The Television Academy today presented the final two of its three 2021 Creative Arts Emmy Awards ceremonies honoring outstanding artistic and technical achievement in television.
The winners of genre interest are shown below. The complete list of winners is here.
The 2021 Creative Arts Emmy Awards will air on FXX Saturday, September 18.
The 73rd Emmy Awards will air live on CBSand Paramount+ on Sunday, September 19.
Genndy Tartakovsky’s Primal (Adult Swim)
SHORT FORM ANIMATED PROGRAM
Love, Death + Robots (Netflix)
GUEST ACTOR IN A DRAMA SERIES
Courtney B. Vance (“Lovecraft Country”)
OUTSTANDING MUSIC COMPOSITION FOR A SERIES (ORIGINAL DRAMATIC SCORE)
The Mandalorian • Chapter 16: The Rescue • Disney+ • Lucasfilm Ltd. Ludwig Göransson, Composer
OUTSTANDING ORIGINAL MUSIC AND LYRICS
WandaVision • Breaking The Fourth Wall / Song Title: Agatha All Along • Disney+ • Marvel Studios Kristen Anderson-Lopez, Music & Lyrics Robert Lopez, Music & Lyrics
OUTSTANDING SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE
The Mandalorian • Disney+ • Lucasfilm Ltd. Joe Bauer, Visual Effects Supervisor Richard Bluff, Visual Effects Supervisor Abbigail Keller, Visual Effects Producer Hal Hickel, Animation Supervisor Roy K. Cancino, Special Effects Supervisor John Knoll, ILM Visual Effects Supervisor Enrico Damm, Environments Visual Effects Supervisor John Rosengrant, Legacy Effects Supervisor Joseph Kasparian, Hybride Visual Effects Supervisor
OUTSTANDING SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE
Star Trek: Discovery • Su’kal • Paramount+ • CBS Studios in association with Secret Hideout and Roddenberry Entertainment Jason Michael Zimmerman, Supervising Producer/Lead VFX Supervisor Ante Dekovic, VFX Supervisor Aleksandra Kochoska, VFX Producer Charles Collyer, Lead VFX Artist Alexander Wood, On Set VFX Supervisor Ivan Kondrup Jensen, VFX Supervisor Ghost VFX Kristen Prahl, VFX Producer Ghost VFX Toni Pykalaniemi, VFX Supervisor DNEG Leslie Chung, VFX Supervisor Crafty Apes
OUTSTANDING STUNT COORDINATION
The Mandalorian • Disney+ • Lucasfilm Ltd. Ryan Watson, Stunt Coordinator
OUTSTANDING STUNT PERFORMANCE
The Mandalorian • Chapter 16: The Rescue • Disney+ • Lucasfilm Ltd. Lateef Crowder, Stunt Performer
The Television Academy tonight presented the first of its three 2021 Creative Arts Emmy Awards ceremonies honoring outstanding artistic and technical achievement in television. The second and third will take place Sunday, September 12 in the afternoon and evening.
The 2021 Creative Arts Emmy Awards will air on FXX Saturday, September 18.
The 73rd Emmy Awards will air live on CBSand Paramount+ on Sunday, September 19.
Winners of genre interested are shown below. The full list is here.
OUTSTANDING INTERACTIVE PROGRAM
Space Explorers: The ISS Experience • Oculus • Felix & Paul Studios, TIME Studios (WINNER)
OUTSTANDING CONTEMPORARY MAKEUP FOR A VARIETY, NONFICTION OR REALITY PROGRAM (NON-PROSTHETIC)
Saturday Night Live • Host: Elon Musk • NBC • SNL Studios in association with Universal Television and Broadway Video (WINNER) Louie Zakarian, Department Head Makeup Artist Amy Tagliamonti, Key Makeup Artist Chris Milone, Makeup Artist Jason Milani, Key Makeup Artist Kim Weber, Makeup Artist Joanna Pisani, Key Makeup Artist Young Beck, Key Makeup Artist
OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
WandaVision • Disney+ • Marvel Studios Mark Worthington, Production Designer Sharon Davis, Art Director Kathy Orlando, Set Decorator
OUTSTANDING CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
The Mandalorian • Chapter 15: The Believer • Disney+ • Lucasfilm Ltd. Matthew Jensen, ASC, Director of Photography
OUTSTANDING FANTASY/SCI-FI COSTUMES
WandaVision • Filmed Before A Live Studio Audience • Disney+ • Marvel Studios Mayes C. Rubeo, Costume Designer Joseph Feltus, Assistant Costume Designer Daniel Selon, Assistant Costume Designer Virginia Burton, Costume Supervisor
OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
Love, Death + Robots • Snow In The Desert • Netflix • Blur Studio for Netflix (WINNER) Brad North, Supervising Sound Editor/Dialogue Editor Craig Henighan, Sound Designer Dawn Lunsford, Foley Editor Jeff Charbonneau, Music Editor Alicia Stevens, Foley Artist
OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Lovecraft Country • Sundown • HBO • HBO in association with afemme, Monkeypaw, Bad Robot, and Warner Bros. Television Tim Kimmel, MPSE, Sound Supervisor John Matter, Dialogue Editor Paula Fairfield, Sound Designer Bradley Katona, Sound Effects Editor Brett Voss, Foley Editor Jeff Lingle, Music Editor Jason Lingle, Music Editor Jeffrey Wilhoit, Foley Artist Dylan Tuomy-Wilhoit, Foley Artist
OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
The Mandalorian • Chapter 13: The Jedi • Disney+ • Lucasfilm Ltd. Bonnie Wild, Re-Recording Mixer Stephen Urata, Re-Recording Mixer Shawn Holden, CAS, Production Mixer Christopher Fogel, Scoring Mixer
The Television Academy has announced the Emmy winners for the juried categories of animation, costume, interactive programming and motion design.
Juried category entrants are screened by a panel of professionals in peer groups — Animation, Costume Design, Interactive Programming and Motion Design — in a one-step evaluation and voting procedure.
Winners of genre interest are named below. The complete list of winners is here.
OUTSTANDING INDIVIDUAL ACHIEVEMENT IN ANIMATION
The juried awards bestowed for Individual Achievement in Animation reflect the variety of artistic achievements that contribute to the creation of 2D- and 3D-animated content and the talented artists who drive animation excellence.
Genndy Tartakovsky’s Primal • Plague of Madness • Adult Swim • Cartoon Network Studios David Krentz, Storyboard Artist
Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Robert Valley, Production Designer
Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Patricio Betteo, Background Artist
Love, Death + Robots • All Through the House • Netflix • Blur Studio for Netflix Daniel Gill, Stop Motion Animator
Love, Death + Robots • Automated Customer Service • Netflix • Blur Studio for Netflix Laurent Nicolas, Character Designer
The Simpsons • Wad Goals • FOX • A Gracie Films Production in association with 20th Television Animation Nik Ranieri, Lead Character Layout Artist
OUTSTANDING COSTUMES FOR A VARIETY, NONFICTION OR REALITY PROGRAM
Black Is King • Disney+ • Walt Disney Studios Zerina Akers, Costume Designer Timothy White, Costume Supervisor
OUTSTANDING INNOVATION IN INTERACTIVE PROGRAMMING
“The excellent work in For All Mankind showcases the power of an interactive and immersive story to provide a unique, one-of-a-kind experience for the audience,” said Interactive Media Governor Lori Schwartz. “This creative team embraced new technology that will inspire better and even higher-quality use of AR storytelling in the future,” added Governor Chris Thomes.
For All Mankind: Time Capsule • Apple TV+ • Apple / Tall Ship Productions Apple Tall Ship Productions
(2) A PERSPECTIVE ON AFRICAN SF. Marta Mboka Tveit discusses how “The rise of African Speculative Fiction and other exciting cultural production indicates that modernity is not an exercise in ‘catching up’ with Europe, but an entirely new condition” in “Makeshift modernity” at Africa Is A Country.
…First off, let me argue how excellent the rise of ASF is for everyone, but most importantly for us, the people of African descent. “The place in which I’ll fit will not exist until I make it,” said James Baldwin. To make it, one must first imagine it; to make change, one must first imagine a different kind of future. ASF can be linked to the decolonization of the mind in many ways: we must break the molds of colonial prescriptions, education, and decisions about Africa’s place in the world, much like speculative fiction breaks the mold of what can and cannot exist.
ASF points to an insistence on partaking in the technology-steeped global future and represents a push to actively influence that future. Furthermore, publishing and sharing tales and ideas about the future shows a new kind of optimism and self-confidence. Newfound confidence also arguably comes from stronger and more frequent connections with cousins from another planet—those in African America—facilitated by modern communication technology and faster cultural exchange. Africa is looking to African America for cool self-confidence, and African America is looking to Africa for roots and authenticity. This has been going on for a long time. Increasingly, however, African American interest has given cultural expressions from the continent a boost onto the global stage. After five centuries of the rest of the globe telling Africa its cultures and inputs are useless, those cultures and inputs suddenly find themselves at the forefront of global “cool.” But this time around, we might actually gain something from it….
(3) SCORCHED EARTH. Elaborate attempts to sabotage Nicole Kornher-Stace’s Reddit “Ask Me Anything” yesterday prompted Paul Weimer to connect the dots, saying “the trolls are trying to ruin my life and the lives of those even lightly connected to me” in “A Quick Post on Trolls Again” on his Patreon. He attributes the attack to his having retweeted the author’s announcement of the AMA.
… So what they did is, just before her AMA, they set up a fake account very similar to her name (one letter changed to the number one) and set up their OWN AMA. So, not only were they impersonating here (with plenty of comments and stuff about my supposed perfidy), Nicole could not actually do her own AMA at first.
And when THAT got sorted and she started her real AMA, the troll account started answering questions posed to her in the real AMA, until the moderators finally banned them from the AMA….
And the trolls also subjected Paul to a new round of harassment at work and by trying to get into some of his online accounts.
Nicole Kornher-Stace tweeted a thread of her own about the experience that starts here. A few excerpts —
And here’s a screencap of the Reddit moderator’s announcement while they were trying to manage the trollish invasion of the real AMA.
(4) ADA HOFFMANN BOOK LAUNCH. Ada Hoffmann’s The Fallen, the sequel to her debut, The Outside, was released yesterday. The author will be in conversation with Janelle Shane in a free online event on July 15 (3pm MDT/5pm EDT/10pm BST) on Facebook and YouTube
Released to immediate acclaim in 2019, The Outside was nominated for both the Philip K. Dick Award and the Compton Crook Award, so the follow-up, continuing the story of scientist Yasira Shien as she faces off against awesome AI gods and angels, is hotly anticipated to say the least!
Excitedly, to mark the next book in this eldritch-horror-meets-space-opera universe, Ada will (very appropriately) be in conversation with Janelle Shane, optics and AI researcher, host of the AI humor blog AIWeirdness.com, and author of the 2019 popular science book, You Look Like a Thing and I Love You!
Thank you for joining us on the amazing journey into freedom. It has been a truly inspiring five thousand and forty seconds in which we came together in the spirit of unity that shaped our great nation. When our founder, CIO, CFO and CEO Timothy the Talking Cat outlined his vision for a truly free and anti-elite tech platform for all Americans, we were inspired by how many of you rallied around his cause to break free of the shackles of facebooktwittergoogle. …
…Sadly, the sci-fi genre wasn’t well represented in this year’s nominations, which were announced Tuesday (July 13). Again. It seems only the big franchise names received any kind of attention. There was nothing for “The Expanse” on Amazon Prime Video or “For All Mankind” on Apple TV+ or HBO’s “Raised By Wolves” — and while that show gradually descended into insanity as Season 1 concluded, the actual performances were outstanding. And what about SyFy’s “Resident Alien” in the Comedy category? The eligibility period for 2021 submissions was from June 1, 2020 to May 31, 2021, so all of those shows could’ve been recognized….
…Not that the WandaVision team expected it to happen, at least like this. “Honestly, I was like, if we have one nomination, we will have won,” says series showrunner Jac Schaeffer, who also earned a writing nomination. “The cards are kind of stacked against the superhero space when it comes to recognition and awards.”
By the time nominations morning arrived, Schaeffer may have been the only one—most pundits were betting big on WandaVision, though maybe not 23 nominations big—but when it started, WandaVision really was an underdog. It became the first Marvel project on Disney+ basically by accident, when the pandemic delayed production on other shows, meaning that the bright new future of Marvel on television was being introduced by a defiantly oddball story about grief, sorcery, and classic television. “I felt very secure early on sort of occupying this little corner of the sandbox,” Schaeffer says. “The idea was that Falcon and the Winter Soldier would go first and, and that we could be weird in this little space.”
Instead, WandaVision debuted in mid-January at the peak of a world-altering pandemic, which many viewers had spent stuck at home and, like Wanda Maximoff herself, filtering their realities through television. “There was sort of an element of kismet to it,” Schaeffer says. “The content of the show itself ended up being a reflection of what so many people were doing in their own homes, you know, retreating into their favorite shows as a form of comfort.”
On Emmy nominations morning, both Olsen and Schaeffer were busy sharing the celebration with the rest of the team, though it wasn’t easy to take in the scope of the success….
No matter how you look at the nomination breakdowns released Tuesday, the story is clear: If it wasn’t already a sure thing that streaming is the future of television, the 2021 Emmy nominations have officially cemented it.
Streaming services accounted for four of the five top nominated outlets, with HBO Max (paired with HBO) and Netflix overwhelmingly dominating in terms of total nominations. Disney+, less than two years old, beat out every broadcast and cable network in terms of nominations and came in third overall.
Apple TV+, which isn’t even a breakout streamer (parent company Apple has mostly given it away for free since its launch), received more nominations (34) than all the broadcast networks aside from NBC.
Crisis and political necessity led to the formation of the North American Union, encompassing the United States, Mexico, Canada, and a few other nations. The formative crisis having past, the Union is held together largely thanks to the determination of a cabal of conservatives, the Creationist Coalition. The central figures in the Administration are determined to not let their power and influence slip away. Their resolve proves the North American Union’s undoing.
The Administration is long on steadfast purpose, but short on foresight. Assassinating a Hispanic populist governor alienates Hispanic North Americans. Paranoid attempts to capture a suspected Old Regime sympathizer force the sympathizer to see the Union as his enemy. Each move undertaken to ensure the Union’s stability instead undermines it, with the inevitable result that the North American Union collapses into independent nation states.
(10) EFFECTS HISTORY. BBC Radio 4 has aired the second installment of Unreal: The VFX Revolution – “Digital Realms”.
How visual effects changed and how they changed the movies. Oscar winner Paul Franklin explores how film entered the digital realm.
The 1970s saw the very first onscreen digital effects in films like Westworld. Those first pioneers of CGI already spoke of digital humans, indeed of entire films being made within the computer, but Hollywood was unconvinced. By 1979, some of those visionaries like Ed Catmull and Alvy Ray Smith, later founders of Pixar, were working for filmmaker George Lucas, who primarily wanted new digital tools for editing and compositing and to explore computer graphics. Their first all-digital sequence created life-from lifelessness with the Genesis effect for Star Trek II: The Wrath of Khan. Meanwhile Disney itself was creating TRON, a spectacular mix of state-of-the art animation and pioneering digital effects that took audiences into cyberspace for the first time. In their different ways these two films were the true harbingers of the digital revolution that would bring profound change to moviemaking within little more than a decade. And then came Terminator 2’s chrome shape shifter-the T1000. The revolution was underway.
(11) MEMORY LANE.
2006 – Fifteen years ago, Catherynne M. Valente would win the Otherwise Award and the Mythopoeic Fantasy Award for Adult Literature for The Orphan’s Tale: In the Night Garden. (It would also be nominated for a World Fantasy Award.) Two years later, she won a second Mythopoeic Fantasy Award for Adult Literature for The Orphan’s Tale: In the Cities of Coin and Spice. Both volumes are available from the usual suspects for just five dollars and ninety-nine cents.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 14, 1904 — Zita Johann. She’s best known for the lead performance in Karl Freund’s 1932 film, The Mummy which also featured Boris Karloff. She wouldn’t show in another horror film for another fifty-four years when she was in Raiders of the Living Dead as a Librarian as her original career only lasted three years. She quit film to work in theater where she where she was a partner of John Houseman, her husband, who she was married to from 1929 to 1933, and with Orson Welles as well. She also taught acting to people with learning disorders. (Died 1993.)
Born July 14, 1906 — Abner J. Gelula. One of the many authors* of Cosmos, a serialized novel that appeared first in Science Fiction Digest in July 1933 and then has a really complicated publication that I won’t detail here. It was critiqued as “the world’s most fabulous serial,” “one of the unique stunts of early science fiction,” and conversely “a failure, miserable and near-complete.” The entire text, chapter by chapter, can be read here. *To be precise, Earl Binder, Otto Binder. Arthur J. Burks, John W. Campbell, Jr., Lloyd Arthur Eshbach. Ralph Milne Farley, Francis Flagg, J. Harvey Haggard, Edmond Hamilton, David H. Keller, M.D., Otis Adelbert Kline, A. Merritt, P. Schuyler Miller, Bob Olsen, Raymond A. Palmer, E. Hoffmann Price and Edward E. Smith. Gulp! (Died 1985.)
Born July 14, 1926 — Harry Dean Stanton. My favourite genre role for him? The video for Procul Harum’s “A Whiter Shade of Pale”. No, I’m not kidding. He also played Paul of Tarsus in The Last Temptation of Christ, Harold “Brain” Hellman in Escape from New York, Detective Rudolph “Rudy” Junkins in Christine, Bud in Repo Man, Carl Rod in Twin Peaks twice, Toot-Toot in The Green Mile, Harvey in Alien Autopsy and a Security Guard in The Avengers. He didn’t do a lot of genre tv, one episode of The Wild Wild West as Lucius Brand in “The Night of The Hangman” and a character named Lemon on Alfred Hitchcock Presents in the “Escape to Sonoita” episode. (Died 2017.)
Born July 14, 1939 — Sid Haig. Best remembered as having a lead role in Jason of Star Command as the villain Dragos. He had one-offs in Batman, Mission: Impossible, Star Trek, Get Smart, Fantasy Island, Buck Rogers in the 25th Century, and MacGyver. His Trek appearence was First Lawgiver in “The Return of the Archons”, and someone in casting at Mission: Impossible liked him as he had nine different roles there. He was Royal Apothecary twice on Batman, not a role I recognize. (Died 2019.)
Born July 14, 1943 — Christopher Priest, 78. This is the Birthday of the One and True Christopher Priest. If I was putting together an introductory reading list to him, I’d start with The Prestige, add in the Islanders (both of which won BSFAs)and its companion volume, The Dream Archipelago. Maybe Inverted World as well. How’s that sound?
Born July 14, 1949 — Brian Sibley, 72. He co-wrote (with Michael Bakewell) BBC Radio 4’s adaptation of The Lord of the Rings. He also adapted The Chronicles of Narnia, and Titus Groan and Gormenghast for the same. Print wise, he’s responsible for such works as The Lord of the Rings Official Movie Guide and The Lord of the Rings: The Making of the Movie Trilogy. His only Award to date is a Sir Julius Vogel Award which is given by the members of the Science Fiction and Fantasy Association of New Zealand (SFFANZ) and the National Science Fiction convention for Weta Digital: 20 Years of Imagination on Screen.
Born July 14, 1964 — Jane Espenson, 57. She had a five-year stint as a writer and producer on Buffy the Vampire Slayer where she shared a Hugo Award at Torcon 3 for her writing on the “Conversations with Dead People” episode, and she shared another Hugo at Chicon 7 for Games of Thrones, season one. She was on the writing staff for the fourth season of Torchwood and executive produced Caprica. And yes, she had a stint on the rebooted Galactica.
Born July 14, 1966 — Brian Selznick, 55. Illustrator and writer best known as the writer of The Invention of Hugo Cabret which may or may not be genre. You decide. His later work, Wonderstruck, definitely is. The Marvels, a story of a travelling circus family is magical in its own right though not genre. His next work, Kaleidoscopic, due out this autumn looks to just as fantastic.
(13) COMICS SECTION.
Gasoline Alley, after a week or so following a colander-hat-guy “hearing ghost voices,” solves the mystery.
(14) TODAY’S THING TO WORRY ABOUT. Is Jason Cordova trying to suggest John Scalzi ripped off two of his novels? Here’s a screencap of Cordova’s Facebook post.
What seems clear to Cordova might not seem so clear to anyone else. Scalzi’s “Preservation Society” in his title phrase sounds like it’s about a rather different subject than Cordova’s “Urban Revitalization Project.” And Cordova’s own title resonates with a line from Godzilla 1985 (as quoted in the Wikipedia) — “That’s quite an urban renewal program they’ve got going on over there” – a coincidence that would be of no more than trivial interest but for Cordova’s complaint.
As for Cordova’s The Corruptor – the Amazon blurb says this is what the book is about:
…The single greatest advance in computer technology since the invention of the microchip, the Warp is a virtual reality gaming system so advanced that players aren’t just in the game, they are the game. And inside the Warp lies the most cunning of all games, the de facto king of online gaming. It is the one game said to be unbeatable: Crisis.
The Warp was flawless, and the game was perfect. Until something went terribly wrong, trapping Tori Adams and her friends inside it, unable to log off and free their minds from the uploaded virus in their brains. With no other options available and time running out, they must do the one thing that has never been done before—what experts say can’t be done—they must beat Crisis in order to save their lives.
I have read Scalzi’s Lock Inbut not Cordova’s book, however, from the latter’s description they appear to have about the same degree of overlap as Ready Player One and The Matrix.
…like so many other studios, Disney is facing the question of how to goose up active interest in a film it’s been teasing since 2019. The apparent solution: Bring in Deadpool, dump him into the Marvel Cinematic Universe, and have him promote the film.
… someone sent me a snapshot of the introduction to an edition that is slightly different than my own gifted copy of the Marvel Comics version of C.S. Lewis’ The Screwtape Letters. This other edition does not reproduce Lewis’ own 1941 preface as mine does. Instead, it has a special introduction written by Neil Gaiman.
As readers will know, Gaiman is not simply a giant in the fantasy world–outside of the horror genre, I think American Gods is the most important work of fantasy on the continent–but one of the new generation pioneers of the graphic novel medium. He is also a lifelong Narnia fan–and, we discover here, a lover and appreciative reader of Screwtape. Leaving beside any technical matters you might normally find in an introduction, Gaiman still manages to orient the reader to the book in their hands while giving us a sense of what he loves about Screwtape as a theologically interested but not specifically religious reader.
Besides some good swipes at the American Christian culture war (the ’90s one, not the current one) and a perceptive description of Narnia, Gaiman draws the reader to Screwtape for entertainment, delight, and wisdom. Gaiman’s perspective of Screwtape‘s impact has reminded me of that larger group of readers of Lewis that keep coming back to his works….
Roslyn Gothic arguably saw its most extensive and iconic use on the paperback covers with works by Philip K. Dick as published by Panther Books.
Designed by Harry Winters, Roslyn Gothic was released by Visual Graphics Corporation (VGC) in 1972, to be used with their Photo Typositor, a popular display typesetting machine of the phototype era. There were three styles; Medium, Bold, and Outline. The sans serif of condensed proportions is infused with some traits that seem to harken back to Art Nouveau, or Jugendstil: counters in d, g, or p are tear-shaped, e has a diagonal bar while the top arm of K is vertical, some stems in m, n, u are slightly curved, A is asymmetrical, and G is pointed at the bottom. Several of these features can also be found in German typefaces from around 1900, like Sezessions-Grotesk or Skulptur. By giving his design a large x-height and tight letterspacing, Winters turned these influences into a quintessential 1970s display typeface. With its punchy yet slightly alien-looking shapes, Roslyn Gothic became a popular choice on book covers in the science fiction genre.
(18) SPEAKER FOR THE TREES. No, we’re not talking about the Lorax. In this video of “Trees, Chainsaws, and the Visions of Paradise in J.R.R. Tolkien” from 2002, Tom Shippey discusses Tolkien’s relationship to trees, the literary function of forests, and the under-rated sophistication of Hobbit poetry. This quote comes from the YouTube transcript —
…Perhaps the best example of this comes from a colleague of mine now a professor of Harvard who tells this anecdote which I shall rapidly pirate. He said that some it must have been at least thirty years ago when he was a student backpacking his way around Europe he found himself in Oxford and he went to the University parks and he found a bench there and took his backpack off and sat down on the bench and looks at the parks for a bit. And at this point I’m an old guy came up very well-dressed and he came along and he sat down on the bench and he started to talk about trees. Trees, how beautiful they were, trees, some particularly beautiful trees, trees, now some trees he was personally fond of, trees, the awful things people did to trees, trees, how awful people were who did these awful things to trees trees, what we ought to do to these awful people in the world. But at this point my colleague said he was beginning to get rather nervous, picks his backpack up and edged away reflecting that you know they haven’t got all the weirdos locked up yet by any means. But next morning he got the local paper and discovered a picture of the old weirdo in it and it was of course the distinguished professor talking who was in the paper because he’d been collecting an honorary doctorate…
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Gordon Van Gelder, Anna Grace Carpenter, SF Concatenation’s Jonathan Cowie, Daniel Dern, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
The final season of Star Wars: The Clone Wars was released to widespread critical acclaim, and now the animated series will look to pick up some new accolades. It was announced this week that the seventh season of The Clone Wars has received three nominations at the upcoming Daytime Emmy Awards.
The show will look to take home the trophies for Outstanding Writing Team for a Daytime Animated Program, Outstanding Music Direction and Composition for a Preschool, Children’s or Animated Program, and Outstanding Sound Mixing and Sound Editing for a Daytime Animated Program.
The winners in the Children’s Programming and Animation category will be announced in a stand-alone show streaming at 8 p.m. ET July 17 on the Emmy OTT platform.
FIYAH is partnering with the LeVar Burton Reads podcast for their first-ever writing contest! Do you write speculative fiction (sci-fi, fantasy, horror)? Do you love the podcast? Have you dreamed of getting your work in front of THE LeVar Burton ever since the days of Reading Rainbow? Well, here’s your shot. We are looking for one special story to be featured in Season 10 of the podcast
The first place winner will receive $500 and the story will be read by LeVar Burton on an upcoming episode of the LeVar Burton Reads podcast. The second place winner gets $250, and the third place winner, $100.
Editors for this contest include Diana M. Pho and L. D. Lewis, with the final selection being made by LeVar himself. View full submission guidelines and contest rules here.
After over 50 years of rubbing shoulders with the giants of the entertainment industry, Steve Vertlieb’s resume reads like a cinephile’s dream. This week I speak with the award winning journalist and film historian about the cultural impact of Rod Serling and his seminal science fiction anthology series “The Twilight Zone”.
The late 1950s/early 1960s were a time of staunch conservatism in America. This ideology was prevalent in the mainstream entertainment Americans watched on their television sets and at the local cinema. Rod Serling was a man with a message but it wasn’t a message many at this time wanted to hear. A talented writer, Serling was also a student of history and he knew that to get a message through a fortress wall, sometimes you needed to give the gift of a Trojan horse. “The Twilight Zone” was that gift and in the guise of science fiction, black comedy and horror Rod Serling’s voice reached out to open the eyes, ears and hearts of a fascinated public. This week we welcome award winning journalist, film historian and archivist Steve Vertlieb to the show as we discuss the cultural impact of “The Twilight Zone” and how Rod Serling’s message is still relevant over 60 years after the show’s debut.
… I’m sure you could find many SFF novels about such fuddy-duddy tourism turning strange. There are also novels that up the stakes by marooning the protagonist far from home. This will certainly give the protagonist a way to display do-or-die determination by denying them any choice in the matter…
Consider these five works about castaways.
The Luck of Brin’s Five by Cherry Wilder (1977)
Travel on Torin is a simple matter of hopping into a convenient space-plane and jetting to some other location on the Earth-like world that orbits 70 Ophuichi. Or it would be, if Scott Gale had not just crashed his expedition’s only space-plane on the far side of Torin, near the Terran expeditionary base’s antipodes. Oops.
Torin’s native population is unaware that they have off-world visitors until Scott’s space-plane falls from the sky. To the family of weavers known as Brin’s Five, Scott could become their new Luck (an integral member of each Moruian family’s five-member structure). His arrival may save the weavers from misfortune and starvation.
To Great Elder Tiath Avran Pentroy, also known as Tiath Gargan (or Strangler), technologically superior aliens are an unwanted disruptive element. Best to quietly dispatch Scott before Strangler has to deal with the ramifications of alien contact. And if Brin’s Five are not public-minded enough to surrender their Luck? Why, they can be dispatched as well.
I am very happy to announce Toni Weisskopf, Publisher of Baen Books, as this year’s keynote speaker for the combined Writers and Illustrators of the Future 36/37 Awards Ceremony. Many of our past winners and current judges are published by Baen Books. Writers of the Future and Toni first connected up in 1989, when as a volunteer, she helped out at the Writers of the Future Awards Event in New York City. We are happy she will be back again!
(8) TIME ENOUGH FOR CATS. Did we mention there is a Japanese adaptation of Heinlein’s The Door Into Summer? Let’s make sure it hasn’t been overlooked by the Scroll:
(9) MEMORY LANE.
1999 — Twenty-two years ago, Charles Vess wins a Mythopoeic Fantasy Award for Adult Literature for the illustrated version of Neil Gaiman’s Stardust which was published by Vertigo the previous year. Gaiman of course shared in that Award. It would also win a World Fantasy Award as well.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 29, 1919 — Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. And of course he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.)
Born June 29, 1920 — Ray Harryhausen. All-around film genius who created stop-motion model Dynamation animation. His work can be seen in The 7th Voyage of Sinbad (his first color film) which was nominated for a Hugo at Detention, Jason and the Argonauts, Mighty Joe Young and Clash of the Titans. (Died 2013.)
Born June 29, 1943 — Maureen O’Brien, 78. Vicki, companion of the First Doctor. Some 40 years later, she reprised the role for several Big Finish Productions Doctor Who audio works. She had a recurring role as Morgan in The Legend of King Arthur, a late Seventies BBC series. Her Detective Inspector John Bright series has been well received.
Born June 29, 1947 — Michael Carter, 74. Best remembered for being Gerald Bringsley in An American Werewolf in London, Von Thurnburg in The Illusionist and Bib Fortuna in the Return of the Jedi. He plays two roles as a prisoner and as UNIT soldier in the Third Doctor story, “The Mind of Evil”.
Born June 29, 1950 — Michael Whelan, 71. I’m reasonably sure that most of the Del Rey editions of McCaffrey’s Dragonriders of Pern series was where I first noticed his artwork but I’ve certainly seen it elsewhere since. He did Heinlein’s The Cat Who Walks Through Walls cover which I love and many more I can’t recall right now. And there’s a wonderful collection of work available, Beyond Science Fiction: The Alternative Realism of Michael Whelan.
Born June 29, 1956 — David Burroughs Mattingly, 65. He’s an American illustrator and painter, best known for his numerous book covers of genre literature. Earlier in his career, he worked at Disney Studio on the production of The Black Hole, Tron, Dick Tracy and Stephen King’s The Stand. His main cover work was at Ballantine Books where he did such work as the 1982 cover of Herbert’s Under Pressure (superb novel), the 2006 Anderson’s Time Patrol and the 1983 Berkley Books publication of E. E. ‘Doc’ Smith Triplanetary.
Born June 29, 1968 — Judith Hoag, 53. Her first genre role was in Teenage Mutant Ninja Turtles as April O’Neil followed by being in Armageddon playing Denise Chappel and then a Doctor in A Nightmare On Elm Street. She filmed a cameo for another Turtle film, Teenage Mutant Ninja Turtles: Out of the Shadows, but it was deleted. She’s got one one-offs in Quantum Leap, The Adventures of Brisco County, Jr., Strange World, The Burning Zone, X-Files, Carnivàle and Grimm. Her latest genre role was in The Magicians as Stephanie Quinn.
It is a good time to be a superheroic animal. DC’s League of Super-Pets animated movie is on the way and has somehow nabbed Dwayne “The Rock” Johnson as the voice of Krypto the Superdog, along with Kevin Hart as Ace the Bat-Hound, plus Keanu Reeves, Kate McKinnon, Diego Luna, and more. But these critters—and maybe others—have long had superhero careers in the pages of DC Comics. It’s time to look at every member of the Legion of Super-Pets— and see how they compare….
(13) SALE OF THE MID-CENTURY. See a bit of sf history in a photo here on Facebook – at the 1968 Worldcon in Oakland/Berkeley, Harlan Ellison auctions off the services of David Gerrold (standing).
It’s time for a showdown of galactic proportions… In which universe does your loyalty lie, are you Team Spock or is Darth your daddy? Foxglove and Gee Quiz are proud to strike back in 2021 bringing you a quiz from galaxies far away, a showdown between Star Wars and Star Trek superfans.
Whet your whistle in Mos Eisely Cantina while the food replicator whips you up dishes from culinary worlds like Endor, Naboo, Vulcan and Remus. Have you ever tried Petrokian Sausage? All teams answer questions from both universes, including specialty bonus food and beverage rounds to test your knowledge of culinary delights that are out of this world. Every ticket includes 2 drinks, canape and shared table banquet dishes from all corners of the universe!
Book your six person team ($450) or book a single ticket ($75) and declare your loyalty and we’ll match you up with like-minded quizzers.
ORIGINAL: How big? When complete the starship will measure 42-inches long and 18-inches wide. Features will include electronic lights and sounds that can be controlled via an app, and you can open up the saucer section of the Enterprise to see a full 1966-style bridge. The body of the ship will also open to display the engineering room.
A large collaboration of astrophysicists report they have made the first-ever confirmed detections of shockwaves produced by mergers between neutron stars and black holes. The detections, 10 days apart, represent two of these enormous cosmic unions.
In January 2020, Earth quivered ever so slightly as shockwaves imperceptible to human senses passed through it. Those ripples were gravitational waves, perturbations in spacetime generated by all massive objects but only detectable from extremely huge events, like two black holes colliding. The waves were strong enough to be picked up by the Laser Interferometer Gravitational-Wave Observatory in Louisiana (the Washington branch of the instrument was offline at the time) and the similar Virgo experiment in Pisa, Italy. These experiments detect gravitational waves using a sensitive arrangement of mirrors and laser beams.
Black holes are points in space with such intense gravitational fields that not even light can escape. They form when a star dies and collapses in on itself. Neutron stars form similarly; they are the extremely dense collapsed remains of dead stars and are mostly composed of packed-in neutrons.
… Venus doesn’t have plate tectonics. But according to a study published Monday in the Proceedings of the National Academy of Sciences, it may possess a quirky variation of that process: Parts of its surface seem to be made up of blocks that have shifted and twisted about, contorting their surroundings as they went.
These boogying blocks, thin and flat slices of rock referred to as campi (Latin for “fields”), can be as small as Ireland or as expansive as Alaska. They were found using data from NASA’s Magellan orbiter mission, the agency’s last foray to Venus. In the early 1990s, it used radar to peer through the planet’s obfuscating atmosphere and map the entire surface. Taking another look at these maps, scientists found 58 campi scattered throughout the planet’s lava-covered lowlands….
(18) SHOW BIZ WANTS YOU. Universal Studios Hollywood put out a call for contestants to be on “the first ever Harry Potter quiz show.” The application is here.
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Ratchet and Crank: Rift Apart,” Fandom Games says the latest line extension of the Ratchet and Crank franchise is so familiar that “if it seems like a new coat of paint on an old favorite, that’s what it is” and shows the rule of the gaming industry, that, “If it ain’t broke, just slap newer-looking graphics on it and charge full price.”
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, James Davis Nicoll, Daniel Dern, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]
With controversy engulfing the Hollywood Foreign Press Assn. and major Hollywood players backing away from the embattled organization, NBC announced Monday that it will not air the Golden Globe Awards in 2022.
…The decision comes as influential studios continued to back away from the Hollywood Foreign Press Assn., with WarnerMedia joining Netflix and Amazon Studios in cutting ties with the organization until sweeping reforms are enacted.
The WarnerMedia letter says in part:
We understand the challenges ahead for you, as we work towards diversifying our own executive and employee ranks. However, we call upon you to move with greater urgency. The currently planned 18-month timeline runs through the 2023 Golden Globes, which means the same voting body will be impacting the next two nomination and voting cycles. The HFPA has a membership of less than 90 journalists. Lasting and meaningful change to your membership goals could be achieved in under 18 months. The HFPA cannot accurately reflect the best of our industry until your membership expands to reflect more of the social, cultural and ethnic diversity that exists in the stories we tell and the creators with whom we work.
We’re also asking for a strong commitment to significant change in talent press conferences. We are keenly aware of how much harder we’ve had to lobby to secure press conferences for a number of Black performers and creators, representing unquestionably worthy content. This same work has often then gone unrecognized in your nomination and awards process. In addition, our teams have endured press conferences where our talent were asked racially insensitive, sexist and homophobic questions. For far too long, demands for perks, special favors and unprofessional requests have been made to our teams and to others across the industry. We regret that as an industry, we have complained, but largely tolerated this behavior until now.
Our talent and our staff deserve a professional environment while doing their jobs promoting our series and films. Therefore, we would also like to see the HFPA implement a specific and enforced code of conduct that includes zero tolerance for unwanted physical contact of all talent and staff. We recognize that this conduct is not representative of your full membership, but we need assurances that there will be timely, actionable next steps to discipline members who exhibit inappropriate behavior.
…So you sent me this wonderful speech questioning the old Arthur C. Clarke line, “Any sufficiently advanced technology is indistinguishable from magic,” what don’t you like about that line?
TED CHIANG: So, when people quote the Arthur C. Clarke line, they’re mostly talking about marvelous phenomena, that technology allows us to do things that are incredible and things that, in the past, would have been described as magic, simply because they were marvelous and inexplicable. But one of the defining aspects of technology is that eventually, it becomes cheaper, it becomes available to everybody. So things that were, at one point, restricted to the very few are suddenly available to everybody. Things like television — when television was first invented, yeah, that must have seemed amazing, but now television is not amazing because everyone has one. Radio is not amazing. Computers are not amazing. Everyone has one.
Magic is something which, by its nature, never becomes widely available to everyone. Magic is something that resides in the person and often is an indication that the universe sort of recognizes different classes of people, that there are magic wielders and there are non-magic wielders. That is not how we understand the universe to work nowadays. That reflects a kind of premodern understanding of how the universe worked. But since the Enlightenment, we have moved away from that point of view. And a lot of people miss that way of looking at the world, because we want to believe that things happen to us for a reason, that the things that happen to you are, in some way, tied to the things you did….
(3) AN EMMY FOR GINA CARANO? Here’s a surprising development: Disney+/Lucasfilms have included Gina Carano in their “for your consideration” advertising that promotes their works for the Emmy Awards. Carano was dropped from consideration in future Star Wars properties after she issued a series of tweets that Disney labeled “abhorrent and unacceptable”. The New York Post has the story: “Fired ‘Mandalorian’ star Gina Carano gets Emmy nomination push”.
Three months after Lucasfilm gave “The Mandalorian” star Gina Carano the axe for a series of controversial social-media posts, the company has included her in their 2021 Emmy Awards campaign.
The 39-year-old’s name is listed under the Supporting Actress category in a “for your consideration” poster promoting various Season 2 stars of the Disney+ show, CNET reported. The poster also advocates for lead actor nominations for Pedro Pascal, supporting actor noms for Giancarlo Esposito and Temuera Morrison, and guest actor nods for 18 actors, including Rosario Dawson, John Leguizamo, Mark Hamill and Amy Sedaris.
(4) PENNSYLVANIA LIFTING RESTRICTIONS. And an in-person PulpFest is back on track:
On Tuesday, May 4, Pennsylvania Governor Tom Wolf announced that nearly all COVID-19 mitigation orders—including capacity restrictions on indoor gatherings—will be lifted on Memorial Day.
According to the coronavirus page of the Pennsylvania Department of Health: “Effective May 31, we are lifting COVID mitigation orders, except masking. The masking order will be lifted when 70% of Pennsylvania adults are fully vaccinated.”
Pennsylvania’s acting Health Secretary, Alison Beam, encouraged everyone to get vaccinated. “Follow through with both doses if you receive the Moderna or Pfizer vaccines, and continue to take steps like masking, frequent handwashing and sanitizing, and social distancing,” Beam said.
But that’s not all. There’s more good news to share!
On the same day as Governor Wolf’s announcement, the convention’s host hotel—the DoubleTree by Hilton Pittsburgh – Cranberry —informed PulpFest that the meeting rooms where the convention is scheduled to be held will be available to the convention for the entire weekend.
So as things now stand, PulpFest 2021 will take place from Thursday, August 19, through Sunday, August 22….
After “Star Trek’s” launch, legendary actress Nichelle Nichols considered leaving the series — until an encounter with one of her biggest fans.
(6) OUTLANDISH CLAIMS. [Item by Olav Rokne.] Writing at Collider, Tom Reitman makes an excellent argument in favor of Sean Connery’s movie Outland. He argues that it is a piece of cinema worth reconsidering as an excellent example of how to remake movies. “Why Sean Connery’s Outland Is a Perfect Remake”.
By updating not only the setting of High Noon but also the moral conflict at its center, Outland successfully reinterprets the story for a new generation of moviegoers. Rather than simply redoing the movie with a new cast and modern dialogue and setpieces, Outland took the bones of its predecessor and created a more relatable exploration of the same themes, resulting in a movie that is both a perfect companion piece to High Noon as well as a captivating story that stands on its own.
Known the world over as ‘The Father of Television’, John Logie Baird’s contributions to the world of technology cannot be understated.
His groundbreaking exploration into moving images paved the way for a revolutionary invention that changed the world as we know it and his impact
is still being felt to this very day. However, his journey to television was far from easy, and was filled with obstacles and speed bumps along the way.
Find out more about the life and work of this legendary inventor.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 10, 1863 — Cornelius Shea. As the authors of SFE put it, “author for the silent screen and author of dime novels (see Dime-Novel SF), prolific in many categories but best remembered for marvel stories using a fairly consistent ‘mythology’ of dwarfs, subterranean eruptions, and stage illusion masquerading as supernatural magic.” To my surprise, only two of his novels are in the Internet Archive, though Complete Mystery Science Stories of Cornelius Shea which includes two of these Novels is available from iBooks and Kobo. (Died 1920.) (CE)
Born May 10, 1895 — Earl Askam. He played Officer Torch, the captain of Ming the Merciless’s guards, in the 1936 Flash Gordon serial. It’s his only genre appearance though he did have an uncredited role in a Perry Mason film, The Case of Black Cat, which is at least genre adjacent as the defendant is a feline! (Died 1940.) (CE)
Born May 10, 1899 — Fred Astaire. Genre work includes On The Beach, Finian’s Rainbow and The Man in the Santa Claus Suit. Did a surprising amount of acting for someone who’s Hollywood screen test result was “Can’t act. Slightly bald. Also dances.” (His non-genre 1958 TV special AnEvening with Fred Astaire won 11 Emmys, one of them shared by OGH’s father, NBC video engineer Harry Glyer.) (Died 1987.) (CE)
Born May 10, 1905 – Alex Schomburg. A hundred thirty covers, two hundred sixty interiors – not counting five hundred comic-book covers, although some are ours e.g. The Human Torch. Here is Son of the Stars. Here is the Apr 53 Galaxy. Here is the Oct 61 Fantastic. Here is the Westercon 37 Program Book (designed to look like The Magazine of Fantasy and Science Fiction). Here is the Jan 93 Tomorrow. Here is his endpaper for the Winston SF books, later used by Vincent DiFate for Infinite Worlds. Frank R. Paul Award. Inkpot. Chesley for Artistic Achievement. Special Committee Award for Lifetime Achievement from Noreascon III the 47th Worldcon. First Fandom Hall of Fame. Artbook Chroma (with Jon Gustafson). (Died 1998) [JH]
Born May 10, 1935 – Terrance Dicks. He had a long association with Doctor Who, working as a writer and also serving as the program’s script editor from 1968 to 1974. He also wrote many of its scripts including The War Games which ended the Second Doctor’s reign and The Five Doctors, produced for the 20th year celebration of the program. He also wrote novelizations of more than sixty of the Doctor Who shows. Yes sixty! Prior to working on this series, he wrote four episodes of The Avengers and after this show he wrote a single episode of Space: 1999 and likewise for Moonbase 3, a very short lived BBC series. (Died 2019.) (CE)
Born May 10, 1936 – Anthea Bell. Translator from Danish, French, German, e.g. Hans Christian Andersen, Asterix, E.T.A. Hoffmann. Four Schlegel-Tieck Prizes. Three Marsh Awards. Wolff Prize. Earned four Batchelder Awards for three publishers. German Federal Republic’s Cross of Merit. Officer of the Order of the British Empire. (Died 2018) [JH]
Born May 10, 1944 – Bruce Pennington, age 77. A hundred ninety covers, a score of interiors. Here is Dune. Here is The Moon Is a Harsh Mistress. Here is The Island of Doctor Death and Other Stories and Other Stories. Here is Dreaming Spheres. Two British SF Ass’n Awards. [JH]
Born May 10, 1955 – Tim Illingworth, age 66. Chaired Eastercon 40 and 44 (combined with Eurocon 16; also SMOFcon 10 the next weekend). Doc Weir Award. [JH]
Born May 10, 1963 — Rich Moore, 58. He’s directed Wreck-It Ralph and co-directed Zootopia and Ralph Breaks the Internet; he’s has worked on Futurama. It’s not really stretching the definition of genre, so I’ll note that he did the animation for the most excellent Spy vs. Spy series for MADtv. You can see the first one here. (CE)
Born May 10, 1964 – Pauline Alama, age 57. One novel, a score of shorter stories, poems. “Which part of the label are you questioning – science fiction or romance?” Website. [JH]
Born May 10, 1969 — John Scalzi, 52. I’ve enjoyed everything I’ve ever read by him. What would I recommend to anyone who hasn’t read him? The Old Man’s War series certainly is fantastic, with Zoe’s Tale bringing tears to my eyes. The Interdependency series is excellent. I really have mixed feelings about Redshirts in that it’s too jokeyfor my taste. I will note that his blog is one of a very few where I read every post. (CE)
Born May 10, 1975 – Jeremy Zimmerman, age 46. Two novels, a dozen shorter stories. Games. Mad Scientist Journal (with wife Dawn Vogel), six MSJ Presents anthologies. Website. [JH]
(9) COMICS SECTION.
On The Far Side, somebody must’ve made a wrong turn at Betelgeuse.
Come June, I won’t be able to play cards with Nelson Algren any more, I guess.
I am very pleased and proud to announce that my alma mater, Northwestern University, will be presenting me with an honorary doctorate at this year’s commencement, on June 14…
This year’s commencement will be virtual, so the presentation and my acceptance will be taped.
It is hard to believe that it has been half a century since my own commencement from Northwestern, in 1970. Where have the years gone?
If I could go back in time and tell 1970 Me that this would happen one day, he would never have believed me. (On the other hand, 1970 Me believed that one day he would vacation on the Moon, so… he may have written science fiction, but predicting the future was not his strong suit).
(11) BRIN INTERVIEW. At the Odyssey Writing Workshop Blog Guest Lecturer David Brin answers questions about his drafting process:
You’ve written a number of stories in the Uplift universe, which is a science fiction series about biological uplift. How much planning for the series did you do ahead of time? Do you tend to be more of an outliner, or do you tend to write by the seat of your pants?
I’ve written two novels from strict outline and that went very well. Why do I do it so seldom, then? Starting a novel is hard for me because I don’t know the characters yet and I haven’t yet had multiple “aha!” moments when I discover what the story is really about. I end books really, really well. For more on the great idea of uplift, which could be done very badly and likely has already begun, see http://www.davidbrin.com/uplift.html.
… What if your shirt could sense that you’re sweating and adjust its temperature? Or what if your pants could notice that your stride has changed and alert you at the onset of injuries? That’s what the future may hold, textile researchers say. It might be years, possibly even decades, for the tech to reach consumers, but the foundation is being laid today with scientists creating pieces of fabric that push the boundaries of what’s been possible before.
In March, researchers from China’s Fudan University published findings on electronic fabric capable of turning clothing into a display screen. They hope to turn their attention to the consumer market next, according to Qibing Pei, a materials scientist at the University of California at Los Angeles who co-authored the study….
Elon Musk’s SpaceX will launch the “DOGE-1 Mission to the Moon” in the first quarter of 2022, with the company accepting the meme-inspired cryptocurrency as full payment for the lunar payload.
Geometric Energy Corporation announced the dogecoin-funded mission on Sunday, which SpaceX’s communications team confirmed in an email to reporters. The mission’s financial value was not disclosed.
DOGE-1 will fly a 40 kilogram cube satellite as a payload on a Falcon 9 rocket, with Geometric Energy Corporation saying its payload “will obtain lunar-spatial intelligence from sensors and cameras on-board with integrated communications and computational systems.”
SpaceX vice president of commercial sales Tom Ochinero said in a statement that DOGE-1 “will demonstrate the application of cryptocurrency beyond Earth orbit and set the foundation for interplanetary commerce.”…
Dallas and Fort Worth hosted the 1976 dystopian film Logan’s Run. Several scenes were filmed in the Dallas Market Center, a shopping mall standing in for “The City,” an underground complex whose residents believe is the only safe place left on Earth. Another mall, the Hulen Mall in Fort Worth, was just completing construction during filming and was also used for some scenes.
(15) 60 MINUTES ON MARS. [Item by Martin Morse Wooster.] Anderson Cooper on 60 Minutes had a segment about Perserverance and Ingenuity. What makes this interesting is that JPL let them have test footage of Ingenuity showing how complicated the helicopter is based on early models that crashed. This reminds us of how complex an achievement the new Mars mission is. There is extra footage on 60 Minutes Overtime. “Perseverance rover, Ingenuity helicopter, and the search for ancient life on Mars”.
(16) VIDEO OF THE DAY. In “Transformers: Revenge of the Fallen Pitch Meeting” on ScreenRant, the screenwriter explains that this Transformers movie has nothing to do with earlier ones because he trashed his DVD player by sticking a bagel in it and trying to toast the bagel by throwing the DVD player in the oven. Also, many pages of the script simply say, ‘EXPLOSIONS.”
[Thanks to Mike Kennedy, Lise Andreasen, John King Tarpinian, JJ, Olav Rokne, John Hertz, Rob Thornton, Dann, Cat Eldridge, Martin Morse Wooster, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]
Tonight’s Primetime Emmy Awards broadcast ended the week-long series of presentations that comprised the 72nd Emmy Awards. The complete lists of winners can be downloaded here.
Watchmen was named Best Limited Series. Cast members Regina King won Best Actress and Yahya Abdul-Mateen II won supporting actor in a Limited Series or TV Movie. Damon Lindelof and Cord Jefferson also claimed the category’s Writing award for their Watchmen episode “This Extraordinary Being.”
The Mandalorian earned numerous Emmys in the crafts and production categories.
Chadwick Boseman, Dame Diana Rigg, DC Fontana, René Auberjonois, Robert Conrad, Brian Dennehy, Buck Henry, and Max Von Sydow were among the genre figures honored during the In Memoriam video.
2019 Primetime Emmy Awards were presented September 22 in Los Angeles.
Game of Thrones claimed the Emmy
for outstanding drama series, the
fourth win for best drama, tying it with the other four-time victors in the
category — Hill Street Blues,L.A. Law, The West Wing and Mad Men.
Dinklage also took home his fourth Emmy for his role as Tyrion Lannister.
all started in the demented mind of George R.R. Martin,” executive
producer David Benioff said on stage.
Outstanding Drama Series
Game of Thrones
Outstanding Comedy Series
Outstanding Limited Series
Outstanding Drama Actor
Billy Porter (Pose)
Outstanding Drama Actress
Jodie Comer (Killing Eve)
Outstanding Supporting Actor in a Drama Series
Peter Dinklage (Game of Thrones)
Outstanding Supporting Actress in a Drama Series
Julia Garner (Ozark)
Outstanding Guest Actor in a Drama Series
Bradley Whitford (The Handmaid’s Tale)
Outstanding Guest Actress in a Drama Series
Cherry Jones (The Handmaid’s Tale)
Outstanding Directing for a Drama Series
Jason Bateman, Ozark —
Outstanding Writing for a Drama Series
Jesse Armstrong, Succession —
“Nobody Is Ever Missing”
Outstanding Comedy Actor
Bill Hader (Barry)
Outstanding Comedy Actress
Phoebe Waller-Bridge (Fleabag)
Outstanding Supporting Actor in a Comedy Series
Tony Shalhoub (The Marvelous Mrs. Maisel)
Outstanding Supporting Actress in a Comedy Series
Alex Borstein (The Marvelous Mrs. Maisel)
Outstanding Guest Actor in a Comedy Series
Luke Kirby (The Marvelous Mrs. Maisel)
Outstanding Guest Actress in a Comedy Series
Jane Lynch (The Marvelous Mrs. Maisel)
Outstanding Directing for a Comedy Series
Harry Bradbeer, Fleabag — “Episode
Outstanding Writing for a Comedy Series
Phoebe Waller-Bridge, Fleabag
— “Episode 1″
Outstanding Lead Actor in a Limited Series
Jharrel Jerome (When They See Us)
Outstanding Lead Actress in a Limited Series
Michelle Williams (Fosse/Verdon)
Outstanding Supporting Actor in a Limited Series
Ben Whishaw (A Very English Scandal)
Outstanding Supporting Actress in a Limited Series
Patricia Arquette (The Act)
Outstanding Directing for a Limited Series, Movie, or Dramatic
Outstanding Writing for a Limited Series, Movie, or Dramatic
Outstanding Television Movie
Outstanding Competition Program
RuPaul’s Drag Race
Outstanding Structured Reality Program
Outstanding Unstructured Reality Program
United Shades of
America with W. Kamau Bell
Outstanding Variety Talk Series
Last Week Tonight
With John Oliver
Outstanding Variety Sketch Series
Saturday Night Live
Outstanding Variety Special (Live)
Live In Front Of A Studio Audience: Norman Lear’s All In The
Family and The Jeffersons
Outstanding Variety Special (Pre-recorded)
When Corden Met McCartney Live From Liverpool
Outstanding Directing for a Variety Series
Don Roy King, Saturday Night Live
— “Host: Adam Sandler”
Outstanding Writing for a Variety Series
Last Week Tonight
With John Oliver
Outstanding Writing for a Variety Special
Gadsby for Hannah Gadsby: Nanette
series or special
Bourdain Parts Unknown
[Apologies for any of these that were really given during the
Creative Arts Emmys broadcast last weekend, though I’ve tried to sort that