Pixel Scroll 5/21/19 The Pixelyon Fifth Project Was The Last Best Hope For Scrolls. It Filed

(1) STICK A FORK IN IT. The second official trailer for Toy Story 4 dropped today. Features Keanu Reeves, who adds Canadian content to the movie as stuntman Duke Caboom. The film comes to U.S. theaters on June 21.

Woody has always been confident about his place in the world and that his priority is taking care of his kid, whether that’s Andy or Bonnie. But when Bonnie adds a reluctant new toy called “Forky” to her room, a road trip adventure alongside old and new friends will show Woody how big the world can be for a toy.

(2) ARF SAYS SANDY. The Dick Tracy strip seems to be starting an arc involving Annie and Daddy Warbucks. Daniel Dern says, “I’ve been following sundry daily strips via GoComics but it appears to have started a week ago here.”

(3) SFWA’S AGENT. Michael Capobianco penned “An Appreciation of Eleanor Wood” for the SFWA Blog.

SFWA thanks Eleanor Wood and Spectrum Literary Agency for more than twenty years of service to the organization….

I still vividly remember how much Eleanor helped when SFWA’s auditor found a serious discrepancy in how Pocket Books was paying royalties for Star Trek books exported to the UK and Australia – they weren’t paying anything, contrary to the language in their boilerplate contract. SFWA complained to Pocket but was met with repeated demurrals; it was only when Eleanor took over that they capitulated, not only paying a fair compensation to all the authors affected, but getting the contract changed to more fairly pay authors in the future….

(4) THE SPIDER SYNDROME. Maurice Broaddus delivers today’s “The Big Idea” at Whatever.

The Usual Suspects is a bit of a departure for me. It’s a middle school detective novel (think “Elmore Leonard for kids” or, as it was pitched, “Encyclopedia Brown meets The Wire”), because I work a lot with children who want to read what I write and, frankly, most of my stuff isn’t “age inappropriate.” In fact, I originally wrote the book to both entertain my oldest son and chronicle some of my children’s antics (it’s the only thing of mine he’s read and he still refers to himself as my original editor). The premise of the story is The Big Idea: when something goes wrong in the school, they round up The Usual Suspects….

(5) AI AT BARBICAN. This is from a review by Simon Ings behind the Financial Times paywall of the “AI:  More Than Human” exhibit now showing at London’s Barbican Centre through August 26.

AI is part of the Barbican’s ‘Life Rewired’ season of films, workshops, concerts, and talks.  What is emerging from the project is less that we must learn how machines think and create, and more that we must stop carelessly running down our own abilities.  Human values and practices persist well beyond the moment we learn to automate them.  Music has been produced algorithmically since Bach’s, and Mozart wrote generative algorithms to power street organs.  Chess computers do nothing but encourage the playing of chess.

The first tented spaces in the Barbican’s gallery do a good job of exploring and to some degree disarming our anxieties about being taken over by thinking machines.  We are shown how the west, under the shadow of Rabbi Loew’s 16th century Golem, adopted a strictly instrumentalist view of human intelligence.  The US science fiction writer Isaac Asimov can be heard channeling the Abrahamic tradition when he insists that ‘A robot may not injure a human being or, through inaction, allow a human being to come to harm.’

(6) INSIDE THE SUIT. Patch O’Furr continues a deep dive into furry fandom with “How furries resist a commercialized fandom (Part 2)”.

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Fandom is big business in the mainstream – but furries have their own place apart. Why does this fandom grow independently? Let’s look at unique expression at the heart of it. Of course furries do a lot more things than this story can look at, but one aspect brings insight about decentralized structure.

Some subcultures rise and fall with media they consume. But the influences seen in Part 1 didn’t make one property in common for every furry. They didn’t rise with a movie like Zootopia. Instead, this fandom is fans of each other….

(7) GHOST OF COLAS PAST. This is hilarious. Food & Wine reports “‘New Coke’ Is Coming Back This Summer, Thanks to ‘Stranger Things'” – a product I definitely feel no nostalgia for, at all.

Season three of the spooky Netflix series takes place in 1985, the year of the soft drink brand’s most infamous product launch.

What Crystal Pepsi was to the 1990s, New Coke was to the ’80s. With the cola wars in full swing, the competition to out-do one another meant multi-million dollar, celebrity-filled ad campaigns and some less-than-successful product innovations. In 1985, the Coca-Cola Company made an ill-fated attempt to improve its core product by changing the formula up….

Starting at 5 p.m ET on Thursday, May 23, 12-ounce cans of New Coke will be available as a gift with purchase at CokeStore.com/1985, which will also feature limited-edition, numbered Stranger Things-themed glass bottles of Coca-Cola and Coke Zero Sugar.

(8) CELEBRITY CREDENTIALS. Ten cats from SFF movies made Business Insider’s list — “RANKED: 15 of the best movie cats of all time”.

15. Jonesy in “Alien” (1979) and “Aliens” (1986) is a survivor.

In the space thriller “Alien,” Jonesy the orange tabby cat is a source of comfort for protagonist Ellen Ripley (Sigourney Weaver) as her spaceship and crewmates are viciously attacked by an elusive alien creature called a Xenomorph.

Toward the end of the film, Jonesy and Ripley remain as the lone survivors on the spaceship, which means Jonesy is one tough cat.

Jonesy also made a reappearance in the sequel “Aliens” after he and Ripley traveled in hypersleep for 57 years, officially making him the oldest fictional cat on this list.

(9) ALIEN SPOTTED. A UFO will beam up this rare creature any moment now.

(10) TODAY IN HISTORY.

Another big day in genre movie history.

  • May 21, 1971 Escape from the Planet of the Apes premiered in theaters
  • May 21, 1980 Star Wars: Episode V – The Empire Strikes Back hit theaters.
  • May 21, 1981 Mad Max 2: The Road Warrior debuted in theaters.
  • May 21, 2009 Terminator Salvation opened theatrically.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 21, 1889 Arthur Hohl. He’s Mr. Montgomery, the man who helps Richard Arlen and Leila Hyams to make their final escape in Island of Lost Souls, the 1932 adaptation of H.G. Wells’ The Island of Dr. Moreau which is considered the first such filming. (Died 1964.)
  • Born May 21, 1903 Manly Wade Wellman. I remember reading the John the Balladeer collectionKarl E. Wagner did and then seeking out the rest of those stories. Amazing stuff! Read the Complete John Thunstone a few years back — strongly recommended. What else by him should I read? (Died 1986.)
  • Born May 21, 1917 Raymond Burr. Speaking of lawyers, we have the Birthday of the man who played Perry Mason.  It looks the 1949 film Black Magic with him playing Dumas, Jr. was his first genre performance. Bride of the Gorilla was his next with Lou Chaney Jr. co-starring and Curt Siodmak directing. He goes on to be Grand Vizier Boreg al Buzzar in The Magic Carpet before being Vargo in Tarzan and the She-Devil. And finally he’s in a Godzilla film, Godzilla, King of the Monsters! To be precise, as Steve Martin. And unfortunately he played the same role in Godzilla 1985 which earned him a Golden Raspberry Award. (Died 1993.)
  • Born May 21, 1945 Richard Hatch. He’s best known for his role as Captain Apollo in Battlestar Galactica. He is also widely known for his role as Tom Zarek in the second Battlestar Galactica series. He also wrote a series of tie-in novels co-authored with Christopher Golden, Stan Timmons, Alan Rodgers and Brad Linaweaver. (Died 2017.)
  • Born May 21, 1974 Fairuza Balk, 43. She made her film debut as Dorothy Gale in Return to Oz. She later Aissa in The Island of Dr. Moreau, and Mildred Hubble in The Worst Witch.

(12) KNITTING UP THE STEEL WOOL. Cora Buhlert does an exhaustive review of GoT’s conclusion: “And the Iron Throne Goes to…”. The executive summary is —

…So in short, Game of Thrones got a better ending than at least I expected. It’s maybe not the ending most fans wanted or expected, but it is an ending and a surprisingly satisfying one.

(13) GAME OF GROANS. Daniel Dern asks, “Given GoT’s dragon-strafing episode, combined with family tree revelations, is/was Jon Snow referring to Daenerys as ‘Aunt Misbehaving’?”

(14) CONFESSIONS OF A DRAGON RIDER. Sarah Larson, in “Daenerys Tells All!” in The New Yorker, has an extensive interview with Emilia Clarke, including how whoever had the Starbucks cup on the set wasn’t a member of the cast (they don’t drink Starbucks) and telling children named Daenarys, “Work it, girls!”

“I see this vision, this angel, this incredible woman float towards me,” Clarke recalled the other day. “I can’t quite control myself. And Beyoncé says to me, ‘Oh, my goodness, it’s so wonderful to meet you. I think you’re brilliant.’ I just couldn’t handle it! I was on the verge of tears. I could see myself reflected in her eyes. I could see her go, ‘Oh, no. I misjudged this. This girl is crazy and I’m not going to have a real conversation with another celebrity. I’m having a conversation with a crazed fan who’s looking at me like a rabbit in the headlights.’ Which is exactly what I was. I said, ‘I’ve seen you live in concert and I think you’re amazing and wonderful! Wonderful!’ And all I wanted to scream was ‘Please, please still like me even though my character turns into a mass-killing dictator! Please still think that I’m representing women in a really fabulous way.’ ”

(15) FROM GRRM HIMSELF. George R.R. Martin shared a few of his feelings about “An Ending” at Not A Blog. Here are a couple of the less spoilery lines —

..Book or show, which will be the “real” ending?   It’s a silly question.   How many children did Scarlett O’Hara have?

How about this?  I’ll write it.   You read it.  Then everyone can make up their own mind, and argue about it on the internet.

(16) GOOD TO THE LAST BOOK. Bustle knows the way to work this dilemma for some clicks: “The New ‘Game Of Thrones’ Book May Not Be Finished, But These 15 Fantasy Series Definitely Are”.

If you’re a fan frustrated by the incompletion of one of the fantasy series listed above, or you’re waiting on the return of a different series entirely, this list will help you choose your next reading project. All of the fantasy series on the list below have been completed, which means you won’t have to wait to read the next book — unless you want to.

(17) TRIVIAL TRIVIA. You would be hard pressed to find a household that doesn’t have a microwave. But do you know how the beloved appliance came to be? In 1945, a Raytheon engineer was walking around a radar test room with a chocolate bar in his pocket. The bar began to melt when he got too close to a magnetron tube. His curiosity was peaked and he began experimenting with other things like kernels of corn and eggs. Soon after, Raytheon employees began sampling “microwaved” food and thus began the evolution of what we now know as the microwave. (Source: Business Insider)

Jon King Tarpinian includes a postscript: “A family friend worked at Raytheon, in Chatsworth/Canoga Park.  Her family had one before they were offered commercially.  Everybody raved about a grey steak.”

(18) BEYOND BAKING SODA. More than a science-fair project: “To Safely Study Volcanoes, Scientists Bring The Blast To Them” (includes video.)

Volcanoes have been crucial to life on earth. Oozing lava helped form the earth’s land masses. Gasses from volcanoes helped create our atmosphere. But despite the growing field of volcanology, there’s still a lot we don’t understand about volcanic eruptions.

That’s partly because volcanoes aren’t easy to study. Getting the right equipment into remote locations under unpredictable circumstances can be difficult. More importantly, studying active volcanos can be dangerous.

Which is why a group of 40 scientists and engineers from all over the world came together to simulate volcanic eruptions. We tagged along with them as they conducted their experiments at the University at Buffalo’s Geohazards Field Station, a former ballistics test site for military weapons in upstate New York.

The scientists simulated volcanic eruptions by detonating underground explosives. They wanted to study what happened during rapid fire eruptions in a safe and controlled environment. Although big eruptions are often what make the news, small rapid-fire volcanic eruptions are far more common.

(19) SPAM FROM THE CAN. BBC introduces us to “The pun-loving computer programs that write adverts”.

Machines are now writing advertising copy as well as basic news reports, but are their efforts any good and can they be taught to be more inventive?

“Have a suite stay” read an ad for a hotel offering all-suite rooms. A neat – if obvious – pun you might think.

But what made this ad noteworthy was that it was created by an automated copywriting programme developed by Dentsu Aegis Network, the marketing giant.

The firm launched its natural language generation algorithm last year to increase output after changes were made to Google’s advertising system, explains Audrey Kuah, the firm’s managing director.

The programme creates 20 to 25 full ads a second in English and is “trained” by feeding it thousands of the kind of ads it is meant to produce, she says.

(20) ARCHIE MCPHEE. What does this have to do with sff? If you know, leave your answer in comments.

(21) VIDEO OF THE DAY. In Perspective on Vimeo, Fernando Livschitz dreams of really odd forms of transportation.

[Thanks to Daniel Dern, John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 3/22/19 Dial P For Pixel

(1) LABORS OF LOVE. The Hugo Award Book Club has completed its series of articles on the depiction of labor unions in science fiction. Olav Rokne sent the links with a note, “I welcome any feedback, and appreciate being informed of any omissions.” 

At their peak in 1954, unions represented almost a third of workers in the United States, and it was easy to take their existence — and their action as a counterbalance to the power of capital — for granted. Even employees in non-union workplaces enjoyed gains because employers had to keep up with union shops to retain and recruit labour.

But despite their prevalence in society, labour unions were largely absent from science fictional narratives during the Golden Age, and their few portrayals in the genre are usually either comedic or antagonistic.

As labour activist and science fiction author Eric Flint pointed out atWorldCon76, the major contributors to the development of science fiction — from the dawn of the Golden Age of Science Fiction through this era of union organizing and stability — were largely drawn from academic circles or the upper middle class. Despite working for a living, these authors and editors did not see themselves as part of the proletariat, and thus based their narratives on assumptions that their privileged working relationships allowed them to hold.

Cory Doctorow has been one of the leading lights of the genre’s reappraisal of the role of employment in society and the relationship between workers and employers. Tackling such subjects as employment precarity, labour mobility, and income inequality, Doctorow’s work consistently shows a strong understanding of the labour union world.

Of particular note is his 2010 novel For The Win which depicts a unionization drive amongst workers who are paid to gather resources in a World Of Warcraft-style online game. This depiction shows the necessity of worker organization in the face of capital overreach, and is informed by knowledge of the systemic flaws in traditional labour organizing.

The first unmistakable labour union in science fiction cinema that we were able to find is the Textile and Garment Workers Union depicted in the 1951 Ealing Studios comedy The Man In The White Suit. The film revolves around the invention of an indestructible fabric by a mild-mannered chemist played by Sir Alec Guinness, and the subsequent attempts by business and labour unions to suppress the invention. The depiction of unions in this movie is broad and largely inaccurate, depicting them as collaborating with management and encouraging industrial sabotage.

Despite these inaccuracies about how unions operate, we will be endorsing The Man In The White Suit for 1952 Retro Hugos, . It is in most ways a superb and thoughtful piece of science fiction about the introduction of a new technology, and is elevated by witty dialogue and star-worthy performances (Guinness was nominated for an Academy Award that year for a different comedy from the same studio).

(2) COLD READING. Wil Wheaton has done a free audiocast of a 1931 story from Astounding, “The Cave Of Horrors” by Captain S.P. Meek at Soundcloud.

I needed to get out of my comfort zone, so I went to Project Gutenberg, clicked through a few bookshelves until I got to classic Science Fiction, and decided to do an unrehearsed, essentially live narration of a story that was published in Astounding Stories of Super Science in 1931.

It’s not the greatest story I’ve ever read (if I’d read it before I narrated it, I wouldn’t have chosen it), but it’s a fine representative of that era’s genre fiction writing. I had some fun doing my best impression of someone reading it in 1931, and I recorded it to share with any of you who are interested in this sort of thing.

(3) DAYS OF YORE. Rob Hansen has added reports, photos, and publications from “Brumcon 2 – The 1965 Eastercon” to his British fanhistory site THEN. Charlie Winstone’s conreport sets the stage:

It all started some fifteen months ago, – the Brummies, in a fit of derring-do, talked Ken Cheslin into standing up and calling for the 1965 Convention venue to be Birmingham. This he did, not without some misgivings. After all the British Science-Fiction Association’s Committee was also centred upon Birmingham. Still, there were plenty of Brummies (Easter Brummies, as they were christened by Archie Mercer) around – it was surely not an impossible task to put on a Convention.

(4) THE FINAL COURSE. Scott Edelman welcomes you to dig into dessert with Parvus Press publisher Colin Coyle in Episode 91 of Eating the Fantastic

Colin Coyle

This episode of Eating the Fantastic almost didn’t happen, and not just because it was recorded somewhat spontaneously. No, the reason this episode almost didn’t happen was because instead of digging into dessert, we were afraid we might be spending the night being interrogated by the Secret Service. And if that had occurred, the blame would be entirely on Parvus Press publisher Colin Coyle.

It was all due to his afternoon mission to visit the White House and fulfill Kickstarter rewards relating to his recently released anthology If This Goes On, edited by Cat Rambo. And because that title contains my short story “The Stranded Time Traveler Embraces the Inevitable,” I decided to tag along. We had an off-the-record lunch at Jaleo, but once we we’d completed our mission, we debriefed what we’d just done over dessert at Art and Soul.

We discussed the reason we were glad we got to record the episode rather than spend the night in jail, how the tragic events of Charlottesville inspired him to hire Cat Rambo to assemble the If This Goes On anthology, why he switched over to the Kickstarter model for this book and what surprises he discovered during the process, the reason his company isn’t publishing horror even though he’d like to, the surprising shared plot point slush pile writers used to indicate future American culture was failing, what an episode of West Wing taught him about launching Parvus Press, what he isn’t seeing enough of in the slush pile, the acting role of which he’s proudest from back in his theater days (hint: you’ve probably seen Danny DeVito do it), the advice he wishes he could have given himself when he started out as a publisher, and much more.

(5) RIGHTS GRAB. Peter Grant flags “Another Attack on Author Rights” at Mad Genius Club. He points to an Authors Guild report that the “Los Angeles Times Wants Rights to Books Written by Staff”, which begins –

One of the nation’s leading newspapers is attempting an unprecedented rights grab, according to its writers. In the midst of contract negotiations with its newsroom staff, the Los Angeles Times, purchased last year by biotech billionaire Patrick Soon-Shionghas proposed that its journalists, as a condition of employment, cede control of any books or other creative works made outside of their daily journalistic duties.

The Los Angeles Times Guild, a trade union representing some 400 newsroom staffers, has called the proposal “a new low in the newspaper industry,” pointing out that no other major newspaper has such strict copyright restrictions. “If we have a book idea related to our work,” according to the Times Guild, “the company wants unfettered power to claim control over whether it gets written, who owns the copyright and what we might get paid for it.”

 In a comment Dorothy Grant asks whether the AG complaint should be taken at face value:

Several thoughts on that: first, we’re not seeing the actual contract clause, we’re seeing what one party to the negotiations has taken public in an attempt to pressure the other side. Which means that the ratio of truth to hyperbole is… unknown.

(6) GO RIGHT TO THE SOURCE. “Many of the short stories that inspired Love, Death + Robots are free online” says The Verge’s Andrew Liptak in a post that supplies the links.

(7) PUNCHING IN. Charlie Martin touts “The Power of Pulp” at PJ Media.  

But have you read any “quality” fiction recently? Between making sure that all the right demographics are presented in the exact right way, and the tendency of “quality” fiction to still be about nothing, most of it is not much fun. In fact, there’s even a technical term for reading that’s supposed to be fun: it’s called ludic fiction. It’s characterized by a particular experience: you get lost in it. You forget you’re reading and you’re engrossed in the vicarious experience.

Have you noticed that the people who stress the importance of “fun” rarely sound like they’re having any?

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 22, 1920 Ross Martin. Best known for portraying Artemus Gordon on The Wild Wild West. I watched the entire series on DVD one summer some decades back include the films in less than a month from start to finish. Now that was fun! It looks like Conquest of Space, a 1955 SF film, in which he played Andre Fodor was his first genre outing. The Colossus of New York in which he was the brilliant Jeremy ‘Jerry’ Spensser came next, followed by appearances on Alcoa Presents: One Step Beyond, The Twilight Zone, Zorro, The Immortal, Night Gallery, Invisible ManGemini Man (a far cheaper version of Invisible Man), Quark (truly one of the worst SF series ever), Fantasy Island and Mork & Mindy. (Died 1981.)
  • Born March 22, 1930 Stephen Sondheim, 89. Several of his works were of a fantastical nature including Into The Woods which mines deeply into both Brothers Grimm and Charles Perrault for its source material. And there’s Sweeney Todd: The Demon Barber of Fleet Street which is damn fun even if it isn’t genre. 
  • Born March 22, 1931 William Shatner, 88. Today is indeed his Birthday.  I could write a long, detailed Birthday entry but y’all know everything I could possibly say here. Suffice it to that I did enjoy him on Trek for the most part and actually found his acting on TekWar where he was Walter H. Bascom to be some of his better work. Now the short-lived Barbary Coast series featuring his character of Jeff Cable was the epitome of his genre acting career. 
  • Born March 22, 1946 Rudy Rucker, 73. He’s certainly best known for the Ware Tetralogy, the first two of which, Software and Wetware, both won Philip K. Dick Award. Though not genre, I do recommend As Above, So Below: A Novel of Peter Bruegel.
  • Born March 22, 1950 Mary Tamm. She’s remembered for her role as Romana, the companion to the Fourth Doctor in “The Key to Time” story. It seemed liked she was there longer only because another actress, Lalla Ward, played her in the following season. This actress was soon to be married to Tom Baker. She also appears briefly in the 20th Anniversary special The Five Doctors through the reuse of footage from the uncompleted story Shada. Tamm had only one other genre gig, to wit as  Ginny in  “Luau” on the Tales That Witness Madness series. (Died 2012.)
  • Born March 22, 1969 Alex Irvine, 50. I strongly recommend One King, One Soldier, his offbeat Arthurian novel, and The Narrows, a WW II Detroit golem factory where fantasy tropes get a severe trouncing. He’s also wrote The Vertigo Encyclopedia which was an in-house project so, as he told me back then, DC delivered him one copy of every Vertigo title they had sitting in the warehouse.  For research purposes. And he’s written a fair number of comics, major and minor houses alike.  
  • Born March 22, 1978 Joanna Page, 41. Queen Elizabeth I in the first episode of “The Day of the Doctor” on Doctor Who in which the Tenth Doctor, Eleventh Doctor and the War Doctor all make appearances. Other genre appearances are scant but she did play María on Bedlam, a British supernatural series, she was Gladys in a film adaptation of Arthur Conan Doyle’s The Lost World, and she also played of Ann Cook in  the film adaptation of Alan Moore’s From Hell.  

(9) COMICS SECTION.

  • In Baldo someone has come up with a good trick for increasing their reading time.
  • Cats’ fascination with laser pointers is the basis for the science fictional humor in Grimmy.
  • Arctic Circle has a gag inspired by Chang’e-4.
  • A retro tech joke in Bizarro. (How many Filers remember when these were sold in the backs of comic books?)
  • BBC’s article “How a bookshop wolf handles awkward customers” includes lots of illos.

We’ve all heard of the saying “the customer is always right” but when you work in service industries, what can you do to vent your frustration when the customer is rather annoying?

Whether it’s children running riot, requests for the most obscure information, or just plain rude customers, Australian bookshop worker Anne Barnetson has faced it all. But she’s come up with a rather novel way of dealing with such awkward situations.

Anne is the creator of Customer Service Wolf, a comic found on Instagram and Tumblr. It gives a humorous anthropomorphic take on life dealing with strangers turning up in bookshops with strange requests.

(10) PLAYING IN OVERTIME. Tolkien and Hubbard are not the only prolific deceased authors in our midst. See “Isaac Bashevis Singer from Beyond the Grave” in The Paris Review.

As if in fulfillment of his own prophecy, Isaac Bashevis Singer has been astonishingly prolific in death. An untranslated magnum opus, Shadows on the Hudson, was translated into English in 1998, followed by a sequel collection of reminiscences of pre-1914 Jewish Warsaw, More Stories from My Father’s Court, followed by a steady, enviable beat of short stories, either unpublished or published in Yiddish but never translated, stories steadily adding to and enriching Singer’s great twin themes: the magical Yiddishkeit cosmos wrecked in World War II and the scattered, wandering survivors of that wreckage. In the past two years, Singer’s stories have been published in Harper’s and The New Yorker. Another, “The Murderer,” appears in the current spring issue of The Paris Review. Every few months, it seems, there is a Singer dispatch from beyond the grave, another unlabeled bottle floating in on the tide. Reading his bibliography, one would never guess he has been dead nearly three decades. And there will be more Singer for the foreseeable future, as the editor of his estate told The New Yorker: “There are novels, short stories, memoirs, even plays—some of which appeared in Yiddish and some of which … exist only as handwritten manuscripts.” Heaps of Singer’s words are wheeling blindly about in library archives, at the bottoms of desk drawers, manuscripts translated by hand on magazine tear sheets, unilluminated microfilm vibrantly uncollected and unclassified. He and his oeuvre refuse to be still. They seem to wend their way to the surface with something like the residue of Singer’s consciousness, or rather with the uncanny pseudoconsciousness of an automaton, set in motion by a now-dead hand.

(11) GAME IN THE WORKS. Rad Magpie’s mission is to “Support underrepresented creators and radical interactive media.” Their first in-house studio is working on the first Sri Lankan fantasy game to exist called Sigiriya with Mary Anne Mohanraj

Sigiriya is a mobile game set in the ancient Sri Lankan fortress of the same name. Our interactive experience marries heart-centered, narrative-driven gameplay with both fantastical and historical elements.

Our team is working to bring this game to life, and we are currently in the early production phases.

(12) YOU ASKED FOR IT, WE GOT IT.  “Toyota to Help Develop Moon Rover” says the headline, though Daniel Dern comments, “In my initial glimpse I thought it said “Moon River” and wasn’t sure if it was about the song, or they were going ‘Lunar Duckboats!’”

Toyota will be adding some depth to its development prowess when it partners with Japan’s space agency to create a manned lunar rover powered by fuel cell technologies.

According to the Japan Aerospace Exploration Agency (JAXA), though Japan has no plans to send humans into space at this time, the rover could serve as a building block to eventually get them there.

(13) DRAGON LADY. In her New Yorker article “A Battle for My Life”. Emilia Clarke, TV’s Daenerys Targaryen, reveals she had two surgeries for brain aneurysms after season 1 and season 3 of Game of Thrones, and discusses that people should be urgently treated if they have brain or stroke problems.

Just when all my childhood dreams seemed to have come true, I nearly lost my mind and then my life. I’ve never told this story publicly, but now it’s time.

(14) ABOVE THE STORM. BBC admires this photo taken by Juno: “Planet Jupiter: Spectacular picture of Jupiter’s storms”.

This beautiful picture of Jupiter was assembled from three separate images acquired by Nasa’s Juno spacecraft as it made another of its close passes of the gas giant.

The probe has a colour camera onboard and citizen scientists are encouraged to play with the data to make their own views of the planet.

This one, which is colour-enhanced, was produced by Kevin M Gill.

The US space agency has dubbed it “Jupiter Marble” – a reference to the full disc pictures of Earth captured by satellites down the years that have been called “Blue Marble”.

(15) LOOK OUT, IT’S A JUGGERNAUT! From BBC we learn – “Autonomous shuttle to be tested in New York City”.

A self-driving shuttle service is to be deployed in New York City by the middle of the year.

Boston start-up Optimus Ride will run vehicles on private roads at the Brooklyn Navy Yard site located on New York’s East River.

The shuttle will help workers get around the large site.

(16) CALL FOR A VERDICT. The question is: “Can you murder a robot?” The BBC story covers a lot of ground.

Back in 2015, a hitchhiker was murdered on the streets of Philadelphia.

It was no ordinary crime. The hitchhiker in question was a little robot called Hitchbot. The “death” raised an interesting question about human-robot relationship – not so much whether we can trust robots but whether the robots can trust us.

The answer, it seems, was no.….

Hitchbot is not the first robot to meet a violent end.

Dr Kate Darling, of Massachusetts Institute of Technology (MIT), encouraged people to hit dinosaur robots with a mallet, in an workshop designed to test just how nasty we could be to a machine.

She also conducted an experiment with small bug-like robots.

Most people struggled to hurt the bots, found Dr Darling.

“There was a correlation between how empathetic people were and how long it took them to hit a robot,” she told BBC News, at her lab in Boston.

“What does it say about you as a person if you are willing to be cruel to a robot. Is it morally disturbing to beat up something that reacts in a very lifelike way?” she asked.

The reaction of most people was to protect and care for the robots.

“One woman was so distressed that she removed the robot’s batteries so that it couldn’t feel pain,” Dr Darling said.

(17) MERGER MASHUPS. Chris Hemsworth on Instagram celebrated the Disney-Fox merger by wearing a Deadpool outfit with a Viking helmet.  Ryan Reynolds marked the merger by wearing mouse ears on his Deadpool outfit on his Instagram post.

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Our love child #thor #deadpool @vancityreynolds

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Feels like the first day of ‘Pool.

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(18) VIDEO OF THE DAY. In “Why Do Flat-Earth Believers Still Exist?” on YouTube, John Timmer of Ars Technica shows the increasinly flimsy evidence flat earth followers have for claiming the earth is flat.

[Thanks to John King Tarpinian, Daniel Dern, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, JJ, Michael Toman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip Williams.]