The Empress of Salt and Fortune, Nghi Vo (Tor.com)
Two Truths and a Lie, Sarah Pinsker (Tor.com)
BEST SHORT STORY
“Metal Like Blood in the Dark”, T. Kingfisher (Uncanny Magazine, September/October 2020)
The Murderbot Diaries, Martha Wells (Tor.com)
BEST RELATED WORK
Beowulf: A New Translation, Maria Dahvana Headley (FSG)
BEST GRAPHIC STORY OR COMIC
Parable of the Sower: A Graphic Novel Adaptation, written by Octavia Butler, adapted by Damian Duffy, illustrated by John Jennings (Harry N. Abrams)
BEST DRAMATIC PRESENTATION, LONG FORM
The Old Guard, written by Greg Rucka, directed by Gina Prince-Bythewood (Netflix / Skydance Media)
BEST DRAMATIC PRESENTATION, SHORT FORM
The Good Place: Whenever You’re Ready, written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television, a division of Universal Studio Group)
BEST EDITOR, SHORT FORM
BEST EDITOR, LONG FORM
Diana M. Pho
BEST PROFESSIONAL ARTIST
FIYAH Magazine of Black Speculative Fiction, publisher Troy L. Wiggins, executive editor DaVaun Sanders, managing editor Eboni Dunbar, poetry editor Brandon O’Brien, reviews and social media Brent Lambert, art director L. D. Lewis, and the FIYAH Team.
nerds of a feather, flock together, ed. Adri Joy, Joe Sherry, The G, and Vance Kotrla
The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe, Jonathan Strahan, producer
BEST FAN WRITER
BEST FAN ARTIST
BEST VIDEO GAME
Hades (Publisher and Developer: Supergiant Games)
LODESTAR AWARD FOR BEST YOUNG ADULT BOOK (not a Hugo)
A Wizard’s Guide to Defensive Baking, T. Kingfisher (Argyll Productions)
ASTOUNDING AWARD FOR THE BEST NEW WRITER, SPONSORED BY DELL MAGAZINES (not a Hugo)
The final season of Star Wars: The Clone Wars was released to widespread critical acclaim, and now the animated series will look to pick up some new accolades. It was announced this week that the seventh season of The Clone Wars has received three nominations at the upcoming Daytime Emmy Awards.
The show will look to take home the trophies for Outstanding Writing Team for a Daytime Animated Program, Outstanding Music Direction and Composition for a Preschool, Children’s or Animated Program, and Outstanding Sound Mixing and Sound Editing for a Daytime Animated Program.
The winners in the Children’s Programming and Animation category will be announced in a stand-alone show streaming at 8 p.m. ET July 17 on the Emmy OTT platform.
FIYAH is partnering with the LeVar Burton Reads podcast for their first-ever writing contest! Do you write speculative fiction (sci-fi, fantasy, horror)? Do you love the podcast? Have you dreamed of getting your work in front of THE LeVar Burton ever since the days of Reading Rainbow? Well, here’s your shot. We are looking for one special story to be featured in Season 10 of the podcast
The first place winner will receive $500 and the story will be read by LeVar Burton on an upcoming episode of the LeVar Burton Reads podcast. The second place winner gets $250, and the third place winner, $100.
Editors for this contest include Diana M. Pho and L. D. Lewis, with the final selection being made by LeVar himself. View full submission guidelines and contest rules here.
After over 50 years of rubbing shoulders with the giants of the entertainment industry, Steve Vertlieb’s resume reads like a cinephile’s dream. This week I speak with the award winning journalist and film historian about the cultural impact of Rod Serling and his seminal science fiction anthology series “The Twilight Zone”.
The late 1950s/early 1960s were a time of staunch conservatism in America. This ideology was prevalent in the mainstream entertainment Americans watched on their television sets and at the local cinema. Rod Serling was a man with a message but it wasn’t a message many at this time wanted to hear. A talented writer, Serling was also a student of history and he knew that to get a message through a fortress wall, sometimes you needed to give the gift of a Trojan horse. “The Twilight Zone” was that gift and in the guise of science fiction, black comedy and horror Rod Serling’s voice reached out to open the eyes, ears and hearts of a fascinated public. This week we welcome award winning journalist, film historian and archivist Steve Vertlieb to the show as we discuss the cultural impact of “The Twilight Zone” and how Rod Serling’s message is still relevant over 60 years after the show’s debut.
… I’m sure you could find many SFF novels about such fuddy-duddy tourism turning strange. There are also novels that up the stakes by marooning the protagonist far from home. This will certainly give the protagonist a way to display do-or-die determination by denying them any choice in the matter…
Consider these five works about castaways.
The Luck of Brin’s Five by Cherry Wilder (1977)
Travel on Torin is a simple matter of hopping into a convenient space-plane and jetting to some other location on the Earth-like world that orbits 70 Ophuichi. Or it would be, if Scott Gale had not just crashed his expedition’s only space-plane on the far side of Torin, near the Terran expeditionary base’s antipodes. Oops.
Torin’s native population is unaware that they have off-world visitors until Scott’s space-plane falls from the sky. To the family of weavers known as Brin’s Five, Scott could become their new Luck (an integral member of each Moruian family’s five-member structure). His arrival may save the weavers from misfortune and starvation.
To Great Elder Tiath Avran Pentroy, also known as Tiath Gargan (or Strangler), technologically superior aliens are an unwanted disruptive element. Best to quietly dispatch Scott before Strangler has to deal with the ramifications of alien contact. And if Brin’s Five are not public-minded enough to surrender their Luck? Why, they can be dispatched as well.
I am very happy to announce Toni Weisskopf, Publisher of Baen Books, as this year’s keynote speaker for the combined Writers and Illustrators of the Future 36/37 Awards Ceremony. Many of our past winners and current judges are published by Baen Books. Writers of the Future and Toni first connected up in 1989, when as a volunteer, she helped out at the Writers of the Future Awards Event in New York City. We are happy she will be back again!
(8) TIME ENOUGH FOR CATS. Did we mention there is a Japanese adaptation of Heinlein’s The Door Into Summer? Let’s make sure it hasn’t been overlooked by the Scroll:
(9) MEMORY LANE.
1999 — Twenty-two years ago, Charles Vess wins a Mythopoeic Fantasy Award for Adult Literature for the illustrated version of Neil Gaiman’s Stardust which was published by Vertigo the previous year. Gaiman of course shared in that Award. It would also win a World Fantasy Award as well.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 29, 1919 — Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. And of course he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.)
Born June 29, 1920 — Ray Harryhausen. All-around film genius who created stop-motion model Dynamation animation. His work can be seen in The 7th Voyage of Sinbad (his first color film) which was nominated for a Hugo at Detention, Jason and the Argonauts, Mighty Joe Young and Clash of the Titans. (Died 2013.)
Born June 29, 1943 — Maureen O’Brien, 78. Vicki, companion of the First Doctor. Some 40 years later, she reprised the role for several Big Finish Productions Doctor Who audio works. She had a recurring role as Morgan in The Legend of King Arthur, a late Seventies BBC series. Her Detective Inspector John Bright series has been well received.
Born June 29, 1947 — Michael Carter, 74. Best remembered for being Gerald Bringsley in An American Werewolf in London, Von Thurnburg in The Illusionist and Bib Fortuna in the Return of the Jedi. He plays two roles as a prisoner and as UNIT soldier in the Third Doctor story, “The Mind of Evil”.
Born June 29, 1950 — Michael Whelan, 71. I’m reasonably sure that most of the Del Rey editions of McCaffrey’s Dragonriders of Pern series was where I first noticed his artwork but I’ve certainly seen it elsewhere since. He did Heinlein’s The Cat Who Walks Through Walls cover which I love and many more I can’t recall right now. And there’s a wonderful collection of work available, Beyond Science Fiction: The Alternative Realism of Michael Whelan.
Born June 29, 1956 — David Burroughs Mattingly, 65. He’s an American illustrator and painter, best known for his numerous book covers of genre literature. Earlier in his career, he worked at Disney Studio on the production of The Black Hole, Tron, Dick Tracy and Stephen King’s The Stand. His main cover work was at Ballantine Books where he did such work as the 1982 cover of Herbert’s Under Pressure (superb novel), the 2006 Anderson’s Time Patrol and the 1983 Berkley Books publication of E. E. ‘Doc’ Smith Triplanetary.
Born June 29, 1968 — Judith Hoag, 53. Her first genre role was in Teenage Mutant Ninja Turtles as April O’Neil followed by being in Armageddon playing Denise Chappel and then a Doctor in A Nightmare On Elm Street. She filmed a cameo for another Turtle film, Teenage Mutant Ninja Turtles: Out of the Shadows, but it was deleted. She’s got one one-offs in Quantum Leap, The Adventures of Brisco County, Jr., Strange World, The Burning Zone, X-Files, Carnivàle and Grimm. Her latest genre role was in The Magicians as Stephanie Quinn.
It is a good time to be a superheroic animal. DC’s League of Super-Pets animated movie is on the way and has somehow nabbed Dwayne “The Rock” Johnson as the voice of Krypto the Superdog, along with Kevin Hart as Ace the Bat-Hound, plus Keanu Reeves, Kate McKinnon, Diego Luna, and more. But these critters—and maybe others—have long had superhero careers in the pages of DC Comics. It’s time to look at every member of the Legion of Super-Pets— and see how they compare….
(13) SALE OF THE MID-CENTURY. See a bit of sf history in a photo here on Facebook – at the 1968 Worldcon in Oakland/Berkeley, Harlan Ellison auctions off the services of David Gerrold (standing).
It’s time for a showdown of galactic proportions… In which universe does your loyalty lie, are you Team Spock or is Darth your daddy? Foxglove and Gee Quiz are proud to strike back in 2021 bringing you a quiz from galaxies far away, a showdown between Star Wars and Star Trek superfans.
Whet your whistle in Mos Eisely Cantina while the food replicator whips you up dishes from culinary worlds like Endor, Naboo, Vulcan and Remus. Have you ever tried Petrokian Sausage? All teams answer questions from both universes, including specialty bonus food and beverage rounds to test your knowledge of culinary delights that are out of this world. Every ticket includes 2 drinks, canape and shared table banquet dishes from all corners of the universe!
Book your six person team ($450) or book a single ticket ($75) and declare your loyalty and we’ll match you up with like-minded quizzers.
ORIGINAL: How big? When complete the starship will measure 42-inches long and 18-inches wide. Features will include electronic lights and sounds that can be controlled via an app, and you can open up the saucer section of the Enterprise to see a full 1966-style bridge. The body of the ship will also open to display the engineering room.
A large collaboration of astrophysicists report they have made the first-ever confirmed detections of shockwaves produced by mergers between neutron stars and black holes. The detections, 10 days apart, represent two of these enormous cosmic unions.
In January 2020, Earth quivered ever so slightly as shockwaves imperceptible to human senses passed through it. Those ripples were gravitational waves, perturbations in spacetime generated by all massive objects but only detectable from extremely huge events, like two black holes colliding. The waves were strong enough to be picked up by the Laser Interferometer Gravitational-Wave Observatory in Louisiana (the Washington branch of the instrument was offline at the time) and the similar Virgo experiment in Pisa, Italy. These experiments detect gravitational waves using a sensitive arrangement of mirrors and laser beams.
Black holes are points in space with such intense gravitational fields that not even light can escape. They form when a star dies and collapses in on itself. Neutron stars form similarly; they are the extremely dense collapsed remains of dead stars and are mostly composed of packed-in neutrons.
… Venus doesn’t have plate tectonics. But according to a study published Monday in the Proceedings of the National Academy of Sciences, it may possess a quirky variation of that process: Parts of its surface seem to be made up of blocks that have shifted and twisted about, contorting their surroundings as they went.
These boogying blocks, thin and flat slices of rock referred to as campi (Latin for “fields”), can be as small as Ireland or as expansive as Alaska. They were found using data from NASA’s Magellan orbiter mission, the agency’s last foray to Venus. In the early 1990s, it used radar to peer through the planet’s obfuscating atmosphere and map the entire surface. Taking another look at these maps, scientists found 58 campi scattered throughout the planet’s lava-covered lowlands….
(18) SHOW BIZ WANTS YOU. Universal Studios Hollywood put out a call for contestants to be on “the first ever Harry Potter quiz show.” The application is here.
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Ratchet and Crank: Rift Apart,” Fandom Games says the latest line extension of the Ratchet and Crank franchise is so familiar that “if it seems like a new coat of paint on an old favorite, that’s what it is” and shows the rule of the gaming industry, that, “If it ain’t broke, just slap newer-looking graphics on it and charge full price.”
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, James Davis Nicoll, Daniel Dern, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]
Beginning in 2022, FIYAH Literary Magazine will begin awarding five grants to assist Black writers of speculative fiction in “defraying costs associated with honing their craft.”
Three $1,000 grants will be distributed annually as part of Juneteenth every year. Two emergency grants of $500 will be awarded, in March and October.
The grants are limited to prose writers for now.
The Rest Grant — $1,000
The FIYAH Rest Grant is for activists and organizers with a record of working on behalf of the SFF community, but who are in need of respite or time to recommit to their personal projects. Application materials include a 1-2 page personal statement on one’s history of work or ongoing projects on behalf of an inclusive SFF space.
Study Grant — $1,000
This grant is to be used for defraying costs associated with attending workshops, retreats, or conducting research for a writing project. Application requirements include proof of acceptance to a workshop or retreat (where applicable), a 1-page description of the work requiring research, and a 3k-word writing sample.
Craft Grant — $1,000
This grant is awarded based on a writer’s submitted WIP sample or project proposal, in the spirit of assisting with the project’s completion. Application requirements include a 5k-word writing sample, a 1-page proposal or synopsis of the project in question, and an introductory document detailing your goals for the project after completion.
Emergency Grant — 2x $500
This is a needs-based grant to assist Black SFF writers with emergency financial circumstances which may be interfering with their ability to write. Emergency circumstances may include but are not limited to threat of eviction, payment of school fees, compromised or destroyed equipment, injury, travel for family care-taking in a time of crisis, or disaster or medical related relief. The Emergency Grant is awarded biannually, once in March and once in October. Application requirements include a 1-page statement detailing the nature of the emergency need for funds and intent for its use.
ELIGIBILITY. Applicants for any FIYAH Grant must be 18 years of age by June 19th of the application year, and writers of speculative fiction. Also:
FIYAH Grants, like our other submissions, are open to Black people of the African Diaspora. This definition is globally inclusive (Black anywhere in the world) and also applies to mixed/biracial and Afro-appended people regardless of gender identity or orientation.
Submissions for all grants begin January 2022. Guidelines are here.
The Magazine category finalists are the same as last year with one exception – FIYAH joined the top 10. Congratulations!
Beneath Ceaseless Skies
The Locus Awards winners will be announced June 26, 2021, during the virtual Locus Awards Weekend. Connie Willis will MC the awards ceremony. Additional weekend events include author readings, panels with leading authors, and all memberships come with a 2021 Locus Awards t-shirt.
(1) TITLE BOUT. Shelf Awareness publicized the release of the six-book shortlist for the 2020 Diagram Prize for the Oddest Book Title of the Year. “Founded by Trevor Bounford and the late Bruce Robertson in 1978 ‘as a way to stave off boredom at the Frankfurt Book Fair,’ the Diagram Prize has had a home at the Bookseller and with legendary diarist Horace Bent since 1982.” The finalists are —
A Dog Pissing at the Edge of a Path by Gregory Forth
Introducing the Medieval Ass by Kathryn L Smithies
Classical Antiquity in Heavy Metal Music by K.F.B. Fletcher and Osman Umurhan
How to Make Love to a Despot by Stephen D. Krasner
Lawnmowers: An IllustratedHistory by Brian Radam
The Slaughter of Farmed Animals: Practical Ways to Enhance Animal Welfare by Temple Grandin and Michael Cockram
The winning title will now be chosen by members of the public via an online vote. The public vote closes on Friday 20th November, with the winning entry to be announced on Friday 27th November. There is no prize for the winning author or publisher, but traditionally a passable bottle of claret is given to the nominator of the winning entry. If a title wins that was nominated by The Bookseller staff, the claret will be given at random to a member of the public who participated in the online voting.
(2) FIYAH FOUNDER Q&A. The latest episode of The Imagination Desk, a podcast from the Center for Science and the Imagination at Arizona State University, is live now, featuring an interview with speculative fiction author Troy L. Wiggins, who is also one of the founders of FIYAH Literary Magazine. Listen in here.
The next episode will be with science fiction author and researcher Regina Kanyu Wang.
(3) ROCKY HORROR LIVE FUNDRAISER. This invitation was sent in Tim Curry’s name for a Rocky Horror Live virtual event to aid the Wisconsin Democratic party.
Right now, we can almost see blue skies through the tears… of the Trump presidency, of course. But we absolutely must keep the pressure on!
That’s why we’re doing the Rocky Horror Show — LIVE — this Halloween night — to help get out the vote in Wisconsin. RSVP and reserve your spot today!
This is a live, once-in-a-lifetime musical livestream event, featuring cast members both old and new. There will be singing, dancing, laughs and plenty of fun.
…Chip in any amount to join us for the Rocky Horror Show Livestream on Halloween with Tim Curry, Wilmer Valderrama, Lance Bass, Rosario Dawson, Jason George, Nell Campbell, Seth Green, Jason Alexander, David Arquette, and more!
Featuring musical performances by The Dresden Dolls, Miss Peppermint, Eiza Gonzalez, Josh Gad, Ben Barnes, Jenna Ushkowitz, Rachel Bloom, Karen Olivo, Marissa Jaret Winkour, Madison Uphoff, Kalen Chase, and Rumer Willis.
This event is only going to be livestreamed once at 9pm CT on Saturday, October 31st.
…These are the similarities between the Dupin stories and Sherlock Holmes, and there are many. One writer said that “The only difference between Dupin and Holmes is the English Channel.” Similarity number one: in both stories we have at the heart a highly intelligent but somewhat eccentric and enigmatic detective. The word detective did not actually exist when Poe was writing, which gives you a sense of how novel he was. He might have taken the idea from a series of magazine articles about a French policeman. Otherwise, he was on his own. This was all his….
… Examples of the mad scientist/evil genius in everything from comic books to classics spring to mind without even breaking a sweat: Dr. No of James Bond fame, whose experiments with atomic energy cost him his hands as well as his conscience; Christopher Marlowe’s Dr. Faustus, whose unquenchable thirst for knowledge drove him to a deal with the devil; Dr. Henry Wu, who fooled around with genetics and opened a questionable theme park in Michael Crichton’s Jurassic Park, and, my personal favorite, Robert Louis Stevenson’s Dr. Jekyll, whose work brought to the surface his baser self as Mr. Hyde.
It is the last example, I think, that speaks most clearly to our fears. Scientists are people like the rest of us—multi-faceted, unpredictable and (for the most part) human. Like all of us humans, there’s always that slim chance that they’re going to turn to the proverbial dark side, especially when they get a taste of power….
(6) MEDIA ANNIVERSARY.
2000 — Twenty years ago at Chicon 2000, the Hugo for Best Novella went to Connie Willis for “The Winds of Marble Arch”, a precursor to her Blackout/All Clear novel which would win the Best Hugo Novel eleven years later at Renovation. Runner-ups were Harry Turtledove‘s “Forty, Counting Down”, Adam-Troy Castro and Jerry Oltion‘s “The Astronaut from Wyoming”, Mike Resnick‘s “Hunting the Snark” and Kage Baker‘s “Son, Observe the Time”. It can be found in The Winds of Marble Arch and Other Stories, the Subterranean Press collection, which is available from the usual digital suspects.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 26, 1942 — Bob Hoskins. I’ll insist his role as Eddie Valiant in Who Framed Roger Rabbit? is his finest genre role though I suppose Mario Mario in Super Mario Bros. could be said… Just kidding! He’s the Director of The Raggedy Rawney which he also had a role, a strange might-be genre film, and he’s Smee in Hook as well. (Died 2014.) (CE)
Born October 26, 1945 – Jane Chance, Ph.D., D.Litt., 75. Mellon Distinguished Professor emerita at Rice; first woman appointed to tenure track in English; founder president of the Consortium for the Teaching of the Middle Ages; doctorate of letters, Purdue. For us, six books on Tolkien; a score of others, a hundred articles. [JH]
Born October 26, 1951 – Melanie Herz, 69. Hardworking Florida fan. Many regionals and Worldcons; chaired Traveling Fête 1996, Tropicon 21, OASIS 6. When we’ve been on the same con committee, and particularly when we were on the same DUFF (Down Under Fan Fund) ballot, we tried to make sure our mail didn’t get crossed. Still wasn’t as bad as when I had an office down the hall from a man named Heitz. [JH]
Born October 26, 1954 — Jennifer Roberson, 66. Writer of of fantasy and historical romances. The Chronicles of the Cheysuli is her fantasy series about shapeshifters and their society, and the Sword-Dancer Saga is the desert based adventure series of sort, but the series I’ve enjoyed is her Sherwood duo-logy that consists of Lady of the Forest and Lady of Sherwood which tells the Robin Hood tale from the perspective of Marian. Her hobby, which consumes much of her time, is breeding and showing Cardigan Welsh Corgis. (CE)
Born October 26, 1960 — Patrick Breen, 60. He’s Redgick, a Squid, a minor character that appeared in Men in Black. In beloved Galaxy Quest, he’s Quellek, a Thermian who forms a bond with Alexander Dane. it’s a wonderful role. And he has a recurring role as Larry Your-Waiter, a member of V.F.D. on A Series of Unfortunate Events series. (CE)
Born October 26, 1960 – David LaRochelle, 60. A score of children’s books, many with fantasy elements. Also an amazing astounding stellar thrilling pumpkin carver; see here. [JH]
Born October 26, 1962 — Cary Elwes, 58. He’s in the ever-so-excellent Princess Bride as Westley / Dread Pirate Roberts / The Man in Black. He also shows up in Dr. Lawrence Gordon in the Saw franchise, and was cast as Larry Kline, Mayor of Hawkins, for the third season of Stranger Things. (CE)
Born October 26, 1969 – Mary Ting, 51. A score of novels; taught a score of years, toured with the Magic Johnson Foundation. Makes Twilight-themed jewelry. Besides husband, children, has two dogs Mochi and Mocha. [JH]
Born October 26, 1971 — Anthony Rapp, 49. Lieutenant Commander Paul Stamets on the most Discovery series . His first role ever was Wes Hansen in Sky High, and he showed up early in his career as Jeff Glaser in the “Detour” episode of X-Files. He was Seymour Krelbourn in a national tour of Little Shop of Horrors. (CE)
Born October 26, 1972 – Zetta Elliott, Ph.D., 48. Five novels, seven shorter stories for us; poetry; essays; plays; children’s illustrated books under her Rosetta Press. “I write as much for parents as I do for their children because sometimes adults need the simple instruction a picture book can provide.” [JH]
Born October 26, 1973 — Seth MacFarlane, 47. Ok, I confess that I tried watching the Orville which he created and is in and it just didn’t appeal to me. For those of you who are fans, why do you like it? I’ll must admit that having it described as trying to be a better Trek ain’t helping. (CE)
Born October 26, 1975 – David Walton, 45. Author and engineer. Seven novels, a dozen shorter stories. Baen Memorial Award, Campbell Memorial Award, Philip K. Dick Award. Plays chess and go. “Science fiction can show us the viewpoints of people whose lives and experiences are so far away from ours that … our minds are stretched and our vision is expanded.” [JH]
(8) COMICS SECTION.
Bizarro finds law enforcement pondering why no pumpkin is safe!
Yesterday’s Bizarro recalls that time Sesame Street fought for its independence. (Just when was that, anyway?)
Jonathan Muroya’s Greek Quarantology shows how all your favorite mythical figures are dealing with life during COVID-19.
After you take a look at this Wulffmorgenthaler cartoon for Denmark’s Politiken you’ll want a translation for the dialog (courtesy of Lise Andreasen):
“The death star is flat.”
“Actually, some of us believe, the death star is flat. That being round business is a conspiracy.”
From the article: “The image of the explosion was described by some as the stuff of science fiction, specifically the Doomsday machine from Star Trek. Fortunately, the CME did not hit Earth.”
(11) SILENT GOLD. Leonard Maltin has a roundup of silent film releases — “Rare Silent Films On Blu-Ray And DVD”. One of them is the rediscovered 1916 version of Twenty Thousand Leagues Under The Sea. The poster for this movie is very cool.
It’s not a typo: Universal produced a feature-length version of Jules Verne’s 20,000 Leagues Under the Seain 1916, and the new DVD/Blu-ray release is a 4K transfer of the surviving material. Luckily for us, silent film historian Anthony Slide delivers a highly informative commentary track that tracks the careers of underwater-photography specialists Ernest and George Williamson. Indeed, it is their work that makes this release so intriguing, not the hackneyed mishmash of Verne’s famous story and The Mysterious Island. Alan Holubar, then a prominent actor about to turn director, and Jane Gail star. The music score is credited to Orlando Perez Rosso.
(12) SOL SEARCHING. [Item by SF Concatenation’s Jonathan Cowie.] A new way has been found to determine which stars are likely to host weird planetary systems and those stars likely to have planetary systems more like our own Solar system.
The following will appear in next season’s SF² Concatenation but they’ve shared it with File 770 now…
How many Solar system type planetary systems are there in our spiral arm? We may soon be finding out from new research. Some planetary systems around stars are very unlike our Solar system. For example, they will have what are called hot Jupiters with a gas giant close to their star in an orbit similar to that of Mercury about our sun, rather than beyond the asteroid belt where Jupiter is in our system.
It had been thought that the type of planetary system that forms is determined by the star’s protoplanetary disk of gas and dust. While this may be so, there is also another factor at play – whether the star formed in comparative isolation or along with loads of others in a stellar nursery.
Up to now it has been impossible to address this question as stars disperse (as the Galaxy rotates, spiral arms oscillate, local stellar conditions etc) from when they were born within a billion years of their formation. However, ESA’s Gaia star mapping has helped British and German astronomers to determine that whether or not a star is born in a stellar nursery or more isolated by itself, is key to the type of planetary system it will host.
You see the Gaia probe not only maps stars positions, it does it so accurately that after a few years and the star is re-mapped, it is possible to discern its movement, velocity and direction. What the researchers have found is that they can correlate those stars that seem to be moving more or less parallel to, and with a similar velocity, to other stars. These stars can be assumed to have a common birthplace in a stellar nursery. Other stars that have no movement correlation with others, can be assumed to have been born in comparative isolation. With this in mind, the astronomers looked at 600 stars Gaia had mapped.
What the astronomers found was that systems with hot Jupiters tend to be formed in crowded stellar nurseries, while those with gas giants further from their star almost invariably saw the star’s birth in comparative isolation: there were few such systems with hot Jupiters – a hot Jupiter system was roughly ten times more likely in a star born in a stellar nursery.
As the researchers themselves point out, their discovery has “possible implications for planetary habitability and the likelihood of life in the Universe” questions. (See Winter, A. J., Kruijssen, J. M. D., Longmore S. N & Chevance, M. (2020) Stellar clustering shapes the architecture of planetary systems. Nature, vol. 586, p528-532.)
…Available this fall for $60, the Star Wars: The Mandalorian the Child “Real Moves Plush” stands 11 inches tall, so it’s slightly smaller than the animatronic figure used in the series. Mattel still managed to stuff it full of electronics, including authentic sound effects and motors to bring it to life.
The Child’s head can turn from side to side, and look up and down while it’s giant ears wiggle, and all the mechanisms are hidden under a flexible outer skin, which makes sense when you say it, but out of context feels like a horrifying thing to say about a baby. His tiny, snuggly robes can also be further adorned with an included Mythosaur skull pendant, like the one gifted to him by Din Djarin at the end of the first season.
[Thanks to John King Tarpinian, Mike Kennedy, JJ, Olav Rokne, Martin Morse Wooster, Cat Eldridge, John Hertz, Michael Toman, Joey Eschrich, Lise Andreasen, Jeff Smith, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day JJ.]
FIYAH Magazine is among the inaugural winners of the Asteroid Awards, announced October 24 at Outpost 2020, a new virtual popular science and entertainment convention hosted by Skeptoid Media and title sponsor Texas Tech.
The Asteroid Awards recognize “the impact of entertainers, educators and scientists working to further an informed future by inspiring audiences with innovation and the power of narrative.” Each winner receives a cash prize.
Best Science Fiction
Recognizing excellence in publications and authors working to expand the boundaries of science fiction. Includes a $1,000 cash award sponsored by Texas Tech College of Media & Communication.
Science Influencer of the Year
Recognizing excellence in reaching a broad audience and making STEM content exciting and mainstream. Includes a $1,000 cash award sponsored by Texas Tech College of Media & Communication.
Best Streaming Content
Recognizing excellence in podcasting and web video series that inspire and entertain. Includes a $1,000 cash award sponsored by Skeptoid Media.
Award for Diversity and Inclusion in Scicomm
Recognizing excellence in ensuring that every child who dreams of a career in STEM has role models with whom they can identify. Includes a $1,000 cash award sponsored by Texas Tech College of Media & Communication.
FIYAH Literary Magazine’s inaugural Ignyte Awards were presented in an online ceremony on October 17 brilliantly hosted by Jesse of Bowties & Books.
The Ignyte Awards seek to celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre. There were 1,431 valid votes cast to decide the winners.
Best Novel – Adult – for novel-length (40k+ words) works intended for the adult audience:
Gods of Jade and Shadow – Silvia Moreno-Garcia
Best Novel – YA – for novel-length (40k+ words) works intended for the young adult audience:
We Hunt the Flame – Hafsah Faizal
Best in MG – for works intended for the middle-grade audience:
Tristan Strong Punches a Hole in the Sky – Kwame Mbalia
Best Novella – for speculative works ranging from 17,500-39,999 words:
This is How You Lose the Time War – Max Gladstone & Amal El-Mohtar
Best Novelette – for speculative works ranging from 7,500-17,499 words:
Emergency Skin – N K Jemisin for the Amazon Forward Collection
Best Short Story – for speculative works ranging from 2,000-7,499 words:
A Brief Lesson in Native American Astronomy – Rebecca Roanhorse for Mythic Dream
Speculative Poetry –
A Conversation Between the Embalmed Heads of Lampião and Maria Bonita on Public Display at the Baiano State Forensic Institute, Circa Mid-20th Century – Woody Dismukes for Strange Horizons
Critics Award – for reviews and analysis of the field of speculative literature:
Alex Brown – Tor.com
Best Fiction Podcast – for excellence in audio performance and production for speculative fiction:
LeVar Burton Reads – LeVar Burton
Best Artist – for contributions in visual speculative storytelling:
Grace P. Fong
Best Comics Team – for comics, graphic novels, and sequential storytelling:
These Savage Shores – Ram V, Sumit Kumar, Vitorio Astone, Aditya Bidikar, & Tim Daniel
Best Anthology/Collected Works –
New Suns – Nisi Shawl
Best in Creative Nonfiction – for works related to the field of speculative fiction:
Black Horror Rising – Tananarive Due
The Ember Award – for unsung contributions to the genre:
Community Award – for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre:
Strange Horizons – Gautam Bhatia, Vajra Chandrasekera, Joyce Chng, Kate Cowan, Tahlia Day, William Ellwood, Rebecca Evans, Ciro Faienza, Lila Garrott, Dan Hartland, Amanda Jean, Lulu Kadhim, Maureen Kincaid Speller, Catherine Krahe, Anaea Lay, Dante Luiz, Heather McDougal, AJ Odasso, Vanessa Rose Phin, Clark Seanor, Romie Stott, Aishwarya Subramanian, Fred G. Yost, and the SH copyediting team and first readers
FIYAH Literary Magazine has announced the creation of the Ignyte Awards series.
The Awards seek to celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre.
Awards will be given in the following categories:
Best Novel – Adult
Best Novel – YA
Best in MG
Best Short Story
Best Fiction Podcast
Best Comics Team
Best Anthology/Collected Works
Best in Creative Nonfiction
The Ember Award for Unsung Contributions to Genre
Community Award for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre
Finalists will be picked by the FIYAHCON team and announced Monday, August 17. Voting on the awards will be open to the broader SFF community through September 11.
The winners will be announced during the inaugural FIYAHCON, being held October 17-18. FIYAHCON is a virtual convention centering the perspectives and celebrating the contributions of BIPOC in speculative fiction.
Jeanne Gomoll, whose art, design, and organizing energy has propelled and sustained the Award for the last 25 years, is retiring from the Otherwise Motherboard at the end of 2019. The remaining members of the Motherboard are incredibly grateful for Jeanne’s tireless, brilliant work and look forward to celebrating her contributions at WisCon in 2020.
Up until 1991 it felt to me as though the efforts of the Madison SF Group, Janus and Aurora fanzines, and WisCon, to encourage and celebrate feminist science fiction were largely restricted to a single place and to those who came to this place and attended WisCon. Indeed, by the late 1980s, it felt to me as if our efforts to foster feminist SF were increasingly being met with opposition and might possibly have been in danger of flickering out, as the backlash to feminism in general and feminist SF in specific gained strength. Pat Murphy’s 1991 announcement of the Tiptree Award thrilled me and gave me renewed strength. It was as if a small group of us, following a narrow, twisty path had merged with a much wider, well-traveled path. After the Tiptree Award began handing out annual awards and raising funds, and had sparked a massive juggernaut of community activism, I stopped worrying about the viability of the movement.
I will be forever grateful to the Tiptree Award and proud of my work on it. I chaired two Tiptree juries—one in 1993, which chose Nicola Griffith’s Ammonite as the winner; and the other in 2016, which presented the award to When the Moon Was Ours, by Anna-Marie McLemore. I served on the Motherboard for 25 years, 1994-2019, and worked behind-the-scenes on most of the auctions during those years, and as an artist creating logos, publications, and Tiptree merchandise. I will be forever grateful to the Motherboard for the work we did together and the friendships we created along the way. I am awed by and very proud of the community of writers and readers who supported and were nurtured by the award, even as they guided the award further along the path toward greater diversity and scope.
The Tiptree Award, and now the Otherwise Award will always have my heartfelt support. But it is time for me to step back and make space for a new generation of activists. I want to thank my fellow motherboard founding mothers and members, past and present—Karen Joy Fowler, Pat Murphy, Jeff Smith, Alexis Lothian, Sumana Harihareswara, Gretchen Treu, Debbie Notkin, Ellen Klages, Delia Sherman—for all they have done and for their friendship, which I will value forever.
(2) THIS IS HORROR. Public nominations are being accepted
through January 8 for the This
Is Horror Awards.
The public nominations are now open for the ninth annual This Is Horror Awards. This year we’ve retained all the categories from last year and added one more, ‘Cover Art of the year’. Here are the categories: Novel of the Year, Novella of the Year, Short Story Collection of the Year, Anthology of the Year, Fiction Magazine of the Year, Publisher of the Year, Fiction Podcast of the Year, Nonfiction Podcast of the Year, and Cover Art of the Year.
Readers can e-mail in their nominations for each category. Taking into consideration the nominations for each category This Is Horror will then draw up a shortlist.
We invite you to include one sentence as to why each nomination is award-worthy.
Jason: How much of an increase in your budget would be required to pay all editorial and publishing staff a living wage?
Scott: Estimating using a salary of $15/hour for the work our staff does, we would need a $45,000 increase in our annual budget to pay all staff a living wage. That’s double what our annual budget is to pay for the stories we publish. To cover that, our monthly donations through Patreon would have to increase by 7000%….
Jason: Neil Clarke of Clarkesworld has said some of the problems experienced by genre magazines come about because “we’ve devalued short fiction” through reader expectations that they shouldn’t have to pay for short stories. Do you agree with this? Any thoughts on how to change this situation?
LDL: …I think the issue is one of exhaustion on the part of volunteer staff and a strained supporter base. In my observation, the people who contribute to zine crowdfunds also contribute to crowdfunds for individuals in emergency situations. There are a lot of emergencies or people in general need, just within the SFF community and funds are finite. If you’re supporting your four favorite zines every year, donating to three medical funds, two Kickstarters, a moving fund, and also taking on costs associated with at least one fandom-related convention every year, it’s not sustainable for a lot of readers, especially the marginalized ones….
Jason: In addition to paying your writers, Asimov’s also pays all of your staff, something which is not common among many of today’s newer genre magazines. Is it possible to publish a magazine like Asimov’s without the support of a larger company, in this case Penny Publications?
Sheila: An anecdotal review of the American market doesn’t really bear that out. F&SF is published by a small company. Analog and Asimov’s are published by a larger (though not huge) publishing company. Being published by a larger company does have its advantages, though. While only one and a half people are dedicated to each of the genre magazines, we do benefit from a support staff of art, production, tech, contracts, web, advertising, circulation, and subsidiary rights departments. I’m probably leaving some people out of this list. While the support of this infrastructure cannot be underestimated, Asimov’s revenue covers our editorial salaries, and our production and editorial costs. We contribute to the company’s general overhead as well.
Jason: Strange Horizons also helped pioneer the idea that a genre magazine could be run as a nonprofit with assistance from a staff of volunteers. What are the pros and cons of this publishing model?
Vanessa: With volunteer staff, the con is simple: no pay. Generally, working for no pay privileges people who can afford to volunteer time, and devalues the work we do as editors. I’d like to think that at SH, we have partially balanced the former by making our staff so large and so international that no one need put in many hours, and folks can cover for you regardless of time zone. Despite having 50+ folks, we’re a close group. Our Slack is a social space, and we bring our worst and best days there for each other. Several members (including me) have volunteered right through periods of un- and underemployment because of the love of the zine and our community….
(4) NEBULA CONFERENCE EARLYBIRD RATE. The rate has been extended
another week —
HelenKay Dimon, a past RWA president, previously told The Guardian that she regularly received letters from white RWA members expressing concern that “now nobody wants books by white Christian women”.
There is “a group of people who are white and who are privileged, who have always had 90% of everything available, and now all of a sudden, they have 80%. Instead of saying: ‘Ooh, look, I have 80%,’ they say: ‘Oh, I lost 10! Who do I blame for losing 10?’” Dimon said.
The tweets that sparked the ethics complaints against Milan, which were posted this August, were part of a broader conversation on romance Twitter about how individual racist beliefs held by gatekeepers within the publishing world have shaped the opportunities available to authors of color.
The…next installment of Frank Herbert’s Dune World saga has been staring me in the face for weeks, ever since I bought the January 1965 issue of Analog. I found I really didn’t want to read more of it, having found the first installment dreary, though who am I to argue with all the Hugo voters?
And yet, as the days rolled on, I came up with every excuse not to read the magazine. I cleaned the house, stem to stern. I lost myself in this year’s Galactic Stars article. I did some deep research on 1964’s space probes.
But the bleak desert sands of Arrakis were unavoidable. So this week, I plunged headfirst into Campbell’s slick, hoping to make the trek to the end in fewer than two score years. Or at least before 1965. Join me; let’s see if we can make it.
In September 1963, Tolkien drafted yet another of a number of letters responding to questions about Frodo’s “failure” at the Cracks of Doom. It’s easy to imagine that he was rather exasperated. Few, it seemed, had really understood the impossibility of Frodo’s situation in those last, crucial moments: “the pressure of the Ring would reach its maximum,” Tolkien explained; it was “impossible, I should have said, for any one to resist, certainly after long possession, months of increasing torment, and when starved and exhausted” (Letters 326). Even had someone of unmatched power, like Gandalf, claimed the Ring, there would have been no real victory, for “the Ring and all its works would have endured. It would have been the master in the end” (332).
It would have been the master.
From humble beginnings as a mere trinket bartered in a game of riddles (see the original Hobbit), the Ring grew in power and influence until it did indeed include all of Middle-earth in its simple band of gold. “One Ring to rule them all” wasn’t just meant to sound intimidating—it was hard truth. Even Sauron couldn’t escape the confines of its powers. It was his greatest weakness.
But how did the Ring become the thing around which the entirety of the Third Age revolved (Letters 157)?…
(8) JANUARY 2. Get ready – tomorrow is “National
Science Fiction Day”. It must be legit – “National Science Fiction Day
is recognized by the Hallmark Channel and the Scholastic Corporation.”
National Science Fiction Day promotes the celebration of science fiction as a genre, its creators, history, and various media, too. Recognized on January 2nd annually, millions of science fiction fans across the United States read and watch their favorites in science fiction.
The date of the celebration commemorates the birth of famed science fiction writer Isaac Asimov. An American author and Boston University professor of biochemistry, Isaac Asimov was born Isaak Yudovich Ozimov on January 2, 1920. He was best known for his works of science fiction and his popular science books.
(9) TODAY IN HISTORY
January 1, 2007 — The Sarah Jane Adventures premiered starring Elizabeth Sladen who had been in the pilot for K-9 and Company which the Beeb didn’t take to series. The program, which as you well know was a spin-off of Doctor Who, lasted five series and fifty-four episodes. It did not make the final Hugo ballot for Best Dramatic Presentation, Short Form in either 2007 or 2008.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 1, 1854 — James George Frazer. Author of The Golden Bough, the pioneering if deeply flawed look at similarities among magical and religious beliefs globally. He’s genre adjacent at a minimum, and his ideas have certainly been used by SFF writers a lot both affirming and (mostly) critiquing his ideas. (Died 1952.)
Born January 1, 1889 — Seabury Quinn. Pulp writer now mostly remembered for his tales of Jules de Grandin, the occult detective, which were published in Weird Tales from the Thirties through the Fifties. (Died 1969.)
Born January 1, 1926 — Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid screenplay apparently by John Brunner.) She had one-offs in Danger Man, The Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.)
Born January 1, 1933 — Joe Orton. In his very brief writing career, there is but one SFF work, Head to Toe which the current publisher says “is a dream-vision allegory of a journey on the body of a great giant or ‘afreet’ (a figure from Arabic mythology) from head to toe and back, both on the body and in the body.” Like his other novels, it’s not available digitally. (Died 1967.)
Born January 1, 1954 — Midori Snyder, 66. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and hannah’s garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read. With Yolen, Snyder co-authored the novel Except the Queen which I do recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. Anyone know why?
Born January 1, 1957 — Christopher Moore, 63. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’m hearing good things about Noir, his newest work which I’m planning on listening to soon. Has anyone read it?
Born January 1, 1971 — Navin Chowdhry, 49. He’s Indra Ganesh in a Ninth Doctor story, “Aliens of London.“ I also found him playing Mr. Watson in Skellig, a film that sounds really interesting. Oh, and I almost forgot to mention that he was Nodin Chavdri in Star Wars: The Last Jedi.
Born January 1, 1976 — Sean Wallace, 44. Anthologist, editor, and publisher known for his work on Prime Books and for co-editing three magazines, Clarkesworld Magazine which I love, The Dark which I’ve never encountered, and Fantasy Magazine which is another fav read of mine. He has won a very, very impressive three Hugo Awards and two World Fantasy Awards. His People of the Book: A Decade of Jewish Science Fiction and Fantasy co-edited with Rachel Swirsky is highly recommended by me. He’s not well represented digitally speaking which surprised me.
Born January 1, 1984 — Amara Karan, 36. Though she’s Tita in an Eleventh Doctor story, “The God Complex”, she’s really here for being involved in a Stan Lee project. She was DS Suri Chohan in Stan Lee’s Lucky Man, a British crime drama series which is definitely SFF. Oh, and she shows up as Princess Shaista in “Cat Among Pigeons” episode of Agatha Christie’s Poirot but even I would be hard put to call that even close to genre adjacent.
Before Dean Parisot signed on to direct Galaxy Quest, Harold Ramis was supposed to helm the movie, which was initially titled Captain Starshine. However, according to Tim Allen, if Ramis directed the film, it wouldn’t have just been titled differently — it would have looked quite different as well.
[…] “Katzenberg pitched me the idea of the commander character and then they started talking and it became clear that Ramis didn’t see me for the part,” Allen said. “It was pretty uncomfortable.”
[…] Interestingly, Sigourney Weaver also wouldn’t have gotten her role as Gwen DeMarco in Galaxy Quest if Ramis had directed the film, despite their relationship from Ghostbusters. “I had heard that Harold was directing a sci-fi movie but he didn’t want anyone who had done sci-fi in the film,” she said. “Frankly, it’s those of us who have done science fiction movies that know what is funny about the genre.”
…I’ll start with this reddit AMA from a few years back, and an interview with Tingle on Nothing in the Rulebook. His answers reveal a consistent approach to the writing life that mirrored the habits of authors who are, possibly, even more well-known than our favorite erotica author.
Asked about a typical writing day, Tingle replies:
yes average day is getting up and having two BIG PLATES of spaghetti then washing them down with some chocolate milk then i get out of bed and meditate to be a healthy man. so when i am meditating i think ‘what kind of tingler would prove love today?’. if nothing comes then i will maybe trot around the house or go to the park or maybe walk to the coffee shop with my son jon before he goes to work. if i have a good idea i will just write and write until it is all done and then I will have son jon edit it and then post it online.
OK, so to translate this a bit out of Tingle-speak, we have a recommendation that you fuel your writing with carbs (and also an unlikely alliance with Haruki Murakami’s spaghetti-loving ways) with a bit of a boost of sugar….
(14) GREASED LIGHTNING. [Item by Daniel Dern.] From one of the CES 2020 press
releases I got today…
Subject: [CES NEWS] Experience a Roomba-Like Device that Navigates the Home Charging ALL Devices
…I want to put an innovative device on your radar: RAGU, a Roomba-like robot that navigates the home charging ALL of your devices.
GuRu is the first company to crack the code on totally untethered, over-the-air charging.
discounting remote mal-hackers, this sounds like a recipe for either a droll TV
episode, or Things Going Horribly Wrong. (Fires, fried gear, tased/defibrilated
pets and sleeping people, etc.)
Spare a thought for the poor fat rat of Bensheim, which became stuck in a German manhole in February. She was eventually freed, but not before passers-by took embarrassing photos of her plight. “She had a lot of winter flab,” one rescuer said, compounding the humiliation.
In this case, the animals were the rescuers rather than the rescued (sort of).
Anticipating the threat of wildfires later in the year, staff at the Ronald Reagan Presidential Library in California hired a hungry herd of 500 goats to eat flammable scrub around the building in May.
And so, when fires did strike in October, the library was saved because of the fire break the goats had created by eating the flammable scrub. Nice one, goats.
As always, the existential wisdom of Werner Herzog prevails. “You are cowards,” the director castigated on set of The Mandalorian, upon realizing the producers intended to shoot some scenes without the Baby Yoda puppet in case they decided to go full CGI with the character. “Leave it.”
Herzog, who guest-starred on a few episodes of the Disney+ Star Wars spinoff series, was one of Baby Yoda’s earliest champions. And indeed, Baby Yoda — a colloquial epithet referring to the mysterious alien toddler merely known as “The Child” in the script — was designed for maximum neoteny. The gigantic saucer-like dilated eyes; the tiny button nose; a head that takes up nearly half his body mass; the hilariously oversized brown coat; the peach fuzzy hairs tufted around his head; and the pièce de résistance of his custardy little green face: that minuscule line of a mouth that could curve or stiffen in an instant and erupt a thousand ancient nurturing instincts in any viewer. (He’s the only thing my normally stoic husband has ever sincerely described as “cute.”) Heck, there may very well be a micro generation of Baby Yoda babies about eight months from now, thanks to this frog-nomming, lever-pulling, bone-broth-sipping little scamp.
And all because Jon Favreau and company finally recognized that rubber-and-fabric practical effects will almost always have a greater emotional impact than plasticky digital ones.
The recent success of The Mandalorian, thanks to the adorable face that launched a thousand memes, and Netflix’s fantasy-adventure epic The Dark Crystal: Age of Resistance, recently nominated for a WGA Award and a Critic’s Choice Award, prove that we still need puppetry and mechanical effects in the age of CGI….
(18) PERRY MASON. My fellow geezers may enjoy this quick
[Thanks to Jo Van Ekeren, Cat Eldridge, Mike Kennedy, JJ, Chip
Hitchcock, John King Tarpinian, Martin Morse Wooster, Daniel Dern, Contrarius, Darrah
Chavey, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Kip W.]
This survey is designed to provide context to reports like Fireside Fiction’s #BlackSpecFic Reports. We invite Black SFF writers to submit information about their practices and insights on submission to SFF short fiction markets with a focus on a 13 month period. The responses we receive will allow us to:
Quantify the existence of Black speculative fiction writers seeking publication.
Provide submission context to existing publication data.
Expose the impact of doleful publication statistics on Black writers.
Enable markets to pinpoint their failings in attracting or publishing Black writers.
… For the purposes of this survey, participating writers:
must have submitted at least one piece of short speculative fiction to a paying market in the last 12 months. You do not have to be published in order to participate in the survey. Speculative fiction includes fantasy, science fiction, horror, paranormal and all of their included subgenres. “Short” fiction includes flash, shorts, novelettes, and novellas (under 40,000 words).
must identify as Black or of the African Diaspora (to include mixed/biracial)
(3) INSPIRED CREATURES. The “Natural History of
Horror” exhibit will open October 10 at Los Angeles County’s Museum of
Natural History, and run through April 19.
We have a strange curiosity for mysterious, eerie, and grotesque monsters. We love the thrill of intense, heart-pounding bursts of adrenaline that only horror movies can provide. In our new exhibition Natural History of Horror, explore the scientific inspiration for classic monsters from Dracula, Frankenstein, The Mummy, and Creature from the Black Lagoon. Get a glimpse of rare movie props, film footage, hands-on activities, and museum specimens.
…Your senses will tingle as you hear about the scientific experiments and discoveries that inspired filmmakers to create four of the world‘s most iconic movie monsters: the Creature from the Black Lagoon, Frankenstein, the Mummy, and Dracula. Whether these classics spotlighted sinister figures lurking in the shadows or creatures waiting unseen beneath the water, one thing is true: Each larger-than-life character had a surprisingly rich real-world backstory.
The report last week that books were included in the new tariffs on E.U. products imported to the U.S. was inaccurate. In fact, books will not be included in the $7.5 billion of tariffs, which are being imposed after the World Trade Organization ruled last Wednesday that the U.S. could tax $7.5 billion of E.U. goods to recoup damages after the WTO had determined in May that the E.U. illegally subsidized Airbus.
I wasn’t at all sure what to expect from this book. What I absolutely did not expect was … a pretty good young adult dystopian adventure story. It was a bit jarring when I realized that was what I was reading, as if I’d discovered that The Hunger Games had somehow been intended as a direct sequel to 1984….
Netflix spent $99.2 million on U.S. TV ads during 2018, with about 13% going to Disney-owned networks, according to estimates made by the ad-measurement firm iSpot.TV. But with Disney’s new streaming service Disney+ launching next month, the Mouse has ramped up its competitive edge to gain any traction it can against its newest, biggest rival. Notably, the ban only applies to Disney’s entertainment networks, not Disney-owned ESPN.
Back in August, Disney announced that it had banned ads from any of its streaming rivals but then walked that back, citing complex, mutually beneficial business relationships with partners who are also competitors such as Apple and Amazon.
Electrek also found references in the Tesla Android app’s code to a currently unavailable “Patsy Mode” (named after Arthur’s sidekick in Holy Grail) that could play the coconuts when you summon your car from Auto Park. Things are about to get very silly in your EV, then, whether or not you’re actually moving.
(8) TAYLOR OBIT. Comedian Rip Taylor, a staple of daytime
TV back in the day, died
October 6 at the age of 84. SYFY Wire reminded readers about his
…Aside from his career as a shtick-happy comic, he had a number of noteworthy genre roles, particularly in animation, where his unique vocal delivery got to breathe real life into his cartoon counterparts. His first major role animated role was in 1979’s Scooby Goes to Hollywood in 1979. Years later, he’d appear in two more Scooby-Doo projects, What’s New, Scooby-Doo in 2002 and Scooby-Doo and the Monster of Mexico in 2003. He also voiced the genie in 1990’s DuckTales the Movie.
Additionally, he had roles in Popeye and Son, The Snorks, and The Jetsons. Later, he had a recurring role as Uncle Fester in the early 1990s animated series The Addams Family. More recently, he was the voice of the Royal Recordkeeper in the Disney short film series The Emperor’s New School, and he played another genie in the superhero family series The Aquabats! Super Show! His last role was in the 2012 horror flick Silent But Deadly.
(9) TODAY IN HISTORY.
October 7, 1959 — First photos taken of the far side of the Moon, by Luna 3.
October 7, 1988 — The War of the Worlds series premiered. Starring Jared Martin and Lynda Mason Green, it would last for two seasons. Andria Paul of Highlander fame would join the cast in season two.
October 7, 1988 — Alien Nation debuted as a film. Written by Rockne S. O’Bannon, it starred James Caan and Mandy Patinkin. It received a nomination for Best Dramatic Presentation in the Hugo Awards losing out at Noreascon 3 to Who Framed Roger Rabbit?. Both the movie and the series rate a 43% at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 7, 1926 — Ken Krueger. Krueger co-founded and organized the first San Diego Comic-Con International convention, then called “San Diego’s Golden State Comic-Con,” in 1970. He attended the first Worldcon in 1939. I’ll leave it up to y’all to discuss his activities as a fan and as a pro as they won’t fit here! (Died 2009.)
Born October 7, 1942 — Lee Gold, 77. She’s a member of LAFA and a writer and editor in the role-playing game and filk music communities. She published Xenofilkia, a bi-monthly compilation of filk songs which has been published since 1988, four issues of the Filker Up anthology; and has published for forty-four years, Alarums and Excursions, a monthly gaming zine. She’s edited more fanzines than I care to list here, and is a member of the Filk Hall of Fame along with Barry Gold, her husband.
Born October 7, 1946 — Chris Foss, 73. UK Illustrator known for the Seventies UK paperback covers for Asimov’s Foundation trilogy and E. E. “Doc” Smith’s Lensman and Skylark series among many that he did. He also did design work for the Jodorowsky version of Dune.Alien has his Spaceship design, and he did redesign of Gordon’s rocket cycle for the 1980 Flash Gordon film.
Born October 7, 1950 — Howard Chaykin, 69. Comic book artist and writer. His first major work was for DC Comics, drawing The Price of Pain” which was an adaptation of author Fritz Leiber’s characters Fafhrd and the Gray Mouser in Sword of Sorcery #1. He would illustrate damn near everything else from Batman and The Legion of Super-Heroes for DC to Hulk and Iron-Man for Marvel (to name but two series) but I think his best genre work was his own American Flagg! series.
Born October 7, 1958 — Rosalyn Landor, 61. She played Guinevere in Arthur the King, and Helen Stoner in “The Speckled Band” of Jeremy Brett’s Sherlock Holmes. She was the red headed colleen Brenna Odell in the “Up the Long Ladder” episode of Next Generation.
Born October 7, 1959 — Steven Erikson, 60. He’s definitely most known for his Malazan Book of the Fallen series, which began with the publication of Gardens of the Moon and was completed with the publication of The Crippled God, ten novels later. Though I’ve not read it, and didn’t know it existed, he’s written the Willful Child trilogy, a spoof on Star Trek and other tropes common in the genre.
Born October 7, 1963 — Tammy Klein, 56. She’s getting Birthday Honors because of the most-likely-unauthorised Trek audioseries she’s involved in called Star Trek: Henglaar, M.D. in which she’s Subcommander Nonia but she also been in some definitely really pulpy works such as Lizard Man, Jurassic City, Awaken the Dead and Zoombies.
Born October 7, 1970 — Nicole Ari Parker, 49. She’s getting a Birthday Honor because she was Vanessa Anders in Time After Time, a short lived series (twelve episodes aired in 2017) based off the H.G. Wells novel of that name. Freddie Stroma played Wells. Anyone see it? Oh, and she had a recurring role in the Revolution series as Justine Allenford.
Born October 7, 1979 — Aaron Ashmore, 40. He‘s known for being Jimmy Olsen on Smallville and Steve Jinks on Warehouse 13. He also is Johnny Jaqobis on Killjoys. He also had a recurring role as Dylan Masters in XIII: The Series which I think is SFF.
(11) COMICS SECTION.
Lio intercepts a message from outer space. It sounds pretty familiar…
My concern isn’t so much that social media makes new bad things. Humans have always been intellectually and morally fallible. My concern is that it exacerbates our weaknesses in a deeply unhealthy way.
Cognitive Biases and Logical Fallacies
Social media exacerbates our cognitive biases and tendencies toward fallacious reasoning. “Fake news” and conspiracy theories are shared more quickly and are believed more widely. Social media successfully exploits cognitive biases like availability heuristic and confirmation bias. Social media echo chambers make us think our views are more popular or more correct than they actually are.
Logical fallacies like Ad Hominem, Tu Quoque, Strawman, Red Herring, Appeal to Popularity, Appeal to Authority, and No True Scotsman frequently pass for good arguments. And social media algorithms and click bait headlines deliberately exploit all of this to keep us clicking, liking, and sharing too quickly, long before we have time to digest or examine anything philosophically. (Indeed, I suspect philosophical thinking is too slow for social media, although a lucky few on philosophy Twitter may be exceptions.)…
(13) SHORTSFF AT ANGRY ROBOT. Tomorrow Angry Robot releases its “first foray
into short-form fiction” Duchamp Versus Einstein, by Christopher Hinz and Etan Ilfeld,
something we reported
this last week. But we’ve subsequently learned the interesting fact that
co-author Etan Ilfeld is also the owner
of Watkins Media, of which Angry Robot has been part since 2014. Does that
change how likely it is there will be more short sff forthcoming?
Governments in the UK, US and Australia have asked Facebook, in an open letter, to roll back plans to bring end-to-end encryption to all of its platforms.
Facebook, rocked by privacy scandals, responds that everyone has the right to a private conversation.
It is the latest in an age-old battle between privacy and safety, which has played out between governments and tech firms ever since digital communication became mass market.
What is end-to-end encryption?
As the name suggests, this is a secure way of sending information so that only the intended receiver can read it.
The information is encrypted while it is still on the sender’s device and is only decrypted when it reaches the person intended. Nobody, not even the platform owner, has the keys to unlock it.
Is there evidence encryption has hampered police enquiries?
When the BBC asked the Home Office to provide examples, it could not do so.
The real issue is the fact that Facebook will no longer be able to police its own content, it said.
It pointed to the fact that last year Facebook sent 12 million reports of child exploitation or abuse to the US’s National Center for Missing and Exploited Children, and it would no longer be able to do this if it had encryption on all its platforms.
It is something that Facebook chief Mark Zuckerberg addressed directly in a Q&A with staff about the issue.
“When we decided to go to end-to-end encryption across the different apps, this is one of the things that just weighed the most heavily on me,” he said.
…Rose did a bit of soul searching when CW called. Shooting a network TV season often means filming almost year round, leaving a limited window for Rose to make movies. She would have to move from Los Angeles to Vancouver, where most of the CW’s DC shows film.
But ultimately, Rose answered the bat-signal call — the role was too emotionally appealing to pass up. She tried to think of any upcoming role she’d been offered that could make her feel the same way. There weren’t any.
“[This role is] something that we all wish did exist when we were growing up [watching] television. It would have helped [us] as well as other people feel less alone and less misunderstood or all confused or isolated and different and not unlike many other things that come with being young and gay,” Rose said. She hopes the show will impact people who feel alone — “and empower them to feel like they’re a superhero too and that they can change the world too.”…
(18) VIDEO OF THE DAY. 2001 A Space Odyssey, Epilogue.
Featuring Frank Poole on Vimeo.
Some 203 years after astronaut Frank Poole is murdered by the Discovery’s A.I. HAL 9000, his body encounters a Monolith.
Using practical models and digital versions of the tricks used in the original, with respect to Stanley and Wally.
[Thanks to Cat Eldridge, Martin Morse Wooster, JJ, John King
Tarpinian, Chip Hitchcock, Mike Kennedy, and Andrew Porter for some of these
stories. Title credit goes to File 770 contributing editor of the day Cliff.]