Pixel Scroll 9/14/19 We Are All In The Pixel, But Some Of Us Are Looking At The Scrolls

(1) ONE STOP SHOPPING. [Item by Jonathan Cowie.] SF2 Concatenation’s Autumn 2019 edition is up. Voluminous seasonal news and reviews page of both SF and science which includes the major UK SF/fantasy imprint book releases between now and New Year.  (Many of these will be available as imports in N. America and elsewhere.)

(2) LEM V. DICK. [Editor’s note: I apologize for what amounts to misspelling, but characters that WordPress would display as question marks have been changed to a letter of the alphabet without marks.]

[Item by Jan Vanek Jr.] Yesterday the English-language website of the Polish magazine Przekrój published (and started promoting on Facebook, hence my knowledge) the translation of a 2,700-word excerpt (not a self-contained “chapter” as they claim) from Wojciech Orlinski’s 2017 biography of Stanislaw Lem detailing what led to “the famous Lem-Dick imbroglio” with PKD’s “famous Lem report to the FBI”: “access to previously unpublished letters […] resulted in what is likely the first accurate description of the incident, as well as the ultimate explanation as to how the concept of ‘foreign royalties under communism’ is almost as much of a mess as ‘fine dining under communism’ (but not quite as fine a mess)”:

…It all began with Lem’s depiction of Dick – in the third of his great essay collections, Science Fiction and Futurology as little more than a talentless hack. Lem had a poor opinion of almost all American authors, and never thought much of the literary genre of which he himself was an exponent (think of his equally critical view of Pirx the Pilot, for example, or Return from the Stars)….

I found it a quite informative and interesting read, although “Lem’s unfortunate expulsion from the SFWA” that ensued is mentioned only briefly and I think misleadingly (I have checked the Polish book and there is nothing more about it, but it has been described in American sources, many of them online).

(3) ABOUT AO3’S HUGO AWARD. The Organization for Transformative Works has clarified to Archive of Our Own participants — “Hugo Award – What it Means”.

We’re as excited as you are about the AO3’s Hugo win, and we are shouting it to the rafters! We are grateful to the World Science Fiction Society for recognizing the AO3 with the award, as well as to the many OTW volunteers who build and maintain the site, and all of the amazing fans who post and enjoy works on it.

The World Science Fiction Society has asked us to help them get the word out about what the award represented—specifically, they want to make sure people know that the Hugo was awarded to the AO3, and not to any particular work(s) hosted on it. Therefore, while we can all be proud of the AO3’s Hugo win and we can all be proud of what we contributed to making it possible, the award does not make any individual fanwork or creator “Hugo winners”—the WSFS awarded that distinction to the AO3 as a whole. In particular, the WSFS asked us to convey this reminder so that no one mistakenly describes themselves as having personally won a Hugo Award.

Thanks for sharing our enthusiasm, and consider yourselves reminded! We appreciate every one of your contributions.

So far there are 80 comments, any number by Kevin Standlee making Absolutely Clear Everybody Must Understand Things Exactly The Way He Does. One reply says, “You aren’t doing a particularly good job of reading the room here.”

(4) ARISIA PERSISTED. Arisia 2020 has issued its first online Progress Report. Key points: (1) It’s happening! (2) It’s (back) at the Westin Boston Waterfront. (3) The headliners are Cadwell Turnbull, Author Guest of Honor, Kristina Carroll, Artist Guest of Honor, and Arthur Chu, Fan Guest of Honor.

(5) BOO!  LAist primes fans for Universal Studios’ Halloween mazes: “Halloween Horror Nights: A Photo Tour Of The New ‘Ghostbusters’ & ‘Us’ Mazes At Universal Studios”.

Halloween’s almost here… well, OK, it’s more than a month away, but that means it’s time for Halloween haunts — aka Halloween mazes, aka scary Halloween things at theme parks and the like, to start.

Halloween Horror Nights has been taking over Universal Studios Hollywood for 21 years, and we got the chance to take a behind-the-scenes tour of two of the brand new mazes, Ghostbusters and Us. We were guided through by Creative Director John Murdy, the man in charge of creating the stories and the scares inside all of the mazes.

He works with an art director to design every moment, writing treatments for each attraction than can run up to 100 pages.

“It’s a narrative from the guest’s POV — everything I see, hear, smell, etcetera, as if I’m going through the maze,” Murdy said. “But it also has a very elaborate technical breakdown by scene, by discipline, down to the timecode of the audio cues.”

(6) DUBLIN 2019. Cora Buhlert’s report begins with — “WorldCon 77 in Dublin, Part 1: The Good…”. There’s also a shorter version for the Speculative Fiction Showcase: “Cora’s Adventures at Worldcon 77 in Dublin, Ireland”. Each has lots of photos.

…On Wednesday, the day before WorldCon officially started, I helped with move in and set-up at Point Square. This involved carrying boxes, assembling shelves for the staff lounge and crafting area, taping down table cloths and helping to set up the Raksura Colony Tree model. This was my first time volunteering at a WorldCon and it was a great experience. Not only do you get to help to make a great project like WorldCon happen, no, you also get to meet a lot of lovely people while volunteering. Especially if you’re new to WorldCon and don’t know anybody yet, I recommend volunteering as a way to meet people and make friends. What is more, I also got a handful of groats (which I used to buy a very pretty necklace in the dealers room) and a cool t-shirt.

(7) MEMORIAL. Jim C. Hines tweeted the link to his post about the Memorial held for his wife, Amy, on September 8, a touching and highly personal tribute.

(8) TODAY IN HISTORY.

  • September 14, 2008The Hunger Games novel hit bookstores. (For some reason, the bookstores did not hit back.)

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 14, 1915 Douglas Kennedy. No major SFF roles that I see but he’s been in a number of films of a genre nature: The Way of All Flesh, The Ghost Breakers, The Mars InvadersThe Land UnknownThe Lone Ranger and the Lost City of GoldThe Alligator People and The Amazing Transparent Man. Series wise, he had one-offs on Alcoa PresentsScience Fiction TheatreAlfred Hitchcock Presents and The Outer Limits. (Died 1973.)
  • Born September 14, 1919 Claire P. Beck. Editor of the Science Fiction Critic, a fanzine which published in four issues Hammer and Tongs, the first work of criticism devoted to American SF. It was written by his brother Clyde F. Beck. Science Fiction Critic was published from 1935 to 1938. (Died 1999.)
  • Born September 14, 1927 Martin Caidin. His best-known novel is Cyborg which was the basis for The Six Million Dollar Man franchise. He wrote two novels in the Indiana Jones franchise and one in the Buck Rogers one as well. He wrote myriad other sf novels as well. (Died 1997.)
  • Born September 14, 1932 Joyce Taylor, 87. She first shows as Princess Antillia in Atlantis, the Lost Continent. Later genre appearances were The Man from U.N.C.L.E., the first English language Beauty and the Beast film, the horror film Twice-Told Tales and the Men into Space SF series. 
  • Born September 14, 1936 Walter Koenig, 83. Best-known for his roles as Pavel Chekov in the original Trek franchise and Alfred Bester on Babylon 5Moontrap, a SF film with him and Bruce Campbell, would garner a 28% rating at Rotten Tomatoes, and InAlienable which he executive produced, wrote and acts in has no rating there. 
  • Born September 14, 1941 Bruce Hyde. Patterns emerge in doing these Birthdays. One of these patterns is that original Trek had a lot of secondary performers who had really short acting careers. He certainly did. He portrayed Lt. Kevin Riley in two episodes, “The Naked Time” and “The Conscience of the King” and the rest of his acting career consisted of eight appearances, four of them as Dr. Jeff Brenner.  He acted for less than two years in ‘65 and ‘66, before returning to acting thirty-four years later to be in The Confession of Lee Harvey Oswald which is his final role. (Died 2015.)
  • Born September 14, 1947 Sam Neill, 72. Best known for role of Dr. Alan Grant in Jurassic Park which he reprised in Jurassic Park III. He was also in Omen III: The Final Conflict, Possession, Memoirs of an Invisible ManSnow White: A Tale of TerrorBicentennial ManLegend of the Guardians: The Owls of Ga’HooleThe Adventurer: The Curse of the Midas BoxThor: Ragnarok and Peter Rabbit. 
  • Born September 14, 1961 Justin Richards, 58. Clute at ESF says “Richards is fast and competent.” Well I can certain say he’s fast as he’s turned out thirty-five Doctor Who novels which Clute thinks are for the YA market between 1994 and 2016. And he has other series going as well! Another nineteen novels written, and then there’s the Doctor Who non-fiction which runs to over a half dozen works.  

(10) COMICS SECTION.

  • Frank and Ernest ask deep questions about Pokémon.
  • A Tom Gauld cartoon about The Testaments launch in The Guardian.

(11) LUCAS MUSEUM. George Lucas, his wife Mellody Hobson, and the mayor dropped by the site yesterday to see how things are going: “Force Is With Them! Construction Of George Lucas Museum In Full Swing”.

Construction of the George Lucas Museum of Narrative Art is in full swing.

On Friday, Lucas — along with his wife and Los Angeles Mayor Eric Garcetti — watched as construction crews helped bring his vision to life.

And he thanked them for the tireless effort.

“You’re doing the impossible — thank you so much,” Lucas said.

“Millions of people will be inspired by this building. We were just in our board meeting for the museum and George said you are the artists so you’re the artists of this art museum,” says Mellody Hobson, Co-CEO of Ariel Investments and the museum’s co-founder.

(12) LISTEN TO LIEN. Henry Lien is the Special Guest Star on this week’s episode of  The Write Process podcast, hosted by the UCLA Extension Writers’ Program — “Henry Lien on Worldbuilding, Puzzle Stories, Middle Grade, & Peasprout Chen: Battle of Champions”

Henry Lien teaches law and creative writing at UCLA Extension. A private art dealer, he is the author of the Peasprout Chen middle grade fantasy series, which received New York Times acclaim and starred reviews from Publishers Weekly, Kirkus, and Booklist.

(13) COSPLAY ID’S. SYFY Wire has collected all the tweeted photos — “Detroit high school encourages students to dress as pop culture icons for ID photos”.

High school can be a turbulent time for any budding teenager, but when you’re allowed to dress up as your favorite movie or television character, facing picture day isn’t the daunting challenge it once was. Per a report from The Huffington Post, North Farmington High School in the suburbs of Detroit allowed its senior pupils to assume the persona of their favorite pop culture icon for the sake of ID photographs. What followed was a parade of Woodys (Toy Story), Shuris (Black Panther) Fionas (Shrek), creepy twins (The Shining), and so many more!

(14) GUTS. In the Washington Post, Michael Cavna profiles YA graphic novelist Raina Telgemeier, whose autobiographical graphic novels have sold 13.5 million copies and  who attracted an audience of 4,000 to her talk at the National Book Festival. “Raina Telgemeier became a hero to millions of readers by showing how uncomfortable growing up can be”.

…Now, because her fans kept asking, she is getting more personal than ever. The Eisner Award-winning author who launched her publishing empire with 2010?s “Smile,” about her years-long dental adventures as a kid, is prepared to bare new parts of her interior world with “Guts,” available Tuesday, which centers on how fear affected her body.

 “This is the reality of my life,” Telgemeier told her fans. She quickly got to the heart and GI tract of the matter: “I was subject to panic attacks and [was] worrying that something was really wrong with me.”…

(15) SIGNAL BOOST. Naomi Kritzer offers an incentive for supporting a cause that needs a cash infusion.

(16) MARATHON SITTINGS. The Hollywood Reporter considers “The Long Game: Super-Sized Movies Are Testing the Patience of Audiences”.

And there may be a financial cost. Over the Sept. 6-8 weekend, New Line and director Andy Muschietti’s It: Chapter Two opened to $91 million domestically, a 26 percent decline from the first It, which debuted to $123.4 million on the same weekend in 2017. The sequel ran a hefty 169 minutes, 34 minutes longer than its predecessor.

“Andy had a lot of story to tell in concluding his adaptation of Stephen King’s book, which is more than 1,100 pages,” says Jeff Goldstein, chief of distribution for Warner Bros., New Line’s parent. “We strategically added more shows and locations to counterbalance losing a show on each screen.”

Adds a rival studio executive regarding It: Chapter Two, “look, $91 million is a great number. But anytime the second film in a hoped-for franchise goes down — and not up — that’s not what you wish for. And I do think the fact that it was so long didn’t help.”

(17) COLBERT. Stephen Colbert’s “Meanwhile…” news roundup includes a furry joke related to the movie Cats, and a bit on “The 5D Porn Cinema No One Asked For.” These items start at 2.02 — here on YouTube.

(18) VIDEO OF THE DAY. Cinema verite of author Liz Hand on Vimeo. A 5-minute video of Hand at work and play

[Thanks to John King Tarpinian, Cat Eldridge, Daniel Dern, Chip Hitchcock, JJ, Mike Kennedy, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Matthew Johnson.]

Boskone 56: Fun, Plus Adding Foothills To My Mount To-Be-Read

Boskone 56 Pocket Program

By Daniel Dern: Boskone 56, held Friday, February 15 through Sunday, February 17, 2019 at Boston’s Westin Waterfront Hotel, was a fun con — good guests, fun interesting sessions, good readings… and good (for Boston winter) weather — bearably cold, and no snow or rain coming down or on the streets or walkways.

(Some of us still have memories of 2015’s Boskone when the MBTA (locally aka “the T”) pre-emptively announced, mid-Saturday, that due to the impending blizzard, they were shutting down the T starting 7PM Saturday, through Sunday.)

GoH’s for Boskone 56 were:

  • Guest of Honor: Elizabeth Hand
  • Special Guest: Christopher Golden
  • Official Artist: Jim Burns
  • Young Adult Fiction Guest: Cindy Pon
  • Hal Clement Science Speaker: Vandana Singh

(Burns, unfortunately, was unable to make it, due to a last-minute emergency; however, his art was still on display.)

Burns art, from Boskone 56 main web page

Boskone always gets a good bunch of writers, artists, editors and other sf pros. This year’s 150+ program participants included (drawing mostly on people I know/names I recognize) Ellen Asher, James Cambias, John Chu,  Brenda W. Clough, John Clute, Br. Guy Consolmagno, C. S. E. Cooney, Bruce Coville, Vincent Docherty, Sarah Beth Durst, Kate Elliot, Greer Gillman, KJ Kabza,  James Patrick Kelly, Justin Key, Dan Kimmel, Mur Lafferty, Patrick & Teresa  Nielsen Hayden, Errick Nunnally, Suzanne Palmer, Julia Rios, Erin Roberts, Michael Swanwick,  Catherynne M. Valente, Jane Yolen, and Brianna Wu.

(Side note: I just came back from the library with the 2018 “Year’s Best Science Fiction and Fantasy” edited by Rich Horton – and there’s a good handful of authors whose names might not have recognized a week ago, but, thanks to Boskone, I recognize many more names and know I saw several panelize/read.)

Headcount of as 11AM Sunday, according to the con’s Helmuth newsletter, came in at 1,382 total members, 1,061 “warm body count,” and 270 “at-the-door” registrations — pretty consistent with the past few years’ numbers.

There was, as always, no shortage of things to do.

Program items spanned classic through current sf/fantasy people, titles and topics, from the serious through silly, plus a range of media-oriented discussions including comics, Star Wars, and Star Trek, along with a number of sessions aimed at new authors and artists. Plus readings, kaffeeklatsches, and a room for movies/anime and other videos, also filking, board-gaming, the Art Show, the Dealers Room, noshing in the Con Suite area (which was, sadly, due to new hotel regulations, limited only to individual-portion-packaged, no-refrigeration-needed snacks’n’such). And a few evening parties, plus NESFA’s Saturday evening chocoholics-delight schmorgasbord.

And the non-program items like “meet new people, schmooze with friends” and “be a volunteer.”

Boskone’s Friday afternoon sessions were free — a nice way to help let potential first-timers get a sense of the con (particularly, I suspect, for people who have never attended a con). (ReaderCon has been doing this, too, for the past several years, with its Thursday evening programming.) Free-to-public panel topics included “The new Dr. Who,” gaming tournament demos/rules/Q&A, “Welcome to Boskone,” “Laundering Your Fairy Tales,” along with media/TV-themed sessions, and useful panels for new writers.

The art show had good stuff to look at (I’ve used up my quota of wall space, so I’m just looking, these days), although it seemed slightly smaller than last year.

Art-show-wise, of particular interest: this year’s ~40-piece Special Exhibit: From the Collection of Joe Siclari and Edie Stern which included art by Hannes Bok, Chesley Bonestell, Margaret Brundage, Vincent Di Fate, Leo and Diane Dillon, and Ed Emsh.

Art collage from Boskone 56 website.

The Dealers Room was mostly booksellers, including publishers and groups like Broad Universe, along with a handful of single-author tables. (My bookshelf space is, like my wall space, mostly full, although I did buy a few books… plus snarfing up about a foot of read-and-pass-on magazines and books from the Free Books table.)

Still, between books and magazines, I had no trouble spending thirty or forty bucks on additions to my Mount To-Be-Read (referring, of course, to that pile of books, often near the bed). Of course, by the end of the con, I had a vision of foothills forming around my Mount TBR of yet more books and authors to pursue, hopefully as library borrows.

(The late Morris Keesan once remarked (possibly at one of the monthly RISFA-North sf fan gatherings), when somebody mentioned to him their stack of TBR’s, he responded, more or less, “Stack? I’ve got a bookshelf.”)

Everyone I chatted with was having fun — schmoozing with friends, going to sessions, getting autographs, more schmoozing, etc.

Me, I had fun.

  • One of the things I did this year was go to more readings, including well-known’s like Jane Yolen, John Chu, Fran Wilder and Bruce Coville, as well as some newer and lesser-known authors and groups of authors. All were good, and helped add to my “authors and books to look for” list.
  • Also, kaffeeklatsches, in particular, Jane Yolen and (her son) Adam Stemple), and Patrick Nielsen Hayden and Teresa Nielsen Hayden. (I still wish Boskone could find a less noisy space for the ‘klatches rather than the public area in between the Art Show and the “Con Suite” space.)
  • I got a Press ribbon, to point at as I was taking pictures.
  • I wasn’t originally on the program (not a complaint, I’ve had my “turn at bat” at Boskone plenty of times, in main and DragonsLair programming), but while I was buying my membership, I inquired at Program Ops, and was given an empty-as-of-then slot in the Readings track. (I had come prepared with a handful of my short-short stories.)
  • Equally nice, when I went to see if there were any open slots for the Flash Fiction Slam competition — with points deducted if you run over three minutes — I discovered I was already signed up! So I read my newest shortie, “Vampire, T.Rex Bite Robot, Chomp! Gnash! Ouch!”

One of my favorite Boskone Program Items is Mark & Priscilla Olson’s “Trivia For Chocolate” contest — SF trivia, of course, from way back when through current stuff, where speed matters as much as correctness, with the green-rectangle chocolate Thin Mints used as point counters totaled up at the end (emptied wrappers don’t count).

This year, I tied with Bob Devney for 4th place, with 23 points. Karen von Haam thirded with 30 points, Kimball Rudeen came in second with 35, and Rich Horton ate all our lunches with 60 points.

A quick browse through past Helmuths (“Helmith”?) confirms my sense that Devney and I often place in the top five, e.g.:

  • Boskone 55: Bob Devney 52, Daniel Dern 44, Tim Liebe 27. Peter Turi 23.
  • Boskone 54: Kim Rudeen 65, Tom Galloway 45, Jordin Kare 45, Bob Devney 32, Daniel Dern 29.
  • (Boskone 53: I wasn’t there.)
  • Boskone 52: Kimball Rudeen 51, Karen Von Hamm 44, Bob Devney 16, Naomi Hinchen 15, Daniel Dern 12.
  • Boskone 50: Bob Devney 54, Athena Martin 30, Zev Sero & Peter Trei: 16
  • Boskone 49: Jordin Kare 69, Bob Devney 48, Christopher Davis 40, Daniel Dern 35, Team of Burton, Klein-Burton, Wall & Moore 30.

Plus, schmoozing.

Like I said, a fun weekend.

Daniel’s photos of Boskone 56 follow the jump.

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At NYRSF Readings, a Brave Little Toast to Thomas M. Disch

Henry Wessells

By Mark L. Blackman: On the evening of Tuesday, February 6th, at its venue, the Brooklyn Commons Café in Brooklyn (somewhere on the Ruins of Earth), the New York Review of Science Fiction Readings Series presented a tribute to the brilliant author and poet Thomas M. Disch (1940-2008), a celebration of his life and work, guest-hosted by Henry Wessells (a past guest curator) and featuring his peers and friends, including his literary executor, readings from his works and a short film.

The evening began with Series Producer and Executive Curator Jim Freund welcoming the crowd to the final session of the Series’ 27th Season, adding that there would be a special Summer Series: .

  • July 3rd – David Mack and Seth Dickinson, guest curated by Amy Goldschlager (a former Curator)
  • August 7th – A Launch Party/Reading for Sunspot Jungle, with guest curator Bill Campbell

As usual, he cautioned us that the event was being Livestreamed (so watch where you scratch) and asked all who could donate to donate (suggested amount $7, but no one gets turned away).

Freund related that he met Tom Disch during his early days at Hour of the Wolf, and that he was among the first ever to read at the NYRSF Reading Series. Disch’s last public appearance was a reading from his new novel, The Word of God, at a NYRSF event on June 3, 2008, 10 years and two days ago. (It was at the Series’ then-venue, the South Street Seaport, and I was privileged to have attended.) In it, Disch was God (and Philip K. Dick was Satan). Sadly, Disch killed himself by gunshot on July 4, 2008 (he referred to the 4th as “the Holiday”) in his Manhattan apartment. He had been depressed since the 2005 death of his partner, Charles (“Charlie”) Naylor; the two had been together for some three decades.

Shifting tone, Freund announced that the evening had “a sponsor,” and proceeded to read (his delivery bringing to mind Johnny Carson’s pitchman character Art Fern) “Fun With Your New Head.” (“Two heads are better than one. … Only $49.95!”)

(On a personal note, the story collection Fun with Your New Head was the first Disch that I ever read; and, it seems, for Elizabeth Hand as well.)

Then Wessells, a short story writer, poet and antiquarian bookseller, assumed his role of host. As well as a writer of prose – which ranged from wildly satirical stories to dark cautionary tales to works for children – Disch was a poet, and “wanted to be remembered as the Thomas Beddoes of death in America.” (Beddoes was a minor Romantic poet. “Americans,” said Disch once, “don’t read poetry, but they love poets.”) The first part of the evening, he announced, would be a panel on his life, followed by a clip from the film Winter Journey.

Gregory Feeley, Elizabeth Hand, John Clute, Henry Wessells

He was joined on stage by John Clute, Gregory Feeley and Elizabeth Hand. Hand, a multiple-award-winning author of novels and collections of short fiction, and reviewer, read a note from John Crowley, “Remembering Tom,” followed by “Ghost Ship,” a story from Disch’s last blog.

John Clute

Clute is variously an author, reviewer, critic, and encyclopedia writer – he is best known for The Encyclopedia of Science Fiction (the first version of which was published in 1979 and now exists in an online version). He shared that he met Disch in 1961 when they were at NYU, and their friendship continued until Tom’s death. His writing ability was “full-fledged” at 22. He was kind and generous, but he was also quick to end friendships for the littlest reason. He also sent out signals that his death, when it came, would be at his timing and at his own hand.

Elizabeth Hand

Gregory Feeley is a writer of and about science fiction. He is Disch’s literary executor (he had two, one for prose, Feeley, and one for poetry; though sometimes overlooked, poetry was half of Disch’s professional life), and is preparing an edition of Disch’s best short fiction. He met Disch in late 1978, when the Magazine of F&SF announced that they were going to publish On Wings of Song, which they described as “his best and longest novel,” in serial form, and he wrote him a letter, which Disch answered. Wings’ protagonist, Daniel Weinreb, was loosely based on Naylor, though the latter was not “a man without talent.” Clute, armed with laptop, read a very brief reminiscence from Pamela Zoline.

Henry Wessells knew him during the last years of his life. (He was with Disch when he spread Naylor’s ashes.) Though regarded as part of the British New Wave, Camp Concentration was “very much an American book.” Disch lived in New York, London, Spain and Turkey, but he remembered his Midwestern roots (he was born in Iowa and grew up in Minnesota). Wessells subsequently cited his “Minnesota Quartet,” The Businessman, The M.D., The Priest, and The Sub. (Disch later said that he thought that The Priest was published 10 years too early.) During his lifetime, he won a Hugo (his only one) for a nonfiction work (Best Related Book), for The Dreams Our Stuff is Made Of: How Science Fiction Conquered the World, and a John Campbell Award, for On Wings of Song (which received nominations for the Hugo and Nebula Awards for Best Novel).

Eric Solstein and Henry Wessells

Filmmaker Eric Solstein, joining Wessells on stage, related that he met Disch at the Sullivan County (aka the Catskills) home that he shared with Naylor, and, after Naylor’s death, Disch asked him to videotape what he called his “suicide note.” The “note,” such as it was, took the form of “a suite of 31 poems,” “a cycle of mourning verse” about Naylor, called Winter Journey, the title of the film as well. Shot with a handheld camera (as was evident), it took, said Solstein, three years to edit it, during which Disch went on with his life. We watched an excerpt, the first three poems. (It may be viewed on Solstein’s YouTube channel.)

Thomas M. Disch on video

During the intermission, a raffle was held for donors, with the prizes being a copy of Samuel R. Delany’s The American Shore: Meditations on a Tale of Science Fiction by Thomas M. Disch – “Angouleme” (“Angouleme” was a story in 334), and a copy of a video featuring Disch’s NYRSF readings from 1993 and June 3, 2008.

The second half of the evening focused on Disch’s work. Wessells read a note from Delany, an excerpt from The American Shore, praising him as a “raconteur.”

Brendan C. Byrne

Brendan C. Byrne (neither the late Governor of New Jersey nor the since-renamed arena) has written criticism and short fiction. He never knew Disch, except as a reader. He offered an essay on 334. Written in and reflecting 1972 New York, his future Manhattan is a city of shortages and xenophobia (seen in its sterilization policy), and without privacy. Clute added that 334 has to be read against the background of the British New Wave. People aren’t starving, as in typical sf dystopias; it’s an impersonal welfare state, but not malignant. “It’s a complex vision.”

Terence Taylor

On Wings of Song (1979), said Wessells, “is set in an America not unlike our own, but suffering more shortages;” many cities have collapsed. Flying is achieved through rapture in song, but Daniel Weinreb, the protagonist, is not a good enough singer. (Disch, Clute observed, was obsessed with music.) With that, he introduced Terence Taylor, horror writer and the Series’ Tech Director, who took the stage to read an excerpt from the novel.

Wessells then brought his panel (Clute, Feeley and Hand) back on stage, with Byrne joining them, and asked them to cite or recommend Disch works. Byrne said that he was next going to read The Sub. Hand said that “The Roaches” and “The Descending” (in Fun with Your New Head) were the first Disch stories that she read (at 9), adding that we shouldn’t overlook The Brave Little Toaster. (Disch was, we were told, “mad about Paddington Bear;” he and Naylor had stuffed animals. “He was a depressive, but he wanted to be happy.”) She added Neighboring Lives (which he wrote with Charles Naylor). Clute recommended The Word of God, “a minor book, but in its way hilarious,” and Feeley Clara Reeve (written as Leonie Hargrave), which was set in the Victorian Era.

Gregory Feeley, Elizabeth Hand, John Clute, Brendan C. Byrne, Henry Wessells

On a final note, Wessells said that Disch had written a treatment for Disney that generated the original idea for The Lion King. (Well, Hamlet and Kimba the White Lion inspired it too.)

Regrettably, and doubtless embarrassingly, in a bit of strangeness, there were some technical difficulties during the evening, from sudden reverb to lights going on full force.

As traditional, the Jenna Felice Freebie Table offered a slew of books. The audience of perhaps 60 included Melissa C. Beckman (the Readings’ photographer), Moshe Feder, Amy Goldschlager, (House Manager) Barbara Krasnoff, Lissanne Lake and Marco Palmieri. Over the course of the evening, audience members availed themselves of the Café’s food, coffee bar, beer and wine.

That’s about the size of it.

— June 6, 2018

2017 Cordwainer Smith Rediscovery Award

Seabury Quinn is  the winner of the 2017 Cordwainer Smith Rediscovery Award, announced at Readercon on July 14.

The juried award goes each year to a science fiction or fantasy writer whose work displays unusual originality, embodies the spirit of Cordwainer Smith’s fiction, and deserves renewed attention or “Rediscovery.” The award judges are Elizabeth Hand, Barry Malzberg, Mike Resnick, and Robert J. Sawyer.

Seabury Grandin Quinn (1889–1969) is best known for his stories of the occult detective Jules de Grandin, published in Weird Tales. The Wikipedia entry says about Quinn’s most famous creation:

Jules de Grandin is a fictional occult detective created by Seabury Quinn for Weird Tales. Assisted by Dr. Trowbridge (serving the same narrative purpose as Dr. Watson), de Grandin fought ghosts, werewolves, and satanists in over ninety stories, and one novel, between 1925 and 1951. Jules de Grandin and Dr. Trowbridge lived in Harrisonville, New Jersey. De Grandin was a French physician and expert on the occult and a former member of the French Sûreté who resembled a more physically dynamic blond, blue-eyed Hercule Poirot. Often, the supernatural entities in the mysteries are revealed not to be supernatural at all but the actions of insane, evil and depraved human beings.

Quinn’s first published story, “The Stone Image,” appeared in the May 1, 1919 issue of The Thrill Book and marked the first appearance of a character named “Dr. Towbridge,” who with a slight name change became de Grandin’s sidekick later on.

Quinn’s work appeared in 165 of the 279 issues in Weird Tales’ original run, making him the magazine’s most prolific contributor.

Pixel Scroll 6/10/17 The Scrollish Pixelman’s Union

(1) FISHING FOR COMPLIMENTS. Share a grilled snook to die for with Elizabeth Hand in Episode 40 of Scott Edelman’s podcast Eating the Fantastic.

Elizabeth Hand

We discussed why she probably won’t take LSD on her deathbed, what made her a fan of Marvel rather than DC when she was a kid, her unusual fee for writing term papers back in college, the true meaning of Man’s Search for Meaning, the unfortunate occupational hazard of book reviewing, who was the best science fiction writer of all time (and why), plus more.

(2) MAD PLASTIC DISEASE. Cedar Sanderson raises the spectre of hostile Nature in “Take two aspirin”:

Toni Weisskopf shared a photo on Facebook of a computer module absolutely infested with an ant nest, seething with eggs, and her comment was that she’d like to see more stories like that in science fiction. It’s an excellent point. I can’t tell you how many stories I’ve read ( and written) where the tech performs flawlessly. Which does happen. There are also stories where it doesn’t, but how many can you think of where the characters have to deal with an infestation? How would we prevent that, control it, and what kind of adaptations will we see?

I’d run across an article recently about bacteria which will break down plastics that were formerly thought invulnerable. Then there was another one speculating about why less plastic (by an order of magnitude) is found in the ocean than projected, and the discovery of novel bacteria on that plastic. The concern was focused on reducing pollution, but what happens when bacteria evolve to eat stuff we want to stay intact and functional? The stories about nanotech making gray goo aren’t that far off from what bacteria are already capable of — only fortunately they are not so fast to act.

(3) STINKS ON DRY ICE. Entertainment Weekly has the roundup: “‘The Mummy’ reboot slammed as ‘worst Tom Cruise movie ever’ by critics”.

Universal’s first foray into the depths of its Dark Universe probably would have benefitted from a brighter guiding light.

After spending over three decades dazzling audiences across large-scale action-adventures on the big screen, Tom Cruise’s latest genre spectacle, The Mummy, is set to unravel in theaters this Friday. Movie critics, however, got a peek under wraps this week, as movie reviews for the blockbuster project debuted online Wednesday morning. The consensus? According to a vast majority of them, perhaps this romp should’ve remained buried.

(4) 451 CASTING. Probably fortunate, then, that this bit of promotion came out before The Mummy opened: “HBO’s Fahrenheit 451 casting heats up as The Mummy’s Sofia Boutella boards”

If you were already fired up for HBO’s upcoming movie adaptation of Ray Bradbury’s classic novel Fahrenheit 451, then prepare to throw a couple more books on the barbie, cause this cast is starting to cook.

Just ahead of her titular turn in this weekend’s The Mummy, Sofia Boutella has signed on to join Michael B. Jordan (Chronicle, Creed, Fantastic Four) and Michael Shannon (Batman v Superman: Dawn of Justice, 99 Homes) as the core players in the film from writer/director Ramin Bahrani (99 Homes).

According to THR, Boutella will play the female lead Clarisse, “an informant caught between” Jordan’s Montag — a fireman whose job it is to burn books, but who ends up rebelling against such a scorching notion after meeting free-spirited Clarisse — and Shannon’s Fire Chief Beatty, Montag’s mentor.

(5) ROSARIUM OPENS ANTHOLOGY. Rosarium Publications invites submissions of science fiction, fantasy, horror, interstitial, and unclassifiable works to Trouble the Waters: Tales from the Deep Blue, edited by Sheree Renée Thomas, Pan Morigan, and Troy L. Wiggins.

TROUBLE THE WATERS: Tales from the Deep Blue will be a new anthology of water-themed speculative short stories that explore all kinds of water lore and deities, ancient and new as well as unimagined tales. We want stories with memorable, engaging characters, great and small, epic tales and quieter stories of personal and communal growth. Science fiction, fantasy, horror, interstitial, and unclassifiable works are welcome. We are seeking original stories in English (2500 — 7000 words; pays 5-6 cents per word) from writers of all walks of life from this beautiful planet and will accept some select reprints (pays 2-3 cents per word). Deadline: November 1, 2017. Projected publication: November 2018, Rosarium Publishing, www.rosariumpublishing.com. Please send submissions as a .doc, .docx, or .rtf file in standard mss formatting with your name, title, and word count to: TroubletheWaters2018@gmail.com

Complete submission guidelines can be found here.

(6) DYSTOPIAS. The Financial Times’ Nilanjana Roy, in “Future Shocks”, reviews Jeff VanderMeer’s Borne and Hao Jingfang’s “Folding Beijing” to see if our love of dystopias as something to do with the continued decline in urban life around the world.

The nightmare near-future city that a writer like Prayaag Akbar, by contrast, summons in his first novel, Leila (2017), rests on a distinctly South Asian set of fears. About a mother’s search for the daughter she was separated from, it is set in a frightening world where cities are segregated into zones of Purity, citizens sorted by their community, surnames, castes and religion.

This background came out of his discomfort with the way Indian cities have developed. “They are segmented, self-enclosing,€ he told me recently. “We practise a kind of blindness — you teach yourself not to see the tragedies that unfold in public spaces.”

These concerns — about cities splitting into walled enclaves, residents separated from each other’s lives by fears of pollution, contamination, or a striving after purity — find startling expression in Hao Jingfang’s Hugo award-winning “Folding Beijing”….

(7) BRADBURY. BookRiot’s Andy Browers is your guide to “A Friend In High And Low Places: Finding Ray Bradbury Where You May Not Expect Him”.

While I hate to ruin surprises, here are four places you might find yourself in his presence, sometimes peripherally, sometimes looking him right in the bespectacled eye.

Star Trek (aka “Star Track”, as my grandma called it)

Too obvious? Maybe. He and Gene Roddenberry, the fella who dreamed the franchise up, were pals who sat at the same midcentury science fiction table in the cafeteria. Bradbury famously loved all things space and rocket related, and it is fitting that he gets a couple of nods as the namesake of a Federation star ship. In the saucily-named episode of Star Trek: The Next Generation “Menage a Troi”, for instance, which ship is bestowed the great honor of relieving the pain of fandom everywhere by arriving to whisk away Wesley Crusher to Starfleet Academy? The U.S.S. Bradbury, the first of its class.

Wesley missed the space bus by saving the day in that episode, much to the chagrin of a large swath of viewers at home who were sick of having a kid on the Bridge. (Wil Wheaton, I was cheering for you. Please know that.) (Mostly because I kept hoping Wesley would scream TRAAAAIIIIIN in slow motion, which as far I know never happened.)

(8) ORPHAN BLACK. Carl Slaughter advises, “If you haven’t watched Tatiana Maslany portray as many as 14 cones in Orphan Black, you’re missing a treat.”

View Entertainment Weekly’s photo gallery, “‘Orphan Black’ A to Z: Dive Into the Show’s DNA Before Its Final Season”.

(9) STREET MEMORIAL. Here’s Pat Evans’ photo of the mementos being left today on Adam West’s star on the Hollywood Walk of Fame. West died on Friday from leukemia.

(10) TODAY IN HISTORY

  • June 10, 1692 — Bridget Bishop was the first person to be hanged at the Salem Witch trials.

(11) TODAY’S BIRTHDAY CREATORS

  • Born June 10, 1928 Where the Wild Things Are author Maurice Sendak.
  • Born June 10, 1952 — Kage Baker

(12) FAMOUS BOOKSTORE HAS A BACKUP PLAN. The original Books of Wonder, inspiration for the bookstore owned by Meg Ryan’s character in the 1998 comedy You’ve Got Mail, is opening a second location as a contingency plan in case it can’t afford the coming rent hike — “Books of Wonder to Open Upper West Side Location”.

Books of Wonder, the renowned children’s bookstore on 18th Street in New York City, announced Thursday that it would open a second location, on West 84th Street, sometime this summer.

According to the store’s founder and owner, Peter Glassman, the 18th Street store’s lease will expire at the end of 2019. “Given the rise in retail rents along 18th Street, I am not optimistic about our ability to renew the lease,” he said. Though he said he planned to seek a new location in that area, the impending uncertainty was part of his decision to open another branch on the Upper West Side.

“I wanted to make sure we had another location open and well established before the current store’s lease expires, so if we have difficulty finding a new location and have to close for a few months we would have another location to serve our customers, not be out of business for any period of time, and not have to lay off my wonderful staff,” he said.

Andrew Porter adds,

When they opened, originally on Hudson Street in the lower Village, they were primarily an SF/fantasy-oriented store. They took out full-page ads in my Algol/Starship, then in SF Chronicle. The store regularly has readings and signings by SF/F YA and children’s authors, for example, with Sarah Beth Durst. It has also published numerous books by and about L. Frank Baum.

 

Peter Glassman. Photo by Andrew Porter:

Sarah Beth Durst and Bruce Coville at her signing in 2015. Photo by Andrew Porter.

(13) TOMBSTONE TERRITORY. This just in from the Australian National Convention.

(14) DEADPOOL’S NEXT RAMPAGE. Marvel pulls back the shroud, er, curtain.

If you’re Deadpool and you kill the entire Marvel Universe, why not eat some chimichangas…and then kill all over again? Proving there’s nothing like revenge, the superstar team of Cullen Bunn (X-Men Blue, Venomverse) and Dalibor Talajic (Deadpool Kills The Marvel Universe, Redwolf) reunite to bring you Deadpool Kills The Marvel Universe Again, and the Merc with the Mouth has never been more ready to return to that katana.

“This is not a sequel to the original story,” warns series writer Cullen Bunn. “This is an all new murderous rampage. The Marvel Universe has changed a great deal since the first series. So, of course, Deadpool had to up his game and change his tactics.”

 

(15) WONDER MOTHER. Marguerite Bowling, in a Daily Signal piece called “Wonder Woman Can Get the Job Done Pregnant, So Can You” says that Gal Gadot’s reshooting fight scenes while five months pregnant should be an inspiration to women. (The Daily Signal is a news website run by the Heritage Foundation.)

But here’s another fun fact that shows you can proudly be pro-mom and pro-career woman: Israeli actress Gal Gadot was five months pregnant with her second child when she did reshoot scenes for the movie that included a climactic battle scene.

To get around her then-visible baby bump, costumers cut an ample triangle on her iconic suit and replaced it with a bright green cloth that allowed the movie’s special effects team to change her figure post-production.

Given the prevailing negative news that shows women facing all sorts of career challenges by wanting to have a baby, it’s refreshing to see a successful woman embrace her pregnancy and still do an exceptional job.

(16) MIL-SF. Jeffrey C. Wells says “I Can’t Believe it’s not Baen: Rick Shelley’s Lieutenant Colonel” — and throws in a funny bingo card as a bonus.

If you didn’t figure it out from the title, or the cover, Lieutenant Colonel is Military Sci-Fi (Mil-SF for short), a genre devoted to chronicling how and why people are gonna shoot at each other in the future. And, also unsurprisingly, Lieutenant Colonel is the fifth book in Shelley’s “DMC” series, with each earlier book having sequential titles like Lieutenant, then Major, then Captain, and so on. Not exactly creative, but what can you do.

In any case, this series centers around a dude named Lon Nolan as he works his way up through the ranks in the Dirigent Mercenary Corps (from which we get the “DMC” acronym). Lon is your typical officer– professional, honorable, and — kind of boring. Dude makes Honor Harrington seem like Hamlet. Wait, no, that’s not a good analogy, ‘cause Harrington gets shit done. But I digress.

…Thankfully, Lieutenant Colonel doesn’t delve into super preachiness. Though it did inspire me to create MIL-SF BINGO! Just print this off next time you read about space-soldiers shooting space-lasers at space-commies, and check off the boxes as you go along!

(17) WIDER SPECTRUM. An Adweek story tells how “Equinox Extends LGBTQA from A to Z With a New Alphabet for Pride Month”.

It’s Pride Month! And every year, around this time, a certain kind of pundit hops on a soapbox to complain about how the term “LGBTQA” just keeps getting longer, and isn’t that just ludicrous?

Actually, it isn’t. In fact, it’s not nearly long enough. And a campaign from Wieden + Kennedy New York highlights why.

For Equinox and the LGBTQA Community Center, the agency has produced “The LGBTQAlphabet,” whose chill and choreographed film goes down the list of not six letters but 26. The goal is to show that a handful of labels isn’t remotely sufficient to encompass the complex identities of the world’s 7 billion people.

(18) SHARKES KEEP NIBBLING. Here are more recent reviews from the Shadow Clarke jury, and a guest post by the actual Clarke Award director.

This is the future we were promised. This is what all those science fiction novels from way back told us to expect: silver-finned rocket ships taking us out to the frontier towns of Mars and beyond; clanking metal robots wanting to be human; people transformed into something monstrous by whatever is out there.

And Tidhar, whose work has always displayed an over-fond preference for intertextual references to other science fictions, makes absolutely certain we recognise that these are other writers’ futures. The digital vampire is called a Shambleau, a pointed reference to the first of C.L. Moore’s Northwest Smith adventures. There are repeated references to someone called Glimmung on Mars, which of course recalls Philip K. Dick’s children’s novel, Nick and the Glimmung, which is, of course, set on Mars. And the presiding spirit that dominates the whole novel is probably Cordwainer Smith, with the way space is repeatedly described as the “Up and Out”, as well as casual references to C’Mell and Mother Hitton. There are more, some less familiar than others; I’m pretty sure that there are references to Edward Whittemore’s little-known but brilliant Jerusalem Quartet scattered throughout this novel. Someday, I suspect, someone might produce a concordance for Central Station, teasing out all of the echoes of and references to other works of science fiction. It will be a thick volume.

Of course, no one has gone broke by playing to the geeky self-regard of the science fiction fan. In recent years, self-referential science fiction books, novels like Among Others by Jo Walton that deliberately draw attention to other science fiction works, have proved especially popular.

If not for my commitment to the Sharke process I wouldn’t have chosen to write about Occupy Me; it’s unlikely that I would have finished reading it at all. My immediate response was akin to a toddler presented with something green and fresh and healthy: stampy feet; scowly face; a protesting shriek of ‘I don’t like it!’. I bounced off the book hard and repeatedly, and continued to do so despite dosing myself with Gareth’s blazingly positive review and Nina and Paul’s balanced perspectives at the midway point. Whatever the book’s thematic qualities, whatever its madcap quirks — and often because of them — I couldn’t stomach it. I find it impossible to see or be fair to the better parts of the novel because I’m painfully fixated on the fundamental ways in which it fails for me. Under usual circumstances I would think it ill-advised to throw a hat into the critical ring when I have so little critical perspective to share but I will try to explain.

While the Clarke Award can never guarantee having every potentially eligible book submitted, we are able to offer a reasonably comprehensive ‘state of the nation’ snap shot via our lists, not only of the books themselves but also for deeper analysis into the numbers of submitting publishers, the demographic breakdowns of authors and similar should people want to take those numbers and run with them.

More immediately, after my first couple of spins in the director’s chair I was starting to learn all of the ongoing debates, criticisms and wishes that surrounded the award’s announcements every year.

The award was, in no particular order, overly predictable, willfully unpredictable as a tactic to generate PR controversy, trying too hard to be the Booker, ignoring the heartlands of SF, full of wrongheads (a lovely fannish term that one), and so on and so on — Business as usual for a book award in other words.

(19) DRINK IT OR ELSE. Atlas Obscura recalls a series of 1950s commercials for Wilkins Coffee that featured violent Muppets prototypes.

In the ads, Wilkins — who bears a striking resemblance to Kermit the Frog — tries to convince another proto-Muppet, Wontkins to drink Wilkins Coffee. Wontkins almost always refuses. In retaliation, Wilkins shoots him, stabs him, or otherwise inflicts physical harm upon him.

 

[Thanks to Cat Eldridge, Martin Morse Wooster, Mark-kitteh, JJ, John King Tarpinian and Lace for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr, with a little help from his friends.]

Judith Merril Selected For Cordwainer Smith Rediscovery Award

The late Judith Merril has been recognized with the Cordwainer Smith Rediscovery Award. The announcement was made at Readercon this weekend.

Robert J. Sawyer, one of the judges, confirmed the news in a comment on Facebook.

We did indeed select Judith Merril as the winner this year and the award is presented at Readercon. Judy was the unanimous choice of all four judges. The decision was reached September 1, 2015.

The current judges for the Cordwainer Smith Rediscovery Award are Sawyer, Elizabeth Hand, Barry Malzberg, and Mike Resnick.

The Cordwainer Smith Rediscovery Award was created in 2001 and goes each year to a science fiction or fantasy writer whose work displays unusual originality, embodies the spirit of Cordwainer Smith’s fiction, and deserves renewed attention or “Rediscovery.”

It may come as a surprise that the judges reached a unanimous selection in September, considering that Barry Malzberg subsequently wrote a column about Merril for Galaxy’s Edge, “There Is No Defense”, saying that before Merril moved to Canada in 1968, “She had been on an increasingly evident, now unapologetic campaign to destroy science fiction.”

[Thanks to James Davis Nicoll and Gary Farber for the story.]

Pixel Scroll 9/22 Several species of small, furry animals gathered together in a cave and scrolling with a pict

(1) Sasquan GoH and ISS astronaut Kjell Lindgren knows what day it is —

It’s Bilbo’s and Frodo’s birthday!

(2) But that’s not today’s only important birthday. Neil Gaiman and Amanda Palmer announced the arrival of their “humble bundle” —

He was born at 8:37 in the morning on September the 16th, which is, I am told, the commonest birthday in the US.  It was a long but rewarding labour. The name on his birth registration is Anthony, but mostly I call him Squeaker. He makes the best noises in the world, mostly squeaks and peeps and snuffles.

Amanda is an amazing mother. I am changing nappies (or diapers, if you are not English) and enjoying it much too much. This is wonderful.

(3) George R.R. Martin has something of his own to celebrate — “A New Record”:

For now, let it suffice to say that the Emmy looks very good in my TV room, and while it IS an honor just to be nominated (as I have been, six times before), it’s even cooler to win.

(4) Today in History:

1986 – The TV show “ALF” debuted on NBC.

2004 – The pilot episode of “Lost” aired.

(5) Run away! Run away! “Burger King’s Halloween Whopper will be its first intentionally frightening burger”:

We’ve seen a lot of scary fast food over the years but now Burger King is reportedly coming out with a new Whopper that’s intentionally frightening. Fast food blog Burger Lad seems to have obtained some leaked pictures of a special Halloween Whopper that will feature pitch-black buns. As you can see in the photo above, this does not look like an appetizing burger — it rather looks as though Burger King has slapped a slab of beef and some vegetables in between two large pieces of charcoal.

 

black-whopper

(6) I don’t like that grub, but I do like this garb!

(7) I’ve been waiting for this – Steve Davidson’s latest look at “The 1941 Retro Hugo Awards (Part 5 — Dramatic Presentation Short Form)”.

So far as radio plays go, there’s plenty to listen to, though again, many of the originals are simply not archived anywhere accessible.  Superman is an obvious choice;  an episode or two from Lux Radio or Mercury Theater may whet your appetite.  Don’t forget to check out the Blue Beetle too, as well as taking the opportunity to compare the Green Hornet’s radio appearances against the serial show.

(8) The “’Star Trek’ virtual tour will recreate every deck of the Enterprise” comes with a nice 12-minute animation.

You’ve probably seen a few attempts at recreating worlds in game engines, but never at this level of detail. Artist Jason B is working on the Enterprise-D Construction Project, an Unreal Engine-based virtual tour that aims to reproduce all 42 decks in the Enterprise from Star Trek: The Next Generation. While it’s not quite photorealistic, the attention to detail in this digital starship is already uncanny — the bridge, shuttle bay and other areas feel like lived-in spaces, just waiting for the crew to return. Jason is drawing on as much official material as he can to get things pixel-perfect, and he’s only taking creative liberties in those areas where there’s no canonical content.

 

(9) Mothership Zeta officially launches in October, but Editor Mur Lafferty, Fiction Editor Sunil Patel, Non-fiction Editor Karen Bovenmyer have posted sample Issue 0 at the website. The magazine will be a quarterly, “crammed with the best, most fun speculative fiction.” Read Issue 0 now, containing work from:

  • Ursula Vernon
  • Rhonda Eikamp
  • John Chu
  • Andrea G. Stewart
  • Elizabeth Hand
  • Bonnie Jo Stufflebeam

(Note: “Jackalope Wives” by Ursula Vernon originally ran in Apex Magazine in 2014.)

(10) The Star of the Guardians Indiegogo Campaign has raised over $20,000. Thanks to our contributors,we can now fund the conceptual artwork and the illustrated storyboard book. We can also ensure that all of our amazing perks will be delivered to all of our contributors.

The goal of the campaign is to raise $55,000.

Star of the Guardians

(11) Joe Haldeman is interviewed by Brian Merchant in “The Author of Our Best SF Military Novel Explains the Future of War”.

Now, it’s becoming closer to reality—3D printers may soon allow anyone with the right hardware to manufacture deadly weaponry at home. Obscene weapons are increasingly obscenely easy to find. “Once we have that access to abundant materials, and anyone can print out a hydrogen bomb, we’re about an hour away from total destruction,” he says. “We are just a hair’s thread away from a large disaster.” The future of war is distributed, in other words. But we are just as ill-equipped to deal with our violent impulses now as we were four decades ago, Haldeman says.

“I don’t think we’ve learned any fundamental thing about solving the problem. We’ve learned more about why people do seek violent solutions,” he says. “That doesn’t mean we have the social mechanism to address it.” His words resonate, depressingly, when you consider that the US now averages one mass shooting per day, and that the trend is only accelerating upwards.

“We have people who just go down to the K-mart and just buy ammunition, and they could kill a few dozen people before we can do anything,” he says. “[M]ore brute force is available to individuals, with no obvious improvement in the individual’s ability to responsibly apply that force. Or decide not to use it.” War, it seems, has been distributed.

Hence the forever warring, in smaller theaters.

(12) “Hear Radio Dramas of Isaac Asimov’s Foundation Trilogy & 7 Classic Asimov Stories” at Open Culture.

If you’re thinking that the epic scale of Asimov’s sprawling trilogy—one he explicitly modeled after Edward Gibbon’s multi-volume History of the Decline and Fall of the Roman Empire—will prove impossible to realize on the screen, you may be right. On the other hand, Asimov’s prose has lent itself particularly well to an older dramatic medium: the radio play. As we noted in an earlier post on a popular 1973 BBC adaptation of the trilogy, Ender’s Game author Orson Scott Card once described the books as “all talk, no action.” This may sound like a disparagement, except, Card went on to say, “Asimov’s talk is action.”

(13) The supermoon lunar eclipse happens this weekend:

The supermoon lunar eclipse of 2015 will occur Sunday, Sept. 27, and is a confluence of three events: a full moon; a lunar eclipse, in which the Earth blocks the sun’s light from hitting the moon; and lunar perigee, when the moon is in the closest part of its orbit to Earth. The last time such a confluence happened was in 1982; there were just five instances of it in the 20th century. This time around, viewers looking from the Americas, Europe, Africa, western Asia and the eastern Pacific Ocean will have a chance to see the show.

(14) A new Mars exploration tool — “’Mars Trek’ Is Google Earth for the Red Planet” on Motherboard.

If you are one of the thousands of people who would like to start a new life on Mars, you might want to get an early start on scouting out some premium real estate options. Fortunately, NASA has created a new Google-Earth-style web app for the red planet, providing the Mars-eyed among us with a way to virtually explore their fantasy destinations in stunning detail.

“Working with our expert development team at [the Jet Propulsion Laboratory], we have just released our latest product, Mars Trek,” said NASA project manager Brian Day in a video about Mars Trek released today. According to Day, this “web-based portal allows mission planners, scientists, and the general public to explore the surface of Mars in great detail as seen through the eyes of a variety of instruments on a number of spacecraft.”

… Beyond these experiments, you can also calculate the trip time between two points on Mars, explore the adopted homes of NASA rovers and landers, and, if you are feeling really ambitious, 3D-print full sections of the online map. Day and his team also plan to add more features soon, including speculations about landing sites for future projects like the Mars 2020 rover.

 

[Thanks to Martin Morse Wooster, JJ, Will R., and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day GSLamb.]