FIYAH Literary Magazine has announced the creation of the Ignyte Awards series.
The Awards seek to celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre.
Awards will be given in the following categories:
Best Novel – Adult
Best Novel – YA
Best in MG
Best Short Story
Best Fiction Podcast
Best Comics Team
Best Anthology/Collected Works
Best in Creative Nonfiction
The Ember Award for Unsung Contributions to Genre
Community Award for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre
Finalists will be picked by the FIYAHCON team and announced Monday, August 17. Voting on the awards will be open to the broader SFF community through September 11.
The winners will be announced during the inaugural FIYAHCON, being held October 17-18. FIYAHCON is a virtual convention centering the perspectives and celebrating the contributions of BIPOC in speculative fiction.
Jeanne Gomoll, whose art, design, and organizing energy has propelled and sustained the Award for the last 25 years, is retiring from the Otherwise Motherboard at the end of 2019. The remaining members of the Motherboard are incredibly grateful for Jeanne’s tireless, brilliant work and look forward to celebrating her contributions at WisCon in 2020.
Up until 1991 it felt to me as though the efforts of the Madison SF Group, Janus and Aurora fanzines, and WisCon, to encourage and celebrate feminist science fiction were largely restricted to a single place and to those who came to this place and attended WisCon. Indeed, by the late 1980s, it felt to me as if our efforts to foster feminist SF were increasingly being met with opposition and might possibly have been in danger of flickering out, as the backlash to feminism in general and feminist SF in specific gained strength. Pat Murphy’s 1991 announcement of the Tiptree Award thrilled me and gave me renewed strength. It was as if a small group of us, following a narrow, twisty path had merged with a much wider, well-traveled path. After the Tiptree Award began handing out annual awards and raising funds, and had sparked a massive juggernaut of community activism, I stopped worrying about the viability of the movement.
I will be forever grateful to the Tiptree Award and proud of my work on it. I chaired two Tiptree juries—one in 1993, which chose Nicola Griffith’s Ammonite as the winner; and the other in 2016, which presented the award to When the Moon Was Ours, by Anna-Marie McLemore. I served on the Motherboard for 25 years, 1994-2019, and worked behind-the-scenes on most of the auctions during those years, and as an artist creating logos, publications, and Tiptree merchandise. I will be forever grateful to the Motherboard for the work we did together and the friendships we created along the way. I am awed by and very proud of the community of writers and readers who supported and were nurtured by the award, even as they guided the award further along the path toward greater diversity and scope.
The Tiptree Award, and now the Otherwise Award will always have my heartfelt support. But it is time for me to step back and make space for a new generation of activists. I want to thank my fellow motherboard founding mothers and members, past and present—Karen Joy Fowler, Pat Murphy, Jeff Smith, Alexis Lothian, Sumana Harihareswara, Gretchen Treu, Debbie Notkin, Ellen Klages, Delia Sherman—for all they have done and for their friendship, which I will value forever.
(2) THIS IS HORROR. Public nominations are being accepted
through January 8 for the This
Is Horror Awards.
The public nominations are now open for the ninth annual This Is Horror Awards. This year we’ve retained all the categories from last year and added one more, ‘Cover Art of the year’. Here are the categories: Novel of the Year, Novella of the Year, Short Story Collection of the Year, Anthology of the Year, Fiction Magazine of the Year, Publisher of the Year, Fiction Podcast of the Year, Nonfiction Podcast of the Year, and Cover Art of the Year.
Readers can e-mail in their nominations for each category. Taking into consideration the nominations for each category This Is Horror will then draw up a shortlist.
We invite you to include one sentence as to why each nomination is award-worthy.
Jason: How much of an increase in your budget would be required to pay all editorial and publishing staff a living wage?
Scott: Estimating using a salary of $15/hour for the work our staff does, we would need a $45,000 increase in our annual budget to pay all staff a living wage. That’s double what our annual budget is to pay for the stories we publish. To cover that, our monthly donations through Patreon would have to increase by 7000%….
Jason: Neil Clarke of Clarkesworld has said some of the problems experienced by genre magazines come about because “we’ve devalued short fiction” through reader expectations that they shouldn’t have to pay for short stories. Do you agree with this? Any thoughts on how to change this situation?
LDL: …I think the issue is one of exhaustion on the part of volunteer staff and a strained supporter base. In my observation, the people who contribute to zine crowdfunds also contribute to crowdfunds for individuals in emergency situations. There are a lot of emergencies or people in general need, just within the SFF community and funds are finite. If you’re supporting your four favorite zines every year, donating to three medical funds, two Kickstarters, a moving fund, and also taking on costs associated with at least one fandom-related convention every year, it’s not sustainable for a lot of readers, especially the marginalized ones….
Jason: In addition to paying your writers, Asimov’s also pays all of your staff, something which is not common among many of today’s newer genre magazines. Is it possible to publish a magazine like Asimov’s without the support of a larger company, in this case Penny Publications?
Sheila: An anecdotal review of the American market doesn’t really bear that out. F&SF is published by a small company. Analog and Asimov’s are published by a larger (though not huge) publishing company. Being published by a larger company does have its advantages, though. While only one and a half people are dedicated to each of the genre magazines, we do benefit from a support staff of art, production, tech, contracts, web, advertising, circulation, and subsidiary rights departments. I’m probably leaving some people out of this list. While the support of this infrastructure cannot be underestimated, Asimov’s revenue covers our editorial salaries, and our production and editorial costs. We contribute to the company’s general overhead as well.
Jason: Strange Horizons also helped pioneer the idea that a genre magazine could be run as a nonprofit with assistance from a staff of volunteers. What are the pros and cons of this publishing model?
Vanessa: With volunteer staff, the con is simple: no pay. Generally, working for no pay privileges people who can afford to volunteer time, and devalues the work we do as editors. I’d like to think that at SH, we have partially balanced the former by making our staff so large and so international that no one need put in many hours, and folks can cover for you regardless of time zone. Despite having 50+ folks, we’re a close group. Our Slack is a social space, and we bring our worst and best days there for each other. Several members (including me) have volunteered right through periods of un- and underemployment because of the love of the zine and our community….
(4) NEBULA CONFERENCE EARLYBIRD RATE. The rate has been extended
another week —
HelenKay Dimon, a past RWA president, previously told The Guardian that she regularly received letters from white RWA members expressing concern that “now nobody wants books by white Christian women”.
There is “a group of people who are white and who are privileged, who have always had 90% of everything available, and now all of a sudden, they have 80%. Instead of saying: ‘Ooh, look, I have 80%,’ they say: ‘Oh, I lost 10! Who do I blame for losing 10?’” Dimon said.
The tweets that sparked the ethics complaints against Milan, which were posted this August, were part of a broader conversation on romance Twitter about how individual racist beliefs held by gatekeepers within the publishing world have shaped the opportunities available to authors of color.
The…next installment of Frank Herbert’s Dune World saga has been staring me in the face for weeks, ever since I bought the January 1965 issue of Analog. I found I really didn’t want to read more of it, having found the first installment dreary, though who am I to argue with all the Hugo voters?
And yet, as the days rolled on, I came up with every excuse not to read the magazine. I cleaned the house, stem to stern. I lost myself in this year’s Galactic Stars article. I did some deep research on 1964’s space probes.
But the bleak desert sands of Arrakis were unavoidable. So this week, I plunged headfirst into Campbell’s slick, hoping to make the trek to the end in fewer than two score years. Or at least before 1965. Join me; let’s see if we can make it.
In September 1963, Tolkien drafted yet another of a number of letters responding to questions about Frodo’s “failure” at the Cracks of Doom. It’s easy to imagine that he was rather exasperated. Few, it seemed, had really understood the impossibility of Frodo’s situation in those last, crucial moments: “the pressure of the Ring would reach its maximum,” Tolkien explained; it was “impossible, I should have said, for any one to resist, certainly after long possession, months of increasing torment, and when starved and exhausted” (Letters 326). Even had someone of unmatched power, like Gandalf, claimed the Ring, there would have been no real victory, for “the Ring and all its works would have endured. It would have been the master in the end” (332).
It would have been the master.
From humble beginnings as a mere trinket bartered in a game of riddles (see the original Hobbit), the Ring grew in power and influence until it did indeed include all of Middle-earth in its simple band of gold. “One Ring to rule them all” wasn’t just meant to sound intimidating—it was hard truth. Even Sauron couldn’t escape the confines of its powers. It was his greatest weakness.
But how did the Ring become the thing around which the entirety of the Third Age revolved (Letters 157)?…
(8) JANUARY 2. Get ready – tomorrow is “National
Science Fiction Day”. It must be legit – “National Science Fiction Day
is recognized by the Hallmark Channel and the Scholastic Corporation.”
National Science Fiction Day promotes the celebration of science fiction as a genre, its creators, history, and various media, too. Recognized on January 2nd annually, millions of science fiction fans across the United States read and watch their favorites in science fiction.
The date of the celebration commemorates the birth of famed science fiction writer Isaac Asimov. An American author and Boston University professor of biochemistry, Isaac Asimov was born Isaak Yudovich Ozimov on January 2, 1920. He was best known for his works of science fiction and his popular science books.
(9) TODAY IN HISTORY
January 1, 2007 — The Sarah Jane Adventures premiered starring Elizabeth Sladen who had been in the pilot for K-9 and Company which the Beeb didn’t take to series. The program, which as you well know was a spin-off of Doctor Who, lasted five series and fifty-four episodes. It did not make the final Hugo ballot for Best Dramatic Presentation, Short Form in either 2007 or 2008.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 1, 1854 — James George Frazer. Author of The Golden Bough, the pioneering if deeply flawed look at similarities among magical and religious beliefs globally. He’s genre adjacent at a minimum, and his ideas have certainly been used by SFF writers a lot both affirming and (mostly) critiquing his ideas. (Died 1952.)
Born January 1, 1889 — Seabury Quinn. Pulp writer now mostly remembered for his tales of Jules de Grandin, the occult detective, which were published in Weird Tales from the Thirties through the Fifties. (Died 1969.)
Born January 1, 1926 — Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid screenplay apparently by John Brunner.) She had one-offs in Danger Man, The Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.)
Born January 1, 1933 — Joe Orton. In his very brief writing career, there is but one SFF work, Head to Toe which the current publisher says “is a dream-vision allegory of a journey on the body of a great giant or ‘afreet’ (a figure from Arabic mythology) from head to toe and back, both on the body and in the body.” Like his other novels, it’s not available digitally. (Died 1967.)
Born January 1, 1954 — Midori Snyder, 66. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and hannah’s garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read. With Yolen, Snyder co-authored the novel Except the Queen which I do recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. Anyone know why?
Born January 1, 1957 — Christopher Moore, 63. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’m hearing good things about Noir, his newest work which I’m planning on listening to soon. Has anyone read it?
Born January 1, 1971 — Navin Chowdhry, 49. He’s Indra Ganesh in a Ninth Doctor story, “Aliens of London.“ I also found him playing Mr. Watson in Skellig, a film that sounds really interesting. Oh, and I almost forgot to mention that he was Nodin Chavdri in Star Wars: The Last Jedi.
Born January 1, 1976 — Sean Wallace, 44. Anthologist, editor, and publisher known for his work on Prime Books and for co-editing three magazines, Clarkesworld Magazine which I love, The Dark which I’ve never encountered, and Fantasy Magazine which is another fav read of mine. He has won a very, very impressive three Hugo Awards and two World Fantasy Awards. His People of the Book: A Decade of Jewish Science Fiction and Fantasy co-edited with Rachel Swirsky is highly recommended by me. He’s not well represented digitally speaking which surprised me.
Born January 1, 1984 — Amara Karan, 36. Though she’s Tita in an Eleventh Doctor story, “The God Complex”, she’s really here for being involved in a Stan Lee project. She was DS Suri Chohan in Stan Lee’s Lucky Man, a British crime drama series which is definitely SFF. Oh, and she shows up as Princess Shaista in “Cat Among Pigeons” episode of Agatha Christie’s Poirot but even I would be hard put to call that even close to genre adjacent.
Before Dean Parisot signed on to direct Galaxy Quest, Harold Ramis was supposed to helm the movie, which was initially titled Captain Starshine. However, according to Tim Allen, if Ramis directed the film, it wouldn’t have just been titled differently — it would have looked quite different as well.
[…] “Katzenberg pitched me the idea of the commander character and then they started talking and it became clear that Ramis didn’t see me for the part,” Allen said. “It was pretty uncomfortable.”
[…] Interestingly, Sigourney Weaver also wouldn’t have gotten her role as Gwen DeMarco in Galaxy Quest if Ramis had directed the film, despite their relationship from Ghostbusters. “I had heard that Harold was directing a sci-fi movie but he didn’t want anyone who had done sci-fi in the film,” she said. “Frankly, it’s those of us who have done science fiction movies that know what is funny about the genre.”
…I’ll start with this reddit AMA from a few years back, and an interview with Tingle on Nothing in the Rulebook. His answers reveal a consistent approach to the writing life that mirrored the habits of authors who are, possibly, even more well-known than our favorite erotica author.
Asked about a typical writing day, Tingle replies:
yes average day is getting up and having two BIG PLATES of spaghetti then washing them down with some chocolate milk then i get out of bed and meditate to be a healthy man. so when i am meditating i think ‘what kind of tingler would prove love today?’. if nothing comes then i will maybe trot around the house or go to the park or maybe walk to the coffee shop with my son jon before he goes to work. if i have a good idea i will just write and write until it is all done and then I will have son jon edit it and then post it online.
OK, so to translate this a bit out of Tingle-speak, we have a recommendation that you fuel your writing with carbs (and also an unlikely alliance with Haruki Murakami’s spaghetti-loving ways) with a bit of a boost of sugar….
(14) GREASED LIGHTNING. [Item by Daniel Dern.] From one of the CES 2020 press
releases I got today…
Subject: [CES NEWS] Experience a Roomba-Like Device that Navigates the Home Charging ALL Devices
…I want to put an innovative device on your radar: RAGU, a Roomba-like robot that navigates the home charging ALL of your devices.
GuRu is the first company to crack the code on totally untethered, over-the-air charging.
discounting remote mal-hackers, this sounds like a recipe for either a droll TV
episode, or Things Going Horribly Wrong. (Fires, fried gear, tased/defibrilated
pets and sleeping people, etc.)
Spare a thought for the poor fat rat of Bensheim, which became stuck in a German manhole in February. She was eventually freed, but not before passers-by took embarrassing photos of her plight. “She had a lot of winter flab,” one rescuer said, compounding the humiliation.
In this case, the animals were the rescuers rather than the rescued (sort of).
Anticipating the threat of wildfires later in the year, staff at the Ronald Reagan Presidential Library in California hired a hungry herd of 500 goats to eat flammable scrub around the building in May.
And so, when fires did strike in October, the library was saved because of the fire break the goats had created by eating the flammable scrub. Nice one, goats.
As always, the existential wisdom of Werner Herzog prevails. “You are cowards,” the director castigated on set of The Mandalorian, upon realizing the producers intended to shoot some scenes without the Baby Yoda puppet in case they decided to go full CGI with the character. “Leave it.”
Herzog, who guest-starred on a few episodes of the Disney+ Star Wars spinoff series, was one of Baby Yoda’s earliest champions. And indeed, Baby Yoda — a colloquial epithet referring to the mysterious alien toddler merely known as “The Child” in the script — was designed for maximum neoteny. The gigantic saucer-like dilated eyes; the tiny button nose; a head that takes up nearly half his body mass; the hilariously oversized brown coat; the peach fuzzy hairs tufted around his head; and the pièce de résistance of his custardy little green face: that minuscule line of a mouth that could curve or stiffen in an instant and erupt a thousand ancient nurturing instincts in any viewer. (He’s the only thing my normally stoic husband has ever sincerely described as “cute.”) Heck, there may very well be a micro generation of Baby Yoda babies about eight months from now, thanks to this frog-nomming, lever-pulling, bone-broth-sipping little scamp.
And all because Jon Favreau and company finally recognized that rubber-and-fabric practical effects will almost always have a greater emotional impact than plasticky digital ones.
The recent success of The Mandalorian, thanks to the adorable face that launched a thousand memes, and Netflix’s fantasy-adventure epic The Dark Crystal: Age of Resistance, recently nominated for a WGA Award and a Critic’s Choice Award, prove that we still need puppetry and mechanical effects in the age of CGI….
(18) PERRY MASON. My fellow geezers may enjoy this quick
[Thanks to Jo Van Ekeren, Cat Eldridge, Mike Kennedy, JJ, Chip
Hitchcock, John King Tarpinian, Martin Morse Wooster, Daniel Dern, Contrarius, Darrah
Chavey, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Kip W.]
This survey is designed to provide context to reports like Fireside Fiction’s #BlackSpecFic Reports. We invite Black SFF writers to submit information about their practices and insights on submission to SFF short fiction markets with a focus on a 13 month period. The responses we receive will allow us to:
Quantify the existence of Black speculative fiction writers seeking publication.
Provide submission context to existing publication data.
Expose the impact of doleful publication statistics on Black writers.
Enable markets to pinpoint their failings in attracting or publishing Black writers.
… For the purposes of this survey, participating writers:
must have submitted at least one piece of short speculative fiction to a paying market in the last 12 months. You do not have to be published in order to participate in the survey. Speculative fiction includes fantasy, science fiction, horror, paranormal and all of their included subgenres. “Short” fiction includes flash, shorts, novelettes, and novellas (under 40,000 words).
must identify as Black or of the African Diaspora (to include mixed/biracial)
(3) INSPIRED CREATURES. The “Natural History of
Horror” exhibit will open October 10 at Los Angeles County’s Museum of
Natural History, and run through April 19.
We have a strange curiosity for mysterious, eerie, and grotesque monsters. We love the thrill of intense, heart-pounding bursts of adrenaline that only horror movies can provide. In our new exhibition Natural History of Horror, explore the scientific inspiration for classic monsters from Dracula, Frankenstein, The Mummy, and Creature from the Black Lagoon. Get a glimpse of rare movie props, film footage, hands-on activities, and museum specimens.
…Your senses will tingle as you hear about the scientific experiments and discoveries that inspired filmmakers to create four of the world‘s most iconic movie monsters: the Creature from the Black Lagoon, Frankenstein, the Mummy, and Dracula. Whether these classics spotlighted sinister figures lurking in the shadows or creatures waiting unseen beneath the water, one thing is true: Each larger-than-life character had a surprisingly rich real-world backstory.
The report last week that books were included in the new tariffs on E.U. products imported to the U.S. was inaccurate. In fact, books will not be included in the $7.5 billion of tariffs, which are being imposed after the World Trade Organization ruled last Wednesday that the U.S. could tax $7.5 billion of E.U. goods to recoup damages after the WTO had determined in May that the E.U. illegally subsidized Airbus.
I wasn’t at all sure what to expect from this book. What I absolutely did not expect was … a pretty good young adult dystopian adventure story. It was a bit jarring when I realized that was what I was reading, as if I’d discovered that The Hunger Games had somehow been intended as a direct sequel to 1984….
Netflix spent $99.2 million on U.S. TV ads during 2018, with about 13% going to Disney-owned networks, according to estimates made by the ad-measurement firm iSpot.TV. But with Disney’s new streaming service Disney+ launching next month, the Mouse has ramped up its competitive edge to gain any traction it can against its newest, biggest rival. Notably, the ban only applies to Disney’s entertainment networks, not Disney-owned ESPN.
Back in August, Disney announced that it had banned ads from any of its streaming rivals but then walked that back, citing complex, mutually beneficial business relationships with partners who are also competitors such as Apple and Amazon.
Electrek also found references in the Tesla Android app’s code to a currently unavailable “Patsy Mode” (named after Arthur’s sidekick in Holy Grail) that could play the coconuts when you summon your car from Auto Park. Things are about to get very silly in your EV, then, whether or not you’re actually moving.
(8) TAYLOR OBIT. Comedian Rip Taylor, a staple of daytime
TV back in the day, died
October 6 at the age of 84. SYFY Wire reminded readers about his
…Aside from his career as a shtick-happy comic, he had a number of noteworthy genre roles, particularly in animation, where his unique vocal delivery got to breathe real life into his cartoon counterparts. His first major role animated role was in 1979’s Scooby Goes to Hollywood in 1979. Years later, he’d appear in two more Scooby-Doo projects, What’s New, Scooby-Doo in 2002 and Scooby-Doo and the Monster of Mexico in 2003. He also voiced the genie in 1990’s DuckTales the Movie.
Additionally, he had roles in Popeye and Son, The Snorks, and The Jetsons. Later, he had a recurring role as Uncle Fester in the early 1990s animated series The Addams Family. More recently, he was the voice of the Royal Recordkeeper in the Disney short film series The Emperor’s New School, and he played another genie in the superhero family series The Aquabats! Super Show! His last role was in the 2012 horror flick Silent But Deadly.
(9) TODAY IN HISTORY.
October 7, 1959 — First photos taken of the far side of the Moon, by Luna 3.
October 7, 1988 — The War of the Worlds series premiered. Starring Jared Martin and Lynda Mason Green, it would last for two seasons. Andria Paul of Highlander fame would join the cast in season two.
October 7, 1988 — Alien Nation debuted as a film. Written by Rockne S. O’Bannon, it starred James Caan and Mandy Patinkin. It received a nomination for Best Dramatic Presentation in the Hugo Awards losing out at Noreascon 3 to Who Framed Roger Rabbit?. Both the movie and the series rate a 43% at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 7, 1926 — Ken Krueger. Krueger co-founded and organized the first San Diego Comic-Con International convention, then called “San Diego’s Golden State Comic-Con,” in 1970. He attended the first Worldcon in 1939. I’ll leave it up to y’all to discuss his activities as a fan and as a pro as they won’t fit here! (Died 2009.)
Born October 7, 1942 — Lee Gold, 77. She’s a member of LAFA and a writer and editor in the role-playing game and filk music communities. She published Xenofilkia, a bi-monthly compilation of filk songs which has been published since 1988, four issues of the Filker Up anthology; and has published for forty-four years, Alarums and Excursions, a monthly gaming zine. She’s edited more fanzines than I care to list here, and is a member of the Filk Hall of Fame along with Barry Gold, her husband.
Born October 7, 1946 — Chris Foss, 73. UK Illustrator known for the Seventies UK paperback covers for Asimov’s Foundation trilogy and E. E. “Doc” Smith’s Lensman and Skylark series among many that he did. He also did design work for the Jodorowsky version of Dune.Alien has his Spaceship design, and he did redesign of Gordon’s rocket cycle for the 1980 Flash Gordon film.
Born October 7, 1950 — Howard Chaykin, 69. Comic book artist and writer. His first major work was for DC Comics, drawing The Price of Pain” which was an adaptation of author Fritz Leiber’s characters Fafhrd and the Gray Mouser in Sword of Sorcery #1. He would illustrate damn near everything else from Batman and The Legion of Super-Heroes for DC to Hulk and Iron-Man for Marvel (to name but two series) but I think his best genre work was his own American Flagg! series.
Born October 7, 1958 — Rosalyn Landor, 61. She played Guinevere in Arthur the King, and Helen Stoner in “The Speckled Band” of Jeremy Brett’s Sherlock Holmes. She was the red headed colleen Brenna Odell in the “Up the Long Ladder” episode of Next Generation.
Born October 7, 1959 — Steven Erikson, 60. He’s definitely most known for his Malazan Book of the Fallen series, which began with the publication of Gardens of the Moon and was completed with the publication of The Crippled God, ten novels later. Though I’ve not read it, and didn’t know it existed, he’s written the Willful Child trilogy, a spoof on Star Trek and other tropes common in the genre.
Born October 7, 1963 — Tammy Klein, 56. She’s getting Birthday Honors because of the most-likely-unauthorised Trek audioseries she’s involved in called Star Trek: Henglaar, M.D. in which she’s Subcommander Nonia but she also been in some definitely really pulpy works such as Lizard Man, Jurassic City, Awaken the Dead and Zoombies.
Born October 7, 1970 — Nicole Ari Parker, 49. She’s getting a Birthday Honor because she was Vanessa Anders in Time After Time, a short lived series (twelve episodes aired in 2017) based off the H.G. Wells novel of that name. Freddie Stroma played Wells. Anyone see it? Oh, and she had a recurring role in the Revolution series as Justine Allenford.
Born October 7, 1979 — Aaron Ashmore, 40. He‘s known for being Jimmy Olsen on Smallville and Steve Jinks on Warehouse 13. He also is Johnny Jaqobis on Killjoys. He also had a recurring role as Dylan Masters in XIII: The Series which I think is SFF.
(11) COMICS SECTION.
Lio intercepts a message from outer space. It sounds pretty familiar…
My concern isn’t so much that social media makes new bad things. Humans have always been intellectually and morally fallible. My concern is that it exacerbates our weaknesses in a deeply unhealthy way.
Cognitive Biases and Logical Fallacies
Social media exacerbates our cognitive biases and tendencies toward fallacious reasoning. “Fake news” and conspiracy theories are shared more quickly and are believed more widely. Social media successfully exploits cognitive biases like availability heuristic and confirmation bias. Social media echo chambers make us think our views are more popular or more correct than they actually are.
Logical fallacies like Ad Hominem, Tu Quoque, Strawman, Red Herring, Appeal to Popularity, Appeal to Authority, and No True Scotsman frequently pass for good arguments. And social media algorithms and click bait headlines deliberately exploit all of this to keep us clicking, liking, and sharing too quickly, long before we have time to digest or examine anything philosophically. (Indeed, I suspect philosophical thinking is too slow for social media, although a lucky few on philosophy Twitter may be exceptions.)…
(13) SHORTSFF AT ANGRY ROBOT. Tomorrow Angry Robot releases its “first foray
into short-form fiction” Duchamp Versus Einstein, by Christopher Hinz and Etan Ilfeld,
something we reported
this last week. But we’ve subsequently learned the interesting fact that
co-author Etan Ilfeld is also the owner
of Watkins Media, of which Angry Robot has been part since 2014. Does that
change how likely it is there will be more short sff forthcoming?
Governments in the UK, US and Australia have asked Facebook, in an open letter, to roll back plans to bring end-to-end encryption to all of its platforms.
Facebook, rocked by privacy scandals, responds that everyone has the right to a private conversation.
It is the latest in an age-old battle between privacy and safety, which has played out between governments and tech firms ever since digital communication became mass market.
What is end-to-end encryption?
As the name suggests, this is a secure way of sending information so that only the intended receiver can read it.
The information is encrypted while it is still on the sender’s device and is only decrypted when it reaches the person intended. Nobody, not even the platform owner, has the keys to unlock it.
Is there evidence encryption has hampered police enquiries?
When the BBC asked the Home Office to provide examples, it could not do so.
The real issue is the fact that Facebook will no longer be able to police its own content, it said.
It pointed to the fact that last year Facebook sent 12 million reports of child exploitation or abuse to the US’s National Center for Missing and Exploited Children, and it would no longer be able to do this if it had encryption on all its platforms.
It is something that Facebook chief Mark Zuckerberg addressed directly in a Q&A with staff about the issue.
“When we decided to go to end-to-end encryption across the different apps, this is one of the things that just weighed the most heavily on me,” he said.
…Rose did a bit of soul searching when CW called. Shooting a network TV season often means filming almost year round, leaving a limited window for Rose to make movies. She would have to move from Los Angeles to Vancouver, where most of the CW’s DC shows film.
But ultimately, Rose answered the bat-signal call — the role was too emotionally appealing to pass up. She tried to think of any upcoming role she’d been offered that could make her feel the same way. There weren’t any.
“[This role is] something that we all wish did exist when we were growing up [watching] television. It would have helped [us] as well as other people feel less alone and less misunderstood or all confused or isolated and different and not unlike many other things that come with being young and gay,” Rose said. She hopes the show will impact people who feel alone — “and empower them to feel like they’re a superhero too and that they can change the world too.”…
(18) VIDEO OF THE DAY. 2001 A Space Odyssey, Epilogue.
Featuring Frank Poole on Vimeo.
Some 203 years after astronaut Frank Poole is murdered by the Discovery’s A.I. HAL 9000, his body encounters a Monolith.
Using practical models and digital versions of the tricks used in the original, with respect to Stanley and Wally.
[Thanks to Cat Eldridge, Martin Morse Wooster, JJ, John King
Tarpinian, Chip Hitchcock, Mike Kennedy, and Andrew Porter for some of these
stories. Title credit goes to File 770 contributing editor of the day Cliff.]
Over the last 40 years, technology has advanced by leaps and bounds. But the impetus to create and inspire remains the same. This event contrasted the analog technologies developed for the first STAR WARS released in 1977 with the all-digital toolsets used to create ROGUE ONE released in 2016.
Key contributors from both STAR WARS and ROGUE ONE shared the journey of creating the impossible with their breakthrough visual effects. Our list of stellar participants included: John Dykstra, Dennis Muren, John Knoll, Ben Burtt, Marcia Lucas, Bill George, Harrison Ellenshaw, Bruce Nicholson, Richard Edlund and Rachel Rose. Hosted by Kiri Hart, co-producer of ROGUE ONE.
A recording of the livestreamed video is available today:
I learned from Craig Miller, “Lucasfilm has donated the original Dykstraflex Camera – used to do the miniature photography for Star Wars – to the Academy Museum and the significance of the camera prompted them to put together this event.”
(2) CELEBRATE. FIYAH Literary Magazine is making
headway to fund its staff Hugo
Meetup in Atlanta. Any donation helps.
(3) NEXT YEAR’S HUGOS. Renay has kicked off what some
admirers call 2020
Hugo Spreadsheet of Doom to collect recommendations of works published this
(4) THE FIFTH SEASON AUTHOR ON TV. See video of N.K. Jemisin’s
appearance on the PBS News Hour in connection with her book being a
selection for their #NowReadThis book club.
(5) ANTHOLOGY NEWS. Haka is an anthology of
speculative / science fiction in Filipino by European authors, organized by
Julie Novakova and Jaroslav Olsa Jr. that will include stories from
15 authors of different nationalities.
The publisher, Anvil Publishing, will announce
the launching date soon.
Peter Schattschneider: Brief aud dem Jenseits (Austria)
Ian Watson: Walk of Solace with My Dead Baby (Britain)
Hanuš Seiner: Hexagrammaton (the Czech Rep.)
Richard Ipsen: The Null in the Nought (Denmark)
Johanna Sinisalo: Äänettömät Äänet (Finland)
Aliette de Bodard: Three Cups of Grief, by Starlight (France)
Michalis Manolios: Aethra (Greece)
Péter Lengyel: Napkelet Cím? (Hungary)
Francesco Verso and Francesco Mantovani: iMATE (Italy)
(7) KEENE TELETHON CANCELLED. Brian Keene has announced they will not be holding the
3rd annual The Horror Show with Brian Keene telethon, which was
scheduled to take place at Dark Delicacies in September. One of the hosts is medically not in a
condition to do what needs to be done and the rest of the hosts are unwilling
to proceed without him. Keene explained on Facebook:
It is with profound regret that I have to announce the cancellation of the 3rd annual The Horror Show with Brian Keene telethon, which was scheduled to take place at Dark Delicacies in September.
Listeners to the show know that co-host and engineer Dave Thomas has been experiencing some health problems. I am not going to share the private details of what has been occurring, but while Dave’s condition so far hasn’t greatly impacted his abilities to participate on the weekly program, his doctors this week have strongly advised against doing the telethon, given what is required for it. He can’t travel to California. And doing it here on the East Coast isn’t an option either because — to be blunt — staying awake and energized for 24 hours will kill him….
If Dave’s health fortunes change, I will absolutely reschedule this for early-2020. But as it stands right now, he simply can’t do it, and we simply won’t do it without him.
Anime Milwaukee (AMKE) staff confirmed with Anime News Network that Ryan Kopf, the chief executive officer of the AnimeCon.org convention organization, is banned from future Anime Milwaukee conventions following an incident that took place during the 2018 convention between February 16-18 at the Hyatt Regency Milwaukee hotel. Police were called to the hotel to respond to an alleged sexual assault involving Kopf.
Anime Milwaukee made a statement (full text at the linked post)
As the leadership of Anime Milwaukee, we take safety standards seriously. That is why we, AMKE’s parent non-profit organization (the Entertainment and Culture Promotion Society, Inc.) are choosing to come forward about an incident that happened at our show, and the preventative action we have taken since.
Anime Milwaukee can confirm there was an incident involving Mr. Kopf, a representative of Anime Midwest, at AMKE 2018. In this case, per protocol, Milwaukee PD were called by Hyatt staff. Convention staff also responded to assist the attendee as needed, until we were dismissed by police upon their arrival. Our details are pretty sparse from there, since this became a matter for law enforcement personnel. For our part, Mr. Kopf was immediately banned from Anime Milwaukee for 2018 and all future years. He is not permitted to attend AMKE in any capacity. We were also informed that the Hyatt Regency Milwaukee banned him from their property.
Our convention chair at the time, Corey Wood, acted decisively to ensure Mr. Kopf, all associated events staff, and promotional materials were ejected fully from Anime Milwaukee events space….
ANN asked for Kopf’s side of things:
Anime News Network reached out to Kopf for comment on alleged incidents at Anime Milwaukee 2018 and Anime-zing! 2013. Kopf denied he was removed from the Anime Milwaukee 2018 event or that any incident took place. He also denied anything improper took place at Anime-zing 2013.
“When attending Anime Milwaukee in 2018, I was always in the company of at least one of my staff members. We were not approached by anyone and we were not asked to leave. The precise nature of these allegations remain [sic] unclear to me. I have not done anything improper at either of these events, and I fully intend to pursue holding accountable those who have continued to repeat defamatory statements about me,” Kopf wrote.
NASA has announced that our next destination in the solar system is the unique, richly organic world Titan. Advancing our search for the building blocks of life, the Dragonfly mission will fly multiple sorties to sample and examine sites around Saturn’s icy moon.
Dragonfly will launch in 2026 and arrive in 2034. The rotorcraft will fly to dozens of promising locations on Titan looking for prebiotic chemical processes common on both Titan and Earth. Dragonfly marks the first time NASA will fly a multi-rotor vehicle for science on another planet; it has eight rotors and flies like a large drone. It will take advantage of Titan’s dense atmosphere – four times denser than Earth’s – to become the first vehicle ever to fly its entire science payload to new places for repeatable and targeted access to surface materials.
Titan is an analog to the very early Earth, and can provide clues to how life may have arisen on our planet. During its 2.7-year baseline mission, Dragonfly will explore diverse environments from organic dunes to the floor of an impact crater where liquid water and complex organic materials key to life once existed together for possibly tens of thousands of years. Its instruments will study how far prebiotic chemistry may have progressed. They also will investigate the moon’s atmospheric and surface properties and its subsurface ocean and liquid reservoirs. Additionally, instruments will search for chemical evidence of past or extant life.
… Dragonfly took advantage of 13 years’ worth of Cassini data to choose a calm weather period to land, along with a safe initial landing site and scientifically interesting targets.
The prolific author behind Game of Thrones is also a lifelong movie buff and invited us to interview him at his very own theater, The Jean Cocteau Cinema in Santa Fe, New Mexico. George and Leonard compared notes about starting out as a fan and contributing to fanzines, back in the pre-Internet era. (For more on this, go to www.leonardmaltin.com.) George went on to teach writing and enjoyed success as a novelist before moving to Hollywood, where he spent a decade working in television. Ultimately he returned to his roots as an author, little dreaming that his novels would inspire one of the most elaborate and successful television shows ever produced. George is a great conversationalist and was a gracious host to Leonard and Jessie; you can join them vicariously by listening in. Read more at http://maltinonmovies.libsyn.com/george-rr-martin#rKoWVaWd6LogrJmZ.99
Maltin also wrote a post about his fanpublishing roots: “My
Link to Game of Thrones’ George R.R. Martin: Fanzines”. (Apropos to
our current discussion of gatekeeping, Maltin put out a movie fanzine, and
obviously would be shocked if anyone didn’t consider that a link to young GRRM’s
We had a great conversation for our podcast, Maltin on Movies, which you can find HERE. In doing homework for that chat I discovered that Mr. Martin and I have at least one thing in common, other than growing up in New Jersey: we both got our start writing for fanzines….
It turned out that the school paper had no use for cocky freshmen, so another friend, Barry Gottlieb, and I launched a more ambitious publication we called Profile. It reflected my growing interest in film history and Barry’s love of magic and magicians. Profile was reproduced on a used mimeograph machine, which was given to me by my father’s cousin, who was in the printing business. It lacked an automatic paper feed, so it was truly labor-intensive—and messy, to boot. I still feel like I have black ink under my fingernails from that experience. Barry had artistic skills and graced our covers with lineoleum-block prints. When we felt flush we sprang for wraparound covers featuring photos and posters from a local job-printer. That spruced up our little magazine, which was starting to build a following outside of our schoolmates.
I was 13 years old when Forrest J. Ackerman’s popular newsstand magazine Famous Monsters of Filmland printed a survey of fanzines. That’s how I learned of The 8mm Collector, published by Samuel K. Rubin in Indiana, Pennsylvania and Film Fan Monthly, published by Daryl Davy in Vancouver, B.C. I submitted articles to them both and they were accepted. That’s when I saw my byline in print for the first time in a publication other than my own. Believe me, that was a heady experience. Only after they published my pieces did I tell them that I was 13. Sam Rubin said he didn’t care and Daryl Davy said the same, adding that he was 19 at the time. I became a regular contributor to both magazines.
(11) COWBOY V. ROBOTS. The Autry Museum of the American
West in Los Angeles is running a “Weird West Film Series” and on July 13 will
host a marathon screening of the cowboy star’s serial “The
Phantom Empire (1935)”
Join us for a marathon screening of all 12 chapters of the classic sci-fi Western serial The Phantom Empire! The underground empire of Murania threatens the world with robots, ray-guns, and Thunder Riders—and only Gene Autry, in his first starring role, can save the day! Watch for Griffith Observatory (the super-scientific, highly advanced kingdom of Murania 20,000 feet below Gene Autry’s Radio Ranch). Chapters are screened every half hour and introduced by Karla Buhlman, President of Gene Autry Entertainment. Drop in or stay for the whole show, cliffhangers and all.
For more details on the cast and songs in this film, visit the Official Gene Autry website page for The Phantom Empire.
June 28, 1957 — Beginning of the End premiered. (Think giant grasshoppers)
June 28, 1957 — The Unearthly debuted in theaters.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 28, 1926 — Mel Brooks, 92. Blazing Saddles I’ve watched, oh, at least two dozen times. Get Smart several times at least wholly or in part. Spaceballs, errr, once was enough. And let’s not mention Robin Hood: Men in Tights though The Producers (not genre I grant you) was brilliant. So what do you like or dislike by him?
Born June 28, 1941 — Martin Greenberg. Founder of Gnome Press who’s not to be confused with Martin H Greenberg. Not on Asimov’s list of favorite people despite being the first publisher of the Foundation series. Not paying authors is a bad idea. (Died 2011.)
Born June 28, 1944 — Peggy Rae Sapienza. Anything I could possibly say, Mike has said of this fan of the first order far more eloquently here. (Died 2015.)
Born June 28, 1946 — Robert Asprin. I first encountered him as one of the editors (along with Lynn Abbey) of the Thieves’ World Series for which he wrote the superb “The Price of Doing Business” for the first volume. I’m also fond of The Cold Cash War novel. His Griffen McCandles (Dragons) series is quite excellent. I’m please to say he’s well stocked on both Apple Books and Kindle. (Died 2008.)
Born June 28, 1948 — Kathy Bates, 71. Her performance in Misery based on the King novel was her big Hollywood film. She was soon in Dolores Claiborne, another King-derived film. Other genre roles included Mrs. Green in Dick Tracy, Mrs. Miriam Belmont in Dragonfly, voice of the Sea Hag in Popeye’s Voyage: The Quest for Pappy, voice of Bitsy the Cow in Charlotte’s Web and Secretary of Defense Regina Jackson in The Day the Earth Stood Still , a very loose adaption of the Fifties film of the same name.
Born June 28, 1951 — Lalla Ward, 68. She is known for her role as Romana (or Romanadvoratrelundar in full) on Doctor Who during the time of the Fourth Doctor. She has reprised the character in Dimensions in Time, the webcast version of Shada, and in several Doctor Who Big Finish productions. In addition, she played Ophelia to Derek Jacobi’s Hamlet in the BBC television production. And she was Helga in an early horror film called Vampire Circus.
Born June 28, 1954 — Alice Krige, 65. I think her first genre role was in the full role of Eva Galli and Alma Mobley in Ghost Story. From there, she plays Mary Shelley (née Godwin) in Haunted Summer before going onto being Mary Brady in Stephen King’s Sleepwalkers. Now Star Trek: First Contact in which she first plays the Borg Queen, a role she’ll repeat in the 2001 finale of Star Trek: Voyager, “Endgame”. She’s had a number of other genre roles but I only note that she was Eir in Thor: The Dark World.
Born June 28, 1954 — Deborah Grabien, 65. She makes the Birthday list for her most excellent Haunted Ballads series in which a folk musician and his lover tackle the matter of actual haunted spaces. It leads off with The Weaver and the Factory Maid. You can read the first chapter here. Oh, and she makes truly great dark chocolate fudge.
Born June 28, 1954 — Raffaella De Laurentiis, 65. Yes, she’s related to that De Laurentiis hence she was the producer of the Dune film. She also did Conan the Barbarian and Conan the Destroyer, both starting Arnold Schwarzenegger, and Kull the Conqueror. She also produced all films in the Dragonheart series.
Born June 28, 1957 — Mark Helprin, 72. Author of three works of significance to the genre, Winter’s Tale, A City in Winter which won the World Fantasy Award for Best Novella and The Veil of Snows. The latter two are tastefully illustrated by Chris Van Allsburg. I know Winter’s Tale was turned into a film but color me very disinterested in seeing it.
Born June 28, 1966 — Sara Stewart, 53. Martha Wayne in Batman Begins, she played the Sheriff of Nottingham’s sister, Davina, in “Sister Hood”, the opening episode of Season 2 of Robin Hood, her voice appears in the Dr Who episode “The End of the World”, and a loa possess her in the London Voodoo film.
Born June 28, 1979 — Felicia Day, 40. She was Vi in Buffy the Vampire Slayer, Dr. Holly Marten in Eureka, and had a recurring role as Charles Bradbury on Supernatural. She also appears as Kinga Forrester in Mystery Science Theater 3000.
(14) COMICS SECTION.
The Flying McCoys shows somebody who’ll be surprised that Dracula doesn’t think this is good news.
“‘Star Trek’ has been an important part of my way of thinking about the world, the future, human nature, storytelling and myself since I was ten years old,” said Chabon. “I come to work every day in a state of joy and awe at having been entrusted with the character and the world of Jean-Luc Picard, with this vibrant strand of the rich, intricate and complex tapestry that is ‘Trek.’”
Those of you who’ve spared yourselves of Twitter might have missed the absolute calamity that ensued when Simmons shared this example of advertising run wild. At the time of writing, it had been retweeted tens of thousands of times, received thrice as many faves, generated roughly 5,000 comments, and immediately cemented itself as a meme. It has also raised a lot of questions:
…Kimmel’s earlier novels include “Jar Jar Binks Must Die … and Other Observation about Science Fiction Movies,” and “Time On My Hands: My Misadventures In Time Travel.” He’s the winner of the 2018 Skylark Award, given by the New England Science Fiction Association for lifetime contributions to the genre. It’s a distinction he shares with such notables as Isaac Asimov, Jane Yolen, and Bruce Coville.
…In a recent conversation, Kimmel said his new novel is a mashup of two classic films, “Father of the Bride” (1950, remade in 1991), and “The Bride of Frankenstein” (1935), an irresistible challenge for the 63-year-old who lives in Somerville.
It’s Kimmel’s first work of explicitly Jewish fiction, with memorable characters – including a rabbi – enlivened with Kimmel’s Jewish sensibilities from growing up in Queens, N.Y.
“Father of the Bride of Frankenstein” opens with a prologue from the father-narrator, a bank executive who sets the stage of the wildly imaginative tale of the unlikeliest Jewish wedding about to unfold: the marriage of his darling daughter Samantha, a college philosophy major, to Frank, the charismatic human who, only a few years earlier, was brought to life from tissues taken from a corpse in an (illegal) experiment by scientists (who are now behind bars).
With a witty pen, Kimmel manages to touch on issues of the day, from bioethics to politics and human rights, all wrapped up in hilarious family dynamics bursting with Borscht-Belt humor.
Rue Morgue Magazine’s next release in the Rue Morgue RIPpers line is the father of cosmic horror, H.P. Lovecraft. This 7-inch polyresin figure of Lovecraft is limited to 1500 numbered units. Sculpted with incredible accuracy, the H.P. Lovecraft Rue Morgue RIPper will surely please fans worldwide.
A Melbourne paranormal bookstore has had a lease application denied because of the potential landlord’s “spiritual beliefs.”
The Haunted Bookshop was established in 1997 but will be closing permanently this year. Any hope of remaining open at a new, nearby location seems to have been diminished with the establishment becoming the latest flashpoint to dominate national discourse in the debate around a perceived attack on religious expression.
… In the post, Sinton mentioned that the landlord is “a high-profile member of the Buddhist community” though The Brag is unable to confirm this at the time of publish. The Brag has also reached out to the agent representing the property for comment.
Sir Michael Palin is to serve as the executive producer on five new Radio 4 specials to mark the 50th anniversary of the Monty Python comedy troupe.
The shows, to air in September, will feature “never-before-released material from the Monty Python sound archives”.
The 50th anniversary of Monty Python’s Flying Circus first airing on BBC One will be marked as well by a month-long season at BFI Southbank in London.
The 5 October anniversary will also be marked by a world record attempt.
Organisers are hoping to encourage the largest gathering of people dressed as Gumbys – the spectacle-wearing, knotted handkerchief-sporting imbeciles who became part of Python lore.
[Thanks to Standback, John King Tarpinian, Mike Kennedy, Chip
Hitchcock, JJ, Cat Eldridge, Dann, Michael Toman, Martin Morse Wooster, Carl
Slaughter, and Andrew Porter for some of these stories. Title credit belongs to
File 770 contributing editor of the day Rick Moen.]
(1) CLARKE CENTER. Here are two of the most interesting videos posted by The Arthur C. Clarke Center for Human Imagination in the past several months.
Freeman Dyson and Gregory Benford: Forseeing the Next 35 Years—Where Will We Be in 2054?
35 years after George Orwell wrote the prescient novel 1984, Isaac Asimov looked ahead another 35 years to 2019 to predict the future of nuclear war, computerization, and the utilization of space. The Arthur C. Clarke Center for Human Imagination and the Division of Physical Sciences at UC San Diego were honored to welcome two living luminaries in the fields of physics and futurism—Freeman Dyson and Gregory Benford (Ph.D. ’67)—to peer ahead another 35 years, to 2054, and share their insights into what may be in store for us.
An Evening with Cixin Liu and John Scalzi at the Clarke Center
Cixin Liu, China’s most beloved science fiction writer—and one of the most important voices of the 21st century—joins celebrated American science fiction writer John Scalzi at the Clarke Center to discuss their work and the power of speculative worldbuilding.
If Game of Thrones Oreos are just normal Oreos in a GoT package, hopefully it’s not a sign of things to come. The final season of Game of Thrones is one of the most highly-anticipated seasons of television ever, not just because it’s the final season, but also because it’s slated to reveal details of the sixth book in the series which fans have been waiting for nearly eight years. Expectations are ridiculously high — meaning HBO better deliver something better than the television equivalent of regular Oreos, even if regular Oreos are delicious.
(3) REASONS TO ATTEND THE
NEBULAS. SFWA gives you ten of them. Thread starts here.
(4) APOLOGY. FIYAH Magazine of
Black Speculative Fiction’s Executive
Editors Troy Wiggins and DaVaun Sanders have issued “An Apology” for
publishing two collections of stories from FIYAH
without first obtaining the rights to reprint them.
We messed up.
Earlier in the month, we released two collected volumes of fiction and poetry: our FIYAH Year One collection and our FIYAH Year Two collection. We were very excited to get these collected editions out to the public, and in our haste, we did not secure the rights to collect or republish those stories. By doing this, we have disrespected our authors and their work, and not acted in service to our stated mission of empowering Black writers.
We deeply apologize to our contributors and to our readers for this oversight. Unfortunately, several copies of the collected volumes have already been purchased before we were informed about our mistake. We can’t take those purchased issues back, so here’s what we will do instead:
* We have removed the collected issues from Amazon
* We sent an apology to contributors taking full responsibility for our error
* We are splitting the proceeds from the already purchased copies of the collection among all of our Year One and Year Two contributors.
We know that this doesn’t begin to cover the damage we’ve done to authors, but we will continue to improve our accountability measures and internal processes. We are also going to be seeking legal counsel to help us make sure that our contracts are fair to both us and our contributors.
Again, we are so sorry that this happened. We promise to do much better going forth.
(5) WONDERFUL COPENHAGEN.
Denmark’s Fantasticon 2019 has adopted Afrofuturism as its theme. They’ve got
some great guests. The convention’s publicity poster is shown below:
by Cat Eldridge.]
Born February 25, 1909 — Edgar Pangborn. For the first twenty years of his career, he wrote myriad stories for the pulp magazines, but always under pseudonyms. It wasn’t until the Fifties that he published in his own name in Galaxy Science Fiction and The Magazine of Fantasy & Science Fiction. Ursula Le Guin has credited him with her is was possible to write humanly emotional stories in an SF setting. (Died 1976.)
Born February 25, 1917 — Anthony Burgess. I know I’ve seen and read A Clockwork Orange many, many years ago. I think I even took a University class on it as well. Scary book, weird film. I’ll admit that I’m not familiar with the Enderby series having not encountered them before now. Opinions please. (Died 1993.)
Born February 25, 1964 — Lee Evans, 55. He’s in The History of Mr Polly as Alfred Polly which is based on a 1910 comic novel by H. G. Wells. No, not genre, but sort of adjacent genre as some of you are fondly saying.
Born February 25, 1968 — A. M. Dellamonica, 51. A Canadian writer who has published over forty rather brilliant short since the Eighties. Her first novel, Indigo Springs, came out just a decade ago but she now has five novels published with her latest being The Nature of a Pirate. Her story, “Cooking Creole” can be heard here at Podcastle 562. It was in Mojo: Conjure Stories, edited by Nalo Hopkinson.
Born February 25, 1971 — Sean Astin,48. His genre roles include Samwise Gamgee in Rings trilogy (, Mikey Walsh in The Goonies, and Bob Newby in the second season of Stranger Things. He also shows up in Justice League: War and in Justice League: Throne of Atlantis filmsvoicing both aspects of Shazam, a difficult role to pull off. He prises that role on the Justice League Action series.
Born February 25, 1973 — Anson Mount, 46. He was Black Bolt in Marvel’s Inhumans series. He now has a recurring role as Captain Christopher Pike on the current season of Discovery. I see he was in Visions, a horror film, and has had appearances on Lost, Dollhouse and Smallville.
Born February 25, 1994 — Urvashi Rautela, 25. An Indian film actress and model who appears in Bollywood films. She has a Birthday here because she appears in Porobashinee, the first SF film in Bangladesh. Here’s an archived link to the film’s home page.
Hearing that your husband needs immediate open-heart surgery is terrifying, especially when he’s been healthy his whole life.
When Jennifer Powell heard the sudden news about her husband, Seth Marko, 43, she spun into action. First, she found care for their 3-year-old daughter, Josephine, so she could be at the hospital for her husband’s 10-hour surgery.
Then Powell’s mind went to their “second kid” — the Book Catapult — the small independent bookstore the couple owns and runs in San Diego. Their only employee had the swine flu and would be out for at least a week.
Powell, 40, closed the store to be with her husband in the hospital. She didn’t know for how long….
(8) BATTING AVERAGE. This
bookstore had a little visitor. Thread starts here.
Alternately confused and clearsighted, utopian and nihilistic, Jan and Remo live the archetypal bohemian life in Mexico City, occupying squalid digs and barely getting by. Jan is 17 and more visionary and less practical than Remo, 21. Jan seldom leaves their apartment, preferring to spend his time writing letters to American science-fiction authors: James Tiptree, Jr., Ursula K. Le Guin, Robert Silverberg, Philip Jose Farmer. Remo brings in some paltry cash as a journalist…
…Jan’s passion for pulp is front and center, bringing to mind Kurt Vonnegut’s SF-loving protagonist Eliot Rosewater. Jan’s letters to his sf heroes are basically a plea to be recognized, a demand that this medium–at the time seen, rightly or wrongly, as a quintessentially Anglo domain–open its gates to other cultures, other countries. Jan’s solidarity with his distant American mentors and their visions is al one-way. He adores them, but they do not know he exists, The ache to remedy this unrequited love affair is palpable.
[Joe Sherry]: The point of that is that I look at the game writing category and think “I’ve heard of God of War, didn’t realize Bandersnatch was actually a *game* and have no idea what the three Choice of Games finalists are”. It turns out they are fully text based, 150,000+ word interactive adventures that can be played on browser or your phone. I’ll probably pick up one of them and see how I like it (likely the Kate Heartfied, because her Nebula finalist novella Alice Payne Arrives is bloody fantastic.)
I was surprised to see Bandersnatch a finalist for “game writing”, though. I don’t want to get sued, but I’ve thought of it more akin to the Choose Your Own Adventure books many of us grew up on. Despite the branching path narrative, those were books. Not games. Now, part of why I think of Bandersnatch just as a movie is the medium in which it is presented. Streaming on Netflix equals television or movie in my brain. Branching narrative paths doesn’t change that for me. I haven’t watched Bandersnatch, so I’m staying very high level with what I’m willing to read about it, but I know Abigail Nussbaum has compared Bandersnatch more to a game than a movie and obviously she’s not alone in that opinion if it’s up for the Game Writing Nebula. But much like the Choose Your Own Adventure books, you’re watching the movie and then occasionally making choices. You’re not “playing” the game.
The judge threw out their argument, because it was absurd. It also didn’t even address the “racist bully” defamatory claim they made. It’s sad to watch because anything, I’ve been the victim of racism from the extreme left science fiction establishment. It’s my opinion that this predominantly white group targets me in particular because I’m a minority that won’t toe the line. There’s a lot of psychology to this I’ll have to go into at another time, but a lot of the way the left acts treats minorities like we’re inferior (or, racism as it’s commonly referred to) and we can’t make decisions for ourselves. I oppose this and all forms of racism and it’s a large reason as to why I speak out.
Their entire case appears to be that I’m mean online (which doesn’t impact a convention at all), and therefore should be banned, which has nothing to do with their defamatory statement regarding racism. Our response on that front said there were plenty of extreme leftists who are mean online, they were invited, clearly showing the double standard they enacted against me because of right wing politics. When we reach The Unruh Act appeal process, this will be important.
last line implies he plans to appeal one or more rulings that went against him.
…Jonathan Brazee cleared the posting of the reading list with SFWA beforehand, so there was nothing underhanded at play. It’s a reading list, and members nominated (or didn’t) the works they read and enjoyed.
Indies have been part of SFWA’s membership for several years now, so it’s not surprising that there is now more representation at awards. I’ve interacted with many SFWA members on the forums and at conventions, so I’m not an unknown in writerly circles. Many authors don’t go indie because we couldn’t get a trad deal; we chose to self-publish because of the flexibility and income potential it affords. I am very excited to be an author during this time with so many possibilities.
Thank you for the opportunity to chime in on the discussion! I’m going to go back to writing my next book now :-).
(13) HOW MANY BOOKS A
MONTH. Sharon Lee has some interesting comments about the #CopyPasteCris
kerfuffle on Facebook. The best ones follow this excerpt.
…Unfortunately, said “writer” was not very generous to her ghosts, and. . .well, with one thing and another, said “writer’s” books, in said “writer’s” own words were found to “have plagiarism.”
(I love, love, love this quote. It’s, like, her books caught the flu or some other disease that was Completely Outside of the said “writer’s” ability to foresee or prevent. Also, she apparently doesn’t even read her “own” books.)
Anyhow, the Internet of Authors and the Subinternet of Romance Authors went mildly nuts, as is right and proper, and since none of said “writer’s” books appear to “have plagiarism” from our/my work, I’ve merely been a viewer from the sidelines…
(14) PIRACY. Meanwhile,
Jeremiah Tolbert received some demoralizing news about other shenanigans on
Trevor Noah used Sunday’s Oscars ceremony as a chance to poke fun at people who think Wakanda, the fictional African homeland of Black Panther, is a real place.
While presenting the film’s nomination for Best Picture, the South African comedian said solemnly:
“Growing up as a young boy in Wakanda, I would see T’Challa flying over our village, and he would remind me of a great Xhosa phrase.
“He says: ‘Abelungu abazi ubu ndiyaxoka’, which means: ‘In times like these, we are stronger when we fight together than when we try to fight apart.”
But that’s not what that phrase actually means.
The BBC’s Pumza Fihlani says the true translation into English is: “White people don’t know that I’m lying”. His joke, which was of course lost on the Academy Awards’ audience in Hollywood, tickled Xhosa speakers on social media.
The new documentary, Life After Flash, casts a wide net in terms of looking at the classic character of Flash Gordon, the 1980 big screen rendition, the questions about a sequel, and the life of its star, Sam J. Jones.
When creator Alex Raymond first published Flash Gordon in 1937, his square-jawed hero was a star polo player. For the film, he was the quarterback of the New York Jets. But in every iteration of the character, he was just a man… with a man’s courage.
In this new exclusive clip, the late Stan Lee discusses whether or not Flash Gordon counts as a ‘superhero,’ since he has no traditional superpowers.
Surprising no one in the history of anything ever, there’s an angry contingent of “fans” upset over a Marvel movie with a woman in the leading role coming out. Or, they’re upset that said star of that movie championed and pushed for more diversity in film journalism.
Whatever the reason, these people are throwing a massive online hissy fit, taking to review aggregating site Rotten Tomatoes to make Captain Marvel’s “want to see” rating the lowest in the history of the Marvel Cinematic Universe.
[…] Whatever the cause for the online trolling, one man (a hero, or quite possibly, a reasonable adult) is telling all these upset dudes: Knock it off!
(19) VIDEO OF THE DAY. Kitbull
on Youtube is a Pixar film
by Rosana Sullivan about the friendship between a feral cat and an abused pit
John King Tarpinian, JJ, Nancy Sauer, Gregory Benford, James Davis Nicoll, Martin
Morse Wooster, Chip Hitchcock, Daniel Dern, Cat Eldridge, Mike Kennedy, Carl
Slaughter, and Andrew Porter for some of these stories, Title credit goes to
File 770 contributing editor of the day Kurt Busiek.]
A new year means a new issue from Fiyah Literary Magazine. Which comes with some news. Namely, that co-executive editor Justina Ireland is stepping down and leaving the publication and DaVaun Sanders is stepping up into that role. The issue also steps back from the tradition of centering around a specific theme, though that doesn’t mean that there aren’t a few that sneak in. Namely, a lot of the works look at infection, disease, and affliction. They map the devastation that pandemics create, whether the plagues are medical, magical, or moral. And they find characters who are faced with the sicknesses draining their worlds and have to decide what to do about it. Fight back? Seek a cure? Flee? Or weather the storm as much as possible? It’s an issue full of defiance and strength, though it recognizes that sometimes even that isn’t enough. There’s four short stories, one novelette, and two poems to get to, so let’s dive right into the reviews!
(4) DC IN 2021 WORLDCON BID
NEWS. If the (currently unopposed) bid to hold the 2021 Worldcon in
Washington DC succeeds, here’s who will chair —
The Baltimore-Washington Area Worldcon Association, Inc. (BWAWA) the sponsoring organization of the DC in 2021 Worldcon bid elected Bill Lawhorn and Colette H. Fozard as the co-chairs of the resulting Worldcon should we win site selection. Bill has been very active in local DC fandom for many years, and was recent co-chair of the World Fantasy Convention in 2018 in Baltimore. Colette has been working and running volunteer-run genre conventions for over 20 years, and was most recently one of the Vice Chairs of Worldcon 75 in Helsinki in 2017.
… Alex really likes to explore the practical aspect of magic. They say, for example, that the arsonist’s mark is not very useful. You might get stuck in the military, but even there, it’s not super-useful to throw fireballs. Magic doesn’t get busted out every ten minutes, either. When you’re young, you want to magic up the place. But Alex compares it to how adults typically don’t climb stairs for no reason.
Some forms of magic are inherently unethical. There’s no good way to torture and kill.
Amplification technology can magnify magic power. Suddenly the fireball you can cast becomes huge. They describe the differences between magical marks as creating a caste system. Some marks are worth lots of money. Datamancy, which allows you to instantly correlate and get answers from any database, can get you rich. Even within the group of people who possess the same mark, there is diversity, as in other social groups. There are lots of common, easily recognizable marks. You only get one type of mark, and having no mark (called Arcana dystotia) is vanishingly rare. People are spiritual about their magic, and afraid of losing it….
(6) GAIMAN. Neil Gaiman will be among those honored with the Barnes & Noble Writers for Writers Award at a ceremony on March 7. Poets & Writershas the story:
The Barnes & Noble Writers for Writers Award celebrates authors who have given generously to other writers or to the broader literary community. The award, which is presented each year at Poets & Writers’ annual dinner, is named for Barnes & Noble in appreciation of its long-standing support.
Recipients of the 2019 Barnes & Noble Writers for Writers Award are Reginald Dwayne Betts (for mentoring individuals involved in the criminal and juvenile justice systems and for his efforts to reform these systems); Neil Gaiman (for advocating for freedom of expression worldwide and inspiring countless writers); and Roxana Robinson (for her long-standing, fierce, and outspoken advocacy on behalf of authors).
(7) PRISONER ON RADIO. BBC
Radio 4 is dramatizing for radio the iconic 1960s television mystery series The
Prisoner as a series of audio plays.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat
Born January 8, 1908 – William Hartnell. The very first Doctor who first appeared when Doctor Who firstaired on November 23rd, 1963. He would be the Doctor for three years leaving when a new Showrunner came on. He played The Doctor once more during the tenth anniversary story The Three Doctors (aired 1972–73) which was the last thing he filmed before his death. I scanned through the usual sources but didn’t find any other genre listing for him. Is that correct? (Died 1975.)
Born January 8, 1925 – Steve Holland. Did you know there was a short lived Flash Gordon series, thirty one episodes in 1954 – 1955 to be precise? I didn’t until I discovered the Birthday for the lead in this show today. Except for four minor roles, this was his entire tv career. Biography in “Flash Gordon: Journey to Greatness” would devote an entire show to him and this series. (Died 1997.)
Born January 8, 1941 — Boris Vallejo, 78. Illustrator whose artwork has appeared on myriad genre publications. Subjects of his paintings were gods, hideous monsters, well-muscled male swordsmen and scantily clad females. Early illustrations of Tarzan, Conan the Barbarian and Doc Savage established him as an illustrator.
Born January 8, 1942 – Stephen Hawking. Y’all know who he is, but did you know that Nimoy was responsible for his appearance as a holographic representation of himself in the “Descent” episode? He was also guest starred in Futuruma and had a recurring role on The Big Bang Theory. Just before his death, he was the voice of The Book on the new version of The Hitchhiker’s Guide to the Galaxy radio series. (Died 2018.)
Born January 8, 1947 – David Bowie. First SF role was as Thomas Jerome Newton in The Man Who Fell to Earth. He next shows up in The Hunger, an erotic and kinky film worth seeing. He plays The Shark in Yellowbeard, a film that Monty Python could have produced but didn’t. Next up is the superb Labyrinth where he was Jareth the Goblin King, a role perfect for him. He shows up again in The Hunger later on as The Host. From that role, he went on to being Pontius Pilate in The Last Temptation of Christ, an amazing role by the way. He was in Twin Peaks: Fire Walk with Me as FBI Agent Phillip Jeffries, a role which was his last role when he appeared later in the Twin Peaks series. He also played Nikola Tesla in The Prestige from Christopher Priest’s novel of the same name. (Died 2016.)
Born January 8, 1977 – Amber Benson, 42. Best known for her role as Tara Maclay on Buffy the Vampire Slayer. Her post-BtVS genre credits are scant with a bit of work on Supernatural, a truly shitty Sci-fi Channel film called Gryphon, a web series called The Morganville Vampires and, I kid you not, a film called One-Eyed Monster which is about an adult film crew encountering monsters. She is by the way a rather good writer. She’s written a number of books, some with Christopher Golden such as the Ghosts of Albion series and The Seven Whistlers novel which I read when Subterranean Press sent it to Green Man for review. Her Calliope Reaper-Jones series is quite excellent too.
Born January 8, 1979 — Sarah Polley, 40. H’h what did I first see her in? Ahhhh she was in The Adventures of Baron Munchausen! Let’s see what else she’s done… She’s been in the animated Babar: The Movie, Existenz, No Such Thing (which is based very loosely on Beowulf), Dawn of the Dead, Beowulf & Grendel (well sort of based on the poem but, errr, artistic license was taken) and Mr. Nobody.
‘The lovely woman-child Kaa was mercilessly chained to the cruel post of the warrior-chief Beast, with his barbarian tribe now stacking wood at her nubile feet, when the strong clear voice of the poetic and heroic Handsomas roared, ‘Flick your Bic, crisp that chick, and you’ll feel my steel through your last meal.”
Three new planets and six supernovae outside our solar system have been observed by Nasa’s planet-hunting Tess mission in its first three months.
Since it started surveying the sky in July, the MIT-led Transiting Exoplanet Survey Satellite project has identified Pi Mensae b, a “super-Earth” that travels around its star every six days, and LHS 3844b, a rocky world with an orbit of only 11 hours.
The most recent discovery, an exoplanet named HD 21749b, has the longest orbital period at 36 days. It orbits a bright, nearby dwarf star about 53 light years away in the Reticulum constellation, and is thought to have a surface temperature of about 1,650C (3,000F). This is relatively cool considering its proximity to its star.
(11) ICONIC LITTLE LIBRARY.
The Bookshelf blog has a photo of a
Little Library”. Click to see.
…The genius of Seanan McGuire is how tightly she is able to wrap barbed spikes around the narrative so that as the reader is pulled in closer and closer that those barbs pierce our hearts and we don’t mind one bit. McGuire so perfectly captures the painful alienation of children….
(13) SOCIETY OF
ILLUSTRATORS MOCCA ARTS FESTIVAL. The featured artists for this year’s
MoCCA Arts Festival have produced a keynote artwork for the event:
Peter and Maria Hoey are brother and sister artists. Their illustrations appear in newspapers and magazines, commercials, and advertising worldwide. Since 2007 they have independently published their comics under the name COIN-OP. The first hardcover collection of their work: Coin-Op Comics Anthology 1997-2017, published by Top Shelf Productions / IDW Publishing, is out now. Their early comics appeared in many issues of the legendary BLAB! Magazine. They are currently hard at work on their first full length graphic novel. Peter and Maria Hoey are represented by Rapp | Art.
The Hoeys will be attending the Fest as Featured Artists. Further scheduling information about their attendance will be available in future announcements. The MoCCA Arts Festival will take place April 6 – 7th, 2019 from 11AM – 7PM on Saturday and 11AM – 6PM on Sunday. Mere steps from the Hudson River Greenway and the Intrepid Sea, Air and Space Museum, MoCCA’s host venue, Metropolitan West, will encompass two floors of exhibitor tables, demo lounges, a gallery of original art showcasing the work of special guests, and a café providing beverages, snacks, and entrées. To learn more about this year’s MoCCA Arts Festival click here.
The MoCCA Arts Festival is a 2-day multimedia event, Manhattan’s largest independent comics, cartoon and animation festival, drawing over 7,000 attendees each year. With 400 exhibiting artists displaying their work, award-winning honorees speaking about their careers and artistic processes and other featured artists conducting workshops, lectures and film screenings, our Festival mission accelerates the advancement of the Society’s broader mission to serve as Manhattan’s singular cultural institution promoting all genres of illustration through exhibitions, programs and art education.
The 2019 MoCCA Arts Festival will take place April 6-7th, 2019 at Metropolitan West in New York City with programming mere steps away at Ink48 (653 11th Ave). Applications to exhibit at the Fest will be available during the month of December.
If you store grains in your pantry, you’ve probably had the unfortunate experience of opening a package or jar to find tiny bugs living inside.
You’re not alone — there are more than 200 species of these pesky grain insects ruining dinner plans around the world on a daily basis. It’s no accident that they’ve made a home in your pantry — they’ve evolved along with humans. In a way, they contain a fascinating natural history of our own domestication.
This is particularly true of the granary weevil. A reddish-brown beetle that turns up in oats, rice, corn, dry pasta and more, it’s the only grain insect that has never been found outside of human food-storage situations.
Most grain insects are equal opportunity pests — feasting on animals’ food supplies in addition to our own. But the granary weevil has outplayed the others with a special adaptation that at first appears to be a disadvantage: It can’t fly. Its wings have fused together, encasing it in a solid exoskeleton. (Imagine getting knocked around by grains the size of your own body — you’d definitely want a protective suit like the granary weevils’.) But that also makes it hard to get anywhere outside its pile of grain.
Hyundai has shown off a small model of a car it says can activate robotic legs to walk at 3mph (5km/h) over rough terrain.
Also able to climb a 5ft (1.5m) wall and jump a 5ft gap, the Hyundai Elevate could be useful for emergency rescues following natural disasters, it said.
It was part of a project exploring “beyond the range of wheels”, it added.
The concept has been in development for three years and was unveiled at the CES technology fair in Las Vegas.
“When a tsunami or earthquake hits, current rescue vehicles can only deliver first responders to the edge of the debris field. They have to go the rest of the way by foot,” said Hyundai vice-president John Suh.
“Elevate can drive to the scene and climb right over flood debris or crumbled concrete.”
[Thanks to Mark Hepworth, JJ, John King Tarpinian, Juliette Wade, SF Concatenation’s Jonathan Cowie, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Michael J. Walsh, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Joe H.]
(1) A STORY OF REVOLUTION. Luke the Son of Anakin (Star Wars + Hamilton Parody) is from 2016 but managed to elude me until today. Turn on closed captioning to see the text of the lyrics.
(2) MODEL TARDIS. “Maladroit Modeller” has built a “working” Tardis — that is, it is truly bigger on the inside than on the outside, and he’s provided video proof.
Bill sent the link with a request, “Viewers may be strongly tempted to go searching to figure out how this works. They may be successful. But I’d hope they would keep that information to themselves, rather than post it in the comments and spoiling the mystery.”
(3) THINGS THAT DON’T MAKE SENSE. Naomi Kritzer critiques the worldbuilding involved in setting stories from the world of Harry Potter in America. The thread starts here.
If you're writing the Harry Potter world in the US, you have to be able to answer an absolutely critical question before you even start:
What happened to the muggleborn wizarding children who were born to enslaved women?
The near-simultaneous removal of the only two speculative fiction magazines that exclusively publish Black writers and writers of color does not seem like a coincidental thing. There is ample cause for people in speculative fiction to be on the alert for activity like this. Speculative fiction is a small field—which is why you notice when two magazines suddenly vanish from site like Goodreads—and it’s had serious problems lately with the racist machinations of groups like the Puppies and even individuals who, for example, are just really upset about N.K. Jemisin winning so many Hugos even though they’ve never bothered to read her books.
I originally set out to read a short story a day this year but massively failed in that attempt. That said, I still read more than 130 short stories, novelettes and novellas published between January and the end of June.
That doesn’t mean I haven’t missed some great stories — I’m certain I did. In particular, I read relatively few novellas this go around. I’ll try to make up for that in the coming months and will add any stories I missed to my next listing of the year’s best short fiction, which will be released in December.
A soldier wears a skullcap that stimulates his brain to make him learn skills faster, or reads his thoughts as a way to control a drone. Another is plugged into a Tron-like “active cyber defense system,” in which she mentally teams up with computer systems “to successfully multitask during complex military missions.”
The Pentagon is already researching these seemingly sci-fi concepts. The basics of brain-machine interfaces are being developed—just watch the videos of patients moving prosthetic limbs with their minds. The Defense Department is examining newly scientific tools, like genetic engineering, brain chemistry, and shrinking robotics, for even more dramatic enhancements.
But the real trick may not be granting superpowers, but rather making sure those effects are temporary.
Who would’ve thought that the most sophisticated cat toy imaginable would also be the one that happens to trigger a cat’s most ruthless and disturbing behavior?
That’s what you get from Mousr, a super-smart cat toy from Petronics that has a time-of-flight sensor, a real-time operating system in a custom-built microcontroller, and A.I. programming all working on concert to convince your cat that it’s a mouse and not a tiny robot. Mousr can map its surroundings — and it even initiates a struggle protocol when it feels trapped by its predator. My cats absolutely love the struggle part.…
“A lot of automatic or autonomous toys eventually just make cats bored by doing the same exact thing over and over again,” Cohen said. “But Mousr — and real mice — will react to a cat.” Unlike many comparable devices that simply simulate a motion on repeat, Mousr uses onboard artificial intelligence to navigate the physical space around it.
(8) TODAY IN HISTORY
September 25, 1924 — In in Russia, Aelita: Queen Of Mars had its theatrical premiere.
(9) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
Born September 25, 1919 – Betty Ballantine. Editor who with husband created Bantam Books in 1945 and were responsible for Ballantine Books in 1952. They became freelance publishers in the 1970s. She wrote a novel that was genre, The Secret Oceans. The Ballantines won a special World Fantasy Award for professional work in 1975 and another one shared with Joy Chant and other creators of The High Kings (Bantam, 1983), a reference book on the Matter of Britain that incorporates stories of the Arthurian myths.
Born September 25, 1930 – Shel Silverstein. Cheerfully admitting he’s not genre but I want to include him anyways. Film, theater, song, illustration, writing — he was a bloody genius. For books, I’ll single out The Giving Tree, Where The Sidewalk Ends and A Light in The Attic. Oh for albums, let’s do Hairy Jazz, Freakin’ at the Freakers Ball and The Best of Shel Silverstein: His Words His Songs His Friends.
(11) MAKING IT UP AS YOU GO ALONG. In “The Big Idea: Ryan North” at Whatever, North explains why his fictional world needs a book titled How To Invent Everything:
I made up a future in which time travel existed and was practiced routinely. It was a world in which time machines are rented like cars: generally painlessly, though sometimes with the risk that your too-good-to-be-true deal of a vehicle breaks down. It was a way to ease myself (and readers) into the concept, and it helped me set up some ground rules: you, as a reader, are a temporal tourist. You are trapped in the past in a broken rental-market time machine. There is a repair guide, but it very quickly reveals a unfortunate truth: that time machines are for sure the most complicated pieces of machinery humans have ever produced, and that there aren’t any user-serviceable parts inside. Time machines are so complicated, in fact, that it’s actually easier to tell you how to rebuild all of civilization than it is to explain how a 45.3EHz chrotonic flux inverter works. So that’s what this time machine repair guide does.
Extraordinarily rare Bible lunar-landed upon the moon aboard Apollo 14, one of only a handful of such Bibles to have graced the surface of the moon, flight-certified by both Apollo 14 astronaut Edgar Mitchell and the Director of the Apollo Prayer League Reverend John Stout.
Complete King James microform Bible, Serial Number 14-026, originates from the Apollo Prayer League, formed with the dual goals of praying for the astronauts, and also of sending a Bible to the moon in the memory of Edward White, the astronaut who died in the Apollo 1 fire before he could fulfill his dream of bringing a Bible to the moon.
Rare first edition, second printing set of J.R.R. Tolkien’s ”Lord of the Rings” trilogy. London: George Allen & Unwin Ltd., 1954 & 1955. All three books are well-preserved, in their original dust jackets and with maps present. ”The Fellowship of the Ring” is a first edition, second printing (London: George Allen & Unwin, 1954) with map attached to rear flyleaf. Publisher’s red cloth with gilt spine titles.
Still, even Bradbury could not fully disguise or dismiss his own political and cultural view of the world. When asked what the truth was that emerged from Fahrenheit 451, he admitted he wrote it in response to “Hitler and Stalin and China, where they burned God knows how many books, killed God knows how many teachers.” Add to this, he feared, the disaster of Joseph McCarthy in the early 1950s, and free thought and free expression would collapse in America. Siding with Alexis de Tocqueville, Bradbury feared that true oppression in the United States would be a soft despotism, with the culture being run by progressive busy bodies, moralizing and oppressing with a myriad of rules and acceptable attitudes. Fahrenheit 451, thus, anticipated political correctness almost three full decades before it became a deadly and nascent issue in the late 1980s.
Starting this semester, the Colorado School of Mines is offering the world’s first degree programs in Space Resources — essentially mining in outer space.
It’s not just academic institutions like the School of Mines taking note; a small but growing number of startups expect this to be very big business sooner than a lot of us might think.
If people ever want to land on Mars, or explore beyond it, it’s too expensive to rocket everything these missions will ever need from Earth. You need interplanetary gas stations on the moon or on asteroids, extracting raw materials to fuel future deep space missions.
Even spelling the word, evolution, can be tricky when you’re seven, but Sophia tells me confidently that evolution “basically means engineering”.
And Jack says that sharks are lighter underneath so that “when the sun is on the sea, you can’t really see the sharks”.
He’s talking about the fact that sharks have evolved a form of camouflage that helps them sneak up on their prey.
At the opening of the new Milner Centre for Evolution at the University of Bath, school children are learning about evolution through the help of cuddly sharks of all shapes and sizes, fruit flies and even a tame owl.
(17) MIND UNDER MATTER. Rose Eveleth, in an episode of her podcast Fast Forward called “Fungus Among Us”, interviews sf authors David Walton and Tade Thompson in an episode discussing possible futures where people’s brains are taken over by fungi. Also in this episode: zombie ants!
How much of what you do is actually your choice? What if you were secretly being controlled by a parasite that had infected your brain? What if that infection was spreading?
What may surprise many who aren’t terribly familiar with anime is the wealth of LGBTQ+ focused series out there. Sure, many series have gratuitous fanservice and crossdressing is a recurring trope across the board, but there are earnest stories out there with a strong, if not singular, focus on LGBTQ+ characters.
To get started you need to know your terminology. Shounen-ai is boys love, while shoujo-ai is girls love. Yaoi is explicit boys love, so you’re going to get some sexy times on screen. Likewise, yuri is explicit girls love.
Now that you’ve got that down pat, here is our list of LGBTQ+ anime to watch!
(19) VIDEO OF THE DAY. In Chapter 17: The Grid Man’s Universal Translator on Vimeo, Stan Schwartz offers a story of identical twins with unusual powers and a universal translator with supernatural results. [Note: Vimeo has this video set so it can’t be embedded here.]
[Thanks to Bill, John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morese Wooster, Carl Slaughter, Daniel Dern, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
The discussion surfaced the Goodreads Librarian who deleted Anathema and some issues of FIYAH. A couple of excerpts (note, unfortunately I can’t make WordPress display only the selected tweet, so these come in pairs) —
Responses by Goodreads participants have focused on (1) Goodreads has a policy against listing publications which lack ASIN/ISBN numbers, and (2) denying that the enforcement could be anything besides business as usual, let alone an individual or institutional expression of racism.
An important element of the controversy has been that Goodreads deleted these particular spec fic magazines while leaving intact the listings for many others. Neil Clarke of Clarkesworld, in a twitter thread that can be reached via Carrie Cuinn, describes his own encounters with Goodreads librarians, what rules were invoked then, and how decisions were made. Some of his tweets say —
By the way, they also appear to take ASIN. They load data from Amazon, so that's likely how most of the magazines mentioned were added.
That's the true comparative then. Now the question is whether or not they'll strike that too or restore what they've deleted. Always thought it weird that this "rule" was not programmed into their system. Suggests it's not as much of a rule as some say.
Never really understood their hangup on this issue though. Specifically odd when you see they allow "short stories published online" and then disallow "Short stories only published in an anthology or magazine."
Did some more digging. Found a recent thread about issues of another magazine and Clarkesworld came up. Since we have the print edition with ISBN, issues survived, but some of the editions linked to those issues went away. pic.twitter.com/A0RuTAPQrz
Short thread. So listen. I added the first couple issues of @fiyahlitmag to @goodreads myself, because it's a great and important publication and I wanted everyone who follows my reviews to see it, and it wasn't there when I went to add it to my currently reading list.
This is why no one is ever going to convince me that the removal of @fiyahlitmag from @goodreads wasn't an act of malicious, targeted racism, committed with the intent to silence a black publication and exclude them from mainstream structures commonly used to market their work.
Escape Artists says they will be taking down Mothership Zeta’s Goodreads listing in protest:
The selective enforcement action of @goodreads appears racially motivated and we won't be a part of it. We're taking down all @EditorZeta volumes until @fiyahlitmag is reinstated and receives a public apology.
FIYAH Magazine of Black Speculative Fiction is a quarterly literary magazine.
An attempt to discuss the decision in the Goodreads Librarians Group was answered with “a literary magazine is not a series by GR standards,” which apparently is Goodreads’ policy. However, that did not explain why FIYAH’s Series entry was singled out for enforcement while entries for many other genre magazine Series remain undisturbed. Put pretty much any spec fic magazine in the search bar, and they’re all on Goodreads: Clarkesworld, Lightspeed, Nightmare, Asimov’s, Analog, F&SF, Uncanny, Apex, Beneath Ceaseless Skies, Strange Horizons, Fireside Magazine, Shimmer, Interzone, Forever Magazine, even all four issues of the new Pulphouse and the single issue of the new Amazing Stories.
When someone raised the challenge in the Goodreads Librarians Group that the decision to delete FIYAH might be motivated by racism, a Librarian Moderator closed the thread to further comments.
The FIYAH Series entry can still be seen via a Google cache file (while that lasts.) Here’s a screencap — click for larger image.
The entire Goodreads Librarians Group comment thread is screencapped in this tweet (click through to see all three pages of images).
Ok @goodreads, this that bullshit. To close a thread because you don’t want to even CONSIDER the possibility of racism at play, or allow any discussion thereof, is in and of itself racist. Y’all need to come correct. pic.twitter.com/JyljwXfcN7
And I have to be honest, I'm pissed. Folks want to tell us the system is fair at every single turn, that we're misinterpreting the data, but this is the kind of shit Black people have to deal with even if they try to do for self.