Farah Mendlesohn also has a copy and a cat:
Lord Miles Vorkosicat peruses new book on Bujold.
Photos of your felines resting on genre works are welcome. Send to mikeglyer (at) cs (dot) com
Farah Mendlesohn also has a copy and a cat:
Lord Miles Vorkosicat peruses new book on Bujold.
Photos of your felines resting on genre works are welcome. Send to mikeglyer (at) cs (dot) com
(1) GARCIAGATE GOFUNDME. Chris Garcia, Vanessa and the boys had to evacuate from their Northern California home because of the fires. So far their house has survived, but there’s no telling when they will be able to return. Til then, they’re in hotels. A GoFundMe appeal launched yesterday: “GarciaGatePenguins Fire Relief” People have donated $5,780 of the $10,000 goal in less than 24 hours.
…Initially they believed their home is lost, but are holding out hope that their home and belongings aren’t destroyed. It may still be a long voyage in the clean up process, assuming the house is still standing. What may have been destroyed by smoke damage is also still an unknown. It has been an incredibly hard time and they are incurring many added expenses for temporary lodging and having to eat out.
(2) EATING THE FANTASTIC. Scott Edelman continues having the conversations he would have had in New Zealand had there been a flesh-and-blood CoNZealand. It’s time for tea and scones with Farah Mendlesohn on Episode 126 of Eating the Fantastic.
I’d previously made plans to chat and chew with three guests on the ground in Wellington, but since that proved impossible, I decided to go virtual, too, urged on by my Patreon supporters. And so, during my previous two episodes, you were able to eavesdrop as I dined with Lee Murray in New Zealand and Stephen Dedman in Australia. This time around, we’re off to Stoke-on-Trent in Staffordshire, England for tea and scones with Farah Mendlesohn.
Farah was a Hugo Award finalist this year in the category of Best Related Work for her book The Pleasant Profession of Robert A. Heinlein, and had previously been nominated in that category for The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction, and On Joanna Russ. She won a Hugo (with Edward James) in 2005 for The Cambridge Companion to Science Fiction, as well as a World Fantasy Award in 2017 for Children’s Fantasy Literature: An Introduction, which she wrote with Michael M. Levy.
She’s also edited anthologies, including Glorifying Terrorism, Manufacturing Contempt: An Anthology of Original Science Fiction, which she created to protest laws introduced by the British Government she saw as restricting free speech. She was the chair of the Science Fiction Foundation from 2004-2007, served as President of the International Association of the Fantastic in the Arts from 2008-2011, and is currently an Associate Fellow of The Anglia Ruskin Centre for Science Fiction and Fantasy.
We discussed the reasons Robert A. Heinlein resonated with her, how her early and current readings of Heinlein differ, why the science fiction of the ’30s was far more politically radical than that of the ’40s and ’50s, her deliberately controversial comment about Ursula K. Le Guin, the circumstances under which she’s more interested in the typical rather than the groundbreaking, that period during the ’20s when everyone was fascinated by glands, the one Heinlein book she wishes we’d go all back and reread, our joint distaste for fan policing, and much more.
(3) INTO THE UNKNOWN. Deadline introduces “‘His Dark Materials’ Teaser: First Look At Season 2 Of HBO/BBC Adaptation Of Philip Pullman’s Fantasy Epic”.
We’re getting the first look at the upcoming second season of His Dark Materials, HBO/BBC’s big-budget adaptation of Philip Pullman’s fantasy epic.
The second season begins after Lord Asriel has opened a bridge to a new world, and, distraught over the death of her best friend, Lyra follows Asriel into the unknown. In a strange and mysterious abandoned city she meets Will, a boy from our world who is also running from a troubled past. Lyra and Will learn their destinies are tied to reuniting Will with his father but find their path is constantly thwarted as a war begins to brew around them. Meanwhile, Mrs. Coulter searches for Lyra, determined to bring her home by any means necessary.
(4) ROWLING RETURNS AWARD. “J.K. Rowling Returns Kennedy Family Award Following Kerry Kennedy Remarks” – Variety has the story.
“Harry Potter” author J.K. Rowling has emerged into a fresh controversy after she returned the Ripple of Hope Award bestowed upon her by the Robert F. Kennedy Human Rights organization in December 2019, following criticism from Kerry Kennedy. Kerry is the daughter of Robert F. Kennedy, and the president of the organization.
“Over the course of June 2020 — LGBTQ Pride Month — and much to my dismay, J.K. Rowling posted deeply troubling transphobic tweets and statements,” Kennedy posted on the organization’s website on Aug. 3. “On June 6, she tweeted an article headlined “Opinion: Creating a more equal post-COVID-19 world for people who menstruate.” She wrote glibly and dismissively about transgender identity: ‘People who menstruate.’ I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud?”
Kennedy said she had spoken with Rowling “to express my profound disappointment that she has chosen to use her remarkable gifts to create a narrative that diminishes the identity of trans and nonbinary people, undermining the validity and integrity of the entire transgender community — one that disproportionately suffers from violence, discrimination, harassment, and exclusion and, as a result, experiences high rates of suicide, suicide attempts, homelessness, and mental and bodily harm. Black trans women and trans youth in particular are targeted.”
On Thursday, Rowling responded with a statement posted to her website.
“Because of the very serious conflict of views between myself and RFKHR, I feel I have no option but to return the Ripple of Hope Award bestowed upon me last year,” said the author. “I am deeply saddened that RFKHR has felt compelled to adopt this stance, but no award or honor, no matter my admiration for the person for whom it was named, means so much to me that I would forfeit the right to follow the dictates of my own conscience.”
Rowling said Kennedy’s statement “incorrectly implied that I was transphobic, and that I am responsible for harm to trans people.”
(5) FAMILY FEUD. The Independent eavesdropped on David Tennant’s podcast and learned: “William Shatner and Leonard Nimoy rivalry sparked by fan letter jealousy, claims George Takei”.
While appearing on David Tennant’s celebrity interview podcast, David Tennant Does a Podcast With…, Sulu actor Takei alleged that the cast of the original Star Trek TV series all got along apart from Shatner, with Takei confirming that it often felt like “William Shatner versus the rest of the world”.
“It got more and more intense,” Takei recalled. “How do I put it? It began from the TV series. There was one character whose charisma and whose mystery was like a magnet.
“It was Spock, the strange alien with pointy ears. That intrigued the audience and women thought ‘I’m the one who can arouse him.’ His fan letters were this many, and Leonard’s were that many, and that created an insecurity [in Shatner].”
He continued: “Movie-making, TV-making, theatre-making is all about collaborative teamwork. A good actor knows that the scene works when there’s that dynamic going on with the cast. Some actors seem to feel that it’s a one-man show. That’s the source of some tensions.”
Shatner saw the article and lashed out —
Then, in an unrelated exchange on Twitter, Shatner downplayed Trek’s immediate benefits to his career.
(6) THE MARTIAN CANTICLES. [Item by Martin Morse Wooster.] In the August 24 Financial Times, Ludovic Hunter-Tilney talks to progressive rocker Rick Wakeman about his new album, The Red Planet, He says he got the idea for the album about Mars by attending the Starmus International Festival of astronomy and music in Tenerife, Spain.
“Next year’s Starmus, due to be held in Armenia, marks the 50th anniversary of the first orbit of Mars by a space probe. Wakeman will be among the musicians appearing. He describes how the event’s founder, the astrophysicist Garek Israelian, updated him about the latest Martian findings.
‘He told me that it’s beginning to look like 20bn years ago Mars was a blue planet with oceans and rivers. ‘Your good friend David Bowie may have been right,’ Wakeman recalls. The rock musician–who played the piano part on Bowie’s celebrated ‘Life on Mars’ in 1971–went very quiet as the scientist spoke. Inside, a light went on. ‘Bingo!’ he said to himself/”
(7) THE TOON IS OUT THERE. [Item by Olav Rokne.] Lower Decks must look like a success, since now X-Files seems to be jumping onto the animated spin-off bandwagon. But since this show is being done by the creators of Movie 43 (which currently earns a generous 5% on Rotten Tomatoes) I wouldn’t hold out much hope for the series being watchable. From Variety: “‘X-Files’ Animated Comedy Series in Development at Fox”.
An animated “X-Files” comedy series spinoff is in the works at Fox, Variety has confirmed.
The project is currently titled “The X-Files: Albuquerque.” It has received a script and presentation commitment at the broadcaster. The show would revolve around an office full of misfit agents who investigate X-Files cases too wacky, ridiculous or downright dopey for Mulder and Scully to bother with. They’re basically the X-Files’ B-team.
“X-Files” creator Chris Carter is attached to executive produce the project, with Rocky Russo and Jeremy Sosenko attached to write and executive produce. Gabe Rotter, who worked on the “X-Files” revival at Fox, will also executive produce. 20th Television and Fox Entertainment will produce. Bento Box will provide animation. Neither Gillian Anderson or David Duchovny is involved with the project at this time.
(8) UP THE AMAZON. Publishers Lunch reports:
…In advance of Independent Bookstore Day on August 29, Powell’s Books announced that it will no longer sell rare and collectible books through Amazon Marketplace. Owner Emily Powell wrote in a message to customers, “For too long, we have watched the detrimental impact of Amazon’s business on our communities and the independent bookselling world…. The vitality of our neighbors and neighborhoods depends on the ability of local businesses to thrive. We will not participate in undermining that vitality.”
(9) TALKING ABOUT MY GENERATION. James Davis Nicoll tells about “Five Stories About Generation Ships That Don’t End in Disaster”. (Did I know there were any such stories? Couldn’t remember, but I guess I must, because I’ve read the first two he names.)
We’ve all read about it: after decades of construction, a shiny new generation ship is loaded with a crew of bright-eyed optimists. Once the sun is just another bright star in the sky, mutiny and civil war reduce the crew to ignorant peasants…unless something worse happens. This is a narrative pattern set as early as Murray Leinster’s 1935 “Proxima Centauri,” solidified by Heinlein’s 1941 “Universe,” and embraced by authors ever since: human foibles in the confined space of a generation ship ensure calamity. Ideally not of the sort that leave everyone too dead to be interesting.
But it does not have to go that way! Here are five examples of generation ships that managed to avoid mutiny, civil war, barbarism, and mass cannibalism.
(10) THE MAGIC OF LONDON BOOKSHOPS. Publishers Weekly conducted a “Q & A with Garth Nix” whose new book is The Left-Handed Booksellers of London.
Why did you choose to set the tale in 1983 London?
In part I chose to set the story in 1983 London because that was when I first saw it in person, visiting from Australia. I was there for about six months, off and on—even though I have returned to the U.K. many times since—so I have particularly concrete memories of that time. But I also wanted to make it a slightly alternate 1983, so the world of the book could be more diverse and have greater gender equality, and I could enjoy myself including and transforming various cultural references of the time.
The magic users in your book are booksellers rather than being specifically wizards, witches, magicians, etc. What’s the connection for you, between selling books and casting spells?
I think bookshops have always been rather magical, so by extension, the people who work in them are too! There is also something magical about making the connection between a book and a reader. I always had tremendous satisfaction in match-making a customer with a book they didn’t know they wanted, but would later come back in to rave about and buy everything the author had written.
In Merlin and the booksellers generally, you’ve created a group of characters who are magically gender-fluid. Why was it important for you to include this facet of the characters?
I think this is similar to my writing about places I wish really existed, that I could visit. While it isn’t easy for the booksellers to physically become the gender they feel they are, it is far easier than it is in this world. I think it would be good to be, as Merlin says, “somewhat shape-shiftery.”
(11) MEDIA BIRTHDAY.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
(13) COMICS SECTON.
(14) GREAT EXPECTATIONS. LitHub introduces a NewberyTart podcast episode: “What We’ve Come to Expect From Heroines in Science Fiction”. (The podcast link is embedded at the post.)
Each week on NewberyTart, Jennie and Marcy, two book-loving mamas (and a librarian and a bookseller, respectively), read and drink their way through the entire catalogue of Newbery books, and interview authors and illustrators along the way.
On today’s episode, Jennie and Marcy talk about the finalist of the 1971 Newbery Medal for excellence in American children’s literature, Enchantress from the Stars by Sylvia Engdahl.
Marcy: Since I started reading what I consider to be better science fiction, the tone of the book leaves me thinking it could be a little better, even if it might not necessarily be true, but it just falls in that category. Does it make sense the association?
Jennie: I think that we’re both talking about prejudices we have when it comes to books as we approach them and what we enjoy versus what we have been exposed to in the past. I think that makes total sense. I’m just like, Elana should be with a knife in her teeth and she should be hanging from the rafters.
Marcy: You want her to be Zoe from Firefly.
Jennie: I was thinking more Ripley.
This is a really great discussion about what we’ve come to expect from heroines in sci-fi!
Marcy: Which is ironic because this is probably one of the building blocks that got us to where we are to the ones that we wanted.
Jennie: I think it’s really good that we take some time and look at this and hopefully bring it to some new new readers.
Marcy: I have nothing but gratitude for the innovators who gave us any main characters, much less ones who rebelled in even any small ways and accomplished things and were characters who had agency. In this case, literally, even if they make bad choices sometimes, which people do. It’s still totally necessary to get us to where we are now, where we have so many choices and so many great female characters. We wouldn’t be here without those.
(15) ALL A LOAN. I Love Libraries investigated “What It’s Like to Be a Library Cat During the Pandemic”.
Libraries have long been home to feline residents who keep patrons company, promote activities and programs, and assist with pest control. We checked in on four library cats (and their humans) to see how their lifestyles have changed during the pandemic.
Browser from Texas’s White Settlement Public Library may be one of the nation’s most famous library cats. In a viral story from 2016, a city council member tried to oust Browser from his position at the library; after a public outcry, Browser was reinstated for life while his political opponent lost his reelection campaign.
Browser has stuck around the library during the pandemic closure but seems to be missing the crowds.
“He is generally quite independent, but since the closure he always wants to be near people. We can usually find him in the lap of a staff member, or lying helpfully on their keyboard,” library staffer Kathryn King told I Love Libraries. “Now that we are offering curbside service, he posts himself at the window during curbside hours to watch the patrons come and go.”…
(16) FREE IS NOT ENOUGH. In “The Public Domain Will Not Make You Popular”, John Scalzi disputes an SFFAudio tweet that essentially claims Heinlein would be more widely read if his work was available free.
…What is true is that Heinlein is probably less generally relevant to newer science fiction readers and writers than he was to new SF readers and writers in earlier eras. I have essayed this at length before and therefore won’t go into it again now. I will say, however, that Heinlein’s work and the work of many of his contemporaries are at an awkward age: enough decades after publication that the underlying cultural assumptions of the work and the author are no longer consonant with contemporary times, but not enough decades out that the work can be comfortably be considered a “period piece,” which means that consonance is no longer expected.
In other words: a lot of “Golden Age of Science Fiction” work currently lies in a sort of cultural uncanny valley, existing in a simultaneous state of being too distant from contemporary readers, and also not nearly distant enough. That’s not Heinlein’s fault, precisely; it’s a matter of time and culture. It’s going to happen to most creative work — well, most work that’s remembered at all.
SFFAudio’s thread starts here. They also say:
(17) BRADBURY’S CRIME. Time travelers…dark carnivals…living automata…and detectives? Hard Case Crime is celebrating Ray Bradbury’s centennial, with a deluxe illustrated commemorative collection of his finest crime stories: Killer, Come Back To Me.
Honoring the 100th birthday of Ray Bradbury, renowned author of Fahrenheit 451, this new, definitive collection of the master’s less well-known crime fiction, published in a high-grade premium collectible edition, features classic stories and rare gems, a number of which became episodes of Alfred Hitchcock Presents and The Ray Bradbury Theater, including the tale Bradbury called “one of the best stories in any field that I have ever written.”
Is it murder to destroy a robot if it looks and speaks and thinks and feels like a human being? Can a ventriloquist be incriminated by the testimony of his own dummy? Can a time traveler prevent his younger self from killing the woman they both loved? And can the survivor of a pair of Siamese twins investigate his own brother’s murder? No other writer has ever rivaled the imagination and narrative gifts of Ray Bradbury, and the 20 unforgettable stories in this collection demonstrate this singular writer’s extraordinary range, influence and emotional power.
(18) HOLE NEW IDEA. [Item by Mike Kennedy.] Universe Today brings to our attention a new theory that would allow human-transmissible wormholes. There are, however, just a feeeew caveats. For instance, though the trip would be almost instantaneous for the passengers, an outside perspective would see the trip take longer than light would take to travel the same distance. Oh, and there’s the bit where the engineering would be many, many orders of magnitude greater than anything humans are currently capable of. And the thing where the effect depends on whether a particular 5-dimensional model of the universe correctly describes it or not. “One Theory Beyond the Standard Model Could Allow Wormholes that You Could Actually Fly Through”.
The study, titled “Humanly traversable wormholes,” was conducted by Juan Maldacena (the Carl P. Feinberg Professor of theoretical physics from the Institute of Advanced Study) and Alexey Milekhin, a graduate of astrophysics student at Princeton University. The pair have written extensively on the subject of wormholes in the past and how they could be a means for traveling safely through space.
(19) JDA’S SELF-ASSESSMENT. Jon Del Arroz told readers of his blog how he’s “Making Science Fiction Greater” [Internet Archive].
…The fireworks underlined the light in the darkness, the path forward, the bombs bursting in air, and made me reflect on our journey here for our movement to push this great American culture in a healthy and wondrous direction through science fiction and comics.
God’s blessed me with talents beyond most of the field in science fiction, fantasy, and comics, and on top of it, a clear vision of what needs to be done with the work not only to produce greatness for my own edification, but to do glory to His name and bring a return to hope, heroism, and the exceptionalism of mankind to fiction and culture.
It’s been missing for a long time, and the trials and tribulations, the struggles, the blacklisting, the bannings, they all were trials given to me to push me to outwork and out-innovate the competition, which is the true American way of winning.
(20) SONG DYNASTY CAT TWEETS. You wouldn’t want to miss this. Thread starts here.
[Thanks to John King Tarpinian, John Hertz, JJ, Martin Morse Wooster, Cat Eldridge, Lise Andreasen, Michael Toman, James Davis Nicoll, Mike Kennedy, Chris Barkley, Olav Rokne, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Olav Rokne.]
[Editor’s note: This review originally appeared in the July issue of the Denver clubzine DASFAx. Reprinted by permission. You can find issues of DASFAx at this link.]
By Sourdough Jackson: Normally, I don’t read doctoral dissertations, nor any later academic works based on them. The Pleasant Profession of Robert A. Heinlein, by Farah Mendlesohn, is an exception.
The author is a British cultural historian and literary critic specializing in SF and fantasy, and has served on the committees of several UK science fiction conventions, including co-chairmanship of the 2006 Eastercon. Her dissertation was a study of a dozen major SF authors, six male, six female, and one of them was Heinlein.
Years later, she returned to Heinlein scholarship, basing Pleasant Profession on her earlier research, adding in a great deal more work. One of my multiple beefs about the Patterson biography (Robert A. Heinlein: In Dialogue with His Century, 2 vols.) was its lack of discussion of Heinlein’s fiction; this book fills that gap for me, although very much not in the way William Patterson might have written it. Mendlesohn is politically center-left (UK style) and a moderate feminist, while Patterson was emphatically neither.
One thing Mendlesohn does not do is to create a scheme of little boxes and try to shoehorn all the information into them. You will find no mention of the “Heinlein Individual,” first proposed by Alexei Panshin and then discussed by other commentators, except to say that some critics had found the concept useful.
Instead there are deep chapters on many aspects of RAH’s fiction. She begins with a 70-page biographical precis, including a few points missed or misinterpreted by Patterson—this section is by no means a simple digest of the earlier work. Following this is a brief description of Heinlein’s “narrative arc,” a summary of his fictional output and how the stories are related. Unlike most earlier scholars, she is able to discuss the comparatively-recent posthumous book For Us the Living. She relates it to his other work—this book may have been a colossal marketplace failure during his lifetime, but he mined it for ideas and characters throughout his career. Mendlesohn acknowledges that, although neither of the Heinleins ever wanted it to see the light of day, it’s a valuable resource for critics, historians, and the curious.
In “Technique,” she discusses how the cinema molded much of his early work and influenced his style—one of the hallmarks of his stories is sparse description, particularly of characters. Although she does not mention this, such technique is far older than the movies—Shakespearean drama works without stage scenery and the barest minimum of props. The author, be it Heinlein or Shakespeare, counts on the audience to have their imaginations in good working order.
She also makes a point often lost on many readers: the viewpoint character in most Heinlein stories is not the principal actor, it’s his sidekick. One example is The Star Beast. The main character appears to be John Thomas Stuart XI; the real protagonist is Lummox, the runaway alien princess—John Thomas is her sidekick (and, in her eyes, her pet human). Two other active characters are Betty, his girlfriend, and Mr. Kiku, the alien-affairs diplomat. They and Lummox drive the story, while John Thomas is along for the ride.
She also discusses how engineering informs his tales, and dissects his time-travel technique. RAH was good at that; his early story, “By His Bootstraps,” only pales when stood against his later masterpiece, “All You Zombies.”
In “Rhetoric,” the next chapter, she discusses at length sentiment and how important it is to nearly anything Heinlein wrote. After a brief foray into his fantasy stories, she launches into a long talk about picaresque novels, a form he went in for later in his career, although his first picaro came early (and stayed late, wearing out his welcome with this reader): Lazarus Long. It is that discussion which brought home to me why I care little for much of Heinlein’s later work. A picaro, to many readers (myself included) is not a sympathetic character. In the case of Lazarus, I want to take my hardcover of Time Enough for Love and throw it at him.
The next two chapters cover civic society and revolution. In a nutshell, Heinlein considered the civic order to come from informed citizens working together to create and maintain it—a standard tenet of old-school American liberalism (see Emerson on self-reliance). As for revolution, he injected several instances of that into his tales, some necessary and praiseworthy (Between Planets, Red Planet, The Moon Is a Harsh Mistress, and “If This Goes On…”), and some attempts at tyranny (Friday, Beyond This Horizon, and “The Long Watch”).
In the revolution chapter Mendlesohn places a long aside on guns. One of the odd things about guns is that, when they appear, they almost always end up being useless. It’s only in Starship Troopers, one of his two military novels, that they’re consistently effective (the other, Space Cadet, is about peacekeeping, not war-making).
Racism is a major can of worms. Mendlesohn states—and shows—that Heinlein did not like it at all, and tried to work against it in his fiction. Sometimes he succeeded, other times not. One of his anti-racist (or, more properly, anti-ethnic-prejudice) tools in the 1950s was to fill a tale with background characters having wildly-diverse surnames. This is especially noticeable in Space Cadet, Time for the Stars, and Starship Troopers (for the last-named book, she includes a list of character names in an appendix). Incidentally, it is here that Mendlesohn makes an uncharacteristic boo-boo: When she discusses Alfred McNeill, the elderly black department head of the ship’s telepaths, she describes him as coming from the American South. Late in the novel, his tele-partner’s residence is given as being in Johannesburg, where she’d apparently been all the time. Last I heard, Johannesburg was in South Africa.
In this chapter is also a long, long discussion of Farnham’s Freehold. Even after reading her cogent exegesis of that novel, I still dislike the book, and probably always will. In his attempt to show the racist shoe on the other foot, Heinlein went too far—he ascribed habitual cannibalism to the black masters, atop all the other evils of slavery. Although Heinlein did not intend to play up to the white supremacists, this aspect of the story made blacks out to be inherent savages.
“Right Ordering of Self” comes next, and begins with personal honor. Heinlein’s honor is that of the person who is married or in the military, living by an internal code and living up to sworn vows and oaths. It is not the “honor” of the prickly, upper-class rakehell in the streets of Shakespeare’s Verona.
The rest of the chapter is devoted to sexual integrity and sexuality in general. To Heinlein, the worst thing a man can do, except perhaps to violate his oath of military service, is nonconsensual sex (aka rape). In one of his yarns, The Moon Is a Harsh Mistress, rapists, attempted rapists, and men perceived as attempting rape (even though they intended no such thing) get summarily shoved out the nearest airlock without benefit of pressure suit.
She brings up an odd, but true, idea in this passage on sex. Although RAH has a reputation for writing a lot of sex into his later books, it’s not so. There’s plenty of sexual banter, and much implied sex, but hardly any visible sex acts. What there is, is a great proliferation of kissing. Mendlesohn concludes that Heinlein simply liked kissing, and often used it to show love between characters.
From I Will Fear No Evil (1970) onward, Heinlein often explored transgender phenomena, and Mendlesohn devotes a chapter to this. Her discussion indicates that he knew his masculine side quite well, and had some understanding of his feminine side and how it related to the rest of him. She does not directly address his skill at handling transgender themes, which is perhaps just as well. Fear No Evil was clumsy, ill-informed, and rushed to publication. Normally, his wife took a pass through every manuscript before it went out, giving him suggestions—this did not happen with this book, owing to Heinlein’s desperately poor health at the time.
Also, very little was known about transgender issues at that time, or at any time during his life. Heinlein was a great respecter of information—when he had good data, he used it to good effect. When he had poor or spotty info, his lack of awareness of this tended to yield questionable results.
A case in point is Heinlein’s handling of female characters. For at least half a century, a common beef has been, “Heinlein can’t write females worth spit!” implying that he didn’t know anything about women. Not necessarily so. He knew several quite well: his mother, his sisters, and three different wives. Traits from all of these (not just Virginia, his last wife) found their way into the women and girls on his pages—a fine example is Grandma Hazel in The Rolling Stones, whose prototype was his mother (Mendlesohn misses this point).
One exception to this observation is the three Puddin’ stories (non-SF) and Podkayne of Mars. For these, he did have information—badly distorted, though. It came from the editor of a magazine for teenage girls, and no doubt fitted that editor’s preconceptions of what teenage girls should be. Knowing no better, RAH swallowed it whole (and sold three stories), later reusing the misinformation to produce Podkayne. Incidentally, Podkayne of Mars is another place where Mendlesohn missed a point. The scene where Mrs. Royer tries to get Podkayne to rub her back has usually appeared to me to be an attempt at lesbian seduction by Mrs. Royer. Mendlesohn considers it to simply be Mrs. Royer treating Podkayne like a servant, which is how I read it at first (I was eleven years old then, and innocent of sexual matters). Podkayne misses the point, too, although later on, she is fully aware of Dexter Cunha’s intentions toward her.
The epilogue, “The Cat Who Walked Through Genres,” is a nice exploration of Heinlein’s love of cats, as expressed in his writings. A dog person early in life (best illustrated in “A Tenderfoot in Space,” whose main character is a dog), he was introduced to cats by Virginia when they married. He was practical about this in his fiction; in The Rolling Stones, for example, Roger Stone loudly vetoes the idea of carrying a cat on the family rocket-yacht, due to feline sanitary considerations in zero-G.
On the whole, this is a very good exploration of Heinlein’s writings. This was published in the UK and written by an Englishwoman, so spellings and typographical conventions are what one would expect when reading something by Arthur C. Clarke or Fred Hoyle. She does keep British colloquialisms down to a minimum, however.
It is also a scholarly work, filled with source citations—which she does in the most convenient way possible, inline, contained in parentheses. Other footnotes she puts at the bottom of the page, where they belong (that’s why they’re called footnotes). There is an extensive bibliography at the end, which is an excellent source for further readings about Heinlein. An accident of the alphabet places Alexei Panshin next to William H. Patterson, Jr., a juxtaposition which would irk both men, as Alexei and Patterbill always disagreed strongly in their interpretations.
The Pleasant Profession of Robert A. Heinlein is well worth the purchase price—like almost all books, it can be found for a discount on Amazon.com (list price on the dust jacket is £25.00).
Next month, I hope to return to my series of essays on Heinlein’s juvenile fiction. Until then, clear ether!
The British Science Fiction Association presented the 2019 BSFA Awards in a video ceremony on YouTube today.
The results ordinarily would have been announced at the 2020 Eastercon, Concentric, in April, but the convention was cancelled due to the coronavirus outbreak.
The winners are:
Best Shorter Fiction
(1) CATS SLEEP ON $FF. Cat Rambo issues a warning about “Writing Contests and Fees”, and rebuts several arguments she’s heard trying to justify them.
Here’s one of her answers:
Charging a fee means better submissions. Great reason for editors and magazines; meaningless to writers and in fact, means people that self-reject will be even more likely to do so. It also ensures economically disadvantaged people don’t get to participate. The price of a latte for one person may be the next person’s daily food budget.
(2) PROBLEMS FOR JUDGE WHO ENGAGED KRAMER’S COMPUTER SERVICES. More revelations about the judge, from the Gwinett Daily Post. Recent news proves that not only did the judge know about Kramer, but that she was in phone contact with him. She currently is being asked to recuse herself following making false statements and recording the DA during a meeting without his permission or knowledge. “Gwinnett DA files motion for Superior Court judge to recuse herself from all criminal cases”.
Just days after a court filing alleged that Gwinnett County Superior Court Judge Kathryn Schrader expressly gave a convicted sex offender access to the county’s computer network, Gwinnett County District Attorney Danny Porter is calling for her to recuse herself from all criminal cases.
…In Friday’s filing, which included an affidavit, Porter said he confronted the judge about her computer being monitored, but “at no time during this meeting did Judge Schrader disclose that she had any direct knowledge of this monitoring, or that she had hired Ward, Karic and Kramer to do so.”
The judge also recorded the meeting “through a video on her phone without (Porter’s) knowledge or consent,” Porter wrote in the affidavit.
On March 15, when the GBI interviewed Schrader, she accused Porter of hacking her computer, Porter’s affidavit said.
“Because Judge Schrader has alleged that I committed a criminal offense against her, I have grounds to reasonably question her impartiality in any criminal case that my office handles before her,” Porter’s affidavit said. “This is further supported by the fact that Judge Schrader has surreptitiously recorded our private conversations without my knowledge or consent, while feigning ignorance of the very individuals she had employed and allowed to access the entire Gwinnett County Computer network.”
(3) AGED, BUT NOT GOLDEN. Is reviewer Christopher Priest so eager to lash out at a writer who died 30 years ago, or was this an irresistible opportunity to downcheck a favorite of some of his living American colleagues? He reviews Farah Mendlesohn’s The Pleasant Profession of Robert A. Heinlein for The Spectator: “Robert A. Heinlein: the ‘giant of SF’ was sexist, racist — and certainly no stylist”.
…Mendlesohn describes how Heinlein, who when younger had made a well-earned name for himself as an author of serious and innovative speculative fiction, became a rotten writer in the second half of his career. He always told stories well, but his style was execrable. From Starship Troopers (1959) onwards, his books had an endlessly hectoring, lecturing tone, almost always phrased in long and unconvincing conversations full of paternalistic advice, sexual remarks, libertarian dogma and folksy slang. Reading one of his later novels produced the weird effect of meaningless receptivity: you could get through 20 pages at a gallop, but at the end you couldn’t remember anything that had been said, by whom or for what reason. The next 20 pages would be the same (but seemed longer).
… At the end of the war he began a series of juvenile novels, aimed unerringly at young readers but told in the same didactic voice. These novels, not published in the UK until years later when Heinlein was famous, had a profound effect on their American readers. There is still today a generation of middle- aged and elderly American science fiction writers for whom Heinlein is in a position of seminal influence, similar to Hemingway in other literary circles. Heinlein’s influence on modern American science fiction is not universal, but still detectable….
(4) SWATTER GETS 20 YEARS. On December 28, 2017 Andrew “Andy” Finch was killed when police officers in Wichita, Kansas responded to a 911 call about a hostage/murder situation. Tyler Barriss, who made the call, has now been convicted and sentenced: “20 years for man behind hoax call that led to fatal shooting”.
A California man was sentenced Friday to 20 years in prison for making bogus emergency calls to authorities across the U.S., including one that led police to fatally shoot a Kansas man following a dispute between two online players over a $1.50 bet in the Call of Duty: WWII video game.
U.S. District Judge Eric Melgren sentenced Tyler R. Barriss, 26, under a deal in which he pleaded guilty in November to a total of 51 federal charges related to fake calls and threats. The plea agreement called for a sentence of at least 20 years — well over the 10 years recommended under sentencing guidelines. Prosecutors believe it is the longest prison sentence ever imposed for the practice of “swatting,” a form of retaliation in which someone reports a false emergency to get authorities, particularly a SWAT team, to descend on an address.
(5) LIKE A JAWA MARRIOTT. Take one look at the picture and you can have no doubts: “The upside down hotel said to have inspired Star Wars faces demolition”.
Much of the shooting for the original Star Wars movies took place in Tunisia, and legend has it that one local landmark made a powerful impression on its creator, George Lucas.
The influence of Hotel du Lac in Tunis, shaped like an upside-down pyramid with serrated edges, would later be seen in the fictional Sandcrawler vehicle used by the Jawas of the Tatooine desert planet in the film.
(6) WOMEN AT THE FOREFRONT. The Bustle lists “12 Female-Driven Sci-Fi & Fantasy Novels That You Definitely Don’t Want To Miss”. One of them is —
‘The Priory of the Orange Tree’ by Samantha Shannon
A millennium ago, a powerful, evil dragon, known only as the Nameless One, was locked away in the Abyss. The people of three nations want to keep the dragon sealed away, but fear that his return is imminent. In Samantha Shannon’s sweeping new fantasy novel, three women, one from each nation, must join forces if they want to keep their world safe.
(7) ADVANCED DEGREES. As Women’s History Month winds up, Yahoo! Entertainment explores the “Six Degrees of Peggy Carter: Why the S.H.I.E.L.D. Founder Is the Lynchpin of the Entire MCU”.
While there may not be direct links from Peggy to every single Avenger, her status as a founding member of S.H.I.E.L.D. links her intrinsically to the heroic group and their efforts to save the world from evil time and time again. So here is a very unofficial, fan-centric look at the impact Peggy Carter has had on the MCU, and the ways in which she helped bring Earth’s mightiest heroes together as a team. “All we can do is our best,” after all….
2. Iron Man
A “self-made man” in the same way that Kylie Jenner is a self-made billionaire, Tony Stark (Robert Downey Jr.) likely spent his childhood years on the receiving end of some very disapproving glances from his father’s friend and close confidante. Howard’s working relationship with Peggy — sans fondue, of course — is established in The First Avenger, but their friendship is explored even further in Agent Carter’sstellar two-season run on ABC. The pair teamed up to save the world more than a few times, forging a bond so strong, it’s impossible to believe that Peggy wasn’t a part of young Tony’s life — and that she didn’t have an impact on the hero he grew up to be.
And besides that, if Howard had died in Agent Carter’s season one finale, as he came very close to doing, Tony would have gotten scrubbed from the timeline, Marty McFly-style. Thanks, Aunt Peggy.
(8) CLASSIC TREK CONTRIBUTOR At Den of Geek, “Star Trek’s D.C. Fontana Talks the Origin of Spock’s Family”.
… For fans of Star Trek: Discovery, specifically, Fontana’s script for the animated episode “Yesteryear,” has been the visual and thematic backbone of nearly all of Discovery Vulcan-centric flashbacks in the second season, which has informed this version of Spock’s character. And, for those who love Spock parent’s— Amanda Grayson and Sarek—Fontana is the person who straight-up invented them.
…In The Original Series, Amanda and Sarek only appeared in “Journey to Babel,” written by Fontana. But, because that episode also featured a huge diplomatic summit on the Enterprise, this also means she created several of the big classic Trek aliens, too, including the Andorians and the Tellarites, who have both made huge appearances in Discovery first two seasons.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
(10) IN THE ZONE Some TV history leading up to the Jordan Peele reboot, in the New York Times: “‘The Twilight Zone’: Here’s Why We Still Care”.
Today we live in a world where the words “Twilight Zone” are used as an adjective whenever anyone wants to describe stories (or real-life events) that are fearless, insightful, ironic and just a little bit spooky. And that theme song was killer too.
(11) FLIGHTS OF FANTASY. NPR’s Etelka Lehoczky analyzes a new graphic novel: “In ‘She Could Fly,’ A Teen Wrestles With A Host Of Psychological Mysteries”.
“Would you rather be able to fly or turn invisible?” It’s the archetypal party question. It was already popular way back in 2001, when This American Life addressed it, and the years haven’t lessened its appeal. As recently as 2015, Forbes posed the question to 7,065 “business and professional leaders … across the globe” and Vulture brought it up with the stars of Ant-Man.
Fly, or turn invisible? The question’s popularity is probably due to its uncanny psychological subtext. The two powers don’t seem to conflict at first, but a closer look reveals that they represent opposing tendencies. To fly is to be triumphant, dominant, powerful. To be invisible is to recede, to hide.
Christopher Cantwell nods to this duality in She Could Fly, a graphic novel whose protagonist wishes she could fly and feels like she’s invisible…
Luna seems to be suffering from a particularly intense form of obsessive-compulsive disorder, but she hasn’t been diagnosed or received any treatment. Taking it for granted that there’s no help for her, she shuts out such well-meaning people as the aforementioned guidance counselor. Luna has only one source of hope, and it’s a doozy: A mysterious woman spotted flying, superhero-style, around the skies of Chicago.
(12) MODERN MILSF. Andrew Liptak intends this as a compliment, I wonder if Hurley takes it as one? In The Verge: “The Light Brigade is a worthy successor to Starship Troopers”.
The world Hurley presents in The Light Brigade is a feudalistic nightmare, and makes a sharp commentary on the growing influence and dangers of a world ruled by corporations. Corporations control all aspects of the lives of the citizens, from the information they have access to, to how they’re educated and where they live, their lives given up to supporting whatever unknowable corporate goals their overlords have planned. It’s a perverse twist on Heinlein’s arguments about serving to earn citizenship, which implied that one has to earn their freedom through service. In Hurley’s world, freedom is an illusion. It doesn’t matter what you do, you end up serving your host corporation.
(13) THEY’LL SCARE THE CHOCOLATE OUT OF YOU. If you thought this happened only in Monty Python, not so, says Open Culture: “Killer Rabbits in Medieval Manuscripts: Why So Many Drawings in the Margins Depict Bunnies Going Bad”.
In all the kingdom of nature, does any creature threaten us less than the gentle rabbit? Though the question may sound entirely rhetorical today, our medieval ancestors took it more seriously — especially if they could read illuminated manuscripts, and even more so if they drew in the margins of those manuscripts themselves. “Often, in medieval manuscripts’ marginalia we find odd images with all sorts of monsters, half man-beasts, monkeys, and more,” writes Sexy Codicology’s Marjolein de Vos. “Even in religious books the margins sometimes have drawings that simply are making fun of monks, nuns and bishops.” And then there are the killer bunnies.
Hunting scenes, de Vos adds, also commonly appear in medieval marginalia, and “this usually means that the bunny is the hunted; however, as we discovered, often the illuminators decided to change the roles around.”…
Numerous illustrations at the link.
(14) SURVIVAL AT STAKE. “Tasmanian devils ‘adapting to coexist with cancer'” – BBC has the story.
There’s fresh hope for the survival of endangered Tasmanian devils after large numbers were killed off by facial tumours.
The world’s largest carnivorous marsupials have been battling Devil Facial Tumour Disease (DFTD) for over 20 years.
But researchers have found the animals’ immune system to be modifying to combat the assault.
And according to an international team of scientists from Australia, UK, US and France, the future for the devils is now looking brighter.
“In the past, we were managing devil populations to avoid extinction. Now, we are progressively moving to an adaptive management strategy, enhancing those selective adaptations for the evolution of devil/DFTD coexistence,” explains Dr Rodrigo Hamede, from the University of Tasmania.
First discovered in north-eastern Tasmania in 1996, the disease has since spread across 95% of the species’ range, with local population losses of over 90%.
(15) CAMELIDS VISIT COMIC CON. Two events in the same facility find they are unexpectedly compatible.
(16) PLATE SPECIAL. AMC’s series based on the novel by Joe Hill premieres June 2. Here’s the NOS4A2 “A Fight For Their Souls” official trailer.
[Thanks to Nancy A. Collins, JJ, Mlex, Steven H Silver, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, Chip Hitchcock, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]
(1) DILLON KICKSTARTER. A Kickstarter to crowdfund “Daydreamer’s Journey, a new Art Book by Julie Dillon” was launched July 24. Dillon is one of the top artists in the field, a three-time Hugo Award winner (plus five Chesley Awards, three Locus Awards, and a British Fantasy Award).
I absolutely love to draw and paint, and art has been a vital part of my life for as long as I can remember. Art can offer an escape as well as an invitation; a way to process one’s experience of the world, a way to offer a different perspective. It can illuminate and reveal the magic lurking just beneath the surface of the world, and that is what I’ve attempted to do throughout my career as an artist.
I’ve put together an art book that will let me share with you more of my art and ideas than I ever have before….
Daydreamer’s Journey will be a 200 page 8.5″ x 11″ hardcover book, on beautiful thick glossy paper. This book will contain personal work, freelance projects, sketches, studies, and illustration drafts, some of which either has never been posted online or that hasn’t been available online in over a decade. Also included will be my commentary and thoughts, as well as progress shots for most pieces so you can see part of my painting and brainstorming process.
With 29 days to go, Dillon so far has raised $12,653 of her $18,500 goal.
(2) #METOO AT COMIC-CON. SFGate evaluates the attention to antiharassment efforts at this year’s Comic-Con International in San Diego: “Comic-Con in the #MeToo Era: Progress Comes One Panel at a Time”.
…Officially, Comic-Con was silent about #MeToo. When SDCC programming director Eddie Ibrahim gave his traditional kick off speech in Hall H on Thursday morning, notably absent was any mention of the convention’s harassment policies. That continued for all four days of the convention.
…Comic-Con for its part has chosen not to update those anti-harassment policies, which state in part that “harassing or offensive behavior will not be tolerated,” and that “persons finding themselves in a situation where they feel their safety is at risk or who become aware of an attendee not in compliance with this policy” should seek out security or SDCC staff.
Whatever actions the organization is taking behind the scenes, it ultimately chose not to discuss them publicly. Comic-Con International did not immediately respond to a request for comment from TheWrap
Unofficially, fans and creators were frequently vocal in support of greater inclusion and representation, and in talking about harassment and abuse.
The panel for NBC’s “Brooklyn Nine-Nine” on Friday night was a particular stand out, with cast members, producers, and fans touching on a range of sensitive issues. Notably, one fan thanked Terry Crews, who accused William Morris Endeavor agent Adam Venit of groping him, “for your part in #MeToo,” adding, “I’m so sorry for all of us that are part of #MeToo that you have to be part of it.”
And at a panel called “The Future Is Female,” “Bumblebee” and “Birds of Prey” screenwriter Christina Hodson got huge cheers and lots of knowing muttering when she celebrated the successes of the #MeToo era but noted that much work remains.
“Nine months ago, no one gave a s—. Like, no one cares what happens. Now everything has shifted. So I think behavior on set, in writers’ rooms, that’s all going to shift. So I’m very happy about that,” she said.
(3) ELFQUEST PROFILED. Rob Beschizza explores “The Weird Of Wendy Pini” at BoingBoing. “Voices from another world spoke with sublime otherness, helping an indie cartoonist face down prudes, pain and the patriarchy.”
Elfquest began in 1978 and concluded this spring, forty years in the telling. Devised and written with her husband Richard, its story follows the Wolfrider clan and its chief, Cutter, burned from their ancient forest home by vengeful humans. Sweeping from a rough fantasy premise to epic science fiction, the Wolfriders find other elfin refugees, the derelict spaceship of their shape-shifting ancestors, and unsettling truths concerning their own nature. At its sales peak, the magazine-sized pamphlets were selling 100,000 copies at an intersection of fandom rarely seen in comic book stores: women, queer folk, people of color.
The American Library Association describes Elfquest as “one of the most important works in American fantasy”. Georgy Khoury and Alex Ross, in Comic Book Fever, call it one of the “first long-form sagas of the art form,” unique for its “confident and inspired storytelling.” Artist and historian Trina Robbins told me that Wendy’s strong women characters were responsible for getting countless young girls into comics. Elfquest was one of the books targeted as obscene material in the Comic Book Legal Defense Fund’s first case. Buzzfeed ranked it as the most life-changing graphic novel of all time.
(4) TODAY’S VISION. Rick Liebling recalibrates the historic look of sf in a post for Medium: “The Aesthetics of Science Fiction. What does SciFi Look Like After Cyberpunk?” (First in a two-part series.)
But now, some three decades-plus since we first “saw” Cyberpunk, what do we have now? Is there a unifying visual idea that we associate with modern (2000 and beyond) science fiction? I’ve noticed over the last decade or so that there are some recurring themes. Perhaps not exclusive to science fiction – in the same way that the Cyberpunk aesthetic wasn’t exclusive to science fiction (see: Black Rain) – but that I’ve seen recurring in genre work.
I call it Hard Concrete.
Like Cyberpunk and Atomic Age &Space Age design before it, Hard Concrete is linked to the realities of the times. If Cyberpunk was the visual embodiment of the corporation as mysterious behemoth, Hard Concrete parallels a world where corporations and governments have been exposed as brutal, uncaring and stripped of their shiny, mirror-glass facades. They may be no less controlling, violent or malevolent, they just no longer bother to hide it.
(5) ORDER ME ANOTHER SCREWDRIVER. The Thirteenth Doctor has a collectible out already: “Jodie Whittaker Reveals the New Sonic Screwdriver Fan Collectible at San Diego Comic-Con”.
Today in Hall H at San Diego Comic-Con, Jodie Whittaker revealed the new Sonic Screwdriver Fan Collectible, a replica of the one her character will use in the new series of Doctor Who, now available to pre-order.
Designer Arwel Wyn Jones talked through the new sonic; “It’s a privilege to have been asked to redesign the iconic Sonic Screwdriver for the Thirteenth Doctor and a new generation of audiences. I can’t wait for people to see how the Doctor acquires it!”
(6) ORIGINAL WONDER. Al Abbazia’s superb Rockwell-inspired Saturday Evening Post magazine cover featuring Wonder Woman can be seen on Facebook. The artist said:
It’s beyond gratifying that the granddaughter of William Marston, creator of Wonder Woman, found me and took a special liking of my art piece, saying it honored her family. My daughter, Emily Claire Abbazia (who came up with the concept) and myself thank you Christie Marston 🙂
And thank you to the wonderful Shiree Collier for her excellent modeling and Gal Gadot for that pretty face.
(7) ‘WARTS AND ALL. [Item by Mike Kennedy.] Those cunning Danes are at it again, dreaming up ways to take your money. LEGO has announced a new Hogwarts set (io9: “Lego’s New 6,020-Piece Hogwarts Castle Set Is Huge and Pricey”) priced at a “mere” $399.99. It’s built on their “microscale” standard, to use microfigs rather than the more familiar minifigs—presumably to keep the both the overall size and the price in check.
Quoting the io9 article:
…Lego is also bundling 27 microfigures with the set, including Dumbledore, Harry, Ron, Hermione, Draco, Snape, McGonagall, Remus, Umbridge, and even Lord Voldemort, as well as Aragog the spider, the Basilisk, a Hungarian Horntail dragon, and five dementors.
There are minifigs involved, thogugh. The founders of the four houses of Hogwarts (Godric Gryffindor, Helga Hufflepuff, Salazar Slytherin, and Rowena Ravenclaw) are included in minifig form. Writing for io9, Andrew Liszewski seems taken by the quality of the set:
Despite the smaller overall footprint of the set, Lego has still managed to stuff an incredible amount of detail into Hogwarts, including the castle’s Great Hall, the library, potions class, the Room of Requirement, the giant chess set, and the Chamber of Secrets, among other places for the microfigures to re-enact scenes from the books and movies.
(8) KGB READINIGS. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Michael Swanwick and Jeffrey Ford on Wednesday, August 15, 7 p.m. at the KGB Bar.
Michael Swanwick has received the Nebula, Theodore Sturgeon, World Fantasy and Hugo Awards, and has the pleasant distinction of having been nominated for and lost more of these same awards than any other writer. He has written ten novels, over a hundred and fifty short stories, and countless works of flash fiction. His latest novel The Iron Dragon’s Mother, will be published by Tor Books in 2019
Jeffrey Ford is the author of the novels The Physiognomy, The Girl in the Glass, The Portrait of Mrs. Charbuque, The Shadow Year, and the four collections: The Empire of Ice Cream, The Drowned Life, Crackpot Palace, and A Natural History of Hell. His most recent novel is Ahab’s Return: Or The Last Voyage published by HarperCollins. He has been the recipient of the Nebula Award, the World Fantasy Award, and the Edgar Award. He lives in Ohio and teaches writing part time at Ohio Wesleyan University.
The KGB is at 85 East 4th Street (just off 2nd Ave, upstairs) New York, NY. Website: www.kgbfantasticfiction.org.
(9) COMICS SECTION.
(10) WORLDCON 76 BUSINESS MEETING AGENDA. More items have been added, so WSFS Secretary Linda Deneroff suggests you re-check the Business Meeting Agenda.
(11) ONE IS THE ONLIEST NUMBER. James Davis Nicoll asks “What’s With Sci-Fi’s Fixation on Single-Gendered Planets?” at Tor.com.
I recently reread three thematically similar books: Poul Anderson’s Virgin Planet, A. Bertram Chandler’s Spartan Planet, and Lois McMaster Bujold’s Ethan of Athos. All three imagine single-gender planets: worlds whose populations are either all men or all women. This particular selection of books to reread and review was mere chance, but it got me thinking…
There are actually quite a few speculative fiction books set on single-gender planets (in which gender is mainly imagined in terms of a binary model) 1. Most of them are what-if books. As one might expect, they come up with different extrapolations….
(12) REMEMBERING THE PAPERBACK REVOLUTION. Kim Huett of Doctor Strangemind, in “Doubling Down With Don Wollheim”, says “The Ace Double paperbacks have long been a favourite of science fiction collectors. So here are 15 amazing facts about the Ace Doubles, #6 will shock you to your very core (he claims tongue in cheek).”
…So how similar was the packaging? Well this is the cover of the very first Signet Double….
And this is the cover of the very first Ace Double….
Okay, so they don’t look that alike and the Ace artwork is decidedly pulpier in style. But then it would be, wouldn’t it? Don Wollheim wasn’t going to try and muscle in on Signet’s classier patch. No, Don Wollheim was going to do what he knew best and let’s not forget that Don’s editorial career had begun with Cosmic Stories and Stirring Science Stories, two of the pulpiest of the pulp magazines.
Covers not withstanding it’s pretty clear to me that the Ace books borrowed a lot of layout detail from Signet. If you have any doubt about that compare the spine of Signet’s Knock On Any Door with the spine of a 1958 Ace Double featuring Eric Frank Russell I just happen to have laying about.
Oh, Don Wollheim you clever scamp.
Now you might be thinking that this is all very well but really, what did the Ace Doubles do other than borrow some layout details from Signet? The core feature, the two different novels in one volume, well that’s clearly unique to Ace, isn’t it? Now if you’ve been thinking anything like that then you are so very wrong. Consider the examples pictured below and their publication dates; Two Complete Detective Books (Winter 1939), Two Daring Love Novels (January 1948); and Two Complete Science-Adventure Books (Winter 1950). Three magazine titles that predated Ace Doubles by years (and the first two even left Kurt Enoch and his Signet Doubles in their dust).
(13) THERE GOES THE NEIGHBORHOOD. At Tor.com, James Davis Nicoll complains that “Classic Sci-Fi Star Systems Keep Getting Ruined by Science”. Well, complains is probably overstating things….
There are a lot of SF novels, particularly ones of a certain vintage, that feature that particular set of stars. If one is of that vintage (as I am), Alpha Centauri, Epsilon Indi, Epsilon Eridani, Procyon, and Tau Ceti are old friends, familiar faces about whom one might comment favourably when it turns out, for example, that they are orbited by a pair of brown dwarfs or feature an unusually well-stocked Oort cloud. “What splendid asteroid belts Epsilon Eridani has,” one might observe loudly, in the confident tone of a person who never has any trouble finding a seat by themselves on the bus.
In fiction, Procyon is home to L. Sprague de Camp’s Osiris, Larry Niven’s We Made It, and Gordon R. Dickson’s Mara and Kultis, to name just a few planets. Regrettably, Procyon A should never ever have been tagged as “possesses potentially habitable worlds.” Two reasons: solar orbits and Procyon B’s DA classification.
(14) THE LATE MR. ELLISON. Mark Evanier tells “A Harlan Ellison Story” at News From Me.
Now with Harlan’s passing, the Internet is filled with remembrances and honors and cyber-mourning and tributes, and in lot of them you’ll see some version of the phrase, “He inspired me to become a writer.” Harlan did a lot of that. He inspired people in other ways, as well. He occasionally inspired someone to hate Harlan Ellison but we won’t go into that here. Here, I’m celebrating him for inspiring so many people in a good way. Like I said, he was a writer who made other writers proud to be writers.
So many of us learned good, valuable things from him but a few writers I can think of learned to yell and scream about every rewrite, every note, every alteration. I can’t guarantee the following but supposedly, someone once asked Ray Bradbury if it was a wise idea for a writer to fight about each bit of interference the way Harlan did. Bradbury reportedly replied — and this sure sounds like an answer he’d give — “I don’t know if that’s okay but if you try it, check first and make sure you have the talents of a Harlan Ellison.”
…But he was late with so much of what he wrote, and I suspect…well, I know there are writers who think, “If Harlan Ellison can be weeks/months/years late, so can I.” To quote Ray Bradbury again, assuming he even said it, “I don’t know if that’s okay but if you try it, check first and make sure you have the talents of a Harlan Ellison.”
One might argue that he was not late with the Batman story he promised in 1971 to write for Julie Schwartz since he never had a firm deadline. But it finally saw print in the October, 1986 issue of Detective Comics, fifteen years later…and eight years after Julie had stepped down as the editor of Detective Comics. Deadline or no deadline, that’s late…
And all that is just an introduction to the story Evanier promised in the title….
(15) MORE TO BE READ. Publishers Weekly lists books of interest to adult-age readers of children’s literature in the ambiguously-titled post “2018 Adult Books on Children’s Lit”:
From an analysis of the psychological impact of fairy tales to an illustrated biography of a well-known illustrator and a book about the landscape that inspired Anne of Green Gables, there’s plenty to inform and inspire adult readers of children’s books.
What are we talking about? Here are three of the titles on the list:
Astrid Lindgren: War Diaries 1939–1945
By Astrid Lindgren, translated from the Swedish by Sarah Death (Feb. 27, Yale, $20 paper, ISBN 978-0-300-23456-5).
Originally released in hardcover in 2016, the wartime diaries of the author of Pippi Longstocking are now in paperback.
Daemon Voices: On Stories and Storytelling
By Philip Pullman (Sept. 18, Knopf, $30 ISBN 978-0-525-52117-4).
The author of the His Dark Materials series shares the secrets behind how he writes his influential novels.
Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters
By Anne Boyd Rioux (Aug. 28, Norton, $27.95, ISBN 978-0-393-25473-0).
In time for the 150th anniversary of the story of four American sisters, Rioux, a professor of gender studies, explores the impact the novel has had through its depiction of female growth.
(16) CALL GOES OUT. Manifold Press is relaunching and Managing Editor Farah Mendlesohn wants to spread the word.
Please RT far and wide From today I am the new Managing Editor of @ManifoldPressUK Our new call for fiction is at https://t.co/6P0g6PcVhq Do you have queer historical fiction tucked away? Now is the time to dig it out. I am looking for twelve varied titles for our 2019 list.
— Farah Mendlesohn (@effjayem) July 25, 2018
As from today, we are delighted to announce that after a period of reorganisation, Manifold Press will relaunch on the 1st January 2019.
Please note: we are revamping our web pages so none of the menu links work. That will change bit by bit over August. We’ll announce on the blog and on twitter and fb etc as we create new pages.
At our AGM in July we bade a fond farewell to Julie Bozza who is heading back to Australia; Fiona stood down as Managing Editor after 9 years with the press.
The new Board consists of Farah Mendlesohn (Managing Editor), Sandra Lindsey, Fiona Pickles and Aleksandr Voinov. We are actively recruiting others.
We have opened a new call for submissions.
(17) DO YOU GROWL WHEN YOU’RE PLEASED? The BBC story “The complicated truth about a cat’s purr” notes that cat research lags behind the study of dogs because dogs are more willing subjects….
Part of the mystery around the purr is that we often only notice cats purring “when we tickle them in places that they like to be tickled”, says Debevere. Yet they also purr when we’re not around, and the extent of that purring varies between individuals. “All cats are different, some never purr and some will purr constantly,” she says. She draws the comparison between her cat Luigi – a stray who followed someone in to their office and was subsequently taken to a shelter – and Archie, who “moved in from next door” and became part of the family. Luigi purrs little, and Archie a lot.
“I’ve photographed more than 3,000 cats so far [at shelters] and no two are the same,” Debevere says. “I’ve witnessed a lot of cats purring when they’re dying, and when they’re being put to sleep. The vet will say something like ‘They were purring right up until the end’, and people assume they’re happy when they’re purring. That’s just not always the case.”
(18) UH-OH. Sarah Kaplan and Joel Achenbach in the Washington Post report that the James Webb Space Telescope, which has already cost $7,6 billion, will have its launch delayed until 2021 because of screws that fell off of the sun shield during a test, leaving critics to argue that the telescope could be “too big to fail and too complicated to work.” “NASA’s next great space telescope is stuck on Earth after screwy errors”.
The Webb’s problems have rattled many powerful constituencies. NASA is embarrassed and dismayed by the human errors that have snarled its biggest robotic science project, which was identified by the astronomy community back in 2000 as its top priority.
(19) NOT THE SAME SHAPE. Judge dismisses The Shape of Water copyright suit – the BBC has the story.
The plot of Oscar-winning fantasy film The Shape of Water was not copied from a 1969 play, a US judge has ruled.
Judge Percy Anderson has dismissed a legal action that claimed Guillermo del Toro’s film copied the story of Let Me Hear You Whisper by Paul Zindel.
The late playwright’s son sued del Toro, the Fox Searchlight studio and others in February, claiming the two works were “in many ways identical”.
In his ruling, however, the judge said they only shared “a basic premise”.
(20) THE STARS THEIR DESTINATION. Something people of the future will be running into: “Japanese firm to launch wedding plaques into space”.
According to the Yomiuri Shimbun newspaper, the Warpspace start-up in the city of Tsukuba is working with Kibo, Japan’s orbital science module, to launch wedding plaques from the International Space Station.
The company, which is largely staffed by faculty members from the University of Tsubuka, says that it will engrave couples’ names, messages, and other information on titanium plaques, measuring some 16 millimetres by eight millimetres.
The plaques will then be loaded onto miniature cubic satellites, which can hold several hundred plaques, and be released into orbit. They will join the tens of thousands of satellites, man-made objects and space junk already orbiting the Earth.
(21) BATMAN’S AMBITION. On the Conan O’Brien show, “Batman Wants To Join The Marvel Universe.”
Batman is sick of the perpetually rainy and depressing DC Universe; he’d rather have a seat at the Avengers’ table.
[Thanks to John King Tarpinian, JJ, Hampus Eckerman, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, Carl Slaughter, Daniel Dern, James Davis Nicoll, Julie Dillon, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anthony.]
(1) BANKS WITH AND WITHOUT THE M. Abigail Nussbaum’s latest column for Lawyers, Guns & Money is “A Political History of the Future: Iain M. Banks”.
In this installment of A Political History of the Future, our series about how science fiction constructs the politics and economics of its future worlds, we discuss the late, great SF author Iain M. Banks, and specifically his Culture series.
Iain M. Banks died in 2013, and his last work of science fiction was published in 2012. In the context of this series, one might even argue that the last book Banks published that is relevant to our interests was Look to Windward (2000), or maybe The Algebraist (2004). There are, however, two reasons to go back to Banks in 2018. The first is that last summer, the University of Illinois Press’s Modern Masters of Science Fiction series (edited by Gary K. Wolfe), which produces short studies about important mid- and late-20th century science fiction authors, published what is to my knowledge the first complete critical study of Banks’s life and work. Iain M. Banks, by the Hugo-nominated British critic Paul Kincaid (by next week we will know whether he’s been nominated a second time for this volume), is both a biography of Banks’s life and his writing career, and an analysis of the themes running through his work. It is essential reading for any Banks fan.
(2) THIS SPACE NOT INTENTIONALLY LEFT BLANK. Farah Mendlesohn’s book about Heinlein now has a title.
One of the comments I’ve frequently made, is that in some ways I have been channelling the great man himself. Verbosity, intemperance, etc etc. But nowhere has this been truer than my inability to come up with a title. Heinlein had a terrible ear for titles. Most of his stories were titled by magazine editors, and most of his adult novels were titled by Virginia. His original title for Number of the Beast, for example, was The Panki-Barsoom Number of the Beast, or even just Panki-Barsoom.
So I did what Heinlein did and outsourced the problem, in this case to many friends on facebook.
And the title is…..
The Pleasant Profession of Robert A. Heinlein.
With a release date in March 2019.
(3) A WAY. In “Mountain and Forest” Nick Stember analyzes “the Tao of Ursula K. Le Guin.”
For science fiction fans, the fact that The Left-Hand of Darkness owes a debt of inspiration to Taoism is nothing new, of course. As early as 1974 Douglas Barbour was pointing out parallels in Le Guin’s earlier books in the Hainish cycle, and Le Guin herself said as much in interviews. Perhaps more surprising is the fact that Le Guin’s last novel in the Hainish cycle, The Telling, was directly inspired by the Cultural Revolution:
I learned that Taoist religion, an ancient popular religion of vast complexity and a major element of Chinese culture, had been suppressed, wiped out, by Mao Tse-tung…In one generation, one psychopathic tyrant destroyed a tradition two thousand years old…And I knew nothing about it. The enormity of the event, and the enormity of my ignorance, left me stunned.
(4) SUSPICION. The authorities spent the day grilling two writers:
Detective: So Ms. Rowland… Where were you on the night of May 17th?
Me: A-at home.
Detective: Was that when you made your decision to get these two characters FAKE MARRIED?
Me: I WANT TO SPEAK TO MY LAWYER
— Alexandra Rowland? (@_alexrowland) March 26, 2018
(5) DON’T BOTHER ME BOY. And yet they let this one go Scot-free! Richard Paolinelli, borrowing a page from Lou Antonelli’s book – the one printed on a thousand-sheet roll – tried to embroil Camestros Felapton with the Aussie cops:
Richard this is something you’ll need to take to your local police. Gather your evidence first – they can investigate. All the best.
— AFP (@AusFedPolice) March 26, 2018
(6) PRO TIP. This is the way professional writers handle feedback, says Cole McCade in “The Author’s Guide to Author/Reviewer Interactions”. Strangely enough, calling the cops isn’t on his list.
B-but…I read a bad review of my book!
Then stop reading your goddamn reviews.
…all right. Okay. I know you won’t. I still read my reviews sometimes, I just don’t talk about it. And I generally try to stay on the positive ones; they’re a good pick-me-up. Even those, though, I don’t talk about.
That’s the thing. You can read reviews all you want, but you can’t engage with them save for in very specific circumstances. Don’t like a review on GoodReads. Don’t flag it for removal unless it actually meets the guidelines, such as posting derogatory things about you as a person/author rather than reviewing the book. Don’t comment on the review. Don’t send your fans to comment on the review defending you. (I actually have a policy in my street team that anyone caught attacking negative reviewers gets booted from the group.) Don’t seek out tweets about your book and reply to them (particularly if you or the book aren’t mentioned by name; if you’re stalking reviewers on social media for the idlest sideways mention of your book, that’s fucking creepy and intrusive). If you happen to have friendly conversations with a reviewer, do not bring up their review or try to chat about it.
You know why?
Because reviews are not for you.
They’re for other readers.
(7) EXPLOITATION. At the SFWA Blog, John Walters is irate about “The Egregious Practice of Charging Reading Fees” – although his examples are from outside the sff field —
The sad state of affairs in the field of literary magazines is that a high percentage now charge reading fees. The amounts range from two dollars to five dollars or more, but the average is three dollars. They justify it in all sorts of ways. Some, to avoid the stigma of charging reading fees, call it a handling fee or a software fee. Evidently they haven’t heard that many email services are free. Some, even as they ask it of writers, say outright: This is not a reading fee. Yeah, right. As if calling it by another name makes it all better. Several sites explain that if you were to send the manuscripts by mail you would have to spend at least that much in postage, so send that postage money to them instead. Most modern magazines and anthologies are getting away from postal submissions anyway, both as a money saver and to protect the environment, so that argument doesn’t make any sense.
(8) BSFATUBE. The British Science Fiction Association’s publication Vector has branched out to producing YouTube videos. Here’s the first one:
Glasgow-based DJ Sophie Reilly, aka ‘Sofay’, talks about her love of science fiction and the connections that exist between some of her favourite records and novels such as Ursula Le Guin’s ‘The Left Hand of Darkness’ and Stanislaw Lem’s ‘Solaris’…
(9) CARRINGTON OBIT. Actress Debbie Lee Carrington has died at the age of 58:
She began her acting career in 1981, appearing in the Chevy Chase-starring comedy, Under the Rainbow. Later, Carrington landed a role in Return of the Jedi, famously playing the Ewok who consoles another Ewok that was blown up by a landmine. She ended up starring in The Ewok Adventure and Ewoks: Battle for Endor as Weechee, Wicket’s older brother. Carrington was also an advocate for the rights of people with disabilities in Hollywood and also had a degree in child psychology, which earned her much respect in the industry along with her giant body of work. Mike Quinn, who worked with Debbie Lee Carrington on Return of the Jedi, had this to say.
“So sad to hear of the passing of a fellow Return Of The Jedi performer Debbie Lee Carrington. She was an advocate for actors with disabilities and had a degree in child psychology. She had done so much, not only as an Ewok but was inside the costume for Howard The Duck, appeared in Total Recall, Grace & Frankie, Dexter, Captain Eo, the list goes on… Way too young. She was a real powerhouse! My condolences to all her family and friends at this time.”
(10) CAMERON OBIT. SF artist Martin G. “Bucky” Cameron died unexpectedly on March 26.
For over 35 years he worked as a professional artist. He was the first 3D artist at the Lucasfilm games division. Other game companies he worked for included NAMCO, Broderbund, and Spectrum Holobyte. He also did art for magazines including Analog and Penthouse, and for myriad companies.
His recent project was creating a shared Steampunk world with Robert E. Vardeman. The first issue came out in February.
MT Davis adds, “Martin was usually known as ‘Bucky’ at the Cons he attended and was part of the Sacramento/Bay Area Fan nexus that went into the computer Gaming industry as it rose in the late 80’s early 90’s. Very congenial and always cordial accepting of almost all.”
TODAY’S YESTERDAY’S DAY
It’s Tolkien Reading Day!
Tolkien Reading Day is held on the 25th of March each year.
It has been organised by the Tolkien Society since 2003 to encourage fans to celebrate and promote the life and works of J.R.R. Tolkien by reading favourite passages. We particularly encourage schools, museums and libraries to host their own Tolkien Reading Day events.
Why 25 March?
The 25th of March is the date of the downfall of the Lord of the Rings (Sauron) and the fall of Barad-dûr. It’s as simple as that!
(12) TODAY IN HISTORY
(13) TODAY’S BIRTHDAY BOY
(14) TODAY’S BIRTHDAY VACCINE
On March 26, 65 years ago, Dr. Jonas Salk announced he had successfully tested a vaccine against polio. Look back at Dr. Salk’s achievement.
Alan Baumler comments, “If you are wondering ‘Who is the model for the heroic scientist who saves the world?’ as seen in thousands of SF stories, it is probably him.”
From the Wikipedia:
Author Jon Cohen noted, “Jonas Salk made scientists and journalists alike go goofy. As one of the only living scientists whose face was known the world over, Salk, in the public’s eye, had a superstar aura. Airplane pilots would announce that he was on board and passengers would burst into applause. Hotels routinely would upgrade him into their penthouse suites. A meal at a restaurant inevitably meant an interruption from an admirer, and scientists approached him with drop-jawed wonder as though some of the stardust might rub off.”
For the most part, however, Salk was “appalled at the demands on the public figure he has become and resentful of what he considers to be the invasion of his privacy”, wrote The New York Times, a few months after his vaccine announcement.
(15) CAPTAIN MY CAPTAIN. Not much about superhero movies has to make logical sense, but there’s an odd reason why this development does. Inverse reports that “‘Captain Marvel’ Will Bring Back Two ‘Guardians of the Galaxy’ Villains” who audiences have already seen killed off.
Captain Marvel may be the 22nd movie in the Marvel Cinematic Universe, but thanks to its Nineties setting, it’s chronologically the second film in the series, following Captain America’s World War II setting. That means that MCU characters who died in recent movies would still be alive during Captain Marvel’s time, and Marvel revealed on Monday that three somewhat unexpected deceased characters will be appearing in the upcoming film.
In a posting announcing the start of principal photography on Captain Marvel, starring Brie Larson as the titular hero, Marvel announced that Djimon Hounsou, Lee Pace, and Clark Gregg would all make appearances in the upcoming film. Hounsou and Pace played Guardians of the Galaxy villains Korath the Pursuer and Ronan the Accuser, respectively, while Gregg played the beloved Agent Coulson in the MCU’s Phase One (and continues to play the character on the TV show Agents of S.H.I.E.L.D.)
(16) OH BRAVE NEW WORD. Tor.com’s Emily Asher-Perrin investigates “What We Mean When We Call Something ‘Shakespearean’”.
It does seem a term that falls into two categories: (a) a term used to denote high quality, or (b) a term used to denote a certain type of story. Sometimes it is used to indicate both of these things at the same time. But we see it everywhere, and often reapplied past the point of meaning. When Marvel Studios released the first Thor film in 2011, it was heralded as Shakespearean. When Black Panther was released earlier this year, it was labeled the same. Why? In Thor, the characters are mythological figures who speak in slightly anachronistic dialects, and family drama is the three-dollar phrase of the hour. Black Panther also contains some elements of family drama, but it is primarily a story about royalty and history and heritage.
So what about any of this is Shakespearean?
(17) APOSTLE TO THE CURMUDGEONS. What do Ambrose Bierce and the fashion magazine Cosmo have in common? Doctor Strangemind’s Kim Huett says you might be surprised: “Ambrose Bierce Buries Jules Verne”.
In Cosmopolitan Magazine, Vol. XL No. 2, December 1905 [Bierce] reacted to what he considered to be a hagiographic response to the death of Jules Verne:
The death of Jules Verne several months ago is a continuing affliction, a sharper one than the illiterate can know, for they are spared many a fatiguing appreciation of his talent, suggested by the sad event. With few exceptions, these “appreciations,” as it is now the fashion of anthropolaters to call their devotional work, are devoid of knowledge, moderation and discrimination. They are all alike, too, in ascribing to their subject the highest powers of imagination and the profoundest scientific attainments. In respect of both these matters he was singularly deficient, but had in a notable degree that which enables one to make the most of such gifts and acquirements as one happens to have: a patient, painstaking diligence—what a man of genius has contemptuously, and not altogether fairly, called “mean industry.” Such as it was, Verne’s imagination obeyed him very well, performing the tasks set for it and never getting ahead of him—apres vous, monsieur. A most polite and considerate imagination, We are told with considerable iteration about his power of prophecy: in the “Nautilus,” for example, he foreshadows submarine navigation. Submarine navigation had for ages been a dream of inventors and writers; I dare say the Egyptians were familiar with it…
(18) STOKERS. The Horror Writers Association has posted video of the 2018 Bram Stoker Awards ceremony held at StokerCon in Providence, RI on March 3.
(19) ROBO PUNCHING. NPR’s Glen Weldon, in “‘Pacific Rim Uprising’ serves up another helping of mech and cheese”, holds a mock press conference:
REPORTER #1: … and then we clucked our tongues, the way we do, and sat there a while basking in our keenly developed aesthetic sense. Then we got to wondering who in the world would ever actually see it.
CRITIC: I mean … you shouldn’t.
REPORTER #1: So you agree. (Cluck.)
CRITIC: Do I agree that you shouldn’t see it? I very much do. I mean, listen to yourself. You expressly do not count yourself among the cohort of giant-robots-fight-giant-monsters potential filmgoers, safe to say. So clearly you shouldn’t see it. I mean … I would have thought that was obvious. Unless … I’m sorry, is someone forcing you to go see it? Are there armed gangs of street toughs employed by Universal Studios going house-to-house and frog-marching the hapless citizenry into Pacific Rim Uprising showings across this nation?
REPORTER #1: No. Look, I’m just sayi-
CRITIC: Yes, you are just saying, not asking, and I’m here to answer questions about the film Pacific Rim Uprising. This is not a forum for your smug condemnation of the fact that a given piece of popular culture is popular. This is a press conference, not Facebook. Security, kindly remove this person. Next question. Yes, you there….
Chip Hitchcock calls it, “Much kinder than the Boston Globe’s response: ‘If only they hadn’t made a movie that plays like a lost “Transformers” entry.’”
(20) RESISTANCE IS RUTILE. Got to love this. On Quora Nyk Dohne answers the question “Would a Borg Cube be any match for a Star Destroyer if the two ever met in battle?”
Here is what clearly will happen: The Borg beam over some scouts to investigate. Because the Death Star is so huge, let’s say it is only a few dozen scout Borg. Stormtroopers try to repulse them, and 2 Borg are killed before they adapt and become quite invulnerable. The Death Star predictably uses the superlaser to destroy the Borg Cube, which doesn’t have a chance to adapt because it is all over in one shot. Only a few components of the cube survive re-entry as they scatter and fall on the nearby forest moon; all the Borg humanoids are dead. All? Not quite: There are still a few dozen (-2) Borg on the Death Star. Those few dozen quickly begin Assimilating the Death Star and it’s crew. Because the Death Star is so huge, it takes a LONG time, but the Imperials are not known for the innovative tactics required to stop the onslaught. The battle lasts for months, but it is unstoppable. The Borg grows exponentially, despite reinforcements….
And Nyk goes on from there.
[Thanks to Mark Hepworth, Martin Morse Wooster, John King Tarpinian, MT Davis, JJ, Cat Eldridge, Chip Hitchcock, Alan Baumler, Michael Toman, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
(1) THE REASON FOR THE SEASON. Always a big part of my spirituality — the LEGO Star Wars Advent Calendar.
Open a door of this super-fun advent calendar each day in December to discover a LEGO® Star Wars themed minifigure, starship, vehicle or other collectible. There’s even a foldout playmat featuring images from Jakku, Starkiller Base and deep space for epic Star Wars encounters. This holiday gift is perfect for rebels, Sith Lords, Scavengers and any other life form, and includes 7 minifigures and a BB-8 figure.
- Vehicles include The Ghost, The Phantom, Stormtrooper transport, Rey’s speeder, Millennium Falcon, Snowspeeder, Kylo Ren’s Command Shuttle, Y-wing, TIE Striker, Hovertank, AT-ST, blaster cannon, snow blower and a sled with boosters!
- Weapons include 3 blaster pistols and 2 blasters
(2) HANS DUO. He was in The Shootist. Now he’s the Reshootist. ScreenRant reports “Ron Howard Reshot ‘Nearly All’ Of Solo For ‘Twice The Budget’”.
During his time filming, Howard served as the damage control department by posting fun pictures from behind-the-scenes, offering his social media followers a small taste of what was going on. While these were successful in changing the conversation to the content of the film itself (rather than the drama surrounding it), some couldn’t help but realize Howard wasn’t simply finishing what Lord and Miller started. As filming went on for a while, it became apparent there was considerable retooling going on. Now, any issues about who will receive director credit are a thing of the past.
(3) CAT LOVER. From Unbound, Farah Mendlesohn on romance in Robert A. Heinlein — “Q&A with Julie Bozza”.
- How important were the romance subplots in Heinlein’s novels and stories?
In Heinlein’s Juveniles romantic subplots are notable mostly by their absence. If there is a lesson in them for smart girls and boys it’s that romance is to be avoided at all cost when you are young because it will restrict your ambitions. Heinlein of course had made this mistake himself with what we’d now call a “starter marriage” in the early 1930s, but in those days it was the only legitimate way for a nice boy to get sex. There is a hint of it in Starman Jones, but it doesn’t work out, in Between Planets the hero doesn’t notice he is being romanced, and in The Star Beast, both female protagonists have it all worked out, but the hero hasn’t noticed yet.
By the 1960s his boys approach girls with awe: Johnny Rico in Starship Troopers likes having women in charge of the space ships because it’s a reminder what he’s fighting for, but there is not a whisper of sex, which is one reason I suggest in the book that we really do need to see this one as a juvenile.
But from Stranger in a Strange Land onwards, it’s not that romance is a subplot so much as that one of the things Heinlein clearly wants to think seriously about is what love is. Stranger is all about how you love someone, how you love without jealousy, and how true love should be expansive, encompassing and generous. Glory Road is this magnificent medieval Romance, intensely performative and playful and a bit silly, but by the end separating the game of romance from the real thing. And of course the Lazarus Long sequence, particularly the tellingly titled Time Enough for Love, and the last novel, To Sail Beyond the Sunset are all about what love means and what we will do for love. But the true masterpiece of Heinlein’s romances is The Door Into Summer which for all the sub plot about Dan’s relationship with Ricky, is truly about a man and his love for his cat.
(4) TERRORWEEN. Yes, this is precisely what we groundlings are always looking for — “McEdifice Returns: Goosebumpy Halloween Special”.
Welcome boils and ghouls to this, your McEdifice Returns Halloween Special. I am your host Tyranny The Torturing Cat-O-Nine-Tails and this is my hideous assistance Straw ‘Wicker man’ Puppy.
We submit for your consideration the strange case of one Chiseled McEdifice. A lowly photocopy repairman or so he says. But what is this? His attempts to prevent paper supplies going missing has brought him to the SPOOKIEST part of any office building!
And there, amid the dust, and the spiders, and the rat-droppings and the incessant drip-drip-drip of leaking pipes, he discovered that all along, the paper was being stolen by…
A HUMANOID ALIEN INFLUENCED PHOTOCOPY MACHINE MAN TRYING TO COPY HIS OWN BUTT!!!!!!!!!!!!!!!!!!!!!!!!!
Hmmm, you think that’s NOT scary?…
(5) BACK TO THE STARGATE. The Verge’s Andrew Liptak invites readers to “Watch the first behind-the-scenes glimpse for MGM’s digital-only Stargate prequel”.
At Stan Lee’s Los Angeles Comic Con, the studio teased our first look at the upcoming show.
Stargate Origins will be a prequel to the original film and followup television franchise. This two-minute featurette shows off the first week of production, with a small tent city and offices for a young Catherine Langford (played by Ellie Gall).
(6) CHUCK TINGLE IN LA. A certain someone else was also at Stan Lee’s Los Angeles Comic Con, or as he calls it…
CITY OF DEVILS COMIC CON it was such a nice time i think we all proved love very well thank you to everyone https://t.co/btdtAfdTff
— Chuck Tingle (@ChuckTingle) October 30, 2017
Since Chuck attended with his head in a bag, the mystery lingers on….
(7) PLAN AHEAD. Taos Toolbox (June 17-30) is a two-week Master Class in Science Fiction and Fantasy taught by Walter Jon Williams and Nancy Kress, with special guest George R.R. Martin, and special lecturers Carrie Vaughn and E.M. Tippets. Applications for the 2018 workshop will be accepted beginning December 1, 2017.
Taos Toolbox is a workshop designed to bring your science fiction and fantasy writing to the next level. If you’ve sold a few stories and then stalled out, or if you’ve been to Clarion or Odyssey and want to re-connect with the workshop community, this is the workshop for you!
Taos Toolbox has only been in existence for ten years, and already graduates have been nominated for eight Hugo awards.
(8) FICTION BROUGHT TO LIFE. Amazing Stories goes “Behind the Scenes with a Voice Actor” in an interview with Brad Wills.
- How do you determine what kind of voice to use for different characters? Do you impersonate different actors that you’ve seen? I’m really curious as to the process. Can you explain it?
Usually I’ll apply one of my stock voices to a character based on their personality traits. For instance in the character breakdown of An Unconventional Mr. Peadlebody, you had described Gerald as a bit of a prudish dandy, and a total failure as a vampire. So I used a more nasal, reedy, affected tone to portray those characteristics. It’s a voice I typically use for grousers and malcontents. So with an added bit of cheekiness and fey pomposity, it seemed to suit Gerald well. As for the character of Gainsworthy, yes I did pay a calculated tribute to a certain actor/director and a notorious character he once played. To tell people why would spoil the mystery of the book, though! I’ve also taken inspiration from numerous old character actors from Hollywood’s Golden Era. Turner Classic Movies has been invaluable.
(9) ROYAL MANTICORAN NAVAL MANUVER. Fans of the Honorverse will be interested to know about SphinxCon 2018. I’m a little curious whether David Gerrold fits into the theme somehow, or is simply a good idea as a GoH people want to see,
— SphinxCon2018 (@SphinxConTRMN) October 29, 2017
(10) CHECK YOUR CLOSETS. Definition remembers “20 Older Toys With Insane Value”. Note: This is a click-through article.
- Vinyl Caped Jawa
This version specifically will get you at least $5,000. When this version of Caped Jawa was released in 1978, its cape was made of vinyl, before Kenner Company felt the cape looked too cheap and changed the vinyl to cloth. The vinyl caped Jawa is incredibly rare, very valuable, and worth a minimum of $5,000.
(11) SOLON OBIT. SF Site News reports the death of longtime Chicago fan Ben Solon.
Chicago Fan Ben Solon (b.c.1950) died on October 26. In addition to attending Chicago area conventions, Solon published the fanzine Nyarlathotep.
(12) LUPPI OBIT. Federico Luppi, an Argentine actor who gained fame in the dark fantasy films of Guillermo del Toro, died October 20 at the age of 83. The New York Times obituary adds:
Mr. Luppi’s career, which began in the mid-1960s, included dozens of film and television roles, often in Argentine productions. Slim and stately with a shock of white hair, he endowed his characters with a sense of gravity.
One of those characters was Jesus Gris, the protagonist of the Mexican horror film “Cronos” (1993), Mr. del Toro’s directorial debut. In that film, which also starred Ron Perlman, Gris, an antiques dealer, finds a clockwork device that turns him into a vampire.
Mr. Luppi played the monstrous Gris with touches of weakness — at one point in the film he sinks to a bathroom floor to lap up a spot of blood.
Mr. Luppi appeared in two more of Mr. del Toro’s films, both set in Franco’s Spain. He was a leftist sympathizer who ran a haunted orphanage in “The Devil’s Backbone” (2001), and the monarch of a fairy kingdom in “Pan’s Labyrinth” (2006), which won three Academy Awards in 2007.
After Mr. Luppi’s death was reported, Mr. del Toro, writing in Spanish on Twitter, called him “Our Olivier, our Day Lewis, our genius, my dear friend.”
(13) TODAY IN HISTORY
(14) LISTEN IN. Recordings of the play are available at the Internet Archive, including “War Of The Worlds 1938 Radio Broadcast with Orson Welles”.
The War of the Worlds is an episode of the American radio drama anthology series The Mercury Theatre on the Air. It was performed as a Halloween episode of the series on October 30, 1938, and aired over theColumbia Broadcasting System radio network. Directed and narrated by actor and future filmmaker Orson Welles, the episode was an adaptation of H. G. Wells‘s novel The War of the Worlds (1898).
(15) COMICS SECTION
(16) POTTERMANIA, The Washington Post’s Karla Adam says “London is going all butterbeer over 20th anniversary of Harry Potter”. Her survey of news about the 20th anniversary of the publication of Harry Potter and the Philosopher’s Stone includes a British Library exhibit and various fan activities that are taking place all over London.
Not that it takes much to motivate Potter enthusiasts. Last month, for instance, thousands of Muggles descended on Platform 9¾ at King’s Cross station to mark the day that Harry Potter’s son Albus left for Hogwarts. For those truly potty about Potter, there is the “Making of Harry Potter” studio tour, next to the film studios where all eight films were made, which in the lead-up to Halloween is hosting feasts in the “Great Hall” with pumpkins and cauldrons full of lollipops.
(17) SOFTWARE. The New York Times Magazine tackles the question, “Does Your Language Shape How You Think?” After taking an ax to Benjamin Lee Whorf, the author moves into ancillary matters…
SINCE THERE IS NO EVIDENCE that any language forbids its speakers to think anything, we must look in an entirely different direction to discover how our mother tongue really does shape our experience of the world. Some 50 years ago, the renowned linguist Roman Jakobson pointed out a crucial fact about differences between languages in a pithy maxim: “Languages differ essentially in what they must convey and not in what they may convey.” This maxim offers us the key to unlocking the real force of the mother tongue: if different languages influence our minds in different ways, this is not because of what our language allows us to think but rather because of what it habitually obliges us to think about.
Consider this example. Suppose I say to you in English that “I spent yesterday evening with a neighbor.” You may well wonder whether my companion was male or female, but I have the right to tell you politely that it’s none of your business. But if we were speaking French or German, I wouldn’t have the privilege to equivocate in this way, because I would be obliged by the grammar of language to choose between voisin or voisine; Nachbar or Nachbarin. These languages compel me to inform you about the sex of my companion whether or not I feel it is remotely your concern. This does not mean, of course, that English speakers are unable to understand the differences between evenings spent with male or female neighbors, but it does mean that they do not have to consider the sexes of neighbors, friends, teachers and a host of other persons each time they come up in a conversation, whereas speakers of some languages are obliged to do so.
(18) PLUTO’S REPLACEMENT. The Planetary Society’s vlog does a seasonal installment: “It Came From Planet 9 – The Planetary Post with Robert Picardo”.
Picardo is the Phantom of the Orbit in this terrifying episode of The Planetary Post. Enjoy a special guest visit from Dr. Konstantin Batygin, one of the members of the team which has theorized a big, ninth planet way out beyond Neptune.
(19) LEST YOU DISCOVER TOO MUCH. Camestros Felapton warns that spoilers abound in his “Review: Star Trek Discovery – Episode 7”.
Aaarrrrgghhhh what a frustrating show this thing is! It can get so much right and then fall flat on its face. Spoilers abound below the fold.
But that’s good for those of us who haven’t subscribed to CBS All Access yet.
(20) BEWARE MORE SPOILERS. Whereas Standback’s retrospective of the first several episodes is on Medium: “ST:Discovery, Five Weeks Deep: Burnham and Lorca”.
Alas. We deserve more. True story: for a brief 24 hours, I was really hoping “Lethe” would be the perfect name for an episode where due to [TECHNOBABBLE], everybody mysteriously forgets Burnham’s mutiny, and she suddenly needs to live amongst a crew who thinks she never did anything wrong. (Sorry, y’all, I don’t watch teasers 😛 ) It could have been glorious. Straight talk: I would x100 rather see Burnham try to go to a book club meeting, then pull off another Daring Impossible Foolhardy Mission. She’s got the chops; what she doesn’t have is the writing.
(21) KEEPING THE WOW IN BOW WOW. Save space on your Hugo ballot for this editor.
My copyeditor found a typo in a page of Morse Code rendered as dog barks. So, you know, that's a badass pro right there.
— Greg van Eekhout (@gregvaneekhout) October 30, 2017
(22) ALT MONEY. Is comics such a rich field? Vox Day’s new right-wing comics series, Alt*Hero, intended to “wage cultural war on the social justice-converged comic duopoly of Marvel and DC Comics,” finished among the most lucrative crowdfunding campaigns ever.
Alt*Hero features unconventional villains such as Captain Europa of the Global Justice Initiative and controversial heroes such as Michael Martel, a vigilante who drops off criminal undocumented immigrants at the local Immigration and Customs Enforcement office, and Rebel, an Southern girl whose superhero outfit incorporates the Confederate battle flag.
Vox Day looked over Kickstarter’s records of Comics – Most Funded campaigns and determined:
There have been 10,552 comics-related campaigns. The #21 most-funded Anatomy of Melancholy: The Best of A Softer World came in at $251,062 with 3,923 backers. We will probably pass that up when all is said and done later today since backers are apparently still emailing and adding a few things on, but we come in right behind them at $245,825 at present. Probably won’t be enough to get to the $260,942 required to catch #20, though.
So, it’s definitely the 22nd most-funded of the 10,553 comics-related crowdfunding campaigns, which is not bad. Also, if you look at the other 21, you can see that all of them were established comics prior to the kickstarter. So, we are also the #1 most-funded new comics series.
(23) THE SILENCERS. Not genre, but too strange to ignore: “A weird solution for noodle slurpers in Japan”. A BBC video about a noise-canceling fork — and other strange utensils.
A Japanese noodle maker Nissin Foods is trying to reinvent the way we eat ramen by creating a noise cancelling fork that covers up slurping.
It’s the latest in string of bizarre cutlery inventions. Is it insanely clever or just insanity?
(24) SOUND ADVICE. And it’s also a good time of year to remind people about the availability of X Minus One radio episodes at the Internet Archive:
X Minus One aired on NBC from 24 April 55 until 9 January 58 for a total of 124 episodes with one pilot or audition story. There was a revival of the series in 1973 when radio was attempting to bring back radio drama and it lasted until 1975. The show occupied numerous time slots through out its run in the 50’s and thus was never able to generate a large following. X Minus One was an extension of Dimension X which aired on NBC from 1950-51. The first fifteen scripts used for X Minus One were scripts used in the airing of Dimension X; however, it soon found its own little niche. The stories for the show came from two of the most popular science fiction magazines at the time; Astounding and Galaxy. Adaptations of these stories were performed by Ernest Kinoy and George Lefferts. They even wrote a few original stories of their own. The writers of the magazine stories were not well known then but now are the giants of today. These stories came from the minds of Ray Bradbury, Isaac Asimov, and Poul Anderson to name a few. This series has survived from its original airing in high quality to be enjoyed today.
(25) ASGARDIAN SNEAK PEEK. Two minutes from Thor: Ragnarok.
(26) PUMPKINS IN CHORUS. Here’s a Halloween light show sure to bring down the house.
[Thanks to JJ, Martin Morse Wooster, Cat Eldridge, John King Tarpinian, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Greg Hullender.]
(1) JAILHOUSE ROCK. Brian Lee Durfee says “The First Ever in the History of the World Prison Comic Con Is in the Books!”:
James Dashner (Maze Runner) and I put on a fun event at the Utah State Prison last night. If two writers can make an auditorium full of felons laugh non-stop for one hour we know we did our job right. Mr. Dashner’s sense of humor and story-telling gifts were spot-on perfect. My favorite line of the night from Dashner, “My next book is about a serial killer…oh…um…are there any serial killers here tonight?” It brought down the house. He received a standing ovation.
And today, walking around the prison, I’ve received nothing but huge smiles and mega thanks from all the Inmates who attended. Gotta give a huge shout out to all who helped make it happen. Many publishers donated books and comics. Many writer friends donated signed books. Plus all the staff at the prison who got behind the project and helped out. I will post a link to the Dept of Corrections official event page w/photos when our public relations team makes it available.
PS I’ll try and make this an annual event bigger and better each year including the women’s unit, drug rehab, mental health, etc. One day I will have all the guards in Harley Quinn cosplay…
(2) THE VAST WASTELAND. Will no one rid him of this troublesome editor? The Traveler from Galactic Journey is stuck in 1962 with an editor of F&SF who’s driving him mad: “[Oct. 17, 1962] It’s Always Darkest… (The November 1962 Fantasy and Science Fiction)”.
Ah F&SF. What happened to one of my very favorite mags? That’s a rhetorical question; Avram Davidson happened. The new editor has doubled down on the magazine’s predilection for whimsical fantasy with disastrous (to me) results. Not only that, but it’s even featuring fewer woman authors now than Amazing, of all mags. I am shaking my head, wishing this was all some Halloween-inspired nightmare. But no. Here it is in black and white with a forty cent price tag. Come check out this month’s issue…but don’t say I didn’t warn you:…
(3) BURDEN LIFTED FROM CALIFORNIA BOOKSELLERS. Publishers Weekly carries more coverage about the legislative change: “California Rescinds Autograph Mandate for Booksellers”.
California’s controversial law that requires booksellers to obtain a certificate of authenticity before they could sell books autographed by authors has been rescinded.
The move follows a lawsuit filed in May by Book Passage owner Bill Petrocelli and backed by the Pacific Legal Foundation that argued that common bookstore practices like guest author lectures and book signings “are fundamental to First Amendment freedoms.” The original law was enacted to require that store owners certify that any autographed item over $5 carry an authentic signature. The law was passed to fight against the sale of fake memorabilia, but included books.
Petrocelli, as well as other California booksellers, argued that the paperwork involved to meet the new law would make selling copies of autographed books too expensive. Book signings are an important part of booksellers’ business model, with Book Passage, for example, hosting more than 800 signings a year.
Faced with the lawsuit and opposition from booksellers, California governor Jerry Brown signed a bill that exempted books from the law, after which the PLF dropped its lawsuit.
(4) THE CURSE. Don Steinberg in the Wall Street Journal (in an article behind a paywall), notes that nearly all of the companies that paid for product placements in the original Blade Runner either no longer exist or are in severe financial trouble.
Atari began its downward spiral a year after the film’s 1982 release; Koss went bankrupt in 1984, and RCA and Bell Telephone received substantial screen time and disappeared by the late 1980s. The last company Blade Runner promoted that failed was Pan Am, which folded in 1991.
(5) YOUR PERSONAL POP CULTURE SF RADAR. Daniel Dern sent these selected YA sci-fi references from contemporary TV shows:
This week’s episode of The Flash: Barry Allen is speed-binging all the shows he missed over the previous six months… “…wait, Jon Snow is dead [two seconds later] … wait, Jon Snow is alive?”
Unexpected music: In last week’s episode of Gotham, one scene opens to the sound of Jefferson Airplane’s “Go Ask Alice.” No obvious direct plot or character reference, but it sonically made sense. (Vs the use of Led Zepp’s “Foreigner” for the upcoming Thor/Ragnarok trailer and theme, which also makes topical sense, along with being great.)
Ditto vs a mountainside of characters singing or otherwise mutilating Nirvana’s “Sounds Like Teen Spirit” in the 2015 movie Peter Pan.
(6) FAUX PHARMA. The Guardian lists “Top 10 imaginary drugs in fiction”, most of them from sf.
Fictional drugs are miniature rocket ships: they take characters to places unknown and strange. The practice of drug invention goes back to the ancient Greeks (Moly, Lethe) and Shakespeare (Oberon’s love potion). Here are some modern examples from the pharmacopoeia of dangerous delights.
The first two are:
- Soma (Brave New World by Aldous Huxley) Soma is used to calm and pacify, suspending people in a state of permanent bliss. The World State of Huxley’s dystopian novel issues the drug as a means of control, to quell rebellious feelings. This is a drug used as a political metaphor, a form of mass entertainment taken to its ultimate level, a replacement for religion. In contrast, Huxley’s own mescaline-induced journey through the “doors of perception” gave him a glimpse of the mystery of pure being. From which we can only conclude that he kept the best drugs for himself.
- Melange (Dune by Frank Herbert) The most famous drug in science fiction – and one of the most powerful – melange or “spice” is found on the desert planet of Arrakis, produced and guarded by giant sandworms. In small doses it brings on a perfect high and increases sensual awareness of the world around you. In large amounts it enables the user to travel through the folds of space. Wow. This property makes it highly desirable, and entire empires rise and fall in the struggle to control its procurement and distribution. This is drug as merchandise, and as a gateway to the stars.
I was wondering why Thiotimoline wasn’t in the list ‘til I refreshed my memory – it’s a chemical compound, not a drug.
(7) LEAVE ROOM ON YOUR HUGO BALLOT. Lois McMaster Bujold announced on Goodreads that a new Penric novella is upcoming – maybe in November.
I am pleased to report I have finished the first draft of a new Penric & Desdemona novella, sequel to “Mira’s Last Dance”. Title is decided all but one vowel — I’ll add it when my aesthetic waffling concludes. About 44,980 words.
Later: Having spent the whole last day wrestling with one. dratted. vowel., title has finalized as: “The Prisoner of Limnos”
I plan to have cover art by Ron Miller again, of which I will post a sneak peek in due course.
…This e-publication thing is getting frighteningly fast, in part because a lot of little things which were baffling decisions or upward learning curves first round are now set templates which only need replicated.
(8) TRIVIAL TRIVIA
Vincent Price’s grandfather invented baking powder. (Source: Cooking Price-Wise)
(9) A CABELL CABAL. A link to a Crooked Timber of academic interest: “Robert A. Heinlein and James Branch Cabell” by John Holbo.
…I’m not going to quote pre-print stuff [from Farah Mendlesohn’s Heinlein book] but I’ll pass along one detail I never would have guessed. Heinlein was, apparently, a huge James Branch Cabell fan. He loved Jurgen: A Comedy of Justice. I have just started rereading Jurgen myself, since I’m done with Dunsany. (I’m not making any systematic early 20th century fantasy circuit, mind you. We just shifted houses and, somehow, an old, long-unregarded 60’s paperback copy of Jurgen floated to the top. Perhaps this universe’s God is a Richard Thaler-type, giving me a nudge. Also, Mendlesohn is apparently not the first to note that Heinlein liked Cabell. Wikipedia knows. I am, apparently, last to know. But perhaps you have been in that sorry boat with me.)
This isn’t a major theme of her monograph, but Mendlesohn suggests Heinlein wanted to be a satirist in a Cabell-ish (and/or Swiftian, Twainian, Sinclairian, Kiplingesque) vein, in some of his works. But he didn’t really have it in him. He’s too earnest and convicted, albeit eccentrically so. He doesn’t do ironic equivocation. (I imagine if Cabell had tried to write Jurgen as a boy’s adventure book – Have Fine, Snug, Well-Fitting Garment With Curious Figures On It, Will Travel – he might have encountered equal and opposite stylistic incapacities in his soul.)
(10) HMMM. Does Luke do that?
I'm supposed to be doing some recording at Cards Against Humanity. I think I'm at the right place. pic.twitter.com/hXLk0BcbNY
— Maurice Broaddus (@MauriceBroaddus) October 17, 2017
(11) CLASS IS IN SESSION. “Pitches and Synopses Workshop with Jennifer Brozek” has been Storified for your edification from notes taken by Cat Rambo.
— RainbowRiot Rambo ? (@Catrambo) October 14, 2017
— RainbowRiot Rambo ? (@Catrambo) October 14, 2017
(12) KYELL GOLD IN STORYBUNDLE. Daniel Potter interviews Kyell Gold about his book in the SFWA Fantasy Storybundle. (This is a video in a public Facebook post.)
(13) A MORAL AUTHOR. Ann Leckie told this story in a Twitter thread that starts here.
A while ago on my blog I told the story of my last day as a rodman on a land surveying crew. Since I'm thinking about it now, and it has a salutary moral, I will tell it here.
— Ann Leckie ? (@ann_leckie) October 18, 2017
It includes a moral:
When you're using a machete and a horsefly bites your other hand, before you swat it, REMEMBER THAT YOU ARE HOLDING A MACHETE.
— Ann Leckie ? (@ann_leckie) October 18, 2017
(14) FOR YOUR CONVENIENCE. Here are the links to all
three four parts of the SFWA and indie series, in case you missed any:
(15) ARTS AND SCIENCES. Shades of Hedy Lamar — artist/model designs a better health monitor for ISS: “Meet the model changing the future of space medicine”.
Alex Sorina Moss is an artist and a model, but that’s just a side hustle for her main ambition – to design an ear piece that could transform medicine and space travel forever.
Moss’s idea has already shot her team to stardom, winning a 2016 Nasa prize for the Best Use of Hardware. But what’s more, it signals an uplifting new direction for wearable tech.
Canaria is a small cuff worn on the ear which measures vital bodily statistics, as well as other metrics such as levels of certain gases in the air around the wearer. Where other well-known biometric wearables target consumers looking to keep fit, Canaria is being prepped as a medical grade instrument.
(16) DECONTAMINATION. Cleaning up after the Fukushima disaster — “The robots going where no human can”. (Video at the link.)
Robots have become central to the cleaning-up operation at Japan’s Fukushima nuclear power plant, six years after the tsunami that triggered the nuclear meltdown.
It is estimated that around 600 tonnes of toxic fuel may have leaked out of the reactor during the incident.
The Tokyo Electric Power Company is using a variety of robots to explore areas too dangerous for people to go near.
BBC Click was given rare access to the site to see how the decontamination work was progressing.
(17) IN TIMES TO COME. EPCOT for real? “‘Future city’ to be built in Canada by Alphabet company”.
Sidewalk Labs, owned by Google’s parent company, Alphabet, is to build a digital city in Toronto.
It aims to turn a waterfront area into a working laboratory for a range of “smart” technology.
It is likely to feature fast wi-fi availability, millions of sensors, sustainable energy and autonomous cars.
Technology companies are touting their hardware and software to cities, as urban planners tackle issues such as congestion, pollution and overcrowding.
(18) FANHISTORY HELP WANTED. Do you recognize the artist?
— Wolverton Comic Book (@WolvertonComic) October 18, 2017
(19) REMEMBERING THE AEROSPACE RACE. The BBC looks back on “The Soviet Union’s flawed rival to Concorde”.
It is December 1968, and a truly ground-breaking airliner is about to take its first flight.
It resembles a giant white dart, as futuristic an object as anything humanity has made in the 1960s. The aircraft is super streamlined to be able to fly at the speed of a rifle bullet – once thought too fast for a passenger-carrying aircraft.
The distinctive, needle-nosed front of the aircraft looks like the business end of something rocket-powered from a Flash Gordon serial; when the aircraft approaches the runway, the whole nose is designed to slide down, giving the pilots a better view of the ground. The effect makes the aircraft look like a giant bird about to land.
It sounds like a description of the Anglo-French Concorde, the plane that will cross the Atlantic in little more than three hours – but it’s not. The spaceship-styled jet sports the hammer and sickle of the Soviet Union on its giant tailfin. It is the Tupolev Tu-144, the communist Concorde, and the first passenger aircraft to fly more than twice the speed of sound….
(20) HEARTBREAKER. Steven Soderbergh tweeted what he says is “a rejection from Lucasfilm” from 1984 — but which is actually a standard Hollywood release saying that they won’t consider unsolicited material.
It just made me STRONGER…. pic.twitter.com/rCE90NuAXL
— Bitchuation (@Bitchuation) October 17, 2017
(21) COMING TO NETFLIX, Bright Official Trailer #3.
(22) VIDEO OF THE DAY. “Sputnik-2, or Laika, Our Hero” is a video from Popular Science about the 50th anniversary of Laika’s journey into space aboard Sputnik 2.
When the international press reported that the Soviets sent a dog into orbit, the public freaked. Not because communism was beating democracy in the space race, but because how could anyone send a dog—alone—into space. If there’s one global commonality, it’s this: everyone loves dogs. So, the Soviets spun the story. Laika, the space dog, became a national hero. Yes, she died on her one way mission. But, she gloriously orbited Earth for over a week until her eventual, peaceful death. And, because of Laika’s sacrifice, the Soviet space program was now years ahead of the Americans…
But, none of that was true.
Based on declassified Soviet space program documents as well as primary source archive from back in the day, this is a revised version of Laika’s one way trip. In her words. That is, approximately her words. She was a dog, after all.
[Thanks to Daniel Dern, JJ, Cat Rambo, Cat Eldridge, ULTRAGOTHA, Chip Hitchcock, Martin Morse Wooster, and John King Tarpinian for some of these stories, Title credit goes to File 770 contributing editor of the day Daniel Dern.]