Compiled by Cat Eldridge: I’ve no idea why three newspaper comic strips were first published on this date. Before you think that can’t be possible, I’ve double-checked and yes, they were. I think it has to do with traditional Christmas holidays at that time in American history, so they’d be launched after those holidays.
January 7, 1929 — The Buck
Rogers in the 25th Century A.D. comic strip premiered. Philip Francis
Nowlan Was the writer for the first decade with Dick Calkins and Russell Keaton
being the artists for the first three years. At its peak in 1934, Buck Rogers
appeared in 287 U.S. newspapers. Like many other popular comic strips of that
day, Buck Rogers was reprinted in Big Little Books in a reformatted
January 7, 1929 — The Tarzan of the Apes
strip was first published. It was drawn by Hal Foster (the first decade
of strips) and Rex Mason (nearly twenty years’ worth) with Don Kraar adapting
Edgar Rice Burroughs story. A full-page Sunday strip began on March
15, 1931, with artwork by Rex Maxon. A dozen artists would draw the strip
including Gil Kane and Mike Grell in its waning years. Russ Manning’s portrayal of Tarzan Is considered by
many to be the definitive one. We’ve included two strips here, one with him as
artist, the first with Hal Foster.
January 7, 1934 — First published on this date, the Flash Gordon comic strip was inspired by the success of, and created rather obviously to compete with, the already established Buck Rogers strip. The story goes that King Features tried to purchase the rights to John Carter of Mars from Burroughs who refused, so King Features then turned to Alex Raymond, one of their staff artists, to create a similar story. The rest is history. Raymond’s strip would run until 1943 with the various artists and strips continuing for decades.
(1) DARK MARK WALKED BACK? Christine Feehan tweeted another
update, saying that she “asked my trademark lawyer to withdraw all of the
current single word applications that have been filed and are causing so much distress.”
The statement, screencapped below, has been greeted with a mix of approval and skepticism
– see comments in the thread which starts here.
(2) MULAN. A second trailer for Disney’s Mulan dropped
When the Emperor of China issues a decree that one man per family must serve in the Imperial Army to defend the country from Northern invaders, Hua Mulan, the eldest daughter of an honored warrior, steps in to take the place of her ailing father. Masquerading as a man, Hua Jun, she is tested every step of the way and must harness her inner-strength and embrace her true potential. It is an epic journey that will transform her into an honored warrior and earn her the respect of a grateful nation…and a proud father.
… The Doctor Who and Broadchurch star is fronting the eight-part drama, which is produced by Slim Film + Television.
Following an outrageous bet, Fogg and his valet, Passepartout, played by rising French actor Ibrahim Koma, take on the legendary journey of circumnavigating the globe in just 80 days, swiftly joined by aspiring journalist Abigail Fix, played by The Crown’s Leonie Benesch, who seizes the chance to report on this extraordinary story.
Baltimore’s Edgar Allan Poe House & Museum, where the famed 19th-century author and literary critic lived during the 1830s, has been named a Literary Landmark by United for Libraries, a nationwide advocacy group and division of the American Library Association.
The Poe House will be Maryland’s first Literary Landmark, but not the first involving Poe. Philadelphia’s Edgar Allan Poe House, one of several places the author called home while living in Philly, was added to the list in 1988. And a stuffed Grip, Charles Dickens’ pet raven and the inspiration (so many believe) for Poe’s poem (the one Baltimore named its NFL team after), resides in the Rare Books Department of the Free Library of Philadelphia. It was named to the list in 1999.
The national registry of Literary Landmarks, begun in 1986, singles out sites and objects with special literary significance….
(5) EREWHON LIT SALON. Carlos
Hernandez and C.S.E. Cooney will be the readers at the Erewhon Literary Salon
on December 12. The event takes place in the
office of Erewhon Books in the Flatiron/NoMad district of Manhattan. For
full information and policies, and to
RSVP, click here. Event address
and information will be emailed to those who have RSVPed a few days before the
CARLOS HERNANDEZ is the author of over 40 SFF short stories, poems, and works of drama. His critically acclaimed short story collection The Assimilated Cuban’s Guide to Quantum Santeria came out in 2016 from Rosarium, and his middle-grade novel Sal and Gabi Break the Universe was published by Disney Hyperion in 2019. Carlos is a CUNY professor of English and a game designer and enthusiast. Look for Sal and Gabi Fix the Universe in May 5, 2020.
C.S.E. COONEY is an audiobook narrator, the singer/songwriter Brimstone Rhine, and author of World Fantasy Award-winning Bone Swans: Stories. Her work includes the Tor novella Desdemona and the Deep, three albums: Alecto! Alecto!, The Headless Bride, and Corbeau Blanc, Corbeau Noir, and a poetry collection: How to Flirt in Faerieland and Other Wild Rhymes, which features her Rhysling Award-winning “The Sea King’s Second Bride.” Her short fiction can be found in Ellen Datlow’s Mad Hatters and March Hares: All-New Stories from the World of Lewis Carroll’s Alice in Wonderland, the Sword and Sonnet anthology, Rich Horton’s Year’s Best Science Fiction and Fantasy, Jonathan Strahan’s The Best Science Fiction and Fantasy of the Year, and elsewhere.
…There are more tricks available, but every solution boils down to three things: make sense, make it matter, and make it clear.
“Make sense” means that whatever you do needs to feel true. The disruption to the available speculative elements needs to be either baked into the world, or clearly explained, so that it doesn’t feel like the exception is just there to allow the story to be told (even though that’s totally why you did it)…
(7) RETRO LANDS IN
HOUSTON. The late Fritz Leiber won a Retro Hugo at Dublin 2019 –
it’s now safely ensiled at the University of Houston Libraries:
(8) WEINER OBIT. Canadian sff writer Andrew Weiner, whose
first published story was “Empire of the Sun” in Again, Dangerous Visions (1972),
died December 3. The family obituary is here.
He wrote three novels, Station Gehenna (1987), Getting Near the End (2000),
Among the Missing (2002), and many shorter
works. The first of his several short story collections was Distant Signals
and Other Stories (1990)
of Science Fiction’s John Clute says, ” Craftsmanlike,
witty and quietly substantial, Weiner never gained a reputation befitting his
(9) TODAY IN HISTORY.
December 5, 1954 – The Shadow radio show aired “Murder by Proxy”. Starring Bret Morrison as The Shadow (Lamont Cranston) Gertrude Warner as Margot Lane. The script was by Judith Bublick and David Bublick, who contributed many scripts during the last two years it was on the air. (This “Murder by Proxy” is not the same script as an earlier show of the same name.)
December 5, 1956 — Man Beast premiered. It was directed and produced by Jerry Warren. It starred Rock Madison and Asa Maynor. The film was distributed in the States as a double feature with Prehistoric Women. Critics generally intensely disliked, and it has no ratings at Rotten Tomatoes.
December 5, 1980 — Flash Gordon premiered. Directed by Mike Hodges and produced by Dino De Laurentiis of Dune fame, it starred Sam Jones, Max von Sydow and Melody Anderson. Most critics sort of liked it although Clute at ESF definitely did not. It holds an 80% rating among viewers at Rotten Tomatoes and it did exceedingly well at the Box Office.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 5, 1890 — Fritz Lang. Metropolis of course, but also Woman in the Moon (German Frau im Mond) considered to be one of the first “serious” SF films. (Died 1976.)
Born December 5, 1901 — Walt Disney . With Ub Iwerks, he developed the character Mickey Mouse in 1928; he also provided the voice for his creation in the early years. During Disney’s lifetime his studio produced features such as Snow White and the Seven Dwarfs (1937), Pinocchio, Fantasia (both 1940), Dumbo (1941), and Bambi (1942), Cinderella (1950) and Mary Poppins (1964), the latter of which received five Academy Awards. In 1955 he opened Disneyland. In the Fifties he also launched television programs, such as Walt Disney’s Disneyland and The Mickey Mouse Club. In 1965, he began development of another theme park, Disney World, and the “Experimental Prototype Community of Tomorrow” (EPCOT). (Died 1966.)
Born December 5, 1921 — Alvy Moore. He shows up first in a genre role uncredited as Zippy in The War of the Worlds. (He was also uncredited in The Girls of Pleasure Island that same year.) He’s again uncredited, as a scientist this time, in The Invisible Boy (aka S.O.S Spaceship) and The Gnome-Mobile saw his continue that streak as a Gas Mechanic. The Brotherhood of Satan saw him get a credit role as did The Witchmaker, both all budget horror films. He’s listed as having co-written and produced, along with LQ Jones, A Boy and His Dog, the Ellison originated film. (Died 1997.)
Born December 5, 1936 — James Lee Burke, 83. This is one of the listings by ISFDB that has me going “Eh?” as to it being genre. The Dave Robicheaux series has no SFF elements in it and despite the title, In the Electric Mist with Confederate Dead, neither does that novel. The character makes it clear that it’s likely he’s hallucinating. Great novel.
Born December 5, 1943 — Roger Robinson, 76. Owner of Beccon publications, a British small-press publisher specializing in SF and filk. He’s looked at filk (On the Filk Road), reviews (Soundings: Reviews 1992-1996 by Gary K Wolfe), fiction (Elizabeth Hand’s Chip Crockett’s Christmas Carol) and Fred Smith’s Once There was a Magazine ~~, a look at Unknown Magazine).
Born December 5, 1951 — Susan Palermo-Piscatello. SF Site in its obit said that she was “was active in fandom in the early 1970s, taking pictures that appeared in The Monster Times and working for the company that brought Japanese monster films, including Battle for the Planets and Time of the Apes to the US. She was among the first bartenders at CBGB and was in the band Cheap Perfume. She had recently returned to fandom after several years of gafiation.” (Died 2011.)
Born December 5, 1954 — Elizabeth R. Wollheim, 65. President, co-Publisher and co-Editor-in-Chief of DAW Books. Winner, along with her co-Publisher and co-Editor-in-Chief Sheila E. Gilbert, of a Hugo Award for Long Form Editing. In the early Nineties, they won two Chesley Awards for best art direction. DAW is, despite being headquartered at Penguin Random House, a small private company, owned exclusively by its publishers.
Born December 5, 1971 — Kali Rocha, 48. She is best remembered for her recurring role on Buffy as Anya’s vengeance demon friend, Halfrek, and as William the Bloody’s love interest, Cecily. She appeared with fellow Buffy alum Emma Caulfield in TiMER. And she’s in Space Station 76 which has remarkably good reviews.
Born December 5, 1973 — Christine Stephen-Daly, 46. Her fate as Lt. Teeg on Farscape literally at the hands of her commanding officer Crais was proof if you still need it that this series wasn’t afraid to push boundaries. She was also Miss Meyers in the two part “Sky” story on The Sarah Jane Adventures.
Born December 5, 1980 — Gabriel Luna, 39. He plays Robbie Reyes who is the Ghost Rider rather perfectly in the Agents of S.H.I.E.L.D. series. Much better I’d say than Nick Cage did in the films. He was also Terminator Rev-9 in Terminator: Dark Fate, and he did voice work for the BlackSite: Area 51 video game.
(11) COMICS SECTION.
Lio finds it impossible to escape the long reach of Disney.
(12) PULLING OUT ALL THE STOPS. In “A
Tube Map of SF&F Genres” Camestros Felapton has designed an irresistibly
amusing representation of the field.
As with any London Tube style map, distance on the map has no connection with distance in reality. Position is about how to make everything fit. I feel like it needs more stops on the big pink Fantasy circle line. Green stops allow you to change services to mainstream rail lines. Purple stops allow you to change to the horror tram services.
There is a foot tunnel between Cyber Punk and Steam Punk.
(13) A CHRISTMAS SUGGESTION. [Item by SF Concatenation’s
Jonathan Cowie.] What to get the SF fan who has
nearly everything? SF²; Concatenation has a seasonal suggestion in their
advance-post (ahead of their spring edition) — Joel
Levy’s latest non-fiction: From Science Fiction to Science Fact: How
writers of the past invented our present, a colorful exploration of the
science fiction visions that came to be technological realities.
has recently been published under two different titles, one for each side of
the Pond. It is published in N. America as Reality Ahead of Schedule: How
Science Fiction Inspires Science Fact.
Packed with full
color illustrations and well researched, it is an ideal gift for fans of all
persuasion (or even a Christmas present to themselves). SF²; Concatenation
From Science Fiction to Science Fact may not be an encyclopaedic work, but there is sufficient here (and it is structured to be navigable) that those who personally like to study SF, as opposed to simply consuming it, will find this quite useful as a reference work of pointers. It will also be a welcome addition to any SF aficionado’s bookshelf if not coffee table. Here, the production values are high.
(14) IT’S A BEAUTIFUL DAY IN THE CW. [Item by Daniel
Dern.] Why (some of us) love the WB tv series
DC’s Legends of Tomorrow…
…because they do goofy great.
(15) GAHAN WILSON ON NPR. A nice snippet from a 1986 interview with Gahan Wilson from Fresh Air on NPR was replayed December 2 to commemorate Gahan after his recent passing. “The linked webpage has a transcript for those who do not wish to listen to the audio,” says Tom Boswell-Healey. “I think the audio is worthwhile as it contains Gahan’s verbal effects.”
GROSS: When you came to New York with your portfolio of cartoons and tried to sell them to magazines, was it hard to get in initially?
WILSON: Very. Very, yeah because I’m still regarded as sort of far-out in some circles, and at that point, I was really, really far out. And I mean, I was really bizarre. They – what I’d – what had happened to me was this singularly frustrating scene where the editors would say, look at this stuff, and they’d laugh at it hysterically and just think it was marvelous and compliment me on – this is – kid, you’re really great. This is great stuff, kid, but our readers would never understand it. And then they would hand it back to me. And that was my big block, was that they figured that I was beyond the – those jerks out there.
GROSS: Could you maybe describe a couple of those early cartoons?
WILSON: Oh, sure. Let’s see. There’s this fellow, and he’s in a cannibal pot. He’s being cooked. And he has a evil look on his face, and he has a bottle of poison, and he’s pouring the poison, and the water is being cooked in. And that was one. And then let me see – oh, they were – there was one where there’s this little kid, and he’s with his father, and they’re in a snowstorm. And there’s this dead bird on the snowbank with his feet in the air, and the little kid’s pointing at it. And he says look, Daddy – the first robin.
An unprecedented mission to venture close to the sun has revealed a strange region of space filled with rapidly flipping magnetic fields and rogue plasma waves.
These surprises are among just some of the first observations by NASA’s Parker Solar Probe, which blasted off last year to get up-close-and-personal with our nearest star.
Scientists say the findings, described in a series of reports in the journal Nature, could help explain long-standing mysteries — like why the sun’s extended atmosphere is hotter than its surface.
They also could help scientists better understand and predict solar storms that might disrupt vital artificial satellites that orbit our planet.
…From Earth, during a total solar eclipse, it’s easy to see the sun’s corona, an aura of plasma that is the sun’s outer atmosphere. The Parker Solar Probe is designed to plow through the corona with instruments that measure magnetic fields, plasma, and energetic particles.
All of this lets researchers explore the origin of the solar wind, charged particles that continually spew out of the sun.
It turns out that close to the sun, the wind seems to get sped up by powerful, rogue waves that move through the magnetic field, says Kasper.
“We’d see suddenly a spike in flow, where in just a couple seconds the solar wind would start flowing 300,000 miles an hour faster,” he says.
A newly discovered planet offers new insights into the Solar System after the Sun reaches the end of its life in 5-6 billion years.
Astronomers observed a giant planet orbiting a white dwarf, the small, dense objects some stars become once they have exhausted their nuclear fuel.
It’s the first direct evidence planets can survive the cataclysmic process that creates a white dwarf.
Details of the discovery appear in the journal Nature.
The Solar System as we know it won’t be around forever. In about six billion years, the Sun, a medium-size yellow star, will have puffed up to about two hundred times its current size. In this phase, our parent star will be known as a Red Giant.
As it expands, it will swallow and destroy the Earth before collapsing into a small core – the white dwarf.
Researchers discovered a white dwarf that lies 2,000 light-years away had a giant planet thought to be about the size of Neptune (though it could be larger) in orbit around it.
“The white dwarf we’re looking at is about 30,000 Kelvin, or 30,000C. So if we compare the Sun, the Sun is 6,000 – almost five times as hot. This means it’s going to be producing a lot more UV radiation than the Sun,” said Dr Christopher Manser, from the University of Warwick.
Plants vs. Zombies: Battle for Neighborvilleis getting into the spirit with a snowy present-filled makeover of Giddy Park, a social hub where plant and zombie players can mingle and duke it out. Alongside update 1.03, PopCap went ahead and booked Sir Patrick Stewart to recite a festive poem.
[Thanks to Daniel Dern, Mike Kennedy, Martin Morse Wooster, John
King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, SF Concatenation’s Jonathan
Cowie, Tom Boswell- Healey,
and Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Camestros Felapton.]
(1) WHAT YOUNG PEOPLE THINK OF MACLEAN. James Davis Nicoll’s
Young People Read Old SFF returns with the panel’s responses to “Unhuman
Sacrifice” by Katherine MacLean. Mikayla and the other young hands weigh
Katherine MacLean (1925 – 2019) was active as a short story writer mainly in the 1950s (although pieces appeared as late as 1997) and as a novelist mainly in the 1970s. Her Second Game saw her a Hugo finalist in 1959; Missing Man won a Nebula in 1972. Rediscovery offers MacLean’s “Unhuman Sacrifice”, an uplifting tale of a human missionary convinced he knows best for a community of just-contacted aliens. No doubt it can only end well.
The plan for this phase of Young People was to shift to a conversation-based format, using Slack to facilitate discussion. I then sabotaged this by getting sick the week the reviews came in. Ah, well. Next time it will all work swimmingly.
(2) MANY CHEFS. Daniel Brotzel’s SFWA Blog post “Collaboration” includes
this advice for making it work:
…Writing a book with someone else can be a nightmare or it can be pure pleasure. In our case, lots of things fell into place almost by accident, things which I can now see are essential to making a collaboration work. These include:
• a shared passion for the project and the idea • mutual respect for each other’s writing and ideas • a practical way of working that can accommodate everyone’s schedules and constraints • a willingness to set egos aside and make compromises for the good of the project (and the ultimate benefit of the reader) • an attitude that embraces sharing and the ambition to see things through • a good blend of the skills and capabilities that you to get a book off the ground – and beyond
Almost a full year ago we found out that the Animaniacs will be revived on Hulu with Steven Spielberg executive producing. And that was pretty exciting. But the larger question hung in the air: What about the original cast?
Well you can breath easy: They’re all back. Yes, Rob Paulsen, Jess Harnell, Tress MacNeille, and Maurice LaMarche are all returning to the fold. Or the water tower, I guess. It’s a massive relief. It’s not that animated characters can’t be recast, it’s just that these specific actors are, frankly, a pure distillation of so many childhoods that it would be a shame if they weren’t all returning to Animaniacs. Hooray! Everyone likes good news!
…Book clubs also keep loyal readers inspired, including a Book of the Month subscription that includes a signed first edition of the shop’s choosing and an unclassifiable club that includes books that do not fall into the traditional mystery genre. For example, Rob Hart’s “The Warehouse,” which takes place in a near-future dystopian world where a company has become a totalitarian force, would not traditionally be shelved in a bookstore’s mystery section, but has been extremely popular in The Mysterious Bookshop.
Speaking of corporate monopolies, Penzler isn’t fearful of big box competitors.
“We can compete with Amazon because they don’t offer signed books,” he says. “I shouldn’t say that so loudly because they’ll probably do it, but every mystery writer comes to sign at our store. Half of books sold are signed and we don’t charge more for them!”
Long before digital imaging, German philosopher Walter Benjamin opined that reproductions of artworks lacked the “aura” of the original. But what about reproductions of people? To judge by Will Smith’s double act in Gemini Man, the forerunner can be just as lacking as the copy.
Conceived more than 20 years ago as a Tony Scott-directed action flick, Gemini Man eventually fell to Ang Lee, who has recently shown more interest in cinematic technology than storytelling. Once a versatile stylist, the Taiwan-born director of The Life of Pi now seems consumed by advances in CGI. His latest trick, casting Will Smith against a digitally backdated version of himself, can’t save this movie from being bland, sluggish, and sentimental.
…There’s something else that Gemini Man shares with The Da Vinci Code: clunky dialogue. Credited to three writers but reportedly the work of many more, the movie’s script offers a preposterous scenario that might have been finessed by visual and verbal wit. It has little of either….
I was wary approaching Gemini Man, which I saw at 120 frames per second (about four times normal film speed) in 3-D. I got a headache the last time I watched a high-frame-rate feature but I came away from this film a believer. Director Ang Lee is trailblazing new territory, as he did in Billy Lynn’s Halftime Walk, but this time he has a highly enjoyable, action-packed story and a perfect star in Will Smith. The entertainment value is high and cutting-edge technology organically suits the content….
This week’s Full Lid soars above London with the parkour and violence enthusiasts of the Assassins Creed Symphony! Then I’m off to Sheffield to discover my new favorite poem at an event that celebrates science and art and where they mix. This piece genuinely left me speechless and I’ve been riding an endorphin wave from being able to see it all week.
Finally, I take a look at Swedish SF movie Aniara, adapting the epic poem and Horror Christmas reaches The Silence of the Lambs. If you like what you read, please share and subscribe and I’ll see you next week. Happy Friday, everyone!
RUSHDIE: Intimate, but you know, [English is] not my mother tongue. That’s to say. I grew up in a kind of environment in India where everybody’s kind of multilingual because you have to be. But basically the language we spoke at home was mostly not English, mostly Urdu. But I went to what they call an English medium school. So when I went to school, I was being taught in English. So I grew up more or less bilingual. One of the reasons that I never make a spelling mistake is because I had to learn the language. People who just have the language very often can’t spell.
JAMES: Yes, when you said that, I heard my high school teacher in the back of my head going “dot your i’s, cross your t’s, and leave a full stop by the end of every single sentence.”
RUSHDIE: Yes, exactly. We got taught that shit.
JAMES: Yes, but I remember for a long time my biggest struggle with writing in English is, I would put something down, or I’ll speak, and it took me a while to realize I sounded like the butler.
RUSHDIE: Like a butler?
JAMES: Yeah. Like it was a very colonial English.
RUSHDIE: Like Jeeves.
RUSHDIE: I can’t imagine you writing, the books you’ve written, as if you were Jeeves.
JAMES: I’m telling you, I used to use shit like “betwixt.”
(9) LEONOV OBIT. Cosmonaut Alexei Leonov, the first to walk
in space, died
at the age of 85 on October 11. CollectSpace paid tribute:
…Selected alongside Yuri Gagarin among the first 20 Soviet Air Force pilots to train as cosmonauts in 1960, Leonov flew twice into space, logging a total of 7 days and 32 minutes off the planet.
Launched on Voskhod 2, the world’s 17th human spaceflight, on March 18, 1965, Leonov made history as the first person to exit his spacecraft for an extravehicular activity (EVA).
“The Earth is round!” he exclaimed, as he caught his first view of the world. “Stars were to my left, right, above and below me. The light of the sun was very intense and I felt its warmth on the part of my face that was not protected by a filter,” said Leonov in a 2015 interview with the Fédération Aéronautique Internationale (FAI) on the 50th anniversary of his spacewalk.
…What Mr. Leonov did not reveal until many years later was that he and his fellow cosmonaut, Pavel I. Belyayev, who was also an Air Force pilot, were fortunate to have survived.
Mr. Leonov’s specially designed suit had unexpectedly inflated during his walk, and its bulk was preventing him from getting back inside the Voskhod.
“I knew I could not afford to panic, but time was running out,” he recalled in the book “Two Sides of the Moon” (2004), written with the astronaut David Scott, about their experiences in space.
Mr. Leonov slowly deflated the suit by releasing oxygen from it, a procedure that threatened to leave him without life support. But with the reduced bulk, he finally made it inside.
“I was drenched with sweat, my heart racing,” he remembered.
But that, he added “was just the start of dire emergencies which almost cost us our lives.”
The oxygen pressure in the spacecraft rose to a dangerous level, introducing the prospect that a spark in the electrical system could set off a disastrous explosion or fire.
It returned to a tolerable level, but the cosmonauts never figured out the reason for the surge.
When it came time for the return to Earth, the spacecraft’s automatic rocket-firing system did not work, forcing the cosmonauts to conduct imprecise manual maneuvers during the descent that left them in deep snow and freezing temperatures in a remote Russian forest, far from their intended landing point.
SFWA member John A. Pitts died on October 3 from amyoidosis. Pitts began publishing short fiction in 2006 with “There Once Was a Girl from Nantucket (A Fortean Love Story),” co-written with Ken Scholes. He went on to write several short stories on his own and in 2010 began publishing novels under the name J.A. Pitts with Black Blade Blues, the first novel in his series about Sarah Beauhall.
(11) TODAY IN HISTORY.
October 11, 1957 — The Black Scorpion debuted. Starring Richard Denning, Mara Corday and Carlos Rivas, Rotten Tomatoes gave it a 33% rating. Mystery Science Theater 3000, well, see for yourself here what they thought of it.
[Compiled by Cat Eldridge.]
October 11, 1921 — Linda Stirling. Sheila Layton in the 1945 The Purple Monster Strikes serial, also known as D Day on Mars. The sequel to this serial was the 1950 Flying Disc Man from Mars, which simply recycled much of the footage from the original. (Died 1997.)
October 11, 1940 — Caroline John. Liz Shaw, companion to the Third Doctor. Shaw was a brilliant scientist, unusual for a companion. She returned for The Five Doctors. And she would reprise her character in the Big Finish audio works. Later she played the role of Laura Lyons in the BBC adaptation of The Hound of the Baskervilles, opposite Tom Baker as Holmes. (Died 2012.)
October 11, 1960 — Nicola Bryant, 59. Well known for her role as Perpugilliam “Peri” Brown, a companion to both the Fifth and Sixth Doctors. She also worked in “The Two Doctors” story so she appeared with the Second Doctor as well. Of course she’s done Big Finish Doctor Who audio dramas.
October 11, 1965 — ?Sean Patrick Flanery, 54. I really think that his best work was on The Young Indiana Jones Chronicles and the films that followed.
October 11, 1972 — ?Claudia Black, 47. Best known for being Aeryn Sun in Farscape, Vala Mal Doran in Stargate SG-1 and Sharon “Shazza” Montgomery in Pitch Black. She also had a recurring role as Dahlia in The Originals and starred as Dr. Sabine Lommers in The CW’s Containment series.
October 11, 1976 — Emily Deschanel, 43. Temperance “Bones” Brennan in Bones which crossed over with Sleepy Hollow twice (she visited the latter once) and she had a bit part on Spider-Man 2. More notably she was Pam Asbury in Stephen King’s Rose Red series.
October 11, 1985 — Michelle Trachtenberg, 34. Dawn, one of the most annoying characters in television ever, on Buffy the Vampire Slayer.
Matthew Phelan: Is working with someone else’s characters emotionally freeing? Or do you feel an intense, world-historic duty to do justice to classic Nancy?
Olivia Jaimes: It feels like I’m writing Nancy fan fiction, which is very freeing. I’ve said the same thing to my editor before, and she’s gently broken it to me that my Nancies are canon, but fan fiction is what it feels like nonetheless. Maybe what I mean by this is that I feel comfortable transforming the strip in ways that suit me because I trust readers to know “the rules” of transformative works like fan fiction. It’s your take on characters that are shared by everyone. You’re not trying to pass seamlessly as the original author; you’re stretching and bending the original work to make it say what you want it to say.
(14) FLASH REFERENCES
FLASH. [Item by Daniel Dern.] Am I the only one who (a)
couldn’t tell what the words were, in the episode, (b) wouldn’t have recognized
this as a Queen tune, even if I had, nor necessarily which movie it was from, (c)
don’t mind, since, if nothing else, Cisco (formerly “Vibe”) had
“been waiting for the perfect moment to use it, and Caitlin (aka Killer
Frost) recognized it. Io9’s James Whitbrook’s episode recap “The
Flash Finally Did It” explains:
… And, via Cisco, The Flash finally, finally does something that is incredibly goofy, completely rad, and something it has simply been yearning to do since it first began: Cisco taps a key on STAR Labs’ sound system.
And Queen’s Flash Gordon theme starts playing.
It’s so dumb. It’s so good. It is, as Cisco argues, the perfect moment to deploy the 1980 classic. You don’t care that the black hole CG comes with all the questionable success CW-budget computer effects usually bring. You don’t care that this has been, otherwise, a pretty humdrum episode of The Flash, and weirdly low key for a season premiere. This is what this show has always been, and hopefully always will be, about: embracing the sheer, kinetic, camp audacity of superhero comics and just having an absolute whale of a time while doing so.
The Paris-based company’s film and television division is developing a slate of animated series inspired by its existing IP. First up: a Mars-set Rabbids Invasion special, after four successful seasons of the France 3/Netflix/Nickelodeon kids show. Other family-friendly programs in the works include a comedy-adventure inspired by the popular Rayman franchise and Hungry Shark Squad, based on the mobile game Hungry Shark.
… For slightly older viewers, Ubisoft is toning down its M-rated Watch Dogs action-adventure franchise for a tamer “cybermystery” aimed at tweens. The show centers on a teenaged “super hacker” who solves crimes in her high school.
On Tuesday, Blizzard came down hard on Chung. In an official statement on Hearthstone’s blog, the company announced that it would be suspending Chung for a year, forcing him to forfeit thousands of dollars in prize money from 2019 and firing the casters (commentators) who conducted the interview.
This is a big deal.
Blizzard, who created (among other things) World of Warcraft, is a massive company. It brought in about $7.5 billion in revenue in 2018. Like the NBA, which has rebuked the Houston Rockets’ general manager over a pro-Hong Kong tweet, Blizzard is not merely trying to operate within the confines of Chinese censorship but acting as its agent.
(18) HEY, THE TIMING IS NOT THE ROBOT’S FAULT. “Istanbul Airport Robot Has A Message for You!” on YouTube describes the friendly robots helping passengers at Istanbul Airport.
[Thanks to John King Tarpinian, Cat Eldridge, JJ, Chip Hitchcock,
Martin Morse Wooster, Daniel Dern, James Davis Nicoll,. Mike Kennedy, Michael Toman,
John A Arkansawyer, and Andrew Porter for some of these stories. Title credit
belongs to File 770 contributing editor of the day Rob Thornton.]
(1) A MATTER OF RESPECT. Edmund Schluessel has returned
2019, in Copenhagen, Denmark with a burden: “I attended as a Special Guest this
weekend in Copenhagen. There has been discussion within the Nordic countries’
fan community about the event’s poster and some other issues of insensitivity
and I discuss those here.” — “Saints
and people who do not think like us (Fantasticon 2019)”.
…Nisi [Shawl] was talking about altruism. They talked about being a saint. They talked about sacrifice, even putting yourself in harm’s way to protect someone who would do harm to you.
The Chair gave an impromptu speech just afterward. The poster was excellent, he told us all, and complaints about it all came from “people who do not think like us.”
Then started the filk sing-a-long. Only quick action by an observant program participant kept the projector screen from telling the whole banquet room that we’d be singing along to the tune of “The Darkies’ Sunday School.” That quick action did not prevent the flippant reference to rape in the lyrics. “It was like something from the ’70s,” that quick intervenor said later.
Why am I amped up to 11 about all this? At a fundamental level, fandom is about storytelling. And something I’ve seen in every single fan community I’ve interacted with, going back something like 25 years now, is that the story fandom always tells best is when it’s telling itself “we are tolerant, we are open, we accept everyone.” Too often that story is a myth.
The Afrofuturist authors whose work and ideas this convention we’re supposed to be celebrating — if we won’t listen to their message, are they “people who do not think like us”? The convention members who saw something wrong with the poster, whether or not they could clearly articulate it — are they not part of “us”? Am I not part of “us”? You put my name on the damned poster!
(2) EATING THE FANTASTIC. Where do you go for a Javanese
dinner? For Lisa Tuttle and interviewer Scott Edelman the answer was: Dublin. Join
them in Episode
105 of the Eating the Fantastic podcast.
My guest this time around is the award-winning writer Lisa Tuttle, who I caught up with one night after she was done with a 7:30 p.m. reading, which meant that by the time we began our meal it was a later than usual dinner (for me, at least). We hopped in a cab and took off for at Chameleon, an Indonesian restaurant I’d found via Eater’s list of 38 essential Dublin restaurants. The restaurant offers set menus from various regions, including Sumatra and Bali. We decided to go with Java, but added to that some pork bell bao, and the 10-hour Javanese anise short rib of beef, a signature dish of theirs which turned out to be my favorite thing eaten all weekend.
Lisa and I both had wonderful experiences 45 years ago at the 1974 Worldcon in Washington, D.C., me because it was my first Worldcon, she because of winning the John W. Campbell Award for Best New Writer. She’s accomplished a lot in the 4-1/2 decades since, including being awarded the 1982 Nebula for Best Short Story for “The Bone Flute.” She’s published seven short story collections, starting with A Nest of Nightmares in 1986 and most recently Objects in Dream in 2012, plus more than a dozen novels, the first of which was Windhaven (1981), written in collaboration with George R. R. Martin, who was my guest back in Episode 43. She was nominated for an Arthur C. Clarke award for her novel Lost Futures. She edited the pivotal anthology Skin of the Soul: New Horror Stories by Women (1990) as well as Crossing the Border: Tales of Erotic Ambiguity (1998).
We discussed the amusing series of mishaps which prevented her from learning she’d won the 1974 John W. Campbell Memorial Award for Best New Writer as early as she should have, the first thing Harlan Ellison ever said to her, how the all-male table of contents for a major horror anthology inspired her to edit her classic female horror anthology Skin of the Soul, the way emigrating from the U.S. to the UK affected her writing, why an editor said of one of her submitted novels, “I love this book, but I could no more publish it than I could jump out the window and fly,” how she and George R. R. Martin were able to collaborate early in their careers without killing each other, what she’d do if she were just starting out now as a writer, the reasons contemporary acknowledgements sections of novels should be shortened — and so much more.
“Seventy years ago, Chuck Yeager broke the sound barrier,” said Guillaume Faury, CEO of Airbus Helicopters. “We’re trying to break the cost barrier. It cannot be ‘speed at any cost.'”
The 96-year-old Yeager wasn’t happy. Last week, he filed a lawsuit in federal court, arguing that Airbus had infringed his rights by using his name without permission.
“By using Yeager’s name, identity, and likeness and federal registered trademarks in the infringing material, Airbus impaired the ability of General Yeager to receive his established earning potential,” Yeager’s lawyers wrote.
Yeager says that he visited Airbus in 2008 and told Airbus it would cost at least $1 million to use his name and likeness in promotional materials. Airbus refused his offer.
(4) VISUAL CONREPORT. Roberto Quaglia shares some great views in his video “Glimpses of an Irish Worldcon – Dublin 2019.”
(5) HARD SF. Here’s Rocket Stack Rank’s annual “Outstanding Hard Science Fiction of 2018” with 27
stories that were that were finalists for major SF/F awards, included in
“year’s best” SF/F anthologies, or recommended by prolific reviewers
in short fiction.
Included are some observations obtained from highlighting specific recommenders and pivoting the table by publication, author, awards, year’s best anthologies, and reviewers.
Hard SF stories seem under-represented (8%) among SF/F awards with only 8 stories (and only 3 stories for major awards like Locus and Sturgeon) out of 101 total award-nominated stories from the 2018 Best SF/F. The only winner was “Bubble and Squeak” for the magazine-specific Asimov’s Science Fiction Readers’ Award.
As for RSR, we recommended 13 stories (3 award worthy), were neutral on 11 stories, and only recommended against 3 stories (view by RSR rating).
(6) NOT ALL TROLLS. “Neil
Gaiman On The Good Kind of Trolls” at Literary Hub is his introduction to The Complete and
Original Norwegian Folk Tales of Asbjørnsen and Moe in which Gaiman discusses his
love of Norway and Norwegian folklore.
You will meet youngest sons and foolish farmers, clever women and lost princesses, adventurers and fools, just as in any collection of folk stories from anywhere in Northern Europe. But the Norwegian Folktales come with trolls, and if Asbjørnsen and Moe did not see them, as Kittelsen did, then they got their stories from people who had, people who had seen the trolls walking in the mist at dawn.
(7) EMMY REMEMBRANCES. The 2019 Primetime Emmys included an
Memoriam segment. Some of the names of genre interest: Jan-Michael Vincent,
James Frawley, Ron Miller, Cameron Boyce, Rutger Hauer, Stan Lee, and Rip Torn.
(8) TODAY IN HISTORY.
September 23, 1846 — Planet Neptune was discovered.
September 23, 1962 — The Jetsons debuted its very first episode, “Rosey the Robot”. The series which was produced by Hanna-Barbera would run for three seasons.
September 23, 1968 — Charly was released, starring Cliff Robertson and Claire Bloom. Based on “Flowers for Algernon” which is a sf short story and a novel by Daniel Keyes. The short story, written in 1958 and first published in the April 1959 issue of The Magazine of Fantasy & Science Fiction, won the Hugo Award for Best Short Story in 1960. The novel was published in 1966 and was joint winner of that year’s Nebula Award for Best Novel with Samuel R. Delany’s Babel-17.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 23, 1897 — Walter Pidgeon. He’s mostly remembered for his role in the classic Forbidden Planet as Dr. Morbius, but he’s done some other genre work being in Voyage to the Bottom of the Sea as Adm. Harriman Nelson, and in The Neptune Factor as Dr. Samuel Andrews. (Died 1984.)
Born September 23, 1908 — Wilmar House Shiras. Her story “In Hiding” was submitted in 1948 to Astounding Science Fiction, where it was published. She published two sequels in the magazine: “Opening Doors”, and “New Foundations”. The three stories would become the first three chapters in the novel, Children of the Atom. Other than a handful of short fiction, I think it’s her only work. Neither iBooks or Kindle carry anything by her. (Died 1990.)
Born September 23, 1920 — Richard Wilson. Not a writer of much genre fiction at all. His really major contribution to fandom and to Syracuse University where he worked as the director of the Syracuse University News Bureau was in successfully recruiting the donation of papers from many prominent science fiction writers to the Syracuse University’s George Arents Research Library. The list of those writers includes Piers Anthony, Hal Clement, Keith Laumer, Larry Niven and Frederik Pohl. And, of course, himself. It has been called the “most important collection of science fiction manuscripts and papers in the world.” (Died 1987.)
Born September 23, 1944 — Anne Randall, 75. She was Daphne, a servant girl in the original Westworld which if memory serves me correctly also had Yul Brynner in it. She’ll show also in Night Gallery in the “Tell David” episode as Julie.
Born September 23, 1956 — Peter David, 63. Did you know that his first assignment for the Philadelphia Bulletin was covering Discon II? I’m reasonably sure the first thing I read by him was Legions of Fire, Book 1—The Long Night of Centauri Prime but he’s also done a number of comics I’ve read including runs of Captain Marvel , Wolverine and Young Justice.
Born September 23, 1959 — Frank Cottrell-Boyce, 60. Definitely not here for his sequels to Chitty-Chitty-Bang-Bang. (Horrors!) He is here for such writing endeavors as Goodbye Christopher Robin, his Doctor Who stories, “In the Forest of the Night” and “Smile”, both Twelfth Doctor affairs, and the animated Captain Star series in which he voiced Captain Jim Star. The series sounds like the absolute antithesis of classic Trek.
Born September 23, 1963 — Alexander Proyas, 56. Australian director, screenwriter, and producer. He’s best known for directing The Crow (which is superb), Dark City, I, Robot (nor so superb) and Gods of Egypt. His first, shot in Australia of course, was Spirits of the Air, Gremlins of the Clouds. It’s genre. Has anyone seen it?
Born September 23, 1957 — Rosalind Chao, 61. She was the recurring character of Keiko O’Brien with a total of twenty-seven appearances on Next Generation and Deep Space Nine. In 2010, a preliminary casting memo for Next Gen from 1987 was published, revealing that Chao was originally considered for the part of Enterprise security chief Tasha Yar.
(10) BURNING COLD. The second official trailer for Frozen
2 dropped today.
Take, for example, the 2017 flop Valerian and the City of a Thousand Planets. Luc Besson’s film, which is itself based on comics originating in the 1960s, spends way too much time explaining stuff that never becomes relevant. The eponymous City of a Thousand Planets is a space station broken down into multiple districts, as the exposition explains, but the action of the film barely takes place in any of them.
Flash Gordon, meanwhile, understands that drama is built between characters and then focuses on them. Everyone in the movie, from Flash to Ming to Flash’s larger-than-life ally Prince Vultan, has their own distinct wants, and the story emerges from these characters interacting and trying to reconcile these wants. This movie gets at the humanity behind these characters, even if they happen to be aliens
(12) ON THE TWENTIETH CENTURY. Pursuing a thought experiment
inspired by a list of 21st Century books, Peace Is My Middle Name started a hypothetical
list of “100 best books of the Twentieth Century” as if it had been compiled in
1919. Their titles
are in a comment and ought to have been mentioned yesterday, except the
comment landed in the spam and wasn’t spotted for hours. Well worth your time.
(13) FOR YOUR EARS. Several episodes of a reading of
Margaret Atwood’s The Testaments are available for listening at the BBC.
In this brilliant and long-awaited sequel to The Handmaid’s Tale, Margaret Atwood answers the questions that have tantalised readers for decades. In The Testaments, set fifteen years after the events of her dystopian masterpiece, the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. Now the testimonies of three different women bring the story to a dramatic conclusion. Today we hear from the infamous Aunt Lydia, and Agnes, a young girl who has only known life in Gilead.
With the digital equivalent of trowels and shovels, archaeologists are digging into the code of early video games to uncover long forgotten secrets that could have relevance today.
“You and your team of archaeologists have fallen into the ‘catacombs of the zombies’.” A miserable situation, to be sure. But this was the chilling trial that faced players of Entombed, an Atari 2600 game, according to the instruction manual.
The catacombs were an unforgiving place. A downward-scrolling, two-dimensional maze that players had to navigate expertly in order to evade the “clammy, deadly grip” of their zombie foes. An archaeologist’s nightmare.
Released in 1982, Entombed was far from a best-seller and today it’s largely forgotten. But recently, a computer scientist and a digital archaeologist decided to pull apart the game’s source code to investigate how it was made.
…Like intrepid explorers of catacombs, Aycock and Copplestone sought curious relics inside Entombed. But they got more than they bargained for: they found a mystery bit of code they couldn’t explain. It seems the logic behind it has been lost forever.
Into the labyrinth
Maze-navigating games were very common back in the late 1970s and early 1980s, but the method used to generate a maze varied, depending on the programmer. In the age of Atari, games had to be designed with incredible skill because the computer systems that ran them were so limited. (Read more about the mind of a maze-builder.)
Although the blocky, two dimensional mazes from entombed might look simple by the standards of today’s computer graphics, in 1982 you couldn’t just design a set of mazes, store them in the game and later display them on-screen – there wasn’t enough memory on the game cartridges for something like that. In many cases, mazes were generated “procedurally” – in other words, the game created them randomly on the fly, so players never actually traversed the same maze twice.
But how do you do get a computer program to avoid churning out a useless maze with too many walls, or an otherwise impenetrable floorplan?
BACKSTORY. On September 24, Titan Comics will release Snowpiercer The
Prequel: Part 1: Extinction, a brand-new prequel graphic novel set before
the extinction incident that led to the events of the original Snowpiercer
graphic novel trilogy. It’s written by Matz (Triggerman, The Assignment),
with art by the original Snowpiercer graphic novel artist Jean-Marc
Rochette, shown in this promotional video creating an iconic scene from the book.
[Thanks to bill, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster,
John King Tarpinian, Mike Kennedy, Edmund
Schluessel ,Eric Wong, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day OGH.]
Welcome to Smugglivus 2017: A Year In Review. Today, January 7, 2017, is our bloggoversary–and it’s a big one. Today we officially turn ten years old. To celebrate, we’re looking back at 2017 to document our year, as well as our top 10 moments since starting The Book Smugglers a decade ago.
A lot of interesting achievements and reminiscences in this post.
(2) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Myke Cole and Joseph Helmreich on Wednesday, January 17, 2018, 7 p.m. at the KGB Bar (85 East 4th Street, New York).
Myke Cole is the author of the military fantasy Shadow Ops series and its prequel trilogy, the Reawakening series, both from Ace/Roc. His Sacred Throne series is forthcoming from Tor.com in February. His first nonfiction (military history) book, will be out from Osprey in the fall. Myke appeared on CBS’ hit TV show Hunted, as part of a team of elite investigators tracking fugitives across the southeastern United States.
Joseph Helmreich has contributed writing to Newsweek, NY Daily News, and Tor.com, and is author of the recent sf thriller, The Return (St. Martin’s Press, March 2017) about a physicist who gets abducted by an alien ship on live TV. When not writing, Joe is a ventriloquist, illustrator, voice-over actor and member of alternative folk duo, Honeybrick. He lives in New York City and works in film distribution.
(3) SALAM AWARD. The 2018 jury for the Salam Award will be Elizabeth Hand , E. Lily Yu and Anil Menon. The award promotes imaginative fiction in Pakistan.
Last year’s winner was Firuza Pastakia for her story The Universe is a Conscientious Gardener.
Silvia Minucelli is an engineer and freelance artisan who creates itsy-bitsy, ickle figurines using polymer clay and a toothpick—can you imagine how painstaking and difficult that must be? Minucelli produces and sells her delightful models under the name Mijbil Creatures—named after the famous otter in Gavin Maxwell’s book Ring of Bright Water.
…The actors attracted to the series included Bryan Cranston of “Breaking Bad” (also one of the show’s executive producers), Steve Buscemi, Maura Tierney and the avant-R&B singer Janelle Monáe. And “Electric Dreams” attracted writers and directors like Dee Rees (“Mudbound”), Peter Horton (“American Odyssey,” “Thirtysomething”) and Alan Taylor (“Game of Thrones”).
Dick’s daughter, Isa Dick Hackett, whose production company Electric Shepherd oversees adaptations of her father’s work, reached out in 2012 to Mr. Dinner, executive producer of FX’s “Justified,” and invited him to look at the short stories. “Michael really had the idea to do it as anthology,” said Mr. Moore, a friend of Mr. Dinner’s who was brought on soon after.
Mr. Dinner, who had a deal with Sony, also recruited Mr. Cranston, who, like the others, is a major Philip K. Dick fan. All four brought in people they’d worked with as well as reaching out to talent they admired. “I sent Janelle Monáe a letter and asked her if she’d want to be a part of it,” Ms. Hackett said. “I knew that she was a big fan of my dad’s.”
David Klaus sent these comments with the link:
There’s an irony in that Star Trek was sold as the first s.f. t.v. series unlike previous s.f. series which had all been anthology shows, to have continuing characters and standing sets, to reduce production costs.
It could also be said another of Robert Heinlein’s great gifts to science fiction was the typewriter he bought and gave to PKD so that he could earn his way out of being so broke he couldn’t pay a library overdue fine.
(6) BLATHER. The New York Times interviewed an expert about “How To Speak Gibberish”. And it wasn’t even a member of Congress.
… In 2014, Sara Maria Forsberg was a recent high-school graduate in Finland when she posted “What Languages Sound Like to Foreigners,” a video* of herself speaking gibberish versions of 15 languages and dialects. Incorporate actual phonology to make a realistic-sounding gibberish. “Expose yourself to lots of different languages,” says Forsberg, now 23, who grew up speaking Finnish, Swedish and English.
Assemble your raw linguistic materials. Shortly after her YouTube video went viral — it has since been watched more than 19 million times — Lucasfilm contacted Forsberg and asked her to make up a language for one of the alien fighter groups in “Star Wars: The Force Awakens.” The actors were Indonesian, so Forsberg studied online videos in various Austronesian languages including Bahasa Indonesia and Sundanese, a language spoken in western Java. “Listen for repeated syllables,” she says. Write them down phonetically. Note the rhythm of the language. Look at the way a speaker’s lips and tongue give shape to his or her words. You don’t need to be a linguist to get an impression of real syntactic rules, which you can borrow. It helps to love listening to the singsong quality of people talking. For Forsberg, “it’s like music.”…
(7) TRIVIAL TRIVIA.
A friend was watching Queen of Outer Space with Zsa Zsa Gabor and noticed the title stuff did not appear until 17 minutes into the flick.
Star Wars creator George Lucas had to fight to maintain his vision of going straight into the story through the use of his rolling text sequence. He thought that opening credits were nothing to do with making a movie, seeing them as an example of the old-school posturing that he and his new Hollywood contemporaries had spurned. In this he could well have been inspired by George Mélies’ A Trip to the Moon (1902), which is regarded as the first sci-fi film and avoided using any credits because the visual narrative was so strong.
Lucas did end up having to put the studio and Lucasfilm idents at the start of the reel, but he put his own directing and producing credits at the end of the film. He argued that credits would destroy the impact of the opening, and put them at the end of the film instead.
Lucas did the same thing for Empire Strikes Back in 1980, which was directed not by himself but by Irving Kershner. This time the Directors Guild of America objected, even though Kershner didn’t mind. The guild wanted the movie withdrawn from theatres, the opening re-titled with Kershner’s directing credit at a cost of US$500,000 (£1.4m today), and that Lucas pay a $25,000 fine.
Lucas was incensed and took the guild to court. When it countersued, he decided to pay the fine to avoid entangling Kershner in the dispute. It was a pyrrhic victory for the guild, however. Lucas resigned from both the writers’ and directors’ guilds and all future Star Wars opening titles were untouched and consistent with the original.
(8) TODAY IN HISTORY
January 7, 1929 — The Buck Rogers in the 25th Century A.D. comic strip debuted. (The character’s first appearance was in a story published by Amazing Stories in 1928.)
(9) TODAY’S BIRTHDAY BOY
January 7, 1934 – Flash Gordon. This has been long regarded as his “birthdate” because that was the day Alex Raymond’s strip was first published.
(10) COMICS SECTION.
Mike Kennedy and John King Tarpinian both recommended this mashup superhero/cat joke in Off the Mark.
(11) WOMBAT ON THE AIR. Information wants to be free —
LIZ: Well, I'm sure there's things where you know a horrible fact and people are just like "Wow…uh…" ME: Oh, tons. Did you know when you're hanged, your teeth turn pink? LIZ: … ME: I put that in a children's book! LIZ: …Remember thirty seconds ago?
Here is my affectionate tribute to cherished friend Ray Bradbury, whose loving presence occupied my world and my heart for nearly four decades. Ray was one of the most distinguished writers of the twentieth century and, with H.G. Wells, perhaps the most influential, legendary science fiction writer of the past one hundred years. More importantly, however, Ray was a gentle little boy whose love of imagination, fantasy, and stories of other worlds influenced hundreds of writers and millions of admirers all over the world. His monumental presence upon this planet warmed and inspired all who knew him, and I was honored to call him my friend for thirty-eight years. Here, once more, is my loving remembrance of the life and world of Ray Bradbury, “I SING BRADBURY ELECTRIC.”
Steve’s article begins —
He was a kindly, gentle soul who lived among us for a seeming eternity. But even eternity is finite. He was justifiably numbered among the most influential writers of the twentieth century. Among the limitless vistas of science fiction and fantasy he was, perhaps, second only in literary significance to H.G. Wells who briefly shared the last century with him. Ray Bradbury was, above all else, the poet laureate of speculative fiction.
The large floor plan with gorgeous floor to ceiling windows overlooking the breathtaking pool area makes entertaining a breeze. With a state of the art chef’s kitchen and dining room that seats 10, tastefully dazzle your guests with a perfect setting for your dinner parties.
Los Angeles architect Thom Mayne razed Bradbury’s longtime Cheviot Hills home and built a place of his own design, which was finished in 2017.
(14) SIMULTANEITY PRINCIPLE. Andrew Porter points out there will be two conventions a few miles apart, same town, same weekend, July 27-29. Confluence is at the Sheraton Pittsburgh Airport Hotel. And Pulpfest is at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. He says —
They’re about 8 miles apart, NW of downtown Pittsburgh. You’d think both conventions could do some sort of deal together. Maybe a shuttle between the two. I bet both sets of dealers would be happy with the exposure.
Also, judging from people’s Facebook posts, Confluence will be gaining some writers who have been trimmed from ReaderCon programming (another July convention).
(18) ROWLING SITES. The Washington Post’s Tom Shroder tells how to go about “Discovering the magic of Edinburgh” in a travel piece about his visit to the places where J.K. Rowling wrote Harry Potter and the Philosopher’s Stone in longhand, and a trip to Greyfriars Graveyard, whose tombs include Thomas Riddle (the real name of Lord Voldemort).
It was the first of what I came to think of as our Edinburgh Harry Potter moments — when the ordinary Muggle reality suddenly parted to reveal something magical. As it turned out, this wasn’t entirely fanciful thinking on my part. I only discovered later that J.K. Rowling herself said, in a 2008 speech accepting the Edinburgh Award, “Edinburgh is very much home for me and is the place where Harry evolved over seven books and many, many hours of writing in its cafes.”
The city’s remarkably consistent buildings of mottled brown stone blocks, the most spectacular of them with sharply peaked roofs and ostentatious turrets, are clear inspiration for the architecture of the Hogwarts School of Wizardry. The tombstones in the fabulously gloomy Greyfriars Kirkyard in the oldest part of the city bear the names of some key Potter characters — McGonagall, Moodie and, most notably, Thomas Riddle, the birth name of Harry’s nemesis, Lord Voldemort. Tourists flock to the cafes where the then-impoverished author wrote out her stories in longhand: the Elephant House, Nicholson’s (now called Spoon), the baroquely gorgeous Balmoral Hotel.
The most mind-boggling thing of all about Jon is, he insults and harasses people, then wonders why folks don’t want him around. If you call SFWA terrorists, insult women in science fiction related podcasts, insult people in the comic industry, call folks running fandom sites bigots, then openly admit you’re going to break a convention’s rules, why would you be surprised when people start banning you? You are your own worst enemy, Jon Del Arroz. I don’t believe you anymore.
Last March, Colorado Symphony conductor Christopher Dragon donned a T-rex costume to lead the ensemble in a performance of John Williams’ beloved ‘Jurassic Park’ theme song. The hilarious musical moment is getting its 15 minutes of fame after a video from the concert was posted to social media.
[Thanks to Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, Steve Vertlieb, Chris Garcia, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Mister Dalliard.]
By Steve Vertlieb: William Shatner, the iconic actor who first sailed the Star Ship Enterprise through three intergalactic seasons on NBC Television beginning September 8th, 1966, and starred in six Star Trek feature-length motion pictures, turned eighty-six years young recently. He was the valiant inspiration for millions of young boys and men for decades of thrilling cinematic heroism. I conducted, perhaps, the very first “fan” interview with William Shatner ever published during July, 1969, whilst the series was still being aired over NBC in its final re-runs, for the British magazine, L’Incroyable Cinema. He was both delightfully witty, and warm, sharing a memorable hour of his valuable time with us. Here are Erwin and I together with Captain James Tiberius Kirk outside his dressing room at The Playhouse In The Park where he was starring in a local Philadelphia Summer Stock production of “There’s A Girl In My Soup,” with Exodus star Jill Hayworth.
Together with boyhood hero and cherished friend, Buster Crabbe, here in Philadelphia in 1979. On this particular occasion, Buster and I had dinner together in “Chinatown.” Although Jack Nicholson was nowhere to be found, Buster playfully emptied the remains of some his dinner into my plate, insisting that I “Eat, Eat, Eat.” My Jewish mother would have been proud. Buster, along with Ed Kemmer and William Boyd, was among my earliest childhood heroes. Buster and I were good friends over the last two decades of his life, and I remain honored to think of myself as one of Flash Gordon’s pals. Knowing him personally was a thrill beyond imagining. My affectionate remembrance of Larry “Buster” Crabbe, and “Fantastic” children’s television during the 1950’s, has been nominated as “Best Blog of the Year” under the heading of Better Days, Benner Nights in the annual Rondo Awards.
Steve Vertlieb and Buster Crabbe.
Together with one of my earliest boyhood heroes and role models, Ed Kemmer, who starred as Commander Buzz Corey of the “Space Patrol”, broadcast every Saturday morning on ABC Television in the mid 1950’s. He also co-starred with William Shatner in “Nightmare At 20,000 Feet,” the original classic episode of The Twilight Zone written by Richard Matheson. Shatner’s own Star Trek series was heavily influenced by Ed’s Space Patrol, as well as MGM’s Forbidden Planet. After this initial meeting, Ed and I remained friends through correspondence until his passing. He loved Sinatra, and so I’d periodically record tapes of Francis Albert for him, and send them to his apartment in New York. Ed remained conspicuously among the few stars refusing to accept compensation for posing for pictures or signing autographs. He felt that charging money for his image would be a betrayal of the millions of children who made him so popular during the nineteen fifties. He was not only a tv hero, but a real hero, as well. During the second world war, Ed was a pilot who had been shot down behind enemy lines and imprisoned as a POW. He was quite a remarkable human being, both on screen and off.
Steve Vertlieb with Ed Kemmer, who played Cmdr. Buzz Corey in Space Patrol.
The Young Adults Write Now fund will provide up to five endowments of $500 each per year for selected libraries to establish new, or support ongoing, writing programs. The program is currently open to United States libraries, but will be expanded in the future to include other countries, as part of the HWA’s global presence. Membership in the HWA is not a requirement.
HWA’s Library & Literacy team will select up to five recipients from the applications.
Applicants must fill in and submit the Application Form designed for that purpose; the Application Form will be published at http://horror.org/librarians.htm but will also be made available by contacting email@example.com.
Eligibility: Public and community libraries will be eligible. The Applicant must outline how the endowment would be used (a ‘Plan’) and describe the goals and history (if applicable) of the writing program. In selecting the recipients, the team shall focus primarily (but not exclusively) on advancing the writing of fiction, poetry, and non-fiction (essays). An emphasis on genre fiction (horror, science fiction, fantasy) in the plan is desired but not required. The Applicant shall demonstrate that the writing program will be regular and on-going.
Recipients receiving funding will be able to use the monies for anything relating to the proposed/active writing program, including but not limited to supplies, special events, publishing costs, guest speakers/instructors, and operating expense. Monies may not be used to fund other programs or expenses for the library.
For the last two years I’ve been slowly approaching the daunting task of illustrating all six of Ursula’s Earthsea books (collected for the first time under one cover). Through sometimes almost daily correspondence with her I’ve been attempting to mentally & aesthetically look through her eyes at the world she’s spent so long writing about. It has been a privilege to say the least. Carefully reading and re-reading those books and seeing how masterfully she’s developed her themes is amazing. And now, to my great delight (and sometimes her’s as well) the drawings are falling off my fingertips. To be sure, there will never be many ‘jobs’ as fulfilling as this one is.”
The UK’s first official astronaut, Major Peake is due to return to Earth this month after a six-month mission and said he was “honoured to receive the first appointment to the Most Distinguished Order of St Michael and St George for extraordinary service beyond our planet”.
The honour is usually given for “serving the UK abroad”.
The pop culture world is celebrating the 50th anniversary of Star Trek. This has given us loads of cool collectibles, from Canadian currency shaped like Starfleet insignias to Captain Kirk Barbie dolls.
Add this wonderful poster to the heap of new Trek treasures, which comes to our attention via /Film and AICN. The work was created by artist Dusty Abell, whose resume includes character design on everything from Batman: Under the Red Hood to The Mike Tyson Mysteries.
Abell illustrated 123 items and characters seen in the three seasons of Star Trek: Original Series. Try and spot them all. Thankfully, he provided the answers, which we posted below.
(7) SUICIDE SQUAD. If Ben Affleck’s Batman appears in Suicide Squad (and the actor was spotted on the movie set), then there’s a glimpse of his character in this 30-second TV spot. Don’t blink.
From 1982 to 1986, car-loving kids around the country tuned in to the TV show Knight Rider on Friday nights. It featured a computerized, semi-autonomous, crime-fighting and talking Pontiac Trans Am known as K.I.T.T. (Knight Industries Two Thousand). The premise sounds ridiculous today, but that all-new Trans Am was freshly styled for the 1980s—just like its co-star, The Hoff. The show was a huge hit, and toys flooded the market. One of the coolest was the Voice Car by Kenner. Push down on the cool vintage blue California license plate, and the Voice Car would say six different phrases. It came with a Michael Knight action figure, too.
“If I wasn’t doing these sci-fi movies, I would be at the mercy of filmmakers that would just look my way if they need a girlfriend or sexy woman of color in their movie,” the 37-year-old actress tells the publication. “Space is different…but we can still do better. We can still give women more weight to carry in their roles.”
Imaginative Realism combines classical painting techniques with narrative subjects, focusing on the unreal, the unseen, and the impossible. The Delaware Art Museum is partnering with IX Arts organizers to host the first IX Preview Weekend September 23 – 25, 2016 at the Museum, celebrating Imaginative Realism and to kick off IX9–the annual groundbreaking art show, symposium, and celebration dedicated solely to the genre. Imaginative Realism is the cutting edge of contemporary painting and illustration and often includes themes related to science fiction and fantasy movies, games, and books. A pop-up exhibition and the weekend of events will feature over 16 contemporary artists internationally recognized for their contributions to Star Wars, The Lord of the Rings, Avatar, Marvel, DC Comics, Blizzard Entertainment, and Wizards of the Coast, among others.
The weekend will also include after-hours events, performances, exclusive workshops with artists, talks, film screenings, artist signings, live demos, and games. The artists represented include Greg Hildebrandt, illustrator of the original Star Wars poster; Boris Vallejo, who is famous for his illustrations of Tarzan and Conan the Barbarian; Charles Vess, whose award-winning work graced the covers of Marvel and DC Comics; and Donato Giancola, known for his paintings for Lucasfilm, DC Comics, Playboy Magazine, and the Syfy Channel.
Other featured artists include Julie Bell, Bob Eggleton, Rebecca Leveille-Guay, Ruth Sanderson, Jordu Schell, Matthew Stewart, William O’Connor, David Palumbo, Dorian Vallejo, Michael Whelan, and Mark Zug. Each artist will present original work in the pop-up show, covering the gamut from illustration through personal/gallery work in a wide range of mediums. All artists represented will be present at the Museum over the course of the weekend.
Ticket and registration information will be available this summer. Visit delart.org for details and updates.
(11) TODAY IN HISTORY
June 11, 1982 — E.T. The Extra-Terrestrial released
According to Roddenberry himself, no author has had more influence on The Original Series than Robert Heinlein, and more specifically his juvenile novel Space Cadet. The book, published in 1948, is considered a classic. It is a bildungsroman, retelling the education of young Matt Dodson from Iowa, who joins the Space Patrol and becomes a man. There is a reason why Star Trek’s Captain Kirk is from Iowa. The Space Patrol is a prototype of Starfleet: it is a multiracial, multinational institution, entrusted with keeping the peace in the solar system.
Where it gets a little weird is that Heinlein’s Space Patrol controls nuclear warheads in orbit around Earth, and its mission is to nuke any country that has been tempted to go to war with its neighbors. This supranational body in charge of deterrence, enforcing peace and democracy on the home planet by the threat of annihilation, was an extrapolation of what could potentially be achieved if you combined the UN charter with mutually assured destruction. And all this in a book aimed at kids.
Such was the optimism Heinlein could muster at the time, and compared to his later works, Space Cadet is relatively happy and idealistic, if a bit sociopathic.
I don’t think blogs are dead per se — WordPress, which I will note hosts my blog, seems to be doing just fine in terms of new sites being created and people joining its network. But I think the role of the blog is different than it was even just a couple of years ago. It’s not the sole outpost of an online life, although it can be an anchor, holding it in place. What a blog is today is part of an overall presence, with a specific role that complements other online outposts (which in turn complement the blog). I do it myself — longer pieces here, which I will point to from other places. Shortform smartassery on Twitter. Personal Facebook account to keep up with friends; public Facebook and Google Plus pages to keep fans up on news — news which is often announced here and linked to from there.
(14) MY OBSERVATION ABOUT HOW BLOGS WORK TODAY. Same as he said. Just look at how I’m getting my traffic. 🙂
Hey, perhaps I'll wander over to File 770 and see what's up (or I can continue reading John Le Carre).
This time let’s follow-up with a selection of yet-more truly creative online comics, some serious space dramas, others satires or comedies. Many offer humorous insights as they delve into science, space, the future… and human nature. You’ll find star-spanning voyages, vividly portrayed aliens, frequent use of faster-than-light travel (FTL), but …. no superheroes here! …
Outsider, by Jim Francis, is a full-color, beautifully illustrated “starship combat space opera.” Set in the 2100s, humanity has ventured out to the stars, only to encounter alien refugees fleeing war between the galactic superpowers Loroi and Umiak. With little information at hand to base their decision upon, humanity must decide: which side should earth ally with? When the starship Bellarmine finds itself caught in enemy crossfire, a hull breach sends Ensign Alexander Jardin drifting in space — where he is picked up by a Loroi ship. As the outsider aboard the alien ship, he slowly begins to understand this telepathic, formidable, all-female crew — and gain insight into earth’s place in the cosmos. Then he finds himself in a unique position to save humanity….
Quantum Vibe, by Scott Bieser. This sequential science fiction webcomic offers some real substance. The story begins five hundred plus years into the Space Age on the orbiting city, L-5. After a doomed relationship falls apart, our fierce heroine, Nicole Oresme, becomes technical assistant and pilot to Dr. Seamus O’Murchadha, inventor of electro-gravity, who needs help with his plan to delve into “quantum vibremonics.” Their adventures through the solar system include escaping assassins, diving into the sun’s corona, visits to Luna, Venus (terraforming underway), Mars, Europa and Titan. Earth is ruled by large corporations and genetically divided into rigid social castes – and even branched into genetic subspecies, multi-armed Spyders and Belt-apes. Libertarian references abound. A bit of a libertarian drumbeat but not inapropos for the setting and future. I’m impressed with the spec-science in the series, as well as tongue-in-cheek references to SF stories, including… Sundiver and Heinlein.
Freefall, by Mark Stanley, a science fictional comedy which incorporates a fair amount of hard science; it has been running since 1998. The serialized strips follow the comic antics of the crew of the salvaged and somewhat-repaired starship Savage Chicken, with its not-too-responsible squid-like alien captain Sam Starfall, a not-too-intelligent robot named Helix, along with a genetically uplifted wolf for an engineer — Florence Ambrose. Their adventures begin on a planet aswarm with terraforming robots and incoming comets. The light-hearted comic touches on deeper issues of ethics and morals, sapience and philosophy, orbital mechanics and artificial intelligence.
(17) HEALTH WARNING. Twitter user threatens Tingle tantrum. Film at 11.
if chuck tingle doesnt win a hugo award i will throw up a table
The new category should have replaced “Best Professional Artist” instead of simply being added as an additional Hugo. Keeping the old category just encouraged the voters to keep on nominating as they had before, while ignoring the new category.
Also, it should have been “Best Cover” instead of “Best Original Artwork.” I understand the desire to be inclusive and allow people to nominate interior illustrations, gallery art, and whatever, but the truth is, covers have always been what the artist Hugo is all about. Let’s stop pretending it’s not. Freas, Emshwiller, Whelan, Eggleton, Donato, Picacio and all the rest won their rockets on the strength of their cover work. No artist who does not do covers has ever won a Hugo.
Making it “Best Cover” makes it about the art, not the artist. Writers have a big advantage over artists in that their names are emblazoned on the covers of their books. With artists, we can see a spectacular piece of work without knowing who did it… like, for instance, the incredible cover for Vic Milan’s novel, mentioned above. People nominate the same artists year after year because those are the only artists whose names they know. It’s very hard for someone new to break through and get their name known.
It would be easier if the voters could just nominate say, “the cover of DINOSAUR LORDS,” without having to know the artist’s name.
(19) IMITATION IS THE SINCEREST FORM OF BEING RIPPED OFF. We take you back to Turkey and those thrilling days of yesteryear when Ömer the Tourist in Star Trek debuted. The 1973 cult comedy science-fiction starred film Sadri Alisik as a Turkish hobo who is beamed aboard the Starship Enterprise.
The film, which is the eighth and final in a series of films featuring Alisik as Ömer the Tourist, is commonly known as Turkish Star Trek because of plot and stylistic elements parodied from Star Trek: The Original Series episode The Man Trap (1966) as well as the unauthorized use of footage from the series. Although unofficial and part of another franchise, it is the first movie taking place in Star Trek universe, filmed 6 years before the official motion picture.
This movie gained fame in Turkey for the phrase “Mr. Spock has donkey’s ears,” which Ömer repeatedly says to Mr.Spock in the movie.
The film is available on YouTube – here is the first segment.
This petition is to name element 117, recently confirmed by the International Union of Applied Chemistry, as ‘Octarine’, with the proposed symbol Oc (pronounced ‘ook’), in honour of the late Terry Pratchett and his Discworld series of books….
Octarine, in the Discworld books, is known as ‘the colour of magic’, which forms the title of Pratchett’s first ever Discworld book. According to Disc mythology, octarine is visible only to wizards and cats, and is generally described as a sort of greenish-yellow purple colour, which seems perfect for what will probably be the final halogen in the periodic table. Octarine is also a particularly pleasing choice because, not only would it honour a world-famous and much-loved author, but it also has an ‘ine’ ending, consistent with the other elements in period 17.
(2) NTA TIME. Voting for Britain’s National Television Awards is open. In the Drama category, David Tennant’s non-sf series Broadchurch is up against Peter Capaldi’s Doctor Who, as well as Downton Abbey and Casualty.
Neither Peter Capaldi or Jenna Coleman is a finalist for best actor/actress, but Tennant is.
In New Drama, sf series Humans is a nominee. Game of Thrones is a nominee in the International category.
The following is a statement from The Producers as of 01/05/16.
The Producers of Andre Norton’s WITCH WORLD franchise are surprised, delighted and encouraged by the interest from Andre Norton fans. The Producers are happy to announce that they have developed a new Witch World script that they are very excited about, written by award-winning screenwriters Judith and Garfield Reeves-Stevens (Janissaries, Star Trek: Enterprise). This script forms the basis of the first movie in a new film trilogy based on the classic Witch World book series by Andre. The Producers’ primary goal in working closely with the Andre Norton Estate, is to ensure that the spirit of Andre Norton is retained in its full integrity within a new, contemporary vision of a classic epic story. The process towards creating a motion picture franchise is lengthy and, in keeping with the Producers’ desire to honor Andre’s creation properly, it will be some time before a release date is announced. Nevertheless, the Producers will keep fans updated on new developments. The Andre Norton Estate thanks Andre’s fans for their incredibly positive response and is in close consultation with the Producers to ensure that Witch World will come to the big screen soon.
If this model becomes more widespread, then it could significantly alter the cost-benefit analysis that any author applies to writing short fiction. Kameron Hurley, a speculative fiction writer who has published five novels and won two Hugo awards, is constantly inundated with requests from her fans for new short stories. “There is no money in short fiction,” she told me in a phone interview. “You’ll spend 30 or 40 hours on a short story, and you’ll get paid $200. It’s just not worth your while. People would ask me, ‘Hey Kameron, why don’t you write more short fiction?’ Well, short stories were a nice way to get my name out there in the early 2000s, but then I realized I’m getting $200 for an incredible amount of work. I started doing a lot of copywriting work, and I charge $90 an hour for copywriting. If you look at the costs and benefits, you realize writing short stories doesn’t have any financial benefit and it doesn’t make sense.”
So when Hurley launched her Patreon page in 2015, she had one goal: “My bare minimum was $500,” she said. “If I could get that much for a story, and if I could resell it as a reprint or as an original to the short fiction markets, you’re starting to make something that resembles a fair wage.”
January 7, 1934 – Flash Gordon debuts as a Sunday page. Alex Raymond is the initial writer and artist. Within the years that follow Don Moore will assist in the writing chores. Jim Keefe, who was the comic’s writer/artist for years, has a great blog post with lots of art.
‘Magic’ is the operative word for this moody novella. The magic of Harry Houdini serves as an overriding backdrop here, but another kind of magic permeates these pages — the magic of fine writing. Don’t expect the usual linear plot, because there is no direct narrative. Vivid dreams, surreal images, hypnotic memories, all serve to flesh out an unsettling tale that sweeps us into a new fictional dimension. — William F. Nolan, author of Logan’s Run
If those words from one of my favorite authors weren’t reason enough for me to immediately seek out The Box Jumper, then the prospect of Harry Houdini and Sir Arthur Conan Doyle together again in the golden age of 1920’s séances would certainly have done the trick.
I am surprised I didn’t hurt myself in the dash.
In her latest, engagingly disturbing novella, Bram Stoker Award Winner Lisa Mannetti transports us to the post-WW I-era where Spiritualism was one of the fastest growing religions, and tricksters knew no bounds when it came to roping in the willing, the gullible and the curious.
(10) PAT HARRINGTON OBIT. Best known as One Day at a Time’s lecherous Schneider, Pat Harrington, Jr., who died January 6, also had some genre roles.
He appeared in three episodes of The Man from U.N.C.L.E. (once as his stand-up comedy character, faux Italian immigrant Guido Panzini), and in episodes of Captain Nice, Kolchak: The Night Stalker, The Invisible Man, and The Ray Bradbury TV Theatre. He was in demand as a voice actor on Saturday morning cartoons like Journey to the Center of the Earth, and Aquaman.
(11) SHANNARA. MTV has already aired four episodes of The Shannara Chronicles, based on the fantasy novels by Terry Brooks. I’m a wee bit behind in posting the trailer….
Coming to MTV in January 2016, ‘The Shannara Chronicles’ is a new TV series based on the best-selling fantasy novels by Terry Brooks. Set thousands of years after the destruction of our civilization, the story follows an Elven Princess, Amberle, a half-human half-elf, Wil, and a human, Eretria, as they embark on a quest to stop a Demon army from destroying the Four Lands. ‘The Shannara Chronicles’ stars Poppy Drayton, Austin Butler, Ivana Baquero, Manu Bennett and John Rhys-Davies. The series is executive produced by Jon Favreau, Al Gough, Miles Millar, Dan Farah, Jonathan Liebesman and author Terry Brooks.
The single-camera entry is set in the DC Comics universe that’s full of superheroes, villains and people just like us. It’s described as an office comedy about the exceedingly average employees at an insurance company and their quest to find their own power. Like all DC fare, it hails from Warner Bros. Television and will be written by Ben Queen (A to Z), with Michael Patrick Jann set to exec produce and direct the pilot.
As described by File 770 last October, the focus of the series is on the ordinary, “power-less” folk working at the insurance company who often envy the men and women outside their window who make headlines with their supernatural powers.
By James H. Burns: If you’re the right age, there’s something absolutely magical about seeing Buster Crabbe in this airline commercial featuring FLASH GORDON, from somewhere between 1973 ~1975. This was clearly meant as a national spot, but no one I know ever saw it! It’s also amazing to realize that Crabbe is wearing the costume from the Captain Marvel serial!
Buster Crabbe also appeared in a spot endorsing Rainier Beer – “Fresh Gordon” in 1978.
This original miniature was used by Fox Films and Universal Pictures in the 1930’s. The model was swung through the air and brought to life with sparklers, smoke and added sound effects! It features a heavy, aluminum body and a door that folds down into stairs. It is clearly stamped “UNIVERSAL MOVING PICTURES” and “PROPERTY OF FOX FILMS CORPORATION 249”.
The model is 18 inches long, and has a 8-1/4 inch wingspan. It can be taken apart into two sections, as shown in the photos.