Dream Foundry announced the winners of its 2020 contests for beginning artists and writers working in science fiction, fantasy, or other speculative fields.
First place in the art contest is awarded the Monu Bose Memorial Prize, worth $1000. The first place winner of the writing contest also receives $1000 in prize money. For both the art contest and the writing contest, second place is awarded $500, and third place is awarded $200. In addition to cash prizes, all six winners will receive first pick of workshop seats at Flights of Foundry and showcase events at the online convention in April 2021.
The Art Contest winners are:
Dante Luiz served as the art contest coordinator. Hugo-nominated artist Grace P. Fong served as judge.
The Writing Contest winners are:
“Surat Dari Hantu” by Lisabelle Tay
“The Failed Dianas” by Monique Laban
“The Loneliness of Former Constellations” by P. H. Low
William Ledbetter and Vajra Chandrasekera served as the writing contest coordinators. Neil Clarke, editor of Clarkesworld Magazine, and Hugo-award winning author S.L. Huang, served as judges for this year’s contest.
Dream Foundry is a registered 501(c) non-profit dedicated to bolstering the careers of beginning professionals working in the speculative arts. Their Discord community is at discord.gg/dreamfoundry, their blog a dreamfoundry.org/blog,
(1) NEW BEOWULF. Maria Dahvana Headley’s “new, feminist translation of Beowulf“ was released today by Macmillan.
Nearly twenty years after Seamus Heaney’s translation of Beowulf—and fifty years after the translation that continues to torment high-school students around the world—there is a radical new verse translation of the epic poem by Maria Dahvana Headley, which brings to light elements that have never before been translated into English, recontextualizing the binary narrative of monsters and heroes into a tale in which the two categories often entwine, justice is rarely served, and dragons live among us.
…And so, I offer to the banquet table this translation, done by an American woman born in the year 1977, a person who grew up surrounded by sled dogs, coyotes, rattlesnakes, and bubbling natural hot springs nestled in the wild high desert of Idaho, a person who, if we were looking at the poem’s categories, would fall much closer in original habitat to Grendel and his mother than to Beowulf or even the lesser denizens of Hrothgar’s court.
I came to this project as a novelist, interested specifically in rendering the story continuously and clearly, while also creating a text that feels as bloody and juicy as I think it ought to feel. Despite its reputation to generations of unwilling students, forced as freshmen into arduous translations, Beowulf is a living text in a dead language, the kind of thing meant to be shouted over a crowd of drunk celebrants. Even though it was probably written down in the quiet confines of a scriptorium, Beowulf is not a quiet poem. It’s a dazzling, furious, funny, vicious, desperate, hungry, beautiful, mutinous, maudlin, supernatural, rapturous shout.
In contrast to the methods of some previous translators, I let the poem’s story lead me to its style. The lines in this translation were structured for speaking, and for speaking in contemporary rhythms. The poets I’m most interested in are those who use language as instrument, inventing words and creating forms as necessary, in the service of voice. I come from the land of cowboy poets, and while theirs is not the style I used for this translation, I did spend a lot of time imagining the narrator as an old-timer at the end of the bar, periodically pounding his glass and demanding another. I saw it with my own eyes.
Members of the very small but very vocal group of Alien: Covenant supporters (and its smaller Prometheus chapter) are probably a little extra excited for Raised By Wolves. HBO Max’s new sci-fi series is executive produced by Ridley Scott, who also directed the first two episodes of a story that definitely looks like it’s treading thematic territory similar to Covenant—or what might’ve come after Covenant if Scott had been allowed to complete his trilogy. Scripted and created by Aaron Guzikowski (Prisoners), Raised By Wolves follows a pair of androids (including one played by Amanda Collin, serving serious Michael Fassbender android vibes) raising human children on a distant planet, where they’re teaching the little kiddos to be atheists. Everything is just fine until some other humans show up with their strong religious views and hatred of robots:
(3) ADDRESSEE UNKNOWN AT BAKER STREET. Netflix dropped a trailer for Enola Holmes, based on the novels by Nancy Springer about Sherlock Holmes’s little sister.
When Enola Holmes—Sherlock’s teen sister—discovers her mother missing, she sets off to find her, becoming a super-sleuth in her own right as she outwits her famous brother and unravels a dangerous conspiracy around a mysterious young Lord. Starring Millie Bobby Brown, Sam Claflin, with Henry Cavill and Helena Bonham-Carter.
…However, there is absolutely no way that fans should get to dictate the way a story unravels. They do not get to demand of an author to end the series in the way that is not what the writer envisioned, or what the story demanded of them. Fans have no right to force the inclusion of events that do not ring true for that author or the story they’re trying to tell.
Yet, large clusters of fans believe that it is, in fact their right. Those folks, it seems, are not above threatening to end the careers of the author(s) that displeased them, some even going so far as to send death threats. No example of this sticks in my mind than the threats sent to author Veronica Roth, who displeased fans by killing off her protagonist (bold move. I can respect that), leaving the love interest to deal with that trauma.
…What scares me even more, however, is the idea that someone with too much time and a deeply entrenched sense of entitlement might show up at my door one day. I’ve heard first hand accounts of this happening to YouTubers and other celebrities, and the idea alone is enough to make me hyperventilate. Perhaps my home in the country will be an underground bunker…
This fear is, of course, compounded by gender. I’ve worked my fair share of gigs in retail with overly amorous clientele. I’ve been stalked by blokes who thought that a friendly sales person was actually a flirt. I’ve been hounded by men insistent that I am their future wife and they would treat me so well, if only I could be made to see it. I’ve had some of those men turn aggressive and threatening when I state in no uncertain terms that I am not interested. I’ve lost sleep and had panic attacks (and before anyone decides to explain to me that it’s not that bad, I highly recommend a little site called When Women Refuse).
Fans showing up at my door, even if just for a chat or an autograph, would absolutely trigger all of this nonsense. They would be a thoroughly unwelcome presence in my space. The utter lack of concern they show for a person’s need for privacy and even their mental well-being is frightening. Just thinking about it is making me get clammy.
(5) NASA. A Dublin 2019 Worldcon Special Guest is in the news.
…Just one caveat before you start ordering and downloading and diving into things: some of these works could be construed as fantasy rather than science fiction. The distinction between these two imaginative genres is often blurred, and it’s especially hard to make out their boundaries when exploring the writing of African-descended authors. Why? Because access to the scientific knowledge from which SF often derives has been denied to people of the African diaspora for much of history. And the classification of what is and is not scientific knowledge hasn’t been under our control–it’s frequently a matter of dispute. Also, it’s sometimes difficult to understand the history of black science fiction without reference to the history of black fantasy.
Keeping in mind how inextricably the two genres are interwoven, I include works of fantasy in this history of black science fiction crash course reading list, though I’m careful to note their presence with a parenthetical F at the end of each entry, thusly: (F).
Nisi Shawl will join Gadi to co-host a show on music and spirituality in the creative process. Nisi will be joined by Iya Oshunmiwa for a discussion of West African religious traditions and how Nisi’s work relates to those traditions. Oshun Miwa is a Priest of Oshun and professional storyteller?. Nisi and Gadi will explore the role of music in Nisi’s life and work, and we’ll also have a reading from Nisi’s work.
…I stopped reading the AI books once I hit the first unfathomable equation. Instead, I found myself carrying The Pillow Book around with me, as if it were a balm that I wanted always to have on hand. In Japan, The Pillow Book is a set school text. It has been hailed as one of the earliest works of literature by a woman. But I believe that what has truly given it longevity—across a whole millennium—is Sei’s own distinctive, seductive voice.
Her writing feels like a witty and perceptive friend, cutting in her opinions, but never too serious. Some have even called Shonagon—mistakenly—shallow. The Pillow Book has been described as a 1,000-year-old proto-blog. It has some of that same immediacy and intimacy. That sense of fun.
When I went to my friends’ café each morning to write my own book, The Pillow Book would be tucked in my bag. Something of its timeless narrator slipped a circuit and made it into my writing too. Sylv.ie’s voice began to emerge: a mix of politeness, restraint and disarming honesty. Naïve and rather snobbish, but with a clear, outsider’s eye.
(10) FANFUND AUCTION AT COLUMBUS VIRTUAL NASFIC. [Item by Michael J. Lowrey.] The Fanfund Auction at the Columbus in 2020 Virtual NASFIC has closed, with total sales of US$549.01. Items sold ranged from chapbooks, to naming rights in a new shared universe. to a knitted lace shawl, to private cocktail classes, to a crocheted Irish steampunk textile postcard.
Even though it was a NASFIC, participants included (at a minimum) fen from Germany, Ireland, Poland, the U.S., the U.K. and Australia.
…There are two types of people who frequent special collections that are open to the public: scholars who want to study something in particular, and others who just want to see something interesting. Both groups are often drawn to incunables. Books printed at the dawn of European movable type, between 1450 and 1500, incunables are old, rare and historically important. In short, an incunable is so valued and usually such a prominent holding that any thief who wanted to avoid detection would not steal one. The Oliver Room thief stole ten.
Visitors and researchers alike love old maps, and few are more impressive than those in Theatrum Orbis Terrarum, commonly known as the Blaeu Atlas. The Carnegie Library of Pittsburgh’s version, printed in 1644, originally comprised three volumes containing 276 hand-colored lithographs that mapped the known world in the age of European exploration. All 276 maps were missing….
(12) MEDIA BIRTHDAY.
August 25, 1951,Space Patrol’s “A Big Wheel Named Ferris” first aired. The series was created by Mike Moser who was the series writer along with Norman Jolley. The principal cast was Ed Kemmer, Lyn Osborn, Ken Mayer, Virginia Hewitt, Nina Bara and Bela Kovacs. Although aimed at children, it had a sizeable adult following for its fifteen-minute and half-hour versions. Books, comic books and a radio series were soon to be added. Even toys would be offered to the viewers. You can watch this episode here.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 25, 1909 — Michael Rennie. Definitely best-remembered as Klaatu in The Day the Earth Stood Still. He would show up a few years later on The Lost World as Lord John Roxton, and he’s got an extensive genre series resume which counts Lost in Space as The Keeper in two episodes, The Batman as The Sandman, The Time Tunnel, The Man from U.N.C.L.E. and The Invaders. (Died 1971.) (CE)
Born August 25, 1913 – Walt Kelly. Having acknowledged Herriman’s Krazy Kat as immortal and unique, what does that leave for Kelly’s Pogo? There is something sublime about the Kat; but Pogo is superb. If the Kat is brandy, say Delamain, Pogo may be bourbon, say Willett. Here is a sample. Here is another. Judith Merril put Pogo in No. 6 of her Year’s Best SF. Fantagraphics is up to vol. 6 of a complete run. (Died 1973) [JH]
Born August 25, 1930 — Sir Sean Connery, 90. Best film? From Russia with Love. Best SF film? Outland. Or Time Bandits you want go for silly. Worst film? Zardoz. These are my choices and yours no doubt will be different. (CE)
Born August 25, 1947 – Michael Kaluta, 73. Fifty covers, two hundred fifty interiors. Interviewed in Realms of Fantasy. Artbooks The Studio (with Jones, Windsor-Smith, Wrightson), The MK Collection, MK Series 2, Dream Makers (with Grant, Heller, Moore, Vess, Wrightson), Echoes, Wings of Twilight, MK Sketchbook vols. 1-4. Comics, music albums, role-playing games, collectible cards; airplane-nose art and flight-unit patches. Here is the Baycon ’87 Program Book. Here is Davy. Here is Vector 276. Here is Deep Signal. Shazam Award. Inkpot. Chesley for Artistic Achievement. Spectrum Grand Master. [JH]
Born August 25, 1955 — Simon R. Green, 65. I’ll confess that I’ve read pretty much everything he’s written save his NYT best-selling Robin Hood: Prince of Thieves. (Shudder! I did see it.) Favorite series? The Nightside, Hawk & Fisher and Secret History are my all-time favorite ones with Drinking Midnight Wine the novel I’ve re-read the most. His only active series now is the Ishmael Jones fantasy mystery and it’s quite excellent. (CE)
Born August 25, 1956 – Chris Barkley, 64. Con-goer; several hundred including some three dozen Worldcons when I last tried to count; I often find him doing Press Relations. Campaigned for a Young Adult award; we now have the Lodestar. Accessibility and diversity, too, get his labors. Vigorous contributor to File 770. Fan Guest of Honor at Windycon 2019. “You have to walk a fine line between your utter conviction that you are right AND feeling flexible enough in your beliefs that you can admit you are wrong or can compromise.” [JH]
Born August 25, 1958 — Tim Burton, 61. Beetlejuice is by far my favorite film by him. His Batman is interesting. Read that comment as you will. Charlie and the Chocolate Factory is definitely more Dahlish than the first take was, and Sleepy Hollow is just damn weird. (CE)
Born August 25, 1959 – Georges T. Dodds, Ph.D., 61. Essays, reviews, in Argentus, SF Site, WARP. Edited The Missing Link and Other Tales of Ape-Men. Did an adaptation of Lemina’s To-Ho and the Gold Destroyers. Note that his reviews include The Ghost Book of Charles Lindley, Viscount Halifax; Mary Shelley’s Last Man; and Brooks’ Freddy the Detective. [JH]
Born August 25, 1967 – Laura Anne Gilman, 53. Thirty novels, six dozen shorter stories, some with co-authors, some under other names; more outside our field. Managed a wine-tasting room awhile. Interviewed in After Hours, Apex, Electric Velocipede, Fantasy, InterGalactic Medicine Show, Strange Horizons. “Writer, editor, tired person”. Amen. [JH]
Born August 25, 1970 — Chris Roberson, 50. Brilliant writer. I strongly recommend his Recondito series, Firewalk and Firewalkers. The Spencer Finch series is also worth reading. He’s also written two Warhammer novels, Dawn of War and Sons of Dorn, and Is publisher with his wife Allison Baker of Monkey Brain Books. He won a Sidewise Awards for Alternate History for his O One novella which I’ve not read. (CE)
Born August 25, 1971 – Lisa Papademetriou, 49. A dozen novels, some under another name; more outside our field; many for young adults, but your mileage may vary. Ranks The Hitchhiker’s Guide to the Galaxy about the same as The Wave in the Mind. [JH]
Born August 25, 1987 — Blake Lively, 33. She was Adaline Bowman in The Age of Adaline, a neat meditation upon life and death. She also played Carol Ferris in that Green Lantern film but the less said about it the better. Her very first role was as Trixie / Tooth Fairy in The Sandman at age eleven. (CE)
“My wife [Patrice] and I have cried many nights over this project,” says Ken Bretschneider, founder and CEO at Evermore Park. “This is not a position we wanted or should have gotten into.”
Only eight years ago, Bretschneider invested more than $37 million (and counting) of his own fortune largely from the sale of his previous startup DigiCert in 2012 to build a sort of live-action theme park in Pleasant Grove, Utah. He hired dozens of contracted construction workers to bring his medieval vision to life, but as plans became more and more grandiose, Bretschneider found himself strapped for cash and unable to make payments to the teams building the park.
Bretschneider claims he’s been fighting for additional funding something he says has been hard to procure for a unique project such as this but until he does, he owes millions of dollars in construction, mechanic, and landscaping fees to workers across the valley who have yet to be paid, sparking a number of controversies across the state….
(16) DREAM FOUNDRY WRITING CONTEST. The Dream Foundry Writing Contest is taking submissions through October 11, 2020. The contest will be judged by Neil Clarke of Clarkesworld Magazine. Full guidelines here.
We’re looking for complete and finalized stories of speculative fiction of up to 10,000 words. This year, we’re proud to announce monetary prizes for 1st, 2nd, and 3rd places.
1st: $1000; 2nd: $500; 3rd: $200
There is no submission fee. All rights remain with the creators.
Professional development spaces for emerging writers are not necessarily easily accessible to those who need it most. How do you see opportunities like the Dream Foundry’s writing contest fitting into the professional development of new and upcoming writers?
I think nine-tenths of “professional development” for a short story writer at the beginning of their career is learning how to make their own practice effective. This means figuring out what they want to write about and what they’re good at writing, and writing more stories where they do those things, ideally at the same time. Sometimes it’s just that a contest gives you a clearly defined set of constraints to work within, which can be very productive. Sometimes it’s good to hang out in a discord with a bunch of other people who are trying to solve the same problems you are—so you can commiserate and share experiences and animal pictures, if you’re into that sort of thing, and even if not, these are good spaces to eventually share knowledge about the industry, too.
(17) DREAM FOUNDRY ART CONTEST. The new Dream Foundry Art Contest coordinator is Dante Luiz, an illustrator and occasional writer from southern Brazil. He is one of the two Art Directors for Strange Horizons, and his first graphic novel was published in 2020 by comiXology Originals (CREMA, written by Johnnie Christmas).
The Dream Foundry Art Contest will run from 1 September 1 to November 1, 2020. The first place winner for the art contest will receive $1000. Guidelines are located here.
This app was designed by Matt Inman, creator of The Oatmeal.
It was built and developed by Nick Inman, Matthew’s brother.
When will it be available in the Google Play store? It will be available at some point in space and time.
The app didn’t work for me! What should I do? Try vigorously shaking your phone and rebooting your router. If that fails, try blowing profusely into your phone’s charge port. If that fails, accept that the universe is fundamentally against you. Just please don’t email us about it.
Does this app work on dogs? No. That’s why it has the word “cat” in the title.
What about tigers? Yes, it is tiger-compatible.
(19) ANOTHER ORDINARY DAY ON THE INTERNET. Think of your experiences on Facebook. Ever wonder how you got into arguments you don’t even want to be in? Ever had to block someone? Now think of having to deal with 800 times as much of it as you do. Okay. Now you’re ready to hear Larry Correia explain “About My ‘Tone’ On Social Media” [Internet Archive] on Monster Hunter Nation.
…I had one last month, with 8,000 comments, where I ended up blocking over 100 people in 24 hours. That was nuts.
Apparently, where all these people come from, blundering into a stranger’s living room and screaming in his face is a “conversation”. And if you don’t put up with their endless abuse, you’re obviously a bad person.
Awesome. I’ll be the bad guy.
And it is bipartisan. Though I’d say 80% of the time I’m yelled at by annoying leftists, 15% it’s annoying right wingers, and 5% Too Fucking Insane To Register On Any Regular Political Scale.
That’s for controversial posts. For regular, boring, not controversial posts at all, I can count on getting lots of “helpful” suggestions. These mean well, but then never stop coming, and most of them are so awful they really make my head hurt. You’re right, sir, I should totally install more electrical outlets into my closet. Why thank you, ma’am, I should totally disregard my decade of professional experience and write my books according to your really awful suggestions.
Then there’s the people who think they are funny, who aren’t. I’ve heard the same tired jokes 10,000 times. I can’t post about the availability of a new product without Shut Up And Take My Money memes, and I can never mention food spicier than white bread without listening to dozens of people whine about how weak their bowels are…
A new estimate suggests the Milky Way contains more free-floating planets than stars. It’s a big claim, but an upcoming mission might actually prove it.
Rogue planets in our galaxy could number in the tens of billions and possibly even trillions, according to new research published in the Astronomical Journal. If confirmed, it means the Milky Way hosts more unbound, starless planets than it does stars. This estimate was developed in preparation for the Roman Galactic Exoplanet Survey (RGES), a five-year mission that’s scheduled to start in about five to six years.
…Because viruses have such small genetic codes they have to be very efficient when it comes to building their shapes. Many, such as COVID-19, have polyhedral designs. A polyhedron is a three-dimensional shape with flat faces that are made of two-dimensional polygons. They have straight edges and sharp corners. As geometric figures, they have been studied since the time of the ancient Greeks.
In the early 17th century the astronomer Johannes Kepler, perhaps best known for his derivation of the laws of planetary motion, was fascinated by these shapes. In 1619, exactly 400 years before the outbreak of COVID-19, he produced a book called “Harmonices Mundi” (“Harmony of the Worlds”) that peered into and tried to understand these simple yet mysterious forms. The Library has copies of this work in the Rare Books and Special Collections Division.
Now, for the 2020 fall season, Harpoon and Dunkin’ are releasing a full lineup of four beers—including three new brews, two of which are billed as the first beers to ever be made with actual Dunkin’ donuts. And tapping into craft beer’s biggest trend, one of those is even a donut-infused hazy IPA!
Arriving this September, Harpoon and Dunkin’ are bringing back their popular Coffee Porter for the third consecutive year—and it arrives alongside a trio of new creations: Harpoon Dunkin’ Pumpkin, Harpoon Dunkin’ Boston Kreme, and Harpoon Dunkin’ Jelly Donut. The first of the three is described as a “Spiced Latte Ale” inspired by the seasonal espresso drink. The “light in color and easy-drinking” 5.2 percent ABV ale is “brewed with real pumpkin, pumpkin pie spices, and a splash of coffee” to create “a perfect blend of all the autumn flavors we love, with just a touch of espresso-like roast.”…
(24) VIDEO OF THE DAY. In “Honest Game Trailers: Fall Guys, Ultimate Knockout” on YouTube, Fandom Games takes on a multi-player game where you “use five percent of your brain” to maneuver your character through a course “that’s somewhere between Battle Royale and a Japanese game show.”
[Thanks to John King Tarpinian, Mike Kennedy, Rich Horton, Andrew Porter, Martin Morse Wooster, JJ, John Hertz, Cat Eldridge, Daniel Dern, David Doering, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]
(2) PETITIONS AND PUBLISHING. Seanan McGuire has a quite interesting series of tweets inspired by social media petitions flogging certain authors to produce their next book now, in which she tries to open readers’ eyes about the traditional publishing process. Thread starts here.
(3) ABOUT THE GUARDIAN’S “OPEN LETTER” COVERAGE. Chris Barkley posted his letter of complaint sent to The Guardian’s Reader Service about their article.
I am writing to complain about Alison Flood’s article on the Saudi Arabian bid to hold the 2022 World Science Fiction Convention.
While Ms. Flood’s reporting was informative, it did lack ANY reaction directly from the current co-chairs of the current Worldcon in New Zealand (Kelly Buehler and Norman Cates) or any member of the Worldcon who could explain the function of the Constitution of the World Science Fiction Convention and how it relates to the multi-year bidding process works.
Nor had she any quotes or commentary from any other fans who could have offered additional information or insights about sf fandom.
It would be very much appreciated if she were to update this important story with more of these elements rather than the somewhat sensationalized version that was posted.
Chris M. Barkley Cincinnati, Ohio USA
I have worked in Worldcon Press Offices since 1983. In this day and age there is NO EXCUSE for sloppy reporting…
(4) TOASTMASTER WARMS UP THE AUDIENCE. George R.R. Martin previews the CoNZealand Hugo Ceremony in “Worldcon… Virtually” at Not A Blog.
…Anyway, here is how the Hugos are going to work… I have already pre-recorded all of my opening remarks, introductions of the guest presenters (we will have several), amusing (one hopes) anecdotes and bits of history, discussions of each category, and readings of the names of the finalists (in the cases where I am presenting myself, rather than throwing the ball to a guest presenter). ConNZealand has all those videos. The rest of it will be live streamed from my theatre in Santa Fe, the Jean Cocteau, where a member of worldcon’s tech team will be helping me Zoom. I will have the envelopes with the names of the winners sealed therein. I may actually have a Hugo to wave about.
So the drill will go like this: for each category, you will get a pre-recorded video of me as a lead-in. Then I will either read the finalists, so throw it to another presenter who will do the same. Most of their remarks are pre-recorded as well. Then back to me, this time live at the JCC, where I will rip open the envelope and announce the winner. Then we cut to the happy winner, somewhere in the world… assuming they are in front of their computers and know how to Zoom and all. (No, unlike the other major awards shows, we have no plans to show the fake smiles on the faces of the sad losers). The happy winner will make an acceptance speech, long or short as may be, that is entirely up to them. Then back to me… either live me at the JCC, or pre-recorded me for the next category.
And on and on, starting with the Lodestar and ending with Best Novel….
(5) CONZEALAND DAILY NEWZINE. Cruise Log has found a substitute for the Worldcon daily zine’s usual “warm body count” —
1400 people have logged into the CoNZealand discord server as of 09:00 Thursday morning!
The new collection of Peter Pan British Isles 50p coins have been developed in partnership with Great Ormond Street Hospital to celebrate 90 years since author, J.M. Barrie, gifted all future rights of the book to them.
The new set will be the first ever collection of its kind in the UK – but won’t be released by the Royal Mint and therefore won’t be entering circulation.
Prices start at £6.25, and for every coin sold, a donation will go directly to GOSH Charity to support the hospital’s most urgent needs: fund support services, pioneering research, equipment and refurbishment.
(7) DREAM FOUNDRY WRITING CONTEST. The Dream Foundry Writing Contest will be open for submissions from August 10 to October 11, 2020. Full guidelines here.
We’re looking for complete and finalized stories of speculative fiction of up to 10,000 words. This year, we’re proud to announce monetary prizes for 1st, 2nd, and 3rd places.
1st: $1000; 2nd: $500; 3rd: $200
There is no submission fee. All rights remain with the creators.
(8) MEDIA BIRTHDAY.
July 29, 1953 — George Pal’s adaptation of H.G. Wells’ The War Of The Worlds premiered in Atlantic City, New Jersey. It was directed by Byron Haskin from the screenplay by Barré Lyndon. It starred Gene Barry and Anne Robinson. It was narrated by Cedric Hardwicke. The film was both a critical and box office success earning back its budget in its first release. And it would win an Academy Award for Special Effects. Audience reviewers at Rotten Tomatoes currently give it a 71% rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 29, 1876 — Maria Ouspenskaya. In the Forties, she did a run of pulp films, to wit The Wolf Man, Frankenstein Meets the Wolf Man and Tarzan and the Amazons. A decade or so earlier, she was in Beyond Tomorrow. (Died 1949.) (CE)
Born July 29, 1878 – Don Marquis. (name pronounced “mar-kwis”) At The Sun, New York, a column “The Sun Dial” 1912-1922; at The Herald Tribune, “The Tower” (later “The Lantern”); three novels; plays, poems, essays, sketches. Introduced, famously and of interest to us, a cockroach whose writings DM found in the typewriter next morning; the cockroach wrote by diving onto the keys, could not get capitals, and so is known as archy; in turn archy knew a cat, mehitabel; they, illustrated by George Herriman who meanwhile drew Krazy Kat, outcreated everything. (Died 1937) [JH]
Born July 29, 1888 — Farnsworth Wright. Editor of Weird Tales. editing an amazing 179 issues from November 1924–March 1940. Mike Ashley in EoSF says, “Wright developed WT from a relatively routine horror pulp magazine to create what has become a legend.” His own genre fiction is generally considered undistinguished. He also edited during the Thirties, Oriental Stories and The Magic Carpet. The work available digitally is a poem, “After Two Nights of the Ear-ache”. (Died 1940.) (CE)
Born July 29, 1907 — Melvin Belli. Sole genre role is that of Gorgan (also known as the “Friendly Angel”) in the Star Trek “And the Children Shall Lead” episode. Koenig objected to his playing this role believing the role should have gone to someone who was an actor. (Died 1996.) (CE)
Born July 29, 1927 — Jean E. Karl. She founded Atheneum Children’s Books, and she edited Ursula K Le Guin’s Earthsea sequence and Susan Cooper’s The Dark Is Rising sequence. As an author, she wrote three genre novels, Strange Tomorrow, Beloved Benjamin Is Waiting and But We Are Not of Earth, and a reasonable amount of short fiction, all of which is In the Clordian Sweep series. Nine of those stories are in The Turning Point collection. (Died 2000.) (CE)
Born July 29, 1939 — Curtis C. Smith, 81. Editor of Twentieth-Century Science-Fiction Writers, plus two genre biographies, Olaf Stapledon: A Bibliography with co-author Harvey J. Satty, and Welcome to the Revolution: The Literary Legacy of Mack Reynolds. Not active since the mid-Eighties as near as I can tell. (CE)
Born July 29, 1941 — David Warner, 79. Being Lysander in thatA Midsummer Night’s Dream was his first genre role. I’m going to do just highlights after that as he’s got far too extensive a genre history to list everything. So he’s been A Most Delightful Evil in Time Bandits, Jack the Ripper in Time After Time, Ed Dillinger / Sark In Tron, Father in The Company of Wolves, Chancellor Gorkon in Star Trek VI: The Undiscovered Country, The Creature in Frankenstein, voice of Ra’s al Ghul on Batman: The Animated Series and Abraham Van Helsing on Penny Dreadful. (CE)
Born July 29, 1945 – Sharon Creech, 74. First person to win both the Newbery & Carnegie Medals. Three novels for us, many more (two, for adults, under another name). Some verse, some prose. “While teaching literature I learned so much about writing”; Website here. [JH]
Born July 29, 1948 – John Harris, 72. Two hundred covers, as many interiors. Two artbooks. Chesley for Lifetime Achievement. Commissions for NASA, Royal Caribbean cruise ships, Philips, Shell. Here is Stand on Zanzibar. Here is The Ringworld Throne. Here is Ancillary Mercy. Here is The Best of Gregory Benford. [JH]
Born July 29, 1953 – David Lee Anderson, 67. A score of covers, half that many interiors. Lately Oklahoma landmarks and landscapes. Here is the Oct 93 Tomorrow. Here is A Glimpse of Splendor (collection). Here is ISS Repairs (Int’l Space Station). Here is Rioghain (“ree-ann”) from Afterwalker (D. Glaser dir.; in post-production as of Mar 2020). Website here. [JH]
Born July 29, 1956 – Chitra Divakaruni, Ph.D., 64. Five novels for us; much more. The Palace of Illusions, her re-telling of the Mahabharata from Drapaudi’s perspective, was an India best-seller for a year; here (Web archive) is an India Reads review whose author confesses having known the Mahabharata only from television. American Book Award, Light of India Award, Pushcart Prize, Ginsberg Poetry Prize. Website here. [JH]
Born July 29, 1969 – Forrest Aguirre, 51. Two novels, five dozen shorter stories in Apex, Asimov’s, Vasterien. Edited two Leviathan anthologies (one with Jeff Vandermeer; World Fantasy Award). Speaks Swahili. Collections, The Butterfly Artist, Fugue XXIX. Ranks Thank You, Jeeves above Gorky Park (agreed). Interview at SF Site here. [JH]
…However, I realised that the Google n-gram site would provide a neat empirical confirmation of Mars bias in popular culture. I did a search on Martians and Venusians, choosing the inhabitants rather than the planets to avoid hits about astronomy or the gods….
If you’ve ever wanted to build a real and working Windows 95 PC inside Minecraft, now is the time. A new VM Computers mod has been created for Minecraft that allows players to order computer parts from a satellite orbiting around a Minecraft world and build a computer that actually boots Windows 95 and a variety of other operating systems.
The mod uses VirtualBox, free and open-source virtual machine software, to run operating systems like Windows 95. Within Minecraft you simply place a PC case block and then use it to create virtual hard drives to install operating systems from ISO files….
I like a small book. I trust a small book. I appreciate a small book for all the things it doesn’t do, for all the stories it does not tell.
Big books? They’re dangerous in their excess. Bloated (often) with words they do not need and larded (often) with detail that no one asked for. You can slip into a big book and lose your way too easily. But a small book is intimate. Close. Every word it says matters. The writer of a small book knows that every page has to count.
Cherie Dimaline wrote a small book called Empire Of Wild. It isn’t small in pages (320, give or take) or in words (it has the normal amount), but it is tiny in consequence. In the scope and reach of the story it tells.
It is about Joan, who has lost her husband. And who means to get him back. That’s all. There are no worlds to be saved, no history to be altered. Joan’s actions, and the reverberations of those actions, are felt only close by. Her family, her community, the barrooms and living rooms and Walmart parking lots of the small towns around Georgian Bay, Ontario are the only places where her footsteps are felt. And that’s enough. That’s more than enough.
…Down in its bones, Empire Of Wild is a monster story. Mythic but not epic, swimming in Indigenous medicine, not magic. Calling it urban fantasy gives it a gloss it doesn’t possess. Magical realism implies something absurdist, asynchronous, and doesn’t speak to the way that the medicine of the Métis elders is woven into every breath and line.
Here, Dimaline uses the Métis legend of the rogarou to square her narrative architecture — to give weight and nightmares to Joan’s private hurt. The rogarou is the bogeyman that scares children home before it gets too dark outside. It makes Métis girls walk home in pairs. It keeps men from doing wrong by women, each other or the community. The rogarou is part man, part dog, a wolfman that makes itself through bad choices. And Joan believes in the rogarou because she’s seen one before. She knows the smell of one when it’s close — and with a cell phone, some salt bone, her aunt Ajean’s medicine and her chubby, mopey nephew Zeus by her side, she knows that she’s going to have to meet one, fight one, slay one to bring Victor back home.
The Marine Corps is moving ahead with plans to test a wearable robotic exoskeleton that conjures up images of that power-loader suit Ellen Ripley wore to take down a space monster in the movie “Aliens.”
By the end of the year, the service will have a Guardian XO Alpha full-body robotic exoskeleton that allows one person to do the work of four to 10 people, depending on the task. The wearable suit can do hours of physical labor that would otherwise be impossible for a Marine to do alone, lifting and moving up to 200 pounds of gear repeatedly for eight hours straight.
We’re all familiar with migration: Wildebeests gallop across Africa, Monarch butterflies flit across the Americas … but did you know that forests migrate, too?
In his new book The Journeys of Trees, science writer Zach St. George explores an agonizingly slow migration, as forests creep inch by inch to more hospitable places.
Individual trees, he writes, are rooted in one spot. But forests? Forests “are restless things.” As old trees die and new ones sprouts up, the forest is — ever so slightly — moving.
“The migration of a forest is just many trees sprouting in the same direction,” St. George writes. “Through the fossils that ancient forests left behind, scientists can track their movement over the eons. They shuffle back and forth across continents, sometimes following the same route more than once, like migrating birds or whales.”
…“Putting together a spacecraft to Mars and not making a mistake is hard no matter what,” said NASA deputy project manager Matt Wallace. “Trying to do it during the middle of a pandemic is a lot harder. Everyone told us we could not have come up with a better name than Perseverance.” (Wallace and others in this story spoke during or in videos presented at a virtual June press conference.)
Despite this seismic hurdle, the Mars 2020 rover is on track for a July 30 launch toward its seven-month, 314-million-mile journey to the Red Planet. Its two-year mission is to gather samples suggesting past microscopic life for subsequent retrieval and return to Earth, explore the 4-billion-year-old geology of the Jezero Crater landing site, and demonstrate technologies for future robotic and human exploration. The mission has cost $2.4 billion from development through launch, with another $300 million earmarked for operations and surface science.
Smart glasses company North has told customers that their $600 (£460) purchases will stop working in a few days’ time.
The Canadian company, recently purchased by Google, says its Focals glasses will cease functioning on Friday.
From then, owners will not be able to use “any features” of the glasses, or connect to the companion app.
But the company has also said it will automatically refund all customers.
It promised to send the purchase price back to the original payment method, and to contact those customers whose refunds it could not process.
At the end of June, North announced it was being acquired by Google, and would not release a planned second-generation device.
It also said it would “wind down” its first generation smart glasses, released last year.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] The YouTube algorithm says I should watch “The Secret Every Tolkien Nerd Knows” by Diana Glyer. What do you think of the algorithm’s judgment?
[Thanks to Rich Lynch, JJ, John King Tarpinian, Daniel Dern, Chip Hitchcock, Martin Morse Wooster, Michael Toman, Mike Kennedy, Cat Eldridge, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Cliff.]
(3) TRAVEL BROCHURE. In “Worlds Enough and Tim”, Camestros Felapton and Timothy the Talking Cat plot a way to get out of their apartment without the inconvenience of contracting the plague.
…[Timothy] …shut that pie hole for a moment, please! This isn’t a regular cruise! It’s not a cruise on the sea! It is a cruise ship of THE IMAGINATION! [Camestros] Gasp! Tell me more…
Timothy clicked the settings menu on his Zoom app and switched from ‘dialogue mode’ to ‘conventional narrative form’ and with that the whole story shifted style. With another deft flick of his paws he activated ‘share screen’ and a bright colourful image filled the screen. In a friendly font it announced “Mythopoeic Cruises: Travel the worlds in style”.
“Oooh! A fancy brochure!” said Camestros, who was warming to the idea of ditching this timeline altogether….
Space, even the deep space between the stars, is not entirely empty. As far as we can tell at present, the matter scattered through interstellar space is lifeless. But…appearances can be deceiving. Even if they are not, there’s enough story in the idea of vast beings living in the interstellar depths to attract SF writers. Here are five books that took the idea and ran with it…
… I haven’t had a good night’s sleep since I gave birth to my son, Mox. Actually, if I’m keeping it real, I haven’t slept well since I was pregnant. Nightmares have always been a normal occurrence for me, but during my pregnancy they were more vivid than usual, more visceral, more terrifying. I can only guess it was the hormones, acting as an anabolic steroid for my already overactive imagination. Mox is five and a half now, which means I haven’t slept well in six years.
Exhaustion notwithstanding, my nightmares do provide plenty of fuel for writing, since my thrillers are inspired by the things that scare me the most. For a long time, it was serial killers (and still is). I’m also afraid of dark basements, old cellars, lurking shadows, fog, dimly lit parking lots, the backseat of my car if I’m driving at night, and anytime the doorbell rings.
(6) NASA QA TESTING. [Item by Daniel Dern.] From my $DAYJOB (for loosish definitions, as I’m a self-employed/freelance writer), another fun-to-research-and-write article about NASA (I’ve recently written about NASA and 3D printing, and recycling-in-space.) “How NASA does software testing and QA”.
Every quality tester worries about the cost of missing defects. But imagine the scenario when lives are at stake, and when embedded flaws can be expensive or impossible to fix. That’s what it’s like for QA testing at NASA – and it applies to equipment such as rocket engines, fuel mixes, satellites, space habitats, as well as to ordinary computer software and hardware.
What makes NASA’s testing requirements unique? Here’s a take-off point – and how the U.S. space agency’s methods can help not-for-space testers and QA practitioners….
The SFnal sub-heads were at my editor’s suggestion. (An sf story ref or two didn’t make it in.)
(7) TABLEAUS. [Item by JJ.] Getty Museum challenged people who are staying at home to recreate famous works of art. Not genre, but absolutely hilarious. Click on this link to see a long string of them. The creativity is amazing!
Klimt’s Woman in Biscuits:
Vermeer’s Girl With a Purrl Earring
(8) FLIGHTS OF FOUNDRY. Dream Foundry plans to hold Flights of Foundry, a virtual convention for speculative creators and their fans, on May 16-17. Registration is open – and free, although donations are requested. The guests of honor will be:
Comics: Suzanne Walker and Wendy Xu
Editor: Liz Gorinsky
Fiction: Ken Liu
Games: Andrea Phillips
Illustration: Grace Fong
Translation: Alex Shvartsman and Rachel S. Cordasco
In addition to panels and information sessions, programming will include workshops, a dealer’s room, a virtual consuite (I expect people will be appertaining their own drinks), and more.
There is no cost to register, though donations to defray costs and support Dream Foundry’s other programming are welcomed. Dream Foundry is a registered 501(c)3 dedicated to supporting creators working in the speculative arts as they begin their careers.
Born April 21, 1911 — John Lymington. Between the late Fifties and the mid-Eighties, he wrote twenty-six genre novels, an astonishing number. All of his short fiction was done in 1964 and published in his Night Spiders collection. He’s not made it into the digital realm and I’ll admit that I’ve not heard of him, so I’m hoping the brain trust here can tell me about him.(Died 1983.)
Born April 21, 1933 — Jim Harmon. During the Fifties and Sixties, he wrote more than fifty short stories and novelettes for Amazing Stories, Future Science Fiction, Galaxy Science Fiction, If, The Magazine of Fantasy & Science Fiction and other magazines. Most of his fiction was collected in Harmon’s Galaxy. EoSF says he has one genre novel, The Contested Earth, whereas ISFDB lists two more, Sex Burns Like Fire and The Man Who Made Maniacs. He’s a member of First Fandom Hall of Fame. (Died 2010.)
Born April 21, 1939 — John Bangsund, 81. Australian fan most active from the Sixties through the Eighties. He was instrumental with Andrew Porter in Australia’s winning the 1975 Aussiecon bid, and he was Toastmaster at the Hugo Award ceremony at that con. His fanzine, Australian Science Fiction Review is credited with reviving Australian Fandom in the Sixties. And he’s the instigator of the term Muphry’s law which states that “If you write anything criticizing editing or proofreading, there will be a fault of some kind in what you have written.”
Born April 21, 1954 — James Morrison, 66. Lt. Col. Tyrus Cassius ‘T.C.’ McQueen on the short-lived but much loved Space: Above and Beyond series. Starship Troopers without the politics. He’s got a lot of one-off genre appearances including recently showing up as an Air Force General in Captain Marvel, guesting on the Orville series and being Warden Dwight Murphy on Twin Peaks.
Born April 21, 1965 — Fiona Kelleghan, 55. Though an academic to the bone, she has two genre stories “The Secret in the Chest: With Tests, Maps, Mysteries, & Intermittent Discussion Questions” and “The Secret in the Chest”. Of her academic works, I find most fascinating Mike Resnick: An Annotated Bibliography and Guide to His Work and her forthcoming Alfred Bester, Grand Master: An Annotated Bibliography.
Born April 21, 1971 — Michael Turner. Comics artist known for his work on a Tombraider / Witchblade one-off, the Superman/Batman story involving Supergirl, his own Soulfire, and various covers for DC Comics and Marvel Comics. He would die of bone cancer and A Tribute to Michael Turner with writings from people who knew him would feature a cover done by Alex Ross would be released to cover his medical expenses. (Died 2008.)
Born April 21, 1979 — James McAvoy, 41. In the Frank Herbert’s Children of Dune series, he was Duke Leto II Atreides. Later roles included Mr. Tumnus in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, Professor Charles Xavier in X-Men film franchise, Victor Frankensteinin Victor Frankenstein and Bill Denbrough in It – Chapter Two.
Born April 21, 1980 — Hadley Fraser, 40. His first video acting role was as Gareth in the superb Tenth Doctor story, “Army of Ghosts”. He’d later be Chris in The Lost Tribe, a horror film, and play Viscount Raoul de Chagny in The Phantom of The Opera, as well as being being Tarzan’s father in The Legend of Tarzan. And though not even genre adjacent, I’m legally obligated to point out that he showed up as a British military escort in the recent production of Murder on the Orient Express.
… In the October 1956 premiere issue of Missile and Rockets, the publisher wrote, “This is the age of astronautics. This is the beginning of the unfolding of the era of space flight. This is to be the most revealing and the most fascinating age since man first inhabited the earth.”
In the midst of the Cold War, space started to become a real place in popular culture as both fiction and fact began riding on the back of a galloping technology and could not dismount for fear of breaking their necks. Together, they were on a convergent course, and the lines separating fact from fiction became more blurred. Nonfiction books that romanticized humanity’s future in the new frontier of space started to borrow the look and feel of many of the popular pulps.
This essay attempts to explore the origins of some of the national space rhetoric that appeared during the Cold War, the way its use in political documents, congressional reports and campaigns tells us something about the self-image of Americans in the early to mid 1960s, and how this rhetoric may have influenced Gene Roddenberry during the creation of his pioneering and highly influential television series Star Trek….
This novel is about Lois Cairns, a film critic in Toronto who stumbles upon the work of what she believes to be Canada’s first female filmmaker. The latter, Mrs. Whitcomb, mysteriously disappeared in 1918, leaving behind canisters of film containing scenes from the Wendish legend of Lady Midday, a deity who shines so bright that you cannot look upon her face, and who sports a pair of shears sharp enough to cut off heads. The beauty of this novel is how it combines the mundane details of Lois’ life (she has a son with autism) with the more mysterious elements. Like several of the novels on this list, it flitters on the border between psychological thriller and horror, which is my favorite kind of read.
Facebook has banned event listings that violate government social distancing policies.
On Monday, the social media giant removed the listing for anti-quarantine protests in California, New Jersey, and Nebraska.
The discussion sparked outrage from some including the son of President Donald Trump who claimed the company’s move violated free speech.
Protests have been planned for across the US calling for the lifting of stay-at-home orders.
Facebook said it consulted with local governments and would only take down events that violated states’ guidelines.
“Unless government prohibits the event during this time, we allow it to be organized on Facebook. For this same reason, events that defy government’s guidance on social distancing aren’t allowed on Facebook,” a spokesperson said.
The movie adaptation of the upcoming “The Hunger Games” prequel book “The Ballad of Songbirds and Snakes” from author Suzanne Collins is a go at Lionsgate, and the creative team from the original films, including director Francis Lawrence, is all returning for the new film, Lionsgate motion picture group chairman Joe Drake announced Tuesday.
Lawrence, who directed “Catching Fire” and both “Mockingjay” films, will direct “The Hunger Games” prequel. Collins will write a treatment based on her upcoming novel, Color Force’s Nina Jacobson is returning to the franchise to produce, and Michael Arndt, who wrote “Catching Fire,” will pen the screenplay.
“The Ballad of Songbirds and Snakes” takes place 64 years before the original trilogy, during the 10th annual Hunger Games, and will focus on Coriolanus Snow (played by Donald Sutherland in the original franchise) at age 18, years before he would become the tyrannical president of Panem.
(16) A NUMBER ONE NEW RELEASE. Yes, I’d say we’re all surprised to learn Amazon has a category for this —
The World Health Organization (WHO) is calling for stricter safety and hygiene standards when wet markets reopen.
And it says governments must rigorously enforce bans on the sale and trade of wildlife for food.
The start of the pandemic was linked to a market in Wuhan, where wildlife was on sale.
Wet markets are common in Asia, Africa and elsewhere, selling fresh fruit and vegetables, poultry, fresh meat, live animals and sometimes wildlife.
The WHO is working with UN bodies to develop guidance on the safe operation of wet markets, which it says are an important source of affordable food and a livelihood for millions of people all over the world.
But in many places, they have been poorly regulated and poorly maintained, Dr Tedros Adhanom Ghebreyesus, director general of the WHO, said in a briefing on Friday.
“WHO’s position is that when these markets are allowed to reopen it should only be on the condition that they conform to stringent food safety and hygiene standards,” he said. “Governments must rigorously enforce bans on the sale and trade of wildlife for food.”
And he added: “Because an estimated 70% of all new viruses come from animals, we also work together closely [with the World Organization for Animal Health and the Food and Agricultural Organization, FAO, of the United Nations] to understand and prevent pathogens crossing from animals to humans.”
(18) DON’T INVITE HIM TO THE PREMIERE. [Item by Mike Kennedy.] In an interview with The Hollywood Reporter, “How I’m Living Now: David Lynch, Director”, Lynch was asked about life in the time of quarantine, both current & possible future projects, and what he thinks about the upcoming movie adaptation of Dune. On that latter:
This week they released a few photos from the new big-screen adaptation of Dune by Denis Villeneuve. Have you seen them?
I have zero interest in Dune.
Because it was a heartache for me. It was a failure and I didn’t have final cut. I’ve told this story a billion times. It’s not the film I wanted to make. I like certain parts of it very much — but it was a total failure for me.
You would never see someone else’s adaptation of Dune?
I said I’ve got zero interest.
(19) VIDEO OF THE DAY. “The Mandalorian Theme (Cello Cover)” on YouTube is Nicholas Yee’s adaptation for cello of the theme to The Mandalorian.
[Thanks to Daniel Dern, Chip Hitchcock, John King Tarpinian, JJ, Martin Morse Wooster, Mike Kennedy, Michael Toman, Cat Eldridge, Daniel Dern, and Andrew Porter for some of these stories. Title credit and two stars go to File 770 contributing editor of the day Andrew.]
Foundry announced the winners of its inaugural contest for speculative
fiction writers and artists.
1st: Jamie Adams
2nd: Claire Whitmore
3rd: Rose Wachowski
Honorable Mention: Lynne Sargent
1st: Alison Johnstun
2nd: Christine Rhee
3rd: Lauren Blake
Honorable Mentions: Zara Alfonso, Emily Leung, James Russell
First place winners from both contests receive $500, and all winners are getting critiques from professionals in their fields.
The writing contest was open to anyone who did yet qualify to join SFWA as an associate member. William Ledbetter was the contest coordinator. Charles Coleman Finlay, editor of Magazine of Fantasy & Science Fiction, and Lisa Rodgers, agent at JABberwocky, served as judges.
The art contest was open to new
artists who have not been professionally published and paid for more than three
black-and-white story illustrations, or more than one process-color painting,
in media distributed broadly to the general public. Judging of the ten
final artists was done by Rachel Quinlan.
Dream Foundry is a registered 501(c) non-profit dedicated to
bolstering the careers of nascent professionals working with the speculative
arts. You can join their community at forum.dreamfoundry.org, find weekly
content at dreamfoundry.org/blog.
Dream Foundry announced the finalists of its inaugural writing contest for writers of speculative fiction on October 29.
The contest was open to anyone with a completed short story who had not yet been professionally paid for their work.
top three winners will be announced on November 15, 2019, and the first place
winner will receive a $500 cash prize. All three of the top winners will
receive critiques and feedback from professional writers working in the field.
Ledbetter was the contest coordinator. Charles Coleman Finlay, editor of Magazine
of Fantasy & Science Fiction, and Lisa Rodgers, agent at JABberwocky,
are serving as judges for this year’s contest.
Lawrence – Minnesota
Douglas Wu –
Smith – Texas
Savage – Japan
Wachowski – Virginia
Lynne Sargent – Canada
Whitmore – Wisconsin
Foundry is a registered 501(c) non-profit dedicated to bolstering the careers
of nascent professionals working with the speculative arts. You can join
their community at forum.dreamfoundry.org, find weekly content at