“I Am Phoenix!” are words that will take on new life this December when Jason Aaron and Javier Garron’s next Avengers epic, “Enter The Phoenix,” begins.
To anticipate the return of the cosmic chaos-bringer, your favorite Marvel characters will be reborn as Phoenix hosts this November in astonishing variant covers by some of the industry’s top artists including Salvador Larroca, Kris Anka, and Aaron Kuder.
Captain America, Black Panther, and She-Hulk are no longer the heroes you knew as they bond with the Phoenix Force to spread rebirth—or destruction—throughout the Marvel Universe. In the end, only one will be chosen to wield this terrifying and great power when the Phoenix Force chooses a new host. Find out more when “Enter The Phoenix” begins this December but in the meantime, check out the Phoenix Variant covers listed below and keep your eyes peeled for more coming your way in November!
AVENGERS #38 BLACK PANTHER PHOENIX VARIANT COVER by AARON KUDER with colors by MATTHEW WILSON
CAPTAIN AMERICA #25 CAPTAIN AMERICA PHOENIX VARIANT COVER by SALVADOR LARROCA with colors by FRANK D’ARMATA
DOCTOR DOOM #9 DOCTOR DOOM PHOENIX VARIANT COVER by DECLAN SHALVEY
IMMORTAL HULK #40 SHE-HULK PHOENIX VARIANT COVER by TAURIN CLARKE
FANTASTIC FOUR #26 NAMOR PHOENIX VARIANT COVER by KRIS ANKA
(1) NEXT TREK. CBS All Access dropped a trailer for Star Trek: Strange New Worlds, a spinoff from Star Trek; Discovery that stars Anson Mount and Rebecca Romijn.
Fans spoke, Star Trek listened, and a new series aboard the U.S.S. Enterprise is on the horizon! Watch stars Anson Mount, Ethan Peck, and Rebecca Romijn excitedly break the big news. Stay tuned for more information on Star Trek: Strange New Worlds, coming soon to CBS All Access. In the meantime, stream full episodes of Star Trek: Discovery, exclusively in the U.S. on CBS All Access.
(3) DEALING WITH A FAMILIAR MEDIA WEAPON. On Saturday, May 16, professionals in the field of influence operations (“Fake News”) will join Gadi Evron, Sounil Yu, Malka Older, and special guest David Weber to discuss how disinformation can be countered from an operational standpoint, as well as its effects on society and policy. “Countering ‘Fake News’: Professionals Speak” at Essence of Wonder. Registration required
Panel one will cover the effects of “Fake News” on society, and the shaping of policy around the topic. Panel two will dive deeply into methodologies, operational tools, and techniques, for countering “Fake News” attacks.
WFC2020: The Sookie Stackhouse books were made into the series True Blood, which ran seven years. In the books Lafayette (the fry cook) doesn’t last long, but the actor, Nelsan Harris, was so popular his role was expanded in the series. What other changes were made to the books’ characters?
CH: I thought the character of Jessica (Deborah Wohl) was a fabulous addition to the storyline. Wished I had thought of her. The fae on screen turned out to be not at all what was in my head, but it worked for the purposes of the show. I loved the sets, which I saw several times: Sookie’s house, Jason’s house, Merlotte’s. And all the actors were amazing. Alan Ball is a genius at casting. Nelsan was wonderful!
Dana Cameron, Toni L.P. Kelner (a.k.a. Leigh Perry), Patricia Briggs, and Charlaine Harris will join us on Essence of Wonder with Gadi Evron for geeky shenanigans in a panel discussion about Worldbuilding (and maybe pets). Before the panel, Charlaine will interview Patricia on her new Mercy Thompson book, “Smoke Bitten“. Join us for this special show with The Leading Ladies of Urban Fantasy on Saturday (23 May).
(6) DON’T MISS OUT. Another WFC 2020 guest of honor, Steve Rasnic Tem, telling about “My First WFC”, includes this wisdom:
…My late friend Ed Bryant and I would sometimes read the glowing tributes to authors who had passed and Ed would say, “Well, I hope they told them these nice things while they were still alive.” Attending a World Fantasy Convention gives you a great opportunity to practice Ed’s advice. The sad fact is you may not have another chance.
Charlie Jane Anders is writing a nonfiction book—and Tor.com is publishing it as she does so. Never Say You Can’t Survive is a how-to book about the storytelling craft, but it’s also full of memoir, personal anecdote, and insight about how to flourish in the present emergency.
Below is the Introduction, followed by the first chapter, “How To Make Your Own Imaginary Friends”
New installments will appear every Tuesday at noon EST.
Here’s an excerpt –
….So I’m writing a series of essays called Never Say You Can’t Survive, all about how writing and making up stories can help you to survive a terrifying moment in history. (These essays came out of a talk that I gave at the Willamette Writers Conference and elsewhere. And their title is borrowed from the 1977 album of the same name by Curtis Mayfield, which is a piece of music that has given me so much strength and inspiration over the years.)
Stories of Darkness and Escapism
When I wrote “Don’t Press Charges And I Won’t Sue,” I was going to the darkest possible place I could go in a story, and putting my protagonist through the most dehumanizing treatment I could imagine. I needed to face up to the absolute worst that could happen, so I felt like I understood it a little better. I also needed to write about someone facing up to the most nightmarish scenario and still emerging in one piece, surviving, even though it’s a dark ending.
Writing a horrifying story on your own terms means that you can show how someone can survive, or even triumph. And meanwhile, you can cast a light on the injustice of oppressive systems. You can also choose the frame and eliminate some of the ambiguity in some situations, to make things more stark and more clear, or to make juxtapositions that illuminate how the problem started, and how it’ll be in the future.
When you’re telling the story, you get to draw all the lines….
…Thus he was receptive on the day in early 1990 when one of his most productive if headstrong programmers, a strapping young metalhead named John Romero, suggested that Softdisk start a new MS-DOS disk magazine, dedicated solely to games — the one place where, what with Apogee’s success being still in its early stages, shareware had not yet clearly cut into Softdisk’s business model. After some back-and-forth, the two agreed to a bi-monthly publication known as Gamer’s Edge, featuring at least one — preferably two — original games in each issue. To make it happen, Romero would be allowed to gather together a few others who were willing to work a staggering number of hours cranking out games at an insane pace with no resources beyond themselves for very little money at all. Who could possibly refuse an offer like that?
(9) TODAY IN HISTORY.
May 15, 1955 — X Minus One’s “Universe” first aired. It’s based off Heinlein’s Universe which was first published in Astounding Science Fiction’s May 1941 issue, and George Lefferts wrote the script. The cast includes Donald P. Buka, Peter Kapell, Bill Griffis, Abby Lewis, Edgar Stehli, Jason Seymour and Ian Martin. Untold generations of people traveling in a giant’s spaceship have lost track of who they are and what they set out to do. They think that their ship is the Universe. You can listen to it here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 15, 1856 – L. Frank Baum. His Wizard of Oz has been translated into 50 languages, selling 3 million copies by the time it entered the public domain in 1956, applauded by the Library of Congress in 2000; 13 more Ozbooks, 28 others, 83 shorter stories, 200 poems, at least 42 scripts, under his own and half a dozen pen names. While living in the Dakota Territory, he was Secretary of the Aberdeen Woman’s Suffrage Club, and hosted Susan B. Anthony (Aberdeen is now a city in the State of South Dakota). He knew French, German, Italian. He said at the start that Wizardaspired to fantasy “in which the wonderment and joy are retained and the heart-aches and nightmares are left out,” at which he succeeded. Last words, to his wife, “Now we can cross the Shifting Sands.” (Died 1919) [JH]
Born May 15, 1848 – Viktor Vasnetsov. Co-founder of Russian folklorist and romantic-nationalist panting, key figure in Russian Revivalist movement. Designed churches, mosaics, a revenue stamp, the façade of the Tretyakov Gallery. Worked on stage designs and costumes for Rimsky-Korsakov’s opera The Snow Maiden. V’s fantasy and epics irritated radicals, who said he undermined realist principles. Here is a flying carpet. (Died 1926) [JH]
Born May 15, 1891 – Mikhail Bulgakov. Had he only written The Master and Margarita, that would have sufficed us; an elaborate strange masterpiece; Margarita, not the Master, allies herself with the Devil – maybe; I talk a little about it here; in fact not published until decades after his death, too dangerous. Mick Jagger said it inspired “Sympathy for the Devil”. Try this Website. See also Diaboliad, The Fatal Eggs, Heart of a Dog. Two rival museums in Moscow – in the same building; one in Kiev. (Died 1940) [JH]
Born May 15. 1906 – Ellen MacGregor. Librarian, cataloguer, researcher, editrix of the Illinois Women’s Press Ass’n monthly bulletin Pen Points; also worked in Florida and Hawaii. For children’s fantasy with accurate science she wrote Miss Pickerell Goes to Mars and Goes Undersea; Goes to the Arctic published after her death; then 13 more, 16 shorter stories, by Dora Pantell. Lavinia Pickerell, prim, angular, and devoted to her pet cow, is an inadvertent stowaway on a rocket to Mars in her first adventure, but she is unflappable. (Died 1954) [JH]
Born May 15, 1932 – Jack Cady. He won the Nebula Award, the World Fantasy Award, and the Bram Stoker Award, an impressive feat indeed. McDowell’s Ghost gives a fresh spin on the trope of seeing seeing a War Between The States ghost, and The Night We Buried Road Dog is another ghost story set in early Sixties Montana and is quite horrid. Underland Press printed all of his superb short fiction into two volumes, Phantoms: Collected Writings, Volume 1 and Fathoms: Collected Writings, Volume 2. (Died 2004.) (CE)
Born May 15, 1948 — Brian Eno, 72. Worth noting if only for A Multimedia Album Based on the Complete Text of Robert Sheckley’s In a Land of Clear Colors, though all of his albums have a vague SF feeling to them such as Music for Civic Recovery Centre, January 07003: Bell Studies for the Clock of The Long Now and Everything That Happens Will Happen Today which could the name of Culture mind ships. Huh. I wonder if his music will show up in the forthcoming Culture series? (CE)
Born May 15, 1955 — Nina Kiriki Hoffman, 55. Her book The Thread That Binds the Bones, won the Bram Stoker Award for first novel. In addition, her short story “Trophy Wives” won a Nebula Award for Best Short Story. Other novels include The Silent Strength of Stones (a sequel to Thread), A Fistful of Sky, and A Stir of Bones. All are excellent. Most of her work has a strong sense of regionalism being set In California or the Pacific Northwest. (CE)
Born May 15, 1955 – Takayuki Tatsumi. Professor at Keiô University, chair of K.U. SF Study Group; editor, essayist, interviewer, theoretician; 21st Nihon SF Taishô (Grand Prize) from Science Fiction & Fantasy Writers of Japan. President, American Literature Society of Japan 2014-2017, Poe Society of Japan 2009- ; editorial boards of Paradoxa, Mark Twain Studies, Journal of Transnat’l American Studies. In English, for SF Chronicle, SF Eye, N.Y. Review of SF, SF Studies, the 65th and 72nd Worldcons’ Souvenir Books; The Liverpool Companion to World SF Film (2014); The Cambridge History of Postmodern Literature (2016). [JH]
Born May 15, 1974 – Ahmet Zappa. Brother of Dweezil, Moon Unit, and Diva; wrote song “Frogs with Dirty Little Lips” with his father Frank. Debut novel (and interiors), The Monstrous Memoirs of a Mighty McFearless; debut film, The Odd Life of Timothy Green; television, three-season host of Robotica; co-author with wife Shana Muldoon Zappa, Sage and the Journey to Wishworld and 14 more Star Darlings books. [JH]
In the beginning, nearly every superhero had a secret identity. It protected them from villainous revenge, and created a delicious dramatic tension while interacting with loved ones who had no inkling of their other life. But the strict secret identity is fast becoming an anachronism.
And all of this is for the better, delivering not only greater dramatic possibilities, but also a healthier idea of heroism….
(13) FANTASTIC FOUR COMICS. Marvel’s tells fans that Fantastic Four: Antithesis is coming in August, the first full-length Fantastic Four story ever illustrated by industry legend Neal Adams.
Adams is joined by Eisner Award-winning writer Mark Waid (Daredevil, Captain America, Fantastic Four), who jam-packs this tale with a fan-favorite roster of Fantastic Four heroes and villains! Together, this celebrated creative team create a new nemesis for the Fantastic Four guaranteed to send shockwaves throughout all of fandom.
…Adams shares [Waid’s] enthusiasm about the project. “I have always had the sense of missing the chance to draw the Fantastic Four. It was a quiet sense, since I’ve had every opportunity to do my favorites. More, I felt Kirby and Buscema had done it all, hadn’t they…?” he begins. “When Marvel’s Tom Brevoort asked if I’d like to do the Fantastic Four, I knew I had to ask for Galactus and the Silver Surfer as well. I am humbled and thankful to Tom for the opportunity.”
Who or what is the Antithesis, and will the combined might of the Fantastic Four, the Silver Surfer, and Galactus himself be enough to defeat it?
With comic book stores closed as a result of the COVID-19 pandemic, it was an open question just what fans would do to get their fix. New figures released from digital service DC Universe suggest that the answer was, simply, “go online.”
(15) ON THE WILDSIDE. John Betancourt has launched a Kickstarter appeal to produce “Staying In Place”, an “anthology of stories to pass the time.” Various support levels also bring additional rewards in the form of reading material.
With so many people staying at home right now, we at Wildside Press and the Black Cat Mystery & Science Fiction Ebook Club are putting together a mammoth anthology of amazing stories for you to read and enjoy. The anthology will feature 20 novels and short stories by iconic authors such as John Gregory Betancourt, Paul di Filippo, John W. Campbell Jr., Robert E. Howard, G.D. Falksen, and many more to be announced. But we need your help to make this happen. We are coming to Kickstarter to fund the anthology. In return for your support, you get the anthology itself, some of our fantastic ebooks, and even a subscription to the Black Cat which gives subscribers 7+ free ebooks every week, including new releases of all of the great Wildside Press magazines (Weirdbook, Black Cat Mystery Magazine, Sherlock Holmes Mystery Magazine, and even the upcoming revival of Startling Stories, the famous pulp magazine).
Every now and then, a Twitter act of creation reminds us that good things can still emerge from our hellish Internet stomping grounds. Such is the case with a viral thread from writer Alex Arrelia, in which Arrelia painstakingly—and hilariously—takes on J.R.R. Tolkien’s characters under the heading of “Men of Middle Earth as bad ex boyfriends who ruined your life.”
Most obviously, Sauron could have prevented the destruction of the One Ring–and thus the unraveling of his power–if he’d only done a little more to make sure that Mount Doom was protected from approach and infiltration. Indeed, it is precisely the fact that it is so unguarded–because Sauron couldn’t imagine that anyone would want to destroy the Ring rather than use it – that allows Frodo and Sam to sneak up on it. Sauron is defeated by his own inability to think outside of himself.
Showrunner Noelle Stevenson has always been a fan of science fiction and fantasy. As a kid, she loved it all: the epic space battles, the magic, the quests that seemed larger than life.
But there was a problem with her favorite childhood stories, like Star Wars and The Lord of The Rings series. “I never quite saw myself reflected in them” Stevenson says, “certainly not at the heart of the story.”
There weren’t a lot of women.
Of course, there’s interstellar rebel Princess Leia and Nazgûl-slaying Éowyn. But Stevenson wanted a female version of Luke Skywalker and a terror-inducing femme Lord Sauron.
So when she started writing stories of her own, she made sure kids like her felt seen, in more ways than one.
…When Netflix and DreamWorks wanted to reboot She-Ra: Princess of Power — an epic showdown between magical princesses and an evil alien invader — Stevenson was all in.
She kept much of the original show’s action and adventure — like the original, the rebooted show takes place on the planet Etheria, and one of the princesses who is trying to stop the evil Horde army from taking over is named Adora.
…Stevenson did make one small but important change to the show: Its name. The Netflix and DreamWorks version is She-Ra and the PRINCESSES of Power. All the princesses are important.
She also gathered an all-female writing staff to update this team of powerful women. In the original show, the princesses are white, skinny and presumably straight. The new rebellion includes women of color. They’re women in all different shapes and sizes. And there are women who love other women.
Princess Weekes is an assistant editor at The Mary Sue, a website that covers the intersection of women and fandom. She’s been writing about the She-Ra reboot since the beginning.
Weekes says that because the team behind She-Ra is made up of LGBTQ people, the stories on the show give genuine representation of queer life for kids.
“You allow queerness for young kids to be just normalized in general,” Weekes says. “What I think Noelle Stevenson and the entire She-Ra team has done is create a society and place where characters can exist, but their biggest problem isn’t that they’re gay.”
Even Queen Elsa’s magic is no match for the coronavirus pandemic.
Disney Theatrical Productions said Thursday that its stage adaptation of “Frozen” will not reopen on Broadway once the pandemic eases, making the musical the first to be felled by the current crisis.
“Frozen” had been the weakest of the three Disney musicals that had been running on Broadway — the others were “The Lion King” and “Aladdin” — and the company made it clear that it does not believe audiences will return in substantial enough numbers to sustain all of those shows.
“This difficult decision was made for several reasons but primarily because we believe that three Disney productions will be one too many titles to run successfully in Broadway’s new landscape,” Thomas Schumacher, the president of Disney Theatrical Productions, said in a letter to his staff….
On Saturday, the US Air Force is expected to launch its secret space plane, X-37B, for a long-duration mission in low Earth orbit. The robotic orbiter looks like a smaller version of the space shuttle and has spent nearly eight of the past 10 years in space conducting classified experiments for the military. Almost nothing is known about what X-37B does up there, but ahead of its sixth launch the Air Force gave some rare details about its cargo.
…[The] real star of the show is a small solar panel developed by the physicists at the Naval Research Lab that will be used to conduct the first orbital experiment with space-based solar power.
“This is a major step forward,” says Paul Jaffe, an electronics engineer at the Naval Research Lab and lead researcher on the project. “This is the first time that any component geared towards a solar-powered satellite system has ever been tested in orbit.”
Space-based solar power is all about getting solar power to Earth no matter the weather or the time of day. The basic idea is to convert the sun’s energy into microwaves and beam it down. Unlike terrestrial solar panels, satellites in a sufficiently high orbit might only experience darkness for a few minutes per day. If this energy could be captured, it could provide an inexhaustible source of power no matter where you are on the planet.
It’s an idea that was cooked up by the science fiction writer Isaac Asimov in the 1940s; since then, beamed power experiments have been successfully tested several times on Earth. But the experiment on X-37B will be the first time the core technologies behind microwave solar power will be tested in orbit.
Most of you probably know the world-famous Keukenhof, the most beautiful tulip garden in the world. Every year millions of tourists visit this garden. That’s a huge lot considering the garden is only open in spring! Every year, a hard-working crew makes sure the garden looks as good as ever, including this year!
This year is ‘special’. Keukenhof is closed, for the first time in 71 years. But that doesn’t mean there are no flowers. On the contrary; the flowers look incredible and get as much attention and care as always. All the passionate gardeners do their work as they’re used to. Because even without people, nature and the show of the garden goes on….
…Once the world opens up and travel gets easier Amanda and Ash and I are looking forward to being together again in Woodstock. (Yes, I’ve seen the newsfeed headlines saying I’ve moved to the UK, and even that we’re divorcing. No, I haven’t moved the UK, and yes, Amanda and I are still very much together, even with half a world between us.)
Thank you to everyone who’s been kind and nice and helpful, while Amanda and my problems got rather more public than either of us is comfortable with. We love each other, and we love Ash, and we will sort ourselves out, in private, which is much the best place for things like this….
And the couple’s joint letter follows.
(23) NOT THAT SUBTLE. [Item by Martin Morse Wooster.] Kyle Mizokami, in “The Space Force Receives Its ‘Kobayashi Maru’ Space-Tracking System” in Popular Mechanics says it’s no coincidence that Space Force’s warning system is a Star Trek reference; the Space Force also has a Kessel Run, and Mizokami thinks it’s no coincidence that the acronym for the force’s Space Operations Center is SPOC.
The U.S. Space Force announced the development of a brand new software package designed to track and monitor objects in space. Dubbed “Kobayashi Maru,” the cloud-based program was designed to modernize the way the U.S. Air Force—and now the U.S. Space Force—interoperates in space but with its allies in the “Five Eyes” intelligence sharing alliance.
[Thanks to Martin Morse Wooster, John King Tarpinian, Cliff Ramshaw, Chip Hitchcock, Cat Eldridge, John Hertz, Mike Kennedy, JJ, David Goldfarb, Paul Di Filippo, Michael Toman, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Anna Nimmhaus.]
Last week, Marvel
announced Marvels Snapshot, a new series from Marvels co-creator
Kurt Busiek that brings together incredible creative teams to tell new tales
showcasing Marvel’s greatest heroes. The series debuts in March with a golden
age romp by Alan Brennert and Jerry Ordway before this epic tour through the
Marvel Universe continues later that month with Marvels Snapshot: Fantastic
Four. This second installment will take readers into the zany silver age,
turning the spotlight on the Fantastic Four’s own Human Torch in a story by
comic book creators Evan Dorkin and Sarah Dyer. Known for books like Beasts
of Burden as well as writing credits on animated series like Space
Ghost: Coast to Coast and Superman: The Animated Series, this duo
feels right at home penning this classic tale rooted in the Marvel mythos.
“I’m still blushing that Kurt chose Sarah Dyer and I to tell one of the Marvels Snapshot stories, especially this one, because the Fantastic Four was my favorite super hero team book as a kid, and Marvels did a great job of showing how the larger-than-life Marvel characters affect the average person on the street,” says Dorkin. “We’re trying to do right by both series, packing the story with as much heart, wonder and fun as we can for both older and newer fans to enjoy.”
Marvels Snapshot reunites Dorkin and Dyer with artist Benjamin Dewey
who brings this tale to life with the acclaimed art he’s known for from books
like The Autumnland and Beasts of Burden.
“Teaming up with Kurt,
Evan, and Sarah is delightful, challenging and a real education in the
deep-cuts lore of characters I thought I knew! I’ll do my best to bring the
same spark of joy and enthusiasm to the art that has clearly gone into the
writing process,” says Dewey. “Ultimately we want to offer a story that gives
fans a different angle on a beloved comics universe that they might not get
from any other project.”
All curated by
industry legend Kurt Busiek, this extraordinary series is sure to be a modern
classic! Here’s what Busiek had to say about the passion project:
I was thrilled to get the chance to do Marvels Snapshots — to get a look at the Marvel Universe through a variety of eyes, from people who know the super heroes personally to people inspired by them, scared by them…even one who eventually joins them.
In Marvels Snapshot, we range through time, getting a look at the Marvel Universe from the very early days (as in Alan Brennert and Jerry Ordway’s Sub-Mariner story), through the dawning days of the Marvel Age, up through events of the 1970s, 80s, all the way up to today. And I went out looking for a wide variety of creators to do a wide variety of perspectives. I wanted lots of different approaches, and I was delighted that so many creators I admire were willing to join in, from longtime pros to relative newcomers, and from Marvel mainstays to those who’ve done very little with Marvel before.
In the second Marvels Snapshot, I asked Evan Dorkin and Sarah Dyer to write about the Human Torch’s ten-year high-school reunion as seen through the eyes of his ex-girlfriend Dorrie Evans, because they’ve done such warm, human, affecting work on material from Superman: The Animated Series to the awesome Beasts of Burden to Evan’s pop-culture-obsessed Eltingville Club stories, and I knew they’d embrace the crazy minutiae of comics history but bring that sense of heart and emotion to it. And I couldn’t get anyone better to draw it than Benjamin Dewey, bringing his impeccable craftsmanship and rich sense of character to the story.
And this is just the start — we’ve got plenty more to come!
This eight-part series
will be released twice per month over the course of four months and will
feature new painted covers by the legendary Alex Ross. Be on the lookout for
news about upcoming titles in this landmark series. Which of Marvel’s many
great moments will readers get to dive into next?
Celebrating the 25th anniversary of the series that changed the way fans look at super heroes, the landmark MARVELS is back. In the year 1939, young photojournalist Phil Sheldon attends the sensational unveiling of the fiery android Human Torch — little knowing he is witnessing the dawn of the Age of Marvels.
Prepare to relive Marvel’s Golden Age from a whole new point of view as Phil covers the superhuman sightings of the 1930s and 1940s — from the terror caused by the Human Torch’s epic clash with the Sub-Mariner to the patriotism stirred by the debut of Captain America and more. This unique look back at the MARVELS phenomenon is packed with extras and completely remastered.
Lauded as “a classic and watershed moment for the industry” by IGN and “a landmark” by Publisher’s Weekly, fans are invited to celebrate the 25th anniversary of Kurt Busiek and Alex Ross’ groundbreaking and critically-acclaimed series MARVELS.
In February, MARVELS ANNOTATED kicks off the series with never-before-seen commentary from Kurt Busiek and Alex Ross. Read the original MARVELS series with new covers and insight from the creators themselves.
Marvel also will release exclusive monthly MARVELS 25th anniversary variant covers, painted by the legendary Alex Ross, starting with FANTASTIC FOUR #6 in January, TONY STARK: IRON MAN #9 in February, and THE IMMORTAL HULK #15 in March. Later in June, 20 artists will come together to pay tribute in a MARVELS 25th anniversary homage variant program across Marvel’s most popular titles.
…So here’s maybe a start for the hyper-critic oath (‘hyper’ because I’m overthinking this and ‘critic’ because ‘reviewer’ doesn’t work for the pun).
First, do no obvious harm. Don’t ever slander a writer. Avoid attacking them personally, even indirectly [that’s not always possible because writing is to varying degrees an extension of the self. In addition, some texts themselves are INTENDED to be harmful to others (I’ve reviewed many here over the years) BUT while we can all think of exceptions the norm should be to review texts, not people.] This does not mean treating all people the same – if you knew that somebody was currently in a vulnerable emotional state, then maybe reviewing their book isn’t a great idea. The flip side of that is you can’t reasonably tailor reviews around what a writer you don’t know might be feeling. And obviously don’t use slurs, stereotypes or language which we know to be harmful – such as overt racism, sexism etc. In an equitable society, some people are more vulnerable to others and if we KNOW that we have to be mindful of that while bearing in mind the points below as well.
Kate Molleson presents the world premiere production of Mark-Anthony Turnage’s Coraline – an operatic version of the dark fantasy tale by Neil Gaiman, directed by Aletta Collins with libretto by Rory Mullarkey. Soprano Mary Bevan sings the title-role with a cast including mezzo-soprano Kitty Whately and baritone Alexander Robin Baker who are making their Royal Opera debuts. Sian Edwards conducts the Britten Sinfonia.
During the interval, Kate is joined by guest Fiona Maddocks with contributions from Mark-Anthony Turnage and Mary Bevan.
Neil Gaiman has transformed the landscape of children’s literature with his highly inventive, atmospheric and otherworldly narratives. His prize-winning novella, Coraline is packed with astonishing imagery – a much-loved story about a girl who discovers a door in her parents’ house, leading to an entirely different place and family. For Mark-Anthony Turnage “the fundamental message beneath the story is that we shouldn’t be afraid to do what we believe is right. Coraline is brave, not because she doesn’t cry or get scared, but because despite these things she still tries her best and doesn’t give up. That’s why I wanted to write Coraline, because here’s a message well worth telling; through opera or in any other way.”
(3) FANTASTIC HOW MANY? A trailer advertising the Fantastic 4’s return to comics in August. But Carl Slaughter says, “Wait a minute. Maybe I missed someone, but I saw only 3 members of the Fantastic 4 at the end of that teaser….” Actually, Carl, couldn’t that pillar of fire in the closing image be your missing fourth character?
(4) TRACK RECORD. A member of the Universal Fan Con committee – a con cancelled at the last minute — is alleged to have a problemactic past.
Thai Pham ran kickstarter for $15,000 to run an LGBTQ convention in Anaheim. Which was then cancelled, with no refunds for backers. https://t.co/C8Lq4Uw9U7
There were enough clues that I could solve to get a firm foothold in the grid and start to see the message emerging. It was the skeleton of the message that gave me the breakthrough. I could see something like IT’S COLD OUTSIDE and THERE’S NO appearing and those five words were enough to track down the theme to Red Dwarf, a cult television series which was still producing new episodes in late 2017
The full message is IT’S COLD OUTSIDE THERE’S NO KIND OF ATMOSPHERE which are the opening lyrics to the show’s theme song. The wording of the preamble was very precise when it stated ‘the correct letters from misprints in definitions provide the opening to the theme’.
I could see then that the unclued entries were going to be the characters from the show. It was the one I didn’t really know that fell first – KOCHANSKI – followed by HOLLY, LISTER, RIMMER, KRYTEN and CAT. CAT came last because I nearly missed it.
(6) IT’S HUGE! In “Kickstarter Final Note”, Steve Davidson shares a bit of news about Amazing Stories’ next first print issue.
One thing of note: we’ve gone way over our word count for the first issue and none of us have the heart to deny any of our authors and artists the opportunity to be in Amazing first new issue since 2005 (and not even that’s technically correct – we’ve published four issues since 2012 in point of fact), so, rather than disappointing a handful of authors and artists, we’ve chosen the high road and are biting the bullet on an extended page count – rather than our originally planned 192 pages, it looks like we’re going for 248…
Yes, it’s going to blow our budget out a little bit, but, well, we really want this first issue to be SPECTACULAR, AWESOME and REALLY GREAT! And it’s going to be. (Really Great Science Fiction magazine was rejected as a title….)
(7) HOW HARD CAN IT BE? Tough SF by “Matter Beam” says this is its mission:
… One genre defined by the struggle to create living settings in science fiction is Hard SF. ‘An emphasis on scientific or technical detail’ is a sure-fire way to create a realistic and functional universe, but often the need to adhere to realism slows creativity, stresses the narration, leads to improbable results or otherwise has negative effects. One of the biggest complaints is that it just isn’t ‘fun’….
…This blog therefore try to help authors, world-builders and game designers to create Tough Science Fiction. This is science fiction that is as resistant as Hard Science Fiction to criticism, review and general prodding and poking by the audience, but does not sacrifice the author’s vision or core concepts to pure, dry realism…
Over the past 125,000 years, the average size of mammals on the Earth has shrunk. And humans are to blame.
That’s the conclusion of a new study of the fossil record by paleo-biologist Felisa Smith of the University of New Mexico.
Smith studied fossils going back 65 million years, when dinosaurs died and mammals came into their own. Many of the early mammals went on to get big. Among the giant creatures: “Llamas and camels and sloths and five species of pronghorn [antelope] actually,” she says, “and certainly mammoths. And then lots of really cool predators, like Arctodus, the short faced bear.” The short-faced bear stood 11 feet tall, about the shoulder height of some species of ancient camel.
And that was just North America.
Being big was just as successful as being small, and had some advantages when it came to surviving big predators. “Taken as a whole, over 65 million years, being large did not increase mammals’ extinction risk. But it did when humans were involved,” Smith found.
Looking back over the most recent 125,000 years of the fossil record, Smith found that when humans arrived someplace, the rate of extinction for big mammals rose. She says it basically came down to hunger. “Certainly humans exploit large game,” she says, “probably because they are tasty”—and because a bigger animal makes for a bigger meal. …
(9) TODAY IN HISTORY
April 21, 1997 — Ashes of Gene Roddenberry journeyed into space.
(10) COMICS SECTION.
John King Tarpinian shared this link with pun lovers in mind — Off the Mark.
The multi-million dollar dream of renovating and redeveloping the childhood library of Ray Bradbury for a museum dedicated to the Waukegan author is still alive more than two years after a campaign was launched to make it happen.
But a team of Bradbury devotees, civic boosters and creative minds has decided it isn’t going to wait for that overall package to take shape at the historic but dormant Carnegie Library on Sheridan Road.
Instead, early next month, plans will be unveiled for a more modest Ray Bradbury Experience Museum (RBEM) with a goal of opening in a Genesee Street storefront in time for the 100th anniversary of the late author’s birthday in August 2020….
… The workshop itself was much like what others have described: A whirlwind of big names coming in to talk to us, intensely trying to churn out a complete short story in just a few days, a lot of theory, and a lot of making friends. I learned a tremendous amount, much of which I carry with me and still use to this day. The workshop was wonderful.
But the question everyone wants to ask is this: What about the Scientology?
Well, it was definitely there. The impression I had at the time was that L. Ron Hubbard founded Scientology and therefore Scientology loves L. Ron Hubbard and everything he was associated with, and therefore the Church of Scientology wanted to support us in any way it could. David Miscavige was there to welcome us all. L. Ron Hubbard’s name was not just mentioned frequently, it was extolled. We were clearly and obviously using Scientology property for both the workshop and the gala. I, personally, found it a little uncomfortable at times, but I’m always uncomfortable in someone else’s sacred space, so there was nothing weird about that to me. A couple of the texts we used were clearly Scientologist documents (the biography of Hubbard had him transcending instead of dying, and another essay – I don’t recall exactly what it was about – Budrys explained was written for Scientologists and he explained what terms like “clear” meant so we could follow it), but that didn’t faze me either, since texts that inform writing can come from anywhere and most of us pull from our own traditions when teaching.
Before anyone has a meltdown about any of this, remember that this was the 1990s. Scientology had some legal troubles as a young religion, but at this point the general feeling was that it had left them behind….
And former Writers of the Future winner J. W. Alden has written another thread – start here.
Guess where the text of this WOTF handout came from?
But in addition, you’re also granting them permission to record and use footage of all your attendees and speakers, “in any manner, in any medium or context now known or hereafter developed, without further authorization from, or compensation to.” And after that Eventbrite “will own all rights of every nature whatsoever in and to all films and photographs taken and recordings made hereunder, including without limitation of all copyrights therein and renewals and extensions thereof, and the exclusive right to use and exploit the Recordings in any manner, in any medium or context now known or hereafter developed…”
…It’s hard not to get freshly angry at the status quo, reading this. But amid the statistics and the sort of historical pull quotes you’ll want to read out loud to horrified friends, Russ is also defying a literary tradition that, she points out again and again, wants to forget that women write. In so doing, she deliberately creates a legacy of women writers who came before. Well, white women. Russ mentions a few writers of color in the essay proper, and includes more in her Afterword, but this is a very white family tree. (It’s one of the ways the book shows its age; another is the way any genderqueerness is reduced to sexual preferences, which amid so much far-seeing commentary feels quaintly second-wave.)
And despite how much there is to be angry about, How to Suppress Women’s Writing is shot through with hope. There’s the energy of a secret shared in “the rocking and cracking of the book as the inadequate form strains or even collapses.” And beneath every denial of agency, there’s the obvious truth: For hundreds of years, despite those odds against them, the “wrong” writers still manage to write. Likely it won’t be remembered long enough or taken seriously enough, but to read this book is to admire this buried tradition, and realize how much there is to be discovered — and how there’s no time like the present to look at the marginalized writers you might be missing. “Only on the margins does growth occur,” Russ promises, like the guide in a story telling you how to defeat the dragon. Get angry; then get a reading list.
A startup company in California is using machine learning and artificial intelligence to advise fire departments about how to plan for earthquakes and respond to them.
The company, One Concern, hopes its algorithms can take a lot of the guesswork out of the planning process for disaster response by making accurate predictions about earthquake damage. It’s one of a handful of companies rolling out artificial intelligence and machine learning systems that could help predict and respond to floods, cyber-attacks and other large-scale disasters.
The Hubble “has offered a new view of the universe and has reached and surpassed all expectations for a remarkable 28 years,” the agencies said in a statement, adding that the telescope has “revolutionized almost every area of observational astronomy.”
Hubble was launched on April 24, 1990, aboard the space shuttle Discovery as a joint project between NASA and the ESA. Each year, the telescope is diverted from important scientific observational duties to take an image of the cosmos in intense detail.
This year’s featured image, the Lagoon Nebula, is a colossal stellar nursery, 55 light-years wide and 20 light-years tall, that is about 4,000 light-years away from Earth.
(17) END GAME. Looper tries to explain the ending of Ready Player One. Watch out for spoilers, I assume!
[Thanks to Chip Hitchcock, David Langford, Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, Peter J, Mark Hepworth, Jim Meadows, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]
So now that the dust of the convention has settled, I’ve had a good deal of time to assess my behavior regarding the Romani and my conduct during the convention. I’ve read many of the links that were sent my way and really thought about what I witnessed two decades ago back in Bucharest. And I’ve been assessing my actions during the panel that lead to all this.
After all that, I have to conclude that I’m ashamed of myself.
I want you to understand: when the Romani rep tried to shift the focus of the panel from gays and lesbians to the Romani, suddenly I was twenty years younger and the trauma of what I saw and what I was told slammed back through me. What screamed through my mind was, “Why should I give a damn about the Romani considering that the Bucharest Romani are crippling their children?” And I unleashed that anger upon the questioner, for no reason. None. There is no excuse.
But the more I’ve read, the more convinced I’ve become that what I saw was indeed examples, not of children crippled by parents, but children suffering from a genetic disorder. The pictures are simply too identical. I cannot come to any other reasonable conclusion.
At that time, HR Giger was already a successful painter whose bleak visions in a style that he termed biomechanics were widely distributed: in the form of popular poster editions that appeared in the late 1960s; in the large-format illustrated book Necronomicon, which he designed himself; and on album covers such as Emerson, Lake & Palmer’s 1973 release Brain Salad Surgery. But the project he was now working on would make him both a worldwide cult figure and an Oscar winner. Director Ridley Scott had hired Giger to create the monster in the movie Alien. So the artist went to the Shepperton Film Studios near London to realize his designs for the world of the alien with his own hand.
One painting had immediately convinced Scott to get Giger involved in shaping the alien creature: Necronom IV (1976). It shows in profile the upper body of a being with only remotely humanoid traits. Its skull is extremely elongated, and its face is almost exclusively reduced to bared teeth and huge insect-like eyes. Hoses extend from its neck and its back is dominated by tubular extensions and reptilian tails. In order to turn this painted creature into a monster for a movie, the artist had to submit it to a complex transformation. Giger developed a complete “natural history” of the alien based on the screenplay, which ultimately produced the final monster of the film. The process results in a unique mixture of fascination and disgust. Giger’s monster represents a turning point in science fiction and horror movies, to which Alien brought a deadly lifeform from space that had never been seen before.
The Dispatcher is firmly urban fantasy, which had its own particular challenges for Scalzi. Science fiction comes out of a tradition of realism, where everything is explained. “To sit there and write something and know that I’m not going to assign it a rational basis made me itchy,” he says. “Part of my brain went ‘you should try and explain this!’ It goes against everything I believe.”
Writing an audio-first story also had its challenges. “It makes you pay attention to things like dialogue where you really do want to make sure [it sounds] reasonably like humans speaking,” Scalzi says. One of the changes he made was in how he used dialogue tags such as “he said / she said,” which work in written books but aren’t necessarily useful for a listener. “It sounds like a small thing, but when someone is speaking what you’re writing, those small things add up.”
Scalzi also focused on making sure each character had their own distinctive voice.
The other day at the local newsstand, a new comic book caught my eye. It was a brand new one from Marvel Comics, the spiritual successors of Atlas Comics, which went under late last decade. Called The Fantastic Four, and brought to us by the creator of Captain America (Jack Kirby), it features the first superheroes I’ve seen in a long time – four, in fact! We are introduced to the quartet in media res on their way to answer a call to assembly: Sue Storm, who can turn invisible at will; her brother, Johnny Storm, who bursts into flame and can fly; Ben Grimm, a hulking, orange rocky beast; and Dr. Reed Richards, who possesses the power of extreme elasticity.
Born October 10, 1924 — Ed Wood (Plan 9 from Outer Space)
Born October 10, 1959 — Bradley Whitford (The Cabin in the Woods)
(7) ED WOOD FICTION. Incidentally, O/R Books has published Blood Splatters Quickly, the collected short stories of Edward D. Wood Jr.
Even if you think you don’t know him, you know him. Few in the Hollywood orbit have had greater influence; few have experienced more humiliating failure in their lifetime. Thanks in part to the biopic directed by Tim Burton, starring Johnny Depp and bearing his name, Ed Wood has become an icon of Americana.
Perhaps the purest expression of Wood’s théma—pink angora sweaters, over-the-top violence and the fraught relationships between the sexes—can be found in his unadulterated short stories, many of which (including “Blood Splatters Quickly”) appeared in short-lived “girly” magazines published throughout the 1970s. The 32 stories included here, replete with original typos, lovingly preserved, have been verified by Bob Blackburn, a trusted associate of Kathy Wood, Ed’s widow. In the forty years or more since those initial appearances in adult magazines, none of these stories has been available to the public.
(8) SMOFCON SOUTH. Conrunners of the Antipodes, you are summoned to SmofCon South, to be held in Wellington. New Zealand December 3-4, 2016.
Announcing SmofCon South!
Come one, come all! We will be running SmofCon South in Wellington. New Zealand from December 3rd to 4th, 2016. This is run at this time to try to hook into the resources and people of SmofCon 34, taking place the same weekend in Chicago, USA. A Smofcon is a convention about running conventions. It’s an excellent opportunity to meet other con runners, and to learn from them. SmofCon South will be primarily focused on running Worldcons or other large events. This event will be very valuable for people who have volunteered to help run a New Zealand Worldcon. We want to encourage you to come along and meet other people you may be working with, and gain insights and knowledge about how Worldcons work.
Smofcon South will be held 3-4 December (with a meetup dinner for those who arrive on Friday).
Venue is the same as Aucontraire 3, the CQ Hotel complex, 223 Cuba St, Te Aro, Wellington.
We are skyping in with Smofcon 34, being held in Chicago, for a few sessions. Breaking News: Also a hook up with Japan.
(9) MORE RADCHAAI LOOT. This charm bracelet is perfect for the Ancillary fan in your life. Bring the Fleet Captain, Translator, First Lieutenant, and themes of the series, like tea, magic bullets, spaceships, and music into your daily life with this charm bracelet.
(10) BETTER USE OF TIME. Steven H Silver writes, “Last night, instead of watching the debate, Elaine and I watched the Gene Wilder/Richard Pryor movie See No Evil, Hear No Evil. A couple of early scenes are set at a newstand run by Wilder’s character. In the background I could make out Frederik Pohl’s The Coming of the Quantum Cats, Greg Bear’s The Forge of God, and Piers Anthony’s Faith of Tarot.”
A.A. Attanasio’s Radix, Jack Chalker’s Dance Band on the Titanic, and Cllifford D. Simak’s Highway to Eternity.
(11) HE PEEKED. One of Satchel Paige’s rules to live by was, “Don’t look back. Something may be gaining on you.” Dave Langford didn’t follow Satchel’s advice when he had a strange feeling he was being followed….
For a moment, when I saw the part-obscured back of a coffee-vending van in Reading town centre, I felt F770 was following me around. But it was all a quaint illusion.
[Thanks to Dave Langford, Chip Hitchcock, JJ, Steven H Silver, Jeffrey Smith, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]
But almost forgotten today is the fun the ABC network fostered nationwide, on the Fridays after Thanksgiving.
For years, ABC would run an extra edition of their Saturday morning schedule!
Those were great days for fantasy fans, and particularly the youngest of that set.
The super hero boom of 1966 inspired many animated renditions across the airwaves.
In 1967, for example, ABC’s lineup included The New Casper Cartoons Show (this was the terrific series, also often overlooked, that had stories featuring many of the great Harvey Comics fairy-take like characters, in “The Enchanted Forest,” and not simply the theatrical shorts that seemed to recycle the same plot, continually!); Marvel Comics’ The Fantastic Four and Spider-Man (the first from Hanna-Barbera, the second from Grantray-Lawrence Animation and Krantz Films, the same studio that produced the previous season’s syndicated, daily Marvel Super Heroes Show);Journey to the Center of the Earth (one of Filmation Associates’ (Lou Scheimer, Norm Prescott and Hal Sutherland) first major network sales; King Kong (from Rankin-Bass, set in the same fictional universe as their live action King Kong Escapes! theatrical feature film); and another season of The Beatles cartoon!
As others have noted, Saturday mornings, on television, seemed to belong to us, when we were children. Our parents, and grandparents, may have had a day at the movie theatre, featuring cartoons, shorts, serial chapters, and a couple of feature films…. But with the flip of a switch, we could watch all these great comedies, and adventures, with ease (and often in our pajamas)!
After a day filled with turkey and family festivities, there was something delightful about several hours of entertainment designed specifically for us… (Indeed, an extra Saturday!) There was disappointment when the episodes were sometimes repeats of segments we had already seen.
One particular treat was one Thanksgiving–or perhaps another holiday week afternoon–when ABC ran a special daytime screening of their hit Batman television series. There was an extra pleasure in having the dates of one of our family friends sitting and watching with me, particularly as she resembled Wende Wagner, the female lead on the contemporary Green Hornet TV series! The young lady kindly helped me spell out the fight-scenes’ sound effects “words.” (I wonder if it’s generally realized that the 1960s Batman TV show helped a bunch of us toddlers learn how to spell?)
Video cassettes and DVDs and now downloadable media have substituted for this special kind of fun. Kids and their families, of course, can watch whatever they want to see, virtually whenever they want to view it. (The phenomenon of kids wanting to watch the same movie or TV show over-and-over still strikes me as a mystery. When I was a child, my friends and I were annoyed by endless repeats!)
There was some kind of unique fun in knowing — even if one didn’t consciously realize it — that you were united with millions of other youngsters around the nation. Once upon a time, we sat together in the greatest matinée theatre in the world — living rooms and bedrooms and dens, separated only by walls, and neighborhoods, but not by the smiles and laughter that endure in memory….
Or even when one pops in a disc, or scans the titles on You Tube!
I am jealous of Reed Richards. I am jealous of his Thinking Room, which appears to have floor-to-ceiling tablet-screen walls on which to write Beautiful Mind–ish equations. I am jealous of his having had 100-plus ideas. But I also relate to Reed. Reed has a wife and a family, but in order to see to their safety and security, he has to absent himself from their lives and spend long periods of time in the Thinking Room. As a professional writer, I relate very strongly to all of this…..
I became a fan of the Fantastic Four and specifically of Reed Richards when I was 32, reading those Dark Reign issues for the first time. My wife was pregnant with our daughter and I was trying — in vain, it turned out — to finish writing a book before the baby came. It would be great to be able to tell you that Reed Richards inspired me to keep going even when all seemed lost, but this isn’t that kind of story. I never finished the book. But during those months when I was trying, I returned again and again to that “SOLVE EVERYTHING” panel and imagined myself as the Reed Richards of my own family, unshaven in the lab, too smart not to realize my situation was hopeless and too desperate not to keep going.
(4) We still don’t know when winter is coming, and George R.R. Martin has once again teased the release date without actually saying when it is.
Author George R.R. Martin is just as excited as everyone else for the release of his novel “Winds of Winter.” The book is the sixth installment in the series “A Song of Ice and Fire,” which is the basis for the hit HBO show “Game of Thrones.” Martin said in a recent interview he wants the book to be out as soon as possible and teased it holds a shocking twist for a major character.
Most of the material in the first five published books has now been used up and Season 6 of the TV series is already in production. Martin has constantly spoken about his desire to get the sixth book out as soon as possible, and a recent entry on his live journal Not A Blog has given fans hope the release date will be sooner rather than later.
In the blog, he spoke about traveling to a wedding and a baseball event in the East Coast. He signed off by leaving a faint hint the book may already be in the hands of his publishing house. “And while I will be travelling, my army of minions will be here at the old homestead, toiling in the paper mines,” he said.
(5) Arthur Chu, maybe the Puppies have a point about you after all.
First, came your quiet decision to hand the new Blade book over to two white creators.
Um … Blade is about vampires. Not race relations, vampires. You do understand that vampires are less a #BlackLivesMatter problem and more an #AllLivesMatter problem, don’t you? Or are you one of those people who would storm the stage with outrage at such a hashtag? Yes, you strike me as a very hashtag person. Heavy on the hash — and I mean hashish, not corned beef hash. I’m saying you’re high, not fat.
To be clear, I have no reason to think either creator will do a bad job on this book,
Oh, I think you just did. You’ve quite implied already that because they’re white, this is a problem. Either their race is a problem, or it’s not — and since you went out of your way to say they’re white, this tells me quite clearly that this is a problem.
Were there any anime characters you identified with in particular?
I definitely identified with Sailor Jupiter [from Sailor Moon]. I was the tallest kid in my elementary school class. People would pick fun at me. She was shy, and so was I.
What do you think about the fact that there aren’t many black anime characters? Was that a barrier to engagement?
It was at first. When I first started coming to anime conventions, I was a bit afraid, actually, to cosplay any characters. I thought, They aren’t black, I can’t do that . I thought you had to actually look like the character in order to dress like her. But, I mean, I saw people of my skin tone dressing like the character they wanted and thought, I can do that too . I thought, I guess it doesn’t matter that there aren’t black characters. But I think we do need more black characters.
What’s it been like to cosplay?
The first time I cosplayed Sailor Moon was at Otakon last year. That was the first time I ever cosplayed. I got some pictures taken that were posted on the internet. I was excited, like, Hey I’m on the internet, yay! And then I read the comments. A lot of them weren’t good, at all. I got, “The cosplay is good, but she shouldn’t be black,” and “Oh, her skin is too dark,” and “Oh, her hair shouldn’t be blonde.” It was a lot of nasty stuff people should have kept to themselves.
Did you miss taking home your copy of the WesterCon 68/2015 program? Or didn’t attend and want to pretend you did? Or really just wanna know what you missed? Three of them followed me home after the end of the con’. You can have up to three; pick up here.
(9) After reading today’s Robert Conquest obituary, Rich Lynch noted in comments that the famous Walt Willis carried on a correspondence with Conquest, and quoted from it in “I Remember Me” for Mimosa 17.
[Conquest:] Personally, I think it is clear that the Soviet system is, in all essential matters, as bad as the Nazi one, and that its theory that this system is suitable for imposition on the rest of the world is the greatest danger there is. On the other hand, I fancy that if we can solve our own problems and keep the Communist states from breaking out, while at the same time pointing out to them the advantages that would accrue if they ceased to exclude themselves from the world community, their internal tensions would finally force these states to evolve or perish.
[Wills:] As you’ll probably have noticed, I didn’t really appreciate Conquest’s importance. At the time, he was mainly known to me as an anti-Soviet polemicist, and my politics then were more pro-Soviet than anything, based on the assumption that whatever was wrong in the Soviet Union, at least their hearts were in the right place. I don’t have any recollection of further correspondence with Conquest, though I can’t say what might not turn up in the files, but as far as I know, my last reference to him was in my report of the visit of Madeleine and myself to the World Fair in Seattle in 1962:
[Willis:] “Even now there is such a cloud of fatigue in that corridor of my memory that I cannot believe there would be much of interest in it to you. Except possibly the still vivid recollection of seeing at the exit from the U.S. Science Pavilion, in great gold letters on the wall, a quotation from a Hyphen subscriber. Unaccountably they failed to mention this fact, mentioning just the name, Robert Conquest — presuming, no doubt, that his chief claim to immortality lies in his poetry and not in his letters of comment on Hyphen. Admittedly, he hasn’t written many of the latter recently, his subscription having lapsed, but let that be a warning to you. Let your Hyphen subscription lapse, and you may find yourself reduced to writing on walls in Washington.”
Things got a little heated at the Television Critics Association panel for ABC’s new series, The Muppets, when Kermit the Frog and Miss Piggy, along with series executive producers Bill Prady (The Big Bang Theory) and Bob Kushell (Suburgatory), revealed more about their upcoming series and that the felt couple’s long-term relationship is done-zo.
“Piggy and I have gone our separate ways romantically,” Kermit revealed. “I think it’s just kind of coming out in the press now. It can be tough to work with your ex, you know. And it can be tough to be the executive producer on your ex’s late?night TV show, especially when your ex is a pig.” (We’re sure he meant that in a species identification way only.)
Every year, the Hugo Awards for science fiction and fantasy writers are voted on by paid members of Worldcon, the World Science Fiction Convention. Popular nominee books, movies, and commentators are placed on a shortlist of five, which are then voted on. The system is relatively easy to game, but this was not previously a problem as the majority of voters simply voted on individual taste, and popular authors knew campaigning for the awards would be in bad taste. That was until the Sad Puppy movement came along.
The Sad Puppies believe the awards have been taken over by excessively progressive authors and fans. Right-wing author Brad Torgersen describes them as “niche, academic, overtly to the Left in ideology and flavor, and ultimately lacking what might best be called visceral, gut-level, swashbuckling fun.” The Sad Puppies believe science fiction and fantasy have lost their way and want to return to a sci-fi golden age. They see a liberal conspiracy to promote authors who are female or minorities, supposedly alienating a fan base of primarily white males. Their vision of the future has no place for social science fiction or the influence of feminists, LGBTQ advocates, or liberals.
[Thanks to Dave Doering, Rich Lynch, Michael J. Walsh and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat.]
M. J. Locke [Laura Mixon] , John Scalzi , Mike Glyer , William Frank (Moderator) , Eric Flint
Since before the Great Exclusion Act of 1939, the science-fiction community has had its share of controversies, feuds and flame wars — between pros, between fans, between pros and fans. Maybe more than its share. Discussion about these controversies — whether in fanzines or online — has often generated more heat than light. How can we research and write about controversial issues in the field? Is it ever possible to just stick to the facts? Panelists talk about what they’ve learned about how to approach these issues.
Here’s the part you care about. When equal amounts of matter and antimatter collide, they are annihilated. But not disappeared or canceled out. They’re converted into pure energy.
As Einstein explained to us, mass and energy are just different aspects of the same thing. You can turn mass into energy, and you can turn energy into mass.
Black holes turn everything, both matter and energy, into more black hole.
Imagine a regular flavor and an antimatter flavor black hole with the same mass slamming together. The two would be annihilated and turn into pure energy.
Of course, the gravity of a black hole is so immense that nothing, not even light can escape. So all energy would just be turned instantaneously into more black hole. Want more black hole? Put things into the black hole.
Cain says if this is your rescue plan in case you fall into a black hole, you’re out of luck.
[Bill] Nye recently read some unflattering tweets in support of a Kickstarter campaign for a documentary about him, which, to be honest, we kind of hope just turns out to be two more hours of tweets.
(4) Ken Liu’s novel Grace of Kings is available from the Kindle Store for $1.99 today, as I learned from SF Signal. So far I’ve only read his short fiction. Now I’m diving into his novels.
(5) I listened to five minutes of the Superversive Hugo livestream today, long enough to hear a male voice opine that No Award will not win any of the categories. And I thought to myself, that kind of boldly contrarian thinking is exactly what a livestream panel needs to pull an audience.
(6) Talk about a dog’s breakfast…
Via Larry Correia's post, apparently THE GREEN INFERNO is a movie for all Puppies, since SJWs get eaten by cannibals http://t.co/J9rHBROajS
Does she mean that literally, or is this another case where an idea suffers because it can’t be fully unpacked in a tweet? Think of all the minority/marginalized groups cishet white men belong to. Religious minorities. People with disabilities. Participants in 12 Step programs. (Do I need to say that I have seen convention panels involving each of these topics?) This rule needs to go back to the drawing board.
The modern version of the ice cream sandwich was invented by Jerry Newberg in 1945 when he was selling ice cream at Forbes Field. There are pictures from the early 1900?s, “On the beach, Atlantic City”, that show Ice Cream Sandwiches were popular and sold for 1 cent each.
(10) File 770’s unofficial motto is “It’s always news to someone.” The Hollywood Reporter must feel the same way. Capitalizing on the imminent release of Fantastic Four, THR just ran a story about the first (1994) movie adaptation of the comic produced by Roger Corman.
If you haven’t seen the movie that’s not because it was a box office bust. It was never allowed to get anywhere near the box office. Sony exec Avi Arad ended up destroying every available print.
Here’s the trailer, uploaded to YouTube in 2006.
[Thanks to John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Anna Nimmhaus.]