Pixel Scroll 8/1/20 Scrollers Tick
In Vain

(1) WORLDCON ENDS: FILM AT ELEVEN. Watching CoNZealand’s Closing Ceremonies brought back a memory —

When Winnipeg started its bid for the 1994 Worldcon, chair John Mansfield had everybody on the committee fill out a questionnaire about their interests. On the last day of the convention he returned these forms to everyone saying, “Okay. Here’s your life back.”

At today’s Closing Ceremonies the gavel passed to DisCon III’s Bill Lawhorn and Colette H. Fozard.

(2) TABLE SERVICE. Camestros Felapton illustrates an aspect of the 2020 Hugo Award nomination process in “EPH Fan Writer”.

… As each person is eliminated, the points get redistributed. By looking at the change in points for each surviving nominee, you can calculate the proportion of points that the survivor gets from the eliminated.

(3) THE PAST THROUGH TOMORROW. There are several good rundowns on the problems with last night’s Hugo Awards ceremony, including this one from Sean Reads Sci-Fi, “Uh-Oh, the Hugos Were a Hot Mess!”, which includes some good excerpts from the acceptance speeches.

…Some of the history was admittedly interesting, but I kept waiting for Martin to catch up to the present day, to illustrate how the long arc of the Hugos has bent toward justice, how the field continues to evolve to this day. He never did. He stayed rooted firmly in the past, and as the night wore on his stubborn refusal to acknowledge current movements in SF/F began to feel pointedly exclusionary rather than just incidentally so.

And I haven’t even mentioned the names! To mispronounce someone’s name live is one thing. As a teacher, I can attest to the fact that you will occasionally get someone’s name wrong on the first day. But (a) they had plenty of time to practice, (b) they almost certainly were given pronunciation guides by most authors, and (c) this doesn’t excuse the constant mispronunciations during pre-recoded segments, unless, of course, Martin refused to re-record them, which is its own set of problems. The folks behind the scenes should have done more to vet these segments, and should have pushed back harder when it became clear what Martin was doing.

What’s fascinating to me, though, is how the awards themselves drew such a sharp contrast to the nostalgic navel-gazing of the toastmaster. It really felt like the past and the future colliding – and the future won. Literally! The winners often talked about systemic problems within the industry, about the fights that we still have to fight, about the hard work that women, people of color, queer folks, and others have to do in order to even be considered alongside the white/cis/het fuddy-duddies running last night’s show. It was such a welcome breath of fresh air, for instance, when R.F. Kuang, one of the first winners, emphasized the barriers that she faced getting into the field:

If I were talking to a new writer coming to the genre in 2020, I would tell them, well, if you are an author of color, you will very likely be paid only a fraction of the advance that white writers are getting. You will be pigeon-holed, you will be miscategorized, you will be lumped in with other authors of color whose work doesn’t remotely resemble yours. Chances are very high that you will be sexually harassed at conventions or the target of racist micro-aggressions or very often just overt racism. People will mispronounce your name, repeatedly, and in public, even people who are on your publishing team. Your cover art will be racist, and the way people talk about you and your literature will be tied to identity and your personal trauma instead of the stories you are actually trying to tell. If I had known all of that when I went into the industry, I don’t know if I would have done it, so I think that the best way we can celebrate new writers is to make this industry more welcoming for everyone.

R.F. KUANG, ASTOUNDING AWARD FOR THE BEST NEW SF WRITER

This was refreshing precisely because it’s an aspect of the history of the awards and of the fandom in general that George R.R. Martin, in his endless panegyrics to days gone by, refused to even acknowledge. Pointing out the deep-rooted, structural, and personal racism and sexism at the heart of the industry isn’t a sign of ingratitude – it’s a sign of strength and resolve in the face of tough barriers. As Ng put it in her speech:

Pulling down memorials to dead racists is not the erasing of history, it is how we make history … It would be irresponsible for me to stand here and congratulate us as a community without reminding us that the fight isn’t over and that it extends well beyond the pages of our books … Let us be better than the legacies that have been left us. Let them not be prophecies. Let there be a revolution in our time.

JEANNETTE NG, BEST RELATED WORK

That revolution was in strong form last night, as most winners took the time to celebrate marginalized voices and denounce the forces that marginalized them in the first place. I keep coming back to Martine’s speech, as well – to the knife that hurts all the more because you loved it before it cut you. A trenchant description of an industry and a genre that many loved but were excluded from for so long. That is, thankfully, changing. Not fast enough to prevent last night’s debacle – but fast enough to allow for last night’s inspiring wins

(4) GRRM RESPONSE. George R.R. Martin has commented here on File 770 about some of the reports and criticisms in circulation, beginning with – http://file770.com/2020-hugo-awards/comment-page-2/#comment-1205393

Whoever is circulating the story that I was asked to re-record portions of my Hugo hosting to correct mispronounced names, and that I refused, is (1) mistaken, or (2) lying. Never happened.

CoNZealand did ask me to re-record three of my videos, all for reasons for quality control: poor lighting, poor sound, wobbly camera. I complied with their request on two of the videos, the two that opened the evening; I re-did those live from the JCC. (The originals had been done in my cabin on an iPhone, when we were just trying to get the hang of this thing). The third segment they wanted re-recorded was the bit about the Hugo trophy, where I had some fun with the juicer, the Alfie, and the like. In that case, we decided to stay with the first take, since I no longer had the props on hand and could not easily have reproduced what I’d done at the cabin, which everyone seemed to like.

There is also a story out there that I was provided with the correct phonetic pronunciations of all the names. That too is completely untrue….

(5) YOUR NEW HUGO LOSERS HOSTS. Who wouldn’t sign up for that?

(6) GROWING PAINS. Scott Edelman stirred up some memories that were called out by his sister-in-law in service of an anti-Vietnam War protest.

(7) LEM STORY DRAMATIZED. “Review: A Sci-Fi Classic Featuring a Multiverse of Stooges” comes recommended by a New York Times reviewer.

…You wouldn’t think that the 4-foot-wide by 8-foot-tall space, approximately the same shape as an iPhone screen, would be big enough for a play, let alone an avant-garde company. Yet the closet, only 2 feet deep, is one of the stars of Gelb’s Theater in Quarantine series, which since late March has produced, on a biweekly schedule, some of the new medium’s most imaginative work from some of its simplest materials. As in silent movies, clowning, movement and mime are usually part of the mix.

“The 7th Voyage of Egon Tichy,” which was livestreamed on Thursday evening and will remain available in perpetuity on Gelb’s YouTube channel, has all of those and then some. Based on a 1957 story by Stanislaw Lem, the Polish science fiction writer most famous for “Solaris,” it concerns an astronaut named Egon who, passing through a minefield of gravitational vortexes, is caught in a causal loop paradox that bombards him with innumerable (and insufferable) alternative selves.

Lem’s story is a satire of the infinite human capacity for self-defeat, with the various Egon incarnations bickering and undermining one another as the gyrations of space-time bend them into conflict. When “a meteor no bigger than a pea” pierces the ship’s hull, destroying the rudder, everyone has ideas about fixing it — but since it’s a two-man job, making cooperation essential, nothing actually gets done.

(8) HEARING A DISCOURAGING WORD. Entertainment Weekly’s Darren Franich asks “Why are all these science-fiction shows so awful?”

Science fiction was once a niche TV commodity, but March brought three major live-action genre projects. Star Trek: Picard finished its debut season on CBS All Access. FX shared Devs with Hulu, pitching the miniseries as prestige bait for the chattering class. Season 3 of Westworld was HBO’s new hope for a buzzy, sexy-violent epic. And they were all terrible….

I get it: We are all scared of phones, and bots, and the Algorithm. Yet by demonizing technology, these projects oddly exonerate the people behind that technology. CEOs with tragic origin stories in Westworld or Devs are puppets for machines they can’t control. Higher-tech powers in Brave New World and “You May Also Like” control whole civilizations comprised of unaware humans.

(9) LIBRARIES TAKE HEAT IN CANADA. Publishers Weekly has the story:“Canadian Libraries Respond to ‘Globe and Mail’ Essay Attacking Public Libraries”.

[Intro] Editors Note: In a nearly 3,000 word opinion piece published on July 25 in ‘The Globe and Mail’ Kenneth Whyte, publisher of Toronto-based indie Sutherland House Books, pinned the troubles of Canada’s independent bookstores and publishers on the work of public libraries….

Publishers Weekly reprinted the Canadian Urban Libraries Council’s response:

It is otherwise hard to understand why public libraries are to blame when bookstores and libraries have coexisted harmoniously and supported each other for decades.

So what’s changed? While there are a lot of changes that point to shifts in the marketplace, such as the research identifying a decline in leisure reading, coupled with less and less space for literary reviews in major news outlets, these are minor compared to the two major developments that have dramatically altered the book and reading landscape—and they have nothing to do with public libraries. First is the explosive growth in popularity of e-books and digital audiobooks. Second, is the increasing dominance of Amazon in the book retail and publishing marketplace.

(10) MEDIA BIRTHDAY.

  • August 1, 1986Howard The Duck premiered. Directed by Water Huyck and produced by Gloria Katz who were also the screenplay writers.  George Lucas was executive producer. Its human stars were Lea Thompson, Jeffrey Jones and Tim Robbins. Howard The Duck was Ed Gale in the suit with the voice being Chip Zien. Critics almost unanimously hated it, it bombed at the box office, and audience reviewers at Rotten Tomatoes currently give it a 38% rating. It would be the last Marvel Film until Captain American twenty-one years later. (CE)

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 1, 1819 – Herman Melville.  Without debating – though some do – how far Moby-Dick is fantasy, we can claim some more clearly – hmm, maybe not the best word with this writer – anyway, “Bartleby”, “The Tartarus of Maids”, “The Encantadas”, let’s say nine or ten.  John Clute would include The Confidence-Man.  (Died 1891) [JH]
  • Born August 1, 1898 – William Ziff.  I mean Ziff Sr., though Ziff Jr. is noteworthy too.  The elder was the Ziff in Ziff-Davis Publishing, which took over Amazing from Hugo Gernsback, added Fantastic Adventures, comics with art director Jerry Siegel and e.g. John Buscema.  I happen to think this cover for Weird Adventures 10 is feminist – look how the man is fascinated while the woman with him knows they should fear – but then I think Glory Road is feminist, and how many see that?  (Died 1953) [JH]
  • Born August 1, 1910 Raymond A. Palmer. Editor of Amazing Stories from 1938 through 1949. He’s credited, along with Walter Dennis, with editing the first fanzine, The Comet, in May, 1930. The secret identity of DC character the Atom as created by genre writer Gardner Fox is named after Palmer. Very little of his fiction is available in digital form. (Died 1977.) (CE)
  • Born August 1, 1914 – Edd Cartier.  Oh, how great he was.  Eventually we put him on two Retrospective Hugo ballots.  We think of him as a comedian; true enough, but see this cover for Foundation and Empire.  Vince Di Fate knew; see his treatment of EC in Infinite Worlds.  World Fantasy Lifetime Achievement Award.  (Died 2008)  [JH]
  • Born August 1, 1923 Alan Yates. Though better known under the Carter Brown name where he wrote some one hundred and fifty mystery novels, I’m noting him here for Booty for a Babe, a Fifties mystery novel published under that name as it’s was set at a SF Convention. (Available from the Kindle store.) And as Paul Valdez, he wrote a baker’s dozen genre stories. (Died 1985.) (CE)
  • Born August 1, 1930 Geoffrey Holder. Best-remembered for his performance as Baron Samedi in Live and Let Die but he’s also the narrator in Tim Burton’s Charlie and The Chocolate Factory. He was also Willie Shakespeare in Doctor Doolittle but it’s been so long since I saw the film that I can’t picture his character. And he was The Cheshire Cat in the Alice in Wonderland that had Richard Burton as The White Knight. (Died 2014.) (CE)
  • Born August 1, 1945 – Yvonne Rousseau, 75.  Author, editor, critic, long-time fan.  Australian SF Review, 2nd Series with J. & R. Blackford, Foyster, Sussex, Webb.  Three short stories and a novelette.  Contributor to Banana WingsChungaFlagFoundationJourney PlanetThe Metaphysical Review, Riverside QuarterlySF CommentarySF Eye.  Fan Guest of Honour at ConFictionary, where the fire alarm went off and the hotel actually was on fire.  [JH]
  • Born August 1, 1954 James Gleick, 66. Author of, among many other books, Genius: The Life and Science of Richard Feynman and What Just Happened: A Chronicle from the Electronic Frontier, and he is one of us in that he writes genre reviews which are collected in Time Travel: A History. Among the works he’s reviewed are Le Guin’s “Another Story or A Fisherman of the Inland Sea” and Heinlein ‘s “By His Bootstraps”.  (CE)
  • Born August 1, 1955 Annabel Jankel, 65. Director who was first  a music video director and then the co-creator and director of Max Headroom. She and her partner Rocky Morton first created and directed The Max Talking Headroom Show, a mix of interviews and music vids which aired on Channel 4 and HBO. Jankel and Morton would go on to direct Super Mario Bros. And they’re both responsible for the Max Headroom movie and series. (CE)
  • Born August 1, 1969 – Dirk Berger, 51.  Five dozen covers, a score of interiors.  Here is Sucker Punch.  Here is Empire Dreams.  Here is Nova 23.  Here is his Website.  [JH]
  • Born August 1, 1979 Jason Momoa, 41. I knew I’d seen him before he showed up as Aquaman in the DC film franchise and I was right as he was Ronon Dex on Stargate Atlantis for its entire run. He was also Khal Drogo in the first season of A Game of Thrones. And not surprisingly, he was the title character in Conan the Barbarian. (CE)
  • Born August 1, 1993 – Tomi Adeyemi, 27.  Children of Blood and BoneChildren of Virtue and Vengeance, both NY Times Best Sellers.  Norton Award, Waterstones Book Prize, Lodestar Award.  Parents thought she’d be better off if they didn’t teach her their native tongue (they’re Yoruba), so with an honors degree from Harvard she got a fellowship to study it in Brazil.  Website here.  [JH]

(12) COMICS SECTION.

  • Non Sequitur offers a suggestion on how to get started on that post-apocalyptic novel.

(13) BE PREPARED. A Public Service Announcement from the Dread Pirate Roberts channeling Inigo Montoya.

(14) ADVICE FOR SFF POETS. Veteran editor of Star*Line and Mobius: A Journal for Social Change “gives some surprising insights on submissions” in this interview conducted by Melane Stormm at SPECPO.

A must watch for any writer, but especially if you identify as female or if you’re feeling hesitant to submit your work someplace.

(15) ON BRADBURY’S SHELVES. The second installment of Phil Nichols’ Bradbury 100 podcast had dropped.

My guest is Jason Aukerman, Managing Director of the Center for Ray Bradbury Studies. The “Bradbury Center”, as it’s known for short, is the place where Ray’s working papers are held in archive, along with the contents of Ray’s personal library, and many of his professional and personal artefacts such as awards, videotapes and film prints.

(16) BALESTRIERI JOINS READ-A-THON. A Bradbury Read-A-Thon is planned as part of the author’s centenary celebration: “Iowan to join top authors, celebs in sci-fi ‘read-a-thon’” RadioIowa has the story.

A library curator at the University of Iowa will join “Star Trek” actor William Shatner and a list of other celebrities, authors and science fiction experts in a Ray Bradbury Read-a-thon next month. The event on August 22nd will mark what would have been the famed author’s 100th birthday.

Peter Balestrieri, curator of science fiction and popular culture collections at the UI Libraries, says he’s thrilled to be taking part.

“The Read-a-thon will be about 40 people reading segments of Ray Bradbury’s famous novel, ‘Fahrenheit 451,’” Balestrieri says. “All of the clips from all of the different readers will be put together into one seamless audio-visual book.”

Balestrieri will read a six-minute portion of the book as part of the roughly-four-hour event. Top sci-fi authors who will also read aloud include Neil Gaiman, Marjorie Liu and Steven Barnes, as well as former NASA administrator Charles Bolden.

(17) THAT’S NOT GOOD NEWS. “Nasa: Mars spacecraft is experiencing technical problems and has gone into hibernation, space agency says” at Yahoo! News.

Nasa‘s Mars spacecraft is experiencing technical problems and has sent itself into hibernation, the space agency has said.

The spacecraft was sent to space Thursday in a launch that had no technical problems – even despite an earthquake that struck just before liftoff, and a preparation period that came during the coronavirus outbreak. Shortly after it was launched, Nasa announced that it had received its first signal from the spacecraft.

But soon after it was in space and headed towards Mars, it became apparent that something had gone wrong with the craft. After that initial signal, mission controllers received more detailed telemetry or spacecraft data that showed there had been a problem.

The signal, which arrived on Thursday afternoon, showed that the spacecraft had entered a state known as “safe mode”. That shuts down all but its essential systems, until it receives new messages from ission control.

The hibernation state is intended to allow the spacecraft to protect itself in the case of unexpected conditions, and will be triggered when the onboard computer receives data that shows something is not as expected.

Nasa’s engineers think that the state was triggered because part of the spacecraft was colder than expected while it was still in Earth’s shadow. The spacecraft has now left that shadow and temperatures are now normal, Nasa said in an update.

Mission controllers will now conduct a “full health assessment”, the space agency said, and are “working to return the spacecraft to a nominal configuration for its journey to Mars”.

(18) TOLKIEN SAYS. At BookRiot: “28 J.R.R. Tolkien Quotes From His Books, Essays, And Letters”.

“‘I wish it need not have happened in my time,’ said Frodo.
‘So do I,’ said Gandalf, ‘and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.’” —The Fellowship of the Ring

(19) NAVIGATING ON VIRTUAL SEAS. Mlex reports  on the Cyberpunk Culture Con (July 9-10), with some commentary on other virtual cons (BaltiCon, ConZealand, Fantastikon): “Cyberpunk Culture Conference”.

…I want to report on the recent virtual con, the Cyberpunk Culture Conference (Jul 9-10, 2020), which managed to swim perfectly through the fantastic milieu of the future that has already become the past, and floated out from the wreckage on that frenzied ouroboros of possibility waves as easily as a swimmer takes to an inflated tire inner tube on a summer pond.

The conference sprang up around recent books published by Routledge, which are quite excellent, I should add…

(20) 3D. [Item by Daniel Dern.] Great article about racing and 3D printing — “3-D Printing, a Boon for Racers, Inches Closer for Carmakers” — in the New York Times. Here’s two key ‘graphs from the top:

The Belgian racing team Heli had an engine problem. Specifically, under race conditions, the manifold of the four-cylinder turbo diesel in its BMW 1-series exploded, bursting along an ultrasonically welded seam that held together the manifold’s two halves.

…In 2018 Heli took the problem to ZiggZagg, a Belgian company that fabricates parts using an HP 3-D printer. ZiggZagg made a digital scan of the two-piece manifold and after 10 hours had a digital blueprint for a stronger, lighter, one-piece manifold. In its first race with the new manifold, printed using what is known as PA 12 nylon, the part held up and Heli took third. That same manifold lasted until the car was retired earlier this year.

(21) THE DRAGON RETURNING – MAYBE. NPR reports “Astronauts Set To Return To Earth In First U.S. Splashdown In Decades”.

The two astronauts that blasted off in the first private space vehicle to take people to the International Space Station are about to return to Earth — by splashing down in the waters around Florida.

This will be the first planned splashdown for space travelers since 1975, although a Russian Soyuz capsule did have to do an emergency lake landing in 1976.

NASA astronaut Douglas Hurley says that he and his crewmate Robert Behnken are prepared for the possibility of seasickness.

“Just like on an airliner, there are bags if you need them. And we’ll have those handy,” Hurley said in a press conference held on Friday, while on board the station. “And if that needs to happen, it certainly wouldn’t be the first time that that’s happened in a space vehicle. It will be the first time in this particular vehicle, if we do.”

The astronauts will come home in the same SpaceX Dragon capsule that took them up on May 30. Their flight marked the first time people had been launched to orbit from U. S. soil since NASA retired its space shuttles in 2011.

The success of their trip in the SpaceX vehicle has been a major milestone for commercial space travel, and a vindication of NASA’s long-term plan to rely on space taxis for routine flights to and from the orbiting outpost—while the government agency focuses on developing vehicles for a return to the moon.

The current plan is for the Dragon “Endeavour” capsule to undock from the International Space Station on Saturday at 7:34 p.m. ET, with scheduled splashdown at 2:42 p.m. ET on Sunday. There are potential splashdown zones both in the Atlantic and the Gulf of Mexico. With a hurricane headed towards Florida, however, it’s unclear if the weather will cooperate with the plan.

(22) VIDEO OF THE DAY. “Virtual Viewing:  Disney’s Cruise Line’s Tangled, The Musical” on YouTube is an hour-long musical, with three songs composed by Alan Menken, that was performed on Disney’s Cruise Line and is worth seeing for people who need a Disney musical fix.  (Hat tip to Mark Evanier.)

[Thanks to Darrah Chavey, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, Michael Toman, John Hertz, Chip Hitchcock, Daniel Dern, Mlex, Cat Eldridge, JJ, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 6/30/20 The Pixel Scroll Is Read, Yet There’s Much More To Be Said

(1) DON’T BE THAT AUTHOR. Brenda Clough’s list grows longer: “Ways to Trash Your Writing Career: An Intermittent Series”.

There are the really obvious ways to torch your career — rudeness to editors, for instance.  And then there are the hidden trap doors.  The one I am going to reveal today is truly obscure.  It could be broadly described as meddling with the publication process. More specifically, you can enrage the publisher’s sales reps.  Kill your book dead in one easy step! …

(2) AND DON’T BE THAT POET. F.J. Bergmann wrote and Melanie Stormm designed “How To Piss Off A Poetry Editor” for readers of SPECPO, the blog of the Science Fiction and Fantasy Poetry Association. Here’s the header —

(3) KGB READINGS ONLINE. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Benjamin Rosenbaum and Mike Allen Wednesday, July 15 in a YouTube livestream event. Starts at 7 p.m. Eastern.

Benjamin Rosenbaum

Benjamin Rosenbaum’s short fiction has been nominated for the Nebula, Hugo, BSFA, Sturgeon, Locus, and World Fantasy Awards, and collected in The Ant King and Other Stories. His first novel, The Unraveling, a far-future comedy of manners and social unrest, comes out this October from Erewhon Books. His tabletop roleplaying game of Jewish historical fantasy in the shtetl, Dream Apart, was nominated for an Ennie Award. He lives near Basel, Switzerland with his family.

Mike Allen

Mike Allen has twice been a finalist for the World Fantasy Award. His horror tales are gathered in the Shirley Jackson Award-nominated collection Unseaming, and in his newest book, Aftermath of an Industrial Accident. His novella The Comforter, sequel to his Nebula Award-nominated story “The Button Bin,” just appeared in the anthology A Sinister Quartet. By day, he writes the arts column for The Roanoke (Va.) Times.

Listen to podcasts of the KGB readings here.

(4) FUTURE TENSE. The June 2020 entry in the Future Tense Fiction series is “The Last of the Goggled Barskys,” by Joey Siara.

Transmitted herewith are excerpts from statements provided by members of the Barsky family regarding the incident with Hayden Barsky, age 11.

The true origins of KHAOS remain unknown….

It was published along with a response essay, “How Not to Optimize Parenthood” by Brigid Schulte, director of the Better Life Lab and author of the book Overwhelmed: Work, Love, & Play When No One Has the Time.

Most parents are well-intentioned. We try to do the right thing, hoping to spare our children at least a measure of the pain or heartache we muddled through, to smooth the rough edges of life and give them every advantage to make it in an uncertain and often cruel world.

That’s at least the hope. In practice, no one really knows how to do that. So, particularly in America, where “winning” and the self-improvement dictate to “beat yesterday” are akin to sacred commandments, we have always turned to the experts for help. What does the science say? What are the neighbors doing? What book or podcast or shiny gadget will instantly make my child’s life easier? More joyful? Miraculous? And, perhaps most importantly, better than your kid’s?…

(5) LOCKDOWN MOVIE. “Quarantine Without Ever Meeting”Vanity Fair profiles the filmmakers. Tagline: “The actors set up lights, did their own makeup, and ran the cameras. The filmmakers advised on Zoom. Somehow…it worked.”

…While Hollywood is struggling to figure out if it’s possible to make a feature-length movie in the grip of the coronavirus pandemic, this group of independent filmmakers and actors have already done it. “The whole movie has been written, produced, packaged, shot within quarantine. Now we’re in postproduction, and I had a first cut of the whole film done on Friday,” said director and cowriter Simon. As The Untitled Horror Movie nears completion, its producers are finally announcing the secret project and seeking a distributor. It appears to be the first movie created entirely within the parameters of the lockdown.

The horror comedy is about a group of needy and desperate young stars from a once-popular TV series who learn, via video conference, that their show has just been canceled. Fearing obscurity, they decide to stay in the spotlight by making a quickie horror film—but while shooting it, they perform a ritual that accidentally invokes an actual demonic spirit. Mayhem follows. “We kind of described it going into it as Scream meets For Your Consideration,” Simon said.

(6) OFF THE COAST. In the Washington Post, Rob Wolfe says that Wizards of the Coast has banned seven Magic:  The Gathering cards it says are “racist or culturally offensive” and promises a review of all 20,000 cards to find any other ones it deems questionable. “‘Racist’ and ‘culturally offensive’ images pulled from hugely popular trading card game”

The card had been around since 1994, tagged “Invoke Prejudice” by the world’s most popular trading card game. It showed figures in white robes and pointed hoods — an image that evoked the Ku Klux Klan for many people.This month, the company behind “Magic: The Gathering” permanently banned that card and six others carrying labels like “Jihad” and “Pradesh Gypsies.” Wizards of the Coast, a subsidiary of toy giant Hasbro, acknowledged the images were “racist or culturally offensive.”

“There’s no place for racism in our game, nor anywhere else,” the company said in a statement announcing its action.

With the country roiled by tensions and protests over African Americans’ deaths at the hands of police, the issues entangling Magic and its creators are unlikely to subside soon. The fantasy game of goblins, elves, spells and more boasts some 20 million players, and in pre-pandemic times, thousands flocked to elite international tournaments with hefty prizes. Players of color say they have long felt excluded in the white- and male-dominated community from the game’s top echelons, as well as employment at the company….

(7) WHAT MIGHT HAVE BEEN. “A Better World ?” seems to be a kind of text-based game letting players choose among “Uchronies,” a French term that partakes of alternate history but is more fantastic in nature. I racked up a lot of karma in a hurry, sad to say.

The dates you can change are in yellow.

The dates you just changed are in pink.

Click on one of them to change the past!

Your current karma:

0

See the list of Uchronies (cancels the current game)

It didn’t go well, I’d like to start over…

(8) ANOTHER TONGUE. James Davis Nicoll says there are a bundle of “Intriguing SFF Works Awaiting English Translations” at Tor.com.

I am monolingual, which limits me to reading works in English. One of the joys of this modern, interconnected world in which we’re living is that any speculative fiction work written in another language could (in theory) be translated into English. One of my frustrations is that, generally speaking, they haven’t been. Here are five works about which I know enough to know that I’d read them if only they were translated….

(9) I’M READY FOR MY CLOSE-UP. Olav Rokne says, “Sometimes, you just want to ask the question nobody wants.” He passed along some of the hilarious responses.   

(10) CARL REINER OBIT. The creator of The Dick Van Dyke Show and straight man to Mel Brooks’ “2000 Year Old Man,” died June 29 at the age of 98. The duo won a Grammy in 1998 for their The 2000 Year Old Man in the Year 2000. (The New York Times eulogy is here.)

He shared the lead in The Russians Are Coming, the Russians Are Coming and appeared in It’s a Mad, Mad, Mad, Mad World. He directed numerous movies, including several starring Steve Martin. In recent years he voiced characters in several genre animated TV shows — and Carl Reineroceros in Toy Story 4.

John King Tarpinian remembers:

He is not genre but his passing reminds me of the good old days.  Back in the 80s, I was president of the largest Atari club consortium in the US.  One of the members owned the Vine Street Bar & Grill.  It was between Hollywood & Sunset.  The first Wednesday of the month the guest jazz singer was Estelle Reiner.  Ron Berinstein, club member and club owner invited me to come on Estelle’s nights to make sure the club was always full.  The first time I went her husband, Carl, was also there.  I learned that he always came…and that he’d have friends join them.  Over the years everybody from Sid Caesar, Buck Henry, Neil Simon, Dick Van Dyke, Mel Brooks & more.

During Estelle’s break between sets Carl & whomever was also there would get up and entertain.  Carl & Mel would do their 2000 Year Old Man routine but not the Ed Sullivan version but the version they’d do a parties.  My ribs would be sore the next morning from laughing so hard. 

Sid Caesar would come to Ray Bradbury’s plays.  Imagine somebody being able to upstage Ray…who also would be laughing so hard.

(11) MEDIA BIRTHDAY.

  • June 30, 1971 Willy Wonka & the Chocolate Factory premiered. Based on Roald Dahl’s Charlie and the Chocolate Factory novel, it was directed by Mel Stuart, and produced by Stan Margulies and David L. Wolper. The screenplay was by Roald Dahl and David Seltzer. It featured Gene Wilder as Willie Wonka with a supporting cast of Jack Albertson, Peter Ostrum, Roy Kinnear, Julie Dawn Cole, Leonard Stone and Denise Nickerson. Some critics truly loved it while others loathed it. It currently holds an 87% rating among audience reviewers at Rotten Tomatoes. (CE)

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series  for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Adamms Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.) (CE)
  • Born June 30, 1920 Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con in what was later called the Great Exclusion Act. In the Fifties, he edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. (Died 1997.) (CE)
  • Born June 30, 1929 – Anie Linard, 91.  Active from France, herself and with Jean Linard, in the 1950s and 1960s; fanzines Innavigable MouthMeuhVintkatX-trap.  Voted in the 1958 TAFF (Trans-Atlantic Fan Fund) campaign.  She was, like many of us, a correspondent of Ned Brooks.  I have not traced her more recently than June 1962.  Anie, if you see this, salut!  [JH]
  • Born June 30, 1935 – Jon Stopa, 85.  Active with Advent publishing house, half a dozen covers including In Search of WonderThe Eighth Stage of Fandom, and The Issue at Hand.  Three stories in Astounding.  Program Book for Chicon III the 20th Worldcon, and cover for its Proceedings; with wife Joni, Fan Guests of Honor at Chicon V the 49th, where I think they were in some of the Madeira tastings I assembled when I found four or five D’Oliveiras in the hotel bar.  The Stopas were (Joni has left the stage) also great costumers, both as entrants and judges; there’s a YouTube of their work here.  [JH]
  • Born June 30, 1959 Vincent D’Onofrio, 61. Kingpin in that not terribly good or bad Daredevil film, Edgar the Bug in the only truly great Men in Black film and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye. (CE)
  • Born June 30, 1961 Diane Purkiss, 59. I’ve not read her Corydon Trilogy she wrote with Michael Dowling, her son, but I can say that  At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, Nymphs, and Other Troublesome Things is as splendid as the title suggests it is. She’s also written Fairies and Fairy Stories: A History. (CE)
  • Born June 30, 1961 – Nigel Rowe, 59.  Published Timeless Sands history of New Zealand fandom, then moved to Chicago.  Here is a 1994 photo of him with Russell Chauvenet (who coined the word fanzine) at Corflu 11 in Virginia.  A 2019 photo of him is on p. 47 of Random Jottings 20 (PDF), the Proceedings of Corflu 36 in Maryland; he’s also on the cover (back right; you may be able to make out his badge “Nigel”).  Very helpful relaying paper fanzines across the seas.  [JH]
  • Born June 30, 1961 – carl juarez, 59.  No capital letters in his name.  Co-edited the fanzine Apparatchik with Andy Hooper (from Apak 62), later Chunga with Hooper and Randy Byers.  Here is his cover for Chunga 8.  He’s on the right of the cover for Chunga 17 (PDF).  Chunga credited cj as designer, the results being indeed fine.  He, Byers, and Hooper were such a tripod that with Byers’ death, Chunga tottered; should it fall, may cj find his feet.  [JH]
  • Born June 30, 1963 Rupert S. Graves, 57. Here because he played Inspector G. Lestrade on that Sherlock series. He also appeared on Doctor Who as Riddell in the Eleventh Doctor story, “Dinosaurs on a Spaceship”. He had one-offs in The Nightmare Worlds of H. G. Wells: The MothTwelve MonkeysKrypton and Return of the Saint. (CE)
  • Born June 30, 1966 – Penny Watson, 54.  Degrees in plant taxonomy, horticultural science, biology, and floral design; “there is nothing better than getting up in the morning, heading out to your garden and picking fresh basil, cherry tomatoes, cukes, and arugula greens for breakfast.”  Obsessed with dachshunds.  Has trained dolphins, coached field hockey and lacrosse.  Nat’l Excellence in Romance Fiction Award.  Eight novels, five of them and a novella for us.  [JH]
  • Born June 30, 1966 Peter Outerbridge, 54. Dr. David Sandström in what I think is the underrated ReGenesis series as well as being Henrik “Hank” Johanssen in Orphan Black anda recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series. (CE)
  • Born June 30, 1972 Molly Parker, 48. Maureen Robinson on the current Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The SentinelHighlander: The SeriesPoltergeist: The LegacyHuman Target and she appeared in The Wicker Man asSister Rose / Sister Thorn. (CE)
  • Born June 30, 1974 – Juli Zeh, 46.  A dozen novels so far, three for us.  Deutscher BücherpreisSolothurner Literaturpreis; doctorate in international law, honorary judge at the Brandenburg constitutional court.  About Schilf (“reed”, name of a character – likewise an English surname), translated into English as Dark Matter (London) and In Free Fall (New York), when a Boston Globe interviewer asked “Are you asking the reader to reconsider the nature of reality?” JZ answered “Yes, I want to take the reader on an intellectual journey”; to “Can a novel of ideas be written today, without irony?” JZ answered “As long as mankind doesn’t lose its curiosity to think about the miracles of being.”  [JH]

(13) COMICS SECTION.

  • Non Sequitur shows us the first science fiction writer — and true Hard SF, even as to the medium it’s composed on.
  • Today’s Bizarro is not an SF comic, but one with good advice for the privileged rich kid starting a literary career.

(14) DOOMSCROLLING. I learned a useful new word from John Scalzi’s post “Check In, 6/30/20”.

…With that said, there’s another aspect of it, too, which I think I’ve been minimizing: it’s not just time on social media, it’s engagement when I am on it, and how social media is making me feel when I use it. The term “doomscrolling” refers to how people basically suck down fountains of bad news on their social media thanks to friends (and others) posting things they’re outraged about. It’s gotten to the point for me where, particularly on Twitter, it feels like it’s almost all doomscrolling, all the time, whether I want it to be or not.

(15) STANDING UP. David Gerrold’s unlocked Patreon post “I Stand With The Science Fiction Writers of America” may be a reaction to yesterday’s item about the publisher of Cirsova, and certainly gives emphatic support to SFWA’s recent statement about BLM.

…The BLM movement are not terrorists. They are not thugs. They are peaceful protesters, marching against industrial discrimination and system-entrenched bigotry. The demonstrators have actually caught looters and rioters and delivered them to the police.

It doesn’t matter how much the limousine-liberals preach equality if there are no serious efforts to redress the grievances of the disadvantaged. 

If we truly are all in this together, then it behooves all of us to reach out to each other and create partnerships and opportunities. This isn’t preferential treatment. It’s a necessary bit of repair work to a damaged genre. 

If we don’t talk about it, if we don’t take steps, if we don’t address it, then we are guilty of complicity. If the racism of the past was a product of its time, then let our attempts to redress the situation be a product of our time. 

(16) BLOCKED OUT. Missed this in March: “Lego embraces the dark side with three helmet building kits”. And it’s not like I didn’t have time on my hands.

… These sets are up for preorder now from Lego at $59.99 and are set to ship on April 19.

  • Stormtrooper Buildable Model Helmet ($59.99; lego.com)
  • Boba Fett Buildable Model Helmet ($59.99; lego.com)
  • TIE Fighter Pilot Buildable Model Helmet ($59.99; lego.com)

With the Stormtrooper, you’re getting a 647-piece helmet-building set, complete with the blacked-out visor, two nodes on the bottom for speaking and stickers to complete the look. Similarly, the Boba Fett helmet will let you pay homage to the original Mandalorian. This set is 21 centimeters tall (a little over 8 inches) and has 625 pieces. You’ll be constructing each detail of the helmet, including the fold-down viewfinder that lets Boba easily track down his targets. (He is a bounty hunter, after all.)

(17) HAKUNA ERRATA. [Item by Daniel Dern.] In Pixel Scroll 5/27/20 Johnny Mnemonic B. Goode I’d said —

This in turn reminded me of one of my favorite songs by Chris Smither, “Henry David Thoreau” riffing on (same tune) Berry’s song. Oddly, even incomprehensibly, I find NO mention of it anywhere via DuckDuckGo nor Google, even though I’ve heard Smither sing it numerous times. (I also checked his discography.

It turns out that, while I have heard Chris Smither sing this song, he wasn’t the author. That was Paul Geremia, one of Boston/Cambridge’s wonderful acoustic blues musicians.

The song is on his Self Portrait In Blues album. (And on my ~2,800-song Spotify playlist, which is how, when it came around again this morning on the guitar, as it were, I realized my mistake.)

Here’s a so-so performance:

The song (and much of the album) is on Spotify, Amazon Music, Apple, and elsewhere. Apple’s got a reasonable sample snippet.

(18) THE STAR VANISHES. The BBC says Alfred Hitchcock isn’t involved in “Mystery over monster star’s vanishing act”.

Astronomers have been baffled by the disappearance of a massive star they had been observing.

They now wonder whether the distant object collapsed to form a black hole without exploding in a supernova.

If correct, it would be the first example of such a huge stellar object coming to the end of its life in this manner.

But there is another possibility, the study in Monthly Notices of the Royal Astronomical Society reports.

The object’s brightness might have dipped because it is partially obscured by dust.

It is located some 75 million light-years away in the Kinman Dwarf galaxy, in the constellation of Aquarius.

The giant star belongs – or belonged – to a type known as a luminous blue variable; it is some 2.5 million times brighter than the Sun.

Stars of this kind are unstable, showing occasional dramatic shifts in their spectra – the amount of light emitted at different wavelengths – and brightness.

(19) YOU WILL BELIEVE A…EH, NO YOU WON’T. NPR explains “How Snakes Fly (Hint: It’s Not On A Plane)”

Flying snakes like Chrysopelea paradisi, the paradise tree snake, normally live in the trees of South and Southeast Asia. There, they cruise along tree branches and, sometimes, to get to the ground or another tree, they’ll launch themselves into the air and glide down at an angle.

They undulate their serpentine bodies as they glide through the air, and it turns out that these special movements are what let these limbless creatures make such remarkable flights.

That’s according to some new research in the journal Nature Physics that involved putting motion-capture tags on seven snakes and then filming them with high-speed cameras as the snakes flew across a giant four-story-high theater.

How far they can go really depends on how high up they are when they jump, says Jake Socha at Virginia Tech, who has studied these snakes for almost a quarter-century. He recalls that one time he watched a snake start from about 30 feet up and then land nearly 70 feet away. “It was really a spectacular glide,” Socha recalls.

Part of the way the snakes do this is by flattening out their bodies, he says. But the snakes’ bodies also make wavelike movements. “The snake looks like it’s swimming in the air,” he says. “And when it’s swimming, it’s undulating.”

(20) BLOCKBUSTED. “With Big Summer Films Delayed, AMC Theatres Puts Off U.S. Reopening”.

The nation’s largest movie theater chain is delaying its U.S. reopening until the end of July because film companies have postponed release dates of two anticipated blockbusters.

AMC Theatres announced that a first round of approximately 450 locations will resume operations two weeks later than initially planned, to coincide with the updated August release dates of Warner Brothers’ Tenet and Disney’s Mulan.

“Our theatre general managers across the U.S. started working full time again today and are back in their theatres gearing up to get their buildings fully ready just a few weeks from now for moviegoers,” CEO Adam Aron said in a June 29 statement. “That happy day, when we can welcome guests back into most of our U.S. theatres, will be Thursday, July 30.”

The company said it expects its more than 600 U.S. theaters to be “essentially to full operation” by early August.

AMC Theatres made headlines earlier this month when it announced patrons will be required to wear masks, reversing course on a controversial reopening plan that had only encouraged them to do so.

(21) ALL THE SMART KIDS ARE DOING IT. “Famous New York Public Library Lions Mask Up To Set An Example”.

For the first time, the familiar marble faces outside the New York Public Library will be obscured by masks.

Patience and Fortitude, the iconic lion sculptures guarding the 42nd Street library, are wearing face coverings to remind New Yorkers to stay safe and stop the spread of COVID-19.

The masks arrived on June 29, and measure three feet wide by two feet tall, according to a library statement.

New York Public Library President Anthony Marx emphasized the symbolism of the aptly named lions, and said New Yorkers are similarly strong and resilient.

(22) NEVERENDING SENDUP. The Screen Junkies continue their look at oldies with an “Honest Trailer” for The Neverending Story, where they show that gloomy Germans created “a world of neverending misery.”  They discovered that star Noah Hathaway subsequently played Harry Potter Jr. in Troll (1986) with Michael Moriarty playing Harry Potter Sr.

[Thanks to John King Tarpinian, John Hertz, JJ, Joey Eschrich, Rich Horton, Mike Kennedy, Martin Morse Wooster, Michael Toman, Chip Hitchcock, Cat Eldridge, Daniel Dern, Darrah Chavey, Olav Rokne, and Andrew Porter for some of these stories. Title credit goes to wandering minstrel of the day Cliff.]

2019 Rhysling Awards Winners

Beth Cato and Sarah Tolmie are the winners of the 2019 Rhysling Awards presented by the Science Fiction and Fantasy Poetry Association (SFPA).

The winners were chosen by SFPA members, with 124 votes cast.

The 2019 Rhysling Awards

Short Poem Category

First Place
“After Her Brother Ripped the Heads from Her Paper Dolls”
Beth Cato • Mythic Delirium 4.3

Second Place
“What Loves You”
Jeff Crandall • Fantasy & Science Fiction
September/October

Third Place (tie)
“A City Built on Bones“
Ann K. Schwader • Abyss & Apex 66

“3D-Printed Brother”
Millie Ho • Strange Horizons 9/25/18,

Long Poem Category

First Place
“Ursula Le Guin in the Underworld”
Sarah Tolmie • On Spec: The Canadian Magazine of the Fantastic, April

Second Place
“The Fairies in the Crawlspace”
Beth Cato • Uncanny 21

Third Place
“3-Minute Future”
F. J. Bergmann • Unlikely Stories V

2018 Elgin Awards

The Science Fiction & Fantasy Poetry Association (SFPA) has announced the winners of the 2018 Elgin Awards for best collections of speculative poetry published in the previous two years. Named after SFPA founder Suzette Haden Elgin, awards are given in two categories: best chapbook and best full-length book.

2018 Elgin Award Results:

Full-Length Book Category

First Place: Liberating the Astronauts • Christina M. Rau (Aqueduct Press, 2017)

Second Place: Satan’s Sweethearts • Marge Simon & Mary Turzillo (Weasel Press, 2017)

Third Place: Love Robot • Margaret Rhee (The Operating System, 2017)

Chapbook Category

First Place: A Catalogue of the Further Suns • F. J. Bergmann (Gold Line Press, 2017)

Second Place: Astropoetry • Christina Sng (Alban Lake, 2017)

Third Place: The Terraformers • Dan Hoy (Third Man Books, 2017)

This year’s Elgin Awards had 22 nominees in the chapbook category and 30 nominees in the full-length category, one of the largest years since the awards were first established in 2013.

The Science Fiction and Fantasy Poetry Association was established in 1978 and has an international membership representing over 19 nations and cultures including United States, Italy, Canada, Brazil, United Kingdom, Ireland, Romania, Poland, Denmark, Germany, France, Spain, Israel, South Africa, Singapore, Thailand, Laos, the Hmong, South Korea, Australia, and New Zealand.

[Thanks to Josh Brown, 2018 Elgin Award chair, for the story.]

2018 Rhysling Awards

Mary Soon Lee and Neil Gaiman are the winners of the 2018 Rhysling Awards presented by the Science Fiction and Fantasy Poetry Association (SFPA).

The winners were chosen by SFPA members, with 140 votes cast in the short poem category, and 93 in the long poem category.

Short Poem Category

First Place
“Advice to a Six-Year-Old”
Mary Soon Lee • Star*Line 40.2

Second Place
“How to Grieve: A Primer for Witches”
Sara Cleto • Mythic Delirium, May

Third Place
“Gramarye”
F. J. Bergmann • Polu Texni 12/26/17

Long Poem Category

First Place
“The Mushroom Hunters”
Neil Gaiman • Brainpickings 4/26/17

Second Place
“For Preserves”
Cassandra Rose Clarke • Star*Line 40.4

Third Place
“Alternate Genders”
Mary Soon Lee • Mithila Review 9

The 2018 Rhysling Anthology can be ordered through the SFPA website. The editor and 2018 contest chair is Linda D. Addison. The book design is by F.J. Bergmann, Cover image is “Dark Mermaid” by Rowena Morrill.

[Thanks to Mark Hepworth for the story.]

Science Fiction and Fantasy Poetry Association Celebrates New Board Members and Its 40th Year

The Science Fiction and Fantasy Poetry Association (SFPA) has voted in F.J. Bergmann as their new Vice-President and Renee Ya as their new secretary. A SFPA press release gives brief bios for each:

F.J. Bergmann is no stranger to the SFPA and has stepped away from her five-year run as the editor of Star*Line Magazine to step into the role as Vice President. She is the poetry editor for Mobius: The Journal of Social Change, and is the managing editor for MadHat Press. As she completes her 10th year of membership with us, we look forward to her experience, insight, and vision assisting our efforts in building vibrant cultural spaces around the world for speculative poetry & poets.

Renee Ya is a Hmong American writer, photographer, and space shaman who has volunteered at SFPA for the last three years. When she’s not saving the world, she’s a Project Manager in the video game industry. Her skills and firm grasp of the underpinnings of the SFPA will be of use as the SFPA expands our programs and outreach this year.

40th Anniversary: SFPA is an international organization celebrating its 40th year in 2018. The organization presents the Rhysling, Elgin, and Dwarf Star awards, and hosts talented science fiction, fantasy, and horror poets in its publication Star*Line.

What is science fiction/fantasy poetry? The definition is broad with results as diverse as speculative fiction. It’s poetry with some element of speculation—usually science fiction, fantasy, or horror, though some include surrealism and some straight science. Yes, that means alien love triangles. Yes, that means ghost cats and ghouls. Yes, that means epic sagas and magic. And poets in cosplay.

To participate in SFPA’s international community dedicated to “the weird, wonderful, and wickedly written” visit them at Facebook, on Twitter at @sfpoetry, their website sfpoetry.com, or their blog specpo.wordpress.com.

Pixel Scroll 12/23/17 Pixels Sold Separately. Some Scrolling Required

(1) POPULAR SF ART INSPIRES FILM, Simon Stålenhags’ art book is becoming a movie reports Swedish news source Boktugg. Thanks to Hampus Eckerman for the translation:

The right to film Simon Stålenhag’s latest art book The Electric State has been sold to Russo Brothers Studio. The sale was preceded by a bidding where several studios showed their interest.

Simon says that it feels very exciting.

–        This has never been a goal, but I have loved movies since I was a kid, so it is a little bit of a dream actually. An unexpected dream!

The Passage (in English The Electric State) was released in December 2017 by the publisher Fria Ligan (The Free League). The release was preceded by a kickstarter campaign in the summer of 2017, which attracted over 3 million Swedish crowns. It is Simon Stålenhag’s third art book, his first two titles Tales from the Loop and Things from the Flood have made him a world-famous visual storyteller.

Russo Brothers Studio is run by the brothers Joe and Anthony Russo who directed several Marvel films. The film director is expected to become Andy Muschietti (who made the new film based on Stephens Kings It).

What do you think about them winning the bidding?

– They felt very good in our conversations. But above all, I’m very happy to have Barbara and Andy Muschietti with me, I loved It and they are absolutely amazing people. We just had the same picture of what is important in the book, and in movies in general, says Simon.

Simon Stålenhag himself will be an executive producer for the film, which means that he will be involved in all important decisions, such as role crew, scriptwriting and selection of managerial positions.

Will the story work as it is in the movie format or does it need to be adapted?

–        I suspect we will want to get a little more drama to fit the long-film format. With emphasis on “a little”, everyone in the team really agrees that the characters and the journey they make in the book is what we’re going to make a film about, says Simon Stålenhag.

(2) CHRISTMAS IN THE COLONIES. Cora Buhlert’s holiday fare includes a work in English: “Two new releases just in time for the holidays: Christmas on Iago Prime and Weihnachtsshopping mit gebrochenem Herzen”

Let’s start with the English language story. Back during the first July short story challenge in 2015, I wrote a little story called Valentine’s Day on Iago Prime, in which a couple attempts to celebrate Valentine’s Day at a new settled space colony.

I’d assumed that this was the first and last time I’d ever visit the colony of Iago Prime. However, I try to write a holiday story every year. And when I searched for ideas for a holiday story for this year, I suddenly thought “Why not write a science fictional holiday story about Christmas in a space station or interplanetary colony?” And then I thought, “Why not reuse the Iago Prime setting?”

The result is Christmas on Iago Prime. The protagonist this time around is Libby, a little girl whose scientist parents are due to spend a whole year on Iago Prime, including Christmas. Libby is not at all thrilled about this, at least at first. Kai and Maisie from Valentine’s Day on Iago Prime also appear and they have big news to share.

Available on Amazon and plenty of other ebook sellers for .99 USD/GBP/EUR.

(3) THE LONG RUN. A New York college made a video showing off its science fiction collection:

The City Tech Science Fiction Collection is held in the Archives and Special Collections of the Ursula C. Schwerin Library (Atrium Building, A543C, New York City College of Technology, 300 Jay Street, Brooklyn, NY 11201).

This large collection comes to City Tech from an anonymous donor. It includes nearly full runs of every professional science fiction magazine from 1950 to 2010, and an almost comprehensive collection of science fiction until 2010. There is also a significant amount of science fiction criticism, and selections of fringe texts, including horror and the supernatural.

 

(4) SFPA LEADERSHIP. The Science Fiction and Fantasy Poetry Association announced the selection of two officers, F.J. Bergmann as Vice-President and Renee Ya as Secretary.

F.J. Bergmann (Madison, Wisconsin, USA) has been a member of SFPA since 2007, its webmaster since 2010 and recently stepped down from 5 years as Star*Line editor…

Renee Ya (Bay Area, California, USA) is a Hmong American writer, photographer, and space shamen who has been volunteering at SFPA for the last three years with varying capacity from keeper of the voting forms to periodic updates to the website.

(5) PARADIGM SHIFT. A revolutionary interpretation: “Physicists negate century-old assumption regarding neurons and brain activity”.

Neurons are the basic computational building blocks that compose our brain. Their number is approximately one Tera (trillion), similar to Tera-bits in midsize hard discs. According to the neuronal computational scheme, which has been used for over a century, each neuron functions as a centralized excitable element. The neuron accumulates its incoming electrical signals from connecting neurons through several terminals, and generates a short electrical pulse, known as a spike, when its threshold is reached.

Using new types of experiments on neuronal cultures, a group of scientists, led by Prof. Ido Kanter, of the Department of Physics at Bar-Ilan University, has demonstrated that this century-old assumption regarding brain activity is mistaken.

In an article published today in the journal Scientific Reports, the researchers go against conventional wisdom to show that each neuron functions as a collection of excitable elements, where each excitable element is sensitive to the directionality of the origin of the input signal. Two weak inputs from different directions (e.g., “left” and “right”) will not sum up to generate a spike, while a strong input from “left” will generate a different spike waveform than that from the “right”.

“We reached this conclusion using a new experimental setup, but in principle these results could have been discovered using technology that has existed since the 1980s. The belief that has been rooted in the scientific world for 100 years resulted in this delay of several decades,” said Prof. Kanter and his team of researchers, including Shira Sardi, Roni Vardi, Anton Sheinin, and Amir Goldental.

(6) BACK FROM BOSTON. Marcin Klak’s conreport — “Smofcon 35 or what do you do when you are not organizing a con”.

Handling Feedback panel was not related to programming only, but the programme feedback is important for the development of the convention. There were some discussions concerning the methodology of collecting feedback, but one thing that got stuck with me the most was how to determine whether we should resign from inviting a panellist for the next year. It is obvious what to do when we receive negative feedback about the panellist’s skills. It is more complicated if we have a good panellist who is not behaving properly or who makes racist or homophobic comments during the panel. Nchanter’s solution of checking the negative feedback with co-panellists and finally basing our decision on the reaction of the person in question is a really good and fair approach. It makes sure that we verify the situation and it allows us to predict whether the same situation is likely to happen again in the future.

(7) HELL ON WHEELS. RedWombat saw a reference to “Jane Austen’s Fury Road” and started riffing….

(8) IT’S A WONDERFUL TRIVIA

Sheldon and Leonard of The Big Bang Theory were named after the actor/producer Sheldon Leonard.  He played Nick the Bartender in the Christmas classic, It’s a Wonderful Life.  Also, producer of The Danny Thomas Show, The Dick Van Dyke Show and I Spy.

The Muppets, Bert and Ernie, were also named after two characters from It’s a Wonderful Life.  Bert the policeman and Ernie the cab driver.

(9) TODAY IN HISTORY

  • December 23, 1823 A Visit From St. Nicholas, attributed to Clement Clarke Moore, first published.
  • December 23, 1947 Beauty And The Beast hit theaters
  • December 23, 1952 – The original The Day The Earth Stood Still premiered in Spain.
  • December 23, 1958 — Ray Harryhausen’s The 7th Voyage Of Sinbad premiered in theatres.
  • December 23, 1960 — Art Carney starred in a Christmas-themed episode of The Twilight Zone.

(10) COMICS SECTION.

(11) FULL KIT WANKER. For the three of you who haven’t seen this yet –

(12) BY YNGVI. Kim Huett of Doctor Strangemind knows it’s the time of year to send up a traditional favorite: “‘Twas Night Before Christmas”.

…At one point Harold Shea and the Norse god Heimdall are imprisoned by Frost Giants after losing a fight with them. While there they encountered a fellow prisoner who comes to the front of his cell every hour on the hour to yell, “Yngvi is a LOUSE!”

Thus began a debate which fascinated science fiction fandom for decades. Was this Yngvi indeed a louse or had his good name been falsely besmirched? At the Denvention, the 1941 worldcon, Milton Rothman (who went on to become a nuclear physicist and science fiction author) put forward a motion at the business meeting to the effect that Yngvi was not a louse only for it to be defeated. A subsequent motion was then passed stating that Rothman himself was a louse….

…So I sat back in my chair to wait for my guest
To reveal himself fully and the why of his quest

It took a few moments of squirming and kicking
Before he appeared rather than sticking

It was Yngvi of course, I could tell by his dress
An amazingly scrofulous, glorious mess…

(13) FUNGUS AMONG US. “When this old world starts getting me down….”: “‘Remarkable’ truffle discovery on Paris rooftop raises hopes of more”.

There was celebration among French foodies after a wild truffle was discovered on a Paris rooftop.

The discovery, at the base of a hornbeam tree in a hotel roof garden near the Eiffel Tower, is thought to be a first for the city.

Truffles usually grow further south, in more Mediterranean climes, and are dug up by specially-trained pigs or dogs.

Prices for the aromatic fungi have recently doubled to more than 5,000 euros ($6,000) a kilo.

(14) LAST JEDI. Marc Scott Zicree (“Mr. Sci-Fi”) offers the opinion of a “Star Trek Writer on The Last Jedi.”

(15) THE MALL’S MY DESTINATION. I don’t doubt it. Mine could be up there somewhere.

(16) SAVING HUMANITY. If anything can … “H.G. Wells and Orwell on Whether Science Can Save Humanity”.

…Wells foresaw many of the landmarks of 20th-century scientific progress, including airplanes, space travel, and the atomic bomb. In “The Discovery of the Future,” he lamented “the blinding power of the past upon our minds,” and argued that educators should replace the classics with science, producing leaders who could foretell history as they predict the phases of the moon.

Wells’ enthusiasm for science had political implications. Having contemplated in his novels the self-destruction of mankind, Wells believed that humanity’s best hope lay in the creation of a single world government overseen by scientists and engineers. Human beings, he argued, need to set aside religion and nationalism and put their faith in the power of scientifically trained, rational experts….

…Orwell was not bashful about criticizing the scientific and political views of his friend Wells. In “What is Science?” he described Wells’ enthusiasm for scientific education as misplaced, in part because it rested on the assumption that the young should be taught more about radioactivity or the stars, rather than how to “think more exactly.”

(17) THE SHAPE OF BEER. From The Hollywood Reporter: “Guillermo del Toro on Seeing a UFO, Hearing Ghosts and Shaping ‘Water'”.

Oscar-nominated filmmaker Guillermo del Toro’s taste for sci-fi and fantasy doesn’t come from nowhere. When he was younger, the acclaimed director recalls, “I saw a UFO.”

“I know this is horrible,” del Toro continues. “You sound like a complete lunatic, but I saw a UFO. I didn’t want to see a UFO. It was horribly designed. I was with a friend. We bought a six-pack. We didn’t consume it, and there was a place called Cerro del Cuatro, “Mountain of the Four,” on the periphery of Guadalajara. We said, ‘Let’s go to the highway.’ We sit down to watch the stars and have the beer and talk. We were the only guys by the freeway. And we saw a light on the horizon going super-fast, not linear. And I said, ‘Honk and flash the lights.’ And we started honking.”

The UFO, says del Toro, “Went from 1,000 meters away [to much closer] in less than a second — and it was so crappy. It was a flying saucer, so clichéd, with lights [blinking]. It’s so sad: I wish I could reveal they’re not what you think they are. They are what you think they are. And the fear we felt was so primal. I have never been that scared in my life. We jumped in the car, drove really fast. It was following us, and then I looked back and it was gone.”

(18) ALTERNATE SOLOS. Will Lerner, in “Harrison Who? Here’s The Actor Who Almost Played Han Solo” for Yahoo! Entertainment. profiles Glynn Turman, who came This Close to being Han Solo, which would have meant that Han Solo would have been played by an African-American actor.

Before Star Wars started filming in 1976, director George Lucas auditioned dozens of actors for the first episode of his space saga, since rechristened as A New Hope. Over the years we’ve learned that Al Pacino, Christopher Walken, and Kurt Russell all read for the part of Han Solo before the role went to Harrison Ford. But there was a lesser-known candidate who almost scored the gig: Glynn Turman.

Turman, 70, started his career on Broadway, when he was cast as a 13-year-old in the original production of A Raisin in the Sun alongside legends Sidney Poitier and Ruby Dee. Steadily picking up more and more screen roles through the ’70s, Turman finally got his chance to shine in 1975 as the lead of Cooley High. In the slice-of-life feature, Turman played a proxy of sorts for screenwriter and Good Times creator Eric Monte — a gifted young writer who aspires to a life beyond his housing project. Cooley High showcased Turman’s ability to play a scoundrel capable of great achievements. It’s no big surprise that performance captured the attention of Lucas.

(19) WALLY WOOD SANG? The comics artist seems to have branched out. It’s collectible, if not very listenable.

[Thanks to John King Tarpinian, Hampus Eckerman, JJ, Cat Eldridge, Andrew Porter, Carl Slaughter, Chip Hitchcock, Martin Morse Wooster, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Pixel Scroll 2/27/17 That’s it! Scroll Over Man, Scroll Over!

(1) ACADEMY INVITES LE GUIN. Ursula K. LeGuin has been voted into the American Academy of Arts and Letters reports SFGate. The 87-year-old Le Guin is one of 14 new core members of the Academy.

The arts academy, an honorary society with a core membership of 250 writers, artists, composers and architects, once shunned “genre” writers such as Le Guin. Even such giants as science fiction writer Ray Bradbury and crime novelist Elmore Leonard never got in.

Academy member Michael Chabon, the Pulitzer Prize-winning novelist, advocated for Le Guin.

“As a deviser of worlds, as a literary stylist, as a social critic and as a storyteller, Le Guin has no peer,” he wrote in his recommendation, shared with the AP, that she be admitted. “From the time of her first published work in the mid-1960s, she began to push against the confines of science fiction, bringing to bear an anthropologist’s acute eye for large social textures and mythic structures, a fierce egalitarianism and a remarkable gift of language, without ever renouncing the sense of wonder and the spirit of play inherent in her genre of origin.”

(2) 2017 RHYSLING ANTHOLOGY COVER REVEAL. Hat tip to F.J. Bergmann.

(3) NEW FICTION WEBZINE. Science fiction and fantasy book imprint Strange Fictions Press will officially launch Strange Fictions SciFi & Fantasy Zine on February 28 with “This Chicken Outfit,” by Pushcart nominated author, A.L. Sirois. Siriois’ short stories have appeared in ThemaAmazing Stories, and Isaac Asimov’s Science Fiction Magazine. He has also contributed comic art for DC, Marvel, and Charlton.

Strange Fictions will focus “on publishing speculative short fiction, nonfiction, art, and poetry twice a week for genre fans worldwide.”  New stories, poems, and essays will appear every Tuesday and Friday. Subscribers can sign up for email notifications whenever a new story is posted.

Strange Fictions SF&F Zine is open to submissions from both new and experienced genre writers, and details can be found at the website.

Authors of acquired pieces for Strange Fictions SF&F ‘Zine will receive a flat fee payment of $5 for stories, essays, poetry, and book reviews of 4,999 words and under and $10 for stories, essays, poetry, and book reviews of 5,000-10,000.

(4) ALOFT. Martin Morse Wooster recommends Miyazaki Dreams of Flying as “a lovely compilation of flying scenes from Miyazaki films, including an interview where the great animator expresses his love of airplanes.”

(5) DEFYING THE LAW…OF GRAVITY. In “Mars Needs Lawyers” on FiveThirtyEight, Maggie Koerth-Baker looks at the many problems of international law that have to be solved in we’re ever going to have successful Mars missions.  For example:  if you have astronauts from five countries flying in a spacecraft that’s registered in Liberia, how do you figure out which country’s law applies?

For instance, a limited number of satellites can orbit the Earth simultaneously. Put up too many, and you end up with an expensive game of celestial bumper cars. But some countries — Russia and the United States, in particular — had a big head start on gobbling up those slots. What do you do if you’re Nigeria? Today, Gabrynowicz said, the international community has settled on a regulatory system that attempts to balance the needs of nations that can put an object into geostationary orbit first with the needs of those that aren’t there yet but could be later. And even this compromise is still extremely controversial.

The same basic disagreement behind them will apply to Mars, too. And it’s at issue right now in the U.S., as lawmakers try to figure out how best to implement the U.S. Commercial Space Launch Competitiveness Act — a bill signed by President Obama in November 2015. That law states that U.S. companies can own and sell space resources — including minerals and water. But the details of what this means in practice haven’t been worked out yet, Gabrynowicz said. Legal experts say that those details will make the difference in terms of whether the law puts the U.S. in violation of the Outer Space Treaty.

This question of whether space should be an Old West-style gold rush or an equitably distributed public commons could have been settled decades ago, with the 1979 Moon Agreement (aka the Agreement Governing the Activities of States on the Moon and Other Celestial Bodies), which would have established space as part of the “common heritage of mankind.” What this would have meant in practice is not totally clear. But at the time, opponents saw it as having the potential to ban all private enterprise and effectively turn the heavens into a United Nations dictatorship. It ended up being signed by a handful of countries, most of which have no space program. But it is international law, and if humans go to Mars, though, we’ll likely end up debating this issue again.

(6) GAME WRITING. Monica Valentinelli gives an “Overview of Game Production and the Role of Writers” at the SFWA Blog.

One of the things I enjoy doing as a game developer is hiring new writers. In almost every case, writers are shocked to learn how many levers and pulleys there are in game production. This tends to hold true regardless of what kind of game a writer is contributing to; in part, this has to do with the process of transitioning from a consumer’s mindset (e.g. fan, critic, reviewer) to that of a creator’s. Sometimes, however, the process is confusing because there are aspects physical development that writers aren’t always involved with. A good example of this is that developers often regard word processing documents with an eye for production when they redline and provide comments. What’s laid out vertically on a page in text isn’t how it will be rendered in the final product, and that has a huge impact on what the writers are hired to write, edit, and make changes on. Sometimes, the number of words that fit on a page or a screen can also shape a writer’s assignment, too.

Other, lesser-known aspects of production might include:

  • Canon or Setting Bible creation
  • Systems/rules documentation
  • Marketing copy and sell sheets
  • Outlining and project management
  • Mock-ups and proofs for manufacturing
  • Playtest or beta editions

(7) DISNEY’S DUDEFRÉRES. Another clip from the live-action Beauty and the Beast shows LeFou singing “My, what a guy, that Gaston!” With Luke Evans as Gaston and Josh Gad as LeFou.

(8) VOIR DIRE STRAITS. Shadow Clarke juror Jonathan McCalmont followed his introductory post with an entry on his ownblog, Ruthless Culture “Genre Origin Stories”.

A couple of things that occurred to me upon re-reading the piece:

Firstly, I think it does a pretty good job of capturing how I currently feel about the institutions of genre culture. To be blunt, I don’t think that genre fandom survived the culture wars of 2015 and I think genre culture has now entered a post-apocalyptic phase in which a few institutional citadels manage to keep the lights on while the rest of the field is little more than a blasted wasteland full of isolated, lonely people. One reason why I agreed to get involved with shadowing the Clarke Award is that I see the Shadow Clarke as an opportunity to build something new that re-introduces the idea that engaging with literary science fiction can be about more than denouncing your former friends and providing under-supported writers with free PR….

McCalmont’s post includes a high overview of the past 40 years of fanhistory. I was surprised to find many points of agreement, such as his takes about things that frustrated me at the time they were happening, or that I witnessed affecting my friends among the LA locals who founded anime fandom.

Regardless of whether they are conventional, idiosyncratic, or simply products of distracted parenting, our paths into science fiction cannot help but shape our understanding and expectations of the field. Unfortunately, where there is difference there is bound to be misunderstanding and where there is misunderstanding there must inevitably be conflict.

The problem is that while the walls of science fiction may be infinitely porous and allow for inspiration from different cultures and artistic forms, the cultural institutions surrounding science fiction have shown themselves to be remarkably inflexible when it comes to making allowances for other people’s genre origin stories.

The roots of the problem are as old as genre fandom itself. In fact, the very first Worldcon saw the members of one science fiction club deny entry to the membership of another on the grounds that the interlopers were socialists whose politicised understanding of speculative fiction posed an existential threat to the genre’s continued existence. A similar conflict erupted when the unexpected success of Star Wars turned a niche literary genre into a mass market phenomenon. Faced with the prospect of making allowances for legions of new fans with radically different ideas as to what constituted good science fiction, the institutions of genre fandom responded with sluggishness indistinguishable from hostility. Media fandom was born when traditional fandom refused to expand its horizons and the same thing happened again in the early 1990s when fans of anime decided that it was better to build their own institutions than to fight street-by-street for the right to be hidden away in the smallest and hottest rooms that science fiction conventions had to offer.

The institutions of genre culture may pride themselves on their inclusiveness and forward-thinking but this is largely a product of the excluded not sticking around long enough to give their own sides of the story. Time and again, the institutions of genre culture have been offered the chance to get in on the ground floor when science-fictional ideas began to manifest themselves in different ways. Time and again, the institutions of genre culture have chosen to protect the primacy of the familiar over the vibrancy of the new and the different….

Cultural commentators may choose to characterise 2015 as the year in which genre culture rejected the misogynistic white supremacy of the American right but the real message is far more nuanced. Though the institutions of genre culture have undoubtedly improved when it comes to reflecting the diversity not only of the field but also of society at large, this movement towards ethnic and sexual diversity has coincided with a broader movement of aesthetic conservatism as voices young and old find themselves corralled into a narrowing range of hyper-commercial forms.

I thought that was well said. Unfortunately, I also read the comments.

(9) BELATED BIRTHDAY BOYS

  • February 24, 1909 – August Derleth
  • February 26, 1918 – Theodore Sturgeon

(10) THE STRAIGHT POOP. “Do Cats Cause Schizophrenia? Believe the Science, Not the Hype” advises WIRED.

The link between schizophrenia and cats goes back to the 1970s, when psychiatrist E. Fuller Torrey learned that viruses from dogs might trigger multiple sclerosis—a neurological condition—in humans. “That got me thinking about which animals host which infectious agents,” he says. Soon, he learned that cats host the most successful infectious bacteria in the world: Toxoplasma gondii. Looking into previously published research, he found plenty of studies showing that schizophrenics often had higher levels of toxoplasma antibodies in their blood than people without the mental illness.

Then he started surveying schizophrenics about their life history, and found that many had indeed lived with cats. But what’s important isn’t just if, it’s when. See, Torrey’s theory isn’t merely that T. gondii causes mental illness, it’s that it somehow alters the development of a person’s brain during crucial periods of brain development—and probably only if that person is genetically predisposed to schizophrenia. It’s a complicated hypothesis, and even after four decades of study, Torrey says he’s still not totally convinced it’s fact. Hence, his continued research on the subject.

Still, every study he publishes—his most recent, dropped in July of 2015—attracts the media like nip. Same with refutations, like the one published this week. The authors analyzed a dataset of 5,000 UK children, looking for a correlation between cat ownership during critical ages of brain development and behavioral indicators of later psychosis (like dark thoughts) at the ages of 13 and 18. Their statistical analysis of the results showed no correlation. Most (but not all) news websites ran with some variation of “Relax, Cats Don’t Cause Schizophrenia.”

But that’s not what the study said.

(11) GUESS WHO. From 2015. David Tennant’s NTA Special Recognition – his reaction: “Actor Sees A Tribute Video On Screen. The Realizes It’s For Him And He Can’t Believe It”

(12) TELL YOUR FRIENDS. Carl Slaughter says, “This documentary convincingly demonstrates how the Batman movies/trilogies reflect the cultural era in which they were produced.”

  • 60s Batman  –  prosperity
  • 70s  –  disillusionment  –  no Batman movies
  • Batman  –  escapism
  • Batman Returns  –  anti rich
  • Batman Forever, Batman & Robin  –  safety
  • Batman Begins, Dark Knight, The Dark Knight Rises  –  fear
  • Batman versus Superman  –  extremism

[Thanks to Martin Morse Wooster, Carl Slaughter, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

2017 Rhysling Award Nominees

The Science Fiction Poetry Association has finalized its 2017 Rhysling Award candidates.

The Rhysling Award is given in two categories. “Best Long Poem” is for poems of 50+ lines, or for prose poems, of 500+ words. “Best Short Poem” is limited to poems of no more than 49 lines, or prose poems of no more than 499 words.

SFPA’s F.J. Bergmann confirmed this year’s entries broke all the new records set last year for the highest number of nominated poems the award has ever had (93 short and 60 long), coming from the longest list of publications, 77. Strange Horizons and Star*Line (SFPA’s own newsletter) tied for publishing the most nominees, 11.

Short Poems (93 poems)
“3d printer” • Francis Wesley Alexander • Scifaikuest November
“Adolescence” • Ken Poyner • Star*Line 39.4
“After” • Herb Kauderer • Asimov’s SF November/December
“Always the Black and White Keys” • Corrine deWinter • Horror Writers Association Poetry Showcase Vol. III, ed. David E. Cowen
“Annie&Diana/One Canoe” • Shari Caplan • Nonbinary Review 11: Anne of Green Gables
“Antagonist” • F.J. Bergmann • Spectral Realms 5
“appendage sale” • Susan Burch • Star*Line 39.2
“The Architect of Bonfires” • Tonya Liburd •  Space & Time 127
“The Ash Manifesto” • Rose Lemberg • Strange Horizons 10 October
“At the Robot National Convention” • Alan Ira Gordon • Star*Line 39.3
“The Bird Prince” • John W. Sexton • Faerie Magazine Summer
“The birds forget to sing” •  Carl Mayfield • Abbey 147
“Black Bull of Norroway” • Jane Yolen • Goblin Fruit Winter
“Bones Knock in the House” • Mary McMyne • Rose Red Review 18
“Bottle Cast Upon A Dry Sea” • G.O. Clark • Asimov’s Science Fiction February
“The Box of Dust and Monsters” • Beth Cato • Devilfish Review 17
“A Bug in the System” • Anton Cancre • Quick Shivers about Bugs (Cosmonomic Multimedia)
“Build a Rocketship Contest: Alternative Class A Instructions and Suggestions” • Wendy Rathbone • Asimov’s SF January
“Christmas on Mars” • Carolyn M. Hinderliter •  Scifaikuest Vol. XIII, No. 4
“Classification of Folktales” • Margaret Wack • Strange Horizons
“The Dark between the Stars” • G.O. Clark • Star*Line 39.4
“Death Rides USAir At Night” • Jane Yolen • Parody 5:1
“Descent of the Composer” • Airea D. Matthews • Poem-a-Day October 24, Academy of American Poets
“Doppelgänger and the Ghost” • Lev Mirov • Eye to the Telescope 22
“Dorothy Delivered” • Kathleen A. Lawrence • Altered Reality Magazine 1
“Exotic Heads Trimmed Neatly” • John Reinhart • Eye to the Telescope 21
“Falling (A Part)” • Alexandra Erin •  medium.com June 8
“The Fantasy of Hans Christian Andersen” • KH Van Berkum • Strange Horizons February 8
Feles Alieni Vere Sunt • Neile Graham • Devilfish Review 17
“*For Quick Sale*” • Greer Woodward • Lupine Lunes, ed. Lester Smith (Popcorn Press)
“Foreign Policy” • David Barber • Star*Line 39.3
“The Frog” • K. Cassandra O’Malley • The Well of Changes (Bag Person Press) [reprint permission unavailable]
“George Tecumseh Sherman’s Ghosts” • Marge Simon • Silver Blade 32
“The Genius” • Sara Backer • Mithila Review 3
“The Giantess’s Dream” • Ada Hoffman • Twisted Moon 1
“Godzilla vs. King Kong” • James S. Dorr • Dreams and Nightmares 103
“History Teacher” • Gary Every • Star*Line 39.4
“How far does night have to fall?” • F.J. Bergmann • The Future Fire 38
“I Left My Heart in San Francisco. I Left Yours Somewhere in Colorado …” • Matt Betts • Underwater Fistfight (Raw Dog Screaming Press)
“Ink” • Akua Lezli Hope • Yellow Chair Review, Horror Issue, October
“Invocation of Diana” • K.A. Opperman • Eternal Haunted Summer Summer
“The Last Woman on Earth” • Mary Stone • Amethyst Arsenic 6:1
“Learning the History of War” J.J. Steinfeld • Star*Line 39.3
“Less than Human” • Marge Simon • You, Human (Dark Regions Press)
“The Long Run” • Neil Gaiman • Uncanny November/December
“Loose String” E. Kristin Anderson • Coe Review 47.1
“Love in the Time of Apocalypse” • Ann Thornfield-Long • Silver Blade 31
“Marginalia on Eiruvin 45b” • Bogi Takács • Bracken Magazine 2
“Martian Garden” • John Philip Johnson • The Magazine of Fantasy & Science Fiction July/August 2016
“Memorial (for Jonathan Franzen)” • Tim Jones • New Sea Land (Makaro Press)
“The Memory Machines” • Jane Williams • The Pedestal Magazine 79
“My Corpse My Groom” • Ashley Dioses • The Audient Void: A Journal of Weird Fiction and Dark Fantasy 1
“My Pet Alien” • Dennis Caswell• Rattle Fall
“A Natural History of Snow” • David Clink • The Role of Lightning in Evolution (Kelp Queen Press, CZP)
“Nothing Goes Away” • A.J. Odasso • The New England Review of Books
“Of My Wounds, There Are Many” • Stephanie M. Wytovich • Sanitarium Magazine 48
“The Old Ones gather” • Terrie Leigh Relf • Scifaikuest May
“Orpheus” • Ace G. Pilkington • The Horror Zine June
“Past Imperfect” • Deborah L. Davitt • Poetry Quarterly Summer
“The persecution of witches” • Ali Trotta • Uncanny 11
“The Phosphorescent Fungi” • D. L. Myers • Spectral Realms 4
“Propagation” • Layla Al-Bedawi • Strange Horizons 18 April
“Quack” • Neal Wilgus • Dreams and Nightmares 104
“Quasar” • Triin Paja • Cleaver 14
“Returning” • Mary Soon Lee •  The Open Mouse May 6
“Richard Feynman’s Commute” • John Weswick • The Were-Traveler December 21
“Riding the Dark” B.J. Lee • Frostfire Worlds February
“Robot Testimonial Z” • Margaret Rhee • Mission at Tenth
“Rusalka” • Jane Yolen • Mythic Delirium 3.1
“Sappho and the Woman of Starlight” • John W. Sexton • Eternal Haunted Summer Winter
“Selkie” • E. Kristin Anderson • Faerie Magazine Summer
“Skin” • Alice Fanchiang • Liminality 10
“Song of the Encantado” • Jeremy Paden • Apex Magazine 83
“Space Opera” • Vince Gotera • Altered Reality Magazine 1
“The Sparrows in Her Hair” • Hester J. Rook • Strange Horizons 18 July
“The Spook Tree” • Cindy O’Quinn • Blood Moon Rising Magazine 66
“Star Dust” • Josh Brown • Illumen 25
“Stellar Quake” • John C. Mannone • The New England Journal of Medicine 375:1305
“Supercomputer Spends the Night” • Danielle Zaccagnino • Weirderary 4
“Sutekh From The Throne” • Denise Dumars • Horror Writers Association Poetry Showcase Vol. III, ed. David E. Cowen
“Terran Mythology” Shannon Connor Winward • Analog Science Fiction and Fact October
“This Rat” • Anne Carly Abad • Chrome Baby 48
“To Live In The Zombie Apocalypse” • Burlee Vang • Poem-A-Day December 20
“To the Girl Who Ran Through Crop Circles” • Karen J. Weyant • Strange Horizons 18 August
“Until Dawn” • Michael H. Hanson • Poetic Hustles 2 (Black Freighter Productions)
La Villa de Sirenia” • Jack Ralls • Star*Line 39.4
“Well, Water, Stars” • Adele Gardner • Silver Blade 32
“Why Elephants No Longer Communicate in Greek” • Timons Esaias • Why Elephants No Longer Communicate in Greek (Concrete Wolf)
“Widening Gyre” • A.J. Odasso • Not A Drop anthology (Beautiful Dragons Press)
“Witch Lord of the Hunt” • Ashley Dioses • Eternal Haunted Summer Spring
“The woman on the bus encounters time dilation” • Daniel R. Jones • Altered Reality Magazine
“World’s Tiniest Human” • Muriel Leung • The Adroit Journal 16

 

Long Poems (60 poems)
“Absentation” • Lesley Wheeler • Thrush Poetry Journal November
“Adam’s Rendezvous with Dante” • John C. Mannone • Last Darn Rites Anthology (Whitesboro Writers, 2016)
“Alice-Ecila” • Steph Post • Nonbinary Review 10: Alice in Wonderland and Through the Looking Glass
“At Issue, the Miramo” • Ken Poyner • Dreams and Nightmares 103
“Best of” • Sarah Ann Winn •  Found Poetry Review: Bowietry
“The Blind Elephants of Io” • Karen Bovenmyer • Shortest Day, Longest Night (Arachne Press)
“The Butterflies of Traxl IV” • John Reinhart • The Pedestal Magazine 79
“The Chinese Pirate Ching Shih Plays Go With a Hooded Opponent” • Kendall Evans • Abyss & Apex 59
“Cobblestone Dragon” • Herb Kauderer • Polu Texni July 11
“Dame Evergreen” • Rebecca Buchanan • Faerie Magazine Winter
“The Dark Lord’s Diary” • Lee S. Hawke • Star*Line 39.1
“Data Mine” • Alexandra Erin • medium.com October 24
“The Death of the Horse” •  Beth Cato • Remixt Magazine 1:8
“Defender Prime” • A.C. Spahn • Outposts of Beyond July
“Elegy for Iain Banks” • Vince Gotera • Star*Line 39.3
“Exploratory Colony 454—15th May, 2052” • Lore Bernier • Eye to the Telescope 20
“First Lesson” • Mary Soon Lee • Silver Blade 30
“For Lonnie” • Holly Walrath • Liminality 9
“Further” • F.J. Bergmann • Lovecraft eZine 38
“Getting Winterized: A Guide To Winter Living” • Elizabeth R. McClellan • Angels of the Meanwhile April
“god-date” • Brandon O’Brien • Uncanny 9
“The Great Unknown” • Bruce Boston and Alessandro Manzetti • Illumen Spring
“Houses of the living, houses of the dead” • Jenny Blackford • Ipswich Poetry Feast International Poetry Competition, Highly Commended
“I Will Be Your Grave” • Tlotlo Tsamaase • Strange Horizons 7 November
Im Wald • Sandi Leibowitz • Mythic Delirium 3.2
“In Defence of Science” • David Clink • The Role of Lightning in Evolution (Kelp Queen Press, CZP)
“The Inconceivable Shape” • Simon Smith • Chrome Baby 45
“Interview with a 22nd-Century Sex Worker” • Darren Lipman • Strange Horizons 4 July
“The Journeymaker to Keddar (II)” • Rose Lemberg • Marginalia to Stone Bird (Aqueduct Press)
“Legend of the Albino Pythons and the Bloody Child” • Bruce Boston & Alessandro Manzetti • Polu Texni 18 April
“The Leviathans of Europa” • Christina Sng • Polu Texni 10 October
“The Lies You Learned” • S. Qiouyi Lu • Liminality 7
“little stomach” • Charlotte Geater • Strange Horizons 26 September
“Luminous Decay” • Robert Frazier • Dreams and Nightmares 103
“Morning During Migration Season” • Beth Cato • Star*Line 39.4
“Not Like This” • Mary Soon Lee • Apex Magazine August 4
Nuestra Señora de las Maravillas Lost at Sea, 1527” • Lisa M. Bradley • Strange Horizons 3 October [reprint permission declined]
“Phoenix Fire, Tabula Rasa” • Kim Eun-byeol • Stone Telling 13
“The Poem Gardens of the Ascari” • Rohinton Daruwala • Strange Horizons 13 June
“Portrait of the Captain with Small Waiting Objects” • T.D. Walker • Recompose 2
“Revolution” • Holly Lyn Walrath • Abyss & Apex 58
“The Rime of the Eldritch Mariner” • Adam Bolivar • Spectral Realms 5
“The Robot by the Fireplace” • Ken Poyner • Eye to the Telescope 20
“Rose Child” • Theodora Goss • Uncanny 13
“Salome’s New King” • Terry Miller • Devolution Z: The Horror Magazine 10
“Sargasso Sea” • A.J. Odasso • Remixt Magazine 1:1
“Spoiler Alert” • Matt Betts • Underwater Fistfight (Raw Dog Screaming Press)
“The Starlet Who Married A Monster” • Robert Borski • Lupine Lunes, ed. Lester Smith (Popcorn Press)
“Storm Miners” • Deborah L. Davitt • Blue Monday Review August
“Surviving a Canadian Poem” • David Clink • The Role of Lightning in Evolution (Kelp Queen Press, CZP)
“Talk to the Machines” • Johan Jönsson • Dreams and Nightmares 104
“Thirteen Ways to See a Ghost” • Shannon Connor Winward • 2016 SFPA Poetry Contest
“To the weaver, from the woman who slew Bakunawa” • M. Sereno • Stone Telling 13
“Väinämöinen Sings” • Jennifer Lawrence • Eternal Haunted Summer Winter
“We Shall Meet in the Star-Spackled Ruins” • Wendy Rathbone • 2016 SFPA Poetry Contest
“Were-” • Naru Dames Sundar • Liminality Summer
“Werewolf” • K.A. Opperman • Spectral Realms 4
“What Wants Us” • Karolina Fedyk • Star*Line 39.1
“When Coyote Called Down the Stars” • Aaron Vlek • The Were-Traveler December 21
“When the Gunman Comes” • Edith Hope Bishop • Mythic Delirium 2.3

 

A Speculative Kerfuffle

The Science Fiction Poetry Association is taking nominations from members for the Rhysling Awards until February 15. A.J. Odasso, Strange Horizons Senior Poetry Editor, nominated two poems published by Strange Horizons (which is within the rules) but originally one of them was rejected as insufficiently speculative. The nomination was soon restored – amid charges of racism against Rhysling Award decision makers,  and raking up the personal history of another SFPA volulnteer. And debate continues over the elusive definition of “speculative poetry.”

A.J. Odasso protested against the original decision in a January 14 tweet and followed up on January 17 with a blog post “Concern re: removal of a 2017 Rhysling Award nomination”.

Since nominations are currently open until February 15th for this year’s Rhysling Awards, I did what I usually do: nominate one short poem and one long poem, both of which happened to be poems that I and one of my co-editors had published in Strange Horizons during the course of 2016.  In addition to meeting the line-count requirements, both poems were published in the correct year, in a magazine of speculative literature.  There are rules against nominating your own work, but there are no rules against nominating work you’ve had a hand in publishing.  And it’s a good thing there aren’t, because reading submissions guarantees you’re at the front lines of reading the most exciting new work your community has to offer.

[The poem was selected for Strange Horizons by another poetry editor. Strange Horizons has four.] 

… While I was at Arisia this past weekend dashing from panel to panel, I received an upsetting message from the current Rhysling Anthology Chair [previous SFPA president David Kopaska-Merkel].  My nomination for the Short Poem category, Layla Al-Bedawi’s “Propagation,” had been accepted, but my Long Poem nomination, Tlotlo Tsamaase’s “I Will Be Your Grave,” had been rejected.  I was being asked to find a different long poem to nominate because Tlotlo’s piece was apparently not speculative enough.  First of all, I’d never heard of nominations being rejected; second of all, the nomination had already been made public on the website.  Poets had already been engaged in excitedly congratulating each other on their nominations for more than a week.  I was instantly outraged on Tlotlo’s behalf, as I can’t think of any universe in which publicly announcing a nomination and then deciding to revoke it after the fact isn’t bad form.  I spent a number of hours on email urging the [award] Chair to reconsider this decision in light of the fact that it would be deeply, deeply hurtful to the poet after they’d already seen their nomination, but Tlotlo’s piece was removed before the day was over.

… Mistake or not, this action is problematic for more reasons than I can reasonably delineate in one blog post.  At worst, it’s exclusionary and, yes, even racist to claim that a poem by a writer of color, published in a speculative magazine, is not speculative enough by white/Western standards to be worthy of nomination.  At best, it really is just a mistake, but even at that juncture, it had been publicly posted before being revoked.  It’s flat-out bad form to essentially tell someone, hey, congrats, you’ve earned this honor, and then say, oh, oops, sorry, our bad, it just didn’t conform to standards, we’ve got to pull it.  No matter which way you consider it (and, frankly, I consider it in both), Tlotlo’s owed an apology.

SFPA President Bryan Thao Worra responded the same day as the first tweet —

The same day that Odasso’s post was published, Lev Mirov took up the racial issue.

Elizabeth Barrette, in “Rhysling Award discrimination”, vigorously prosecuted the charges of racism and cultural insensitivity, beginning with an explanation of the African literary context of the poem, then launching into populist arguments against SFPA leadership.

…These perspectives are routinely excluded from white society and, especially, recognition such as awards. Often there’s no representation at all; when black people win awards, it tends to make the news because it doesn’t happen much. It’s usually not because the people rejecting them are the kind of racists who think black people are inferior. It’s because they think black ideas are uninteresting and irrelevant — in this case, “not speculative enough.” Not “good enough.” Not “really” speculative poetry. Not “worthy” of being permitted to compete at all. The awards typically go to things closer to the middle of the bell curve. Usually it’s because people don’t vote for black literature; the perspective shown by the award chairs and officers of the SFPA is common, though by no means universal. But sometimes it’s enforced from the top down, like this case when an African poem shows up to the literary lunch counter and is thrown out the door by organizational fiat. The member who nominated it is not permitted to have a voice regarding what speculative poetry “is,” the poem is not permitted to compete in the award despite meeting the technical standards, its author is excluded from the privileged circle of nominees, and the general membership is prevented from voicing our opinion about what is or is not “speculative enough” and “good enough” through our votes for the Rhysling Award. At the same time, this high-handed move directly blocks everyone else’s mindful efforts to promote diversity in speculative poetry by forcibly removing the option of voting for this poem. Our opinions and work don’t matter; we don’t get a choice. Someone else gets to decide that. Someone with more power. Someone more important. Someone who gets to say which poems and poets can sit at the literary lunch counter, or not. Institutionalized racism is difficult to fix precisely because of examples like this where someone in power can directly thwart other people’s hard work in solving the problem.

The Twitter exchange continued on January 17 –

Then, on January 18, this bluntly-worded tweet came out from the SFPA Twitter account.

And A.J. Odasso, in a comment added to the orignal post, asserted —

The SFPA is populated by a handful of people who really are as exclusionary as they appear to be, and they’ll go to any lengths to insist that they aren’t. And they don’t even seem to understand that a thing can still be racist even if they don’t intend it to be. Like we haven’t covered that enough?

In a further exchange of comments, Odasso laid the blame for the SFPA tweet at the feet of F.J. Bergmann, because SFPA’s webmaster had earlier tweeted an unsympathetic response from her personal account, and immediately dragged Bergmann’s WisCon controversies into the discussion.

However, Bergmann proved not to be the author of the SFPA tweet, that was SFPA officer Diane Severson:

I am Diane Severson, membership and communications chair of the SFPA, who tweets from @sfpoetry . It was not FJ Bergmann who made those blunders on Twitter, but me. I feel sick about this whole situation. I find it very difficult to respond to accusations such as had been made within the context of a tweet.

… We put our collective foot in it with Tlotlo Tsamaase’s poem. I hate that this sort of thing keeps happening to us. We are not evil. An unfortunate few (6 people) are tasked with running the organization. It is the desire of ALL of us to increase inclusivity and diversity within the organization and in our publications. I know that many feel it is not our job to police what is SpecPo. It has never been our intention to do so. With regard to early nominations, we had an unfortunate misunderstanding among those of us determining a nominated poem’s eligibility, which is not just whether it is Spec or not, since there are actual mistakes nominators make in regards to eligibility (year of publication, length, nominators membership, etc.). It was always our intention to ask the nominator for an “explanation” in the event the chair thought it didn’t seem speculative. It’s unclear to me whether that happened, AJ. Barring that we had intended that if only one of the officers thought it was “spec enough” it should be included. In this case, they were split in their impressions and the chair mistakenly thought we’d agreed it should be unanimous.

Odasso responded with an apology to Severson:

I’d like to apologize for my less tactful moments in all of this, too, up to and including assuming the identity of who made the tweets.

Severson continued:

It’s so hard to navigate these issues. No one gets the benefit of the doubt that missteps are unintentional and therefore one is always put in a defensive position. Instead of being informed of one’s errors and given a chance to rectify things, accusation and yes, intolerance is very often what’s led with. Like I said, I’m sick that this keeps happening, but I also have a hard time understanding why people don’t talk to us before tearing us a new one.

Severson also told Odasso that she actually owed the apology to Bergmann, but Odasso replied that Bergmann was deserving of her comments.

SFPA President Bryan Thao Worra made a public statement on January 19, to which he appended this unofficial comment showing he favored the restored nomination:

I always hope that we respect the premise that even if we don’t think of a particular poem as speculative by our personal definitions, at least one of our other members esteemed that poem enough to nominate for consideration. It stands, then, that we recognize those works as a professional courtesy, within reason. Or unreason, if that’s your thing.

The next day, on January 20, SFPA Secretary Shannon Connor Winward, gave her perspective in “Arbitrating Spec”.

….I’d like to share my thoughts, as both a writer and fan of speculative poetry as well as an SFPA officer with firsthand knowledge of the events that transpired.  I believe that, although it may be at times uncomfortable, this is one of those difficult conversations that needs to be had.

WHAT IS SPECULATIVE POETRY?

One of the first issues to appear on my radar as an elected officer of the SFPA was the fact that, even within an organization dedicated to speculative poetry, not everyone agrees on what “speculative” means.  While this may seem like a philosophical or semantic question, it’s also a practical one.  The SFPA exists to foster community among people who read and write speculative poetry.  Each year the SFPA publishes two award anthologies (the Rhysling and the Dwarf Stars) of speculative poetry, bestows the Elgin Award for chapbook and book-length speculative poetry manuscripts, and hosts a speculative poetry contest with cash prizes, with the express purpose of highlighting the very best speculative poetry being written today.  Without a clear, working consensus of what speculative poetry is, what’s the fucking point?

…And yet.  As an officer of the SFPA, it is my responsibility to help recruit, vet, and assist those people we appoint as Editors and Chairs of our organization’s endeavors.  This year’s Rhysling Chair, David Kopaska-Merkel, is a notable member of the SFPA and the wider speculative poetry community – a person with a breadth of experience and demonstrated ability.  We were thrilled to have him take the helm for this project, and to vest him with the responsibilities as well as the discretion required for the role.

I am deeply troubled by the accusations on social media that David acted irresponsibly in deeming certain poems ineligible, or that his actions were done with malice, with the intent of purposely excluding some voices.  As Rhysling Chair, it is David’s job to ensure that all nominated poems meet the criteria for eligibility, which by extension includes determining whether the poems count as speculative, even though there is not – as yet – any clear policy to guide him in this.  David’s solution was to bring each poem that he found questionable to the attention of the executive committee, seeking our input, before making his final determination.  His was a measured, conscientious approach.  And while I did not personally agree with each decision that he made, I was willing to support them.

Members of the SFPA and in the greater community have questioned the right of one person to decide what counts as speculative – and given that as a community we’ve yet to land on a universal definition, it’s a valid question.  It has been argued that the fact the nominated poem first appeared in one of the most celebrated speculative markets in the field should automatically qualify the poem as speculative, which is also an excellent point—I even suggested as much myself at one point during one of the many discussions in our list-serv, saying that any poem published in a speculative journal had already been vetted by an editor and should get an automatic pass.

But on the other hand, a point that I haven’t seen vocalized is the fact that magazine editors, too, exercise personal discretion.  They make decisions based on the same personally or culturally defined and often arbitrary standards and preferences and biases that we, as readers, exercise—and they have the right to do so, because of the task that has been entrusted to them.  Similarly, the Rhysling Chair is tasked with interpreting the organization’s guidelines to the best of his or her ability, which also implies a degree of individual, even arbitrary discretion—and that is what happened.  Without any clear guidance in the form of official policy, and with only the less-than-unanimous opinions of the executive committee (a microcosm of the larger spec community), he made a judgment call.

Personally, I am glad that “I Will Be Your Grave” was reinstated.  I believe that surrealism has a place in the speculative genre, and that poems like this are doing interesting things with language and imagery and genre tropes that should be recognized.  But as an officer, I believe the takeaway from this issue has less to do with righting a perceived injustice, and more to do with improving the Rhysling process.

I think, as a community, we need to look at the central issue –how do we define speculative, and, more importantly, who/how do we empower to apply that definition when it comes to featuring poems in our annual award programs—including our anthologies, which we hold up to the world as the best representatives of what speculative poetry is?

To accomplish this, we need to move away from the merry-go-round of debate (and name-calling) that is endemic in our social media and forums.  We need to work together to define clear and equitable guidelines for both the nomination process and the vetting system—assuming a vetting system for “speculative” should even exist….

It so happened that Winward had already opened a poll on her website asking people what is and isn’t “speculative.” Now the results are in — establishing that, much like the definition of “science fiction,” few can agree on what it is.

[Thanks to Robin A. Reid for the story.]