Pixel Scroll 2/18/24 Aren’t All Pixels Made Of Exotic Materials?

(1) CANCELLING HERSELF. Samantha Mills mournfully headlined her latest blog post “’Rabbit Test’ unwins the Hugo”. After reading the Barkley/Sanford report and some others’ analysis of the voting reports, Mills says:

…Looking at the information we currently have, it’s hard for me to conclude anything other than: I shouldn’t have been on that ballot. On the one hand, it seems as though the final vote hasn’t been tampered with, and the voters engaged in good faith with the works they were told were the finalists, for which I still say thank you! But it’s really, really hard for me to see past the initial fact, which is that I shouldn’t have been on that ballot.

This entire experience has been very stressful and fraught. Initially I assumed I wasn’t going to be a finalist, because even though the story had taken off like mad in the U.S., the bulk of the membership was not going to be American. I assumed we would see a lot of Chinese nominees — which would have been cool! We’d get a slice of international scifi that I rarely ever see! And then I was really pleasantly surprised to be informed I was a finalist after all. When the full ballot was posted, I was also surprised at how few Chinese nominees were in the fiction categories. There were four in the short story category, though, so I thought it was legit, and that wow, John Wiswell and I somehow made the cutoff anyway, isn’t that amazing!

I accepted the nomination because, you know, it is supposed to be an honor. But then due to concerns about the Worldcon event itself, I elected not to participate in programming or accept a free trip to Chengdu. This was also fraught. I’ve never been to a Worldcon, and I’d never been nominated before. And as I said in my previous long-winded post on the subject, I have nothing against the fandoms at play. But I wasn’t comfortable being one of the faces of local PR under political circumstances that felt entirely above my pay grade, so I bowed out…

(2) HUGO DIAGNOSIS AND POSSIBLE CURE. Nerds of a Feather editorsThe G, Vance K, Arturo Serrano, Adri Joy, Chris Garcia, Paul Weimer, and Alex Wallace have each written part of “The Hugo Awards Crisis Deepens – Where We Stand and How to Save the Awards”.

The G’s segment concludes:

There are two sets of problems here: (a) the proximate issue of what was done in 2023 and (b) what this reveals or illuminates about the the cartel of self-proclaimed “SMOFs” (secret masters of fandom) who treat the Hugos – and Worldcon more broadly – as their birthright, playground and personal fiefdom. The Hugo Awards are supposed to be democratic in nature and process; the behavior of the self-proclaimed “SMOFs” is fundamentally anti-democratic – and this is by no means confined to Chengdu Worldcon.

Now here are my suggestions for how to rebuild trust in the Hugo Awards:

  1. No one involved in the administration of the 2023 Hugo Awards, or who assisted in the collection of political evidence, can ever be allowed to have any role in administering the awards ever again.
  2. Vote tabulation must be performed in a transparent manner using software that multiple people have access to for purposes of validation. 
  3. All tabulations must be independently audited for purposes of verification. 
  4. Individual Cons should no longer administer the Hugo Awards – this should be done by an independent, rotating committee.
  5. All decisions by said committee must be audited; all disqualified nominees must be notified and given time to appeal.

(3) STARSHIP FONZIE SCOOP. Eric Hildeman got ahead of the “Glasgow 2024 Passalong Funds Announcement” with the information he reported in Episode 36 of his “Starship Fonzie” podcast. He’s now also posted a transcript on his blog.

Here’s more information about Chengdu’s passalong offer of $40,000 to Glasgow:

“… My colleague, and I think it’s fair to say, con-running coach, Alexia Hebel, is not only the treasurer for Capricon, she was the treasurer for the Western component of the Worldcon in Chengdu. And as such, one of her duties was to administer the pass-along funds from Chengdu over to Glasgow. What are pass-along funds? Well, if there’s any money left over after running a Worldcon, they have the option and traditionally always do of passing that surplus along to the next Worldcon as a donation towards its effort. It’s a bit more complicated than that, but that’s the basic idea. While in between duties at Capricon and after speaking with Ben Yalow about it, she offered $40,000 in pass-along funds to the Glasgow Worldcon. And again, that’s de rigueur. You know, every Worldcon does this if they can. Glasgow turned the money down. They’re so anxious to avoid any associations with the Chengdu Worldcon that they’re unwilling to even touch the money, to the tune of 40 grand.

(4) SEEN AROUND FANDOM. These convention badge ribbons will be in great demand once somebody starts handing them out.

(5) DRAMA CRITIC. Lauren Oyler asks what effect Goodreads one-star reviews – or any other reviews – have in “’God forbid that a dog should die’: when Goodreads reviews go bad” at the Guardian.

Something dramatic happens on a social media platform every day. On Goodreads, the anachro­nistically designed website for logging, rating (out of five) and reviewing books, the dramas are more amusing, and they occasionally even draw attention from areas beyond the site’s supposedly book-loving users. The most recent featured Cait Corrain, the fantasy author who set up an elaborate network of fake accounts to post positive reviews of her own forthcoming book as well as negative reviews of authors she felt were her competitors. When citizen journalists uncovered her plot in December 2023, her book was cancelled, and she lost her agent and a future book deal.

A juicy, postmodern story of self-sabotage, or a sad one about the intersection of the internet and mental health. Regardless, its stakes are relatively low: publicly harassing one’s colleagues is a sackable offence anyway, and it’s hard to find someone who really cares about the vicissitudes of the young adult literature world who isn’t part of the subculture. I’m not; I’m a professional critic, and an author of a literary novel. I’m a snob. I care about my book, and the authors I feel are my competitors. And while Goodreads has been around since 2007, its significance to the broader literary world remains steadfastly confusing. Does it sell books? Does it make and break careers? The flashy, funny stories that have emerged about the site over the last several years have done exactly what its proprietors surely want: make it seem like Goodreads is important. But is it?…

(6) SIMULTANEOUS TIMES. Space Cowboy Books of Joshua Tree, CA presents episode 72 of the Simultaneous Times podcast with Eugen Bacon & Todd Sullivan. Stories featured in this episode:

  • “A Good Ball” by Eugen Bacon, with music by Fall Precauxions, read by Jean-Paul Garnier
  • “Shards of Glass” by Todd Sullivan, with music by Phog Masheeen, read by Jean-Paul Garnier

Theme music by Dain Luscombe

Available on all podcast players or at Podomatic.

(7) THE SOURCE: SARAH MAAS FANTASY. Ann Smoot points out “The Jewishness of Sarah Maas’ Fantasy World” at Hey Alma. Beware spoilers.

Whether you’ve been thinking about starting to read “A Court of Thorns and Roses,” or you’re a long-time fan of “Throne of Glass,” it’s likely that you’ve heard of Sarah J. Maas. The author is making headlines the world over thanks to her fantasy series. Whether you’re invested in them for the well-written smut or the beautiful way she weaves her stories, fans can’t put down her novels. But what some readers might not know about the rather private author is that she was raised by a Catholic mother and a Jewish father and attended Hebrew school in her youth. She went on to attend Hamilton College for religious studies and met her future husband at her college’s Hillel, where he served as president. Her connection to her Jewish faith isn’t just apparent when looking at her personal history, though. It just takes a keen eye and a flip through any of her series’ to recognize that she has woven her culture through every story….

… The way that Maas deftly and lovingly weaves her Jewish culture and faith into her writing opens up the world of our stories and tradition to a wider audience. Jewish faith hasn’t had a very loud voice in fantasy — but thanks to Maas, that might be about to change.

(8) ROLE MODEL. [Item by Danny Sichel.] “Peter Talks To a Spider”, a ten-page comic, by Donny Cates and Chip Zdarsky, published on Marvel’s official Threads account: “What happens when Spider-Man chats with an actual Spider”. Images at the link.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 18, 1919 Jack Palance. (Died 2006.) Tonight I’ve come to talk of Jack Palance who was born of Ukrainian immigrant parents with name of Volodymyr Palahniuk. His last name was actually a derivative of his original name. While guesting on What’s My Line?, he noted that no one could pronounce his last name, and how it was suggested that he be called Palanski but instead that he decided just to use Palance instead. He didn’t say where his first name came from.

(OK nitpickers, I do not want to hear from you. Seriously, I don’t. His career makes a gaggle of overly catnapped kittens playing with skeins of yarn with lots of lanolin still on it look simple by comparison so I may or may not have knitted it properly here, so bear with my version of it.) 

Jack Palance in 1954.

Surprisingly it looks like that he got his start in our end of things in television performances and relatively late as they started in the Sixties with the first one being Jabberwock on a musical version of Alice Through the Looking Glass. I’m sure I want to see that as it had Jimmy Durante as Humpty Dumpty, and the Smothers Brothers as Tweedledee and Tweedledum. 

Next up was a Canadian production with him in the title role of The Strange Case of Dr. Jekyll and Mr. Hyde, and that in turn saw him being the lead in Dracula, also known as Bram Stoker’s Dracula and Dan Curtis’ Dracula, the last when the ego of the Director got way, way too big. 

Jack Palance as Dracula (1973)

I’m going to digress here because it’s so fascinating. In 1963, The Greatest Show on Earth first aired. This Circus drama had Johnny Slate as the big boss who keeps the circus running as it moves from town to town. It was produced by Desilu, the production company founded by Lucille Ball and Desi Arnaz, Sr. It lasted but one season as it was up against shows by Jack Benny and Richard Boone. 

A bit of hard SF was next, Cyborg 2, released in other countries as Glass Shadow, creative but terribly uninformative, where he’s Mercy, an old renegade cyborg. 

Remember my Birthday recently on the wonderful Carol Serling? Well he was in The Twilight Zone: Rod Serling’s Lost Classics film that she made possible as Dr. Jeremy Wheaton in “Where the Dead Are”. 

If Treasure Island counts as genre and yes I do count it in my personal canon, then his role as Long John Silver is definitely canon. 

He got to play Ebenezer Scrooge in Ebenezer. Now the fun part is that it’s set in the Old West, where he is the most greedy, corrupt and mean-spirited crook in the old West obviously, he sees no value in “Holiday Humbug” by several reviewers. This film I went to look up on Rotten Tomatoes, but no rating there.

Not at all shockingly to me, he shows up on The Man from U.N.C.L.E. where he plays a character of Louis Strago in a two-parter “The Concrete Overcoat Affair” which got reedited as “The Spy in the Green Hat”. 

A bit of horror was next in Tales of the Haunted as Stokes in “Evil Stalks This House” was up late in career.

Finally for roles that I’m reasonably sure were of genre interest, he was on Buck Rogers in the 25th Century as Kaleel in the “Planet of the Slave Girls” episode.

One more gig for him related to genre or at least genre adjacent, though not as a performer, but as the host of Ripley’s Believe It or Not! for four years. He had three different co-hosts from season to season, including his daughter, Holly Palance, actress Catherine Shirriff, and finally singer Marie Osmond. 

I’ll take your leave now. 

(10) COMICS SECTION.

(11) HEAVENLY OSCULATION. [Item by Steven French.] David Tennant answers Guardian readers’ questions about the length of his sideburns, what kind of cheese he would be and being a Doctor Who fan: “David Tennant: ‘Kissing Michael Sheen was fine. He’d brushed his teeth’”.

“Am I as geeky as the Doctor who fans? Yes. As a Doctor Who fan myself of old, I can very much can plug into that. I don’t think I ever got in trouble at school. That is one of those stories that’s ended up on Wikipedia. I wrote an essay on Doctor Who, which some unpleasant newspaper found and printed. But I didn’t get in trouble for it. I think I got quite a good mark for it.”

(12) LGBTQ VIDEO GAMERS. The New York Times article about a GLAAD study says “Report Says 17 Percent of Gamers Identify as L.G.B.T.Q.”  There were 1500 participants in the survey.

Less than 2 percent of console video games include L.G.B.T.Q. characters or story lines even though 17 percent of gamers are queer, according to GLAAD’s first survey on the industry.

The survey, whose results were released on Tuesday, said a majority of respondents had experienced some form of harassment when playing online. But it also found that many queer gamers saw virtual worlds as an escape in states where recent legislation has targeted L.G.B.T.Q. people. Seventy-five percent of queer respondents from those states said they could express themselves in games in a way they did not feel comfortable doing in reality.

“That is a statistic that should pull on everyone’s heartstrings,” said Blair Durkee, who led the advocacy group’s survey alongside partners from Nielsen, the data and marketing firm. “The statistic is driven largely by young gamers. Gaming is a lifeline for them.”

GLAAD has produced a similar breakdown of queer representation in television since 1996. Its latest report found that 10.6 percent of series regulars in prime-time scripted shows identified as L.G.B.T.Q., which researchers said helped put their video game study in perspective….

(13) CREATING VIDEO FROM TEXT. That’s the latest step forward in artificial intelligence says OpenAI in “Sora”.

We’re teaching AI to understand and simulate the physical world in motion, with the goal of training models that help people solve problems that require real-world interaction.

Introducing Sora, our text-to-video model. Sora can generate videos up to a minute long while maintaining visual quality and adherence to the user’s prompt.

Today, Sora is becoming available to red teamers to assess critical areas for harms or risks. We are also granting access to a number of visual artists, designers, and filmmakers to gain feedback on how to advance the model to be most helpful for creative professionals.

We’re sharing our research progress early to start working with and getting feedback from people outside of OpenAI and to give the public a sense of what AI capabilities are on the horizon….

… The current model has weaknesses. It may struggle with accurately simulating the physics of a complex scene, and may not understand specific instances of cause and effect. For example, a person might take a bite out of a cookie, but afterward, the cookie may not have a bite mark….

(14) VIDEO OF THE DAY. The second trailer for Godzilla x Kong: The New Empire has dropped. Only in theaters March 29.

The guardians of nature. The protectors of humanity. The rise of a new empire.

The epic battle continues! Legendary Pictures’ cinematic Monsterverse follows up the explosive showdown of “Godzilla vs. Kong” with an all-new adventure that pits the almighty Kong and the fearsome Godzilla against a colossal undiscovered threat hidden within our world, challenging their very existence—and our own. “Godzilla x Kong: The New Empire” delves further into the histories of these Titans and their origins, as well as the mysteries of Skull Island and beyond, while uncovering the mythic battle that helped forge these extraordinary beings and tied them to humankind forever.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Paul Weimer, Eric Hildeman, Joshua K., Cliff Ramshaw, Kathy Sullivan, Jean-Paul Garnier, Dan Bloch, Rich Lynch, Danny Sichel, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

2024 Philip K. Dick Award Nominees Announced

The six works nominated for the 2024 Philip K. Dick Award were announced by the judges and the Philadelphia Science Fiction Society, along with the Philip K. Dick Trust on January 9.

  • Danged Black Thing by Eugen Bacon (Apex Book Company)
  • The Museum of Human History by Rebekah Bergman (Tin House)
  • Infinity Gate by M. R. Carey (Orbit)
  • Wild Spaces by S. L. Coney (Tordotcom)
  • Where Rivers Go To Die by Dilman Dila (Rosarium Publishing)
  • These Burning Stars by Bethany Jacobs (Orbit)

First prize and any special citations will be announced on Friday, March 29, 2024 at Norwescon 46. Plans for the ceremony will be posted here when they are available.

The Philip K. Dick Award is presented annually with the support of the Philip K. Dick Trust for distinguished science fiction published in paperback original form in the United States during the previous calendar year. The award is sponsored by the Philadelphia Science Fiction Society and the Philip K. Dick Trust and the award ceremony is sponsored by the Northwest Science Fiction Society.  

The judges for this year’s award are Nicky Drayden, Gordon Eklund, Christopher V. Rowe, Kali Wallace (Chair), and Lisa Yaszek.

The Year’s Best African Speculative Fiction 2022 Table of Contents Released

The selections have been announced The Year’s Best African Speculative Fiction 2022 anthology.

This year’s volume is guest edited by two strong voices in the Black speculative fiction space, Eugen Bacon and Milton Davis. It will contain poetry, and cover works from both the 2021 and 2022 years.

The second installment of the World Fantasy Award-winning Year’s Best African Speculative Fiction anthology series, published by a collaboration of Caezik Books of Arc Manor and OD Ekpeki Presents, an imprint of Jembefola Press, will be released August 1, 2023, and can be preordered here.

This anthology series aims to draw attention to the works of Africans and people of African descent, to address visibility and other marginalizing barriers that exist for writers from Africa and the diaspora on the global stage. This year’s volume also pays special attention to black speculative poetry and the power of the word.

The editors received nearly 100 submissions, totaling over 400,000 words.

SHORT FICTION

  • “Broad Dutty Water: A Sunken Story” by Nalo Hopkinson in Fantasy & SF, Nov/Dec 2021
  • “How We Are” by Chikodili Emelumadu in The Horror Anthology, Titan Books, Sept 2022
  • “When She Speaks” by Ugochi Agoawike in Augur Magazine, November 2021
  • “A Pall of Moondust” by Nick Wood in Omenana, April 2021
  • “A Soul of Small Places” by Mame Bougouma Diene and Woppa Diallo in Africa Risen, Tor.com, November 2022
  • “A Sunken Memory” by Donovan Hall in Cyberfunk! Anthology, February 2021
  • “Kaleidoscope” by Milton J. Davis in Muscadine Wine, MV Media, Aug 2022
  • “An Arc of Electric Skin” by Wole Talabi in Asimov’s Science Fiction Magazine, September 2021
  • “Barefoot and Midnight” by Sheree Renée Thomas in Apex Mag, March 2021
  • “Deep in the Gardener’s Barrow” by Tobi Ogundiran in Beneath Ceaseless Skies, November 2021
  • “Destiny Delayed” by Oghenechovwe Donald Ekpeki in Asimov’s Science Fiction Magazine, May/June 2022
  • “District to Cervix: The Time Before We Were Born” by Tlotlo Tsamaase in Prisms anthology, PS Publishing, March 2021
  • “It Calls to You” by Jamal Hodge in Hybrid: Misfits, Monsters, And other Phenomena, June 2022
  • “Like Stars Daring To Shine” by Somto Ihezue in Fireside Magazine, issue 103, July 2022
  • “Make a Memory with Me” by Xan van Rooyen in Galaxy’s Edge, September 2022
  • “March Magic” by WC Dunlap in Africa Risen, Tor.com, November 2022
  • “Memories of the Old Sun” by Eugen Bacon in Chasing Whispers, Raw Dog Screaming Press, September 2022
  • “Old Solomon’s Eyes” by Cheryl Ntumy in FIYAH Magazine of Black Speculative Fiction, Issue #24, October 2022
  • “Peeling Time (Deluxe Edition)” by Tlotlo Tsamaase in Africa Risen, Tor.com, November 2022
  • “The Coward of Umustead” by Diwe Anyadu in Omenana Magazine, Jul 2022
  • “The Mercy of the Sandsea” by Tendai Huchu in Analog Science Fiction and Fact, July/Aug 2022
  • “The Travelling Man” by Radha Opubor in Squinti Publishing, 2021
  • “Them Doghead Boys” by Alex Jennings in Current Affairs Magazine, Jan/Feb 2021
  • “If the Martians Have Magic” by P. Djèlí Clark in Uncanny Magazine, September/October 2021

POEMS

  • “Child Price” by Akua Lezli Hope
  • “Loving Venus” by Jamal Hodge
  • “The Revenge of Henrietta Lacks” by Cecilia Caballero
  • “and this is how it begins” by Gerald Coleman
  • “Becoming” by Miguel O’Mitchell
  • “Fracking-lution” by Linda D. Addison
  • “Nyankopoxyican Breath of Fresh Air” by Andrew Geoffrey Kwabena Moss
  • “Pigeon Police” by Bryant O’Hara
  • “Street Names” by Ndaba Sibanda
  • “Tons of Liquid Oxygen Buckle Too Late Under Strain” by Eugen Bacon
  • “that poor woman” by Gerald Coleman
  • “That Time Your Best Friend Called You Sissy as a Plate of Àmàlà and Gbẹ̀gìrì Cooked by Your Orí” by Ishola Abdulwasiu Ayodele
  • “The Drone’s Retort” by Bryant O’Hara
  • “The Un-Awakened (Octavia E. Butler 1947-2006)” by Linda D. Addison
  • “Igbo Landing” by Akua Lezli Hope

Pixel Scroll 11/27/22 A Long Time Ago, When Pixels Scrolled The Earth, A Filer Was Climbing Mount Tsundoku

(1) BROADCAST MUSIC. Rolling Stone assures us these are the 100 “Best TV Theme Songs of All Time”.

WE APOLOGIZE IN advance for all the TV theme songs we are about to lodge back into your heads. Or maybe we should preemptively accept your thanks?

Despite periodic attempts to contract or outright eliminate them, theme songs are a crucial part of the TV-watching experience. The best ones put you in the right mindset to watch each episode of your favorite, and can be just as entertaining in their own right as any great joke, monologue, or action sequence. So we’ve decided to pick the 100 best theme songs of all time — technically 101, since there are two as inextricably linked as peanut butter and jelly — and attempted to rank them in order of greatness….

John King Tarpinian has scouted ahead and says these numbers are genre: 77, 75, 65, 54, 42, 39, 33, 29, 24, 18, 17, 11, 06.

The highest sf TV show theme is from The Twilight Zone. It lodges at number six between the themes from Fresh Prince of Bel-Air and Mister Rogers’ Neighborhood. (Speaking of number six – I’m shocked to learn that the theme from The Prisoner is not on the list at all.)

P.S. I’m sure John would want me to mention that the theme from Rachel Bloom’s TV show Crazy Ex-Girlfriend is even higher, at number four.

(2) BEYOND GOOSEBUMPS. LA Review of Books hosts ”Stine Still Scares: A Conversation with R. L. Stine”.

DANIELLE HAYDEN: So, could you please tell me a little more about the upcoming comic series, Stuff of Nightmares? And I know some of your earliest work was comics. So how does that feel?

R. L. STINE: Well, yeah, when I was nine, I did comics.

Well, yes, I just mean, like, kind of, full circle now.

You know, I’m having a lot of fun. I’m working with BOOM! Studios in Los Angeles. And I did a series of comic books for them called Just Beyond, which was sort of Twilight Zone for kids. And it became a Disney+ series. We had eight episodes. That was fun. Now I’m doing this for adults; I’m actually writing something for grown-ups. And it’s really gruesome stuff. It’s like my version of Frankenstein. And so, I’m having fun with it. Comic books are fun to write. Forces me to be more visual, you know?…

(3) CSSF VIRTUAL BOOK CLUB. The next title in the Gunn Center for the Study of SF’s (CSSF) monthly virtual book club is Sofia Samatar’s A Stranger in Olondria. This debut novel about a merchant’s journey to the distant land of Olondria where he finds himself haunted by a mysterious force is the 2014 winner of the World Fantasy Award. 

…We hope it’ll be a wonderful read for folks who have ever been “the new person,” or experience homesickness or wanderlust.

Join them on December 16 at noon (Central Time) for our virtual meeting. Register here. Also, this programming is running all year, click here to see what’s in the Book Club’s future.

(4) THE WORDS THAT MAKE THE WHOLE WORLD SING. Today I learned that Chris Weber published Sentient Chili and Stranger Filk: Lyrics to 107 Songs of Science Fiction, Fantasy, and Fandom this summer. Good work!

“Filk” is the term applied to the fan music of science fiction and fantasy. Readers and viewers of the genre will find familiar faces and tales. These lyrics cover topics from movies and television to books and original stories. Much of the collection leans towards humor, while touching other emotional chords as well. The stanzas have the feel of ’80s nostalgia but are not exclusively from that era.

The collection is like the contents of the proverbial box of chocolates, bite-sized and filled with surprises.

(5) IGLESIAS INTERVIEW. “Three Questions for Gabino Iglesias Regarding His Novel ‘The Devil Takes You Home’” at LA Review of Books.

DANIEL A. OLIVAS: The hero (or antihero, if you will) of The Devil Takes You Home is a man who has suffered unspeakable personal loss, not to mention a self-inflicted rupture in his marriage. He feels deep remorse and guilt, yet he is hopeful that one big score will restore some of what he’s lost. Could you talk about how you created Mario and what you wanted to explore through his journey?

GABINO IGLESIAS: One of the things I love the most about horror and crime fiction is that both genres share a heart: at their core are good people who are thrown into bad situations. Mario is all of us — far from perfect but not bad. He’s desperate and the system doesn’t offer him many options. Most people know what that feels like. I wrote about 45,000 words of The Devil Takes You Home while writing for various venues, teaching high school full-time, and teaching an MFA course at SNHU at night. Then I lost the high school teaching gig and my health insurance along with it, and this happened in June 2020, just as the pandemic was raging. I would read about people getting sick and then receiving astronomical medical bills. I was angry and worried, and I injected all of that into Mario. Hopefully that will make him resonate with people, especially with those who understand that good people sometimes do awful things for all the right reasons.

(6) BOOGIEPOP. The second episode of the Animation Explorations Podcast is “Boogiepop & Others (2019) – Breaking it all Down”.

This month, David, Tora, and Alexander Case look at the 2019 adaptation of the successful adaptation of some of the Boogiepop light novels

(7) GOING BACK TO WAKANDA. “Ryan Coogler talks Black Panther sequel ‘Wakanda Forever’” at NPR.

…The film has clearly touched a chord with audiences. It’s already earned more than $300 million in the U.S. and is expected to top the Thanksgiving weekend box office. So we wanted to talk with director and co-writer Ryan Coogler. He says the film, although about grief, shows the sort of rebirth that occurs in the face of insurmountable loss. And he began by telling me what it was like to reimagine the film’s story, which had already been written before Boseman died.

RYAN COOGLER: It was really complicated. It was difficult technically, because Joe and I had a lot of work to do to figure out what this new movie would be without him and without the character. But it was also complicated because me and everybody involved were navigating our own emotional journey, how to deal with losing our friend. So it was admittedly like the most difficult professional thing I’ve ever done and probably the most difficult personally as well….

(8) MAGNIFYING SMALL PRESS PUBLISHING. Cora Buhlert posted “Small Press – Big Stories: Some of Cora’s Favourite Small Press SFF Books of 2022”, an overview done as part of Matt Cavanaugh’s project to highlight small press SFF. First on Cora’s list:

Mage of Fools by Eugen Bacon

African-Australian writer Eugen Bacon is clearly a rising star in our genre. Yet the first time I heard of her was, when I was asked to feature her novel Claiming T-Mo, published by Meerkat Press, at the Speculative Fiction Showcase back in 2019.

Eugen Bacon’s latest release is Mage of Fools, also published by the good folks of Meerkat Press. Mage of Fools is a unique science fantasy tale set in the dystopian world of Mafinga, a polluted hellhole where books, reading and imagination are forbidden by law. Protagonist Jasmin is a widowed mother of two young children as well as the owner of a forbidden story machine. Possessing such a machine is punishable by death and when Jasmin’s story machine is discovered, she faces execution. However, she gets a temporary reprieve… for a terrible price. Because the queen of Mafinga, who cannot have children of her own, wants Jasmin’s children…

Mage of Fools is a great SFF novel, that manages to be both grim and hopeful at the same time. And since Eugen Bacon is also a poet, the novel is beautifully written as well.

(9) MEMORY LANE.

1994 [By Cat Eldridge.] Emma Bull’s Finder: A Novel of The Borderland

I sliced strawberries with all my attention. They were particularly fine ones, large and white clear through without a hint of pink. (Wild Borderland strawberries are one of the Border’s little jokes. They form bright red, and fade as they ripen. No strawberry has ever been so sweet.) — Orient in Emma Bull’s Finder: A Novel of The Borderlands

One of my frequently re-read novels is this one. It’s a comfort read in every meaning of that word. And yes, I do have a personally signed as I do of Bone Dance as well. Of course they’re on the chocolate gifting list.

Emma released this novel on Tor twenty-eight years ago. It’s one of three novels done on the shared world created by Terri Windling, a ruined city sharing a Border with the Fey. Most of the fiction here is short stories, novellas and poetry. This novel and two done by her husband, Will Shetterly, Elsewhere and Nevernever, are the only novels done. His are also excellent.

So why do I like her novel so much that I’ve read it at least a dozen times?

MAJOR SPOILERS FOLLOW. REALLY THEY DO. GO GET A DRINK IN THE DANCING FERRET.

First, it has a first-person narrator in Orient, a young male, who has the psychic ability to find anything if the right question is asked. So when his elf friend, Tick Tock, asks him to find her missing wrench in exchange for supper, little does he know that his life will become the whim of others. There are plenty of characters, all well-fleshed out, and all moving the story along.

Second, it has a compelling story weaving two apparently disparate plots that are here into a single thread that makes perfect sense. And Emma pulls no punches; bad things will happen to folks no matter how central they are to the story including what happens TO Tick Tock which made me cry. A lot of story get packed into its just over three hundred pages and it moves smartly along.

Third, Emma does the best job in this long running series of making the central setting (naturally called Bordertown) feel as if it were an actual place, a neat trick as too many such places feel not quite real. The short stories quite frankly fail at doing this as they focus more on making the characters be Really Cool.

Everything here really does feel as if you could walk down Mock Avenue, have a drink in the Dancing Ferret, and hear the Horn Dance perform as they came down the street on their magic fuelled wheeled motorcycles.

COME BACK NOW, THE HORN DANCE HAS LEFT FOR NOW.

If you like this, I suggest the newest anthology, Welcome to Bordertown: New Stories and Poems of the Borderlands, which Holly Black and Ellen Kushner edited a decade or so back, is well worth your time as are the older anthologies. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 27, 1907 L. Sprague de CampThe Tales from Gavagan’s Bar he wrote with Fletcher Pratt are my favorite works by him. Best novel by him? I’d say that’s Lest Darkness Fall. His only Hugo was awarded at LoneStarCon 2 for Time & Chance: An Autobiography. He got voted the First Fandom Hall of Fame Award, and he got World Fantasy Award for Lifetime Achievement. His very first Award was an IFA for Lands Beyond that he wrote with Willy Ley. (Died 2000.)
  • Born November 27, 1935 Verity Lambert. Founding Producer of Doctor Who. (When she was appointed to Who in 1963, she was BBC Television’s only female drama producer, as well as the youngest.) After leaving BBC, she’d oversee the Quatermass series at Thames. She’d return to BBC to Executive Produce three seasons of So Haunt Me, a supernatural series.  Wiki has her script editing and appearing in a fan-made episode of Doctor Who called “A Happy Ending” in 2006, which is notable for the presence of Susan, played by Carole Ann Ford, the granddaughter of the First Doctor. (Died 2007.)
  • Born November 27, 1940 Bruce Lee. His only genre role was as Kato in The Green Hornet which to my utter surprise only lasted for twenty-six episodes between 1966 and 1967. He also appeared on Batman in three episodes, “The Spell of Tut”, “Batman’s Satisfaction”, and “A Piece of The Action”. Despite the various weird rumors, including Triad induced curses about his death, it was quite mundane. Donald Teare, an experienced forensic scientist who had been recommended by Scotland Yard was assigned to the Lee case. His conclusion was “death by misadventure” caused by cerebral edema due to a reaction to compounds present in the combination Equagesic medication. (Died 1973.)
  • Born November 27, 1951 Melinda M. Snodgrass, 71. She wrote several episodes of Next Generation while serving as the story editor during its second and third seasons. She also wrote scripts for SlidersStrange LuckBeyond RealityOdyssey 5, Outer Limits and SeaQuest DSV. She’s a co-editor of and frequent story contributor to George R. R. Martin’s Wild Cards series.
  • Born November 27, 1957 Michael A. Stackpole, 65. Best known for his myriad Star Wars and BattleTech books, but I’m going to single him out for the excellent Once a Hero which was nominated for a Nebula, his Conan the Barbarian novel, and the two Crown Colonies novels.
  • Born November 27, 1961 Samantha Bond, 61. Best known for playing Miss Moneypenny in four James Bond films during the series’ Pierce Brosnan years. She was also Mrs Wormwood in three episodes of The Sarah Jane Adventures, the spin-off of Doctor Who, and played Helga in Erik the Viking which written and directed by Terry Jones. 
  • Born November 27, 1974 Jennifer O’Dell, 48. Her only meaningful role to date, genre or otherwise, has been that of Veronica on Sir Arthur Conan Doyle’s The Lost World. She’s had some minor roles such on Charmed and Bones, and appearances on films such as Alien Battlefield but nothing major.

(11) BOOP BOOP A DOOP. ScreenRant knows this question has been on your mind: “How Does Luke Skywalker Understand What R2-D2 Says In Star Wars?”

In the original Star Wars trilogy, Luke Skywalker and R2-D2 have several interactions together, but it’s not entirely clear how the Jedi learned to understand what the astromech droid is saying. Droids have always been a key component of the Star Wars franchise, with some of them being so intelligent they can speak multiple languages, such as R2’s companion, protocol droid C-3PO. Artoo, however, has only ever spoken in the default droid language known as “Binary,” which contains a mixture of whistles, chirps, and beeps, both loud and quiet…. 

(12) KSR DROPPING. A little credit gets directed at Kim Stanley Robinson in the New York Times’ article “Douglas Brinkley Would Like to Invite Thoreau to Dinner”.

The historian, whose new book is “Silent Spring Revolution,” would also invite E.O. Wilson and Rachel Carson: “We could talk about the 11,000 bird species the Cornell Lab of Ornithology is helping to conserve in the face of climate change.”

What’s the last great book you read?

During the pandemic I was transfixed by George R. Stewart’s “Earth Abides,” perhaps the most frightening doomsday thriller of all time. Most of American civilization collapses because of a strange disease, but a Berkeley ecologist is one of the rare survivors of the epidemic. Stewart wrote the book about 75 years ago, but his description of empty cities and the power of nature unleashed seem very contemporary in a world of Covid and climate change. It holds up well, and Kim Stanley Robinson wrote a fine introduction for the 2020 edition.

(13) BANG BANG. “San Francisco police consider letting robots use ‘deadly force’” reports The Verge.

…As reported by Mission Local, members of the city’s Board of Supervisors Rules Committee have been reviewing the new equipment policy for several weeks. The original version of the draft didn’t include any language surrounding robots’ use of deadly force until Aaron Peskin, the Dean of the city’s Board of Supervisors, initially added that “robots shall not be used as a Use of Force against any person.”

However, the SFPD returned the draft with a red line crossing out Peskin’s addition, replacing it with the line that gives robots the authority to kill suspects. According to Mission Local, Peskin eventually decided to accept the change because “there could be scenarios where deployment of lethal force was the only option.” San Francisco’s rules committee unanimously approved a version of the draft last week, which will face the Board of Supervisors on November 29th….

(14) INSTANT MUSIC VIDEO. Boing Boing told readers that “Gifaanisqatsi generates Koyaanisqatsi-style montages with random GIFs and sets them to Philip Glass’s looming score” – and what they’d like to see next.

Gifaanisqatsi is outstanding. Click it and off it goes, grabbing random GIFs and setting them, with a little treatment (such as time-lapse and slow-mo) to Philip Glass’s score to Koyaanisqatsi. The result is comically nihilistic, confirming both the trivial universality of the movie’s sentiments and that the sense of the awe commanded by the filmic tone poem format is now available at zero marginal cost.

Suggestion: a “Qataaniskoysi” option that restricts the GIFs in use to cats.

(15) FEEL FREE TO LOOK OUT THE WINDOW. “See the Far Side of the Moon: Incredibly Detailed Pictures From Artemis I Orion Close Lunar Flyby” at SciTech Daily.

…On the sixth day of the Artemis I mission, Orion made a close flyby of the Moonpassing about 81 miles (130 km) above the surface. During the close flyby, Orion’s optical navigation camera captured black-and-white images of craters on the Moon below. Orion uses the optical navigation camera to capture imagery of the Earth and the Moon at different phases and distances, providing an enhanced body of data to certify its effectiveness under different lighting conditions as a way to help orient the spacecraft on future missions with crew….

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cora Buhlert, JJ, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Hampus Eckerman.]

Call for Submissions: The Year’s Best African Speculative Fiction Volume Two

By Oghenechovwe Donald Ekpeki: The Year’s Best African Speculative Fiction Volume Two anthology is now open to submissions until the end of the year. This next volume of the series is a dual Year’s Best anthology, covering work published in 2021 and 2022. It will be published with a release date of early 2023 under the Caezik SF & Fantasy imprint of Arc Manor, an award-winning press run by Publisher Shahid Mahmud and his Associate Publisher, Lezli Robyn.

GUIDELINES. We welcome submissions of all reprint works of speculative fiction, from any genres and sub genres, including fantasy, dark fantasy, science fiction, horror and genre blends, up to 17,500 words, published by Africans or authors of African descent in 2021 and 2022. This means all flash, short story, and novelette fiction is eligible, if the rest of the parameters are met.

Send your submissions as a Word document file with your name, country of origin, email address, word length, first publication date and venue, to [email protected]

We will be receiving submissions until midnight 31 December 2022, but are already compiling the book—so please get in early so we have more time to consider your work.

If your work is not yet published, but is upcoming this 2022, you can also submit it and tell us the anticipated publication date, so we can consider it early.

This year’s volume will be guest edited by Eugen Bacon and Milton Davis, alongside the series editor, Oghenechovwe Donald Ekpeki.

Authors will be paid 2c per word in USD, up from the past year’s 1c per word for a reprint.

A LITTLE HISTORY. This line of Year’s Best African Speculative Fiction anthologies was created, for the first time in the genre’s decades-long history, to draw attention to the works of Africans and people of African descent. This was intended to address visibility and other marginalizing barriers that exist for Africans and people of African descent on the global stage.

Volume One took on this task, with some critical success, despite the long line of obstacles that came with publishing on and from the African continent. These obstacles included the pandemic and related vaccine-hoarding policies, the Endsars protests and subsequent Lekki Massacre, and a Twitter ban by the Nigerian government. Slur-slinging racists, harassing trolls, Goodreads review-bombing, an Amazon KDP ban and seizure of funds for country of origin, and the same from Smashwords and Draft2Digital, also matched every step forward with another step back.

Despite all these obstacles, Volume One made the Nerds of a Feather and Locus recommended reading lists. The book and stories were well-received and reviewed by venues and reviewers such as Arley Sorg (co-editor of Fantasy Magazine) in Lightspeed, Brandon Crilly of Black Gate, Matthew Cavanagh of Runalong The Shelves, Mark Walter or Ginger Nuts of Horror, Adri Joy of Nerds of a Feather, Sarah Deeming of British Fantasy Society, T.G Shenoy of Locus Magazine, Fiona Moore of the British Science Fiction Association and many more who helped shine a light on the incredible fiction we had showcased.

A heartfelt thanks goes out to them all, and also to our copy editor Joshua Omenga, and the amazing authors in the anthology itself, including Tlotlo Tsamaase, Sheree Renée Thomas, Tobi Ogundiran, Pemi Aguda, Tendai Huchu, Suyi Davies Okungbowa, Craig Laurance Gidney, Eugen Bacon, and everyone else who worked on the project. We are that much closer to our goal for all their efforts.

ACCOLADES FOR VOLUME ONE. The editor for Volume One, Oghenechovwe Donald Ekpeki, is a Hugo Award finalist for best editor short form, and is the first Black African finalist for that category. The Year’s Best African Speculative Fiction Volume One is also a finalist in the World Fantasy Award, and the first African anthology to be a WFA finalist, in addition to being a finalist in the Locus and British Fantasy awards. The anthology’s cover, by Maria Spada, was a British Science Fiction Award finalist as well.

Volume One is free to download in all formats on the Jembefola Press website. Jembefola Press was founded to publish the first anthology of The Year’s Best African Speculative Fiction and other works like it. You can also find the Bridging Worlds Pan-African Non-fiction Anthology free to download in all formats there/here as well.

Oghenechovwe Donald Ekpeki

EDITORS. Oghenechovwe Donald Ekpeki is an African speculative fiction writer, editor & publisher in Nigeria. He has won the Nommo award twice, and an Otherwise and British Fantasy award. His novelette “02 Arena” won the Nebula award, and is a Hugo award finalist, making him the first African to be a Nebula best novelette winner and Hugo best novelette finalist. The thought-provoking piece was also a finalist for British Science Fiction, British Fantasy and Nommo awards. He edits The Year’s Best African Speculative Fiction anthology series, which he’s the first African Hugo award best editor finalist for Volume One. He’s the first BIPOC to be a Hugo award finalists in fiction and editing categories in the same year, and The Year’s Best African Speculative Fiction Volume One anthology he edited and published is also a Locus, British Fantasy and World Fantasy award finalist. His works of fiction and non-fiction have appeared, and are forthcoming, in Asimov’s, Tordotcom, Uncanny Magazine, Strange Horizons, Apex Magazine, Galaxy’s Edge, and more. He co-edited the Dominion anthology, Africa Risen anthology, and is a guest of honour at the forthcoming 2022 Cancon and 2023 International Conference for the Fantastic In The Arts (ICFA)

Eugen Bacon

Eugen Bacon is an African Australian author of several novels and fiction collections. She’s a 2022 World Fantasy Award finalist, and was announced in the honor list of the 2022 Otherwise Fellowships for “doing exciting work in gender and speculative fiction.” Eugen’s short story collection, Danged Black Thing by Transit Lounge Publishing was a finalist in the British Science Fiction Association, Foreword Indies, Aurealis and Australian Shadows awards. Her creative work has appeared in literary and speculative fiction publications worldwide, including Award Winning Australian Writing, Fantasy Magazine, Fantasy & Science Fiction, and The Year’s Best African Speculative Fiction. Her books in 2022: Mage of Fools (novel), Chasing Whispers (collection) and An Earnest Blackness (essays). Visit her website at eugenbacon.com and Twitter @EugenBacon

Milton Davis

Milton Davis is an award winning Black Speculative fiction writer and owner of MVmedia, LLC, a publishing company specializing in science fiction and fantasy based on African/African Diaspora history, culture and traditions. Milton is the author of thirty novels and short story collections: his most recent the Sword and Soul adventure Eda Blessed II. Milton is also a contributing author to Black Panther: Tales of Wakanda, published by Marvel and Titan Books, and coauthor of Hadithi and the State of Black Speculative Fiction with Eugen Bacon.  He is the editor and co-editor of ten anthologies; Terminus: Tales of the Black Fantastic from the ATL; Cyberfunk!; The City, Dark Universe and Dark Universe: The Bright Empire with Gene Peterson; Griots: A Sword and Soul Anthology and Griot: Sisters of the Spear, with Charles R. Saunders; The Ki Khanga Anthology, the Steamfunk! anthology, and the Dieselfunk! anthology with Balogun Ojetade. Milton’s work had also been featured in Black Power: The Superhero Anthology and Rococoa published by Roaring Lions Productions; Skelos 2: The Journal of Weird Fiction and Dark Fantasy, Steampunk Writers Around the World published by Luna Press; Heroika: Dragoneaters published by First Perseid Press, Bass Reeves Frontier Marshal Volume Two, and Slay: Stories of the Vampire Noire. Milton Davis and Balogun Ojetade won the 2014 Urban Action Showcase Award for Best Script. Milton’s story “The Swarm” was nominated for the 2017 British Science Fiction Association Award for Short Fiction and his story, “Carnival,” has been nominated for the 2020 British Science Fiction Association Award for Short Fiction. His story, “The Monsters of Mena Ngai,” appears in the Marvel Black Panther: Tales of Wakanda anthology. Milton is a 2022 recipient of the East Coast Black Age of Comics Convention Lifetime Pioneer Achievement Award.

Submissions Website address: arcmanorbooks.com/yearsbestafricansf

Pixel Scroll 6/4/22 Pixel Of Illusions

(1) ANOTHER BURKE CO-PANELIST MAKES A STATEMENT. Shahid Mahmud, Arc Manor Books publisher, who was one of the panelists on “Diversity Readers and Why You Need Them” at Balticon 56, today told Facebook readers that he and Stephanie Burke “got into a heated discussion” but that Burke did “nothing that warranted her treatment” or expulsion from program afterwards.

…One of the panels that keeps getting referred to is a panel I was on with Stephanie, the one on Sensitivity Readers. Not only that, but I was also the one who got into a heated discussion with her on the panel.

As a fellow panelist (particularly one who got into that that discussion with her) I would like to, in no uncertain terms, make it clear that Stephanie NEVER crossed the ‘line.’ I found her charming, informative, and forceful (in a good way).

At one point I did turn to the audience and apologized for us having hijacked the discussion for the last few minutes and several of them pointed out how refreshing it was to hear different sides of the issue (a couple of them reiterating it after the panel as well).

After the panel ended, Stephanie and I did chat briefly and both of us indicated to the other how much we had enjoyed the discussion even though we disagreed with each other.

So, imagine my shock when I found out that she had been kicked off panels. Even more so, since no from Balticon bothered to contact me about the panel (and no one still has).

Anyway, as a fellow panelist on the panel that is being cited as the reason for her expulsion, I want to make it absolutely clear that Stephanie did nothing that warranted her treatment.

What I find incredulous is that someone at Balticon took it upon themselves to treat another person like that without even bothering to find out what happened or having any investigation of a any kind. Escorting someone out of a panel is pretty extreme. I do think Yakira (the Balticon Chair) is trying to set it right to the extent she can (she has publicly apologized and is now leading an investigation into the incident). I hope the investigation also focuses on Lisa Adler-Golden (the program chair, and I believe the person behind the expulsion) and her actions, motivations and suitability for participation in future Balticons.

David Weber responded at length in comments (here and here), saying in part:

…I’m waiting to see how this all works out, and I hope the con chair is able (and willing) to tell the world what really happened and issue a very sincere and public apology (if appropriate) based on the results of her investigation.

If, as I suspect from all I have heard so far, an apology IS appropriate, I think it should be accompanied with an invitation to return as a special guest and, particularly, for a panel on just how destructive this sort of thing is for the fan community as a whole, and not just for the pros/guests immediately affected by it. It’s an issue that needs to be dragged out into the daylight and confronted, without accepting it as long as it only happens to people WE don’t like, and without degenerating into fruitless rounds of whataboutism. This is goring ALL our oxen. It needs to stop, and I hope one response to this fiasco is that Balticon will tell us how IT intends to prevent it going forward….

Also in comments, Gregory Benford reminded readers why he was removed from the 2019 Loscon.  

(2) THE MESSAGE RECEIVED VARIES WITH THE READER. Jeff VanderMeer addresses the question if “Le Guin’s ‘The Left Hand of Darkness’ is a classic for its portrayal of gender, but is it also sometimes, for the modern reader, a climate change parable?” in  “Landscape, Change, and the Long Road Ahead” at Orion Magazine.

…Le Guin, in creating both this world and this situation, meant to interrogate the politics and logic of countries, and how societies deal with the outsider. Even the long, harrowing journey by Genly and his erstwhile friend from Winter, Estraven, across barren ice can be interpreted as a traditional Jack Londonesque extreme wilderness survival tale, rather than anything more modern.

Yet, the reader changes a book because the world changes, and so when I read of the “facts” of Genly being disputed in Orgoreyn, I could not help but think about the “disputed” facts and proofs of the climate crisis.  

Climate crisis is about extremes, and in The Left Hand of Darkness cultures are shaped by an immeasurably hostile physical environment. The coldness of the place, which forces adaptation to its conditions and discourages certain kinds of risk. The fact the nations of Winter do not engage in war constitutes one unique manifestation of this adaptation to an extreme environment. Full-scale conflict, as opposed to minor sorties, skirmishes, individual feuds, simply seems alien to the nations of Winter…. 

Genly describes war as “the opposite of civilization,” and this is literally true on Winter—if not on our Earth. The planet’s inhabitants cannot afford the destructiveness of war or risk Death by Planet, by diverting or destroying resources needed for survival. They do not have the luxury of surviving both the climate and war….

(3) ALMOST BREAKING EVEN. Despite having cancelled Arisia 2022 due to Covid and the small number planning to attend or be on the program, Arisia, Inc. reports they have made up their annual expenses from grants and donations.

…We have heard back from the grants from this cycle, and we’ve gotten quite a few of them.  A few were contingent on holding a convention and I’ll get into the disposition of each of those.

The big news is that we got $15,000 from the City of Boston!  This is $10,000 for COVID relief and $5,000 in general operating support.  We can use this money to pay organizational expenses such as rent, which comes to $15.600 per year.

We got a grant for $2,275 from SFWA for convention expenses and we can use this for expenses the convention had even though it didn’t actually happen.  We have easily enough eligible expenses to get the access grant and $2500 for organizations that did.  This appears to be what happened, as we were approved for $2500 for training.  We have heard back from the grants from this cycle, and we’ve gotten quite a few of them.  A few were contingent on holding a convention and I’ll get into the disposition of each of those.

…We proposed to use this general staff anti-racism training, and I also requested in the application to be able to use the money for board training, in case we get other funding for anti-racism trainings.  I believe the Anti-Racism Committee is working on specifics for this training.

We got $3000 for CART from the Universal Participation Fund and the expenses didn’t happen.  This is the grant that we qualify for because of Card to Culture.  I don’t know if the money can be repurposed, or if so how.

Speaking of Card to Culture, we had 12 people registered for A22 via Card to Culture, vs. 3 in 2021.  I am hopeful that we get even more in 2023.

Finally, we have gotten about $4,000 in donations, with one large donation pending in an unknown amount.

This is a total of almost $24,000 not including the access grant.  Our annual expenses are a little over $19,000 and the convention had $6,000 in expenses that can’t be passed on to Arisia 2023, plus one of the grants obliges us to spend money on training that we might not have spent otherwise.  So we aren’t quite square, but we’re pretty close….

(4) LAWSUIT GOING FORWARD. “Freedom to Read Advocates Sound Alarm as Obscenity Lawsuit Advances in Virginia” reports Publishers Weekly.

Library groups this week joined with booksellers, publishers, and public advocacy groups in sounding the alarm over a lawsuit in Virginia in which two popular authors and their publishers have been ordered to defend their works against obscenity charges.

The legal action was filed last month by Virginia Beach lawyer and delegate in the Virginia Assembly Tim Anderson (on behalf of local plaintiff and congressional candidate Tommy Altman), citing an obscure state obscenity law. It alleges that two books for sale in a Virginia Beach Barnes & Noble—Maia Kobabe’s popular graphic memoir Gender Queer (Oni Press) and A Court of Mist and Fury (Bloomsbury) by bestselling author Sarah J. Maas—are “obscene for unrestricted viewing by minors.”

According to the Virginia Mercury, “the little-utilized state law allows ‘any citizen’ to ask a court to weigh in on books alleged to be obscene.” And in a development that has shocked observers, a local judge on May 18 found there was probable cause the books could be deemed obscene and ordered the authors and publishers to defend the books later this month.

According to the Mercury, the judge who issued the order, Pamela Baskervill, is “a retired Petersburg-area judge,” who is handling the case because “all other judges in Virginia Beach recused themselves.”

The court’s order raises the possibility that the court could issue a restraining order barring the books from public display and restraining booksellers and libraries from selling or loaning the books to minors without parental consent. In a Facebook post, Anderson hailed the judge’s order as “a major legal victory” and laid out the playbook for those seeking to restrict access to materials they find objectionable: “Suits like this can be filed all over Virginia,” Anderson wrote. “There are dozens of books. Hundreds of schools.”…

(5) HEAR FROM EUGEN BACON. Space Cowboy Books will host a free “Online Reading & Interview with Eugen Bacon” on Thursday, July 7 at 6:00 p.m. Pacific. Get tickets at the link.

(6) INSPIRATIONAL WOMEN. “Can a book change a young woman’s life?” Hear The Conversation with Nnedi Okorafor and Mel Mazman on BBC Sounds.

Can a book change a young woman’s life? Kim Chakanetsa talks to two women in the publishing world about the importance of writing stories that inspire and empower girls. 

Nnedi Okorafor is an award-winning Nigerian-American writer of fantasy and science fiction for both children and adults. Her books have strong female leads and draw inspiration from her Nigerian roots. Nnedi has also written comics for Marvel: she was the first woman to write the character of T’challa, the Black Panther, and she wrote a series about his tech loving sister, Shuri. She is a recipient of the World Fantasy, Hugo and Nebula Awards. 

Mel Mazman is the chief product officer at Rebel Girls, a franchise publishing books and digital content aimed at empowering young women. The company started in 2016, with a crowdfunding campaign for Good Night Stories for Rebel Girls, a book featuring the stories of 100 inspirational women. Since then, they sold 7.5 million books in over 100 countries. Mel shares her insights on how the publishing industry is changing to cater for the needs and interests of younger generations of readers. 

(7) BREAKFAST WITH TIFFANYS. [Item by Martin Morse Wooster.] Jo Walton talks to Helen Zaltzman about what she calls “The Tiffany Problem, or how do you tell readers that the “anachronisms” they find in novels aren’t actually anachronistic.  “Tiffany” is an authentic 12th century name (ultmately derived from “Epiphany”) but use it in a historical novel and readers complain,  Walton discusses how she handles this problem in her novels. “The Tiffany Problem” at The Allusionist podcast.

(8) KEN KELLY (1946-2022). Prolific genre and album artist Ken Kelly died June 3 at the age of 76. He was particularly known for his sword & sorcery cover art. He depicted Conan the Barbarian, Tarzan and the rock acts KISS, Manowar, Sleepy Hollow, Rainbow, and Ace Frehley.

(8) MEDIA BIRTHDAY.

1982 [By Cat Eldridge.] On this day forty years ago, my favorite Trek film by far, Star Trek II: The Wrath of Khan, premiered. As I noted yesterday in my essay on the ending of the original series, there have been thirteen films so far — the good, the bad and the just plan forgettable. Star Trek II: The Wrath of Khan is in my opinion stellar.

Now I’ll admit that the episode that spawned it, “Space Seed”, isn’t one of my favorite episodes, but the screenwriter for this film, Jack B. Sowards, who based it off a story by him and Harve Bennett, created a story here that is fantastic. Neither had any genre background so Bennett watched all of the original series after being hired by Paramount and decided to do a film off the “Space Seed” story.

Damn, they did a great job. From the Kobayashi Maru simulation (named after Soward’s neighbor) to the over-the-top villain that Ricardo Montalbán is here (far more than he was in “Space Seed”), there is nothing that is not completely entertaining here. Most of these Trek films have a spot or two where I want to say to the editor why is that scene in here, but not in this film. I loved it from beginning to end unreservedly.

(Roger Ebert in his review had an interesting point about Khan: “Khan is played as a cauldron of resentment by Ricardo Montalban, and his performance is so strong that he helps illustrate a general principle involving not only Star Trek but ‘Star Wars’ (1977) and all the epic serials, especially the ‘James Bond’ movies: Each film is only as good as its villain.”) 

(Some of them are entirely like that.) 

They were given a lousy budget, just twelve million, as Paramount really didn’t believe the film was going to do crap. It did as it made ninety million. 

What did the critics think? If they were Trekkies, they liked it. If they weren’t, they didn’t.

Kevin Thomas of the L.A. Times definitely liked it: “In this new film there’s no feeling that its makers are straining to compete with ‘Star Wars’ and other special-effects spectaculars, instead, they’re attempting to recapture the spirit of the beloved TV series. (It is, in fact, probably a plus that the film actually began production intended for TV.) The result is a brisk, handsomely designed film in which its hardware, sturdy as it is, never overwhelms its humanity.” 

Whereas David Khmer of the Chicago Reader wasn’t impressed: “In this second Star Trek feature (1982), the crew of the Enterprise confronts middle age in a plot that makes very little literal sense but is packed with pertinent life-out-of-death, Waste Land imagery: a 200-year-old heavy (Ricardo Montalban) living on a barren planet, a secret project code-named ‘Genesis’ that can turn deserts into tropical jungles, Captain Kirk wearing specs and rediscovering his long-lost family. If only director Nicholas Meyer had grasped the implications of his tale more fully and enthusiastically, this might have become a classic piece of cornball SF poetry, but as it stands the tepid acting and one-set claustrophobia take a heavy toll.” 

It was nominated for a Hugo at ConStellation losing out to Blade Runner. Rotten Tomatoes reviewers really like giving a ninety percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 4, 1951 Wendy Pini, 71. With husband Richard, responsible for Elfquest which won them a Balrog. Over the years Elfquest has been self-published by the Pinis through their own company Warp Graphics, then Marvel Comics, then the Pinis again, more recently DC Comics and then Dark Horse Comics. Everything prior to 2013 is free online at the Elfquest Comic Viewer. Be prepared to spend hours lost in great reading! 
  • Born June 4, 1960 Kristine Kathryn Rusch, 62. If you’ve not discovered the delights of her Diving Universe series, you’re in for a treat — it’s that good. Her Retrieval Artist series is one that can be read in no particular order so is great deal of fun no matter where you start. And her Spade / Paladin series of which the first novel just came out, Ten Little Fen, is absolutely delightful.  Oh, and she won the Astounding Award for Best New Writer. Her website is here; don’t miss her appreciation of A.J. Budrys. 
  • Born June 4, 1960 Bradley Walsh, 62. His first genre was on The Sarah Jane Adventures as Odd Bob Elijah Spellman aka The Pied Piper in “The Day of the Clown” story. His major genre role video wise however is Graham O’Brien, companion to the Thirteenth Doctor. Now it’s worth noting that he has a lot of theatre experience that is genre having appeared in multiple versions of AladdinCinderellaJack & the Bean StalkPeter Pan and Snow White.
  • Born June 4, 1964 Sean Pertwee, 58. Let’s see, where did I see him first? Oh, of course, playing Sheriff Hugh Beringar on Cadfael but that’s not genre, is it? Captain Heinz in “Trenches of Hell, Part 2 “,  on The Young Indiana Jones Chronicles which was his first genre role followed being Pilot Smith on Event Horizon and Macbeth in a UK film of that name the same year. He did a bit of low-budget horror playing Bradley Cortese in Tale of the Mummy and likewise in being Sergeant Harry G. Wells in Dog Soldiers. There were some fairly low budget SF as well, say Father in Equilibrium. Not to mention Brother Proteus in Ultramarines: A Warhammer 40,000 Movie which I dearly want to see! All of which gets redeemed by his Inspector Lestrade in Elementary, a stunning take on that character. And then there’s his Alfred in Gotham.
  • Born June 4, 1969 Julie Gardner, 53. She was executive producer on the revival of Doctor Who and the spin-offs of Torchwood and Sarah Jane Adventures. She co-founded with Julie Tranter Bad Wolf, best known for the BBC TV series His Dark Materials and A Discovery of Witches on which she serves as an executive producer.
  • Born June 4, 1972 Joe Hill, 50. I’ve met him once or twice down the years as he shows up here in Portland for signings at both book shops and comic shops pre-Pandemic. Really nice guy like his father. Actually the whole family is amazingly nice. Locke & Key is a superb graphic novel series and I’m fond of all of his short stories, particularly those collected in 20th Century Ghosts, and his collection Full Throttle. I notice that though he’s not yet won a Hugo, he’s won a fistful of Stokers, many BFAs, a World Fantasy Award and even an International Horror Guild Award.
  • Born June 4, 1975 Angelina Jolie, 47. I really liked her two Tomb Raider films and thought Sky Captain and the World of Tomorrow was a really cool film with her role being quite magnificent. I never saw her early Cyborg 2 undertaking but think Hackers and her role as Kate “Acid Burn” Libby was rather good. I’ve not seen her Maleficent films. 
  • Born June 4, 1991 Jordan Danger, 31. She is best known for her role as Zoe Carter on Eureka. (Now inexplicably renamed A Town Called Eureka in syndication but not on Peacock which is streaming it now along with Warehouse 13.) She also showed up in Ragin Cajun Redneck Gators which as horror is genre of sorts, plus the SF films, Higher Power and Beyond the Sky. And even a vampire film, Living Among Us. All low budget, all straight to DVD productions.

(10) COMICS SECTION.

(11) COWL SCOWL. In “What Is Batman” the Pretty Much Pop podcast shares its taxonomical theories.

In light of the recent release of Matt Reeves’ film The Batman, we consider the strange alternation of darkness and camp that is Batman. Is he even a super hero? What’s with his rogues’ gallery? What’s with DC’s anti-world-building?

Your Pretty Much Pop host Mark Linsenmayer is joined by philosophy prof/NY Times entertainment writer Lawrence Ware, improv comedian/educator Anthony LeBlanc, and Marketing Over Coffee host John J. Wall, all of whom are deeply immersed in the comics, and we touch on other recent shows in the Batman universe.

(12) HUMOR IN THE DARKNESS. Death’s Intern by D.C. Gomez is the debut novel in the Intern Diaries series launched in 2017.

A talking cat, a boy genius, missing people, and an untrained Intern for Death. What could possibly go wrong?

Did that really happen?

There’s no way Death offered me a job. I’m a musician that makes her living as a waitress, with absolutely no training in the supernatural world. This is all a very bad dream.

But Bob has been kidnapped, and I can’t possibly lose the only friend I have.

Bob, you’d better be alive. Because if I just gave my soul to Death for nothing, I will personally kill you. Not to mention, it seems Death’s Interns have fairly short life expectancies.

God, don’t let me die.

D. C. Gomez was born in the Dominican Republic, and grew up in Salem, Massachusetts. She study film and television at New York University. After college she joined the US Army, and proudly served for four years. Those experiences shaped her quirky sense of humor. D.C. has a love for those who served and the families that support them. She currently lives in the quaint city of Wake Village, Texas, with her furry roommate, Chincha.

One of D. C.’s passions is helping those around her overcome their self-limiting beliefs.  She writes both non-fiction and fiction books, ranging from Urban Fantasy to Children’s Books. To learn more about her books and her passion, you can find her at www.dcgomez-author.com.

Available at Amazon.com and Amazon.ca.

(13) SCIENCE TAKES A HOLIDAY. [Item by SF Concatenation’s Jonathan Cowie.] You don’t know what it has been like the past few days as you are a citizen living in a flawed democracy, conversely, I am a subject living in a full democracy kingdom. Anyway, our Queen has ruled that we must have four days celebrating 70 years of her reign. So it has been street parties, barbecue, coronation chicken and a right old national knees-up this side of the Pond. It is a tough life, but we Brits are used to it.

It has also meant that, with the exception of this morning, the library cybercafés have been closed, hence no science news until now.

“NASA’s Perseverance rover begins key search for life on Mars” in Nature.

More than fifteen months after landing in Jezero Crater on Mars, NASA’s Perseverance rover has finally begun its hunt for ancient life in earnest.

On 28 May, Perseverance ground a 5-centimetre-wide circular patch into a rock at the base of what was once a river delta in the crater. This delta formed billions of years ago, when a long-vanished river deposited layers of sediment into Jezero, and it is the main reason that NASA sent the rover here. On Earth, river sediment is usually teeming with life.

Images of the freshly ground spot show small sediment grains, which scientists are hoping will contain chemical or other traces of life. Poet William Blake’s “‘To see a world in a grain of sand’ comes to mind,” wrote Sanjeev Gupta, a planetary geologist at Imperial College London, on Twitter….

Meanwhile, the journal Science has been looking at Mayan astronomy and this features on their cover: “The Stargazers”.

The historic Maya oriented their lives by the heavens. Today, their descendants and Western scholars team up to understand their sophisticated astronomy

In the past few years, slowly converging lines of evidence have been restoring the clearest picture yet of the stargazing knowledge European colonizers fought so hard to scrub away…

(14) SHADOWPAW PRESS MAKES DUOTERO AVAILABLE AGAIN. Duatero by Vancouver author Brad C. Anderson, a searing far-future science fiction novel about the struggles of an abandoned human colony to survive on a hostile alien world, is back in print in a new edition from Shadowpaw Press after being orphaned by the closing of its original publisher, Bundoran Press.

Majstro Falchilo Kredo has devoted his life to protecting the abandoned Earth colony of Duatero from Malamiko, the indigenous ecosystem that makes their crops fail and whose contamination turns humans into mindless monsters.

But Malimiko is changing, becoming more dangerous, more aware, even as the ancient technology the humans use to combat it fails piece by precious piece. Kredo and his fellow soldiers must risk everything or see all they hold precious wiped away and forgotten.

Kredo is prepared to sacrifice himself—and anyone around him—to do his duty. But what if the price demanded is even higher?

Duatero is a powerful work of science fiction that confronts issues of morality and survival head-on in a carefully thought-out and terrifying alien world,” said Edward Willett, editor and publisher of Shadowpaw Press. “It deserves to find many new readers, and I’m thrilled to be able to give it that opportunity.”

Duatero can be bought directly from the publisher or from most online bookstores in both ebook and print and can also be ordered through any brick-and-mortar bookstore. This handy URL provides links to multiple online sources:  https://books2read.com/duatero/

(15) SPELL TREK. “Harini Logan is the 2022 Scripps National Spelling Bee champion after a historic spell-off” reports CNN.

…This year’s host was LeVar Burton. The Emmy and Grammy-award winner hosted the semifinal and the final round of the event.

In a statement in December, Burton called the position “an honor.”

“Like a lot of folks, I look forward to the competition every year and am excited to be a part of this wonderful tradition that celebrates excellence,” he said….

(16) IT’S ALMOST TIME. Suspension by Andrea Faye Christians – “a time travel tale of epic proportions” — is Book One of the Time Binder Series.

When Carla Thompson falls asleep and doesn’t wake up, she is shocked to discover what destiny has in store for her. Suspended between two worlds, she meets Isambard Brunel, the legendary eighteenth-century civil engineer, who built the Clifton Suspension Bridge in Bristol, England, and who now serves as guardian of its secrets. Historical events intertwine with Carla’s current reality and along the way she discovers a murder, encounters a host of characters including Jamaican psychic, Matilda, and engages in verbal banter with literary legend, Ernest Hemingway. Her adventures lead her to a startling revelation about why she was chosen for her strange new role. In death Carla realises she has never felt more alive.

Andrea Faye Christians was born and raised in Swansea, South Wales. Following a successful career in British radio including the BBC, she moved to the southern Mediterranean island of Malta to pursue her dream of becoming a freelance writer. A decade later she bought a farm in the Madonie Mountains of Sicily where a menagerie of rescue animals found their way to her. With a son in Malta and a daughter in Sicily, Andrea has a home and her heart in both places, and she now divides her time between the neighboring islands.

The book will be released June 30 and is available for pre-order from Bookshop, Amazon.com, Amazon.ca, Amazon.co.uk, Book Depository, and Barnes & Noble.

(17) PHILIP K. DICK WILL BE SORRY HE MISSED THIS SHOW. Matt O’Dowd on PBS Space Time dares to ask,“What If Physics IS NOT Describing Reality?”

Neils Bohr said, “It is wrong to think that the task of physics is to find out how Nature is. Physics concerns what we can say about Nature.” Well it turns out that if we pay attention to this subtle difference, some of the most mysterious aspects of nature make a lot more sense.

[Thanks to JJ, John King Tarpinian, Chris Barkley, Andrew Porter, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 3/22/22 Captain Pixel Versus The Winter Solstice

(1) GORINSKY OUT AT EREWHON. Erewhon Books announced today that its founder, Liz Gorinsky, is stepping down as Publisher.

We are grateful for Liz’s incredible work and vision as our Publisher and Founder, and we wish Liz the very best in all future endeavors. 

Senior Editor Sarah Guan will continue to guide Erewhon’s editorial program while leading the expansion of the editorial team in coming months.

Cassandra Farrin, (Director of Publishing and Production) and Martin Cahill (Marketing and Publicity Manager) will continue in their roles. 

Erewhon Books would like to take this time to recognize several new additions to the team:

Viengsamai Fetters (they/them) has joined the team as our new Editorial Assistant. 

Kasie Griffitts (she/her) has joined as our new Sales Associate.

Gorinsky tweeted:

Gorinsky also tweeted today:

(2) WRITER BEWARE HAS MOVED. Victoria Strauss explains the reason there is “A New Home For the Writer Beware Blog”.

… After many years on the Blogger platform, we have finally transitioned to WordPress, which offers much greater flexibility in terms of design, control, and ease of use.

We also have a new, easy to remember web address: writerbeware.blog.

I’ve been dissatisfied with Blogger for a while now. I’m not a web developer, but I’m not helpless, either; I maintain the Writer Beware website on the SFWA site, and I built and maintain two additional websites, my own and another for an organization my husband is part of. But every time I thought about moving to a new platform, the size of the challenge just seemed too daunting. How would I transfer hundreds of posts, not to mention the thousands of comments and images that go with them? What about all the non-working inbound links the move would create? Links wouldn’t be a problem if I just started fresh on a brand-new WordPress site–but then the blog would exist on two platforms, with two different web addresses. And what about WB’s thousands of followers and subscribers?

The turning point came last summer, when the only email subscription widget supported by Blogger discontinued service. If people couldn’t subscribe to the WB blog, there was just no reason to remain on Blogger…. 

(3) RESISTANCE. Eugen Bacon discusses the process of “Finding Me: Towards Self-Actualization in Writing” at the SFWA Blog.

I read Maurice Broaddus’s “Black Joy and Afrofuturism for Young Readers,” which heartens us to be present, fully and joyfully, not just for ourselves but for our children, our new adults, and our future generations. He dares that we find unapology for being, that ours becomes an everyday commitment to a joyful resistance against carefully charted devices of oppression.

That reading nudged an inward gaze at my own writing, and I saw its trajectory:

  • Please, let me…
  • I am Black…
  • I am here.

(4) SANDERSON KICKSTARTER. Checked the ticker on the Brandon Sanderson Kickstarter today. It is still spinning like mad, and flew past $31,759,250 while I was copying the number. Still nine days to go: “Surprise! Four Secret Novels by Brandon Sanderson by Dragonsteel Entertainment”.

(5) TAFF ITINERARY TENTATIVELY JELLING. Michael J. “Orange Mike” Lowrey will finally get his Trans-Atlantic Fan Fund trip this year. This is what he’s mapped out so far:

It looks like (unlike the “lost voyage” of 2020) Spain will not be part of my 2020/2022 TAFF delegate voyage. So:

Starting at the Eurocon/Luxcon, popping over to Poland for visits in a couple of places (Warsaw and Silesia), to England for Eastercon/Reclamation, from there to visit Sverifans in Uppsala and Malmö. If I haven’t overstayed my welcome in the U.K., I could return from Sweden and spend a few days in the U.K., maybe actually SEE Scotland and Scotfen in their native habitat? I don’t HAVE to be back in the States until 6 a.m. May 2….

(6) AIDING UKRAINE. Sales of Building a Better Future, edited by David Flin, will help raise money for charity. Contributing author Alex Wallace explains: “I am proud to say that a group of online alternate history fans (myself included) came together to put together an anthology, Building a Better Futureall proceeds of which go the British charity Disaster Emergency Commission’s Ukraine Humanitarian Aid Appeal. My short story Our Lady of Guidance, is among the stories therein.” 

Following the start of the tragic events in Ukraine, a group of historical writers on an Internet forum discussed what they could do to help. The feeling of helplessness in the face of the man-made tragedy was palpable. We considered many options, each less practical than the previous one.

Then, someone had an idea. We were writers. We should write a book, an anthology, with proceeds going to help with the rebuilding of Ukraine.

From that, things flowed quickly. The theme of rebuilding became adopted: “Building a Better Future.”

That’s what you’re holding in your hands. The product of a group of historical writers trying to do something to help the people of Ukraine.

(7) WHAT WAS YOUR NEXT IDEA? James Davis Nicoll ticks off “Five SFF Stories In Which the Best-Laid Plans Are Thwarted” at Tor.com.

Who among us has not been betrayed by the failure of a simple plan that should have worked? One sets out to collect firewood, only to be suddenly concussed; one tries to kill time with a round of cards, only to crush four of one’s own phalanges; one seeks the comfort of restful sleep, only wake with a mysterious deep incision down one’s abdomen. It’s not just me—this seems to be a perverse tendency of the universe: I see it in the news and I see it in what I read. Consider these five SFF tales in which plans are thwarted, foiled, and frustrated by circumstance…

(8) STAR TREK, THE NEXT REGENERATION. Another fun read, this time about how the sausage gets made: “‘Is This a Joke?’ How a Classic ‘Star Trek’ Episode Broke the Rules of the Franchise” in The Hollywood Reporter.

… Unfortunately, Braga was largely on his own when it came to the second most difficult thing about writing the episode: The briefing room scene. Here, Geordi (LeVar Burton) explains to his shipmates that they are caught in a very Trek-ian “temporal causality loop.” Ironically, Braga found himself in a time loop of his own, rewriting the scene over and over again.

“It was my first big ‘technobabble’ scene, so it couldn’t just sound cool. It had to sound plausible. It had to resolve all the clues that had been accumulating,” says Braga. “In addition to all the explaining, you have to bring your own voice to it, too. You try to pepper in some cool or shocking moments, like when Picard asks how long we have been in the loop and Geordi responds with something like ‘it could be years.’ But Piller had me rewrite that scene so many times. I remember over Christmas break of that year, I was working on that scene.”…

(9) I CAN TELL BY YOUR OUTFIT. At CrimeReads Matthew Lyons recommends horror novels set in the American West: “Black Sunset: New Essential Horror Reads from the American West”.

…Stories about the American West have always been rife with scares and horrors sure to delight and repulse even the most hardened of horror fans, from pulpy matinee fare like Billy the Kid Vs. Dracula to literary classics like Blood Meridian, but by taking what works and leaving what doesn’t, writers today are riding into the sunset with some of the most breathtaking and terrifying fiction in recent memory….

(10) WILLIAM A. JOHNSON (1956-2022.) Writing as Bill Johnson, he won a Hugo Award in 1998 for his novella, “We Will Drink a Fish Together” which was also a Nebula nominee. His stories were published in The Year’s Best Science Fiction several times. The family obituary is here.

(11) MEDIA BIRTHDAY.

1995 [Item by Cat Eldridge.] Twenty-seven years ago on FOX, the Sliders series first aired on this evening. Created by Tracy Tormé and Robert K. Weiss, it would air on that network for three years before moving to Sci Fi for another two years. As a consequence of that it was first produced in Vancouver before being finally being so done in Los Angeles. 

Befitting a cross-time series,  it had an expansive cast led by the brothers of Jerry and Charlie  O’Connell along with Cleavant Derricks, Sabrina Lloyd, John Rhys-Davies, Kari Wuhrer, Robert Floyd and Tembi Locke with Derricks being the only cast member to stay with the series throughout its entire run.

There has also been gossip among Martin fans that this series was inspired by George R.R. Martin’s 1992 ABC pilot Doorways but everyone involved said that was not true. 

So how was the reception at the time? Not good. The Los Angeles Time was typical when it said “Now comes ‘Sliders,’ a banal bore of a mishmash adventure series starring Jerry O’Connell as a genius grad student named Quinn Mallory, who discovers a way to visit parallel Earths by whooshing himself through a space portal known as a ‘wormhole.’ It beats studying.”  

It does get a rather excellent sixty-four percent rating among audience reviewers at Rotten Tomatoes. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 22, 1911 Raymond Z. Gallun. An early SF pulp writer who helped the genre to become popular. “Old Faithful” published in Astounding (December 1934) was his first story and led to a series of that name. “The Menace from Mercury,” a story published in the Summer 1932 issue of Wonder Stories Quarterly, was penned from a suggestion by Futurian John Michel and is considered famous among fans. His first published novel, People Minus X, didn’t appeared until 1957, followed by The Planet Strappers four years later. You can get all of his fiction at the usual suspects. (Died 1994.)
  • Born March 22, 1930 Stephen Sondheim. Several of his works were of a fantastical nature including Into The Woods which mines deeply both Brothers Grimm and Charles Perrault for its source material. And there’s Sweeney Todd: The Demon Barber of Fleet Street which is damn fun even if it isn’t genre. (Died 2021.) 
  • Born March 22, 1931 William Shatner, 91. Happy Birthday Bill! Ok that was short. We all know he was Captain Kirk, but how many of us watched him as Jeff Cable on the rather fun Barbary Coast series? I did. It was really, really bad acting on his part though. Or that he was The Storyteller in children’s series called A Twist of The Tale? I was I surprised to discover that T.J. Hooker ran for ninety episodes! 
  • Born March 22, 1946 Rudy Rucker, 76. He’s certainly best known for the Ware Tetralogy, the first two of which, Software and Wetware, each won the Philip K. Dick Award. Though not genre, I do recommend As Above, So Below: A Novel of Peter Bruegel.
  • Born March 22, 1950 Mary Tamm. She’s remembered for her role as Romana as the Companion to the Fourth Doctor in “The Key to Time” storyline. It seemed liked she was there longer only because another actress, Lalla Ward, played her in the following season and she looked a lot like her. Ward was soon to be married to Tom Baker.  She also appears briefly in the 20th Anniversary special The Five Doctors through the reuse of footage from the uncompleted story Shada that Douglas Adams wrote. Tamm had only one other genre gig as Ginny in the “Luau” story part of the Tales That Witness Madness film. (Died 2012.)
  • Born March 22, 1969 Alex Irvine, 53. I strongly recommend One King, One Soldier, his offbeat Arthurian novel, and The Narrows, about a WW II Detroit golem factory where fantasy tropes get a severe trouncing. A Scattering of Jades, which won a International Horror Guild Award, is well worth reading.  He also wrote The Vertigo Encyclopedia which was an in-house project so, as he told me back then, DC delivered him one copy of every Vertigo title they had sitting in the warehouse which was a lot.  For research purposes, of course. It came in a very, very large crate. And he’s written a fair number of comics, major and minor houses alike.  His newest novel, Anthropocene Rag, sounds very intriguing. Has anyone read it? 

(13) HE SAYS IT’S BUNK. “Hugh Who? Grant dismisses reports he will be the next Doctor” reports the Guardian.

… Grant had played the Doctor in a Comic Relief special in 1999. He was offered the role in 2004, but turned it down.

Whittaker announced in 2021 that she would not play the Doctor again after three special episodes due to air later this year, meaning a vacancy has arisen.

However, in response to a Guardian article about his potential new role, Grant tweeted: “Nothing against Dr W but I’m not. No idea where the story came from.”…

Filers were not shocked to learn that a news item that first appeared in the Mirror was cracked.

(14) THE GIRL WHO WASN’T WEDNESDAY. Entertainment Weekly reports “Christina Ricci joins Addams Family show Wednesday as new character”.

Immortal souls (and mortal ones too), rejoice! Christina Ricci has joined the cast of Wednesday, Netflix’s upcoming live-action series based on the beloved Addams Family character.

The actress, who played Wednesday Addams in the 1991 Addams Family film and its 1993 sequel, will portray an “exciting new character” this time around — in other words, not a grown-up Wednesday. Details are being kept under wraps, though we know Ricci will be a series regular….

(15) PORTAL OPENING AT PRIME. SlashFilm’s B.J. Colangelo marks her calendar: “J.K. Simmons-Led Sci-Fi Series Night Sky Sets May Release Date On Prime Video”.

After spending the last two years mostly staring at the same four walls and continuing to carve out a perfect bottom-shaped dent in my living room couch, there are few things that sound more appealing than getting the opportunity to explore the limitless possibilities of time and space. Starring J.K. Simmons and Sissy Spacek, Prime Video’s “Night Sky” (formerly known as “Lightyears”) features the duo as Franklin and Irene York, a couple who discover a passageway in their backyard that leads to a distant planet. The Yorks have enjoyed their secret for years, but when a mysterious young man (Chai Hansen of “The Newsreader” fame) arrives out of nowhere, the Yorks realize that their unexplainable passageway may be part of an even bigger mystery than they ever thought fathomable.

The new eight-part series will hit the Prime Video streaming platform globally on Friday, May 20, 2022. All eight episodes will be available simultaneously, so we can all spend our weekend binging J.K. Simmons and Sissy Spacek’s adventures through time and space….

(16) CONTINUED NEXT UNIVERSE. Guardian reviewer Charles Bramesco shares his mixed verdict on Michelle Yeoh’s new movie: “Everything Everywhere All At Once review – ambitious, exhausting trip to the multiverse”.

… Evelyn Wang (Michelle Yeoh, unstoppable), a Chinese American immigrant/laundromat owner/last hope for all existence, slingshots between realities with the raw kinetic energy of a boulder launched by a trebuchet. Sometimes, she need only open a door to find herself in another iteration of her life, or walk backward through bushes, or tap the Bluetooth-earpiece-looking gizmos an ally gives her. …

(17) ON STAGE. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Suzi Feay reviews After The End by Dennis Kelly, a post-apocalyptic play  performed at the Stratford East Theatre (“After The End” – Stratford East) through March 26.

“Very strong language, nudity…violence and sexual violence”–since there are only two characters in Dennis Kelly’s After The End, the caveats constitute spoilers.  Louise regains consciousness after a nuclear explosion to find herself safe in an underground bunker belonging to Mark, a work colleague.  Outside, she was popular and ambitious, and he was the office dolt:  dull, friendless, and pedantic.  No one more sociable would have built a fallout shelter to begin with.  They have two weeks to ensure each other before it’s safe to emerge.

Sweary Louise (a pugnacious Amaka Okafor) has never checked her social privilege; being forced to get along with someone she has hitherto despised may prove character-building.  Mark (Nick Blood), thrilled at his unexpected access to the office princess, chivalrously takes the top bunk but his obsequiousness turns sour over a fraught game of Dungeons and Dragons.  Locked within four oppressive walls, their makeshift alliance of hobbit and elf disintegrates into a battle for control.

(18) SOUTH BY SOUTHWEST. Jeff Foust reviews “Space films at SXSW” for The Space Review.

…This year’s SXSW saw space make its way into the film festival as well. Several films screened at SXSW had links to space, from documentaries to movies that took some inspiration from spaceflight.

The most prominent of those movies was Apollo 10½: A Space Age Childhood, directed by Richard Linklater (Before SunriseBoyhoodDazed and Confused, among others.) The movie is a semi-autobiographical account of Linklater’s own childhood in Houston, not far from NASA’s Manned Spacecraft Center (now Johnson Space Center) in the summer of 1969. The film uses rotoscope animation, like some of Linklater’s previous movies, making it appear like some hybrid of reality and imagination….

(19) C’EST OINK. ToughPigs asks “Did ‘Muppets TV’ Save The Muppets?”

…In 2005 French comedian Sébastien Cauet and French television network TF1 made a deal with The Walt Disney Company which would allow Cauet to write and produce his own version of The Muppet Show, as well as supply the voice of Kermit the Frog for the series. Rather than send the puppeteers to France, the puppets themselves were instead packed up and shipped off, and a team of French puppeteers would perform them instead, later being dubbed by voice actors.

Yeah. They made that. And not just a one episode thing, this abomination lasted TEN EPISODES! That’s way more than the three that Little Muppet Monsters got on the air!

Thanks to YouTube, we have a few clips of Muppets TV available, which I’ll admit I oddly enjoyed, even though I don’t speak the language (besides saying Bonjour and singing the theme song to ‘Madeline’)….

(12) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Horizon Forbidden West,” Fandom Games, in a spoiler-filled episode, says that gamers have to complete “the usual Excel sheet of objectives” for a game that’s ultimately “a child’s fantasy about robot dinosaurs.”  “At least they get robots in their apocalypse,” the narrator complains. “What do we get? Twitter!”

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Will R., Michael J. “Orange Mike” Lowrey, Cathy Green, Steven French, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 1/9/22 Chapter Scroll Dune

(1) SFF A “FORM OF SUBVERSIVE ACTIVISM”. Eugen Bacon’s thoughtful review appears in the latest issue of Fafnir – Nordic Journal of Science Fiction and Fantasy Research, Volume 8, Issue 2 (Feb 2022): “Trends in Black Speculative Fiction”.

… More than two decades after the publication of Dark Matter: A Century of Speculative Fiction from the African Diaspora (Thomas), black speculative fiction continues to rise as a powerful conversation in genre fiction, and increasingly tackles precolonial, colonial, and postcolonial themes pertaining to identity and culture, as well as feminist and queer themes pertaining to engaging with difference. Anthologies have become instrumental in the proliferating Afrofuturistic writing that heroes black people in stories from Africa and the diaspora, stories whose visibility is increasingly evident in award nominations and recommendations – for example 2021 Hugo nominee Ekpeki Donald Oghenechovwe, whose novella Ife-Iyoku won the 2020 Otherwise Award.

New Suns: Original Speculative Fiction by People of Color (Shawl) – in its showcasing of interracial and cross-cultural stories – may have stunned its publisher, editor, contributors, and readers by winning the 2020 Locus, World Fantasy, British Fantasy, Ignyte, and Brave New Words Awards. Casting a diverse range of new and established writers, including (among others) Tobias S. Bucklell, Minsoo Kang, Kathleen Alcalá, Alberto Yáñez, and Chinelo Onwual, and featuring a foreword by LeVar Burton, New Suns explored intergalactic stories, dream stories, song stories, coming-home stories, futuristic stories, and even self-aware stories that encapsulate person-of-colour chants full of longing and conviction of belonging and place. With the success of New Suns, it’s no wonder that Solaris announced its acquisition of New Suns 2 for release in 2023 (“Solaris to Publish New Suns 2”)….

… It is clear from just these select exemplars that publishers, authors, and readers alike have a steeping interest in black people’s stories. Thanks to the internet, audio books, and ebooks, the world is in the heart of an ongoing digital revolution that continues to stagger traditional publishing and make best sellers as well as anthologies and collections from smaller presses cheaper and accessible to ravenous readers. As e-publishers and self-publishers create opportunities for writers and readers alike, and more awards recognise calibre and uniqueness, rather than the author’s or publisher’s muscle, black speculative fiction will continue to rise in global distribution, and be increasingly accessible. A reader has only to look for it in anthologies, collections, even award nominations….

(2) CRITTERS ANNUAL READERS POLL. The Critters Workshop, “for serious writers of Science Fiction, Fantasy, and Horror” is hosting its Annual Readers Poll, which honors print and electronic publications published during the past year. (Click here for the official rules.) There are 41 categories. Voting is open through January 14. View the Current standings at the link.

Novels pages: Horror Romance Science Fiction & Fantasy Steampunk | Magical Realism | Positive Future | Erotica Mystery Thriller Children’s | Young Adult | All other |
Short Stories pages: Horror | Romance Science Fiction & Fantasy Steampunk | Magical Realism | Positive Future | All other | Anthologies page Poems page Nonfiction articles page Nonfiction books page |
Other Categories: Artwork page Book/e-book Cover Artwork page Magazine/e-zine Cover Artwork page Authors page Poets page Artists page Book/e-book Editors page Magazine/e-zine Editors page Book Publishers page Review site | Bookstore | Promotional Firms, Sites, and Resources page Fiction ‘zines page Poetry ‘zines page Nonfiction ‘zines page Writers’ Discussion Forum page Writers’ Workshop page Writers’ Resource/Information/News Source page |

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Tochi Onyebuchi and Sarah Pinsker in a virtual event on Wednesday, January 19 starting at 7:00 p.m. Eastern. The readings will be live on YouTube, link to come.

  • Tochi Onyebuchi

Tochi Onyebuchi is a novelist and essayist, who won the World Fantasy Award, the Ignyte Award, and the New England Book Award for Fiction for his novella Riot Baby, a Nebula, Locus, and Hugo Award finalist. His works include the Beasts Made of Night and War Girls series, and the non-fiction book (S)kinfolk. His most recent novel is Goliath from Tordotcom Publishing. He lives in Connecticut.

  • Sarah Pinsker

Sarah Pinsker is a writer of novels and short stories and everything in between. She has won three Nebulas, including best novel for A Song For A New Day in 2020 and best novelette for “Two Truths And A Lie,” in 2021. Her most recent novel is We Are Satellites. She’s also a musician with four albums to her name, including 2021’s Something to Hold. She lives in Baltimore with her wife and two terriers.

(4) WINDY CITY. Doug Ellis notes the 21st Windy City Pulp and Paper Convention is just four months away.  The event will be held May 6-8 at the usual venue, the Westin Lombard Yorktown Center, Lombard, Illinois.  

We’ve sold out all 180 of our dealer tables, to dealers spanning the U.S., from Canada and the U.K.  We’ll be celebrating the 100th anniversary of pulp and comic publisher Fiction House.

At this point, we don’t know what COVID requirements may be in place when the show takes place.  Currently, masking would be required, but protocols may change during the next four months.  We’ll update those as we learn them.

As has been the case in years past, this year’s convention will feature some incredible material in our estate auctions. Friday night (May 6), our auction will focus on material from the estate of legendary collector Robert Weinberg (including many more issues of Weird Tales and a complete run of Planet Stories), while on Saturday night, (May 7) material from the estate of Glenn Lord, literary agent for the estate of Robert E. Howard, takes center stage.  In addition, we also will have a number of interesting items from other consignors.

The deadline to book your hotel room and receive the convention rate is 5:00 central on April 12, 2022.  The link for con hotel reservations is here.

We hope to see you there!

(5) SECOND FÜNF. [Item by Martin Morse Wooster.] In the Washington Post, Elliot Ackerman reviews The Writer’s Crusade: Kurt Vonnegut And The Many Lives Of Slaughterhouse-Five by Tom Roston. Roston argues that Vonnegut may have had undiagnosed PTSD from his experiences in World War II (including being a prisoner of war) and that Slaughterhouse-Five is an expression of his PTSD.  Ackerman finds Roston’s diagnosis unpersuasive and thinks Vonnegut’s own descriptions of how war affected him are a better guide than Roston’s posthumous diagnosis. “Book review of The Writer’s Crusade: Kurt Vonnegut and the Many Lives of Slaughterhouse-Five by Tom Roston”.

… This defiance of categorization is probably why I found myself bristling early on when Roston asserts that his book will seek to answer “whether or not ‘Slaughterhouse-Five’ can be used as evidence of its author’s undiagnosed PTSD.” This investigation, which animates much of Roston’s book, seems misguided. Roston himself acknowledges the reductivism he’s engaged in when he writes, “I imagine reducing his book to a clinical diagnosis or, perhaps worse, putting it in the self-help category, would make Vonnegut shudder.” Indeed, I think it would. Nevertheless, Roston soldiers on, casting himself as part literary scholar and part psychoanalytic sleuth. He deconstructs “Slaughterhouse-Five” and the history around the book in search of incontrovertible proof that Vonnegut had what we would today call post-traumatic stress disorder, even though Roston acknowledges Vonnegut’s consistent denials throughout his life that his wartime experiences left him traumatized….

(6) STAR TREK’S BRIDGE. SFGate’s Victoria Sepulveda explains “Why ‘Star Trek’ made San Francisco the center of the universe”.

…On top of that, San Francisco is a beautiful city with a major recognizable landmark, great for letting TV viewers know when an episode takes us from the far-flung reaches of the cosmos back to Earth. 

But there are other naval cities and major Earth landmarks that could suit this purpose. What really made San Francisco special, Bernardi says, was its progressivism and diversity. Roddenberry was a liberal humanist, and San Francisco, out of all American cities in the 1960s, best captured the issues Roddenberry wanted to delve into in the show. It was a hub for the civil rights and anti-war movements, says Bernardi, who has studied Roddenberry’s papers, which are collected at UCLA….

(7) DEL TORO INTERVIEW. [Item by Martin Morse Wooster.] I listened to this podcast Leonard and Jessie Maltin did with Guillermo Del Toro — Maltin on Movies: Guillermo del Toro. Del Toro is promoting Nightmare Alley (an excellent film I regard as horror-adjacent), but fantasy is never far from Del Toro’s mind; two minutes into the podcast there’s a discussion about whether Berni Wrightson or Richard Corben did better scary clown illustrations.  Del Toro also says Forrest J Ackerman was his “godfather” because Famous Monsters of Filmland was a source of inspiration and education when he was a kid.  Also credited is the great makeup artist Dick Smith, who was very generous with his time and met Del Toro at the train station when he took the train from Guadalajara to meet with the makeup master.  Del Toro tries to follow Smith’s example and give education and encouragement to young people getting started in the movie industry.  Finally, he thinks that Doug Jones, who has a small role in Nightmare Alley and a major one in The Shape Of Water, is a protean talent who is our generation’s Lon Chaney.

Del Toro’s next project is an animated Pinocchio, developed as a collaboration with The Jim Henson Company.

Del Toro shares a lot of wisdom about movie production and life, in what I think is one of the Maltins’ better episodes.

(8) DWAYNE HICKMAN (1934-2022). Actor Dwayne Hickman, best known as TV’s Dobie Gillis, and for appearing in the Western comedy Cat Ballou, died January 9 reports the New York Times: “Dwayne Hickman, T.V.’s Lovelorn Dobie Gillis, Is Dead at 87”. He had a couple of genre roles – if Dr. Goldfoot and the Bikini Machine (1965) counts, or else there’s his appearance on an episode of Kolchak: The Night Stalker (1975).

(9) BOB SAGET (1956-2022). Actor Bob Saget, best known for his comedy sitcom work, died January 9. He worked on episodes of The Greatest American Hero (1983), Quantum Leap (1992), and Robot Chicken (2016), and voiced roles in the animated movies Madagascar (2005), and Casper’s Scare School (2006).

(10) MEDIA BIRTHDAY.

1980 [Item by Cat Eldridge.] Forty-two years ago, New York City public television station WNET’s Experimental TV Lab project premiered their adaptation of The Lathe of Heaven. Based off the Ursula Le Guin novel of the same name, it was directed by David Loxton and Fred Barzyk. It should be noted Le Guin, by her own writings later, was involved in the casting, script planning, script editing, and filming of the production. Thus, we’ll give scripting credits to Diane English, Ursula K. Le Guin and Roger Swaybill. Primary cast was Bruce Davison, Kevin Conway (earlier in Slaughterhouse-Five as Roland Weary) and Margaret Avery. It was budgeted at a quarter of a million dollars.

The Lathe of Heaven became one of the two highest-rated shows that season on PBS that year. Michael Moore writing for Ares magazine liked it saying that “The best science fiction, such as Lathe, examines humankind’s place in the universe and the products and problems created by intelligence.” It was nominated for a Hugo at Denvention Two which had Ed Bryant as Toastmaster, the year The Empire Strikes Back won. Audience reviewers at Rotten Tomatoes currently give a seventy-two percent rating. 

The Lathe of Heaven is the most-requested program in PBS history. It took twelve years to clear up rights to rebroadcast it and that involved replacing the Beatles music with a cover band version. In 2000, The Lathe of Heaven was finally rebroadcast and released to video and DVD. 

I’ve seen this version several times and remember as being rather well crafted but I’ve not the second version made twenty-two years later. Who here has seen that version? 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 9, 1890 Karel Capek. [Spelled with Latin “c” because WordPress doesn’t support the correct special character.] Author of the his 1936 novel War with the Newts and 1920 play R.U.R. (Rossum’s Universal Robots), which introduced the word robot. R.U.R.was a dystopian work about a really bad day at a factory populated with sentient androids. ISFDB shows two additional works by him, Krakatit: An Atomic Fantasy and The Absolute at Large which I’ve not heard of. (Died 1938.)
  • Born January 9, 1908 Simone de Beauvoir. You know who she is but likely don’t know she wrote All Men Are Mortal (Les Hommes Sont Mortels in its original French)in 1946 which tells the story of Raimon Fosca, a man cursed to live forever. It’d be published in English in the States a decade later, and was adapted into a 1995 film of the same name. (Died 1986.)
  • Born January 9, 1925 Lee Van Cleef. The Warden of the Prison in Escape from New York but he was best known for acting in Spaghetti Westerns. Genre wise, he was also Col. Stone in The Beast from 20,000 Fathoms, and Dr. Tom Anderson in Corman’s It Conquered the World. (Died 1989.)
  • Born January 9, 1932 Algis Budrys. I am trying to remember what I read by him and I think it was Some Will Not Die which I remember because of the 1979 Starblaze edition cover. I’ve also read and really enjoyed his Rogue Moon. Setting aside his work as a writer which was exemplary, he was considered one of our best genre reviewers ever reviewing for GalaxyMagazine of Fantasy and Science Fiction, and wrote genre reviews even in the more mainstream Playboy. He edited a number of the L. Ron Hubbard Presents Writers of the Future anthologies which I’ll admit I’ve not read any of. I should note his Tomorrow Speculative Fiction prozine was quite excellent. (Died 2008.)
  • Born January 9, 1950 David Johansen, 72. He’s the wisecracking Ghost of Christmas Past in the oh-so-perfect Scrooged, he played Halston in Tales from the Darkside: The Movie in “The Cat from Hell” episode, and he appeared as a character named Brad in Freejack. I think the brief Ghost of Christmas Past riff in the aforementioned Scrooged is enough to earn him as Birthday Honors here. 
  • Born January 9, 1955 J.K Simmons, 67. You may know him as J. Jonah Jameson in the various Spider-Man films but I find his more interesting genre role to be as Howard Silk in the Counterpart series where he plays two versions of himself in two versions of parallel Berlins in a spy service that may or may not exist. He also portrayed Commissioner James Gordon in Justice League.
  • Born January 9, 1956 Imelda Staunton, 66. Voice of the Snow Queen in The Snow Queen’s Revenge, A Nurse in Shakespeare in Love, Polly in A Midsummer Night’s Dream, Dolores Jane Umbridge In Harry Potter and the Order of the Phoenix and in Harry Potter and the Deathly Hallows as well and Knotgrass in Maleficent and the sequel. 
  • Born January 9, 1957 Greg Ketter, 65. A Minneapolis SF Bookstore owner, DreamHaven to be precise, and con-running fan as well. He is a member of MN-Stf. He’s been involved in myriad regionals and Worldcons. He‘s chaired Minicons and World Fantasy Conventions alike.

(12) COMICS SECTION.

(13) SEÑORITA RIO CREATOR. The work of Lily Renée was part of the “Three with a Pen” exhibit at the Austrian Cultural Forum New York that ended in September. Although the exhibit is over, much material remains online, including a trailer.

Lily Renée

The only child of a well-to-do family, Lily Renée Willheim discovered drawing early, creating opulent fantasy worlds with mythical creatures. As a result of the so-called “Anschluss”, her father lost his job, her school friends were no longer allowed to play with her, and, like many, the family endured a variety of hardships. In 1939, at age seventeen, her parents put her on a children’s transport bound for England where she briefly stayed with a British family.

She reunited with her parents in New York City in 1940, where she lives today. After studying at the Art Students League and School of the Visual Arts, she was hired by comic book publishers. An exception in the male-dominated field, she created illustrations for several comic books including Señorita Rio, a glamorous Brazilian secret agent fighting the Nazis, the comedy duo Abbott and Costello, and others. Her later works include children’s books, decorative motifs, and textile designs. In 2007, Lily Renée attended Comic-Con in San Diego to receive their Inkpot Award and was inducted into the Hall of Fame of Friends of Lulu, an organization promoting women in comics. She celebrates her 100th birthday this year.

Read more about her in The Forward: “This female comic book artist was unknown for decades”.

Like the comic superheroes they invented, the Jewish creators of the characters often had secret identities – at least different names. Superman creators Joe Shuster and Jerome Siegel used the pseudonyms Joe Carter and Jerry Ess. Bob Kane, born Robert Kahn, created Batman. Jack Kirby, the pen name of Jacob Kurtzenberg, concocted Captain America.

Although lesser known, the comic book heroine Señorita Rio was Hollywood starlet Rita Farrar by day and Nazi-fighting secret agent by night. The artist who drew Rio’s action-packed panels in the 1940s, and signed as L. Renee, lived a sort of double life, too.

“Everybody assumed I was a man,” artist Lily Renee Phillips has said of the fan mail she received at the time, which was always addressed to “Mr. Renee.” Fans knew neither Renee’s gender nor her incredible origin story, which rivaled the plotline of Señorita Rio….

(14) DISNEY’S INSPIRATION. In the Washington Post, Philip Kennicott reviews “Inspiring Walt Disney:  The Animation of French Decorative Arts,” an exhibition at the Metropolitan Museum of Art. “Walt Disney’s fascination with France explored in Metropolitan Museum’s ‘Inspiring Walt Disney’”

I have watched more Disney princess films in the past few weeks than in the entirety of my first five decades on the planet. As a citizen of American popular culture, I enjoy their grace and charm. But as a citizen of this thing called the American republic, with its roots in revolution and its rhetoric of equality, I find them often surreal. Isn’t it odd — and perhaps even wrong, in some deeper ethical sense — that Americans are addicted to these gilded fantasies of privilege?A fascinating exhibition at the Metropolitan Museum of Art explores something that is hiding in plain sight if you watch Disney cartoons closely: the curious affinity for all things French, especially the trappings of French aristocracy.

The curators of “Inspiring Walt Disney: The Animation of French Decorative Arts” are upfront about one basic fact: Walt Disney made his movies for a very different audience than that for which the artisans of the French rococo produced their dazzling luxury objects….

(15) EFFECTS OF CHINA CENSORSHIP ON INTERNET AND TECH. According to the New York Times, “As Beijing Takes Control, Chinese Tech Companies Lose Jobs and Hope”.

…Beijing wants its cyberspace to become a tool of governance and national rejuvenation. And it will penalize anyone who fails to serve the goal.

In mid-December, the country’s internet regulator said it had ordered platforms to shut down more than 20,000 accounts of top influencers in 2021, including people who spoke ill of the country’s martyrs, entertainers involved in scandals and major livestreaming stars.

Alibaba was slapped with a record $2.8 billion antitrust fine in September. That was followed by a $530 million fine of Meituan, the food-delivery giant, a month later.

Weibo, China’s Twitter-like platform, was fined 44 times between January and November. Douban, the popular film- and book-reviewing site, was fined 20 times.

Li Chengdong, an e-commerce consultant who invests in start-ups, said some consumer internet companies he owned were struggling with higher compliance costs. “To stay on the safe side, they have to be stricter in compliance than what the government requires,” he said….

(16) ONLY HOW MANY SHOPPING DAYS LEFT? Sold by The Bodleian Library in Oxford, England, these Christmas Cards that look like book covers. Click through the slideshow to see all four examples.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Doug Ellis, Chris Barkley, John A Arkansawyer, Mlex, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 5/29/21 I’m Worth A Scrillion In Pixels

(1) TO THE VICTOR. Hugh Howey, sponsor of the first annual Self-Published Science Fiction Competition (SPSFC), displayed the trophy that will be sent to the inaugural winner. He added there will be slightly different trophies every year, but they’ll all be in the same vein.

It’s not only — this thing is so heavy, this is so robust, but you’re gonna have an award that people can actually pick up and play with. You can like run around the house and say pew pew to people with this. Um, of course, all of our blasters are set to stunning…

(2) PUT IN A GOOD WORD. Nominations are being taken for the 2021 Good Furry Award at Ask Papabear. Voting is being done here.

The Good Furry Award is an annual award that debuted in 2019. Each year, the award will be presented to one furry (or group of furries) to recognize them for outstanding spirit in the furry community. The winner will receive a check for $500 and a crystal trophy of recognition. The award money can be used at the winner’s discretion, although we would not be surprised if it is used to attend a convention or buy something furry….

Why are you doing this?

It seems to me that every time something negative happens in the fandom, people focus on that too much to the point of giving the entire fandom a bad reputation. Rather than paying attention to the few furries who cause trouble, I would like us all to focus on furries who do good things and are good people. Let’s give those furries some attention instead! The vast majority of furries are good people, and I want us all to start talking about them and thinking about them. My hope is to uplift this community. It’s not so much about the final award (although that is important); it is about taking serious time to bring good furries to light.

(3) FANTASY AFRICA. Eugen Bacon, the African Australian writer and editor, lends her voice to one of the stories featured on the Australian Broadcasting Company program “Reading Western Sydney, a hot country town & fantasy Africa remade”.

…And entire new worlds are created, drawing upon West African mythology and the layers of colonialism, in Suyi Davies Okungbowa’s epic fantasy, Son of the Storm (read by speculative fiction writer Eugen Bacon).

(4) MUSIC FOR THE SPHERES. Bandcamp Daily “Lost in Space Music: Records That Explore the Outer Limits”.

…This is music that’s literally about outer space itself: its nature and substance, the experience of being in it, its effect on human beings, and the ways we interact with it. The stylistic range of this music is immense; it includes records made by Sun Ra as well as records made by NASA, which not only compiled music to be sent into space (the 1977 Voyager spacecrafts’ Golden Records), but also released the album Symphonies of the Planet, which features sounds captured by the Voyager probes. (Sounds in space? Yes, they’re there.)

There’s even more to explore on this list, which features music about the infinite breadth and depth of outer space, music about crossing almost incomprehensible interstellar distances, romantic narratives about space flight, the ominous power of the universe, and more….

One of these works has the intriguing title Music for Black Holes. Does the tune escape? Or is this what’s on the radio while you’re being pulled in?

(5) PULPS GO FOR RECORD PRICE. The copy of The Shadow #1 (1931) highlighted in Heritage Auction’s The Intelligent Collector ended up selling for $156,000, setting a world record as the most expensive pulp magazine ever sold. 

The character soon was given his own pulp magazine, with the first issue hitting newsstands in 1931. It was an instant hit, with the series running for 325 issues over 18 years. Batman co-creator Bill Finger later acknowledged that his first Batman script was a takeoff on a Shadow story.

Over the decades, the Shadow spawned television shows, movies and comic books. The caped crimefighter would also inspire other pop-culture favorites: Alan Moore’s V for Vendetta, Disney’s Darkwing Duck, and the crime-fighting hero Silver Shroud in the Fallout 4 videogame.

The auction set several other auction records for pulp magazine titles.

  • A 1923 first edition, second-state copy of Weird Tales sold for a record $36,000. The rare variant second-state copy, in attractive Very-Good plus condition, is one of the longest-running and considered among the most influential pulp horror titles ever published.
  • A 1933 first edition of Doc Savage, offered in very good/fine condition, sold for $33,600, shattering the previous auction record paid for the magazine. The copy is the nicest of the five Heritage experts have seen to date, only three of which are unrestored. The previous auction record for a first edition of the title was set by Heritage in December 2020 when a copy sold for $22,800.

(6) IN PIECES. Leonard Maltin pronounces “A Quiet Place Part Ii: A Solid Sequel”.

Sequels don’t usually get my juices going but this follow-up to the 2018 hit movie makes all the right moves. Writer-director John Krasinski wastes no time in revealing the spindly alien creatures who caused such havoc last time… and gives us ample time to examine the disgusting details of their anatomy.

But it’s the human factor–amazing ingenuity and a dogged refusal to surrender—that again takes center stage. Calm and cool-headed as ever, even without her husband to protect her and her family, Emily Blunt sets a great example for her children, an adolescent son (Noah Jupe) who’s braver then he realizes and a daughter (Millicent Simmonds) who refuses to treat her deafness as a shortcoming….

(7) SPOT ON. And he follows up with his view of Cruella: The Devil You Say” at Leonard Maltin’s Movie Crazy.

It says something about our times that a story that once featured cute, heroic dalmatians now focuses on their adversary, a larger-than-life villain (just as Sleeping Beauty has morphed into the saga of Maleficent). Parents should note the PG-13 rating on Cruella, which is earned through a series of nightmarish scenes involving death, abandonment, and revenge. Some children may absorb all of this as make-believe but others might have a different reaction to so much dark matter. I fall into the latter category; I was aghast….

(8) MACLEOD OBIT. Gavin MacLeod, best known as the Captain of The Love Boat and as Murray, a WJM newswriter on The Mary Tyler Moore Show, died May 29 at the age of 90. Before then he worked on a lot of TV shows, and his genre credits included episodes of Men Into Space (1959), The Munsters (1964), The Man from U.N.C.L.E. (1965), My Favorite Martian (twice, 1965 and 1966), and Wonder Woman (1978).

(9) SCAMMELL OBIT. Stuntman Roy Scammell died May 15 – The Guardian has a tribute. He worked on many genre films.

…He worked on several James Bond films and for Stanley Kubrick on the stylised and brutal violence of A Clockwork Orange (1971) and later Barry Lyndon (1975). He also worked on Rollerball (1975), Midnight Express (1978), Alien (1979), Saturn 3 (1980), Flash Gordon (1980, appearing as one of the Hawkmen, hanging from wires for hours in order to achieve the film’s flying sequences), Greystoke: The Legend of Tarzan, Lord of the Apes (1984, working with a live panther while dressed as an ape) and Willow (1988).

(10) MEMORY LANE.

  • 1957 — In 1957, J.R.R. Tolkien’s The Lord of The Rings wins the final International Fantasy Award that will be given out. The International Fantasy Award was one of the first awards created to honor works of SF and fantasy as it preceded the Hugos by two years being created in 1951 with its first winner being Earth Abides by George R. Stewart. (It was preceded by both the N3F Laureates and the Invisible Little Man Award.)  It was a British Award in origin having been originally created and promoted by G. Ken Chapman, John Wyndham, Frank Cooper, and Leslie Flood. It gave out six fiction and three non-fiction Awards in total. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 29, 1874 – G.K. Chesterton.  Wrote essays, fiction, poems (is poetry fiction?), plays, biography, criticism; illustrator, journalist, radio broadcaster.  Half a dozen of his eighty books are ours, famously The Napoleon of Notting Hill and The Man Who Was Thursday; eighty of his two hundred shorter stories.  Events in his Father Brown stories turn out not to be fantasy.  But GKC was the prince of paradox.  (Died 1936) [JH]
  • Born May 29, 1901 – Ken Fagg.  A dozen covers for If and a few others; co-creator of world’s largest geophysical relief globe; illustrator for LifeHolidaySaturday Evening Post; art director for 20th Century Fox.  See three of his If wrap-arounds hereherehere.  Here is A Volcanic Eruption on Titan, Sixth Moon of Saturn.  (Died 1980) [JH]
  • Born May 29, 1906 – T.H. White.  We can claim six of his novels (counting The Once and Future King as one – although its publication history made its first part “The Sword in the Stone” eligible for a Retro-Hugo, which we gave it), twenty shorter stories.  He lived to see Once & Future made into the Lerner & Loewe musical Camelot, which L&L told each other was impossible, and they were right, but luckily that didn’t matter.  He translated a Bestiary, called non-fiction, which is like calling Once & Future a children’s story.  (Died 1964) [JH]
  • Born May 29, 1909 — Neil R. Jones. It is thought that “The Death’s Head Meteor”, his first story, which was published in Air Wonder Stories in 1930, could be the first use of “astronaut” in fiction. He also created the use of a future history before either Robert A. Heinlein or Cordwainer Smith did so. They’re collected in The Planet of the Double SunThe Sunless World and a number of other overlapping collections.   He’s a member of the First Fandom Hall of Fame. (Died 1988.) (CE) 
  • Born May 29, 1923 — Genevieve Linebarger. Widow of Cordwainer Smith. She completed several stories after his death in The Instrumentality of Mankind series, to wit “Golden the Ship Was — Oh! Oh! Oh!”, “The Lady Who Sailed the Soul”, “Down to a Sunless Sea” and “Himself in Anachron“.  She shares co-authorship with him on these. (Died 1981.) (CE) 
  • Born May 29, 1930 – Richard Clifton-Dey.  Five dozen covers for us; a hundred total, Westerns, war books, advertising, romance; a few interiors; much unsigned, identified by his widow.  See here (Fritz Leiber), here (Tim Powers), here (H.G. Wells).  (Died 1997) [JH]
  • Born May 29, 1942 — Kevin Conway. His first genre role was as Roland Weary in Slaughterhouse-Five with later roles in Lawnmower Man 2: Beyond Cyberspace and Black Knight, neither of which I suspect many of you have seen. You will likely have seen him in The Lathe of Heaven as Dr. William Haber.  He played Khalistan on “The Rightful Heir” episode of Next Generation, and had one-offs on Dark Angel, Life on Mars and Person of Interest. (Died 2020.) (CE) 
  • Born May 29, 1948 – Larry Kresek, age 74.  Thirty covers for us.  First chair of illustration dep’t, Ringling School of Art & Design; movie posters, record albums, national ads, pharmaceutical illustrations; adviser to education committee, N.Y. Society of Illustrators; professor, Rocky Mountain College of Art & Design; various projects with wife Joan Kresek.  See here (Spider & Jeanne Robinson), here (Theodore Sturgeon), here.  [JH]
  • Born May 29, 1952 – Louise Cooper.  Eighty novels for us: a dozen Time Master novels, also CreaturesDark EnchantmentIndigoMermaid CurseMirror, MirrorSea Horses; a dozen stand-alone novels, another dozen shorter stories.  She and husband Cas Shandall sang with the shanty group Falmouth Shout.  (Died 2009) [JH]
  • Born May 29, 1960 — Adrian Paul, 61. Duncan MacLeod on Highlander. And yes, I watched the whole bloody series though none of the films. His first appearance in genre circles was as Dmitri Benko in the “Ashes, Ashes” episode of the Beauty and the Beast series. He shows up next as Prospero in Masque of the Red Death. He’s got several series before HighlanderWar of the Worlds (not bad at all) where he was John Kincaid, a short lived role as Jeremiah Collins on Dark Shadows and an even shorted lived rolled on Tarzán as Jack Traverse. His first post-Highlander Sf series is Tracker where he plays alien shapeshifter Cole / Daggon.  A decade ago, he returned to a familiar role in Highlander: The Source. His last series role was playing Dante on Arrow.  Note: this is not a complete list. (CE) 
  • Born May 29, 1970 – Erin Healy, age 51.  Three novels for us; half a dozen others, two nonfiction anthologies.  Descended from a brother of Daniel Boone, so he is her great (great-great-great-great-great-great) uncle.  “I thought I’d be a politician, but God used an English professor to save me from that disastrous choice.”  [JH]
  • Born May 29, 1987 — Pearl Mackie, 34. Companion to Twelfth Doctor. The actress was the first openly LGBTQ performer and companion cast in a regular role in Doctor Who. Mackie, says Moffatt, was so chosen as being non-white was not enough. Her other notable genre role was playing Mika Chantry in the audiowork of The Conception of Terror: Tales Inspired by M. R. James. (CE) 
  • Born May 29, 1996 — R. F. Kuang, 25. She’s an award-winning Chinese-American fantasy writer. The Poppy War series, so- called grimdark fantasy, consists of The Poppy War which won the Compton Crook Award for Best First Novel, and The Dragon Republic and The Burning God. She won the 2020 Astounding Award for Best New Writer. (CE) 

(12) COMICS SECTION.

  • Close to Home introduces someone who helps give Hell the reputation it enjoys today.

(13) REMIND YOU OF INDIANA WHOSIS? The movie adaptation of Disney’s Jungle Cruise comes to theaters July 30.

Inspired by the famous Disneyland theme park ride, Disney’s “Jungle Cruise” is an adventure-filled, rollicking thrill-ride down the Amazon with wisecracking skipper Frank Wolff and intrepid researcher Dr. Lily Houghton. Lily travels from London, England to the Amazon jungle and enlists Frank’s questionable services to guide her downriver on La Quila—his ramshackle-but-charming boat. Lily is determined to uncover an ancient tree with unparalleled healing abilities—possessing the power to change the future of medicine. Thrust on this epic quest together, the unlikely duo encounters innumerable dangers and supernatural forces, all lurking in the deceptive beauty of the lush rainforest. But as the secrets of the lost tree unfold, the stakes reach even higher for Lily and Frank and their fate—and mankind’s—hangs in the balance.

 (14) FATED CAST. Learn more about the forthcoming movie Infinite in this Q&A with director Antoine Fuqua at IGN: “Infinite Trailer: Exclusive First Look Photo From the Mark Wahlberg Sci-Fi Action Film”.

What Makes Mark Wahlberg Right for Infinite

Making Infinite feel grounded amidst all the fantastical elements is also the reason why Mark Wahlberg was cast in the lead role of Evan McCauley. “One of Mark’s great qualities is that there’s a sense of authenticity to who he is and there’s a basic decency and sort of a grounding that makes him extremely relatable,” di Bonaventura said. Having an everyman like Wahlberg being the audience’s guide through this heightened world also makes Evan’s skepticism about what he’s discovering mirror the audience’s own gradual suspension of disbelief.

As di Bonaventura put it, “You want a guy that’s saying, ‘Really? You’re going to try to convince me of this. Really? I’m reincarnated?’ And Mark’s great for that. And then, of course, you want him to rise to being the hero, which Mark is very good at. So he fits what we were hoping for out of that character.”

Chiwetel Ejiofor Plays Infinite’s “Tragic Villain”

Every hero needs a strong antagonist and Chiwetel Ejiofor’s character Bathurst is “a tragic villain,” according to Fuqua. “He was once an Infinite that possibly still believed in other things, whether it be God or other things in life. He’s been in constant search of that God, of that spirit, and all he keeps getting is reborn, reborn, reborn, without being enlightened, if you will, so that for him, it’s just becoming darker and darker and more tortured.”…

(15) A TIME FOR EVERY PURPOSE. Amazon Prime dropped a trailer for The Tomorrow War. Available July 2.

In The TOMORROW WAR, the world is stunned when a group of time travelers arrive from the year 2051 to deliver an urgent message: Thirty years in the future mankind is losing a global war against a deadly alien species. The only hope for survival is for soldiers and civilians from the present to be transported to the future and join the fight. Among those recruited is high school teacher and family man Dan Forester (Chris Pratt). Determined to save the world for his young daughter, Dan teams up with a brilliant scientist (Yvonne Strahovski) and his estranged father (J.K. Simmons) in a desperate quest to rewrite the fate of the planet.

(16) BRAIN UPGRADE. Arturo Serrano highlights author Sarah Pinsker’s skillful storytelling in “Review: We Are Satellites” at Nerds of a Feather.

…After David’s implant is revealed to have sensory processing issues, we are carried through a deeply detailed plot of corporate irresponsibility, medical neglect, political opportunism, workplace discrimination, sibling envy, systemic ableism, and the many ways the external world can invade our private choices.

All four family members get first-person chapters, but David’s are the most engaging. The long train of sentences does a great job of conveying his mind’s permanent state of panicked hyperawareness. For example, “He could describe the location of every fly on every wall in a room full of flies but he didn’t notice his body’s reactions until he counterreacted to them.” If the delight of science fiction is making unreal worlds feel close to us, this novel does one better: it makes us live a mental state that has never existed….

(17) ALWAYS LISTEN TO YOUR EDITOR. In the Washington Post, Alexandra Petri says John Steinbeck’s editor told him his stories were great, as long as he took out the werewolves! “John Steinbeck’s editor removes all the werewolves from his work”.

… But I had one question: Why are there so many werewolves?

Just a few instances, going through your work —

“Of Mice and Men and Werewolves”: I don’t think Lennie needs to be a werewolf for this story to work! I think he could just be a guy, although I did like the sad part at the end where George has to load a silver bullet into his gun while telling Lennie to think about rabbits….

[Thanks to Michael Toman, Rob Thornton, John King Tarpinian, Cat Eldridge, John Hertz, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day John A Arkansawyer.]

Pixel Scroll 5/18/21 Manic Pixel Dreamsnake And The Scrollers Of Doom

(1) RIDLEY TO WRITE NEXT BLACK PANTHER SERIES. The New York Times announced today in an exclusive interview that Academy Award-winning writer John Ridley (12 Years a Slave) will helm Marvel’s next Black Panther comic book series alongside Marvel’s Stormbreaker artist Juann Cabal (Guardians of the Galaxy). Their series will begin this August.

Building from the epic last chapter of Ta-Nehisi Coates’ groundbreaking multi-year Black Panther run in BLACK PANTHER #25 next week, Ridley will kick off an action-packed espionage story that will impact everything in T’Challa’s life and have ramifications for the entire Marvel Universe!

In this new ongoing series, secrets from T’Challa’s past have come back to haunt him. Fresh from returning from his adventures in space, Black Panther receives an unexpected and urgent message from a Wakandan secret agent. T’Challa must race the clock not only to save his agent, but also to keep his true agenda under wraps. Because if the truth comes out, it could cost T’Challa everything…

“It’s a hybrid espionage-superhero thriller, but at its core, it’s a love story,” Ridley told The New York Times. “And I don’t mean just romantic love, although there’s some of that as well. It’s love between friends.

“We’re coming out of a summer where we saw Black people fighting for our rights, standing up, fighting in ways that we haven’t had to do in years,” Ridley added. “And it was really important to me after the year we had where we can have these conversations with Black people and we can use words like love and caring and hope and regret and all these really fundamental emotions that everybody has.”

(2) AMAZON PUBLISHING’S LIBRARY AGREEMENT. The Digital Public Library of America has signed an agreement with Amazon Publishing to make their ebooks available to U.S. libraries:

Digital Public Library of America (DPLA) is pleased to announce that we have signed an agreement with Amazon Publishing to make all of the approximately 10,000 Amazon Publishing ebooks and audiobooks available to libraries and their patrons through the DPLA Exchange, the only not-for-profit, library-centered content marketplace. This marks the first time that ebooks from Amazon Publishing have been made available to libraries. Like our previous publisher arrangements, this agreement furthers our mission to expand equitable access to ebooks and audiobooks while protecting library patron privacy.

Amazon Publishing titles will begin to be available in the DPLA Exchange via four licensing models this summer; we expect that libraries will be able to access all of the Amazon Publishing titles by the end of the year:

  • Unlimited, one user at a time access, two-year license
  • Bundles of 40 lends, available with a maximum of 10 simultaneously, with no time limit to use the lends
  • Bundles of five lends, available simultaneously, with no time limit to use the lends
  • 26 lends, one user at a time access, the lesser of two years or 26 lends license

Library patrons will be able to access Amazon Publishing titles through SimplyE, the library-developed and managed e-reader app founded by New York Public Library. 

Publishers Weekly’s analysis says the deal will reduce pressure for a legislative solution:

…The deal will also serve to blunt a major criticism of Amazon, which until now had not made its digital content available to libraries under any terms—an exclusion that librarians have loudly criticized for years, and which was brought to the attention of lawmakers in an ALA report last year. In fact, an Amazon spokesperson revealed news of the potential deal with DPLA last year after reporters from The Hill contacted the company regarding a petition urging Congress to pursue “an antitrust investigation and legislative action to preserve and expand library services.”

(3) LIVING INSIDE THE STORY. F&SF invites readers to find out just how far Eugen Bacon, author of “When the Water Stops” in F&SF’s May/June issue, will go to research a new work in this author interview.

SRT: What literary (or other art/history) pilgrimages have you gone on?

EB: Bendigo is a mining town in Australia. I took a tour to the Central Debora Gold Mine for what they called Nine Levels of Darkness (228 metres) in a miner’s cage to research a portion of my novel Mage of Fools by Meerkat Press in March 2022. One scene happens in a mine and I needed to experience it to write it. Imagine what would happen if I were researching a cannibalistic serial killer.

(4) CHILL OUT. James Davis Nicoll is all in favor of science fiction where the heroes get a nice nap before the action starts: “Space Hibernation: Five Stories Featuring Sleeper Ships” at Tor.com.

The Winds of Gath by E. C. Tubb (1967)

Determined to find his lost home world, Dumarest of Earth travels from world to world. Itinerate labourers like Dumarest must travel by the cheapest method available: cold sleep, AKA “Low Passage.” True, the odds of waking from Low Passage are only five in six, assuming the traveller is well-fed and healthy, but it is a risk Dumarest and his companions accept.

Surviving yet another gamble with Low, Dumarest is confronted by yet another Low reality: there is no protection or warning for the traveller should the starship captain alter destination in flight. Rather than waking on prosperous Broome, Dumarest is stuck on tide-locked Gath. Gath is not prosperous and escape may prove quite difficult. If escape is possible at all.

(5) THE BEST OF CORA BUHLERT 2021. Cora Buhlert is making her 2021 Hugo Voter Packet submission available to everyone – and it’s up now.

(6) PILING UP THOSE CANS OF FILM. “Amazon in talks to buy ‘James Bond’ movie studio MGM” reports the Los Angeles Times.

Amazon is looking to bulk up its film and TV operations with MGM’s deep film library and substantial television production work as it looks to keep Prime Video competitive with Netflix and Disney+, which are spending billions to dominate the streaming wars, the sources said.

The Seattle company had long been thought to be a potential acquirer largely because of the appeal of the MGM film and TV library, which includes 4,000 movies such as “Robocop” “The Pink Panther” and “The Silence of the Lambs.” MGM’s scripted TV division is responsible for “Fargo,” “The Handmaid’s Tale” and “Vikings.”

The Information first reported the talks, which escalated recently and are said to be in the advanced stages. Sources said the purchase price being discussed is within a range of $7 billion to $9 billion….

(7) ELECTION INTERFERENCE. Essence of Wonder with Gadi Evron will continue its discussion of threats to last year’s US elections in “US Election Interference in 2020 and Beyond Part II – Domestic Interference”. Register at the link. Joining the team for this program will be Bryson Bort (founder of Scythe), Matt Masterson (Former Election Security Lead for CISA), Harri Hursti (Nordic Innovation Labs), and SJ Terp (Strategist, ThreeT Consulting).

(8) LIVING IN SPACE. Jeff Foust reviews two books about the science of settling on Mars and the Moon for The Space Review: “Developing Space and Settling Space”.

Developing Space by John Strickland with Sam Spencer and Anna Nesterova
Settling Space by John Strickland with Sam Spencer and Anna Nesterova

For all his talk about wanting to make humanity multiplanetary, Elon Musk hasn’t said much about how he would ensure people would stay alive on another world. Musk is happy to talk about how Starship can make it possible for people to go to the Moon, Mars, and elsewhere in large numbers, including that vision of a million people living on Mars. But exactly what people would do once on Mars, and how they would survive the extreme environment there, is an exercise left for the reader.

That reader—or maybe Musk himself—could turn to the two volumes recently published by John Strickland, called Developing Space and Settling Space. Strickland, a longtime space advocate and regular contributor to The Space Review, spares no detail in his analysis of how humans can not only get to other worlds—or create their own in the form of space settlements—but also survive and thrive once they got there….

Don Sakers

(9) DON SAKERS OBIT. Author and retired librarian Don Sakers (1958-2021) died May 17. From 2009 to the present he was Analog’s book reviewer, with a “Reference Library” column in every issue.

He most enjoyed being remembered for exploring the thoughts of sapient trees in The Leaves of October (part of his Scattered Worlds series), beating the “Cold Equations” scenario (“The Cold Solution,” Analog 7/91, voted the magazine’s best short story of the year), and editing Carmen Miranda’s Ghost is Haunting Space Station Three (1989), an anthology inspired by Leslie Fish’s filksong, to which he contributed two stories.

Sakers lived at Meerkat Meade in suburban Baltimore with his spouse, costumer Thomas Atkinson.

(10) GRODIN OBIT. Actor Charles Grodin has died of cancer at the age of 86. His best genre roles were in the movies Rosemary’s Baby (1968), King Kong (1976), Heaven Can Wait (1978), The Incredible Shrinking Woman (1981), and The Great Muppet Caper (1981). He also appeared in single episodes of TV’s Captain Nice, and My Mother the Car. The Hollywood Reporter’s career notes mention —

…Grodin’s characters occasionally displayed a sinister side. In King Kong (1976), he played the shady businessman who tries to cash in on the giant ape; two years later, he portrayed an oily lawyer in the screwball comedy remake Heaven Can Wait, starring Warren Beatty.

Early in his career, Grodin was in the running to star as Benjamin Braddock in The Graduate (1967), then played an obstetrician in Rosemary’s Baby (1968)….

(11) MEDIA ANNIVERSARY.

  • May 18, 1962 — On this date in 1962, The Twilight Zone aired “I Sing The Body Electric,” scripted by Ray Bradbury. They make a fairly convincing pitch here. It doesn’t seem possible, though, to find a woman who must be ten times better than mother in order to seem half as good, except, of course, in the Twilight Zone. — Intro narration. Although Bradbury contributed several scripts to the series, this was the only one produced. An large ensemble cast was needed, hence Josephine Hutchinson, David White, Vaughn Taylor, Doris Packer, Veronica Cartwright, Susan Crane and Charles Herbert all being performers.  This was the year that the entire season of the series won the Best Dramatic Presentation Hugo at Chicon III.   

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 18, 1852 – I.L. Peretz.  A great figure in Yiddish literature; a score of stories for us, among which a classic version of the golem legend.  Extra credit: compare Avram Davidson’s.  (Died 1915) [JH]
  • Born May 18, 1919 – Margot Fonteyn.  Dame Commander of the Most Excellent Order of the British Empire; named prima ballerina assoluta of the Royal Ballet by Elizabeth II.  Danced many fantasies e.g. The FirebirdGiselleRaymondaSwan Lake.  (Died 1991) [JH]
  • Born May 18, 1930 — Fred Saberhagen. I’m reasonably sure I’ve read the entirety of his Berserker series though not in the order they were intended to be read. Some are outstanding, some less so. I’d recommend Berserker ManShiva in Steel and the original Berserker collection.  Of his Dracula sequence, the only one I think that I’veread is The Holmes-Dracula File which is superb. And I know I’ve read most of the Swords tales as they came out in various magazines. (Died 2007.) (CE) 
  • Born May 18, 1931 – Don Martin.  Album covers for Miles Davis, Art Farmer, Stan Getz.  A cover and thirty interiors for Galaxy.  Mad’s Maddest Artist, of floppy feet, onomatopoeia – his car license plate was SHTOINK – and National Gorilla Suit Day.  Fourteen collections.  Ignatz Award, Nat’l Cartoonists Society’s Special Features Award, Will Eisner Hall of Fame.  (Died 2000) [JH]
  • Born May 18, 1934 — Elizabeth Rogers. Trek geeking time. She had two roles in the series. She provided the uncredited voice for “The Companion” in the “Metamorphosis” episode. She also portrayed Lt. Palmer, a communications officer who took the place of Uhura, in “The Doomsday Machine”, “The Way to Eden”, and the very last episode of the series, “Turnabout Intruder”. She also had appearances on Time TunnelLand of The GiantsBewitchedThe Swarm and Something Evil. (Died 2004.) (CE) 
  • Born May 18, 1946 — Andreas Katsulas. I knew him as Ambassador G’Kar on Babylon 5 but had forgottenhe played the Romulan Commander Tomalak on Star Trek: The Next Generation. His first genre role on television was playing Snout in A Midsummer Night’s Dream and he had a recurring role in Max Headroom as Mr. Bartlett. He also had appearances on Alien NationThe Death of the Incredible HulkMillenniumStar Trek: Enterprise anda voice role on The Real Adventures of Jonny Quest. (Died 2006.) (CE) 
  • Born May 18, 1946 – Larry Smith, F.N.  Chaired Marcon III-XII, Fan Guest of Honor at XIII; vice-chair of Chicon IV, Fan Guest of Honor at Windycon 27; co-chaired Ohio Valley Filk Fest 14, World Fantasy Con 2010.  Fellow of NESFA (New England SF Ass’n; service).  Bought Dick Spelman’s book business when DS retired, became a leading book dealer with wife Sally Kobee, ran Dealers’ Room at many Worldcons.  (Died 2017)
  • Born May 18, 1948 – R-Laurraine Tutihasi, age 73.  Active in fanzines, the N3F (Nat’l Fantasy Fan Fed’n; won its Kaymar and Franson awards), and otherwise.  Loccer (“loc” also “LoC” = letter of comment, the blood of fanzines) at least as far back as Algol and The Diversifier, also ArgentusJanusFlagBroken Toys.  Her own fanzine is Purrsonal Mewsings.  [JH]
  • Born May 18, 1952 — Diane Duane, 69. She’s known for the Young Wizards YA series though I’d like to single her out for her lesser-known Feline Wizards series where SJW creds maintain the gates that wizards use for travel throughout the multiverse. A most wonderful thing for felines to do! (CE) 
  • Born May 18, 1958 — Jonathan Maberry, 63. The only thing I’ve read by him is the first five novels in the Joe Ledger Series which has a high body count and an even higher improbability index. Popcorn reading with Sriracha sauce. I see that he’s done scripts for Dark Horse, IDW and Marvel early on. And that he’s responsible for Captain America: Hail Hydra which I remember as quite excellent. (CE)
  • Born May 18, 1969 — Ty Franck, 52. Half of the writing team along with Daniel Abraham that’s James Corey, author of The Expanse series. I’ll admit that I’ve fallen behind by a volume or two as there’s just too many good series out there too keep up with all of them, damn it, but now that it’s ended I intend to finish it. (CE)
  • Born May 18, 1971 – Boros Attila, age 50.  (Personal name last, Hungarian style.)  Two dozen covers.  For Wild Cardshere is Four Aceshere is Only the Dead Know Jokertownhere is Ace in the Hole.  [JH]

(13) COMICS SECTION.

  • At Lio’s booth he charges ten times what Lucy did – which makes a kind of sense when you consider what the demand was for his makeover material a year ago.

(14) IN TUNE WITH SFF. Jackiem Joyner is a contemporary saxophonist, author, and music producer. He’s released seven albums, has two number one hit songs, and five Top 10 Billboard singles. On the sff side, his second sff novel, Timelab: Episode One, came out in October.

Two Scientists. One from long ago. The other from modern day 2018.
Both on the precipice of greatness.
Both met with disdain, and in one case, branded a witch.

Sir Bernard, a seasoned and trusted scientist, living in the time of King Caesar, is lauded by many… until his invention sparks rage and fear among the people. When they brand him as a witch, practicing dark magic, he makes a daring escape via his time machine.
He finds himself in San Francisco, 2000 years in the future. There, he befriends Kyle, a young, talented physics student, whose brilliance also sparks distrust, and in some cases, maltreatment.
Together, the two scientists are a formidable force, but there are barriers that prevent them from making good use of their scientific theories.
Sir Bernard’s homeland is on the brink of war. To save his people, he must go back in time, but first he’ll need a new, more powerful time machine.
Kyle has struggles of his own. His brain puts him ahead of the class, but he has trepidation about his mother’s legacy. He wants to clear her name and prove that she didn’t intentionally detonate a scientific lab, killing everyone, including herself.
Two scientists from vastly different worlds fight to erase the past. Can they prove their theories are real and can they save lives and reputations, including their own?

(15) YOU HAVE TO BE OH SO SMART OR OH SO NICE. The artist is trying to nice despite the kerfuffle: “’Sinister’ statue of mythical Irish creature put on hold in Co Clare”IrishCentral tells all about it.

Sculptor Aidan Harte has shared with IrishCentral his thoughts about the controversy surrounding his ‘Púca of Ennistymon’ statue.

Harte told IrishCentral on Wednesday morning: “All I can say is that it matters what all the people of Clare think.

“A vocal minority seem to have been set against it from the start, and that culminated with the priest denouncing it from the altar as a pagan idol.

“That’s silly; the Púca is no more pagan than the leprechaun.

“But since the controversy went national there’s been a swing, with locals who like it now speaking up. That’s welcome and I hope it goes ahead.

“The brief was to make a statue that would attract tourists to Ennistymon. The Púca hasn’t even been put up yet and all Ireland is already talking about it!”

(16) THAT’S WHAT TIGERS DO. Entertainment Weekly tells how “C. Robert Cargill pays tribute to a sci-fi hero in robot apocalypse novel Day Zero”.

C. Robert Cargill‘s just-published science-fiction novel Day Zero hinges on the relationship between a boy named Ezra and his tiger-resembling “nannybot,” Pounce.

“It’s the eve of the robot revolution,” the author and Doctor Strange co-writer, 45, tells EW. “When everything hits the fan, it’s up to a nannybot to decide whether he wants to join the revolution or protect the boy he loves.”

Day Zero is a tip of a hat to the late science fiction writer Harlan Ellison, whose tale A Boy and His Dog found a character named Vic and his telepathic canine partner Blood attempting to survive in a post-apocalyptic world. Cargill got to know Ellison when he and Doctor Strange director Scott Derrickson signed on to turn the Ellison-written Outer Limits episode “Demon With a Glass Hand” into a movie.

“The big deal was announced and nobody had told Harlan,” says Cargill. “Harlan immediately hit all of the [web] boards he was frequently on and goes, ‘Who the hell is C. Robert Cargill?’ Three different friends reached out to me on the same Saturday morning and said, ‘Ah, Harlan Ellison is looking for you. He seems kind of pissed.'”

Although the film was never made, the pair became friendly.

(17) CATCH ‘EM ALL. Input leads the cheers for this obsessive collector: “All hail King Pokémon!”

“We’re honored to have the one and only King Pokémon!” an announcer calls out.

On this mid-March day, he strides into Collect-A-Con, a two-day, first-of-its-kind conference dedicated to non-sports trading cards, in Frisco, Texas. By his side are fellow Pokémon royalty — RealBreakingNate and Leonhart, two mega-popular Pokémon Trading Card Game (TCG) YouTubers. Making his way through the cheering crowd, King Pokémon waves and smiles, his demeanor that of a kid popping bubbles: lit-up, blissful.

The King is Gary Haase, a 67-year-old father of three from Las Vegas. His Pokémon TCG collection’s estimated total value is more than $10 million, making it the most expensive in the world. In this windowless Embassy Suites ballroom, owning top-tier Pokémon cards makes you a star. And Haase, who has obsessively collected Pokémon cards since 1998, is a bona fide celebrity. One meet-and-greet, expected to go for an hour and a half, lasts five hours….

(18) QUACKING UP. The New Yorker chronicles “The Strange Story of Dagobert, the “DuckTales” Bandit”.

…He mailed a ransom note to the store demanding a million marks—the equivalent of more than a million dollars today. “I gave you a demonstration of my determination to achieve my goal, including with violence,” he warned. “The next time there will be a catastrophe.” Funke instructed the store to place a coded message in the Hamburger Abendblatt newspaper if it was willing to comply: “Uncle Dagobert greets his nephews.” Dagobert Duck is the German name for Scrooge McDuck, the money-grabbing duck from Disney’s “Uncle Scrooge” comics and “DuckTales” TV show.

Funke sent directions to a forested area, where police officers found a box attached to a telephone pole, with a linen bag inside bearing the “DuckTales” logo and an image of Scrooge McDuck. They also found a strange contraption designed to connect the money bag to the back of a train using electromagnets. Funke instructed them to attach the money bag to a train from Rostock to Berlin. When the train roared past, he pushed a button on a transmitter to deactivate the magnets, but the package didn’t drop; the police had tied it to the train. He sent another letter, changing the pickup location. On August 14th, he again waited near the train tracks, wearing gloves, black glasses, and a gray wig. This time, the package eventually detached and crashed against the tracks. As Funke ran to pick it up, the train stopped and police officers jumped out. “Stand still or I’ll shoot!” an officer cried, firing his weapon into the air.

Funke grabbed the package and scampered to safety. When he opened it, he saw that only four thousand marks were real; the rest was Mickey Mouse money. He had threatened the store with another bomb if it didn’t pay up. Meanwhile, it didn’t take the police long to connect the two bombings: both involved voice changers, a treasure hunt, ingenious gadgets, and money thrown from a train. They were dealing with a serial bomber who appeared to take inspiration from the capers in comic books featuring Scrooge McDuck. From that moment on, they called him Dagobert….

(19) TRAILER PARK. Hotel Transylvania: Transformania comes to theaters July 23. SYFY Wire frames the scene:

As the film opens, the title hotel — set up by Dracula (Brian Hull, replacing original star Adam Sandler) as a haven for himself and his monster friends where they could be free of human persecution — is celebrating its 125th anniversary, and Dracula’s son-in-law Johnny (Andy Samberg) is doing his best to throw a killer bash for his father-in-law. When things go wrong, Johnny worries that he’ll never really be able to relate to Dracula and his pals because he’s not a monster.

Enter Van Helsing (Jim Gaffigan), who reveals that he’s developed a “Monsterification Ray” that will transform Johnny into the monster he’s always wanted to be. Of course, the ray can also transform any monster it hits into a human, and when the invention goes haywire, the whole monster squad gets an unexpected and unwelcome taste of mortality.

(20) VIDEO OF THE DAY. In “Honest Game Trailers: Resident Evil Village” on YouTube, Fandom Games says in this game you “Have the arena of a small country as you blast away at vampires, werewolves, livestock, and the Borg!”

[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, Cat Eldridge, John Hertz, and Mike Kennedy for some of these stories. Title credit goes to contributing editor of the day Tom Becker.]