By JJ: Enquiring Hugo voter minds want to know: When will we be able to vote online? When will the Hugo Voter Packet be available?
In the fine tradition of similar File 770 posts on the subject in years past, and using my highly-refined statistical skills gained while acquiring my Master’s degree from Cattimothy U*, here is a comparison of the deadlines and availability dates of recent Worldcons.
Because what the hell, we’ve got time to kill. And a year from now, someone is going to ask about this again, the way they do every year.
Historic Hugo Nominating, Voting, and Packet Dates
In 2008 and 2009, the Hugo Voter Packet was put together by John Scalzi
In 2012, the Hugo Voter Packet was released in stages starting on May 18, becoming fully available on May 30
With the exception of 2009, 2016, 2017, 2019, and 2020, all Finalist Announcements were made on Easter weekend
Aussiecon 4 in 2010 had online nominations available the earliest, on January 1.
Aussiecon 4 and Loncon 3 in 2014 had online nominations available the longest, at 82 days.
Chicon 7 in 2012 and Renovation in 2011 were the Worldcons which had online voting up and running the fastest, at 2 and 5 days following the announcement of the Finalists.
Chicon 7 had online voting available the longest, at 113 days.
Denvention 3 in 2008 and Renovation were the Worldcons which had the Hugo Voter Packet available the most quickly, at 3 and 4 weeks following the Finalist announcement.
Historic Hugo Nominating, Voting, and Packet Dates
1 – days between online nominations becoming available and nomination deadline
2 – days between nomination deadline and finalist announcement
3 – days between finalist announcement and online voting becoming available
4 – days between finalist announcement and Hugo Voter Packet becoming available
5 – days between online voting becoming available and voting deadline
6 – days between voting deadline and the start of Worldcon
Historic Hugo Nominating, Voting, and Packet Dates
a press release.]Dublin 2019 An Irish Worldcon is honoured and proud to have been
nominated for ‘Best Irish Comic Related Event’ by Irish Comic News. A wonderful
testimony to the huge team who worked so hard to ensure comics were fully
represented. Featured artists Afua Richardson, Jim Fitzpatrick , Maeve Clancy
and Sana Takeda added so much to our convention but we are so grateful to all
the comic professionals, organisations and businesses who supported Dublin
the participation of fans and professionals alike, we would have lost out on
the wonderful conversations that we had, and we congratulate those brilliant
participants on your nominations.
were also so proud of the extensive art show, and are still amazed that we sold
€40,000 euro of art, and very grateful to all the people who loaned us art to
display in the massive wall of our Irish Comic Art Gallery as well as our
Featured Artists displays and installations.
were grateful to all small press, shops and professional publishers who
supported us by participating in the Programme, Art Show, and Dealers Room
and congratulate those who are nominees.
would also like to congratulate Dublin 2019 Fringe Division Head Maura McHugh
for her nomination as Best Irish Writer, and Dublin 2019 volunteers Pádraig Ó
Méalóid and Michael Carroll, who are head-to-head in the ‘Best Irish Writer –
Non Fiction’ category.
Bacon, the chair of Dublin 2019, said: “I am incredibly proud, so many people
came together to make this happen, and I am continually stunned at how Dublin
2019 continues to resonate and have its impact felt and how it is
recognised by Irish fans. I am of course absolutely torn, as I love Enniskillen
Comic Fest, DCAF, Small Press Day and know SuirCon has a great following. I am
very pleased to see so many people and works connected to Dublin 2019 nominated
and hope that reflects well on how well we integrated the Worldcon with
view the full list of nominees follow the Twitter thread starting here.
(1) DROP INN. [Item by Errolwi.] Upside when your house gets covered in fire retardant,
house probably doesn’t burn. Downside, it is now pink! Upside, you have a fun
medium to present a message to the ‘fireys’.
(2) #AUTHORSFORFIREYS. Check out the #AuthorsForFireys hashtag for fund-raising by authors on Twitter.
Authors For Fireys is an auction of signed books, illustrations, unique experiences, one-off opportunities and writers’ services. Over 500 writers and illustrators are auctioning on Twitter from 6th Jan 2020 under the hashtags #AuthorsForFireys and #AuthorsForFiries. The auction ends on 11th Jan 2020 at 11pm (Syd/Mel time).
(3) PIXELS AUF DEUTSCH. [Item by Cora Buhlert.] kulturzeit is a German language daily cultural TV program I’ve been
watching for a long time now. They’re normally not what you’d consider SFF
friendly, but today they had a report about Hopepunk. Alexandra Rowland is
namechecked and quoted and they also interview a few German science fiction
authors, who wrote Wasteland, the first German language hopepunk novel.
The video is here. Only in German, alas.
kulturzeit‘s books for younger readers recommendation column also included the graphic novel West, West Texas by Hugo finalist Tillie Walden today: “’West, West, Texas’ von Tillie Walden” The other recommended book, a picture book, is genre as well — the video is here. The book is Emilia and the Boy from the Sea by Dutch writer and illustratator Annet Schaap. Maybe an SFF fan joined their staff.
(4) RETRO REVIEWS. Cora Buhlert also has posted a second review of fiction eligible
for CoNZealand’s edition of the Retro Hugos. “Retro Review: ‘The Wedge’ a.k.a. “The Traders”
by Isaac Asimov” discusses
one of two eligible Foundation stories from 1944. She says the review
for “The Big and the Little”, the other 1944 Foundation story,
will go up next week.
My guest for the first Eating the Fantastic episode of 2020 is Leslye Penelope — who publishes as L. Penelope. She started out as a self-published author, and her debut fantasy novel Song of Blood & Stone was so successful it was later picked up by St. Martin’s Press. That book earned (among other things) the 2016 Self-Publishing EBook Award from the Black Caucus of the American Library Association, and after being republished and brought to a wider audience, named as one of TIME magazine’s top fantasy books of 2018. She has since published two sequels, Breath of Dust & Dawn and Whispers of Shadow & Flame. Additional installments in the series are forthcoming.
We got together for lunch in Columbia, Maryland at The Turn House — because I’d heard about chef Thomas Zippelli, who has put in time at both the French Laundry and Eleven Madison Park, and wanted to check the place out. It turned out to be worth the visit for the porchetta alone.
We discussed why The Neverending Story was her favorite childhood movie, which Octavia Butler quote inspired one of her tattoos, why she decided to go the self-publishing route — and how her indie success resulted in her first novel getting picked up by a traditional publisher, the catalytic scene which sparked her Earthsinger Chronicles series, how she manages to meet the expectations of both fantasy readers and paranormal romance readers, her advice for breaking out of writers block, and much more.
(6) WHERE THE ‘F’ IS PERHAPS ‘FANTASY’. [Item by Daniel
Dern.] On Zoe’s Extraordinary
Playlist on NBC, an earthquake (the show is set in San Francisco) while
she’s getting an MRI results in Zoe, a programmer who’s already established as
listening to bunches of music along with listening to audiobooks, episodically
experiencing people around her burst into song (and dance), apparently
expressing their innermost thoughts.
So, lots of good singing and dancing, including great
larger production numbers. E.g., on “Help!”
The NPR reviewer said the show didn’t really
get into gear until mid-Episode-2, I disagree, and, ahem, felt it founds its
groove from the start. Recommended.
(Note, the pilot episode just ran — it’s on YouTube
already — but no more episodes until mid-February.)
Books aren’t the only thing being checked out at this Queens library.
The feds are now probing the problem-plagued new library branch in Hunters Point, The Post has learned.
The US Attorney’s Office in Brooklyn hired an architectural expert to conduct a December survey of the $41.5 million book hub to look for violations of the Americans with Disabilities Act, new Brooklyn federal court filings in a lawsuit against the library reveal.
An attorney for the city’s Law Department blew the lid off the probe in documents filed for the pending suit, saying they needed more time because they’re still awaiting the investigation’s results.
The decade-in-the-making outpost of the Queens Public Library system was hailed by officials as a “stunning architectural marvel” when it opened in September.
But it has since come under fire for its stacks of design and construction problems — including a three-tiered fiction section, a rooftop garden and a reading space on the children’s floor that are all inaccessible for people who use wheelchairs.
In November, news broke that Fargo and Legion creator Noah Hawley would write and direct Star Trek 4, a movie said to continue the voyages of Chris Pine’s Captain Kirk and his crew. But a few weeks later, star Simon Pegg turned heads when he suggested that the news had been incorrect, and that his Enterprise crew would not be returning for Hawley’s movie. Now Hawley himself is suggesting that is indeed the case.
“To call it Star Trek IV is kind of a misnomer. I have my own take on the franchise as a life-long fan,” Hawley told The Hollywood Reporter podcast TV’s Top 5, in an interview set to bow in April.
(9) PEART OBIT. Neil
Peart, drummer and primary lyricist for Rush, dead at 67 hreports the CBC.
The band was much honoured at home, including with an induction into the Canadian Music Hall of Fame in 1994, Canada’s Walk of Fame in 1999; a lifetime achievement honour at the 2012 Governor General’s Performing Arts Awards; and an Order of Canada — the first time that a group was chosen to receive the honour.
The trio was inducted into the U.S. Rock & Roll Hall of Fame in 2013, after years of lobbying by devoted fans.
Peart also co-authored two books in the Clockwork
Angels series with Kevin J. Anderson. They also co-authored the short story
“Drumbeats” in the Shock Rock II anthology.
(10) HENRY OBIT. Buck Henry died
January 8. The Hollywood Reporter paid tribute —
Buck Henry, the impish screenwriter whose wry, satirical sensibility brought comic electricity to The Graduate, What’s Up, Doc?, To Die For and TV’s Get Smart, has died. He was 89.
Henry, a two-time Oscar nominee who often appeared onscreen — perhaps most memorably as a 10-time host (all in the show’s first four years) on Saturday Night Live — died of a heart attack Wednesday at a Los Angeles hospital, his wife, Irene, told The Washington Post. He had suffered a stroke in November 2014….
Henry wrote for Get Smart and was the show’sstory editor for the first couple of seasons.
Henry, who won an Emmy (shared with Leonard Stern) in 1967 for writing the two-part episode “Ship of Spies,” came up with the cone of silence shtick for the sitcom.
…For TV, Henry also created the 1967 NBC comedy Captain Nice, centered on a mild-mannered guy (William Daniels) who becomes a superhero, and the late ’70s NBC sci-fi spoof Quark, which starred Richard Benjamin. Both series were short-lived.
(11) TODAY IN HISTORY.
January 10, 1967 – The Invaders made its TV premiere. Created by Larry Cohen, it aired on ABC for two seasons. Roy Thinnes stars as David Vincent is the star of the series. Gold Key Comics published four issues of an Invaders comic book based off the series. The series was a Quinn Martin production who was also responsible for A Twist in the Tale, an anthology series that did some SFF, and a film called The Aliens Are Coming.
January 10, 1997 — The Relic premiered. It was directed by Peter Hyams and based on the SFFish Relic novel written by Douglas Preston and Lincoln Child. It starred Penelope Ann Miller, Tom Sizemore, Linda Hunt and James Whitmore. Some critics really liked, some really like it and it holds a 34% rating among the frankly astounding 26,735 reviewers who took the time to give it a review. Oh and it bomb at the box office.
January 10, 1999 — Batman Beyond premiered on Kids’ WB. It was created by Bruce Timm. Will Friedle as Terry McGinnis, the new Batman and you know who played the old Batman. It lasted three seasons and fifty-two episodes. The actual origin episode for Terry is to be found on Justice League Beyond in the “Epilogue” episode. The episode was originally intended to be the series finale for Justice League and the DCAU in general but they got renewed for a third season after it aired as the second season finale. If you’ve the DCU streaming service, all three seasons are there.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 10, 1902 — Andrew Bensen. Sometimes the time someone spends in our universe is very brief. Bensen has but one credit in SFF, the cover for Weird Tales for May 1926. Now admittedly it’s a great cover even if not particularly SFFish. His cover for Real Detective Tales and Mystery Stories for August 1926 is striking in its artistic similarities. He later drew comic book stories for Dell’s Roy Rogers Comics in the late 1940s, and drew a number of other Western themed projects. (Died 1976.)
Born January 10, 1904 — Ray Bolger. The Scarecrow In The Wizard of Oz, the villainous Barnaby in Babes in Toyland, two appearances on Fantasy Island, and Vector In “Greetings from Earth” on the Seventies version of Battlestar Galactica. (Died 1987.)
Born January 10, 1908 — Bernard Lee. He’s best known for his role as M in the first eleven Eon Productions James Bond films ending with Moonraker. He also portrayed Tarmut the sculptor in Terence Fisher’s Hammer Horror picture Frankenstein and the Monster from Hell. And he appeared in several episodes of Danger Man. (Died 1981.)
Born January 10, 1924 — Mike Butterworth. In 1965, he became the primary script writers at Ranger magazine where he was responsible for scripting the space opera The Rise and Fall of the Trigan Empire which remains to this day one of the most popular boys’ adventure strips ever published in the UK. Between Ranger and later Look and Learn, it would have a run of 854 issues in total, divided between the two magazines. (Died 1986.)
Born January 10, 1937 — Elizabeth Anne Hull, 83. Scholar, and widow of Frederik Pohl with whom she co-edited the most excellent Tales from the Planet Earth anthology. Not surprisingly, she later edited Gateways: Original New Stories Inspired by Frederik Pohl. She has been a member of the panel for the John W. Campbell Memorial Award for best SF novel since 1986.
Born January 10, 1944 — William Sanderson, 76. I remember him best as J. F. Sebastian, the possibly insane genetic designer working for Tyrell in Blade Runner, but he’s had a career obviously after that film including appearing as Skeets in The Rocketeer, voicing Dr. Karl Rossum on Batman: The Animated Series, playing the character Deuce on Babylon 5 (a series I’ve watched through at least three times), E. B. Farnum on Deadwood (ok, it’s not genre, but it’s Will and Emma’s favorite show so let’s let it slide) and Sheriff Bud Dearborne on True Blood.
Born January 10, 1947 — George Alec Effinger. I’ve read his Marîd Audran series at least twice as it’s an amazing series in both the characters and the setting. I never read the short stories set in this setting until Golden Gryphon Press sent me Budayeen Nights for Green Man to review. (Died 2002.)
Born January 10, 1959 — Jeff Kaake, 61. He’s on the Birthday Honors list as he was Captain John Boon on the Space Rangers which lasted only six episodes. Damn. That was a fun show! He was also Thomas Cole on Viper which lasted four seasons. And he showed up in the Stormageddon film (which sounds like the name a Filer would give to a SJW Cred) as well.
(14) IT WAS 20 YEARS AGO TODAY. Ian McKellen still has his
I am aware of the high expectations of Tolkien’s fans – like myself. But, never having imagined that I would ever play any sort of wizard, I am ill-prepared. I just worked with a witch, however, a white one, whose spells are formidable. Her energy is impressive. I shall have to come to understand the nature of Gandalf’s energy – what keeps him going. What keeps any of us going?
Marcin “Alqua” Klak is a fan form Poland who loves conventions and exploring fandom in different countries. He regularly blogs about conventions he visits and about other fannish matters on his blog: www.FandomRover.com. In 2018 he was a GUFF (Get Up-and-under Fan Fund) delegate to attend Continuum XIV in Melbourne, Australia. Currently, he chairs the SFF club in his home city of Kraków.
(16) NO TRUE SCOTSMAN. [Item by David Goldfarb.] I was watching
the second game of the current “Greatest of All Time” tournament on Jeopardy!, and in the
Double Jeopardy round this was the $1600 answer in the category “Pop
regenerated in “Doctor Who”, this actress confessed, “Sorry,
half an hour ago I was a white-haired Scotsman”
readers should have no problem finding the right question to that one!
Show card lettering artists were usually anonymous to the public. Art was a commercial service and few people signed their names or were credited for their craft. Edgar Church (1888 – 1978) was among the few who received a certain amount of acclaim – and some of that recognition today is thanks to Chuck Rozanski, an avid comics collector (drag queen) and founder of Mile High Comics. Church was one of the leading comics collectors in the 20s, 30s and 40s. The two disciplines, comics and graphic design/lettering, were intertwined — and comics splash panels certainly influenced his work.
Church maintained his art service studio in the Denver area from about 1910-1965, with the majority of his work – clichés, spot art and custom lettering, produced from 1918-1950. He also created numerous color paintings and landscapes during this time. He was hired on a freelance basis for variegated lettering styles, borders and pen and ink illustrations for ads running in the Colorado Yellow Pages. Rozanski states that Church worked “in the evenings and on weekends for literally thousands of small businesses, creating everything from letterheads, to Christmas cards, to full-page ads in local newspapers.”
…His renown, however, derives from the collection of comic books that he amassed, later known as the “Edgar Church collection.” Under the umbrella of the “Mile High collection”, Church is most famous for his valuable stash, including between 18,000 and 22,000 early comic books….
Andrew Porter sent the link with the comment, “Gorgeous
examples of his work at the link. But I bet one company later changed their
(18) INSIDE STORY. The Full
Lid returns from the holiday break with a
look at the interesting common ground the new Master on Doctor Who has with The
Witcher’s own hype man, Jaskier. We also take a look at remake culture and find
a very surprising musical example of how to do it right. This week’s Signal
Boost covers One YA A
Day’, a new blog series looking at the Cast
of Wonders back catalog, new Leverage watch-along show The Pod Job, tour dates for the NoSleep Podcast live tour and details
of the Last Fleet RPG
Kickstarter. The link is: The Full Lid – 10th January 2020.
(19) VIDEO OF THE DAY. Robert
Downey, Jr. runs the Dolittle – Auditions.
[Thanks to John King Tarpinian, Dann, David Goldfarb, Errolwi, Andrew
Porter, Martin Morse Wooster, Mike Kennedy, JJ, Chip Hitchcock, Alasdair
Stuart, SF Concatenation’s Jonathan Cowie, and Cat Eldridge for some of these stories.
Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) 2019 WORLD FANTASY AWARDS PHOTO. Lee Whiteside took
this picture of the winners and accepters at Sunday’s World Fantasy Awards
Left to right: Kathleen Jennings (accepting for Best Novella winner Kij Johnson), Emma Törzs (Best Short Fiction co-winner as well as accepting for co-winner Mel Kassel), C. L. Polk (Best Novel), Tobias S. Buckell (Best Collection with Paolo Bacigalupi), Reiko Murakami (accepting for Best Artist winner Rovina Cai), Irene Gallo (Best Anthology) and Rajan Khanna (accepting for Scott H. Andrews, Special Award – Nonprofessional)
The Official Watchmen Podcast launches after the third episode of the series airs on November 3rd. Over three episodes, host Craig Mazin (HBO and Sky’s Chernobyl) discusses Watchmen with its Executive Producer and Writer, Damon Lindelof. Join Mazin and Lindelof as they divulge narrative choices, explore the show’s connection with the groundbreaking graphic novel, and how it reflects our modern times. Make sure to watch episodes one through three of Watchmen before listening. The Official Watchmen Podcast is produced by HBO in conjunction with Pineapple Street Studios.
(3) MAKE ROOM. If Marie Kondo didn’t get you started
decluttering, maybe this post by Wil Wheaton will do it: “The Purge”. This excerpt
is followed by a moving account of the emotional work he went through in the
…As I was cleaning up my emotional baggage, working on strategies to protect myself from my abusers, and practicing mindfulness daily, I realized that I had a ton of STUFF just sitting around my house, cluttering up my physical living space the way my emotional trauma and pain was cluttering up my emotional space. So I made a call, and hired a professional organizer to come to my house, go through all my bullshit with me, and help me get rid of all the things I didn’t need any more.
This process was, in many ways, a metaphor.
We spent several days going through my closets, my game room, my storage spaces in my attic and shed, and eventually ended up with FIVE TRUCKLOADS of stuff I didn’t need. Most of it was clothes and books and things that we donated to shelters, which was really easy to unload. I acquire T-shirts so much, I regularly go through my wardrobe and unload half of what I have, so it’s easy to get rid of stuff without any emotional attachments.
But there were some things that were more difficult to get rid of, things that represented opportunities I once had but didn’t pursue, things that represented ideas that I was really into for a minute, but didn’t see through to completion, things that seemed like a good idea at the time but didn’t really fit into my life, etc….
The death of Yahoo Groups is a particular blow to text-based fan communities, which thrived on the platform in the 2000s. Yahoo message boards and email lists were crucial to the early days of fandom, both as a publishing platform and as a semi-private meeting place in the days before social media sites like Tumblr, Twitter, and Reddit. Yahoo Groups were particularly integral to Harry Potter and English-language anime fandoms, overlapping with the rise of Livejournal in the early 2000s. These fannish mailing lists were home to reams of fanfiction and in-depth commentary on pop culture, and spawned lifelong friendships (and, OK, the occasional deathly feud) within their communities.
AO3 has offered sanctuary to fanworks that are at risk because of
the Yahoo Groups shutdown:
We have two processes in place — one to move fanworks from Yahoo Groups onto the Archive Of Our Own, and one to download and preserve messages and other content from Yahoo Groups in file systems so moderators and Yahoo Groups users have more than nine weeks to figure out how to preserve and possibly share that content.
Open Doors can only import fanworks archived in Yahoo Groups onto the Archive of Our Own with the consent of the moderator(s). If you are a moderator and would like to import fanworks from your Yahoo Group(s) to AO3, you are welcome to contact Open Doors via our contact form.
…If you’re a moderator who’d like to potentially import your group to the AO3, contact Open Doors and we’ll talk to you about options. For more updates on what’s happening, see announcements or check back on this page.
If you’d like to directly help rescue teams and you want to save only fandom groups, you can use this form to nominate fandom groups OR you can go directly to the public spreadsheet to find nominated groups that still need downloading. (General downloading instructions are here.) If you want to help save fandom groups and many other non-fandom groups, see Archive Team’s chrome extension. Both are worthy efforts and both face a hard deadline of Dec 14.
(5) CONZEALAND MINORS POLICY. Here are some features of
Onsite Policy” for the 2020 Wordcon,
A minor is anyone under the age of 18. In New Zealand, the law requires that no minor under the age of 14 be left unattended. …
All Kid-in-tow and Child memberships must be tied to an adult membership. All minors under 16 should have a sticker on the back of their badge detailing up to two adults (over 18) who are responsible for them.
Due to the nature of licensing and regulation in regards to child care in New Zealand, it will not be possible for us to provide child care at CoNZealand. Please refer to the links to nanny and babysitting services at the end of this document.
There are three types of memberships for minors at CoNZealand:
Kid-in-tow (no charge)—born in or after 2015 (generally 5 and under)
Child ($105)—born in or after 2005 (generally 5-15)
Young Adult ($250)—born in or after 2000 (generally 15-20)
These age groups do not exactly align with the differing expectations for supervision of minors. New Zealand law requires that no child under the age of 14 be left unattended.
At the Hugo Awards ceremony at this summer’s Dublin Worldcon, Jeannette Ng was presented with the John W. Campbell Award for Best New Writer. Ng gave an outstanding and brave acceptance speech in which she called Campbell – the award’s namesake and one of the field’s most influential editors – a “fascist” and expressed solidarity with the Hong Kong pro-democracy protesters.
I am a past recipient of the John W. Campbell Award for Best New Writer (2000) as well as a recipient of the John W. Campbell Memorial Award (2009). I believe I’m the only person to have won both of the Campbells, which, I think, gives me unique license to comment on Ng’s remarks, which have been met with a mixed reception from the field.
I think she was right – and seemly – to make her remarks….
From the escapades of an intern-turned-spy in Turkey’s capital to the tale of a priest in 15th Century Somerset, there might not be an obvious connection between the novels shortlisted for this year’s Staunch Book Prize.
But they have one thing in common: none of them involve physical or sexual violence towards women.
The prize, which is in its second year, recognises thrillers in which “no woman is beaten, stalked, sexually exploited, raped or murdered”.
But while some commend it for challenging stereotypes, others accuse it of ignoring social realities.
Speaking to the BBC, shortlisted authors and other writers share their views on why female characters are so often the victims of violence – and whether that needs to change.
…The concept of the Moon as a strategic base apparently dates at least back to 1948 and an article by Robert S. Richardson titled “Rocket Blitz From the Moon” in the mass-market Collier’s magazine. The article was beautifully illustrated by famed space artist Chesley Bonestell. In one Bonestell painting a bullet-shaped rocket (illogically equipped with large aerodynamic fins) is blasting off from a lunar crater. Another rocket stands prepped in the background and a lunar base is tucked into the side of a mountain. In the next illustration—probably Bonestell’s most dramatic painting ever—Manhattan has been blasted with at least three atomic bombs.
Richardson’s article focused primarily on the physics of the Moon: the low gravity, the lack of air, the trajectory and velocity calculations for firing rockets at the Earth. Rather than advocate that the United States should build a lunar rocket base, Richardson warned that another country could undertake a secret project to develop a lunar base and achieve strategic surprise against the United States. He did not clearly explain why the Moon would be a good place for basing missiles other than its presumed safety from Earth observation, and he noted that it would take at least a day for a rocket to reach Earth with its warhead. Considering that there were other means of basing long-range strategic weapons that did not involve the massive cost of a space program and a lunar base, Richardson’s idea was fanciful at best. But Collier’s was a large circulation magazine, not a science fiction pulp, and this short article certainly reached a big audience and probably fired some imaginations.
Richardson was not the only person writing about the possibilities of using space as a platform for attacking Earth. Robert Heinlein co-wrote a non-fiction article in August 1947, also for Collier’s, called “Flight into the Future.” Heinlein and his co-author, US Navy Captain Caleb Laning, suggested basing atomic weapons in orbit, and Heinlein later used this idea in his book Space Cadet. The 1950 movie Destination Moon, which Heinlein co-wrote, also echoed a similar theme (see “Heinlein’s ghost (part 1)”, The Space Review, April 9, 2007). One of the characters in the movie explains why a lunar base is necessary: “There is absolutely no way to stop an attack from outer space. The first country that can use the Moon for the launching of missiles will control the Earth. That, gentlemen, is the most important military fact of this century.”…
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 5, 1938 — Jim Steranko, 81. His breakthough series was the Sixties “Nick Fury, Agent of S.H.I.E.L.D.” feature in Marvel Comics’ Strange Tales and in the subsequent debut series. His design sensibility is widespread within and without the comics industry effecting even Raiders of the Lost Ark and Bram Stoker’s Dracula as he created the conceptual art and character designs for them. He was inducted into the comic-book industry’s Will Eisner Comic Book Hall of Fame in 2006.
Born November 5, 1942 — Frank Gasperik. Tuckerized in as a character in several novels including Lucifer’s Hammer as Mark Czescu, and into Footfall as Harry Reddington aka Hairy Red, and in Fallen Angels, all by Larry Niven and Jerry Pournelle. He was a close friend of both and assisted Pournelle on his Byte column. To my knowledge, he has but two writing credits which are he co-wrote a story, “Janesfort War”, with Leslie Fish that was published in Pournelle’s War World collection, CoDominium: Revolt on War World, and “To Win the Peace” co-written with Leslie Fish which was published in John F. Carr’s War World: Takeover. He was a filk singer including here doing “The Green Hills of Earth”. (Died 2007.)
Born November 5, 1944 — Carol Anne Douglas, 75. Although she has two inarguably genre series In the Delilah Street, Paranormal Investigator and the Sword and Circlet novels, I’m here to pitch to you her Social Justice Warrior credential series instead (and dissenters can now go elsewhere) in the form of her Midnight Louie series. Each novel is told in part from the point of view of Midnight Louie, the cat himself in a style some say is like that of a Damon Runyon character.
Born November 5, 1949 — Armin Shimerman, 70. Quark on Deep Space Nine. And Principal Snyder on Buffy the Vampire Slayer who if I remember correctly came to a very bad end. He had the recurring role of Pascal on Beauty and the Beast. He also played Professor George Edward Challenger in the later Nineties Lost World film.
Born November 5, 1960 — ?Tilda Swinton, 59. Her take as Rosetta/Ruby/Marinne/Olive in Teknolust might be the most weird genre role she’s done but I like her take as The White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe as her best role to date. Mind you her Gabriel in Constantinewas frelling strange…
Born November 5, 1961 — Sam Rockwell, 58. First in our area of interest as the Head Thug in Teenage Mutant Ninja Turtles. I’ve got him next being Francis Flute in A Midsummer Night’s Dream, not a role I knew. Ahhh, Guy Fleegman on Galaxy Quest. And lastly, he was Zaphod Beeblebroxin The Hitchhiker’s Guide to the Galaxy.
Born November 5, 1964 — Famke Janssen, 55. Her first genre role was Xenia Onatopp in the Bond film GoldenEye and her longest running genre role was as Jean Grey / Phoenix (Dark Phoenix) in the X-Men film series. Counting horror which I do, she’s got a number of genre appearance including Lord of Illusions, The Wolverine, House on Haunted Hill, Deep Rising and Star Trek: The Next Generation,
Born November 5, 1970 — Tamzin Outhwaite, 49. She was Detective Inspector Rebecca Flint on Paradox, a SF police series that ran for just five episodes and received really harsh reviews. Her only other SF role was as the Captain in an Eleventh Doctor story, “Nightmare in Silver” which was scripted by Neil Gaiman.
“Just by word of mouth and also on the library’s social media pages like Facebook, we saw a lot of patrons say, ‘Oh my God. This is so great. I’m gonna bring back my books. I’ve been hesitant to come back to the library because I owe these fines,'” Telli said.
Chicago became the nation’s first major city to forgo overdue fines, which went into effect Oct. 1 and erased all outstanding fees. Mayor Lori Lightfoot framed the policy change as her latest attempt to remove barriers that deter youth and low-income patrons.
Lightfoot is also making an effort to open libraries on Sundays. The mayor’s 2020 budget includes an $18 million property tax increase to honor her promise to establish Sunday hours at Chicago’s 81 libraries. Currently, the Harold Washington central library and three regional libraries are open 1 p.m. to 5 p.m. on Sundays.
(11) NEVER? WELL, HARDLY EVER. Even Book View Café’s Madeleine E. Robins will sometimes “RTFM*”.
I am, by nature, a dive-in-and-figure-it-out sort of technology user. This may come from my early days as a computer user, when my then room-mate and sometime business partner dropped a box on my desk and said “we’re doing a user’s manual for X Corp. Can you learn this” — this being PageMaker, the forerunner of InDesign, a page layout program–“by next week? I should have copy for you then.”
Reader, I did not rise up and slay him; I learned the program, eventually well enough that I taught classes in it. I still use those skills: one of the things I do at my day job is to use InDesign to produce the posters, ads, and other marketing materials that the museum I work at needs for promotion….
…In the past 20 years, as we all know, the movie business has changed on all fronts. But the most ominous change has happened stealthily and under cover of night: the gradual but steady elimination of risk. Many films today are perfect products manufactured for immediate consumption. Many of them are well made by teams of talented individuals. All the same, they lack something essential to cinema: the unifying vision of an individual artist. Because, of course, the individual artist is the riskiest factor of all.
I’m certainly not implying that movies should be a subsidized art form, or that they ever were. When the Hollywood studio system was still alive and well, the tension between the artists and the people who ran the business was constant and intense, but it was a productive tension that gave us some of the greatest films ever made — in the words of Bob Dylan, the best of them were “heroic and visionary.”
Today, that tension is gone, and there are some in the business with absolute indifference to the very question of art and an attitude toward the history of cinema that is both dismissive and proprietary — a lethal combination. The situation, sadly, is that we now have two separate fields: There’s worldwide audiovisual entertainment, and there’s cinema. They still overlap from time to time, but that’s becoming increasingly rare. And I fear that the financial dominance of one is being used to marginalize and even belittle the existence of the other….
(13) ELRIC MEETS DUNGEON SYNTH. A Moorcock-obsessed United Kingdom musician who goes by the name Elric is working in the “dungeon synth” genre (an eerie combination of goth, classical, and folk tunes played on 80s synths). The releases are on Bandcamp and are named “Antihero”, “Stormbringer”, and “Elric of Melnibone”. They are all “name your price.” As Bandcamp said about one of the releases:
It’s safe to say that fantasy literature and role-playing games (the tabletop and the video variety) loom large in the world of Dungeon Synth, and Elric expertly combines both of them. Inspired by the chiptune soundtracks of games like Chrono Trigger and Secret of Mana as well as (obviously) the fantasy novels of Michael Moorcock, Elric’s music is the perfect soundtrack to crawling through (16-bit) alcoves, searching for abandoned potions and treasure while trying to avoid the hungry ghouls hidden in the shadows.”
High up in the Arctic Ocean close to the North Pole, a solitary ship floats in darkness, moored to an expansive piece of ice.
If all goes according to plan the ship will remain with that ice for an entire year, so that scientists on board can study the Arctic system and how it’s responding to climate change.
It’s a project called the Multidisciplinary drifting Observatory for the Study of Arctic Climate (MOSAiC). But finding a piece of ice thick and stable enough to host the mission’s science and logistics is not easy, and there may be challenges for the ice and the scientists in the months ahead.
…The MOSAiC expedition – about a decade in the planning – is an international collaboration involving hundreds of scientists and almost 20 countries. Their goal is to better understand the changing Arctic and improve how it’s represented in climate models.
“We need this information because the Arctic is changing so rapidly, and it’s a place that we have not observed very well in the past,” says Matthew Shupe, an atmospheric scientist with the University of Colorado and the National Oceanic and Atmospheric Administration and a co-coordinator for MOSAiC.
The last time scientists looked at the Arctic Ocean system so comprehensively was more than 20 years ago. But the Arctic has been warming at twice the rate of the rest of the world, and the picture there has changed dramatically.
That’s why these researchers want a year out in the ice: to get an updated look at how the physics, the chemistry, and the biology of this area work during all four seasons.
In France, climate change is already impacting one of the country’s most emblematic industries — winemaking. French vintners say heat, drought and erratic weather is altering the landscape and their centuries-old way of working.
Brothers Remi and Gregoire Couppé are fourth generation winemakers who craft a top vintage, grand cru St Emilion. In the last few years they’ve been confronted with some new challenges. Forty-four-year-old Remi Couppé says there’s no denying the weather is getting hotter and drier.
“Because of the grapes. They show us the change,” he says. “Especially in alcohol. The alcohol level has been getting higher in the last five years.” These days, the alcohol content by volume can reach 15%, he says; when he was a boy, “it was maximum 12 [% ABV]. It’s causing me some problems when I start the vinification process, because I have to use new yeast to avoid too much alcohol. It’s really new for me.”
The higher alcohol levels come from increased sugar in the grapes due to more sun and heat. What’s also new are some of the plants sprouting up between the vines. Couppé picks a flowery-looking weed, holding it up to the blazing sun. “This plant is from the south of Europe and I never saw it here in my life before four years ago.”
Couppé says you have to be careful when using the mechanized harvester now, because such plants can get mixed in and ad a taste to the grapes.
The brothers say in the past three years they’ve completely stopped a process called “stripping,” where most of the vine leaves are removed just before the harvest. Now they need the leaves’ shade to keep the grapes from burning on the vine. Couppé points to a shriveled, sun-exposed cluster of grapes next to the dark, plump ones still shaded by the leaves.
Data sent back by the two Voyager spacecraft have shed new light on the structure of the Solar System.
Forty-two years after they were launched, the spacecraft are still going strong and exploring the outer reaches of our cosmic neighbourhood.
By analysing data sent back by the probes, scientists have worked out the shape of the vast magnetic bubble that surrounds the Sun.
The two spacecraft are now more than 10 billion miles from Earth.
Researchers detail their findings in six separate studies published in the journal Nature Astronomy.
“We had no good quantitative idea how big this bubble is that the Sun creates around itself with its solar wind – ionised plasma that’s speeding away from the Sun radially in all directions,” said Ed Stone, the longstanding project scientist for the missions.
[Thanks to Daniel Dern, Lee Whiteside, Cat Eldridge, JJ, Chip
Hitchcock, Rob Thornton, Cora Buhlert, John King Tarpinian, Martin Morse
Wooster, Mike Kennedy, and Andrew Porter for some of these stories. Title
credit goes to File 770 contributing editor of the day Jon Meltzer.]
Engholm posted the full text of Dublin 2019’s letter to him along with his own comments in response here.
Dublin 2019’s letter says:
Thank you again for reaching out, and apologies for the time it took to get this response to you.
We do not consider Jeannette Ng’s speech to be a breach of our Code of Conduct.
From our perspective Ng was speaking to Campbell’s part in shaping the sci-fi landscape, which was notably exclusionary of minorities, people of colour and women at the time during which he was a part of it and which has had knock on effects to this day. Our Code of Conduct was, in a large part, designed to ensure people who have previously been excluded from fandom were safe and included at our convention – not to punish people who speak out against its exclusionary past.
We do not believe her words were targeted at anyone other than Campbell and his actions. There is no issue with being male or white, and unless a person also identified with Campbell’s more problematic beliefs and actions, they have no reason to feel attacked. Additionally, being a fan of Campbell’s work does not mean you need to stand by his beliefs; it is possible to appreciate his contribution to the community whilst also understanding some of his viewpoints were problematic.
Thank you again for taking the time to contact us with your concerns – I hope this helps clarify our position on the situation.
Sarah Brennan, Listener and Code of Conduct Area Head Dublin 2019
Engholm, in his commentary, says he believes the Code of Conduct has been applied inequitably, whether judged by past precedents, or on its own terms.
Thanks for a reply, even if it took two months…
But the reply is not very satisfying, and I’ll explain why. A basic principle for acceptable ethics is that it applies equally to all. If not, it’s unethical, immoral – in crass terms, evil.
In 2016 Dave Truesdale was kicked out from the Worldcon for talking about “snowflakes” – a rather mild expression – not pointing to any person or ethnic or social group. But in 2019 it seems perfectly OK to accuse a named person for being a follower of one of history’s most evil ideologies, on the worldcon’s biggest stage.
It becomes clear that this does not apply equally to all. You – ie all responsible for the CoC – even openly admit that not being applied equally was what “Our Code of Conduct was…designed to ensure”. Thus the CoC loses its legitimacy. It’s a set of made-up private laws that allows the intimidation it pretends to protect from.
Engholm disagrees with Sarah Brennan’s evaluation of Ng’s speech (“There is no issue with being male or white…”)
As for Ng’s racist slurs, you seem to simply ignore them, the charges about “whites” being “sterile” and “haunt” the genre. You just falsely claim it’s “no issue” – but it is. You can’t even follow your own instructions that “We do not tolerate harassment of convention attendees in ANY FORM”. That’s what it says, but obviously you do tolerate harassment if it is in the form certain people like. People have reason to feel attacked!
“I certainly did. As a white male writer who goes back to the Campbell era I felt directly under attack, as well as being angered by the inaccurate slander being directed at Campbell, and I was so upset by her statements and the obvious audience approval of them that I left the ceremony as soon as I could appropriately get out the door “
That was a a testimony from a well-known longtime sf professional whom I shall not name.
Engholm asserts that what people complain about in Campbell is the byproduct of his “intentionally provoking intellectual style.” He also tells why in his view (and that of Harry Harrison) Campbell was not, politically, a fascist, therefore Ng was mistaken in calling him one. The complete text of Engholm’s commentary is here.
(1) COLLECTIBLE PAPERBACKS SPOTLIGHTED. [Item by Andrew
Porter.] This daily series of short videos concentrate on vintage and collectible paperbacks. It began barely more than a month ago, and so far, nearly
50 have been uploaded to Gary
Lovisi’s YouTube channel.
Episodes have covered (starting with the most recent): Hardboiled Crime Fiction “Frank Kane” with Ron Lesser GGA covers; Dell 10¢ Paperbacks; Edgar Rice Burroughs “John Carter” inspired Pulp SF “Jon Kirk of Ares”; Sherlock Holmes Books; Sleaze “Kozy Books” Series; “The Thing” SF Horror in Paperback; ” UK Cherry Tree Books; Sexy Digest GGA Sleaze; Mysterious Bookshop NYC Tour; “Shuna” Jungle Girl Series; Best Rare US Dime Novels; Hardboiled Pulp Fiction Books; Rare British “World Fantasy Classics”; Fredric Brown early Bantam Paperbacks; “Boardman Bloodhound Books”; Checkerbooks US Paperback Book series; Gold Star “The New Tarzan Book Series”; British Gangster Digests; “Avon Science Fiction Reader” Series; Early Avon SF Fantasy & Horror.
(2) PETER RABBIT DEUX. The sequel arrives in theaters next
In PETER RABBIT™ 2: THE RUNAWAY, the lovable rogue is back. Bea, Thomas, and the rabbits have created a makeshift family, but despite his best efforts, Peter can’t seem to shake his mischievous reputation. Adventuring out of the garden, Peter finds himself in a world where his mischief is appreciated, but when his family risks everything to come looking for him, Peter must figure out what kind of bunny he wants to be.
(3) TOLKIEN GENESIS. Verlyn Flieger’s Scholar Guest of
Honor Address for the 2019 Mythcon, “The Arch and the
Keystone”, can be read online at Mythlore.
…Moving forward is more challenging. How can we contrive to move forward when, like Alice’s Red Queen, we have to run faster and faster just to stay in place? The growing body of writing both by and about Tolkien ensures that not only can we no longer read the unknown book I discovered in 1956, we can’t even all read the same book in 2019. We have too many opinions based on too much information from too many sources to come to a consensus. In spite of his fame, in spite of his position at the top of the heap, in spite of The Lord of the Rings’ established position as Waterstone’s Book of the Century, the world has and probably will continue to have trouble agreeing on who/what he is….
…This weekend, Hodgson, 59, will sport the red jumpsuit for the first time since 1993 and bring the Great Cheesy Movie Circus Tour to the National Theatre, a live version of the MST3K format familiar to fans: making fun of bad movies — in this case, the British schlockfest “Circus of Horrors” (1960) and the 1986 kung fu flick “No Retreat, No Surrender” — interspersed with sketches.
…With the fourth annual conference scheduled to take place very soon in Beijing Nov 2019, I thought I would delve a little deeper into the conference and the organization behind it.
The 2019 conference will, for the first time, include participants from outside of China. These include Andrei Heim, Kevin Anderson, Leonard Mondrino, Mary Robinette Kowal, and Neil Clarke.
The Conference theme for 2019 is divided into tracks: “science fiction + culture”, “science fiction + technology”, “science fiction + science”, “sci-fi + film” “, science fiction + games”, “science fiction + youth.”
Organizationally, I get the impression that this has a professional team, strategizing about how to capitalize on the popularity of science fiction in China today, and that they are looking for not only ideas, but actual talent….
…Besides the art show and print shop, Warehouse One was also housed several cool displays and craft items. There were half a dozen large scale lego constructions, including a massive Star Wars one by James Shields, a Community Drawing Wall, and a wall of art by Irish artist, including some Steve Dillon comic pages and Ian Clark’s wonderful Dublin 2019 artworks. There was programming in the Odean movie theatre screen rooms, and next door at the Gibson hotel, and some of it looked quite good. But ultimately when deciding what to see I factored in the walk there and back, and unless there were two items one after another there just didn’t seem worth it – by the end I attended no programming at Point Square excepting the art show and artist reception. In retrospect the 7-day LUAS transit pass would have been a good idea, but we didn’t see that option in time.
Had Steven Spielberg been a 16-millimeter camera-toting teen in the 1930s, his home movies might have looked like “As the Earth Turns,” a black-and-white, silent 45-minute science-fiction film about a peace-crazed scientist named Pax who attempts to persuade the world to put down its weapons by inducing extreme climate change.
Made by Richard H. Lyford, a 20-year-old Seattle-based budding playwright and filmmaker who would go on to work as a Disney animator and Oscar-winning documentary director, the digitally restored 1938 original has been outfitted with a period-appropriate score by contemporary composer Ed Hartman.
Last year’s Academy Awards race boasted 25 entries, while 2017 had 26 and 2016 had 27 (a then-record).
(9) ROAD MAP. This week’s Nature offers “Tips from a Pulitzer prizewinner” — author
Cormac McCarthy. Though this advice is for writing research papers, it’s good,
general writing advice…
• Use minimalism to achieve clarity. While you are writing, ask yourself: is it possible to preserve my original message without that punctuation mark, that word, that sentence, that paragraph or that section? Remove extra words or commas whenever you can.
• Decide on your paper’s theme and two or three points you want every reader to remember. This theme and these points form the single thread that runs through your piece. The words, sentences, paragraphs and sections are the needlework that holds it together. If something isn’t needed to help the reader to understand the main theme, omit it.
• Limit each paragraph to a single message. A single sentence can be a paragraph. Each paragraph should explore that message by first asking a question and then progressing to an idea, and sometimes to an answer. It’s also perfectly fine to raise questions in a paragraph and leave them unanswered.
• Keep sentences short, simply constructed and direct. Concise, clear sentences work well for scientific explanations. Minimize clauses, compound sentences and transition words — such as ‘however’ or ‘thus’ — so that the reader can focus on the main message.
As Disney continues to plunder its animated IP for live-action remakes, where these films fall on the spectrum of pointlessness has to do with how closely they adhere to the source. The remakes that simply copy the material from one format to the other, like Beauty and The Beast or Aladdin, have been consistently enervating whereas the ones that attempt a full gut rehab, like Dumbo or the excellent Pete’s Dragon, at least have the benefit of an independent artistic vision. In this particular creative desert, every droplet of water counts.
The 2014 fantasy Maleficent wasn’t a remake of Sleeping Beauty so much as an alternative telling, an act of playful revisionism that relates to the original as the novel and Broadway musical Wicked relates to The Wizard of Oz. The main twist — that Maleficent isn’t evil, but a wronged fairy taking revenge on a duplicitous king — riffs cleverly on the idea that everyone has their reasons. The film also nests other bits of commentary inside, like questioning whether Prince Phillip and Princess Aurora could have fallen in love so quickly or snickering at the notion that Aurora could dodge Maleficent’s curse by hiding in the woods for 16 years. But it works best as a vehicle for Angelina Jolie, whose enhanced cheekbones and villainous cackle suggested the making of a camp icon.
…Mistress of Evil loses the emotional stakes of the first film, which were rooted in a terrible injustice and the unlikely bond between Maleficent and the cursed princess she comes to adore. There’s a good angle here about the destructive potential of myth, tied to the stories that unfairly poison Maleficent in the human world, but Jolie goes missing for long stretches of the film as Ingrith does her scheming. And while it’s a pleasure to see Pfeiffer lay into a regal villain, it’s odd to see a Maleficent film with so little Maleficent, and all the giggly little sprites in the world can’t make up for it. Jolie was born to play the role, and the best strategy would have been to let her.
(11) TODAY IN HISTORY.
October 18, 2016 — The new edition of The Star Trek Encyclopedia by Michael Okuda and Denise Okuda was released. They were production staff on Next Generation, Deep Space Nine and Voyager. It was illustrated by Doug Drexler. Now a two volume. set with a slip case, it has five hundred new entries.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 18, 1917 — Reynold Brown. Artist responsible for many SF film posters. His first poster was Creature from the Black Lagoon which Mike included in a recent post, with other notable ones being Attack of the 50 Foot Woman, I Was a Teenage Werewolf and Mothra vs. Godzilla. (Died 1991.)
Born October 18, 1938 — Barbara Baldavin, 81. She was a recurring performer on Trek first as Angela Martine in “Balance of Terror” and “Shore Leave”. She would also appear in the final season’s “Turnabout Intruder” as communications officer Lisa. After that, she had one-offs on Fantasy Island and The Bionic Woman. She retired from the business in 1993.
Born October 18, 1938 — Dawn Wells, 81. Mary Ann Summers on Gilligan’s Island which y’all decided was genre. She and Tina Louise are the last surviving regular cast members from that series. She had genre one-offs on The Invaders, Wild Wild West and Alf.
Born October 18, 1944 — Katherine Kurtz, 75. Known for the Deryni series which started with Deryni Rising in 1970, and the most recent, The King’s Deryni, was published in 2014. As medieval historical fantasy goes, they’re damn great.
Born October 18, 1951 — Jeff Schalles, 68. Minnesota area fan who’s making the Birthday Honors because he was the camera man for Cats Laughing’s A Long Time Gone: Reunion at Minicon 50 concert DVD. Cats Laughing is a band deep in genre as you can read in the Green Man review here.
Born October 18, 1951 — Pam Dawber, 68. Mindy McConnell in Mork & Mindy. She did very little other genre work, Faerie Tale Theatre and the Twilight Zone being the only other shows she did. She was however in The Girl, the Gold Watch & Everything as Bonny Lee Beaumont which is based off the John D. MacDonald novel of the same name. Go watch it — it’s brilliant!
Born October 18, 1960 — Jean-Claude Van Damme, 59. Cyborg, the Universal Soldier film franchise and Time Cop are but three of his genre films. And he’s in some films in ways that aren’t necessarily apparent, i.e. he was an uncredited stunt double in Predator, and he had a cameo in Last Action Hero.
Born October 18, 1964 — Charles Stross, 55. I’ve read a lot of him down the years with I think his best being the rejiggered Merchant Princes series. Other favorite works include the early Laundry Files novels and both of the Halting State novels.
Wonder Woman is getting a special giant-sized comic book to commemorate an upcoming landmark issue.
Today, DC Comics announced it will assemble an all-star roster of writers and artists who will pack the 96-page super-sized one-shot with stories and artwork that chronicle the Amazonian princess from the 1940s all the way through to today. Contributing to the issue are long-time Wonder Woman scribes Greg Rucka and Gail Simone, along with the book’s current writer, Steve Orlando.
…I asked Dick which movies scared him as a kid growing up in Chicago. Not many, he said. “What I really liked were the big bug movies: ‘Them.’ ‘Tarantula.’ Things like that.”
In fact, Dick said he didn’t actually see the movie that scared him the most.
“I’m being very honest: There was a trailer I saw in the movie theater,” he said. “There was a closet door opening and some thing came out of the closet. It scared the living daylights out of me. I left the theater. Let’s face it, it’s a cheap horror thing: the unknown coming out of a door.”
Great news, Stephen King fans … and aspiring writers! The Victorian mansion in Bangor, Maine, that King and his wife Tabitha have called home for decades has been reorged as a nonprofit and will open its ornate bat-decorated gate to scholars and authors.
The Bangor City Council on Wednesday approved the Kings’ request to rezone their home, per a story from Rolling Stone. Going forward, the red mansion at 47 West Broadway where the Kings raised their three children will serve as an archive of King’s work, while a guest house next door would serve as a writers’ retreat. The archive was previously at the Kings’ alma mater, the University of Maine….
On Christmas Eve 1965 a 4.5 billion-year-old meteorite exploded over the Leicestershire village of Barwell.
It was one of the largest and best recorded meteorite falls in British history: witnesses reported a flash in the sky accompanied by a loud bang, followed by a thud as one of the first pieces of space rock landed on the ground. As news of what happened emerged, the media descended on the village and a frantic search for the hundreds of scattered fragments began.
For nine-year-old Graham Ensor, who lived nearby, it was an event that would change his life, sparking an enduring passion for space rocks. The former lecturer now owns about 1,000 specimens, which experts believe could be the largest private collection in the UK.
(19) LOAFING AROUND. Kitchen
Overlord celebrates this literary occasion with a ghastly looking baked
Week: Spice Stuffed Sandworm Bread”. At the end of the post there are
links to even more Dune-inspired recipes.
Since you honor my sietch with your visit, I will share the secrets of creating a proud, impressive, spice-scented effigy of the Great Maker of Arrakis….
(20) VIDEO OF THE DAY. In “The Truth About Test
Screenings” on Vimeo, SHAZAM! director David F. Sandberg gives an
insider’s view of when test screenings matter and when they don’t.
[Thanks to John King Tarpinian, Martin Morse Wooster, JJ, Mlex,
Chip Hitchcock, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Michael
Toman, John Hertz, and Andrew Porter for some of these stories. Title credit belongs
to File 770 contributing editor of the day Jack Lint.]
Audience for “Disasters and apocalyptic world
Panelists for “Disasters and apocalyptic world changes.” Left to right: Juliana Rew; face obscured, but perhaps Faith Hunter; Anna Gryaznova, LL.M. (National University of Science and Technology MISiS (Moscow, Russia)) , Dr Tad Daley (Citizens for Global Solutions)
Famous Ha’Penny Bridge over the River Liffey just a block or so from the WorldCon Dublin Convention Center.
Daley with Dr. Bradley Lyau, winner of the Sam Moskowitz Archive Award.
panelist and longtime LASFS member Tad Daley with his wife Kitty Felde, www.bookclubforkids.org,
standing over the River Liffey just a few blocks from Worldcon HQ at the Dublin
…Neither realized how difficult it would be to find, acquire and get permission to use the letters.
They searched archives at UCLA, AFI, the academy, the Harry Ransom Center at the University of Texas, the Library of Congress and the Kennedy Library at Boston University. They reached out to auction houses and families with personal collections.
Lang even hired private detective David Gurvitz to track down relatives for permission to publish the letters. “The copyright was with the writer, not the receiver,” he said.
(2) WE ASKED FOR IT. Saturday’s Scroll works hard for a
living linked to The Guardian’s list of best books of the 21st
Century, leading some of us to ask what a journalist would have picked in 1919
as the best books of the early 20th Century. The legendary Kyra took up the
The Wonderful Wizard of Oz The Hound of the Baskervilles Five Children and It The Phoenix and the Carpet Peter Pan The Scarlet Pimpernel I Am A Cat The House of Mirth The Story of the Amulet The Enchanted Castle A Room With a View Anne of Green Gables The Man Who Was Thursday The Wind in the Willows The Secret Garden Howard’s End O Pioneers! The Valley of Fear My Antonia
(3) YE OLDE DAYS. Fanac.org just scanned and posted
9 of the 12 issues of my genzine Scientifriction
published between 1974 and 1983. I recommend Dave Locke’s column “Beyond the
Shift Key” in issue
#11 (1979) as perfectly illustrating the kind of faneditorial diplomacy I am
known for and alluded to in comments yesterday…. and provoked Dave to yank my
“What is your shtick this time” [Mike] queried me. “If I ask for fanhumor, what are you going to give me? Will you pretend to write a pain story while actually telling everyone why you think science fiction writers should be individually certified by the U.S. Department of Agriculture?”
“I’ve never believed that SF writers should – “
He waved his hand again. “It was just an example,” he said. “And if I show a preference for something that will bring in a little discussion, what then?” He looked at me in a severe manner. “Will you draw a framework to support the philosophy that fandom has many direct parallels with the practice of cannibalism, and somehow use it to talk about the time you fell out of a rollercoaster into the cotton candy concession?”…
(4) DRINK TANK. Or if you prefer a really fresh fanzine,
Drink Tank 413 – “Dublin 2019” edited by Chris Garcia and Alissa McKersie.
Cover by Vanessa Applegate.
We take a look at the Dublin WorldCon through the eyes of Chairman James Bacon, Hugo nominee Chuck Serface, all-arounf good guy Fred Moulton, the photos of Jim Fitzpatrick, and a MASSIVE trip report by Chris! Cover is by Vanessa Applegate!
…In Science Fiction and Fantasy, we often employ handwavium – healing spells, regen(eration), nannites, divine favour, what have you. And that’s excellent, when needs must, the plot drives, and it’s worldbuilt in. (Who wouldn’t go to the clinic if they could?)
…Actually, that last sentence is an interesting source of complications. Who wouldn’t? Why would they be unable to get there, or to use it? What’s it like to be a person with more consequences for every risk than those around you, and how does that change their plans? As Brandon Sanderson put it in his Second Law of Magic, “Limitations are more interesting than powers.”
(6) MAIL EARLY FOR HALLOWEEN. The US Postal Service will release
Silhouettes stamp issue on October 11.
The Spooky Silhouettes stamps feature digital illustrations with Halloween motifs rendered as black silhouettes in eerily backlit windows. The images include a cat with an arched back beneath a raven perched on a bare tree branch, all against a yellowish-green background; two ghosts against an orange background; a spider and a web against a red background; and three bats against a purple background.
(7) COSMONAUT OBIT. [Item by Cora Buhlert.] Siegmund Jähn, the first German person in space, has died
aged 82. Because he was from East Germany and went into space with the Soviets,
his contributions to space explorations were sadly ignored in West Germany
until the unification. I had never even heard of Siegmund Jähn until the 1990s,
even though I shared the usual SFF geek’s interest in all things space.
Siegmund Jähn was also the first and likely
only person to officiate at a wedding in space. During his spaceflight in 1978,
Jähn took along a doll of Sandmännchen (Little Sandman), star of a popular East
German children’s program (though West German kids loved it, too, and I had a
Little Sandman doll as a kid, courtesy of my Great Aunt Metel from East
Germany). It just happened that his Soviet colleague Valeri Bykovski had also
brought along a toy, a doll named Masha from some Russian children’s program.
And on a lark, Jähn married the two dolls aboard Soyuz 31. The doll wedding was
apparently filmed, though the footage was never broadcast, because East German
television objected to Little Sandman getting married.
In addition to “Deep Space Nine,” Eisenberg also had roles in the TV movie “Amityville: The Evil Escapes” and the features “The Horror Show,” “Playroom” and “Beverly Hills Brats,” all in the late 1980s.
(9) TODAY’S DAY.
September 22 — Hobbit Day sponsored by the American Tolkien Society. “Tolkien Week is observed as the calendar week containing September 22, which is always observed as Hobbit Day. Tolkien Week 2019 will begin Sunday, September 22 and end Saturday, September 28.”
(10) TODAY IN HISTORY.
September 22, 1968 — Irwin Allen’s Land of the Giants aired “The Crash”, the first episode of the series. Starring Gary Conway and Don Matheson, it would last two seasons.
September 22, 1973 — The Canadian-produced series The Starlost aired its first episode. The program was originally conceived by Harlan Ellison, who changed his credit to “Cordwainer Bird” and ran away from it as fast as he could.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 22, 1917 — Samuel A. Peeples. Memory Alpha says that he’s the person that gave Roddenberry the catch phrase he used to sell Trek to the network: “[As] fellow writer Harlan Ellison has credited him with the creation of one of the most famous catch phrases in Star Trek-lore, ‘[Gene Roddenberry] got “Wagon Train to the stars” from Sam Peeples. That’s what Gene said to me. They were at dinner and Sam Peeples, of course, was a fount of ideas, and Gene said something or other about wanting to do a space show and Sam said, “Yeah? Why don’t you do Wagon Train to the stars?”’” (Died 1997.)
Born September 22, 1952 — Paul Kincaid, 67. A British science fiction critic. He stepped down as chairman of the Arthur C. Clarke Award in April 2006 after twenty years. He is the co-editor with Andrew M. Butler of The Arthur C. Clarke Award: A Critical Anthology. He’s also written A Very British Genre: A Short History of British Fantasy and Science Fiction and What It Is We Do When We Read Science Fiction.
Born September 22, 1954 — Shari Belafonte, 65. Daughter of Harry Belafonte, I first spotted her on Beyond Reality, a Canadian series that showed up when I was living in upstate Vermont. You most likely saw her as Elizabeth Trent in Babylon 5: Thirdspace as that’s her most well-known genre performance.
Born September 22, 1982 — Billie Piper, 37. Rose Tyler, companion to the Ninth and Tenth Doctors. She later starred as Brona Croft/Lily in the Penny Dreadful series. Not really genre, but she‘s in the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in the North where she’s Sally Lockhart, a Victorian orphan turned detective.
Born September 22, 1971 — Elizabeth Bear, 48. I’ve enjoyed many of her novels down the years including Ancestral Nights. I’m also fond of her very early SF in the form of the Hammered, Scardown and Worldwired novels. And now you get you get to hear the very first time she read one of her stories, “The Chains That Refuse” as she let us put it up on Green Man.
Born September 22, 1981 — Maria Ashley Eckstein, 38. She’s voice of Ahsoka Tano on Star Wars: The Clone Wars, Star Wars Rebels, and Star Wars Forces of Destiny. She also voices Dagger on the Ultimate Spider-Man series. Did we mention she’s 38? Not 27 or 37? 38!
Born September 22, 1985 — Tatiana Maslany, 34. Performer of the multiple clones role in Orphan Black. Show won the Best Dramatic Presentation, Short Form in 2015 for its “By Means Which Have Never Yet Been Tried” episode. She’s currently voicing in Aja & Queen Coranda in 3Below: Tales of Arcadia.
Born September 22, 2001 — Ghreat Revelation of Ghughle, age (if that’s really applicable) 17. As Fancyclopedia 3 puts it, “Ghughle is a new and obscure fannish ghod whose Ghreat Revelation occurred to Steven H Silver on September 22, 2001 at a SMOFCon planning meeting. Within five minutes, the first schism happened when Erik Olson insisted on spelling the ghod’s name “Ghugle.” The Ghospel of Ghughle first appeared in Argentus 2 (2002).
In the hills of western Massachusetts, the mid-summer breeze carries the scent of honeysuckle and the sound of genius. This is Tanglewood, the summer home of the Boston Symphony Orchestra and of its best-known artist-in-residence, John Williams.
The maestro actually lives in Los Angeles, but he says Tanglewood is where he’s done some of his best work. “Its effect on me is very spiritual and very exciting,” he said. “And I’ve written so much music here, so many film scores in this place. Right here, I come every summer – ‘Star Wars’ films, ‘Indiana Jones’ and ‘Schindler’s List,’ ‘Harry Potter,’ a great percentage of that work done physically here.”
And what astonishing work it is.
Williams is the most-honored movie composer of all time, with five Academy Awards (so far). And he has 51 Oscar nominations, more than any other living person. Only Walt Disney has more.
“I know you’re a very modest man…” said correspondent Tracy Smith. “But do you ever allow yourself that moment to step back and say, ‘Wow. Look what I’ve done!'”
… Fresh, indeed: Williams has recently reworked some of his movie music for violin, specifically for the instrument of Anne-Sophie Mutter, one of the greatest violinists ever to pick up a bow.
(14) X-FILES IMPACT. “Geena
Davis just made children’s TV more feminist”, a piece by Ann Hornaday
in the Washington Post about the efforts of the Geena Davis Institute to
promote gender equity in Hollywood, has this paragraph quoting the institute’s
president, Madeline Di Nonno:
Di Nonno recalls being commissioned by 21st Century Fox in 2017 to validate the ‘Scully effect,’ wherein Gillian Anderson’s character in ‘The X-Files’ inspired girls and young women to go into scientific fields. ‘We found that 63 percent of the women who are working in STEM today attribute it to that character,’ Di Nonno says.
Receding water levels in Spain’s Valdecañas Reservoir has exposed a stone monument dating back to between 4,000 to 5,000 years ago.
Unusually warm weather produced drought conditions across much of Europe this past summer, including Spain. The lack of rain, while a headache for farmers and gardeners, has resulted in the complete re-emergence of an ancient megalithic site known as the Dolmen of Guadalperal, as reported in The Local.
Debut novelist Christina Dalcher has been awarded The Goldsboro Books Glass Bell Award 2019 for her thought-provoking and suspenseful dystopian thriller VOX, which imagines a near future in which an evangelical sect has taken control of the US and women have been limited to speaking just a hundred words a day.
(17) PASTURES OF PLENTY. A catalog of links to these book reviews can be found at Friday’s Forgotten Books: The name of the reviewer comes first, then the name of what they reviewed.
Patricia/Abbott: Beautiful Ruins by Jesse Walter
Stacy Alesi: The G List: Fiction Reviews 1983-2013
Angie Barry: New Orleans Mourning by Julie Smith
Brad Bigelow: Angry Man’s Tale by Peter de Polnay
Paul Bishop: The Cowboy and the Cossack by Clair Huffaker
Les Blatt: Sealed Room Murder by Rupert Penny; The Case of the Fighting Soldier by Christopher Bush
Elgin Bleecker: Zero Avenue by Dietrich Kalteis
Joachim Boaz: Orbit 4, edited by Damon Knight
John Boston: Amazing: Fact and Science Fiction Stories, October 1964, edited by Cele Goldsmith Lalli
Brian Busby: The Silver Poppy by Arthur Stringer
Joseph J. Corn: “The First Successful Trip of an Airship” by A. I. Root, Gleanings in Bee Culture, 1 January 1905
Martin Edwards: Dear Laura by Jean Stubbs
Peter Enfantino: Atlas (proto-Marvel) horror comics, September 1952
Peter Enfantino and Jack Seabrook: DC war comics, September 1975
Will Errickson: The Nightrunners by Joe R. Lansdale; Slob by Rex Miller
José Ignacio Escribano: Murder in the Maze by “J. J. Connington” (Alfred Walter Stewart); Hallowe’en Party by Agatha Christie
Curtis Evans: Sudden Death by Freeman Wills Crofts
Olman Feelyus: The Girl from Nowhere by “Rae Foley” (Elinor Denniston); No Orchids for Miss Blandish by James Hadley Chase
Paul Fraser: New Worlds SF, August 1965, edited by Michael Moorcock (Jeremiah Cornelius)
Barry Gardner: Down in the Zero by Andrew Vachss
Kathleen George: Scoundrels edited by Gary Phillips
John Grant: This Sweet Sickness by Patricia Highsmith; The Courilof Affair by Irène Némirovsky (translated by Sandra Smith)
Aubrey Hamilton: The Gourmet Detective by Peter King; The Defendants by John Ellsworth
Bev Hankins: Thrones, Donations by Dorothy L. Sayers and Joan Paton Walsh; The First Fifteen Lives of Harry August by Claire North; False Scent by Ngaio Marsh; The Case of the Ill-Gotten Goat by Claudia Bishop
Rich Horton: Tanith Lee stories; Why Do Birds? and stories by Damon Knight; Wil McCarthy stories; Howard Waldrop stories; Steve Rasnic Tem stories
Jerry House: The Silent Death by “Maxwell Grant” (Walter B. Gibson); originally in The Shadow Magazine. 1 April 1933, edited by John Nanovic; Thriller Comics Library, 6 November 1956, “Dick Turpin and the Double-Faced Foe” written by Joan Whitford, story illustrations by Ruggero Giovanni
Kate Jackson: Stairway to an Empty Room and Terror Lurks in Darkness by Dolores Hitchens; Postern of Fate by Agatha Christie and Agatha Christie’s Murder in the Making as edited by John Curran
Tracy K: More Work for the Undertaker by Margery Allingham
Colman Keane: Darwin’s Nightmare by Mike Knowles
George Kelley: The Great SF Stories 13 (1951) edited by Isaac Asimov and Martin H. Greenberg
Joe Kenney: Omerta by Peter McCurtin; Fire Bomb by “Stuart Jason” (James Dockery)
Rob Kitchin: Don’t Look Back by Karin Fossum (translated by Felicity David); Tightrope by Simon Mawer
B. V. Lawson: Final Proof by Marie R. Reno
Evan Lewis: “Waterfront Wildcat” (text story) by Robert Turner, Crash Comics, November 1940
Steve Lewis: “Small Chances” by Charlaine Harris, Ellery Queen’s Mystery Magazine, September/ October 2016, edited by Janet Hutchings; The Wiseman Originals by Ron Goulart; Wedding Treasure by David Wilson
Mike S. Lind: The Madhouse in Washington Square by David Alexander
John O’Neill: The Quiet Invasion by Sarah Zettel
Matt Paust: Pnin by Vladimir Nabokov
James Reasoner: Stampede by “Yukon Miles” (Dan Cushman)
Richard Robinson: The Man in My Grave by Wilson Tucker
Sandra Ruttan: Sob Story by Carol Anne Davis
Gerard Saylor: Locked Doors by Blake Crouch
Steven H Silver: “The Button Molder” by Fritz Leiber, Whispers magazine, October 1979, edited and published by Stuart David Schiff; SF Commentary edited and published by Bruce Gillespie
Victoria Silverwolf: Worlds of Tomorrow, September 1964, edited by Frederik Pohl; Counterfeit World aka Simulacron-3 by Daniel F. Galouye
Kevin Tipple: Parker Field by Howard Owen
“TomCat”: Seeds of Murder by (F.) Van Wyck Mason; “The Case of Murder on D. Hill” aka “D zaka no satsujin-jiken” by “Edogawa Rampo” (Hirai Tar?), first published in Shin-Seinen, January 1925, and as translated by William Varteresian
Mike Tooney: Old-Time Detection, Summer 2019, edited by Arthur Vidro
David Vineyard: Prelude to a Certain Midnight by Gerald Kersh
Bill Wallace: The Day of the Monkey by David Karp; The White People by Arthur Machen; Turn Off Your Mind: The Mystic Sixties & the Dark Side of the Age of Aquarius by Gary Lachman
(18) VIDEO OF THE DAY. In “Alive at the Autoplex”
on Vimeo, Zachary Loren Jones explains how bingewatching “Survivor”
can help you survive a cosmic catastrophe!
[Thanks to Cat Eldridge, Cora Buhlert, Mike Kennedy, Darrah
Chavey, Martin Morse Wooster, JJ, John King Tarpinian, James Bacon, and Andrew
Porter for some of these stories. Title
credit goes to File 770 contributing editor of the day Chip Hitchcock.]
Thanks to Tad Daley for this fine series of photos of the Rotsler Award exhibit at Dublin 2019. The rest of them follow the jump.
The Rotsler Award is for long-time wonder-working with graphic art in amateur publications of the science fiction community. The current judges are Sue Mason, Mike Glyer, and John Hertz. It’s named for Bill Rotsler (1926-1997), a long-time wonder-worker. The annual award is ordinarily announced at Loscon.