Voting continues as Science Fiction & Fantasy Poetry Association (SFPA) members decide who will be honored as Grand Master this year. Four candidates are under consideration: Linda Addison, F.J. Bergmann, Geoffrey A. Landis, and John Grey. SFPA members have until December 1 to cast their ballots.
Linda D. Addison is the award-winning author of five collections, including The Place of Broken Things, written with Alessandro Manzetti, & How To Recognize A Demon Has Become Your Friend, and a recipient of the HWA Lifetime Achievement Award. She is the first African-American recipient of the HWA Bram Stoker Award®, co-editor of Sycorax’s Daughters, an anthology of horror fiction & poetry by African- American women, poetry editor of Space & Time Magazine since 2000, and editor of the 2018 Rhysling Anthology and the HWA StokerCon Anthology 2019. Her work has made frequent appearances over the years on the honorable mention list for Year’s Best anthology. She has a B.S. in Mathematics from Carnegie-Mellon University and currently lives in Arizona. Addison is a founding member of the writer’s group Circles in the Hair (CITH), and a member of HWA, SFWA and SFPA. For further information please see Linda’s website.
F. J. Bergmann
F. J. Bergmann has a distinguished body of speculative poetry from the last 20 years, winning the Rhysling (Short and Long), the Elgin Chapbook (twice), the SFPA Poetry Contest (several), and other contests. Her service to SFPA includes editing Star*Line, designing publications, and serving as webmaster and VP. Nor is her service to poetry limited to the SFPA.
Geoffrey A. Landis
Geoffrey A. Landis has had a strong body of work published over the last thirty-plus years, noted by his winning the Rhysling Long twice, the Asimov’s Reader’s Award for best poem four times, and the Dwarf Stars Award. In addition to his excellence in writing poetry, he has contributed to the SFPA by editing Eye to the Telescope and co-editing the 2012 Dwarf Stars anthology. He is active in the Cleveland poetry community, and for many years has run the Clevelandpoetics blog, which distributes news and information about poetry in the Cleveland area; he has also been active in the Ohio Poetry Day celebrations. He has published two collections of poetry, Iron Angels (Van Zeno, 2009) and The Book of Whimsy (Night Ballet, 2015). For more for more about Geoffrey visit his website.
John Grey is Australian-born, U.S. resident, poet, short story writer, musician and playwright. He has had over 16,000 poems published throughout the world in magazines as diverse as Christian Science Monitor, Relix, Poetry East, Agni, Rhino, Rattle, Poet Lore and JAMA as well as numerous anthologies and books, including his latest, Leaves On Pages. A good percentage of those poems have been in genre magazines, (both sci-fi and horror, with the occasional fantasy) having grown up devouring the classic horror writers such as Blackwood, James, Bierce, Poe, etc. Publications in this field include work in Weird Tales, Space & Time, Dreams and Nightmares, The Pedestal, The Magazine Of Speculative Poetry, The Fifth Di, Leading Edge, Andromeda Spaceways, Not One Of Us, Strange Horizons, Chrome Baby and many many many more. Winner of the Rhysling Award (Short) in 1998. Was theater critic and poetry columnist for a local Providence, RI, weekly arts magazine and has had plays produced off-off Broadway and in Los Angeles.
(1) WORLDCON ENDS: FILM AT ELEVEN. Watching CoNZealand’s Closing Ceremonies brought back a memory —
When Winnipeg started its bid for the 1994 Worldcon, chair John Mansfield had everybody on the committee fill out a questionnaire about their interests. On the last day of the convention he returned these forms to everyone saying, “Okay. Here’s your life back.”
At today’s Closing Ceremonies the gavel passed to DisCon III’s Bill Lawhorn and Colette H. Fozard.
(2) TABLE SERVICE. Camestros Felapton illustrates an aspect of the 2020 Hugo Award nomination process in “EPH Fan Writer”.
… As each person is eliminated, the points get redistributed. By looking at the change in points for each surviving nominee, you can calculate the proportion of points that the survivor gets from the eliminated.
(3) THE PAST THROUGH TOMORROW. There are several good rundowns on the problems with last night’s Hugo Awards ceremony, including this one from Sean Reads Sci-Fi, “Uh-Oh, the Hugos Were a Hot Mess!”, which includes some good excerpts from the acceptance speeches.
…Some of the history was admittedly interesting, but I kept waiting for Martin to catch up to the present day, to illustrate how the long arc of the Hugos has bent toward justice, how the field continues to evolve to this day. He never did. He stayed rooted firmly in the past, and as the night wore on his stubborn refusal to acknowledge current movements in SF/F began to feel pointedly exclusionary rather than just incidentally so.
And I haven’t even mentioned the names! To mispronounce someone’s name live is one thing. As a teacher, I can attest to the fact that you will occasionally get someone’s name wrong on the first day. But (a) they had plenty of time to practice, (b) they almost certainly were given pronunciation guides by most authors, and (c) this doesn’t excuse the constant mispronunciations during pre-recoded segments, unless, of course, Martin refused to re-record them, which is its own set of problems. The folks behind the scenes should have done more to vet these segments, and should have pushed back harder when it became clear what Martin was doing.
What’s fascinating to me, though, is how the awards themselves drew such a sharp contrast to the nostalgic navel-gazing of the toastmaster. It really felt like the past and the future colliding – and the future won. Literally! The winners often talked about systemic problems within the industry, about the fights that we still have to fight, about the hard work that women, people of color, queer folks, and others have to do in order to even be considered alongside the white/cis/het fuddy-duddies running last night’s show. It was such a welcome breath of fresh air, for instance, when R.F. Kuang, one of the first winners, emphasized the barriers that she faced getting into the field:
If I were talking to a new writer coming to the genre in 2020, I would tell them, well, if you are an author of color, you will very likely be paid only a fraction of the advance that white writers are getting. You will be pigeon-holed, you will be miscategorized, you will be lumped in with other authors of color whose work doesn’t remotely resemble yours. Chances are very high that you will be sexually harassed at conventions or the target of racist micro-aggressions or very often just overt racism. People will mispronounce your name, repeatedly, and in public, even people who are on your publishing team. Your cover art will be racist, and the way people talk about you and your literature will be tied to identity and your personal trauma instead of the stories you are actually trying to tell. If I had known all of that when I went into the industry, I don’t know if I would have done it, so I think that the best way we can celebrate new writers is to make this industry more welcoming for everyone.
R.F. KUANG, ASTOUNDING AWARD FOR THE BEST NEW SF WRITER
This was refreshing precisely because it’s an aspect of the history of the awards and of the fandom in general that George R.R. Martin, in his endless panegyrics to days gone by, refused to even acknowledge. Pointing out the deep-rooted, structural, and personal racism and sexism at the heart of the industry isn’t a sign of ingratitude – it’s a sign of strength and resolve in the face of tough barriers. As Ng put it in her speech:
Pulling down memorials to dead racists is not the erasing of history, it is how we make history … It would be irresponsible for me to stand here and congratulate us as a community without reminding us that the fight isn’t over and that it extends well beyond the pages of our books … Let us be better than the legacies that have been left us. Let them not be prophecies. Let there be a revolution in our time.
JEANNETTE NG, BEST RELATED WORK
That revolution was in strong form last night, as most winners took the time to celebrate marginalized voices and denounce the forces that marginalized them in the first place. I keep coming back to Martine’s speech, as well – to the knife that hurts all the more because you loved it before it cut you. A trenchant description of an industry and a genre that many loved but were excluded from for so long. That is, thankfully, changing. Not fast enough to prevent last night’s debacle – but fast enough to allow for last night’s inspiring wins
Whoever is circulating the story that I was asked to re-record portions of my Hugo hosting to correct mispronounced names, and that I refused, is (1) mistaken, or (2) lying. Never happened.
CoNZealand did ask me to re-record three of my videos, all for reasons for quality control: poor lighting, poor sound, wobbly camera. I complied with their request on two of the videos, the two that opened the evening; I re-did those live from the JCC. (The originals had been done in my cabin on an iPhone, when we were just trying to get the hang of this thing). The third segment they wanted re-recorded was the bit about the Hugo trophy, where I had some fun with the juicer, the Alfie, and the like. In that case, we decided to stay with the first take, since I no longer had the props on hand and could not easily have reproduced what I’d done at the cabin, which everyone seemed to like.
There is also a story out there that I was provided with the correct phonetic pronunciations of all the names. That too is completely untrue….
(5) YOUR NEW HUGO LOSERS HOSTS. Who wouldn’t sign up for that?
(6) GROWING PAINS. Scott Edelman stirred up some memories that were called out by his sister-in-law in service of an anti-Vietnam War protest.
…You wouldn’t think that the 4-foot-wide by 8-foot-tall space, approximately the same shape as an iPhone screen, would be big enough for a play, let alone an avant-garde company. Yet the closet, only 2 feet deep, is one of the stars of Gelb’s Theater in Quarantine series, which since late March has produced, on a biweekly schedule, some of the new medium’s most imaginative work from some of its simplest materials. As in silent movies, clowning, movement and mime are usually part of the mix.
Lem’s story is a satire of the infinite human capacity for self-defeat, with the various Egon incarnations bickering and undermining one another as the gyrations of space-time bend them into conflict. When “a meteor no bigger than a pea” pierces the ship’s hull, destroying the rudder, everyone has ideas about fixing it — but since it’s a two-man job, making cooperation essential, nothing actually gets done.
Science fiction was once a niche TV commodity, but March brought three major live-action genre projects. Star Trek: Picard finished its debut season on CBS All Access. FX shared Devs with Hulu, pitching the miniseries as prestige bait for the chattering class. Season 3 of Westworld was HBO’s new hope for a buzzy, sexy-violent epic. And they were all terrible….
I get it: We are all scared of phones, and bots, and the Algorithm. Yet by demonizing technology, these projects oddly exonerate the people behind that technology. CEOs with tragic origin stories in Westworld or Devs are puppets for machines they can’t control. Higher-tech powers in Brave New World and “You May Also Like” control whole civilizations comprised of unaware humans.
[Intro] Editors Note: In a nearly 3,000 word opinion piece published on July 25 in ‘The Globe and Mail’ Kenneth Whyte, publisher of Toronto-based indie Sutherland House Books, pinned the troubles of Canada’s independent bookstores and publishers on the work of public libraries….
Publishers Weekly reprinted the Canadian Urban Libraries Council’s response:
… It is otherwise hard to understand why public libraries are to blame when bookstores and libraries have coexisted harmoniously and supported each other for decades.
August 1, 1986 — Howard The Duck premiered. Directed by Water Huyck and produced by Gloria Katz who were also the screenplay writers. George Lucas was executive producer. Its human stars were Lea Thompson, Jeffrey Jones and Tim Robbins. Howard The Duck was Ed Gale in the suit with the voice being Chip Zien. Critics almost unanimously hated it, it bombed at the box office, and audience reviewers at Rotten Tomatoes currently give it a 38% rating. It would be the last Marvel Film until Captain American twenty-one years later. (CE)
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 1, 1819 – Herman Melville. Without debating – though some do – how far Moby-Dick is fantasy, we can claim some more clearly – hmm, maybe not the best word with this writer – anyway, “Bartleby”, “The Tartarus of Maids”, “The Encantadas”, let’s say nine or ten. John Clute would includeThe Confidence-Man. (Died 1891) [JH]
Born August 1, 1898 – William Ziff. I mean Ziff Sr., though Ziff Jr. is noteworthy too. The elder was the Ziff in Ziff-Davis Publishing, which took over Amazing from Hugo Gernsback, added Fantastic Adventures, comics with art director Jerry Siegel and e.g. John Buscema. I happen to think this cover for Weird Adventures 10 is feminist – look how the man is fascinated while the woman with him knows they should fear – but then I think Glory Road is feminist, and how many see that? (Died 1953) [JH]
Born August 1, 1910 — Raymond A. Palmer. Editor of Amazing Stories from 1938 through 1949. He’s credited, along with Walter Dennis, with editing the first fanzine, The Comet, in May, 1930. The secret identity of DC character the Atom as created by genre writer Gardner Fox is named after Palmer. Very little of his fiction is available in digital form. (Died 1977.) (CE)
Born August 1, 1914 – Edd Cartier. Oh, how great he was. Eventually we put him on two Retrospective Hugo ballots. We think of him as a comedian; true enough, but see this cover for Foundation and Empire. Vince Di Fate knew; see his treatment of EC in Infinite Worlds. World Fantasy Lifetime Achievement Award. (Died 2008) [JH]
Born August 1, 1923 — Alan Yates. Though better known under the Carter Brown name where he wrote some one hundred and fifty mystery novels, I’m noting him here for Booty for a Babe, a Fifties mystery novel published under that name as it’s was set at a SF Convention. (Available from the Kindle store.) And as Paul Valdez, he wrote a baker’s dozen genre stories. (Died 1985.) (CE)
Born August 1, 1930 — Geoffrey Holder. Best-remembered for his performance as Baron Samedi in Live and Let Die but he’s also the narrator in Tim Burton’s Charlie and The Chocolate Factory. He was also Willie Shakespeare in Doctor Doolittle but it’s been so long since I saw the film that I can’t picture his character. And he was The Cheshire Cat in the Alice in Wonderland that had Richard Burton as The White Knight. (Died 2014.) (CE)
Born August 1, 1945 – Yvonne Rousseau, 75. Author, editor, critic, long-time fan. Australian SF Review, 2nd Series with J. & R. Blackford, Foyster, Sussex, Webb. Three short stories and a novelette. Contributor to Banana Wings, Chunga, Flag, Foundation, Journey Planet, The Metaphysical Review, Riverside Quarterly, SF Commentary, SF Eye. Fan Guest of Honour at ConFictionary, where the fire alarm went off and the hotel actually was on fire. [JH]
Born August 1, 1954 — James Gleick, 66. Author of, among many other books, Genius: The Life and Science of Richard Feynman and What Just Happened: A Chronicle from the Electronic Frontier, and he is one of us in that he writes genre reviews which are collected in Time Travel: A History. Among the works he’s reviewed are Le Guin’s “Another Story or A Fisherman of the Inland Sea” and Heinlein ‘s “By His Bootstraps”. (CE)
Born August 1, 1955 — Annabel Jankel, 65. Director who was first a music video director and then the co-creator and director of Max Headroom. She and her partner Rocky Morton first created and directed The Max Talking Headroom Show, a mix of interviews and music vids which aired on Channel 4 and HBO. Jankel and Morton would go on to direct Super Mario Bros. And they’re both responsible for the Max Headroom movie and series. (CE)
Born August 1, 1969 – Dirk Berger, 51. Five dozen covers, a score of interiors. Here is Sucker Punch. Here is Empire Dreams. Here is Nova 23. Here is his Website. [JH]
Born August 1, 1979 — Jason Momoa, 41. I knew I’d seen him before he showed up as Aquaman in the DC film franchise and I was right as he was Ronon Dex on Stargate Atlantis for its entire run. He was also Khal Drogo in the first season of A Game of Thrones. And not surprisingly, he was the title character in Conan the Barbarian. (CE)
Born August 1, 1993 – Tomi Adeyemi, 27. Children of Blood and Bone, Children of Virtue and Vengeance, both NY Times Best Sellers. Norton Award, Waterstones Book Prize, Lodestar Award. Parents thought she’d be better off if they didn’t teach her their native tongue (they’re Yoruba), so with an honors degree from Harvard she got a fellowship to study it in Brazil. Website here. [JH]
(12) COMICS SECTION.
Non Sequitur offers a suggestion on how to get started on that post-apocalyptic novel.
(13) BE PREPARED. A Public Service Announcement from the Dread Pirate Roberts channeling Inigo Montoya.
(14) ADVICE FOR SFF POETS. Veteran editor of Star*Line and Mobius: A Journal for Social Change “gives some surprising insights on submissions” in this interview conducted by Melane Stormm at SPECPO.
A must watch for any writer, but especially if you identify as female or if you’re feeling hesitant to submit your work someplace.
(15) ON BRADBURY’S SHELVES. The second installment of Phil Nichols’ Bradbury 100 podcast had dropped.
My guest is Jason Aukerman, Managing Director of the Center for Ray Bradbury Studies. The “Bradbury Center”, as it’s known for short, is the place where Ray’s working papers are held in archive, along with the contents of Ray’s personal library, and many of his professional and personal artefacts such as awards, videotapes and film prints.
A library curator at the University of Iowa will join “Star Trek” actor William Shatner and a list of other celebrities, authors and science fiction experts in a Ray Bradbury Read-a-thon next month. The event on August 22nd will mark what would have been the famed author’s 100th birthday.
Peter Balestrieri, curator of science fiction and popular culture collections at the UI Libraries, says he’s thrilled to be taking part.
“The Read-a-thon will be about 40 people reading segments of Ray Bradbury’s famous novel, ‘Fahrenheit 451,’” Balestrieri says. “All of the clips from all of the different readers will be put together into one seamless audio-visual book.”
Balestrieri will read a six-minute portion of the book as part of the roughly-four-hour event. Top sci-fi authors who will also read aloud include Neil Gaiman, Marjorie Liu and Steven Barnes, as well as former NASA administrator Charles Bolden.
Nasa‘s Marsspacecraft is experiencing technical problems and has sent itself into hibernation, the space agency has said.
The spacecraft was sent to space Thursday in a launch that had no technical problems – even despite an earthquake that struck just before liftoff, and a preparation period that came during the coronavirus outbreak. Shortly after it was launched, Nasa announced that it had received its first signal from the spacecraft.
But soon after it was in space and headed towards Mars, it became apparent that something had gone wrong with the craft. After that initial signal, mission controllers received more detailed telemetry or spacecraft data that showed there had been a problem.
The signal, which arrived on Thursday afternoon, showed that the spacecraft had entered a state known as “safe mode”. That shuts down all but its essential systems, until it receives new messages from ission control.
The hibernation state is intended to allow the spacecraft to protect itself in the case of unexpected conditions, and will be triggered when the onboard computer receives data that shows something is not as expected.
Nasa’s engineers think that the state was triggered because part of the spacecraft was colder than expected while it was still in Earth’s shadow. The spacecraft has now left that shadow and temperatures are now normal, Nasa said in an update.
Mission controllers will now conduct a “full health assessment”, the space agency said, and are “working to return the spacecraft to a nominal configuration for its journey to Mars”.
“‘I wish it need not have happened in my time,’ said Frodo. ‘So do I,’ said Gandalf, ‘and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.’” —The Fellowship of the Ring
(19) NAVIGATING ON VIRTUAL SEAS. Mlex reports on the Cyberpunk Culture Con (July 9-10), with some commentary on other virtual cons (BaltiCon, ConZealand, Fantastikon): “Cyberpunk Culture Conference”.
…I want to report on the recent virtual con, the Cyberpunk Culture Conference (Jul 9-10, 2020), which managed to swim perfectly through the fantastic milieu of the future that has already become the past, and floated out from the wreckage on that frenzied ouroboros of possibility waves as easily as a swimmer takes to an inflated tire inner tube on a summer pond.
The conference sprang up around recent books published by Routledge, which are quite excellent, I should add…
The Belgian racing team Heli had an engine problem. Specifically, under race conditions, the manifold of the four-cylinder turbo diesel in its BMW 1-series exploded, bursting along an ultrasonically welded seam that held together the manifold’s two halves.
…In 2018 Heli took the problem to ZiggZagg, a Belgian company that fabricates parts using an HP 3-D printer. ZiggZagg made a digital scan of the two-piece manifold and after 10 hours had a digital blueprint for a stronger, lighter, one-piece manifold. In its first race with the new manifold, printed using what is known as PA 12 nylon, the part held up and Heli took third. That same manifold lasted until the car was retired earlier this year.
The two astronauts that blasted off in the first private space vehicle to take people to the International Space Station are about to return to Earth — by splashing down in the waters around Florida.
This will be the first planned splashdown for space travelers since 1975, although a Russian Soyuz capsule did have to do an emergency lake landing in 1976.
NASA astronaut Douglas Hurley says that he and his crewmate Robert Behnken are prepared for the possibility of seasickness.
“Just like on an airliner, there are bags if you need them. And we’ll have those handy,” Hurley said in a press conference held on Friday, while on board the station. “And if that needs to happen, it certainly wouldn’t be the first time that that’s happened in a space vehicle. It will be the first time in this particular vehicle, if we do.”
The astronauts will come home in the same SpaceX Dragon capsule that took them up on May 30. Their flight marked the first time people had been launched to orbit from U. S. soil since NASA retired its space shuttles in 2011.
The success of their trip in the SpaceX vehicle has been a major milestone for commercial space travel, and a vindication of NASA’s long-term plan to rely on space taxis for routine flights to and from the orbiting outpost—while the government agency focuses on developing vehicles for a return to the moon.
The current plan is for the Dragon “Endeavour” capsule to undock from the International Space Station on Saturday at 7:34 p.m. ET, with scheduled splashdown at 2:42 p.m. ET on Sunday. There are potential splashdown zones both in the Atlantic and the Gulf of Mexico. With a hurricane headed towards Florida, however, it’s unclear if the weather will cooperate with the plan.
(22) VIDEO OF THE DAY. “Virtual Viewing: Disney’s Cruise Line’s Tangled, The Musical” on YouTube is an hour-long musical, with three songs composed by Alan Menken, that was performed on Disney’s Cruise Line and is worth seeing for people who need a Disney musical fix. (Hat tip to Mark Evanier.)
[Thanks to Darrah Chavey, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, Michael Toman, John Hertz, Chip Hitchcock, Daniel Dern, Mlex, Cat Eldridge, JJ, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]
There are the really obvious ways to torch your career — rudeness to editors, for instance. And then there are the hidden trap doors. The one I am going to reveal today is truly obscure. It could be broadly described as meddling with the publication process. More specifically, you can enrage the publisher’s sales reps. Kill your book dead in one easy step! …
(2) AND DON’T BE THAT POET. F.J. Bergmann wrote and Melanie Stormm designed “How To Piss Off A Poetry Editor” for readers of SPECPO, the blog of the Science Fiction and Fantasy Poetry Association. Here’s the header —
(3) KGB READINGS ONLINE. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Benjamin Rosenbaum and Mike Allen Wednesday, July 15 in a YouTube livestream event. Starts at 7 p.m. Eastern.
Benjamin Rosenbaum’s short fiction has been nominated for the Nebula, Hugo, BSFA, Sturgeon, Locus, and World Fantasy Awards, and collected in The Ant King and Other Stories. His first novel, The Unraveling, a far-future comedy of manners and social unrest, comes out this October from Erewhon Books. His tabletop roleplaying game of Jewish historical fantasy in the shtetl, Dream Apart, was nominated for an Ennie Award. He lives near Basel, Switzerland with his family.
Mike Allen has twice been a finalist for the World Fantasy Award. His horror tales are gathered in the Shirley Jackson Award-nominated collection Unseaming, and in his newest book, Aftermath of an Industrial Accident. His novella The Comforter, sequel to his Nebula Award-nominated story “The Button Bin,” just appeared in the anthology A Sinister Quartet. By day, he writes the arts column for The Roanoke (Va.) Times.
Transmitted herewith are excerpts from statements provided by members of the Barsky family regarding the incident with Hayden Barsky, age 11.
The true origins of KHAOS remain unknown….
It was published along with a response essay, “How Not to Optimize Parenthood” by Brigid Schulte, director of the Better Life Lab and author of the book Overwhelmed: Work, Love, & Play When No One Has the Time.
Most parents are well-intentioned. We try to do the right thing, hoping to spare our children at least a measure of the pain or heartache we muddled through, to smooth the rough edges of life and give them every advantage to make it in an uncertain and often cruel world.
That’s at least the hope. In practice, no one really knows how to do that. So, particularly in America, where “winning” and the self-improvement dictate to “beat yesterday” are akin to sacred commandments, we have always turned to the experts for help. What does the science say? What are the neighbors doing? What book or podcast or shiny gadget will instantly make my child’s life easier? More joyful? Miraculous? And, perhaps most importantly, better than your kid’s?…
(5) LOCKDOWN MOVIE. “Quarantine Without Ever Meeting” – Vanity Fair profiles the filmmakers. Tagline: “The actors set up lights, did their own makeup, and ran the cameras. The filmmakers advised on Zoom. Somehow…it worked.”
…While Hollywood is struggling to figure out if it’s possible to make a feature-length movie in the grip of the coronavirus pandemic, this group of independent filmmakers and actors have already done it. “The whole movie has been written, produced, packaged, shot within quarantine. Now we’re in postproduction, and I had a first cut of the whole film done on Friday,” said director and cowriter Simon. As The Untitled Horror Movie nears completion, its producers are finally announcing the secret project and seeking a distributor. It appears to be the first movie created entirely within the parameters of the lockdown.
The horror comedy is about a group of needy and desperate young stars from a once-popular TV series who learn, via video conference, that their show has just been canceled. Fearing obscurity, they decide to stay in the spotlight by making a quickie horror film—but while shooting it, they perform a ritual that accidentally invokes an actual demonic spirit. Mayhem follows. “We kind of described it going into it as Scream meets For Your Consideration,” Simon said.
The card had been around since 1994, tagged “Invoke Prejudice” by the world’s most popular trading card game. It showed figures in white robes and pointed hoods — an image that evoked the Ku Klux Klan for many people.This month, the company behind “Magic: The Gathering” permanently banned that card and six others carrying labels like “Jihad” and “Pradesh Gypsies.” Wizards of the Coast, a subsidiary of toy giant Hasbro, acknowledged the images were “racist or culturally offensive.”
“There’s no place for racism in our game, nor anywhere else,” the company said in a statement announcing its action.
With the country roiled by tensions and protests over African Americans’ deaths at the hands of police, the issues entangling Magic and its creators are unlikely to subside soon. The fantasy game of goblins, elves, spells and more boasts some 20 million players, and in pre-pandemic times, thousands flocked to elite international tournaments with hefty prizes. Players of color say they have long felt excluded in the white- and male-dominated community from the game’s top echelons, as well as employment at the company….
(7) WHAT MIGHT HAVE BEEN. “A Better World ?” seems to be a kind of text-based game letting players choose among “Uchronies,” a French term that partakes of alternate history but is more fantastic in nature. I racked up a lot of karma in a hurry, sad to say.
I am monolingual, which limits me to reading works in English. One of the joys of this modern, interconnected world in which we’re living is that any speculative fiction work written in another language could (in theory) be translated into English. One of my frustrations is that, generally speaking, they haven’t been. Here are five works about which I know enough to know that I’d read them if only they were translated….
(9) I’M READY FOR MY CLOSE-UP. Olav Rokne says, “Sometimes, you just want to ask the question nobody wants.” He passed along some of the hilarious responses.
(10) CARL REINER OBIT. The creator of The Dick Van Dyke Show and straight man to Mel Brooks’ “2000 Year Old Man,” died June 29 at the age of 98. The duo won a Grammy in 1998 for their The 2000 Year Old Man in the Year 2000. (The New York Times eulogy is here.)
He shared the lead in The Russians Are Coming, the Russians Are Coming and appeared in It’s a Mad, Mad, Mad, Mad World. He directed numerous movies, including several starring Steve Martin. In recent years he voiced characters in several genre animated TV shows — and Carl Reineroceros in Toy Story 4.
John King Tarpinian remembers:
He is not genre but his passing reminds me of the good old days. Back in the 80s, I was president of the largest Atari club consortium in the US. One of the members owned the Vine Street Bar & Grill. It was between Hollywood & Sunset. The first Wednesday of the month the guest jazz singer was Estelle Reiner. Ron Berinstein, club member and club owner invited me to come on Estelle’s nights to make sure the club was always full. The first time I went her husband, Carl, was also there. I learned that he always came…and that he’d have friends join them. Over the years everybody from Sid Caesar, Buck Henry, Neil Simon, Dick Van Dyke, Mel Brooks & more.
During Estelle’s break between sets Carl & whomever was also there would get up and entertain. Carl & Mel would do their 2000 Year Old Man routine but not the Ed Sullivan version but the version they’d do a parties. My ribs would be sore the next morning from laughing so hard.
Sid Caesar would come to Ray Bradbury’s plays. Imagine somebody being able to upstage Ray…who also would be laughing so hard.
(11) MEDIA BIRTHDAY.
June 30, 1971 — Willy Wonka & the Chocolate Factory premiered. Based on Roald Dahl’s Charlie and the Chocolate Factory novel, it was directed by Mel Stuart, and produced by Stan Margulies and David L. Wolper. The screenplay was by Roald Dahl and David Seltzer. It featured Gene Wilder as Willie Wonka with a supporting cast of Jack Albertson, Peter Ostrum, Roy Kinnear, Julie Dawn Cole, Leonard Stone and Denise Nickerson. Some critics truly loved it while others loathed it. It currently holds an 87% rating among audience reviewers at Rotten Tomatoes. (CE)
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Adamms Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.) (CE)
Born June 30, 1920 — Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con in what was later called the Great Exclusion Act. In the Fifties, he edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. (Died 1997.) (CE)
Born June 30, 1929 – Anie Linard, 91. Active from France, herself and with Jean Linard, in the 1950s and 1960s; fanzines Innavigable Mouth, Meuh, Vintkat, X-trap. Voted in the 1958 TAFF (Trans-Atlantic Fan Fund) campaign. She was, like many of us, a correspondent of Ned Brooks. I have not traced her more recently than June 1962. Anie, if you see this, salut! [JH]
Born June 30, 1935 – Jon Stopa, 85. Active with Advent publishing house, half a dozen covers including In Search of Wonder, The Eighth Stage of Fandom, and The Issue at Hand. Three stories in Astounding. Program Book for Chicon III the 20th Worldcon, and cover for its Proceedings; with wife Joni, Fan Guests of Honor at Chicon V the 49th, where I think they were in some of the Madeira tastings I assembled when I found four or five D’Oliveiras in the hotel bar. The Stopas were (Joni has left the stage) also great costumers, both as entrants and judges; there’s a YouTube of their work here. [JH]
Born June 30, 1959 — Vincent D’Onofrio, 61. Kingpin in that not terribly good or bad Daredevil film, Edgar the Bug in the only truly great Men in Black film and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye. (CE)
Born June 30, 1961 — Diane Purkiss, 59. I’ve not read her Corydon Trilogy she wrote with Michael Dowling, her son, but I can say that At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, Nymphs, and Other Troublesome Things is as splendid as the title suggests it is. She’s also written Fairies and Fairy Stories: A History. (CE)
Born June 30, 1961 – Nigel Rowe, 59. Published Timeless Sands history of New Zealand fandom, then moved to Chicago. Here is a 1994 photo of him with Russell Chauvenet (who coined the word fanzine) at Corflu 11 in Virginia. A 2019 photo of him is on p. 47 of Random Jottings 20 (PDF), the Proceedings of Corflu 36 in Maryland; he’s also on the cover (back right; you may be able to make out his badge “Nigel”). Very helpful relaying paper fanzines across the seas. [JH]
Born June 30, 1961 – carl juarez, 59. No capital letters in his name. Co-edited the fanzine Apparatchik with Andy Hooper (from Apak 62), later Chunga with Hooper and Randy Byers. Here is his cover for Chunga 8. He’s on the right of the cover for Chunga 17 (PDF). Chunga credited cj as designer, the results being indeed fine. He, Byers, and Hooper were such a tripod that with Byers’ death, Chunga tottered; should it fall, may cj find his feet. [JH]
Born June 30, 1963 — Rupert S. Graves, 57. Here because he played Inspector G. Lestrade on that Sherlock series. He also appeared on Doctor Who as Riddell in the Eleventh Doctor story, “Dinosaurs on a Spaceship”. He had one-offs in The Nightmare Worlds of H. G. Wells: The Moth, Twelve Monkeys, Krypton and Return of the Saint. (CE)
Born June 30, 1966 – Penny Watson, 54. Degrees in plant taxonomy, horticultural science, biology, and floral design; “there is nothing better than getting up in the morning, heading out to your garden and picking fresh basil, cherry tomatoes, cukes, and arugula greens for breakfast.” Obsessed with dachshunds. Has trained dolphins, coached field hockey and lacrosse. Nat’l Excellence in Romance Fiction Award. Eight novels, five of them and a novella for us. [JH]
Born June 30, 1966 — Peter Outerbridge, 54. Dr. David Sandström in what I think is the underrated ReGenesis series as well as being Henrik “Hank” Johanssen in Orphan Black anda recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series. (CE)
Born June 30, 1972 — Molly Parker, 48. Maureen Robinson on the current Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The Sentinel, Highlander: The Series, Poltergeist: The Legacy, Human Target and she appeared in The Wicker Man asSister Rose / Sister Thorn. (CE)
Born June 30, 1974 – Juli Zeh, 46. A dozen novels so far, three for us. Deutscher Bücherpreis, Solothurner Literaturpreis; doctorate in international law, honorary judge at the Brandenburg constitutional court. About Schilf (“reed”, name of a character – likewise an English surname), translated into English as Dark Matter (London) and In Free Fall (New York), when a Boston Globe interviewer asked “Are you asking the reader to reconsider the nature of reality?” JZ answered “Yes, I want to take the reader on an intellectual journey”; to “Can a novel of ideas be written today, without irony?” JZ answered “As long as mankind doesn’t lose its curiosity to think about the miracles of being.” [JH]
(13) COMICS SECTION.
Non Sequitur shows us the first science fiction writer — and true Hard SF, even as to the medium it’s composed on.
Today’s Bizarro is not an SF comic, but one with good advice for the privileged rich kid starting a literary career.
…With that said, there’s another aspect of it, too, which I think I’ve been minimizing: it’s not just time on social media, it’s engagement when I am on it, and how social media is making me feel when I use it. The term “doomscrolling” refers to how people basically suck down fountains of bad news on their social media thanks to friends (and others) posting things they’re outraged about. It’s gotten to the point for me where, particularly on Twitter, it feels like it’s almost all doomscrolling, all the time, whether I want it to be or not.
…The BLM movement are not terrorists. They are not thugs. They are peaceful protesters, marching against industrial discrimination and system-entrenched bigotry. The demonstrators have actually caught looters and rioters and delivered them to the police.
It doesn’t matter how much the limousine-liberals preach equality if there are no serious efforts to redress the grievances of the disadvantaged.
If we truly are all in this together, then it behooves all of us to reach out to each other and create partnerships and opportunities. This isn’t preferential treatment. It’s a necessary bit of repair work to a damaged genre.
If we don’t talk about it, if we don’t take steps, if we don’t address it, then we are guilty of complicity. If the racism of the past was a product of its time, then let our attempts to redress the situation be a product of our time.
… These sets are up for preorder now from Lego at $59.99 and are set to ship on April 19.
Stormtrooper Buildable Model Helmet ($59.99; lego.com)
Boba Fett Buildable Model Helmet ($59.99; lego.com)
TIE Fighter Pilot Buildable Model Helmet ($59.99; lego.com)
With the Stormtrooper, you’re getting a 647-piece helmet-building set, complete with the blacked-out visor, two nodes on the bottom for speaking and stickers to complete the look. Similarly, the Boba Fett helmet will let you pay homage to the original Mandalorian. This set is 21 centimeters tall (a little over 8 inches) and has 625 pieces. You’ll be constructing each detail of the helmet, including the fold-down viewfinder that lets Boba easily track down his targets. (He is a bounty hunter, after all.)
This in turn reminded me of one of my favorite songs by Chris Smither, “Henry David Thoreau” riffing on (same tune) Berry’s song. Oddly, even incomprehensibly, I find NO mention of it anywhere via DuckDuckGo nor Google, even though I’ve heard Smither sing it numerous times. (I also checked his discography.
It turns out that, while I have heard Chris Smither sing this song, he wasn’t the author. That was Paul Geremia, one of Boston/Cambridge’s wonderful acoustic blues musicians.
The song is on his Self Portrait In Blues album. (And on my ~2,800-song Spotify playlist, which is how, when it came around again this morning on the guitar, as it were, I realized my mistake.)
Flying snakes like Chrysopelea paradisi, the paradise tree snake, normally live in the trees of South and Southeast Asia. There, they cruise along tree branches and, sometimes, to get to the ground or another tree, they’ll launch themselves into the air and glide down at an angle.
They undulate their serpentine bodies as they glide through the air, and it turns out that these special movements are what let these limbless creatures make such remarkable flights.
That’s according to some new research in the journal Nature Physics that involved putting motion-capture tags on seven snakes and then filming them with high-speed cameras as the snakes flew across a giant four-story-high theater.
How far they can go really depends on how high up they are when they jump, says Jake Socha at Virginia Tech, who has studied these snakes for almost a quarter-century. He recalls that one time he watched a snake start from about 30 feet up and then land nearly 70 feet away. “It was really a spectacular glide,” Socha recalls.
Part of the way the snakes do this is by flattening out their bodies, he says. But the snakes’ bodies also make wavelike movements. “The snake looks like it’s swimming in the air,” he says. “And when it’s swimming, it’s undulating.”
The nation’s largest movie theater chain is delaying its U.S. reopening until the end of July because film companies have postponed release dates of two anticipated blockbusters.
AMC Theatres announced that a first round of approximately 450 locations will resume operations two weeks later than initially planned, to coincide with the updated August release dates of Warner Brothers’ Tenet and Disney’s Mulan.
“Our theatre general managers across the U.S. started working full time again today and are back in their theatres gearing up to get their buildings fully ready just a few weeks from now for moviegoers,” CEO Adam Aron said in a June 29 statement. “That happy day, when we can welcome guests back into most of our U.S. theatres, will be Thursday, July 30.”
The company said it expects its more than 600 U.S. theaters to be “essentially to full operation” by early August.
AMC Theatres made headlines earlier this month when it announced patrons will be required to wear masks, reversing course on a controversial reopening plan that had only encouraged them to do so.
For the first time, the familiar marble faces outside the New York Public Library will be obscured by masks.
Patience and Fortitude, the iconic lion sculptures guarding the 42nd Street library, are wearing face coverings to remind New Yorkers to stay safe and stop the spread of COVID-19.
The masks arrived on June 29, and measure three feet wide by two feet tall, according to a library statement.
New York Public Library President Anthony Marx emphasized the symbolism of the aptly named lions, and said New Yorkers are similarly strong and resilient.
(22) NEVERENDING SENDUP. The Screen Junkies continue their look at oldies with an “Honest Trailer” for The Neverending Story, where they show that gloomy Germans created “a world of neverending misery.” They discovered that star Noah Hathaway subsequently played Harry Potter Jr. in Troll (1986) with Michael Moriarty playing Harry Potter Sr.
[Thanks to John King Tarpinian, John Hertz, JJ, Joey Eschrich, Rich Horton, Mike Kennedy, Martin Morse Wooster, Michael Toman, Chip Hitchcock, Cat Eldridge, Daniel Dern, Darrah Chavey, Olav Rokne, and Andrew Porter for some of these stories. Title credit goes to wandering minstrel of the day Cliff.]
The Science Fiction & Fantasy Poetry Association (SFPA) has announced the winners of the 2018 Elgin Awards for best collections of speculative poetry published in the previous two years. Named after SFPA founder Suzette Haden Elgin, awards are given in two categories: best chapbook and best full-length book.
2018 Elgin Award Results:
Full-Length Book Category
First Place:Liberating the Astronauts • Christina M. Rau (Aqueduct Press, 2017)
Second Place:Satan’s Sweethearts • Marge Simon & Mary Turzillo (Weasel Press, 2017)
Third Place:Love Robot • Margaret Rhee (The Operating System, 2017)
First Place:A Catalogue of the Further Suns • F. J. Bergmann (Gold Line Press, 2017)
Second Place:Astropoetry • Christina Sng (Alban Lake, 2017)
Third Place:The Terraformers • Dan Hoy (Third Man Books, 2017)
This year’s Elgin Awards had 22 nominees in the chapbook category and 30 nominees in the full-length category, one of the largest years since the awards were first established in 2013.
The Science Fiction and Fantasy Poetry Association was established in 1978 and has an international membership representing over 19 nations and cultures including United States, Italy, Canada, Brazil, United Kingdom, Ireland, Romania, Poland, Denmark, Germany, France, Spain, Israel, South Africa, Singapore, Thailand, Laos, the Hmong, South Korea, Australia, and New Zealand.
[Thanks to Josh Brown, 2018 Elgin Award chair, for the story.]
The 2018 Rhysling Anthology can be ordered through the SFPA website. The editor and 2018 contest chair is Linda D. Addison. The book design is by F.J. Bergmann, Cover image is “Dark Mermaid” by Rowena Morrill.
The Science Fiction and Fantasy Poetry Association (SFPA) has voted in F.J. Bergmann as their new Vice-President and Renee Ya as their new secretary. A SFPA press release gives brief bios for each:
F.J. Bergmann is no stranger to the SFPA and has stepped away from her five-year run as the editor of Star*Line Magazine to step into the role as Vice President. She is the poetry editor for Mobius: The Journal of Social Change, and is the managing editor for MadHat Press. As she completes her 10th year of membership with us, we look forward to her experience, insight, and vision assisting our efforts in building vibrant cultural spaces around the world for speculative poetry & poets.
Renee Ya is a Hmong American writer, photographer, and space shaman who has volunteered at SFPA for the last three years. When she’s not saving the world, she’s a Project Manager in the video game industry. Her skills and firm grasp of the underpinnings of the SFPA will be of use as the SFPA expands our programs and outreach this year.
40th Anniversary: SFPA is an international organization celebrating its 40th year in 2018. The organization presents the Rhysling, Elgin, and Dwarf Star awards, and hosts talented science fiction, fantasy, and horror poets in its publication Star*Line.
What is science fiction/fantasy poetry? The definition is broad with results as diverse as speculative fiction. It’s poetry with some element of speculation—usually science fiction, fantasy, or horror, though some include surrealism and some straight science. Yes, that means alien love triangles. Yes, that means ghost cats and ghouls. Yes, that means epic sagas and magic. And poets in cosplay.
To participate in SFPA’s international community dedicated to “the weird, wonderful, and wickedly written” visit them at Facebook, on Twitter at @sfpoetry, their website sfpoetry.com, or their blog specpo.wordpress.com.
The right to film Simon Stålenhag’s latest art book The Electric State has been sold to Russo Brothers Studio. The sale was preceded by a bidding where several studios showed their interest.
Simon says that it feels very exciting.
– This has never been a goal, but I have loved movies since I was a kid, so it is a little bit of a dream actually. An unexpected dream!
The Passage (in English The Electric State) was released in December 2017 by the publisher Fria Ligan (The Free League). The release was preceded by a kickstarter campaign in the summer of 2017, which attracted over 3 million Swedish crowns. It is Simon Stålenhag’s third art book, his first two titles Tales from the Loop and Things from the Flood have made him a world-famous visual storyteller.
Russo Brothers Studio is run by the brothers Joe and Anthony Russo who directed several Marvel films. The film director is expected to become Andy Muschietti (who made the new film based on Stephens Kings It).
What do you think about them winning the bidding?
– They felt very good in our conversations. But above all, I’m very happy to have Barbara and Andy Muschietti with me, I loved It and they are absolutely amazing people. We just had the same picture of what is important in the book, and in movies in general, says Simon.
Simon Stålenhag himself will be an executive producer for the film, which means that he will be involved in all important decisions, such as role crew, scriptwriting and selection of managerial positions.
Will the story work as it is in the movie format or does it need to be adapted?
– I suspect we will want to get a little more drama to fit the long-film format. With emphasis on “a little”, everyone in the team really agrees that the characters and the journey they make in the book is what we’re going to make a film about, says Simon Stålenhag.
I’d assumed that this was the first and last time I’d ever visit the colony of Iago Prime. However, I try to write a holiday story every year. And when I searched for ideas for a holiday story for this year, I suddenly thought “Why not write a science fictional holiday story about Christmas in a space station or interplanetary colony?” And then I thought, “Why not reuse the Iago Prime setting?”
The result is Christmas on Iago Prime. The protagonist this time around is Libby, a little girl whose scientist parents are due to spend a whole year on Iago Prime, including Christmas. Libby is not at all thrilled about this, at least at first. Kai and Maisie from Valentine’s Day on Iago Prime also appear and they have big news to share.
Available on Amazon and plenty of other ebook sellers for .99 USD/GBP/EUR.
This large collection comes to City Tech from an anonymous donor. It includes nearly full runs of every professional science fiction magazine from 1950 to 2010, and an almost comprehensive collection of science fiction until 2010. There is also a significant amount of science fiction criticism, and selections of fringe texts, including horror and the supernatural.
F.J. Bergmann (Madison, Wisconsin, USA) has been a member of SFPA since 2007, its webmaster since 2010 and recently stepped down from 5 years as Star*Line editor…
Renee Ya (Bay Area, California, USA) is a Hmong American writer, photographer, and space shamen who has been volunteering at SFPA for the last three years with varying capacity from keeper of the voting forms to periodic updates to the website.
Neurons are the basic computational building blocks that compose our brain. Their number is approximately one Tera (trillion), similar to Tera-bits in midsize hard discs. According to the neuronal computational scheme, which has been used for over a century, each neuron functions as a centralized excitable element. The neuron accumulates its incoming electrical signals from connecting neurons through several terminals, and generates a short electrical pulse, known as a spike, when its threshold is reached.
Using new types of experiments on neuronal cultures, a group of scientists, led by Prof. Ido Kanter, of the Department of Physics at Bar-Ilan University, has demonstrated that this century-old assumption regarding brain activity is mistaken.
In an article published today in the journal Scientific Reports, the researchers go against conventional wisdom to show that each neuron functions as a collection of excitable elements, where each excitable element is sensitive to the directionality of the origin of the input signal. Two weak inputs from different directions (e.g., “left” and “right”) will not sum up to generate a spike, while a strong input from “left” will generate a different spike waveform than that from the “right”.
“We reached this conclusion using a new experimental setup, but in principle these results could have been discovered using technology that has existed since the 1980s. The belief that has been rooted in the scientific world for 100 years resulted in this delay of several decades,” said Prof. Kanter and his team of researchers, including Shira Sardi, Roni Vardi, Anton Sheinin, and Amir Goldental.
Handling Feedback panel was not related to programming only, but the programme feedback is important for the development of the convention. There were some discussions concerning the methodology of collecting feedback, but one thing that got stuck with me the most was how to determine whether we should resign from inviting a panellist for the next year. It is obvious what to do when we receive negative feedback about the panellist’s skills. It is more complicated if we have a good panellist who is not behaving properly or who makes racist or homophobic comments during the panel. Nchanter’s solution of checking the negative feedback with co-panellists and finally basing our decision on the reaction of the person in question is a really good and fair approach. It makes sure that we verify the situation and it allows us to predict whether the same situation is likely to happen again in the future.
(7) HELL ON WHEELS. RedWombat saw a reference to “Jane Austen’s Fury Road” and started riffing….
Hmm, y’know, there’s really not enough post-apocalyptic Regency out there. Underserved market.
No woman can be really esteemed accomplished have a thorough knowledge of music, singing, drawing, dancing, the modern languages, looting, off-roading, sharpshooting, axe murder, and vehicle maintenance.
Sheldon and Leonard of The Big Bang Theory were named after the actor/producer Sheldon Leonard. He played Nick the Bartender in the Christmas classic, It’s a Wonderful Life. Also, producer of The Danny Thomas Show, The Dick Van Dyke Show and I Spy.
The Muppets, Bert and Ernie, were also named after two characters from It’s a Wonderful Life. Bert the policeman and Ernie the cab driver.
(9) TODAY IN HISTORY
December 23, 1823 — A Visit From St. Nicholas, attributed to Clement Clarke Moore, first published.
December 23, 1947 — Beauty And The Beast hit theaters
December 23, 1952 – The original The Day The Earth Stood Still premiered in Spain.
December 23, 1958 — Ray Harryhausen’s The 7th Voyage Of Sinbad premiered in theatres.
December 23, 1960 — Art Carney starred in a Christmas-themed episode of The Twilight Zone.
(10) COMICS SECTION.
Chip Hitchcock rediscovered there are some things even superheroes can’t do – in Harry Bliss.
…At one point Harold Shea and the Norse god Heimdall are imprisoned by Frost Giants after losing a fight with them. While there they encountered a fellow prisoner who comes to the front of his cell every hour on the hour to yell, “Yngvi is a LOUSE!”
Thus began a debate which fascinated science fiction fandom for decades. Was this Yngvi indeed a louse or had his good name been falsely besmirched? At the Denvention, the 1941 worldcon, Milton Rothman (who went on to become a nuclear physicist and science fiction author) put forward a motion at the business meeting to the effect that Yngvi was not a louse only for it to be defeated. A subsequent motion was then passed stating that Rothman himself was a louse….
…So I sat back in my chair to wait for my guest
To reveal himself fully and the why of his quest
It took a few moments of squirming and kicking
Before he appeared rather than sticking
It was Yngvi of course, I could tell by his dress
An amazingly scrofulous, glorious mess…
…Wells foresaw many of the landmarks of 20th-century scientific progress, including airplanes, space travel, and the atomic bomb. In “The Discovery of the Future,” he lamented “the blinding power of the past upon our minds,” and argued that educators should replace the classics with science, producing leaders who could foretell history as they predict the phases of the moon.
Wells’ enthusiasm for science had political implications. Having contemplated in his novels the self-destruction of mankind, Wells believed that humanity’s best hope lay in the creation of a single world government overseen by scientists and engineers. Human beings, he argued, need to set aside religion and nationalism and put their faith in the power of scientifically trained, rational experts….
…Orwell was not bashful about criticizing the scientific and political views of his friend Wells. In “What is Science?” he described Wells’ enthusiasm for scientific education as misplaced, in part because it rested on the assumption that the young should be taught more about radioactivity or the stars, rather than how to “think more exactly.”
Oscar-nominated filmmaker Guillermo del Toro’s taste for sci-fi and fantasy doesn’t come from nowhere. When he was younger, the acclaimed director recalls, “I saw a UFO.”
“I know this is horrible,” del Toro continues. “You sound like a complete lunatic, but I saw a UFO. I didn’t want to see a UFO. It was horribly designed. I was with a friend. We bought a six-pack. We didn’t consume it, and there was a place called Cerro del Cuatro, “Mountain of the Four,” on the periphery of Guadalajara. We said, ‘Let’s go to the highway.’ We sit down to watch the stars and have the beer and talk. We were the only guys by the freeway. And we saw a light on the horizon going super-fast, not linear. And I said, ‘Honk and flash the lights.’ And we started honking.”
The UFO, says del Toro, “Went from 1,000 meters away [to much closer] in less than a second — and it was so crappy. It was a flying saucer, so clichéd, with lights [blinking]. It’s so sad: I wish I could reveal they’re not what you think they are. They are what you think they are. And the fear we felt was so primal. I have never been that scared in my life. We jumped in the car, drove really fast. It was following us, and then I looked back and it was gone.”
Before Star Wars started filming in 1976, director George Lucas auditioned dozens of actors for the first episode of his space saga, since rechristened as A New Hope. Over the years we’ve learned that Al Pacino, Christopher Walken, and Kurt Russell all read for the part of Han Solo before the role went to Harrison Ford. But there was a lesser-known candidate who almost scored the gig: Glynn Turman.
Turman, 70, started his career on Broadway, when he was cast as a 13-year-old in the original production of A Raisin in the Sun alongside legends Sidney Poitier and Ruby Dee. Steadily picking up more and more screen roles through the ’70s, Turman finally got his chance to shine in 1975 as the lead of Cooley High. In the slice-of-life feature, Turman played a proxy of sorts for screenwriter and Good Times creator Eric Monte — a gifted young writer who aspires to a life beyond his housing project. Cooley High showcased Turman’s ability to play a scoundrel capable of great achievements. It’s no big surprise that performance captured the attention of Lucas.
(19) WALLY WOOD SANG? The comics artist seems to have branched out. It’s collectible, if not very listenable.
So, sometime before his death, Wally Wood (THE comics artist) had recorded a blues album with his wife, which was on tape and sold direct, and apparently reissued on CD in 20002, it limited to 100 copies. I can't find much much more info than that. https://t.co/fxrQ1W8yWh
[Thanks to John King Tarpinian, Hampus Eckerman, JJ, Cat Eldridge, Andrew Porter, Carl Slaughter, Chip Hitchcock, Martin Morse Wooster, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]
The arts academy, an honorary society with a core membership of 250 writers, artists, composers and architects, once shunned “genre” writers such as Le Guin. Even such giants as science fiction writer Ray Bradbury and crime novelist Elmore Leonard never got in.
Academy member Michael Chabon, the Pulitzer Prize-winning novelist, advocated for Le Guin.
“As a deviser of worlds, as a literary stylist, as a social critic and as a storyteller, Le Guin has no peer,” he wrote in his recommendation, shared with the AP, that she be admitted. “From the time of her first published work in the mid-1960s, she began to push against the confines of science fiction, bringing to bear an anthropologist’s acute eye for large social textures and mythic structures, a fierce egalitarianism and a remarkable gift of language, without ever renouncing the sense of wonder and the spirit of play inherent in her genre of origin.”
(2) 2017 RHYSLING ANTHOLOGY COVER REVEAL. Hat tip to F.J. Bergmann.
(3) NEW FICTION WEBZINE. Science fiction and fantasy book imprint Strange Fictions Press will officially launch Strange Fictions SciFi & Fantasy Zine on February 28 with “This Chicken Outfit,” by Pushcart nominated author, A.L. Sirois. Siriois’ short stories have appeared in Thema, Amazing Stories, and Isaac Asimov’s Science Fiction Magazine. He has also contributed comic art for DC, Marvel, and Charlton.
Strange Fictions will focus “on publishing speculative short fiction, nonfiction, art, and poetry twice a week for genre fans worldwide.” New stories, poems, and essays will appear every Tuesday and Friday. Subscribers can sign up for email notifications whenever a new story is posted.
Strange Fictions SF&F Zine is open to submissions from both new and experienced genre writers, and details can be found at the website.
Authors of acquired pieces for Strange Fictions SF&F ‘Zine will receive a flat fee payment of $5 for stories, essays, poetry, and book reviews of 4,999 words and under and $10 for stories, essays, poetry, and book reviews of 5,000-10,000.
(4) ALOFT. Martin Morse Wooster recommends Miyazaki Dreams of Flying as “a lovely compilation of flying scenes from Miyazaki films, including an interview where the great animator expresses his love of airplanes.”
(5) DEFYING THE LAW…OF GRAVITY. In “Mars Needs Lawyers” on FiveThirtyEight, Maggie Koerth-Baker looks at the many problems of international law that have to be solved in we’re ever going to have successful Mars missions. For example: if you have astronauts from five countries flying in a spacecraft that’s registered in Liberia, how do you figure out which country’s law applies?
For instance, a limited number of satellites can orbit the Earth simultaneously. Put up too many, and you end up with an expensive game of celestial bumper cars. But some countries — Russia and the United States, in particular — had a big head start on gobbling up those slots. What do you do if you’re Nigeria? Today, Gabrynowicz said, the international community has settled on a regulatory system that attempts to balance the needs of nations that can put an object into geostationary orbit first with the needs of those that aren’t there yet but could be later. And even this compromise is still extremely controversial.
The same basic disagreement behind them will apply to Mars, too. And it’s at issue right now in the U.S., as lawmakers try to figure out how best to implement the U.S. Commercial Space Launch Competitiveness Act — a bill signed by President Obama in November 2015. That law states that U.S. companies can own and sell space resources — including minerals and water. But the details of what this means in practice haven’t been worked out yet, Gabrynowicz said. Legal experts say that those details will make the difference in terms of whether the law puts the U.S. in violation of the Outer Space Treaty.
One of the things I enjoy doing as a game developer is hiring new writers. In almost every case, writers are shocked to learn how many levers and pulleys there are in game production. This tends to hold true regardless of what kind of game a writer is contributing to; in part, this has to do with the process of transitioning from a consumer’s mindset (e.g. fan, critic, reviewer) to that of a creator’s. Sometimes, however, the process is confusing because there are aspects physical development that writers aren’t always involved with. A good example of this is that developers often regard word processing documents with an eye for production when they redline and provide comments. What’s laid out vertically on a page in text isn’t how it will be rendered in the final product, and that has a huge impact on what the writers are hired to write, edit, and make changes on. Sometimes, the number of words that fit on a page or a screen can also shape a writer’s assignment, too.
Other, lesser-known aspects of production might include:
Canon or Setting Bible creation
Marketing copy and sell sheets
Outlining and project management
Mock-ups and proofs for manufacturing
Playtest or beta editions
(7) DISNEY’S DUDEFRÉRES. Another clip from the live-action Beauty and the Beast shows LeFou singing “My, what a guy, that Gaston!” With Luke Evans as Gaston and Josh Gad as LeFou.
(8) VOIR DIRE STRAITS. Shadow Clarke juror Jonathan McCalmont followed his introductory post with an entry on his ownblog, Ruthless Culture “Genre Origin Stories”.
A couple of things that occurred to me upon re-reading the piece:
Firstly, I think it does a pretty good job of capturing how I currently feel about the institutions of genre culture. To be blunt, I don’t think that genre fandom survived the culture wars of 2015 and I think genre culture has now entered a post-apocalyptic phase in which a few institutional citadels manage to keep the lights on while the rest of the field is little more than a blasted wasteland full of isolated, lonely people. One reason why I agreed to get involved with shadowing the Clarke Award is that I see the Shadow Clarke as an opportunity to build something new that re-introduces the idea that engaging with literary science fiction can be about more than denouncing your former friends and providing under-supported writers with free PR….
McCalmont’s post includes a high overview of the past 40 years of fanhistory. I was surprised to find many points of agreement, such as his takes about things that frustrated me at the time they were happening, or that I witnessed affecting my friends among the LA locals who founded anime fandom.
Regardless of whether they are conventional, idiosyncratic, or simply products of distracted parenting, our paths into science fiction cannot help but shape our understanding and expectations of the field. Unfortunately, where there is difference there is bound to be misunderstanding and where there is misunderstanding there must inevitably be conflict.
The problem is that while the walls of science fiction may be infinitely porous and allow for inspiration from different cultures and artistic forms, the cultural institutions surrounding science fiction have shown themselves to be remarkably inflexible when it comes to making allowances for other people’s genre origin stories.
The roots of the problem are as old as genre fandom itself. In fact, the very first Worldcon saw the members of one science fiction club deny entry to the membership of another on the grounds that the interlopers were socialists whose politicised understanding of speculative fiction posed an existential threat to the genre’s continued existence. A similar conflict erupted when the unexpected success of Star Wars turned a niche literary genre into a mass market phenomenon. Faced with the prospect of making allowances for legions of new fans with radically different ideas as to what constituted good science fiction, the institutions of genre fandom responded with sluggishness indistinguishable from hostility. Media fandom was born when traditional fandom refused to expand its horizons and the same thing happened again in the early 1990s when fans of anime decided that it was better to build their own institutions than to fight street-by-street for the right to be hidden away in the smallest and hottest rooms that science fiction conventions had to offer.
The institutions of genre culture may pride themselves on their inclusiveness and forward-thinking but this is largely a product of the excluded not sticking around long enough to give their own sides of the story. Time and again, the institutions of genre culture have been offered the chance to get in on the ground floor when science-fictional ideas began to manifest themselves in different ways. Time and again, the institutions of genre culture have chosen to protect the primacy of the familiar over the vibrancy of the new and the different….
Cultural commentators may choose to characterise 2015 as the year in which genre culture rejected the misogynistic white supremacy of the American right but the real message is far more nuanced. Though the institutions of genre culture have undoubtedly improved when it comes to reflecting the diversity not only of the field but also of society at large, this movement towards ethnic and sexual diversity has coincided with a broader movement of aesthetic conservatism as voices young and old find themselves corralled into a narrowing range of hyper-commercial forms.
I thought that was well said. Unfortunately, I also read the comments.
The link between schizophrenia and cats goes back to the 1970s, when psychiatrist E. Fuller Torrey learned that viruses from dogs might trigger multiple sclerosis—a neurological condition—in humans. “That got me thinking about which animals host which infectious agents,” he says. Soon, he learned that cats host the most successful infectious bacteria in the world: Toxoplasma gondii. Looking into previously published research, he found plenty of studies showing that schizophrenics often had higher levels of toxoplasma antibodies in their blood than people without the mental illness.
Then he started surveying schizophrenics about their life history, and found that many had indeed lived with cats. But what’s important isn’t just if, it’s when. See, Torrey’s theory isn’t merely that T. gondii causes mental illness, it’s that it somehow alters the development of a person’s brain during crucial periods of brain development—and probably only if that person is genetically predisposed to schizophrenia. It’s a complicated hypothesis, and even after four decades of study, Torrey says he’s still not totally convinced it’s fact. Hence, his continued research on the subject.
Still, every study he publishes—his most recent, dropped in July of 2015—attracts the media like nip. Same with refutations, like the one published this week. The authors analyzed a dataset of 5,000 UK children, looking for a correlation between cat ownership during critical ages of brain development and behavioral indicators of later psychosis (like dark thoughts) at the ages of 13 and 18. Their statistical analysis of the results showed no correlation. Most (but not all) news websites ran with some variation of “Relax, CatsDon’tCauseSchizophrenia.”
The Rhysling Award is given in two categories. “Best Long Poem” is for poems of 50+ lines, or for prose poems, of 500+ words. “Best Short Poem” is limited to poems of no more than 49 lines, or prose poems of no more than 499 words.
SFPA’s F.J. Bergmann confirmed this year’s entries broke all the new records set last year for the highest number of nominated poems the award has ever had (93 short and 60 long), coming from the longest list of publications, 77. Strange Horizons and Star*Line (SFPA’s own newsletter) tied for publishing the most nominees, 11.
Short Poems (93 poems)
“3d printer” • Francis Wesley Alexander • Scifaikuest November