“An Astounding 90 Years of Analog Science Fiction and Fact” Symposium Videos Online

Over 100 scholars, writers, editors, fans, and City Tech students and faculty participated in the Fourth Annual City Tech Science Fiction Symposium on “An Astounding 90 Years of Analog Science Fiction and Fact” held December 12.

The New York City College of Technology in Brooklyn hosted a combination of scholarly presentations, an editors’ roundtable, writers events, and a keynote address by SF writer Mike Flynn. And they invite you to view the day’s proceedings in this collection of “Videos from the Fourth Annual City Tech Science Fiction Symposium, An Astounding 90 Years of Analog Science Fiction and Fact”.

Keynote Address by Mike Flynn

  • Introduction:   Trevor Quachri

Opening Remarks

  • Justin Vazquez-Poritz, Dean of the School of Arts and Sciences, New York City College of Technology
  • Jason W. Ellis, Assistant Professor of English, New York City College of Technology

Editors Panel

  • Moderator: Frank Wu.
  • Panelists: Stanley Schmidt, Trevor Quachri, Emily Hockaday

Marginalized Voices and Feminist Futures

  • Moderator: Lisa Yaszek
  • Marleen Barr, “Rachel Rodman’s “The Evolutionary Alice” As Fractured Feminist Fantasy”
  • Adam McLain, “Visualizing Gendered Voice in Ninety Years of Astounding and Analog
  • Marie Vibbert, “Visible Women in Astounding and Analog

Writers Panel

  • Moderator: Emily Hockaday
  • Panelists: Phoebe Barton, Leah Cypess, Jay Werkheiser, Alison Wilgus, Frank Wu

Critical Issues in Analog SF

  • Moderator: Lavelle A. Porter
  • Sharon Packer, “Simian Cinema, Darwinian Debates, and Early Analog SF Stories”
  • Stanley Schmidt, “Humor in Analog
  • Edward Wysocki, Jr., “Just the Facts: Articles in Campbell’s Astounding and Analog

Teaching with SF Collections

  • Moderator: Lucas Kwong
  • Jason W. Ellis, “Introduction to the City Tech Science Fiction Collection”
  • Zachary Lloyd, “Interdisciplinary Approaches to Teaching with Science Fiction”

Celebrate Analog’s 90th Anniversary

“An Astounding 90 Years of Analog Science Fiction and Fact: The Fourth Annual City Tech Science Fiction Symposium,” takes place on Thursday, December 12. Held in conjunction with City Tech College in Brooklyn, this daylong symposium is free and open to the public. It convenes at 285 Jay Street, Room A105 and runs from 9 a.m. – 6 p.m.

The event will feature papers from distinguished academics, readings from Phoebe Barton, Leah Cypess, Alison Wilgus, Frank Wu, Jay Werkheiser, and a keynote speech from Michael Flynn. Stanley Schmidt, Trevor Quachri, and Emily Hockaday will also participate on an editorial panel. Copies of the official 90th anniversary issue will be given away. The full program for the day can be found here.

City Tech will provide breakfast and lunch, so they ask interested parties to please RSVP (even tentatively) for headcount. RSVP here.

Pixel Scroll 11/12/19 You Don’t Bring Me Vacuum Flowers

(1) X FACTOR. LAist interviews comics artist Bill Sienkiewicz: “Abstract Expressionism Gave ’80s X-Men Comics Their Superpowers — And This LA Artist Was The Mastermind”

He evolved his style over several issues of Moon Knight, then started putting it into comic book covers. Marvel offered him the chance to be the artist on X-Men — but he turned it down.

“Because, I told them, I want to do some experimentation. I want to just push and see what’s possible. So I don’t want to take Marvel’s flagship characters and drive them into the ditch,” Sienkiewicz said.

But he found a way in sideways. X-Men writer Chris Claremont came to him and asked if he wanted to work on X-Men spinoff New Mutants, and with more free range, he took the assignment as part of his quest to help change the perception of what comics are.

He used abstract expressionism, doing art that was more about the feeling than about being exactly true to reality. He describes his own work as being drawn well enough to look like what it’s supposed to, but that he’s more interested in what the people and the story feel like.

(2) PLAGIARIZED STORY? Pro-paying short story outlet Daily Science Fiction has published a story apparently plagiarized from another online source. Today’s story “No Time For Guilt Now” [Internet Archive link] credited to Abdullahi Lawal, is a copy of Avra Margariti’s “Ephemera”  [Internet Archive link] which ran in The Arcanist earlier this year. (Wayback Machine links to the respective pages are provided in case either original gets taken down.)

Several readers took notice in comments on DSF’s Facebook page. DSF has yet to respond either there or on its own website.

The Arcanist tweeted this reaction:

Update: Daily Science Fiction’s Jonathan Laden subsequently took down the story and posted this statement: “Apologies”.

A reader (and contributor) let us know that today’s story was evidently plagiarized from another story published by another site on the internet.

Please visit the Arcanist to read Ephemera by Avra Margariti.

We are reaching out to both the Arcanist and to Avra Margariti to make amends for our error in accepting this story as original by another writer.

(3) BEST FOOT FORWARD. SYFY Wire assesses “The best shoes in genre movies”. This is the kind of investigative reporting we need more!

Aliens (1986)

Sometimes a movie taps up a brand to design a shoe for a specific outfit and scene, which is how Reebok came to birth the Alien Stomper. A basic model of a basketball shoe provided the foundation for the sneaker that was worn by those operating the yellow Power Loader. A close-up reveals the Reebok logo in a moment of product placement. The sneaker saves Ripley in the climatic airlock sequence; which informed how the shoe was constructed, as designer Tuan Le explains — it needed to slip off with ease. On the 40th anniversary of Aliens, Reebok released a limited run of this iconic model.

(4) ASF IS CENTERPIECE OF SYMPOSIUM. “The Fourth Annual City Tech Science Fiction Symposium: An Astounding 90 Years of Analog Science Fiction and Fact” takes place December 12 from 9:00 a.m.-6:00 p.m. at the New York City College of Technology, 285 Jay St., A105, Brooklyn, NY 11201. In addition to participants from academe are Analog veterans Stanley Schmidt, Trevor Quachri, Emily Hockaday and others from sff.

The Fourth Annual City Tech Science Fiction Symposium celebrates “An Astounding 90 Years of Analog Science Fiction and Fact.” Bringing together SF writers, scholars, and fans, the conversations today will reflect on the past, comment on the present, and contemplate the future of Analog SF. Linked to these discussions is the role of SF in a college of technology that recognizes the importance of the genre through its Science Fiction class and support for the City Tech Science Fiction Collection, an archival holding of over 600-linear feet of magazines, anthologies, novels, and scholarship. Together, we will explore these connections.

(5) UNEXPECTED CONNECTION. [Item by Rob Thornton.] Ursula K. Le Guin is the only science fiction author that is discussed in Harold Bloom’s last book,The American Canon: Literary Genius from Emerson to Pynchon, which is a collection of essays about significant authors in America. According to Max Rubin, president and publisher of the Library of America, Le Guin and Bloom knew each other. “He “lived and breathed literature”—Library of America remembers Harold Bloom, 1930–2019”.

“Poetry…was always more important to Bloom than prose. Later in life he came to a real appreciation for the poetry of Ursula K. Le Guin and enjoyed a friendship with her via email.”

(6) THE FUTURE IS NOW. BBC’s David Barnett says it’s time to ask, “Are we living in  Blade Runner world?”.

…This may sound far-flung from our own reality, but as the opening credits tell us, the film is set in Los Angeles, November 2019. In that sense, Blade Runner is no longer science fiction. It’s a contemporary thriller. The question is: in the 37 years between Blade Runner’s release and its setting – our present – how close have we come to the future presented in the movie?

…However, beyond particular components, Blade Runner arguably gets something much more fundamental right, which is the world’s socio-political outlook in 2019 – and that isn’t particularly welcome, according to Michi Trota, who is a media critic and the non-fiction editor of the science-fiction periodical, Uncanny Magazine.

“It’s disappointing, to say the least, that what Blade Runner ‘predicted’ accurately is a dystopian landscape shaped by corporate influence and interests, mass industrialisation’s detrimental effect on the environment, the police state, and the whims of the rich and powerful resulting in chaos and violence, suffered by the socially marginalised.”

In the movie the replicants have a fail-safe programmed into them – a lifespan of just four years – to prevent a further revolution. Trota believes there is “something prescient in the replicants’ frustration and rage at their shortened lifespans, resulting from corporate greed and indifference, that’s echoed in the current state of US healthcare and globalised exploitation of workers.” She adds: “I’d have vastly preferred the flying cars instead.”

(7) JOIN SLF. The Speculative Literature Foundation has launched a fundraiser for its operating needs, a reading series, and a major project —  

THE PORTOLAN PROJECT. We’ve set ourselves an ambitious goal for 2020 — to develop the Portolan Project, an open-source creative writing resource — sort of a Khan Academy for fiction.

We’ve begun interviewing masters of the field (including so far George R.R. Martin, Nalo Hopkinson, Kate Elliott), on aspects of craft. We’re building out a free website to host those interviews, along with syllabi, lesson plans, individual lectures and assignments on aspects of craft (plot and structure, language and style, setting and world building, etc.), the writing business, and the writers’ life.

We’re also interviewing emerging writers from across the planet, developing a better understanding of the international speculative fiction landscape, and the challenges and opportunities for writers in both independent and traditional publishing. We have academics helping us build a searchable database of speculative literature, to make it much easier to find stories that are relevant to you and your own work.

SLF Director Mary Anne Mohanraj encourages people to become dues-paying members and to volunteer.

(8) TODAY IN HISTORY.

  • November 12, 1995 — The rebooted Invaders premiered on Fox.  Directed by Paul Shapiro, it starred Scott Bakula, Elizabeth Peña, DeLane Matthews, Richard Thomas and Terence Knox. Invaders Roy Thinnes very briefly appeared as David Vincent. The two ninety minute episodes were intended as a pilot for a series that never happened. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 12, 1917 Dahlov Ipcar. Though primarily an artist and you really should go visit her website, she wrote three amazing young adult novels between 1969 and 1978 which are The Warlock of Night, The Queen of Spells and A Dark Horn Blowing. She lived but thirty miles north of here and I was privileged to meet her a few times. Lovely lady! (Died 2017.)
  • Born November 12, 1922 Kim Hunter. She portrayed the chimpanzee Zira in the Planet of the Apes films For the first three outings. Her first genre role was also her first film role, as Mary Gibson in the early Forties movie The Seventh Victim. She’s June in A Matter of Life and Death, and Amanda Hollins in The Kindred. She has one-offs on Project U.F.O.Night GalleryMission Impossible and even appeared on The Evil Touch, an Australian horror anthology series. (Died 2002.)
  • Born November 12, 1929 Michael Ende. German author best known for The Neverending Story which is far better than the film.  Momo, or the strange story of the time-thieves is a charming if strange novel worth your time.   The rest of his children’s literature has been translated from German into English mostly by small specialist presses down the years. Unlike The Neverending Story and Momo, which I’ve encountered, I’ve not read any of these. (Died 1995.)
  • Born November 12, 1943 Julie Ege. A Bond Girl On Her Majesty’s Secret Service as Helen, the Scandinavian girl. She also appeared in Hammer ‘s Creatures the World Forgot and The Legend of the 7 Golden Vampires. And in The Mutations which got released under the alternative title of The Freakmaker. She had a role in De Dwaze Lotgevallen Von Sherlock Jones which got dubbed into English as The Crazy Adventures of Sherlock Jones. (Died 2008.)
  • Born November 12, 1943 Wallace Shawn, 76. Probably best remembered as the Ferengi Grand Nagus Zek on Deep Space Nine, a role he only played seven times. He was also Vizzini in the beloved Princess Bride, and he played Dr. Elliott Coleye in the My Favorite Martian film.
  • Born November 12, 1945 Michael Bishop, 74. David Pringle included his Who Made Stevie Crye? novel in Modern Fantasy: The 100 Best Novels, An English-Language Selection, 1946-1987, high praise indeed. Though slightly dated feeling now, I’m fond of his Urban Nucleus of Atlanta series. And Philip K. Dick is Dead, Alas is simply amazing.
  • Born November 12, 1952 Max Grodénchik, 67. He’s best known for his role as Rom, a recurring character on Deep Space Nine. He has a long genre history with appearances in The Rocketeer, Here Come The MunstersRumpelstiltskin, Star Trek: Insurrection (scenes as a Trill were deleted alas), Tales from The Crypt, SlidersWienerlandThe Adventures of Rocky and Bullwinkle and Bruce Almighty.
  • Born November 12, 1982 Anne Hathaway, 37. She starred as Selina Kyle in The Dark Knight Rises, the final installment in The Dark Knight trilogy. More impressive she was The White Queen in Alice Through the Looking Glass, and she was Agent 99 in the remake of Get Smart! No, not as good as the original but fun none-the-less.

(10) EUPHEMISMS FOR DOLLARS. The Publishers Lunch news service shared an intriguing bit of intelligence with potential contributors.

The Key

A handy key to our Lunch deal categories. While all reports are always welcome, those that include a category will generally receive a higher listing when it comes time to put them all together.

“nice deal”: $1 – $49,000
“very nice deal”: $50,000 – $99,000
“good deal”: $100,000 – $250,000
“significant deal”: $251,000 – $499,000
“major deal”: $500,000 and up

(11) READY FOR TAKEOFF. The Smithsonian National Air and Space Museum gives you a video ride-along: “Douglas DC-3 Moved to Udvar-Hazy Center”.

One of our collections staff takes you through the process of lowering, disassembling, and transporting large artifacts like the Douglas DC-3. These artifact moves are part of the multi-year renovation project at the National Air and Space Museum in DC to transform the museum from the inside out.

(12) DEALING WITH MOLD. Cnet says the Discovery Season 2 Blu-Ray gives fans an earful: “Star Trek: Discovery exclusive clip shows Vulcan-ear options”.

The clip shows two different Vulcan-ear options for actor James Frain in his role as Spock’s father, Sarek. We also get a look at how Kelpien faces are made.   

The clip comes from Creature Comforts: Season Two, a behind-the-scenes feature that takes fans into the design process behind the characters, from make-up to making molds. It includes a one-on-one discussion with makeup artist James McKinnon and Mary Chieffo (L’Rell).

(13) HEDGEHOG MAKEOVER. The Hollywood Reporter introduces “New ‘Sonic’ Trailer Sees Redesigned Character With Bigger Eyes, Less Teeth”.

The film’s original trailer dropped in April, and led to a deluge of mockery and fan backlash on social media for the way Sonic looked. The reaction was so negative it led to the film’s director Jeff Fowler announcing that his team would rethink Sonic’s design, all of which led to a three-month delay to the release date. 

(14) TRAILER TIME. Pixar In Real Life is a hidden-camera show on Disney+ that watches what happens when people meet live versions of Pixar animated characters on the street.

(15) AGE, SOCIAL MEDIA, BROKEN FRIENDSHIPS. Laura Lippman confesses she “is bummed by the ways in which friendships end as one gets older” in “The Art of Losing Friends and Alienating People” at Longreads.

…As a friend, I frequently break the first rule of fiction: I’m all tell, no show. I’m not going to remember your kid’s birthday, or even yours, despite Facebook’s helpful nudges. When you’re in a crisis, I won’t know the right questions to ask. I blame my Southern parents for placing so many topics in the forbidden zone. I grew up being told it was rude to discuss age, income, health, feelings. I often think that’s why I became a reporter.

I have a list in my head of all the friends I let down. It’s not long, but it’s longer than I’d like, and it’s probably longer than I know. Most of those friends have forgiven me, but I never lose sight of my failures. It’s like a stain on a busily-patterned rug; once you know where to look, your eye goes there every time. I know where to look. I am aware of my misdeeds. Every friend who has ever called me out on being a bad friend had me dead to rights.

(16) VIDEO OF THE DAY. “Dejeuner Sur L’Herbe” on Vimeo is a surreal film about a rationalist scientist who discovers religion in a surreal manner.

[Thanks to Martin Morse Wooster, Mike Kennedy, Andrew Porter, JJ, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chip Hitchcock, Edmund Schluessel, Rob Thornton, Andrew, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Review: Terror at the Crossroads – Tales of Horror, Delusion, and the Unknown, edited by Emily Hockaday and Jackie Sherbow


By Cora Buhlert: As a reader and writer, I like stories that cross genre boundaries. Therefore, the anthology Terror at the Crossroads – Tales of Horror, Delusion, and the Unknown sounded like something right up my alley.

Editors Emily Hockaday and Jackie Sherbow have combed the pages of Dell’s stable of fiction magazines, i.e. Alfred Hitchcock’s Mystery Magazine, Analog Science Fiction and Fact, Asimov’s Science Fiction and Ellery Queen’s Mystery Magazine, and assembled a wide range of stories that sit at the intersection between mystery and crime fiction on the one hand and science fiction, fantasy and horror on the other. All stories were originally published between 2010 and 2017.

Now I am somewhat familiar with Analog and Asimov’s, though I’m not a regular reader of either magazine due to the difficulties of getting hold of them in Germany. Alfred Hitchcock’s and Ellery Queen’s Mystery Magazine, however, were completely unfamiliar to me. I know that they exist, but I have never read a single issue of either mag. That said, I am an avid reader of short mystery fiction, albeit mostly in German. And in Germany, the genre we call “Krimi” is a lot broader than the US mystery genre and encompasses not just mysteries, but also crime fiction, thrillers, suspense and noir. Therefore, I was pleasantly surprised that the stories in this anthology that originated in the two mystery magazines were a lot more varied and experimental than the rather narrow definition of “mystery” in the US sense as “a story about an investigator solving a crime, usually a murder” would suggest.

Quite the contrary, traditional whodunnits were definitely in the minority, even among the stories that originated in the two mystery mags. “Monsieur Alice is Absent” by Stephen Ross, in which a young trainee teacher suspects her more experienced colleague may be a serial killer and sets out to prove it, is probably the closest this anthology gets to a traditional murder mystery. Meanwhile, “Exposure” by A.J. Wright might have been a classic whodunnit under different circumstances. After all, there is a murder, linked to another unexplained death decades ago, and there even is a massive red herring. But instead of following the investigator as they solve the case, we view the events through the eyes of a teenager who is connected to both the victim, the murderer and the unexplained death that links them.

Other stories fall under the broader crime fiction umbrella and tell how and why a crime was committed. The best of these is probably “The Widow Cleans House” by Jason Half, which tells the story of failing relationship, where the fact that a crime was committed only becomes clear at the very end. In fact, most of the crime stories in this anthology involve murders committed inside families and relationships. Other examples are “Pisan Zapra” by Josh Pachter, “Alive, Alive-Oh!” by O.A. Tynan and the above mentioned “Exposure” by A.J. Wright. Coincidentally, all of these stories are straight crime fiction without any speculative elements.

There also are a number of supernatural crime stories such as such Zandra Renwick’s “A Good Thing and a Right Thing”, where a psychic at an archaeological dig witnesses a centuries old crime. In Barbara Nadel’s “Nain Rouge”, a man hunts a folkloristic imp across the ruined cityscape of Detroit. The conclusion is truly chilling, in more ways than one. Meanwhile, Kathy Lynn Emerson’s “Lady Appleton and the Creature of the Night” is a delightful murder mystery turned werewolf tale set in Elizabethan England. Kit Reed’s fine story “The Outside Event” starts off as a pointed look at the cutthroat rivalry at an exclusive writing retreat, where the narrator’s fellow writers mysteriously vanish, and then turns into a tale of gothic horror halfway through. And in some stories such as Tara Laskowski’s “The Monitor”, a meditation on the stress and fears of new motherhood and the ambiguous feelings of a woman towards her newborn child, there is no crime at all, just a pervading sense of dread.

As might be assumed from an anthology drawn from such a broad range of sources, the settings of the stories vary widely in time and space from Viking Greenland and Elizabethan England via several contemporary or near contemporary Earth settings to a nameless planet in the far future. Even the contemporary and near future Earth stories don’t all share the same familiar US/UK settings. No, there are also stories set in Canada, Ireland, France, Spain, Greenland, Turkey, Malaysia and Papua New Guinea. Though only one story, “Still Life No. 41” by Catalan author Teresa Solana, was originally penned in a language other than English.

It’s also notable that many of the stories set outside the English-speaking world nonetheless feature British or American protagonists. What is more, a few of these stories carry an unpleasant whiff of colonialism. In some cases, this is intentional such as with Josh Pachter’s “Pisan Zapra”, which traces the revenge of an expat woman in Malaysia on her cheating husband. Hereby, Pachter manages to capture a certain type of self-centred western expat in South East Asia, for whom the locals are invisible except as servants or lovers, very well. At any rate, the story immediately reminded me of the time I spent in Singapore as a young girl. And yes, the bored expats holed up in their country clubs are just as unpleasant in real life as they are in this story, though the expat wives I encountered never resorted to murder (and neither did their husbands), but instead came crying to my mother about their wayward husbands.

On the other end of the scale is “The Empty Space” by Kurt Bachard, a story about a trio of selfish English people visiting a Turkey that is pure Orientalist cliché and seemingly populated only by fakirs and dancing girls. If not for a brief mention of air travel, the story might just as well have been set in the days of the Ottoman Empire, though the depiction of Turkey would have been a cliché even then. The protagonists of “The Empty Space” are so unpleasant (and not deliberately as in “Pisan Zapra”) that you do not care when something awful happens to one of them.

In fact, self-absorbed, whiny and downright unpleasant protagonists are a problem with several of the stories. Examples include “The Empty Space” as well as Teresa Solana’s “Still Life No. 41”, whose museum curator protagonist comes across as a spoiled brat who only cares about her career, even in the face of a dead body appearing in the very museum where she is working. “Alive, Alive-Oh!” by O.A. Tynan features a failed writer  as the protagonist, who is not only a stereotypical entitled white man, but who also literally gets away with murder and is subsequently rewarded with an adoring girlfriend and the second bestseller he craves. The story might work, if it were satire, but I fear it isn’t. “Notes Towards a Novel of Love in the Dog Park” by Louis Bayard is another story with an unlikable writer protagonist (in fact, entitled writer and artists are something of a theme in this anthology), who has nothing better to do than stalk a random couple she sees in the park and plot revenge upon them when it turns out that they are not what she wants them to be.

Quite a few of the stories in this anthology use unusual narrative structures and experiments with form. Megan Arkenberg’s “Final Exam” is a clever story which recounts the intertwined stories of a failing marriage and an invasion by shambling Lovecraftian horrors in the form of a multiple-choice test. The amusing “Lonely Hearts of the Spinward Ring” by Paddy Kelly is told in personal ads, while David Brin’s “Crysalis” is a collage of laboratory reports, interview snippets and literary quotes. Meanwhile, Louis Bayard’s “Notes Towards a Novel of Love in the Dog Park” takes the form of a writer’s brainstorming notes. And Kit Reed’s “The Outside Event”, yet another story with a writer protagonist, combines snippets from the writer’s unfinished novel with messages sent to her boyfriend and confessional tapes in the style of certain reality shows to tell a story of gothic horror at an exclusive writing retreat.

But the best of the stories that experiment with form is Will McIntosh’s “Over There”. The premise is that three graduate students of physics conduct an experiment and manage to split reality in two. From the moment of the split on, the story continues in two columns which recount events “over here” and “over there”. Eventually, both strands combine again for the devastating conclusion. “Over There” is not a pleasant story at all and the ending is a true gut punch, but it’s probably the strongest story in this anthology. At any rate, it’s the one that stayed with me the longest.

Another unsettling story that crosses over into horror territory is “The Deer Girl Hitches a Ride” by Seth Frost, a disturbing road trip across a post-apocalyptic America, where the titular deer girl is not the strangest or most terrifying thing the protagonist encounters. Meanwhile, Rachel L. Bowden’s “The Persistence of Memory” follows two outsiders on the cusp of adolescence in a story that feels very reminiscent of Stephen King’s “The Body”. There is a science fictional twist as well – after all, this is an Analog story – but it feels tacked on.

As always with such anthologies, there are some stories that just don’t work. Sadly, most of them are science fiction. One example is “Day 29” by Chris Beckett. The story is chock full of great ideas and fascinating worldbuilding details, but eventually goes nowhere and even wimps out of a dark turn of events that seems to have been set up previously.

Meanwhile, David Brin’s “Chrysalis” is  exactly the sort of story that gives hard science fiction a bad name. It’s basically a biology lecture, complete with cardboard thin characters and jargon-laden “As you know, Bob…” infodumps, in search of a plot. When it finally finds one, the plot is a hoary old “Thou shalt not mess with things man was not meant to know” chestnut that has been with our genre since Frankenstein. Alex Nevala-Lee’s “Cryptids” is better at combining biology and fiction, though in the end the story is still too long and once again turns out to hinge on a very old genre trope indeed, in this case the idea that prehistoric animals have somehow managed to survive in secluded parts of the world.

All in all, this anthology is a mixed bag with some excellent stories, plenty of mediocre ones and a handful of truly bad ones. If you like both science fiction, fantasy and horror as well as mystery and crime fiction and stories that combine those genres, you’re sure to find something to enjoy here.


Cora Buhlert is a teacher, writer, translator, and reviewer living in Bremen, Germany, the city where she was born. She has a Master’s Degree in English, and has taught English linguistics, technical English, and high school English to German students, in addition to performing translations of technical documents. The author of speculative fiction, crime fiction, romance, poetry, and nonfiction, she blogs about her own and others’ works at her website.