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Pixel Scroll 3/20/23 They’re Coming To Scroll Me Away, To The Pixel Farm, Where Life Is Beautiful All The Time

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(1) EMBRACE THE MONOVERSE. [Item by Olav Rokne.] S.I. Rosenbaum (who was at the Hugo Awards in 2022 with their partner Abraham Reisman) writes in the New York Times about the seductive power of multiverses as a metaphor, and the danger of losing yourself in them. It’s a beguiling and interesting meditative piece that weaves together threads of politics, comic books, modern pop culture and personal reflection.  “I Fantasized About Multiple Timelines, and It Nearly Ruined My Life”.

…It’s easy to see the appeal of the multiverse, even as metaphor: the notion that we’re surrounded by a multitude of parallel selves, one of which might be living in a better timeline than the one we’re stuck in. It’s probably no coincidence that the idea has become so popular during an era of pandemic, climate change and political turmoil, when so many of us have felt helpless and trapped. Who doesn’t want to imagine a different world?

But it can also be a dangerous way of imagining the cosmos. Like the Capgras patient, we risk becoming detached from the world we can see and touch. Regardless of whether we can prove that the multiverse exists, the idea of it can distract us from doing the work we need to do to make this world better. This timeline is the only one we have access to, and it’s got to be enough.

As a species, we’ve long been haunted by spirit realms and ghostly domains. Plato conceived of an intangible world of forms realer than anything we can touch. Plutarch reported that Alexander wept when he heard the possibility of an infinite number of worlds, having not conquered all of this one.

C.S. Lewis was an early multiverse explorer with his Narnia books, in which siblings grow to adulthood as kings and queens on the other side of their magical wardrobe in a world that exists parallel to our own. He was also paying quite a bit of attention at the time to a new branch of science known as quantum physics. In 1957, a year after Lewis published his last Narnia book, a Princeton doctoral student, Hugh Everett III, published a dissertation bringing the ancient idea of the simultaneous existence of several worlds into the realm of modern science.

Everett was trying to solve a seeming paradox in quantum theory: Certain elementary particles (say, a photon) seemed to exist mathematically in many places at once but could be detected at only one location at a time.

Perhaps, Everett suggested, the act of detecting the particle splinters reality; perhaps the observer, and indeed the universe, splits into different possible timelines, one for each possible location of the particle. This would become known as the many-worlds interpretation. Physicists recoiled at the idea at the time.

…And that’s the peril of the multiverse; I was becoming unreal to myself, nostalgic not for a time before the death happened but for a timeline in which it never happened at all….

(2) APPROACH THE BENCH. “Publishers, Internet Archive Set for Key Hearing Today” – Publishers Weekly gives a head’s up.

After nearly three years of legal wrangling, a federal judge today will hear cross motions for summary judgment in a closely watched lawsuit challenging the legality of the Internet Archive’s program to scan and lend print library books.

First filed in New York on June 1, 2020, by four major publishers (Hachette, HarperCollins, John Wiley & Sons, and Penguin Random House) and the Association of American Publishers, the copyright infringement lawsuit alleges that the Internet Archive’s scanning and lending of library books under an untested legal theory known as “controlled digital lending” is piracy on an industrial scale. The Internet Archive counters that it’s activities are legal, protected by fair use, and that the publishers’ action fundamentally threatens the core mission of libraries to own and lend collections in the digital age….

(3) TASTE OF MOCCA. The Society of Illustrators has release the programming schedule for the 2023 MoCCA Arts Festival, taking place April 1-2. Programming will take place at the SVA Flatiron Gallery, located at 133 West 21st Street (NYC), steps away from the Exhibitor Hall at Metropolitan Pavilion. Full details here: MoCCA Arts Fest. An excerpt from the program press release:

Featured guest Maia Kobabe, author of the award-winning and frequently-banned Gender Queer, will answer questions posed by writer Michele Kirichanskaya (Ace Notes) in a special spotlight session. Kobabe will also participate in a very special panel about comics and censorship moderated by PEN America’s Jonathan Friedman, and also including Mike Curato, author of Flamer, and Cathy G. Johnson, author of The Breakaways, who have all been affected by the wave of censorship currently sweeping parts of the United States. 

In other spotlight sessions, Barbara Brandon-Croft (Where I’m Coming From) will discuss her life and career as the first Black woman to write and draw a nationally syndicated daily comic strip. Colleen Doran (A Distant Soil) will appear in conversation with Neil Gaiman (Sandman) to discuss her career and their history of collaboration. This event is scheduled in conjunction with the exhibition “Colleen Doran Illustrates Neil Gaiman,” running from March 22nd to July 29th at the Society of Illustrators and curated by scholar Kim Munson, who will also moderate the conversation. Noah Van Sciver will discuss his prolific career in conversation with Gil Roth (Virtual Memories)….

(4) CULTURE CANCEL. [Item by Olav Rokne.] Research reported in Variety confirms what a lot of us already suspected about the current era of streaming; viewers won’t get attached to shows when they think they’re likely to get cancelled before their stories have a chance to be told. So Netflix’s 1899, and Amazon’s Papergirls may have been doomed before they began. Fear of streamers cancelling shows early leads to a self-fulfilling prophecy, and for dark times in media. “Survey Shows Frequent TV Series Cancellations Affect U.S. Viewership”.

Frequent TV show cancellations are starting to change how U.S. viewers decide what to watch. In fact, whether or not the show has concluded has a significant impact on whether people sample it, according to a survey from YouGov.

A quarter of U.S. adults wait for streaming originals’ finale before starting, citing fears over the show’s potential cancellation with an unresolved ending (27%) or because they do not want to wait for the next season after a cliffhanger (24%). Nearly half (48%) of the participants who said they prefer to wait until the series ends before starting it cited a preference for binge-watching shows.

Moreover, the survey showed that nearly half of Americans (46%) sometimes or always wait for the series finale before they even begin watching the show. The 18-to-34-year-old age group was the most likely to agree with that statement, with 25% saying always and 34% saying sometimes….

(5) VERSUS EBOOKS. On the BBC’s Hardtalk, Stephen Sackur speaks to the hugely successful bookseller James Daunt. “From Waterstones to Barnes & Noble he has fought off ebooks and online retail to revive bricks and mortar bookstores.” But – “Is the books industry a place where creativity and diversity truly thrive?”

(6) INDIE BOOKS RECOGNIZED. The finalists of the 2022 Foreword Indies Book of the Year Awards have been announced in lots of categories, including fantasy and science fiction.

As part of its mission to discover, review, and share the best books from university and independent publishers, Foreword Reviews is pleased to announce the finalists for the 2022 INDIES Book of the Year Awards.

More than 2,500 entries spread across 55 genres were submitted for consideration. The Finalists were determined by Foreword’s editorial team. Winners are now being decided by teams of librarian and bookseller judges from across the country.

Winners in each genre—along with Editor’s Choice Prize winners and Foreword’s Independent Publisher of the Year—will be announced June 15, 2023.

 (7) LORD RUTHVEN AWARDS ON HIATUS. The Lord Ruthven Assembly usually presents its vampire-themed awards during the International Conference on the Fantastic in the Arts, but not this year.

Amanda Firestone explained to File 770, “The LRA paused our awards for 2022 in order to re-evaluate how candidates are selected and voting procedures are conducted. We intend to ‘double up’ for next year’s presentation at ICFA 45.”

(8) A DOG’S BEST FRIEND. It’s a heartwarming article. “Can’t Explain” by Mad Genius Club’s Dave Freer. (Yes, I know!) Here’s the first paragraph.

We ended up dogsitting for an older friend of ours that had to go medical, off island. A long-ish treatment. She’s a widow, and the dog is her husband’s old hunting dog. When we arrived I thought it was a death watch. Not that his mistress is unkind or mistreats him in any way – she had gone to the trouble of getting us in dog-sit, and provides for him in every way… but, well dogs are not politically correct. And no one had told Bert he wasn’t allowed to be a man’s dog. He spent our entire time there basically on my feet. I pampered him, and fussed him a lot. He put on a bit of condition, and when his mistress came home… (and he was pleased to see her) I was left at the gate saying ‘see you in heaven, someday, Bert.’ It nearly broke my heart. Because you can’t explain….

(9) MEMORY LANE.

1977 – [Compiled by Cat Eldridge.]

Spider Robinson’s Callahan’s Place, his bar that exists everywhere in this universe and perhaps elsewhere, is one of those series that is great in places, and well, not so great in others. 

The Beginning below is that of Callahan’s Crosstime Saloon which was published by Ace Books in 1977 in paperback. It’s currently available from the usual suspects. 

Callahan’s Crosstime Saloon contains nine stories, Most of which were published in Analog Science Fiction and Fact with one in Vertex.

I’ve said it before and I’ll repeat here — I can now only absorb my written SF in small bites, so these stories are perfect for me.  Each has Robinson’s usual wry humor and more than a fair bit of sharp wit to them. . 

And now let’s have this Beginning…

The Guy With The Eyes. Callahan’s Place was pretty lively that night. Talk fought Budweiser for mouth space all over the joint, and the beer nuts supply was critical. But this guy managed to keep himself in a corner without being noticed for nearly an hour. I only spotted him myself a few minutes before all the action started, and I make a point of studying everybody at Callahan’s Place. 

First thing, I saw those eyes. You get used to some haunted eyes in Callahan’s—the newcomers have ’em—but these reminded me of a guy I knew once in Topeka, who got four people with an antique revolver before they cut him down.

 I hoped like hell he’d visit the fireplace before he left. 

If you’ve never been to Callahan’s Place, God’s pity on you. Seek it in the wilds of Suffolk County, but look not for neon. A simple, hand-lettered sign illuminated by a single floodlight, and a heavy oaken door split in the center (by the head of one Big Beef McCaffrey in 1947) and poorly repaired. 

Inside, several heresies. 

First, the light is about as bright as you keep your living room. Callahan maintains that people who like to drink in caves are unstable. 

Second, there’s a flat rate. Every drink in the house is half a buck, with the option. The option operates as follows: 

You place a one-dollar bill on the bar. If all you have on you is a fin, you trot across the street to the all-night deli, get change, come back and put a one-dollar bill on the bar. (Callahan maintains that nobody in his right mind would counterfeit one-dollar bills; most of us figure he just likes to rub fistfuls of them across his face after closing.) 

You are served your poison-of-choice. You inhale this, and confront the option. You may, as you leave, pick up two quarters from the always full cigarbox at the end of the bar and exit into the night. Or you may, upon finishing your drink, stride up to the chalk line in the middle of the room, announce a toast (this is mandatory) and hurl your glass into the huge, old-fashioned fireplace which takes up most of the back wall. You then depart without visiting the cigarbox. Or, pony up another buck and exercise your option again. 

Callahan seldom has to replenish the cigarbox. He orders glasses in such quantities that they cost him next to nothing, and he sweeps out the fireplace himself every morning. 

Another heresy: no one watches you with accusing eyes to make sure you take no more quarters than you have coming to you. If Callahan ever happens to catch someone cheating him, he personally ejects them forever.  Sometimes he doesn’t open the door first. The last time he had to eject someone was in 1947, a gentleman named Big Beef McCaffrey. 

Not too surprisingly, it’s a damned interesting place to be. It’s the kind of place you hear about only if you need to—and if you are very lucky. Because if a patron, having proposed his toast and smithereened his glass, feels like talking about the nature of his troubles, he receives the instant, undivided attention of everyone in the room. (That’s why the toast is obligatory. Many a man with a hurt locked inside finds in the act of naming his hurt for the toast that he wants very much to talk about it. Callahan is one smart hombre.) On the other hand, even the most tantalizingly cryptic toast will bring no prying inquiries if the guy displays no desire to uncork. Anyone attempting to flout this custom is promptly blackjacked by Fast Eddie the piano player and dumped in the alley.

But somehow many do feel like spilling it in a place like Callahan’s; and you can get a deeper insight into human nature in a week there than in ten years anywhere else I know. You can also quite likely find solace for most any kind of trouble, from Callahan himself if no one else. It’s a rare hurt that can stand under the advice, help, and sympathy generated by upwards of thirty people that care. Callahan loses a lot of his regulars. After they’ve been coming around long enough, they find they don’t need to drink any more. 

It’s that kind of a bar.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 20, 1902 — David Lasser. From 1929 to 1933, he was the Managing Editor of Gernsback’s Stellar Publishing Corporation. He edited Science Wonder Stories and Wonder Stories Quarterly, as well working with writers on both zines. Lasser also edited Gernsback’s Wonder Stories from June 1930 to October 1933. As near as I can tell, The Time Projector novel is his only genre work. (Died 1996.)
  • Born March 20, 1932 — Jack Cady. He won the Nebula Award, the World Fantasy Award, and the Bram Stoker Award, an impressive feat indeed. McDowell’s Ghost gives a fresh spin on the trope of seeing a War Between The States ghost, and The Night We Buried Road Dog is another ghost story set in early Sixties Montana. Underland Press printed all of his superb short fiction into two volumes, Phantoms: Collected Writings, Volume 1 and Fathoms: Collected Writings, Volume 2. (Died 2004.)
  • Born March 20, 1948 — Pamela Sargent, 75. She has three exemplary series of which I think the Seed trilogy, a unique take on intergenerational colony ships, is the one I like the best. The other two series, the Venus trilogy about a women determined to terraform that world at all costs is quite good, and there is the Watchstar trilogy which I know nothing about. Nor have I read any of her one-off novels, so please do tell me about them. Her “Danny Goes to Mars” novelette won a Nebula and was also nominated for a Hugo at ConFrancisco. She was honored with the Kevin O’Donnell Jr. Service to SFWA Award. 
  • Born March 20, 1950 — William Hurt. He made his first film appearance as a troubled scientist in Ken Russell’s Altered States, a career-making film indeed. He’s next up as Doug Tate in Alice, a Woody Allen film. Breaking his run of weird roles, he shows in Lost in Space as Professor John Robinson. Dark City and the phenomenal role of Inspector Frank Bumstead followed for him. He was in A.I. Artificial Intelligence as Professor Allen Hobby and performed the character of William Marshal in Ridley Scott’s Robin Hood. Up next was horror film Hellgate and his role as Warren Mills, and Jebediah from Winter’s Tale. He was in Avengers: Infinity War as Thaddeus “Thunderbolt” Ross. Two series roles of note, the first being in the SyFy Frank Herbert’s Dune as Duke Leto I Atreides. Confession: the digitized blue eyes bugged me so much that I couldn’t watch it. His other role worth noting is Hrothgar in Beowulf: Return to the Shieldlands. (Died 2022.)
  • Born March 20, 1955 — Nina Kiriki Hoffman, 68. Her The Thread That Binds the Bones, won the Bram Stoker Award for first novel. In addition, her short story “Trophy Wives” won a Nebula Award for Best Short Story. Other novels include The Silent Strength of Stones (a sequel to Thread), A Fistful of Sky, and A Stir of Bones. All are excellent. Most of her work has a strong sense of regionalism being set in California or the Pacific Northwest. 
  • Born March 20, 1962 — Stephen Sommers, 61. He’s responsible for two of my very favorite pulpish films, The Mummy and The Mummy Returns which he directed and wrote. He also did the same for Van Helsing, and the live action version of Rudyard Kipling’s The Jungle Book. No, I’ve not seen it, so how is it? Not that he’s perfect as he did all four of the Scorpion King films…
  • Born March 20, 1970 — Cathy DeBuono, 53. If you were observant, you noticed her as M’Pella, a dabo girl who worked in Quark’s on Deep Space 9 during the last three seasons for an amazing fifty-two episodes. She also worked on the series as a stand-in, photo double, and body double for Terry Farrell. She received no on-screen credits until her final appearance in “The Dogs of War” episode
  • Born March 20, 1979 — Freema Agyeman, 44. Best known for playing Martha Jones in Doctor Who, companion to the Tenth Doctor. She reprised that role briefly in Torchwood. She voiced her character on The Infinite Quest, an animated Doctor Who serial. She was on Sense8 as Amanita Caplan. And some years ago, she was involved in a live production of Terry Pratchett’s Discworld’s Lords and Ladies held in Rollright Stone Circle Chipping Norton, Oxfordshire. It was presented out of doors in the centre of two stone circles. She’s continued her Martha Jones role in the Big Finish audio productions. 

(11) JEDI COMIC RELIEF. “Obi-Wan Kenobi: Ewan McGregor Unexpectedly Reprised His Star Wars Role This Week” at Comicbook.com.

…As for [Ewan] McGregor, it’s unclear if he’ll be playing the fan-favorite Jedi again in an official capacity, but he did don the robe this week during a Comic Relief sketch, which aired on the BBC in the United Kingdom.

McGregor took part in a star-studded parody of Peacock’s The Traitors. The “contestants” included The Great British Bake Off‘s Mary Berry as well as Alison Hammond, who will soon be replacing Matt Lucas on The Great British Bake Off. It also featured Stephen Merchant (Logan), Danny Dyer (EastEnders), Jennifer Saunders (Absolutely Fabulous), and two real contestants from the first season of The Traitors. In the sketch, McGregor speaks about the dangers of the Dark Side and Merchant accuses him of being there only through a green screen. McGregor tells Merchant to “pipe down” since “it’s been a while” and he’s “just trying to stay in character.” The beloved Star Wars actor also gets in some good puns along the way. You can check out most of the sketch below…

(12) ROLL ‘EM. Speculiction favors us with comments about a Star Wars-themed board game: “Cardboard Corner: Review of Imperial Assault”.

…Imperial Assault is a difficult game to categorize. Hovering at ceiling height above the table, it’s a miniatures game for 1-5 players that plays a campaign across varying scenarios using a modular map to recreate classic Star Wars environments. Tatooine deserts, Dagobah jungles, Imperial bunkers, and star destroyer bridges are just some of the places the wonderfully sculpted plastic minis portraying Rebel heroes and Imperial villains battle it out.

Down at the table level, one player takes on the mastermind role of the Imperials, controlling all of the stormtroopers, probe droids, officers, and other baddies in an attempt to prevent the Rebels from achieving their scenario goals. The other players take on the role of Rebel heroes, and depending on the scenario will fight off the Imperials to accomplish objectives; rescuing captives, stealing data, destroying bunkers—real Star Wars stuff. Linking these pieces together is a campaign that never plays the same way twice. Oh, and a set of custom dice developed specifically for resolving the game’s attacks and skill tests…..

(13) MORE GAME REVIEWS. And if you’re looking for other reviews of “analog” (i.e., not digital) games, Eric Franklin recommended these two sources to me:

  • Shut Up And Sit Down – https://www.shutupandsitdown.com – is a blog and podcast that does video reviews of games that include actual gameplay.  The team is very funny (and are super-good people), and they’re worth watching.
  • Rahdo Runs Through – https://www.youtube.com/user/rahdo – one of the best-known board game channels on YouTube. Originally a one-man show, he’s expanded and brought in a handful of other teammates for his video reviews.

Both of them do solid overviews of play during their reviews, including (usually) showing a few turns or rounds of play.

(14) SO IT’S LIKE SHREK? [Item by Mike Kennedy.] Scientists at Caltech have refined modeling of Io and say it’s likely to have a subsurface global magma ocean overlaying a solid core rather than a spongy mix of solids and magma. So, layers like an onion. Or an ogre. “Jupiter’s volcanic moon Io probably has a subsurface magma ocean” at Sky at Night.

The moon Io, the innermost of Jupiter’s Galilean moons, is a violent, tortured little world.

Despite being almost the same size as our own Moon, the two couldn’t be more different.

Our Moon is a cold, dead world, while Io is the most volcanically active body in the Solar System – even more so than Earth – and is constantly spewing itself inside out with intense eruptions.

The driving force behind all this activity is tidal heating. The powerful gravitational pull of Jupiter tugging on Io constantly distorts its shape.

This perpetual bending and flexing generates intense tidal heating in the interior of the moon, melting its silicate rock crust into hot magma….

(15) VIDEO OF THE DAY. Have you seen something strange in the sky lately? The first ones came to spy on us. Now, the Giant Bubbles attack!

Filmmaker Fabrice Mathieu says his film was “Inspired from the white balloons flying above some countries!”

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Olav Rokne, Eric Franklin, Fabrice Mathieu, Cora Buhlert, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 2/18/22 My Name Is Scroll, Pixel Scroll, Agent 770, With A License To File

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(1) #METOO. On February 12, attorney and former Weller colleague Cara Dehnert published an essay detailing her previous relationship with Bradbury biographer Sam Weller. The piece alleges mental, emotional, and sexual abuse from Weller, including rape. “What Happened To Me. By: Cara Dehnert” at Medium.

(2) TRUTHS ABOUT TRAUMA. Sarah Gailey sets the bar “On Trauma-Informed Writing” at the SFWA Blog.

… “A difficult or unpleasant experience that changes a person in a lasting way” is a descriptor that applies to most stories. In spite of the promises of a recent literary movement that strives to elide unpleasantness in storytelling, it’s difficult to make a narrative compelling when characters aren’t changed as a result of struggle. Further, a story in which characters endure traumatic experiences without changing in response to them is a story that can cause immense harm.

Narratives help us to understand ourselves and the world around us, and stories that depict trauma as a temporary inconvenience reinforce the idea that ongoing trauma-responses are unusual, or even a sign of weakness. This real-world impact bears out in the way many people process—or are unable to process—their own real-life traumas. Many trauma survivors find themselves questioning why they’re unable to move on from traumatic events. They’ve consumed narratives in which scary things happen, but when the scary things are over . . . everyone stops being scared. So why shouldn’t the same be true in real life?

Treating a character’s trauma as though it can be resolved along with the plot is disingenuous. Treating a character’s trauma as though it must be resolved along with the plot is dangerous. Both are profoundly disrespectful to the story being told…. 

(3) FEDERAL PREEMPTION. Publishers Weekly explains why “Court Blocks Maryland’s Library E-book Law”.

In a rebuke to Maryland state legislators, a federal judge has granted the Association of American Publishers’ motion for a preliminary injunction, blocking Maryland officials from enforcing the state’s new library e-book law.

“It is clear the Maryland Act likely stands as an obstacle to the accomplishment of the purposes and objectives of the Copyright Act,” concluded federal judge Deborah L. Boardman, in a 28-page opinion. Although the judge noted that the Maryland Act only requires an ‘offer’ to license and does not ‘explicitly require’ publishers to grant licenses to libraries, “this is a distinction without a difference,” Boardman concluded (lifting directly from the AAP’s brief), holding that the threat of civil and criminal penalties for non-compliance amounts to “a forced transaction” that “effectively strips publishers of their exclusive right to distribute.”

In enjoining the law, Boardman found that the AAP cleared all four factors necessary to grant a preliminary injunction—a likelihood of success on the merits; irreparable harm; winning the balance of equities, and that the injunction was in the public interest. But while the court entertained—and largely accepted the AAP’s arguments on each factor—the court’s decision ultimately came down to one simple finding (which the AAP also argued): the Maryland law is fatally flawed because it is preempted by federal copyright law….

(4) POKEMON. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber reviews Pokemon Legends;  Arceus.

The game “comes as something of a shock.  There is rarely a surprise in a mainline Pokemon game–if you’ve played one, you’ve played them all.  While The Pokemon Company has spun its IP into the highest-grossing media franchise of all time, encompassing movies, merchandise and trading cards, there has always been an uncomfortable tension in the video games:  that they are supposedly about the joy of adventure, yet have been proven remarkably unwilling to tread new ground for 25 years…

…Like Harry Potter and all the most successful franchises for younger children, Pokemon sells a dream, a world that children desperately want to be real.  As a kid I yearned to make life-long friends with magical creatures.  Arceus is not the Poikemon game I dreamt of, but it gets close.  Game Freak has swapped the series’ aging skeleton for a promising new set of bones, creating a Pokemon game that feels fresh for the first time in over a decade.  It achieved this by finally taking a leaf out of its own book–to make like a Pokemon and evolve.”

(5) IT MIGHT BE SFF. [Item by Mike Kennedy.] Legendary Director Francis Ford Coppola has announced he will be dipping deep into his own pocket to fund a passion project: Megalopolis. Coppola wrote the script around 40 years ago (though one guesses there may have been revisions since). IMDb gives this succinct description,“An architect wants to rebuild New York City as a utopia following a devastating disaster.” GQ described it as, “A love story that is also a philosophical investigation of the nature of man.” Variety interviewed him about it: “Francis Ford Coppola to Spend His Own $120 Million on New Film: I Don’t Care ‘About the Financial Impact’”.

… Speaking to GQ magazine, Coppola said that major Hollywood executives reacted to his “Megalopolis” pitch the “same way they did when I had won five Oscars and was the hottest film director in town and walked in with ‘Apocalypse Now’ and said, ‘I’d like to make this next.’ I own ‘Apocalypse Now.’ Do you know why I own ‘Apocalypse Now?’ Because no one else wanted it.”

Coppola added, “So imagine, if that was the case when I was 33 or whatever the age and I had won every award and had broken every record and still absolutely no one wanted to join me, [then how do you think they’re reacting now?] I know that ‘Megalopolis,’ the more personal I make it, and the more like a dream in me that I do it, the harder it will be to finance.”

…When GQ asked if self-funding “Megalopolis” could mirror his experience on “One From the Heart,” a massive flop that Coppola spent years paying back the bank for, the director responded, “I couldn’t care less about the financial impact whatsoever. It means nothing to me.”

(6) BRENNER OBIT. Film editor David Brenner died February 18 at the age of 59 reports Variety. In 1990, Brenner won the Academy Award for film editing with director Oliver Stone’s Born on the Fourth of July, sharing the award with editor John Hutshing. His genre film credits include Independence Day (1996), What Dreams May Come (1998), The Day After Tomorrow  (2004), 2012 (2009), Pirates of the Carribean: On Stranger Tides (2011), Man of Steel (2013), Batman vs. Superman: Dawn of Justice (2016), Justice League (2017), and Zack Snyder’s Justice League (2021).

(7) MEDIA BIRTHDAY.

2005 — [Item by Cat Eldridge]  On this day in 2005, Constantine was released in the U.S. Based off DC’s Hellblazer series, it starred dark haired Keanu Reeves as the much blonder-haired John Constantine, a decision that of course drew much criticism. It was, to put it mildly, produced by committee. The screenplay by Kevin Brodbin and Frank Cappello off a story by Kevin Brodbin. 

Its impressive cast included Keanu Reeves, Rachel Weisz, Shia LaBeouf, Tilda Swinton, Pruitt Taylor Vince, Djimon Hounsou, Gavin Rossdale, and Peter Stormare. I really Tilda Swinton‘s role. 

Reception among critics was mostly negative with Roger Ebert saying Reeves that he “has a deliberately morose energy level in the movie, as befits one who has seen Hell, walks among half-demons, and is dying. He keeps on smoking.” The film made his most hated list. 

Box office wise, it made nearly a 25 million dollars off a budget that was maybe a hundred million dollars. The studio has declined to admit how much the production costs were. 

Over the years, its rating among audience reviewers at Rotten Tomatoes has steadily climbed now standing at an excellent seventy-two percent. Huh. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 18, 1908 — Angelo Rossitto. A dwarf actor and voice artist, with his first genre role being in 1929’s The Mysterious Island as an uncredited Underwater Creature. His last major role was as The Master in Mad Max Beyond Thunderdome. He showed up in Galaxina, The Incredible Hulk, Jason of Star Command, Bakshi’s Lord of The Rings, Adult Fairytales, Clones, Dracula v. Frankenstein and a lot more. (Died 1991.)
  • Born February 18, 1919 — Jack Palance. His first SF film is H. G. Wells’ The Shape of Things to Come which bears little resemblance to that novel. (He plays Omus.) Next up he’s Voltan in Hawk the Slayer followed by being Xenos in two Gor films. (Oh the horror!) He played Carl Grissom in Burton’s Batman, and Travis in Solar Crisis along with being Mercy in Cyborg 2. ABC in the Sixties did The Strange Case of Dr. Jekyll and Mr. Hyde in which he played the lead dual roles, and he had a nice turn as Louis Strago in The Man from U.N.C.L.E. which is worth seeing. (Died 2006.)
  • Born February 18, 1929 — Len Deighton, 93. Author of possibly the most brilliant alternative novel in which Germany won the Second World War, SS-GB. It deals with the occupation of Britain. A BBC One series based off the novel was broadcast several years back.
  • Born February 18, 1968 — Molly Ringwald, 54. One of her was first acting roles was Nikki in Spacehunter: Adventures in the Forbidden Zone. She’ll later have the lead role of Frannie Goldsmith in Stephen King’ The Stand series. And does the Riverdale series count at least as genre adjacent? If so, she’s got the recurring role of Mary Andrews there.

(9) COMICS SECTION.

(10) WILD CARDS COMICS. Paul Cornell and Mike Hawthorne retell the foundational Wild Cards stories in new comic series, Wild Cards: The Drawing Of Cards #1 coming June 1.

Based on stories by Harold Waldrop, Roger Zelazny and series master-mind and editor, George R.R. Martin, Wild Cards is a fascinating saga set in a whole new world reshaped by the emergence of superpowers. The limited series, titled The Drawing Of Cards, will be written by a team of comic superstars, writer Paul Cornell and artist Mike Hawthorne, and serve as a perfect entry point for Wild Cards newcomers and a must-have new reimagining for Wild Cards aficionados!

Spanning more than 25 novels, 20 short stories, and written by more than 40 authors over three decades, the Wild Cards series tells the story of an alternate history where Earth is home to super-powered individuals. When a human is infected with the alien “Wild Card” virus, the odds are that they will be killed… which is referred to as “drawing the black queen”. Of those that survive, the bulk of them become “jokers”, left with some strange mutated form. A lucky few are called “aces”, those gifted with super powers they can put to use towards heroic goals… or villainous ones….

“As my fans may already know, the Wild Cards World holds a special place in my heart, so to have the privilege of announcing that an industry titan like MARVEL is going to produce the narrative from the beginning as a comic book brings me no end of joy,” [George R.R. Martin] added.

(11) ONE DOES NOT SIMPLY WALK INTO MORDLE. [Item by Jennifer Hawthorne.] You know that word game, Wordle, that’s burning up Twitter?

Well, variants are popping up like mushrooms after a rainstorm, and someone came up with “Lordle of the Rings.”  It’s Wordle, but you can only use five letter words found in “The Lord of the Rings.”  (Mind you, given how long the books are, that covers a lot of ground.) Find it here: “Lordle of the Rings”.

(12) THE PRICE DOESN’T SUCK THAT MUCH. A “Scarce First Edition, First Issue of ‘Dracula’ by Bram Stoker from 1897” is being auctioned by Nate D. Sanders. The binding is a little banged up, but surely it’s a bargain at $22,500?

(13) NASA NEWS. SF is discussed in this interview with NASA’s chief economist: “Astronomy, sci-fi, and the roots of the space economy: My long-read Q&A with Alex MacDonald” at the American Enterprise Institute.

… In the Industrial Revolution, a lot of the technologies that allow you to think about space flight come online, the most obvious one being pressure vessels, the other relevant ones being, essentially, large armaments. It’s not a coincidence that when Jules Verne talks about the technology for traveling to the Moon in his very well-known book “From the Earth to the Moon,” he essentially has the protagonists being underemployed armaments makers in the United States after the Civil War, who had incredible capabilities for developing large cannons, and they thought they might put them to a different use, a type of swords-into-plowshares initiative in the United States in the 19th century.

This results in a real explosion of stories about traveling into space. Jules Verne’s “From the Earth to the Moon” is written in the 1860s, but also written in the 1860s is the story “The Brick Moon” by Massachusetts pastor and writer Edward Everett Hale. He writes the first story about living on a space station. He and his brother, while they’re students at Harvard, basically come up with a concept for what today we would call a GPS system. All of these things are in the culture and in the literature.

Perhaps the most striking combination of these two themes of science fiction and astronomy is the story of Percival Lowell. Percival Lowell builds a little observatory, at which, later in the 20th century, the planet Pluto is discovered. I should say the dwarf planet Pluto. He is motivated by this idea of canals on Mars, which had been essentially emerging as a culture topic because of a mistranslation of Giovanni Schiaparelli’s Italian word canale, by which he meant channels, and which gets translated into English as canals. But Lowell sees these things, and he writes these books like “Mars as the Abode of Life.” And all of these popular culture works that expound the idea of a purported hypothetical Martian civilization, which, of course, gives further energy to the space flight movement overall.

That intertwining of astronomy and space flight ambition really is there in the 19th century, and of course, it continues up to the present day. The James Webb Space Telescope, of course, is one of the most exciting projects of our time. I was fortunate enough to take off some time from work and actually go down to French Guiana to watch the launch, and it was an amazing moment….

(14) HUMAN RESOURCES. This Netflix series isn’t about an HR department, but about aliens assigned to deal with humans. Airs March 18.

Life on Earth is pretty complicated. That’s why people need them. Welcome to Human Resources.

(15) VIDEO OF THE DAY. [Item by Mike Kennedy.] Apple, Inc. has turned their Signal Boost dial to 11 to promote a new Korean short film shot entirely on an Apple iPhone 13 Pro. Editing was done on Apple Macintosh computers. Director Park Chan-wook’s 21-minute fantasy Life is But a Dream—plus a short “making of” doc—are both available on YouTube. The soundtrack is available on Apple Music. 9to5mac has the story: “Apple shares film shot on iPhone 13 Pro by Park Chan-wook”.

An undertaker who needs woods to build a coffin for the savior of his village digs up an abandoned grave. But while doing so, he accidentally awakens the ghost of an ancient swordsman. Now the ghost tries to take back his coffin.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Jennifer Hawthorne,.John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]

Pixel Scroll 9/29/21 I Should Have Been A Pair Of Ragged Pixels, Scrolling Across The Floors Of Silent Files

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(1) BROOKLYN BOOK FESTIVAL. The Brooklyn Book Festival, running from September 26-October 4, has several virtual panels of interest to sff readers. Register at the links.

From creating slice-of-life cyclops and mermaid stories to horror-infused dramas and Afrofuturist epics, worldbuilding—complete with specific rules, cultures, and logic—is no small feat. Join creators Tim Fielder (Infinitum), Kat Leyh (Thirsty Mermaids), John Jennings (After the Rain), and Aminder Dhaliwal (Cyclopedia Exotica) as they discuss the unique challenges and joys of speculative storytelling and how fantastical worlds can say more about our own. Moderated by writer and editor Danny Lore (Queen of Bad Dreams, FIYAH Magazine). 

A dystopian London, a child caught in the midst of a deadly epidemic, and a grieving taxi driver in a ghostly Washington, D.C. Join the authors of A River Called Time (Courttia Newland), Phase Six (Jim Shepard), and Creatures of Passage (Morowa Yejidé) for a conversation on what draws them to speculative fiction, from world-building to the mechanics that make a story tick. Moderated by Carolyn Kellogg.

A Life of Crime (virtual) – Brooklyn Book Festival – October 3, 9:00 p.m. Eastern

Join award-winning mystery authors Naomi Hirahara and Walter Mosley for a discussion about their prolific and versatile writing livest. Hirahara’s latest mystery, Clark and Division, revolves around a Japanese American family building a new life in 1940s Chicago after their release from mass incarceration during World War II. Mosley’s indefatigable detective, Easy Rawlins, returns in Blood Grove, solving a new mystery on the streets of Southern California in 1969. Moderated by Dwyer Murphy, editor in chief of CrimeReads.  

The in-person programming includes “The View from the End of the World”, October 3, 11:00 a.m. Eastern.

A cross-country road trip in an atomic-powered tunnel digger, when everything else has stopped working.. A scavenger hunt for extinct species set against the backdrop of environmental collapse.. Hollywood dreams literally going up in flames, amid nefarious corporate dealings.  Join Jonathan Lethem (The Arrest), Jeff VanderMeer (Hummingbird Salamander), and Alexandra Kleeman (Something New Under the Sun), as they discuss visions of our world and how we’ll manage to keep living in it. Moderated by Alice Sola Kim.

Jonathan Lethem and Jeff VanderMeer will be appearing virtually.

(2) FLAME ON. SF2 Concatenation’s Autumn 2021 issue weighed in on fan controversies from last spring in this incendiary Editorial Comment.  (The creators of this long-lived periodic sff news publication are The Science Fact & Science Fiction Concatenation Team.)

EDITORIAL COMMENT

The 2021 Worldcon has a new Chair who deserves best wishes from all in the SF Worldcon community.  We need to remember, she has taken over following the successive resignations of the convention’s former co-chairs one of which was due to the continued abuse conrunners and others are receiving from a minority of self-righteous, perfervid, strident Worldcon fans.
          Of course, it is not just convention runners, this year one major author who has given much to the Worldcon community – in both time, effort and cash over many years – has received disparaging attention due to what is arguably a non-malicious misjudgement unfortunately made at last year’s Worldcon. The maltreatment this well-known author has received includes a nasty little article whose title uses profanity against its target (the article’s writer was unable to marshal her argument with calm logic). Sadly, there were enough of these strident fans for it to be short-listed for a Hugo Award to be presented at this year’s Worldcon. That the article contains both a profanity and the author’s name – the target of her abuse – means that it clearly runs contrary to the Worldcon convention’s own code of conduct, yet the Worldcon committee has decided to do nothing: the least it could have done would have been to censor the offending words and explain why.
          Such Worldcon abuse from a minority of fans is not new, in fact it seems to be increasingly regular.  Indeed the last time the Worldcon had been held in our neck of the woods in Brit Cit there was a volatile reaction to the proposed host for the Hugo ceremony that was both unwarranted and totally over-the-top that even spilled over into the mainstream press.
          And so it will be interesting this year to see whether the Hugo will go to a hate-mongering work or whether the majority of Worldcon’s Hugo voters will take a stand?
          The Worldcon is next likely to come to our neck of the woods in 2024; that is if the Cal Hab Worldcon bid for that year wins.  Let’s hope that by then the braying, vociferous minority will have moved on so that that event can be tantrum free.

(3) BIDDERS CALLED OUT. SF2 Concatenation – which is produced by a predominantly UK team – also challenged the Glasgow in 2024 Worldcon bid to address crowding issues at the last three European Worldcons.

The 2024 bid for a British Worldcon in Glasgow is still on….  But given the increasing overcrowding problems at recent European Worldcons (London in 2013, Helsinki in 2017, culminating in a jam-packed Dublin in 2019) it seems that the current generation of European Worldconrunners are unable or (worse?) unwilling to curb numbers to fit their venue’s size.  It would arguably be helpful if the Glasgow 2024 bid team gave a clear steer as to its planning policy on avoiding overcrowding so that those contemplating registering having attending the programme (as opposed to the socialising) as a big draw can decide whether or not to commit a four-figure investment in registration, travel, accommodation and food to attend.

(4) HOLLYWOOD ICON. [Item by Martin Morse Wooster.] I heard this 2018 interview Leonard and Jessie Maltin did with Rick Baker and his daughter Veronica Baker: Maltin on Movies: Rick and Veronica Baker. Rick Baker won seven Oscars for makeup and has a star on the Hollywood Walk of Fame.  His daughter, Veronica, is a producer at DC Universe Infinite.

Rick Baker discovered his calling in 1958 when he was 8 and bought the third issue of Famous Monsters Of Filmland.  As a teenager, he discovered the home address of master makeup artist Dick Smith and sent him some photos of his work.  Smith realized that Baker had talent and then spent a day with the teenage Baker giving him tips and subsequently hired him as an assistant for The Exorcist.  Smith, Baker recalled, was a very nice guy who was really good at spotting talent, since three of the teenage monster enthusiasts he corresponded with became Baker, J.J. Abrams, and Peter Jackson.

Baker, who retired in 2015 because he was tired of dealing with the suits, had lots of stories.  He notes he was King Kong in the 1976 movie and played the pilot who killed Kong in the 2005 remake.  He still works on new designs and enthusiastically posts them on Instagram.

Cosplayers whose favorite holiday is Halloween will find Baker and his family simpatico because they spend three months a year prepping their  Halloween costumes. One year Baker, his wife, and their two daughters played four different versions of the Joker.  Another year they were characters from Beauty And The Beast with Baker playing the Beast.

I thought this was very enjoyable.

(5) ENJOYING ASIMOV’S BOOKS. Adam-Troy Castro tries to stick up for Asimov, though necessarily begins his Facebook post with a hefty list of concessions.

Thanks to the new TV adaptation of Asimov’s FOUNDATION, some people are rushing to the internet to make the clever observation that Isaac Asimov really wasn’t a great writer of fiction.

They are also talking about his disgusting personal conduct toward women at conventions, but let us put that aside, mostly because I absolutely agree that it was disgusting and have no reason to argue with you….

…When I was a kid of about 8-10, precociously picking up books that had been marketed to adults from a school library that had the whole set of Asimov and Clarke books, they were a godsend to me. I had no problem parsing the prose, any prose. But for a kid who had not yet even begun to decode adult interactions, beginning a process that I am still shaky on today, as are we all, it was helpful to have books that imparted the sense of wonder and provided drama that was pretty much all surface because anything more sophisticated was precisely the stuff that I would be confused by and get bogged down in. Through Asimov I learned the trick of reading a book. And from Asimov I moved on to writers capable of introducing, among other things, more elegant prose, more complex description, more sophisticated characterization, and the resonance of human interactions that were by their nature harder to navigate than math problems….

(6) PROPERTY IS THEFT. WIRED’s “Geek’s Guide to the Galaxy” podcast interviews a professor who believes “Sci-Fi Is a Good Way to Learn Political Theory”. Listen to the complete interview with Joseph Reisert at the link.

…Reisert is currently teaching Ursula K. Le Guin’s novel The Dispossessed to help students understand Marxist ideas of a society without private property. “It’s the one imagining of a society without property that seems reasonably plausible to me,” he says. “I love that novel, and I think the central insight there is that to make that society without property work, even apart from the organizational challenges, requires a kind of moral transformation that’s not easy to accomplish.”

Another advantage of science fiction novels is that they tend to be more entertaining than political treatises, meaning that students are more likely to actually read them. “One shouldn’t underestimate the importance of having a light, easy reading at the end of a long semester right before people take exams,” Reisert says.

(7) THEFT IS THEFT, EVEN MORE SO. A press release on Business Wire reports “Educational Publishers Obtain Preliminary Injunction Against 60 Illegal Websites that Use Online Ads to Sell Pirated Content”.

Educational publishers, Macmillan Learning, Cengage Group, Elsevier, McGraw Hill and Pearson,have obtained a Preliminary Injunction from the United States District Court for the Southern District of New York against 60 websites that sell illegal, unlicensed copies of eBooks. The publishers filed suit against the operators of these websites on August 9, 2021, and on the same date obtained a Temporary Restraining Order that required the immediate shutdown of the infringing activity on these websites, as well as the cessation of the services provided by intermediaries that support the websites. With the Preliminary Injunction, that injunctive relief has now been extended through the pendency of the litigation. This is the fourth suit in less than two years that the publishers have brought against pirate eBook websites, and the fourth time they have successfully obtained a Preliminary Injunction.

Like the prior lawsuits, the current lawsuit states that the operators of the pirate eBook websites use online ads—most notably ads on Google and Microsoft’s Bing—to attract customers searching for the publishers’ legitimate content to their illegal websites. In addition to Google and Bing, the websites rely on payment processors, web hosts, domain registrars, proxy service providers and other internet service providers, all of whom are required by the Court’s injunction to stop facilitating the pirate websites’ illegal activity.

The sale of pirated textbooks injures students, who do not receive legitimate copies of the products they seek to purchase. Piracy also causes publishers financial injury, creating a ripple effect impacting the ability to invest in the creation of new works and scholarly contributions that benefit education as a whole. The educational publishers’ enforcement efforts seek to stop online piracy.

(8) SANDMAN CLIP. IndieWire introduces “’The Sandman’ First Look at Neil Gaiman’s Netflix Series”.

Netflix’s logline for the dark fantasy show reads: “A rich blend of modern myth and dark fantasy in which contemporary fiction, historical drama and legend are seamlessly interwoven, ‘The Sandman’ follows the people and places affected by Morpheus, the Dream King, as he mends the cosmic — and human — mistakes he’s made during his vast existence.”

The preface at YouTube says —

The Lord of Dreams has been summoned, and captured, by mortal men. Once free from his captivity, this eternal ruler of Dreams will realize that his troubles are only just beginning. The Sandman is a Netflix series based on the groundbreaking comic book series created for DC by Neil Gaiman.

(9) LITERARY CHOCOLATE. Fine Books & Collections brings to fans’ attention a new Lovecraftian delicacy that will soon be available.

Open Book Chocolates, purveyors of handmade, literary-themed chocolates, has announced a Lovecraft-inspired dark chocolate bar infused with Nori seaweed, ginger spice, and candied ginger. It’s called ‘The Call of Cthulhu,’ and a Kickstarter campaign is underway to launch this new flavor into the world. They’ve already met their funding goal, but potential backers can still get in on the action through October 12.

The Kickstarter still has 13 days to run: The Call of Cthulhu Chocolate Bar by G. E. Gallas.

…Our newest flavor, The Call of Cthulhu, is inspired by H. P. Lovecraft’s 1926 short story about narrator Francis Wayland Thurston’s search for the truth behind his recently deceased great uncle’s papers. Cthulhu is an ominous, nightmarish, octopus-like creature that hibernates underwater until the time is right for him to emerge and cause havoc. Nori seaweed represents Cthulhu’s aquatic origins, while the spicy kick of ginger expresses the discombobulation he bestows on man….

Call of Cthulhu is just one of a whole line of book-inspired chocolate bars that includes Alice in Wonderland, Sherlock Holmes, Jane Eyre, Pride and Prejudice, Treasure Island, The Raven, Les Miserables, and A Christmas Carol.

(10) ANOTHER TASTE OF HPL. Heritage Auctions has a big Horror, Science Fiction and Fantasy auction coming up on October 14 when  The Gary Munson Collection of Horror and Fantasy Rare Books goes under the hammer. One example is this Lovecraft rarity:

…No discussion of genre-defining work is complete without a mention of H.P. Lovecraft. Though a somewhat controversial character, there can be no doubt that his curious mind, monstrous creations and bone-chilling descriptions of creeping madness continue to shape the horror genre — and will well into the future. There is a reason we describe the worst of our nightmares as Lovecraftian: because H.P. Lovecraft shined a spotlight on all the darkest corners of our world and our minds.

As rare and secretive as the Eldritch gods themselves is this copy of an autographed manuscript signed for the short story, Pickman’s Model. Featuring 16 leaves of Lovecraft’s spidery handwriting, the manuscript is not only signed by Lovecraft, but is also written on the backs of 15 letters written to the author himself. Purportedly, Lovecraft was no fan of typewriters and often used the backs of correspondence, notes and other scrap paper for getting down his ideas. These unique letters contain a laundry list of recognizable names of Lovecraft’s peers and provide unique insight into the publication timeline of the story and Lovecraft’s correspondence and interactions in the years leading up to publication…

(11) MEDIA BIRTHDAY.

1963 – Fifty eight years ago this evening on CBS, My Favorite Martian first aired. It was created by John L. Greene who had absolutely no SF background. (Think The Adventures of Ozzie and Harriet.) It starred Ray Walston as “Uncle Martin” (aka the Martian) and Bill Bixby as Tim O’Hara. The first two seasons, seventy five episodes, were black and white, while the last thirty two episodes of season three were in color. It did very well for the first two seasons but ratings dropped significantly in the third season and it got cancelled. An animated series, My Favorite Martians, was made by Filmation and aired on CBS a decade later. It lasted sixteen episodes. Jonathan Harris voiced Martin. It would be remade in 1999 as a film with Christopher Lloyd as Uncle Martin and Ray Walston in a new role, Armitan/Neenert. It was a box office disaster. It currently has a twelve percent rating among audience reviewers at Rotten Tomatoes. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 28, 1873 — Theodore Lorch. He’s the High Priest in 1936 Flash Gordon serial. He also shows up (uncredited originally) as Kane’s Council Member in the 1939 Buck Rogers serial as well. (Died 1947.)
  • Born September 28, 1930 — Naura Hayden. Her best-known film appearance is a starring role in The Angry Red Planet where she was Dr. Iris “Irish” Ryan. Yes she was a redhead. Unless you can count her uncredited appearance as a harem girl in Son of Sinbad, this is her only film or series genre role. In 1955, she joined a Canadian musical cast of Li’l Abner. This was made possible by Sidney W. Pink who wrote the script for The Angry Red Planet. (Died 2013.)
  • Born September 28, 1934 — Stuart M. Kaminsky. Though best remembered as a very prolific mystery writer for which I single out the Toby Peters series about a private detective in 1940s Hollywood and the Inspector Porfiry Petrovich Rostnikov series about a Moscow police inspector,  he does have genre works. He did two Kolchak the Night Stalker graphic novels, plus wrote the scripts for two Batman stories, “The Batman Memos” and “The Man Who Laughs”. As an editor, he’s responsible for the On a Raven’s Wing: New Tales in Honor of Edgar Allan Poe anthology. (Died 2009.)
  • Born September 28, 1942 — Ian McShane, 79. Setting aside Deadwood which is the favorite series of Emma Bull and Will Shetterly where he’s Al Swearengen, he portrayed Mr. Wednesday in American Gods. And it turns out, though I don’t remember it, he was Dr. Robert Bryson in Babylon 5: The River of Souls film. And he’s Blackbeard in Pirates of the Caribbean: On Stranger Tides. Now you tell me what your favorite genre role is by him. 
  • Born September 28, 1944 — Isla Blair, 77. Her first credited film appearance was in  Dr. Terror’s House of Horrors as an art gallery assistant.  She was Isabella in The King’s Demons, a Fifth Doctor story. She’s in Indiana Jones and the Last Crusade as the wife of her real-life husband Julian Glover, and credited as Mrs. Glover. She’s Blaker in The Quatermass Experiment. Finally she has played a starring role as Sally in the BBC’s alternate history An Englishman’s Castle series.
  • Born September 28, 1959 — Scott MacDonald, 62. He’s been on four Trek shows:  Next Gen,  Voyager,  Deep Space Nine, and  Enterprise. He’s also up on Space Above and Beyond, Babylon 5, X-Files, Stargate: SG-1, Carnivale and Threshold. He was also in Jack Frost 2: Revenge of the Mutant Killer Snowman, a film which you can guess how bad the rating at Rotten Tomatoes is.
  • Born September 28, 1961 — Nicholas Briggs, 60. A Whovian among Whoians who started out writing Who fanfic. First off he’s the voice of the Daleks and the Cybermen in the new series of shows. Well not just them as he also voices the Judoon, the Ice Warriors, the  Nestene Consciousness, the Jagrafess and the Zygons.  Second he’s the Executive Producer of Big Finish Productions, the audio drama company that has produced more Doctor Who, Torchwood and other related works that you’d think possible. Third he did act twice in the Whoverse. Once on Torchwood as Rick Yates on “Children of Earth: Day Four” andThe Sarah Jane Adventures as Captain Tybo in “Prisoner of the Judoon” episode.  Fourth he’s appeared as himself in The Five(ish) Doctors Reboot. 
  • Born September 28, 1974 — Alexis Cruz, 47. He was Skaara in the Stargate film and  remarkably got to play the same character in the Stargate SG-1 series as well which is unusual indeed. He’s done a number of fairly obscure horror films (DarkWolf, Spectres, Slayer and Altergeist).
Hayao Miyazaki

(13) LOVE FOR MIYAZAKI. {Item by Martin Morse Wooster.] Behind a paywall in the September 21 Financial Times, former Financial Times film critic Nigel Andrews noted the 20th anniversary of Hiyao Miyazaki’s Spiritied Away, the only film in Andrews’s 46-year career he gave six stars to (Andrews judged on a 1-5 star scale).

Hiyao Miyazaki’s Spirited Away is 20 years old. I saw it at the 2001 Berlin Film Festival, where it won the golden Bear for Best film.  Some months later it won the Best Animated Feature Oscar. Is it the best film I’ve ever seen?  Quite possibly.  I’d want it on a desert island.  Yes, my life would be poorer without it. And I never, during my 46 years as a practicing movie reviewer, bestowed that 6/5 rating on anything else; or even thought to….

…Maybe Miyazaki’s masterpiece is better seen as a movie to crown his own career than to coronate future directors.  He never followed it with a better one himself, though there are marvels in Howl’s Moving Castle, Ponyo, and The Wind Rises.  But then Welles never surpassed Citizen Kane, nor Hitchcock Vertigo.  Spirited Away is the great treasure of 21st century animation, and we may be saying that when the 21st century ends. 

(14) TRADPUB’S ANSWER TO THE $600 ASHTRAY. Amanda S. Green, in “Who can read your book?”, discusses news reports about the U.S. Senate’s Finance Committee grilling publishers about library e-book contracts.  

…As an example, the article notes how a California school district had to pay $27/yr per student for access to e-books of The Diary of Anne Frank. In other words, if 100 students that year studied the book, the district paid the publisher $2700–and the district nor the kids “owned” that e-book. If they bought the paperback book directly from Amazon instead of through Baker & Taylor where they’d probably get a discount, they’d pay $11/copy or less. The e-book would cost $6.99. So why is the per student cost for the school library for this e-book so much more?

Why aren’t publishers trying to encourage school districts to invest more of their limited library funds in books and e-books–and giving them more for their money–than they are? After all, if we teach our youngsters to enjoy reading, that should be a win-win for publishers, right?

When publishers have politicians pointing out the obvious, there’s a problem….

(15) ON WRY. David Bratman’s report about visiting “Beyond Van Gogh: The Immersive Experience” in San Jose begins with a rather clever comment.

… You show your proof of vaccination – though they’re quite bewildered by the actual card, expecting it to be transferred to a phone – and nobody’s very interested in your ticket – and head down a clogged (because people read very slowly) passage by a series of panels with explanatory narration and quotes from Vince’s letters in English and Spanish. Finally, if you get around that and the arrow-bearing signs reading “Gogh This Way” which must be terribly confusing to anyone who doesn’t know how to mispronounce the name, you get to the main hall….

(16) REWRITING THE DICTIONARY. The WPM Invitational site has an archive of the results of two Washington Post competitions, among other things: “Word Play Masters”.

The Washington Post’s Mensa invitational once again asked readers to take any word from the dictionary, alter it by adding, subtracting, or changing one letter, and supply a new definition.   Here are the winners:

1. Cashtration (n.): The act of buying a house, which renders the subject financially impotent for an indefinite period of time.                     
                                                                            
2. Ignoranus : A person who’s both stupid and an asshole….               

And there are 15 more.

The same site also has the 16 winners of a different challenge:

The Washington Post has also published the winning submissions to its yearly contest, in which readers are asked to supply alternate meanings for common words.  And the winners are:
                                                                                                              
                                                                            
 1. Coffee , n. The person upon whom one coughs.                            
                                                                            
 2. Flabbergasted , adj. Appalled by discovering how much weight one has gained….             

Etc.

(17) LIVED IN A HOLE IN THE GROUND. “Scientists Unseal Secret Cave Chamber Used by Neanderthals” – Yahoo! has the story.

Scientists exploring a cave network inside of the Rock of Gibraltar—a monolithic limestone mass in the British territory of Gibraltar—have discovered a chamber that nobody’s seen for 40,000 years. The chamber, which measures about 42 square feet, not only offers insight into a pocket of Earth long untouched, but also, in all likelihood, an area where Neanderthals visited. And perhaps snacked on animal carcasses.

Gizmodo reported on the discovery, which the scientists recently announced. The team visited the Gibraltar cave network—known as Gorham’s Cave complex—in August of this year as a continuation of a nine-year-long effort to determine its true dimensions. The complex is of intrigue as experts consider it to be one of the last habitations for Neanderthals in Europe. The site’s so important for archaeology, in fact, it’s even a UNESCO World Heritage Site….

(18) ROBOTECH. Here’s a promotional video with footage the Amazon Astro mentioned in the Scroll the other day:

(19) AUTEUR’S DEBUT. Dementia 13, the 1963 horror film that marked Francis Ford Coppola’s debut has been released last week in a restored director’s cut.

Presented in HD and available on Blu-ray for the first time, Francis Ford Coppola’s director’s cut of Dementia 13 is quintessential gothic horror, wrapped in the twisted mysteries of a family’s deepest, darkest secrets. A widow deceives her late husband’s mother and brothers into thinking he’s still alive when she attends the yearly memorial to his drowned sister, hoping to secure his inheritance. But her cunning is no match for the demented, axe-wielding thing roaming the grounds of the family’s Irish estate in this cult favorite featuring Patrick Magee, Luana Anders, William Campbell, and Bart Patton.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Costume Designer Tutorial” on Screen Rant, Tyler Lemco plays costume designer Dode L.who took off Superman’s underwear for Man Of Steel and says “I knocked Thor’s dumb helmet off his dumb head and never looked back”  Among his suggestions:  black leather jackets always work and make sure all male superheroes have abs built into their costumes; but don’t ask him about “that credit card thing” that got him into trouble with Willem Dafoe. This was written by Seb Decter.  Ryan George has a brief cameo.

[Thanks to Cat Eldridge, Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, SF Concatenation’s Jonathan Cowie, Michael Toman, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 9/17/21 I Want To Scroll What The Pixel On The Table Number 5 Is Scrolling

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(1) STATUES OF LIMITATIONS. After much consideration, Constance Grady says overthinking the book was a mistake: “The meditative empathy of Susanna Clarke’s Piranesi” at Vox.

…The first time I read Piranesi, I scribbled notes about each statue. The minotaurs by the entrance to the House evoke the myth of the labyrinth, which is what the wicked Laurence Arne-Sayles calls the House. An elephant carrying a castle puns on the famous Elephant and Castle inn in London. A woman carrying a beehive — well, certainly that could be a reference to any number of classical myths, which tend to feature bees as a chthonic symbol for life, death, and the soul.

But early on, Clarke makes a point of aiming her readers away from such mechanical, goal-oriented reading.

Piranesi knows of only one other living human, a man he calls the Other who visits the House every so often. The Other believes that the House contains the key to some secret Knowledge that mankind used to possess but has now lost. Once he gets it back, the Other believes, he’ll have the power of flight, immortality, and control over weaker souls.

Piranesi dutifully searches the House for the Knowledge the Other is seeking, but without all that much interest. Eventually, he is struck by an epiphany: The Knowledge, he realizes, is not the point of the House….

(2) LET’S HEAR FROM A PICKER OF LOW-HANGING FRUIT. The Atlantic’s Ian Bogost demands to know “Why Are Ebooks So Terrible?”

…If you hate ebooks like I do, that loathing might attach to their dim screens, their wonky typography, their weird pagination, their unnerving ephemerality, or the prison house of a proprietary ecosystem. If you love ebooks, it might be because they are portable, and legible enough, and capable of delivering streams of words, fiction and nonfiction, into your eyes and brain with relative ease. Perhaps you like being able to carry a never-ending stack of books with you wherever you go, without having to actually lug them around. Whether you love or hate ebooks is probably a function of what books mean to you, and why…

(3) FOUNDATION BUILDERS. ComingSoon introduces a short video with quotes from the showrunner David Goyer:“Foundation Featurette: Apple Brings the Sci-Fi Masterpiece to the Screen” –

…The Foundation featurette highlights the massive influence it had on other popular sci-fi stories including Dune and Star Wars. They also talked about the process of finally adapting the novel to the screen after several decades since it was first published. They also went on to tease the series’ epic scale in terms of storytelling, ambitious story, characters, and world-building….

(4) HEADLEY’S BEOWULF TRANSLATION WINS AWARD. The Academy of American Poets announced that Maria Dahvana Headley’s Beowulf: A New Translation has won the Harold Morton Landon Translation Award, a $1,000 prize recognizing a published translation of poetry from any language into English that shows literary excellence. Indran Amirthanayagam judged.

(5) EATING THE FANTASTIC. Scott Edelman posted a bonus episode of Eating the Fantastic podcast to let you listen to four comic book cognoscenti celebrate Steve Ditko.

Javier Hernandez, Zack Kruse, Carl Potts, and Arlen Schumer 

Last Saturday, something magical happened at the Bottle Works Ethnic Arts Center in Johnstown Pennsylvania — a one-day mini-convention was held to honor a hometown hero, the legendary Steve Ditko. And because the event was organized with the cooperation of his family, I was not only able to spend time with other comic fans and creators, but was privileged with the presence of Ditko’s nephews and brother as well.

Since you couldn’t be there with me, I decided to get some of the mini-con’s special guests to share their stories here about Steve Ditko’s life and legacy. Because this is a podcast which uses food to loosen the tongues of its guests, and since there was no time during the short one-day event to head out for lunch or dinner, I brought along a Spider-Man PEZ dispenser so I could offer my guests candy. Plus I ran over to Coney Island Johnstown — in business for more than a century — and picked up some gobs — think of them as a regional variation of whoopee pies — which I handed out to some of my guests before we began chatting.

As I wandered the exhibitors area, I was able to grab time with four guests — Javier Hernandez, Zack Kruse, Carl Potts, and Arlen Schumer — all of whom had taken part earlier that day on a panel about Steve Ditko.

(6) BOOK REVIEW OF VERY OLD RIDDLES. Paywalled at the New York Times, “What Has One Eye and 1,200 Heads? An Old English Riddle, That’s What!”, reviewing) The Old English And Anglo-Latin Riddle Tradition (Harvard University, $35), a comprehensive new collection beautifully edited by the Oxford professor Andy Orchard, demonstrates, everything you need to know about crosswords you can learn from Anglo-Saxon riddles: Riddles are the ür-crossword puzzles.

Daniel Dern sent the link with these notes:

While probably most anybody these days, fan or otherwise, is familiar with the Bilbo/Gollum “Riddle” chapter in THE HOBBIT, ditto more generally with Batman’s riddlemanic foe “The Riddler,” how many fans instantly flash on (or more to the point, what’s the rough age threshhold below which fans don’t) the (sf) book citation for “What city has two names twice?”), or simply “Do you like riddles? Raetseln?” [Dutch, spelling here from memory, but that I could look up in my copy of the book if need be ]

Answer (rot13’d)

“Rneguzna, Pbzr Ubzr” — Ibyhzr 3 bs Wnzrf Oyvfu’f PVGVRF VA SYVTUG grgenybtl

That said, the essay/review itself is somewhat dry — it doesn’t even offer a sample riddle until at least halfway through. Probably worth at least library-borrowing, though.

(7) FIYAHCON 2021. The online con is in full swing and the committee is making available videos of some of its panels here.

(8) BASEDCON. Rob Kroese’s BasedCon starts today.

Well, the cons I’m familiar with, if they hadn’t stayed in the black the first year there’d have been no second year. Surprising to hear there’s another kind.

(9) EARLY TREKZINES. The Internet Archive includes a “Media Fanzine Collection”. Skipping past the intro, I was intrigued to see some of the well-known early Trek fanzines displayed, such as Spockanalia. The cover on the example here boasts “Third Printing.” Holy cow – a fanzine with a demand that took multiple editions to satisfy! I blush to admit I still haven’t unloaded all the copies of the early mimeo issues of File 770.

The practice of making media print zines began in the late 1960s via science fiction fandom where fanzines had been a popular fan activity since the 1930s. However, the content of science fiction zines is very different, consisting mostly of non-fiction and discussion about a variety of fannish topics, whereas media fanzines include, or consist solely of, fanfiction, art, poetry, as well as discussion, usually about television shows, films, and books. 

(10) EMMY BRACKETS. JustWatch.com, the streaming guide, sent along this set of Emmy nominee brackets, based on the audience approval scores their users have given them. Unfortunately, the only genre show that doesn’t get its ass kicked is The Underground Railroad. Even a phenomenonally popular show like The Mandalorian can’t get out of the first round. It is to weep. [Click for larger image.]

(11) MEDIA BIRTHDAY.

  • 1964– Fifty-seven years ago this evening on ABC, a certain witch charmed her way into American homes as Bewitched first aired. It was created by Sol Saks who had done nothing notable before this and departed the show after the pilot was shot. It starred Elizabeth Montgomery as the good witch Samantha Stephens and two different men as her husband, Dick York for the first five before he became very ill, and Dick Sargent for the final three seasons. It did phenomenally well in the ratings early on but sagged later and eventually was cancelled. Hanna-Barbera produced the opening animation credits which you can see here.

It got remade as a film with Nicole Kidman which was not at all beloved by the audience reviewers at Rotten Tomatoes who currently give it a twenty five percent rating and it faired quite poorly at the box office, not breaking even. Oh, and there was a Seventies spin-off involving her daughter called Tabitha that had two pilots (the first tested quite badly) and lasted just eleven episodes.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 17, 1885 — George Cleveland. Actor who filmed scenes as Professor Hensley in a pair of Thirties Flash Gordon serials, Flash Gordon and Flash Gordon’s Trip to Mars (the latter saw his scenes get deleted). He later shows up as in the Drums of Fu Manchu serial as Dr. James Parker. (Died 1957.)
  • Born September 17, 1908 — John Creasey. English crime and SF writer who wrote well over than six hundred novels using twenty-eight different names. His SF writings were mostly in the Dr. Palfrey series, a British secret service agent named Dr. Stanislaus Alexander Palfrey, who forms Z5, which definitely has elements of SF. (Died 1973.)
  • Born September 17, 1917 — Art Widner. Editor of three well-known fanzines (Fanfare, Bonfire and YHOS). He’d eventually publish some one hundred sixty zines. He was one of the founding members of The Stranger Club, the pioneers of Boston fandom. He chaired Boskone I and Boskone II, the first two Boston SF conventions. He would be nominated for four Retro Hugos, and become a First Fandom Hall of Fame member. (Died 2015.)
  • Born September 17, 1920 — Dinah Sheridan. She was Chancellor Flavia in “The Five Doctors”, a Doctor Who story that brought together the First, Second, Third, Fourth and Fifth Doctors. Richard Hurndall portrayed the First Doctor, as the character’s original actor, William Hartnell, had died. If we accept Gilbert & Sullivan as genre adjacent, she was Grace Marston in The Story of Gilbert and Sullivan. (Died 2012.)
  • Born September 17, 1928 — Roddy McDowall. He is best known for portraying Cornelius and Caesar in the original Planet of the Apes film franchise, as well as Galen in the television series. He’s Sam Conrad in The Twilight Zone episode “People Are Alike All Over” and he superbly voices Jervis Tetch / The Mad Hatter in Batman: The Animated Series. And for your viewing interest, a clip from the Carol Burnett Show with Roddy McDowall wearing Planet of the Apes makeup here. (Died 1998.)
  • Born September 17, 1939 — Sandra Lee Gimpel, 82. In Trek’s “The Cage”, she played a Talosian. That led her to being cast as the M-113 creature in “The Man Trap”, another first season episode. She actually had a much larger work history as stunt double, though uncredited, showing up in sixty-eight episodes of Lost in Space and fifty-seven of The Bionic Woman plus myriad genre work elsewhere including They Come from Outer Space where she was the stunt coordinator.  
  • Born September 17, 1951 — Cassandra Peterson, 70. Yes, she’s Elvira, Mistress of The Dark, a character she’s played on TV and in movies before becoming the host of  Elvira’s Movie Macabre, a weekly horror movie presentation show in LA forty years ago. She’s a showgirl in Diamonds Are Forever which was her debut film, and is Sorais in Allan Quatermain and the Lost City of Gold. 
  • Born September 17, 1996 — Ella Purnell, 25. An English actress best remembered  as Emma in the Miss Peregrine’s Home for Peculiar Children film. She’s also in Kick-Ass 2 as Dolce, she’s Natalie the UFO film that stars Gillian Anderson, and she was the body double for the young Jane Porter in The Legend of Tarzan. In a genre adjacent role, she was Hester Argyll in Agatha Christie’s Ordeal by Innocence.

(13) COMICS SECTION.

(14) WARP DRIVER. Laughing Squid draws attention to “A Campy Mercedes-Benz Ad That Inserts Their New 2021 Electric Vehicle Into a 1979 Science Fiction Film”. And remember – you can never have too many tentacles.

“Mercedes-Benz “Future 2021” is a wonderfully campy ad by Nina Holmgren that inserts their new Mercedes-Benz electric G-Wagen vehicle for 2021 into a very over-the-top science fiction film of the late 1970s. This future, which could ever only be dreamed of back in 1979, has finally come true today.

(15) MAYBE HE WAS ASKING THE WRONG QUESTION? In The Hollywood Reporter “LeVar Burton Says He’s Over ‘Jeopardy!’ Debacle”. Now, he told the host of The Daily Show, he’s thinking of developing his own game.

…Through the host replacement mess, Burton admitted to [Trevor] Noah he discovered he was not that interested in the gig after all.

“The crazy thing is that when you set your sights on something, you know, they say be careful of what you wish for, because what I found out is that it wasn’t the thing that I wanted after all,” said Burton. “What I wanted was to compete. I mean, I wanted the job, but then when I didn’t get it, it was like, ‘Well, OK, what’s next?’ And so, the opportunities that have come my way as a result of not getting that gig, I couldn’t have dreamt it up. If you had given me a pen and paper and said, ‘Well, so what do you want this to really look like?’ If it doesn’t include Jeopardy! I wouldn’t have been this generous to myself.”

Not going into too much detail, Burton said he had something in the works he was sure his fans were going to enjoy, saying, “I never thought about hosting any other game show outside of Jeopardy! But now, they went in a different direction with their show, which is their right, and now I’m thinking, ‘Well, it does kind of make sense, let me see what I can do.’ So we’re trying to figure out what the right game show for LeVar Burton would be.”…

(16) CORRECTED EDITION. The NESFA Press is letting everyone know they put out a new edition of their ebook Ingathering by Zenna Henderson that fixes the problems mentioned in a Tony Lewis quote run in a recent Scroll.

We have updated the contents of the NESFA Press eBook of Ingathering by Zenna Henderson. This second edition was necessary due to several OCR issues. NESFA Press is committed to the highest quality in the content of our books and will aggressively address any typos or other problems with the text of our eBooks.

To purchase the new version of Ingathering, go to the NESFA Press online store: http://nesfapress.org/, and search for “Ingathering”. People who have purchase the previous version of Ingathering, can download the new version using the link they received. Please direct any problems or questions to the email address below.

(17) UNDER THE NAME OF SANDERS. Inside the Magic tells how “YOU Can Stay at Winnie the Pooh’s House in the Hundred Acre Wood”. Photo gallery at the link.

If you love Winnie the Pooh characters — and, really, who doesn’t adore A.A. Milne’s “Silly Ol’ Bear” and all of his friends? — you’re going to want to bounce like Tigger when you see Airbnb’s latest offering, designed especially for the 95th Anniversary of the Hundred Acre Wood pals….

(18) WHY AM I BACK? SYFY Wire introduces a “Robot Chicken clip with Seth MacFarlane as Palpatine”.

…Now into its 11th season, Adult Swim’s longest running series is currently airing new episodes daily at midnight ET/PT. Among all the madness, there’s a sketch that confronts that really confounding plot point in Star Wars: The Rise of Skywalker that finds Emperor Palpatine (Ian McDiarmid) suddenly returning from The Return of the Jedi dead… just because. Ahead of its upcoming debut, SYFY WIRE has an exclusive look at the sketch, which features Seth MacFarlane (Family Guy, The Orville) voicing the mechanically challenged Palps….

(19) HARRY POTTER’S FLAGSHIP. Is it a store? A theme park? It’s whatever you need it to be to separate you from your cash! The Drum takes us on a tour: “Inside Warner Bros’ spellbinding retail experience Harry Potter New York”.

…All of these elements create a retail experience that speak to consumers’ growing demands for experience-infused shopping, says Warner Bros’s vice president and general manager of retail experiences Karl Durrant. “There is no doubt that consumer behavior has changed. Digital retail was becoming popular even before the pandemic hit. It’s more important than ever to give consumers a reason to visit a store and to make it an event.”

And to bring the immersive feeling to another level, Warner Bros, in partnership with Dreamscape Immersive, developed two unique VR experiences that bring visitors into the action. In ‘Chaos at Hogwarts’, users join Dobby in an adventure around Hogwarts to immobilize and collect pixies that the house elf accidentally released. The second VR experience, ‘Wizards Take Flight’, invites users to zoom around the skies above London via broomstick, warding off evil Death Eaters alongside Hagrid….

(20) ROBOCOP, TAKE TWO. “Singapore has patrol robots now! This should be fine” says Mashable. I like to think they will be programmed to keep making mad R2-D2 chirps at smokers til they snuff those ciggies.

Some robots were made to be your best friend. Some to unload 1600 boxes an hour. Some to do backflips, paint masterpieces. Some to inspect crime scenes. Others will tell you to quit smoking in prohibited areas and stop riding your motorbike on the footpath.

Singapore has started testing patrol robots that survey pedestrian areas in the city-state, where surveillance is a top and often controversial priority….

Named Xavier, the mall-cop robots will be autonomously rolling through the Toa Payoh Central district for three weeks from Sept. 5, scanning for “undesirable social behaviours” according to a press release (via Engadget) from the government’s Home Team Science and Technology Agency (HTX)….

(21) SIXTEEN SCROLLS. “Tennessee Cora” Buhlert was inspired by the title of yesterday’s Scroll to drop an instant classic in the comments.

Sixteen Scrolls
(with apologies to Merle Travis and Tennessee Ernie Ford)

Some people say a man is made outta mud.
A Filer’s made outta books, cons and blood,
Books and blood and films and cons.
We may look weak, but our minds are strong

You read 16 scrolls, what do you get?
Another day older and more books unread.
St. Leibovitz, don’t call me ’cause I can’t go,
I owe my soul to the Mount Tsundoku.

I was born one morning when the sun didn’t shine
I picked up a novel and said, “This looks fine.”
I read 16 pixels of number nine scroll
and the straw puppy said, “Well, a-bless my soul”

You read 16 scrolls, what do you get?
Another day older and more books unread.
St. Leibovitz, don’t call me ’cause I can’t go,
I owe my soul to the Series Hugo.

I was born one mornin’, it was drizzlin’ rain.
Reading and writing are my middle name.
I was raised in the library by an old mama lion
and no rabid puppy will make me walk the line

You read 16 scrolls, what do you get?
Another day older and more books unread.
St. Leibovitz, don’t call me ’cause I can’t go,
I owe my soul to the Novel Hugo.

If you see us comin’, better step aside.
A lotta dogs didn’t, a lotta dogs cried.
One fist science fiction, the other fantasy.
If the right one don’t get you
Then the left one will.

You read 16 scrolls, what do you get?
Another day older and more books unread.
St. Leibovitz, don’t call me ’cause I can’t go,
I owe my soul to the Mount Tsundoku.

(22) WEBINAR WITH BROTHER GUY. Brother Guy Consolmagno will be doing a Zoom event on October 1. “Your God Is Too Small: Vatican Observatory Director to offer a cosmic point of view in upcoming webinar”. Register to receive the link and a reminder. [Via Susan Schwartz.]

Brother Guy Consolmagno SJ is speaking on the contrast between the world and the cosmos that is becoming blurred as we begin to learn of the vastness of the cosmos in an upcoming Zoom event.

The free webinar, “Your God is Too Small,” will be hosted by the Center for Advanced Study in Religion and Science (CASIRAS) and Lutheran School of Theology at Chicago (LSTC) on Friday, October 1, at 5 p.m. CDT. Those interested in attending can register here. Also the event will be livestreamed on LSTC’s Facebook page.

“We need to understand that all those other planets are real places, part of the same universe created by God and redeemed by the Incarnation,” writes Consolmagno. “And God is Creator not only of other places but other times, before and beyond the time when we exist here on Earth.”

His presentation will dive into the meaning of being redeemed by the risen Christ in light of the immensity of time and space.

Br. Guy received the 2014 Carl Sagan Medal for outstanding communication by an active planetary scientist to the general public from the American Astronomical Society Division for Planetary Sciences. He is the author or co-author of four books exploring faith and science issues, including, Would You Baptize an Extraterrestrial? (with Paul Mueller), God’s Mechanics, Brother Astronomer, and The Way to the Dwelling of Light.

“It is rare to find someone so accomplished in science, theology, and philosophy, who can also communicate complex topics clearly to a general audience. Br. Guy is one of the best story-tellers I’ve ever known,” said Grace Wolf-Chase, senior scientist and senior education and communication specialist at the Planetary Science Institute.

(23) HONESTLY. In “Honest Game Trailers: Psychonauts 2” on YouTube, Fandom Games says this game features weird worlds, and characters whose heads weigh as much as their bodies.  But don’t expect any action, because ‘playing Psychonauts for the combat is like eating at Taco bell for the diarrhea.”

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, N., Daniel Dern, Rick Kovalcik, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Peer.]

Pixel Scroll 9/10/21 It Was A Pixel Scroll Of Rare Device

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(1) EATING THE FANTASTIC. Scott Edelman offers listeners a chance to feast on Indian food with Veronica Schanoes in episode 153 of his Eating the Fantastic podcast.

Veronica Schanoes

Award-winning writer Veronica Schanoes and I shared Indian food though there were hundreds of miles between us — hers from Brooklyn, New York’s Masala Grill, me from Hagerstown, Maryland’s Sitar of India.

Veronica Schanoes has published fiction in the magazines Lady Churchill’s Rosebud Wristlet, Sybil’s Garage, and Fantasy; the anthologies The Doll Collection, Queen Victoria’s Book of Spells: An Anthology of Gaslamp Fantasy, The Mammoth Book of Cthulhu: New Lovecraftian Fiction; and online at Strange Horizons and Tor.com. Her novella “Burning Girls” was nominated for the Nebula Award and the World Fantasy Award, and won the Shirley Jackson Award for Best Novella in 2013. Her first scholarly monograph, Fairy Tales, Myth, and Psychoanalytic Theory: Feminism and Re-telling the Tale, was published by Ashgate in 2014. Her collection Burning Girls and Other Stories was published earlier this year.

We discussed what it’s been like trying to write her first novel during a pandemic, why she can only read Jane Yolen’s intro to her new collection half a page at a time, how she makes sure her fairy tale-inspired fiction works even for those who don’t catch the allusions, the joy which comes from putting the right words in the right order, how Kelly Link convinced her she should take herself seriously as a writer, whether research inspires stories or stories inspire research (and how writers make sure they don’t force readers to suffer for that research), the way fairy tales take place “outside of historical space-time,” the importance of Joe Strummer and the Clash, and much more.

(2) MODERN THOUGHT. S.E. Lindberg interviews pulp scholar and sword-and-sorcery author and editor Jason Ray Carney at Black Gate. “Sublime, Cruel Beauty: An Interview with Jason Ray Carney”.

What is this concept of Modernity, and why did it haunt/inspire you to write a thesis on it?

Modernity is one of those concepts with a rich intellectual history, and people spill a lot of ink over it, but it is not very complicated (in my opinion): sometimes around the 1780s, the world changed. Feudalism gave way to democracy. New technologies upset how human economies and cities were organized. Religious belief waned and changed. We stopped believing (for the most part) in the supernatural. Let me cite Max Weber again: with modernity, the world became “disenchanted.” This, of course, is only part of the story. Though this story is myopic in its Eurocentrism, it is not less valid for its narrow purview. The story of modernization outside of Europe can be told, but it will be different, with maze-like branching conversations that posit multiple “modernities.” Anyway, modernity really intrigues me.

(3) VINDICATION. In “confirmation”, former Hugo Awards administrator David Bratman tells how he once found himself at loggerheads with Locus’ Charles N. Brown.  

When I was administrator for the Hugo Awards in 1996, one of the Best Novel finalists* was Remake by Connie Willis. By that time, SF novels were tending very long, but Remake was short. Though published as a standalone volume, it made a small one.

Charles Brown of Locus,** the newsletter of the SF field, insisted to me that Remake was under 40 thousand words and thus, by Hugo rules (which were shared in this respect by most other awards in the field), it fell in the Novella category, not Novel. And indeed, in the Locus awards it was put in the Novella category, which it won (not surprisingly, being one of the longest in the category as well as being by Connie Willis)….

The rest of the analysis is at the link.

(4) FICTION IN TRANSLATION. Jennifer Croft argues “Why translators should be named on book covers” in The Guardian.

“Translators are like ninjas. If you notice them, they’re no good.” This quote, attributed to Israeli author Etgar Keret, proliferates in memes, and who doesn’t love a pithy quote involving ninjas? Yet this idea – that a literary translator might make, at any moment, a surprise attack, and that at every moment we are deceiving the reader as part of an elaborate mercenary plot – is among the most toxic in world literature.

The reality of the international circulation of texts is that in their new contexts, it is up to their translators to choose every word they will contain. When you read Nobel laureate Olga Tokarczuk’s Flights in English, the words are all mine. Translators aren’t like ninjas, but words are human, which means that they’re unique and have no direct equivalents. You can see this in English: “cool” is not identical to “chilly”, although it’s similar. “Frosty” has other connotations, other usages; so does “frigid”. Selecting one of these options on its own doesn’t make sense; it must be weighed in the balance of the sentence, the paragraph, the whole, and it is the translator who is responsible, from start to finish, for building a flourishing lexical community that is both self-contained and in profound relation with its model….

(5) MARTIN ON MALTIN. [Item by Martin Morse Wooster.] I listened to this 2018 podcast Leonard and Jessie Maltin did with Floyd Norman, a pioneering Black animator and cartoonist (Maltin on Movies: Floyd Norman).

Norman started working for Walt Disney in the mid-1950s, and remembers being at Disneyland during its opening week (but not opening day, a legendary disaster). He recalls what it was like producing feature-length animation before computers and how everyone involved in animated film “worked like Marines” until the job was done, although Walt Disney insisted everyone leave the studio at 9 to spend some time with their families. People who remember the “string of pearls” sequence in Mary Poppins should realize that was a sequence that stressed out the animators.

Norman talked about how he was hired and quit Disney several times, and was involved in developing the stories for PIxar’s Toy Story 2 and Monsters Inc.  He also self-published his own books of cartoons, including one entirely devoted to making fun of Disney CEO Michael Eisner, who Norman thinks a major egotist.  Norman says Eisner didn’t mind the criticism, “as long as the book was about him.”

This may be too DIsney-centric for some but I enjoyed this episode.

(6) CHECK IT OUT. The New Yorker’s Daniel A. Gross analyzes “The Surprisingly Big Business of Library E-books”.

The sudden shift to e-books had enormous practical and financial implications, not only for OverDrive but for public libraries across the country. Libraries can buy print books in bulk from any seller that they choose, and, thanks to a legal principle called the first-sale doctrine, they have the right to lend those books to any number of readers free of charge. But the first-sale doctrine does not apply to digital content. For the most part, publishers do not sell their e-books or audiobooks to libraries—they sell digital distribution rights to third-party venders, such as OverDrive, and people like Steve Potash sell lending rights to libraries. These rights often have an expiration date, and they make library e-books “a lot more expensive, in general, than print books,” Michelle Jeske, who oversees Denver’s public-library system, told me. Digital content gives publishers more power over prices, because it allows them to treat libraries differently than they treat other kinds of buyers. Last year, the Denver Public Library increased its digital checkouts by more than sixty per cent, to 2.3 million, and spent about a third of its collections budget on digital content, up from twenty per cent the year before….

(7) UP ALL NIGHT. It so happens the only time I ever watched Adult Swim was sitting in a hospital waiting room after driving someone to ER — but that’s not a knock, what I saw was pretty amusing. The New York Times celebrated the program block’s 20th anniversary with an oral history: “Adult Swim: How an Animation Experiment Conquered Late-Night TV”.

By all accounts, it was a minor miracle that Adult Swim ever made it off the drawing board 20 years ago. Money was next to nonexistent. The editor of Cartoon Network’s first original series worked from a closet. A celebrity guest on that series, unaware of the weirdness he had signed up for, walked out mid-taping.

In retrospect, it seems right that one of modern TV’s most consistent generators of bizarro humor — and cult followings — had origins that were, themselves, pretty freewheeling.

…WILLIS The idea for “Aqua Teen Hunger Force” started with a [expletive] fast food restaurant that tried to use all the scraps of meat they weren’t allowed by the F.D.A. to put into a hamburger, wadded together. We saw Meatwad as this poor, neglected creature — I think his line in his first script was like [in Meatwad voice], “Please, God, kill me.” I did the voice, and I can’t tell you how many times people said, “I don’t understand what he’s saying; you need to recast him.” But we stuck to our guns. I always thought of it like Willie Nelson, who sings real quietly, and so everyone is on the edge of their seat trying to listen to what he’s saying. As a result, you’re more into it. At least, that was my excuse! [Laughs.]

(8) LIFE OF LEWIS. A trailer dropped for the C.S. Lewis biopic titled The Most Reluctant Convert: The Untold Story Of C.S. Lewis that arrives in theaters November 3.

(9) TIME HAS BEEN BROKEN. So they tell us. The new season of Star Trek: Picard premieres February 2022 on Paramount+.

(10) BUCKS AND BUCK ROGERS. Think of it as the military-industrial-entertainment complex: “The making of an Enterprise: How NASA, the Smithsonian and the aerospace industry helped create Star Trek” in The Space Review.

…At the end of WWII, 60–70% of the American aerospace industry was based in Southern California. The good climate and open land that helped draw aviation to the region also helped lure the motion picture industry. When Roddenberry began developing Star Trek, 15 of the 25 largest aerospace companies were located in the greater Los Angeles area. Many were situated close to Paramount’s Desilu Studios where the series was made.

Roddenberry drew upon the most current spaceflight technology then available to incorporate into Star Trek. He read, wrote, phoned and even dumpster-dived to get material for his new series.

A direct example of how the aerospace industry influenced Star Trek appears in the episode “The Trouble With Tribbles.” In this episode furry little creatures that “coo” and have a tremendous desire for eating and breeding overrun the Federation’s K-7 space station.

The principal elements of the K-7 as it is shown in the episode first appeared in a report done by Douglas Aircraft. The 1959 study outlined the operational requirements of an extendable orbiting space station. Constructed on Earth then launched atop a “Saturn-type missile,” the station was designed to automatically unfold in space into a donut-shape with a conical reentry vehicle at its center.[3]

Richard Datin, a model maker who helped build the original production model Enterprise, described how the K-7 design materialized. “I was told upon viewing the original model, and maybe by Roddenberry, that he obtained it [the Douglas space station model] from Douglas Aircraft whose main office was in nearby Santa Monica. Apparently, Gene had a following from people in the space industry, particularly Caltech in Pasadena.”

(11) MICHAEL K. WILLIAMS (1966-2021). Actor Michael K. Williams died September 6 at the age of 54 reports the New York Times.  While famous for his work in cop and crime series including The Wire and Boardwalk Empire, sff fans knew him as the lead in Lovecraft Country, and saw him in the 2014 RoboCop remake, The Purge: Anarchy (2014), and Ghostbusters (2016).

(12) MEDIA BIRTHDAY.

  • 1977 – Forty-four years ago this evening on CBS, Space Academy, a Filmation children’s series, first aired. (Jason of Star Command would come out of it.) It was created by Allen Ducovny who previously only done such animated shows as The New Adventures of Superman and Aquaman. The program starred Jonathan Harris in the lead role; co-starring were Pamelyn Ferdin, Ric Carrott, Maggie Cooper, Brian Tochi, Ty Henderson, and Eric Greene. There was a cute robot as well named Peepo. Would I kid you?  It would last for just fifteen half-hour episodes. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 10, 1914 — Robert Wise. Film director, producer, and editor. Among his accomplishments are directing The Curse of The Cat People, The Day the Earth Stood Still, The Haunting, The Andromeda Strain and Star Trek: The Motion Picture. Though not at all genre, he also directed West Side Story and edited Citizen Kane,  two exemplary accomplishments indeed. (Died 2005.)
  • Born September 10, 1937 — Spencer Milligan, 84. He’s best known for playing Rick Marshall, the father of Will and Holly Marshall, on the first two seasons of Land of the Lost. (He left because he didn’t get a cut of the merch sales.) Genre wise, he’d previously been in Woody Allen’s Sleeper as Jeb Hrmthmg, and later appeared in an episode of The Bionic Woman. That’s it.
  • Born September 10, 1952 — Gerry Conway, 69. He’s  known for co-creating  the Punisher (with artists John Romita Sr. and Ross Andru) as well as the first Ms. Marvel and scripting the death of the character Gwen Stacy during his run on The Amazing Spider-Man. He shares the story credit for Conan the Destroyer with Roy Thomas. At DC, he created a number of characters including Firestorm, Count Vertigo and Killer Croc. Not genre at all, but he wrote a lot of scripts for Law and Order: Criminal Intent, one of my favorite series.
  • Born September 10, 1953 — Stuart Milligan, 68. He first shows up as Walters on the Sean Connery-led Outland and a few years later we see him as a Police Sergeant on Sky Captain and the World of Tomorrow. He’ll play Richard Nixon in Doctor Who for two Eleventh Doctor stories, “The Impossible Astronuat” and “Day of The Moon”. His latest genre role is in Wonder Woman 1984 as the U.S. President.
  • Born September 10, 1953 — Pat Cadigan, 68. Tea from an Empty Cup and Dervish is Digital are both amazing works. And I’m fascinated that she has co-written with Paul Dini, creator of Batman: The Animated Series, a DCU novel called Harley Quinn: Mad Love. Her only Hugo win was at LoneStarCon 3 for the “The Girl-Thing Who Went Out for Sushi” novelette.  Her latest work is the novelization of the first-draft Alien 3 screenplay by William Gibson. She’s well stocked at the usual suspects. 
  • Born September 10, 1955 — Victoria Strauss, 66. Author of the Burning Land two novel series, and she should be praised unto high for being founder along with AC Crispin of the Committee on Writing Scams. She maintains the Writer Beware website and blog. 
  • Born September 10, 1959 — Nancy A. Collins, 62. Author of the Sonja Blue vampire novels, some of the best of that genre I’ve ever had the pleasure to read. She had a long run on Swamp Thing from issues 110 to 138, and it is generally considered a very good period in that narrative.  She also wrote  Vampirella, the Forrest J Ackerman and Trina Robbins creation, for awhile. 
  • Born September 10, 1968 — Guy Ritchie, 53. Director of Sherlock Holmes and its sequel Sherlock Holmes: A Game of Shadows, both of each I rather liked, and the live-action Aladdin. He did also directed / wrote / produced the rebooted The Man from U.N.C.L.E. which got rather nice reviews to my surprise as well as King Arthur: Legend of the Sword which apparently is quite excellent as audience reviewers at Rotten Tomatoes give it a seventy percent rating. 

(14) FRIENDLY NEIGHBORHOOD RECORD-SETTER. The Hollywood Reporter knows it’s worth a headline when “First Spider-Man Comic Book Sets Record for Biggest Sale Ever”.

The sale of Amazing Fantasy no. 15, featuring the first appearance of Spider-Man, has set the record for the most expensive comic ever sold.

The comic sold Thursday for $3.6 million as part of Heritage Auction’s Signature Comics & Comic Art auction being held Sept. 8 to 12.

The senses-shattering sale beat out the previous record, Action Comics no. 1, published in 1938 and featuring the first appearance of Superman, which sold privately for $3.25 million earlier this year.

(15) A SLEIGHLOAD TO ADD TO YOUR MT. TBR. SF² Concatenation has posted its list of “Forthcoming SF books in the run-up to Christmas UK SF book releases September – 31st December 2021” from the major UK imprints (available/or on order elsewhere from specialist bookshops). This is an advance posting (6th September) of the ‘forthcoming books’ sections’ of SF² Concatenation’s autumnal news page whose full edition will be posted September 15. 

With just 90, or thereabouts, shopping days to Christmas, time to see what SF will be published. The SF² Concatenation seasonal news page’s forthcoming books listings are an amalgamation of the titles in the catalogues sent by major UK publishers. 

As they these titles already in the catalogues, they can be ordered, or advance-ordered, now either from the publisher directly or – if you are outside the UK – from specialist SF bookshops and their related retail websites.

The books are listed alphabetically by author.

(16) SPEAKER FOR THE READ. The next episode of Essence of Wonder with Gadi Evron is “You’re Not Ender Wiggins, and That’s Okay – A Show on Strategy, Leadership, and Modern Conflict by Way of Scifi.” Streams Saturday, September 11 at 3:00 p.m. Eastern via YouTube, Facebook Live, and Twitch.

Steven Leonard, Max Brooks, Major General Mick Ryan, and Jon Klug, join us to discuss strategy, leadership, and modern conflict from the perspective of science fiction.

One of the chapters in the book is called “You’re Not Ender Wiggins, and That’s Okay” (by Will Meddings). Be still, my heart.

(17) HUGE NEWS. A T-Rex might have made a nice snack for one of these: “Researchers Identify Dinosaur Species 5 Times Larger Than the T-Rex: ‘This Is Very Exciting’” – Yahoo! News has the story.

Researchers have discovered a new species of dinosaur that loomed over Tyrannosaurus Rex.

The Calgary Herald reports that University of Calgary scientists helped identify the massive new species named Ulughbegasaurus, which roamed the earth as an apex predator 90 million years ago.

Researchers were able to identify the new species — which was five times bigger than the fearsome T-Rex — through the dinosaur’s fossilized jaw, which was likely first found by a Russian paleontologist during a dig in the 1980s.

…The researchers found that the dinosaur was between 7.5 to eight meters (24 to 26 feet) in length and likely weighed over 1,000 kilograms (2,204 lbs). At the time Ulughbegasaurus roamed the earth, the T-Rex wasn’t fully evolved and was much smaller in comparison, weighing less than 200 kilograms (440 lbs).

Comparing the two species, Zelenitsky said Ulughbegasaurus “was like a grizzly bear” if T-Rex had been a coyote….

(18) CUBE ROOTS. The New York Times shares scientists’ curiosity about a relic that lends itself to alternate history: “Did Nazis Produce These Uranium Cubes? Researchers Look for an Answer.”

The failure of Nazi Germany’s nuclear program is well established in the historical record. What is less documented is how a handful of uranium cubes, possibly produced by the Nazis, ended up at laboratories in the United States.

Scientists at the Pacific Northwest National Laboratory and the University of Maryland are working to determine whether three uranium cubes they have in their possession were produced by Germany’s failed nuclear program during World War II.

The answer could lead to more questions, such as whether the Nazis might have had enough uranium to create a critical reaction. And, if the Nazis had been successful in building an atomic bomb, what would that have meant for the war?

Researchers at the laboratory believe they may know the origins of the cubes by the end of October. For the moment, the main evidence is anecdotal, in the form of stories passed down from other scientists, according to Jon Schwantes, the project’s principal investigator.

The lab does not have scientific evidence or documentation that would confirm that Nazi Germany produced the black cubes, which measure about two inches on each side. The Nazis produced 1,000 to 1,200 cubes, about half of which were confiscated by the Allied forces, he said.

“The whereabouts of most all of those cubes is unknown today,” Dr. Schwantes said, adding that “most likely those cubes were folded into our weapons stockpile.”…

(19) THE TRUTH MAY BE OUT THERE, IT’S NOT HERE. Samantha Bee of Full Frontal shares“Sam Bee’s Not-Solved Mysteriez: UFOs” on YouTube.

Sam once again dons her trench coat to take one small step for man and one giant leap for a late night television host with an “Unsolved Mysteries” obsession. That’s right…she’s trying to figure out WTF is up with UFOs!

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Jayn.]

Pixel Scroll 2/12/21 A Series Of Unfortunate Event Horizons

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(1) EATING THE FANTASTIC. Scott Edelman offers listeners a chance to “Nibble hors d’oeuvres with Mary Robinette Kowal” in Episode 138 of his Eating the Fantastic podcast.

Mary Robinette Kowal

Mary Robinette Kowal is the author of the Lady Astronaut series — which so far includes the novels The Calculating Stars, The Fated Sky, and The Relentless Moon — as well as the historical fantasy novels in The Glamourist Histories series plus Ghost Talkers. Her short stories have appeared in Strange Horizons, Asimov’s, and other magazines and anthologies, and her collections include Word Puppets and Scenting the Dark and Other Stories.

She’s currently the President of SFWA, a member of the award-winning podcast Writing Excuses, and has received the Astounding Award for Best New Writer, four Hugo awards, the RT Reviews award for Best Fantasy Novel, the Nebula, and Locus awards. Her novel The Calculating Stars is one of only 18 novels to win the Hugo, Nebula, and Locus awards in a single year. She’s also a professional puppeteer and voice actor, and has won two UNIMA-USA Citations of Excellence, the highest award an American puppeteer can achieve.

We discussed the temporal differences between puppetry and science fiction conventions, how she transitioned from writing magical Regency novels to the Lady Astronaut series, why unlike many writers, she reads her reviews (albeit selectively), the reason she’s able to write relationships between reasonable people so well, how she constructs a science fiction mystery, why it’s so important she likes her characters’ clothing when she picks a project, the meaning of science fiction itself within her science fiction universe, the way she uses sensitivity readers to make her work better, how a novel is like a clear glass pitcher, and much more.

(2) TUTTLE BEGINS. Lisa Tuttle’s inaugural column for The Guardian has posted: “The best recent science fiction and fantasy – review roundup”.

… Adam Roberts is one of the most intellectually daring British science fiction writers, trying something different in every book. Purgatory Mount (Gollancz, £16.99) starts off like classic space opera, on board a spaceship crewed by five quasi-immortal superhumans. On an empty planet they discover an enormous tower-like structure, possibly the remains of a space elevator, in which they perceive a resemblance to Dante’s mountain of Purgatory. However, this is not the real story….

(3) STURGEON AWARD CONSIDERATION. Nominations are open for the 2021 Sturgeon Award through March 15. Eligible works are science fiction short stories, novelettes, or novellas originally published in English during 2020, in a magazine, anthology, website, or other format.

If you are a reader/reviewer/critic:

If you are interested in participating, please submit via email ([email protected]) your list of up to ten (10) nominations for what you consider to be the top science-fiction short works of the year, ranked from 1 to 10, with 1 being your top pick. If possible, please include publication information and date of publication. If published online, please include a link. Include in the header:  2021 STURGEON NOMINATIONS LIST.  

If you are an editor:

Please submit via email ([email protected]) a list of the three (3) best science fiction stories from your year’s editorial work. You do not need to rank these. Please include publication information and date of publication. If published online, please include a link. Include in the header:  2021 STURGEON EDITORIAL NOMINATIONS.  

This year’s Sturgeon Award Jury members are Sarah Pinsker, Elizabeth Bear, Taryne Taylor, and Kij Johnson, and they will also involve Noel Sturgeon in the selection process. Noel is Trustee of the Theodore Sturgeon Literary Trust and one of Theodore Sturgeon’s children. 

(4) SF POETRY PODCAST. Outskirts Poetry has launched The Outskirts Poetry Podcast, a “bi-weekly podcast beaming straight out of an underground bunker that perfectly marries SF Poetry/Fiction and the counterculture.”

The podcast is geared toward writers and readers of speculative genre poetry and fiction “who enjoy art that thrives at the fringes of society.” Season 1 guests include interviews with Catherynne M. Valente, space poet; Josh Pearce, Afrosurrealist; D. Scot Miller; and Augur Magazine Editor, Terese Mason Pierre. Outskirts Poetry is a creative media collaboration between Post-apocalyptic poet, Jake Tringali, who hosts the podcast, and fellow SFPA spec-fic writer and media specialist, Melanie Stormm.

Go to the link above to listen, or access the podcast at Apple Podcasts, Spotify, or Stitcher.

Outskirts Poetry Podcast covers the margins: science fiction, fantasy, weird, the things listeners should be in on, but might not be yet. Our main exports are badly behaved.

(5) FINANCIAL HELP NEEDED. A GoFundMe has been started to “Help Alma Alexander With The Loss of her Husband”. The reason for the appeal —  

Alma Alexander, fantasy writer and all-around good egg, is facing the devastating loss of her husband, coupled with medical and funeral expenses, and the possible loss of her home.

We are trying to raise some funds to give her husband, Deck, a proper send-off, and ease the burden on Alma.  The campaign is being organized by Tim Dunn of Nerdy Origami, and all monies raised will go directly to Alma.

Alexander was interviewed by File 770’s Carl Slaughter in 2017.

(6) GRRM APPEARS FOR CHARITY. [Item by John A Arkansawyer.] Saturday night: “Food for Love – Join us Valentine’s Eve for a STAR-STUDDED VIRTUAL CONCERT to end hunger in New Mexico”. There’s some serious talent on the bill, and between George R.R. Martin and David Byrne, its genre-relevance hops the bar, in my opinion.

(7) NIVEN’S WORLDBUILDING. Dominic Noble devotes a video to “The Absolutely Crazy Worlds And Aliens Of Known Space”.

…Pearson’s Puppeteers — the name makes sense in the book — are a fascinating non-humanoid race known for several unusual physical and psychological characteristics. For starters they have three legs and two heads, neither of which contain their brain, which is located in their torso. Their heads serve as multi-function limbs encompassing all the usual activities of seeing, eating, breathing, and speaking, while also being their primary manipulators. They’re also known for being incredibly intelligent and almost comically cowardly — everything scares the heck out of these creatures no matter how unlikely the threats. So their entire culture is based around making things as safe as possible for themselves. It’s such a part of their core being that any Puppeteer who shows even a little courage is considered certifiably insane. The absolute best example of this is the reason that no human has seen a Puppeteer for centuries at the start of the story. “We need to evacuate this entire section of the galaxy! The galactic core has exploded!” “What? When?” “10 000 years ago.” “Um, okay, and when is the blast wave going to reach us?” “20 000 years. We’re wasting time talking. Run!”

Yeah, they evacuated their entire species and started a mass exodus out of the galaxy 20 000 years in advance just to be safe. This conveniently leads up to the setup for the plot of this book…

(8) DATLOW ON EDITING. Tor Nightfire’s Tonia Ransom supplies the questions in “Interviewing Ellen Datlow, the Doyenne of Short Horror Fiction”.

TR: What advice would you give aspiring editors?

ED: The key to good editing is asking questions and not imposing your own bias/style (if you’re also a writer) on someone else’s story. If you like a story and think you might want to acquire and edit it but believe it needs work, don’t be afraid to make suggestions, and if something isn’t clear, you might ask the writer to tell you what they think is going on––and if their vision is not coming through on the page, tell them that. But always remember: it’s not your story. It’s the writer’s. If you can’t agree on revisions, let it go. Learn to say “no.” Never feel obliged to buy stories by friends or big names if you don’t like the story or don’t think it works for the venue for which you’re editing.

(9) GET THE POINT? James Davis Nicoll tells Tor.com readers where to find “Blades for Hire: Five Fictional Duellists”. This first one should be familiar —

The Princess Bride by William Goldman (1973)

Inigo Montoya trained to become a master swordsman for one driving purpose: to slay the six-fingered man who murdered Inigo’s father. Once he had become a master swordsman, Inigo discovered that his plan was flawed: Inigo had no idea who the six-fingered man might be or where he might be found. Years of searching turned into decades. A penniless Inigo had no choice but to hire himself out as a duellist. Alas, this meant he must work for evil men like master criminal Vizinni. Will he ever find the six-fingered man?

(10) INA SHORROCK OBIT. Liverpool fan Ina Shorrock (1928-2021) has died of a heart attack at the age of 92. She discovered fandom in 1950, was a member of the Liverpool Group, and generally acted as a social director for Liverpool fandom. Eric Bentcliffe in 1959 called her “British fandom’s ‘Hostess with the mostess’. Ina has superabundant energy, and a gift for making people both ‘at home’ and happy.” She belonged to the BSFA (which she chaired). She was married to fellow fan Norman Shorrock.

(11) MEDIA BIRTHDAY.

  • February 12, 1940 — On this day in 1940, The Adventures Of Superman radio program began with the airing on New York City’s WOR of its first episode, “The Baby from Krypton”. The story is what you expect it to be. It would air until March 1951 with 2,088 original episodes of the program airing. It starred Bud Collyer as Clark Kent / Superman and Joan Alexander as Lois Lane. You can hear it here.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 12, 1920 – Russell Chauvenet.  Had he only coined the word fanzine (in his zine Detours; also generally credited with prozine) it would have been enough for us.  He co-founded the N3F (Nat’l Fantasy Fan Fed’n; with Damon Knight and Art Widner) and served a term as President.  Another zine Sardonyx was originally mimeographed but I feel sure I had in my hand a later multi-color issue, produced by spirit duplicator, in the Fanzine Lounge at Chicon VI the 58th Worldcon.  Next door to us he was rated Expert at chess; also built his own Windmill-class sailboat, and was a medal-winning runner.  (Died 2003) [JH]
  • Born February 12, 1929 — Donald Kingsbury, 92. He’s written three novels (Courtship Rite, The Moon Goddess and the Son and Psychohistorical Crisis) that could be akin to the Asimov’s Foundation novels. Clute at EOSF says that the Asimov estate explicitly refused him permission to set Psychohistorical Crisis in the Foundation universe. (CE)
  • Born February 12, 1933 – Juanita Coulson, age 88.  Co-edited the Hugo-winning fanzine Yandro with husband Buck Coulson; you can see a lot of issues here; you can go directly to her cover for Y92 here.  First-rate filker; won a Pegasus; Filk Hall of Fame.  A dozen novels, half a dozen shorter stories.  She and Buck were Fan Guests of Honor at L.A.Con the 30th Worldcon; the Coulsons to Newcastle fan fund sent them to Seacon ’79, the 37th; after Buck left, she was Fan Guest of Honor at Reconstruction the 10th NASFiC (North America SF Con; since 1975 held when the Worldcon is overseas).  DUFF (Down Under Fan Fund) delegate.  Big Heart (our highest service award).  [JH]
  • Born February 12, 1942 — Terry  Bisson, 79. He’s best known for his short stories including “Bears Discover Fire”, which won the Hugo Award and the Nebula Award and “They’re Made Out of Meat”. His  genre novels includes Talking Man, Wyrldmaker and a rather cool expansion of  Galaxy Quest into novel form. (CE)
  • Born February 12, 1945 — Gareth Daniel Thomas. His best known genre role was as of Roj Blake on Blake’s 7 for the first two series of that British show. He also had a minor role in Quatermass and the Pit, and had one-offs in The Avengers, Star Maidens, Hammer House of Horror, The Adventures Of Sherlock Holmes, Tales of the Unexpected, Randall & Hopkirk (Deceased) and Torchwood. (Died 2016.) (CE) 
  • Born February 12, 1945 — Maud Adams, 76. Best remembered for being two different Bond girls, first for being in The Man with the Golden Gun where she was Andrea Anders, and as the title character in Octopussy. She shows up a few years later uncredited in a third Bond film, A View to Kill, as A Woman in Fisherman’s Wharf Crowd. (CE)
  • Born February 12, 1945 – David Friedman, Ph.D., age 76.  Two novels from this man schooled as a physicist who taught law a dozen years at Santa Clara Univ. (now emeritus) and earned the rank of Duke in the SCA (Society for Creative Anachronism); it is said he while king of the Middle Kingdom challenged the East, later as king of the East accepted the challenge and lost (to himself).  He is an incrementalist consequentialist anarcho-capitalist, and yes, I think all those terms are needed.  [JH]
  • Born February 12, 1950 — Michael Ironside, 71. Ahhhh, he of Starship Troopers fame. His first SF role was actually as Darryl Revok in Scanners. Later roles included Overdog in Spacehunter: Adventures in the Forbidden Zone, Ricther In Total Recall, General Katana in Highlander II: The Quickening and of course Lt. Jean Rasczak In Starship Troopers. Now he also did some series work as well including being Ham Tyler on V The Final Battle and V The Series, seaQuest 2032 as Captain Oliver Hudson which I really liked, General Sam Lane on Smallville and on the Young Blades series as Cardinal Mazarin. (CE) 
  • Born February 12, 1954 – Stu Shiffman.  Long-time fanartist; won a Hugo; was given the Rotsler Award.  TAFF (Trans-Atlantic Fan Fund) delegate.  Fan Guest of Honor at WisCon 12, Minicon 20, Lunacon 43.  Four stories.  Here are covers for Chunga 1 and 19.  Here is Taral Wayne’s tributezine The Slan of Baker Street (alluding to Van Vogt’s novel Slan and SS’ Sherlock Holmes hobby).  One of my favorite photos of him is here.  Randy Byers’ appreciation is here.  Our Gracious Host’s appreciation is here.  (Died 2014) [JH]
  • Born February 12, 1962 – Katherine Roberts, age 59.  Welsh and Spanish.  A score of novels, as many shorter stories.  First class degree in mathematics.  Boase Award.  Correspondent of Vector.  Contributed a “Top 10 SF Novels” to The Zone and Premonitions 6.  Website.  [JH]
  • Born February 12, 1981 – Lucy Christopher, age 40.  Australian now in England.  Five novels, one shorter story.  Boase Award.  Gold Inky.  Teacher, horsewoman.  “We are all storytellers….  Thinking about this is my life’s work.”  [JH]

(13) TOMORROW’S MEREDITH MOMENT. The ebook edition of Return to Nevèrÿon, a four-volume “postmodern sword-and-sorcery” epic from Samuel R. Delany will be downpriced to $1.99 across all US and Canadian retailers on February 13 the author announced on Facebook. He provided this Amazon link.

(14) EBOOK$. Protocol investigates how an app that assists libraries also poses financial challenges: “Libby is stuck between libraries and e-book publishers”.

On the surface, there couldn’t be a more wholesome story than the meteoric rise of the Libby app. A user-friendly reading app becomes popular during the pandemic, making books cool again for young readers, multiplying e-book circulation and saving public libraries from sudden obsolescence.

But the Libby story is also a parable for how the best-intentioned people can build a beloved technological tool and accidentally create a financial crisis for those who need the tech most. Public librarians depend on Libby, but they also worry that its newfound popularity could seriously strain their budgets.

… Libby downloads increased three times their usual amount beginning in late March. E-book checkout growth and new users on Overdrive both increased more than 50%.

Libby had helped to save libraries.

It had also accelerated a funding crisis. Public library budgets have never been luxe, and book acquisition budgets in particular have always been tight. Though it may seem counterintuitive to readers, e-books cost far more than physical books for libraries, meaning that increased demand for digital editions put libraries in a financial bind….

(15) NO MOSS WAS GATHERED. “Stonehenge may be a rebuilt Welsh stone circle, new research shows” – Yahoo! has the story.

…Scholars have known for decades that most of Stonehenge’s bluestones were carried, dragged or rolled to Salisbury Plain from the Preseli Hills. In 2019, Parker Pearson and his team provided evidence of the exact locations of two of the bluestone quarries. And last year, another team of researchers led by David Nash of the University of Brighton revealed that most of Stonehenge’s sarsens hail from a woodland area in Wiltshire, some 15 miles from where they stand on Salisbury Plain.

The bluestones are thought to have been the first to be erected at Stonehenge some 5,000 years ago, centuries before the larger sarsen stones were brought there. The discovery by Parker Pearson and his team that the bluestones had been extracted from two quarries in the Preseli Hills before the first stage of Stonehenge was built in 3000 BC prompted them to reinvestigate the nearby Waun Mawn site to determine whether those monoliths were the remains of a stone circle supplied by the quarries that was then dismantled to build Stonehenge….

(16) THE WEB, ER, WEED OF CRIME BEARS BITTER FRUIT. Talk about “going bad.” Let the Wikipedia tell you the fate of “Saturn (magazine)”.

Saturn was an American magazine published from 1957 to 1965. It was launched as a science fiction magazine, but sales were weak, and after five issues the publisher, Robert C. Sproul, switched the magazine to hardboiled detective fiction that emphasized sex and sadism. Sproul retitled the magazine Saturn Web Detective Story Magazine to support the change, and shortened the title to Web Detective Stories the following year. In 1962, the title was changed yet again, this time to Web Terror Stories, and the contents became mostly weird menace tales—a genre in which apparently supernatural powers are revealed to have a logical explanation at the end of the story.

Donald A. Wollheim was the editor for the first five issues; he published material by several well-known authors, including Robert A. Heinlein, H. P. Lovecraft, and Harlan Ellison, but was given a low budget and could not always find good-quality stories. It is not known who edited the magazine after the science fiction issues…

(17) SPAIN RODRIGUEZ DOCUMENTARY. In “A New Film Plumbs the Depths of Spain’s Underground Comix”, Print Magazine interviews documentary filmmaker Susan Stern.

…I met Spain and followed “Trashman,” his signature comic, at The East Village Other. He was a groundbreaker. What inspired you to make this film?

I made Bad Attitude because I wanted more people to see Spain’s bold, original pen-and-ink art. Just as the 1960s have a soundtrack, I’ve always thought Spain’s art helped design the “look” of the ’60s. When I began the film in 2012, it was a time of relative political complacency. I also wanted to rouse people with Spain’s fiery—yet self-satirizing—left-wing radicalism. As it turned out, Bad Attitude is perfect for the political ferment of 2021. Spain’s “anti-racist” work with the white working-class bikers of Buffalo in the early 1960s is a revealing part of the film….

[Thanks to John King Tarpinian, Jennifer Hawthorne, Cat Eldridge, Martin Morse Wooster, Michael Toman, Mike Kennedy, JJ, John Hertz, Daniel Dern, Melanie Stormm, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/5/20 Clem Kapixelscroller

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(1) LIBRARY EBOOKS. According to WIRED: “Publishers Worry as Ebooks Fly off Libraries’ Virtual Shelves”.

BEFORE SARAH ADLER moved to Maryland last week, she used library cards from her Washington, DC, home and neighboring counties in Virginia and Maryland to read books online. The Libby app, a slick and easy-to-use service from the company OverDrive, gave her access to millions of titles. When she moved, she picked up another card, and access to another library’s e-collection, as well as a larger consortium that the library belongs to. She does almost all of her reading on her phone, through the app, catching a page or two between working on her novels and caring for her 2-year-old. With her husband also at home, she’s been reading more books, mostly historical romance and literature, during the pandemic. In 2020, she estimates, she’s read 150 books.

Adler buys books “rarely,” she says, “which I feel bad about. As someone who hopes to be published one day, I feel bad not giving money to authors.”

Borrowers like Adler are driving publishers crazy. After the pandemic closed many libraries’ physical branches this spring, checkouts of ebooks are up 52 percent from the same period last year, according to OverDrive, which partners with 50,000 libraries worldwide. Hoopla, another service that connects libraries to publishers, says 439 library systems in the US and Canada have joined since March, boosting its membership by 20 percent….

… But the surging popularity of library ebooks also has heightened longstanding tensions between publishers, who fear that digital borrowing eats into their sales, and public librarians, who are trying to serve their communities during a once-in-a-generation crisis….

(2) HOLD THAT SANDWORM! Collider reports “Denis Villeneuve’s ‘Dune’ Movie Is Moving to Late 2021”.

It seems the spice won’t flow until next year, as Warner Bros. and Legendary are moving Denis Villeneueve‘s Dune off its December release date and will unveil the epic sci-fi movie on Oct. 1, 2021, Collider has exclusively learned.

(3) WORLD FANTASY CON PR#3 AVAILABLE. The virtual World Fantasy Convention (October 29-November 1) has released its third Progress Report [PDF file].

In it you will find…

– an update on the program and schedule
– a description of our online and mobile platform
– information about the convention time zone
– pre-convention sessions by some awesome instructors, available to all attendees 
– exciting news about the free books available to all participating members
– a beautiful piece of artwork by our Artist Guest of Honor, David A. Cherry

(4) FANS ARE WHERE YOU FIND THEM. [Item by Rich Lynch.] Nicki noticed, on the Good Morning America broadcast, that their medical advisor, Dr. James Phillips, appears to be a Star Wars trufan.  On his wall bookshelf behind him were Princess Leia and Han Solo bookends, between which were various Star Wars books and DVDs.  And to the left of the bookshelf was a framed photo of Chewbacca. “Walter Reed attending physician calls out Trump’s irresponsibility”

(5) NEW FREE GUY TRAILER. Meanwhile, Ryan Reynolds’ video game movie is still due to open December 11.

In Twentieth Century Studios’ epic adventure-comedy “Free Guy,” a bank teller who discovers he is actually a background player in an open-world video game, decides to become the hero of his own story…one he rewrites himself. Now in a world where there are no limits, he is determined to be the guy who saves his world his way…before it is too late.

(6) REINING IN MAGICAL REALISM. Fernando Sdrigotti explains “What We Talk About When We Talk About Magical Realism” at LA Review of Books.

… I do not expect everyone to be aware of the many differences between Latin American people, the contrasting cultures and literatures of each country. I do not bother trying to convince anyone that it would be highly unlikely for Argentines (like myself) to make much of the words “magical realism” when thinking about our own contribution to letters. But I have no qualms in declaring that this label isn’t in any way useful to explain all of the fiction produced south of Texas, as so many have tried to do, forcing the most disparate authors into this pigeonhole. And to raise the ante even more, I’d happily die on the hill which declares that magical realism doesn’t even say that much about the region’s fertile literary production, beyond what it might say about a handful of authors, mostly around the Boom of the ’60s, plus their disciples. [2] In other words, the Latin American titles that would be shelved under the category of magical realism — without resistance from producers, critics, or well-informed readers — would represent a rather limited sample, if we consider contemporary and historical examples, regardless of originality and literary quality. [3]

But we are talking about a very powerful Force (uppercase intended). The “magical realist imperative,” critic Sylvia Molloy calls it, understanding that this is a label but also a demand: the demand that Latin American literature fit the label. This sounds circular, like the Chicken or Egg Paradox, and paradoxes are confusing. To make it simpler, for simple it is, it all boils down to: “If it comes from Latin America, it has to be magical realism, in some way, even if it looks like something completely different.” Needless to say, this results in terrible reductions. It has “wreaked havoc,” as Jorge Volpi puts it without much exaggeration, for it has “erased, with a single [stroke], all of Latin America’s previous explorations […] and it became a choke-chain for those writers who didn’t show any interest in magic.”

(7) THE SKY’S THE LIMIT. The Constelación Magazine Kickstarter has reached 40% of its goal with 26 days to go.

The magazine will open for submissions on October 15.

The theme for our first issue is The Bonds That Unite Us:

Constellations are the product of human imagination, giving meaning to the patterns we see in the sky. From these scintillating dots lighting up the night, we’ve created stories about heroes, legends, and mythological creatures. We created those bonds, and we give them meaning.

Each culture that has looked up at the sky with wonder has its own interpretation of these connections, and now we want to hear yours. What are the bonds that unite our cultures and languages around the world? How are these bonds formed, and what upholds them? How can they be broken and forged again? What unites an alien civilization to humankind? What ties the dragon to the unicorn and prevents it from making a meal out of her?

Sometimes these bonds are ones of blood. (Vampire tastes may vary.) Sometimes they’re shaped by shows of courage and strength, and the common struggles we face. These bonds can topple walls and bring down civilizations, and sometimes they’re the foundation for something new.  

The theme is open to interpretation, as long as the stories fit under the speculative fiction umbrella. 

(8) MEDIA ANNIVERSARY.

  • October 10, 1962 – The first James Bond movie premiered.
  • October 10, 2007 — The Seeker: The Dark Is Rising premiered. It’s based rather loosely  on the second book in Susan Cooper’s The Dark Is Rising series. (Cooper has a World Fantasy Award for Life Achievement.)  It was directed by David L. Cunningham and produced by Marc Platt from a screenplay by John Hodge. It starred Alexander Ludwig, Christopher Eccleston, Frances Conroy and Ian McShane. The Jim Henson Company owned the original film option on the series but never exercised it. Critics generally didn’t like it though they really loved Christopher Eccleston’s performance. Audience reviewers at Rotten Tomatoes currently give it a thirty three percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born October 5, 1882 – Robert Goddard, Ph.D.  Built the first liquid-fueled rocket, a vital development.  Worked out the math himself.  Two hundred patents.  Had little public support; ridiculed.  Decades later NASA Goddard Space Flight Center named for him; Int’l Aerospace Hall of Fame; Int’l Space Hall of Fame.  (Died 1945) [JH]
  • Born October 5, 1889 – Robert Jones.  A hundred covers, almost as many interiors.  Here is the Oct 46 Amazing.  Here is the Apr 50 Fantastic.  Here is the Jul 53 Other Worlds.  Here is the May 54 Universe.  (Died 1969) [JH]
  • Born October 5, 1897 – George Salter.  Thirty covers for us, hundreds more outside our field; distinctive with us, pioneering with others.  Here is the Fall 50 F&SF.  Here is The Trial.  Here is Atlas Shrugged.  Here is Brighton Rock.  Here is Absalom, Absalom!  See this Website.  (Died 1967) [JH]
  • Born October 5, 1923 – Tetsu Yano.  First Japanese SF author to visit the U.S.  Three hundred fifty translations, Heinlein, Herbert, Pohl.  His own novella “Legend of the Paper Spaceship” often translated (English 1983), anthologized.  Big Heart, our highest service award.  (Died 2004) [JH]
  • Born October 5, 1949 — Peter Ackroyd, 71. His best known genre work is likely Hawksmoor which tells the tale of a London architect building a church and a contemporary detective investigating horrific murderers involving that church. Highly recommended. The House of Doctor Dee is genre fiction as is The Limehouse Golem and The Casebook of Victor Frankenstein.  I thought Hawksmoor had been turned into a film — it has not but he has a credit for The Limehouse Golem which is his sole film work to date. (CE) 
  • Born October 5, 1950 — Jeff Conaway. Babylon 5 has seen a lot of actors die young and he was one of them. He played Zack Allan, a security officer promoted to Chief of Security upon the resignation of Michael Garibaldi. Other genre roles including being in Pete’s Dragon as Willie Gogan, Elvira, Mistress of the Dark as Travis, Alien Intruder as Borman and the Wizards and Warriors series as Prince Erik Greystone. (Died 2011.) (CE) 
  • Born October 5, 1952 — Clive Barker, 68. Horror writer, series include the Hellraiser and the Book of Art which is not to overlook The Abarat Quintet which is quite superb. Though not recent, The Essential Clive Barker: Selected Fiction published some twenty years ago contains more than seventy excerpts from novels and plays and four full-length short stories. His Imaginer series collects his decidedly strange and often disturbing art.  There has been a multitude of comic books, both by him and by others based on his his ideas.  My personal fav work by him is the Weaveworld novel. (CE) 
  • Born October 5, 1959 — Rich Horton, 61. Editor of three anthology series — Fantasy: Best of The Year and Science Fiction: Best of The Year both no longer being published, and The Year’s Best Science Fiction & Fantasy which is ongoing since 2009. He has been a reviewer for Locus for over a decade. (CE)
  • Born October 5, 1967 — Jenna Russell, 53. She appeared as the Floor Manager in the Ninth Doctor stories “Bad Wolf” and “The Parting of the Ways”. She sang the Red Dwarf theme song,the recording that has been used for all of the show’s series over the last thirty years. She also plays the Baker’s Wife in the film version of Into The Woods. In the 1998 London revival production of it, she played Cinderella. (CE) 
  • Born October 5, 1974 — Colin Meloy, 46. He’s best known as the frontman of the The Decemberists, a band that makes use of folklore quite a bit,  but he has also written the neat and charmingly weird children’s  fantasy Wildwood trilogy which is illustrated by his wife, Carson Ellis. (CE)
  • Born October 5, 1971 – Paul Weimer, 49.  (Name rhymes with “dreamer”) Writer, roleplayer, podcaster, photographer, often seen here.  The Skiffy and Fanty Show since 2013.  Hundreds of reviews and articles for SF Signal 2011-2015.  Tor Website reviews.  DUFF (Down Under Fan Fund) delegate; trip report What I Did on My Summer Vacation. [JH]
  • Born October 5, 1979 – Grace Krilanovich, 41.  The Orange Eats Creeps an Amazon Book of the Year.  MacDowell Colony Fellow.  In 2010 a Nat’l Book Fdn “5 Under 35” honoree.  An interview here. [JH]

(10) COMICS SECTION.

(11) MARVEL’S 616 TRAILER. Yahoo! News took a look at “Marvel’s 616 at PaleyFest Fall TV Previews 2020”. All episodes available for streaming November 20 on Disney+.

Topics include: exploring how Marvel and the outside world have influenced one another; the series’ eight episodes as discrete films with different styles and visions; the Marvel Spotlight program, which helps to craft plays for high school students, as seen in Brie’s episode; highlighting “Japanese Spider-Man,” the 1970s kids’ TV series that reinterpreted the webslinger for Japanese audiences; tracking down information and interviewees for the extremely niche show, never before seen in the West; the “616” title, which refers to the many realities within the Marvel multiverse; and creating space for comic book newcomers and veterans alike to see themselves reflected in the stories.

(12) THE HOLE EARTH CATALOG. Futurism thinks they know where this idea got started: “Strange Research Paper Claims There’s a Black Hole at the Center of the Earth”.

…When researchers dug the paper up this week — it was published about a year ago, but attracted little attention until now — they expressed consternation about both the contents of the paper and how it ended up in what appears to be a vaguely credible scientific journal. The bylines on the paper do appear to correspond to actual researchers at a variety of European universities. But its claims, about a black hole formed by something “like DNA,” are hilariously tabloid-esque.

… The most likely explanation, according to Cambridge University mathematician Sarah Rasmussen, is that the authors purposely submitted a ridiculous paper in order to expose “predatory journals” that purport to be normal, peer-reviewed publications, but in reality apply little scrutiny to material that they publish, often in order to collect publication fees.

(13) AIRLESS TRAFFIC CONTROL. “Satellite swarms as a service? IBM announces open-source projects to increase access to space” – TechRepublic has the story.

Access to orbit around Earth was once limited to a handful of space agencies around the globe. With the proliferation of spacefaring technologies and cost-efficient craft, low-Earth orbit (LEO)—the sliver of space extending to 1,200 miles above our planet—is now an increasingly populous mix of private and public interests. Today, LEO is brimming with government craft, commercial programs, university undertakings, venture capital funding, and more.

On Thursday, IBM announced two open-source projects in an effort to “democratize access” to space technologies and help track the debris field orbiting overhead. We spoke with Naeem Altaf, IBM Distinguished Engineer and CTO of space tech, to learn more about these programs.

… To assist, IBM has created the Space Situational Awareness (SSA) project, operated in partnership with the University of Texas at Austin, which leverages two models to monitor space debris. The physics-based SSA model incorporates Cowell’s formulation to model “perturbation” space debris orbit “caused by the Earth.”

A second model uses machine learning to predict errors in orbit predictions using XGBoost gradient-boosted regression trees, per the IBM release. With USSTRATCOM data acting as “the ground truth,” the machine learning model is trained using the physical model’s orbit predictions to predict errors in the physics model.

(14) IT’S A BIRD, IT’S A… SYFY Wire knows its dino plumage: “After 159 Years, An Archaeopteryx Is Thought To Have Shed The First Fossil Feather Ever Found”.

How much can just one feather reveal—especially if that feather is a fossil that drifted to the ground sometime during the Jurassic era?

Archaeopteryx is the earliest known bird that is thought to have looked mostly birdlike with some dinosaurian features. When a fossilized feather was first unearthed near Berlin 159 years ago, it sparked a debate over whether it was really molted by the extinct Archaeopteryx or some yet-unknown feathered dinosaur species. Now that a team of paleontologists from the University of South Florida have analyzed the feather, its attributes have shown that it is more likely to have come from an Archaeopteryx than any other creature.

(15) VIDEO OF THE DAY. In “Percy Jackson and the Olympians: The Lightning Thief” on ScreenRant, Ryan George explains that even though the Percy Jackson movie has scenes in a magic school called “Camp Halfblood,” the film has absolutely nothing to do with the Harry Potter series.

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Martin Morse Wooster, N., Daniel Dern, Michael Toman, John Hertz, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jeff Smith.]