The Fan History Project (FANAC.org) is pleased to assist voters for CoNZealand’s Retro Hugo Awards by placing as many issues of the relevant 1944 fanzines online as possible.
Their webmaster, Edie Stern, has created a page on FANAC.org with all the links to the material for the CoNZealand Retro Hugo nominations for Best Fanzine. She also combed through all the 1944 fan publications available on the net to show all the writings available for the Best Fan Writer nominees. In addition, she links to the two amateur pieces nominated for Best Related Work.
The Science Fiction Achievement Awards, better known as the Hugo Awards, were started in 1953 at the World Science Fiction Convention (Worldcon) in Philadelphia. You can read about the start of the awards in the Philcon Program Book which is available on-line. Click on Achievement Awards. After being skipped in 1954, the Hugo Awards became an annual tradition selecting the best material of the previous year in the SF field. The awards are voted on by the members of the Worldcon.
In 1994, at the instigation of Bruce Pelz, a motion was passed to create the Retro-Hugo Awards. The Retro-Hugo was an option that a Worldcon could select to implement to retroactively make awards for years when the Worldcon had taken place but for which no Hugo Awards had been given. Awards are allowed only for specific years: 50, 75, or 100 years before the current Worldcon.
The Introduction to the Retro Hugos, edited by Andrew I. Porter with the assistance of Joe Siclari and Edie Stern, is a comprehensive introduction to, and history of, the Retro Hugos.
I have spent the past week reading and processing the ongoing revelations and allegations about my publisher ChiZine. I honour the words and experiences and the courage of those who have come forward to speak.
Through my agent, I have requested that ChiZine revert to me the rights to all of my work that they have published.
Re: The current status of my collection Celestial Inventories and Melanie’s final novel The Yellow Wood–I’ve asked for and received a reversion of the rights for these two ChiZine titles. As soon as they are removed from such online booksellers as Amazon they will be re-issued by Crossroads Press as e-books. Hopefully, at some point they will reappear in paperback form, but I can’t be sure if and when.
Statement from Can*Con regarding recent public information about ChiZine:
A large number of detailed allegations of abusive behaviour and non-payment of authors and staff have recently come to light. Friends and members of the Can*Con community have been touched and hurt financially and emotionally. As Co-Chairs of Can*Con, we stand with the victims and offer our support, both as an organization and as Derek and Marie. We do not believe that there is a place in our community for abusive behaviour.
We would also like to offer to use what platform and resources we have to help the affected authors and staffers continue to move their careers forward. We would like to immediately offer to:
***use Can*Con’s social media presence to promote the books that affected authors may have for sale that will put money in their pockets, as well as places where the public can support their art through means such as Patreon, Ko-Fi, Drip, etc;
***waive the registration fee for Can*Con 2020 to affected authors and staffers so as to reduce the burden of participating in the community; and
***we will set aside 1-2 tables for free in the dealer’s room at Can*Con 2020, where affected authors and staffers can sell their author stock, other books, etc. without an additional conference expense. The authors could work together to organize shifts for the table, so that they can enjoy the con and network.
Any staffers or authors who would like to participate in any or all of this, please email email@example.com.
As co-chairs of a public event, we also have additional responsibilities in the face of this new information. We’ll take other appropriate actions to make Can*Con a place free of harassment and abuse, although it is possible that we will not be able to make public statements about that work. However, we hope that people take at face value our commitment to creating a positive, encouraging, energizing, uplifting space for SFFH folk. We are committed to always listen, learn, and act to continue to make Can*Con a space the community can be proud of.
We send our best and much warmth to those directly affected and also those triggered by these events. If we can do anything to help, please feel free to personally reach out to either or both of us.
Derek and Marie (and the whole Can*Con team)
Kerrie Byrne, after reading various posts revealing ChiZine’s finances, wrote another extended thread which begins here.
I’ve been at the shit end of the stick with them ever since our relationship blew up when I withdrew my last book in Jan of 2018. My reasons for doing so were both personal and professional. Leaving the personal reasons aside, they hadn’t given me a royalty statement or payment in three years, to say nothing of the reserves against returns they withheld, some up to 5 years after they were due. Moreover, their support of my last book was, to say the least, underwhelming. To be fair, however, most of the money owing (as well as questions of rights) has been settled since, although not without a long and frustrating back and forth which included personal attacks on me. In the few years before I severed ties with them, several other authors had complained to me about their late/non-existent royalties and/or the way they’d been treated. When this first started happening, I generally defended Chizine. But, when it became clear this wasn’t just a few isolated cases, I gave up on trying to defend the indefensible, and my advice to other authors became, “They produce a good-looking product, but be aware of what you’re getting into.”
[Letitia Lemon:] I grew up watching Voyager, but it wasn’t until university that I made my way through the whole Star Trek back-catalogue. Studying film and TV production, I could see that the shows were products of their time, but the characters and themes were timeless.
In my final year, I had an accident in the scene-dock where the sets were kept. A huge metal pole fell on to my head, missing my eye by less than an inch. For several weeks I had concussion, with nausea and light sensitivity that made it hard to look at a TV.
Then the nightmares began. In my dreams, the accident had left me with a gaping bloody eye-socket, like something from a horror movie. I would wake gasping for breath and run to check myself in the mirror. Every time I went back into the scene-dock I froze. I didn’t realise it, but I had PTSD.
It was an episode of Discovery that finally made it all click. In a crisis, Ash Tyler (Shazad Latif) was having flashbacks to being tortured by the Klingons, and Admiral Cornwell (Jayne Brook) was trying to calm him down. “You’re safe,” she told him. “What you are experiencing are the effects of past trauma.”
I stared at the screen in silence. I wasn’t watching as a film student now – or even as a fan – but as someone who knew exactly what that character was feeling. The admiral’s words gave me strength. From that day on, the nightmares stopped.
I tracked Jayne down on Twitter and told her my story. When I saw she was appearing at this year’s Las Vegas convention I knew I had to go, even though I was terrified of flying. I got through my first ever flight with Cornwell’s final line scrawled on a piece of paper in my lap: “Whatever your path may be, you can handle it.” When I arrived, she gave me a big hug. I knew it had all been worth it.
Demon with a Glass Hand marks Robert Culp’s third appearance on The Outer Limits, after his previous roles in The Architects of Fear and Corpus Earthling. The third time is absolutely a charm. In this episode, Culp transforms into Trent, a man who recalls nothing of his past, but in the present is being pursued by human-like extraterrestrials called the Kyben.
The Kyben are after Trent to gain possession of his glass computerized hand, which “holds all knowledge.” His hand speaks, providing guidance to Trent to help him avoid capture. The Kyben already possess three of his fingers, which Trent needs in order to collect more information about his past. Along the way, he meets and is helped by a charming seamstress, Consuelo Biros, played by Arlene Martel of The Twilight Zone episodes Twenty Two and What You Need.
Harlan Ellison has done it again. Just like with The Soldier, Ellison‘s writing has helped The Outer Limits dive much deeper into science fiction. Ellison combines a lot of different things that, in the hands of a less skilled writer, might not work as well as they do here. The episode has an interesting premise, drama, action, and just a little bit of everything. Culp and Martel deliver spectacular performances. Back in the director’s chair is Byron Haskin, director of The War of The Worlds (1953) and this summer’s Robinson Crusoe on Mars.
…I spent a long time on the phone with very talkative, very enthusiastic, very convincing Hollywoodians. And I HATE phone calls. Hate them.
I was even skyped by the head of the head of a major US TV network’s Hollywood studio (CBS). He talked about how many millions would be spent on the (and here I forget the terminology) short taster that would be used to drum up funding for a full film.
I had small film companies showing me their short-form work and conference calling about scripts for different scenes – filming to start in 3 months.
Here’s the thing though. All of these people wanted the option on my work. Not one of these people was prepared to pay for it.
The option is a legal agreement that for the period of the option (typically 1 or 2 years) the author will not sell the film or TV rights to their work to anyone else. That’s all it is. You haven’t agreed to sell them to the person who holds the option (though sometimes you have – more of that later), just not to sell them to anyone else….
(5) TODAY IN HISTORY.
November 13, 1933 — The Invisible Man premiered. Produced by Universal Pictures, the film stars Claude Rains, in his first American screen appearance, and Gloria Stuart. The movie was popular at the box office, Universal’s most successful horror film since Frankenstein. The film holds a 100% rating at Rotten Tomatoes.
November 13, 1940 — Walt Disney’s Fantasia premiered at the Broadway Theater in New York; first film to attempt to use stereophonic sound.
(6) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 13, 1850 — Robert Louis Stevenson. Author of for Treasure Island, Strange Case of Dr Jekylland Mr Hyde and the New Arabian Nights collection of short stories. (Died 1894.)
Born November 13, 1888 — Philip Francis Nowlan. He’s best known as the creator of Buck Rogers. While working in Philadelphia, he created and wrote the Buck Rogers comic strip, illustrated by Dick Calkins. Philip Nowlan working for the syndicate John F. Dille Company, later known as the National Newspaper Service syndicate, was contracted to adapt the story into a comic strip. The strip made its first newspaper appearance on January 7, 1929. (Died 1940.)
Born November 13, 1930 — Adrienne Corri. Mena in “The Leisure Hive”, a Fourth Doctor story. She was also in A Clockwork Orange, Devil Girl from Mars, Corridors of Blood, The Tell-Tale Heart, Lancelot and Guinevere, Revenge of the Pink Panther and Moon Zero Two which is not a complete listing by any means. (Died 2016.)
Born November 13, 1933 — James Daris, 86. He played the role of Creature in the deservedly maligned “Spock’s Brain” episode. He’d do one-offs in I Spy, I Dream of Jeannie, Land of the Giants, The Man from U.N.C.L.E. and Mission: Impossible, the latter with Shatter and Nimoy. He retired from acting with a role in Larva, a horror film.
Born November 13, 1953 — Tracy Scoggins,66. Capt. Elizabeth Lochley on Babylon 5 and its follow-up series, the short-lived Crusade. See Neil Gaiman’s Babylon 5 episode “ Day of the Dead” for all you need to know about her. She was also Cat Grant in the first season of Lois & Clark, and she played Gilora Rejal, a female Cardassian, in “Destiny” a DS9 episode.
Born November 13, 1955 — Whoopi Goldberg, 64. Best known as Guinan the Barkeep in Ten Forward on Enterprise in Next Gen which she reprised in Generations and Nemesis. Other genre appearances include It’s a Very Merry Muppet Christmas Movie, Teenage Mutant Ninja Turtles and The Adventures of Rocky and Bullwinkle to name but a few of her appearances as she’s very busy performer!
Born November 13, 1957 — Stephen Baxter, 62. Ok I’m going to confess that the only thing I’ve read that he’s written is the Long Earth serieswith Terry Pratchett. I’ve only read the first three but they are quite great SF! Ok I really, really need your help to figure out what else of his that I should consider reading. To say he’s been a prolific writer is somewhat of an understatement and he’s gotten a bonnie bunch of literary awards as well. It’s worth noting that Baxter’s story “Last Contact” was nominated for a. Hugo for best short story.
Born November 13, 1971 — Noah Hathaway, 48. Best known as Atreyu in The NeverEnding Story and for being Boxey on the original Battlestar Galactica series. He was also Harry Potter Jr. in Troll, a 1986 comedy horror film which had nothing to do with that series.
…We also have some really weird things. …. One day a customer calls us and says they want a full refund. We say, “Why do you want a full refund?” They said, “Because the house is haunted and there’s a ghost in the house.” And we’re, like, “O.K., well, we have to adjudicate this.”
So we call the host, and all the host has to do is deny it, because there’s no photo evidence of ghosts. Well, unfortunately the host confirms the ghost, says that it’s a friendly ghost named Stanley, and that the ghost Stanley is in the listing description.
We read the listing description, Stanley is mentioned. So we go back to the guest and the guest says, “Yes, we knew about Stanley, that’s why we booked it. But Stanley has been harassing us all night.” How do you adjudicate that? So I guess the point is in this new economy built on trust you can only imagine the kind of issues you deal with. There is no playbook for this stuff.
(9) PRESERVING FANHISTORY. Fanac.org’s
Joe Siclari sent out an update – he and Edie will see you next at Loscon in
LA over Thanksgiving Weekend.
We brought the FANAC scanning station to Philcon last weekend, Nov. 8-10, and scanned over 1,500 pages. We also received donations of both publications and recordings. The week before, we also received a carton of recordings from NESFA. Those cover Boston fandom going back to at least Boskone 5 in 1968! We haven’t had a chance to inventory them yet but a quick glance includes recordings of Marvin Minsky, Isaac Asimov, Gordon Dickson and many, many others.
Lastly, and MOST IMPORTANT: Edie Stern, our webmaster is going to be a Guest of Honor at Loscon 46 in 2 weeks, Nov. 29-Dec. 1, 2019, at the Marriott Los Angeles Airport Hotel. Come by and say “hello” to her.
To celebrate her Honorship, we will have another FANAC Scanning Station at the con. Bring your favorite fannish photos and fanzines to Loscon so we can scan them and add them to FANAC.org. If you have old fannish recordings or films you can bring those as well. See you at Loscon.
The silver-backed chevrotain — a mysterious animal that’s the size of a rabbit but looks like a silver-splashed deer — has been photographed in the wild for the first time. The chevrotain is the world’s smallest hoofed mammal, or ungulate.
Scientists say they have rediscovered a type of chevrotain that had been “lost to science” for nearly 30 years.
“They are shy and solitary, appear to walk on the tips of their hooves and have two tiny fangs,” says Global Wildlife Conservation, which helped back the project that recently tracked down the elusive animals in southern Vietnam.
…During the study, which used an instrument to analyse the air on Mars over the course of three Martian years or just under six Earth years, scientist found that gases like nitrogen and argon behave predictably through the year. The proportion of the gas rises and falls relative to the amount of carbon dioxide, which makes up 95 per cent of Martian air.
They thought that oxygen would see the same changes. But they were shocked to find that it in fact rose through the spring and summer, with a varying amount of oxygen in the atmosphere, which suggests that it is being produced and then removed from the air.
Researchers were so shocked by the findings that their first course of action was to check the accuracy of the instrument used to find the data, but found it was working fine. Other possible explanations based on what we know about the Martian atmosphere were also considered, but rejected.
“We’re struggling to explain this,” said Melissa Trainer, a planetary scientist at NASA’s Goddard Space Flight Center in Greenbelt, Maryland who led the research. “The fact that the oxygen behavior isn’t perfectly repeatable every season makes us think that it’s not an issue that has to do with atmospheric dynamics. It has to be some chemical source and sink that we can’t yet account for.”
The similarities between the mystery of Martian methane and Martian oxygen could be more than a coincidence, scientists speculate. It might be possible that they both have the same as yet unidentified cause.
“We’re beginning to see this tantalizing correlation between methane and oxygen for a good part of the Mars year,” Atreya said. “I think there’s something to it. I just don’t have the answers yet. Nobody does.”
This is the fourth version of the scene to appear in an official release: the original 1977, where Han appears to shoot (ahem) solo; the 1997 Special Edition that added in Greedo’s wide shot; the 2004 DVD edition which has Han and Greedo shooting at the same time; and now the 2019 Disney+ version, with Greedo getting in the last, baffling word.
“The studio was happy,” says Elfman. “Jon Peters, he came up to me when we were scoring it — because there was not even going to be a soundtrack album for the score; it was only for Prince’s songs, and I knew that. And he came up to me, and he said, ‘You know what? This score is so good, we’re going to release a second soundtrack.’ And I go, ‘Yeah, right. You’re just saying that.’ That had never been done. And he did it! Like I said, it was a tough sell, but once he got sold, he was really excited, and he was a huge advocate, and he personally made it a big deal to get that second soundtrack out. So, he became a really fantastic advocate for the score that he was so resistant to in the beginning.”
Although Thanos may know what it’s like to lose, the Mad Titan finally knows what it’s like to win! For the inaugural SYFY WIRE Awards, Thanos has been named the Best Villain of 2019.
But it’s not like Thanos didn’t have stiff competition. His closest competitor was none other than Pennywise the Dancing Clown from It Chapter Two. Pennywise certainly knew how to strike fear into the hearts of children, as well as their impeccably cast adult counterparts. But in the end (or should we say in the Endgame?), Thanos proved to be too much for Stephen King’s fearsome creation.
[Thanks to JJ, Chip Hitchcock, Martin
Morse Wooster, Susan de Guardiola,John
King Tarpinian, Mike Kennedy, Cat Eldridge, Darrah Chavey, and Andrew Porter
for some of these stories. Title credit goes to File 770 contributing editor of
the day Daniel Dern.]
By Edie Stern: Florida fan Jack Weaver was primarily known for his work as
webmaster of FANAC.org, a role he held from 1995 until 2016. He was the
designer, programmer and content manager of the site for more than 20 years, receiving
an award at FanHistoricon 13 in 2016 for this accomplishment.
In the 1950s, Jack served in the Navy as a submariner. He later joined IBM as a customer engineer, and then moved on to hardcore programming. By the 1980’s he was working on real-time telephony applications. Jack was a member of the Wappingers Falls volunteer fire department until, in his words, he “lost an argument with a firetruck.” The resulting hardware in his leg caused considerable medical problems later in life as well as compromised mobility.
A long-time science fiction reader, Jack was
introduced to fandom through Tropicon and SFSFS, the South Florida Science
Fiction Society. In the 80s, he was a Tropicon mainstay, especially when it
came to the physical labor of putting on a convention. He, along with Lee
Hoffman, ran art show setup and take down. You can see many of Jack’s photos of
Tropicon on the FANAC website.
Forced away from in person fannish participation by
family medical issues, Jack continued to be a presence. In the mid-90s when The
Fan History Project started, he got involved with the website. After his
retirement from IBM, Jack personally wrote all the code to create the website
pages, before standard software was available on the web. This code is still
running today, and Jack’s last code drop was in January of 2019. He credited
his work on FANAC with keeping him mentally sharp, despite the challenges of
Jack is survived by his three children and many grandchildren.
According to his son John, his death was painless and peaceful, and “He
died the way he wanted to, in his own home, not a hospital room.”
(1) MIGNOGNA FILES SUIT. Anime News Network reported in January that a Twitter thread accused dub voice actor Vic Mignogna of homophobia, rude behavior, and making unwanted physical advances on female con-goers. He’s now filed suit claiming several individuals and a corporation have damaged his professional career.
This comes after a wave of misconduct accusations which resulted in Mignogna’s removal from Funimation’s The Morose Mononokean 2 and Rooster Teeth’s RWBY. Allegations first started to surface around the release of Dragon Ball Super: Broly, in which Mignogna voices the title character.
Mignogna is seeking “monetary relief over $1,000,000.00” in part due to Funimation no longer contracting him for future productions, as well as conventions canceling his appearances. Mignogna and his lawyer are also seeking “judgment against the Defendants for actual, consequential and punitive damages according to the claims … in amounts to be determined on final hearing, pre- and post-judgment interest at the highest rate permitted by law, and costs of court” in addition to “such other and further relief to which he may be justly or equitably entitled” and “general relief.”
Mignogna is represented by Ty Beard of Beard Harris Bullock Hughes in Tyler, Texas.
The lawsuit alleges that Sony executive Tammi Denbow told Mignogna in mid-January she was “investigating three allegations of sexual harassment against him,” and that on January 29 “Denbow and another Sony executive informed [Mignogna] that his employment with Funimation was terminated” following an investigation. Denbow is listed on LinkedIn as “Executive Director, Employee Relations at Sony Pictures Entertainment.” Sony Pictures Television Networksacquired a majority stake in FUNimation in October 2017.
The suit claims that “Ronald (a Funimation agent or employee) has tweeted more than 80 times that Vic sexually assaulted or assaulted Monica, more than 10 times that Vic sexually assaulted or assaulted three of his “very close friends,” more than 10 times that Vic has been accused of hundreds and possibly thousands of assaults, and at least 17 times that Vic is a “predator.” It also points to a number of tweets made by Rial and Marchi.
(2) BROAD UNIVERSE. Broad
Universe is “a nonprofit
international organization of women and men dedicated to celebrating and
promoting the work of women writers of science fiction, fantasy and horror.”
This is a heads-up on a problem related to Broad Universe participation in upcoming cons.
As you know, I organized the RavenCon RFR. When I submitted my invoice for the poster, BU Treasurer Marta Murvosh informed me that men weren’t allowed to read. This came as a complete shock, since I’ve been organizing RFRs—and submitting invoices for posters—for years. When I objected, Marta advised me that it would only be okay if the man depicted in the poster identified as non-cisgendered. Otherwise, he couldn’t read…but maybe he could moderate.
I said no. It was too late to change line-up. Moreover, it would have been grossly unfair to a member who prepared to read in good faith, with no prior warning that it was not allowed…
(The poster expense has been reimbursed, but the main controversy
is still under discussion.)
… It’s not right to ask them to host events that violate their anti-discrimination and anti-harassment policies. Likewise, I will not knowingly participate in or organize any event for an organization that practices discrimination or accepts money under false pretenses.
Finally, as an officer of BWAWA, I am obliged to inform to inform the cons that look to me to moderate their BU-related programming (Balticon, Dragon Con, Capclave and all BWAWA-associated events, such as the 2014 and 2018 World Fantasy Cons) of the potential liability issues created by BU’s current policies. Some of the women responding on the BU forum thought I was bluffing when I said this could cause a number of major cons to drop all BU events. It wasn’t a bluff, or a threat. It was a statement of fact. In the absence of a commitment to change the problematic policies before they have to go to print on program materials and signage, both Balticon and Dragon Con will drop all BU programming. In the absence of a policy by mid-summer, there will be no RFR at this year’s Capclave. It won’t even make the preliminary list of panel ideas.
Balticon reportedly has addressed the issue by keeping the
event and renaming it.
Jason Gilbert: I am the male member who was included in the Ravencon BU Rapid Fire Reading. I had a blast doing it, and enjoyed listening to my friends read. I was the only dude in the room. I thought my membership and the money I paid for that membership was my way of supporting women and the BU cause. Had I known that my membership was nothing more than a handout to an organization that excludes members from participating in BU events based on their gender, I would never have signed up or supported BU. I feel excluded, a little betrayed, and angry for my friends who are catching the heat and consequences for allowing me to participate. I am the other Co-Director of Programming at ConCarolinas, and I will also be reporting to the concom on the discriminatory practices of BU, as it directly violates the ConCarolinas anti-discrimination policy. I will also be canceling my membership, and will no longer support Broad Universe. Jean Marie Ward, I am sorry you are having to deal with this, and thank you for letting me read during the Broad Universe Rapid Fire Reading at Ravencon. I truly thought I was supporting an honest organization.
Morven Westfield: Please give the Motherboard a chance to find out what’s going on. I am saddened that the conventions dropped us without hearing the Motherboard’s side of the story, but I understand they probably want to err on the side of caution. Please give the Motherboard time to investigate this.
Someone recently commented (sorry, I’m reading too many things and can’t remember who said what) that bisexuals are endangered by the current policy of not letting men read. I’m not trying to stir anything up, but I am asking sincerely, how so? If a bisexual, pansexual, or asexual person identifies as female, she can read. It’s not sexual orientation, but gender. Remember that when Broad Universe formed, it was to help women overcome the problems they encountered in a male-dominated publishing industry because they were women, not because they had a different sexual orientation.
…To all who are reading this, let me reiterate what Inanna said. “The MotherBoard is not a bunch of fiendish con-artists who sit around chortling as we think up ways to cheat our members.” As I said before, I think it’s a communication error. In looking through my emails I found reference to a Broad Universe brochure we used in 2010 that said that only women would be allowed to read in RFRs. The wording was taken from our web page at that time. So something happened after 2010.
Also, it appears that Broads on the East Coast were still going by the 2010 and earlier policies (men not allowed to read), but other parts of the country were regularly allowing that, and it seemed like both halves were unaware what was going on. In other words, miscommunication.
Please bear with the Motherboard as they try to sort this out.
FANZINES. Edie Stern alerts Harlan Ellison fans to some new items at Fanac.org:
For those that are interested in Harlan’s early fannish career, Fanac has something nice for you today. We’ve uploaded 6 issues of his fanzine Science Fantasy from the early 1950s. Not only is there writing by Harlan, but by Bob Bloch, MZB, Dean Grennell, Algis Budrys, Bob Silverberg and more. Scanning by Joe Siclari. You can reach the index page at: http://fanac.org/fanzines/Harlan_Ellison/
(4) CHILDREN IN
PERIL. Fran Wilde makes a point about the parallels of life and fiction.
Thread starts here.
[Compiled by Cat
Born April 20, 1937 — George Takei, 82. Hikaru Sulu on the original Trek. And yes, I know that Vonda McIntyre wouldn’t coin the first name until a decade later in her Entropy Effect novel. Post-Trek, he would write Mirror Friend, Mirror Foe with Robert Asprin. By the way, his first genre roles were actually dubbing the English voices of Professor Kashiwagi of Rodan! The Flying Monster and the same of the Commander of Landing Craft of Godzilla Raids Again.
Born April 20, 1939 — Peter S. Beagle, 80. I’ve known him for about fifteen years now, met him but once in that time. He’s quite charming. My favorite works? Tamsin, Summerlong and In Calabria.
Born April 20, 1949 — John Ostrander, 70. Writer of comic books, including Grimjack, Suicide Squad and Star Wars: Legacy. Well those are the titles he most frequently gets noted for but I’ll add in the Spectre, Martian Manhunter and the late Eighties Manhunter as well.
Born April 20, 1949 — Jessica Lange, 70. Her very first role was Dwan in King Kong. Later genre roles are modest, Sandra Bloom Sr. in Big Fish and Constance Langdon / Elsa Mars / Fiona Goode / Sister Jude Martin in American Horror Story.
Born April 20, 1951 — Louise Jameson, 68. Leela of the Sevateem, companion to the Fourth Doctor. Appeared in nine stories of which my favorite was “The Talons of Weng Chiang” which I reviewed here. She segued from Dr. Who to The Omega Factor where she was the regular cast as Dr. Anne Reynolds. These appear to her only meaningful genre roles.
Born April 20, 1959 — Clint Howard, 60. So the most interesting connection that he has to the genre is playing Balok, the strange child like alien, in “The Corbomite Maneuver” which I remember clearly decades after last seeing it. Other than that, there’s very he’s done of a genre nature that’s even mildly interesting other than voicing Roo three in three Winnie-the-Pooh films.
Born April 20, 1959 — Carole E. Barrowman, 60. Sister of John Barrowman. John and Carole co-wrote a Torchwood comic strip, featuring Jack Harkness, entitled Captain Jack and the Selkie. They’ve also written the Torchwood: Exodus Code audiobook. In addition, they’ve written Hollow Earth, a horror novel. She contributed an essay about her brother to the Chicks Dig Time Lords anthology.
Born April 20, 1964 — Crispin Glover, 55. An American actor and director, Glover is known for portraying George McFly in Back to the Future, Willard Stiles in the Willard remake, Ilosovic Stayne/The Knave of Hearts in Alice in Wonderland, Grendel in Beowulf, Phil Wedmaier in Hot Tub Time Machine, and 6 in 9. He currently stars in American Gods as Mr. World, the god of globalization.
Born April 20, 1964 — Andy Serkis, 55. I admit that the list of characters that he has helped create is amazing: Gollum in The Lord of the Rings films and The Hobbit: An Unexpected Journey, King Kong in that film, Caesar in the Planet of the Apes reboot series. Captain Haddock / Sir Francis Haddock in The Adventures of Tintin (great film that was), and even Supreme Leader Snoke in The Force Awakens and The Last Jedi. Last year, he portrayed the character of Baloo in his self-directed film, Mowgli: Legend of the Jungle.
LONDON! The heart of the world of publishing. It was here that I would build my empire! I immediately set off to the zoo to visit the penguins. Strangely, they were untalkative and showed no sign of controlling a vast business of iconic paperbacks. They mainly waddled around an enclosure with excellent views of Regent Park…
If the BBC’s upcoming War of the Worlds TV adaptation wasn’t enough for you then buckle up, because a new project by Audible is bringing the works of novelist HG Wells to life with a series of star-studded audiobook adaptations.
Former Doctor Who star David Tennant is set to narrate alien invasion classic The War of the Worlds, while Oscar nominee Sophie Okonedo will tackle The Invisible Man.
Downton Abbey’s Hugh Bonneville will narrate The Time Machine, with Harry Potter and Star Trek: Discovery star Jason Isaacs lending his voice to The Island of Doctor Moreau and Versailles’ Alexander Vlahos reading The First Men in the Moon.
(8) THE LONG AND WINDING
ROAD. LROC graphs the movements
of the first astronauts on the surface of the Moon: “Apollo 11”.
Astronauts Neil Armstrong and “Buzz” Aldrin landed the Apollo 11 Lunar Module (LM) in Mare Tranquillitatis [0.67416 N, 23.47314 E], at 20:17:40 UTC 20 July 1969. They spent a total of 21.5 hours on the lunar surface, performing one Extra-Vehicular Activity (EVA) and collecting 21.5 kg of lunar samples. Astronaut Michael Collins orbited the Moon in the Lunar Command Module (LCM), awaiting the return of Armstrong and Aldrin from the surface. Apollo 11 was the first lunar landing, however it was the fifth manned Apollo mission, earlier missions laying the ground-work for Apollo 11.
(9) OUR POSITRONIC
PROSECUTORS. CrimeReads’ M.G.
Wheaton surveys sf’s attitudes towards artificial intelligence and suggests that
someday machines will make our lives better and won’t such be vehicles to crush
us or take our jobs. Or maybe not: “Why
We’ve Decided That The Machines Want to Kill Us”.
…While hardly the first filmic thinking machine to read the tea leaves and decide to either wipe out humanity (Terminator), subjugate it (The Matrix), or rid us of our freedom of thought (everything from Alphaville to any Borg episode of Star Trek: The Next Generation), Age of Ultron wins the prize for its antagonist coming to that conclusion the fastest.
So, why is this? Why does HAL 9000 decide the only way to complete his mission is to kill all the humans aboard his ship in 2001: A Space Odyssey? Why does Colossus, the titular super-computer from Colossus: The Forbin Project start out friendly then conclude the only way to end the Cold War is to seize all the nukes and demand subservience in return for not setting them off? Why as early as 1942 when Isaac Asimov laid down his Three Laws of Robotics did he feel the need to say in the very first one that robots must be programmed not to ever hurt humans as otherwise we’d be doomed?
I mean, are we really so bad?
Well, as we’re the ones writing all these stories, maybe it’s not the machines that find us so inferior….
Perhaps in response to Asimov’s rebuttal in 1980, he showed up in a Superman comic book at the end of that year in a story by Cary Bates (with artwork by Curt Swan and Frank Chiaramonte) in Superman #355. Here, Asimov is, instead, Asa Ezaak, and he is a bit of a condescending jerk to Lois Lane at a science conference….
…He plans on injecting himself with a special “potion” that gives him gravity powers! He is now Momentus!
‘The Museum of Classic Sci-Fi’ is a permanent exhibition, nestled in the historic, Northumberland village of Allendale. Situated beside the market place square, visitors will embark upon a nostalgic tour of some of the genre’s most influential imagery and themes. Featuring a substantial and eclectic collection of over 200 original screen-used props, costumes and production made artefacts; the museum tells the story of the Science-Fiction genre and acts a visual ‘episode guide’ to classic era ‘Doctor Who’. In addition, artist Neil Cole has produced unique paintings and sculptures, to enhance the impact of the presentations.It includes a “Doctor Who Gallery” –
Oh, Ein. Sweet, sweet Ein. Where would the Cowboy Bebop team (especially Edward) be without this data dog? This super-intelligent corgi has all the charm of a pup and all the computing power of a… well… a computer. He’s the best of all worlds.
Now we just have one question: Which lucky corg will play Ein in the upcoming live-action Cowboy Bebop?
[Thanks to John King
Tarpinian, Cat Eldridge, Hampus Eckerman, Mike Kennedy JJ, Martin Morse
Wooster, Chip Hitchcock, Michael Toman, Carl Slaughter, and Andrew Porter for
some of these stories. Title credit goes to File 770 contributing editor of the
day Darren Garrison.]
This month’s installment of Old People Read New SFF is Caroline M. Yoachim’s award nominated Carnival 9, an endearing tale of clockwork people second cousin to children’s toys and inevitable, implacable mortality. The Hugo nominated it garnered suggests reader appeal and the fact that it was also nominated for a Nebula means professionals enjoyed (or at least appreciated) it was well. But will my Old People find it worth reading?
Christyann Darwent is an archaeologist at the University of California at Davis. Darwent does her fieldwork in the Canadian High Arctic, a place so frigid and remote that it has been used as a training ground to prepare astronauts for future missions to Mars. Darwent’s expertise in how organic materials break down in extreme environmental conditions gives her unique insights into how corpses might age on the Red Planet.
As we speculated about the future of Martian law enforcement, Darwent emphasized that her expertise remains firmly terrestrial; her husband, she joked, is the one who reads science fiction. Nevertheless, Darwent brought a forensic angle to the subject, noting that nearly everything about a criminal investigation would be different on the Red Planet. She described how animal carcasses age in the Arctic, for example: One side of the body, exposed to high winds and extreme weather, will be reduced to a bleached, unrecognizable labyrinth of bones, while the other, pressed into the earth, can often be almost perfectly preserved. Think of Ötzi, she said, the so-called “Iceman,” discovered in a European glacier 5,300 years after his murder. Ötzi’s body was so well preserved that his tattoos were still visible. Murderers on Mars might have their hands full: The bodies of their victims, abandoned in remote canyons or unmapped caves, could persist in the Martian landscape “in perpetuity,” Darwent suggested.
In a time where the American government separates and imprisons migrant families, hearing from those who live and engage with the Mexico-US borderlands on a personal level couldn’t be more relevant.
Fresh off the presses in time for WorldCon76, the Mexicanx Initiative’s bilingual anthology Una Realidad más Amplia: Historias desde la Periferia Bicultural/A Larger Reality: Speculative Fiction from the Bicultural Margins celebrates the diversity of Mexicanx writers who create science fiction, fantasy and horror. Born of a Kickstarter project, the book includes twelve short stories and one comic in both Spanish and English, with an ebook version on the way.
(4) POWER OF WORDS. Simini Blocker’s site includes a series of posters about reading that use quotes from George R.R. Martin, C.S. Lewis, Lemony Snicket, Albert Einstein, Annie Dillard, Anna Quindlen, Cassandra Clare, etc.
(5) LALLY IN CHINA. At Vector, a photo gallery of Dave Lally’s visit to Chengdu, China: “Dave in Chengdu”.
This July, our roving Membership Officer Dave Lally spent four days Chengdu, Sichuan province, China, participating in the Science Fiction Sharing Conference. Here are just a few snaps from the trip.
(6) LISTENING TO THE GOLDS. LASFSians and renowned filkers Lee and Barry Gold were intereviewed by Edie Stern for Fanac.org. Hear the audio and see illustrative photos at YouTube.
Lee and Barry Gold tell stories about Los Angeles fandom and filking in the 1960s. In this audio recording enhanced with images, there are charming anecdotes about Poul and Karen Anderson, LASFS, and a great story about Bruce Pelz and Ted Johnstone obtaining permission from John Myers Myers to print the “Silverlock” songs. Lee and Barry tell how they got into fandom, and the interview also includes snatches of song from filks of the time as well as a discussion on where the word “filk” came from. The audio was captured in San Jose at Worldcon 76, and is enhanced with 35 images.
(7) ASHES SCATTERED. Martin Tays posted a photo of the moment on Facebook.
A final farewell to Poul Anderson and Karen Anderson. Their ashes were scattered today in Puget Sound from on board the Schooner Zodiac, sailing out of Bellingham, Washington.
(8) MERTON OBIT. Actress Zienia Merton (1945-2018) passed away September 13. She memorably played Space: 1999’s Sandra Benes, Data Analyst on Moonbase Alpha. See photos at Moonbase Central.
(9) SUTTON OBIT. Dudley Sutton (1933-2018): British actor, died September 15, aged 85. Genre appearances include The Avengers (one episode, 1968), Randall and Hopkirk (Deceased) (two episodes, 1970 and 2000), The Devils (1971), The Glitterball (1977), The Island (1980), Brimstone & Treacle (1982), The Comic Strip Presents… (‘Slags’, 1984), The House (1984), A State of Emergency (1986), Screen One (‘1996’, 1989), Orlando (1992), Delta Wave (two episodes, 1996), Highlander (one episode, 1997), The Door (2011), Ripper Tour (2018), Steven Berkoff’s Tell Tale Heart (completed 2017, but not yet released), A Midsummer Night’s Dream and When the Devil Rides Out (both currently in post-production).
(10) BLAY OBIT. The New York Times says the creator of the videocassette movie industry has died:
Andre Blay, 81, whose innovative idea of marketing Hollywood movies on videocassettes sparked an entertainment industry bonanza and a revolution in television viewing, died on Aug. 24 in Bonita Springs, Fla. He was 81….
But in 1977 Mr. Blay was able to persuade Fox to make a deal under which he would duplicate and distribute 50 of the studio’s most successful films, including “M*A*S*H” and “The French Connection.” The relatively high initial retail price of movies on videocassettes prompted an unexpected proliferation of video rental stores, from neighborhood businesses to sprawling chains like Blockbuster. As the price of recorders plummeted to about $500 from about $1,000, sales boomed, and so, to some people’s surprise, did rentals. By 1987 home video was generating more revenue than movie-theater ticket sales.
(11) TODAY IN HISTORY
September 15, 1949 — The Lone Ranger TV series debuted.
September 15, 1965 — The original Lost in Space premiered on television – theme by ”Johnny Williams.”
(12) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
Born September 15, 1890 – Agatha Christie. Ok, according to Encyclopaedia of Science Fiction –
Christie wrote several short stories with supernatural elements – some collected, together with orthodox nonseries detections, in The Hound of Death (coll 1933) – and created a kind of sentimental Occult Detective [see TheEncyclopedia of Fantasy under links below] for The Mysterious Mr. Quin (coll 1930). In these stories the shadowy and elusive Harley Quin (the “harlequin” pun is deliberate and explicit) does not so much detect as use his presumably occult information to steer a mundane friend, Mr Satterthwaite, towards the insight required to explain a crime; the misleadingly titled The Complete Quin & Satterthwaite: Love Detectives (omni 2004) includes two long Hercule Poirot investigations featuring Satterthwaite but not Quin. Christie was made a Dame of the British Empire in 1971.
Born September 15, 1943 – John M. Faucette. Harlem born and raised genre writer who published four novels in the Sixties, two apparently as Ace Doubles. I wish I could tell you more about him but scant information now exists about him alas.
Born September 15 – Norman Spinrad, 78. Writer of many genre novels including Bug Jack Barron, Greenhouse Summer and The People’s Police. Wrote the script for “The Doomsday Machine” for Star Trek: The Original Series; also wrote episodes for Land of the Lost and Werewolf. His very early reviews are collected in Science Fiction in the Real World which was published in 1990.
Born September 15 – Chelsea Quinn Yarbro, 76. Writer, composer, demographic cartographer. Genre works include the very long running Count Saint-Germain vampire series, the Vildecaz Talents series and a number of other works listed as genre but which I’m not familiar with so I’m not certain that they are. Her site notes that she’s ‘Divorced, she lives in the San Francisco Bay Area – with two cats: the irrepressible Butterscotch and Crumpet, the Gang of Two.’
Born September 15 – Howard Waldrop, 74. Primarily a short story writer so much of his work is unfortunately out of print though iBooks lists ePubs for Horse of a Different Color right now along with two other Small Beer published collections. I rather like The Texas-Israeli War: 1999 novel he co-wrote with Jake Saunders. His “The Ugly Chickens” amusingly enough won a Nebula for Best Novelette and a World Fantasy Award for Short Fiction.
Born September 15 – Loren D. Estleman, 66. You’ll have noticed that I’ve an expansive definition of genre and so I’m including a trilogy of novels by this writer who’s better known for his mainstream mysteries featuring Amos Walker which are set in the Sherlock Holmes Metaverse, Sherlock Holmes vs. Dracula, Dr. Jekyll and Mr. Holmes and The Devil and Sherlock Holmes. I think it was Titan Book that maybe a decade ago republished a lot of these Holmesian pastiches of which there are more than I want to think about.
Born September 15 – Jane Lindskold, 56. Let’s see… I see a number of genre undertakings including Artemis, Athanor, Breaking the Wall and the Firekeeeper series. She’s done a lot of excellent stand-alone fiction novels including Child of a Rainless Year,Brother to Dragons, Companion to Owls and The Buried Pyramid. She either edited or greatly expanded (depending on your viewpoint) two novels by Roger Zelazny, Donnerjack which I love and Lord Demon which thrills me less. Her latest I believe is Asphodel which she sent me an ebook to read and it is quite good.
(13) COMIC SECTION.
Over the Hedge explains how to get people interested in the space program.
(14) QUANTUM LEAP. That’s right, there could be a perfectly sensible explanation for a friend’s strange behavior, like this —
Do you have a friend, a coworker, an acquaintance who isn't acting normal?
Reach out. Ask them if they are really Scott Bakula attempting to change history for the better.
Kurt Maetzig is not a natural choice for East Germany’s first science fiction movie, since he is mostly known for realist fare and even outright propaganda films. Though the fact that Maetzig is a staunch Communist helped him overcome the reservations of DEFA political director Herbert Volkmann, who doesn’t like science fiction, since it does not advance the Communist project and who shot down eleven script drafts as well as Maetzig’s plan to hire West European stars.
(16) IT’S A STRETCH. Marko Kloos’ post for the Wild Cards blog, “Coming Up Aces”, tells how hard it is to do something new in “a world with an established canon spanning 70 years, where hundreds of aces and jokers have already been put on the page by dozens of other writers.”
Wild Cards is up to twenty-six volumes now, and the Trust has more than forty members. Each of those writers has created multiple characters, so there are hundreds of aces, joker-aces, and jokers out in the Wild Cards world, each with their own distinct physical characteristics and abilities. And once they are on the page, they’re canon. Try coming up with an original ace who doesn’t duplicate something that’s already been done by someone else—I can assure you it’s not easy, especially if you’re new to the team and haven’t had your head in that world for the last few decades. The first few ideas I had were roundly shot down at the start because they had been used in some form already, or they brought abilities to the table that had been done too often.
For my first character that truly stuck, I came up with Khan, who makes his first appearance in LOW CHICAGO. Khan is a joker-ace, a 300-pound underworld bodyguard whose left body half is that of a Bengal tiger….
The success of “Stree” is due in part to how it flips Bollywood’s norms. The male protagonist is the opposite of Bollywood’s muscly, macho heroes — he spends most of the film trying to see things from the female ghost’s point of view. The women, on the other hand, are bold, educated and fearless.
The movie breaks rules of the horror genre: The scares and jolts are funny, while the real fear is hidden in the jokes about the realities of being a woman in India.
Lately I’ve been watching a lot of the Youtube channel Strip Panel Naked, by Hassan Otsmane-Elhaou. In this extraordinary video podcast, Hassan analyses different techniques of pacing, page layout, color, positive and negative space, genre conventions and how they’ve been broken, stylistic choices and so on. I have lots of favourites, including the analysis of the use of time in Fraction and Aja’s Hawkeye.
The saga began to unfold on September 6, when authorities unexpectedly closed and evacuated Sunspot Solar Observatory. Sunspot Solar Observatory is managed by a consortium of universities that provide funding to operate the telescope and adjoining visitor’s center. AURA (The Association of Universities for Research in Astronomy) is a big site, tens to hundreds of acres, McAteer explained, and the observatory is used to study the sun in very specific ways.
McAteer said while the reason behind the closure is still unknown, he does not believe it is as strange as some believe.
“AURA deciding to close it is not an unusual event to me and I’m not going to jump to any unnecessary speculation,” McAteer told Salon. “They [AURA] made the decision to close the site based on an internal decision, based on whatever they make their decisions on, and as they often make decisions to close remote sites this is not an uncommon thing to do.”
Alamogordo Daily News first reported the news on Sept. 7, when the observatory closed citing a “security issue” at the facility. Shari Lifson, a spokeswoman for AURA, said the closure was their decision.
“The Association of Universities for Research in Astronomy who manages the facility is addressing a security issue at this time,” Lifson told the local newspaper. “We have decided to vacate the facility at this time as precautionary measure. It was our decision to evacuate the facility.”
In the Void’s games, if you pick up a gun, you’re holding a physical weapon — if you sit on a bench, there’s an actual physical bench for you to sit on. We went to a demo of the Void’s new Halloween experiences and talked with the creators behind them — here’s what we learned, and what went down.
When you’re about to go into the Void, you’re fitted with a vest and a VR helmet. The vest vibrates when you get shot or attacked — or in the case of one of their new experiences, slimed. (Ew.)
(21) HIMMELSKIBET. Karl-Johan Norén has another sff link to in Denmark: “Himmelskibet is a Danish 1918 silent movie about a trip to Mars, 81 minutes long, that has been restored by the Danish Film Institute.”
[Thanks to Danny Sichel, Martin Morse Wooster, Chip Hitchcock, JJ, Cat Eldridge, John King Tarpinian, Carl Slaughter, Steve Green, Karl-Johan Norén, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
Edie Stern will be Grand Marshal of the Florida Atlanta University Homecoming parade today, November 2 — one of several honors bestowed this week by her alma mater.
Stern received FAU’s Alumni Talon Award in a ceremony on October 30, one of four given Talon Awards for leadership, support and service to the university.
The youngest graduate in school history, she began attending junior college when she was 12 years old, and received a bachelor’s degree in mathematics from FAU at the age of 15 in 1968.
“FAU really took a chance on me. I was young and hadn’t been away from home before for any extended period of time,” she was quoted in an FAU press release. “I made good friends that I’m still in touch with, and learned the blinding beauty that mathematics can be. The education I received at FAU prepared me well for graduate school and for a career in technology. For this I’m very grateful.”
Stern has worked at IBM for more than 40 years, and is a master inventor who has been issued 126 U.S. patents with many more pending. In 2012, she received the American Society of Mechanical Engineers’ Kate Gleason Award for lifetime achievement in the engineering profession.