Busiek and Ross Back for 25th Anniversary of MARVELS


Celebrating the 25th anniversary of the series that changed the way fans look at super heroes, the landmark MARVELS is back. In the year 1939, young photojournalist Phil Sheldon attends the sensational unveiling of the fiery android Human Torch — little knowing he is witnessing the dawn of the Age of Marvels.

Prepare to relive Marvel’s Golden Age from a whole new point of view as Phil covers the superhuman sightings of the 1930s and 1940s — from the terror caused by the Human Torch’s epic clash with the Sub-Mariner to the patriotism stirred by the debut of Captain America and more. This unique look back at the MARVELS phenomenon is packed with extras and completely remastered.

Lauded as “a classic and watershed moment for the industry” by IGN and “a landmark” by Publisher’s Weekly, fans are invited to celebrate the 25th anniversary of Kurt Busiek and Alex Ross’ groundbreaking and critically-acclaimed series MARVELS.

In February, MARVELS ANNOTATED kicks off the series with never-before-seen commentary from Kurt Busiek and Alex Ross. Read the original MARVELS series with new covers and insight from the creators themselves.

Marvel also will release exclusive monthly MARVELS 25th anniversary variant covers, painted by the legendary Alex Ross, starting with FANTASTIC FOUR #6 in January, TONY STARK: IRON MAN #9 in February, and THE IMMORTAL HULK #15 in March. Later in June, 20 artists will come together to pay tribute in a MARVELS 25th anniversary homage variant program across Marvel’s most popular titles.

Pixel Scroll 4/21/18 If I Have Filed Further It Is Only By Scrolling On The Pixels Of Giants

(1) FIRST. Continuing the conversation about sff reviewing on his blog, Camestros Felapton offers this draft of “The Three Laws of Reviewbotics?”

…So here’s maybe a start for the hyper-critic oath (‘hyper’ because I’m overthinking this and ‘critic’ because ‘reviewer’ doesn’t work for the pun).

First, do no obvious harm. Don’t ever slander a writer. Avoid attacking them personally, even indirectly [that’s not always possible because writing is to varying degrees an extension of the self. In addition, some texts themselves are INTENDED to be harmful to others (I’ve reviewed many here over the years) BUT while we can all think of exceptions the norm should be to review texts, not people.] This does not mean treating all people the same – if you knew that somebody was currently in a vulnerable emotional state, then maybe reviewing their book isn’t a great idea. The flip side of that is you can’t reasonably tailor reviews around what a writer you don’t know might be feeling. And obviously don’t use slurs, stereotypes or language which we know to be harmful – such as overt racism, sexism etc. In an equitable society, some people are more vulnerable to others and if we KNOW that we have to be mindful of that while bearing in mind the points below as well.

(2) TO THE TUNE OF CORALINE. The opera based on Neil Gaiman’s Coraline is available on the BBC iPlayer for the next 29 days: “Mark-Anthony Turnage: Coraline”.

Kate Molleson presents the world premiere production of Mark-Anthony Turnage’s Coraline – an operatic version of the dark fantasy tale by Neil Gaiman, directed by Aletta Collins with libretto by Rory Mullarkey. Soprano Mary Bevan sings the title-role with a cast including mezzo-soprano Kitty Whately and baritone Alexander Robin Baker who are making their Royal Opera debuts. Sian Edwards conducts the Britten Sinfonia.

During the interval, Kate is joined by guest Fiona Maddocks with contributions from Mark-Anthony Turnage and Mary Bevan.

Neil Gaiman has transformed the landscape of children’s literature with his highly inventive, atmospheric and otherworldly narratives. His prize-winning novella, Coraline is packed with astonishing imagery – a much-loved story about a girl who discovers a door in her parents’ house, leading to an entirely different place and family. For Mark-Anthony Turnage “the fundamental message beneath the story is that we shouldn’t be afraid to do what we believe is right. Coraline is brave, not because she doesn’t cry or get scared, but because despite these things she still tries her best and doesn’t give up. That’s why I wanted to write Coraline, because here’s a message well worth telling; through opera or in any other way.”

(3) FANTASTIC HOW MANY? A trailer advertising the Fantastic 4’s return to comics in August. But Carl Slaughter says, “Wait a minute.  Maybe I missed someone, but I saw only 3 members of the Fantastic 4 at the end of that teaser….” Actually, Carl, couldn’t that pillar of fire in the closing image be your missing fourth character?

(4) TRACK RECORD. A member of the Universal Fan Con committee – a con cancelled at the last minute — is alleged to have a problemactic past.

(5) SPOILER ALERT. Commentary on a recent Red Dwarf-themed word puzzle: “Inquisitor 1533: A Little Light Relief by Eclogue”.

There were enough clues that I could solve to get a firm foothold in the grid and start to see the message emerging.  It was the skeleton of the message that gave me the breakthrough.  I could see something like IT’S COLD OUTSIDE and THERE’S NO appearing and  those five words were enough to track down the theme to Red Dwarf, a cult television series which was still producing new episodes in late 2017

The theme tune can be found by by clicking here

The full message is IT’S COLD OUTSIDE THERE’S NO KIND OF ATMOSPHERE which are the opening lyrics to the show’s theme song.  The wording of the preamble was very precise when it stated ‘the correct letters from misprints in definitions provide the opening to the theme’.

I could see then that the unclued entries were going to be the characters from the show.  It was the one I didn’t really know that fell first – KOCHANSKI –  followed by HOLLY, LISTER, RIMMER, KRYTEN and CAT.  CAT came last because I nearly missed it.

(6) IT’S HUGE! In “Kickstarter Final Note”, Steve Davidson shares a bit of news about Amazing Stories’ next first print issue.

One thing of note:  we’ve gone way over our word count for the first issue and none of us have the heart to deny any of our authors and artists the opportunity to be in Amazing first new issue since 2005 (and not even that’s technically correct – we’ve published four issues since 2012 in point of fact), so, rather than disappointing a handful of authors and artists, we’ve chosen the high road and are biting the bullet on an extended page count – rather than our originally planned 192 pages, it looks like we’re going for 248…

Yes, it’s going to blow our budget out a little bit, but, well, we really want this first issue to be SPECTACULAR, AWESOME and REALLY GREAT!  And it’s going to be.  (Really Great Science Fiction magazine was rejected as a title….)

(7) HOW HARD CAN IT BE? Tough SF by “Matter Beam” says this is its mission:

… One genre defined by the struggle to create living settings in science fiction is Hard SF. ‘An emphasis on scientific or technical detail’ is a sure-fire way to create a realistic and functional universe, but often the need to adhere to realism slows creativity, stresses the narration, leads to improbable results or otherwise has negative effects. One of the biggest complaints is that it just isn’t ‘fun’….

…This blog therefore try to help authors, world-builders and game designers to create Tough Science Fiction. This is science fiction that is as resistant as Hard Science Fiction to criticism, review and general prodding and poking by the audience, but does not sacrifice the author’s vision or core concepts to pure, dry realism…

Here are a couple of illustrative posts:

Space Piracy is a common science fiction trope. It has been continuously derided in Hard Science Fiction as silly and a holdover of the ‘Space is an Ocean’ analogy.

But is it really that unrealistic to have space pirates? Let’s find out.

There’s more to piracy than just attacking a target and running away afterwards.

Put yourself in the shoes of a pirate, a merchant or the authorities. What would you do?

(8) BUNCH OF LUNCH. Why aren’t there more big mammals? We ate them.  “New Study Says Ancient Humans Hunted Big Mammals To Extinction”.

Over the past 125,000 years, the average size of mammals on the Earth has shrunk. And humans are to blame.

That’s the conclusion of a new study of the fossil record by paleo-biologist Felisa Smith of the University of New Mexico.

Smith studied fossils going back 65 million years, when dinosaurs died and mammals came into their own. Many of the early mammals went on to get big. Among the giant creatures: “Llamas and camels and sloths and five species of pronghorn [antelope] actually,” she says, “and certainly mammoths. And then lots of really cool predators, like Arctodus, the short faced bear.” The short-faced bear stood 11 feet tall, about the shoulder height of some species of ancient camel.

And that was just North America.

Being big was just as successful as being small, and had some advantages when it came to surviving big predators. “Taken as a whole, over 65 million years, being large did not increase mammals’ extinction risk. But it did when humans were involved,” Smith found.

Looking back over the most recent 125,000 years of the fossil record, Smith found that when humans arrived someplace, the rate of extinction for big mammals rose. She says it basically came down to hunger. “Certainly humans exploit large game,” she says, “probably because they are tasty”—and because a bigger animal makes for a bigger meal. …

(9) TODAY IN HISTORY

  • April 21, 1997 — Ashes of Gene Roddenberry journeyed into space.

(10) COMICS SECTION.

  • John King Tarpinian shared this link with pun lovers in mind — Off the Mark.

(11) BRADBURY MUSEUM UPDATE. A proponent told the Chicago Tribune “Ray Bradbury Experience Museum planning start in smaller space, eventual move to old Carnegie Library”.

The multi-million dollar dream of renovating and redeveloping the childhood library of Ray Bradbury for a museum dedicated to the Waukegan author is still alive more than two years after a campaign was launched to make it happen.

But a team of Bradbury devotees, civic boosters and creative minds has decided it isn’t going to wait for that overall package to take shape at the historic but dormant Carnegie Library on Sheridan Road.

Instead, early next month, plans will be unveiled for a more modest Ray Bradbury Experience Museum (RBEM) with a goal of opening in a Genesee Street storefront in time for the 100th anniversary of the late author’s birthday in August 2020….

(12) WOTF. Kyle Aisteach posted a memoir about “My Writers of the Future Experience” in the 1990s. Aisteach was a paid add-on student of the workshop, not a contest finalist.

… The workshop itself was much like what others have described: A whirlwind of big names coming in to talk to us, intensely trying to churn out a complete short story in just a few days, a lot of theory, and a lot of making friends. I learned a tremendous amount, much of which I carry with me and still use to this day. The workshop was wonderful.

But the question everyone wants to ask is this: What about the Scientology?

Well, it was definitely there. The impression I had at the time was that L. Ron Hubbard founded Scientology and therefore Scientology loves L. Ron Hubbard and everything he was associated with, and therefore the Church of Scientology wanted to support us in any way it could. David Miscavige was there to welcome us all. L. Ron Hubbard’s name was not just mentioned frequently, it was extolled. We were clearly and obviously using Scientology property for both the workshop and the gala. I, personally, found it a little uncomfortable at times, but I’m always uncomfortable in someone else’s sacred space, so there was nothing weird about that to me. A couple of the texts we used were clearly Scientologist documents (the biography of Hubbard had him transcending instead of dying, and another essay – I don’t recall exactly what it was about – Budrys explained was written for Scientologists and he explained what terms like “clear” meant so we could follow it), but that didn’t faze me either, since texts that inform writing can come from anywhere and most of us pull from our own traditions when teaching.

Before anyone has a meltdown about any of this, remember that this was the 1990s. Scientology had some legal troubles as a young religion, but at this point the general feeling was that it had left them behind….

And former Writers of the Future winner J. W. Alden has written another thread – start here.

(13) BEWARE EVENTBRITE. Slashdot warns “Eventbrite Claims The Right To Film Your Events — And Keep the Copyright”.

But in addition, you’re also granting them permission to record and use footage of all your attendees and speakers, “in any manner, in any medium or context now known or hereafter developed, without further authorization from, or compensation to.” And after that Eventbrite “will own all rights of every nature whatsoever in and to all films and photographs taken and recordings made hereunder, including without limitation of all copyrights therein and renewals and extensions thereof, and the exclusive right to use and exploit the Recordings in any manner, in any medium or context now known or hereafter developed…”

(14) PERSISTENCE. At NPR, Genevieve Valentine analyzes Joanna Russ’ nonfiction classic: “‘How To Suppress Women’s Writing:’ 3 Decades Old And Still Sadly Relevant”:

…It’s hard not to get freshly angry at the status quo, reading this. But amid the statistics and the sort of historical pull quotes you’ll want to read out loud to horrified friends, Russ is also defying a literary tradition that, she points out again and again, wants to forget that women write. In so doing, she deliberately creates a legacy of women writers who came before. Well, white women. Russ mentions a few writers of color in the essay proper, and includes more in her Afterword, but this is a very white family tree. (It’s one of the ways the book shows its age; another is the way any genderqueerness is reduced to sexual preferences, which amid so much far-seeing commentary feels quaintly second-wave.)

And despite how much there is to be angry about, How to Suppress Women’s Writing is shot through with hope. There’s the energy of a secret shared in “the rocking and cracking of the book as the inadequate form strains or even collapses.” And beneath every denial of agency, there’s the obvious truth: For hundreds of years, despite those odds against them, the “wrong” writers still manage to write. Likely it won’t be remembered long enough or taken seriously enough, but to read this book is to admire this buried tradition, and realize how much there is to be discovered — and how there’s no time like the present to look at the marginalized writers you might be missing. “Only on the margins does growth occur,” Russ promises, like the guide in a story telling you how to defeat the dragon. Get angry; then get a reading list.

(15) MOVERS AND SHAKERS. In California, they’re “Betting On Artificial Intelligence To Guide Earthquake Response”.

A startup company in California is using machine learning and artificial intelligence to advise fire departments about how to plan for earthquakes and respond to them.

The company, One Concern, hopes its algorithms can take a lot of the guesswork out of the planning process for disaster response by making accurate predictions about earthquake damage. It’s one of a handful of companies rolling out artificial intelligence and machine learning systems that could help predict and respond to floods, cyber-attacks and other large-scale disasters.

(16) HAPPY BIRTHDAY HUBBLE. Great photo: “It’s The Hubble Space Telescope’s Birthday. Enjoy Amazing Images Of The Lagoon Nebula”.

The Hubble “has offered a new view of the universe and has reached and surpassed all expectations for a remarkable 28 years,” the agencies said in a statement, adding that the telescope has “revolutionized almost every area of observational astronomy.”

Hubble was launched on April 24, 1990, aboard the space shuttle Discovery as a joint project between NASA and the ESA. Each year, the telescope is diverted from important scientific observational duties to take an image of the cosmos in intense detail.

This year’s featured image, the Lagoon Nebula, is a colossal stellar nursery, 55 light-years wide and 20 light-years tall, that is about 4,000 light-years away from Earth.

 

(17) END GAME. Looper tries to explain the ending of Ready Player One. Watch out for spoilers, I assume!

[Thanks to Chip Hitchcock, David Langford, Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, Peter J, Mark Hepworth, Jim Meadows, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 10/10/16 You Know How To Pixel, Don’t You? You Just Put Your Lips Together And Scroll

(1) COMICS PORTRAYALS. Peter David has changed his tune — “Final Thoughts on the Romani”.

So now that the dust of the convention has settled, I’ve had a good deal of time to assess my behavior regarding the Romani and my conduct during the convention. I’ve read many of the links that were sent my way and really thought about what I witnessed two decades ago back in Bucharest. And I’ve been assessing my actions during the panel that lead to all this.

After all that, I have to conclude that I’m ashamed of myself.

I want you to understand: when the Romani rep tried to shift the focus of the panel from gays and lesbians to the Romani, suddenly I was twenty years younger and the trauma of what I saw and what I was told slammed back through me. What screamed through my mind was, “Why should I give a damn about the Romani considering that the Bucharest Romani are crippling their children?” And I unleashed that anger upon the questioner, for no reason. None. There is no excuse.

But the more I’ve read, the more convinced I’ve become that what I saw was indeed examples, not of children crippled by parents, but children suffering from a genetic disorder. The pictures are simply too identical. I cannot come to any other reasonable conclusion.

(2) ALIENIST. The BBC profiles H. R. Giger, “The man who created the ultimate alien”:

At that time, HR Giger was already a successful painter whose bleak visions in a style that he termed biomechanics were widely distributed: in the form of popular poster editions that appeared in the late 1960s; in the large-format illustrated book Necronomicon, which he designed himself; and on album covers such as Emerson, Lake & Palmer’s 1973 release Brain Salad Surgery. But the project he was now working on would make him both a worldwide cult figure and an Oscar winner. Director Ridley Scott had hired Giger to create the monster in the movie Alien. So the artist went to the Shepperton Film Studios near London to realize his designs for the world of the alien with his own hand.

One painting had immediately convinced Scott to get Giger involved in shaping the alien creature: Necronom IV (1976). It shows in profile the upper body of a being with only remotely humanoid traits. Its skull is extremely elongated, and its face is almost exclusively reduced to bared teeth and huge insect-like eyes. Hoses extend from its neck and its back is dominated by tubular extensions and reptilian tails. In order to turn this painted creature into a monster for a movie, the artist had to submit it to a complex transformation. Giger developed a complete “natural history” of the alien based on the screenplay, which ultimately produced the final monster of the film. The process results in a unique mixture of fascination and disgust. Giger’s monster represents a turning point in science fiction and horror movies, to which Alien brought a deadly lifeform from space that had never been seen before.

(3) VOICES IN HIS HEAD. Andrew Liptak discusses “How writing an audio-first novella changed John Scalzi’s writing process” at The Verge.

The Dispatcher is firmly urban fantasy, which had its own particular challenges for Scalzi. Science fiction comes out of a tradition of realism, where everything is explained. “To sit there and write something and know that I’m not going to assign it a rational basis made me itchy,” he says. “Part of my brain went ‘you should try and explain this!’ It goes against everything I believe.”

Writing an audio-first story also had its challenges. “It makes you pay attention to things like dialogue where you really do want to make sure [it sounds] reasonably like humans speaking,” Scalzi says. One of the changes he made was in how he used dialogue tags such as “he said / she said,” which work in written books but aren’t necessarily useful for a listener. “It sounds like a small thing, but when someone is speaking what you’re writing, those small things add up.”

Scalzi also focused on making sure each character had their own distinctive voice.

(4) IT’S CLOBBERIN’ TIME. The Traveler at Galactic Journey is smack in the middle of the Silver Age of Comics — “[Oct. 7, 1971] That’s Super! (Marvel Comics’ The Fantastic Four)”.

The other day at the local newsstand, a new comic book caught my eye.  It was a brand new one from Marvel Comics, the spiritual successors of Atlas Comics, which went under late last decade.  Called The Fantastic Four, and brought to us by the creator of Captain America (Jack Kirby), it features the first superheroes I’ve seen in a long time – four, in fact!  We are introduced to the quartet in media res on their way to answer a call to assembly: Sue Storm, who can turn invisible at will; her brother, Johnny Storm, who bursts into flame and can fly; Ben Grimm, a hulking, orange rocky beast; and Dr. Reed Richards, who possesses the power of extreme elasticity.

(5) TODAY IN HISTORY

(6) TODAY’S BIRTHDAY BOYS

  • Born October 10, 1924 — Ed Wood (Plan 9 from Outer Space)
  • Born October 10, 1959 — Bradley Whitford (The Cabin in the Woods)

(7) ED WOOD FICTION. Incidentally, O/R Books has published Blood Splatters Quickly, the collected short stories of Edward D. Wood Jr.

Even if you think you don’t know him, you know him. Few in the Hollywood orbit have had greater influence; few have experienced more humiliating failure in their lifetime. Thanks in part to the biopic directed by Tim Burton, starring Johnny Depp and bearing his name, Ed Wood has become an icon of Americana.

Perhaps the purest expression of Wood’s théma—pink angora sweaters, over-the-top violence and the fraught relationships between the sexes—can be found in his unadulterated short stories, many of which (including “Blood Splatters Quickly”) appeared in short-lived “girly” magazines published throughout the 1970s. The 32 stories included here, replete with original typos, lovingly preserved, have been verified by Bob Blackburn, a trusted associate of Kathy Wood, Ed’s widow. In the forty years or more since those initial appearances in adult magazines, none of these stories has been available to the public.

ed-wood-birthday

(8) SMOFCON SOUTH. Conrunners of the Antipodes, you are summoned to SmofCon South, to be held in Wellington. New Zealand December 3-4, 2016.

Announcing SmofCon South!

Come one, come all! We will be running SmofCon South in Wellington. New Zealand from December 3rd to 4th, 2016. This is run at this time to try to hook into the resources and people of SmofCon 34, taking place the same weekend in Chicago, USA. A Smofcon is a convention about running conventions. It’s an excellent opportunity to meet other con runners, and to learn from them. SmofCon South will be primarily focused on running Worldcons or other large events. This event will be very valuable for people who have volunteered to help run a New Zealand Worldcon. We want to encourage you to come along and meet other people you may be working with, and gain insights and knowledge about how Worldcons work.

Details

Smofcon South will be held 3-4 December (with a meetup dinner for those who arrive on Friday).

Venue is the same as Aucontraire 3, the CQ Hotel complex, 223 Cuba St, Te Aro,  Wellington.

We are skyping in with Smofcon 34, being held in Chicago, for a few sessions. Breaking News: Also a hook up with Japan.

(9) MORE RADCHAAI LOOT. This charm bracelet is perfect for the Ancillary fan in your life. Bring the Fleet Captain, Translator, First Lieutenant, and themes of the series, like tea, magic bullets, spaceships, and music into your daily life with this charm bracelet.

(10) BETTER USE OF TIME. Steven H Silver writes, “Last night, instead of watching the debate, Elaine and I watched the Gene Wilder/Richard Pryor movie See No Evil, Hear No Evil. A couple of early scenes are set at a newstand run by Wilder’s character. In the background I could make out Frederik Pohl’s The Coming of the Quantum Cats, Greg Bear’s The Forge of God, and Piers Anthony’s Faith of Tarot.”

Also recognizable:

A.A. Attanasio’s Radix, Jack Chalker’s Dance Band on the Titanic, and Cllifford D. Simak’s Highway to Eternity.

wilder-newsstand-min

(11) HE PEEKED. One of Satchel Paige’s rules to live by was, “Don’t look back. Something may be gaining on you.” Dave Langford didn’t follow Satchel’s advice when he had a strange feeling he was being followed….

For a moment, when I saw the part-obscured back of a coffee-vending van in Reading town centre, I felt F770 was following me around. But it was all a quaint illusion.

vanf770-1

vanf770-2

[Thanks to Dave Langford, Chip Hitchcock, JJ, Steven H Silver, Jeffrey Smith, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

On the Friday After Thanksgiving: Enchanting Chances, And Cosmic Dances

AmericasBestComics COMPBy James H. Burns: There was a special television treat for youngsters, at Thanksgiving weekends during the 1960s and, if memory serves, some time beyond.

To be sure, many families began their holiday Thursday with the Macy’s Parade from Manhattan (and broadcasts of the processions from other cities).  I’ve written about some other fun traditions before, such as WOR-TV’s annual King Kong festivals, and WPIX’ long-time broadcasts of Laurel and Hardy’s March of the Wooden Soldiers (aka Babes in Toyland), which began many years earlier.

But almost forgotten today is the fun the ABC network fostered nationwide, on the Fridays after Thanksgiving.

For years, ABC would run an extra edition of their Saturday morning schedule!

Those were great days for fantasy fans, and particularly the youngest of that set.

The super hero boom of 1966 inspired many animated renditions across the airwaves.

In 1967, for example, ABC’s lineup included The New Casper Cartoons Show (this was the terrific series, also often overlooked, that had stories featuring many of the great Harvey Comics fairy-take like characters, in “The Enchanted Forest,” and not simply the theatrical shorts that seemed to recycle the same plot, continually!); Marvel Comics’ The Fantastic Four and Spider-Man (the first from Hanna-Barbera, the second from Grantray-Lawrence Animation and Krantz Films,  the same studio that produced the previous season’s syndicated, daily Marvel Super Heroes Show);Journey to the Center of the Earth (one of Filmation Associates’ (Lou Scheimer, Norm Prescott and Hal Sutherland) first major network sales; King Kong (from Rankin-Bass, set in the same fictional universe as their live action King Kong Escapes! theatrical feature film); and another season of The Beatles cartoon!

As others have noted, Saturday mornings, on television, seemed to belong to us, when we were children. Our parents, and grandparents, may have had a day at the movie theatre, featuring cartoons, shorts, serial chapters, and a couple of feature films….  But with the flip of a switch, we could watch all these great comedies, and adventures, with ease (and often in our pajamas)!

After a day filled with turkey and family festivities, there was something delightful about several hours of entertainment designed specifically for us…  (Indeed, an extra Saturday!) There was disappointment when the episodes were sometimes repeats of segments we had already seen.

15330526536_32e4a8e5e3_b COMP

One particular treat was one Thanksgiving–or perhaps another holiday week afternoon–when ABC ran a special daytime screening of their hit Batman television series. There was an extra pleasure in having the dates of one of our family friends sitting and watching with me, particularly as she resembled Wende Wagner, the female lead on the contemporary Green Hornet TV series!  The young lady kindly helped me spell out the fight-scenes’ sound effects “words.” (I wonder if it’s generally realized that the 1960s Batman TV show helped a bunch of us toddlers learn how to spell?)

Video cassettes and DVDs and now downloadable media have substituted for this special kind of fun. Kids and their families, of course, can watch whatever they want to see, virtually whenever they want to view it. (The phenomenon of kids wanting to watch the same movie or TV show over-and-over still strikes me as a mystery. When I was a child, my friends and I were annoyed by endless repeats!)

There was some kind of unique fun in knowing — even if one didn’t consciously realize it — that you were united with millions of other youngsters around the nation.  Once upon a time, we sat together in the greatest matinée theatre in the world — living rooms and bedrooms and dens, separated only by walls, and neighborhoods, but not by the smiles and laughter that endure in memory….

Or even when one pops in a disc, or scans the titles on You Tube!

Pixel Scroll 8/5 Closing Bracket

Four is fantastic, two is good, but two divided by one can only be sad, all in today’s Scroll.

(1) The quartet’s comic book shut down in April. They have a movie but do they have a future? Alex Pappademas remembers the original future of the Fantastic Four at Grantland.

I am jealous of Reed Richards. I am jealous of his Thinking Room, which appears to have floor-to-ceiling tablet-screen walls on which to write Beautiful Mind–ish equations. I am jealous of his having had 100-plus ideas. But I also relate to Reed. Reed has a wife and a family, but in order to see to their safety and security, he has to absent himself from their lives and spend long periods of time in the Thinking Room. As a professional writer, I relate very strongly to all of this…..

I became a fan of the Fantastic Four and specifically of Reed Richards when I was 32, reading those Dark Reign issues for the first time. My wife was pregnant with our daughter and I was trying — in vain, it turned out — to finish writing a book before the baby came. It would be great to be able to tell you that Reed Richards inspired me to keep going even when all seemed lost, but this isn’t that kind of story. I never finished the book. But during those months when I was trying, I returned again and again to that “SOLVE EVERYTHING” panel and imagined myself as the Reed Richards of my own family, unshaven in the lab, too smart not to realize my situation was hopeless and too desperate not to keep going.

solve-everything-fantastic-four-e1438635716861

(2) SF Signal’s newest Mind Meld feature asks:

Q:Why is gaming important for the development of your other creative pursuits? Have any video games you’ve played been especially influential in your career?

And Beth Cato, James L. Sutter, Josh Vogt, Monica Valentinelli, Nathan Beittenmiller, Carrie Patel, and Jen Williams answer.

(3) Frankenstein style light switch plates.

Turn your room into a horror movie mad scientist lab! Perfect for Halloween Haunted House!

The single switchplate is $9.99

black frankenstein switch

The dual switchplate is $14.99

double frankenstein switchplate

(4) We still don’t know when winter is coming, and George R.R. Martin has once again teased the release date without actually saying when it is.

Author George R.R. Martin is just as excited as everyone else for the release of his novel “Winds of Winter.” The book is the sixth installment in the series “A Song of Ice and Fire,” which is the basis for the hit HBO show “Game of Thrones.” Martin said in a recent interview he wants the book to be out as soon as possible and teased it holds a shocking twist for a major character.

Most of the material in the first five published books has now been used up and Season 6 of the TV series is already in production. Martin has constantly spoken about his desire to get the sixth book out as soon as possible, and a recent entry on his live journal Not A Blog has given fans hope the release date will be sooner rather than later.

In the blog, he spoke about traveling to a wedding and a baseball event in the East Coast. He signed off by leaving a faint hint the book may already be in the hands of his publishing house. “And while I will be travelling, my army of minions will be here at the old homestead, toiling in the paper mines,” he said.

(5) Arthur Chu, maybe the Puppies have a point about you after all.

(6) Yesterday’s scroll excerpted J. A. Micheline’s “Why I’m Boycotting Marvel Comics” at Comics Alliance.

Declan Finn decided to give it the Puppy treatment in “Boycotting Marvel: A Fisk” at The Catholic Geeks. Quotes from Micheline’s article are bold and underlined.

First, came your quiet decision to hand the new Blade book over to two white creators.

Um … Blade is about vampires. Not race relations, vampires.  You do understand that vampires are less a #BlackLivesMatter problem and more an #AllLivesMatter problem, don’t you? Or are you one of those people who would storm the stage with outrage at such a hashtag? Yes, you strike me as a very hashtag person. Heavy on the hash — and I mean hashish, not corned beef hash. I’m saying you’re high, not fat.

To be clear, I have no reason to think either creator will do a bad job on this book,

Oh, I think you just did.  You’ve quite implied already that because they’re white, this is a problem. Either their race is a problem, or it’s not — and since you went out of your way to say they’re white, this tells me quite clearly that this is a problem.

(7) Vice writer Cecilia D’Anastasio interviewed seven black cosplayers at Otakon for “What Black Anime Fans Can Teach Us About Race in America”. Chanel P. had this to say —

Were there any anime characters you identified with in particular?

I definitely identified with Sailor Jupiter [from Sailor Moon]. I was the tallest kid in my elementary school class. People would pick fun at me. She was shy, and so was I.

What do you think about the fact that there aren’t many black anime characters? Was that a barrier to engagement?

It was at first. When I first started coming to anime conventions, I was a bit afraid, actually, to cosplay any characters. I thought, They aren’t black, I can’t do that . I thought you had to actually look like the character in order to dress like her. But, I mean, I saw people of my skin tone dressing like the character they wanted and thought, I can do that too . I thought, I guess it doesn’t matter that there aren’t black characters. But I think we do need more black characters.

What’s it been like to cosplay?

The first time I cosplayed Sailor Moon was at Otakon last year. That was the first time I ever cosplayed. I got some pictures taken that were posted on the internet. I was excited, like, Hey I’m on the internet, yay! And then I read the comments. A lot of them weren’t good, at all. I got, “The cosplay is good, but she shouldn’t be black,” and “Oh, her skin is too dark,” and “Oh, her hair shouldn’t be blonde.” It was a lot of nasty stuff people should have kept to themselves.

(8) This may be the first time anyone resorted to Craigslist to dump surplus convention program books:

Did you miss taking home your copy of the WesterCon 68/2015 program? Or didn’t attend and want to pretend you did? Or really just wanna know what you missed? Three of them followed me home after the end of the con’. You can have up to three; pick up here.

(9) After reading today’s Robert Conquest obituary, Rich Lynch noted in comments that the famous Walt Willis carried on a correspondence with Conquest, and quoted from it in “I Remember Me” for Mimosa 17.

[Conquest:] Personally, I think it is clear that the Soviet system is, in all essential matters, as bad as the Nazi one, and that its theory that this system is suitable for imposition on the rest of the world is the greatest danger there is. On the other hand, I fancy that if we can solve our own problems and keep the Communist states from breaking out, while at the same time pointing out to them the advantages that would accrue if they ceased to exclude themselves from the world community, their internal tensions would finally force these states to evolve or perish.

[Wills:] As you’ll probably have noticed, I didn’t really appreciate Conquest’s importance. At the time, he was mainly known to me as an anti-Soviet polemicist, and my politics then were more pro-Soviet than anything, based on the assumption that whatever was wrong in the Soviet Union, at least their hearts were in the right place. I don’t have any recollection of further correspondence with Conquest, though I can’t say what might not turn up in the files, but as far as I know, my last reference to him was in my report of the visit of Madeleine and myself to the World Fair in Seattle in 1962:

[Willis:] “Even now there is such a cloud of fatigue in that corridor of my memory that I cannot believe there would be much of interest in it to you. Except possibly the still vivid recollection of seeing at the exit from the U.S. Science Pavilion, in great gold letters on the wall, a quotation from a Hyphen subscriber. Unaccountably they failed to mention this fact, mentioning just the name, Robert Conquest — presuming, no doubt, that his chief claim to immortality lies in his poetry and not in his letters of comment on Hyphen. Admittedly, he hasn’t written many of the latter recently, his subscription having lapsed, but let that be a warning to you. Let your Hyphen subscription lapse, and you may find yourself reduced to writing on walls in Washington.”

(10) Hollywood’s ultimate power couple has announced they’ve split!

Things got a little heated at the Television Critics Association panel for ABC’s new series, The Muppets, when Kermit the Frog and Miss Piggy, along with series executive producers Bill Prady (The Big Bang Theory) and Bob Kushell (Suburgatory), revealed more about their upcoming series and that the felt couple’s long-term relationship is done-zo.

“Piggy and I have gone our separate ways romantically,” Kermit revealed. “I think it’s just kind of coming out in the press now.  It can be tough to work with your ex, you know.  And it can be tough to be the executive producer on your ex’s late?night TV show, especially when your ex is a pig.” (We’re sure he meant that in a species identification way only.)

(11) David Tormsen ranks Sad Puppies at #5 on a list of 10 Misguided Social And Political Movements Of Our Time on Listverse.

Every year, the Hugo Awards for science fiction and fantasy writers are voted on by paid members of Worldcon, the World Science Fiction Convention. Popular nominee books, movies, and commentators are placed on a shortlist of five, which are then voted on. The system is relatively easy to game, but this was not previously a problem as the majority of voters simply voted on individual taste, and popular authors knew campaigning for the awards would be in bad taste. That was until the Sad Puppy movement came along.

The Sad Puppies believe the awards have been taken over by excessively progressive authors and fans. Right-wing author Brad Torgersen describes them as “niche, academic, overtly to the Left in ideology and flavor, and ultimately lacking what might best be called visceral, gut-level, swashbuckling fun.” The Sad Puppies believe science fiction and fantasy have lost their way and want to return to a sci-fi golden age. They see a liberal conspiracy to promote authors who are female or minorities, supposedly alienating a fan base of primarily white males. Their vision of the future has no place for social science fiction or the influence of feminists, LGBTQ advocates, or liberals.

[Thanks to Dave Doering, Rich Lynch, Michael J. Walsh and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat.]

Pixel Scroll 8/1 Scroll forth, my song, like the rushing river

Ten stories, three videos and a partridge in a pear tree.

(1) It’s a privilege to be included in this Sasquan program item:

Writing About Controversies

M. J. Locke [Laura Mixon] , John Scalzi , Mike Glyer , William Frank (Moderator) , Eric Flint

Since before the Great Exclusion Act of 1939, the science-fiction community has had its share of controversies, feuds and flame wars — between pros, between fans, between pros and fans. Maybe more than its share. Discussion about these controversies — whether in fanzines or online — has often generated more heat than light.  How can we research and write about controversial issues in the field? Is it ever possible to just stick to the facts?  Panelists talk about what they’ve learned about how to approach these issues.

August 23, 3:00 p.m., CC – Bays 111A

(2) Fraser Cain discusses what would happen if a black hole met an antimatter black hole.

Here’s the part you care about. When equal amounts of matter and antimatter collide, they are annihilated. But not disappeared or canceled out. They’re converted into pure energy.

As Einstein explained to us, mass and energy are just different aspects of the same thing. You can turn mass into energy, and you can turn energy into mass.

Black holes turn everything, both matter and energy, into more black hole.

Imagine a regular flavor and an antimatter flavor black hole with the same mass slamming together. The two would be annihilated and turn into pure energy.

Of course, the gravity of a black hole is so immense that nothing, not even light can escape. So all energy would just be turned instantaneously into more black hole. Want more black hole? Put things into the black hole.

Cain says if this is your rescue plan in case you fall into a black hole, you’re out of luck.

(3) You may need a break after science-ing the shit out of that last item. Here’s the comic relief.

[Bill] Nye recently read some unflattering tweets in support of a Kickstarter campaign for a documentary about him, which, to be honest, we kind of hope just turns out to be two more hours of tweets.

 

(4) Ken Liu’s novel Grace of Kings is available from the Kindle Store for $1.99 today, as I learned from SF Signal. So far I’ve only read his short fiction. Now I’m diving into his novels.

(5) I listened to five minutes of the Superversive Hugo livestream today, long enough to hear a male voice opine that No Award will not win any of the categories. And I thought to myself, that kind of boldly contrarian thinking is exactly what a livestream panel needs to pull an audience.

(6) Talk about a dog’s breakfast…

(7) Tempest Bradford has a modest proposal.

Does she mean that literally, or is this another case where an idea suffers because it can’t be fully unpacked in a tweet? Think of all the minority/marginalized groups cishet white men belong to. Religious minorities. People with disabilities. Participants in 12 Step programs. (Do I need to say that I have seen convention panels involving each of these topics?) This rule needs to go back to the drawing board.

(8) August 2 is National Ice Cream Sandwich Day.

The modern version of the ice cream sandwich was invented by Jerry Newberg in 1945 when he was selling ice cream at Forbes Field.  There are pictures from the early 1900?s, “On the beach, Atlantic City”, that show Ice Cream Sandwiches were popular and sold for 1 cent each.

And here is the ObSF ice cream sandwich content.

c_c_sandwich_1

(9) I think it’s rather sad that the person who took the trouble of setting up this robotic tweet generator doesn’t know how to spell Torgersen.

(10) File 770’s unofficial motto is “It’s always news to someone.” The Hollywood Reporter must feel the same way. Capitalizing on the imminent release of Fantastic Four, THR just ran a story about the first (1994) movie adaptation of the comic produced by Roger Corman.

If you haven’t seen the movie that’s not because it was a box office bust. It was never allowed to get anywhere near the box office. Sony exec Avi Arad ended up destroying every available print.

Here’s the trailer, uploaded to YouTube in 2006.

[Thanks to John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Anna Nimmhaus.]