Brian J. White announced today that Pablo Defendini is resigning from all editorial functions at Fireside Fiction Company (Fireside Magazine and Fireside Books). White, Fireside Fiction’s founding editor and publisher from 2012-2017, is returning as interim editorial director.
White, who remained one-third owner of the company when he stepped down, says:
I will be serving several roles in the capacity of interim editorial director: I will oversee the continuity of publication of Fireside’s contracted stories; lead a review and rework of Fireside’s quality control, production, and approvals process; and lead the search for a new editor-in-chief. While I will be working with the guest editors for each issue, story selection and editing will remain under their control.
Pablo Defendini, the majority owner of Fireside Fiction Company, continues as its Publisher & Art Director. He will not have a role in editorial decision-making, but he will for now remain as art director (magazine layout/design and art), as well as managing the finances and a number of other administrative functions.
White explains the necessity of this:
…The magazine has one other permanent staff member, copyeditor and proofreader Chelle Parker, and otherwise relies on freelance guest editors and artists. Simply put, there is no one in place to hand these many operations over to. If Pablo were to fully resign today, both Fireside Magazine and Fireside Books would fold, and along with them all the stories, essays, and other content in the pipeline, which currently extends deep into 2021. We strongly want to avoid causing that kind of harm to those authors.
To aid the transition, Fireside will postpone the submissions period for the Autumn 2021 issue of Fireside Quarterly, under guest editor Brandon O’Brien.
And they are indefinitely pausing the publication of all audio recordings of stories. Chelle Parker will lead a review of all previously published audio on FiresideFiction.com to look for any other problematic recordings.
White says he will only be acting as editorial director for a matter of months. He is committed to finding a new editor-in-chief who comes from a marginalized background:
I am a cis, straight, white man with some chronic pain disabilities. And I know that long-term, a cis, straight, white man is not what Fireside needs in its leadership roles. I’m taking on this temporary role only because my familiarity with Fireside means I’m well-positioned to do so on short notice and without a need for extensive orientation.
During White’s prevous tenure Fireside published 150 stories, plus longer works, and produced the influential #BlackSpecFic report (2016).
Also today, the Washington Post published its account of the controversy, “Fireside Magazine’s art director Pablo Defendini apologizes for ‘auditory blackface’”. The reporter reached out to the main figures in the story, including narrator Kevin Rineer who makes several mitigating claims for his performance that were not mentioned in his original Twitter or YouTube apologies (which File 770 was able to review in the time they were online before Rineer deleted them.)
Rineer told The Post in a statement that he was unaware he would be reading a Black woman’s work when he auditioned for Fireside Quarterly and that he only received the full manuscript for the work after signing a contract.
Communications lapsed, Rineer said, when he reached out to Fireside and Bradley through a distributor and didn’t get a response. Rineer says he wishes he would have broken the contract rule to contact Bradley directly about her work.
“My normal narrative style is to read with a general West Coast American accent. I made the mistake of reading Dr. Bradley’s work and assuming an accent that was not representative of her voice,” he said. “I had tried to find a different narrator who would be a suitable representative in my network and via public forums, to no avail, in the week-long time frame I had.”
Fireside Magazine has come under intense criticism because in the audio recording of one of its essays the white voice actor used an offensive stereotype of the American southern Black accent in his narration.
“Da Art of Speculatin’” by Dr. Regina N. Bradley was offered as a free-read article accompanied by a free-to-listen audio of the text.
Fireside editor Pablo Defendini has since taken the audio down. The essay itself, discussing the influence of the Southern hip hop group OutKast, is still available at Fireside.
Dr. Bradley (@redclayscholar on Twitter) tweeted these grievances about how her work was treated, illustrated by a sound bite from the now removed audio:
There have been many responses and expressions of empathy, including —
Tressie McMillan Cottom
Daniel José Older
N. K. Jemisin
Fireside editor Pablo Defendini tweeted apologies (thread starts here) which were incorporated in his longer write-up “Regarding our audio recordings” explaining what happened. A major revelation is that he didn’t listen to the audio before putting it online,
Earlier today we published an essay about OutKast by Dr. Regina Bradley. This is an essay written by a Black woman, about Black musicians, and edited by a Black man. I hired a white man to narrate the audio version of the essay, and that narrator decided to use an offensive stereotype of the American southern Black accent in his narration. This basically amounted to auditory blackface, in the worst tradition of racist minstrelsy. So why did I publish it? Frankly, I didn’t listen to it before I posted it. More on that, and on the other errors I made, in a second, because this is the context, not an excuse.
There is no excuse for having published it. I apologize for having done so. Specifically, I apologize to Dr. Bradley for having undermined her work, to Maurice Broaddus for having stained the otherwise outstanding issue of Fireside Quarterly that he edited, and to Chelle Parker, our copyeditor, for having put them in the line of fire for this, when they had no visibility into the audio production process or ability to prevent this from having happened.
On Twitter he emphasized:
Just to be explicitly clear: I’m the only one who manages the audio production process—this was entirely my doing, and no one else who works on Fireside had a chance to hear the audio, much less rectify. This is all absolutely my fault, no one else’s.
The work was done by voice actor Kevin Rineer, who tweeted his own apologies but has since taken down his account. Here are screencaps:
Rineer’s video says in part:
I know that it was completely inappropriate for me to have recorded especially with that accent. It was almost the same as if you tied a blindfold to a high school quarterback and expected him to make the game winning throw. It was horrible disgusting and a complete miss that’s what i meant by the the analogy there… My actions though were disgusting inappropriate and for that I do apologize
Yet it’s hard to reconcile the person capable of the self-flagellation of this apology with the one who made the original choice he did about his performance.
[Update: Rineer now has also closed his YouTube account. The video formerly linked here is no longer available.]
Defendini underscored his own failure to review the audio:
Apart from the inappropriate choice of narrator, I also didn’t provide any pertinent direction at the outset of the engagement. Normally, when I hire voice talent for narration, I send them some notes about the pieces I want them to narrate, pointing out special considerations, or particular pronunciations of tricky or uncommon terms. I failed to do that here.
I also failed to check each recording when I took delivery of them. I was pressed for time and trying to get work out the door, and I did not take the time to review the finished recordings. As many have correctly pointed out, it takes two seconds of listening to the recording to realize that this one was deeply, deeply problematic. I did not do so — I just moved the files along — and the result is that I allowed an extremely hurtful racist caricature to be published on Fireside’s website.
While it may not have been intentional, intent doesn’t matter. The harm caused is real. And this particular type of harm — in this particular moment in history — is extra fucked up. All I can do at this point is apologize, try to fix it, ensure it doesn’t happen again, and try to make up for it.
Because Kevin Rineer voiced the recordings for all the stories in the current issue of Fireside Quarterly, Defendini has pulled them all and will have them re-recorded.
And he will be making other changes to the production process:
Starting with the Winter 2021 issue of Fireside Quarterly, which ships on January 1st, all stories will be narrated by individual narrators as opposed to by one narrator for an entire issue’s worth of stories.
Starting with the Winter 2021 issue, I’ll send the final audio of each story to its author, in the same way we send them proofs of the print issue before it goes to press.
Starting with the Spring issue of Fireside Quarterly, I’ll consult with the editor of each issue on the choice of narrator for each story before we hire anyone.
Defendini closed his post with further self-criticism and intent to make amends:
Finally, my personal neglect allowed racist violence to be perpetrated on a Black author, which makes me not just complicit in anti-Black racism, but racist as well. I have to grapple with that, and make amends. I’m not sure exactly how, yet, but some kind of concrete reparation is absolutely called for. I’m speaking with various folks who have reached out (and who I’ve reached out to as well), in order to figure out what that looks like.
This letter is the beginning of the process of making amends. I know that words don’t mean much without action to back them up. I’ll be doing everything I can to make sure that nothing like this happens again.
Some writers commented that there needs to be a change in editor, Kate Dollarhyde, Merc Fenn Wolfmoor, and Sarah Gailey, who indicated the issues raised today are not the only ones besetting Fireside:
The impact of romance books on the culture is outsize because everyone is interested in romance, whether they admit it publicly or not.
…But there’s inevitably a small contingent of writers who simply can’t handle being criticized, whether directly or indirectly. Vitriolic responses to critics are hardly limited to well-known writers; those who aspire to become household names are equally prone to them. Having your work dissected, discussed and sometimes even demeaned, however, is part of putting it out into the world. All writers know this — or at least they should — and writing romance novels is no exception.
(2) FOLLOW THE MONEY. Jason Sanford continues releasing
interviews he conducted with sff
magazine editors in conjunction with his well-researched report#SFF2020:
The State of Genre Magazines.
Jason: You said Fireside pays its editors a fee for each issue of the print magazine, with the fee based on Fireside’s word rate and the revenue to pay for this coming entirely from subscribers. Was there a break-even point with subscribers where this started to work? Do you still rely on any fundraising to support the magazine?
Pablo: I think using a word like ‘fundraising’ is misleading. Fireside is not a non-profit, and it’s not a charity – so we’re not ‘raising funds’ for anything. Using vocabulary linked to non-profits and charities implies that the people who support us are doing so out of the kindness of their heart, without receiving any direct value in return. The stories, artwork, and publications that Fireside publishes have value, our customers recognize that, and are willing to pay money for it.
Jason: According to this year’s Locus Magazine survey, Escape Pod has an audience size of 37,000 people, making it one of the largest English-language SF magazines in the world. What percentage of your audience supports the magazine with donations? Any thoughts on how to convinces more genre readers and listeners to support the magazines they love?
Mur: I believe we have the typical 1% rate of donation. We have no funding but our listeners, and the couple of times we’ve been in trouble, we’ve been honest with saying, hey, we can’t keep delivering the show to you if you don’t support us, and they’ve always stepped up. With Patreon it’s much easier to allow people to donate on a sustaining level and get rewards as well!
…On Monday, Terrio walked back that explanation, saying that the real issue with Rose had nothing to do with visual effects.
He told Vulture: “I badly misspoke if in an earlier statement I implied that any cut scenes between Rose and Leia were the fault of our VFX team and the wizards at ILM. In that earlier interview, I was referring to a specific scene in which Leia’s emotional state in ‘Episode VII’ [‘The Force Awakens’] did not seem to match the scene we wrote for use in ‘Episode IX’ [‘Rise’] and so it was cut at the script stage before the VFX work was done.”
Terrio underscored to the Hollywood Reporter on Monday that the issue did not involve “photorealism,” as he earlier stated. “I would sometimes come and sit at the VFX reviews and my jaw would drop at seeing Leia live again.”
(Representatives from the film have not yet responded to a request from The Post to speak with Terrio.)
Every year, around Christmas and New Year a round-robin is sent to many members of the SF² Concatenation team asking for their favourite SF/F/H books and films of the previous year. If just two or three nominate the same work then it gets added to a list of Best SF/F/H works of the previous year. This list appears in the Spring (northern hemisphere academic year) edition’s news page. It is simply a bit of fun and not meant to be taken too seriously but as a pointer for our regulars to perhaps check out some recent works. Yet over the years, each year sees a few from these lists go on to be short-listed, and even win, a number of SF awards.
…Parisot remembers Colantoni’s audition inventiveness setting the tone for the Thermians. After a solid read, the direct says he could tell the actor was holding back on his way out the door.
“For some reason I said, ‘Rico, it seems like you’ve got something on your mind,’” recalls the director. “He goes, ‘Well, I have this voice. I don’t know if it works.’ I said, ‘What is it? Try it.’ He did it and I just went, ‘Oh my God, that’s it!’
“The Thermians came out of that voice,” Parisot continues. As more actors were added to the Thermian ranks, that voice became the reference point with every addition, including Missi Pyle (Laliari), Jed Rees (Teb), and Patrick Breen (Quellek).
“We had alien school and we would come up with things like the walk,” Parisot remembers. “Rather than swinging in the direction most people do, we went the opposite direction with the arms, and the posture because they’re basically giant calamari hiding in human shape.
India’s space agency says that four astronaut candidates have been selected for its first human mission, targeted to launch by 2022, but they’ve not been publicly named or identified.
India hopes to join the United States, Russia and China as the world’s fourth nation capable of sending people to space. It has been developing its own crewed spacecraft, called Gaganyaan (or “sky vehicle” in Sanskrit), that would let two to three people orbit the Earth on a week-long spaceflight.
K Sivan, the chairman of the Indian Space Research Organization, held a press briefing on New Year’s Day and told reporters that the four astronauts would start their training in Russia in a few weeks.
(9) NATIONAL SCIENCE FICTION DAY. There’s even
entry – unfortunately, one that makes it sound like a big commercial. That
attitude would make more sense to me if I’d ever seen a Hallmark card for the
(10) TODAY IN HISTORY.
January 2, 1996 — The Demon Headmaster aired the first episode of its three seasons. Based on the children’s series by Gillian Cross of the same name, the later books were based off the screenplays for the series which Cross wrote. The cast included Terrence Hardiman, Frances Amey, Gunnar Atli, Cauthery and Thomas Szekeres. A sequel series was done.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 2, 1920 — Isaac Asimov. I can’t possibly summarize him here so I won’t. My favorite novels by him are the original Foundation novels followed very closely by his Galactic Empire series and I, Robot. I know I’ve read a lot of his short fiction but I’ll be damn if I can recall any of it specifically right now. (Died 1992.)
Born January 2, 1940 — Susan Wittig Albert, 80. She’s the author of The Cottage Tales of Beatrix Potter, a series of mysteries featuring that writer. Really. Truly. Haven’t read them but they bear such delightful titles as The Tale of Cuckoo Brow Wood. She has non-genre series involving an herbalist and a gardening club as well.
Born January 2, 1948 — Deborah Watling, Best known for her role as Victoria Waterfield, a companion of the Second Doctor. She was also in Downtime, playing the same character, a one-off sequel to a sequel to the Second Doctor stories, The Abominable Snowmen and The Web of Fear. No Doctors were to be seen. If you’ve seen the English language dubbed version of Viaje al centro de la Tierra (Where Time Began, based off Verne’s Journey to the Center of The Earth), she’s doing the lines of Ivonne Sentis as Glauben. (Died 2017.)
Born January 2, 1952 — Caitlín Matthews, 68. Fiction writer. Well she sure as Odin’s Beard isn’t a scholar in any meaningful sense. With her husband John, she’s written such works as King Arthur’s Raid on the Underworld: The Oldest Grail Quest, The Element Encyclopedia of Magical Creatures and on her own, Mabon and the Mysteries of Britain: An Exploration of the Mabinogion. They’re entertaining as long as you accept that they’re really mostly fiction.
Born January 2, 1959 — Patrick Nielsen Hayden, 61. Wiki in a fit of exuberance list him as a “editor, fan, fanzine publisher, essayist, reviewer, anthologist, teacher and blogger”. Which is true. He’s won three Hugo Awards for Best Editor Long, and he won a World Fantasy Award for editing the Starlight 1 anthology.
Born January 2, 1967 — Tia Carrere, 53. Best remembered for her three-season run as Sydney Fox, rogue archeologist on Relic Hunter. She’s been in a lot of one-offs on genre series including Quantum Leap, Hercules, Tales from The Crypt, Airwolf, Friday the 13th and played Agent Katie Logan for two episodes on Warehouse 13.
Born January 2, 1979 — Tobias S. Buckell, 41. I read and enjoyed a lot his Xenowealth series which he managed to wrap up rather nicely. The collection he edited, The Stories We Tell: Bermuda Anthology of Science Fiction, Fantasy and Horror, is well worth reading, as is his own Tides from a New World collection.
Born January 2, 1983 — Kate Bosworth, 37. She’s Barbara Barga in the SS-GB series done the superb Len Deighton novel. She’s both a producer and a performer on The I- Land Netflixseries where she’s KC, a decidedly not nice person. For a more positive character, she portrayed Lois Lane in Superman Returns.
(12) SOLAR TO BLAME. Mark Lawrence’s “Star
one stars!” features bad reviews that Amazon customers gave books, complaining
about things that aren’t in the writer’s control. His first example —
I was recently the lucky recipient of this 1* review on Amazon. It struck me as worthy of note because not only is it not a review of the book, it’s not even a criticism of Amazon. It’s more of a critique of the customer’s own life skills…
“1*: Can’t remember ordering these books. Not my type of subject. Unable to find a method of cancelling the transaction”
(13) LIGHT ‘EM UP. Cora Buhlert tells how she celebrated a “Happy New Year
2020” in Germany, where fireworks are part of the tradition – but for how
…However, this year some organisations are calling for a complete ban on private fireworks. The initial reasons given were environmental – fireworks release smoke and microparticles, but then other reasons like animal welfare and health and safety were also given. Plus, there is a call – echoed by various charities – that fireworks are a waste of money and that the people should rather donate the money spent on fireworks to charity. One figure that’s often bandied about is that in 2018, 130 million Euros were spent on fireworks in Germany. That sounds like a lot – until you do the calculations and realise that this figure means that every person in Germany spent 1,57 Euros per year on fireworks on average. And 1,57 Euros per person is not a lot of money, especially if you consider that the total figure of 130 million Euros also includes money spent on professional fireworks.
So why are fireworks suddenly so controversial, especially since they are limited to one night of the year – with the occasional firecracker going off a few days before or after? IMO, the underlying reason is just that some people find fireworks annoying, because they are noisy, frivolous and the wrong kind of people (teenagers, immigrants, poor people) are having fun. In recent times, there has been a resurgence of the kind of joyless moralism that dominated the 1980s. And not coincidentally, the “Give to charity rather than buying fireworks” campaign originally also dates from the 1980s.
(14) IN TIMES TO COME. [Item by SF Concatenation’s
Jonathan Cowie.] Nature points out “The
science events to watch for in 2020”. This includes… 2020 will
see a veritable Mars invasion as several spacecraft, including three landers,
head to the red planet. NASA will launch its Mars 2020 rover, which will stash
rock samples that will be returned to Earth in a future mission and will also
feature a small, detachable helicopter drone. China will send its first lander
to Mars, Huoxing-1, which will deploy a small rover. A Russian spacecraft will
deliver a European Space Agency (ESA) rover to the red planet — if issues with
the landing parachute can be resolved. And the United Arab Emirates will send
an orbiter, in the first Mars mission by an Arab country. Closer to home, China
is planning to send the Chang’e-5 sample-return mission to the Moon.
is a pic of the forthcoming Mars lander being tested.
3600-SOME-ODD SHOPPING DAYS ‘TIL. In “The
2030 Last-Minute Christmas Gift Guide” on Vice, Tim Maughan
foresees what the hot holiday items of ten years from now will be, including
Barron Trump’s rap albums and Marvel Vs. Star Wars VI: The Final Conflict.
…Want to take a low flying helicopter ride over the Texas Refinery District Toxic Exclusion Zone? Try urban scuba deep under what was once the Miami waterfront? Or maybe you want to take a leaf out of your favorite influencer’s book, and get your photo taken on the rim of the crater that was once the Space X test facility? The Unlimited Dream Company can make it happen, with its range of exclusive, customizable tourist trips. You’ll be given full safety training and orientation—including an entry level handgun course for trips in disputed states—and will be accompanied by medical staff*, Darklake certified security agents, and tour guides with unmatched local knowledge.
True story, Word of Honor: Joseph Heller, an important and funny writer now dead, and I were at a party given by a billionaire on Shelter Island.
I said, “Joe, how does it make you feel to know that our host only yesterday may have made more money than your novel ‘Catch-22’ has earned in its entire history?” And Joe said, “I’ve got something he can never have.” And I said, “What on earth could that be, Joe?” And Joe said, “The knowledge that I’ve got enough.” Not bad! Rest in peace!
It isn’t hard to imagine yourself inside an Edward Hopper painting — having a coffee at a late-night diner, or staring out the bedroom window at the bright morning sun.
Now, for $150 a night, you can sleep in one — or a reproduction of one — at the Virginia Museum of Fine Arts in Richmond. Designers have constructed a 3D version of Hopper’s 1957 Western Motel, and invited Hopper fans to sleep over.
It feels a little funny getting undressed for bed in a museum. (There are plenty of nudes on the walls, but you don’t expect to be one yourself.) But suddenly there you are, in your jammies — a guard outside in the hallway — turning off the goose-neck lamp on the bedside table, tucking yourself under a deep burgundy bedspread, and looking out the big picture “window” at a green Buick parked outside.
The Marvel Cinematic Universe is set to get its first transgender superhero.
“And very soon. In a movie that we’re shooting right now,” Marvel Studios boss Kevin Feige said during a Q&A at the New York Film Academy.
Asked by a fan whether there were any plans for more LGBT characters in Marvel’s films, “specifically the T, trans characters”, Kevin said: “Yes, absolutely. Yes.”
This year, The Eternals will introduce Marvel movies’ first gay character.
There have been reports since 2019 that Phase 4 of the MCU – the films following the Avengers Infinity saga – would star a trans character.
Marvel has also said it will introduce its first deaf superhero in The Eternals and its first Asian-American superhero, in Shang-Chi and the Legend of the Ten Rings.
“You look at the success of Captain Marvel and Black Panther. We want the movies to reflect the audience and we want every member of our global audience to see themselves reflected on the screen,” Kevin Feige previously said.
Love the Fralinger String Band? Then you came to the right place. We’ve got Fralinger’s 2020 Mummers Parade performance video of their “Lunar Effect” theme and some photos below.
[Thanks to JJ, Cat Eldridge, Michael J. Walsh, Mike Kennedy,
Andrew Porter, John King Tarpinian, Michael Toman, Martin Morse Wooster, SF
Concatenation’s Jonathan Cowie, and Chip Hitchcock for some of these stories.
Title credit goes to File 770 contributing editor of the day Ingvar.]
Even 10 years ago, the fields of science fiction and fantasy were still overwhelmingly American and white. And, if you grew up speaking Spanish in Mexico City, (as I, Silvia, did), or Hebrew on a small kibbutz in Israel (as I, Lavie, did), it meant that the world of science fiction, filtered through translation, was as remote and alien as the other side of the moon. The very idea we could be writing novels like these seemed, well, fantastical.
Yet, somehow, here we are. The past decade has seen the science-fiction world change as more international voices enthusiastically jumped into the fray. Now, wonderful writers including Malaysian Zen Cho can write smart, funny fantasies such as “Sorcerer to the Crown”; after years of struggle, Nigerian Tade Thompson’s ambitious Africa-set novel, “Rosewater,” was published to wide acclaim and recently won the prestigious Arthur C. Clarke Award; and Chinese author Liu Cixin’s “The Three-Body Problem,” translated by Ken Liu, has become a bestseller and even has a recommendation from former president Barack Obama.
(3) FIRESIDE CANCELLATIONS. The October 8 issue of Jason
Grapevine reported —
…Fireside Press contacted a number of its authors and cancelled their pending book titles. The messages received by those authors said that due to unexpected changes at Fireside, the publisher had to re-evaluate their plans for the upcoming year. As a result Fireside was cancelling the contracts for multiple titles which had been accepted and contracted but not yet scheduled for publication. Fireside reverted the rights for these books to their authors, although no kill fee was paid because that wasn’t in the contract.
On Monday morning, I sent out messages reverting the rights on five unpublished and unannounced manuscripts that we acquired last year during our novel and novella acquisitions period. In the last day or so there’s been lots of rumor and speculation, so I wanted to explain what’s going on directly.
We’ve had some unexpected changes on the editorial front at Fireside this year. Any time there’s a change like that, it affects workflow, capacity, and resourcing throughout, especially at very small operations like ours. Over the past few months, as I’ve reworked our editorial operations to account for working with more people than ever before, it’s become clear to me that the amount of work that I’d previously thought Fireside could take on was unsustainable. Trying to take on too much work would have made living up to our obligations to our authors extremely challenging. It would have been bad both for Fireside and for these authors and their work. So rather than publishIng these books badly, I made the decision to cut down on our upcoming list.
This sucks no matter how you slice it, but it would have sucked more down the line. As I told each author, this is not a reflection on their work. There’s a reason we were attracted to these manuscripts in the first place — they’re great stories, and I have no doubt that they will find good homes. But I’d much rather revert the rights to these books back to their authors, than do a bad job publishing their work, or worse: sit on the rights until the contracts expired….
Meg Elison today said she is one of the authors whose contract was
cancelled, and commented at length about how that was handled. Thread starts here.
(4) LEWIS QUEST. Matt Mikalatos, while “Introducing
the Great C.S. Lewis Reread” at Tor.com, raises the suspicion that the
series will be of great interest to all except to those who actually like
…Time passed, and over the years I’ve grown and changed, of course; recently my 16-year-old picked up my favorite Lewis book, Till We Have Faces. It’s a beautiful novel about loss and faith and confronting the gods. My daughter told me it was good, but added, “He didn’t like women much, did he?”
Okay, yes, that’s a fair response. And there are certainly moments of deeply troubling racism in Lewis’s books, too. And for those who aren’t from a Christian background (and maybe some who are), the central Christian conceits can be off-putting (even Tolkien, who was a key player in Lewis’s conversion, often disliked Lewis’s sermonizing).
So why are we embarking on a massive re-read of Lewis’s books?
Well, love them or hate them, the Narnia books played a key role in bringing children’s literature back into the worlds of the fantastic. There was a strong emphasis on realism in Lewis’s days, and too much imagination was seen as unhealthy for kids (though Baum, Barrie, and Nesbit might still be on the nursery shelf). The popularity of Narnia opened the door to more fantasy literature for children, and The Chronicles of Narnia still get placed on “Best Of” lists for children today….
(5) EMULATING WHO. Watch the full recreation of the missing
Doctor Who 1965 episode Mission to the Unknown by the University
of Central Lancashire. Find out more and watch the making-of here.
…When I first applied for this position, did I know that my expected job duties would include dueling genocidal dark lords or battling Death Eaters in the Astronomy Tower? No. Did I do them anyway, even after being denied a cost of living adjustment to my salary for ten years in a row while also dealing with insidiously small-but-steady cuts to my annual conference travel budget? Yes. Do these accomplishments count as service to the student body, to the institution, or to humanity itself? Hard to say.
Not even saving the institution from an apocalyptic calamity orchestrated by a noseless neo-Nazi, however, can compare to the daily, ongoing, and, frankly, deeply disheartening struggle to protect our students from themselves….
(7) TODAY IN HISTORY.
October 9, 2010 — Monsterwolf debuted on Syfy. It stars Leonor Varela, Robert Picardo, and Marc Macaulay. It’s a werewolf movie and Robert Picardo appeared in The Howling as a werewolf.
October 9, 2012 — Werewolf: The Beast Among Us was released on DVD. Starring Ed Quinn and Guy Wilson, it rated 37% at Rotten Tomatoes. Yes, a lot of werewolf films get released round Halloween.
October 9, 2015 — Pan was released by Warner Bros. Starring Hugh Jackman as Blackbeard and Levi Miller as Pan, it bombed at the box office. Rotten Tomatoes gives it a 27% approval rating.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 9, 1900 — Harry Bates. His 1940 short story “Farewell to the Master” was the basis of The Day the Earth Stood Still just over a decade later. And he edited Astounding Science Fiction from its inception in January 1930 until March 1933 when Clayton went bankrupt and the magazine was sold to Street and Smith. Other than The Day the Earth Stood Still, neither iBooks or Kindle has much by him. (Died 1981.)
Born October 9, 1936 — Brian Blessed, 83. Lots of genre appearances including Space 1999, Blake’s 7, Doctor Who, Hamlet (as the a Ghost of Hamlet’s father), MacGyver: Lost Treasure of Atlantis, Johnny and the Dead and Star Wars: Episode I – The Phantom Menace.
Born October 9, 1953 — Tony Shalhoub, 66. Two great genre roles, the first being Jack Jeebs in Men In Black, the second being more I think more nuanced one, Fred Kwan in Galaxy Quest. Actually, he’s done three great genre roles as he voiced Master Splinter in Teenage Mutant Ninja Turtles and Teenage Mutant Ninja Turtles: Out of the Shadows.
Born October 9, 1954 — Scott Bakula, 65. Lead in two great SF series, Sam Beckett on Quantum Leap and Captain Jonathan Archer on Enterprise. He also starred as Nolan Wood who discovers the alien conspiracy in the remake of The Invaders.
Born October 9, 1956 — Robert Reed, 63. Extremely prolific short story writer with at least two hundred tales so far. And a number of novels as well, such as the superb Marrow series.
Born October 9, 1958 — Michael Paré, 61. I’ll start off with his being in Streets of Fire but he’s also been in The Philadelphia Expirement, Lunarcop, both BloodRayne films and Moon 44.
Born October 9, 1961 — Matt Wagner, 58. The Grendel Tales and Batman / Grendel Are very good as is Grendel vs. The Shadow stories he did a few years back. His run on Madame Xanadu was amazing too.
Born October 9, 1964 — Jacqueline Carey, 55. Author of the long-running mildly BDSM centered Kushiel’s Legacy Universe which also includes the Moirin Trilogy. (Multiple Green Man reviewers used this phraseology in their approving reviews.) LOCUS in their December 2002 issue did an interview with her called “Jacqueline Carey: Existential BDSM”. She did several stand-alone novels including the intriguingly entitled Miranda and Caliban.
Born October 9, 1964 — Guillermo del Toro, 55. Best films? Hellboy, Hellboy II and Pan’s Labyrinth. Worst films? The Hobbit films. Hellboy II would make it solely for the Goblin’s Market sequence.
Born October 9, 1979 — Brandon Routh, 40. The lead in Superman Returns, a film that got a very positive 75% rating on Rotten Tomatoes. Surprisingly it didn’t make the final ballot for the Hugo Best Dramatic Presentation, Long Form when It was eligible. He’s currently Ray Palmer, The Atom, in the Arrowverse.
…The tiny figure, like those singers in the terrific documentary 20 Feet From Stardom, was a major talent in its own right. Like so much else in Disney comic history, the name was applied retroactively, because fans and followers needed a tag to put on the character. They had little to go on. At first, Barks seldom had Gyro even directly notice his shadow, much less address it. But even Barks occasionally nodded. There is an instance of Gyro calling it “Helper.” And Helper morphed into Little Helper, which is the best term to search on. (It’s Little Bulb in the Duck Tales cartoons.) Helper is canonical, because helper is how Barks thought of his creation, as quoted in Tom Andrae, Carl Barks and the Disney Comic Book: Unmasking the Myth of Modernity.
Zombie Skittles are the definition of trick or treat. This new bag of candy looks like regular ol’ Skittles — but beware! Some of the candy pieces are sweet and fruity, while others taste like rotten eggs. So, brace yourself before you grab a handful. There’s a good chance you’ll get a mouthful of YUCK.
…A recent episode of the adult-oriented animated series entitled “Band in China” was, well, banned in China after the country’s government deemed it inappropriate (via The Hollywood Reporter). Every last clip of the episode, which critiques the ways in which Hollywood tends to adjust its content to avoid censorship from the Chinese government and features character Randy Marsh (Trey Parker) getting thrown in jail after he’s caught selling drugs in China, has been scrubbed from China’s intensely monitored internet — including from streaming services, fan pages dedicated to South Park, and social media platforms. All instances of discussion about the “Band in China” episode, official or otherwise, have also been removed from the Chinese internet.
The versatility of the Apple II made it one of the most widespread personal computers of the 1970s and 80s. In schools, labs, and even command centers, these classic American computers kept a foothold even after the advent of more advanced machines. But of all the places you’d expect to find the computer that popularized The Oregon Trail, the mournful museum of a Communist leader is one of the most unlikely.
Lenin Museum in Gorki Leninskiye, located 20 miles south of Moscow, doesn’t look hi-tech even by 1980s standards. But among black marble interiors, gilded display cases, and Soviet historical documents, there is an elaborate audiovisual show about the last years of Vladimir Lenin’s life. Opened in 1987, it’s still powered by vintage Apple technology….
(16) BRADBURY PROFILE. Thanks to YouTube, it’s not too late
to tune into Ray Bradbury – Story of a Writer, a 25-minute documentary
from 1963 by David L. Wolper.
(17) FRIGHT NIGHT. Remember the week horror stars Bela
Lugosi, Lon Chaney Jr. and Vampira were on the Red Skelton Show? Me
neither, but YouTube does. (And it somehow seems appropriate that Geritol was
the sponsor.) Dial B for Brush starts at about the 7:30 mark.
(18) DRAWN THAT WAY. In “The Real Fake Cameras of Toy Story 4” on YouTube,
the Nerdwriter looks at how Toy Story 4 cinematographer Patrick
Lim used analog cinematography techniques, including split diopter shots and
anamorphic lenses, to improve the film.
[Thanks to Andy Leighton, Mlex, Lise Andreasen, Martin Morse Wooster, Mike
Kennedy, Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Olav Rokne, SF
Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editor of the day Jon Meltzer.]
The Hollywood Reporter dropped big news for GRRM fans yesterday; the Wild Cards series, helmed by Martin and Melinda Snodgrass, and featuring stories from many SFF luminaries, is coming to Hulu.
Hulu and Universal Cable Productions are near to a deal that would create a writers room for Wild Cards, helmed by Andrew Miller. The intent is to begin with two series and potentially expand to more, with Martin, Melinda Snodgrass, and Vince Gerardis executive producing the lot.
(2) ARISIA GOHS PUNISHED. Did you know Amazing Stories was sponsoring the 2019 NASFiC’s Fan Guests of Honor Bjo and John Trimble? Well, if you didn’t, never mind, they aren’t anymore — “Amazing Stories Withdraws Trimble’s NASFiC Sponsorship”. And why is that? Steve Davidson thinks it’s bad publicity for Amazing to be associated with people who are also going to be guests at Arisia 2019 — apparently, even worse publicity than Amazing will receive from making this announcement.
Today, November 14th, The Experimenter Publishing Company reluctantly announces that it has formally rescinded its NASFiC Fan GoH sponsorship of John and Bjo Trimble, following the Trimble’s decision to remain Guests of Honor of the Arisia 2019 convention.
In December of 2017 at the Boston SMOFcon, Steve Davidson (Experimenter Publisher) met Kate Hatcher, chair of the 2019 Utah NASFiC bid. Utah won the bid and The Experimenter Publishing Company was approached as a potential sponsor for the as yet unnamed Fan GoH. Following brief discussions, Experimenter agreed to cover the costs associated with the attendance and promotional efforts typically incurred.
… The Trimbles initially announced that they would be attending Arisia. When I learned of this, I wrote to Kate Hatcher of the Utah NASFiC and subsequently to Bjo Trimble, explaining that The Experimenter Publishing Company and Amazing Stories could not be associated with nor support Arisia under the current circumstances and, since one purpose of their trip to the convention was to promote the NASFiC as sponsored by Amazing Stories, I felt that I had no choice but to withdraw their sponsorship should they choose to attend….
(3) HAZARDOUS SFF TOYS. W.A.T.C.H. (World Against Toys Causing Harm, Inc.) has released their 2018 list of “10 worst toys” for the holiday season (press release here and more about each toy starting here). Cited issues include choking, ingestion, cutting, blunt force, and eye damage hazards. A majority of the toys have sff or science themes. The full list is:
Nickelodeon Nella Princess Knight Pillow Pets Sleeptime Lites
Nerf Vortex VTX Praxis Blaster
Marvel Black Panther Slash Claw
Power Rangers Super Ninja Steel Superstar Blade
Cabbage Patch Kids Dance Time Doll
Zoo Jamz Xylophone
Nici Wonderland Doll: Miniclara The Ballerina
Stomp Rocket Ultra Rocket
Chien Á Promener Pull Along Dog
(4) BEFORE LITTLE NEMO. Titan Comics is publishing McCay, an “invented biography” chronicling authentic — though only partially true — stories of the life of the “father of animation” Winsor McCay, in which “McCay’s life is enriched by an imaginary encounter with British mathematician and science fiction writer Charles Hinton…and glimpses of the fourth dimension.” Release date is November 20.
(5) KICKSTARTER SPRINT. Fireside Fiction has launched a short crowdfunding campaign for “Hope In This Timeline”, a collection of short spec fiction stories about finding hope in difficult times curated by Meg Frank.
This reality is bonkers, and keeping up, let alone keeping your spirits up is really hard. Team Fireside thought we’d insert a little hope into the mix. We collected stories by Lee S. Bruce, Beth Cato, Gillian Daniels at midnight EST and in addition to the collection we’ve got some rad backer rewards like an enamel pin designed by Team Fireside and original artwork by Sara Eileen Hames.
They have raised $3,845 of their $7,000 goal with two days to go.
Wonder Woman is unavoidably this icon of feminism and of diversity and, to an extent, any Wonder Woman story can’t escape the broader context of her as a fictional element in the wider world. You just look at her becoming a figurehead for the UN, and the backlash to that, and the weight that we place on her as a fictional character. And certainly there’s a lot of conversation about issues of feminism and diversity just in the comics world right now. Do you feel that the presence of that context when you’re writing her?
Yes, absolutely. I think those of us, especially in the United States, who grew up with these characters, tend to assume a kind of universality to them. We assume that the ideals that they represent are universal across time and space and culture; that everybody can relate to them the same way that we do; that the things that they say and they think, their costumes, all of this stuff — is a universal human expression of justice.
And it’s not always the case. That’s not always the case. And I think now that we are really interconnected across the globe, and in social media, to the press, through the globalization of pop culture, we’re asking much bigger questions about these characters then we might have before, when they were a uniquely American phenomenon. And so it’s something that I’m always conscious of.
And it does, I think, make one’s job as a storyteller more interesting, because we’re now dealing with these characters who have a much broader reach than they might have 60 years ago. Yet by that same token, they’re no longer as universal and that’s a very interesting paradox.
[That’s] part of why I wanted to start out my run on the series in the way that I do: asking, “What is justice in this very different context?” Is there such a thing as a just war in a time when war is no longer about two armies facing each other across the battlefield, and it’s more about proxy wars and asymmetrical warfare and civilian casualties? And all of these different warring perspectives where there is no clear, black-and-white good guy and bad guy? And not shy away from that stuff. It’s a tall order, but I think it’s never been more necessary to ask those questions
Fred was a treasure. You could turn to him and say, “I remember a story about a … etc.” and he would not only identify it by title and author, but where it was published. He was an incredible resource. I admired his encyclopedic knowledge of the field. He was classic old-school fandom. I am so sorry to hear of his passing.
(8) TODAY IN HISTORY
November 14, 1883 — Robert Louis Stevenson’s Treasure Island is published as a one-volume book.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
November 14, 1907 – Astrid Lindgren. Creator of the Pippi Longstocking series and, at least in the States, lesser known Emil i Lönneberga, Karlsson-on-the-Roof, and the Six Bullerby Children series as well. In January 2017, she was calculated to be the world’s 18th most translated author, and the fourth-most-translated children’s writer after Enid Blyton, H. C. Andersen and the Brothers Grimm. There have been at least forty video adaptations of her works over the decades mostly in Swedish but Ronja, the Robber’s Daughter (Sanzoku no Musume R?nya in English transliteration) was an animated series in Japan recently. (Died 2002.)
November 14, 1930 – Lt. Col. Ed White, Engineer, Pilot, and Astronaut who was the first American to walk in space during the Gemini 4 flight, for which he was awarded the NASA Distinguished Service Medal. He and his crewmates Virgil “Gus” Grissom and Roger B. Chaffee died as a result of a catastrophic fire in the command module during a launch test for Apollo 1, which was to have been the first manned Apollo mission. (Died 1967.)
November 14, 1932 – Alex Ebel. He did the poster for the first Friday the 13th film, and his cover illustration for The Left Hand of Darkness by Ursula K. Le Guin published by Ace Books in 1975 is considered one of the best such illustrations done. I’m also very impressed with The Dispossessed cover he did as well as his Planet of Exile cover too. His work for magazines includes Heavy Metal, Space Science Fiction and Fantastic Story Magazine. (Died 2013.)
November 14, 1951 – Beth Meacham, 67, Writer, Editor, and Critic who is best known for the many award-nominated and winning authors and books she has brought to SFF fans in her decades as editor at Ace and Tor, including Tim Powers’ The Anubis Gates and Greg Bear’s Blood Music. She has been a finalist for the Best Editor Hugo numerous times – but what JJ found especially interesting are her Hugo nominations for Best Related Book, as a collaborator on A Reader’s Guide to Fantasy, and on Vincent Di Fate’s Catalog of Science Fiction Hardware. She has been Editor Guest of Honor at several conventions, including next year’s World Fantasy Convention.
November 14, 1951 – Sandahl Bergman, 67, Actor, Stuntperson, and Dancer who appeared in several Broadway shows and gained prominence when choreographer Bob Fosse cast her in Pippin and Dancin’, and then in his fantasy dance film All That Jazz. She played Valeria in Conan the Barbarian – for which she won a Saturn Award – and Queen Gedren in Red Sonja. She was one of the nine muses in the fantasy musical Xanadu, and starred in She, a post-apocalyptic movie based on H. Rider Haggard’s novel She: A History of Adventure. Other genre appearances include Hell Comes to Frogtown, Revenge on the Highway, TekWar: TekJustice, Ice Cream Man, and Sorceress II, and guest roles on Sliders and Hard Time on Planet Earth.
November 14, 1959 – Paul McGann, 59. Yes he only did one film as the eighth incarnation of the Doctor in the 1996 Doctor Who television film, but that role he has reprised in more than seventy audio dramas and the 2013 short film entitled “The Night of the Doctor”. Other genre appearances include Alien 3, FairyTale: A True Story, Queen of the Damned and Lesbian Vampire Killers.
November 14, 1963 – Cat Rambo, 55, Writer and Editor, who co-edited Fantasy Magazine from 2007 to 2011, which earned her a World Fantasy Special Award nomination. Her fantasy and science fiction works have been recognized with Nebula, Endeavour, and Compton Crook Award nominations. She has been an ardent gamer since the days of Pong and Chainmail, and was one of the developers of Armageddon (MUD). Her alter identity is as President, since 2015, of the Science Fiction and Fantasy Writers of America (SFWA), which has enjoyed an unprecedented amount of visibility and transparency to fandom and non-members under her guidance; in addition to letting the rest of us get a better understanding of “how the sausage gets made”, the organization has continued its evolution by adding a mentorship program, Nebula voting rights for Associate Members, and a Gamewriting category to the Nebula Awards.
November 14, 1969 – Daniel J. Abraham, 49, Writer and Producer. He has published several fantasy series under his own name, as well as under M. L. N. Hanover and Daniel Hanover; his solo works include the Long Price Quartet (about which Jo Walton has waxed enthusiastic), and the Black Sun’s Daughter and Dagger and the Coin quintologies, as well as numerous short works in GRRM’s Wild Cards universe. But let’s get to the leviathan in the room: he is one half of James S. A. Corey – a pen name which derives from his middle name and that of his collaborator, Ty (Corey) Franck, and his daughter’s initials – a team responsible for the bestselling Expanse novels and popular TV series. The first novel, Leviathan Wakes, was a Hugo finalist, and the episode of the same name won a Hugo for Best Dramatic Presentation; the novel series itself was a finalist for the Best Series Hugo Award in the year of its inception. He has also collaborated on comic books for various GRRM properties, including Game of Thrones.
November 14, 1979 – Olga Kurylenko, 39, Actor born in the Ukraine who is probably best known for her genre-adjacent role in Quantum of Solace, which earned her a Saturn nomination. She’s had several roles in movies based on comic books: Hitman, Max Payne, the Belgian Largo Winch, and the regrettably plothole-ridden Oblivion. She played The Vampire in Paris, Je t’Aime, and had appearances in Tyranny, Vampire Academy, The Man Who Killed Don Quixote, Mara, and the probably-never-to-be-released epic fantasy Empires of the Deep.
(10) COMICS SECTION.
Off the Mark is just kidding, but you’ll never look at your bookshelves quite the same way again.
Terraforming Mars is one of the most popular heavy strategy games of the last two years (read our 2016 review); it earned a nomination for the Kennerspiel des Jahres (expert’s “game of the year”), losing to the very good but much simpler Exit: The Game series. It’s currently ranked #4 on BoardGameGeek’s master ranking of all board games, a ranking that tends to skew towards complex games that eschew luck in favor of strategy and engine building.
Now, an adaptation from Asmodee Digital brings the game to Windows via Steam. (Android and iOS ports are coming soon.) The Windows port offers local play, online multiplayer, and a solo challenge mode that functions as a good learning tool in addition to providing a strong single-player experience.
Last year we screened 66 films from 21 countries and had over 600 visitors. This year the festival will have 144 features as Berlin Sci-fi Filmfest takes over the Babylon Cinema.
Berlin Sci-fi Filmfest is pleased to announce the inclusion of the following:
Simon Lejeune aka Haedre, Berlin based Artist, painter, illustrator and comic author will take up residency and his exhibition will be featuring new works along with original comic pages.
Hans Hanfner, A Berlin based composer who wrote music for the award winning series Danni Lowinski and Allein gegen die Zeit will discuss the scoring workflow used in Babylon Berlin and discuss the tools and techniques used that made working with a team across the world possible.
Irrlicht e.V. is an association that supports fantastic culture, role-playing, tabletop and board games. They are committed players who meet regularly in Berlin and around the country and offer all those interested in the opportunity to experience fantastic culture and art and of course to play.
And as for Cosplay, we welcome back Anette Pohlke and the Film Fan Force team, who will be providing our guests with ample photo opportunity to pose with some of their favourite fan film characters from Star Wars to Star Trek to Guardians of the Galaxy.
Tyler Barriss, 26, pleaded guilty on Tuesday to making a false report resulting in a death, after he placed a hoax call late last year that resulted in police fatally shooting an unarmed man in Wichita, Kan.
Barriss pleaded guilty to a total of 51 charges as part of a plea deal. He will be sentenced in January, The Associated Press reports.
Prosecuting U.S. Attorney Stephen McAllister told The Wichita Eagle he will recommend that Barriss be sentenced to 20 years in prison, providing he writes apology letters to police, dispatchers and the family of Andrew Finch, a 28-year-old father of two who was shot by police who responded to the hoax call in December.
If the impact was right at near-end of the age window then it will surely re-ignite interest in the so-called Younger Dryas impact hypothesis.
The Younger Dryas was a period of strong cooling in the middle of the climatic warming that occurred as the Earth emerged from the height of last ice age.
Some have argued that an asteroid impact could have been responsible for this cooling blip – and the accompanying extinction of many animal groups that occurred at the same time across North America.
Others, though, have been critical of the hypothesis, not least because no crater could be associated with such an event. The Hiawatha depression is likely now to fan the dying embers of this old debate
A small rocket from a little-known company lifted off Sunday from the east coast of New Zealand, carrying a clutch of tiny satellites. That modest event — the first commercial launch by a U.S.-New Zealand company known as Rocket Lab — could mark the beginning of a new era in the space business, where countless small rockets pop off from spaceports around the world. This miniaturization of rockets and spacecraft places outer space within reach of a broader swath of the economy.
The rocket, called the Electron, is a mere sliver compared to the giant rockets that Elon Musk, of SpaceX, and Jeffrey P. Bezos, of Blue Origin, envisage using to send people into the solar system. It is just 56 feet tall and can carry only 500 pounds into space.
…The Electron, Mr. Beck said, is capable of lifting more than 60 percent of the spacecraft that headed to orbit last year. By contrast, space analysts wonder how much of a market exists for a behemoth like SpaceX’s Falcon Heavy, which had its first spectacular launch in February.
A Falcon Heavy can lift a payload 300 times heavier than a Rocket Lab Electron, but it costs $90 million compared to the Electron’s $5 million. Whereas SpaceX’s standard Falcon 9 rocket has no shortage of customers, the Heavy has only announced a half-dozen customers for the years to come.
Yes, some people on the internet are arguing that Earth is neither flat, nor spherical, but torus-shaped, which is a fancy science word for something that looks like a donut. The idea first appeared on FlatEarthSociety.org in a 2008 thread started by a mysterious figure named Dr. Rosenpenis as a joke, but it was fleshed out in detail by FES trailblazer Varaug in 2012.
[Thanks to John King Tarpinian, Chip Hitchcock, JJ, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
The discussion surfaced the Goodreads Librarian who deleted Anathema and some issues of FIYAH. A couple of excerpts (note, unfortunately I can’t make WordPress display only the selected tweet, so these come in pairs) —
Responses by Goodreads participants have focused on (1) Goodreads has a policy against listing publications which lack ASIN/ISBN numbers, and (2) denying that the enforcement could be anything besides business as usual, let alone an individual or institutional expression of racism.
An important element of the controversy has been that Goodreads deleted these particular spec fic magazines while leaving intact the listings for many others. Neil Clarke of Clarkesworld, in a twitter thread that can be reached via Carrie Cuinn, describes his own encounters with Goodreads librarians, what rules were invoked then, and how decisions were made. Some of his tweets say —
By the way, they also appear to take ASIN. They load data from Amazon, so that's likely how most of the magazines mentioned were added.
That's the true comparative then. Now the question is whether or not they'll strike that too or restore what they've deleted. Always thought it weird that this "rule" was not programmed into their system. Suggests it's not as much of a rule as some say.
Never really understood their hangup on this issue though. Specifically odd when you see they allow "short stories published online" and then disallow "Short stories only published in an anthology or magazine."
Did some more digging. Found a recent thread about issues of another magazine and Clarkesworld came up. Since we have the print edition with ISBN, issues survived, but some of the editions linked to those issues went away. pic.twitter.com/A0RuTAPQrz
Short thread. So listen. I added the first couple issues of @fiyahlitmag to @goodreads myself, because it's a great and important publication and I wanted everyone who follows my reviews to see it, and it wasn't there when I went to add it to my currently reading list.
This is why no one is ever going to convince me that the removal of @fiyahlitmag from @goodreads wasn't an act of malicious, targeted racism, committed with the intent to silence a black publication and exclude them from mainstream structures commonly used to market their work.
Escape Artists says they will be taking down Mothership Zeta’s Goodreads listing in protest:
The selective enforcement action of @goodreads appears racially motivated and we won't be a part of it. We're taking down all @EditorZeta volumes until @fiyahlitmag is reinstated and receives a public apology.
So, I’ve explained before that Timothy doesn’t distinguish human faces well. He is also confused by facial hair. OK strictly speaking he is confused by human skin, which he assumes is fur and hence is doubly confused by facial hair which he thinks is fur that is growing out of fur. Look, the main thing is he finds beards confusing and panics if I shave.
So, Marvel’s Infinity War has many characters and about 40%+ of them have facial hair (90%+ if we count eyebrows – do eyebrows count as facial hair? I assume so.) Some of them i.e. Captain America have gained beards for this film.
So to assist Tim to keep track, here is a field guide to various beard styles in the film….
(2) PUBLIC ASKED FOR PODCAST NOMINATIONS. The Parsec Awards Steering Committee is accepting nominations of podcasts for the 2018 Parsec Awards through June 15. Nominate here.
Any material released between May 1, 2017 and April 30, 2018 is eligible for the 2018 awards. Material released needs to be free for download and released via a mechanism that allows for subscriptions. Thus, YouTube, Facebook, etc.. series are eligible.
If you are a podcaster or author, please feel free to nominate your own podcast or story
StarWars.com is thrilled to announce that production has begun on Star Wars Resistance, an exciting new animated adventure series about Kazuda Xiono, a young pilot recruited by the Resistance and tasked with a top-secret mission to spy on the growing threat of the First Order. It will premiere this fall on Disney Channel in the U.S. and thereafter, on Disney XD and around the world.
(4) BROADDUS JOINS APEX. Maurice Broaddus has been named nonfiction editor for Apex Magazine. Jason Sizemore, Editor-in-Chief, made the announcement April 2.
Maurice is a prolific and well-regarded author who works in a multitude of genres. He is also the Apex Magazine reprints editor and now wears two hats for our publication. Upcoming authors Maurice has lined up for essays include Mur Lafferty, Mary SanGiovanni, and Tobias S. Buckell.
You can find Maurice Broaddus on Twitter at @mauricebroaddus and online at www.mauricebroaddus.com. His novella “Buffalo Soldiers” was recently published at Tor.com.
(5) SWANWICK CITES LE GUIN ON PRESENT TENSE: Michael Swanwick would be authority enough for many, but first he appeals for support to “Le Guin on Present Tense” before handing down the stone tablets:
Here’s the rule, and it covers all cases: Only use the present tense if there is some reason for doing so that justifies losing some of your readers and annoying others. (This rule goes double for future tense.) Otherwise, use the past tense.
Bipartisan users, who try to bridge the echo chambers, pay a price for their work: they become less central in their network, lose connections to their communities and receive less endorsements from others.
…I first sold to New York in 2007, over eleven years ago. That book was Grimspace, a story I wrote largely to please myself because it was hard for me to find the sort of science fiction that I wanted to read. I love space opera, but in the past, I found that movies and television delivered more of the stories I enjoyed. At the time, I was super excited to be published in science fiction and fantasy.
My first professional appearance was scheduled at a small con in Alabama. I was so excited for that, so fresh and full of hope. Let’s just say that my dreams were dashed quite spectacularly. I was sexually harassed by multiple colleagues and the men I encountered seemed to think I existed to serve them. To say that my work wasn’t taken seriously is an understatement. That was only reinforced when I made my first appearance at SDCC (San Diego Comic Con) six months later.
There, the moderator called me the ‘token female’, mispronounced my last name without checking with me first (she checked with the male author seated next to me), and the male panelists spoke over me, interrupted me at will, and gave me very little chance to speak. I remember quite clearly how humiliated I was, while also hoping that it wasn’t noticeable to the audience.
Dear Reader, it was very noticeable. Afterward, David Brin, who was in the audience, came up to me with a sympathetic look and he made a point of shaking my hand. He said, “Well, I was very interested in what you had to say.” With a pointed stress on the word “I.”…
Madison Square Garden officials lifted the curtain a bit on their MSG Sphere Arena entertainment venues coming to Las Vegas and London, with a demonstration Thursday that hinted at advanced technology going into the design and experiences for audiences within the new-generation venues.
In his presentation at the Forum in Inglewood, which his company rejuvenated in 2014 with a $100-million face and body lift, Madison Square Garden Co. chairman James L. Dolan cited a short story from science-fiction author and futurist Ray Bradbury’s 1951 anthology “The Illustrated Man” as something of a spiritual model for the new facilities.
In particular, he referenced Bradbury’s story “The Veldt,” which centered on a high-tech room of the future, called the “liquid crystal room,” which could synthesize any environment in which children desired to play or explore.
(9) TODAY IN HISTORY
April 28, 2007 — Ashes of actor James Doohan and of Apollo 7 astronaut Gordon Cooper soared into space aboard a rocket.
If this trend continues, we can assume that our children and grandchildren will not only have Burroughs, Wells, Verne, Shelley, and Baum to read, but also reprinted copies of our present-day science fiction, as well as the SF of the future (their present). Perhaps they’ll all be available via some computerized library — tens of thousands of volumes in a breadbox-shaped device, for instance.
The question, then, is whether or not our children will remember our current era fondly enough to want reprints from it. Well, if this month’s Analog be a representative sample, the answer is a definitive…maybe.
(11) HORTON ON HUGOS. Catching up with Rich Horton’s commentaries about the 2018 Hugo nominees and who he’s voting for.
My views here are fairly simple. It’s a decent shortlist, but a bifurcated one. There are three nominees that are neck and neck in my view, all first-rate stories and well worth a Hugo. And there are three that are OK, but not special – in my view not Hugo-worthy (but not so obviously unworthy that I will vote them below No Award.)…
This is really a very strong shortlist. The strongest shortlist in years and years, I’d say. Two are stories I nominated, and two more were on my personal shortlist of stories I considered nominating. The other two stories are solid work, though without quite the little bit extra I want in an award winner….
Spring might finally be arriving, and at Fireside Magazine that means the stories are about rebirth and new beginnings, even as they’re about decay and endings. For me, at least, spring always brings to mind thaw. A thawing of the world after the long freeze of winter. Which means new growth, new green, but also means revealing all the death that the snow concealed. The roadkill, the rot, the dead leaves not yet turned to mulch. And these stories find characters at this point, seeing all around them the evidence of death and pain, and having to make the decision to also see the life. To see the good, and to try and foster that good, to help it grow. These are stories that show people pushing back against the pressure to die, to be silent, and embrace a future full of the possibility of failure, yes, but also full of the hope of success. To the reviews!
l through a long life I had three main concerns, with a clear order of priority. Family came first, friends second, and work third.”
So writes the pioneering theoretical physicist Freeman Dyson in the introduction to his newly published collection of letters, Maker of Patterns. Spanning about four decades, the collection presents a first-person glimpse into a life that witnessed epochal changes both in world history and in physics.
Here, we present short excerpts from nine of Dyson’s letters, with a focus on his relationship with the physicist Richard Feynman. Dyson and Feynman had both professional and personal bonds: Dyson helped interpret and draw attention to Feynman’s work—which went on to earn a Nobel Prize—and the two men traveled together and worked side by side.
Taken together, these letters present a unique perspective of each man. Feynman’s effervescent energy comes through, as does Dyson’s modesty and deep admiration for his colleague.
(14) ADVANCED TRAINING. Did MZW graduate from this course?
now i hërd thërë wäs sëcrët class whërë hë lërn how to scrëm at ass but ü don't rëlly cäre for müsic do ü pic.twitter.com/diyKgUqNro
Imagine standing up to give a speech in front of a critical audience. As you do your best to wax eloquent, someone in the room uses a clicker to conspicuously count your every stumble, hesitation, um and uh; once you’ve finished, this person loudly announces how many of these blemishes have marred your presentation.
This is exactly the tactic used by the Toastmasters public-speaking club, in which a designated “Ah Counter” is charged with tallying up the speaker’s slip-ups as part of the training regimen. The goal is total eradication. The club’s punitive measures may be extreme, but they reflect the folk wisdom that ums and uhs betray a speaker as weak, nervous, ignorant, and sloppy, and should be avoided at all costs, even in spontaneous conversation.
Many scientists, though, think that our cultural fixation with stamping out what they call “disfluencies” is deeply misguided. Saying um is no character flaw, but an organic feature of speech; far from distracting listeners, there’s evidence that it focuses their attention in ways that enhance comprehension.
Disfluencies arise mainly because of the time pressures inherent in speaking. Speakers don’t pre-plan an entire sentence and then mentally press “play” to begin unspooling it. If they did, they’d probably need to pause for several seconds between each sentence as they assembled it, and it’s doubtful that they could hold a long, complex sentence in working memory. Instead, speakers talk and think at the same time, launching into speech with only a vague sense of how the sentence will unfold, taking it on faith that by the time they’ve finished uttering the earlier portions of the sentence, they’ll have worked out exactly what to say in the later portions.
(16) A MARCH IN MAY. Naomi Kritzer tweeted photos from a Mayday parade – including a notorious purple cat (who may or may not be named Timothy!…) Jump on the thread here:
So on Thursday I found out that one of my friends didn't know about the Heart of the Beast's Mayday Parade. I am pretty regularly running into people who've lived in the Twin Cities for years (or their whole lives) but have never been to the Mayday Parade.
Here’s a headline you don’t read every day: A TV reboot of a feature film toplined by the original star is not moving forward.
Syfy has opted to pass on its TV follow-up to 1990 feature film Tremors, starring Kevin Bacon.
…Bacon broke the news himself, writing on his verified Instagram page that he was “[s]ad to report that my dream of revisiting the world of Perfection will not become a reality. Although we made a fantastic pilot (IMHO) the network has decided not to move forward. Thanks to our killer cast and everyone behind the scenes who worked so hard. And always keep one eye out for GRABOIDS!”
(21). UNSUSPECTED GOLDMINE. American news infamously neglects most countries of the world, but who knew there were big sf doings in Bulgaria? At Aeon, Victor Petrov discusses “Communist robot dreams”.
The police report would have baffled the most grizzled detective. A famous writer murdered in a South Dakota restaurant full of diners; the murder weapon – a simple hug. A murderer with no motive, and one who seemed genuinely distraught at what he had done. You will not find this strange murder case in the crime pages of a local US newspaper, however, but in a Bulgarian science-fiction story from the early 1980s. The explanation thus also becomes more logical: the killer was a robot.
The genre was flourishing in small Bulgaria in the last two decades of socialism, and the country became the biggest producer of robotic laws per capita, supplementing Isaac Asimov’s famous three with two more canon rules – and 96 satirical ones. Writers such as Nikola Kesarovski (who wrote the above murder mystery) and Lyuben Dilov grappled with questions of the boundaries between man and machine, brain and computer. The anxieties of their literature in this period reflected a society preoccupied with technology and cybernetics, an unlikely bastion of the information society that arose on both sides of the Iron Curtain from the 1970s onwards.
[Thanks to Martin Morse Wooster, Cora Buhlert, Cat Eldridge, JJ, John King Tarpinian, Chip Hitchcock, Jason, Carl Slaughter, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day johnstick.]
Patreon’s Jack Conte has walked back the controversial new fee structure that was scheduled to go into effect later this month, with the implied promise the company will find a solution to its problems that doesn’t hurt creators.
We’ve heard you loud and clear. We’re not going to rollout the changes to our payments system that we announced last week. We still have to fix the problems that those changes addressed, but we’re going to fix them in a different way, and we’re going to work with you to come up with the specifics, as we should have done the first time around. Many of you lost patrons, and you lost income. No apology will make up for that, but nevertheless, I’m sorry. It is our core belief that you should own the relationships with your fans. These are your businesses, and they are your fans.
I’ve spent hours and hours on the phone with creators, and so has the Patreon team. Your feedback has been crystal clear:
The new payments system disproportionately impacted $1 – $2 patrons. We have to build a better system for them.
Aggregation is highly-valued, and we underestimated that.
Fundamentally, creators should own the business decisions with their fans, not Patreon. We overstepped our bounds and injected ourselves into that relationship, against our core belief as a business.
We recognize that we need to be better at involving you more deeply and earlier in these kinds of decisions and product changes….
Although Patreon folded on their proposed fee changes, the damage to creators’ income has already been done. One author offered this analogy to describe the moral effect of today’s announcement:
I'm not happy about Patreon's announcement about not shafting and devaluing the people it supposedly cared about in the same way I'm not happy if my secretly-a-junkie babysitter apologizes for leaving the kid in a hot car to make a quick score but did return a non-dead toddler
Webcomic artist Zack Morrison voiced what must be a lingering concern for many creators:
The whole affair was a big reminder that companies like Patreon can blow up what we're building in a day, that they're a shaky foundation. As someone who really values working for themself, it's frustrating to feel so exposed to the impact of their whims.
Here are some reactions tweeted by people in the sff field:
Let this also be a lesson: a well-written apology really can work miracles. I'm glad @patreon took the time to get that apology right. A LOT of goodwill hinged on that. I'm very satisfied with this apology and ready to move forward.
Apologies and policy reversals are good, but @Patreon needs to send an email to all patrons saying, "Here are the accounts you stopped supporting when we changed our policy. Please consider supporting them again."
(1) EBOOKS FOR HURRICANE RELIEF. Fireside Fiction has teamed up with other small presses, authors, and editors to offer e-books to raise money for hurricane relief through the Hurricane Relief Bookstore.
Fireside Fiction Company has put together the Hurricane Relief Bookstore to raise funds for disaster relief and rebuilding for Houston, the Caribbean, and Florida.
100% of profits from sales on this store will go toward the following three relief organizations:
The ebooks on this store are intentionally priced high—the more money we raise, the better. If you want to increase your donations, simply increase the quantities in your shopping cart before checking out.
Each ebook consists of a Zip file that includes a Mobi file for your Kindle and an Epub file for iBooks, Nook, Kobo, or any other reader (some publishers also include a PDF file). All files are DRM-free (because come on, it’s 2017).
I hope this missive finds you well. As far as my travels have taken me, you remain ever in my thoughts.
Huygens and I celebrated the new year with the majestic visage of Jupiter full in our sights. I’m enclosing several photographs of that celestial marvel for you and the kids to enjoy. I am no Ansel Adams, however, and I fear my skills with the lens cannot capture the true beauty of this place.
(3) ABOVE AND BEYOND. It is the nature of we humans to be more interested in someone’s opinion of Amazon Author Rankings if he or she happens to be speaking from the top of the pile. Take John Scalzi, for example.
Yesterday nine of my novels were on sale for $2.99 in ebook format, across a bunch of different retailers, but most prominently on Amazon, because, well, Amazon. Amazon has a number of different ways to make authors feel competitive and neurotic, one of which is its “Amazon Author Rank,” which tells you where you fit in the grand hierarchy of authors on Amazon, based (to some extent) on sales and/or downloads via Amazon’s subscription reading service. And yesterday, I got to the top of it — #1 in the category of science fiction and fantasy, and was #4 overall, behind JK Rowling and two dudes who co-write business books. Yes, I was (and am still! At this writing!) among the elite of the elite in the Amazon Author Ranks, surveying my realm as unto a god.
And now, thoughts! …
This opacity works for Amazon because it keeps authors engaged, watching their Amazon Author Rankings go up and down, and getting little spikes or little stabs as their rankings bounce around. I mean, hell, I think it’s neat to have a high ranking, and I know it’s basically nonsense! But I do think it’s important for authors to remember not to get too invested in the rankings because a) if you don’t know how it works, you don’t know why you rank as you do, at any particular time, b) it’s foolish to be invested in a ranking whose mechanism is unknown to you, c) outside of Amazon, the ranking has no relevance.
…And this is where, in my opinion, Babylon’s Ashes missteps.
It turns out Inaros just isn’t that compelling a villain, and perhaps as a consequence of this, the good guys’ inevitable victory over him isn’t particularly cathartic. In one sense that shouldn’t matter, since of course it’s entirely up to Daniel Abraham and Ty Francks what sort of villain to create, and nothing mandates a “tougher than you can believe” archetype. The problem, as I see it, is that they fell into this narrative trope without having the right sort of villain for it. Inaros is simply a megalomaniac with a flair (sort of) for PR, but his ridiculous behavior and blunders end up alienating many of his erstwhile supporters. This leeches the catharsis right out of the mano y mano confrontation at the end, since in a manner of speaking Inaros has already been beaten, in small ways, numerous times before this….
(5) HOBBIT FORMING. The 80th anniversary of the publication of The Hobbit prompted Vann R. Newkirk II to recall when right made might, in “There and Back Again” for The Atlantic.
Modern fantasy and its subgenres, as represented in [George R.R.] Martin’s work, might be positioned as anti-art in relation to Tolkien. In that way, Tolkien still dominates. While the watchword of the day is subversion—twisting tropes, destroying moral absolutes with relativism, and making mockeries of gallantry and heroism—subversion still requires a substrate. So although fantasy creators in all media have devoted most of their energies in the past eight decades to digesting Tolkien, so in turn Tolkien has become part of the fabric of their works. There’s a little Bilbo in Tyrion, a bit of Smaug in Eragon’s dragons, a dash of Aragorn in Shannara’s Shea Ohmsford, and a touch of Gandalf in the wizards of Discworld.
That’s why, on this week’s anniversary of the publication of The Hobbit and of the entrance of Tolkien into the fantasy genre, it’s important to reread and reconsider his works, and his first especially. Although the short and whimsical book is considered lightweight compared to The Lord of the Rings trilogy, it’s still in many ways the best that literature has to offer. Tolkien is first a linguist, and it’s not only his creation of elvish, dwarvish, and orcish languages out of whole cloth that impresses, but also the way he toys with English and illustrates the power of language itself to create. Ever a good author surrogate, Bilbo’s true arms and armor aren’t his trusty half-sword Sting or his mithril shirt, but—as Gollum would find out—his words and riddles.
(6) NOT THE DIRECTOR’S CUT. Matthew Vaughn, director of Kingsman 2, wouldn’t have put the film’s biggest surprise in the damn trailers, he told IGN:
Trailers revealed that Colin Firth’s Harry Hart – who seemed to have died in the course of the first film – would return in the sequel.
Speaking to IGN, Vaughn was forthright about his feelings on that particular promotional choice: “Well, I’m not in charge of marketing. The thinking about that was stupidity, to be blunt.
“I begged the studio not to reveal it. Because it’s the whole driving force of the first act and if you didn’t know that scene it would’ve made the whole audience gasp. So you have to ask the lovely marketing guys because I think their job is to open the movie and don’t really care about the experience of the movie.”
Read For Pixels 2017 (Fall Edition) raises funds to help end violence against women in collaboration with award-winning bestselling authors.
The Pixel Project‘s “Read For Pixels” 2017 (Fall Edition) campaign features live readings+Q&A Google Hangout sessions with 12 award-winning bestselling authors in support of the cause to end violence against women. Participating authors include Adrian Tchaikovsky, Alafair Burke, Genevieve Valentine, Ilona Andrews, Isaac Marion, Kass Morgan, Ken Liu, Kristen Britain, Paul Tremblay, Sara Raasch, Soman Chainani, and Vicki Pettersson.
These awesome authors have donated exclusive goodies to this special “Read For Pixels” Fall 2017 fundraiser to encourage fans and book lovers to give generously to help tackle VAW. Additional goodies come courtesy of Penguin Random House’s Berkley and Ace/Roc/DAW imprints, acclaimed Fantasy authors Aliette de Bodard, Charles de Lint, Christopher Golden, Dan Wells, Jacqueline Carey, Kendare Blake, Steven Erikson, bestselling mystery/thriller author Karen Rose, and more.
(12) AN ANIMATED GROUP. Crave would like to tell you their picks for “The Top 15 Best Chuck Jones Cartoons Ever” and you may want to know – but I warn you in advance it’s one of those click-through-the-list posts. If you’re not that patient I’ll tell you this much – ranked number one is “Duck Amuck” (1953).
Few filmmakers could ever claim to have brought as much joy into our lives as Charles M. Jones, better known to many as Chuck Jones, who worked for Warner Bros. on their classic Looney Tunes shorts for 30 years. Afterwards, he directed shorts for MGM, co-directed the family classic The Phantom Tollbooth, and also directed one of the best Christmas specials ever produced, How the Grinch Stole Christmas!
His career was varied – he won four Oscars, including a lifetime achievement award in 1966 – but Chuck Jones was and still is best known as one of the comic and cinematic geniuses who made Bugs Bunny, Daffy Duck, Pepé Le Pew, Wile E. Coyote and The Road Runner the pop culture staples they are today. Along with his team of skilled animators, writers and fellow directors, Chuck Jones brought biting wit and visual wonders to the cartoon medium, and most – if not all – of the cartoons we love today owe him a direct debt of gratitude, in one form or another.
(13) AN APPEAL. A GoFundMe to “Save Rosy’s Inheritance” has been started for his wife by Guy H. Lillian III to fund these legal expenses –
Nita Green, Rose-Marie Lillian’s mother, passed away in April. 2015. Her intent, as stated in her will, was to have her only daughter inherit a logical percentage of her worldly goods. In person she was promised Nita’s collection of original paintings by Frank Kelly Freas, a renowned artist and long-time personal friend of them both. Rose-Marie lived with and cared for her mother and her stepfather for the last two years of her mother’s life. Since Nita’s death, however, she has been denied her inheritance, despite the stated wishes of her mother and an agreement arrived at a legal deposition taken in December, 2016. She has no recourse but to sue. Though her husband is an attorney, he is licensed only in another state and Rosy’s cause of action is in Florida. All attorneys rightly require retainers before beginning representation and have every right to be paid. Rose-Marie turns to you for help. The retainer required will fall between $5000 and $7500…. Can you help?
By the way, I have a similar example: I was a speaker at Skepticon multiple times. One year they decided they needed new blood, so they invited some other people, instead of me. If I were like Jon Del Arroz, I would have made a big stink over the violation of tradition — they invited me once (actually, a couple of times), so now they must invite me every time. Every year. Over and over. Until attendees are sick of me, and even then they aren’t allowed to stop.
That isn’t the way this works. I approve of diversity in the line-up. I think it’s great that they have enough people with interesting things to say that they can have a different roster of speakers every year. I’m perfectly willing to step aside, especially since it means I can just attend and enjoy the event without having to give a talk.
So what does this tell us? Is the North Korean propaganda apparatus filled with Tolkien fans? Or is their understanding of modern idioms based on an idiosyncratic selection of foreign texts? I would guess that it is the latter, but the former would be cooler and more optimistic.
…The hyper-specialism of the galactic civilisation has inexorably led to planets that were just-one-thing: the desert planet of Sandy, the lumpy planet of Lumpus, the planet that just looks like Amsterdam all over of Damsterham, and the Sydney Opera House planet of Utzon-Jørn to name but a few. To resist the planetary monoculture creating a fundamental fragility to galactic civilisation, the ruling Galactical Confederation of Galactic Imperial Republics had instigated a controversial “Come on, Every Planet Has to Have at Least Two Things Guys” law, that mandated that every planet had to have at least a pair of signature things….
(17) WATCHMEN. HBO has given a formal pilot green light to and ordered backup scripts for Watchmen, based on the iconic limited comic series by Alan Moore and Dave Gibbons that had previously been adapted as the 2009 film, Deadline reported. The new project will be Damon Lindelof’s followup to his HBO series The Leftovers. Warner Horizon TV, which also was behind The Leftovers, is the studio as part of Linderlof’s overall deal at Warner Bros. TV.
(18) ALAN MOORE TAKES QUESTIONS. At ComicsBeat, Pádraig Ó Méalóid has posted two sessions of Alan Moore Q&As from 2015 and 2016.
In what may or may not become a long-standing tradition, Alan Moore has answered questions at Christmas set by the members of a Facebook group called The Really Very Serious Alan Moore Scholars’ Group, who are, as the name might suggest, a bunch of people who are interested in his work. At least, Moore answered 25 questions for the group in December 2015, which were later published here on The Beat over four posts towards the end of 2016. Those four posts can be found here:
And I can only apologise for the faux-clickbait titles. At the time I thought they were hilarious. What a difference a year makes…
Anyway, Moore once again answered a number of questions for the group at the end of 2016 and, having allowed the group to savour these on their own, the time has once again come to share them with the wider public. They cover subjects from Food to Fiction, but we’re starting with various aspects of Magic and Art.
Mark Needham: Do you like Tim-Tams, Hob-Nobs, Chocolate Digestives or any other kind of biscuit with your tea?
Alan Moore: These days, I find that my love of biscuits is increasingly abstract and theoretical, like my love for the comic medium, and that much of the actual product I find deeply disappointing on an aesthetic level. While the chocolate malted milk biscuit with the cow on the back is of course a timeless classic and a continuing source of consolation, why oh why has no one yet devised the glaringly obvious dark chocolate malted milk? We have a spacecraft taking close up pictures of Pluto, for God’s sake, and yet a different sort of chocolate on our cow-adorned teatime favourites is apparently too much to ask.
Constantly undercutting the film’s deliberately overblown genre trappings with surprisingly naturalistic dialogue that explicitly questions those trappings? Check.
The film’s stellar supporting cast gets not nearly enough to do — so little that viewers are left to impute the nature of many of the relationships among them. (Nanjiani’s Jay is meant to have a crush on Jacobsen’s Nya, I think? Based on one line?) That’s the bad news, and given the talent on hand, that news … is pretty bad.
But what’s shunting all those very funny actors into the background is the relationship between Franco’s aching-for-connection Lloyd and Theroux’s blithely evil Garmadon. And Theroux — deliberately channeling, he has stated in interviews, Will Arnett — is so fantastic here you almost forgive Garmadon’s hogging of the spotlight. Almost.
Watching him — or, more accurately, listening to him — is when you truly begin to appreciate how much of the load these vocal performances are carrying, how totally the success of a given Lord/Miller LEGO movie lives or dies in the specific execution of that breezy, naturalistic humor.
Because here, just three movies in, the Lord/Miller LEGO genre is showing signs of exhaustion.
(20) NEANDERTHALS GET ANOTHER BOOST. “Did Robert J. Sawyer have a point?” Chip Hitchcock, who sent the link to the BBC’s article “Neanderthal brains ‘grew more slowly'”. The gist of the article is that slow-growing brains were associated with the ‘most advanced species’ (i.e., homo sapiens sapiens); discovery further knocks the idea that Neanderthals were brutes.
A new study shows that Neanderthal brains developed more slowly than ours.
An analysis of a Neanderthal child’s skeleton suggests that its brain was still developing at a time when the brains of modern human children are fully formed.
This is further evidence that this now extinct human was not more brutish and primitive than our species.
Until now it had been thought that we were the only species whose brains developed relatively slowly. Unlike other apes and more primitive humans, Homo sapiens has an extended period of childhood lasting several years.
[Thanks to JJ, Cat Eldridge, Mark-kitteh, Alan Baumler, Andrew Porter, Mike Kennedy, Andrew Love, Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Robert Whitaker Sirignano.]