Less than one month ago, SpaceX blasted a full-scale prototype of its Starship vehicle to an altitude of 150 meters above South Texas before returning it safely to the ground. On Thursday, the company did it again with the latest version of the vehicle, dubbed Serial Number 6, or SN6.
As outdoor temperatures soared into the mid-90s Fahrenheit shortly after noon, the prototype was loaded with liquid methane and liquid oxygen before igniting its single Raptor engine. This engine, situated off-center, powered the vehicle at a slight angle into the sky, where it moved several dozen meters laterally before descending and coming to rest near the launch stand.
These test flights represent significant technical achievements, as they involved testing out the large, complex plumbing systems for Starship’s fuel tanks and rocket engine as well as pushing the thrust vector control system of the Raptor engine in flight….
…Brian Niemeier, who won a 2016 Dragon Award for his self-published novel Souldancer, blamed the perceived flaws of the 2020 Dragon ballot on the ongoing pandemic. According to Niemeier’s assessment, the lack of a physical convention meant that “normal people tuned out” while a “Death Cult” that also holds sway over the Hugo Awards “took advantage of the drastically reduced voter base to pack the ballot”. Niemeier claims that this movement is literally in league with Satan: “the Death Cult witches lie constantly in the manner of their father below”.
Best Horror Novel winner Ursula Vernon expressed amusement at these accusations: “I did not find out I was even on the nomination list until my husband said ‘Hey, you’re up for a Dragon!’ so whoever is in charge of Death Cult Communications is falling down on the job!”
Come the day of the awards, Niemeier’s theory regarding voting numbers turned out to be wrong. While the official number of “more than 8,000 ballots” marks a smaller turnout than the 10,000-11,000 ballots cast in the previous two years, it is the same number as was given by the award administrators for 2017, and twice the number provided for 2016.
In reality, of course, there is no need to attribute the shift in the Dragon Awards to either COVID-19 or the machinations of devil-worshippers. As far back as 2017, when Brian Niemeier lost to James S. A. Corey and Declan Finn lost to Victor LaValle, it was clear that the Dragons were outgrowing the grip of any politicised clique. Rather than the year of the pandemic, the real odd-one-out year of the Dragon Awards’ history is clearly their debut in 2016 — the year in which they had their lowest turnout.
…Okay, usually I would do a bit of research, reading, and maybe even talk to some friends before I review something but fuck it, I am only going to put in about the same amount of effort that had apparently been invested into this movie (i.e. minimal). I am Chinese and I am also a fan of Disney films, and I am very easy to please. Do you know how easy it is to please me? I’ll tell you. I actually don’t hate most of Disney’s naked money-grabbing live action remakes that they’ve been pushing out in recent years. That’s the truth. I’ll pay money just to watch diluted versions of their classical animated canon because I am that kind of patsy who is in his 30’s and am utterly, shamelessly susceptible to nostalgia. And I would venture to say that Disney would have done a much better job by me if they had simply stuck to the same playbook they used for Beauty and the Beast, Aladdin, and The Lion King. Remake it shot by shot. Play us the same catchy songs. That way at least, they would just be revisiting the original gauche liberties they took with Chinese culture back in 1998. But nooo, they have elected instead to abandon their old mistakes in order to commit new hate crimes against the Chinese people. How is it that there are way more Chinese people involved in this new version of Mulan and we still end up with a less culturally-reverent movie?
(4) SUBMISSIONS WANTED. [Item by Chuck Serface.] The next issue of The Drink Tank will be “Istanbul: Queen of Cities,” brought to you by Christopher J. Garcia, Alissa McKersie, Chuck Serface, and special guest-editor, Douglas Berry. We’re looking for submissions – history, fiction, artwork, photography, personal reminiscences, reviews, or poetry – that focus on aspects of this city and its surrounding areas, Gallipoli and the Princes’ Islands, for example. Please send your work to firstname.lastname@example.org by October 1, 2020. We’ll have it out shortly thereafter.
(5) SPIKE MCPHEE CATALOG #4. (Not to be confused with Archie.) Doug Ellis has posted another catalog of art and other items from the Spike McPhee estate. You can download it from the link below:
From 1977 to 1989, the Science Fantasy Bookstore operated in Harvard Square in Cambridge. Deb and I hung out there when we were in law school and became friends with the owner, Spike MacPhee. Spike was a member of NESFA and also founded the small press, Paratime Press, which published several checklists in the 1970’s. He was also GoH at the first Arisia convention in 1990.
Besides reading SF, Spike was a devoted science art collector. From the late 1960’s into the 1990’s, Spike attended several SF conventions – among them Boskone, Lunacon, Nycon III, Noreascon, Discon, Torcon and Disclave – where he would often buy art at the art show auction. He also became friends with many SF artists of the 1970’s and bought art directly from them as well. Spike remained a passionate fan until he passed away on November 13, 2019.
As I mentioned in my emails for previous catalogs, we’re now handling the sale of original art, books and other material for Spike’s estate. The fourth catalog is now available, and can be downloaded until September 13 as a 21 MB pdf file here.
If you’d like to download actual jpgs of the images, those can be downloaded in a zip file until September 13 directly here.
(6) DUCK! Dragon Con TV solved a problem and saved an annual tradition by making a semi-live version of a famous Warner Bros. cartoon: Duck Dodgers In The 24th And A Half Century (Sort Of).
What happens when your socially distanced sci-fi & fantasy convention wants to continue the tradition of playing DUCK DODGERS every year at The Masquerade but you don’t want to get shut down by copyright bots? Simple… you make your own version at home.
(7) TRIVIAL TRIVIA.
Johnny Weissmuller was one of Clayton Moore’s swimming instructors when he took lessons as a teenager at the Illinois Athletic Club. Imagine Tarzan teaching the Lone Ranger to swim.
Source: Los Angeles Times
(8) MEDIA ANNIVERSARY.
1960 — Sixty years ago, Peter S. Beagle’s A Fine and Private Place was first published in hardcover by Viking Press which simply says “First published in 1960” on the copyright page. (ISFDB doesn’t list an exact date either. However, it was mentioned twice in the New York Times in May 1960.) Clute at the Encyclopaedia of Fantasy calls it “a Supernatural Fiction in chamber-opera form“. Published before he turned twenty one, it’s been in print since along with The Last Unicorn. It is a very well written novel for a first time author. Though it won no Awards itself, it certainly contributed towards his World Fantasy Award for Life Achievement and Damon Knight Memorial Grand Master awards.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 7, 1890 – Manuel Komroff. Playwright, screenwriter, novelist, editor, translator. I, the Tiger from the viewpoint of a caged tiger, a few shorter stories, for us; more outside our field, including an ed’n of Marco Polo adding a chapter to the Marsden ed’n (1818) and revising the Yule ed’n (1871). (Died 1974) [JH]
Born September 7, 1900 – Taylor Caldwell. Half a dozen novels for us; many others including historical fiction e.g. Dear and Glorious Physician (Luke), The Earth is the Lord’s (Genghis Khan), Glory and the Lightning (Aspasia, mistress of Pericles). Dialogues with the Devil is between Lucifer and the Archangel Michael. This Side of Innocence set in Gilded Age upstate NY the best-seller of 1946. Her books sold 30 million copies. Outspoken conservative. (Died 1985) [JH]
Born September 7, 1921 — Donald William Heiney. Writer under the pseudonym of MacDonald Harris which he used for all of his fiction of one of the better modern set novels using the Minotaur myth, Bull Fever. His time travel novel, Screenplay, where the protagonist ends up in a film noir 1920s Hollywood is also well crafted. Most of his work is available from the usual digital suspects. (Died 1993.) (CE)
Born September 7, 1924 – Gerry de la Ree. Formed the Solaroid Club (New Jersey; included Manly Wade Wellman), 1939. Collector, small-press publisher, dealer; sports journalist outside our field. Seven books on Virgil Finlay; also Hannes Bok, Stephen Fabian, Clark Ashton Smith, Stanley Weinbaum; The Art of the Fantastic from his own collection. First Fandom Hall of Fame, 1994 (i.e. posthumously). (Died 1993) [JH]
Born September 7, 1937 — John Phillip Law. He shows up as the blind angel Pygar in Barbarella, and he’s the lead in Ray Harryhausen’s The Golden Voyage of Sinbad. He’s Flight Commander Elijah Kalgan on South African produced generation ship Space Mutiny, and he was one of four actors who over the years played Harty Holt in Tarzan films, his being in Tarzan, the Ape Man. (Died 2008.) (CE)
Born September 7, 1944 – Cas Skelton, 76. She and husband Paul (he sometimes “Skel”) long active fans, particularly in fanzines; even published The Zine That Has No Name, years before Marty Cantor’s No Award. Before that, Inferno became Small Friendly Dog. Such, such were the joys – [JH]
Born September 7, 1955 — Mira Furlan, 65. She’s best known for her role as the Minbari Ambassador Delenn on the entire run of Babylon 5, and also as Danielle Rousseau on Lost, a series I did not watch. She’s reunited with Bill Mumy and Bruce Boxleitner at least briefly in a series called Space Command.(CE)
Born September 7, 1960 — Susan Palwick, 60. She won the Rhysling Award for “The Neighbor’s Wife”, the Crawford Award for best first novel with Her Flying in Place, and the Alex Award would be awarded for her second novel, The Necessary Beggar. Impressive as she’s not at all prolific. All Worlds are Real, her latest collection, was nominated for the 2020 Philip K. Dick Award. (CE)
Born September 7, 1960 – Michelle Paver, 60. A score of novels; Chronicles of Ancient Darkness series set in Stone Age Europe sold a million copies, its Ghost Hunter winning The Guardian’s Children’s Fiction prize; Gods and Warriors series in the Bronze Age. Patron of the United Kingdom Wolf Conservation Trust. Met ice bears at Churchill, Manitoba. [JH]
Born September 7, 1973 — Alex Kurtzman, 47. Ok, a number of sites claims he single handed lay destroyed Trek as the fanboys knew it. So why their hatred for him? Mind you I’m more interested that he and Roberto Orci created the superb Fringe series, and that alone redeems him for me. (CE)
Born September 7, 1974 — Noah Huntley, 46. He has appeared in films such as 28 Days Later, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (excellent film), Snow White and the Huntsman (great film), Event Horizon (surely you’ve something else to do) and Dracula Untold (well, not so great). He’s Gawain in The Mists of Avalon series which I refuse to watch, and shows up as Donovan Osborn in the CW series Pandora which, I’m not kidding, got a Rotten Tomatoes zero percent approval rating. Ouch. (CE)
Born September 7, 1977 – Nalini Singh, 43. A dozen Guild Hunter novels, a few shorter stories; a score of novels, a dozen shorter stories, about Psy-Changelings; a dozen more novels; thirty short stories on her Website. Two Vogels. A dozen NY Times Best Sellers. [JH]
Born September 7, 1998 – Ghughle, possibly timeless. The Ghreat Revelation of this so far little known fannish ghod came to Steven H Silver (no punctuation after the H) on September 22, 2001; see Argentus 2. The birthday of Ghughle is celebrated, or had better be, on September 7th. This image was vouchsafed to Stu Shiffman, and we all know what happened to him. [JH]
…A few months after that meeting, Marvel Comics approached me about writing a comic book series called Rise of the Black Panther. It was the opportunity of a lifetime, a chance to re-imagine T’Challa’s earliest days as a king. The only problem was that I was scared as hell. Could I actually step into a legacy that I’d loved from afar, before a major motion picture starring the same character came out? Could I follow in the footsteps of creators whose work made me feel seen and helped spark my dreams of writing? I’d been writing about comics for almost half my life, but I’d never actually written them before. History was getting all up in my face and asking me what I was going to do. To come up with an answer, I thought back to my interview with Boseman. He was an actor who, as far as I could tell, hadn’t read any Black Panther comics before getting slipped one on the set of Gods of Egypt. Yet he took on the risk of portraying T’Challa. What sorry excuse could I, a lifelong comics nerd, muster for not doing the same?
Because when history came for Chadwick Boseman—as it did on multiple occasions—he was ready. Every time. That’s why his passing hits me so hard. Look at his life story and you see a man who knew the importance of meeting the moment. When he got his first big TV job on a soap opera, it was a character who was getting caught up in gang life. He asked the show’s creators questions meant to help round out the role and steer it away from stereotypes. For his trouble, he got fired the next day….
(12) SURVIVOR. [Item by Mike Kennedy.] Guardians of the Galaxy‘s Yondu Udonta—actor Michael Rooker—dishes (via Entertainment Weekly) on his recent battle with COVID-19.
In a Facebook post on Friday, the actor told fans that he’s beaten COVID-19 after an “epic battle” with the illness.
“If y’all aint figured it out by now why I’ve been isolating in this crazy awesome Airstream of mine, let me help y’all out by saying I’ve been fighting off COVID-19,” Rooker wrote. “I have to let y’all know it has been quite a battle. And as in any war, ALL is fair. And IN the middle of this epic battle I’ve come to the conclusion that there aint a whole heck of a lot one can do externally, to fight off COVID-19 once it has gotten into your body.”
…It could happen, if you ask physicist Melvin Vopson. An astonishing half of Earth’s mass could take the form of digital data by 2245. He believes that we process so much digital information that if we keep up so much oversaturation, we will redistribute the physical atoms that make up this planet and everything on it into digital bits and computer code until we end up living in a sort of computerized simulation. You could argue that we already live in a simulation, but the unnerving thing about Vopson’s research is that it is an actual projection as opposed to something that could happen but will continue to exist in the realm of science fiction until it actually does.
(14) THE “THERE’S TOO MUCH POLITICS ON FILE 770” ITEM OF THE DAY.
(15) ALTERNATE LITERATURE. [Item by John A Arkansawyer.] If you recall the still from Seth Meyer’s show with the altered Thorn Birds cover–Thorn of the Rings, I believe it was–then you’ll be interested in the lower right hand corner of this video where I’ve cued it up. The bottom book is, sadly, not SF, but the rest of the stack is: https://youtu.be/gqV_fxqUI_I?t=143
(16) THE SINCEREST FORM OF FLATTERY. ScreenRant rounds up “12 Hilariously-Titled Ripoffs of Better Movies”. Tagline: “If you’re sick of watching well-produced Hollywood films with good acting and good effects, take a look of these so-called ‘mockbusters.’”
8. What’s Up? Balloon To The Rescue
If you thought mockbusters could only rip off action films, think again. This time, Pixar was the target with the amazingingly awful What’s Up? Balloon to the Rescue. Because “What’s Up” wouldn’t have been an obvious enough ripoff of Pixar’s Up, so they had to throw the word balloon in there just to make sure everyone knew what was, um, up.
Featuring what is absolutely the worst/most nightmare-inducing animation you’ll ever see, it’s actually fascinating that What’s Up even exists considering the amount of time and effort that it must have taken to make a movie this bad. Not only is the film insultingly bland and near-impossible to watch, but it’s also insanely racist in a way that only a movie that looks like a ’90s screensaver could be. If it isn’t yet clear, everything about this film is fascinating, and if you want to cringe your way through a night with some friends, you literally couldn’t make a worse choice than What’s Up.
(17) FANDOM SURVIVES, TOO. SF2 Concatenation has posted “How Eastercon and Worldcon fandom”. Tagline: “In 2019 the SARS-CoV-2 virus evolved. By early 2020 it had spread from Asia to the rest of the World. In March 2020 much of Europe and N. America went into lockdown. Yet SF fan activity continued. Caroline Mullan reveals how.”
… Many fans around the world had seen the virus coming and started modifying their public behaviour before lockdowns started to take hold. One of the first fruits of this was Concellation 2020, which sprang up on Facebook on 13th March, founded by Christopher Ambler and Craig Glassner as a forum for letting off steam as fans started to stay at home. Within 24 hours the group had over a thousand members, and at time of writing it has over 30,000 from all over the world, making jokes, exchanging information, displaying art, cosplay and merchandise, raising funds for charity, and discussing all things fannish. This was an early example of the many new online groups and forums that have been springing up to allow fans to socialise, exhibit and share their creativity and thoughts from lockdown.
(18) VIDEO OF THE DAY. In “Disney’s Live-Action Mulan Pitch Meeting” on ScreenRant, Ryan George explains that the Mulan remake “took the animated movie and removed the fun stuff” but added characters who wore so much makeup “they’re basically violent theatre majors.”
[Thanks to Martin Morse Wooster, John King Tarpinian, Michael Toman, Mike Kennedy, Cat Eldridge, John Hertz, JJ, Chuck Serface, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Cliff.]
…Minneapolis property owners have complained that the policy was slowing the pace of recovery and turning piles of debris into public safety hazards. The situation is different in St. Paul, which has been issuing demolition permits without requiring the prepayment of the second half of 2020 property taxes, which are due in October.
…“This will remove one small roadblock, but I am not sure how much it will actually speed up the entire rebuilding process,” said Don Blyly, owner of Uncle Hugo’s and Uncle Edgar’s bookstores in Minneapolis, which were destroyed in the riots. “You are still going to have the problem of a whole lot of demolition permits being handled by people who are working at home because of COVID-19.”
Blyly, who hired a contractor to remove the rubble from his lot a month ago, still doesn’t have his demolition permit, even though he paid his taxes last week.
Minneapolis City Council Member Andrew Johnson said he will introduce legislation at Friday’s council meeting that would require city officials to expedite the approval process for riot-damaged properties and waive all administrative fees.
“We should be processing their applications first, in front of everyone else’s, and they shouldn’t be subject to any unnecessary steps that are slowing stuff down,” Johnson said. “We need to bend over backward and do everything possible to help them with rebuilding.”
(2) F&SF COVER. The Magazine of Fantasy and Science Fiction’s Sept/Oct 2020 cover art is by Bob Eggleton for “The Shadows of Alexandrium” by David Gerrold.
(3) QUITE A FASCINATING ARTICLE. In “My First Thriller: David Morrell” on CrimeReads, Rick Pullen interviews Morrell, who explains that sf writer and Penn State English professor Philip Klass not only inspired Morrell to find the path he needed to complete First Blood (whose protagonist was John Rambo) but also introduced Morrell to his first agent.
…He read the show’s credits, noting that Stirling Silliphant was the creator. His local library found the address for the “Route 66” production company (the beginning of Morrell’s love affair with libraries). He mailed Silliphant a hand-written letter, saying “I want to be you.” Surprisingly, Silliphant wrote back with a single-spaced, two-page letter within the week. (The framed letter now hangs in Morrell’s office.)
“I wish I had some specific advice for you or encouragement,” wrote Silliphant, “but what I have to say is certainly not new. Keep writing…eventually if you have something of promise to say, someone will help you or hire you.”
…While at Penn State, he met science fiction writer Philip Klass, better known by the pseudonym William Tenn, who taught the basics of fiction writing.
“It was astonishing that a university would hire a real writer. He did not have a degree. He was the backbone of their creative writing department…I couldn’t get into his classes. They filled up right away. So Klass agreed to meet me during office hours.”
To test Morrell, Klass instructed him to turn in a short story every week, and every week he did.
Eventually Klass summoned Morrell to his office and begged him to stop writing fiction. “You’re terrible,” he said.
“He was right,” Morrell says. “I was writing bad Joyce and Faulkner.”
From Klass, he learned “every writer has a dominant emotion.” Morrell’s was fear. Maybe if he wrote honestly about fear, Klass told him, he would stop writing all of his horrible imitation fiction.
“I took him at his word.”…
(4) HELP NEEDED. Filer Lenora Rose hopes someone can lend a hand:
I have a writer’s issue to do with language — specifically semi-Nordic language — and I think this might be the right place to ask for help?
So I’m dealing with a fantasy setting that is used for the course of at least three books. One of the countries major characters come from speaks something I have been rendering, for the purpose of getting through the rough drafts, as quasi-Nordic — sometimes actually looking up words in Swedish or Norwegian or Icelandic and picking the one that sounds the least like English, and also going a Germanic style take two or three words and squish them together. It didn’t help that I decided they were the culture where the names of humans mostly translate to other nouns (Snow, Willow, etc) and the names of the non-human sapient race are usually those Germanic-style squished-together compounds (Bright Witty Magpie is one, as is Stream in Spring Flood). The protagonist is a multi-linguist and cares about this stuff.
Well, the story is now getting into final draft stages in every other way, and the placeholder language is still something that would almost certainly give any linguist or speaker of any of the related Scandinavian languages creeping horrors.
It certainly bothers me, because in the “I don’t know what I don’t know” way, I’m terrified I am going to end up, (as one author did when inventing names she thought sounded Welsh), naming someone a slang term for women’s hygiene products or something similarly terrible.
So basically I need a consult with someone who speaks a related language and would be willing to make non-painful translations or naming suggestions, or a linguist to do the same. *I am assuming this is something where I should pay for their time in some way*, at least if it goes past an initial consultation.
If anyone is willing to help, please relay your email through OGH – mikeglyer (at) cs (dot) com
….With 2020 seeing the re-emergence of the Black Lives Matter movement, leading to many conversations about inclusivity, [George R.R.] Martin’s mispronunciations have taken on a deeper meaning.
“The backlash is absolutely justified,” said Hugo award winner and British fantasy author Jeanette Ng. “But I am sometimes frustrated that it gets reduced down to an anger about him mispronouncing names rather than this deeper tension between competing visions of the genre and the award…Whilst the mispronunciations matter, they are ultimately a symptom of that deeper disconnect of what the [awards are meant to do].”
(6) ASFA SPONSORS BIPOC MEMBERSHIPS. The Association of Science Fiction & Fantasy Artists is offering “Sponsored Memberships For BIPOC”. Donations have raised the number available to 15.
In recognition of systemic biases against BIPOC (Black, Indigenous, & other People of Color) both within the Speculative Fiction & Fantasy communities and without, the Association of Science Fiction & Fantasy Artists intends to sponsor memberships in the organization for BIPOC artists. These sponsorships will be open to up-and-coming artists as well as established artists, and each membership will convey voting rights in the annual Chesley Awards in addition to periodic opportunities to exhibit in shows with other ASFA artists. Additionally, ASFA encourages its BIPOC members to participate in our Board elections, as candidates for Board positions and as voters, to ensure that the organization’s representatives are truly representative of our membership and our aspirations for the community overall.
The site of America’s first nuclear meltdown — and subsequent cover-up — in the picturesque hills of Ventura County may soon join Hearst Castle, the cable cars of San Francisco, and the Santa Barbara Mission as an official landmark in the National Register of Historic Places.
In what some have described as a cynical attempt by a U.S. government agency to avoid a long-promised cleanup of toxic and radioactive contaminants, NASA has nominated the Santa Susana Field Laboratory for official listing asa traditional cultural property.
…Hidden within the chaparral and rocky peaks of the Simi Hills, the Santa Susana Field Lab conducted research that was critical to the nation’s Cold War ambitions, yet toxic to the Earth. The partial meltdown released radioactive gasses that the public was never warned about, and spent rocket fuel, heavy metals and other toxins contaminated the soil and groundwater.
…Now, NASA and a coalition of Native American groups have proposed the area be designated a traditional cultural district. The move has been opposed by critics, who fear that strict laws protecting Native American artifacts, combined with terms of the 2010 agreement, could make it difficult to clean up contamination.
4. Winning an award is not always as important as being a finalist. I can speak to this personally: In terms of my career, it was far more important for me to have been nominated for the Best Novel Hugo award in 2006, than it was for me to win it in 2013. Why? Because in 2006 I was new to the field, and having my first novel nominated was a thing, especially when coupled with the nomination for the Campbell Award for Best New Writer. I was the first person in more than twenty years to get nominated for the Campbell and Best Novel in the same year, and it changed my status in the field from “who is John Scalzi” to “oh, that’s John Scalzi.”
I didn’t win the Hugo that year (nor should I have: Spin by Robert Charles Wilson won, and deservedly so), but it didn’t matter because the boost put me in a different career orbit. When I did win the Best Novel award, several years later, it was great, and I loved it, and I wouldn’t trade the experience. But careerwise, it wasn’t a transforming event. It was a confirming event. My professional career didn’t change all that much after I won. Whereas being nominated earlier was transforming, and ultimately more important to my career.
…The novel, which follows the love story between vampire Edward Cullen and high schooler Bella Swan that fans originally fell for in the first Twilight book back in 2005, is currently No. 1 on USA Today’s Best-Selling Books List as well as on The New York Times’s Children’s Series List. While the original book series —which was adapted into a franchise of movies starring Kristen Stewart and Robert Pattinson in the leading roles — was told from the point of view of Bella, this version takes readers inside the mind of her bloodsucking boyfriend, Edward.
Something about that last line sounds a little off….
When I first envisioned Web-beings, it was a thought experiment on a biological basis for being semi-immortal. I arrived at the notion of organisms who manipulate their molecular structure using energy to repair aging and damage. It led me to aliens who’d hide themselves by cycling, as I called it, into the form of shorter-lived intelligent species. To be convincing, they’d need to know how to behave as one. Thus I had them (there were six at the start) collect and share everything they discovered about a species, from its biology (and thus how to be that form) to every aspect of society and culture.
When your memory consists of your flesh, you’re able to store vast amounts of information, which Web-beings exchange by biting off bits of one another. (I love my job.)…
(11) A CONZEALAND SOUVENIR. W.O.O.F. #45 put together by the Worldcon Order of Fan-Editors for CoNZealand is a free download from eFanzines [PDF file]. It boasts a cover by Tim Kirk, and contributions from John Purcell, Chris Garcia, Rich Lynch, Chuck Connor, Ahrvid Engholm, Evelyn & Mark Leeper, David Schlosser, Mark Blackman, Andrew Hooper, Murray Moore, Kees van Toorn, Wolf von Witting, R. Laurraine Tutihasi, Roger Hill, Alan Stewart, and Phil Wlodarczyk. Guy H. Lillian III served as the Offcial Editor.
(12) I DON’T KNOW — THIRD BLAST! On the Dragon Awards site: “A Blast from the Past (Winners) – Part 3” with Kevin J. Anderson, Nick Cole, Larry Correia, Richard Fox, Claudia Gray, Brian Niemeier, S.M. Stirling, and Harry Turtledove.
If you were a voting electorate of one, what book by any other author would you give a Dragon Award to? What books by other authors would you recommend to those who voted for or enjoyed your book?
Nick Cole: I’m going to decline naming any authors because I have too many talented friends. If you enjoyed Ctrl Alt Revolt!, I guess I would recommend that you read any book by any author who’s been cancelled. Instead of just arbitrarily listening to someone’s opinion on some author and why they should be banned, blacklisted, and their works burned in a bonfire either digital or physical, I think you should take the time to read that book, listen to that person, and come to the conclusion yourself.
(13) BOOK ANNVERSARY.
August 2015 —[Item by Cat Eldridge.]The House of Shattered Wings, the first of her Dominion of The Fallen series by French-Vietnamese author Aliette de Bodard was published by Roc in the U.S. It would be the first novel in what has been a prolific and award-rich writing career. In addition to the decadent, ruined Paris set of the Dominion of The Fallen series, there’s her Xuya stellar empire where she makes rich use of her French-Vietnamese heritage. Of the new writers I’ve been reading (and most are female), I think she’s one that bears watching as it’ll be interesting to see what new universes come from her. And yes I’m waiting for the first Xuya novel somewhat impatiently.
(14) MEDIA BIRTHDAY.
August 13, 1953 — George Pal’s adaptation of H.G. Wells’ The War Of The Worlds premiered in Atlantic City, New Jersey. (Not New York City as is popularly believed.) It was directed by Byron Haskin from the screenplay by Barré Lyndon. It starred Gene Barry and Anne Robinson. It was narrated by Cedric Hardwicke. The film was both a critical and box office success with it earning back its budget in its first run. And it would won an Academy Award for Special Effects. Audience reviewers at Rotten Tomatoes currently give it a 71% rating. (CE)
(15) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 13, 1895 — Bert Lahr. Best remembered and certainly beloved as The Cowardly Lion in The Wizard of Oz, as well as his counterpart who was a Kansas farmworker. It’s his only genre role, though In the war film Meet the People, he would say “Heavens to Murgatroyd!” which was later popularized by a cartoon character named Snagglepuss. (Died 1967.) (CE)
Born August 13, 1899 — Alfred Hitchcock. If he’d only done his two Alfred Hitchcock series which for the most part was awesome, that’d be enough to get him Birthday Honors. But he did some fifty films of which a number are genre such as The Birds and Psycho. Though I’ve not read it, I’ve heard good things about Peter Ackroyd’s Alfred Hitchcock. (Died 1980.) (CE)
Born August 13, 1909 — Tristram Coffin. He’s best remembered for being Jeff King in King of the Rocket Men, a Forties SF serial, the first of three serials featuring this character. He showed up on the Fifties Superman series in different roles, sometimes on the side of Good, sometimes not. He played The Ambassador twice on Batman in. “When the Rat’s Away the Mice Will Play” and “A Riddle a Day Keeps the Riddler Away”. (Died 1990.) (CE)
Born August 13, 1922 — Willard Sage. He showed up on Trek as Thann, one of the Empaths in “Empath”. He was Dr. Blake in Colossus: The Forbin Project, and had roles in The Land of Giants, Invaders, The Man from U.N.C.L.E., The Outer Limits and The Sixth Sense. (Died 1974.) (CE)
Born August 13, 1928 – Sir George Pollock, Bt. The 5th baronet (an oversimplification); pursued photography that had light itself as its subject; invented color photographs using controlled light, originally through glass, which he called Vitrograph; later, large-scale photographic murals. Five book and magazine covers for us; here is New Writings in SF 3. Two album covers for His Master’s Voice; here is HQM 1008 with Stravinsky’s Soldier’s Tale (translation in part by Michael Flanders!), here is HQM 1026 with Prokofievand Shostakovich. Here is Galactic Event. Website here (under re-construction but some help). Appreciation by the Photographic Alliance of Great Britain here (“NGV” is Nat’l Gallery of Victoria) (PDF). (Died 2016) [JH]
Born August 13, 1932 – John Berkey. A hundred seventy covers, two hundred twenty interiors. Mixed his own colors. Here is Starman Jones. Here is Star SF 6. Here is the Nov 94 SF Age. Here is a Star Wars book. Here is One Giant Leap. Four artbooks; lastly J. Frank ed., The Art of John Berkey. Society of Illustrators Hall of Fame. Spectrum Grand Master. Website here. (Died 2008) [JH]
Born August 13, 1945 – Rita Krupowicz. (She usually signed “R.J. Krupowicz”.) Ten covers, as many interiors. Here is The Dark Cry of the Moon.Here is the Nov 85 Fantasy & Science Fiction. This is from The Vortex Library on Twitter. (Died 1991) [JH]
Born August 13, 1952 – Donna Barr, 68. Enlisted in the U.S. Army, school-trained Teletype operator. Much of her work self-published, available electronically. Stinz was serialized in the Eclipse Comics series The Dreamery (hello, Lex Nakashima). GURPS (Generic Universal RolePlaying System) and Traveller role-playing books. “I usually do a rough on scrap paper (junk mail has lots of blank backs!), happily cutting and pasting, then I copy the whole thing (so the back is clear), rearrange the copy backwards on the back of the final paper, slap in some lettering guides, flip it over on a light table, and use it as a rough guide while I ink. No penciling, and no erasing.” Website here. [JH]
Born August 13, 1974 – Christina Henry, 46. A dozen novels, half a dozen shorter stories. Alice, Red Queen and Looking Glass are “a dark and twisted take on Alice’s Adventures in Wonderland”; The Girl in Red is “a post-apocalyptic Red Riding Hood novel”. The Ghost Tree, expected next month, is “an homage to all the coming-of-age horror novels I read when I was younger – except all those books featured boys as the protagonists when I longed for more stories about girls. Just to clarify, though – this is not a young adult novel; it’s intended for an adult audience (like all of my work).” [JH]
Born August 13, 1977 — Damian O’Hare, 43. Though you might know him from the Pirates of the Caribbean films, The Curse of the Black Pearl and On Stranger Tides where he played Gillette, I know him as the voice of John Constantine on Justice League Action. He also showed up in Agent Carter. (CE)
Born August 13, 1990 — Sara Serraiocco, 30. She plays the complex role of Baldwin on the Counterpart series which I’ve got on the iPad for watching soon. Anyone watch this? (CE)
Born August 13, 1990 – Marlon Pierre-Antoine, 30. “Helena’s Empire” is an E-book novelette. Its sequel Wandering Stars explores a teenage girl’s whblooming romance with Lucifer (i.e. after his fall), whom she meets on a beach. MP ranks The Divine Comedy above Animal Farm, both below The Hitchhiker’s Guide to the Galaxy. [JH]
Years after the completion of the second outing of his alternate history series The American Way, 12 Years a Slave screenwriter John Ridley is returning to comics to reveal The Other History of the DC Universe. The long-awaited series, exploring DC’s lengthy comic book mythology from a new angle, has been newly scheduled for a November release.
The five-part series, originally announced in 2018, re-examines important and iconic moments from DC’s comic book history from the point of view of characters from traditionally disenfranchised groups, including Jefferson Pierce — better known as Black Lightning — and Renee Montoya (The Question). Giuseppe “Cammo” Camuncoli, Andrea Cucchi, and colorist José Villarrubia are the artists for the series, with covers from Camuncoli and Jamal Campbell (Far Sector, Naomi)….
In a rare public fallout for Netflix, the creators of the platform’s highly anticipated, live-action adaptation of Avatar: The Last Airbender, the acclaimed Nickelodeon cartoon, have walked away from the project.
Avatar: The Last Airbender’s full run became available on Netflix this past June, attracting a huge audience and reigniting the 2000s cartoon’s popularity. But in separate posts published to their respective blogs and Instagrams, Avatar franchise creators Michael Dante DiMartino and Bryan Konietzko said they were no longer involved with the previously announced Netflix remake, due to prolonged creative differences.
“When Netflix brought me on board to run this series alongside Mike two years ago,” Konietzko wrote in his Instagram post, “they made a very public promise to support our vision. Unfortunately, there was no follow-through on that promise. … [T]he general handling of the project created what I felt was a negative and unsupportive environment.”
“I realized I couldn’t control the creative direction of the series, but I could control how I responded,” DiMartino added on his own website. “So, I chose to leave the project.”…
”People ask me to predict the future, when all I want to do is prevent it.” Ray Bradbury has been acclaimed as the writer most responsible for bringing modern science fiction into the literary mainstream but, as the quote above shows, he regarded himself as the author of modern philosophical fables, rather than a sci-fi writer. In his dystopian works, such as Fahrenheit 451, he holds up a mirror to contemporary society and then transposes it into fantastical and futuristic scenarios. Bradbury was a prolific writer who tried his hand at everything from poems and novels to TV and radio scripts but it’s his early short stories which he produced in his twenties that are perhaps the most imaginative.
To mark the centenary of Bradbury’s birth, Rajan Datar is joined by three Bradbury experts to help him navigate through the author’s prodigious output: Professor Jonathan Eller from Indiana University who is also the Director of the Center for Ray Bradbury Studies; Dr. Miranda Corcoran who teaches American literature at University College Cork with particular interest in science fiction, horror and the gothic; and Dr. Phil Nichols who combines research into Bradbury’s TV and other media work with the teaching of Film and Television Production at Wolverhampton University.
(21) TOONING OUT. Camestros Felapton’s attention was drawn to “The Webtoon Short Story Contest” by Vox Day’s complaints that his Arkhaven Comics entry got no love from the judges:
Where there are stories gathered together there are story competitions and Webtoon is no different. They recently held their Short Story competition with the winners announced here https://www.webtoons.com/en/challenge/contest/us-contest-2020. It’s a juried award with cash prizes that splits winners and runners up into two categories: “Brain” for stories that blow your mind and “Heart” for stories that warm your heart (Rules and FAQs).
“Why are you telling us all this Camestros?” I hear you say….
Camestros proceeds to make some interesting observations.
And it wasn’t just unawarded. Midnight’s War somehow didn’t even qualify as one of the 36 runners-up despite being one of the top 10 ranked in Popularity and earning a higher rating than two out of the three Silver winners.
This tells me that Arkhaven needs to seriously rethink our plan to use Webtoons as a platform….
…JAY PRICE, BYLINE: Esports has exploded in the past few years. There are pro leagues, bricks and mortar arenas, players with six-figure salaries. Millions of people log on to streaming platforms like the Amazon owned Twitch to watch games and interact with players and each other. Many are of recruiting age. The military has taken notice. Major General Frank Muth just finished a stint leading U.S. Army Recruiting Command.
FRANK MUTH: This really has brought us into the modern era of where this generation and the next generation – they’re mainly hanging out online all the time.
PRICE: The four largest military services all now have teams or official players. Sergeant Nicole Ortiz is on the Army’s team. Her role includes playing games while socializing and explaining military life to viewers, like her own as an IT specialist.
NICOLE ORTIZ: A lot of them, they look at movies and think that the Army is just about war and shooting guns. In reality, I used to work at a help desk.
PRICE: Recruiting brass say the new esports push is already helping, especially given the difficulties of face-to-face recruiting during the pandemic. Part of the allure is being able to interact directly with viewers through the chat function. And that’s where the military’s esports initiative ran into some trouble.
KATIE FALLOW: What they did here is impermissible under the First Amendment.
PRICE: Attorney Katie Fallow is with the Knight First Amendment Institute at Columbia University. She represents an activist named Jordan Uhl. On the Army and Navy Twitch channels, he posted messages including, what’s your favorite U.S. war crime? Uhl was banned from both, along with dozens of others who posted similar messages or other comments the military gamers deemed improper.
FALLOW: Because they basically said, we don’t like that you’re raising questions about war crimes or things that the military is sensitive about. And they blocked people based on their viewpoints.
(24) SOONER OF LATER IT ALL ADDS UP. In “The Cost of Perseverance, in Context”, the Planetary Society says the cost of the latest Mars Exploration Rover mission sounds quite modest compared to some other chosen figures.
NASA expects to spend approximately $2.7 billion on the Perseverance rover project. This number can sound large, even excessive, to some—but it’s a number that demands context. Let’s give it some….
The total cost of the Perseverance rover is equivalent to…
33 hours of running the Department of Defense
Slightly less than 1 day of Social Security spending
One year of spending on the Space Launch System rocket
…Northumberland Park garage will host vehicle-to-grid technology, which feeds energy stored in parked electric buses back into the electricity network.
If the government-funded Bus2Grid project is rolled out across London it could power an estimated 150,000 homes.
The project will begin in November and run for three years.
Putting energy back into the grid when demand is high and recharging buses when demand is low helps make the network more efficient by balancing the peaks and troughs.
Ian Cameron, head of innovation at UK Power Networks, said: “A fleet of bus batteries harnesses large amounts of electricity and they are habitual, with regular and predictable routes, driving patterns and timings.
“That means we can easily predict and plan for how we can use any spare electrical capacity they can offer.”
(27) FORBIDDEN KNOWLEDGE. Forbidden Planet, the world’s largest and best-known comic book and cult entertainment retail chain, is throwing itself a 42nd birthday party — Forbidden Planet 42 – an online event featuring many genre and other celebrities.
On Saturday August 29th 2020, ForbiddenPlanet.com will play host to a huge range of celebrity interviews, as alumni from the worlds of science fiction, comics & popular culture come together to help the store celebrate 42 years of pop-culture addiction – and ponder the answer to The Ultimate Question of Life, the Universe and Everythingwith an all-star cast of our oldest friends & customers!
This star-studded online event will feature new, exclusive interviews with some of Forbidden Planet’s most celebrated customers including William Shatner, DMC, Neil Gaiman, Alice Cooper, Jonathan Ross, Gerard Way, Garth Ennis, Kevin Smith, Michael Moorcock, Simon Pegg, Mark Millar, Dan Slott, V.E. Schwab, Dave Gibbons, Brian Bolland, Dirk Maggs, Chris Claremont & Ben Aaronovich amongst others, hosted by Forbidden Planet’s Andrew Sumner.
As part of the Forbidden Planet 42 celebrations, this online extravaganza will also host a tribute to Forbidden Planet’s old friend – the late, great Douglas Adams (The Hitchhiker’s Guide to the Galaxy) in the shape of a rare, never-before-heard interview with Douglas (recently discovered in the Forbidden Planet vaults) conducted by another old pal, celebrated author Neil Gaiman.
[Thanks to Kathryn Sullivan, John King Tarpinian, JJ, John Hertz, Rose Embolism, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Gordon Van Gelder, Martin Morse Wooster, Michael Toman, and Andrew Porter for some of the ridiculous number of stories in today’s Scroll. Title credit goes to File 770 contributing editor of the day Olav Rokne.]
Tommy Lasorda famously said, “There are three kinds of people in this world: people who make it happen, people who watch what happens, and people who wonder what happened.” And this year, some of the Dragon Awards’ most vocal supporters find themselves in the third category.
You know, I am fairly hooked into the book community. If I don’t read every book, I at least hear about a lot of them. Even if I take one look and decide I don’t want to read it, I at least check it out.
Sure, I’ve heard of a few. Margaret Atwood at least has a TV show. She’s an opportunistic parasite, but people have at least heard of her (though I haven’t heard of that book. I guess she came out with another). I’ve heard of Scalzi–don’t like him, but I can at least pick his name out of a phone book. Chuck Wendigo? The same.
But so many of these names are just … Who? What? Huh?
I’ve been assured by some people (randoms online, mostly) that these are Hugo authors. I guess I’ll take their word on it… but usually, I’ve at least HEARD about those authors. These folks? Nah.
… If only someone could have warned about this.
If only someone could have tried to lead discussions, hold conversations on what books came out. That way, we could have narrowed it down to a few.
WAIT! I know! I DID. I FUCKING WANTED PEOPLE TO DISCUSS BOOKS FOR THE DRAGONS. WHAT DID EVERYONE THINK I WAS DOING IN 2018 AND 2019? COMPILING EVERY ELIGIBLE BOOK BECAUSE IT WAS FUN? I DID IT FOR MY HEALTH? THAT WAS EXTRA WORK I DIDN’T NEED TO DO.
…It was especially fun this year when I had an author see that “I was talking about the Dragon again,” therefore, she asked if “I could put her book on the list.” IE: She didn’t even read the blog post to see what I was talking about. It was assumed I enjoyed killing myself so I could market their book for free.
No one wanted to play. That’s fine. I’m used to it.
But everyone can all stop bitching about it. They either didn’t vote, or didn’t want to talk about it. They didn’t want to invest even thirty minutes into presenting a selection of choices, or having a conversation.
Now this years ballot sucks….
Brian Niemeier in “The Dragon Sleeps” doesn’t think the reason is that they neglected Declan’s advice. After ranting about John Scalzi’s nomination, Niemeier says the pandemic is the reason that the award he’s spent years boosting, where EVERYONE can vote for FREE, has in 2020 generated a ballot bereft of work by him and his friends:
From the author of The Handmaid’s Tale to lesbian vampire stories to a writer so deranged even Disney fired him, this year’s Dragon ballot reads like the canon of Death Cult humiliation scripture….
Of course, the Death Cult witches lie constantly in the manner of their father below. Thus their previous attempt to take over the Dragons in 2017.
That attempt failed, and the Dragons continued to be a direct democratic process as intended. Each subsequent years’ winners were pretty much what you’d expect from a readers’ choice award with a broad voter base. Baen and the bigger indies came to dominate, with cameos from the more mainstream Pop Cult fare like Corey Doctorow and The Expanse.
I and the other cultural commentators who predicted this course of events based our forecasts on the key difference between the Dragons and the other literary awards. Anyone can vote in the former, while the latter lock voting rights behind a paywall or professional organization membership.
Put simply, the Death Cult can monopolize the Hugos because World Con’s voter base is quite small, relatively speaking. The number of CHORFs isn’t growing. In fact, they’re rapidly graying. It stands to reason that an award with an open, large, and growing voter base would be immune to manipulation by an insular Cult.
And for three years, that reasoning held true. But as is its wont, 2020 threw the con scene a curve ball: Corona-chan.
Niemeier tries to spin that the pandemic has caused these aberrant results because people won’t be able to attend an in-person Dragon Con this year. (Never mind that Brian is always telling readers one of the Dragon’s virtues is that you don’t have to buy a con membership to vote.)
…There’s your explanation for what happened with the Dragons. The virus shut down the con, normal people tuned out, and the small but relentless Cult faction took advantage of the drastically reduced voter base to pack the ballot.
Then, the following Twitter conversation was devoted to asking “What happened?”
In contrast, Larry Correia, inventor of Sad Puppies, hailed the 2020 ballot: “Fantastic! There are a bunch of really good authors nominated this year.”
And Brad R. Torgersen, who ran the last Sad Puppies slate, found the pandemic didn’t stop his friends from getting nominated: “Nice to see some friends getting some well-deserved recognition on the Dragons final ballot. Even though there is no DragonCon being held in Atlanta due to Covid-19 panic, the Dragons roar onward. Good luck to Nick and Jason, Marko, Dave, and Chris!”
It’s a field where I would be happy with any one of these writers/titles winning, so that’s really the best of all possible worlds. And it’s nice to see The Last Emperox getting some early recognition, award-wise. That would be lovely to have continue.
Fonda Lee is especially happy:
(She’s been up for a Nebula and won a World Fantasy Award (2018), neither of which, it’s true, would you call “fan awards,” however, she’s won three Aurora Awards, which I thought are run by fans; I’ll have to defer to her knowledge on that score.)
Meanwhile, even experienced sff news reporters like Ansible’s David Langford are still coming to grips with the Dragon Awards’ turnaround. He told Camestros Felapton:
I am of course utterly stupended. But this is a condition that comes easily to me.
You and me both, Dave. And count on you to know the best word for it.
To be eligible for the 2020 Dragon Awards the book, comic, game, movie, must have been released between July 1, 2019, and the close of the eligibility period, June 30, 2020, which accounts for the mix of nominees from last year and this year.
According to the press release, “Nearly 38,000 fans have voted for their favorite works in the past four years, including more than 10,000 people who voted in 2019.”
Also, the Dragon Awards have forged a new partnership with the Fulton County Library System to promote the ballot and registration through their social media and other programs at the system’s 35 locations. Pat Henry, president of Dragon Con, Inc. said, “We are delighted to be working with Fulton County libraries to help spread the word and encourage more people to explore the best works of fiction in the galaxy.”
Interestingly, most categories have six nominees, but the Best Science Fiction Novel has eight:
1. Best Science Fiction Novel
The Testaments by Margaret Atwood
The Ten Thousand Doors of January by Alix E. Harrow
Gideon the Ninth by Tamsyn Muir
The Future of Another Timeline by Annalee Newitz
The Last Emperox by John Scalzi
The Rosewater Redemption by Tade Thompson
Network Effect by Martha Wells
Wanderers by Chuck Wendig
2. Best Fantasy Novel (Including Paranormal)
Ninth House by Leigh Bardugo
Jade War by Fonda Lee
Gods of Jade and Shadow by Silvia Moreno-Garcia
The Starless Sea by Erin Morgenstern
Dead Astronauts by Jeff VanderMeer
The Burning White by Brent Weeks
3. Best Young Adult / Middle Grade Novel
Finch Merlin and the Fount of Youth by Bella Forrest
Catfishing on CatNet by Naomi Kritzer
The Grace Year by Kim Liggett
Force Collector by Kevin Shinick
The Poison Jungle by Tui T. Sutherland
Cog by Greg van Eekhout
4. Best Military Science Fiction or Fantasy Novel
Savage Wars by Jason Anspach & Nick Cole
Edge of Valor by Josh Hayes
Aftershocks by Marko Kloos
Defiance by Bear Ross
Howling Dark by Christopher Ruocchio
System Failure by Joe Zieja
5. Best Alternate History Novel
The Girl with No Face by M. H. Boroson
Witchy Kingdom by D. J. Butler
Revolution by W. L. Goodwater
As Our World Ends by Jack Hunt
Up-time Pride and Down-time Prejudice by Mark H. Huston
A Nation Interrupted by Kevin McDonald
6. Best Media Tie-In Novel
Firefly – The Ghost Machine by James Lovegrove
Star Trek: Picard: The Last Best Hope by Una McCormack
Star Trek: Discovery: The Enterprise War by John Jackson Miller
Resistance Reborn by Rebecca Roanhorse
Aliens: Phalanx by Scott Sigler
7. Best Horror Novel
Imaginary Friend by Stephen Chbosky
Scavenger Hunt by Michaelbrent Collings
The Twisted Ones by T. Kingfisher
The Pursuit of William Abbey by Claire North
The Toll by Cherie Priest
8. Best Comic Book
Avengers by Jason Aaron, Ed McGuinness
Bitter Root by David F. Walker, Chuck Brown, Sanford Greene
Immortal Hulk by Al Ewing, Joe Bennett
Monstress by Marjorie Liu, Sana Takeda
Spider-Woman by Karla Pacheco, Pere Perez, Paulo Siqueira
Undiscovered Country by Charles Soule, Scott Snyder, Daniele Orlandini, Giuseppe Camuncoli, Matt D. Wilson
9. Best Graphic Novel
Batman Universe by Brian Michael Bendis, Nick Derington
Battlestar Galactica Counterstrike by John Jackson Miller, Daniel HDR
Black Bolt by Christian Ward, Frazier Irving, Stephanie Hans
Dragon Hoops by Gene Luen Yang
Mister Miracle by Tom King, Mitch Gerads
Something is Killing the Children Vol. 1 by James Tynion IV, Werther Dell’Edera
10. Best Science Fiction or Fantasy TV Series
Altered Carbon – Netflix
Lost In Space – Netflix Originals
Star Trek: Picard – CBS All Access
The Expanse – Amazon Prime
The Mandalorian – Disney+
The Witcher – Netflix
Watchmen – HBO
11. Best Science Fiction or Fantasy Movie
Ad Astra by James Gray
Fast Color by Julia Hart
Joker by Todd Phillips
Star Wars: The Rise of Skywalker by J. J. Abrams
Terminator: Dark Fate by Tim Miller
The Lion King by Jon Favreau
12. Best Science Fiction or Fantasy PC / Console Game
Borderlands 3 – Gearbox Software & 2k Games
Control – Remedy Entertainment & 505 Games
Death Stranding – Kojima Productions & Sony Interactive
Gears 5 – The Coalition & Xbox Game Studios
Half-Life: Alyx – Valve
Star Wars Jedi: Fallen Order – Respawn Entertainment & Electronic Arts
The Outer Worlds – Obsidian Entertainment & Private Division
13. Best Science Fiction or Fantasy Mobile Game
Arknights – Hypergryph, Yostar
Call of Duty: Mobile – TiMi Studios & Activision Games
Grindstone – Capybara Games Inc.
Manifold Garden – William Chyr Studio
Minecraft Earth – Mojang Studios & Xbox Game Studios
Mutazione – Die Gute Fabrik & Akupara Games
14. Best Science Fiction or Fantasy Board Game
Forgotten Waters – Plaid Hat Games
Jaws of the Lion – Cephalofair Games
Power Rangers: Heroes of the Grid – Renegade Game Studios
Tapestry – Stonemaier Games
The Crew: The Quest for Planet Nine – Kosmos
The King’s Dilemma – Horrible Guild Game Studio
15. Best Science Fiction or Fantasy Miniatures / Collectible Card / Role-Playing Game
Alien RPG – Free League Publishing
Battlestar Galactica – Starship Battles: Viper Mk. VII – Ares Games
Magic: The Gathering: Throne of Eldraine – Wizards of the Coast
(2) FINDING WOMEN HORROR WRITERS. “Weird Women: The Forgotten Female Horror Writers of the 19th Century And Beyond” on CrimeReads is an excerpt from the introduction to a new anthology by Leslie S. Klinger and Lisa Morton (also called Weird Women, but with a different subtitle) of women who wrote supernatural fiction in the nineteenth century who the editors think are neglected and should be better known today.
…Yet there were women writing early terror tales—in fact, there were a lot of them. During the second half of the nineteenth century, when printing technologies enabled the mass production of cheap newspapers and magazines that needed a steady supply of material, many of the writers supplying that work were women. The middle classes were demanding reading material, and the plethora of magazines, newspapers, and cheap books meant a robust marketplace for authors. Women had limited career opportunities, and writing was probably more appealing than some of the other avenues open to them. Though the publishing world was male-dominated, writing anonymously or using masculine-sounding names (such as “M.E. Braddon”) gave women a chance to break into the market. It was also still a time when writers were freer than today’s writers to write work in a variety of both styles and what we now call genres. A prolific writer might pen adventure stories, romantic tales, domestic stories, mystery or detective fiction, stories of the supernatural—there were really no limits.
Today, a coalition of eleven book industry associations, including Science Fiction and Fantasy Writers of America (SFWA), launched the official Book Industry Health Insurance Partnership (BIHIP), an alliance with Lighthouse Insurance Group (LIG) Solutions designed to provide members from across the associations with a choice of health insurance options.
As of August 2020, official BIHIP coalition members include American Booksellers Association, American Society for Indexing, Authors Guild, Book Industry Study Group, Graphic Artists Guild, Horror Writers Association, Independent Book Publishers Association, Novelists Inc., Romance Writers of America, Science Fiction and Fantasy Writers of America Inc., and Western Writers of America Inc….
So, your book comes out. At that time, what did you know about the Dragon Awards? Had you heard of them, and if so, how and what had you heard? How did you react when you found you were nominated?
Brian Niemeier: Oh, yes. I was well aware of the Dragon Awards from the day they were announced. The industry was in desperate need of a true readers’ choice award open to anyone, and I applauded the Dragons for meeting that need. Learning that Souldancer had been nominated confirmed that my writing efforts were worthwhile. It was like receiving the mandate of greater science fiction fandom.
Kevin Anderson: I’ve been aware of the Dragon Awards since the beginning, and I was thrilled as a fan and professional to know there was one award big enough to truly exemplify the feelings of a large pool of readers and voters. I had been soured on other awards because of politics and in-fighting, but the Dragon Awards really reflective of what readers like. Sarah and I were very thrilled to find out Uncharted had landed on the ballot.
SM Stirling: I’d heard of them and thought they were a good idea; the other major awards had become dominated by small cliques of the like-minded, and we needed a broad-based fan award. I’ve been going to Dragon Con for many years now — it’s my favorite con, full of youthful energy and like sticking your finger into a light socket, but in a -good- way. I was delighted to be nominated; you’re always in good company at the Dragons. Didn’t expect to win, though.
.. Tim Maughan: I talk about surveillance to people who don’t think about surveillance all the time like I do and you do…And you walk in the house and they’ve got an Alexa. And you say, “I don’t like the Alexa because it’s a surveillance machine.” And they say to you, “Well, I haven’t got anything to hide. I haven’t done anything wrong. It’s not a problem to me. It doesn’t matter if they’re listening to me. I’ve got nothing to hide.”
And it’s like, actually, the reason I dislike it isn’t the fact that I’m worried they might be listening to me now — it’s monitoring my behavior, and that’s what I’m worried about. I don’t care if it overhears what I say, or an algorithm is listening to it or even someone in an offshore call center. Even if they’re listening to it, that privacy thing isn’t what worries me. The issue that worries me is that they’re modeling my behavior, and they’re making judgments based on that, which might not be the right judgments for everybody. And they’re using that model to make decisions about people who aren’t even their users, too, or they’re using it to make decisions about their users.
It becomes a thing about like, well, okay, what information can we collect from Alexas about a neighborhood or just their Amazon use? What decisions can Amazon make geographically in physical spaces? This neighborhood in South Brooklyn, I used to live in, East Flatbush, it’s gentrified. And I’m sure Amazon can pull up a map of where all the Alexas are, where all their Amazon Prime accounts are and go, “Well, this is a neighborhood which is increasingly likely to be gentrified” — aka, more whites.
Tech workers are moving into the neighborhood. What can we do in that neighborhood for them? And suddenly you’re changing the nature of the neighborhood. …
Since 1948, several different studies have been made of the demographic characteristics of science-fiction readers, most by the editors of the commercial science-fiction magazines seeking to determine the characteristics of their own readerships. The results of these, along with data collected at two recent science-fiction conventions, have been admirably collected and summarized by Charles Waugh, Carol-Lynn Waugh, and Edwin F. Libby of the University of Maine at Augusta, whose work this paper used throughout for purposes of comparison.2 This study, conducted at the 31st World Science Fiction Convention in Toronto, September, 1973, is offered against the historical perspective of these earlier studies. As the Waughs and Libby discovered, there are difficulties in applying the findings of this survey to the entire science-fiction audience, since it is impossible to know exactly in what ways, if any, people at a convention differ from those who did not attend. Certainly science-fiction fans themselves are divided into groups, with some, notably those primarily interested in film and television SF, and members of the cult following of the series Star Trek, under-represented at this convention (see tables 20 and 21 below). However, the numbers of people responding to the questionnaire, and the diversity of their involvement in science fiction beyond attendance at the convention, suggests that the picture of fans is relativelyreliable forreadersof science fiction as a whole and, if qualified for the greater affluence of those who could afford to travel to Toronto, is at least as reliable as such commonly accepted-with-qualifications measurements as the Gallup polls….
… Nitpickers by profession, we ran into a problem right away. The instructions for Stet! suggest that you “play with three or more players” (is that redundant?), and we had been unable, during the pandemic, to scare up a third nerd. The game of Stet! comprises two packs of cards with sentences on them, fifty of them Grammar cards with indisputable errors (dangling modifiers, stinking apostrophes, and homonyms, like horde/hoard and reign/rein) and fifty of them Style cards, on which the sentences are correct but pedestrian, and the object is to improve the sentence without rewriting it. There are trick cards with no mistakes on them. You might suspect that there is something wrong with (spoiler alert) “Jackson Pollock” or “asafetida” or “farmers market,” but these are red herrings. If you believe that the sentence is perfect just as it is, you shout “Stet!,” the proofreading term for “leave it alone” (from the Latin for “let it stand”), which is used by copy editors to protect an author’s prose and by authors to protect their prose from copy editors.
In the pandemic, board games are back. And as NPR’s Rob Schmitz reports, many people are turning to a classic one from Germany.
(SOUNDBITE OF DICE ROLLING)
UNIDENTIFIED PERSON: Eight.
ROB SCHMITZ, BYLINE: Eight again. More brick.
Family game night – we’ve done this a lot this year, thanks to the pandemic. And my family has dusted off Monopoly, Scrabble, but we usually settle on “Settlers Of Catan.”
UNIDENTIFIED CHILD: Two bricks for anything.
SCHMITZ: It’s a game of trade and development. Players compete for resources on an island and trade with each other in order to build settlements, cities and roads. The most successful developer wins.
UNIDENTIFIED CHILD: Why in the world would I need brick?
SCHMITZ: Entrepreneurs love the game. Facebook founder Mark Zuckerberg is a fan, as is LinkedIn founder Reid Hoffman, who plays the game in job interviews as a way to size up an applicant. In its 25th year, “Catan” has sold more than 32 million units. It’s one of the bestselling board games of all time.
…SCHMITZ: [Klaus] Teuber spoke with me over an old computer, and his voice sounded distant, so we asked one of our colleagues to read for him. He’s 68 now, and he’s just released his autobiography “My Way To Catan” to commemorate the 25th anniversary of the game. Teuber was a dental technician, bored out of his mind by his job when he began creating games in his basement in the 1980s.
…SCHMITZ: And as families shelter in place, sales of “Catan” continue to climb. As the pandemic sent the global economy into a downward spiral, “Catan’s” sales skyrocketed by 144% for the first five months of this year. Teuber, whose two sons work for his company Catan Inc., says he still plays the game with his family, but he admits he’s not very good at it and that he rarely wins. He says what he enjoys most is playing it and being there with his family, something millions of other families are enjoying, too.
(11) MEDIA BIRTHDAY.
August 4, 1992 — In the United Kingdom, The Lost World premiered. This is the third film made off the Doyle novel, the first being made in 1925. Another film would be made between these two in 1960, and four radio dramas would be as well. The 1944 one would have John Dickson Carr narrating and playing all parts, and the 1966 one would have Basil Rathbone as Professor Challenger. This film was directed by Timothy Bond and produced by Harry Alan Towers from a screenplay by Marion Fairfax. The primary cast was John Rhys-Davies, Eric McCormack, David Warner and Tamara Gorski whole character replaced that of Lord Roxton. Audience reviewers at Rotten Tomatoes currently give it a twelve percent rating.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 4, 1792 – Percy Shelley. This great poet wrote in our sphere, e.g. Adonais, Prometheus Unbound, The Triumph of Life, the novel St. Irvyne. What about “Ozymandias”? David Bratman, what’s this I hear about “The Marriage of King Elessar and Arwen Undómiel” appearing over his name in a Sep 82 issue of The New Tolkien Review? I can’t get at it or I’d look instead of asking you. (Died 1822) [JH]
Born August 4, 1869 – Evelyn Sharp. For us a score of short stories, mostly collected in All the Way to Fairyland and The Other Side of the Sun; one novel (a dozen more of those). At that time there were both suffragettes and suffragists; she was vital. (Died 1955) [JH]
Born August 4, 1924 – Gumarcindo Rocha Dorea, 96. Brazilian writer, editor, publisher. His GRD Edições alternated translations with work by local writers, beginning in 1958 with Lewis’ Out of the Silent Planet and in 1960 Eles herdarão a Terra (Portuguese, “They shall inherit the Earth”) by Dinah Silveira de Queiroz. Edited Antologia brasileira de ficção cientifica (1961), first local anthology of only Brazilian authors. His enterprise continued despite Brazilian politics and what Roberto de Sousa Causo calls a terminal inability to make money. [JH]
Born August 4, 1933 – Thé Tjong-Khing, 87. There are nine and sixty ways of transliterating Chinese these days, and every single one of them is right. He’s an Indonesian Chinese from Java living in the Netherlands. Illustrator. Likes Alex Raymond’s Flash Gordon, Stan Drake’s Heart of Juliet Jones, Milton Caniff’s Terry and the Pirates. He’s worked in that style, but see here, here, here – a thumbnailsworth of a long productive career. Three Golden Brush prizes, Woutertje Pieterse prize, Max Velthuijs prize. Website here (in Dutch). [JH]
Born August 4, 1937 — David Bedford. Composer who worked with Ursula K Le Guin to produce and score her Rigel 9 album which the Encyclopedia of Science Fiction says is ‘a work that is musically pleasant although narratively underpowered.’ I’ve not heard it, so cannot say how accurate this opinion is.) (Died 2011.) (CE)
Born August 4, 1941 — Martin Jarvis, 79. He makes three appearances on Doctor Who over twenty years. Hilio, captain of Menoptra, in “The Web Planet”, a First Doctor story. He later is the scientist Dr. Butler in “Invasion of the Dinosaurs”, a Third Doctor story, and as the governor of the planet Varos in “Vengeance on Varos”, a Sixth Doctor story. He also voiced Alfred Pennyworth in the animated Batman: Assault on Arkham Adylum which is the real Suicide Squad film. (CE)
Born August 4, 1950 — Steve Senn, 70. Here because of his Spacebread duology, Spacebread and Born of Flame. Spacebread being a large white cat known throughout the galaxy as an adventuress and a rogue. He’s also written the comic novels, Ralph Fozbek and the Amazing Black Hole Patrol and Loonie Louie Meets the Space Fungus. (CE)
Born August 4 – Taras Wolansky. Persevering contributor to Aboriginal, Alexiad, FOSFAX, The MT Void, NY Review of SF, SF Chronicle, Science Fiction & Fantasy Book Review, SF Review. Good at asking questions, like “If he had been, would he have done anything differently?” Never mind that I’d leave off the last two letters. We’ve met in person, which is more than I can say for some people I know. [JH]
Born August 4, 1961 — Lauren Tom, 59. Voice actress for our purposes. She shows up on Superman: The Animated Series voicing Angela Chen. From there on, she was Dana Tan in Batman Beyond and several minor roles on Pinky and the Brain. Futurama is her biggest series to date where she voices Amy and Inez Wong. (CE)
Born August 4, 1969 — Fenella Woolgar, 51. Agatha Christie in “The Unicorn and The Wasp” episode of Doctor Who where she more than capably played off against David Tennant’s Tenth Doctor. Her only other genre was as Helena in A Midsummer Night’s Dream at the Royal Exchange Theatre, Manchester. (CE)
Born August 4, 1961 – Andreas Findig. It’s possible to be a Perry Rhodan author and an absurdist; he was. Six PR novels; two short stories and a novella Gödel geht tr. as “Gödel’s Exit” which may be impossible. (Died 2018) [JH]
Born August 4, 1981 — Meghan, the former Duchess of Sussex, 39. Yes, she’s done a genre performance or so. To be precise, she showed up on Fringe in the first two episodes of the second season (“A New Day in the Old Town” and “Night of Desirable Objects” as Junior FBI Agent Amy Jessup. She was also in the “First Knight” episode of Knight Rider as Annie Ortiz, and Natasha in “A Mind is a Terrible Thing to Lose” on Century City, a series you likely never heard of. (CE)
(14) OH MY GOD, YOU’RE FROM THE SIXTIES. In the new episode of Two Chairs Talking, “Translations, transforms and traumas”, David Grigg and Perry Middlemiss discuss ConNZealand and the 2020 Hugo Awards, then take the Hugo Time Machine back to the very interesting year of 1963, when The Man in the High Castle by Philip K. Dick won Best Novel, and “The Dragon Masters” by Jack Vance won Best Short Fiction.
…Elfman’s Pee-wee score, with its goofy oompah riffs, Looney Tunes references, and frenetic pacing, was a wild and whimsical ride; created with Oingo Boingo guitarist Steve Bartek, it became one of the most instantly recognizable scores in ‘80s cinema. Elfman acknowledges that he quickly became the movie and TV industry’s go-to “quirky comedy guy” — for instance, Matt Groening later enlisted him to compose the Simpsons theme song. It was a label that was tough for Elfman to shed when he was hired by skeptical producers to compose an uncharacteristically darker-sounding score for Burton’s Batman, four years after Pee-wee. But it turns out the most skeptical person in Hollywood was Elfman himself.
Unless you’re a historian or map buff, interpreting a map of the Roman Empire can be a daunting exercise. Place names are unfamiliar and roads meander across the landscape making it difficult to see the connections between specific cities and towns.
Today’s visualization, by Sasha Trubetskoy, has mashed-up two enduring obsessions – transit maps and Ancient Rome – to help us understand the connection between Rome and its sprawling empire.
At the height of the Roman Empire, there were approximately 250,000 miles (400,000 km) of roads, stretching from Northern England to Egypt and beyond. This impressive network is what allowed Rome to exercise control and communicate effectively over such a large territory….
A $250,000 donation from Science Applications International Corporation has pushed the U.S. Space & Rocket Center’s “Save Space Camp” campaign over its initial goal just one week after the effort launched.
The campaign began July 28 with the hope of raising a minimum of $1.5 million to sustain museum operations and to be able to reopen Space Camp in April 2021.
…The COVID-19 pandemic has had a devastating effect on the Rocket Center, which closed March 13, 2020, in keeping with state health orders intended to combat the surge in coronavirus cases. The museum reopened in late May, but with far fewer than normal visitors. Space Camp did not reopen until June 28, and then with only 20 percent of its usual attendance. With limited admission from international students and school groups this fall and winter, Space Camp will again close for weeklong camp programs in September.
The Space & Rocket Center is continuing to ask for support for the campaign. For more information and to make a donation, visit savespacecamp.com.
(21) EVERYBODY FIGHTS, NOBODY QUIPS! [Item by Martin Morse Wooster.] In “Starship Troopers (ft. Casper Van Dien)” on YouTube, the Screen Junkies take on the 1997 film “not at all based in the classic sci-fi novel” featuring soldiers whose bodies pulse “with the repulsive green goo they use to make Monster Energy” drinks.
[Thanks to Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, Chip Hitchcock, John Hertz, Mike Kennedy, Michael Toman, Darrah Chavey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
The inside of Virgin Galactic’s space plane is like a space-age executive jet.
The seats recline to absorb the forces of acceleration toward space. Mood lighting shifts during each phase of the flight. Twelve windows — two for each of the six passengers, who have paid hundreds of thousands of dollars each for a seat — provide an impressive view of Earth and the darkness of space. Sixteen cameras will capture you floating. And the back of the cabin includes a big circular mirror so that you can watch yourself enjoying a few minutes escaping the effects of gravity.
Virgin Galactic will be offering short up-and-down trips to the edge of space, essentially like giant roller coaster rides with better views, in its space plane, SpaceShipTwo.
But how can the company unveil the fancy new interior of its space plane in the middle of a global pandemic when journalists are not able to gather for a fancy media event?
Modern technology provided an imaginative solution. Virgin Galactic sent Oculus virtual reality headsets as loaners to journalists so that they could chat with the designers of the cabin while walking through a computer-generated version of it — an experience of almost being there while being nowhere near there….
(2) REASONS FOR SITE SELECTION WRITE-INS. Yeah. No.
In a July 28 filing, the Internet Archive answered a copyright infringement lawsuit filed by four major publishers, asserting that its long-running book scanning and lending program is designed to fulfill the role of a traditional library in the digital age, and is protected by fair use.
“The Internet Archive does what libraries have always done: buy, collect, preserve, and share our common culture,” reads the IA’s preliminary statement to its answer, contending that its collection of roughly 1.3 million scans of mostly 20th century books, many of which are out of print, is a good faith and legal effort to “mirror traditional library lending online” via a process called Controlled Digital Lending (CDL).
“Contrary to the publishers’ accusations, the Internet Archive, and the hundreds of libraries and archives that support it, are not pirates or thieves,” the filing states. “They are librarians, striving to serve their patrons online just as they have done for centuries in the brick-and-mortar world. Copyright law does not stand in the way of libraries’ right to lend, and patrons’ right to borrow, the books that libraries own.”
The IA’s answer comes in response to a June 1 copyright infringement lawsuit filed in the Southern District of New York by Hachette, HarperCollins, John Wiley & Sons, and Penguin Random House, and coordinated by the Association of American Publishers….
(4) KGB READINGS. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Elizabeth Hand and Michael Libling in a YouTube livestreamed event on Wednesday, August 19 at 7 p.m. Eastern.
Elizabeth Hand is the author of sixteen multiple-award-winning novels and collections of short fiction including Curious Toys, Wylding Hall, and Generation Loss. The Book of Lamps and Banners, her fourth noir novel featuring punk provocateur and photographer Cass Neary, will be out this year. She divides her time between the Maine coast and North London.
Michael Libling is a World Fantasy Award-nominated author whose short fiction has appeared in The Magazine of Fantasy & Science Fiction, Asimov’s Science Fiction, Realms of Fantasy, Amazing Stories, and many others. His debut novel, Hollywood North: A Novel in Six Reels, was published in 2019. Michael is the father of three daughters and lives on Montreal’s West Island with his wife, Pat, and a big black dog named Piper.
To enter the giveaway that’s in this very post, comment on this post (here) and tell us what your favorite Marie Brennan short story is. Whether a Driftwood story or one of her many other stories; whether published in BCS or elsewhere.
Your comment will enter you in a random drawing for the signed copy of Driftwood. This giveaway ends Wed. Aug. 12. (Full Rules are here, at the end of this post.)
(6) MEDIA BIRTHDAY.
July 31, 1930 — The Shadow first made his appearance as the narrator of the Detective Story Hour radio program which was intended to boost sales of Street & Smith’s monthly Detective Story Magazine. Harry Engman Charlot, a scriptwriter for the Detective Story Hour was responsible for the name. The Shadow would be developed into the character that we know a year later by Walter B. Gibson. (CE)
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 31, 1807 – Clara de Chatelain. In her Child’s Own Book of Fairy Tales, two more, retold fifty classics and wrote a hundred forty. The Sedan Chair and Sir Wilfred’s Seven Flights comprises two for adults. Translated four hundred songs for music publishers e.g. Schott; tr. Cammarano’s Italian lyrics for Donizetti’s Lucia di Lammermoor (whose protagonist is Scots). Wrote widely under “Leopold Wray” and other names. Friend of Victor Hugo. (Died 1876) [JH]
Born July 31, 1879 – Kenneth Morris. Ranked by Le Guin with Eddison, MacDonald, Tolkien as master 20th Century fantasy prose stylist. Three novels (this one published posthumously), forty shorter stories, sometimes under the Welsh form of his name Cenydd Morus. (Died 1937) [JH]
Born July 31, 1924 – Waldemar Kumming. Leading German fan for decades. Joined SFCD (Science Fiction Club Deutschland; note combined English-German name) 1956, chair 1962-1968. Fan Guest of Honour at Seacon ’84 – combining Eastercon 35 (U.K. nat’l con) + Eurocon 8. Published Munich_Round_Up with Walter Reinicke until WR died 1981, then alone until 2014; I was glad to contribute. Kurd_Laßwitz_Special Award for MRU and life achievement. Big Heart (our highest service award). Wolf von Witting’s appreciation here. (Died 2017) [JH]
Born July 31, 1928 – Allen Lang, 92. One novel (Wild and Outside, US baseball shortstop sent to civilize the planet Melon), a score of shorter stories translated into Dutch, French, German, Italian, most recently (“Fuel Me Once”) in the Jul-Aug 20 Analog. [JH]
Born July 31, 1929 – Lynne Reid Banks, 91. A dozen novels for us, forty other books including The L-Shaped Room. Children’s fantasy The Indian in the Cupboard, ten million copies sold; four sequels. Eight years teaching on a kibbutz (“not a Jew, but Jew-ish”). Barrie Award. “Writing for a living is a great life, if you don’t weaken.” Website here. [JH]
Born July 31, 1932 — Ted Cassidy. He’s best known for the role of Lurch on The Addams Family in the mid-1960s. if you’ve got a good ear, you’ll recall that he narrated The Incredible Hulk series. And he played the part of the android Ruk in the episode “What Are Little Girls Made Of?” on Trek, and provided the voices of the more strident version of Balok in the episode “The Corbomite Maneuver” and the Gorn in the episode “Arena”. In The Man from U.N.C.L.E. episode “The Napoleon’s Tomb Affair”, he was Edgar, who kidnapped, tortured, and repeatedly attempted to kill Napoleon and Illya. (Died 1979.) (CE)
Born July 31, 1935 –Dave Van Arnam. Seven novels (some with Ted White), translated into Dutch, Japanese, Spanish. Two anthologies (with Kris Neville, William Tenn). “How I Learned to Love Fandom” in NyCon 3 Program & Memory Book (25th Worldcon; DVA was co-chair). Co-founded, or something, APA-F. (Died 2002) [JH]
Born July 31, 1951 — Jo Bannister, 69. Though best-known as a most excellent British crime fiction novelist, she has three SF novels to her credit, all written in the early Eighties — The Matrix, The Winter Plain and A Cactus Garden. ISFDB lists one short story by her as genre, “Howler”, but I wasn’t at all aware that Ellery Queen’s Mystery Magazine printed genre fiction which is where it appeared first. (CE)
Born July 31, 1956 — Michael Biehn, 64. Best-known in genre circles as Sgt. Kyle Reese in The Terminator and Terminator 2: Judgment Day, Cpl. Dwayne Hicks in Aliens and Lt. Coffey in The Abyss. He was also The Sandman in a single episode of Logan’s Run. Though not even genre adjacent, he was Johnny Ringo in the magnitude Tombstone film. (CE)
Born July 31, 1959 — Kim Newman, 61. Though best-known For his Anno Dracula series, I’d like to single him out for his early work, Nightmare Movies: A critical history of the horror film, 1968–88, a very serious history of horror films. It was followed up with the equally great Wild West Movies: Or How the West Was Found, Won, Lost, Lied About, Filmed and Forgotten. He’s also a prolific genre writer and his first published novel, The Night Mayor, sounds very intriguing. (CE)
Born July 31, 1962 — Wesley Snipes, 58. The first actor to be Blade in the Blade film franchise where I thought he made the perfect Blade. (There’s a new Blade actor though their name escapes right now.) I also like him as Simon Phoenix in Demolition Man. (CE)
Born July 31, 1976 — John Joseph Adams, 44. Anthologist of whom I’m very fond of The Improbable Adventures of Sherlock Holmes and Dead Man’s Hand: An Anthology of the Weird West which he did. He was the Assistant Editor at The Magazine of Fantasy & Science Fiction for nearly a decade, and he’s been editing both Lightspeed and Nightmare Magazine since the early part of this decade. (CE)
Born July 31, 1979 – B.J. Novak, 41. Author, actor, writer-director. Fifteen short stories ours in The New Yorker, Zoetrope, and collection One More Thing (it has 64 total; six weeks a NY Times Hardcover Fiction Best-Seller). For children The Book With No Pictures (also a best-seller; “a lot of the other one-star reviews are from people who object to speaking of a hippo named Boo Boo Butt”). [JH]
Today, 98% of international internet traffic is ferried around the world by subsea cables. A vast underwater network of cables crisscrossing the ocean makes it possible to share, search, send, and receive information around the world at the speed of light. In today’s day and age, as the ways that we work, play and connect are becoming increasingly digital, reliable connectivity is more important than ever before. That’s why we’re excited to announce a new subsea cable—Grace Hopper—which will run between the United States, the United Kingdom and Spain, providing better resilience for the network that underpins Google’s consumer and enterprise products.
Grace Hopper joins our other private subsea cables, Curie, Dunant and Equiano to connect far-flung continents along the ocean floor. Private subsea cables allow us to plan effectively for the future capacity needs of our customers and users around the world, and add a layer of security beyond what’s available over the public internet.
Once commissioned, the Grace Hopper cable will be one of the first new cables to connect the U.S. and U.K. since 2003, increasing capacity on this busy global crossroads and powering Google services like Meet, Gmail and Google Cloud. It also marks our first investment in a private subsea cable route to the U.K., and our first-ever route to Spain. The Spanish landing point will more tightly integrate the upcoming Google Cloud region in Madrid into our global infrastructure. The Grace Hopper cable will be equipped with 16 fiber pairs (32 fibers), a significant upgrade to the internet infrastructure connecting the U.S. with Europe. A contract to build the cable was signed earlier this year with Eatontown, N.J.-based subsea cable provider, SubCom, and the project is expected to be completed in 2022.
(11) MOVIE AMBIENCE. [Item by algorithm connoisseur Martin Morse Wooster.] The YouTube algorithm introduced me to a website called Ambient Worlds, whose creator has come up with Harry Potter Movie Ambience: “Hogsmeade Relaxing Music, Crowd Noise And Snow”, which is an hour of music from the Harry Potter movies mixed into background music for whatever you happen to be doing (in my case, writing, because I write with music or baseball in the background). I’ve never heard of such a thing.
Ambient Worlds has a Lord of the Rings background music video that’s three hours!
(12) VIDEO OF THE DAY. Nothing to do with sff, I just want to share my appreciation of this editing job!
[Thanks to John King Tarpinian, Nina Shepardson, Chip Hitchcock, JJ, John Hertz, Mike Kennedy, Cat Eldridge, Michael Toman, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]
Alas, no one was paying attention to Youtube’s ContentID copyright bot yesterday until after it shut down a couple officially sponsored livestreams from San Diego Comic-con. The first to get the boot was a Star Trek panel, and then a couple hours later Cartoon Network’s panel was also cut off.
Here’s why this is newsworthy: Both of these panels were blocked by Youtube the networks were streaming content that belonged to the networks.
The panel included the cast and producers of Discovery doing a read-through of the first act of the season 2 finale, “Such Sweet Sorrow, Part 2.” The “enhanced” read-through included sound effects, effects shots, and storyboard images meant to bolster the actors as they delivered lines from their living rooms and home offices.
Even if the presentation didn’t look like a real episode of Discovery to the home viewer, it apparently sounded close enough: after the Star Trek Universe virtual panel began viewers began to lose access to the stream. In place of the video, YouTube displayed a content ID warning reading: “Video unavailable: This video contains content from CBS CID, who has blocked it on copyright grounds.”
After being blacked out for about 20 minutes, the panel was restored, and the recording of the virtual panel has no gaps in playback.
The Digital Reader reminded everyone:
This is not the first time that livestreams have been blocked when they were legally using content; I am reminded of the Worldcon awards dinner livestream that was shut down because someone played a Doctor Who clip. The video had been provided by the BBC (the show had won an award that year) but apparently no one told Ustream’s bot.
…Now in its sixth year, the Dragon Con hosted Dragon Awards has proven to be the defining “must” list for the greatest in genre novels, media, comics, and games. While the world is locked inside, members and fans have turned to past award winners to build their reading lists.
We reached out to eight winners and asked them to talk about their award-winning novels, their other works, the Dragon Awards ceremony, and what they have coming up that they would like to share….
… This is your chance say as much as you want right now to tell all the fans what they should know about you as a person and author, your work, and your career.
…Harry Turtledove: It’s all L. Sprague de Camp’s fault. I found his Lest Darkness Fall in a secondhand bookstore when I was about 15, and started trying to find out how much he was making up (very little) and how much was real (most). And so, after flunking out of Caltech the end of my freshman year (calculus was much tougher than I was), I wound up studying Byzantine history at UCLA. I got my PhD in 1977. If I hadn’t found that book then, I wouldn’t have written most of what I’ve written. I would have written something–I already had the bug–but it wouldn’t be alternate history. I wouldn’t be married to my wife; I met her when I was teaching at UCLA while my professor had a guest appointment in Greece. I wouldn’t have the kids and grandkids I have. I wouldn’t be living where I’m living. Other than that, it didn’t change my life a bit. Imagining me without reading Lest Darkness Fall is alternate history on the micro-historical level.
(3) FAN RESOURCES. Congratulations to Fanac.org for reaching new milestones in preserving fanhistory.
FANAC by the Numbers. Numbers can be misleading, but they do give us some idea of the progress we are making in documenting our fan history. As of today, we have 11,526 fanzine issues consisting of more than 179,423 pages. This is up from the 10,000 fanzine issues and 150,000 pages reported in our April update. Our YouTube channel is now at 621 subscribers, and 90,356 views, up from last time’s 500 and 75,000. Fancyclopedia 3 has exceeded 32,000 items.
(4) TIED UP AT THE DOCK. Next year’s JoCo Cruise, technically a Jonathan Coulton fan cruise but really a week-long ocean cruise of all sorts of nerdery, science fiction fandom, and boardgaming, has been postponed a year to March 5-12, 2022. John Scalzi, a regular participant, also wrote a post about the announcement.
“Librarians, publishers, authors, all of us should be working together during this pandemic to help teachers, parents, and especially students,” Kahle implored. “I call on the executives of Hachette, HarperCollins, Wiley, and Penguin Random House to come together with us to help solve the challenging problems of access to knowledge during this pandemic, and to please drop this needless lawsuit.”
Kahle’s remarks came as part of a panel, which featured a range of speakers explaining and defending the practice of Controlled Digital Lending (CDL), the legal theory under which the Internet Archive has scanned and is making available for borrowing a library of some 1.4 million mostly 20th century books….
(6) GEEK PARTNERSHIP SOCIETY FUNDRAISER. At least four Minneapolis-St. Paul conventions call the Geek Partnership Society’s office space home, and a host of other groups use it, too (listed below). The facility may not be able to afford to stay open, and after three weeks the GPS GoFundMe has raised only $13,010 of its $40,000 goal.
Geek Partnership Society may not be able to honor the terms of its lease and could face permanent closure if funds cannot be raised by end of July, 2020.
Please act now to support our facility, our community programs, and the resources we strive to provide to all geeks in the Twin Cities.
So, what happened?
-Clubs and individuals canceled their rentals of GPS’s venue spaces as people complied with sheltering orders and tried to maintain social distance.
-GPS Charity Auction events that we rely on for income were canceled as local conventions were canceled or postponed.
-Some of our large annual contributors are also having financial difficulties. because their conventions were postponed/cancelled for 2020.
What needs to happen now?
We need your help to keep GPS running through the end of the year. This will provide the time needed to plan a more flexible revenue model going into 2021. Our goal is to raise $40,000.
The history of the horror genre is routinely told via the careers of male directors such as James Whale, Alfred Hitchcock, George Romero, John Carpenter, and Wes Craven. Author Alexandra Heller-Nicholas‘ just-published book 1000 Women in Horror: 1895-2018, takes a very different approach, showcasing the contributions of women directors and actors as well as those who have toiled, often unsung, in other capacities. “When we think of women in horror, we default to Janet Leigh or Texas Chain Saw Massacre, those really iconic images from horror films,” says Heller-Nicholas, who has previously written books on Dario Argento’s Suspiria and Abel Ferrara’s Ms. 45. “We think of terror as being embodied through women’s bodies — screaming and running. I really wanted to explode that a little bit and say the person at the editing deck might be a woman, the person in the director’s chair might be a woman, the cinematographer might be a woman. If we move outside of the ‘single male genius’ who else is working on this stuff? And it turns out there’s actually some pretty amazing people, and some of them are women. There’s a lot more going on that women embody in horror than screaming. Not that there’s anything wrong with screaming. It’s hard work!”
Heller-Nicholas was inspired to have 1895 be the chronological starting point for her collection of mini-biographies after seeing a film from that year titled The Execution of Mary Stuart. “It’s a very very early example of special effects,” says the writer. “It’s Mary going up to the guillotine and having her head chopped off and her head being picked up, that’s the end of the film. I was first drawn to this because Mary is played by ‘Mrs Robert Thomas.’ I was fascinated by ‘Mrs Robert Thomas.’ Seemingly it’s a woman, but she’s defined through her relationship to a man. But I did some digging around and apparently it was actually played by a man. There was something about it, a little it of playfulness and the idea that gender and identity is slippery even in 1895.”
(8) MEDIA BIRTHDAY.
July 24, 1952 — Blackhawk: Fearless Champion of Freedom serial premiered. This was a fifteen-chapter black-and-white movie serial from Columbia Pictures, based on the Blackhawk comic book, first published by Quality Comics, but later owned by DC Comics. The latter company would re-use the name in several versions of the group. It was directed by Spencer Gordon Bennet (as Spencer Bennet) Fred F. Sears and produced by Sam Katzman. It was written by George H. Plympton, Royal K. Cole and Sherman L. Lowe. It starred Kirk Alyn, Carol Forman and John Crawford. Despite being very well received, the Blackhawk serial was the last film serial shown on air flights.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 24, 1802 – Alexandre Dumas. Published work amounts to over 100,000 pages, translated into a hundred languages, inspiring two hundred motion pictures. Born on Haiti (as it now is); father, a general and the son of a marquis; grandmother, a black slave; Dumas, the name he used, was hers. His Nutcracker, a version of Hoffmann’s, is the basis of Tchaikovsky’s. The Wolf-Leader, an early werewolf novel; The Marriages of Father Olifus, just (2017) re-translated as The Man Who Married a Mermaid; The Count of Monte Cristo, a root of The Stars My Destination. (Died 1870) [JH]
Born July 24, 1878 – Edward Plunkett, 18th Baron Dunsany. Chess and pistol-shooting champion of Ireland. Fifty Tales of Pegana with its own history, geography, gods. Ten dozen unlikely tales told by Joseph Jorkins to anyone buying him a whiskey at their club. Clute and Langford say D’s prose has muscular delicacy. In Fitzgerald’s This Side of Paradise Blaine and D’Invilliers recite D’s poetry. Translated into Czech, Dutch, French, German, Italian, Japanese, Russian, Spanish, Turkish. (Died 1957) [JH]
Born July 24, 1895 — Robert Graves. Poet, mythologist, historical novelist, critic. Author of, among other works, The White Goddess (a very strange book which Yolen quotes from in The Wild Hunt), two volumes called TheGreek Myths, Seven Days in New Crete which Pringle has on his Best Hundred Fantasy Novels list, and more short fiction than really bears thinking about. (Died 1985.) (CE)
Born July 24, 1916 – John D. MacDonald. While the score of books (I warned you about these puns) featuring salvage consultant Travis McGee and his friend Meyer are favorites of many, JDM is here for three SF novels, five dozen shorter stories, he wrote until the end. Wine of the Dreamers has been translated into Dutch, French, German, Italian, Portuguese, Spanish, Swedish; its title if not already meaning something else might name fan activity or SF – or if not unfair to nondrinkers. (Died 1986) [JH]
Born July 24, 1936 — Phyllis Douglas. She also appeared in two episodes of the Trek series in “The Galileo Seven” and “The Way to Eden” and in a two-parter of Batman (“The Joker’s Last Laugh“ and “The Joker’s Epitaph”) where she was Josie. She was in an uncredited role in Atlantis: The Lost Continent, and her very first role was at age two in Gone with The Wind. (Died 2010.) (CE)
Born July 24, 1936 — Mark Goddard, 84. Major Don West, the adversary of Dr. Zachary Smith, on Lost in Space. Other genre appearances were scant. He played an unnamed Detective in the early Eighties Strange Invaders and he showed up on an episode of The Next Step Beyond which investigated supposed hauntings as Larry Hollis in “Sins of Omission”. Oh, and he was an unnamed General in the Lost in Space film. (CE)
Born July 24, 1945 – Gordon Eklund, 75. Some are fans, some are pros, some are both; GE won a Nebula co-authoring with Greg Benford, another: they have written two novels (including If the Stars Are Gods, expanded from the novelette), half a dozen shorter stories, together. Three decades after Stars GE won a FAAn (Fan Activity Achievement) Award as Best Fanwriter. Twenty novels, six dozen shorter stories, translated into Croatian, Dutch, French, German, Italian, Portuguese, Serbian, including two early Star Trek novels, of which one has a Dyson sphere. Recent collection, Stalking the Sun. [JH]
Born July 24, 1946 – Tom Barber, 74. Three dozen covers for books and magazines, a dozen interiors. Here is the May 79 Galileo. Here is The Men in the Jungle (in German as The Brotherhood of Pain). Here is the Mar 76 Amazing; here is the Mar 19; the magazine itself is well-named. [JH]
Born July 24, 1950 – Bob Fowke, 70. Two dozen covers, a dozen interiors. Here is The Golden Apples of the Sun. Here is Connoisseur’s SF. Here is King Creature, Come. Here is La flamme des cités perdues; not all who wander are lost, but here is The Lost Star. [JH]
Born July 24, 1951 — Lynda Carter, 69. Wonder Woman of course. But also Principal Powers, the headmistress of a school for superheroes in Sky High; Colonel Jessica Weaver in the vampire film Slayer; Moira Sullivan, Chloe Sullivan’s Kryptonite-empowered mother in the “Prodigy” episode of Smallville; and President Olivia Marsdin In Supergirl. (CE)
Born July 24, 1959 – Zdrvaka Evtimova, 61. Author and translator. Nine short stories for us in or translated into English, much more outside our field. Besides Bulgaria and Anglophonia, published in France, Germany, Iran, Japan, Poland, Russia, Spain, Vietnam – two dozen countries. Six Bulgarian awards. Member of the Bulgarian Writers’ Union and the UK Writers’ League. See her here (Contemporary Bulgarian Writers; in English, with a photo, book covers and excerpts, links to online stories in English). [JH]
Born July 24, 1964 — Colleen Doran, 56. Comics artist and writer. She’s done includes Warren Ellis’ Orbiter graphic novel, Wonder Woman, Legion of Superheroes, Teen Titans, “Troll Bridge”:by Neil Gaiman and her space opera series, A Distant Soil. She also did portions of The Sandman, in the “Dream Country” and “A Game of You”. She’s tuckerized Into Sandman as the character Thessaly is based on Doran. (CE)
Born July 24, 1981 — Summer Glau, 39. An impressive run in genre roles as she was River Tam in the Firefly series and of course the Serenity film, followed by these performances: Tess Doerner in The 4400, as Cameron in Terminator: The Sarah Connor Chronicles, Bennett Halverson in Dollhouse (is this worth seeing seeing?), Skylar Adams in Alphas and lastly Isabel Rochev who is The Ravager in Arrow. (CE)
(10) COMICS SECTION.
The Far Side shows that somebody needs a manual for first contact. (Fist contact?)
And ever is heard a discouraging word — Dilbert shows it’s tough to be a beginning writer.
Are we having fun with the lockdown yet? Some of you may live, like me, in a region where our pal COVID-19 seems to be under control—or you may be trapped in some dire realm where it is not. Yet, for even those of us who are momentarily spared, respite may prove temporary—it’s always best to stay safe and plan for the possibility of continued isolation. That suggests that it would be prudent to add to your personal Mount Tsundoku, preferably with tomes weighty enough to keep one occupied through weeks of isolation and tedium. Omnibuses could be the very thing! Below are five examples…
Watching the numbers tick up on Brandon Sanderson’s Kickstarter is a remarkable way to pass the time. The fantasy author initially set out to raise $250,000 (£198,500) to release a 10th anniversary, leather-bound edition of his doorstopper novel, The Way of Kings. In less than 10 minutes, it became the most-funded publishing project of all time when it topped $1m. With 15 days still to go, he’s raised more than $5.6m. All this for a book that was just one of 13 Sanderson wrote before he’d even landed a publishing deal.
Most writers have novels that never see the light of day. But 13? That’s serious dedication. The books were written over a decade while Sanderson was working as a night clerk at a hotel – a job chosen specifically because as long as he stayed awake, his bosses didn’t mind if he wrote between midnight and 5am. But publishers kept telling him that his epic fantasies were too long, that he should try being darker or “more like George RR Martin” (it was the late 90s, and A Song of Ice and Fire was topping bestseller charts). His attempts to write grittier books were terrible, he says, so he became “kind of depressed”….
(14) PRESSED OWN AND OVERFLOWING. Alasdair Stuart’s The Full Lid 24th July 2020opens with a tour of duty with Matt Wallace’s Savage Legion. TheSin Du Jour author has turned in his first epic fantasy novel and it’s fiercely intelligent, uniquely perceptive and exactly what the genre needs.
After that, I take a look at the Marchtrilogy of graphic novels. Covering the life of Rep. John Lewis, they’re engrossing, pragmatic, inspiring and horrific. They’re also by some distance some of the best graphic storytelling I’ve ever read.
Our interstitials this week feature the men of The Witcher doing things. Well, attempting things. Well, in the case of baking, being present while it notionally occurs…
This week’s playout is a unique and wonderful version of The Cure’s The Lovecats by the Ukulele Orchestra of Great Britain. Enjoy! I did.
The Full Lid is published every Friday at 5pm BST. It’s free, and you can find both sign up links and an archive of the last six months at the link above.
(15) KING REVIEWS BEUKES. [Item by Rob Thornton] In the upcoming issue of the New York Times Book Review, Stephen King has great things to say about Lauren Beukes’ post-apocalyptic novel “Afterland,” which is described by King as “science fiction” at one point and a “neo-noir” at another. Everybody gets into the naming game: “Stephen King on Lauren Beukes’s ‘Splendid’ New Thriller”.
…The flap copy on my advance edition declares that “Afterland” is a “high-concept feminist thriller that Lauren Beukes fans have been waiting for.” It is a thriller, I grant you that, and feminist in the sense that most of the men have been erased by a flu virus that develops into prostate cancer, but Beukes is too wise and story-oriented to wham away at ideas that have been thoroughly explored, sometimes at tedious length, on cable news and social media. She lets her tale do the talking, and the results are quite splendid.
This is your basic neo-noir, coast-to-coast chase novel, and Beukes, who is from South Africa, sees America with the fresh eyes of an outsider. …
When Warner Brothers pulled Christopher Nolan’s $200-million thriller, Tenet, from its release schedule earlier this week, industry analysts expected a domino effect, and Disney announced this afternoon that the first 17 dominos have fallen.
The Mouse House’s live-action remake of Mulan, the last big-budget Hollywood blockbuster scheduled for August, is now “unset,” on the company’s release schedule.
And the studio has pushed back or cancelled the release of another 16 Disney and Fox films, in a ripple-effect that will affect movie releases for years.
One Searchlight film, The Personal History of David Copperfield, is still scheduled for summer, though pushed back two weeks to August 28. But such other Fox films as Kenneth Branagh’s Agatha Christie remake Death on the Nile, and the supernatural thriller film The Empty Man have been delayed to later in the fall, while Wes Anderson’s The French Dispatch, which was to have opened in October, has been postponed indefinitely.
Other films, including Ridley Scott’s historical thriller The Last Duel, and the supernatural horror film Antlers have been moved to 2021.
And in perhaps the most telling shift, three Star Wars pictures and four Avatar sequels, originally scheduled to alternate as Christmas releases starting next year, have all been moved back a full year, meaning the pandemic will affect film releases through Christmas of 2028.
Harvard scientists find that the same cell types that cause goosebumps are responsible for controlling hair growth
If you’ve ever wondered why we get goosebumps, you’re in good company — so did Charles Darwin, who mused about them in his writings on evolution. Goosebumps might protect animals with thick fur from the cold, but we humans don’t seem to benefit from the reaction much — so why has it been preserved during evolution all this time?
In a new study, Harvard University scientists have discovered the reason: the cell types that cause goosebumps are also important for regulating the stem cells that regenerate the hair follicle and hair. Underneath the skin, the muscle that contracts to create goosebumps is necessary to bridge the sympathetic nerve’s connection to hair follicle stem cells. The sympathetic nerve reacts to cold by contracting the muscle and causing goosebumps in the short term, and by driving hair follicle stem cell activation and new hair growth over the long term.
Published in the journal Cell, these findings in mice give researchers a better understanding of how different cell types interact to link stem cell activity with changes in the outside environment.
A global consortium of astrophysicists have created the world’s largest three-dimensional map of the universe, a project 20 years in the making that researchers say helps better explain the history of the cosmos.
The Sloan Digital Sky Survey (SDSS), a project involving hundreds of scientists at dozens of institutions worldwide, collected decades of data and mapped the universe with telescopes. With these measurements, spanning more than 2 million galaxies and quasars formed over 11 billion years, scientists can now better understand how the universe developed.
“We know both the ancient history of the Universe and its recent expansion history fairly well, but there’s a troublesome gap in the middle 11 billion years,” cosmologist Kyle Dawson of the University of Utah, who led the team that announced the SDSS findings on Sunday.
“For five years, we have worked to fill in that gap, and we are using that information to provide some of the most substantial advances in cosmology in the last decade,” Dawson said in a statement.
[Thanks to Nina Shepardson, Errolwi, JJ, John King Tarpinian, Lise Andreasen, Mike Kennedy, Andrew Porter, Martin Morse Wooster, Josh Hesse, Michael Toman, John Hertz, Cat Eldridge, Cally Soukup, James Davis Nicoll, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew.]