Pixel Scroll 2/26/21 Got My Mjolnir Working

(1) IF YOU LOVED THEM IN GOOD OMENS… A finalist for RadioTimes.com Awards 2021– TV Moment of the Year is Judi Dench slamming David Tennant and Michael Sheen in Staged, a British comedy series set during the COVID-19 pandemic and primarily made using video-conferencing technology.

David Tennant and Michael Sheen playing exaggerated versions of themselves (actors) in 2020 trying to get work is already hilarious, but add in Dame Judi Dench and you’ve got a work of art. Tennant and Sheen aren’t exactly enthusiastic about their new role in a play, and Dench is on hand to remind them they have said yes to a job so they should “stop f**king about” and “do the bloody job”. That’s them (and us) told.

The series premiered on BBC One last summer, and another eight-episode series was released January 4. The first series synopsis is —

David Tennant and Michael Sheen (playing themselves) were due to star in a production of Six Characters in Search of an Author in the West End. The pandemic has put paid to that, but their director (Simon Evans – also playing himself) is determined not to let the opportunity pass him by. He knows how big a chance this is for him and turns his attention to cajoling his stars into rehearsing over the internet. All they need to do is read the first scene, but throughout the series they come up against a multitude of oppositional forces: distraction, boredom, home-schooling and their own egos.

(2) THE MAN FROM UNCLES. Don Blyly is interviewed by Carz Nelson in “Down But Not Out: The Future of Uncle Hugo’s” at The Alley Newspaper.

…Deciding whether to reopen the stores won’t be easy. At 70 years young, many assumed owner Don Blyly would retire from retail business after the fire. Such assumptions are premature, however. It takes a lot of drive to start over from nothing, but Blyly seems to be equal to whatever tasks he sets himself.

…He admits that he has a knack for bouncing back from adversity, “I’ve noticed that I seem to have more resilience than most other people and I’ve wondered why. Partly it is stubbornness. Partly it is because the more of a track record you have at overcoming previous difficulties, the more confidence you have of overcoming the latest difficulty.”

Blyly says the city has a lot to answer for when it comes to the uprising, “Back in 2015 the Department of Justice made recommendations for reforming the Minneapolis Police, but the City Council has done nothing to implement those recommendations. The judge in the trial of Mohamed Noor for the murder of Justine Damond raised issues about problems with the Minneapolis Police that have never been addressed.” 

Since the uprising and subsequent looting, he’s concerned that many people think the area is too dangerous to visit, “About half of my sales were to people outside the I-495/ I-694 loop, and they are now scared to come to Minneapolis to spend their money. Customers in South Minneapolis told me that they would be scared to return to the Uncles if I rebuilt in the old location. The city is going to have to actually work on fixing the problems with the Minneapolis Police instead making ‘defunding’ speeches before people will feel comfortable about spending their money in Minneapolis again.”

(3) IT PAYS TO BE POSTHUMOUS. Julie Phillips, in “Born to Be Posthumous” at 4Columns, reviews Mark Dery’s Born To Be Posthumous:  The Eccentric Life And Mysterious Genius Of Edward Gorey.

By his mid-twenties, the artist and illustrator Edward Gorey had already settled on his signature look: long fur coat, jeans, canvas high-tops, rings on all his fingers, and the full beard of a Victorian intellectual. His enigmatic illustrations of equally fur-coated and Firbankian men in parlors, long-skirted women, and hollow-eyed, doomed children (in The Gashlycrumb Tinies, among other works) share his own gothic camp aesthetic. Among the obvious questions for a reader of Gorey’s biography are: Where in his psyche, or in the culture, did all those fey fainting ladies and ironic dead tots come from? And, not unrelatedly: Was Gorey gay?

…Gorey described himself as “undersexed” in a 1980 interview, and equivocated: “I’ve never said that I was gay and I’ve never said that I wasn’t. A lot of people would say that I wasn’t because I never do anything about it.” Did he reject a gay sexuality, or was his particular sexuality, perhaps asexuality, not yet on the menu? Dery isn’t out to judge, and encourages us instead to look at how Gorey’s arch imagery, flamboyant self-presentation, and “pantheon of canonically gay tastes” (ballet, Marlene Dietrich records, silent film) allow him to be read in the context of gay culture and history, whatever his praxis in bed…. 

(4) TOO MANY NOTES. Vox’s Aja Romano investigates a kerfuffle at Archive Of Our Own (AO3) about the issues of a million-word fanfic with 1,700 tags. “Sexy Times with Wangxian: The internet’s most beloved fanfiction site is undergoing a reckoning”.

… Since it first appeared in October 2019, “Sexy Times With Wangxian,” or STWW, has become notorious across AO3. That in itself is unusual, because most AO3 users stick to their own fandoms and don’t pay much attention to what’s happening in others. STWW belongs to the fandom for the wildly popular Chinese TV series The Untamed, and the “Wangxian” in the title refers to the ship name for the show’s beloved main romantic pairing. It’s a very long fanfic, over a million words, and contains more than 200 chapters of porn featuring The Untamed’s large cast in endless permutations and sexual scenarios.

All that, by itself, isn’t enough to make STWW remarkable — not on a website as wild and unpredictable as AO3. Yet the fic has become impossible for many AO3 users to ignore thanks to a unique quirk: Its author has linked it to more than 1,700 site tags (and counting).

A quick note about AO3’s tagging system: It is designed to let users tag creatively and freely. So you can add useful tags, like pairing labels and character names, but you can also toss in personalized tags for fun and creative expression, from “no beta readers we die like men” to “I wrote this at 4am on three bottles of Monster Energy and zero sleep don’t judge.”

The tagging system is in service of the site’s total permissiveness — you can write anything you want in tags. But for the site to function, tags still need to be useful for navigation. So AO3 has hordes of volunteers known as “tag wranglers” whose sole job is to sort through the massive number of fic tags on the site and decide which ones will actually help users find what they’re looking for.

Those tags are then made “canonical,” which means they’ll become universal tags that every user can sort through. They’ll also appear within a list of suggested tags as you type. If I start to type “hospital” while tagging a fic, AO3 will return canonical tag suggestions like “Alternate Universe — Hospital,” “Hospital Sex,” and “Hogwarts Hospital Wing.” That makes it easy to determine whether your fic fits tags the community is already using.

AO3’s tagging system is so organized and thorough that it has won widespread acclaim from fields like library science and internet infrastructure. But it still has its limits — and with more than 1,700 tags, “Sexy Times With Wangxian” has revealed what some of those limits look like — in some cases quite literally….

The tags are so numerous, they can’t fit into a single screenshot on a large monitor. Here’s a quick scroll through the entire thing…

(5) THEY’RE FEELING BETTER. Jen Chaney, in “No, They Weren’t Dead the Whole Time” at Vulture, has an oral history of the last episode of Lost, which reveals that showrunners Carlton Cuse and Damon Lindelof had the ambiguous ending in mind the whole time and that the show was so important that the State of the Union in 2010 was moved because it conflicted with the final season opening episode.

…When the finale aired, it sparked divided responses (understatement) from fans. Some loved the emotional way in which Jack’s journey and that of his fellow survivors of Oceanic Flight 815 came to a close. Others were extremely vocally angry about not getting more direct answers to the show’s many questions. Still others came away from it all convinced that the castaways had been dead the whole time. (They were not dead. They really weren’t.)

What was semi-clear at the time and is even clearer now is that the broadcast of the Lost finale would mark the end of something else: the truly communal broadcast television experience. Subsequent finales would be major events (see HBO’s Game of Thrones) and even draw larger audiences (2019’s final Big Bang Theory attracted 18 million viewers, compared to the 13.5 million who tuned in for the Lost farewell). But nothing else since has felt so massively anticipated and so widely consumed in real time the way that the end of Lost, the Smoke Monster Super Bowl, did in 2010.

Vulture did extensive interviews with writers, cast, and crew members, who reflected on the development of “The End,” the making of the still hotly debated episode, and the cultural conversation it continues to generate. Because, yes, of course, we had to go back.

(6) AT HOME WITH SFF. Aidan Moher conducts a lively and revealing Q&A with Yoon Ha Lee, Brian Staveley, Kate Elliott, Aliette de Bodard in “Blood Matters: Growing Up in an SF/F House” at Uncanny Magazine.

…An appreciation for speculative fiction isn’t always handed down from within a family. Sometimes it grows on its own, or is introduced by a friend or a teacher. Or a child is uninterested, despite their parents’ best efforts to sway them to the side of elves and proton cannons. I recently reached out to several writers to ask them about their experience growing up, their parents’ relationship to speculative fiction, and the impact that parenthood has had on them as writers….

…There are also emotional sacrifices that come along with parenthood. After the birth of her first child, de Bodard’s tolerance for stories featuring child abuse or endangerment “went from weak to zero” immediately. “I had to put off reading a book I was much looking forward to because I couldn’t get past the violence against a child.” As the father of a daughter, I’ve had a similar experience to de Bodard, and have also become even more aware of and angered by the pervasive sexism that continues to plague speculative fiction and fandom.

Personal writing of any sort reveals layers to a person that even their close friends and loved ones might not recognize. My wife often finds it odd to read my writing—not because of the subject matter, but because it’s told in a voice that doesn’t sound familiar to her ear.

“My children have all read at least some of my writing,” said Elliott. “I often consult them about plot, character, and world–building because I like to hear their feedback, because they know me so well, and because they have fascinating and deep imaginations. They are probably my most valuable writing resource, with my cherished writer and reader friends a close second.”…

(7) EATING THE FANTASTIC. Scott Edelman offers listeners the opportunity to “Savor Stan Lee’s favorite sandwich with comics writer Jo Duffy” in episode 139 of the Eating the Fantastic podcast.

Jo Duffy

My old Marvel Bullpen pal Jo Duffy had a lengthy, celebrated run back then on Power Man and Iron Fist, where she also wrote Conan the BarbarianFallen AngelsStar Wars, and Wolverine. She also wrote Catwoman for DC and Glory for Rob Liefeld’s Extreme Studios imprint of Image Comics. Additionally, she worked on the screenplays for the horror films Puppet Master 4 and Puppet Master 5.

We discussed why she knows what Superman will look like when he’s 100, the many reasons our kid selves both thought Marvel had D.C. beat, the genius of Marie Severin, how I may have inadvertently been responsible for her getting a job as an Assistant Editor in the Marvel Bullpen, what it was like to work with Steve Ditko, the firing she still feels guilty about 40 years later, how she approached the challenge of writing Power Man and Iron Fist, the letter she wrote to Stan Lee after the death of Jack Kirby, the two-year-long Star Wars story arc she was forced to squeeze into a few issues, the best writing advice she ever got, and much more.

(8) FIRST THERE IS NO MOUNTAIN, THEN THERE IS. Sarah Gailey, in “Building Beyond: Move Mountains” at Stone Soup, gets an assist from Alex Acks and nonwriter Kacie Winterberg to illustrate how easy a particular facet of sff creation can be:

Building Beyond is an ongoing series about accessible worldbuilding. Building a world doesn’t have to be hard or scary — or even purposeful. Anyone can do it. To prove that, let’s talk to both a writer and a non-writer about a worldbuilding prompt.

How do you go about communicating with a mountain to prevent it from pursuing its ambition of becoming a volcano?

(9) MEDIA BIRTHDAY.

February 26, 1977 — On this day in 1977, Doctor Who’s “The Talons Of Weng-Chiang, Part 1” first aired. It featured Tom Baker, considered the most popular of all the actors who’ve played The Doctor, and Leela, the archetypal savage that British Empire both adored and despised, played by Louise Jameson. The villain was most likely a not-so-accidental take off of Fu Manchu. Cat Eldridge reviewed the episode at A Green Man Review. You can watch the first part online here with links to the rest of the story there as well. (CE)

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 26, 1874 – Katherine Cameron.  Member, Glasgow Society of Lady Artists (Women Artists after 1975).  A dozen illustrated books for us.  This is in Stories from the Ballads (M. Macgregor, 1906).  Here are Snowdrop and the Seven Dwarfs.  Here is Celtic Tales.  Here is Undine.  This is in The Enchanted Land.  (Died 1965) [JH]
  • Born February 26, 1916 – Clifford Geary.  A dozen covers, two dozen interiors for us; many others.  Noteworthy in particular for illustrating Heinlein’s “juveniles”.  Here is a frontispiece for Starman Jones.  Here is an interior for Between Planets.  This is in Space Cadet.  Here is one from outside our field.  (Died 2008) [JH]
  • Born February 26, 1918 Theodore Sturgeon. I hadn’t realized that he’d only written six genre novels! More Than Human is brilliant and I assumed that he’d written a lot more long form fiction but it was short form where he excelled with more than two hundred such stories. I did read over the years a number of his reviews — he was quite good at it. (Died 1985.) (CE)
  • Born February 26, 1945 Marta Kristen, 76. Kristen is best known for her role as Judy Robinson, one of Professor John and Maureen Robinson’s daughters, in  the original Lost in Space. And yes, I watched the entire series. Good stuff it was. She has a cameo in the Lost in Space film as Reporter Number One. None of her other genre credits are really that interesting, just the standard stuff you’d expect such as an appearance on The Man from U.N.C.L.E. and  Alfred Hitchcock Presents. (CE)
  • Born February 26, 1945 – Alex Eisenstein, age 76; 1946 – Phyllis Eisenstein (Died 2020).  Active fannish couple; P also an active pro, a dozen novels, twoscore shorter stories with A collaborating on half a dozen; so far as I know The City in Stone, completed, remains unpublished.  AE co-edited Trumpet.  Here is his cover for More Issues at Hand.  PE was Guest of Honor at Windycon XXX, Capricon 26, ConQuesT 38; a soft-sculpture of her was part of the Fanzine Lounge at Chicon VI the 58th Worldcon.  AE, a noted SF art collector, has organized many displays including that Chicon.  [JH]
  • Born February 26, 1948 Sharyn McCrumb, 73. ISFDB lists all of her Ballad novels as genre but that’s a wee bit deceptive as how genre strong they are depends upon the novel. Oh, Nora Bonesteel, she who sees Death, is in every novel but only some novels such as the Ghost Riders explicitly contain fantasy elements.  If you like mysteries, all of them are highly recommended.  Now the Jay Omega novels, Bimbos of the Death Sun and Zombies of the Gene Pool are genre, are great fun and well worth reading. They are in print and available from the usual suspects which is interesting as I know she took them out of print for awhile. (CE) 
  • Born February 26, 1952 – Bob Devney, F.N., age 69.  Eight-time finalist for Best Fanwriter.  Fellow of NESFA (New England SF Ass’n; service).  Lover of SF movies – some of them, anyway.  When I remarked to him I hadn’t seen The Devniad in a while, he muttered something about Twitter; but quite possibly he still hasn’t recovered from Noreascon 4 the 62nd Worldcon, where he worked very hard, as I saw and maybe you did too.  [JH]
  • Born February 26, 1957 – John Jude Palencar, age 64.  A hundred ninety covers, five dozen  interiors.  Artbook Origins.  Here is Rhinegold.  Here is Kushiel’s Avatar.  Here is The Dark Line.  Here is Mind of My Mind.  This picture led to The Palencar Project – David Hartwell did such things.  Five Chesleys.  American Water Color Society Gold Medal.  Hamilton King Award.  Spectrum Grand Master.  Also National GeographicSmithsonianTime.  [JH]
  • Born February 26, 1963 Chase Masterson, 57. Fans are fond of saying that she spent five years portraying the Bajoran Dabo entertainer Leeta on  Deep Space Nine which means she was in the background of Quark’s bar a lot though she hardly had any lines. Her post-DS9 genre career is pretty much non-existent save one-off appearances on Sliders, the current carnation of The Flash and Star Trek: Of Gods and Men, a very unofficial Tim Russ project. She has done some voice work for Big Finish Productions as of late. The series there features here as Vienna Salvatori, an “impossibly glamorous bounty hunter” as the publicity material including photos of her puts it. (CE) 
  • Born February 26, 1965 Liz Williams, 56. For my money, her best writing by far is her Detective Inspector Chen series about the futuristic city Singapore Three, its favorite paranormal police officer Chen and his squabbles with an actual Chinese-derived Heaven and Hell. I’ve read most of them and recommend them highly. I’m curious to see what else y’all have read of her and suggest that I read. (CE)
  • Born February 26, 1968 – Lynne Hansen, age 53.  Half a dozen novels, ten dozen covers.  Here is Strangewood.  Here is Things That Never Happened (hello, Scott Edelman).  Here is A Complex Accident of Life.  Here is The High Strangeness of Lorelei Jones.  [JH]

(11) COATES TO SCRIPT SUPERMAN MOVIE. Trey Mangum, in “Ta-Nehisi Coates To Write Upcoming Superman Film From DC And Warner Bros.” on Shadow and Act, says Coates will write a script for a Superman movie to be produced by J.J. Abrams’s Bad Robot, but with no director or stars attached at this time.

…We’re hearing that no director is attached as of yet and plot details remain under wraps. Additionally, the search for an actor to play Kal-El / Superman hasn’t started yet.

“To be invited into the DC Extended Universe by Warner Bros., DC Films and Bad Robot is an honor,” said Coates in a statement received only by Shadow and Act. “I look forward to meaningfully adding to the legacy of America’s most iconic mythic hero.”

“There is a new, powerful and moving Superman story yet to be told. We couldn’t be more thrilled to be working with the brilliant Mr. Coates to help bring that story to the big screen, and we’re beyond thankful to the team at Warner Bros. for the opportunity,” said J.J. Abrams in the statement to S&A.

“Ta-Nehisi Coates’s Between the World and Me opened a window and changed the way many of us see the world,” added Toby Emmerich, Chairman, Warner Bros. Pictures Group. “We’re confident that his take on Superman will give fans a new and exciting way to see the Man of Steel.”

(12) SANS RIDES ET SANS REPROCHE. Los Angeles Times columnist Mary McNamara finds this is a rhetorical question: “Is Disney California Adventure, with no rides, worth $75?”

…If you think Disney’s recent announcement that it will soon be charging $75 a head for the thrill of wandering around California Adventure to buy and eat things while admiring the entrances to still-closed rides is nuts, I am here to tell you that it is not.

At least not if my recent visit to Downtown Disney and Buena Vista Street is any indication.

…It was absolutely clear right away. Desperate for even the faintest tang of the Disney experience, thousands of us apparently are quite willing to settle for the elements of the Disney experience we normally complain about the most: waiting in line, overpriced food and the siren call of way too much Disney merch.

Late on a recent Wednesday afternoon, it was a 45-minute wait simply to enter the Downtown Disney area, 50 if you count the five-minute walk from the car, which cost 10 bucks to park.

To be fair, the line that snaked through an entire parking lot could be construed, at least in these coronavirus-plagued times, as a Disney experience in and of itself. The now-ubiquitous six-feet-apart marks created a socially distant conga line that involved far more walking than standing: “Well, we’re getting our steps in,” one of my daughters remarked.

…As the sun set over the Simba parking lot and our group advanced through the temperature-taking station and the bag-check station, then past a police presence prominent enough to make any mask-shirker think twice, one could at least imagine a world returning to something approaching normal.

Listen to the piped-in music! Yes, once upon a time it did indeed drive some of us insane. But now, after a yearlong lifetime of home-office work — concentration broken on an hourly basis by the maddening syncopated roar of leaf blowers and brain-drilling hum of the neighbors’ home improvement project — all those Disney tunes fell around us like the singing of a heavenly host….

(13) MARTINE’S SEQUEL. In a review at Fantasy Literature, Bill Capossere makes the book sound irresistible: “A Desolation Called Peace: Wonderfully rich and nuanced”,

…Beyond the plot reasons, I loved that it was more a cultural conflict because that concept is at the heart of this duology: the way the Empire doesn’t simply conquer via its military but swamps others with its pervasive, relentless, invasive cultural tentacles (hmm, sound familiar?), the way the question of “who counts as human” (or more broadly, who can be considered a person) runs throughout the Empire on a macro level, and throughout the relationship between Mahit and Three Seagrass on a micro level.

… It’s impossible to read these moments and not relate them to everyday existence for those forced to swim in the sea of a majority culture. This fraught tension is made all the richer for how Martine portrays (realistically) how seductive such cultural power is even for those it threatens to swamp, like falling in love with the waves that are trying to drown you. And then it gets under the skin and into the brain so it becomes almost second nature: “Mahit laughed, a raw sound … She couldn’t do it all. She thought in Teixcalaanli, in imperial-style metaphor and overdetermination. She’d had this whole conversation in their language.”

(14) HARD TIME. Will it be at least seven more years before Galactic Journey’s Gideon Marcus has something good to say about the monthly issue of Analog? “[February 26, 1966] Such promise (March 1966 Analog)”.

… It all came down to this month’s Analog.  If it were superb, as it was last month, then we’d have a clean sweep across eight periodicals.  If it flopped, as it often does, the streak would be broken.

As it turns out, neither eventuality quite came to pass.  Indeed, the March 1966 Analog is sort of a microcosm of the month itself — starting out with a bang and faltering before the finish….

(15) FROM BROADWAY TO BROADBAND. [Item by Martin Morse Wooster.] In the February 19 Financial Times, Sarah Hemming reviews “online interactive theatre shows” which try to capture some of the spontaneity of live theatre.

Collaboration is key to success with all these show: the quicker an audience learns to share tasks, the better.  In Sherlock In Homes:  Murder At The Circus (from the Wardrobe Theatre and Sharp Teeth Theatre), this turns out to be a group of small girls from Wales with a formidable line in questioning,  (The same companies have also created Sherlock In Homes 2:  Murder On Ice.)

Another Sherlock-inspired show, Murder At The Circus is a droll, family-friendly affair, low on tech high in audience-actor interaction. Sherlock is missing (again), leaving behind a rum case involving a dead circus clown and a plate of potted meat.  We, the impromptu detectives, must quiz a line-up of dubious suspects with names like Glenda Flex (acrobat) and Rory McPride (lion tamer), all of whom are adept at juggling the truth.

After several rounds of unfocused interrogation from our team, the Welsh 10-year-olds spring into action. “Where were you location-wise when you were kissing?’ demands one, sternly, of a particularly evasive character,  It would take a hardened criminal not to crack.”

The websites for this are sharpteeththeatre.orgthewardrobetheatre.com, and sherlockimmersive.com.

(16) MALZBERG ON PKD. A year ago on the DickHeads Podcast: “Interview #12 – Barry Malzberg – Malzberg Spectacular Part 1”.

David must have done something right because author Barry Malzberg was willing to sit down for a lengthy phone conversation with him. In this interview, Barry leads David through his experiences with multiple authors including PKD, the in’s and out’s of the publishing industry of the 60s and 70s, and more. Also, don’t forget to check out part 2 of our Barry Malzberg Spectacular where author James Reich joins David in an in-depth look at the award-winning novel Beyond Apollo, which garnered the first ever John W. Campbell Memorial Award for Best Science Fiction Novel.

(17) POTATO HEAD, THE MORNING AFTER. The London Economic has an entertaining collection of tweets about yesterday’s kerfuffle: “Best reactions as usual mouthpieces are foaming over a genderless Potato Head”. Here are a few —

When it was all over but the shouting, Reason’s Robby Soave announced:  “Mr. Potato Head will remain the strong, masculine figure he always was.”

(18) IN MELODY YET GREEN. The Washington Post’s Tim Carman reviews Lady Gaga Oreos. They’re pink! (With green filling!) “Lady Gaga Oreos are an extra-sweet mystery wrapped in an enigmatic pink wafer”.

…One of the promotions tied to Gaga’s cookies is a Sing It with Oreo feature. You can make personal recordings, transform them into “musical messages of kindness” and send them to folks you love and support. The pink foil packaging for Gaga Oreos features a QR code, which provides instant access to the recording function. You probably have to give up countless pieces of personal information in the process, but go ahead, “Just sing from the heart, and make someone’s day a little brighter.”

[Thanks to John King Tarpinian, Martin Morse Wooster, Michael Toman, Cat Eldridge, JJ, John Hertz, Andrew Porter, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/31/20 All I Want Is A Scroll Somewhere, Filed Away From The Covid Air

(1) THE TOP OF THE WORLD. Rachel S. Cordasco is dedicating June to “Nordic SF in Translation” on her SF in Translation site and on FB and Twitter: “SFT From The Nordic Countries” . She’s looking for on-topic contributions, too.

Speculative fiction in English translation from the Nordic countries has been available as far back as the turn of the twentieth century. Since the beginning of the twenty-first, though, we’ve gotten a lot more, especially horror from Sweden and fantasy from Finland.

During the month of June, I’ll be spotlighting this little-known (in the Anglosphere) but important and often brilliant speculative fiction. Several stories listed here are available for free online.

(2) HONOURS. SFFANZ gets a head start on a royal story: “Elizabeth Knox & Taika Waititi – Queen’s Birthday honours”

Elizabeth Knox has been named a Companion of the New Zealand Order of Merit for services to literature in the Queen’s Birthday honours list announced today. We note that she describes her books as “literary non-realism”, but if you read them you will recognise science fiction and fantasy when you see it.

Taika Waititi picked up an ONZM in the same awards for services to film. He has been involved in many projects which fit in our genre description, although we note that the Stuff article about the awards fails to mention his role in the creation of what we here at SFFANZ news think is the best of them – Wellington Paranormal.

Stuff fills in Knox’s bibliography:

…The first book in the series, Dreamhunter, won the 2006 Esther Glen Award and the 2007 ALA Best Books for Young Adults award, was shortlisted for the 2006 Montana New Zealand Book Awards, and awarded a ‘White Raven’ by the International Youth Library in 2006.

Her most recent book, published in 2019, The Absolute Book, won the Prime Minister’s Award for Literary Achievement.

(3) FELLOWSHIP REUNITED. Josh Gad has posted “One Zoom to Rule Them All | Reunited Apart LORD OF THE RINGS Edition.”

It’s the Return of the KINGS – Josh gathers the Fellowship and then some, to go on a very important mission…. quest…. thing.

FEATURING: Sean Astin, Elijah Wood, Dominic Monaghan, Billy Boyd, Orlando Bloom, Ian McKellan, and many more!

(4) CHECKING IN. CoNZealand Fan Guest of Honour Rose Mitchell stays in touch —

(5) SOUTH GATE IN ’58. Fanac.org is adding folders of photos scanned from the collection of Elinor Busby, including today’s packet from the 1958 Worldcon. (Which, incidentally, was held at the Hotel Alexandria, whose marquee was in a helicopter view I saw of Friday night’s protests in downtown LA.)

Thanks to the scanning of Linda Deneroff, we’re putting up photos from Elinor Busby’s collection. Today, we’ve added the first 16 and these are from the 1958 Solacon, and parties thereafter. Find them at http://fanac.org/Fan_Photo_Album/b03-p00.html . There are more to come. Thanks to Linda for scanning and to Elinor for providing the photos. It’s a real treat to see these.

(6) BEST TRANSLATED BOOK. FYI, Dasa Drndic’s non-genre book EEG is the 2020 Best Translated Book Award Winner. There’s a review in The Guardian.

… The text includes long lists of suicidal chess players, war criminals and notable Latvian celebrities, from Mikhail Baryshnikov to Mark Rothko. There are also accounts of victims of the Nazis, from Ban’s uncle’s young love, a violinist, to Joseph Roth’s mentally ill wife, fatally institutionalised in the euthanasia clinic Schloss Hartheim, “the only killing centre in the second world war from which not a single person emerged alive”.

(7) CONTRACTUAL LANDMINES, At the Writer Beware blog, Victoria Strauss gives tips about “Evaluating Publishing Contracts: Six Ways You May Be Sabotaging Yourself”. Here’s an excerpt.

…These issues are as relevant now as they were years ago, if not more so (see, for instance, the ChiZine scandal, where authors accepted all kinds of abuse, including questionable contract language, because of the publisher’s then-stellar reputation). I hear all the time from writers who’ve been offered seriously problematic contracts and are using various rationalizations to convince themselves (sometimes at the publisher’s urging) that bad language or bad terms are not actually so bad, or are unlikely ever to apply.

Here are my suggestions for changing these damaging ways of thinking.

Don’t assume that every single word of your contract won’t apply to you at some point. You may think “Oh, that will never happen” (for instance, the publisher’s right to refuse to publish your manuscript if it thinks that changes in the market may reduce your sales, or its right to terminate the contract if it believes you’ve violated a non-disparagement clause). Or the publisher may tell you “We never actually do that” (for instance, edit at will without consulting you, or impose a termination fee). But if your contract says it can happen, it may well happen…and if it does happen, can you live with it? That’s the question you need to ask yourself when evaluating a contract….  

(8) CONTINUING A MOVEMENT. Ethan Alter, in the Yahoo! Entertainment story “‘The Empire Strikes Back’ at 40: What the ‘Star Wars’ sequel’s iconic special effects owe to Ray Harryhausen”, interviews Dennis Muren, who handled many of the film’s special effects and discusses how Harryhausen’s stop-motion techniques made Empire stronger.

…Muren’s role also expanded with Empire, as he took point on directing the fleet of miniatures that play a major part of the film’s iconic opening set-piece on the ice planet, Hoth. With the advent of digital technology still many years away, Muren and his team brought the Rebel’s herd of tauntauns and the Empire’s squad of AT-AT walkers to life by hand. And through it all, he followed the example established by Harryhausen.

(9) BOOKSELLER OBIT. The New York Times’ series of tributes to people who died of coronavirus includes: “Steve Hann, Sidewalk Bookseller With a Brainy Following, Dies at 67”.

Even as scores of bookstores came and (mostly) went along the West Side of Manhattan in recent decades, Steve Hann endured.

He could be found through the dead of winter and the muggy heat of summer selling secondhand books on a sidewalk near Columbia University.

He drew a following from Columbia and NASA’s nearby Goddard Institute for Space Studies, with his fold-up tables proffering a well-curated array of mysteries, classics, art books and — his specialty — science fiction.

Mr. Hann began selling books and CDs in stores in the Morningside Heights section of Manhattan starting at least in the early 1980s, before settling into his longtime spot on Broadway between 112th and 113th Streets.

To generations of Columbia students, he was part of the streetscape, as much a sidewalk fixture as the parking meter he leaned upon while almost invariably immersed in a sci-fi paperback.

But even when his head was in a galaxy far away, his tennis shoes were planted on New York streets, where life, he would remark, could often be stranger than anything dreamed up by Ray Bradbury or Isaac Asimov….

(10) TRIVIAL TRIVIA.

The name of the soft serve ice cream cart on the space force military base is named Meal Armstrong 

(11) TODAY IN HISTORY.

  • May 31, 1990 — Paul Verhoeven’s Total Recall premiered. It starred Arnold Schwarzenegger, Rachel Ticotin, Sharon Stone, Ronny Cox, and Michael Ironside. It’s rather loosely based on  Philip K. Dick‘s “We Can Remember It for You Wholesale” story. Ronald Shusett, Dan O’Bannon and Gary Goldman Wrote the screenplay. It finished second at Chicon V for Best Dramatic Presentation to Edward Scissorhands.  Most critics liked it well-enough though a number of feminist critics thought it excessively violent towards women. It currently holds a 78% rating among audience reviewers at Rotten Tomatoes. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 31, 1893 – Elizabeth Coatsworth.  Newbery Medal for The Cat Who Went to Heaven (1930).  Four “incredible tales” for adults; four books of poetry; ninety in all; memoir Personal Geography.  (Died 1986) [JH]
  • Born May 31, 1895 George R. Stewart. His 1949 novel Earth Abides won the first International Fantasy Award in 1951. That was a British award and the first one was given at Festivention. Other genre works would include Man, An Autobiography and Storm which is at least genre adjacent. (Died 1980.) (CE)
  • Born May 31, 1910 – Aubrey MacDermott.  Possibly the first fan.  He always said he was.  Unfortunately, the supporting evidence is thin.  He may well have founded the Eastbay Club in the San Francisco Bay area around 1928.  Anyway, he was Fan Guest of Honor at Westercon XXXX (Oakland, 1987).  Here is his Origin Story as of 1990.  (Died 1996) [JH]
  • Born May 31, 1921 – Arthur Sellings.  Six novels, fifty shorter stories, in FantasticGalaxyImaginationThe Magazine of Fantasy & Science FictionNebulaNew WorldsNew WritingWorlds of Tomorrow; translated into Dutch, French, German, Italian, Russian.  Born in Kent, died in Sussex.  Antiquarian, book & art dealer.  (Died 1968) [JH]
  • Born May 31, 1930 Gary Brandner. Best remembered for his werewolf trilogy, The Howling of which the first was very loosely made into a film. He wrote the script for Howling II: Your Sister Is a Werewolf.  The fourth film of the Howling series, Howling IV: The Original Nightmare, is actually almost an accurate adaptation of the first novel. He wrote a lot of other horror and penned the novelisation of Cat People. (Died 2013.) (CE)
  • Born May 31, 1942 – Brian Burley.  Active fan in Ohio and New York.  In 1966, co-founder of Marcon.  In 1979 he was in FISTFA (Fannish Insurgent Scientifictional Ass’n); here he is (with S.H. Craig and Pat O’Neill) on “Fandom in New York” for the Lunacon XXII Program Book.  Co-founded (with John Boardman and Fred Lerner) the Beaker People Libation Front, which Fancyclopedia III mildly calls “not entirely serious”; see here.  (Died 2006) [JH]
  • Born May 31, 1950 Gregory Harrison,70. I’m always surprised to discover a series didn’t last as long as I thought It had. He was Logan 5 in Logan’s Run which only lasted fourteen episodes. He was also in Dark Skies, twenty episodes before cancellation, as the voice of Old John Loengard, and had one-offs in Dead Man’s Gun (cursed object), Touched by an AngelOuter Limits and Miracles. (CE)
  • Born May 31, 1961 Lea Thompson, 59. She’s obviously best-known for her role as Lorraine Baines in the Back to the Future trilogy though I remember her first as Beverly Switzler in Howard the Duck as I saw Back to the Future after I saw Howard the Duck. Not sure why that was. Her first genre role was actually as Kelly Ann Bukowski in Jaws 3-D, a film I most decidedly did not see. If you accept the Scorpion series as genre, she’s got a recurring role as Veronica Dineen on it. (CE)
  • Born May 31, 1968 John Connolly, 52. An Irish writer who is best known for his series of novels starring private detective Charlie Parker. According to ISFDB, these novels are well within the genre as some of the assigned tags are “zombies”, “alien invasion”, “supernatural thriller” and “dark fantasy”. So who has read these? (CE)
  • Born May 31, 1977 – Cat Hellisen.  Fantasy for adults and children; free-lance editing; also archery, aikidô, figure skating.  Here is a digital-art sketch of a chaffinch; here in ink are some vines and chrysalides.  First novel, When the Sea is Rising Red; four more; a dozen and a half shorter stories. “The Worme Bridge” won the Short Story Day Africa award.  More recently in Fife she likes the forests and the fields and the Forth.  [JH]
  • Born May 31, 1979Sophia McDougall, 41. She has a very well-crafted alternative history series, the Romanitas series, in which Rome didn’t fall and rules the world today. She has two SF novel — Mars Evacuees is sort of YA alien invasion novel; Space Hostages reminds of a Heinlein YA novel. (CE)
  • Born May 31, 1995 – Jeremy Szal.  Two dozen short stories electronically and on paper, e.g. at Tor.comand in Nature.  Fiction editor at StarShipSofa 2014-2020 (Episodes 360-600).  First novel Stormblood scheduled for release in early June.  See his review of Predestination at Strange Horizons here.  [JH]

(13) COMICS SECTION.

(14) GUESS WHO? Scott Edelman invites Filers who haven’t already seen this in his Twitter and Facebook feeds to identify the swordsman:

(15) TAKE A RIDE ON THE READING. Amal El-Mohtar’s “Otherworldly” column in the New York Times advises: “Visit These Science-Fiction Worlds to Make Sense of Our Own”.

…I experienced Tochi Onyebuchi’s RIOT BABY (Tor.com, 176 pp., $19.99) as one tightly held breath. Moving from South Central Los Angeles to Harlem to Rikers Island to a speculative near-future in short bursts of fierce feeling, “Riot Baby,” Onyebuchi’s first novel for adults, is as much the story of Ella and her brother, Kevin, as it is the story of black pain in America, of the extent and lineage of police brutality, racism and injustice in this country, written in prose as searing and precise as hot diamonds.

Ella has a “Thing,” a power that manifests variably as telepathy, precognition, telekinesis, but isn’t ever described in those terms; she experiences it as overwhelming grief and anger, as explosion and aftermath, and struggles with controlling and deploying it over the course of the book. Kevin, born in 1992 during the Los Angeles riots, grows up in Harlem in the shadow of Ella’s furious, repressed power — but when Ella vanishes after watching reports of the murder of Sean Bell on television, she takes her limited protection of him with her. Kevin’s adolescence consists of being harassed by the police and consistently steered away from education and prospects, before getting arrested on an attempted armed robbery charge and imprisoned on Rikers….

(16) ABOUT LOVE. Brain Picking’s Maria Popova discusses Edward Gorey’s illustrated 1969 poem about the secret of true love: “The Osbick Bird: Edward Gorey’s Tender and Surprising Vintage Illustrated Allegory About the Meaning of True Love”

…. For great love, as the Nobel-winning Polish poet Wis?awa Szymborska observed in her splendid meditation on its mystery, is “never justified” but is rather “like the little tree that springs up in some inexplicable fashion on the side of a cliff: where are its roots, what does it feed on, what miracle produces those green leaves?”

That improbable and inexplicable miracle is what Edward Gorey (February 22, 1925–April 15, 2000) celebrates with his signature faux-terse tenderness and soulful oddness in the vintage gem The Osbick Bird (public library).

(17) THE FULL LID. Aldasair Stuart tells what to expect in the new issue: “The Full Lid 29th May 2020”

This week in The Full Lid, Streets of Rage 4 teaches me how to crystallize my love for a good action scene. Louie Stowell’s wonderful The Dragon in the Library is a big-hearted and witty MG fantasy that has a lot for parents too while Doctor Who audio specialists Big Finish head into new SFnal territory with The Human Frontier. We’ve also got a look at some of the best indie tabletop RPGs on the market and a massive Signal Boost section, including several Hugo finalists and their voter packet material. If you’re a finalist and you have your material hosted online already, please get in touch and I’d be happy to link to that too.

The Full Lid is published every Friday at 5pm BST. You can sign up, and find an archive of the last six months of issues, here.

(18) HELLO, MR. CHIPS. It might not be the cuisine I expect to read about at Food and Wine, but news is where you find it — “Necco Wafers Are Officially Back”.

…Back in 2018, Necco—one of America’s oldest candy companies—went out of business, leaving a number of well-known but polarizing products in limbo, including Sweethearts Conversation Hearts, Clark Bars, Mary Janes, and the eponymous Necco Wafers. Nearly all of these brands have been snapped up by someone. For instance, Sweethearts are a Valentine’s Day classic, so Ohio’s Spangler Candy Company has been pushing to get them back into production. The Clark Bar has its roots in Pittsburgh, so Pennsylvania’s Boyer Candy Company decided to bring the bar home. Heck, even Mary Jane—those peanut butter chews that made it easy to decide which houses to T.P. on Halloween—found a new producer, according to CandyIndustry.com.

But what about Necco Wafers? The flavored discs are historically significant, first produced over 150 years ago in 1847, but they are also often unfavorably compared to chalk. Plus, with Necco unable to keep the lights on, was the writing on the wall for the company’s signature wafers?

(19) EXPANDING HORIZONS. NPR’S Samantha Balaban says “This Bedtime Book Helps Kids Find Their Place In The ‘Universe'”.

Imagining your place in the universe can make you feel pretty small and insignificant, and in the midst of a global pandemic? Well, even more so.

“I think this moment that we are living through reminds us how fragile our species is, living on this small rock in the vastness of the cosmos,” says astrophysicist Ray Jayawardhana. But he doesn’t think that the universe should necessarily make you feel alone. It’s inspiring, he says, to remember the “intimate and enduring connections that we have with the rest of the cosmos.”

Jayawardhana, a professor at Cornell University, has written a bedtime story called Child of the Universe which helps parents talk with their children about some of those connections.

“The universe conspired to make you …” a dad tells his daughter as they look up at a full moon. “The iron in your blood, the calcium in your bones, are made up of stars that lived long ago.”

Jayawardhana drew from memories of looking up at the night sky with his father, when he was a child growing up in Sri Lanka. “I remember being awed by constellations of twinkling stars and bright planets like Venus and Jupiter in particular” Jayawardhana says. “One night, my father told me that people had been to the moon. I was just amazed. Suddenly, that bright light up above became a place that one could visit. At that moment, my sense of what’s possible expanded dramatically.”

(20) VIDEO OF THE DAY. Memories from the National Book Festival Blog: “Best of the National Book Festival: John Scalzi, 2019”.

Enormously successful science fiction writer John Scalzi of the Old Man’s War series came to the Genre Fiction stage of the 2019 Library of Congress National Book Festival to discuss “The Consuming Fire,” book 2 of the Interdependency series. Phoebe Connelly, deputy director of video at The Washington Post, introduces Scalzi, who begins at 1:15 by telling the audience that his friend Joe is in the audience. “I actually killed him not once but twice in my books.” Q&A begins at 26:45.

[Thanks to Andrew Porter, Michael Toman, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, JJ, Lise Andreasen, John Hertz, Scott Edelman, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 11/21/18 Never Pixel Or Scrollardy. Never Click Up, Never File In

(1) WORLD FANTASY CON. After Silvia Moreno-Garcia criticized WFC 2019 for announcing an all-white guest slate, the concom’s answer did not allay complaints. And the World Fantasy Convention Board’s answer to a letter she sent them has only fanned the flames. Moreno-Garcia’s screencap of their reply is part of a reaction thread which starts here.

Once the copy of the letter was tweeted, the WFC Board and World Fantasy Con 2019 came in for another round of criticism from writers including —

  • N.K. Jemisin (Thread starts here.)

  • Jeff VanderMeer (Thread starts here.)

  • S.A. Chakraborty (Thread starts here.)

  • Michi Trota (Thread starts here.)

  • Fonda Lee (Thread starts here.)

(2) JEMISIN AT HAYDEN PLANETARIUM. On Tuesday, November 27 the Hayden Planetarium Space Theater in New York will host “Astronomy Live: The Perfect Planet”.

Earth is a rare and special place in the universe. Astrophysicist Jackie Faherty joins forces with Broken Earth series author N.K. Jemisin to examine what makes our planet unique compared to others in our solar system and beyond. Find out where artists and scientist alike look for life beyond Earth, from Io to Enceladus and beyond.

(3) DON’T RALPH. NPR’s Scott Tobias tells us “Toxic Masculinity Is The Bad Guy In ‘Ralph Breaks The Internet'”.

In Ralph Breaks the Internet, a hyperconnected sequel to the animated hit Wreck-It Ralph, the possibilities of a Disney/Star Wars/Marvel crossover are breathlessly celebrated while fragile masculinity threatens to destroy the world. Cultural anthologists of the future will require no carbon dating to recognize this film as extremely 2018. In fact, as a screen grab of online and entertainment culture, Ralph Breaks the Internet seizes so shrewdly on the times that the prospect of watching it 10, 20 or 100 years from now is more exciting than seeing it in a theater today, when it feels too much like an animated extension of everyday stresses and distractions. Clickability isn’t always a virtue.

(4) CRITICS AT THE FBI. The Harper’s Magazine post “Literary Agents” has excerpts from Writers Under Surveillance in which they reprint the FBI’s description of writers they were watching.

The FBI said Ray Bradbury was “a freelance science fiction writer whose work dealt with the development and exploitation of Mars, its effect on mankind, and its home world.”

By contrast, they said Gore Vidal was “A writer who is intolerable, masquerading as smart-aleck entertainment.”

(5) COURSE CORRECTION. In “DC’s Birds Of Prey a ‘great opportunity’ to end ‘sluggish’ films”, a BBC writer asks, “Could this be DC’s Guardians of the Galaxy moment?”

Movies about Superman and Justice League may have flopped with the critics, but DC will be hoping to find more favourable reviews for new franchise, Birds Of Prey.

Or, to give the movie its full title: Birds Of Prey and the Fantabulous Emancipation of one Harley Quinn.

Margot Robbie revealed the full title of the film on Instagram.

And it certainly seems like they are steering away from the dark, sour tones of Batman vs Superman this time around.

View this post on Instagram

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A post shared by Margot Robbie (@margotrobbie) on

(6) GOREY FLASHBACKS. A new biography tells of “The mysterious, macabre mind of Edward Gorey”. The title/author are somewhat buried in the article– Born To Be Posthumous by Mark Dery.

That he is not better known elsewhere is perhaps due to the unclassifiable nature of his work – yet his influence can be seen everywhere, from the films of Tim Burton to the novels of Neil Gaiman and Lemony Snicket.

Gorey himself was a complicated, reclusive individual whose mission in life was “to make everybody as uneasy as possible”. He collected daguerreotypes of dead babies and lived alone with 20,000 books and six cats in his New York apartment. Sporting an Edwardian beard, he would frequently traipse around the city in a full-length fur coat accessorised with trainers and jangling bracelets.

(7) UNDER AN ASSUMED NAME. The Science Fiction & Fantasy Marketing Podcast has tons of advice to share — “SFFMP 208: Improving Visibility, Launching New Pen Names, and the ‘Trifecta of Indie Success’”.

This week, we’re joined by fantasy and science fiction author Nicholas Erik, who also writes and experiments under the pen name D.N. Erikson. He’s an analytical guy who’s always observing what’s working and what’s not, both for his own work and for others.

  • Reasons for launching a pen name and whether it should be secret or not.
  • Trying a new series and new genre when you’re not getting the results you hoped for from your first effort.
  • Nick’s “trifecta of indie success” — marketing, craft, and productivity….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • November 21, 1924 – Christopher J. R. Tolkien, 94, Writer and Editor who is the son of  J. R. R. Tolkien, and editor of so much of his father’s posthumously-published material. He drew the original maps for the Lord of the Rings, and provided much of the feedback on both The Hobbit and LoTR; his father invited him to join the Inklings when he was just twenty-one years old, making him the youngest member of that group. He published The Saga of King Heidrek the Wise: Translated from the Icelandic with Introduction, Notes and Appendices. The list  of his father’s unfinished works which he has edited and brought to published form is a long one; I’ll leave it to the august group here to discuss their merit, as I have mixed feelings on them.
  • November 21, 1937 – Ingrid Pitt, Actor from Poland who emigrated to the UK who is best known as Hammer Films’ most sexy female vampire of the early Seventies. Would I kid you? Her first genre roles were in the Spanish movie Sound of Horror and the science-fictional The Omegans, followed by the Hammer productions The Vampire Lovers, Countess Dracula, and The House That Dripped Blood. She appeared in the original version of The Wicker Man and had parts in Octopussy, Clive Barker’s Underworld, Dominator, and Minotaur. She had two different roles in Doctor Who – somewhat of a rarity – as Dr. Solow in the “Warriors of the Deep” episode and as Galleia in “The Time Monster” episode. (Died 2010.)
  • November 21, 1941 – Ellen Asher, 77, Editor who introduced many fans to their favorites, as editor-in-chief of the Science Fiction Book Club (SFBC) for thirty-four years, from 1973 to 2007 (exceeding John W. Campbell’s record as the person with the longest tenure in the same science fiction job). She was personally responsible for selecting the monthly offerings to subscribers, and oversaw the selection of individual works for their special anthologies and omnibuses. She has been honored with a World Fantasy Special Award and an Edward E. Smith Memorial Award for Imaginative Fiction. In 2009, she was given a World Fantasy Award for Life Achievement, and she was Editor Guest of Honor at Worldcon in 2011.
  • November 21, 1942 – Al Matthews, Actor, Singer, and former Marine with two Purple Hearts, who is best known for his appearance as Gunnery Sergeant Apone in Aliens – a performance so memorable that his character was the inspiration for Sgt. Avery Johnson in the Halo franchise. He reprised his role 27 years later in the video game Aliens: Colonial Marines. Other genre films include The Fifth Element, Superman III, Riders of the Storm (aka The American Way), Omen III, The Sender,  and Tomorrow Never Dies. (Died 2018.)
  • November 21, 1944 – Harold Ramis, Actor, Writer, and Producer, best-known to genre fans for his role as Egon Spengler in the Saturn-winning, Oscar- and Hugo-nominated Ghostbusters and its lesser sibling Ghostbusters II (the scripts for both of which he co-wrote with Dan Aykroyd). He had voice roles in Heavy Metal and Spacehunter: Adventures in the Forbidden Zone, and a cameo in Groundhog Day, for which he received Saturn nominations for writing and directing. He was also director and producer of Multiplicity. (Died 2014.)
  • November 21, 1945 – Vincent Di Fate, 73, Artist and Illustrator who has done many SFF book covers and interior illustrations since his work first appeared in the pages of Analog in 1965. He was one of the founders of the Association of Science Fiction and Fantasy Artists (ASFA), and is a past president. In addition to his Chesley Award trophy and 7 nominations, he has been a finalist for the Professional Artist Hugo 11 times, winning once; two collections of his artwork, Infinite Worlds: The Fantastic Visions of Science Fiction Art and Di Fate’s Catalog of Science Fiction Hardware, have been Hugo finalists as well. He was Artist Guest of Honor at the 1992 Worldcon, for which he organized their Art Retrospective exhibit. He was inducted into the Science Fiction Hall of Fame in 2011. You can see galleries of his works at his website.
  • November 21, 1950 – Evelyn C. Leeper, 68, Writer, Editor, Critic, and Fan, who is especially known for her decades of detailed convention reports and travelogues. A voracious reader, she has also posted many book reviews. She and her husband Mark founded the Mt. Holz Science Fiction Club at Bell Labs in New Jersey (Mt = abbreviation for the labs’ Middletown facility), and have produced their weekly fanzine, the MT VOID (“empty void”), since 1978; it is currently at Issue #2,041. She was a judge for the Sidewise Award for Alternate History for 20 years. She has been a finalist for the Hugo Award for Best Fan Writer twelve times, and Fan Guest of Honor at several conventions, including a Windycon.
  • November 21, 1953 – Lisa Goldstein, 65, Writer, Fan, and Filer whose debut novel, The Red Magician, was so strong that she was a finalist for the Campbell Award for Best New Writer two years in a row. Her short fiction has garnered an array of Hugo, Nebula, and World Fantasy Award nominations, as well as a Sidewise Award. The short story “Cassandra’s Photographs” was a Hugo and Nebula finalist and “Alfred” was a World Fantasy and Nebula finalist; both can be found in her collection Travellers in Magic. Her novel The Uncertain Places won a Mythopoeic Award. You can read about her work in progress, her reviews of others’ stories, and other thoughts at her blog.

(9) COMICS SECTION.

  • Rabbits Against Magic has a wonderful “Cartoon Lexiconville” showing English words and phrases that were originated in or popularized by comic strips.
  • Pay attention authors! Incidental Comics illustrates “Types of Narrators.”

(10) FLAME ON! “As God is my witness, I thought turkeys could fry!” – is not a quote from “’Eat, Fry, Love’ a Turkey Fryer Fire Cautionary Tale presented by William Shatner & State Farm.” (Released in 2011 but it’s news to me!)

It is a turkey fryer cautionary tale with excellent video of the dangers associated with using turkey fryers. It shows how fire can rapidly intensify, spread, destroy and cause serious injury. Enjoy this video, learn from it and stay safe.

 

(11) SICKROOM HISTORY. Brenda Clough tells Book View Café readers it’s easy to make — “Feeding Your Invalid in the 19th Century 2: Barley Water”.

Horatio Wood’s ‘Treatise on therapeutics’ (1879) says that “Barley-water is used as a nutritious, demulcent drink in fevers.” It is still in use….

(12) PRIME TIMING. At NPR — “Optimized Prime: How AI And Anticipation Power Amazon’s 1-Hour Deliveries”. Skeptic Chip Hitchcock sent the link with a comment: “I’ll believe in their AI when it issues delivery instructions good enough that packages for someone else’s front door don’t show up at my side door.”

But a lot of it is thanks to artificial intelligence. With AI, computers analyze reams of data, making decisions and performing tasks that typically require human intelligence. AI is key to Amazon’s retail forecasting on steroids and its push to shave off minutes and seconds in the rush to prepare, pack and deliver.

“It goes beyond just being able to forecast we need a hundred blouses,” Freshwater says. “We need to be able to determine how many do we expect our customers to buy across the sizes, and the colors. And then … where do we actually put the product so that our customers can get it when they click ‘buy.’ ”

That’s a key element to how Amazon speeds up deliveries: The team predicts exactly where those blouses should be stocked so that they are as close as possible to the people who will buy them.

(Note: Amazon is one of NPR’s financial supporters.)

This process is even more essential now that the race is on for same-day and even same-hour delivery. Few other retailers have ventured into these speeds, because they’re very expensive. And few rely quite so much on AI to control costs while expanding.

(13) THE ROADS MUST ROIL. NPR finds “Climate Change Slows Oil Company Plan To Drill In The Arctic”. They were relying on winter ice to let gravel trucks drive out to build a drill pad in the water. No ice, no driving.

A milestone oil development project in Alaska’s Arctic waters is having to extend its construction timeline to accommodate the warming climate. The recently approved Liberty Project — poised to become the first oil production facility in federal Arctic waters — has altered its plans due to the shrinking sea ice season.

The challenge comes as the Trump administration has reversed an Obama-era policy and proposed re-opening the majority of Alaska’s federal waters to drilling. It’s pushing to hold a lease sale in the Beaufort Sea next year. The lease for the Liberty Project pre-dates the Obama-era ban on oil development in Arctic waters.

(14) MORE BRICKS THAN LEGO. “Drones called in to save the Great Wall of China” – the BBC video shows how drone surveys identify the most-decayed parts of hard-to-reach sections, so reconstruction can be targeted where it’s most needed.

(15) EATING THE FANTASTIC. Scott Edelman has strategically released Episode 82 of his Eating the Fantastic podcast before people have a chance to stuff themselves on Thanksgiving. Scott invites you to savor a steak dinner with comics legend Paul Levitz.

Get ready to get nostalgic — or rather, listen to me get nostalgic — on an episode of Eating the Fantastic which features a guest I believe I’ve known longer than any other — comics legend Paul Levitz.

Paul and I go way back, all the way to Phil Seuling’s 1971 Comic Art Convention, when I would have been 16 and him 15, both fans and fanzine publishers, long before either of us had entered the comics industry as professionals. We later, along with a couple of other friends, roomed together at the 1974 World Science Fiction Convention in Washington D.C. As you listen, think of us as we were in the old days — that’s us in 1974 compared to us now —

In 1976, he became the editor of Adventure Comics before he’d even turned 20. He ended up working at DC Comics for more than 35 years, where he was president from 2002–2009. He’s probably best known for writing the Legion of Super-Heroes for a decade, scripting the Justice Society of America, and co-creating the character Stalker with Spider-Man co-creator Steve Ditko. He was given an Inkpot Award at the San Diego Comic-Con in 2002 and the Dick Giordano Hero Initiative Humanitarian of the Year Award in 2013 at the Baltimore Comic-Con. And if you try to lift his massive and essential history 75 Years of DC Comics: The Art of Modern Mythmaking, you’re going to need to see a chiropractor.

We discussed why even though in a 1973 fanzine he wrote he had “no desire to make a career for myself in this industry” he’s spent his life there, how wild it was the suits let kids like us run the show in the ’70s, the time Marv Wolfman offered him a job over at Marvel (and why he turned it down), what he learned from editor Joe Orlando about how to get the best work out of creative people, the bizarre reason Gerry Conway’s first DC Comics script took several years to get published, how he made the Legion of Super-Heroes his own, which bad writerly habits Denny O’Neil knocked out of him, the first thing you should ask an artist when you start working with them, why team books (of which he wrote so many) are easier to write, our shared love for “Mirthful” Marie Severin, how glad we are there was no such thing as social media when we got started in comics, why Roger Zelazny is his favorite science fiction writer, and much, much more.

[Thanks to Carl Slaughter, Lurkertype, Andrew Porter, Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, Mike Kennedy, John King Tarpinian, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]