does.

And let’s talk about her non-fiction. The Geek Feminist Revolution which garnered a BFA is a collection of previously published blog posts and none news essays written for here. One of the first, “We Have Always Fought’: Challenging the ‘Women, Cattle and Slaves’ Narrative” got a Hugo for Best Related Work at Loncon 3, and she also won a Hugo for Best Fan Writer.

Her exemplary short stories have been collected so far in Meet in The Future and Future Artifacts.  Meet in The Future was nominated for an Otherwise Award. 

Of course everything she’s written is available from the usual suspects. 

Mur Lafferty, Ursula Vernon, and Kameron Hurley at 2017 Hugo Award reception.

(10) COMICS SECTION.

  • Candorville has another detail on the difference between Star Trek and Star Wars.

(11) WOMEN WORKING IN ASTRONOMY. Atlas Obscura tells how researchers are “Uncovering the Forgotten Female Astronomers of Yerkes Observatory”. It all started with a group photo featuring Albert Einstein.

…Nearly a century later, a group of researchers at the University of Chicago evaluating the photograph (below) recognized that distinctive coif first: It was, unmistakably, Albert Einstein, on a whirlwind tour of the United States in the early days of his global fame. Some of those gathered around the physicist were also well-known to the researchers. The distracted-looking man with his tie askew was Edwin B. Frost, the then-director of the observatory. The white-haired man with the walrus mustache was Edward E. Barnard, an astronomer known for his photographs of the Milky Way. “And then someone in the room asked a deceptively simple question,” recalls Andrea Twiss-Brooks of the University of Chicago Library. “Who are all the women in the photograph?”

Of the 19 people documented alongside Einstein that day eight were women. They stand shoulder to shoulder with the men in this hallowed space of scientific exploration, an unusual sight in the 1920s. Even more surprisingly, while their presence at the observatory has been forgotten in the intervening decades, they were not overlooked in 1921. In the margin of another copy of the photograph in the University of Chicago archives, someone identified each person by last name. “Once we had names,” says Twiss-Brooks, “being a librarian, I knew what to do.”

Over the last three years, Twiss-Brooks and her team—including historian Kristine Palmieri and a group of undergraduate students—have rediscovered the lives of many of these women and the story of this unique place in Williams Bay, Wisconsin. In the first half of the 20th century, when men dominated the world of scientific research, Yerkes Observatory employed more than 100 women, some as secretaries; some as “computers,” solving mathematical equations; and many as astronomers. At Yerkes, women scientists could reach for the stars.

(12) WITCHER ADDS FISHBURNE. The Hollywood Reporter tells readers, “Netflix’s ‘The Witcher’ Season 4 Casts Laurence Fishburne as Regis”.

Netflix‘s The Witcher has cast acclaimed actor Laurence Fishburne in a major role.

Fishburne (the Matrix and John Wick franchises) has joined season four as Regis, a fan-favorite character from The Witcher books and games.

The character is in saga creator Andrzej Sapkowski’s novel Baptism of Fire as “a world-wise Barber-surgeon with a mysterious past” who will join Geralt (now played by Liam Hemsworth, taking over for Henry Cavill) on his adventures….

(13) HOT ON THE TRAIL. [Item by Mike Kennedy.] Scientists have spotted a “hot Jupiter” exoplanet with a tail longer than the distance from the Earth to the Moon.

WASP 69-b is in a close orbit that takes it around its home star in under 4 days. The heat from the primary is driving helium off in concentrations sufficient to be detected from our vantage point about 160 light years away. The helium forms a tail lagging behind the planet as it orbits. “Scientists find planet with a tail 150 times longer than the Mississippi” at Mashable.

There are some strange planets out in deep space.

Now, scientists have found a planet with a tail at least 350,000 miles (563,270 kilometers) long. That’s longer than the distance between Earth and the moon, and about 150 times longer than the Mississippi River. Helium gas is escaping from the Jupiter-sized planet WASP-69b, located 160 light-years away from Earth. With observations from the giant W. M. Keck Observatory atop Hawaii, researchers detected this planetary leak has created an expansive tail.

“Previous observations suggested that WASP-69b had a modest tail, or no tail at all,” Dakotah Tyler, an astrophysics doctoral candidate at UCLA and first author of the research, said in a statement. “However, we have been able to definitively show that this planet’s helium tail extends at least seven times the radius of the giant planet itself.”…

[Thanks to, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

Pixel Scroll 1/6/24 10 Pixels To Scroll, Number 9 Will SHOCK You

(1) 2024 IS LAST YEAR KRESS AND WILLIAMS RUNNING TAOS TOOLBOX. Taos Toolbox, a two-week master class in writing science fiction and fantasy helmed by authors Nancy Kress and Walter Jon Williams, is open for submissions.

And as part of the announcement Williams told Facebook readers, “This will be the last year that Nancy and I will be doing this. Taos Toolbox may continue under new management (it’s under discussion), but Nancy and I won’t be running things.”

This year’s Taos Toolobox workshop will take place June 2-15, 2024, in Albuquerque, New Mexico.

Special Guest for 2024 is the creator of The Expanse, James S.A. Corey, in reality the writing team of Daniel Abraham and Ty Frank…

Special lecturers this year include Jeffe Kennedy, who currently holds the office of President of the Science Fiction Writers of America. She’s been widely published and has special expertise in indiepub, and owns her own press.

The second special lecturer is Diana Rowland, who at various times been an Air Force pilot, a Las Vegas card dealer, a detective for a sheriff’s office in Louisiana, and a morgue assistant, occupations that contributed to writing her Demon and White Trash Zombie series.

(2) MISSING ROYALTIES. Authors are the hidden victims of the cyber-attack on the British Library, which has prevented them receiving an annual rights payment. The Guardian explains: “Richard Osman among authors missing royalties amid ongoing cyber-attack on British Library”.

…In February 2023, those authors would have been paid thousands of pounds each from Public Lending Right (PLR) payments – money earned by writers, illustrators and translators each time a book is borrowed. But not this year.

Ongoing fallout from a massive cyber-attack means that PLR payments will not be paid as expected while the British Library, which manages the service, fights to restore its crippled systems.

Every time an author’s book is borrowed from a library, they get about 13p, capped at £6,600 a year. To authors like Osman and JK Rowling, whose first Harry Potter book was also on last year’s top read list, this might be a drop in the ocean, but for many authors whose books are library favourites it is a different matter….

The British Library was hit by a cyber-attack at the end of October. At the time, its chief executive, Sir Roly Keating, said that access to even basic communication tools such as email was initially lost. “We took immediate action to isolate and protect our network but significant damage was already done.

“Having breached our systems, the attackers had destroyed their route of entry and much else besides, encrypting or deleting parts of our IT estate.”…

(3) STEVE VERTLIEB MEDICAL UPDATE. File 770 contributor Steve Vertlieb was briefly hospitalized after suffering a mini-stroke on January 4. He told Facebook friends:

Well, there’s good news and bad news early in the new year. The bad news is, that while at needed physical therapy for my balance on Thursday afternoon, I began babbling unintelligibly. I knew what I wanted to say to my trainers but, when it physically left my lips, it became distorted beyond recognition, rather like mumbling incoherently in my sleep.

They called an ambulance and rushed me to nearby Nazareth Hospital where I spent the next twenty-four hours.

I continued complaining, while in the ambulance, that I simply wanted to go home but they drove me, instead, to the Emergency Room.

I began recovering once we reached the waiting hospital. However, to be on the safe side, they kept me overnight in a hospital room. I knew that I must have been returning to “normal,” however, when I began cracking jokes.

It appears that I must have suffered a “T.I.A,” or what’s called a “mini-stroke.” However, following that isolated assault on my sensory nerves, the seemingly isolated attack that apparently came out of nowhere somehow abated and I’ve recovered.

I had a single previous occurrence some eighteen months earlier on what was to have been my last night in Los Angeles. It’s frightening. I can tell you that. The wiring in your brain goes … you should excuse the expression … “haywire.”

I asked the doctors what I can do to keep this from happening again. They said “You’re doing it. You’re taking all the right medications. Just keep an eye out for trouble signs in future.”

What’s the good news, you may well ask?????????? Well, the simple answer is that I’m Home once more!!!!!!!!!! Unlike the esteemed Mr. Bond, I’m “shaken, yet stirred.” “Toto, We’re home …. We’re Home.”

(4) SFWA’S COPYRIGHT OFFICE RESPONSE. Following up SFWA’s October 30th comments to the Copyright Office, they had the opportunity to respond to some of the many other comments received. With over 9,000 responses, SFWA “focused on specific aspects of the conversation around fair use that we felt were not given due attention, as well as to raise concerns that are unique to our community.” Their 10-page response document can be downloaded from Regulations.gov at the link.

One topic SFWA discussed is the scraping of content that is offered free to readers by online sff magazines.

…SFWA acknowledges the problem of generative AI scraping pirated material published as copy-protected ebooks by professional publishers, but SFWA additionally has the unique position of representing many authors who have fought to make their work available for free for human readers. Over the last twenty years, many science fiction and fantasy authors of short fiction have embraced the open Internet, believing that it is good for society and for a flourishing culture that art be available to their fellow human beings regardless of ability to pay. That availability is not without cost; it is quite difficult to bring an online magazine to market, and being freely available has never meant abandoning the moral and legal rights of the authors, nor the obligation to enter into legal contracts to compensate authors for their work and spell out how it may and may not be used. But on balance, many writers and fans believe that freely sharing stories is a good thing that enriches us all.

The current content-scraping regime preys on that good-faith sharing of art as a connection between human minds and the hard work of building a common culture. The decision to publish creative work online to read and share for free is not guaranteed; it is a trade-off of many factors including piracy, audience, and the simple (albeit elusive) ability to make a living. In too many comments to enumerate here, individual authors have made clear that they regard the use of their work for training AI to be another important factor in that mix, and the ultimate effect on the short fiction marketplace and its role in our culture is far from certain. Bluntly, many authors do not want their work taken for this purpose, and that cannot be ignored.

“If my work is just going to get stolen, and if some company’s shareholders are going to get the benefit of my labor and skill without compensating me, I see no reason to continue sharing my work with the public — and a lot of other artists will make the same choice.” (N. K. Jemisin, COLC-2023-0006- 0521)

The developers of AI systems seem to believe that a green light to use scraped copyrighted work will result in a clear field for them to continue freeloading forever; we fear rather that it will result in large swathes of artistic work removed from the commons, locked behind paywalls and passwords to the detriment of all….

(5) AURORA AWARDS. [Item by Danny Sichel.] The Eligibility Lists for this year’s Aurora Awards are open. If you’re aware of any genre work produced by Canadians, submit it. (CSFFA membership required — $10 – to make an addition to the lists.)

(6) WESTERCON 2025 UP FOR ADOPTION. Kevin Standlee announced a “Committee Formed to Select Site of 2025 Westercon” at Westercon.org.

Because no bid filed to host Westercon 77, selection of the site of the 2025 Westercon devolved upon the 2023 Westercon Business Meeting held at Westercon 75 (in conjunction with Loscon 49) in Los Angeles on November 25, 2023. The Westercon 75 Business Meeting voted to award Westercon 77 to a “Caretaker Committee” consisting of Westercon 74 Chair Kevin Standlee and Vice Chair Lisa Hayes with the understanding that they would attempt to select a site and committee to run Westercon 77 and transfer the convention to that committee.

Any site in North America west of 104° west longitude or in Hawaii is eligible to host Westercon 75. There are no other restrictions other than the bid has to be for dates in calendar year 2025. All other restrictions in the Westercon Bylaws are suspended, per section 3.16 of the Westercon Bylaws.

To submit a bid to the 2025 Caretaker Committee to host Westercon 77, contact Kevin Standlee at [email protected], or send a paper application to Lisa Hayes at PO Box 242, Fernley NV 89408. Include information about the proposed site, the proposed dates, and the proposed operating committee. The Caretaker Committee asks that groups interested in hosting Westercon 77 contact them by the end of February 2024.

Should the Caretaker Committee be unable to make a determination for a site for Westercon 77 by Westercon 76 in Salt Lake City (July 4-7, 2024), and assuming that no bid files to host Westercon 77, the Caretaker Committee will ask the Business Meeting of Westercon 76 for additional guidance on how to handle Westercon Site Selection.

(7) MOVING FORWARD – AT OLD MAN SPEED. Tor.com notified those not reading Bluesky that “Netflix’s Adaptation of John Scalzi’s Old Man’s War Is Still In The Works”.

We first found out that Netflix optioned the rights to John Scalzi’s Old Man’s War over six years ago, back in December 2017. It’s not uncommon for things to get optioned but never get made (Old Man’s War, in fact, had been previously optioned by Paramount and Syfy without making it to the production stage), but it sounds like the Netflix movie adaptation is still moving forward.

Scalzi gave an update on the project over on Bluesky yesterday, where he said that work on it is “slowly but surely moving along.”…

(8) COPPOLA’S NEXT APOCALYPSE. Another long-awaited sff project finished filming last year and should actually get released sometime: “Francis Ford Coppola Says ‘Megalopolis’ Is Coming Soon” at Collider.

Francis Ford Coppola is renowned as the mastermind behind some of the greatest pieces of cinema in history but as all legends do, he refuses to rest on his laurels and he’s preparing to release his first film in over a decade with his self-funded star-studded sci-fi drama, Megalopolis. The film has been mired by a number of setbacks, but filming wrapped on the project back in March. And now, we won’t have much longer to wait for it to arrive, as Coppola revealed on the latest episode of The Accutron Show.

The film has an eye-watering array of talent attached, including Adam Driver, Forest Whitaker, Nathalie Emmanuel, Jon Voight, Laurence Fishburne, Aubrey Plaza, Shia LaBeouf, Chloe Fineman, Kathryn Hunter, Dustin Hoffman, DB Sweeney, Talia Shire, Jason Schwartzman, Bailey Ives, Grace Vanderwaal, James Remar, and Giancarlo Esposito.

All that’s known so far about the film so far is that it has a futuristic setting and that it will revolve around the idea of humanity attempting to build some sort of utopian society in the wake of a natural disaster. Other than that, it’s anybody’s guess, and Coppola isn’t up for explaining more quite yet.

(9) WAS THIS THE BEST SF OF 2023? [Item by SF Concatenation’s Jonathan Cowie.] Every January the SF2 Concatenation have an informal survey as to the best SF novels and films of the previous year. It is strictly informal and a bit of fun, enabling team members see what more than one of the others rate. The years have shown that this informal survey has form in that invariably some of the chosen works go on to be short-listed, and sometimes even win, major SF awards later in the year. SF² Concatenation have just advance-posted their selection for 2023 as part of the “Best Science Fiction of the Year Possibly?” post. Scroll down to see how previous years’ choices fared…

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 6, 1905 Eric Frank Russell. (Died 1978.) So let’s talk about the British writer Eric Frank Russell. His first published piece of fiction was in the first issue of Tales of Wonder called “The Prr-r-eet” (1937). (Please don’t tell me it was about cats.) He also had a letter of comment in Astounding Stories that year. He wrote a lot of such comments down the years. 

Eric Frank Russell

Just two years later, his first novel, Sinister Barrier, would be published as the cover story as the first issue of Unknown. His second novel, Dreadful Sanctuary, would be serialized in AstoundingUnknown’s sister periodical, in 1948.

At Clevention, “Allamagoosa” would win a Short Story Hugo.  The Great Explosion novel garnered  a Prometheus Hall of Fame Award.

Now let’s note some reworkings he did as I like them a lot. Men, Martians and Machines published in 1955 is four related novellas of space adventures at their very best. 

The 1956 Three to Conquer, nominated for a Hugo at NY Con II is a reworking of the earlier Call Him Dead magazine serial that deals with an alien telepath and very well at that. Finally Next of Kin, also known as The Space Willies, shows him being comic, something he does oh so well. It was a novella-length work in Astounding first.

And then there’s the Design for Great-Day novel which was written by Alan Dean Foster. It’s an expansion by him based off a 1953 short story of the same name by Russell. I’m pretty familiar with Foster has done but this isn’t ringing even the faintest of bells. Who’s read it? 

He wrote an extraordinary amount of short stories, around seventy by my guess. 

(My head trauma means numbers and I have at best a tenuous relationship. I once counted the turkeys left over after we distributed them at a food pantry I staffed pre-knee injury. Three times I counted. I got, if I remember correctly now, twelve, fifteen and eighteen birds. I had someone else do it.)

Short Stories Collection is the only one available at the usual suspects. He’s an author who needs a definitive short story collection done for him. 

(11) COMICS SECTION.

  • Free Range shows there are always lines.
  • Edith Pritchett’s cartoon for the Guardian recalls how “I climbed the tube station steps and entered another dimension.” Steven French adds, “Of marginal genre interest but having walked up those steps, this made me laugh!”

(12) PIONEERING WOMAN COMICS ARTIST RETIRES. BoingBoing pays tribute as “Aquaman, Metamorpho, and Brenda Starr cartoonist Ramona Fradon retires”.

Famed cartoonist Ramona Fradon is retiring at the age of 97, according to a January 3 announcement from her comic art dealer Catskill Comics….

An extremely long run, indeed. Her comic book career started in 1950, and her career highlights include a 1959 revamp and long run on Aquaman, the co-creation of DC’s offbeat superhero Metamorpho with writer Bob Haney in 1965, a run on Super Friends in the 1970s, and the comic strip Brenda Starr, Reporter from 1980-1995.

She also was a pioneer, as one of the only women working in comics during the first decades of her career.

Cartoonist and curator of the Cartoon Art Museum in San Francisco Andrew Farago wrote on BlueSky, “Ramona Fradon retires today at the age of 97, just a little shy of Al Jaffee’s retirement age of 99. Not sure if that means that cartooning keeps you young or if it just means that cartooning keeps you broke, but what a body of work she’s produced over the past eight decades!”…

(13) WHAT THEY WILL READ IN 2024. “’I want some light in my life’: eight writers make their new year reading resolutions “ – the Guardian’s collection of quotes includes a declaration from Sheena Patel.

‘I’m turning to sci-fi and dystopia’
Sheena Patel

I have a fascination with sci-fi that is purely theoretical. I often think about reading it but never make any attempt to go near such books because I am afraid of the imagination I will find there. Perhaps I haven’t felt I can really access the genre because sci-fi feels like what Black and Brown people can go through on a daily basis. We’re still in an age of empire, even though we are distracted from this knowledge.

I do love sci-fi films though. I had a true epiphany when I saw Jonathan Glazer’s Under the Skin at the cinema. It was so strange, the alien mixed with the mundane, documentary spliced with fantastical set pieces. Next year I think I will read the Michel Faber book from which the movie was adapted.

In 2024 I also want to tackle Frank Herbert’s Dune books. Earlier this year, I watched the film on my laptop maybe 50 times. At first, I hated it, but then I totally fell in love with it – the visual representation of different worlds opened my mind. Throat singing and nomadic desert tribes could be used as a mood board for the future, but this is already happening now in communities that are regarded as “primitive”. It is the future because it is eternal – such a beautiful thought.

We are fed so much dystopia that reading it in fiction feels hard – but, as the world burns, maybe it is a good idea to hear from artists about where we might be heading. So the other three titles I will try are classics: Octavia E Butler’s KindredStanisław Lem’s Solaris and The Left Hand of Darkness by Ursula K Le Guin. The present feels so bleak, and our vision of the future so foreshortened, it almost seems like tempting fate – but, without science fiction, how can we dream?

I’m a Fan by Sheena Patel is published in paperback by Granta

(14) HOOFING IT TO MOUNT DOOM. They say “One does not simply walk into Mordor,” but apparently they exaggerated. The Conqueror Virtual Challenges is a thematic program to encourage you to exercise by walking, running, and biking, with solo variations costing from $49.95 to bundles costing $299.95 and up. This link takes you to All 8 LOTR Conqueror Virtual Challenges.

Follow Frodo and Aragorn on an epic journey across Middle-earth with the ULTIMATE THE LORD OF THE RINGS Virtual Challenge Series.

Walk, run or cycle all the way from The Shire to Mount Doom in an epic adventure with one goal – destroying the One Ring. Complete this unforgettable saga by following Aragorn into battle and restoring peace to Middle-earth.

(15) CITY OF HEROES. “11 years after this cult classic superhero MMO was shut down, the original publisher has given its blessing to the community’s custom servers” reports GamesRadar+.

Despite the shutdown of the beloved superhero MMO City of Heroes over a decade ago, fans have been keeping it alive for years with a variety of custom server efforts. Now, one of those projects has just gotten the blessing of the game’s original publisher and license holder, NCSoft.

City of Heroes: Homecoming made the surprising announcement earlier today that “Homecoming has been granted a license to operate a City of Heroes server and further develop the game – subject to conditions and limitations under the contract.” The Homecoming project will remain free and donation-funded, and while there are a few changes to how the project is being managed, it doesn’t look like players will see any meaningful differences in the game itself.

“NCSoft has always had (and will continue to have) the right to demand that Homecoming shuts down,” as the announcement notes. “This agreement provides a framework under which Homecoming can operate the game in a way that complies with NCSoft’s wishes in hopes of minimizing the chances of that happening. We’ve had a really positive and productive relationship with NCSoft for over four years now, so we do not anticipate there being any issues.”…

…The question mark that currently weighs over the license for Homecoming is what this means for other custom server projects, like City of Heroes Rebirth. Today’s announcement notes that “other servers are out of scope” for this license, and the devs say that “our hope is that our license will help us consolidate our userbase with City of Heroes fans from other servers.” There’s already a bit of fear in the community that other private servers might start to disappear following this news, but only time will tell what will happen on that front….

(16) RECORDS BROKEN. Gizmodo tells why “Doctor Who’s New Streaming Home Has Been a Huge Success” – that is, for viewers who can accesss the BBC platform.

To celebrate Doctor Who’s 60th anniversary last year, the BBC made a huge, unprecedented move: for the first time, almost the entirety of Doctor Who, from episodes from 1963 all the way up to the then-airing anniversary specials, would be made available to stream in the UK in one place, on the BBC’s own streaming platform iPlayer. And it turns out doing so has helped the BBC break streaming records over the festive period.

The corporation has announced that Doctor Who—and most specifically Doctor Who episodes from 2005 onwards—were streamed 10.01 million times over the week between Christmas Day and New Year’s Eve, helping the platform break a previous record for streamed content for the week between January 2 and January 8, 2023, with 177 million programs being streamed in total….

It’s hard to say just how that success has panned out internationally, however. The BBC’s new deal with Disney to stream Doctor Who on Disney+ everywhere but the UK and Ireland only covers new episodes from the 60th anniversary onwards—other contemporary and classic Doctor Who access is spread out on various platforms elsewhere, such as Britbox for classic Doctor Who and Max for post-2005 Doctor Who.

(17) MY BLUE HEAVEN(S). [Item by Mike Kennedy.] So you know how astronomers are always using false color images to show this detail or that detail or what something would look like if it was only in the visible spectrum or some such? well, those can leave lasting misimpression.

New images showing color-corrected true-color likenesses of Uranus and Neptune show the latter ice giant—rather than being a dark blue—is only slightly darker than the former.  “True blue: Neptune only slightly deeper colour than Uranus, say Oxford scientists” in the Guardian.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kevin Standlee, Kathy Sullivan, Danny Sichel, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley  for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

Pixel Scroll 1/4/24 It’s 2024, Are Those Godstalks Distimmed Yet?

(1) THE MUSIC OF HEAVY METAL. Maya St. Clair remembers “When Heavy Metal Magazine Made Playlists” at News from the Orb.

When I worked at Heavy Metal magazine, people in my life inevitably assumed it was a publication about heavy metal music. My usual response was “not really,” and I’d describe how Heavy Metal was a comics magazine focused on experimental, adult-rated sci-fi/fantasy. I’ve since realized that a better response would have been “fuck it, probably” — since Heavy Metal, like cosmic background radiation, seemed to presuppose and pervade everything, including music. Name a thing, and Heavy Metal had it: yellow, cyan, black, magenta, rectangles, circles, pterodactyls, Homer, Shakespeare, love, death, superheroes, hamburgers, Jane Fonda, H. P. Lovecraft, boobs, dicks, God, jazz, rockabilly, and (inevitably) heavy metal music, lower case….

St. Clair has compiled playlists at Spotify that emulate some Heavy Metal writers’ Eighties recommendation lists. Including two by my old friend Lou Stathis! Here’s the first —

In 1980, as it reached the height of its influence and circulation, Heavy Metal introduced music criticism by SFF editor/music nerd Lou Stathis and others, in the “Dossier” section. The contrarian Stathis was a fearless advocate for the experimental over the conventional (he hated the fucking Eagles, man, and Bruce Springsteen’s normie-ism was a running joke). Alternative icons like Brian Eno, Genesis, the Cure, Grace Jones, Gary Numan, Laurie Anderson, and Tangerine Dream got their recognition in Heavy Metal, plus uncountable niche bands.

Anyway, the HM squad would occasionally throw together a DJ set, album recs, or mixtape. I’ve consolidated them into playlists on Spotify, linked below….

The Metal Box: Lou Stathis’ 1983 Singles Picks

Stathis sometimes compiled lists of his “heavy rotation” singles and albums. In April 1984, he listed his top picks for the previous year. Some, like Michael Jackson and Eurythmics, are recognizable. Others are supremely obscure.

The Metal Box 1983 on Spotify

(2) ON A TANGENT. Dave Truesdale introduces the “Tangent Online 2023 Recommended Reading List”, once again targeting SFWA as the reason “real world politics” have intruded on the science fiction field. Not because Truesdale is unaware of the history of sf, but because he argues that somehow the Thirties political activism of young sff writers and editors didn’t really count.

For the most part, the literary aspect of the science fiction field proceeded as usual in 2023; the general machinery operated well enough to keep the magazines and books appearing on reasonable schedules, and SFWA (the Science Fiction and Fantasy Writers Association, formerly for decades since its 1965 inception the Science Fiction Writers of America) the field’s one and only member-funded 501(c)(3) tax exempt administrative organization, was still alive and kicking, though to my mind and due to external “real world” politics, took a wrong turn that gave the outside world an entirely misleading picture of the organization as a literary organization, but instead revealed its political advocacy (or lack thereof) on any given issue.…. 

…Politics has entered the SF field directly but sporadically over the past 97 years, since its official birth as a genre began with the April 1926 issue of Amazing Stories. Early readers became fans when they corresponded with others through letter columns, and small SF fan clubs began to sprout all over the country. The first SF worldcon was held July 1-4, 1939 in New York City, to coincide with the World’s Fair in the same city. Attendance was in the dozens and many of the members were in their teens. Sam Moskowitz (later to become SF’s premiere historian) chaired, with a few of his friends, this first worldcon at the ripe old age of 19. A group of SF fans known by their club name of the Futurians, led by Donald A. Wollheim (later founder of DAW Books), Frederik Pohl, C. M. Kornbluth, Doc Lowndes, and a few others were at odds with Moskowitz’s group and wanted to attend the worldcon. Many of these young SF fans were fashionably members of the local socialist or communist branches; it was the cool thing to do at the time. Without getting into the details (there were many different accounts given from both sides) the Moskowitz faction turned the Wollheim, Pohl, faction (the Futurians) away and were thus excluded from the convention. This became known in fandom and the early fan press as “The Great Exclusion Act.” Wollheim and Pohl, among others were either in their teens (C.M. Kornbluth 14 or 15, Pohl 19) or early twenties (Wollheim 24, Doc Lowndes 22) and full of headstrong piss and vinegar. That the feud between fan groups and the turning away of some from the worldcon was primarily because of politics was downplayed by Pohl when he wrote in his autobiography The Way the Future Was, “We pretty nearly had it coming,” and then, “What we Futurians made very clear to the rest of New York fandom was that we thought we were better than they were. For some reason that annoyed them.”

So in essence what amounted to an early fan feud between SF fan clubs whose members were still in their teens or early twenties and had little to do with politics, has somehow become the one size fits all go-to argument that supposedly proves politics has always been a part of SF and SF fandom and is thus nothing new….

(3) STAY OR GO? Catherynne M. Valente’s post “On Recent Developments at Substack” at Welcome to Garbagetown analyzes the dilemma of persisting in using that platform.

Many people have reached out to me to discuss Substack’s not-always-stellar history of managing a diverse breadth of opinions and/or policies on monetization.

Let me make it clear: This was always an issue, and I have always been aware of it. It’s gotten worse of late. And now I just feel like Marc Maron trying to figure out what to do with his friends who voted for Trump….

…Yes, Substack has and does allow dipshit fascist transphobic and otherwise morally-cancerous fuckgiblets to post freely and make money from their platform. They also allow a lot of marginalized creators to flourish and make a livelihood here. Like every other site I’ve ever known, all of whom have been incredibly reluctant to crack down on extreme right-wing content despite that very policy allowing it to proliferate wildly and bring us to a very bad historical place. Do I want them to kick out anyone making money on hate? Yep. Do I understand the slippery slope argument about free speech? That it’s much easier to take no stance and allow everything, trusting the users to sort it out, than to take the step of defining what opinions can be allowed to be heard? Yep.

I do not know if I’m going to stay here. I just don’t know. I came to Substack because of the Twitter diaspora. I managed to build a small audience, built mostly on hating fascism and idiocy. I like the community I and all of you have built here and I’m reluctant to migrate and lose people. But I don’t want to support the Badness by being here. And yet, if I go, does that not just abandon another space because bad people are also here, handing them control of yet another hugely-recognized platform, control they could never achieve on their own just on numbers and popularity, while the people who have any moral compass whatsoever have to continually start over from scratch?…

(4) AWARD-WORTHY APPAREL. The “Costume Designers Guild Awards 2024 Nominations” include two sff-specific categories. (See the full list of finalists at the link.)

Excellence in Sci-Fi/Fantasy Film

  • Barbie – Jacqueline Durran
  • Haunted Mansion – Jeffrey Kurland
  • The Hunger Games: The Ballad of Songbirds & Snakes – Trish Summerville
  • The Little Mermaid – Colleen Atwood & Christine Cantella
  • Rebel Moon – Part One: A Child of Fire – Stephanie Porter

Excellence in Sci-Fi/Fantasy Television

  • Ahsoka: Part Eight: The Jedi, the Witch, and the Warlord – Shawna Trpcic
  • Loki: 1893 – Christine Wada
  • The Mandalorian: Chapter 22: Guns for Hire – Shawna Trpcic
  • What We Do in the Shadows: Pride Parade – Laura Montgomery
  • The Witcher: The Art of the Illusion – Lucinda Wright

(5) OCCIDENTAL OCCULT. Former Horror Writers Association President Lisa Morton will teach a three-part online course “Confronting the Spectral: A History of Ghosts in the Western World With Lisa Morton” beginning January 22 through Atlas Obscura Experiences. Full details including schedule and prices at the link.

What We’ll Do

In this three-part lecture series, explore how people have thought about ghosts through time in the Western world.

Course Description

In this course, we’ll trace the history of ghostly encounters reported across the Western world, both friendly and nefarious. We’ll begin with ghosts from the classical world who haunted heroes like Gilgamesh and Odysseus, and look at the Biblical story of Saul and the Witch of Endor. We’ll meet medieval necromancers, Victorian spiritualists, and finally, the modern ghost-hunter. By the end of our time together, you’ll not only have a deep understanding of how cultures have conceived of the most common supernatural entity throughout history, but also ideas and suggestions for engaging in your own supernatural investigations.…

(6) SEA DEVILS SPINOFF? “Doctor Who Spinoff Series Seemingly Confirmed, Will Feature Classic Villains” says CBR.com.

A production listing on the Film and Television Industry Alliance website confirmed pre-production has begun on a spinoff series of the massively popular sci-fi series Doctor Who, which is scheduled to begin filming in March. The listing also provides a brief summary of the project, describing it as a fantasy-action adventure featuring the Sea Devils, an old villain from the classic Doctor Who series.

The listing does not provide any further details about the show’s plot, but it does reveal some of the crew members involved in the project, such as Doctor Who showrunner Russel T Davies set to return as the series’ writer. Other names include producers Phill Collinson, Vicki Delow, Julie Gardner and Lord of the Rings TV series producer Jane Tranter….

…As for when the spinoff series may see a premiere, the listing does not provide any concrete information, though it does confirm the projected filming date of March 4, 2024. …

(7) NEEDS WORK. The Mary Sue’s Charlotte Simmons would like to be a Zack Snyder fan if only the auteur would make that a little easier: “’Rebel Moon’ Proves That Zack Snyder Needs To Grow Up, and I Say That With Love”.

…Sure, it would have given the infamously obnoxious Snyder cult some more ammunition, but more good movies is a win for everybody. Sadly, whatever remotely interesting set dressing Zack Snyder cooked up here was woefully undermined by incoherent storytelling at its most relentless and suffocating character development—nay, the bare essentials of characterization—behind a mountain of formulaic sci-fi battles and dialogue that not even an amateur could be proud of.

Indeed, Rebel Moon is proof in the pudding that Snyder has some serious work to do, and that’s a damn shame, because the nature of his raw creative pursuits is stupendously important in the genres he occupies, which perhaps makes his failures all the more depressing….

(8) OCTOTHORPE CENTURY. John Coxon, Alison Scott and Lis Batty receive a telegram in episode 100 of the Octothorpe podcast, “I Don’t Have Show Notes or Alcohol”.

We celebrate with a bevy of special segments, including ”letters of comment”, “talking about the Glasgow Worldcon”, and “aftershow involving games”. PRETTY ADVANCED STUFF. 

(9) GLYNIS JOHNS (1923-2024). Actress Glynis Johns, best known to fans as Mrs. Banks in Disney’s Mary Poppins (1964) and as a forest maiden who assists Danny Kaye’s character in The Court Jester (1955), died January 4 at the age of 100. She also appeared in several episodes of Sixties TV’s Batman as Lady Penelope Peasoup.

…Johns won a Tony for her role as Desiree Armfeldt in the original Broadway production of Stephen Sondheim’s “A Little Night Music,” introducing the song “Send in the Clowns” — written for her by Sondheim. In addition she was Oscar-nominated for her supporting role in 1960’s “The Sundowners.”…

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 4, 1958 Matt Frewer, 66. I encountered Matt Frewer the same way that I suspect most of you did when he was unrecognizable as Max Headroom almost forty years ago. That character debuted in April 1985 in the Channel 4 film Max Headroom: 20 Minutes into the Future. It’s virtually identical to the premiere of the American television series, though there might be a bit of foul language if I remember correctly. Or not. 

Two days after it was broadcast, Max hosted on the same channel The Max Headroom Show, a program where he introduced music videos, made pointed comments on various topics, and conducted rather off the wall interviews with guests before a live studio audience. These would eventually be aired in the States on Cinemax.

Max would become a global spokesperson for New Coke, appearing on way too many TV commercials with the catchphrase “Catch the wave!”.  You can see one of those commercials here

Now we come to the Max Headroom series which on ABC from just March 31, 1987, to May 5, 1988 with just a total of fifteen episodes. Damn it seemed like it lasted longer than that. He, like everyone on the series, was spot on in creating a believable future. I consider it one of the best SF series ever done.

He’s got way too many genre roles to list them all here so let me focus on a few of my favorite ones.

He was Dr. Jim Taggart on Eureka. On screen for a total of eighteen episodes, his Aussie character was the Eureka’s veterinarian and “biological containment specialist”, which means he catches whatever needs to be caught. If it moved and it did something weird, he was after it.

And then he was Dr. Aldous Leekie, the primary Big Bad on the first season of Orphan Black. He was in charge of the handling the clones as if anyone should trust him.

Though I find it hard to believe, the Hallmark Channel produced the Hallmark Sherlock Holmes films. And he was Sherlock Holmes in four of these films — The Sign of FourThe Hound of BaskervillesThe Royal Scandal and The Case of the Whitechapel Vampire.

My final role for him a silly one indeed, it’s in In Search of Dr. Seuss where he is the Cat in The Hat. This thirty-nine-year-old film is a delightful romp  — Christopher Lloyd as Mr. Hunch, Patrick Stewart is Sgt. Mulvaney, and the list goes on far too long to give in full here. 

And yes, he’s been in a lot of genre films, go ahead and tell me your favorite. 

(11) COMICS SECTION.

(12) WHO IS YOUR HOST. All you Tennant fans pay attention: “David Tennant To Host 2024 BAFTA Film Awards” reports Deadline.

Former Doctor Who actor David Tennant has been set as the host of the 2024 BAFTA Film Awards, which take place February 18 at the Southbank Centre’s Royal Festival Hall in London….

…Jane Millichip, CEO of BAFTA, added: “We are over the moon that David Tennant will be our host for the 2024 EE BAFTA Film Awards. He is deservedly beloved by British and international audiences, alike. His warmth, charm, and mischievous wit will make it a must-watch show next month for our guests at the Royal Festival Hall and the millions of people watching at home….

(13) SEMI-MANDATORY VIEWING. Dylan sang “Everyone Must Get Stoned” but never mind that, CBR.com insists you see these 10 “Must-Watch Sci-Fi Movies For Fans of The Genre”. Or heck, maybe you already have! In the middle of the list comes the film that gave us Ripley.

5. Alien Combined Science and Horror Perfectly

Alien (1979)

The crew of a commercial spacecraft encounters a deadly lifeform after investigating an unknown transmission….

Swiss artist H.R. Giger’s biomechanical designs for the alien artifacts and creatures helped turn a great movie into an incredible one. With a story that starts out similarly to Forbidden Planet, in which a space crew investigates a distress signal, the film is transformed into an intense thriller with a horrifying Alien Xenophorph stalking and killing the crew. With stunning visuals and a premise too good for just one movie, Alien spawned a multi-media franchise that has entertained for more than four decades.

(14) MORE PICKUP. And it’s arguably appropriate to follow a mention of the Alien series (“Get away from her you bitch!”) with Giant Freakin Robot’s news item “Exoskeletons Take Huge Step Toward Becoming Common”.

Science fiction would appear to be becoming nonfiction in Europe. Indeed, in Italy, a groundbreaking pilot project involving real-life exoskeletons achieved exciting results. The Port System Authority of the Northern Tyrrhenian Sea and the Livorno Port Company reported marked advantages using the exoskeletal tech, developed by IUVO and Comau (a subsidiary of Stellantis)….

…The workers regularly undertook strenuous tasks: loading and unloading goods, relocating heavy loads, and securing containers onto ships. Without the sci-fi-reminiscent exoskeletons, these activities are notoriously exhausting. They also pose genuine risks of introducing musculoskeletal disorders.

The initial evaluations conducted by IUVO and Comau involved measuring muscle activity and gathering feedback through questionnaires–all to assess the perceived drop in fatigue. The findings were overwhelmingly positive. Laborers reportedly adjusted well to the novel technology, additionally recognizing the exoskeleton’s significant impact on their efficiency and physical well-being. 

Based on the data, utilizing MATE XT and MATE XB technologies can potentially lessen the effort required by workers.

By how much? As much as thirty percent….

(15) VIDEO OF THE DAY. The How It Should Have Ended crew knows “How Batman Should Have Ended” – meaning the version where Michael Keaton is Batman and Jack Nicholson is The Joker.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/30/23 Always Cool To See A Reference To Big Pixel And The Scrolling Company

(1) THUMB OUT, THUMBS DOWN.  The 1979 Best Dramatic Hugo race is analyzed by the Hugo Book Club Blog in “Death From Above (Hugo cinema 1979)”. In spite of everything going for it, this finalist did not win:

…Hitchhiker’s Guide To the Galaxy is rightly regarded as a classic of science fiction comedy. Those in our cinema club who love it, do so unreservedly … but it was not to everyone’s taste. Understated and ironic, some consider it a masterpiece of timing and laconic charm, despite the dialogue feeling loose and unstructured. Following an everyday Englishman who survives the destruction of planet Earth, the series meanders between various science fiction tropes before the protagonist uncovers the galactic conspiracy behind his planet’s demolition. There’s a reason this radio show spawned four sequels, was adapted into a television series, a movie, a video game, and a novelization that sold more than 14 million copies….

(2) URSULA VERNON’S GOOD NEWS.

(3) SMALL WONDERS. Issue 7 of Small Wonders, the magazine for science fiction and fantasy flash fiction and poetry, is now available on virtual newsstands here. Co-editors Cislyn Smith and Stephen Granade bring a mix of flash fiction and poetry from authors and poets who are familiar to SFF readers as well as those publishing their first-ever piece with us.

The Issue 7 Table of Contents and release dates on the Small Wonders website:

  • Cover Art: “Entrance” by Sarah Morrison
  • “Hikari” (fiction) by Morgan Welch (8 Jan)
  • “The Mummy Gets Adopted” (poem) by Amy Johnson (10 Jan)
  • “Quantum Eurydice” (fiction) by Avi Burton (12 Jan)
  • “Whispers of Ascension” (fiction) by Wendy Nikel (15 Jan)
  • “Lekythos” (poem) by Casey Lucas (17 Jan)
  • “The Sternum Ties it All Together” (fiction) by Janna Miller (19 Jan)
  • “Constellations of Flesh, Bone, and Memory” (fiction) by Timothy Hickson (22 Jan)
  • “Another Cemetery Wedding ” (poem) by Belicia Rhea (24 Jan)
  • “All the Dead Girls, Singing” (fiction) by Avra Margariti (26 Jan)

Subscriptions are available at the magazine’s store and on Patreon.

(4) MEDICAL UPDATE. Rusty Burke experienced a serious fall on December 16, resulting in severe head injuries and two subdural hematomas. Since then, he has been under intensive care, including intubation and sedation. There’s an extensive medical update at “The World of Robert E. Howard” on Facebook.

Rusty Burke is President of the Robert E. Howard Foundation, has edited several editions of Howard’s work, and has published countless articles on Howard for the academic and fan press. He founded The Dark Man: Journal of Robert E. Howard and Pulp Studies.

(5) EATING THE FANTASTIC. Scott Edelman invites listens to join Pat Murphy for lunch at “the single best restaurant in the world” in Episode 215 of the Eating the Fantastic podcast.

Pat Murphy

My guest this time around is Pat Murphy, who won the Nebula Award for her 1986 novel The Falling Woman, plus a second Nebula the same year for her novelette, “Rachel in Love.” She also won the Philip K. Dick Award for her 1990 short story collection Points of Departure, and the World Fantasy Award for her 1990 novella, Bones. For more than 20 years, she  and Paul Doherty cowrote the recurring Science column in the Magazine of Fantasy & Science Fiction. She also co-founded the James Tiptree, Jr. Award in 1991. And that’s just the tip of the iceberg.

I’ve known Pat for a loooong time, and I can tell you exactly how long — we met on September 4, 1980, more than 43 years prior to the conversation you’re about to hear. If you want to learn exactly how and why I can pinpoint that date, well, the episode will reveal all.

We discussed the part of Robert A. Heinlein’s famed rules of writing with which she disagrees, why she felt the need to attend the Clarion writing workshop even after having made several sales to major pro markets, the occasional difficulties in decoding what an editor is truly trying to tell you, the importance of never giving up your day jobs, why she can’t read Dylan Thomas when she’s working on a novel, the differences between the infighting we’ve seen in the science fiction vs. literary fields, what we perceive as our personal writing flaws, a Clarion critiquing mystery I’ve been attempting to solve since 1979, the science fiction connection which launched her career at the Exploratorium, and much more.

(6) ATWOOD. Margaret Atwood has been revealing aspects of her life and writing to BBC Radio 4’s This Cultural Life. Download program at the link.

Margaret Atwood talks to John Wilson about the formative influences and experiences that shaped her writing. One of the world’s bestselling and critically acclaimed authors, Atwood has published over 60 books including novels, short stories, children’s fiction, non-fiction and poetry. She’s known for stories of human struggle against oppression and brutality, most famously her 1985 novel The Handmaid’s Tale, a dystopian vision of America in which women are enslaved. She has twice won the Booker Prize For Fiction, in 2000 for The Blind Assassin and again in 2019 for her sequel to The Handmaid’s Tale, The Testaments.

Growing up in remote Canadian woodland with her scientist parents, she traces her career as a story-teller back to sagas that she invented with her older brother as a child, and her first ‘novel’ written when she was seven. She recalls an opera about fabrics that she wrote and performed at high school for a home economics project, and how she staged puppet shows for children’s parties. Margaret Atwood also discusses the huge impact that reading George Orwell had on her, and how his novel Nineteen Eighty-Four especially influenced The Handmaid’s Tale. She reveals how that novel – written whilst she was living in Berlin in 1985 – was initially conceived after the 1980 election of President Ronald Reagan and the resurgence of evangelical right-wing politics in America.

(7) ECSTASY OF HORROR. The BBC ruminates on “The Wicker Man: The disturbing cult British classic that can’t be defined”.

…At different times and from different perspectives, it can feel as though you’re watching a crime thriller, a fantasy, a celebration of alternate lifestyles or nature-centred folklore – or brilliantly conceived arthouse cinema. In the 2008 book Fifty Key British Films, Justin Smith considered The Wicker Man “a curious mixture of detective story and folk musical”.

The Wicker Man can also be watched as a challenge to orthodox religion – not least when Lord Summerisle defends his pagan ethos by wryly questioning Howie’s Christian worship of “the son of a virgin impregnated by a ghost”. Or perhaps it’s the first mockumentary in British cinema history, given an opening credit offering thanks to Summerisle residents “for this privileged insight into their religious practices and for their generous cooperation in the making of this film”….

(8) AT SWIM-TWO-BIRDS AND GRAHAM GREENE. [Item by James Bacon.] Irish science fiction fan Pádraig Ó Méalóid investigates the circumstances under which one of the leading novelists of the twentieth century, Graham Greene, came to write a blurb for the back cover of the first edition of Flann O’Brien’s debut novel At Swim-Two-Birds, published by Longmans, Green & Co. in 1939. “The Mexican Pas de Trois of Flann O’Brien, Graham Greene, and Shirley Temple: The Background to At Swim-Two-Birds’s Back Cover Blurb” at The Parish Review: Journal of Flann O’Brien Studies.

…Greene had worked as a publisher’s reader for Eyre & Spottiswoode in his younger days,13 but by the time At Swim-Two-Birds was published in 1939 he had already had eight novels published, including England Made Me (1935) and Brighton Rock (1938), so was probably both too busy and too successful to be working for anyone as a first reader for incoming manuscripts from first-time writers. At Swim-Two-Birds came to Longmans recommended by A.M. Heath, which might have meant that it would have started its journey on a higher rung than a book straight off the slush pile…

(9) ROGER HILL (1948-2023). “Roger Hill, Early Comics Fan, Historian and Scholar, Dies at 75”The Comics Journal paid tribute. Here’s a brief excerpt:

… During the early 1990s, Roger worked with [Jerry] Weist as comic art advisor to the Sotheby’s Comic Book and Comic Art auctions in New York City.

Beginning in 2004, he edited and published his own fanzine called the EC Fan-Addict Fanzine. The fifth issue was published by Fantagraphics in November 2023, and a sixth, posthumous issue is due out in June 2024 (also from Fantagraphics). He was the art editor for Bhob Stewart’s 2003 book Against the Grain: MAD Artist Wallace Wood, writing several chapters as well. In 2010, Roger contributed an essay called “The Early Years” for the Éditions Déesse edition of the WOODWORK: Wallace Wood 1927-1981 catalog done for the Wally Wood exhibition presented by the Casal Solleric in Palma City, Spain. After Jerry Weist’s passing, in 2012 Roger and Glynn Crain finished assembling his book Frank R. Paul: The Dean of Science Fiction Illustration for IDW Publishing.

Roger’s first book, Wally Wood: Galaxy Art and Beyond, was published by IDW in 2016. His other books include Reed Crandall: Illustrator of the Comics (2017), Mac Raboy: Master of the Comics (2019), and The Chillingly Weird Art of Matt Fox (2023), all for TwoMorrows Publishing….

(10) TOM WILKINSON (1948-2023). [Item by Cat Eldridge.] Definitely one of ours — Shakespeare in Love as Hugh Fennyman, the fantasy film Black Knight in the role of Sir Knolte of Marlborough,  in the sublime Eternal Sunshine of the Spotless Mind as as Dr. Howard Mierzwiak, next is Batman Begins as Mafia boss Carmine Falcone, The Exorcism of Emily Rose has him playing Father Moore, he’s  a taxi driver in the romantic fantasy If Only and finally he’s James Reid in The Green Hornet.  

Late in his career, he had two animated genre voicing credits. First as The Fox in The Gruffalo’s Child based off  the picture book of the same name written by Julia Donaldson and illustrated by Axel Scheffler. It looks adorable. 

The second is yet another of the seemingly endless credits for Watership Down, this time for the character Threarah. 

Died December 30.

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 30, 1865 Rudyard Kipling. (Died 1936.) Yes, Rudyard Kipling. I’ve not ever dealt with him at length so let’s do so now.

I think the works I like best by him are The Jungle Book and The Second Jungle Book, the 1894 and 1895 collections of stories. Most of the characters are animals such as Shere Khan the tiger and Baloo the bear, though a main character is a boy Mowgli. As with most of his work, it reflects strongly his Anglo-Indian heritage and upbringing. 

Up next for us is the Just So Stories for Little Children written eight years later. This collection of origin stories such as how the elephant got his trunk is considered a classic of children’s literature, and deservedly so.

Puck of Pook’s Hill borrows that character, and you know which character I mean, and drops him in 1906 Britain for a series of comical adventures with two children. Really, really fun stories.

He’s written at least two ghost stories, “The Phantom ‘Rickshaw” and “My Own True Ghost Story” published in his 1888 The Phantom ‘Rickshaw & other Eerie Tales collection.

Lastly he did write some SF. To wit, “With the Night Mail” a 1905 story and As Easy As A.B.C., a 1912 publication. (Both were set in the 21st century in Kipling’s Aerial Board of Control universe.)  The first was published in McClure’s Magazine in November 1905, and then in The Windsor Magazine in December 1905. In 1909 it was issued as a popular book, slightly revised and with additional poetry and faux advertisements and notices from the future. Both have anthologized repeatedly in the last one hundred and twenty-five years.

(12) COMICS SECTION.

  • Bizarro has that name for good reason, as this arrest for a peculiar game-related crime will show.
  • Nancy sounds like someone who went to the same school as Writer X.
  • Tom Gauld presents:

(13) SPARKLING DEBUT. This is who was named TVLine’s “Performer of the Week”: “Ncuti Gatwa’s Performance as the Fifteenth in ‘Doctor Who’ Special”.

…On top of it all, Gatwa also plays the more serious moments so well, mining them not just for the inherent drama (Ruby has mysteriously vanished from the timeline!) but also the emotionWatch him watch the woman who left newborn Ruby at the church doorstep walk away, and you feel the conflict. The heartbreak. Perhaps a hint of recognition…? And then, Fifteen’s eventual resolve to stick to his plan.

Gatwa has stepped into this role with such elan and ease, while also infusing it with specific and fresh nuances, well, it’s almost as if he’s been playing it for 900 years.

(14) TOMB OF THE UNKNOWN ALIEN. Atlas Obscura takes readers to “1890s Alien Gravesite – Aurora, Texas”.

According to a story run in the April 19, 1897, edition of the Dallas Morning News a “mystery airship,” as UFOs were known in those days, came sailing out of the sky, smashing through a windmill belonging to Judge J.S. Proctor, before finally crashing into the ground. The debris also destroyed the good judge’s flower garden. Unfortunately the pilot was also killed in the collision, but locals were able to drag what was described as a “petite” and “Martian” body from the wreckage. The body was supposedly buried under a tree branch in the Aurora cemetery, observing good Christian rites….

…Today, the alien’s headstone has been stolen but all traces of the Wild West alien spot are not lost. The Texas state historical marker that commemorates the cemetery still mentions the Martian burial among the other honored (and real) dead buried at the site….

(15) HE’S GOT TO HAVE IT. “’I’d sell a kidney for a Jarvis Cocker Spitting Image puppet!’ The collectors who’ll do anything for a TV treasure” in the Guardian.

…Is there any piece of television treasure [TV writer Tom Neenan is] still holding out for? “There is a Spitting Image puppet of Jarvis Cocker from the 90s that’s really spindly and awesome. If that came up I’d consider selling a kidney or something to buy it,” says Neenan. “Oh and I’m building a Dalek at the minute. It’s based on the plans for the new series and it’s all built by me but I’m very jealous of people who have a screen-used Dalek.”

Ah yes, Daleks. Holy mackerel, there is a wealth of Doctor Who collectors, hunters and enthusiasts out there, meeting up in conference centres, museums and online message boards to compare their wares. It is on one such website that I first came across Chris Balcombe, a man who owned and restored an original 1960s Dalek….

(16) FRIGHTENINGLY NUTRITIOUS. This 1945 Cream of Wheat ad was illustrated by Charles Addams. (Click for larger image.)

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Olav Rokne, Rich Horton, Scott Edelman, James Bacon, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 12/28/23 Pixel’s Just Another Word For Nothing Left To Scroll

(1) LET LOOSE THE LAWYERS. The New York Times would like to be the first to tell you: “The Times Sues OpenAI and Microsoft Over A.I. Use of Copyrighted Work”.

The New York Times sued OpenAI and Microsoft for copyright infringement on Wednesday, opening a new front in the increasingly intense legal battle over the unauthorized use of published work to train artificial intelligence technologies.

The Times is the first major American media organization to sue the companies, the creators of ChatGPT and other popular A.I. platforms, over copyright issues associated with its written works. The lawsuit, filed in Federal District Court in Manhattan, contends that millions of articles published by The Times were used to train automated chatbots that now compete with the news outlet as a source of reliable information.

The suit does not include an exact monetary demand. But it says the defendants should be held responsible for “billions of dollars in statutory and actual damages” related to the “unlawful copying and use of The Times’s uniquely valuable works.” It also calls for the companies to destroy any chatbot models and training data that use copyrighted material from The Times….

(2) I FOUGHT THE LAW AND THE LAW WON. Meanwhile, the Guardian ponders the corporate trauma Disney will (or won’t) suffer as the “Copyright for original Mickey Mouse persona to run out 1 January 2024”.

…The loss of exclusive rights to the historically important first draft of a character who went on to capture the hearts of millions worldwide will cut deep, as proven by the decades of legal maneuvers the company made to try to preserve them.

The episode is also reflective of the turbulent waters in which Disney currently finds itself, including a bruising culture war fight with Florida’s Republican governor, Ron DeSantis, over LGBTQ+ rights, and strong financial headwinds from its loss-making streaming service Disney+, as well as a worrying series of movie flops.

“I always say any of us going past 100 years will usually have issues, but this whole original Mickey Mouse thing is something to think about as we look at Disney going into its second century with a good deal of troubles,” said Robert Thompson, a trustee professor of television, radio and film, and founding director of the Bleier center for television and popular culture at Syracuse University.

“Disney has a lot of things to worry about right now, and the expiration of Steamboat Willie’s Mickey Mouse probably shouldn’t be on the top of their list. The original Mickey isn’t the one we all think of and have on our T-shirts or pillowcases up in the attic someplace.

“Yet, symbolically of course, copyright is important to Disney and it has been very careful about their copyrights to the extent that laws have changed to protect them. This is the only place I know that some obscure high school in the middle of nowhere can put on The Lion King and the Disney copyright people show up.”…

(3) CREATING GAME CHARACTERS AS TRANS OUTLET. “Video Games Let Them Choose a Role. Their Transgender Identities Flourished.” The New York Times says, “Transgender people have turned to games, some with robust character creators, as places where they can safely express themselves.”

Nearly a decade before Anna Anthropy came out as a transgender woman, she was wearing a dress in the world of Animal Crossing on the Nintendo GameCube, leaving virtual bread crumbs for her family about information she was not prepared to share as a teenager.

“We were all playing in the same town, and I had chosen a female character,” said Anthropy, 40, now a professor of game design at DePaul University, in Chicago. “It wasn’t something we talked about, but it was my way of seeing a version of my family where I was the right gender.”

More than a dozen transgender and nonbinary people said in interviews that video games were one of the safest spaces to explore their queer identities, given the array of tools to modify a character’s appearance and a virtual world that readily accepts those changes.

Character creation tools in role-playing games like Starfield and Baldur’s Gate 3 are making fewer gendered assumptions than in the past, giving players more freedom to select pronouns, shape their bodies and select a vocal range. Those new options are leading some players to spend hours creating their virtual avatars….

(4) THE KING TOPS THE DOCTOR? UNBEEVABLE. [Item by SF Concatenation’s Jonathan Cowie.] When it comes to Christmas, if Nineteenth Century Britain gave us the Christmas Card then arguably the Twentieth Century gave us the tradition of watching TV at Christmas (as well as throughout much of the rest of the year). So, of 68 million in the United Kingdom, what were the Brits watching this Christmas day?

Well, according to B. A. R. B., (Broadcasters Audience Research Board) the UK broadcasting ratings bureau, the most watched programme over the 2023 Christmas was the King’s Speech. This is an annual address from the Monarch and this year it was King Charles III’s second such address. Some 7.5 million tuned in live (not counting catch-up viewers). The King was broadcast on both BBC1 (the UK’s principal state sponsored terrestrial channel) and simultaneously with ITV 1 (Independent Television) Britain’s leading commercial terrestrial channel.

Second was BBC1’s Strictly Come Dancing, a dancing competition, which garnered a little over 5 million viewers.

Third, was a programme that was broadcast immediately after Strictly on BBC1, so no need to get up from the sofa as the turkey with all the trimmings digested. It was Doctor Who and Ncuti Gatwa’s first solo outing as the new Doctor. Some 4.75 million tuned in to see him tackle the Goblin King. (Again, this figure does not include catch-up viewers.)

Of course Doctor Who was also broadcast in other countries including N. America’s Mega-Cities, so the global viewing figure would be much higher.

(5) THE APPAREL OF AFROFUTURISM. Visit the “Ruth E. Carter: Afrofuturism in Costume Design” exhibit at The Charles H. Wright Museum of African American History in Detroit anytime through March 31.

This new exhibition features over 60 of the Two-Time Academy Award winning costumer designer’s original designs from iconic films such as Black Panther, Black Panther: Wakanda Forever, Malcolm X, Do The Right Thing, and more.

(6) MAN OF STEEL, FEET OF CLAY. [Item by Olav Rokne.] Polygon makes some good points about the phenomenon of “superhero fatigue,” which they argue has more to do with ill-considered studio decisions than with the core idea of superpowered guys in capes having adventures on screen. “People aren’t tired of superheroes, they’re tired of bad superhero movies”.

Companies considered the simple existence of an extended universe and the affection for recognizable characters as a core selling point, when it is, and should always be, the sauce and not the meat.

(7) FIFTEENTH DOCTOR, FOURTEENTH SERIES. “Doctor Who Series 14 Trailer Confirms a Returning RTD Character and Release Date Window “ at Den of Geek.

The Fifteenth Doctor era of Doctor Who is well underway with Ncuti Gatwa‘s first full episode helming the TARDIS. This year’s Christmas Special, “The Church on Ruby Road,” saw the Doctor not only face off with mischievous Goblins with a taste for baby scones (that is, scones made out of babies) but also meet his new companion, Ruby Sunday (Millie Gibson), who brings plenty of her own mysteries to the show. Who are her birth parents, what does her neighbor Mrs. Flood have to do with the upcoming season’s overarching plot, and what’s going on with the Hooded Woman who dropped her off at the church 24 years ago?

All questions we’ll have to wait to have answered in series 14, which is officially being marketed as Doctor Who season 1, marking the start of a new production era for the show, with returning showrunner Russell T Davies back at the helm. Fortunately, we won’t have to wait too long for season 1/series 14 to hit our screens. The very first trailer for the Fifteenth Doctor’s debut series confirms that the show will return in May 2024 with eight new episodes. Give the short trailer a watch below…

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 28, 1932 Nichelle Nichols. (Died 2022.) So let’s us honor Nichelle Nichols on her Birthday. I’ll get her SF work eventually but she’s got a fascinating story long before that. She started off as a dancer and a singer in the bands of Duke Ellington and Lionel Hampton, very impressive indeed. This photo is her as a singer with Duke Ellington.

In 1959, she appeared as the principal dancer in Carmen Jones and performed in a New York production of Porgy and Bess

Did I mention Hugh Hefner briefly employed her to sing at his Chicago club? Well he did. No idea if she also danced there. 

Now we come to the Sixties. 

It said that she came to attention of Roddenberry when she was cast as Norma Bartlett in the “To Set It Right Episode” of his The Lieutenant military series. 

(The series was thick of actors who would later appear on Trek. The lead here, second lieutenant William Tiberius Rice, played by Gary Lockwood, who will appear in “Where No Man Has Gone Before”. Majel Barrett, Leonard Nimoy, and Walter Koenig also appeared as guest stars, along with Ricardo Montalbán and Paul Comi, of the “Balance of Terror” episode.)

She did an interesting bit of genre work appearing in the Tarzan’s Deadly Silence is a 1970 adventure film composed of an edited two-parter of Ron Ely’s Tarzan series released as a feature. The actual original air dates were October 28, 1966 and November 4, 1966. She played Ruana. I was even able to find a high-resolution image of her on location on Hawaii. 

Now Star Trek. What a wonderful character Lieutenant Nyota Uhura was! And yes, I realize that she wasn’t called by that full name until William Rotsler created the name it for Star Trek II Biographies, his 1982 licensed tie-in book. 

There’s little I could say here about her Trek years that haven’t been said before.  She had one of the best roles on the series bar none and the writers wrote her wonderfully.  The films give her an ever more active role and I applaud the writers for doing this..

The films give her a more active role and I applaud the writers for doing this. 

She did appear possibly in several fan video fictions, the first beinStar Trek: Of Gods and Men in which she was Captain, and a narrator role in Star Trek First Frontier (but not onscreen). Here she is as captain in Star Trek: Of Gods and Men, and yes, that is Walter Koenig as well. 

But you want to see her given a more expanded role as a character in the real Trek universe, that’s after the original series was long off the air. It comes into play in the matter of a hidden Star Trek: Picard season two Easter egg which reveals that she has become a starship captain after The Undiscovered Country.

(9) COMICS SECTION.

  • Peanuts from March 1, 1955 is the first day of 4 Martian jokes. (March 3 is my favorite.)
  • Pickles asks a sci-fi question.

(10) OLIVE & POPEYE. [Item by Daniel Dern.] ComicsKingdom takes you “Inside the Kingdom with Olive & Popeye: A Heartfelt Chat with the Creators of the New Comic Sensation”

Olive & Popeye are back with a new twice-weekly webcomic here at Comics Kingdom, where fans are family. The strip stars two of the most iconic and classic characters that have been around for nearly 100 years, with a rich history in comics.

Olive and Popeye, published twice weekly, is done alternately by webcomic creator Randy Milholland and comic writer and artist Emi Burdge (following Shadia Amin’s departure).

The new weekly comic was originally penned by Shadia Amin (Aggretsuko, Spider-Ham) and Randy Milholland (Popeye, Something Positive) and centers on both beloved pop-culture characters and their individual adventures, including Olive’s yoga classes, or Popeye’s messy family dynamic, which usually leads to brawls.

Comics Kingdom offers a 7-day free trial period — or (as of December 27, 2023, “four months free.” (To all Comics Kingdom’s strips etc., not just O & P.)

Or, if your library offers Hoopla access, Hoopla includes a Comics Kingdom Binge Pass (good for seven days).

(11) DRESSED FOR BATTLE SUCCESS. [Item by Steven French.] From Prince Caspian to Assassin’s Creed: on the use of brigandines in fantasy. “Brigandines” at The Secret Library, the Leeds Libraries Heritage Blog. There is a photo gallery at the link.

… A brigandine is a form of armour that became popular in Europe in the 15th century.  Constructed of overlapping plates that were riveted to fabric, it offered more flexible protection than plate armour, and could be produced at a lower cost….

(12) WEARING PROTECTION. Incidentally, here’s a whole article (from 2017) about “The armor sets of ‘Game of Thrones,’ ranked”, which are many and varied, at CNET.

Ranking the armor sets on “Game of Thrones”? Not exactly a walk in the water gardens of Dorne. But we gave it a shot anyway. Here are 21 different armor styles, ranked from worst to best.

Starting with No. 21: The Sons of the Harpy get points for being dramatic but their attire is going to do little to shield from them injuries on any actual battlefield…. 

(13) GONE IN A SPLASH. “Historic SpaceX Falcon 9 booster topples over and is lost at sea” reports Spaceflight Now. Without knowing what they expected, nineteen successful missions sounds like impressive longevity to me.

A piece of America’s space history is now on the ocean’s floor. During its return voyage to Port Canaveral in Central Florida, a SpaceX Falcon 9 first stage booster toppled over and broke in half.

This particular booster, tail number B1058, was coming back from its record-breaking 19th mission when it had its fatal fall. The rocket lifted off from Cape Canaveral Space Force Station on Dec. 23 carrying 23 Starlink satellites. The booster made a successful landing eight and a half minutes after launch on the drone ship ‘Just Read the Instructions’ which was stationed east of the Bahamas. SpaceX said in a statement on social media that it succumbed to “high winds and waves.”…

… The company stated that “Newer Falcon boosters have upgraded landing legs with the capability to self-level and mitigate this type of issue.

In a separate post, Kiko Deontchev, the Vice President of Launch for SpaceX, elaborated by added that while they “mostly outfitted” the rest of the operational Falcon booster fleet, B1058 was left as it was, “given its age.” The rocket “met its fate when it hit intense wind and waves resulting in failure of a partially secured [octo-grabber] less than 100 miles from home.”…

(14) CYBORG? [Item by SF Concatenation’s Jonathan Cowie.] A hybrid bio-computer – combining laboratory-grown human brain tissue with conventional electronic circuits – has been built… and it has learned speech recognition.

Artificial Intelligence, cyborgs, replicants, positronic brains, are all allied SF tropes. Meanwhile, in real life we have in the past built computers part of whose electronic circuitry is based upon neural network structures and we have had computer-to-brain interfaces. This new development is different: it is an artificial intelligence computer made out of both electronic and purely biological components.

The biological component is a brain organoid. An organoid is a clump of cells created by stem cells next to brain cells. The stem cells grow and multiply taking on the properties of the neighbouring cells and turning into brain cells that are in effect similar to brain tissue. (This is different to growing a brain from an embryo.) A high-density multi-electrode array connects the electronic part of the bio-computer with the brain cell organoid. The researchers have only begun to explore the possibilities of this new technology, which they call ‘Brainoware’, but already they have trained it to recognise and distinguish speech from different speakers as well as solve non-linear equations.

(See the primary research Cai, H. et al (2023) Brain organoid reservoir computing for artificial intelligence. Nature Electronics, vol. 6, p1,032–1,039 and the review piece Tozer, L. (2023) ‘Biocomputer’ combines brain tissue with silicon hardware. Nature, vol. 624, p481.)

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Olav Rokne, Kathy Sullivan, Lise Andreasen, Daniel Dern, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 12/26/23 Warning – Spindizzy Recall! Your City May Auto-Return Abruptly!

(1) TO THE NASFIC AND BEYOND. A chapter of Sandra Bond’s Trans-Atlantic Fan Fund trip saga appears in the new issue of Geri Sullivan’s fanzine Idea 13. Says S&ra, “It contains my report on Pemmi-Con with detailed thoughts on What Went Wrong With It And Why.”

Day thirteen of TAFF, unlucky for some. Sandra Bond – already befuddled by her travels and overwhelmed by the generosity of North American fans – has left Minneapolis and has hitched a lift with Minnesota fans Curt Gibson and Alice Ableman in Curt’s mom’s SUV, riding north for NASFiC. No, you haven’t missed any previous instalments; they will be published elsewhere, in due course, and eventually a complete version will follow. I’m starting with this chapter, partly because Geri is publishing it and chapter 1 will largely be about her as my first host, and partly in order to air some issues arising from Pemmi-Con while the iron, so to speak, is hot….

Here’s a taste of those hot iron issues. Think of it as what the 2023 Worldcon experience would have looked like if Chengdu had not wrested it away from Winnipeg.

… (The programme as a whole showed every sign of having been thrown together by robots with no human eyes; for instance, the registration field had a space for you to enter your “organization.” I had put “TAFF”, which was fine, but Tanya Huff had foolishly essayed a little joke by putting “I am not at all organized” in that field, and was rewarded by having that phrase appended to her name on every single programme item featuring her. Others were flagged as variations on “n/a” or “–”, or found themselves billed as representing the organisation of “Myself” (Rich Horton) or “Julie E. Czerneda” (go on, guess). And Nisi Shawl – a fucking guest of honor, and consequently on many programme items – was accompanied on every occasion by the tag “I believe you already have my bio and photo.” Apparently they didn’t, since her “photo” was the generic one used for people who hadn’t supplied any.)…

(2) WHEN NEEDS MUST. The BBC interviewed a fan who remembers “When Tom Baker popped in to watch Doctor Who”. The experience wasn’t quite like when Dustin Hoffman needed to see “Wapner” in Rain Man, but was not entirely unlike it, either.

The time is November 1976, and the space is the Nuneaton branch of Radio Rentals, the old TV stockist that was once a familiar high street fixture. Pauline Bennett remembers being on shift there when a “very smart chap” walks in with a strange request.

“He came in about five o’clock and said he and Tom Baker needed to watch the Doctor Who episode that was going to be on shortly,” she said.

Titular star Baker had been travelling back from the show’s exhibition in Blackpool with BBC manager Terry Sampson when the pair were delayed by fog.

They had turned off the motorway heading for the town, hoping to persuade someone to let them watch the show, the first to feature filming at an outside location, she explained….

(3) FREE AT LAST. Jennifer Jenkins, Director, Duke Center for the Study of the Public Domain, tells us what we can look forward to on “Public Domain Day 2024” at the Duke University School of Law blog.

On January 1, 2024, thousands of copyrighted works from 1928 will enter the US public domain, along with sound recordings from 1923. They will be free for all to copy, share, and build upon. This year’s highlights include Lady Chatterley’s Lover by D. H. Lawrence and The Threepenny Opera by Bertolt Brecht, Buster Keaton’s The Cameraman and Cole Porter’s Let’s Do It, and a trove of sound recordings from 1923. And, of course, 2024 marks the long-awaited arrival of Steamboat Willie – featuring Mickey and Minnie Mouse – into the public domain. That story is so fascinating, so rich in irony, so rife with misinformation about what you will be able to do with Mickey and Minnie now that they are in the public domain that it deserved its own article, “Mickey, Disney, and the Public Domain: a 95-year Love Triangle.” Why is it a love triangle? What rights does Disney still have? How is trademark law involved? Read all about it here. …

(4) NO WAITING FOR PUBLIC DOMAIN HERE. In “’Gale: Stay Away From Oz’ Offers a Horror Take on ‘The Wizard of Oz’”, The Mary Sue reminds everyone this 30-minute short already was released in September.

…In 2023, The Wizard of Oz books by L. Frank Baum entered the public domain. That means anyone can take those characters or the world of Oz and reimagine them in brand-new stories. The independent short horror film Gale: Stay Away From Oz does just that. According to IMDBGale‘s official summary is “Long gone are the days of emerald cities and yellow brick roads. In this dark re-imagining of the Wizard of Oz, Dorothy Gale is now an elderly woman, broken by years of paranormal entanglement with a mystical realm.” Emily Gale, the granddaughter of Dorothy, reconnects with her grandmother and the mystical realm that haunts her.

Unlike Winnie the Pooh, which also got the horror treatment, the original stories of Dorothy already lend themselves to the horror genre. Who hasn’t watched Return to Oz and felt terrified? With Gale: Stay Away From Oz, it seems like the curse of Oz haunts any of Dorothy’s descendants, which makes for an even creepier connection. So when is Gale: Stay Away From Oz coming out and where can you watch it?…

(5) AT THE NIMOY. “Mr. Spock’s Widow Puts on a Show” – and The New Yorker profiles her.

The other day, Susan Bay Nimoy—actress, writer, director, philanthropist, and widow of Leonard—stood at the entrance of a historic Art Deco theatre in Westwood, which she had helped to restore and convert to a live-performance space. On the marquee, lit bulbs spelled out the theatre’s new name: the Nimoy.

“There’s a lot of history,” Bay Nimoy, an exuberant eighty-year-old, said. “I called Jane Fonda and asked if she would come to the press opening, because her mother, Frances, funded the theatre.” More history: during the Second World War, newsreels played at the theatre; “Dr. Strangelove” had its first L.A. screening there, in 1964. Two decades later, when Disney managed the theatre, “Three Men and a Baby” was the opening film. Leonard was the director; Bay Nimoy accompanied him to the première. “It was certainly in the eighties, because I wore a black suit with big shoulder pads, with a lot of jewelled things on them,” she said….

… “Leonard and I came from very poor backgrounds. His father was a barber. My dad was an accountant,” Bay Nimoy said. The couple invested their Hollywood earnings in California real estate and contemporary art. “Leonard was not a fancy person,” she went on. When they met, she said, “I was driving a Honda.” Their goal was to give their children—he had two, she had one—a buffer, and no more. “They will not be gabillionaires, but they have a leg up,” she said. “And the rest we’re giving away.” They built a Jewish day school (their rabbi asked them to), a new theatre at Griffith Observatory (Leonard loved outer space), and a theatre for Symphony Space, in New York (where Leonard used to perform short stories)….

(6) NOTHING YOU HAVEN’T THOUGHT OF YOURSELF. Maris Kreizman tells New York Times Readers “Let’s Rescue Book Lovers From This Online Hellscape”.  

… In an ideal world — one in which it wasn’t owned by Amazon — Goodreads would have the functionality of a site like Letterboxd, the social network for movie fans. Letterboxd has called itself “Goodreads for movies” but it has far surpassed that initial tag line, having figured out how to create a smooth and intuitive user experience, provide a pleasant and inviting community and earn revenue from both optional paid memberships and advertisers, including studios that produce the films being discussed. Meanwhile, publishers still rely on Goodreads to find potential readers, but targeted advertising has grown both less affordable and less effective.

So how to fix it? It starts with people: Goodreads desperately needs more human moderation to monitor the goings-on. Obviously, part of any healthy discussion is the ability to express displeasure — those one-star reviews, ideally accompanied by well-argued rationales, are sacrosanct — but Goodreads has enabled the weaponization of displeasure.

It’s not just fledgling authors being pummeled. Earlier this year, Elizabeth Gilbert, the best-selling author of “Eat, Pray, Love,” decided to withdraw a forthcoming novel, “The Snow Forest,” after Goodreads users bombarded its page with one-star reviews objecting primarily to the fact that the novel (which no one had yet read) was set in Russia and would be published at a time when Russia and Ukraine were at war. There is most likely no way to eliminate personal attacks entirely from the site — or from the internet, for that matter — but having more human beings on hand to mitigate the damage would certainly improve the experience.

Fortifying the guard rails wouldn’t be that difficult. Currently Goodreads uses volunteer librarians who add new books to the site’s database in their free time. Hiring these people (and scores more like them) and paying them a living wage would empower Goodreads’s representatives to communicate with publishers, large and small, to facilitate posting books to the site when, and only when, a book has actually been written and edited and is ready to be shared with the world….

(7) CURING YOUR WHO HANGOVER. In the unlikely event that you need somebody to explain the Doctor Who Christmas Special to you, The Hollywood Reporter has volunteered. “’Doctor Who’ Christmas Special “The Church on Ruby Road,” Explained”. For everyone else, beware spoilers. The following excerpt is a little spoilery though not prohibitively so, I thought.

…Initially, Mrs. Flood would appear to be just a normal neighbor. Nothing unusual about her, until we see her sitting down to enjoy the TARDIS dematerializing. Something that most humans would balk at.

However, not for Mrs. Flood. In fact, at the end of the episode, she says to her understandably shocked neighbor (who also witnessed The Doctor’s ship disappearing), “Never seen a TARDIS before?”

And, if this wasn’t enough, she looks directly down the camera and winks. Mrs. Flood is clearly someone to be reckoned with, and undoubtedly will make a return. But is she a familiar character in the Whoniverse? (Time Lords change their appearance quite regularly.) Or, is this a new friend/foe for The Doctor? Names have often hinted at deeper connections and meanings in Doctor Who (see Melody Pond and River Song, for example) — is there a clue here?

Mrs. Flood is played by Anita Dobson, who will be known to many in the U.K. as she made a name for herself as alcoholic landlady Angie Watts in the BBC’s long-running soap, Eastenders. An accomplished stage actress, Dobson is also married to Brian May, guitarist for rock outfit Queen (who’ve had a number of songs feature memorably in Doctor Who, such as “Bohemian Rhapsody,” “Crazy Little Thing Called Love” and “Don’t Stop Me Now”)….

(8) IT ONLY GETS WORSE. [Item by Mike Kennedy.] Did you get new clothes for Christmas? Then beware Jólakötturinn, the gigantic Yule Cat, which will chase you down and eat you if you don’t wear those clothes! “Meet the Yule Cat, an Icelandic folklore beast who eats children” on NPR.

… That’s right. A child’s worst nightmare — new clothes under the tree — could only be outdone by a somehow worse nightmare, being devoured by a ferocious feline that hunts down children caught not wearing their new clothes.

The tale of Jólakötturinn, which translates to Yule Cat, is an Icelandic Christmas classic dating back to at least 1932, according to the Icelandic Folklore website, a research project managed by the University of Iceland….

(9) THE COMPUTER SAYS ‘CHEESE!’ “A.I. Is the Future of Photography. Does That Mean Photography Is Dead?” wonders Gideon Jacobs in an opinion piece for the New York Times.

John Szarkowski, the legendary curator at the MoMA, once described photography as “the act of pointing.” And for the nearly 200 years since its inception, photography has consisted of capturing a visual perspective from the physical world using light — first with light-sensitive plates, then film, then digital sensors. When digital cameras became widely available, many photographers lamented the move away from analog technology but basically Szarkowski’s definition still held: Photography consists of pointing, as a reaction to something that exists in the world.

With advent of A.I. image generators, however, this definition feels obsolete.

Generative A.I. tools can produce photorealistic images, typically in response to written prompts. These images are available for purchase from major stock photography agencies, alongside traditional photos. They routinely go viral before being debunked. They even occasionally win prestigious photography prizes. All if which has reignited a two-centuries-old debate: What exactly qualifies as a photograph?

… Artists, writers and theorists have long remarked on our very human tendency to project slippery ideas about truth onto two dimensional surfaces. In 1921, Franz Kafka was told about a miraculous machine that could automatically take one’s portrait, a “mechanical Know-Thyself.” He offered up his own name for the apparatus: “The Mistake-Thyself.” Kafka was ahead of his time — in Susan Sontag’s 1977 essay “In Plato’s Cave,” she wrote, “Although there is a sense in which the camera does indeed capture reality, not just interpret it, photographs are as much an interpretation of the world as paintings and drawings are.” Each photograph, she argued, is inevitably the product of countless decisions informed, consciously or not, by the photographer’s predilections and biases, as well as the limits and parameters of the technology.

So when I hear some people calling the arrival of A.I. an extinction-level event for photography, I often think of the French painter Paul Delaroche who, legend has it, declared painting “dead” after seeing a daguerreotype, one of the first photographic inventions. Painting did not die; it just evolved into a different kind of artistry, freed from the obligations of verisimilitude….

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 26, Elisha Cook, Jr. (Died 1995.) His first major role was the psychopathic killer Wilmer Cook in the 1941 version of The Maltese Falcon. Yeah there are two versions, I’ve never seen the earlier version. Anyone here seen it? 

Now as for genre roles, his first was a Boris Korloff film, Voodoo Island, in which he was Martin Schuyler. Adam West is here in his first film role, uncredited.

His next horror film with Vincent Price, House on Haunted Hill, in which he was Watson Pritchard, is interesting because exterior shots of the house were filmed at the historic Ennis House in Los Feliz, California, designed by Frank Lloyd Wright and built in 1924.

Here’s a curious one for you. The Haunted Palace is a horror film starring Vincent Price Lon Chaney Jr. in which he’s Micah Smith / Peter Smith. The film was marketed as based on a Poe title but only the title is from him – the plot is from Lovecraft’s “The Case of Charles Dexter Ward” novella.

I saw Rosemary’s Baby once in which he played Mr. Nicklas. That was more than enough, thank you.  Hey, he’s in the original The Night Stalker movie as Mickey Crawford. Neat. And next up is being Gordon “Weasel” Phillips in Salem’s Lot, a scary film indeed.

Most memorable series appearance? As Samuel T. Cogley, Esq in Star Trek’s “Court Martial” episode of course. He also made a Wild, Wild West appearance as Gideon McCoy in “The Night of the Bars of Hell”, the new Twilight Zone in “Welcome to Winfield” as Weldon, The Bionic Woman in “Once a Thief” as Inky and in ALF in “We’re So Sorry, Uncle Albert” as Uncle Albert.  Oh, and his first television appearance was on the Adventures of Superman in “Semi-Private Eye” as Homer Garrity.

(11) COMICS SECTION.

(12) EJECT! Arturo Serrano declares “Rebel Moon is the most Snyder that Snyder has ever been” at Nerds of a Feather. And that’s not a good thing.

One could summarize Rebel Moon as “the Zack Snyder of Star Wars,” which would sound mean-spirited if it weren’t its literal description. Conceived originally as Snyder’s pitch for Lucasfilm and eventually rescued by Netflix, Rebel Moon files off the Star Wars serial numbers just enough to prevent lawsuits from the Mouse. As you would expect, it tells the story of a loosely assembled team of impromptu freedom fighters who rise up against a brutal interstellar empire. A tale as old as time, and one that Lucasfilm has kept profitable for nine movies and I forget how many TV shows. But Snyder’s version of this formula, stripped of its identifiable markers for legal reasons, becomes a nameless, featureless collection of plot beats and cool poses. If there was ever a time when the infamous itch for canceling everything at Netflix could be used for good, it’s now. There’s no need for a Rebel Moon Part 2, or for all the multimedia spinoffs Snyder is reportedly preparing. This is not the galaxy you’re looking for….

(13) TO HELL AND MAYBE BACK. Disney+ has started airing the new series based on Rick Riordan’s YA fictionalization of Greek myth: “Percy Jackson and the Olympians: The Quest Begins in New Clip” from Comicbook.com.

Percy Jackson and the Olympians is gearing up to kick off its quest. The serialized adaptation of Rick Riordan‘s best-selling novels made its surprise debut on December 19th, dropping its first two episodes six hours ahead of schedule in the Tuesday primetime slot. This came with the announcement that all future episodes of Percy Jackson would get the primetime treatment, as the rest of Season 1 will premiere at 9 PM ET. The last fans saw, Percy (Walker Scobell) was officially claimed by his father, Poseidon, and given the news that he must lead a cross-country quest to retrieve Zeus’s (Lance Reddick) stolen master bolt. The belief is that Hades (Jay Duplass) stole it out of jealousy and is keeping it in the Underworld….

(14) STRANGE NEW WORLDS. We hear from the Guardian “How the James Webb telescope is ‘set to find strange and bizarre worlds’”.

There is a distant world where quartz crystals float above a searing hot, puffy atmosphere. Vaporised sand grains, not water droplets, form the clouds that fill the sky on Wasp-107b, a planet 1,300 light years from Earth.

Then there is GJ1214, the sauna planet. With a mass eight times that of Earth, it orbits its parent star at a distance that is one-seventieth of the gap between Earth and the sun and seems to be coated in a thick dense atmosphere containing vast amounts of steam.

Or there are the giant, Jupiter-sized planets of the Orion Nebula which have been discovered free-floating in space, rogue worlds that appear to be unconnected to any parent star – to the bafflement of astronomers….

(15) A YEAR’S WORTH OF SCREEN TIME. Gizmodo picks out the “40 Most Memorable Sci-Fi, Fantasy, and Horror Movie Moments of 2023”. Here’s one example:

Dungeons & Dragons: Honor Among Thieves: Jarnathan Arrives

This is the moment you knew Honor Among Thieves absolutely got Dungeons & Dragons. It’s an incredible set-up to a gag that builds over the opening scenes, establishing the roguish humor of our heroes, throwing a loving curveball to an esoteric D&D race, and of course giving us the most perfect ass-pull of a character name that feels like a Dungeon Master made it up for an NPC on the spot mid-improv. Oh Jarnathan, indeed.

(16) VIDEO OF THE DAY. “Our Pros bring Wednesday Addams to the Strictly Ballroom” from the BBC.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Daniel Dern, Jeff Warner, Kathy Sullivan, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French  for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]