After DisCon III, the 2021 Worldcon, shared their membership update last month it seemed reasonable to guess that the coronavirus pandemic is creating a lot of suspense and having a dampening effect on fans joining DC. Just how true is that and how severe is the effect?
The Dublin 2019 and CoNZealand chairs agreed to furnish benchmark numbers from late in the year before their cons to make the comparison.
Dublin 2019 11/30/18
DisCon III 11/20/20
Dublin 2019 chair James Bacon commented about their November membership totals: “I’m still astounded and how we got to our final figure. This is indicative of something else though, fans especially local fans really came on board late.” Dublin finished with 6,525 attending and 8,430 total members.
Even so, Dublin 2019’s trajectory is in general what might be expected from a large Worldcon in ordinary times.
As for CoNZealand, South Pacific Worldcons (Aussiecon 2, 3, and 4, and CoNZealand) as a class are the four smallest Worldcons of the past 35 years. However, CoNZealand was by far the largest of that group, finishing with 2,685 attending and 1,939 supporting members, a total of 4,624. As much as the committee would have preferred a primarily in-person con, going virtual did not keep CoNZealand from surpassing the 2010 Aussiecon stats.
Since a U.S. Worldcon in ordinary times would be on track for high attendance, the effects of the pandemic seem evident from this comparison, and don’t come as a surprise.
BY DANIEL DERN: Between September 2017 and mid-July 2020 (when I very-belatedly filed my own final Dublin 2019 report), File770 had, according to my searches and calculations, roughly 90 “Scrolls” (posts) either completely about, or with “Items” (sections) relating to the August 15-19 Dublin 2019 Worldcon (World Science Fiction Convention).
This included roughly thirty dedicated Scrolls with 300+ photos and roughly 12,000 words of reports (not counting comment wordage, nor this post’s) from various Filers (Chris Barkley, Cora Buhlert, yours truly, Hampus Eckerman, and Rich Lynch), some of who sported Media ribbons that gave us front-row (and line-skipping) access to events and sessions. We covered a mix of official stuff like the opening press conference, the Masquerade, panels and readings, and the Closing Ceremonies, along with pictures of fans schmoozing, wearing hall costumes, buying books, and having fun, and of and around the fair city of Dublin.
The other sixty dedicated-to-Worldcon Scrolls and non-dedicated Scrolls with one or more Worldcon-related items included everything from announcements and reminders (Hugo voting deadlines, “Program is posted!”) — of interest not only to Attending (going to/at the convention) and Supporting (can vote for Hugos) members, and to the generally-curious, along with reports regarding and from Hugo and WSFS (World Science Fiction Society) planning and meetings, along with meet-up plans, restaurant guides… and yet more reports, plus links to other reports posted to Facebook, peoples’ sites and blogs, and elsewhere. So not all might be considered “media coverage,” admittedly.
(And I’ve made some judgement calls, such as not including all of Hugo items where they weren’t also about or at the Con, and also haven’t factored comment content in.)
Here’s a list of File770’s coverage of (and from!) the Dublin 2019 Worldcon:
Pixel Scroll 8/16/19 Scrolls From Topographic Pixels (2) DUBLIN 2019 BUSINESS MEETING. “Dublin 2019 — WSFS Business Meeting Day 1” has a synopsis of the day’s machinations. (3) AS IT HAPPENS. The Hugo Awards site has a post showing where to find August 18’s live text-based coverage of the 2019 Hugo Awards.
Pixel Scroll 8/30/19 The Past Is Long And Full Of Writers (August 30, 2019) (2) DUBLIN UP. [Links to] Two more Worldcon write-ups. Noelle Ameijenda, in “The Fantastic comes Home”, tells how she juggled attending and working the con Sara at Not Another Book Blogger penned one of the sweetest conreports I ever saw: “Dublin 2019 My First Worldcon”. Lots of photos of her and her kids.
By Sara Felix, Iain Clark, and James Bacon: The Dublin 2019 team have continued to work on a number of matters, even though the Worldcon is now a fond memory, and one of the projects that captured their imagination was having a record of the Art and Artistry that occurred for and at Dublin 2019 An Irish Wolrdcon.
Sara Felix, James Bacon and Iain Clark have worked with Serena Culfeather from the Dublin 2019 Art Show and a host of brilliant artists on a post con publication for a while now, looking at and celebrating the Art and Artistry of Dublin 2019.
As the team did this themselves, they found out things they had missed!
We are so very grateful to all the amazing artists who allow us to share and enjoy their work, and brilliance. While we celebrate them, they brought so much to Dublin 2019 and we hope that as you enjoy this, you pursue and look for more of their fabulous work.
AKA — Spider Sings! Timothy, Is That You? Hampus In My Mind
With just shy of fortnight to go before the CoNZealand 2020 Worldcon starts up as I dispatch this to OGH (Our Gracious Host at File 770), here’s my final report from/for the Dublin 2019 Worldcon, saving the best for last.
(1) SPIDER ROBINSON IN CONCERT! Spider Robinson was at the convention… and while he wasn’t on any panels, readings or talks (that I know of), he was listed for and did a concert.
Inaugurating File 770’s new YouTube channel is Spider Robinson, singing The Beatles’ “I Should Have Known Better” — enjoy!
His set included singing some songs, reciting some lyrics/poems he had written over the years but not set to music, talking, and being joined on stage at some point by a few other musicians. (One other of my pictures from this concert was in my, cough, previous Dublin 2019 report.)
Spider sang a handful of Beatles tunes — In addition to “I Should Have Known Better,” he also did “Yesterday” and “Till There Was You” (which was from Meredith Wilson’s The Music Man), and also a non-moptopper, Jake Thackray’s “Isabel Makes Love Upon National Monuments”. (See Jake’s video here).
His recitation/readings of things-not(yet?)-set-to-music included “When I Heard You Sing the Blues in The Dark,” “North Mountain Crazies,” and “What Lasts.”
Showing I had clearly not learned my lesson from the press conference that preceded Dublin 2019’s official opening — namely, when you’ve got a video recorder with more than enough capacity, start rolling and keep rolling (that press conference turned into a rollicking, informative discussion by the panel’s long-memory fans. Yes, Chris Garcia got audio, which he posted to Journey Planet.) Memo to future con planners – please video events like these!
Foolishly, I didn’t keep “rolling tape,” so I can’t give you Spider’s own origin story of how he got into writing science fiction, began selling to Analog, etc.
But I did record several (specifically, the songs and recitations named above), and (after searching my photos, web-sussing LinkedIn and Facebook and even here at File 770 — where I found a key breadcrumb in one of Chris Barkley’s Dublin posts, “Barkley — So Glad You (Didn’t) Ask — Special Irish Worldcon Edition, Day Five” — followed by a modest email back-and forth), Spider has graciously granted permission (to post one video and also this quote): “Sure, what the hell. Permission granted. I’m amazed someone recorded it, and kinda look forward to seeing it.”
So, thanks, Spider, for singing and permitting! (And to Stephan and Colin for helping sort out and confirm said permission.)
(2) A FINAL PHOTO GALLERY: TIMOTHY? AND TOAST. Here are two more photos from Sunday and Monday, in no particular order:
(Fewer than I’d originally intended to include here, but I looked back and saw that several were already in my Monday, August 19, 2019 post.)
A White Cat (probably not Timothy) near the Convention Center:
From the Closing Ceremonies: Here’s one more picture, in addition to the ones in my previous Dublin Worldcon post:
A toast to all who helped:
(3) HAMPUS ON (IN) MY MIND. An item submitted to File 770 in early September 2019, which OGH suggested would be best as a comment to something. That didn’t happen, but I hung onto it. Here it is. (I’ve added some slight clarifications to my original, [in square-brackets].)
@Hampus — perhaps in part because, since we met during [this] WorldCon, I now know what you look like — you had a brief non-speaking cameo in one of my dreams a night or two ago. We were [in my dream] at some Worldcon event [in the Con’s main auditorium where the Masquerade and other events were done, in the upper level — see the room-full-of-people picture below]. You were a few rows back, I was going to go say hi, but then the event started… and then, it being a dream, cue dream equivalent of a jump cut to some other scene. But it was clearly you.
And once again, thanks to Dublin 2019 Worldcon — the committee, the staff(s), program participants, volunteers, hucksters, the good folks at the Convention Center and other venues, Dublin, and, of course, attending and supporting members.
And with that, I conclude my final final Dublin 2019 Worldcon report.
By JJ: Enquiring Hugo voter minds want to know: When will we be able to vote online? When will the Hugo Voter Packet be available?
In the fine tradition of similar File 770 posts on the subject in years past, and using my highly-refined statistical skills gained while acquiring my Master’s degree from Cattimothy U*, here is a comparison of the deadlines and availability dates of recent Worldcons.
Because what the hell, we’ve got time to kill. And a year from now, someone is going to ask about this again, the way they do every year.
Historic Hugo Nominating, Voting, and Packet Dates
In 2008 and 2009, the Hugo Voter Packet was put together by John Scalzi
In 2012, the Hugo Voter Packet was released in stages starting on May 18, becoming fully available on May 30
With the exception of 2009, 2016, 2017, 2019, and 2020, all Finalist Announcements were made on Easter weekend
Aussiecon 4 in 2010 had online nominations available the earliest, on January 1.
Aussiecon 4 and Loncon 3 in 2014 had online nominations available the longest, at 82 days.
Chicon 7 in 2012 and Renovation in 2011 were the Worldcons which had online voting up and running the fastest, at 2 and 5 days following the announcement of the Finalists.
Chicon 7 had online voting available the longest, at 113 days.
Denvention 3 in 2008 and Renovation were the Worldcons which had the Hugo Voter Packet available the most quickly, at 3 and 4 weeks following the Finalist announcement.
Historic Hugo Nominating, Voting, and Packet Dates
1 – days between online nominations becoming available and nomination deadline
2 – days between nomination deadline and finalist announcement
3 – days between finalist announcement and online voting becoming available
4 – days between finalist announcement and Hugo Voter Packet becoming available
5 – days between online voting becoming available and voting deadline
6 – days between voting deadline and the start of Worldcon
Historic Hugo Nominating, Voting, and Packet Dates
a press release.]Dublin 2019 An Irish Worldcon is honoured and proud to have been
nominated for ‘Best Irish Comic Related Event’ by Irish Comic News. A wonderful
testimony to the huge team who worked so hard to ensure comics were fully
represented. Featured artists Afua Richardson, Jim Fitzpatrick , Maeve Clancy
and Sana Takeda added so much to our convention but we are so grateful to all
the comic professionals, organisations and businesses who supported Dublin
the participation of fans and professionals alike, we would have lost out on
the wonderful conversations that we had, and we congratulate those brilliant
participants on your nominations.
were also so proud of the extensive art show, and are still amazed that we sold
€40,000 euro of art, and very grateful to all the people who loaned us art to
display in the massive wall of our Irish Comic Art Gallery as well as our
Featured Artists displays and installations.
were grateful to all small press, shops and professional publishers who
supported us by participating in the Programme, Art Show, and Dealers Room
and congratulate those who are nominees.
would also like to congratulate Dublin 2019 Fringe Division Head Maura McHugh
for her nomination as Best Irish Writer, and Dublin 2019 volunteers Pádraig Ó
Méalóid and Michael Carroll, who are head-to-head in the ‘Best Irish Writer –
Non Fiction’ category.
Bacon, the chair of Dublin 2019, said: “I am incredibly proud, so many people
came together to make this happen, and I am continually stunned at how Dublin
2019 continues to resonate and have its impact felt and how it is
recognised by Irish fans. I am of course absolutely torn, as I love Enniskillen
Comic Fest, DCAF, Small Press Day and know SuirCon has a great following. I am
very pleased to see so many people and works connected to Dublin 2019 nominated
and hope that reflects well on how well we integrated the Worldcon with
view the full list of nominees follow the Twitter thread starting here.
(1) DROP INN. [Item by Errolwi.] Upside when your house gets covered in fire retardant,
house probably doesn’t burn. Downside, it is now pink! Upside, you have a fun
medium to present a message to the ‘fireys’.
(2) #AUTHORSFORFIREYS. Check out the #AuthorsForFireys hashtag for fund-raising by authors on Twitter.
Authors For Fireys is an auction of signed books, illustrations, unique experiences, one-off opportunities and writers’ services. Over 500 writers and illustrators are auctioning on Twitter from 6th Jan 2020 under the hashtags #AuthorsForFireys and #AuthorsForFiries. The auction ends on 11th Jan 2020 at 11pm (Syd/Mel time).
(3) PIXELS AUF DEUTSCH. [Item by Cora Buhlert.] kulturzeit is a German language daily cultural TV program I’ve been
watching for a long time now. They’re normally not what you’d consider SFF
friendly, but today they had a report about Hopepunk. Alexandra Rowland is
namechecked and quoted and they also interview a few German science fiction
authors, who wrote Wasteland, the first German language hopepunk novel.
The video is here. Only in German, alas.
kulturzeit‘s books for younger readers recommendation column also included the graphic novel West, West Texas by Hugo finalist Tillie Walden today: “’West, West, Texas’ von Tillie Walden” The other recommended book, a picture book, is genre as well — the video is here. The book is Emilia and the Boy from the Sea by Dutch writer and illustratator Annet Schaap. Maybe an SFF fan joined their staff.
(4) RETRO REVIEWS. Cora Buhlert also has posted a second review of fiction eligible
for CoNZealand’s edition of the Retro Hugos. “Retro Review: ‘The Wedge’ a.k.a. “The Traders”
by Isaac Asimov” discusses
one of two eligible Foundation stories from 1944. She says the review
for “The Big and the Little”, the other 1944 Foundation story,
will go up next week.
My guest for the first Eating the Fantastic episode of 2020 is Leslye Penelope — who publishes as L. Penelope. She started out as a self-published author, and her debut fantasy novel Song of Blood & Stone was so successful it was later picked up by St. Martin’s Press. That book earned (among other things) the 2016 Self-Publishing EBook Award from the Black Caucus of the American Library Association, and after being republished and brought to a wider audience, named as one of TIME magazine’s top fantasy books of 2018. She has since published two sequels, Breath of Dust & Dawn and Whispers of Shadow & Flame. Additional installments in the series are forthcoming.
We got together for lunch in Columbia, Maryland at The Turn House — because I’d heard about chef Thomas Zippelli, who has put in time at both the French Laundry and Eleven Madison Park, and wanted to check the place out. It turned out to be worth the visit for the porchetta alone.
We discussed why The Neverending Story was her favorite childhood movie, which Octavia Butler quote inspired one of her tattoos, why she decided to go the self-publishing route — and how her indie success resulted in her first novel getting picked up by a traditional publisher, the catalytic scene which sparked her Earthsinger Chronicles series, how she manages to meet the expectations of both fantasy readers and paranormal romance readers, her advice for breaking out of writers block, and much more.
(6) WHERE THE ‘F’ IS PERHAPS ‘FANTASY’. [Item by Daniel
Dern.] On Zoe’s Extraordinary
Playlist on NBC, an earthquake (the show is set in San Francisco) while
she’s getting an MRI results in Zoe, a programmer who’s already established as
listening to bunches of music along with listening to audiobooks, episodically
experiencing people around her burst into song (and dance), apparently
expressing their innermost thoughts.
So, lots of good singing and dancing, including great
larger production numbers. E.g., on “Help!”
The NPR reviewer said the show didn’t really
get into gear until mid-Episode-2, I disagree, and, ahem, felt it founds its
groove from the start. Recommended.
(Note, the pilot episode just ran — it’s on YouTube
already — but no more episodes until mid-February.)
Books aren’t the only thing being checked out at this Queens library.
The feds are now probing the problem-plagued new library branch in Hunters Point, The Post has learned.
The US Attorney’s Office in Brooklyn hired an architectural expert to conduct a December survey of the $41.5 million book hub to look for violations of the Americans with Disabilities Act, new Brooklyn federal court filings in a lawsuit against the library reveal.
An attorney for the city’s Law Department blew the lid off the probe in documents filed for the pending suit, saying they needed more time because they’re still awaiting the investigation’s results.
The decade-in-the-making outpost of the Queens Public Library system was hailed by officials as a “stunning architectural marvel” when it opened in September.
But it has since come under fire for its stacks of design and construction problems — including a three-tiered fiction section, a rooftop garden and a reading space on the children’s floor that are all inaccessible for people who use wheelchairs.
In November, news broke that Fargo and Legion creator Noah Hawley would write and direct Star Trek 4, a movie said to continue the voyages of Chris Pine’s Captain Kirk and his crew. But a few weeks later, star Simon Pegg turned heads when he suggested that the news had been incorrect, and that his Enterprise crew would not be returning for Hawley’s movie. Now Hawley himself is suggesting that is indeed the case.
“To call it Star Trek IV is kind of a misnomer. I have my own take on the franchise as a life-long fan,” Hawley told The Hollywood Reporter podcast TV’s Top 5, in an interview set to bow in April.
(9) PEART OBIT. Neil
Peart, drummer and primary lyricist for Rush, dead at 67 hreports the CBC.
The band was much honoured at home, including with an induction into the Canadian Music Hall of Fame in 1994, Canada’s Walk of Fame in 1999; a lifetime achievement honour at the 2012 Governor General’s Performing Arts Awards; and an Order of Canada — the first time that a group was chosen to receive the honour.
The trio was inducted into the U.S. Rock & Roll Hall of Fame in 2013, after years of lobbying by devoted fans.
Peart also co-authored two books in the Clockwork
Angels series with Kevin J. Anderson. They also co-authored the short story
“Drumbeats” in the Shock Rock II anthology.
(10) HENRY OBIT. Buck Henry died
January 8. The Hollywood Reporter paid tribute —
Buck Henry, the impish screenwriter whose wry, satirical sensibility brought comic electricity to The Graduate, What’s Up, Doc?, To Die For and TV’s Get Smart, has died. He was 89.
Henry, a two-time Oscar nominee who often appeared onscreen — perhaps most memorably as a 10-time host (all in the show’s first four years) on Saturday Night Live — died of a heart attack Wednesday at a Los Angeles hospital, his wife, Irene, told The Washington Post. He had suffered a stroke in November 2014….
Henry wrote for Get Smart and was the show’sstory editor for the first couple of seasons.
Henry, who won an Emmy (shared with Leonard Stern) in 1967 for writing the two-part episode “Ship of Spies,” came up with the cone of silence shtick for the sitcom.
…For TV, Henry also created the 1967 NBC comedy Captain Nice, centered on a mild-mannered guy (William Daniels) who becomes a superhero, and the late ’70s NBC sci-fi spoof Quark, which starred Richard Benjamin. Both series were short-lived.
(11) TODAY IN HISTORY.
January 10, 1967 – The Invaders made its TV premiere. Created by Larry Cohen, it aired on ABC for two seasons. Roy Thinnes stars as David Vincent is the star of the series. Gold Key Comics published four issues of an Invaders comic book based off the series. The series was a Quinn Martin production who was also responsible for A Twist in the Tale, an anthology series that did some SFF, and a film called The Aliens Are Coming.
January 10, 1997 — The Relic premiered. It was directed by Peter Hyams and based on the SFFish Relic novel written by Douglas Preston and Lincoln Child. It starred Penelope Ann Miller, Tom Sizemore, Linda Hunt and James Whitmore. Some critics really liked, some really like it and it holds a 34% rating among the frankly astounding 26,735 reviewers who took the time to give it a review. Oh and it bomb at the box office.
January 10, 1999 — Batman Beyond premiered on Kids’ WB. It was created by Bruce Timm. Will Friedle as Terry McGinnis, the new Batman and you know who played the old Batman. It lasted three seasons and fifty-two episodes. The actual origin episode for Terry is to be found on Justice League Beyond in the “Epilogue” episode. The episode was originally intended to be the series finale for Justice League and the DCAU in general but they got renewed for a third season after it aired as the second season finale. If you’ve the DCU streaming service, all three seasons are there.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 10, 1902 — Andrew Bensen. Sometimes the time someone spends in our universe is very brief. Bensen has but one credit in SFF, the cover for Weird Tales for May 1926. Now admittedly it’s a great cover even if not particularly SFFish. His cover for Real Detective Tales and Mystery Stories for August 1926 is striking in its artistic similarities. He later drew comic book stories for Dell’s Roy Rogers Comics in the late 1940s, and drew a number of other Western themed projects. (Died 1976.)
Born January 10, 1904 — Ray Bolger. The Scarecrow In The Wizard of Oz, the villainous Barnaby in Babes in Toyland, two appearances on Fantasy Island, and Vector In “Greetings from Earth” on the Seventies version of Battlestar Galactica. (Died 1987.)
Born January 10, 1908 — Bernard Lee. He’s best known for his role as M in the first eleven Eon Productions James Bond films ending with Moonraker. He also portrayed Tarmut the sculptor in Terence Fisher’s Hammer Horror picture Frankenstein and the Monster from Hell. And he appeared in several episodes of Danger Man. (Died 1981.)
Born January 10, 1924 — Mike Butterworth. In 1965, he became the primary script writers at Ranger magazine where he was responsible for scripting the space opera The Rise and Fall of the Trigan Empire which remains to this day one of the most popular boys’ adventure strips ever published in the UK. Between Ranger and later Look and Learn, it would have a run of 854 issues in total, divided between the two magazines. (Died 1986.)
Born January 10, 1937 — Elizabeth Anne Hull, 83. Scholar, and widow of Frederik Pohl with whom she co-edited the most excellent Tales from the Planet Earth anthology. Not surprisingly, she later edited Gateways: Original New Stories Inspired by Frederik Pohl. She has been a member of the panel for the John W. Campbell Memorial Award for best SF novel since 1986.
Born January 10, 1944 — William Sanderson, 76. I remember him best as J. F. Sebastian, the possibly insane genetic designer working for Tyrell in Blade Runner, but he’s had a career obviously after that film including appearing as Skeets in The Rocketeer, voicing Dr. Karl Rossum on Batman: The Animated Series, playing the character Deuce on Babylon 5 (a series I’ve watched through at least three times), E. B. Farnum on Deadwood (ok, it’s not genre, but it’s Will and Emma’s favorite show so let’s let it slide) and Sheriff Bud Dearborne on True Blood.
Born January 10, 1947 — George Alec Effinger. I’ve read his Marîd Audran series at least twice as it’s an amazing series in both the characters and the setting. I never read the short stories set in this setting until Golden Gryphon Press sent me Budayeen Nights for Green Man to review. (Died 2002.)
Born January 10, 1959 — Jeff Kaake, 61. He’s on the Birthday Honors list as he was Captain John Boon on the Space Rangers which lasted only six episodes. Damn. That was a fun show! He was also Thomas Cole on Viper which lasted four seasons. And he showed up in the Stormageddon film (which sounds like the name a Filer would give to a SJW Cred) as well.
(14) IT WAS 20 YEARS AGO TODAY. Ian McKellen still has his
I am aware of the high expectations of Tolkien’s fans – like myself. But, never having imagined that I would ever play any sort of wizard, I am ill-prepared. I just worked with a witch, however, a white one, whose spells are formidable. Her energy is impressive. I shall have to come to understand the nature of Gandalf’s energy – what keeps him going. What keeps any of us going?
Marcin “Alqua” Klak is a fan form Poland who loves conventions and exploring fandom in different countries. He regularly blogs about conventions he visits and about other fannish matters on his blog: www.FandomRover.com. In 2018 he was a GUFF (Get Up-and-under Fan Fund) delegate to attend Continuum XIV in Melbourne, Australia. Currently, he chairs the SFF club in his home city of Kraków.
(16) NO TRUE SCOTSMAN. [Item by David Goldfarb.] I was watching
the second game of the current “Greatest of All Time” tournament on Jeopardy!, and in the
Double Jeopardy round this was the $1600 answer in the category “Pop
regenerated in “Doctor Who”, this actress confessed, “Sorry,
half an hour ago I was a white-haired Scotsman”
readers should have no problem finding the right question to that one!
Show card lettering artists were usually anonymous to the public. Art was a commercial service and few people signed their names or were credited for their craft. Edgar Church (1888 – 1978) was among the few who received a certain amount of acclaim – and some of that recognition today is thanks to Chuck Rozanski, an avid comics collector (drag queen) and founder of Mile High Comics. Church was one of the leading comics collectors in the 20s, 30s and 40s. The two disciplines, comics and graphic design/lettering, were intertwined — and comics splash panels certainly influenced his work.
Church maintained his art service studio in the Denver area from about 1910-1965, with the majority of his work – clichés, spot art and custom lettering, produced from 1918-1950. He also created numerous color paintings and landscapes during this time. He was hired on a freelance basis for variegated lettering styles, borders and pen and ink illustrations for ads running in the Colorado Yellow Pages. Rozanski states that Church worked “in the evenings and on weekends for literally thousands of small businesses, creating everything from letterheads, to Christmas cards, to full-page ads in local newspapers.”
…His renown, however, derives from the collection of comic books that he amassed, later known as the “Edgar Church collection.” Under the umbrella of the “Mile High collection”, Church is most famous for his valuable stash, including between 18,000 and 22,000 early comic books….
Andrew Porter sent the link with the comment, “Gorgeous
examples of his work at the link. But I bet one company later changed their
(18) INSIDE STORY. The Full
Lid returns from the holiday break with a
look at the interesting common ground the new Master on Doctor Who has with The
Witcher’s own hype man, Jaskier. We also take a look at remake culture and find
a very surprising musical example of how to do it right. This week’s Signal
Boost covers One YA A
Day’, a new blog series looking at the Cast
of Wonders back catalog, new Leverage watch-along show The Pod Job, tour dates for the NoSleep Podcast live tour and details
of the Last Fleet RPG
Kickstarter. The link is: The Full Lid – 10th January 2020.
(19) VIDEO OF THE DAY. Robert
Downey, Jr. runs the Dolittle – Auditions.
[Thanks to John King Tarpinian, Dann, David Goldfarb, Errolwi, Andrew
Porter, Martin Morse Wooster, Mike Kennedy, JJ, Chip Hitchcock, Alasdair
Stuart, SF Concatenation’s Jonathan Cowie, and Cat Eldridge for some of these stories.
Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) 2019 WORLD FANTASY AWARDS PHOTO. Lee Whiteside took
this picture of the winners and accepters at Sunday’s World Fantasy Awards
Left to right: Kathleen Jennings (accepting for Best Novella winner Kij Johnson), Emma Törzs (Best Short Fiction co-winner as well as accepting for co-winner Mel Kassel), C. L. Polk (Best Novel), Tobias S. Buckell (Best Collection with Paolo Bacigalupi), Reiko Murakami (accepting for Best Artist winner Rovina Cai), Irene Gallo (Best Anthology) and Rajan Khanna (accepting for Scott H. Andrews, Special Award – Nonprofessional)
The Official Watchmen Podcast launches after the third episode of the series airs on November 3rd. Over three episodes, host Craig Mazin (HBO and Sky’s Chernobyl) discusses Watchmen with its Executive Producer and Writer, Damon Lindelof. Join Mazin and Lindelof as they divulge narrative choices, explore the show’s connection with the groundbreaking graphic novel, and how it reflects our modern times. Make sure to watch episodes one through three of Watchmen before listening. The Official Watchmen Podcast is produced by HBO in conjunction with Pineapple Street Studios.
(3) MAKE ROOM. If Marie Kondo didn’t get you started
decluttering, maybe this post by Wil Wheaton will do it: “The Purge”. This excerpt
is followed by a moving account of the emotional work he went through in the
…As I was cleaning up my emotional baggage, working on strategies to protect myself from my abusers, and practicing mindfulness daily, I realized that I had a ton of STUFF just sitting around my house, cluttering up my physical living space the way my emotional trauma and pain was cluttering up my emotional space. So I made a call, and hired a professional organizer to come to my house, go through all my bullshit with me, and help me get rid of all the things I didn’t need any more.
This process was, in many ways, a metaphor.
We spent several days going through my closets, my game room, my storage spaces in my attic and shed, and eventually ended up with FIVE TRUCKLOADS of stuff I didn’t need. Most of it was clothes and books and things that we donated to shelters, which was really easy to unload. I acquire T-shirts so much, I regularly go through my wardrobe and unload half of what I have, so it’s easy to get rid of stuff without any emotional attachments.
But there were some things that were more difficult to get rid of, things that represented opportunities I once had but didn’t pursue, things that represented ideas that I was really into for a minute, but didn’t see through to completion, things that seemed like a good idea at the time but didn’t really fit into my life, etc….
The death of Yahoo Groups is a particular blow to text-based fan communities, which thrived on the platform in the 2000s. Yahoo message boards and email lists were crucial to the early days of fandom, both as a publishing platform and as a semi-private meeting place in the days before social media sites like Tumblr, Twitter, and Reddit. Yahoo Groups were particularly integral to Harry Potter and English-language anime fandoms, overlapping with the rise of Livejournal in the early 2000s. These fannish mailing lists were home to reams of fanfiction and in-depth commentary on pop culture, and spawned lifelong friendships (and, OK, the occasional deathly feud) within their communities.
AO3 has offered sanctuary to fanworks that are at risk because of
the Yahoo Groups shutdown:
We have two processes in place — one to move fanworks from Yahoo Groups onto the Archive Of Our Own, and one to download and preserve messages and other content from Yahoo Groups in file systems so moderators and Yahoo Groups users have more than nine weeks to figure out how to preserve and possibly share that content.
Open Doors can only import fanworks archived in Yahoo Groups onto the Archive of Our Own with the consent of the moderator(s). If you are a moderator and would like to import fanworks from your Yahoo Group(s) to AO3, you are welcome to contact Open Doors via our contact form.
…If you’re a moderator who’d like to potentially import your group to the AO3, contact Open Doors and we’ll talk to you about options. For more updates on what’s happening, see announcements or check back on this page.
If you’d like to directly help rescue teams and you want to save only fandom groups, you can use this form to nominate fandom groups OR you can go directly to the public spreadsheet to find nominated groups that still need downloading. (General downloading instructions are here.) If you want to help save fandom groups and many other non-fandom groups, see Archive Team’s chrome extension. Both are worthy efforts and both face a hard deadline of Dec 14.
(5) CONZEALAND MINORS POLICY. Here are some features of
Onsite Policy” for the 2020 Wordcon,
A minor is anyone under the age of 18. In New Zealand, the law requires that no minor under the age of 14 be left unattended. …
All Kid-in-tow and Child memberships must be tied to an adult membership. All minors under 16 should have a sticker on the back of their badge detailing up to two adults (over 18) who are responsible for them.
Due to the nature of licensing and regulation in regards to child care in New Zealand, it will not be possible for us to provide child care at CoNZealand. Please refer to the links to nanny and babysitting services at the end of this document.
There are three types of memberships for minors at CoNZealand:
Kid-in-tow (no charge)—born in or after 2015 (generally 5 and under)
Child ($105)—born in or after 2005 (generally 5-15)
Young Adult ($250)—born in or after 2000 (generally 15-20)
These age groups do not exactly align with the differing expectations for supervision of minors. New Zealand law requires that no child under the age of 14 be left unattended.
At the Hugo Awards ceremony at this summer’s Dublin Worldcon, Jeannette Ng was presented with the John W. Campbell Award for Best New Writer. Ng gave an outstanding and brave acceptance speech in which she called Campbell – the award’s namesake and one of the field’s most influential editors – a “fascist” and expressed solidarity with the Hong Kong pro-democracy protesters.
I am a past recipient of the John W. Campbell Award for Best New Writer (2000) as well as a recipient of the John W. Campbell Memorial Award (2009). I believe I’m the only person to have won both of the Campbells, which, I think, gives me unique license to comment on Ng’s remarks, which have been met with a mixed reception from the field.
I think she was right – and seemly – to make her remarks….
From the escapades of an intern-turned-spy in Turkey’s capital to the tale of a priest in 15th Century Somerset, there might not be an obvious connection between the novels shortlisted for this year’s Staunch Book Prize.
But they have one thing in common: none of them involve physical or sexual violence towards women.
The prize, which is in its second year, recognises thrillers in which “no woman is beaten, stalked, sexually exploited, raped or murdered”.
But while some commend it for challenging stereotypes, others accuse it of ignoring social realities.
Speaking to the BBC, shortlisted authors and other writers share their views on why female characters are so often the victims of violence – and whether that needs to change.
…The concept of the Moon as a strategic base apparently dates at least back to 1948 and an article by Robert S. Richardson titled “Rocket Blitz From the Moon” in the mass-market Collier’s magazine. The article was beautifully illustrated by famed space artist Chesley Bonestell. In one Bonestell painting a bullet-shaped rocket (illogically equipped with large aerodynamic fins) is blasting off from a lunar crater. Another rocket stands prepped in the background and a lunar base is tucked into the side of a mountain. In the next illustration—probably Bonestell’s most dramatic painting ever—Manhattan has been blasted with at least three atomic bombs.
Richardson’s article focused primarily on the physics of the Moon: the low gravity, the lack of air, the trajectory and velocity calculations for firing rockets at the Earth. Rather than advocate that the United States should build a lunar rocket base, Richardson warned that another country could undertake a secret project to develop a lunar base and achieve strategic surprise against the United States. He did not clearly explain why the Moon would be a good place for basing missiles other than its presumed safety from Earth observation, and he noted that it would take at least a day for a rocket to reach Earth with its warhead. Considering that there were other means of basing long-range strategic weapons that did not involve the massive cost of a space program and a lunar base, Richardson’s idea was fanciful at best. But Collier’s was a large circulation magazine, not a science fiction pulp, and this short article certainly reached a big audience and probably fired some imaginations.
Richardson was not the only person writing about the possibilities of using space as a platform for attacking Earth. Robert Heinlein co-wrote a non-fiction article in August 1947, also for Collier’s, called “Flight into the Future.” Heinlein and his co-author, US Navy Captain Caleb Laning, suggested basing atomic weapons in orbit, and Heinlein later used this idea in his book Space Cadet. The 1950 movie Destination Moon, which Heinlein co-wrote, also echoed a similar theme (see “Heinlein’s ghost (part 1)”, The Space Review, April 9, 2007). One of the characters in the movie explains why a lunar base is necessary: “There is absolutely no way to stop an attack from outer space. The first country that can use the Moon for the launching of missiles will control the Earth. That, gentlemen, is the most important military fact of this century.”…
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 5, 1938 — Jim Steranko, 81. His breakthough series was the Sixties “Nick Fury, Agent of S.H.I.E.L.D.” feature in Marvel Comics’ Strange Tales and in the subsequent debut series. His design sensibility is widespread within and without the comics industry effecting even Raiders of the Lost Ark and Bram Stoker’s Dracula as he created the conceptual art and character designs for them. He was inducted into the comic-book industry’s Will Eisner Comic Book Hall of Fame in 2006.
Born November 5, 1942 — Frank Gasperik. Tuckerized in as a character in several novels including Lucifer’s Hammer as Mark Czescu, and into Footfall as Harry Reddington aka Hairy Red, and in Fallen Angels, all by Larry Niven and Jerry Pournelle. He was a close friend of both and assisted Pournelle on his Byte column. To my knowledge, he has but two writing credits which are he co-wrote a story, “Janesfort War”, with Leslie Fish that was published in Pournelle’s War World collection, CoDominium: Revolt on War World, and “To Win the Peace” co-written with Leslie Fish which was published in John F. Carr’s War World: Takeover. He was a filk singer including here doing “The Green Hills of Earth”. (Died 2007.)
Born November 5, 1944 — Carol Anne Douglas, 75. Although she has two inarguably genre series In the Delilah Street, Paranormal Investigator and the Sword and Circlet novels, I’m here to pitch to you her Social Justice Warrior credential series instead (and dissenters can now go elsewhere) in the form of her Midnight Louie series. Each novel is told in part from the point of view of Midnight Louie, the cat himself in a style some say is like that of a Damon Runyon character.
Born November 5, 1949 — Armin Shimerman, 70. Quark on Deep Space Nine. And Principal Snyder on Buffy the Vampire Slayer who if I remember correctly came to a very bad end. He had the recurring role of Pascal on Beauty and the Beast. He also played Professor George Edward Challenger in the later Nineties Lost World film.
Born November 5, 1960 — ?Tilda Swinton, 59. Her take as Rosetta/Ruby/Marinne/Olive in Teknolust might be the most weird genre role she’s done but I like her take as The White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe as her best role to date. Mind you her Gabriel in Constantinewas frelling strange…
Born November 5, 1961 — Sam Rockwell, 58. First in our area of interest as the Head Thug in Teenage Mutant Ninja Turtles. I’ve got him next being Francis Flute in A Midsummer Night’s Dream, not a role I knew. Ahhh, Guy Fleegman on Galaxy Quest. And lastly, he was Zaphod Beeblebroxin The Hitchhiker’s Guide to the Galaxy.
Born November 5, 1964 — Famke Janssen, 55. Her first genre role was Xenia Onatopp in the Bond film GoldenEye and her longest running genre role was as Jean Grey / Phoenix (Dark Phoenix) in the X-Men film series. Counting horror which I do, she’s got a number of genre appearance including Lord of Illusions, The Wolverine, House on Haunted Hill, Deep Rising and Star Trek: The Next Generation,
Born November 5, 1970 — Tamzin Outhwaite, 49. She was Detective Inspector Rebecca Flint on Paradox, a SF police series that ran for just five episodes and received really harsh reviews. Her only other SF role was as the Captain in an Eleventh Doctor story, “Nightmare in Silver” which was scripted by Neil Gaiman.
“Just by word of mouth and also on the library’s social media pages like Facebook, we saw a lot of patrons say, ‘Oh my God. This is so great. I’m gonna bring back my books. I’ve been hesitant to come back to the library because I owe these fines,'” Telli said.
Chicago became the nation’s first major city to forgo overdue fines, which went into effect Oct. 1 and erased all outstanding fees. Mayor Lori Lightfoot framed the policy change as her latest attempt to remove barriers that deter youth and low-income patrons.
Lightfoot is also making an effort to open libraries on Sundays. The mayor’s 2020 budget includes an $18 million property tax increase to honor her promise to establish Sunday hours at Chicago’s 81 libraries. Currently, the Harold Washington central library and three regional libraries are open 1 p.m. to 5 p.m. on Sundays.
(11) NEVER? WELL, HARDLY EVER. Even Book View Café’s Madeleine E. Robins will sometimes “RTFM*”.
I am, by nature, a dive-in-and-figure-it-out sort of technology user. This may come from my early days as a computer user, when my then room-mate and sometime business partner dropped a box on my desk and said “we’re doing a user’s manual for X Corp. Can you learn this” — this being PageMaker, the forerunner of InDesign, a page layout program–“by next week? I should have copy for you then.”
Reader, I did not rise up and slay him; I learned the program, eventually well enough that I taught classes in it. I still use those skills: one of the things I do at my day job is to use InDesign to produce the posters, ads, and other marketing materials that the museum I work at needs for promotion….
…In the past 20 years, as we all know, the movie business has changed on all fronts. But the most ominous change has happened stealthily and under cover of night: the gradual but steady elimination of risk. Many films today are perfect products manufactured for immediate consumption. Many of them are well made by teams of talented individuals. All the same, they lack something essential to cinema: the unifying vision of an individual artist. Because, of course, the individual artist is the riskiest factor of all.
I’m certainly not implying that movies should be a subsidized art form, or that they ever were. When the Hollywood studio system was still alive and well, the tension between the artists and the people who ran the business was constant and intense, but it was a productive tension that gave us some of the greatest films ever made — in the words of Bob Dylan, the best of them were “heroic and visionary.”
Today, that tension is gone, and there are some in the business with absolute indifference to the very question of art and an attitude toward the history of cinema that is both dismissive and proprietary — a lethal combination. The situation, sadly, is that we now have two separate fields: There’s worldwide audiovisual entertainment, and there’s cinema. They still overlap from time to time, but that’s becoming increasingly rare. And I fear that the financial dominance of one is being used to marginalize and even belittle the existence of the other….
(13) ELRIC MEETS DUNGEON SYNTH. A Moorcock-obsessed United Kingdom musician who goes by the name Elric is working in the “dungeon synth” genre (an eerie combination of goth, classical, and folk tunes played on 80s synths). The releases are on Bandcamp and are named “Antihero”, “Stormbringer”, and “Elric of Melnibone”. They are all “name your price.” As Bandcamp said about one of the releases:
It’s safe to say that fantasy literature and role-playing games (the tabletop and the video variety) loom large in the world of Dungeon Synth, and Elric expertly combines both of them. Inspired by the chiptune soundtracks of games like Chrono Trigger and Secret of Mana as well as (obviously) the fantasy novels of Michael Moorcock, Elric’s music is the perfect soundtrack to crawling through (16-bit) alcoves, searching for abandoned potions and treasure while trying to avoid the hungry ghouls hidden in the shadows.”
High up in the Arctic Ocean close to the North Pole, a solitary ship floats in darkness, moored to an expansive piece of ice.
If all goes according to plan the ship will remain with that ice for an entire year, so that scientists on board can study the Arctic system and how it’s responding to climate change.
It’s a project called the Multidisciplinary drifting Observatory for the Study of Arctic Climate (MOSAiC). But finding a piece of ice thick and stable enough to host the mission’s science and logistics is not easy, and there may be challenges for the ice and the scientists in the months ahead.
…The MOSAiC expedition – about a decade in the planning – is an international collaboration involving hundreds of scientists and almost 20 countries. Their goal is to better understand the changing Arctic and improve how it’s represented in climate models.
“We need this information because the Arctic is changing so rapidly, and it’s a place that we have not observed very well in the past,” says Matthew Shupe, an atmospheric scientist with the University of Colorado and the National Oceanic and Atmospheric Administration and a co-coordinator for MOSAiC.
The last time scientists looked at the Arctic Ocean system so comprehensively was more than 20 years ago. But the Arctic has been warming at twice the rate of the rest of the world, and the picture there has changed dramatically.
That’s why these researchers want a year out in the ice: to get an updated look at how the physics, the chemistry, and the biology of this area work during all four seasons.
In France, climate change is already impacting one of the country’s most emblematic industries — winemaking. French vintners say heat, drought and erratic weather is altering the landscape and their centuries-old way of working.
Brothers Remi and Gregoire Couppé are fourth generation winemakers who craft a top vintage, grand cru St Emilion. In the last few years they’ve been confronted with some new challenges. Forty-four-year-old Remi Couppé says there’s no denying the weather is getting hotter and drier.
“Because of the grapes. They show us the change,” he says. “Especially in alcohol. The alcohol level has been getting higher in the last five years.” These days, the alcohol content by volume can reach 15%, he says; when he was a boy, “it was maximum 12 [% ABV]. It’s causing me some problems when I start the vinification process, because I have to use new yeast to avoid too much alcohol. It’s really new for me.”
The higher alcohol levels come from increased sugar in the grapes due to more sun and heat. What’s also new are some of the plants sprouting up between the vines. Couppé picks a flowery-looking weed, holding it up to the blazing sun. “This plant is from the south of Europe and I never saw it here in my life before four years ago.”
Couppé says you have to be careful when using the mechanized harvester now, because such plants can get mixed in and ad a taste to the grapes.
The brothers say in the past three years they’ve completely stopped a process called “stripping,” where most of the vine leaves are removed just before the harvest. Now they need the leaves’ shade to keep the grapes from burning on the vine. Couppé points to a shriveled, sun-exposed cluster of grapes next to the dark, plump ones still shaded by the leaves.
Data sent back by the two Voyager spacecraft have shed new light on the structure of the Solar System.
Forty-two years after they were launched, the spacecraft are still going strong and exploring the outer reaches of our cosmic neighbourhood.
By analysing data sent back by the probes, scientists have worked out the shape of the vast magnetic bubble that surrounds the Sun.
The two spacecraft are now more than 10 billion miles from Earth.
Researchers detail their findings in six separate studies published in the journal Nature Astronomy.
“We had no good quantitative idea how big this bubble is that the Sun creates around itself with its solar wind – ionised plasma that’s speeding away from the Sun radially in all directions,” said Ed Stone, the longstanding project scientist for the missions.
[Thanks to Daniel Dern, Lee Whiteside, Cat Eldridge, JJ, Chip
Hitchcock, Rob Thornton, Cora Buhlert, John King Tarpinian, Martin Morse
Wooster, Mike Kennedy, and Andrew Porter for some of these stories. Title
credit goes to File 770 contributing editor of the day Jon Meltzer.]
Engholm posted the full text of Dublin 2019’s letter to him along with his own comments in response here.
Dublin 2019’s letter says:
Thank you again for reaching out, and apologies for the time it took to get this response to you.
We do not consider Jeannette Ng’s speech to be a breach of our Code of Conduct.
From our perspective Ng was speaking to Campbell’s part in shaping the sci-fi landscape, which was notably exclusionary of minorities, people of colour and women at the time during which he was a part of it and which has had knock on effects to this day. Our Code of Conduct was, in a large part, designed to ensure people who have previously been excluded from fandom were safe and included at our convention – not to punish people who speak out against its exclusionary past.
We do not believe her words were targeted at anyone other than Campbell and his actions. There is no issue with being male or white, and unless a person also identified with Campbell’s more problematic beliefs and actions, they have no reason to feel attacked. Additionally, being a fan of Campbell’s work does not mean you need to stand by his beliefs; it is possible to appreciate his contribution to the community whilst also understanding some of his viewpoints were problematic.
Thank you again for taking the time to contact us with your concerns – I hope this helps clarify our position on the situation.
Sarah Brennan, Listener and Code of Conduct Area Head Dublin 2019
Engholm, in his commentary, says he believes the Code of Conduct has been applied inequitably, whether judged by past precedents, or on its own terms.
Thanks for a reply, even if it took two months…
But the reply is not very satisfying, and I’ll explain why. A basic principle for acceptable ethics is that it applies equally to all. If not, it’s unethical, immoral – in crass terms, evil.
In 2016 Dave Truesdale was kicked out from the Worldcon for talking about “snowflakes” – a rather mild expression – not pointing to any person or ethnic or social group. But in 2019 it seems perfectly OK to accuse a named person for being a follower of one of history’s most evil ideologies, on the worldcon’s biggest stage.
It becomes clear that this does not apply equally to all. You – ie all responsible for the CoC – even openly admit that not being applied equally was what “Our Code of Conduct was…designed to ensure”. Thus the CoC loses its legitimacy. It’s a set of made-up private laws that allows the intimidation it pretends to protect from.
Engholm disagrees with Sarah Brennan’s evaluation of Ng’s speech (“There is no issue with being male or white…”)
As for Ng’s racist slurs, you seem to simply ignore them, the charges about “whites” being “sterile” and “haunt” the genre. You just falsely claim it’s “no issue” – but it is. You can’t even follow your own instructions that “We do not tolerate harassment of convention attendees in ANY FORM”. That’s what it says, but obviously you do tolerate harassment if it is in the form certain people like. People have reason to feel attacked!
“I certainly did. As a white male writer who goes back to the Campbell era I felt directly under attack, as well as being angered by the inaccurate slander being directed at Campbell, and I was so upset by her statements and the obvious audience approval of them that I left the ceremony as soon as I could appropriately get out the door “
That was a a testimony from a well-known longtime sf professional whom I shall not name.
Engholm asserts that what people complain about in Campbell is the byproduct of his “intentionally provoking intellectual style.” He also tells why in his view (and that of Harry Harrison) Campbell was not, politically, a fascist, therefore Ng was mistaken in calling him one. The complete text of Engholm’s commentary is here.