By James Bacon: Journey Planet announces the publication of their 53rd edition of their Hugo Award winning fanzine, JP53: The Future of Policing. Co-editor, author, and fan Errick Nunnally suggested the theme for this issue because he felt that it was a rich and timely subject that could be explored from a diverse set of perspectives. As he explains in his “enditorial”:
“The concept of law enforcement in speculative fiction is an old one… The entire world was just beginning to wake up to the plight of Blacks, trans-folk, Native Americans, and other minority populations with law enforcement officers and justice systems. Then the pandemic hit. And George Floyd’s name was added to the seemingly neverending list of Black people killed by the police. What has followed are the most significant and enduring protests since the Civil Rights era, altering the world’s perception of law enforcement systems. Enter fans. What you’re reading is the raw enthusiasm of fans for the theme of this issue.”
With a wonderful cover by Afua Richardson, an exclusive preview panel from The Legend of Luther Arkwright, a work-in-progress by Bryan Talbot, and a fabulous rendition of a classic film poster by Mike Carroll, the imagery is presented alongside incredible essays about the future of policing. Also included in the zine is a micro focus on the TV programme Watchmen.
With over thirty contributors, we are pleased to offer these fabulous examples of thoughtfulness and sincerity that consider just what the hell is going on right now.
Essays include “The Tears Of A Policeman” by Brendan DuBois, “Suspension Of Disbelief And Policing In SF.” by Christopher Golden, “The Future Is Now,” by Nicole Givens Kurtz, Brenda Noiseux’s examination of hard-pressed, cibopath detective Tony Chu from Chew, and David Ferguson’s look at Doctor Who. “The Algorithms of Policing” by Anton Marks offers a Black SF writer’s perspective from London. We also have voices from Ireland, Pádraig Ó Méalóidm and Noelle Ameijenda; China, Regina Kanyu Wang; and Germany, Tobias Reckermann. All with their own very different perspectives.
We were especially pleased about our “Instant Fanzine” response from Jeannette Ng, who offers a realistic and determined view on the future of policing as well as fabulous insight into her thoughts on the Watchmen TV series as well as many other responses that truly capture this moment in time.
As co-editor Erin Underwood says, “We were looking for impressions from our community within fandom and that is exactly what we received. This edition of Journey Planet is powerful. I think that may unsettle some people. Some may even argue that it has an anti-police feel because of the unvarnished truths that this fanzine shares.”
This issue was edited by Erin Underwood, Errick Nunnally, Christopher J. Garcia and James Bacon. We all hope you find this zine thought-provoking.
(3) INSIDE THE HUGO CEREMONY. Erin Underwood, who presented the Best Fan Writer Hugo, told Facebook readers some specifics about the lack of support she received, and offered these general comments —
A few more thoughts, the ConZealand Hugo Awards Ceremony production team owned the production of the event (edited to be clear). It was their show. What we saw was what they created. George owns his words and choices, but they own the decision of using those videos. They produced the show that we saw.
… It is hard to push back against an iconic guest and to provide critical guidance for improved performance, but that was their job. ConZealand owned that Hugo Ceremony from start to finish. As con runners and volunteers, it’s our job to make sure that our speakers and guests are well-prepared and know exactly what’s expected of them, and if they fail, we fail.
CoNZealand Hugo administrators were as much in the dark about what was going on as you were. Probably more so in that we had no input at all, whereas at least you recorded a video.
Edited to add: practically the first thing we did with finalists was to ask the correct pronunciation of their names.
(4) AVOID FRIENDLY FIRE. Michi Trota is concerned about collateral damage from the social media response to the troubled Hugo Awards ceremony.
(5) ASPIRATION PLUS PERSPIRATION. Cheryl Morgan analyzes some of the challenges of managing Worldcons in “Why Worldcons Go Wrong” and says in conclusion:
…There’s a tendency in certain quarters to sneer when people say that running Worldcon is hard, but it is, and unless you have actually done it you probably don’t understand just how hard it is. Which is not to say that people don’t make terrible mistakes, and should not be called to account for them. I can assure you that I have done that often enough in my time (ask people about TorCon 3 if you don’t believe me). However, I have always tried to do so in the hope that we can learn from our mistakes and make Worldcon better. I hope you can see from the above that fixing things, or creating an alternative, is not simply a matter of vowing to “do better”.
(6) CLOSED CAPSHUNNING. The AI still needs some work.
The Eighties were a golden era for science-fiction. Cineplexes were chockablock with blockbusters like The Empire Strikes Back, Back to the Future, Aliens and The Terminator. On the small screen, you could get your space fix with Star Trek: The Next Generation. Sitcoms had aliens and androids as their stars in ALF and Small Wonder. Even the cars could talk on Knight Rider.
Of course, not everything was a hit. For every smash, there were scores of knock-offs. Every network attempted to launch its own time travel adventure, it seems. While these shows rarely made it to a second season, they remain cult favorites of those who watched them. They might have thrived today, in our geek culture of a thousand options…
13. THE POWERS OF MATTHEW STAR (1982–83)
Peter Barton starred alongside Lou Gossett, Jr., in this 1982 superhero series. Production began in 1981, though was put on hold after Barton fell onto a pyrotechnics flare, suffering severe third degree burns. Production was shut down, as the actor healed for several months in a hospital. Barton had edged Tom Cruise for the lead role, an alien prince hiding out in high school on earth. Star Trek fans take note: Leonard Nimoy directed an episode, and Walter Koenig wrote one.
I mean, in a novel. OK, a minor character, more like a cameo, but still — my name is the first that you see in the first chapter of “The Relentless Moon,” the new novel in Mary Robinette Kowal’s “Lady Astronaut” science fiction series. The novels are set in an alternate timeline that has the world, after a devastating meteorite strike and the resulting runaway global warming, greatly accelerating its space program to get humans off the doomed planet.
HALFWAY TO MARS John Schwartz, Special to the National Times KANSAS CITY, March 28, 1963 — If all goes as it should — and in space, that is no sure thing — then sometime today, thirteen brave voyagers will cross a Rubicon that no man ever has: the halfway point between our home planet and Mars.
Ms. Kowal, who has won Hugo and Nebula awards and who is president of the Science Fiction & Fantasy Writers of America, makes her novels something of a group project by relying on the expertise of others for thorny passages: She gets help with orbital mechanics and spacecraft piloting, for example, from actual astronauts. She puts the names of real people into her work, including astronauts.
But she tucks in other names, as well….
(9) DON COMES UP LIKE THUNDER. [Item by Martin Morse Wooster.] Last night I heard a 2019 podcast Leonard and Jessie Maltin did with Don Hahn. Hahn began his career at Disney in the mid-1970s, back when an animator who asked to “see a scene” could have an intern go to the storage area where the original cels were stored. Hahn’s been associated with Disney ever since, surviving the first attempt to revive the animation decision in the early 1980s and the second one when Disney shifted to musicals with The Little Mermaid. He was the producer of the first versions of Beauty and The Beast and The Lion King, and tells many stories about the era, including how The Lion King was nearly scored by ABBA. He’s also proud of spotting talent early, including seeing the potential in composer Hans Zimmer and director Tim Burton, and says Burton became a success because of “an incredible work ethic.”
Hahn also writes books, including books about animation and an edited version of Walt Disney’s memos about animators. He paints and published a collection of his art called Hahn Solo.
Hahn also directs documentaries about Disney. His most recent one is Howard, about Howard Ashman, who revived the American musical with his lyrics for The Little Mermaid and Beauty and The Beast but whose career was tragically cut short after he died of AIDS in the early 1990s. Howard is dropping on Disney+ on August 7,
Hahn was going to come to a movie convention Maltin held last year, and promised he would sign a book any way a customer wanted “as long as it was legal according to the laws of the state of California.”
John Clute, the co-editor of the six million-word Encyclopedia of Science Fiction, is pleading with me.
“Please don’t use it, it is deeply vulgar and very stupid. It’s really kind of reprehensible . . . I shouldn’t have mentioned it at all, and I didn’t.” But, John, it’s out there, it’s in your book. I really have no choice.
The term he loathes is “cli-fi”. It means climate-change fiction — stories about the world after a climate catastrophe, stories that used to be called science fiction. The purpose cli-fi serves is not noble, it is pure snobbery. It is, as the entry says, a way of “distancing from the perceived downmarket nature or Pulp roots of Genre SF”. “Speculative fiction” is another class-ridden term used by authors who don’t like to be seen slumming it. Even “sci-fi” is not welcome — in TV listings and the like it describes superhero nonsense.
Yet calling it SF will not, for many readers, drag it out of the lower ranks of the literary league table. Jessica Harrison, the editor of the new SF series from Penguin Modern Classics, admits that for her the term at first evoked book or magazine covers with “half-naked girls and purple planets”. Neither is present on the austere white covers of her list…
… Now, and here comes the optimism, SF has gone global, with new waves of Asian and African writers. One Chinese author in particular has to be mentioned, Liu Cixin. I’ve just started reading his book The Three-Body Problem — it is different from anything else and beautifully written. It is also brave, in that it starts with a vivid description of the horrors of Mao’s Cultural Revolution in the 1960s and 1970s. Barack Obama loved the book, not least because it made his “day-to-day problems with Congress seem fairly petty”. That, of course, is exactly what SF should do.
SF will survive even as technological progress seems to race ahead of some of its wildest imaginings. It will survive because it is a way of seeing — not aliens, time warps, superluminal travels and so on, but ourselves. Dr Snaut nailed it in the greatest of all SF movies, Tarkovsky’s Solaris (1972).
“We don’t want other worlds; we want a mirror. We seek contact and will never achieve it. We are in the foolish position of a man striving for a goal he fears and doesn’t want. Man needs man!”
(11) BRIMLEY OBIT. Actor Wilford Brimley, who appeared in Cocoon and its sequel, died August 1 at the age of 85. He was also in The Thing (1982), the Ewoks: Battle for Endor TV movie, Progeny, and in the genre-adjacent Remo Williams: The Adventure Begins (1985) as the head of C.U.R.E.
(12) BELATED MEDIA ANNIVERSARY.
In July 1997, Donnerjack was published by the Easton Press. This was the true first edition as the Avon Books hardcover edition wouldn’t be out for another month. Though it was started by Roger Zelazny, this novel was largely completed by Jane Lindskold. He completed a few hundred pages of the first draft and left detailed notes for its remainder. The outline Zelazny did was entitled ”Donnerjack, of Virtù: A Fable for the Machine Age“. It was to be the first novel in a trilogy but as Zelazny said in his Hugo Award winning “24 Views of Mt. Fuji, byby Hokusai“ novelette, “I know, too, that death is the only god who comes when you call.” (CE)
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 2, 1916 — Elizabeth Russell. She’s best remembered as the Cat Woman (though the voice was dubbed by Simone Simon) in The Cat People. And she was Barbara Farren In The Curse of the Cat People — some of the same characters, not a sequel. She was also Countess Lorenz in The Corpse Vanishes where her co-star was Bela Lugosi. Lastly she was Dean of Women Grace Gunnison in Weird Women which was sort of based off Fritz Leiber’s Conjure Wife. (Died 2002.) (CE)
Born August 2, 1920 — Theodore Marcuse. He was Korob in “Catspaw”, a second-season Trek episode that aired just before Halloween aptly enough. He had appearances in The Twilight Zone (“The Trade-Ins” and “To Serve Man”), Time Tunnel, Voyage to the Bottom of the Sea, Wild, Wild West and The Man from U.N.C.L.E. in the episodes “The Re-collectors Affair”, “The Minus-X Affair”, and “The Pieces of Fate Affair”. (Died 1967.) (CE)
Born August 2, 1942 – Isabel Allende, 78. Adventures in and beside literature include ten novels for us, a score of shorter stories, translated into Dutch, French, German, Portuguese; many others (one of which, Chip Hitchcock, is Zorro). Fan of Shakespeare. Translator of romance novels into Spanish, fired for altering dialogue to show the heroines smarter, plots to show them more independent. First woman to receive the Gabriela Mistral Order of Merit. Harvard Litt.D. (Latin, Litterarum Doctor “doctor of letters”, in her case honoris causa “for the sake of the honor” i.e. honorary degree). Memoir, The Sum of Our Days. American Academy of Arts & Letters. Chilean Literature Prize. Gish Prize. US Medal of Freedom. [JH]
Born August 2, 1945 — Joanna Cassidy, 75. She is known for being the replicant Zhora Salome in Blade Runner and Dolores in Who Framed Roger Rabbit, two of my favorite films. She also did really bad horror films that don’t bear thinking about. I mean really bad horror. (CE)
Born August 2, 1948 — Robert Holdstock. Another one who died far too young. His Ryhope Wood series is simply amazing with Lavondyss being my favorite volume. And let’s not overlook his Merlin Codex series which is one of the more original takes on that character I’ve read. The Ragthorn, co-written with Garry Kilworth, is interesting as well. (Died 2009.) (CE)
Born August 2, 1949 — Craig Shaw Gardner, 71. Comic fantasy author whose work is, depending on your viewpoint, very good or very bad. For me, he’s always great. I adore his Ballad of Wuntvor sequence and highly recommend all three novels, A Difficulty with Dwarves, An Excess of Enchantments and A Disagreement with Death. Likewise his pun-filled Arabian Nights sequence will either be to your liking or really not. I think it’s worth it just for Scheherazade’s Night Out. (CE)
Born August 2, 1949 – Joe Siclari, F.N., 71. Collector, fanhistorian, active in cons and fanzines. New Yorker and Floridian. Chair of MagiCon the 50th Worldcon. Co-founded SMOFcon (“Secret Master Of Fandom”, as Bruce Pelz said a joke-nonjoke-joke) and FanHistoriCon. Published The Complete “Quandry” (Q being Lee Hoffman’s fanzine; note spelling), The Enchantment (Walt Willis), A Wealth of Fable (Harry Warner’s fanhistory of the 1950s); edited a photo-illustrated ed’n of All Our Yesterdays (HW fanhistory of the 1940s). Fellow of NESFA (New England SF Ass’n; service award). Chairman of FANAC (fanac has long been short for fan activity; in this case, the Florida Ass’n for Nucleation And Conventions) which sponsored MagiCon and now sponsors Fancyclopedia 3 and the FANAC Fan History Project. Fan Guest of Honor at MiniCon 31 (with wife Edie Stern), DeepSouthCon 34, Loscon XXVI, Lunacon 51. DUFF (Down Under Fan Fund) delegate (with Stern). Big Heart (our highest service award; with Stern). FAAn (Fan Activity Achievement Award) for Best Online Archive or Resource (i.e. the FANAC Fan History Pjt; with Stern). Named Fan Guest of Honor (with Stern) for Chicon 8 the scheduled 80th Worldcon. [JH]
Born August 2, 1952 – Hope Leibowitz, 68. Only person to have attended every Ditto (fanziners’ con; named for a brand of copying machine). Has lived in Toronto longer than New York (38 yrs, 30 yrs). Contributor to FLAP (Fannish Little Amateur Press, an apa). Sent a birthday card to Bob Madle (see here and here). Likes the cover for Mike Resnick’s Paradise – but I forgot to ask if she meant this one (Whelan) or maybe this one (Gauckler). [JH]
Born August 2, 1954 — Ken MacLeod, 66. Sometimes I don’t realize until I do a Birthday note just how much I’ve read a certain author. And so it was of MacLeod. I’ve read the entire Fall Revolution series, not quite all of the Engines of Light Trilogy, all of The Fall Revolution, just the first two of the Corporation Wars and every one of his one-off novels save Descent. I should go find his Giant Lizards from Another Star collection as I’ve not read his short fiction. Damn it’s not available digitally! (CE)
Born August 2, 1973 – Prapda Yun, 47. Writer, filmmaker, graphic designer. S.E.A. Write Award for Probability (short stories); The Sad Part Was, mostly therefrom, seems the first translation of Thai fiction published in the UK. PY himself has translated Lolita and Pnin, A Clockwork Orange, R.U.R. Songs and other music for Buahima and the Typhoon Band. [JH]
Born August 2, 1976 – Emma Newman, 44. Eleven novels, as many shorter stories (one for Wild Cards). Collection, From Dark Places. Audiobooks. “How LARP [Live-Action Role Playing] Changed My Life” here. Best-Fancast Hugo for Tea and Jeopardy (with husband Peter), see here. [JH]
Born August 2, 1994 – Dawson Vosburg, 16. Three novels. “I love my imagination. It’s the one thing I’m thankful for every day.” Here’s Chapter 2 of Incognito. [JH]
This week in The Full Lid! With the movie riding high I dig into the second volume of the original Old Guard comic series. Force Multiplied changes the game for the immortals in some big ways and is both a good read and a great basis for the almost certain sequel.
Elsewhere this issue I take a look at Fredrica and Stefon Bristol’s audacious and smart time travel movie See You Yesterday which is one of those films that will stay with you after viewing. Finally, I take a look at the first issue of Bleed Them Dry, a vampire/cyberpunk/murder mystery from Vault Comics and the team of Hiroshi Kuzumi, Elliot Rahal, Dike Ruan, Tim Daniel and Miquel Muerto. Our interstitials this week are remixes of classic Calvin and Hobbes strips by the Blindspotting team of Rafael Casal and Daveed Diggs.
The Full Lid is weekly, free and published every Friday at 5 p.m. BST. You can find an archive and a subscription link at the top of this week’s issue.
…my suggestions would be to focus on the award’s goal of introducing fans to lesser-known works and teaching us something about SF history. I’d suggest the following format changes: 1) make it a juried award, with the jury consisting of academics and critics who’ve done historical recovery work; 2) reduce the slate from 12 or so awards to 1 or 2, which would allow for more fan engagement with the work(s) in question; 3) make its guiding question not, ‘what works might have won in a given year’ but ‘Which lesser-known SF works from the years of eligibility most speak to the genre and the SF community in 2022?’”
We at BookNest.eu are incredibly excited to announce that we have reached the extraordinary milestone of TWO THOUSAND reviews! That’s an incredible number, considering all of the hours that go into crafting even a single review. We are proud of our reviewers, who have worked for years with passion and dedication to deliver our reviews to the fantasy community in the hopes of increasing awareness of authors and titles we are excited about.
In celebration of this occasion, our reviewers have compiled a list of our picks for the top one hundred fantasy novels that have been published this century. This list is, of course, subjective, so if your favourite book is missing, we apologize in advance. We have not read every book in the world, and the taste of our reviewers may not reflect your own.
(19) PRETTY COLORS. Goobergunch is definitely showing something here. Excuse me a minute while I go learn from the Wikipedia what it is….
Two NASA astronauts are back on Earth after their space capsule splashed down in the Gulf of Mexico, off the coast of Pensacola, Florida.
The last time any NASA astronauts came home by splashing down was in 1975—and back then, they were in an Apollo space vehicle. This time, the astronauts were in a white, bell-shaped capsule owned by SpaceX.
The success of their test flight, to the International Space Station and back, is a milestone for SpaceX, the first private company to send people to the outpost.
The company has been taking cargo to and from the station for years. This flight with people on board was the final test for SpaceX’s crew system to be certified by NASA as ‘operational’ for future astronaut missions.
That means the U. S. once again has its own ability to put people in orbit and return them safely. Since retiring its space shuttles in 2011, NASA has had to buy seats for its astronauts on Russian spaceships.
NASA can now rely on an American space taxi that takes off from Florida, and it’s already assigning astronauts to future SpaceX missions–including Megan McArthur, who happens to be married to one of the just-returned astronauts, Bob Behnken.
If you wanna watch, it’s live right now on Twitch.
(22) A HORSE, OF COURSE. Adam Thirwell says Bojack Horseman reminds him of everything from Don Quixote to Ibsen in “A Horse’s Remorse” at The New York Review of Books.
…I’m in no way an avid watcher of cartoons but, to risk a sense of disproportion, I began to feel something similar as the animated series BoJack Horseman unfolded on Netflix over six seasons and seventy-seven episodes, beginning in 2014 and ending early this year. “It’s not Ibsen,” went a repeated refrain in the show, which was funny not just because it was a form of immediate self-deprecation about the show itself—a cartoon comedy whose supporting cast includes a news anchor who’s an irascible blue whale and a film studio renamed Warbler Brothers—but also because this show was Ibsen in a way, just an opioid version: a wild investigation of self-deception and failure. Or rather, that’s what I concluded by the end. At first it was simply zany and delightful, this series about a talking horse who’s the washed-up star of a now-forgotten 1990s hit sitcom, Horsin’ Around, a saccharine confection about a horse who adopts three human orphans. But by the time it finished, it had become something much grander and more terrible. Exactly what, however, and exactly how, are conundrums that have preoccupied me….
[Thanks to John Hertz, Chip Hitchcock, rcade, Andrew Porter, JJ, John King Tarpinian, Michael Toman, Dann, N., Mike Kennedy, Cat Eldridge, Daniel Dern, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
The New England Science Fiction Association (NESFA®) will host its first online convention, reCONvene, on Saturday, August 15, 2020 from 11:00 a.m.- 5:00 p.m. Eastern.
“Having speakers participate online removes many of the barriers of participation, opening up the possibilities of who’ve been able to invite,” says Convention Chair, Erin Underwood. “It also allows us to try new things you wouldn’t be able to do at an in-person convention, like tour an artist’s studio.”
The one-day convention will offer science talks, science fiction and fantasy panels, gaming, and author chats led by renowned authors, artists, fans, educators, and scientists. The full schedule is here. Over 50 speakers will participate in the online program, including —
It is a volunteer-run event. Memberships are $10 and help to cover the basic costs of the event. Any additional funds received will go toward future program costs for reCONvene and Boskone such as American Sign Language services, the New Voices Program, and memberships for those in need. Membership registration is available at www.reconvenesff.com.
NESFA, with nearly 400 members from all over the world, is one of the oldest science fiction clubs in the northeastern U.S., and is a registered Massachusetts non-profit literary organization. The club also hosts New England’s longest-running science fiction convention, Boskone, annually in February.
DUFF co-administrator Paul Weimer reports 60 ballots were cast. One of the ballots did not contain any voting information and the donation was just counted as a donation to the fund. Erin won an outright majority on the first round, with 37 first place votes.
However, with ConZealand being a virtual Worldcon this year and Corvid-19, Erin will not be traveling to New Zealand this year, but hopes to travel to Australasia in the DUFF tradition in 2021, health and world events permitting.
Down Under Fan Fund
co-administrator Paul Weimer has announced the 2020 DUFF ballot is live.
There are four candidates to become the fund’s delegate to CoNZealand, the 78th
Worldcon, 2020, in Wellington, New Zealand – Richard Auffrey, Shaun Duke, James
Davis Nicoll, and Erin Underwood.
The voting process is DUFF’s fundraiser, and votes need to be accompanied by a minimum contribution of at least $5 in US, Australian, Canadian, or New Zealand currency.
Vote by emailing a copy of the ballot to both the Administrators. Pay using PayPal or by Credit Card to Paul. Full voting instructions and payment options are in the PDF ballot which is online here.
The voting deadline
is March 27, 20202 at 11:59 p.m. EST (Eastern Standard Time in the U.S.).
The candidates’ platforms
and nominators are:
Send the Passionate Foodie to New Zealand!
I’ve attended SFF conventions for 40 years, including 2 World Cons. Each year, I read 250+ books, including many genre novels, highlighting my favorites each year in my blog. In addition, I’ve previously interviewed numberous SFF authors for my Alcohol, Authors and Accolades series. I’m also the author of the Tipsy Sensei series, supernatural thrillers about a Sake expert encountering creatures from Japanese folklore. In addition, I’ve been a role-player for 40 years, usually as a Game Master, covering a diverse blend of games. It would be an honor to represent U.S. fandom.
(Nominators: North America: Fred Kiesche, Paul Moore, Ed Tisdale; Australasia: Gillian Polack, Dan Rabarts)
I’m a host for the two-time Hugo Finalist podcast, The Skiffy and Fanty Show, and a global SF enthusiast. In 2014, I created the World SF Tour to celebrate non-US SF/F through interviews and discussions; at each of the three international Worldcons I have attended (London, Helsinki, and Dublin), I have recorded podcasts to highlight SF/F from around the world. If selected as the DUFF delegate, I will continue that mission by more deeply exploring fandom and SF/F in New Zealand and Australia at ConZealand. I’ve got a handheld recorder, a geeky mind, and a hankering for ocean crossings!
(Nominators: North America: David Annadale, Beverly Bambury, Jen Zink; Australasia: Joyce Chng, Elizabeth Fitzgerald)
James Davis Nicoll
I would like to stand as a candidate for the 2020 DUFF. I have been an avid reader of speculative fiction for almost sixty years. I have attended cons, written thousands of reviews, served on diverse award juries, and provided the world with valuable safety hints . If I am selected, I vow to embrace tradition and attempt to produce a humorous journal in the tradition of Walt Willis’ The Harp Stateside.
1: Persons concerned about sending me to a geologically active nation like New Zealand can rest assured that the Hawaii incident was probably a fluke.
2: With footnotes.
(Nominators: North America: Sean Fagan, Mike Glyer, David Goldfarb; AU/NZ: Jo Van Ekeren, Elaine Walker)
I’m a con runner and fan editor/writer from Boston, Massachusetts, USA, whose passion for science, fandom, and SF/F drives me to bring new voices to publications and convention programs. While I’ve worked pre-con for many Worldcons, I could only afford attending a few conventions that I helped to create. I’d love to attend ConZealand, sharing my passion for SF/F with New Zealand and Australian fans, while also learning from those communities. I’m editing a special edition of the fanzine, Journey Planet, highlighting New Zealand and ConZealand, and will promote fandom and DUFF through blogging, social media, and a summary report.
(Nominators: North America: Janice Gelb, Nancy Holder, Jim Kelly, Australasia: David McDonald, Garth Nix)
[Update 01/20/2020: Made changes to correspond with revised ballot.]
“The Autobiography of James T. Kirk – The Story of Starfleet’s Greatest Captain,” is to be published by Titan Books on Tuesday – 49 years to the day after “Star Trek” premiered on television in 1966.
It comes with illustrations, including Kirk’s Starfleet Academy class graduation photo and an unsent letter he penned to his son.
Fan fiction plays a popular role in the “Star Trek” universe and interest has been building since actor William Shatner, the best-known embodiment of Kirk, appeared at July’s Comic-Con International with Goodman and read excerpts from the book. A Shatner-signed copy of the book can be found on the Internet selling for $150.00.
According to the autobiography, Kirk passed over the Vulcan Mr. Spock to be his first officer of the starship Enterprise; 20th century social worker Edith Keeler, not the mother of his son, was the great love of his life; and Kirk may have another son on a distant planet – who makes what suspiciously looks like “Star Trek” movies.
Two years in the making, an official touchscreen for the tiny board has gone on sale.
The diminutive Raspberry Pi – a computer on a board the size of a credit card – has been wildly successful. It was created with the aim of encouraging children to experiment with building their own devices and while the makers thought they might sell 1,000 they have now sold well over five million.
London has the oldest subway system in the world: great for tourism, but sometimes not-so-great for commuters. There’s all sorts of sensible plans to upgrade the city’s public transport, but here’s one particularly outside-the-box solution: a 15mph moving sidewalk, looping 17 miles under London. What could go wrong!
(ASM): What upcoming book or project are you are especially excited about? Why that book/project? (Bill, this can be a Rosarium book or something else.)
(BC): All of our projects are really near and dear to my heart, and so are our authors and artists. At this level, you really get to know the people you work with, and you really find yourself rooting for their success and work yourself to the bone to try to help them reach it.
I think the one project, though, that’s nearest and dearest to my heart is Stories for Chip: A Tribute to Samuel R. Delany that I co-edited with Nisi Shawl. I don’t know if I’d have ever written science fiction if it weren’t for Chip, and I can’t help thinking how hard it must’ve been for him to be alone in the field for as long as he was. He had to carry a mighty large load for a lot of people and did it with such grace and intelligence. I told Daniel Jose Older that there are, perhaps, five people on this planet who intimidate me. Delany’s one of them. I just wanted to thank him. It took over two years to do it properly, and, thanks to Nisi and the authors involved, it turned out a lot better than I could’ve possibly hoped.
(5) Tom Knighton’s blog has a new header with a photo of the author, which really brightens the place up.
But it’s true – gay and lesbian writers and activists who wanted to connect with others in the LGBT community in the 1940s could only do so with pseudonyms and double entendre. And they were able to do it with the help of another burgeoning movement with roots in Los Angeles – science fiction….
Kepner and Ben, as Jyke and Tigrina, were both devoted members of the Los Angeles Science Fantasy Society, which met weekly in the basement of the Prince Rupert Arms near downtown Los Angeles to imagine a future of technological marvels and social equality.
The society still exists. Now in Van Nuys, it’s the oldest running science fiction society in the world, and holds members just as devoted as Kepner and Ben once were, like June Moffatt, who joined the society in August 1947 when she was a teenager. She says she “only met Tigrina once” but she knew Kepner quite well.
“He was good fun,” says Moffatt. Moffatt knew Kepner was gay and an activist, but he was still just “one of the gang. I remember once sitting down next to [Kepner] and telling him he was in danger,” Moffatt says, laughing. “I was flirting with him.”
What’s a convention program director to do? They want to present and represent “diversity” in their audience. They’re hearts are in the right place, or not. As others have pointed out, sometimes The Diversity Panel is an excuse for the convention to avoid actually integrating their other panels. Well intentioned or not, the recent fuss at the Hugos really proves this point: we’re here, we’re not going any where. We and our allies vote for awards and read books and *gasp* write and publish them too! The “why is diversity important” is an answered question. So what’s next?
(8) Yesterday I had a clip about a spider clock, but there is a lot more to know about mechanical spiders if you’re interested. (The two of you who raised your hands can keep reading.) One example is this video, Inside Adam Savage’s Cave: Awesome Robot Spider!
We’re back in Adam’s cave to check out his latest obsession, a robot spider with incredibly realistic movement. Adam shows off the special box and platform he built to tinker and calibrate the spider, and then sends it crawling around the pool table in his shop. It’s not for the arachnophobic!
Other recommended one-day build videos are this one building Cylon raiders and troopers from plastic model kits with Aaron Douglas:
And this one building his Kirk chair:
(9) BBC Two has optioned China Miéville’s The City & the City and will develop the novel into a four-part series based on the Inspector Tyador Borlú character. British screenwriter Tony Grisoni is writing the adaptation.
“We are thrilled to be bringing China’s dazzlingly inventive novel to BBC Two,” said Damien Timmer, managing director at Mammoth Screen, which will produce the project. “It’s a 21st Century classic — a truly thrilling and imaginative work which asks big questions about how we perceive the world and how we interact with each other.”
I have officially come to the end of thinking about the Hugos for 2015. If other people decide they want to, that’s their business, but as for here, my plan is let it be through the end of the year. Because, fuck me, I’m tired of them.
May I also suggest that you let it go as well? Surely the rest of your 2015 is better spent doing something else with your time. I’m not saying you have to. I’m just saying you should. That goes for everyone.
If you voted, please write Sasquan, and demand, not ask, that they release the nomination data. The idea that the data must be kept private to avoid someone from deducing the voter’s identities is an absurd lie, not worth wasting ink to refute. They are trying to hide a bloc voting pattern, or a large number of votes that were entered after voting closed or something of the sort.
No, see, THE CABAL keeps certain people down, while THE CONSPIRACY boosts certain people up. Hope that helps. https://t.co/ckISAdztGr
(13) Charles Rector in Fornax #5 [PDF file] begins his editorial on the 2015 Hugos with this tantalizing hook —
Have you ever taken a firm position on a subject only to realize later that you were on the wrong side and as time went on, you got to wonder how you ever took that previous position? That was my experience with this year’s Hugo Awards. When the year started, I was on the side of the slates. It seemed that the slates were a good idea given the state of the Hugo Awards.
I bet you’ll never see a turnaround like that anywhere else.
(14) 100 Years of Robots in the Movies. (Despite the title I’m pretty sure I saw a split second of Doctor Who in there – and other TV shows…)
[Thanks to Andrew Porter, Jerry Pournelle, Ita, and John King Tarpinian for some of these links. Title credit belongs to File 770 contributing editor of the day Cubist.]