Pixel Scroll 7/11/19 Pixel Twice, Scroll Once

(1) NOW WITH ADDED KA-BOOM! Filer Charon Dunn is off to the San Diego Comic-Con to plug her new book, A Dark and Stormy Day, the culmination of the Adventures of Sonny Knight trilogy, “which has even more explosions than the last two.”

I’m going to be providing copious updates on my Facebook page, but if you’re not a Facebooker, I’ll do a summary after I get back. If you are a Facebooker, throw me a like. It’s my first SDCC, so I’m mostly going to be wandering around gawking at everything like an utter yokel.

I will be wearing my fabulous SDCC battle armor: a denim vest with the solar system embroidered on the back, to discourage me from buying more superfluous hoodies while giving me a place to display my collectable pins.

Dunn will also be carrying swag to distribute to her readers – don’t miss out!

(2) ONLY HUNDREDS OF SHOPPING DAYS TIL CHRISTMAS. During Hallmark’s Keepsake Ornament Premiere Event from July 13-21, there will be “event exclusive offers” on the Hogwarts Tree Topper and Harry Potter Collection. The castle lights up and plays music. Ooh, ahh!

(3) STATION ELEVEN COMING TO MORE STATIONS. [Item by Olav Rokne.] Emily St. John-Mandel’s award-winning post-apocalyptic novel Station Eleven is getting a small-screen adaptation. The novel, which won the 2015 Arthur C. Clarke award, follows a theatre troupe as they travel around the Great Lakes some decades after a pandemic wiped out most of civilization. It’s an excellent novel, though I have to admit that I find the author’s dismissal of science fiction as a genre to be annoying (much like Ian MacEwan). 

CBC Books has the story: “Emily St. John Mandel’s novel Station Eleven being adapted into 10-episode TV series”

(4) BOWIE FIGURE. The New York Times shares details of “A David Bowie Barbie: Mattel Unveils Ziggy Stardust Doll”.

On Thursday, the world learned that Barbie is a Bowie fan.

With its release of a doll dressed as David Bowie’s glittering alter ego Ziggy Stardust, Mattel said it was celebrating the 50th anniversary of “Space Oddity,” released in 1969.

The new Barbie doll wears a body-hugging metallic “spacesuit,” calf-high red platform boots and silver earrings with dangling stars. Her dark red hair is slicked back like Ziggy Stardust’s, and daubed on her forehead is the golden circle he wore. Her nails are painted black.

It’s a notably androgynous look for a doll that epitomized the stereotypes of feminine appearance in its earlier iterations….

(5) BARBIE’S SPACESUIT. And that’s not all the Barbie news – BBC reports “Barbie and ESA launch plan to get more girls in space”.

Barbie has teamed up with the European Space Agency (ESA) to encourage girls to become the next generation of astronauts.

Currently, only 15 percent of active astronauts in the world are female and, 50 years on from the first person landing on the moon, no woman has ever landed on the moon.

The ESA only has one active astronaut. She’s called Samantha Cristoforetti.

In order to highlight the lack of female astronauts, the company behind Barbie – Mattel – has made a special one-of-a-kind doll of Cristoforetti.

The astronaut hopes her collaboration with Barbie “will help young girls and boys to dream about their future without limits.”

(6) THE MOTES ON NEIL’S SUIT. A lot bigger and older than Barbie’s, and in need of refurbishing: “Of Little Details And Lunar Dust: Preserving Neil Armstrong’s Apollo 11 Spacesuit”.

When astronaut Neil Armstrong first stepped on the moon 50 years ago, it was a giant leap for functional fashion.

The spacesuit he wore was an unprecedented blend of technology and tailoring.

“The suit itself is an engineering marvel,” says Malcolm Collum, the chief conservator for the Smithsonian’s National Air and Space Museum. “Every single thing on here is a specific function. It is engineered to the last little detail.”

Take the metal fittings that connect the helmet, air tubes and gloves. They’re brightly colored — for example, vivid red metal for the right glove, neon blue for the left. Patriotic, yes, but also exceptionally functional. That’s because NASA wanted to make sure that in all of the excitement of landing on the moon, Armstrong was able to easily connect his gear.

And that attention to detail is evident from helmet to toe. The stitching throughout is meticulous — much of it done by hand in 1969. The suit had to be tough, flexible and airtight. Armstrong’s life depended on a finely guided needle and thread.

But decades of being on display throughout the country took a toll. In 2006, Smithsonian technicians noticed Armstrong’s spacesuit was showing signs of age. So they removed it from the Air and Space Museum in Washington, moved it to a storage facility and laid it out in a drawer.

Collum and his team of technicians have had the job of getting Armstrong’s spacesuit standing tall and back on public view again.

(7) SOURCE OF THE TROUBLE. The author of Ash Kickers explains the set-up in “The Big Idea: Sean Grigsby” at Whatever.

Whatever catastrophe nature throws at us, people always seem to make it worse.

Not all of us. Some seek to help and not to hurt, to heal instead of destroy. Firefighters are just one example of a few good people trying to make a difference. I’m proud to call myself one. But, like I said, sometimes there are a few hateful assholes standing in our way.

The Smoke Eaters series is about firefighters versus newly-returned dragons, sure, but there are other big ideas at play. In the first book I talk about corrupt government using disasters for their own gain, and replacing first responders with robots. In Ash Kickers, it’s something much worse…

(8) E UNUM PLURIBUS? Popular Mechanics tells how “Pangea Gave Us Modern Oceans”:

It’s hard to imagine all of the world’s land masses together as one supercontinent. Over 200 million years ago, however, that’s what Earth looked like. The breakup of Pangea was essentially the first step in the creation of the modern world….

Around 175 million years ago, as Pangea was violently being ripped apart, new rifts started opening on the ocean floor. Water-heavy slabs started falling in one after another, faster and farther down than they had before until the water began to evaporate entirely. With no water left, the end result was millions of years of water loss like the planet had never seen.

With ocean levels now rising due to man-made climate change, the idea of chucking all the water into the Earth’s mantle sounds tempting. No such luck, Karlsen says.

“While the deep water cycle can effectively change sea level over hundreds of millions to billions of years, climate change can change the sea level in zero to 100 years,” she says. “For comparison, the present-day sea level rise associated with climate change is about 0.1 inches (3.2 millimeters) a year. The sea level drop associated with the deep water cycle is about 1/10,000 of that.”

(9) CORTESE OBIT. Her credits included Fellini’s Juliet of the Spirits (1965) and Terry Gilliam’s The Adventures of Baron Munchausen (1988). The New York Times remembers her in “Valentina Cortese, a Leading Italian Film Actress, Dies at 96”.

Valentina Cortese, an Italian film actress best known for her role as a fading, tippling movie diva in François Truffaut’s “Day for Night,” which earned her a 1975 Academy Award nomination and, remarkably, an apology from the winner, Ingrid Bergman, died on Wednesday in Milan. She was 96.

(10) NICKERSON OBIT. BBC reports the death of  Willy Wonka cast member: “Denise Nickerson: Violet Beauregarde actress dies aged 62”

Denise Nickerson, the former child actress who played Violet Beauregarde in the 1971 film Willy Wonka & the Chocolate Factory, has died aged 62.

Nickerson’s family announced the news in a Facebook post that read: “She’s gone.”

In earlier updates on social media, her family said she had pneumonia and had experienced several seizures.

Nickerson – who was cast opposite Gene Wilder at the age of 13 – had previously survived a stroke in 2018.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 11, 1899 E. B. White. Author of Charlotte’s Web and Stuart Little, both of which are surely genre. (Died 1985.)
  • Born July 11, 1913 Cordwainer Smith. Pen name of Paul Myron Anthony Linebarger. Most of his fiction was set in The Instrumentality of Mankind series which I know I’ve read once upon a time at in fragments. Both iBooks and Kindle are well stocked with his novels and short stories including Scanners Live in Vain, a most excellent novella. (Died 1966.)
  • Born July 11, 1920 Yul Brynner. The Gunslinger in Westworld and its sequel Futureword.  He would also play Carson, a human warrior in the post-apocalyptic The Ultimate Warrior. I don’t think we can consider The King and I genre… (Died 1985.)
  • Born July 11, 1925 David Graham, 84. Early voice of the Daleks on Doctor Who, Dutch as The Daleks and The Dalek Invasion of Earth. He also provided a number of the voices on the Thunderbirds. And In the 1984 television Super Bowl advert filmed to introduce the Apple Macintosh computer, he played the role of Big Brother.
  • Born July 11, 1956 Amitav Ghosh, 63. Author of the absolutely brilliant The Calcutta Chromosome: A Novel of Fevers, Delirium and Discovery. Really go read it and with we’ll discuss it over a cup of chai masala. 
  • Born July 11, 1958 Alan Gutierrez, 61. An artist and illustrator, specializing in SF and fantasy cover art. His first professional sale was to the now defunct semi-professional Fantasy Book in 1983. He then began producing work for Baen Books, Tor Books,Pequod Press  and other publishers. He has also painted covers for Analog magazine, Aboriginal Science Fiction, Asimov’s Science Fiction, and other SF magazines.
  • Born July 11, 1959 Richard James Bleiler, 60. Genres breed academics. One of them is this bibliographer of speculative, crime, and adventure fiction. Among his papers are “The Fantastic Pulp Fiction of Frank Belknap Long” which appeared in Gary Hoppenstand’s Pulp Fiction of the ’20S and ’30S and “Forgotten Giant: A Brief History of Adventure Magazine” which was published in Extrapolation: A Journal of Science Fiction and Fantasy.
  • Born July 11, 1972 Leona Wisoker, 47. Green Man Reviewer and author of the excellent Children of the Desert series. 
  • Born July 11, 1984 Marie Lu, 35. Best known for her Legend trilogy, a dystopian and militarized future.  Lionsgate has optioned it for a film. She’s also a novel in the DC Icons series, Batman: Nightwalker. And a YA series called the Young Elites.

(12) COMICS SECTION.

  • How do you like this selection of “Rejected Wizard of Oz Characters,” courtesy of The Argyle Sweater?

(13) HE CAN SIT ANYWHERE HE WANTS. Camestros Felapton did something rather amusing with the new poster art for Star Trek: Picard — “New TNG Spin Off Looks Interesting”.

(14) TRUE GRIT. Gizmodo finds a very good way to make a dry topic interesting: “Research Sheds Light on Strange Seaway That Once Covered the Sahara”.

The Sahara might seem like one of Earth’s most lifeless regions today, but its fossils show it was once a vast seaway filled giant fish and some of the largest sea snakes the planet has ever seen.

From 100 million to 50 million years ago, a large seaway up to 160 feet deep covered much of West Africa, leaving behind lots of marine fossils, including vertebrates, invertebrates, plants, and microbes. Many of them were surprisingly large. It’s difficult to study this region due to harsh geopolitical and physical climates, so a group of scientists decided to compile and synthesize lots of existing research on the area

(15) ON THE SCALES. Paul Weimer analyzes the pedigree of Evan Winter’s new book for readers of the B&N Sci-Fi and Fantasy Blog: Gladiator Meets The Count of Monte Cristo in the African-Inspired Fantasy Epic The Rage of Dragons.

The Rage of Dragons, the debut epic from self-publishing success story Evan Winter, distinguishes itself by its setting, a fantasy world inspired by Africa, but truly impresses with its storytelling. It weaves a tale of determination, love, revenge, and war that is, at its core, the story of one young man who, even as he seeks to improve his life by learning the art of war, must grapple with deadly politics, powerful magic, and a threat that could destroy an entire civilization.

(16) RELATIVITY. The Hugo Award Book Club blog reviews a set of finalists in “Best Related Work: Category or Collection of Categories?”. One work on the list is —  

The Story Of The Hugos 
It seems odd to us that this is only the second time that Jo Walton has appeared on a Hugo Award ballot. It can be argued that several of her novels and non-fiction works warrant the recognition.

Her Informal History Of The Hugo Awards, based around the Tor.com blog posts of the same name that she wrote a couple of years ago, traces the history of the awards through their creation in 1953, through to the year 2000. True to its name, this is a subjective look at both the winners and the shortlists, livened with insight and personal anecdotes.

The book version adds significant material, additional essays and footnotes, as well as a curated set of comments from the blog. Walton has a deep and rich knowledge of science fiction and of fandom, and it shines through in essay after essay tackling controversies of years past, or years where she might disagree with the verdict of Hugo voters.

This is a work that we believe will have enduring value. In most years it would be a lock for the top of our Best Related Work ballots.

(17) HUGO REVIEWS. Bonnie McDaniel is back with “Hugo Reading 2019: Best Novelette”.

4) “The Thing About Ghost Stories,” Naomi Kritzer

This is a lovely story about just what it says–ghost stories, not ghosts. Although ghosts definitely make an appearance, in the form of the narrator’s mother, who recently succumbed to Alzheimer’s. (The details of this ring scarily true, by the way.) This is another quiet story, but in this case, the still waters run deep, and the mother-daughter relationship depicted here is sad and beautiful.

(18) GRAPHIC STORY. J.C. Reid does a good rundown of one of the more rarely-reviewed categories: “Hugo Awards Extravaganza 2019 -Graphic Story”. First up —

Abbott by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell

A journalist fights racism and magic in 70s Detroit.

You can’t go past a good high concept, and Blaxploitation Call of Cthulhu is a pretty great high concept.  What rapidly becomes apparent is that Ahmed has aspirations beyond kick ass action comics, and is engaging with more than the superficial trappings of blaxploitation.  It starts with the setting – 70s Detroit in washed out colours, newspaper headlines, and near ubiquitous smoking.  Everywhere we visit in the story we see divisions along race, gender and class, and the genius at work here is to carry these divisions over to the supernatural.

(19) IN THIS CORNER. James Davis Nicoll orchestrates a cage match between two classic names in “Heinlein’s Juveniles vs. Andre Norton’s Young Adult Novels” at Tor.com.

Something about Heinlein’s characters that eluded me when I was an idiot teen: some of his protagonists (in particular Rod from Tunnel in the Sky) were not necessarily the sharpest pencils in the box. They’re always good-hearted fellows, but also naive enough to justify folksy lecturing from mentors. This also allows readers to feel just a little superior to the fellow who, for example, can’t seem to work out that another character is a girl even after he wrestles with her, then partners up with her (leading a third party to inquire, “Rod…were you born that stupid? Or did you have to study?”).

(20) OBJECTS MAY BE SMALLER THAN THEY APPEAR. NPR says “At The T-Rex Races: On Your Mark, Get Set, Rawwrr!”

At first glance, the starting gate at Emerald Downs racetrack looks relatively normal. But then the gates open and the race begins, and instead of thoroughbreds a mass of people bursts forth, running as fast as they can — while wearing oversized T-Rex costumes.

“The T-Rexes stand at the ready — and T-Rexes away!” track announcer Tom Harris yells, as prehistoric — and hilarious — chaos breaks out on the track.

At the wire, a dino named Regular Unleaded took the victory, holding off Rex Girlfriend by a tail.

[Thanks to Olav Rokne, JJ, John King Tarpinian, Chip Hitchcock, Cat Eldridge, Daniel Dern, Martin Morse Wooster, Mike Kennedy, Bonnie McDaniel, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Jeff VanderMeer’s Borne Among Six New Additions to NEA Big Read Library

Two poetry collections, one memoir, one creative nonfiction book, and two novels will join the NEA Big Read, an initiative of the National Endowment for the Arts in partnership with Arts Midwest. The NEA Big Read annually supports community reading programs across the country, each designed around a single book. Through the act of sharing a book together, participants have the opportunity to broaden their understanding of the world, their community, and themselves.

In total, 32 books will be available for nonprofit organizations to choose from in applying for a 2019-20 NEA Big Read grant. The six new additions are:

This timely collection explores the struggles and questions that can arise from an assigned gender identity that doesn’t feel right, described through the lens of, among other things, inanimate objects, talking animals, and 1980s pop culture.

  • Borne by Jeff VanderMeer (novel)

In a ruined city overrun with hybrid creatures from a defunct biotech company, a woman nurtures a strange creature that grows into something she will both love and fear in this science fiction tale of love and hope and inevitable change.

  • Hustle by David Tomas Martinez (poetry)

Emblazoned with a tattoo on its cover, this collection examines the experiences of the poet’s Southeast San Diego youth—his activity in a gang, the complicated dynamics of his family life, and eventually his discovery of poetry, leading him to reflect on what it means to be a man.

This is the true story that inspired Herman Melville’s Moby-Dick about the crew of the 19th-century whaleship Essex that got rammed and shattered by one of the largest whales anyone had ever seen and the whalers’ subsequent, harrowing fight for survival on the open seas.

A young woman passionate about trees and plants and other aspects of the natural world finds friendship in odd places, battles bipolar disorder, perseveres through setbacks, and ultimately becomes a wife, a mom, and a respected scientist in this inspiring and engrossing memoir.

Set during World War II in the Australian bush and based on the true history of Italian POWs sent there to work the farms, this story is told from the perspective of a woman with albinism and a troubled past whose secrets and desires will upend her and her family’s isolated lives.

The NEA’s Big Read website has more information on the program, including book and author information, podcasts, videos, and community stories from past NEA Big Read grantees. In addition, the NEA will host a webinar on November 14, 2018 at 2 p.m. ET about these six new titles.

“We are always looking to expand the NEA Big Read library with a range of new genres, perspectives, and experiences,” said NEA Director of Literature Amy Stolls. “Communities can choose to explore, for example, the story behind Moby-Dick with In the Heart of the Sea, or get immersed in rural Australia and World War II history with The Paperbark Shoe, or dive into one of the books of poetry, a genre we know from NEA research is growing in popularity, particularly among younger readers. I look forward to seeing how communities embrace the new books and find ways to highlight and explore them together.”

Guidelines are now available for organizations applying for grants to support Big Read projects between September 2019 and June 2020. The application deadline is Thursday, January 24, 2019. Full details on eligibility, how to apply, and application advice are available on Arts Midwest’s website. Eligible applicants include organizations such as arts centers, arts councils, arts organizations, colleges and universities, community service organizations, environmental organizations, fairs and festivals, faith-based organizations, historical societies, housing authorities, humanities councils, libraries, literary centers, museums, school districts, theater companies, trade associations, and tribal governments.

To select new books for the NEA Big Read library, the NEA collected suggestions from a variety of sources, including the public, NEA Big Read grantees, and past NEA Big Read panelists. The National Endowment for the Arts narrowed the list of suggestions based on the following criteria: the capacity to incite lively and deep discussion; the capacity to expand the range of voices, stories, and genres currently represented in the NEA Big Read library; the capacity to interest lapsed and reluctant readers and/or to challenge avid readers and introduce them to new voices; and the capacity to inspire innovative programming for communities. A committee of outside readers and community organizers reviewed the books and made the final recommendations.

The full list of books available for 2019-2020 Big Read grants also includes works by Bradbury, Le Guin, Kelly Link, and Emily St. John Mandel —

  • In the Time of the Butterflies by Julia Alvarez
  • Fahrenheit 451 by Ray Bradbury
  • Advice from the Lights by Stephanie (previously Stephen) Burt
  • Can’t We Talk About Something More Pleasant? by Roz Chast
  • Brother, I’m Dying by Edwidge Danticat
  • The Round House by Louise Erdrich
  • A Lesson Before Dying by Ernest J. Gaines
  • The Paperbark Shoe by Goldie Goldbloom
  • How We Became Human: New and Selected Poems 1975-2002 by Joy Harjo
  • To Live by Yu Hua
  • Lab Girl by Hope Jahren
  • Silver Sparrow by Tayari Jones
  • A Wizard of Earthsea by Ursula K. Le Guin
  • Pretty Monsters by Kelly Link
  • Station Eleven by Emily St. John Mandel
  • Hustle by David Tomas Martinez
  • The Big Smoke by Adrian Matejka
  • The Beautiful Things That Heaven Bears by Dinaw Mengestu
  • Everything I Never Told You by Celeste Ng
  • The Things They Carried by Tim O’Brien
  • When the Emperor Was Divine by Julie Otsuka
  • In the Heart of the Sea by Nathaniel Philbrick
  • True Grit by Charles Portis
  • Citizen: An American Lyric by Claudia Rankine
  • Burning Bright by Ron Rash
  • A Small Story About the Sky by Alberto Ríos
  • Into the Beautiful North by Luis Alberto Urrea
  • Borne by Jeff VanderMeer
  • Our Town by Thornton Wilder
  • The Latehomecomer by Kao Kalia Yang
  • Book of Hours by Kevin Young
  • Ways of Going Home by Alejandro Zambra

 [Thanks to Jeff VanderMeer for the story.]

Pixel Scroll 3/17/17 Nomination Street

(1) PATEL SURFACES, THEN SUBMERGES. A new Sunil Patel story that went online two days ago has been taken down. In its place, David Steffen, editor of Diabolical Plots (and the Long List Anthology) has posted “An Apology, Regarding Sunil Patel’s Story”.

On March 15th, I sent a story to Diabolical Plots publishing newsletter subscribers written by Sunil Patel. The story had been purchased and contracted in August 2016, before stories about Sunil’s abusive behavior surfaced (in October). I neglected to remove the story from the schedule and it went to the inbox of 182 subscribers of the newsletter.

This was not the right choice for me to make. Diabolical Plots is here to serve the SF publishing community, and I am sorry for my lapse in judgment. I can’t unsend an email, but the story will be removed from the publishing lineup scheduled on the Diabolical Plots site (and replaced with a different story if I can work it out). If anyone wishes to provide further feedback, please feel free to email me at editor@diabolicalplots.com.

The incident prompted Sarah Hollowell to tweet –

(2) SLICING UP THE PIE. New from Author Earnings, “February 2017 Big, Bad, Wide & International Report: covering Amazon, Apple, B&N, and Kobo ebook sales in the US, UK, Canada, Australia, and New Zealand”.

Greg Hullender says “This report just came out, and it’s fascinating. Although it doesn’t have the breakdown by genre (so probably not useful for File770 yet) it shows big-five publishers continuing to lose ground in e-book sales—mostly to small/medium publishers, not to independents.”

Today, with the click of a button, any author can start selling any title they wish simultaneously in 12 country-specific Amazon stores, 36 country-specific Kobo ebook stores, and over 40 country-specific Apple ebook stores.

As of yet, most of these non-English-language ebook markets are still fairly early-stage. But that’s not true of the four other major English-language markets outside the US. In those markets, too, as we’ll see, a substantial share of all new-book purchases has already gone digital. And, as we’ll also see, untracked, non-traditional suppliers make up a high percentage of ebook sales in those countries as well. Which means that these other digital markets have also been consistently underestimated and under-reported by traditional publishing-industry statistics.

(3)  IN MEMORY YET GREEN. A St.Patrick’s Day coincidence? Cat Rambo has a new entry in her Lester Dent retrospective — “Reading Doc Savage: The Sargasso Ogre”.

Our cover is mainly green, depicting Doc poling a log in what have to be anti-gravity boots because there is no way he would maintain his balance otherwise, towards an abandoned ship. As always, his shirt is artfully torn and his footwear worthy of a J. Peterman catalog.

In this read, book eighteen of the series, we finally get to see another of Doc’s men, electrical engineer Long Tom. I do want to begin with a caveat that this book starts in Alexandria and initially features an Islamic villain, Pasha Bey; while I will call out some specific instances, this is the first of these where the racism is oozing all over the page and betrays so many things about the American popular conception of the Middle East. I just want to get that out of the way up front, because it is a big ol’ problem in the beginning of this text….

(4) DRIVING THE TRAINS OUT OF IRELAND. On the other hand, our favorite train driver James Bacon says explicitly that the new Journey Planet is “Just in time for Saint Patrick’s Day.”

This is our second issue looking at comic connections, in one way or another, to Ireland. I thought you would be interested, and hope you are.

Co-edited with ‘Pádraig Ó Méalóid and Michael Carrolll, this issue features an interview with Steve Dillon when he was living in Dublin, and an interview with Neil Bailey who co-edited The comic fanzine Sci Fi Adventures where Steve’s comic work began. We have an interview with Steve Moore about Ka-Pow the first British comic Fanzine and the first British Comic Con. We have and extended looks at the fan art of Paul Neary and fan and professional art of Steve Dillon and we reprint a piece about Steve Dillon that I wrote for Forbidden Planet.

This fanzine is all about histories, stories and in many respects is an oral history.  We have a lovely cover by co–editor Michael Carroll.

I’ve loved reading and writing about the comic connections, interesting, yet I feel historically significant happenings. The Fanzine connection, the Irish Connection, the comics connection. It is all connected and it is fascinating fun to find out about them. I am exceptionally graceful to Neil Bailey, Alan Moore, Paul Neary, Dez Skinn, Michael Carroll, Paul Sheridan, and of course to my co-editors Pádraig Ó Méalóid, Michael Carroll and Christopher J Garcia who have grafted very hard on this one. My thoughts are with those who mourn Steve Dillon and Steve Moore and I hope we remember them well here.

(5) FLEET OF FOOT. A scientific study from the University of Felapton Towers, “What Are Pixel Scrolls About?”, shows I haven’t been running nearly as much Bradbury material as I thought. So maybe I don’t really need the excuse of St. Patrick’s Day to plug in this adaptation of Ray Bradbury’s Irish story “The Anthem Sprinters.”

(6) AURORA AWARDS CALENDAR. The Aurora Awards calendar is up.

Nominations for the 2017 awards will open on March 31, 2017….

Online nominations must be submitted by 11:59:59 PM EDT on May 20th, 2017.

Voting will begin on July 15, 2017. Online votes must be submitted by 11:59:59 EDT on September 2nd.

The Aurora awards will be presented during at Hal-Con / Canvention 37 on the weekend of September 22-24, 2017 in Halifax.

(7) NEW MANDEL STORY. Arizona State University’s Center for Science and the Imagination, in collaboration with Slate’s Future Tense channel, just published “Mr. Thursday,” a new short story by Emily St. John Mandel (author of Station Eleven) about time travel, determinism, and unrequited longing. Read it (free) here, along with a response essay, “Can We Really Travel Back in Time to Change History?” by Paul Davies, a theoretical physics professor at Arizona State University and author of the book How to Build a Time Machine.

(8) TODAY IN HISTORY

  • March 17, 1755 – The Transylvania Land Company bought what became the state of Kentucky for $50,000, from a Cherokee Indian chief.

(9) A CUTTHROAT BUSINESS. Matt Wallace’s award suggestion rapidly morphed into a vision for a deadly cage match competition.

(10) PEWPEW. In Myke Cole’s interview by Patrick St.Denis the author does not hold back.

Given the choice, would you take a New York Times bestseller, or a World Fantasy/Hugo Award? Why, exactly?

Hands down an NYT bestseller. Nobody, apart from a tiny cabal of insiders and SMOFs, cares about the Hugos or the WFA. Winning them does help expand your audience and sell more books, but if you hit the list that means you already ARE selling more books. I come out of fandom, and consider myself a dyed-in-the-wool nerd, but I want to write for the largest audience possible, and you can only hit the list if you’re selling *outside* the traditional and limited genre audience. Added to this, both sets of awards, but moreso the Hugos, have been so mired in petty controversy that I’m not sure I want to be associated with them anymore.

You are now part of the reality TV show Hunted on CBS. Tell us a bit more about the show and how you became part of the hunters’ team.

Hunted is the most elaborate game of hide-n-seek ever made. It pits 9 teams of ordinary Americans against 34 professional investigators, all of us drawn from the intelligence, military and law enforcement communities, each of us with an average of 20+ years experience. We have state of the art equipment and full powers of law enforcement. Any one of the teams that can evade us in 100,000 square miles of the southeastern US for 28 days wins $250,000.

Most folks know that I worked in intelligence for many years, but most don’t know that my specific discipline was as an SSO-T (Special Skills Officer – Targeter) in the Counterterrorism field. Counterterrorism Targeting is just a fancy way of saying “manhunting” and I guess I built a reputation, because when CBS started making inquiries, my name came up as a go-to guy, and I got a random call out of the blue asking me if I wanted to be on TV.

It was (and is, because the show is running now) and amazing experience. I’m most pleased that it’s a window into who we are and how we work for the general public. Police relations with the public always benefit from visibility, and I think this show is a great move in that direction.

(11) DIY CORNER. Charon Dunn knows a good interview helps publicize a book. But who, oh who, could she get to do the interview?

Sieging Manganela is a short novel (just under 65k words) which takes place in the Sonny Knight universe, concerning a young soldier named Turo who, while laying siege to a city, makes a connection with a girl who lives inside.

IMAGINARY INTERVIEWER THAT I MADE UP (BECAUSE I AM AN ASOCIAL FRIEND-LACKING HERMIT) TO ASK ME QUESTIONS THAT I CRIBBED FROM REAL INTERVIEWS WITH SUCCESSFUL WRITERS: So tell me about your protagonist.

CD: Arturo “Turo” Berengar has lots of references to bears in his name, because he’s a strong stoic bear most of the time. His friends used to call him Turo, but they all died, and he has a massive case of stress and grief and survivor’s guilt and depression as a result. He’s trying to hold it together until the war ends, to keep his blind mother receiving benefits. He’s a bundle of stress but you wouldn’t know it if you looked at him. He conceals it well. He is seventeen years old….

II: Hard military science fiction, then?

CD: You could call it that, but the notion of me writing in that genre blows my mind and I’ll probably never do it again. Sieging Manganela came from me doing NaNoWriMo in the middle of being blocked on the Sonny Knight trilogy, which I’d classify as YA science fiction adventure. Sieging Manganela is darker and closer to horror, which is a genre I adore yet can’t seem to write – until I tried coming at it from a military science fiction angle. And yes, in fact it is military science fiction in a salute to Heinlein kind of way.

And, since most of the point of view characters are teens, I guess it counts as YA. So, military horror YA bioengineering dystopian science fiction adventure, hold the starships.

I will note that the research for it involved some grueling reading about soldiers, and specifically child soldiers, because I wanted to treat my soldier characters honorably. I love soldiers, especially when they’re happy and healthy and still have all their parts attached and are goofing off drawing pictures and drinking beer and telling each other about the awesome lives they’re going to have after they’re done being soldiers. There are some villains in this tale, and they are not soldiers.

That said, yeah, there’s kind of an anti-war theme running through it, but no preachy granola hogwash and no disrespecting of warriors. In the same spirit of trigger-disclosure, there’s minimal sex, some extreme violence and no animal cruelty. There’s at least one nonstr8 character but since it’s not relevant to the plot it’s undisclosed, and you’ll have to guess who.

The jacket copy is here. And Cora Buhlert ran the cover together with an excerpt from the book at Speculative Ficton Showcase. There’s even a photo of Charon with, as she calls it, “my humongous SJW credential.”

(12) THE CREATOR. With the impetus of the American Gods series, Neil Gaiman is becoming a television maven.

The comic book legend will develop projects from his library as well as original ideas.

Neil Gaiman is pushing deeper into television.

The creator and exec producer of Starz’s upcoming American Gods has signed a first-look TV deal with FremantleMedia.

Under the multiple-year deal, Gaiman will be able to adapt any of his projects — from novels and short stories — as well as adapt other projects and original ideas.

“Working with my friends at FremantleMedia on shepherding American Gods to the screen has been exciting and a delightful way to spend the last three years,” Gaiman said in a statement announcing the news Tuesday. “I’ve learned to trust them, and to harness their talents and enthusiasm, as they’ve learned to harness mine. They don’t mind that I love creating a ridiculously wide variety of things, and I am glad that even the strangest projects of mine will have a home with them. American Gods is TV nobody has seen before and I can’t wait to announce the specifics behind what we have coming up next.”

(13) ALL ABOARD! The Digital Antiquarian tells how Sid Meier and Bruce Shelley cooked up Railroad Tycoon.

The problem of reconciling the two halves of Railroad Tycoon might have seemed intractable to many a design team. Consider the question of time. The operational game would seemingly need to run on a scale of days and hours, as trains chug around the tracks picking up and delivering constant streams of cargo. Yet the high-level economic game needs to run on a scale of months and years. A full game of Railroad Tycoon lasts a full century, over the course of which Big Changes happen on a scale about a million miles removed from the progress of individual trains down the tracks: the economy booms and crashes and booms again; coal and oil deposits are discovered and exploited and exhausted; cities grow; new industries develop; the Age of Steam gives ways to the Age of Diesel; competitors rise and fall and rise again. “You can’t have a game that lasts a hundred years and be running individual trains,” thought Meier and Shelley initially. If they tried to run the whole thing at the natural scale of the operational game, they’d wind up with a game that took a year or two of real-world time to play and left the player so lost in the weeds of day-to-day railroad operations that the bigger economic picture would get lost entirely.

Meier’s audacious solution was to do the opposite, to run the game as a whole at the macro scale of the economic game. This means that, at the beginning of the game when locomotives are weak and slow, it might take six months for a train to go from Baltimore to Washington, D.C. What ought to be one day of train traffic takes two years in the game’s reckoning of time. As a simulation, it’s ridiculous, but if we’re willing to see each train driving on the map as an abstraction representing many individual trains — or, for that matter, if we’re willing to not think about it at all too closely — it works perfectly well. Meier understood that a game doesn’t need to be a literal simulation of its subject to evoke the spirit of its subject — that experiential gaming encompasses more than simulations. Railroad Tycoon is, to use the words of game designer Michael Bate, an “aesthetic simulation” of railroad history.

(14) CAT MAN DUE. Zoe Saldana enlists the help of Stephen Hawking to solve a quantum riddle in order to get Simon Pegg’s cat back in Quantum is Calling. Released by a CalTech production group in December 2016.

[Thanks to John King Tarpinian, James Bacon, Cat Rambo, Joey Eschrich, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

The Big Read Gets Makeover

Big Read logoThere’s been a changing of the guard in The Big Read program, with sf/f novels being added and subtracted.

Over the past ten years, the National Endowment for the Arts has supported more than 1,200 NEA Big Read projects, with 4.2 million Americans taking part in community-wide programs that each explore a single book.

On the new list of titles available from the program, Pretty Monsters by Kelly Link and Station 11 by Emily St. John Mandel have been added, A Wizard of Earthsea by Ursula K. Le Guin remains, while Fahrenheit 451 by Ray Bradbury has been dropped.

An NEA spokesperson’s introduction of the new list emphasized the authors’ availability for interaction.

When author Kelly Link was a kid, she owned a pet boa constrictor named “Baby.” Celeste Ng had dreams of becoming an astronaut and Kao Kalia Yang loved reading Little House on the Prairie. Before they became writers, Ron Carlson was a fry cook, Emily St. John Mandel was a professional dancer, and Yu Hua was a dentist who wasn’t too fond of the inside of anyone’s mouth. Alejandro Zambra records himself reading his entire books aloud (he’s lucky they’re short); Claudia Rankine wrote a play performed on a bus ride through the South Bronx; Joy Harjo plays the ukulele; and Kevin Young, on occasion, watches Judge Judy on CBS. Books by these authors will soon be added to the NEA Big Read as part of a new vision for the program to celebrate its tenth anniversary, as well as the NEA’s 50th anniversary. Can you imagine what fun communities around the country will have chatting with them?

Titles Available for 2017-2018 NEA Big Read Programming (new titles in BOLD):

  • In the Time of the Butterflies by Julia Alvarez
  • Bless Me, Ultima by Rudolfo Anaya
  • Five Skies by Ron Carlson
  • Brother, I’m Dying by Edwidge Danticat
  • The Round House by Louise Erdrich
  • A Lesson Before Dying by Ernest Gaines
  • How We Became Human: New and Selected Poems 1975-2001 by Joy Harjo
  • Sun, Stone, and Shadows, edited by Jorge Hernández
  • Silver Sparrow by Tayari Jones
  • The Namesake by Jhumpa Lahiri
  • A Wizard of Earthsea by Ursula K. Le Guin
  • Pretty Monsters by Kelly Link
  • Station 11 by Emily St. John Mandel
  • The Beautiful Things That Heaven Bears by Dinaw Mengestu
  • Everything I Never Told You by Celeste Ng
  • The Things They Carried by Tim O’Brien
  • When the Emperor Was Divine by Julie Otsuka
  • The Shawl by Cynthia Ozick
  • True Grit by Charles Portis
  • Citizen: An American Lyric by Claudia Rankine
  • In the Shadow of the Banyan by Vaddey Ratner
  • Gilead by Marilynne Robinson
  • Into the Beautiful North by Luis Alberto Urrea
  • This Boy’s Life by Tobias Wolff
  • The Latehomecomer by Kao Kalia Yang
  • Book of Hours by Kevin Young
  • To Live by Yu Hua, translated from the Chinese by Michael Berry
  • Ways of Going Home by Alejandro Zambra, translated from the Spanish by Megan McDowell

2015 Clarke Award Winner

The winner of the 2015 Clarke Award is Station Eleven by Emily St John Mandel (Picador).

The judging panel for the Arthur C. Clarke Award 2015 was:

  • Duncan Lawie, British Science Fiction Association
  • Nicholas Whyte, British Science Fiction Association
  • Sarah Brown, Science Fiction Foundation
  • Lesley Hall, Science Fiction Foundation
  • Leila Abu El Hawa, SCI-FI-LONDON film festivalThe winner receives a £2015.00 prize and a commemorative engraved bookend.
  • Andrew M. Butler represents the Arthur C. Clarke Award in a non-voting role as the Chair of the Judges.