The Hound and the Fury 6/22

aka Destination: Loon

Today’s roundup features Brad R. Torgersen, Paul Weimer, Vox Day, Edward Trimnell,John C. Wright, Barry Deutsch, N. K. Jemisin, Adam-Troy Castro, Jared Dashoff,  Jason Sanford, Rebecca Luella Miller, Spacefaring Kitten,  Melina D, Lis Carey, John Seavey, Rick Novy, Helena Bell and cryptic others. (Title credit goes to File 770 contributing editors of the day Kary English and Rev. Bob.)

Brad R. Torgersen on Mad Genius Club

“So you want to write an award-winning Hard Science Fiction story?” – June 21

[Begins with a series of insights about writing sf professionally.]

Now, for a few personal caveats. These are just my prejudices and biases speaking, so take ’em or leave ’em.

Endless polishing is death on productivity, and death on learning. I never learned anything from spending months or years tinkering with the same piece of work. Give yourself a personal rule, for when you’re going to stop on a specific work, and move on to something new. Either how many revisions you’ll do, or how much time you’ll devote to finishing touches once you’ve put THE END on the tail, etc. Just don’t get locked into thinking you can make any story perfect. I can speak from experience: good enough really is good enough.

Downbeat endings suck. They are ‘literary’ and some critics and aesthetes love them. But they suck. If you’re going to roast your characters in hell, at least give them a little silver lining at the end? Some kind of hope for a more positive outcome? Your readers will thank you.

Stories that demote humanity to being puny and insignificant, also suck. We may be small and/or not as advanced as other intelligent life in the universe, but we didn’t get to where we are now by being meaningless dullards. Humans are crafty and stubborn. Never say die. We should be reflected as such.

Some of the best HSF I’ve ever read, inspired in me the notion: Wow, this is how it could really happen! Be it space colonization, or warp drive, or first contact with another intelligent species from somewhere else in the galaxy. When you play by the rules — keeping the universe as we know it relatively intact, accessible, and consistent — you’re shining a light on a possible path. Not predicting the future per se, but illuminating a way that things might develop. That’s the kind of story that may inspire some teenager somewhere to become a rocket scientist.

Speaking of which, leave the “playground equipment” around for your readers to mess with. That’s a Niven-ism. If the reader gets to the end of your story and can imagine events continuing on — populated by your characters, the reader in character form, or both — then you’ve really won. Because you’ve made your world and your story so engrossing, the reader doesn’t want to leave! That’s a reader who will want to come back for more. That’s a reader who will be loyal, and tell others about your work.

 

Paul Weimer on Blog, Jvstin Style

“Campbell vs the New Wave, and Brad Torgersen” – June 22

I do think that Torgersen is missing a large bet on a lot of stories. And I am not sure that Literary=downbeat=suck is an equation that works. HEA and HFA are fine and dandy, but those aren’t the only stories. Hell, look at Stephen Baxter’s Xeelee stories as an excellent counter example. I’m sure Baxter would be surprised to be called literary. And he definitely does not suck.

What strikes me from this article is how it fights the whole Campbell vs the New Wave argument that I’ve opined was at the heart of the Sad Puppies.. One of the File 770 group called him Neo-Campbell. So there you have it.

Torgersen post shows that SF fandom and authors are STILL fighting the New Wave conflict, decades later. The past isn’t dead, its not even past.

 

Vox Day on Vox Popoli

“A necessary endorsement” – June 22

Refusing to take a side and trying to remain above it all will no more bring an end to the tactics he dislikes than the League of Nations prevented World War II. Misbehaving bullies can only be stopped with superior force. To stop the lynch mobs, Mr. Trimnell should help us bring them to an end by multiplying our force. We will abandon the tactic as soon as the SJWs do… like Ronald Reagan with the Evil Empire, we will trust, but verify. But until the SJWs give up their rhetorical tactics of name-calling, marginalization, and disqualification, we will continue play by the Chicago Rules and exploit every mistake they make and every opening they give us. The TOR boycott is nothing more than holding TOR Books accountable for the wholly unprofessional behavior of its SJW employees, behavior that would have gotten a minimum-wage Walmart greeter fired on the spot.

Furthermore, there is no symbiosis. The SJWs are not dependent upon anyone’s outlandish statements; if an opponent has not said something objectionable, they will simply lie and claim he did, then run their usual insult-isolate-disqualify routine. We, on the other hand, have a rich and continuously replenished pool of outlandish statements from which to choose to use against them.

 

Edward Trimnell

“Debating the Tor boycott” – June 22

I expressed my disagreement with Vox’s position on the Tor Books boycott…and Vox expressed his disagreement with my disagreement.

My dislike of boycotts remains.

I remember the mindless campaign orchestrated against Orson Scott Card a few years ago. Card’s sin was basically to express a view of marriage that was all but universal (including among liberals and Democrats) until ten years ago. Yet the SJW mobs did their best to silence Card, urging a nationwide boycott of the movie adaptation of Ender’s Game, and barraging the offices of DC Comics until Card was dropped from the company’s Superman project.

Ah, but that is exactly the point….say the forces behind the anti-Tor boycott. The SJWs do it.

I believe it is important to remember what separates the freethinkers from the SJWs. The freethinkers seek to outthink their opponents with a more persuasive argument in the marketplace of ideas.

The SJWs seek to silence their opponents through harassment and intimidation. (This should surprise no one, since the SJWs are almost all anti-market and anti-free speech.)

 

John C. Wright

“The Three Laws of Morlocktics” – June 22

[Quotes a long string of comments from File 770 but purports not to know the source, then says –]

The fear seems to be based on the grounds that her calling me and you neo-Nazi homophobic bigoted misogynist racists was cricket, but my accepting her lame apology like a gentleman (so she and I could get back to work) means that secretly I, and the other fine people called Sad Puppies who would like to reform the Hugo Awards, and return the award to be granted for merit of the work, rather than for the political correctness of the work, now have or may soon concoct an cunning yet dastardly plan!

The women who sound indistinguishable from phobia-afflicted delusional neurotic believe I and mine intend to send Daddy Warpig (the one Gamergater who expressed support for the Sad Puppies slate) to New York to blow up public monuments there with Vatican-made explosive rosaries, and dox and vox and vaporize Miss Gallo.

Because my expressions of neutrality and your letters to Tor asking for professional courtesy are so appallingly frightening that is creates an atmosphere of unsaferiffickness. Or something.

I would say that if women are that easily frightened, it is up to us men to make sure that no cad and no blackguard is ever allowed to speak to them. And if political argument over a pathetic space-yarn award gets the ladies this scared this quickly, it seemed that the Victorian standards for male and female roles were entirely correct. The poor, fainting, delicate damsels in distress must be keep safe from all the bumps and jars of the real world.

Either that, or these nags and termagants are a scandal and an embarrassment to their sex, because they are pretending to be frightened, when they are not, to arouse the very feelings of Victorian protective gentlemanliness that they at other times despise.

Which is it to be, ladies? Equality of the sexes in political matters? Or ultra-damsel-gushing, shriekingly school-girlish, play-pretend hysterical so beloved of the Left? The two are mutually exclusive.

Leftism or Equality?

Pick one.

 

 

N. K. Jemisin

“An open letter to the WSFS about unintended consequences”  – June 22

Whoa. Did you guys think this through? No, seriously. Beyond whether “The Wheel of Time” could get a Hugo, or whether you, personally, like short fiction or not. Did you consider how proposal B.1.3 looks, both within and outside SFFdom? What message it sends about WSFS priorities? Consider the context. In a year when there’s been intense mainstream-media coverage of an attempt to ideologically tarnish the Hugo Awards, effectively making them less representative of the genre’s current dynamism and way more representative of racist white guys’ vanity publishing, this proposal compounds that problem. Let me break down how this looks to people outside of the WSFS process….

So let’s review. In a year when misogynists, white supremacists, and homophobes have already managed to use the Hugos to advance their own interests, along comes this proposal making it easier for privileged white men to gain recognition, at the direct expense of the marginalized. I’m going to assume it’s an unintended consequence that this proposal effectively reinforces the Puppies’ efforts; there’s been no reason to think that anyone on the WSFS is anything other than professionally neutral on the matter. Until now. So, c’mon ya’ll. Did you really think this through? Is this the best time for B.1.3? Are you really willing to throw short fiction under the bus just to give bestsellers another accolade? Do you mean to throw a level playing field under the bus, to give more affirmative action to successful white men?

 

Adam-Troy Castro

“Spaying the Hugos” – June 22

The proposal to simplify the Hugos by eliminating the Best Novelette category and replacing it with a Best Saga category is an excellent start, in large part because it will completely eliminate any interference with those fresh young talents who nobody is ever interested in and who just complicate things.

But it doesn’t go far enough. A few more appropriate changes would certainly help usher the awards into the twenty-first century.

First, eliminate the short story and novelette awards as well. As everybody keeps pointing out, the short fiction markets are dying and the annual competition for an award not supported by the free market is unseemly. Short fiction has never produced anything of worth, anyway. Name just one time it has. I bet you can’t.

Make the contest all about novels, the big awards that really mean something, and make the smallest award the one for best stand-alone novel, because everybody also knows that stand-alone novels are for writers with no staying power…..

 

Jared Dashoff in a comment on Whatever – June 22

Over the years, long fiction in the greater speculative fiction category has moved towards publishing works in series, rather than stand-alone works. Stand-alone works are still published and are eligible for Hugos in various categories, but some of us thought that the expansive works, where the individual volumes may or may not stand alone and be worthy of a Hugo themselves, deserved recognition. So we set out to create a Hugo for them. Best Saga became the title mostly because as the work gets longer, the title of the Hugo gets shorter.

Having attended many WSFS Business Meetings between us, and personally having been on the Head Table before and being on it this year, we felt the sense of the Meeting (i.e. how many that generally attend the Meeting feel) was that another professional fiction category would throw off the balance if a category was not removed. Based on long discussions and floating the idea past folks, we settled on the Novelette category. This bumped up the maximum word count for a short story, and dropped down the minimum word count for a Novella. No work that had been eligible was no longer eligible, it was just eligible in a different category….

In response to this opposition to the Novelette collapse, we contacted Kevin Standlee, Chair of the Sasquan Business Meeting, to ensure we could amend our proposal so long as it was before the deadline for the submission of New Business. We are now in the process of doing that and amending the discussion text to remove any reference to the Novelette collapse. Some original proposers have decided not to join us in this effort.

Going forward, the proposal will only include the addition of the Saga Hugo and that will need to pass or fail on its own merits. If it fails, we will be sad, but we accept that it was not the Business Meeting’s want to create an award for such works. If others wish to submit a proposal related to the shorter fiction works, that is their prerogative, but I will not be submitting one nor supporting it.

 

https://twitter.com/jasonsanford/status/612748644379267072

 

Rebecca Luella Miller on Speculative Faith

“Awards And The Problems Behind Them” – June 22

The irony of the brouhaha is that the Puppies seem to be arguing against the politicizing of science fiction and it’s preeminent award by politicizing the method used to select the award winners.

Having been behind the scenes for the Clive Staples Award in the past, I know a good deal about the ways people try to game the rules in order to help those they hope will win. One reason CSA instituted judging the short list—the finalists—by a panel of qualified judges was to avoid this kind of deck-stacking which would reduce the award intended to honor good writing and storytelling to a popularity contest (or a philosophical statement).

Yes, there are diversities among Christian writers, and some would push the point by “gaming” an award if they could.

Other awards have bypassed readers altogether in order to steer away from the popularity contest approach (come vote for my book even though you haven’t read it, just because you know me, sort of). But those are susceptible to other problems—unqualified first round judges, high entry fees, sponsoring organization promotion requirements, poorly conceived judging sheets, and the like.

In short, no award is likely to be perfect, but one that combines readers’ choice with qualified judging evaluations seems as if it has a better chance of honoring the year’s best book.

The Hugos? Seems to me they have gone the way of the Oscars and in the process have opened the door to a horrible mess. This long-running award is in the process of making itself irrelevant to readers.

The Clive Staples Award, on the other hand, is a tool which can help readers learn about the books that other readers value.

 

Spacefaring Kitten on Spacefaring Extradimensional Happy Kittens

“Kitten/Puppy Dialogues (on Pizza)” – June 22

In the comments to the last Wednesday’s post titled Answering Peter Grant, a Puppy supporter called Xephon has been vocally criticizing me for several things I’ve said. The arguments in his/her first few short comments made little sense to me, so I thought the discussion was going nowhere, but then this lengthy account landed on the comment section.

I’m still unconvinced, but Xephon brings up some points I want to respond to, and because this is going to take up some space, I’ll rather do it in a new post.

The sickening truth is that the anti-Puppies need Beale more than the Puppies do. He’s done nothing for my side except stir an increasingly rancid pot. Those of us who have distanced ourselves have learned that we are wasting our time, because all we hear from the other side is, “because Vox Day”. You need him to be your bogeyman, the focal point for your opposition. If he didn’t exist, someone would have invented him.

One of the funnies recent developments in the discussion around Hugos is that the second you mention Theodore Beale/Vox Day, somebody charges in and accuses you of “because Vox Day” fallacy. It sure is an interesting variant of “playing the ‘Playing the Hitler Card’ card”. Let me state once again that Beale’s Rabid Puppies slate swept the Hugo ballot. Your demand that everything related to him should be removed from the Hugo discussions does feel a bit odd — especially when we’re talking about his boycotts and other schemes.

 

Anony-Mouse on Cedar Writes

“Get out and Vote!” – June 22

Do NOT vote NO AWARD for anything. Yes, I know the temptation to make a statement by putting something below No Award at the bottom, but in the unlikely case of close races NA can have an adverse affect on outcomes because it’s a weighted ballot. And frankly, it’s a pet peeve of mine. NO AWARD is a political statement, and this isn’t supposed to be about naked politics.

Do NOT vote at all for anything you do not think is worthy, regardless of why you do not find it worthy. See previous.

DO try to vote for at least one good thing in each category rather than leaving the category blank. For example, some of the fanzine/semiprozine entries have been nothing but contemptuous of dissidents against the establishment. I will not vote for them. Others have been accepting of everyone, I will rank them.

 

World of Pancakes

“Retraction regarding the Sad Puppy John C. Wright” – June 22

I don’t do this sort of thing very often, but I’m retracting my last post. Let me explain why. In repose to charges of homophobia, Wright said the charges were a lie and responded in a fashion which could be described as equally “homophobic” and “bizarre.” I wrote a long-ish piece taking him to task for this. It’s a solid bit of work, but I’d like to disavow it as of now. Since posting this piece, I’ve read a good deal more of what Wright has written outside of his novels. I’ve come to the conclusion that Mr. Wright has enough going on his life that piling on like this is neither fair nor necessary. I stand by the content of what I wrote, but, given Mr. Wright’s situation, it was needlessly mean of me to write it.

 

Melina D on Subversive Reader

“Hugos 2015 Reading: Best Graphic Story” – June 22

[Reviews 4 of 5 nominees.]

It was so wonderful to read a category and understand why all the nominees (that I could access) were nominees. These had quality story telling, good art (and art telling stories which I appreciate so much), interesting plots and characters, character development, humour, and in some cases, extreme ‘feelings’. These are the things I want in all my fiction (except the art, of course) and they’re never restricted to one ‘type’ or ‘style’ of fiction – romance fiction can deliver these things as well as epic fantasy, historical fiction as well as apocalyptic fantasy.

When you hold the quality of this category – just the writing and story telling to start with – up against the others, you really see how bad most of the work in the short fiction and related fiction categories are. And you have to ask why? Why didn’t the slate people put forward work that is well written and engaging? (Or more of that work?) Is there a lack of well written and engaging work which is action oriented/classic age/milSF? Is there a publicity issue for works that are well written and action oriented/reminiscent of older stuff and? Or did this slate become a cynical/destructive force designed to reward certain writers/publishers while ‘punishing’ others?

 

Lis Carey on Lis Carey’s Library

“Beneath Ceaseless Skies, edited by Scott H. Andrews” – June 22

This is a 2015 Best Semiprozine Hugo nominee. Beneath Ceaseless Skies is an online magazine of literary adventure fantasy. It’s visually attractive, and it offers some impressive fantasy fiction. I was pleased to find an archive that allowed me to check out the 2014 issues, the relevant issues for this year’s Hugos. An extra delight is that it offers audio fiction as well as print. This is an altogether fine magazine, and I’m very impressed.

 

Reading SFF

“2015 Hugo Awards Reading: Cixin Liu – The Three-Body Problem (2008/2014)” – June 22

I liked that the novel posed lot’s of mysterious questions and even answered them in a way that made sense, at least most of the times. While there are a lot of things in this novel that I liked a lot, there are a few things that I did not like as much. Mainly, this is not a character driven novel. This novel is about the science, not the characters. It’s very hard SF (which is fine), but it’s so hard, that at times whole passages read as if they were taken from a popular science text-book on futuristic physics. I guess it’s difficult to have everything: an imaginative and engaging story, cool science and great characters. The Three-Body Problem scores 2 out of 3 of these, which is a very good score.

 

John Seavey on Fraggmented

“Review: Ancillary Justice” – June 22

I think that’s why, despite appreciating ‘Ancillary Justice’, I didn’t really enjoy it all that much. There is a plot, and it’s actually a very clever one. But Leckie takes a lot of time in getting to it; she’s got a lot to say about the Radch, the empire that controls vast segments of the galaxy, and she wants you to really get a handle on the reality of living in the empire they’ve created. Vast chunks of the novel are taken up explaining customs, linguistics (yes, including the bit the book is famous for, that the default gender is “she”) and politics of the Radch, long before the plot ever kicks into gear.

 

Rick Novy on Entropy Central

“Lampooning the Hugo Awards – Free Short Story” – June 22

aka…The Bluegills, the Bream, and the Shiny Stones

Every once in a while, a writer will produce a piece of fiction with a short shelf-life. Such it is with a story i wrote a couple of months ago. The intention was to make a statement about the 2015 Hugo Awards, so I lampooned it. I shopped the story to three pro markets that I thought might be able to handle the expiration date. One market called it amusing but not right for the magazine. I happen to agree it’s amusing, and the editor is probably right about it not being a good fit.

I decided the shelf life of the story is now way too short to try to sell the story again, so I’m posting it here for free. I hope you enjoy it.

Without further ado…

 

The Scarlet Litter 6/21

aka Puppy on a Hot Tin Roof

Today’s roundup brings you Spacefaring Kitten, Gary Farber, Peter Grant, Tom Knighton, Sgt. Mom, Martin Wisse, David Nickle, Edward Trimnell, John Scalzi, N. K. Jemisin, Neil Clarke, David Gerrold, Ferrett Steinmetz, Jonathan Crowe, Andrew Hickey, Jason Cordova, Nicholas Whyte, Tim Hall, Mari Ness, Kevin Standlee, Mark Ciocco, Lis Carey, Vivienne Raper, and Jonathan Edelstein. (Title credit goes to File 770 contributing editors of the day Daniel Dern and James H. Burns.)

Martin Wisse on Wis[s]e Words

“Having a successful boycott is not the point” – June 21

As I said before, Day is following the Tea Party/Breitbart Culture Wars playbook. Gin up outrage, energise your base, focus their attention on the designated enemy, then fleece the suckers. Vox knows how the game is played because he’d been working for Worldnet Daily one of the low rent rightwing clearing houses his daddy had set up until he became too loony even for them. What are the odds on the next instructions of Day, as “leader of the Rabid Puppies”, will next issue instructions that the only proper way to boycott Tor is to instead buy books by goodthink publishers like Baen or his own vanity press?

The key is not to win, the key is to keep the fight going and make some money doing so. That’s been the career path for whole generations of roghtwing bloviators: fart out articles and blogposts and books about the evil of libruls and blag your way onto wingnut welfare. But to do so you need that red meat to keep the suckers in line. Without the month late fauxrage at Gallo’s comments the Puppies wouldn’t have anything to talk about. But this? This they can spin out until long after this year’s Hugo results are revealed.

It’s hard to deal with this. Just ignoring it is one option, not giving the oxygen of publicity to these people, but can obviously backfire. You can’t deal with this thinking these are normal fans, and that just ignoring it will starve this “controversy” of the fuel it needs. People like Day (and Larry and Brad) are perfectly capable of keeping the fire stoked indefinitely. Not responding just cedes ground and helps them keep up the pretence that they’re speaking for some imagined silent majority.

 

Spacefaring Kitten on Spacefaring Extradimensional Happy Kittens

“Kittens Will Prevail” – June 21

The culture war in science fiction and fantasy fandom is practically over before it even began — and it sure was the lamest war ever. The thing that has been clear for everybody except the Sad Kennelkeepers is that an overwhelming majority of SFF fans, authors and editors are and have always been liberal, in the broad sense of the word.

Yes, a huge part of fandom consists of unpolitical SFF enthusiasts who may from time to time sneer at pro-diversity people who suggest things they find a bit hardline, such as not reading books by straight white males for a year or something, but they’re still open-minded and tolerant. And sure, there are political conservatives in SFF too, but very few of them are interested in really taking any part in the culture war project lead by Larry Correia, Brad R. Torgersen and Vox Day/Theodore Beale, because they’re aficionados first and political activists second or third (and they, too, are mostly open-minded and tolerant). Importing the culture war dynamic somewhere where the other side is missing is not going to end well.

 

Gary Farber on Facebook – June 21

I can barely skim the Puppy summaries at FILE 770 any more because I literally start to feel physically ill. These people and their utter lack of interest in facts, their lunatic paranoia, their rationales for justifying every kind of tactic and practice on the grounds of imagining and alleging that their enemies do it, their crazy tropes (the Nazis were really left-wing!; Planned Parenthood is genocidal!; Emanuel A.M.E. Church isn’t a black church!; Tor Books is an leftist ideological publisher!”), literally make me sick. John C. Wright: “The other side consists of people at Tor who regard Tor as an instrument of social engineering, an arm of the Democrat Party’s press department, or a weapon in the war for social justice.” That would be why they publish … John C. Wright. Thirteen of his books so far.

 

Peter Grant on Bayou Renaissance Man

“Latest developments over the Tor imbroglio” – June 21

Speaking of Vox, he’s taken note of speculation from SJW’s and their ilk that the individuals at Tor who’ve been named in connection with the boycott may be at risk of violence.  Since I’ve seen not a single reference to that – even the vaguest hint – from our side of the fence, I, like him, can only put it down to paranoia, or an utterly warped, twisted sense of reality (or the lack thereof), or deliberate lying.  It’s absolutely insane . . . yet they’re hyping it up.  (Edited to add:  James Sullivan absolutely nailed the process in a comment at Vox’s place.)

 

 

Sgt. Mom on The Daily Brief

“Making Blight at Tor” – June 21

And what ought to be the response of those who feel deeply and personally insulted by employees of Tor, such as MS Gallo, and those who clearly stand in agreement with her ill-considered remarks? And what ought Tor to do, over what they already have done? Clean house seems to be the basic consensus; leaving the precise details up to Tor. And to effect that? Some of the offended recommend and are participating in an outright boycott. Some of them – like me – have tastes that run to other and non-Tor published authors, and haven’t bought anything from Tor in years. Others favor purchasing their favorite Tor authors second-hand, and hitting the authorial tip-jar with a donation. I still have the sense that for many of us – after having weathered numerous comments along the same line as MS Gallo’s without much complaint – this was just the final straw.

 

David Nickle on The Devil’s Exercise Yard

“Art Lessons” – June 21

It seems to me that the life of my father Lawrence is a good example to bring up right now, in this very political culture war about what is at its root, an art form.  The point of doing art, to paraphrase Neil Gaiman, is to make good art. It is not to chase awards, or other sorts of validation; it is not to look enviously at those who do receive those awards, who bask in that validation, and try to supplant them through forces democratic or otherwise.

It would be naive to say that such things don’t happen in communities of proper artists. They do, again and again, and are happening now in this science fiction and fantasy community of proper artists.

But I think my father would have said that the behaviour of the Puppies whether sad or angry, is the one sure sign of not being a proper artist. He would take it as a vulgar sign of weakness. It would earn his quiet but certain contempt.

 

Edward Trimnell

“Boycott Tor Books, you ask?” – June 21

A few readers have recently emailed me to ask if I plan to join the boycott of Tor Books, or if I publicly support the boycott.

The short answer is: No. But let me give you the longer answer—because this covers some important issues.

First of all: I am on record as disagreeing with the positions of Patrick Nielsen Hayden and John Scalzi. (I’ve taken Mr. Scalzi to task on this blog many times.) I’m not as familiar with Moshe Feder and Irene Gallo. But what I have seen of them so far, I don’t evaluate favorably.

That said, I think the boycott is a bad idea. And here’s why:

I dislike the Internet mob—whether it is a rightwing mob, or a leftwing mob. I dislike the Internet’s hive mindset, which says:

“If you say something we don’t like, we’re going to whip up all of our minions into a frenzy, and then destroy your livelihood, or harass you into silence at the very least. Oh—and we’re going to do all of this anonymously, hiding behind bogus screen names, avatars, and IP addresses! And aren’t we courageous!”

That is, of course, exactly what the SJW crowd does. But I’m not one of them—and I’m not a joiner, either. Just because I disagree with John Scalzi & Co. doesn’t mean that I’m eager to flock to the banner of Vox Day and others on the far right.

 

John Scalzi on Whatever

“Note to WSFS Members: Killing the Best Novelette Hugo is a Terrible Idea” – June 21

[Excerpts two of five points.]

  1. It is unnecessary to get rid of the Best Novelette category in order to “make room” for the Best Saga category. I’m unaware of the need in the WSFS constitution to limit the number of Hugo Awards given out; it’s not a zero sum game. Speaking as someone who has both emceed the Hugos and sat in its audience, I understand the desirability of not having an infinite proliferation of Hugo categories, because the ceremony can be long enough as it is. But that’s not a good enough reason to give one fiction category the axe at the expense of another, nor can I think of another good reason why the inclusion of the “saga” category requires the doom of another fiction category. It is, literally, a false dichotomy.

This false dichotomy is bad in itself, but also offers knock-on badness down the road. For example:

  1. It privileges novel writing over short fiction writing. Bud Sparhawk, a writer and human I admire rather a bit, complained to me once (in the context of the Nebulas) that calling the Best Novel award “the big one,” as many people often do, is an implicit disrespect of the art of short fiction writing, and of the skills of those who write to those lengths.

 

John Scalzi in a comment on Whatever – June 21

Now, if the Best Saga Hugo proposal hadn’t had tried to unnecessarily murder the Best Novelette category, is it something I could see my way toward voting for?

My current thought about it is “no, not really.” Here’s why: …

[Makes a four-point argument.]

 

 

 

David Gerrold on Facebook – June 21

You can have my Best Novelette Hugo when you pry it out of my cold dead hands.

 

 

Jonathan Crowe

“Some Initial Thoughts on a Couple of Hugo Award Amendments” – June 21

The [Best Saga] amendment points out that most sf/fantasy comes out in series nowadays — around two-thirds, they claim — whereas Hugo voters tend to vote for standalone books. According to the proposal,

for the past decade, the Best Novel category has been dominated by stand-alone works, with nine out of the eleven winners being such (and one of the two series novels is a first book in its series). The distribution of Best Novel winners is badly out of step with the general shape of the market, even though the nominees run close to the market trend.

I’d argue that a decade doesn’t give us nearly enough data points. Over the past quarter century, the split between standalone books and series books among Hugo winners is about fifty-fifty — and I’m including the first books of eventual trilogies, such as Ann Leckie’s Ancillary Justice (2014), Robert J. Sawyer’s Hominids (2003) and Robert Charles Wilson’s Spin (2006). Sequels to have won Hugos include Lois McMaster Bujold’s Paladin of Souls (2004), Vernor Vinge’s Deepness in the Sky (2000), and Orson Scott Card’s Speaker for the Dead (1987). Books two and three of Kim Stanley Robinson’s Mars series won Hugos, as did the fourth installments of the Harry Potter and Foundation series. And that doesn’t get into the number of Bujold’s Miles Vorkosigan books that have won Hugos as well.

So I’m not sure that the proposal’s premise holds up.

 

Andrew Hickey on Sci-Ence! Justice Leak!

“Hugo Blogging: Sagas” – June 21

Were the “best saga” award to be brought in *and all books in series to be removed from the “best novel” category*, I would be ecstatic, because that would give more exposure to the standalone novels the field should be producing. As it is, though, it seems likely that it will encourage even further the decline of the field into a niche of thirty-book series called The Chronicles Of The Saga Of Dullworld. When the playing field is already tilted in one direction, tilting it further seems a bad idea.

 

 

Nicholas Whyte on From The Heart of Europe

“E Pluribus Hugo, and other proposals (long post)” – June 21

My conclusions on the various proposals: So with a slightly heavy heart – I regret that small-minded slate-mongers have killed off a large part of the wisdom-of-crowds aspect of the Hugo nominations process – I endorse E Pluribus Hugo as the best fix to prevent slates from dominating the process in future without irreparable damage to the credibility of the awards. Edited to add: I no longer think that a “large” part of the wisdom-of-crowds aspect has been killed off.

Three other proposals for reforming the Hugo process have been submitted to Sasquan. One is to abolish the 5% threshold; as I mentioned above, I agree with this faute de mieux, but E Pluribus Hugo removes the threshold requirement anyway, so I would only support it if E Pluribus Hugo is rejected.

I don’t support the proposal to merge two of the short fiction categories and create a “Best Saga” category. The multiple short fiction awards at present reward writers who express their ideas succinctly rather than at big commercial length, and I’m in favour of that. The “Best Saga” proposal doesn’t fix any existing problem but does create new ones – not least of which, who is going to have time to read all the finalists between close of nominations and close of voting?

I do support the “4 and 6” proposal, to restrict voters to a maximum of four nominations rather than five as at present, but to extend the final ballot to include six rather than five finalists. If E Pluribus Hugo is not adopted, the “4 and 6” proposal is a lesser safeguard against slates, in that it becomes much more difficult to marshall your minions to support six slated works if they have only four votes each. And if E Pluribus Hugo is adopted, voters who nominate five candidates will get less value for their nomination than those who nominate four, and so on; the first part of the “4 and 6” proposal seems to me a decent indication to voters that a slightly different nominating strategy is now necessary (even though it’s not actually part of E Pluribus Hugo). As for the second part, I do feel that good work is left off the Hugo ballot every year, and while Mike Scott’s proposal from April (1, 2, 3) would have designed a certain responsiveness in the system specifically in reaction to the slates, I’d prefer a broader, simpler and less slate-dependent change, and I think that expanding the final ballot to six rather than five does that.

 

Tim Hall on Where Worlds Collide

“E Pluribus Hugo” – June 21

Out of Many, A Hugo, the proposal from Making Light for changing the Hugo Awards voting system in an attempt to fix the problems that came to a head this year.

It uses a Single Divisible Vote, which is a form of proportional system rather than the first-past-the-post system used up to now, and is designed to prevent any well-organised minority from dominating the nominations out of all proportion to their numbers.

I like the system a lot, although the complexity of the counting system means the count must be computerised. It has many of the same advantages as the widely-used Single Transferrable Vote system, though a notable difference is that you don’t need to rank your nominations in any kind of order.

 

Mari Ness

“Proposed changes to Hugo Awards” – June 21

Moving onto the “KILL THE NOVELETTE CATEGORY ALREADY!” question, well, I’m a short fiction writer, so I’m an interested party here.

First, I’ll note that there’s some precedence for this, with the World Fantasy Award which does not offer a separate category for novelettes. Second, I am deeply sympathetic with the complaints of voters who do not want to check the word count for the short fiction they’ve read, and that the dividing line between novelette and short story has issues because of where it lands (at 7500 words) and that really, novelettes are just long short stories and should be treated like that. Not to mention the complaints that the Hugo ballot is waaaaayyyyyyyy too long as it is. I’ve made that last complaint myself. My understanding is that the novelette category has historically gotten fewer nominations than other categories, so even as a short fiction writer, I fully get the keeeeellll it! keeellllllll it dead! feeling here.

But.

The first problem is the number of eligible short fiction works versus the number of eligible works in most of the other categories. Novels possibly come close, and, with blog posts eligible for the catch-all category of Best Related Work (which this year includes a nominee that isn’t even particularly “related”), that category does as well. Novellas are currently experiencing a resurrection, so those numbers might creep up.

Otherwise – the number of eligible podcasts is in the double digits. The number of semi-prozines and fanzines is also in the double digits; the same names keep popping up in those categories for a reason. The number of eligible graphic novels probably in the triple digits. Films are in the double, maybe triple digits. Television episodes, including cartoons, might pop up to a little over 1000. The number of eligible short stories, in that category alone, is conservatively around 6000. Expanding that category to include works up to 10,000 words will just expand that number.

 

Kevin Standlee on Fandom Is My Way Of Life

“New Business Is New Business”  – June 21

The deadline for submitting proposals to the Business Meeting this year is August 6, 2015. The procedure for submitting proposals is listed on the Business Meeting page on the Sasquan web site under “New Business Submissions.” The WSFS Rules are published online and are distributed to the members in the progress reports. None of this is secret. And if you have questions about the process, you can write to me or to the entire WSFS business meeting staff through the wsfs-business address @sasquan.org.

I’ve written a Guide to the Business Meeting that tries to explain this. I’m available to answer questions. I just beg of people to not assume the worst of everything. It’s very frustrating to work this hard and to hear people assuming that it’s all rigged in some way. Well, it’s set up to allow the members who choose to participate in the process to come to a decision in a way that balances the rights of the members as a whole, of the members who attend, of majorities and minorities, of individuals, and of absentees, in a fair manner. However, “fair” and “I got what I personally wanted” are not always the same thing, and it would be wise to keep that in mind when approaching any form of deliberative assembly.

 

Mark Ciocco on Kaedrin Weblog

“Hugo Awards: Novelettes” – June 21

[Reviews all five nominees]

Novelettes! Good old novelettes! What do you call something that’s longer than a short story, but shorter than a novel? A novella, of course, but that’s too easy. Let’s invent something between a short story and a novella, and call it a novelette! On the one hand, it is a bit odd that SF/F seems to be the only genre in literature that makes this distinction (something about a legacy of SF’s pulpy magazine roots, where different sized works had different pay scales) and it seems rather pointless and confusing for no real reason. On the other hand, it just means we get to read more fiction, which is actually a pretty cool thing. Once again, none of my nominees made the final ballot, but such is the way of short fiction awards. Last year’s Novelettes were pretty darn good (with one obvious and notable exception), and it looks like this years will rival that:…

 

Lis Carey on Lis Carey’s Library

“Andromeda Spaceways In-Flight Magazine” – June 21

Andromeda Spaceways In-Flight Magazine is a 2015 Hugo nominee for Best Semiprozine.

Visually, I found this a lot more appealing than Abyss & Apex, the only other nominated semiprozine I’ve looked at so far. On the other hand, I was not as impressed by the accessible fiction. Also, there seemed to be no means to access the relevant material, i.e, what was actually published during 2014.

 

Vivienne Raper on Futures Less Traveled

“Reading the Rockets – Best Short Story” – June 21

[Reviews all five nominees.]

First up, Best Short Story. The nominees are:

  • “On A Spiritual Plain”, Lou Antonelli (Sci Phi Journal #2, 11-2014)
  • “The Parliament of Beasts and Birds”, John C. Wright (The Book of Feasts & Seasons, Castalia House)
  • “A Single Samurai”, Steven Diamond (The Baen Big Book of Monsters, Baen Books)
  • “Totaled”, Kary English (Galaxy’s Edge Magazine, 07-2014)
  • “Turncoat”, Steve Rzasa (Riding the Red Horse, Castalia House)

These range between dire and good. And only one of them, in my view, is even remotely worthy of being considered for a Hugo Award (if I’m being charitable). And that, surprisingly, is the military SF story Turncoat.

 

Jonathan Edelstein in a comment on File 770 – June 21

Officer Pupke

CORREIA:

Dear kindly Sergeant Pupke You gotta understand It’s just that we’re fed up-ke About our losing hand; The lefties run the ballot And us they underrate: Golly Moses, that’s why we’re a slate!

CORREIA AND PUPPIES:

Officer Pupke, we’re really upset Our writing never got the love that it ought to get. We’re not really rabid, we’re misunderstood – Deep down, our books are pretty good.

CORREIA:

There’s some good!

PUPPIES:

There is good, there is good There is unread good! In the worst of us, there is some good.

[Continues.]

 

Jonathan Edelstein in a comment on File 770 – June 20

[Parody of ”Guys and Dolls”]

…When you see a guy froth without knowing why You can bet that he’s angry about some CHORF. When you spot a dude sounding like he’s von Krupp Chances are he’s a Pup whose full-measured cup of outrage is up.

When you see Vox Day swear he’ll make Gallo pay And direct all his minions to cut Tor off Call it dumb, call it cloying But the thing that is most annoying Is that he’s only angry about some CHORF….

[Continues]

 

The Hydrophobia That Falls On You From Nowhere 6/12

aka The Puppies of Wrath

Today’s roundup stars David Gerrold, Tom Knighton, Rand Simberg, Phil Sandifer, Abi Sutherland, Doctor Science, Edward Trimnell, Jenn Armistead, Lela E. Buis, Peter Grant, Sarah A. Hoyt, Natalie Luhrs. Robert Sharp, Lis Carey and Lou J. Berger. (Title credit belongs to File 770 contributing editors of the day Seth Gordon and Steve Moss.)

David Gerrold on Facebook – June 12

Okay — so far, so good. If you wanted to suggest that there is a certain insular attitude among regular Worldcon attendees and supporters, even a clique-ishness, you could make that case — from the outside, it could look like that.

But actually, no. Because any convention — especially the Worldcon — is open to anyone who wants to buy a membership and attend. So no one is being kept out.

The issue — the idea that I’m creeping up on here — is the perception of a science fiction community. It’s an open community. Anyone can be a member of this community. Just show up. The ceiling constitutes an introduction. (ie. “You’re in the room, you’re here, you’re one of us. Hello!”)

So, in actuality, the community isn’t insular and it isn’t a clique — but it does have a lot of people in it who’ve known each other for a long time, and that can be intimidating to newcomers.

Now — here’s where I’m going to make some assumptions.

1) Based on the evidence of his online screeds, Vox Day does not consider himself a member of the science fiction community. In his own mind, he apparently considers himself a righteous and noble warrior fighting an evil establishment that sprawls like a cancer across the literary landscape. Based on the evidence of his online statements, he is at war with the community. He wants to disrupt and destroy. He has — by his own devices — selected himself out.

2) Brad Torgersen and Larry Correia, and others who have identified themselves as the “sad puppies” are very much a part of the SF community. They have demonstrated — by writing and publishing stories, by attending conventions, by being nominated for awards, by writing blogs and participating online — that they have a personal investment in the workings of the SF community. They are not enemies, they are (to the extent they participate in fannish endeavors) fans like everyone else.

Now, having made those distinctions, let me expand on them. ….

 

Tom Knighton

“David Gerrold: Sad Puppies ARE part of ‘SF community’” – June 12

I’ve been very upset by some of the things I’ve seen from David Gerrold since the Hugo nominations were announced.  Honestly, knowing such a person wrote my mother’s favorite Star Trek episode was upsetting on a personal level that really doesn’t make any sense, but there it was.

However, Gerrold’s tone has mellowed recently.  Today, he stated something that few would acknowledge, and that was how Larry Correia, Brad Torgersen, and the rest of us are part of the science fiction fan community in a post on Facebook early this morning. ….

That said, I’m willing to explore alternatives, but only so long as the horrid things we’re called ends.  Gerrold brings up the Paris Peace Accords and the amount of time it took just to get things rolling for various reasons.  In light of that, a comparison to a bloody war, I think it’s fair to note that I see no reason for us to disarm if the other side refuses.  CHORF and SJW remain in the arsenal, and will be used if necessary.

Calling us Sad Puppies won’t bring them out from me.  Calling us racists, homophobic, misogynists, or similarly will.  I’m damn sick of it.  Those words have meanings, and they’re being stripped of those meanings by using them to describe minorities of all stripes who stand with the Sad Puppies simply because they like different books.

 

Rand Simberg on Transterrestrial Musings

“David Gerrold” – June 12

..says Sad Puppies are a part of the SF community.

Well, that’s mighty white of him.

 

Philip Sandifer

“John C. Wright Has Just Advocated For My Murder” – June 12

In the comments over at Vox Day’s blog, John C. Wright posted the following:

Wrought

The first line is Wright quoting a previous post of mine. The second paragraph is him advocating for my murder. Because he disagrees with my definition of mysticism. I am, to be clear, not particularly scared by this. I do not imagine that John C. Wright will now be hiding in my bushes, waiting for the opportune moment to strike. This is empty, vicious rhetoric of the sort that Day and Wright specialize in – sound and fury that, while not exactly signifying nothing, is still clearly told by an idiot. Hell, if I were a woman blogging about the stuff I blog about I’d get half a dozen far worse threats a day. The threat itself is not a big deal.

 

Doctor Science in a comment on File 770 – June 12

If any Puppies are in the neighborhood: *this* is what the conspiracy of Hugo voters you think has been going on for years looks like. Not covert conversations, not a sekrit batsignal telling us who the Approve Authors are this year, but a lot of people saying, “I just read this thing, it’s great!” and explaining *why* it’s great, with other people saying things ranging from “me to!” to “what are you, nuts?” to “meh”.

 

Edward Trimnell

“So why are they mad at Tor Books?” – June 12

The science fiction community is currently divided into two factions: For the purposes of our discussion here, we’ll use the names they’ve assigned to themselves: the Social Justice Warriors (SJWs) and the Sad Puppies.

*  *   *

The SJW faction believes that science fiction is primarily a vehicle of identity group politics. For the SJW faction, the ideal science fiction story would feature an angry feminist of color who receives a visitation from a band of transgender aliens one night as she is driving home from a Women’s Studies seminar somewhere in Massachusetts.

Over the course of many chapters, the transgender aliens explain to her why all of her problems result from white male exploitation.

The plot line is resolved when the angry feminist of color leaves her husband or boyfriend, gets a closely cropped haircut, and moves into a lesbian commune in western Massachusetts. (A closing monologue about the evils of the George W. Bush administration is optional.)

 

Jenn Armistead in letter to Library Journal – June 1

If the Sad Puppies don’t want to be conflated with the Rabid Puppies or called mean words like misogynist, perhaps they should have done a better job of explaining how what they were doing wasn’t a reaction to the “large” number of minorities who won the Hugos last year (Wilda Williams, “Set Your Phasers to Stunned: 2015 Hugo Nominations Stir Controversy”). Yes, it’s lovely that your slate also has women and brown people and that women and brown people were involved in creating Sad Puppies, but if you are going to claim the past winners didn’t deserve their awards but received them because of their gender/race/sexuality/whatever, you have to be very, very careful with your messaging, because it is going to tend to sound like you don’t like women/brown people/LGBT/whatever winning awards instead of white men.

The choice of the term Sad Puppies also doesn’t help your position. It was obviously chosen as a nod toward the anti-SJW [Social Justice Warrior] term, and it is rather disingenuous to claim otherwise. At the very least, your message was not received as it was intended. At worst, you sound like Gamergaters crying, “But it’s about ethics in game journalism!”

At the end of the day, I don’t think it matters. This is about a small subset of the sf reading population vying with another small subset of the sf reading population over a popularity contest. The rest of us readers will continue to read whatever we prefer. If we don’t see ourselves and the works we care about reflected in the ­Hugos, we’ll just go elsewhere.

—Jenn Armistead, Literacy Coordinator, Tulsa City-Cty. Lib. Syst.

 

Lela E. Buis

“Replying to intent” – June 12

As a mere short story writer, I’m coming late to the front. I’m just picking up on the issues here. I don’t know what Vox Day has against Tor, but it looks to me like he’s attacking the editors as a way to get at the organization in general. As a battle-hardened flame warrior, I have to say that it’s important to look at the enemy’s intent instead of what s/he says. Attacks can be shut down if you know what they’re really about.

John Scalzi? Just a guess.

 

Peter Grant on Bayou Renaissance Man

“Tor: the latest developments (or lack thereof)” – June 12

I wonder whether Tor’s and Macmillan’s lack of response to my letters, both public and private, is because they think I don’t mean it?  Do they think I’m just ‘small fry’, not worth bothering about?  Do they think my words are ‘a tale told by an idiot, full of sound and fury, signifying nothing‘? Do they think I’m making an idle threat, or don’t have any support?  Time will tell.  I know what other authors and individuals in the SF/F community have said to me.  Let’s see whether they back up their words with action.  Whether they do or they don’t, I know what I’m going to do if the situation doesn’t change.

 

Sarah A. Hoyt on According To Hoyt

“Dispatches From Another World” – June 12

But one thing is to know it instinctively – and even then when I write about it, people email me to tell me that I am wrong and “paranoid” and yeah, one is always afraid – and another to have one’s nose rubbed in it in the form of a supposed adult saying with the simplicity of a 12 year old that the people who oppose her are “racist, sexist, homophobic” and “bad to reprehensible” even before the “poopy-head” level classification of “neo-nazis.”

Look, it is the fact that Irene Gallo is sincere and, in her own mind, fighting on the side of angels, that is shocking and scary. And it fits perfectly with what I’ve seen in the publishing world (other than Baen, natch) in my years working as a professional writer.

These people don’t live in the world we live in.

Most of us – well, some of us – went through excellent universities, and read voraciously, and were subjected to the barrage of media that projected the same mental picture Ms. Gallo has: the left is eternally right (when they were wrong, their mistakes – like segregation – are now attributed to the right) and the future is a bright socialist utopia (really communist, but we’ll call it socialist so as not to scare the squares) and anyone who stands against it is an evil right winger, a fascist, a neo nazi and by definition racist, sexist, homophobic.

 

Natalie Luhrs on Pretty Terrible

“Links: 06/12/15” – June 12

Has there been any more fan writing about this? I’d really like to read more fan perspectives as I work my way through the giant pile of angry thoughts I have about this. I feel like the fan perspective is important, for a lot of reasons: first of all, most of us are doing this because we actually do love the community and most of the people who make up the community. Second, we often have more at risk: fan labor is almost by its very definition free labor, we have smaller platforms, and what happened to Irene Gallo is chilling across multiple axes.

I stand in solidarity with Irene Gallo. I respect the hell out of her and her work and I think she is doing amazing things with art direction. She makes an incredibly difficult job look effortless and easy.  And publicly chastising her for what she said on her personal Facebook page was wrong.

 

Robert Sharp on Medium – June 12

It is now time for a “personal opinions” icon. Millions of people like Irene Gallo could add the symbol to their personal social media accounts. Ideally, the symbol would link to some standardised “these are my personal views” text that would insure both the individual and their employers from being dragged into something that should not concern them.

What would such an icon look like? That is a challenge for graphic designers. It needs to work at extremely small resolutions. My initial idea was simply a shape with a letter ‘p’ in it, but that does not translate across cultures. Perhaps a speech bubble with a face or head inside?

I urge designers to take up this challenge.

 

Lis Carey on Lis Carey’s Library

“The Hot Equations: Thermodynamics and Military SF, by Ken Burnside” – June 12

This is easily the best of the Best Related Works Hugo nominees. Burnside lays out what thermodynamics really mean for military actions and combat in space, at least if you are writing “hard” sf, intended to be based in scientific reality.

 

Lis Carey on Lis Carey’s Library

“Letters From Gardner: A Writer’s Odyssey, by Lou Antonelli” – June 12

The memoir portions are perhaps less fascinating than Antonelli imagines. It’s a bit of a slog to get to the first few little notes from Dozois, which, while obviously highly encouraging to a new writer for whom any personal comment from an editor, especially one as notable as Dozois, are in themselves very ordinary. They just do not have the  thrill for the reader that they would obviously and appropriately have had for Antonelli when he received them. What’s hard to understand here is the lack of the most basic proof-reading and copy-editing. There are errors of tense and number, but always when the error is just one letter, suggesting a typo that a spellchecker wouldn’t catch, and a human eye didn’t catch. There are dropped words that momentarily bounce the reader out of the narrative. And it’s not just one or two instances; it keeps happening. It’s as if Antonelli relied too heavily on his newspaper-honed ability to produce readable copy on short notice, and didn’t think he needed an editor, or even a proofreader. The danger of that is that after you’ve spent too much time with your own prose, you see what you meant to type, not what you really did type. It’s an unwise choice that weakens even the best work. All in all, I can’t see this book being of real interest to anyone except Lou Antonelli’s devoted fans. A “Best Related Work,” it is not.

 

Lis Carey on Lis Carey’s Library

“Riding the Red Horse, by Tom Kratman (editor), Vox Day [Theodore Beale] (editor)” – June 12

Unfortunately, it’s a very uneven collection. It includes the very good The Hot Equations, by Ken Burnside, and the very disappointing Turncoat by Steve Rzasa. There is, early on, a casual endorsement of the probable “necessity” of genocide on the grounds that Those People aren’t smart enough to modify their behavior. A point Beale’s fans will have difficulty with is that such inflammatory language makes it less likely that readers will take in the point the author was attempting to make. A better editor would have caught it and told the author to dispense with pointless provocation and just make his point.

 

Lou J. Berger on Facebook – June 9

As David Gerrold proposed, WorldCon in Spokane this year will be a party, a place to revel in our shared love of Science Fiction, a place to be inclusive and supportive of one another.

Remember, we are ALL Science Fiction!

I’ll be passing these badge ribbons out to whomever asks for one at Sasquan.

We Are ALL Science Fiction ribbon

Lou J. Berger on Facebook – June 11

#?WeAreALLSF

The hashtag is gaining momentum, and if you agree that Science Fiction has been sundered, but believe we can repair the situation, please consider sharing the hashtag, along with a short paragraph or so of WHY you agree that re-unification of the various factions is vital….

There’s LOTS of room for all of us in the field of Science Fiction. Hijacking ballots, or dismissing milSF as “not real SF” says more about the person stating it than about the field at large.

We are ALL Science Fiction, and we’ve taken this genre from pulp to mainstream.

Let’s put down our scathing vitriol and find a way to support each other.

We are ALL Science Fiction.