Pixel Scroll 8/11/18 Pixel of Steel, Scroll of Kleenex

(1) BOURDAIN IN NARNIA. The New Yorker Recommends’ Helen Rosner links to “‘No Reservations: Narnia,’ a Triumph of Anthony Bourdain Fan Fiction”.

Of all the billions of pages that make up the Internet, one of my very favorites contains “No Reservations: Narnia,” a work of fan fiction, from 2010, by Edonohana, a pseudonym of the young-adult and fantasy author Rachel Manija Brown. The story is exactly what it sounds like: a pastiche of Anthony Bourdain’s “No Reservations” and C. S. Lewis’s Chronicles of Narnia. Channelling the casual charisma of Bourdain’s first-person writing, Brown finds him visiting the stick-wattled burrow of sentient moles, where he dines on pavender (a saltwater fish of Lewis’s invention) and is drunk under the table by a talking mouse. He slurps down eel stew and contemplates the void with mud-dwelling depressives. Later, he bails on an appointment at Cair Paravel, the royal seat of Narnia, to bloody his teeth at a secretive werewolf feast.

“No Reservations: Narnia” (2010) begins —

I’m crammed into a burrow so small that my knees are up around my ears and the boom mike keeps slamming into my head, inhaling the potent scent of toffee-apple brandy and trying to drink a talking mouse under the table. But is it really the boom mike that’s making my head pound? I know for sure that my camera man doesn’t usually have two heads. I have to face facts. The mouse is winning.

Yesterday, I thought I knew what to expect from Narnia: good solid English cooking spiced up with the odd unusual ingredient, and good solid English people spiced up with the odd faun. And centaur. And talking animal. I’d longed to visit Narnia when I was a kid, but every time the notoriously capricious entry requirements, such as the bizarre and arbitrary lifetime limit on visits, relaxed the slightest bit, it would get invaded, get conquered, get re-conquered by the original rulers, or get hit by some natural disaster….

Cat Eldridge sent the links with a note: “Weirdly enough Rachel Manija Brown was once a reviewer for Green Man Review.

(2) TUNE IN THE HUGOS. Kevin Standlee outlined the “2018 Hugo Ceremony Coverage Plans” on the award’s official website.

The 2018 Hugo Awards Ceremony is scheduled for Sunday, August 19, 2018 at 8:00 PM North American Pacific Daylight Time (UTC-7) in the McEnery Convention Center Grand Ballroom in San Jose, California. The ceremony is open to all attending members of Worldcon 76, with additional seating available in “Callahan’s Place” in the convention center Exhibit Hall.

The Hugo Awards web site will once again offer text-based coverage of the Hugo Awards ceremony via CoverItLive, suitable for people with bandwidth restrictions. For those with the bandwidth for it, Worldcon 76 San Jose plans to offer live video streaming of the Hugo Awards ceremony. Details of the live-streaming coverage will be available at the 2018 Worldcon web site.

The Hugo Awards web site coverage team of Kevin Standlee, Susan de Guardiola, and Cheryl Morgan plan to be “on the air” approximately fifteen minutes before the ceremony. You can sign up at the CoverItLive event site for an e-mail notification before the event starts. Remember that the CoverItLive text coverage is text-only, and is likely to not be in synch with the video streaming. Also, the CoverItLive team here at TheHugoAwards.org is not responsible for the video streaming coverage and cannot answer any questions about it.

(3) VISA PROBLEMS. Another example of security screening that interferes with cultural exchanges. The Guardian reports some authors are having exceptional difficulty getting visas to attend a book festival in Scotland: “Home Office refuses visas for authors invited to Edinburgh book festival”.

According to Barley, the dozen authors were asked to provide three years’ worth of bank statements to demonstrate financial independence, despite being paid to participate in the Edinburgh book festival, and having publishers and the festival guaranteeing to cover their costs while in the UK. Barley said any deposits that could not be easily explained were used as grounds to deny the authors’ visas; one had to reapply three times due to her bank statements.

“It is Kafkaesque. One was told he had too much money and it looked suspicious for a short trip. Another was told she didn’t have enough, so she transferred £500 into the account – and then was told that £500 looked suspicious. It shouldn’t be the case that thousands of pounds should be spent to fulfil a legitimate visa request. I believe this is happening to many arts organisations around the country, and we need to find a way around it.”

Barley called the situation humiliating, adding: “One author had to give his birth certificate, marriage certificate, his daughter’s birth certificate and then go for biometric testing. He wanted to back out at that point because he couldn’t bear it, but we asked him to continue. Our relationship with authors is being damaged because the system is completely unfit for purpose. They’ve jumped through hoops – to have their applications refused.”

The Scottish first minister called on the government to fix the problem: “Authors’ visa struggles undermine book festival, says Sturgeon”

Nicola Sturgeon has accused the UK government of undermining the Edinburgh international book festival by failing to resolve authors’ difficulties in obtaining visas.

The festival’s director, Nick Barley, has said some of the invited writers have been “humiliated” by the process they had to endure to get into the UK.

Sturgeon, the Scottish first minister, who will take part in the event, tweeted on Thursday that the difficulties were “not acceptable” and the government “needs to get it sorted”.

Barley said about a dozen people had gone through an extremely difficult process to obtain a visa this year and several applications remained outstanding. The festival starts on Saturday and will feature appearances by 900 authors and illustrators from 55 countries.

Festival organisers provide assistance with visa applications and they have reported an increase in refusals over the past few years. Barley said one author had to supply his birth certificate, marriage certificate and his daughter’s birth certificate and go for biometric testing in order to get his visa.

He said the UK’s reputation as a global arts venue could be seriously hindered if problems in obtaining visas worsened after Brexit.

(4) DISCRIMINATION. David Farland (pseudonym of Dave Wolverton, currently the Coordinating Judge, Editor and First Reader for the Writers of the Future Contest), blogged about his view of “Discrimination in the Writing World”.

A few days ago, I saw a Facebook post from a woman who complained that she didn’t want to see panels by “boring, old, white, cisgender men” at the upcoming World Science Fiction Convention. Now, I’ve always fought against discrimination based on age, race, sexual orientation, and gender, so I was kind of surprised that this person managed to offend me at every single level. I can’t help it if I was born sixty years ago, male, white, and cisgender.

There is a concerted effort by some special interest groups to push certain agendas. More than twenty years ago, just before the Nebula awards, I remember hearing a woman talking to others, pointing out that if they all voted for a certain story by a woman, then she’d certainly win. Apparently the ethics of judging stories based upon the gender of the author eluded her, but it worked. The story written by the woman won.

With the Hugos, white men in particular are not even getting on the ballots, much less winning.

The question is, if you’re a writer, what do you do? What if you write a book, and you don’t fit in the neat little category that publishers want?

For example, what if you’re male and you want to write a romance novel? What are your chances of getting published? How well will you be welcomed into the writing community? Isn’t a good story a good story no matter who wrote it?

Apparently not. I had a friend recently who created a bundle of romance novels and put them up for sale. She had ten novels, nine by women and one by a man, and it sold terribly. Why? Because the nine female romance writers refused to even tell their fans about the bundle because there was a male author in the bundle. So instead of selling tens of thousands of bundles, as she expected, she sold only a few hundred.

Of course, discrimination is pretty well institutionalized in the publishing industry. By saying that it is institutionalized, what I mean is that in certain genres, your chances of getting published are based upon your gender.

(5) NICHOLS HAS DEMENTIA. Hope Schreiber, in the Yahoo! Entertainment story “Nichelle Nichols, actress who portrayed the iconic Lieutenant Uhura in ‘Star Trek,’ diagnosed with dementia”,  cites a TMZ report that Nichols is under the care of a conservator.

Nichelle Nichols, the actress who brought Lieutenant Uhura in Star Trek to life, has been diagnosed with dementia, according to conservatorship documents obtained by TMZ. She is 85 years old.

TMZ says that Dr. Meena Makhijani, a specialist in osteopathic medicine, has been treating Nichols for the last two to three years. According to Makhijani, the disease has progressed. Nichols has significant impairment of her short-term memory and “moderate impairment of understanding abstract concepts, sense of time, place, and immediate recall,” according to TMZ.

However, the actress’s long-term memory does not seem to be affected at this time, nor are her body orientation, concentration, verbal communication, comprehension, recognition of familiar people, or ability to plan and to reason logically.

(6) TODAY’S BIRTHDAYS

  • Born August 11 – Ian McDiarmid, 74. Star Wars film franchise including an uncredited appearance in The Empire Strikes Back, other genre appearances in DragonslayerThe Awakening (a mummies horror film with Charlton Heston), The Young Indiana Jones Chronicles series and reprising his SW role in the animated Star Wars Rebels series.
  • Born August 11 – Brian Azzarello, 56. Comic book writer. First known crime series 100 Bullets, published by Vertigo. Writer of DC’s relaunched Wonder Woman series several years back. One of the writers in the Before Watchmen limited series. Co-writer with Frank Miller of the sequel to The Dark Knight Returns,  The Dark Knight III: The Master Race.
  • Born August 11 – Viola Davis, 53. Amanda ‘The Wall’ Waller in the first Suicide Squad film; also appeared in The Andromeda Strain, Threshold and Century City series, and the Solaris film.
  • Born August 11 – Jim Lee, 44. Korean American comic-book artist, writer, editor, and publisher.  Co-founder of Images Comics, now senior management at DC though he started at Marvel. Known for work on Uncanny X-Men, Punisher, Batman, Superman and WildC.A.T.s.
  • Born August 11 – Will Friedle, 44. Largely known as w actor with extensive genre work: Terry McGinnis aka the new Batman in Batman Beyond which Warner Animation now calls Batman of the Future, Peter Quill in The Guardians Of The Galaxy, Kid Flash in Teen Titans Go!, and Thundercats! to name but a few of his roles.
  • Born August 11 – Chris Hemsworth, 35. Thor in the MCU film franchise, George Kirk in the current Trek film franchise, and King Arthur in the Guinevere Jones series;  also roles in Ghostbusters: Answer the Call, Snow White and the Huntsman and its sequel The Huntsman: Winter’s War,

(7) COMICS SECTION.

(8) SAWYER’S SCHEDULE. Robert J. Sawyer clarified on Facebook his plans for Worldcon 76 in San Jose next week:

I’ll be there. However, many months ago I made a decision not to apply to be on programming. I don’t have a new book this year, and I figured there are lots of younger/newer/diverse writers who could use the panel slots I would have taken up.

This was meant to be a quiet, private choice, but since then, there’s been a big blowup about this year’s Worldcon programming (see http://file770.com/worldcon-76-program-troubles/), with people withdrawing from the program or complaining about not being put on it in the first place. My situation is neither of those (and the Worldcon programming has been redone to most people’s satisfaction now).

However, I will be making two public and one private appearances at the Worldcon, for those who want to see me or get books signed:

* On Friday, August 17, at noon, in room 210E at the Convention Center, I will be attending the unveiling of the new batch of Walter Day’s Science Fiction Historical Trading Cards, introducing the new authors being added to the set (I’m already on a card, as you can see); Walter Day will be giving away some of these collectible cards (including my own) to those who attend.

* Also on Friday, August 17, at 4:00 p.m., in the Dealers’ Room in the Convention Center, I will be autographing at the Science Fiction and Fantasy Writers of America (SFWA) table.

* And on Saturday, August 18, at 2:00 p.m., I’ll be hosting a meet-and-greet for my Patreon patrons; you can become a patron here, and get other cool perks, too: https://www.patreon.com/robertjsawyer

(9) AUSTRALIAN FANZINE ARCHIVE. Kim Huett reports, “The National Library of Australia not only has a significant fanzine collection, some of the librarians take an active interest in the fanzines in their care. Take for example this recent post which talks from an outsiders perspective about all sorts of Australian fanzines, some of which are actually about science fiction: “Fanzines For fans, by Fans”.

Fans of the TV shows, Star Trek and Doctor Who, have perhaps the best known examples of fandom in the mainstream but this isn’t where fanzines start. The fanzine Futurian observer was talking about a well-established Australian science fiction fan community back in 1940.

In a year in which the inescapable realities of war were everywhere, this little publication denounced ‘the threatening ban on magazines’, reported on Government ‘restrictions on pulp imports’ and referenced meetings in which quizzes and scientific discussions were star attractions.

One of the first lines in Issue #1 is a dire warning that Australian fans needed to be more engaged. In contrast, issue #35 talks about a parody newsletter from a convention that never happened and the author ‘hibernating’ from the ‘Sydney scene’ to avoid the ‘fighting, scratching and squabbling’.

You can read digitised copies of Futurian observer here.

Fanzines are a fascinating insight into the volatility of fan communities and how they operated at the time of publication.

(10) DOCTOR STRANGEMIND. Huett also sent a link to his own site with this introduction: “Anybody who is a fan of David Langford’s ‘As Others See Us’ segment in Ansible is going to really enjoy the latest installment of Doctor Strangemind. Have you ever wondered what the official Soviet line was in regards to science fiction? Well now you can read ‘The World Of Nightmare Fantasies’ and wonder no more: ’To Pervert & Stultify’. Really, I spoil you people,”

…I’ve reproduced the entire condensed version of The World Of Nightmare Fantasies here so you might enjoy the authors attempt to crush various butterflies of fiction with their rhetorical sledgehammer….

…The American Raymond F. Jones, experienced writer of “scientific” fantasies, attempts to lift the curtain of the future for the reader. He uses all his flaming imagination in describing a machine which analyses the inclinations , talents, character and other potentialities of a new-born infant. If it finds the child normal, it returns it to the arms of the waiting mother. If it finds a future “superman,” the mother will never see him again; he will be sent to a world “parallel” to ours where he will be raised without the help of parents. But woe to the baby the machine finds defective – it will be immediately destroyed. According to the “scientific” forecast of author Jones, a network of such machines will cover the world of the future.

This tale, monstrous in its openly fascistic tendency, appears in the American magazine Astounding, under the optimistic title of Renaissance. Jones’ fascist revelations are not an isolated instance in American science fiction literature. There are numerous such examples under the brightly colourful covers which enterprising publishers throw on the market in millions of copies. From their pages glares a fearful world, apparently conceived in the sick mind of an insane, a world of nightmare fantasies. Miasma, mental decay, fear of to-day and horror of the future: all these innumerable ills of capitalism are clearly reflected.

(11) WOTF. Past winner J.W. Alden says in his experience the Writers of the Future Contest was a tool of the Church of Scientology, no matter the public relations effort to portray them as separate: “Going Clearwater: The Illusory ‘Firewall’ of the Writers of the Future Contest”.

In 2016, I won Writers of the Future. At the time, I counted it as one of my proudest moments. A story I’d written, The Sun Falls Apart, took first place in a contest judged by some of the biggest names in the genre. I’m still proud of that part. Unfortunately, that sense of accomplishment was undermined by a negative experience which forced me to confront the actual nature of the contest: Writers of the Future is a Church of Scientology endeavor. I now believe its primary purpose is not to help emerging writers, but to further the aims of the church, primarily by promoting the name of its founder, L. Ron Hubbard. I make no judgments on any individual’s religious beliefs, but since I won the contest, I have come to believe it exploits writers in pursuit of this goal….

The Firewall, many claim, exists to prevent the contest from becoming a platform for the church and to ensure there’s no proselytizing of winners–though one of the first things you learn when you go asking about the Firewall, is that it seems to mean different things to different people. It’s the Firewall that keeps the contest’s panel of judges onboard. The judges of this contest include big names in the genre–names like Brandon Sanderson, Orson Scott Card, Robert J. Sawyer, Larry Niven, and many more. Hence, it’s the Firewall that ultimately lends the contest legitimacy. In my opinion, the Firewall does not exist. Or at the very least, it doesn’t exist for everyone.

It didn’t exist for me.

After winning the contest he was asked to come to Clearwater, Florida and do a signing. Clearwater is home to the church’s Flag Service Organization.

And so, I’m not that surprised one afternoon when I receive a text message from Kate*, one of the employees of Author Services Inc., the (Church of Scientology-owned) organization that runs the contest. They ask if I’d be willing to take part in an event they describe as a “massive Barnes & Noble book signing” in Clearwater, FL in a few days. The last minute nature of this invitation seems odd, but not out of step with the general disorganization that winners grow used to when dealing with ASI. At first, I turn down this request. At the time, I live in the West Palm Beach area, and I’m not willing to drive across the state on such short notice. They respond by offering to fly me out and put me up in a hotel. At that point, I say, “Sure. Why not?” I mean, it’s just Barnes & Noble, right? Book signings are fun.

However, Alden says this is what really happened:

…After that, it’s finally time for the book signing . . . which is not taking place at a Barnes & Noble. It turns out the “Barnes & Noble signing event” is actually taking place here at the Fort Harrison Hotel, during a Scientology ceremony called “Flag Graduation.” Scientologists who underwent training at the Flag Building are having some kind of graduation ceremony. Part of the ceremonies will involve announcing my presence, then directing the congregation to my signing table for an autograph. After the day I’ve had, I am not shocked by this revelation. My belief in the Firewall has long since abandoned me. I am not happy about the bait and switch. But I’m not surprised, either.

I’m led into a huge conference room with a stage and hundreds of chairs. By the time we get there, it’s already packed full of Scientologists finding their seats. Tori leads me straight to the front row. At this point, I become genuinely worried about the possible public repercussions of this little trip. Just like in L.A., there are photographers and videographers everywhere. The thought of photos and video of me at an actual Church of Scientology event floating around somewhere is (at the time) concerning. What happens next tempers this concern somewhat, if only because it grants me the conviction that this is not the first Scientology event I’ve been photographed at. Before their graduation ceremony, they play a video of the Writers of the Future gala. A Church of Scientology official talks it up beforehand, citing it as part of L. Ron Hubbard’s legacy, with the underlying message that it’s one of the many Good Things the CoS is doing in the world. In other words, Writers of the Future (and not just the name–the video of the gala, the anthology, the words and likenesses of the winners) is used as internal propaganda at an official Church of Scientology event. That’s certainly how I interpreted it, anyway….

I first started telling the story above in private circles within the SFF writing community. Over the past two years, I’ve told it to fellow WotF winners, to friends at conventions, and in private online discussion groups. Most recently, I posted about it on Codex after Nick Mamatas and Keffy R.M. Kehrli spurred the aforementioned conversation on social media about the questionable aspects of the contest back in April. I also posted a couple of twitter threads around that time, in which I voiced frustrations about the contest and rage-faced over the revelation that unattributed quotations from Dianetics were included in Writers of the Future workshop materials. Since the tweetstorm, I’ve also been in discussion with former winners and even a few contest judges who reached out to me about it.

Since all of that started happening, I’ve also had run-ins with supporters of the contest who have accused me (and others) of trying to destroy it. Let me make one thing clear: I’m not trying to destroy Writers of the Future. For one, I don’t believe that is within my (or anyone’s) power, so even if that were my goal, I wouldn’t waste the effort. My goal is merely to inform emerging writers about the troublesome aspects of this contest, because I don’t think they’re talked about enough. That includes relating my own experience that bizarre weekend in Clearwater. If anyone sees that as an effort to delegitimize or destroy the contest, all I can say is this: if spreading the truth about something delegitimizes it, was it really legitimate in the first place? …

(12) MAIN AND OTHER STREAMS. Penguin Random House would be happy to sell you these “21 Books You’ve Been Meaning To Read”, a list with a surprising amount of sff. Not this first title, though. This one has been picked for its clever misspelling —

War and Peace

A legendary masterpiece, this book is synonymous with difficult reading, so why not challenge yourshelf.

(13) WRECK-IT RALPH RETURNS. Ralph Breaks the Internet – sneak peek.The movie comes to theaters November 21.

“Ralph Breaks the Internet” leaves Litwak’s video arcade behind, venturing into the uncharted, expansive and thrilling world of the internet—which may or may not survive Ralph’s wrecking. Video game bad guy Ralph (voice of John C. Reilly) and fellow misfit Vanellope von Schweetz (voice of Sarah Silverman) must risk it all by traveling to the world wide web in search of a replacement part to save Vanellope’s video game, Sugar Rush. In way over their heads, Ralph and Vanellope rely on the citizens of the internet—the Netizens—to help navigate their way, including Yesss (voice of Taraji P. Henson), who is the head algorithm and the heart and soul of the trend-making site “BuzzzTube,” and Shank (voice of Gal Gadot), a tough-as-nails driver from a gritty online auto-racing game called Slaughter Race.

 

[Thanks to John Hertz, Jumana Aumir, Cat Eldridge, Chip Hitchcock, JJ, Carl Slaughter, John King Tarpinian, Martin Morse Wooster, Danny Sichel, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 5/2/18 Hold The Scroll Firmly. Open With The Pixel End Pointing Away From You

(1) ILLUMINATION. The Geek Calligraphy team has produced an art print from a Penric story —

(2) A HELPING HAN. ScreenRant explains “Star Wars Narrated by Ron Howard in Arrested Development Mashup”:

With Solo: A Star Wars Story nearing its release date and news of a fifth season of Arrested Development premiering soon, fans of these properties can enjoy the best of both worlds with a comedic mashup featuring Ron Howard as the connective thread. The director of Solo and producer/narrator of Arrested Development, Howard narrates a 3-minute-long breakdown of George Lucas’ very first entry in the Star Wars franchise, recapping A New Hope with the music, trademarks, and running gags from the Arrested Development series.

 

(3) FUTURE TENSE. Mark Oshiro’s short story “No Me Dejas” is this month’s entry in the Future Tense series that examines emerging technologies, public policy, and society. The series is offered through a partnership of Slate, New America, and Arizona State University.

… A brief flash of eagerness crosses his face, a light I wish I could unsee. He wants to do it in my place. He has been nothing but supportive ever since Abuela Carmen chose me for the Transfer, but this moment skirts an uncomfortable truth. Why did she choose me over him? Why will I be the bridge in our familia, the one to receive abuela’s memories before she leaves us? The love between us isn’t enough to explain why Carmen chose me over her own son, but she has offered no other clue….

The story was published along with a response essay, “Should You Download Someone Else’s Memories?” by philosophers Jenelle Salisbury and Susan Schneider.

(4) HWA SCHOLARSHIPS. The Horror Writers Association has begun taking applications for these four scholarships. Applications will be accepted until August 1. See linked pages for eligibility and guidelines.

(5) COSPLAY IN GOTHAM. A beautiful set of photos has been posted by Scott Lynch at The Gothamist: “Cosplayers Outnumber Cherry Blossoms At Spectacular Sakura Matsuri”.

There was plenty of organized entertainment on three stages, everything from taiko drumming to a Parasol Society fashion show to Japanese go-go pop to video game themes blared out by the J-Music Ensemble. Workshops, kids’ activities, origami and bonsai demonstrations, and a bustling marketplace rounded out the celebration. The festivities culminated with the Ninth Annual Cosplay Fashion Show, a raucous affair featuring nearly 30 elaborately costumed participants showing off their passion for their craft.

(6) ARTI$T$ ALLEY REPORT. The 2017 Artist Alley Survey results are available for purchase.

For those unfamiliar, the annual Convention Artist Survey collects data anonymously from artists and artisans in North America about numbers related to conventions as a business — how much artists make, how much they spend, how far they travel, how staff communication and organisation was, whether buying interest and attendee engagement was high, etc.

This report takes all of those numbers and data points and presents various charts and graphs for easier consumption.

You can grab the 2017 report below for $5 or more!

(7) IS ATTEMPT TO TRADEMARK FANZINE A PROBLEM? James Bacon passed along Douglas Spencer’s concern that Brewdog’s application to the UK’s Intellectual Property Office to trademark the word fanzine will end badly for fans:

A while ago, they sought and subsequently obtained a trademark on the word “punk”, which spurious right they then defended vigorously to the vast detriment of the pre-existing punk community.

They’re now seeking to obtain a trademark on the word “fanzine”. If they obtain it, I anticipate they’ll defend it vigorously to the vast detriment of a few pre-existing fanzine communities.

Don’t let them do this. Don’t let their shitty business practices be seemingly endorsed by your silence. Tell them that they’ll be despised by a whole extra set of communities if they steal our word and sue us for using it in the same way we and others have been using it for generations.

See the complete application here.

Overview

Trade marks

Word (1 of 2)

FANZINE

Word (2 of 2)

BREWDOG FANZINE

Mark details

Number of marks in series

2

Dates

Filing date

19 April 2018

Goods and services

Classes and terms

Class 32

Beer and brewery products; craft beer; lager, stout, ale, pale ale, porter, pilsner, bock, saison, wheat beer, malt beer, sour beer, non-alcoholic beer, low-alcohol beer, flavoured beers; processed hops for use in making beer; beer wort; malt wort; non-alcoholic malt beverages; non-alcoholic beverages; syrups and other preparations for making beverages; malt syrup for beverages; extracts of hops for beer making, processed hops for beer making.

Class 35

Retail services connected with the sale of beer, alcoholic beverages, non-alcoholic beverages, printed matter, clothing, glassware, drinking bottles, keyrings, posters, bags, bottle openers and lanyards; retail services connected with the sale of subscription boxes containing beer; retail services connected with the sale of subscription boxes containing alcoholic beverages; retail services connected with the sale of subscription boxes containing food; information, advisory and consultancy services in connection with all of the aforesaid services.

Except for Spencer’s comment about their history with the word “punk” I’d have taken the application as for the rights to a beer named Brewdog Fanzine (or just Fanzine) and associated marketing paraphernalia. So I’d like to know more about what they did with “punk” in order to evaluate how big a problem this might be.

(8) LOCUS STACK. Greg Hullender says Rocket Stack Rank’s “Annotated Locus List” has been updated to incorporate the finalists for the Locus Awards — “Locus Finalists Observations”:

We looked at each category by score (that is, a weighted sum of recommendations from many other sources) to see how the Locus finalists looked overall. There aren’t a lot of surprises there, which (I think) simply reflects the fact that even though tastes differ from one reviewer to another, there really is such a thing as a set of “outstanding stories” which are broadly (but not universally) popular.

A few things that pop out:

  • “A Series of Steaks” and “The Secret Life of Bots” did not make the Locus finalists, even though they were the most praised novelettes in other quarters.
  • Out of the 18 Hugo Finalists, 15 were on the Locus Reading List.
  • Zero write-in candidates made the Locus finalists.

There has been a pattern of late that stories don’t get nominated for awards unless they’re either free online or else available for purchase as singles. That is, stories in print magazines and anthologies don’t get nominated unless they’re also available for free online, but novellas that have to be purchased do fine. It’s as though readers don’t mind paying for a good story, but they object to paying for a dozen stories just to get one in particular. Anyway, Locus bucks that trend with five such “bundled” stories in their finalists list.

(9) LAWS STUDENT. Yahoo! News reports “Stephen Hawking Finished Mind-Bending Parallel Universe Paper Days Before His Death”.

British physicist Stephen Hawking may have died in March, but his legacy is still unfolding.

The prominent theoretical physicist and cosmologist co-authored a research paper about the existence of parallel universes similar to our own, which the Journal of High-Energy Physics posthumously published on Friday.

According to the BBC, the study was submitted to the open-access journal shortly before Hawking’s death.

Thomas Hertog, a co-author of the study, told the BBC that he and Hawking were wrestling with the idea that the Big Bang actually resulted in the creation of multiple “pocket universes” that exist throughout space. It was unclear to them whether the laws of physics that apply in our universe would also apply in these alternate universes.

“In the old theory there were all sorts of universes: some were empty, others were full of matter, some expanded too fast, others were too short-lived. There was huge variation,” said Hertog, a physics professor at the Catholic University of Leuven (KU Leuven) in Belgium. “The mystery was why do we live in this special universe where everything is nicely balanced in order for complexity and life to emerge?”

Hertog and Hawking’s paper uses new mathematical techniques to restore order to previously chaotic views of the multiverse, suggesting that these different universes are subject to the same laws of physics as our own.

(10) BATTLE OF HOGWARTS ANNIVERSARY. J. K Rowling continues her annual tradition of apologizing for killing off a character – although this one did not fall in the battle.

(11) TODAY IN HISTORY

  • May 2,1933 — The modern legend of the Loch Ness Monster is born when a sighting makes local news on May 2, 1933. …Revelations in 1994 that the famous 1934 photo was a complete hoax has only slightly dampened the enthusiasm of tourists and investigators for the legendary beast of Loch Ness.
  • May 2, 2008 — The first Iron Man hit theaters.

(12) COMICS SECTION.

(13) EATING THE FANTASTIC. You’re invited to share a pastrami sandwich with T. E. D. Klein in Episode 65 of Scott Edelman’s Eating the Fantastic podcast.

T.E.D. Klein

He’s been a seven-time nominee for the World Fantasy Award, starting in 1975 with his first published story, “The Events at Poroth Farm,” and his novella “Nadelman’s God” won the World Fantasy Award in 1986. Stephen King once called his 1984 novel The Ceremonies, “the most exciting novel in the field to come along since Straub’s Ghost Story.” All this and more resulted in Klein being given the World Horror Convention’s Grand Master Award in 2012.

Our dinner last Thursday night was at a spot he suggested—Fine & Schapiro, an old-school NYC Kosher deli which has been serving pastrami sandwiches on West 72nd Street since 1927. Ninety-one years later, we took our seats in a booth in the back—and saved a seat for you.

We discussed what he hated most about editing The Twilight Zone magazine, how he ended up scripting the screenplay for “the worst movie Dario Argento ever made,” what eldritch action he took after buying a letter written by H. P. Lovecraft, which movie monster gave him the most nightmares, what he’ll likely title his future autobiography, why he feels cheated by most horror movies, the secret origin of the T. E. D. Klein byline, his parents’ friendship with (and the nickname they gave to) Stan Lee and his wife, what he learned (and what he didn’t) when taught by Anthony Burgess, the bittersweet autograph he once obtained from John Updike, whether we’re likely to see his long-awaited novel Nighttown any time soon, and much more.

(14) BRITISH FAN HISTORY. Let Rob Hansen fill you in about “The London Circle (1959)”:

SF fans have been holding regular meetings in central London since the 1930s. In all that time there was only one year – 1959 – in which, thanks to the efforts of a couple of SF pros, they became a formally organised group with dues, membership cards, an elected committee, and a written constitution. Having recently unearthed a copy of that
constitution, I’ve just added a page to my website about that brief, failed experiment and the continuing legacy it left behind.

(15) IT’S A GAS. And if you have the help of the Hubble telescope, you can see it a long way off: “Hubble detects helium in the atmosphere of an exoplanet for the first time”.

The international team of astronomers, led by Jessica Spake, a PhD student at the University of Exeter in the UK, used Hubble’s Wide Field Camera 3 to discover helium in the atmosphere of the exoplanet WASP-107b This is the first detection of its kind.

Spake explains the importance of the discovery: “Helium is the second-most common element in the Universe after hydrogen. It is also one of the main constituents of the planets Jupiter and Saturn in our Solar System. However, up until now helium had not been detected on exoplanets – despite searches for it.”

The team made the detection by analysing the infrared spectrum of the atmosphere of WASP-107b [1]. Previous detections of extended exoplanet atmospheres have been made by studying the spectrum at ultraviolet and optical wavelengths; this detection therefore demonstrates that exoplanet atmospheres can also be studied at longer wavelengths.

(16) WINDOWS 2018. The BBC tells how: “Ford car window helps blind passengers ‘feel’ the view”

A prototype, called Feel the View, uses high-contrast photos to reproduce scenery using LED lights.

Passengers can touch the display to feel different shades of grey vibrate at different intensities.

The Royal National Institute of Blind People said the charity “wholeheartedly supports” the company’s effort.

“[It] could contribute to breaking down barriers and making travel more enjoyable and inclusive for people living with sight loss,” Robin Spinks, innovation manager at RNIB, told the BBC.

(17) DJ SPINRAD. Norman Spinrad has created a playlist (or “mixtape”) for the French radio show Voice of Cassandre. The playlist includes Kris Kristofferson, Accept, Lotte Lenya, Kraftwerk, the Sex Pistols, the Beatles, and Bruce Springsteen. The entire playlist can be heard on Mixcloud.

(18) DIDN’T SEE THAT COMING. Jon Del Arroz’ CLFA Book of the Year Award winner has a lovely cover, which he posts frequently on social media. Today somebody asked him the name of the artist. JDA’s answer was

The guy blacklisted me over politics I wouldn’t recommend him.

(19) INFESTATION. The Marvel Studios’ Ant-Man and The Wasp – Official Trailer is here.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, ULTRAGOTHA, Joey Eschrich, Danny Sichel, Andrew Porter, Chip Hitchcock, Martin Morse Wooster, Scott Edelman, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Chris S.]

Thanks, I Guess

FANZINES: The DIY Revolution (Chronicle, paper, $40) by Teal Triggs is one of three books Steven Heller covers in his New York Times review “Irreverence You Can Almost Touch”.

Heller’s review has drawn fannish attention because it quotes Triggs giving proper credit for the fannish origin of the word “fanzines” in the Times’ hallowed pages:

Fanzines are extremely diverse and intensely personal — some filled with rant, some with reason — and their adherents use the form much like a blog, to communicate and interact with like-minded people. “The term ‘fanzine,’ ” Triggs explains, “is the conflation of ‘fan’ and ‘magazine,’ and was coined by the American sci-fi enthusiast and zine producer Louis Russell Chauvenet in 1940 in his hectographed fanzine Detours . . . when he declared his preference for the term ‘fanzine’ rather than ‘fanmag.’ ”

But gratifying as that may be, Heller otherwise gives 100% of his attention to zines devoted to rock music, comics, fashion and politics – significant to him products of a counter-cultural underground. I feel as if all those decades when fanzines were the torchbearers of sf fandom, and that alone, got shoved aside and wonder how long it will take for this view of fanzine history to imprint itself on the curators of the several university library fanzine collections founded over the past few years?

[Thanks to Moshe Feder and Gary Farber for the link.]

Snapshots 19

Nine developments of interest to fans:

(1) The UK has academic fanzine collections, too. A BBC story “Fanzines enter pages of history” says “The National Library of Scotland is to embark on the laborious task of tracking down and cataloguing the countless thousands of fanzines published in the UK over the past 70 years.” That includes sf and fantasy zines. And the Beeb interviews Professor Chris Atton, whose fascination with music fanzines goes back decades.

(2) YouTube videos about Ray Bradbury’s play Falling Upward are linked here and here.

(3) Canadians, would you rather have Star Trek’s Captain Kirk, TV cop T.J. Hooker or Boston Legal lawyer Denny Crane running your country? Well this is your lucky day – you get all three if you accept William Shatner’s offer:

“The 77-year-old star said: ‘My intention is to be Prime Minister of Canada, not Governor General, which is mainly a ceremonial position.'”

(4) The Marvel Comics version of Stephen King’s The Stand is being sold only through comics stores, not bookstores. Publishers Weekly reports:

Faced with restrictions on the distribution of its much-anticipated comics adaptation of Stephen King’s post-apocalyptic bestseller, The Stand, Marvel Comics is working to turn them into a plus. After releasing the series in periodical form in the fall of last year, Marvel announced plans to release the hardcover graphic novel, The Stand: Captain Trips, on March 10 exclusively through the comics shop market.

(5) Jennifer Schuessler’s New York Times article asks:

These days, America is menaced by zombie banks and zombie computers. What’s next, a zombie Jane Austen?

In fact, yes. Minor pandemonium ensued in the blogosphere this month after Quirk Books announced the publication of Pride and Prejudice and Zombies, an edition of Austen’s classic juiced up with “all-new scenes of bone-crunching zombie mayhem” by a Los Angeles television writer named Seth Grahame-Smith. (First line: “It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains.”)

(6) Cheryl Morgan draws an irresistible parallel between the “social grooming” of monkeys and bloggers:

People who study primate behavior apparently recognize a lot of what happens in social networks as “grooming”. And you know, that makes a lot of sense. Link love is essentially a grooming activity. Us low-status monkeys indulge in mutual grooming with people we think of as allies, and we groom high-status monkeys whom we admire and whose troop we wish to belong to. High status monkeys don’t need to groom others, but may do so to reward their followers.

Thanks for pointing that out. A bunch of bananas is on the way…

(7) Your one-stop shop for history and images of Ace Books.

(8) Dave Barnett has written an enoyable and insightful article for the Guardian on the reissue of John Crowley’s Little, Big

Little, Big spans several generations of the Drinkwater family and their relationship with the world of faerie. The concept is rescued from tweeness by author Crowley’s dazzling feats of aerobatics with the English language, which at first – especially in my tightly-typeset Methuen edition – take a bit of getting used to but, ultimately, draw you in and trap you with their beauty, not unlike the fabled world of faery itself.

(9) Artist Joy Alyssa Day, a friend of Diana’s and mine, is hard at work on a solid wood rocket ship:

The fins are finished! They were cut from solid cherry boards with my radial arm saw and trimmed up with my bandsaw. The blade on that could use some replacing…. Cherry is so hard that mostly the bandsaw blade just burns it while it’s trying to cut. Funny, burned cherry wood smells exactly like popcorn. Now I’m hungry!

[Thanks to John King Tarpinian, Andrew Porter, Martin Morse Wooster and David Klaus for the links they contributed to this article.]

 

What Passes for History

Cheryl Morgan points out Tim W. Brown’s poorly-researched post on Galley Cat masquerading as a brief history of zines, chortling over the prospect that Core Fandom will stroke out when they read such “facts” as —

The most widely credited ancestor of the contemporary zine was the “fanzine” first appearing in the 1970s. An offshoot of the fan club newsletter, fanzines published bits of fact and rumor about favorite rock bands in pamphlets mimeographed in editions of fifty or a hundred.

Cheryl’s not the only one who enjoys the idea of Core Fandom finding a little grit in its oyster, but this post should offend anyone who uses the Internet as a learning tool. The correct information about 30’s sf fandom’s role in inventing fanzines is readily available without having to sift the Eaton Collection. Brown would not even have had to personally read Fredric Wertham’s World of Fanzines if he’d sought out articles like this one by Steven Perkins, author of the far more accurate essay “Science Fiction Fanzines.”

Bwana’s in the Organlegger Business

Mike Resnick, best known to the internet’s luxury shoppers as Bwana25, always keeps a cargo of vintage fanzines for sale at his outpost on eBay. Every now and then that includes an old zine of mine.

This weekend Bwana’s selling a copy of Organlegger #7, from my first foray into fannish journalism back in 1973. The copy looks in good condition (it might be better than my file copy!), and that’s a pleasant surprise when you’re talking about twiltone paper printed with oil-based mimeo ink. If any of the earliest issues are still readable that’ll be even more surprising, for reasons that will be revealed in a moment.

Organlegger #7 came out in August 1973. The first issue had been produced just the month before. So was it a weekly? Never. But it had been a daily.

Elst Weinstein hauled his ditto machine and supplies to San Francisco in case they’d come in handy for whatever mischief we got into at the 1973 Westercon, a 5-day convention. The Westercon daily newzine had an aloof tone, and was full of official announcements. Elst and I were tempted to parody it until we considered how much real news we knew and that it would be more fun to launch a rival zine and play it straight.

Though it was a Sampo Westercon in the Bay Area, many of the con’s most interesting stories involved Southern Californians. Larry Niven was a GoH (in those days he was also hawking memberships in the highly-amusing parody Trantorcon in 23,309). Marjii Ellers scored a coup in the Masquerade as the “Queen of Air and Darkness”. The LA smofs bid for (and won) the right to try their own Bay Area Westercon, OakLaCon in 1975. And so on. Elst and I filled several ditto-reproduced issues of Organlegger by the end of the con.

The experience also confirmed I’d been bitten by the newzine bug. When I got home I took over the title and set out to print all the fannish news people felt Locus was neglecting (which was plenty even then, in only its fifth year of publication!) Organlegger failed to last only because I was a college student who simply couldn’t afford the project. The zine survived just long enough to report LASFS’ purchase of its first clubhouse — indeed, 2008 is the 35th anniversary.

If you’re someone who enjoys all the nostalgia brought on by a whiff of twiltone, don’t miss this opportunity. Bwana wants six bucks minimum. Buyer pays postage. Bidding ends February 18.

A Salute to Tim Kirk

How good a fanartist is Tim Kirk? So good that in the 1970s he won five Hugos during the greatest era in the history of fan art, running against a field including George Barr, Alicia Austin, Steven Fabian, Bill Rotsler, Grant Canfield, Steve Stiles, ATom and others.

Tim drew the signature Geis-and-Alter-Ego logo that ran above the editorials in Science Fiction Review, the dominant fanzine of the late 60s/early 70s. He did lots of terrific fanzine covers. With paint and canvas he brought vividly to life all kinds of rumpled gnomes and alien creatures, including  “Mugg from Thugg.”

Tim made a huge splash at the 1972 Westercon art show with a display of 26 Tolkien-themed paintings he’d done for his thesis project while earning a Master’s degree in Illustration from California State University, Long Beach. Thirteen of the paintings were selected for publication by Ballantine Books as the 1975 Tolkien Calendar.

Tim’s stunning entries in other art shows included vast pen-and-ink drawings that were busier than any scene by Hieronymous Bosch and infinitely more entertaining. Whenever they could, the Nivens would top all bidders at auction and take these drawings home to make them centerpieces on the living room walls. This was lucky for visitors to the Nivens’ after-LASFS poker games, like me. Once I gambled away my $5 limit I had plenty of time to study in detail all the lore Tim stuffed in every corner of Merlin’s workshop and other pictures til my ride was ready to leave.

Fandom still had a bit of an inferiority complex in those days about the mainstream’s disrespect of anyone with an interest in sf and fantasy, so when Hallmark Cards hired Tim some of us felt a little bit vindicated to see a talented artist rise from our midst and apply his abilities to products everyone in America used. Tim was with Hallmark from 1973 to 1980, doing progressively more professional art and, as seemed logical at the time, fading out of the fanzine scene altogether.

As it happened, Tim soon leaped from one pinnacle of success to another. From 1980 to 2001 he was employed as a designer for Walt Disney Imagineering, and was instrumental in the conception and realization of several major theme park projects, including the Disney-MGM Studios in Florida, and Tokyo DisneySea, which debuted in September 2001. In 2002 he, along with his brother and sister-in-law (also Disney veterans) founded Kirk Design Incorporated, specializing in museum, restaurant, retail and theme park work.

Their firm was responsible for the conceptual design of Seattle’s new  Science Fiction Museum, exhibiting some of Paul Allen’s vast collection, which opened in 2004. Tim also serves on the Science Fiction Museum Advisory Board.

Tim’s work on SFM led to renewed visibility in fannish circles. He was at the 2003 Westercon during Greg Bear’s SFM presentation making illustrated notes on an easel. In 2004, he contributed a highly interesting autobiographical essay to Guy Lillian’s Challenger, accompanied by a beautiful portfolio of his classic pen-and-ink drawings.

Since then Tim has been guest of honor at ConDor XIV (2007), the local San Diego convention, where Jerry Shaw photographed him at the masquerade showing off the souvenir tile they gave him.

It’s a great thing when a fannish giant proves you can come home again!

The Answer is SF/SF 42

Jean Martin and Chris Garcia’s latest issue of Science Fiction/San Francisco covers fan news the way it should be done. There’s all kinds of excellent story angles I plan to steal from admire in SF/SF #42.

The most valuable revelation in the issue is Chris Garcia’s “Confessions of a Serial Fanzinista,” the diary that explains how he manages to produce his sensational output and still hold a job, as well as his less successful but quite humorous attempts to interest his youngster Evelyn in fanzines and China Mieville.

Another regular treat in each issue are the BASFA meeting minutes. Here’s where you learn that the president of the club, Trey Haddad, “reviewed ‘300’ as the font of all manliness and those seeking historical accuracy need not apply [and there was much talk of rouged nipples] – but there were some neat scenes and worth – well, it’s a rental.”

You’ll find every issue on eFanzines. Go. Go now!