Pixel Scroll 9/1/18 Knives, Pixels, Files, Scrolls Of Energy Raved Against The Screens Of The Dentless

(1) SPIDER STORY. Worldcon 76 GoH Spider Robinson’s hometown paper profiled him before the convention: see “Spider Robinson’s star shines in Worldcon’s sci-fi universe” in the Bowne Island Undercurrent.

In the waning charge cycles of a 12-year-old MacBook Pro, Spider Robinson is typing out his autobiography.

“I’m writing the serious, logical case that I’m the luckiest [person] who’s ever lived,” he said.

“My luck ran out, but all luck does.”

It’s extraordinary that a man who lost both his wife and daughter prematurely can still count himself as lucky.

But Robinson concentrates on the joy that his family and career brought to his life.

The well-known science fiction writer, winner of three Hugo awards and a Nebula award, has lived on Bowen Island since 2001.

This week, Robinson is one of the guests of honour at Worldcon, the 76th World Science Fiction Convention, this year held in San Jose.

(2) CANON FIRE. Foz Meadows’ “Trash and Treasure” column for The Book Smugglers does a recap on Worldcon 76, including thoughts inspired by the Author vs Fan Ownership panel there wasn’t enough time to unpack:

 …Afterwards, multiple audience members asked for my thoughts about the recent trend in claims by some fandom extremists that fans literally own the stories they love, whatever those stories might be, just by straight-up virtue of passion.

To give an example of two of the more toxic examples of this sense of fannish entitlement, taken from both ends of the fan-political spectrum, consider both the MRA Star Wars fans who tried to crowdsource funding for a new, lady-free version of The Last Jedi, and the lone Voltron: Legendary Defender fan who tried to blackmail Studio Mir into making their gay ship canon. In both cases, there’s a belief that wanting a personal, idealised, specific version of the narrative to exist in canon should not only trump the plans of the creators, but effectively constitute a shouted BECAUSE REASONS! override of their actual, legal ownership….

(3) MAINTAINING TWEET SILENCE. Is Wil Wheaton coming back to Twitter? Eh, no. He turned it off one day in August, for reasons he explains in “The world is a terrible place right now, and that’s largely because it is what we make it.” Then he thought he found another social media home, but the administrators wearied of the flood of complaints (see post for explanation) and he left there too.

As most of you know, I deactivated my Twitter account earlier this month. It had been a long time coming, for a whole host of reasons, but Twitter’s decision to be the only social network that gives Alex Jones a platform to spew hate, hurt innocent people, and incite violence was the final straw for me. But I haven’t regretted leaving for even one second. Having that endless stream of hate and anger and negativity in my pocket wasn’t good for me (and I don’t think it’s good for anyone, to be honest).

I was on Twitter from just about the very beginning. I think I’m in the first couple thousand accounts. I remember when it was a smallish group of people who wanted to have fun, make jokes, share information and tips on stuff that was interesting, and oh so many pictures of our pets. It was awesome.

It started to get toxic slowly at first, then all at once, starting with the misogynist dipshits who were behing the gate-which-shall-not-be-named. That was clearly a turning point for Twitter, and it never really recovered from it. I watched, in real time, as the site I loved turned into a right wing talk radio shouting match that made YouTube comments and CSPAN call-ins seem scholarly. We tried for a couple of years to fight back, to encourage Twitter to take a stand against bad actors (HA HA LIKE ME BECAUSE I AM A BAD ACTOR RIGHT YOU GOT ME HA HA HA). Twitter doesn’t care about how its users are affected by themselves, though. Twitter cares about growth and staying on the good side of President Shitler’s tantrums….

(4) LIGHT IS THE BEST DISINFECTANT. An event called KekCon set out to publicize itself at Dragon Con and drew criticism on social media. Lura Groen’s thread starts here.

Groen, who received at least one threat after tweeting her thread, reports the KekCon reps left Dragon Con.

(5) PRESCRIPTION FOR ENTERTAINMENT. SF Concatenation’s Jonathan Cowie thinks Filers may enjoy The Third Pill, which BBC Radio 4 has just put on iPlayer.

The Third Pill by James O’Neill

Greg works in children’s publishing but feels middle aged and out of touch. Then something pops up on his computer that will transform his life. A comedy about finding that elusive elixir of youth.

Surely it is a scam, or is it?  And if it works, what are the consequences….

(6) A STROLL DOWN MEMORY ROAD. “A graphic tale: the visual effects of Mad Max: Fury Road” is a nuts-and-bolts of how many of the shots were built over bits of reality. From 2015 – but may be news to you!

But the intense Namibian shoot, and further filming in Sydney, was only half the story in the creation of Fury Road’s insane stunt action and post-apocalyptic landscapes. Hundreds of visual effects artists, led by overall visual effects supervisor Andrew Jackson, would spend considerable time crafting more than 2000 visual effects shots and helping to transform the exquisite photography into the final film that at times feels almost like a single car chase. Even more plate manipulation would also be carried out by colorist Eric Whipp, weaving in a distinctive graphic style for the film with detailed sky replacements and unique day for nights.

(7) A STACK OF REVIEWS, AND A STACK OF WAX. Links to the reviews below at Patti Abbott’s blog: “Friday’s Forgotten Books, August 31, 2018”.

  • Mark Baker. LOST LEGACY, Annette Dashofy
  • Yvette Banek, MURDER MAKES MISTAKES, George Bellairs
  • Les Blatt, AND DANGEROUS TO KNOW, Elizabeth Daily
  • Bill Crider, EPITAPH FOR A TRAMP, David Markson
  • Kate Jackson at CrossExaminingCrime, TILL DEATH DO US PART, John Dickson Carr
  • Martin Edwards, THE EYE OF THE BEHOLDER, Minette Marrin
  • Curtis Evans, THE MAN WITH TWO WIVES, “Patrick Quentin”
  • Rich Horton, THE FOUR FEATHERS, A. E. W. Mason
  • Jerry House, ELECTION DAY 2084, ed. Isaac Asimov and Martin H. Greenberg
  • George Kelley, THE BEST SCIENCE FICTION STORIES AND NOVELS, 9th SERIES, T.E. Dikty and Earl Kemp
  • Margot Kinberg, FACES OF THE GONE, Brad Parks
  • Rob Kitchin, THE SHINING GIRLS, Lauren Beukes
  • Kate Laity, SWITZERLAND, Joanna Murray-Smith
  • Evan Lewis, WATERFRONT FISTS, Robert E. Howard
  • Steve Lewis, SEEING IS BELIEVING, Carter Dickson
  • Todd Mason, 1960s audio recordings: THE ZOO STORY, Edward Albee; NO EXIT, Jean-Paul Sartre (translated by Paul Bowles); LUV, Murray Schisgal; JUST SO STORIES, Rudyard Kipling
  • Matt Paust, LAST BUS TO WOODSTOCK, Colin Dexter
  • James Reasoner, THE WATER BEND FEUD, William MacLeod Raine
  • Richard Robinson, A FALL OF MOONDUST, Arthur C. Clarke
  • Kevin Tipple, BAD LITTLE FALLS, Paul Doiron
  • Tomcat, FLASHPOINT, John Russell Fearn
  • TracyK, DARK PASSAGE, David Goodis

Links to online archives of some of the recordings under discussion at Todd Mason’s post: “THE ZOO STORY, Edward Albee; NO EXIT, Jean-Paul Sartre (translated by Paul Bowles); LUV, Murray Schisgal; JUST SO STORIES, Rudyard Kipling”

(8) EC COMICS REMEMBERED. The Society of Illustrators in New York City will exhibit “Tales from the Crypt: The Revolutionary Art of MAD and EC Comics” from September 5 to October 27, 2018.

For the first time in NYC, an exhibition of the EC comic book art that struck fear in the hearts of arbiters of good taste will see the light of day. Featured are more than 70 large original comic book art pages by comic art masters. On display September 5 through October 27 in the Hall of Fame Gallery….

A big business in the fifties, as many as 100 million comic books were sold monthly. Although the superhero and funny animal titles were popular in the forties the appetite had turned to subjects that reflected current trends and interests.

Perhaps the most prominent comic book publisher at the time was Entertaining Comics (EC), led by William M. Gaines. An aspiring high school teacher, Gaines found himself the 25 year old head of a struggling publishing company when his father died in a boating accident. Gaines knew little about the industry but hired young, creative editor/artists Al Feldstein and Harvey Kurtzman to test new formats and launched a broad slate of revolutionary titles covering science fiction, horror, crime, war, suspense and humor.

The EC team would later be called among the most talented assembly of comic book artists and writers the industry had ever seen. While quickly copied because of their unprecedented success, EC stories were markedly different from the competition. They were expertly illustrated, written for an intelligent audience and offered an unexpected twist ending. Critics would point to the violence depicted in the crime and horror titles or the mature nature of the story subjects. Gaines had assumed an intelligent audience comprised of young adults and older readers and not children who would otherwise find little meaning in the work.

Titles presented in the exhibit include Aces HighCrime Suspenstories, Crypt of Terror, Extra!, Haunt of Fear, Frontline Combat, Impact, Piracy, MAD, Two-Fisted Tales, Tales From the Crypt, The Vault of Horror, Weird Fantasy, Weird Science, Weird Science Fantasy, MAD 3-D art and more. Artists featured include Johnny Craig, Reed Crandall, Jack Davis, Will Elder, George Evans, Al Feldstein, Frank Frazetta, Graham Ingels, B. Krigstein, Harvey Kurtzman, Joe Orlando, John Severin, Marie Severin, Angelo Torres, Al Williamson and Wally Wood.

(9) TODAY IN HISTORY

  • September 1, 1902A Trip to the Moon (Le Voyage dans la Lune) is directed by Georges Méliès is released.
  • September 1, 1954Tobor the Great premiered.

(10) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born September 1, 1885 – Edgar Rice Burroughs. Pulp writer (and no I’m not being disparaging with my use of that term) of many series of which I’ll single out the BarsoomPellucidar, Tarzan and Venus series.  Both Rudyard Kipling and Ray Bradbury considered him to be an influential and entertaining writer. Edgar Hamilton in an interview said once that “We sort of grew up on Edgar Rice Burroughs.”
  • Born September 1 — Diana Pleasance Case Gillon, 103. Only one novel, The Unsleep, but noted here for one hundred and three years old! Or at least that’s what three sources think.
  • Born September 1 – C.J. Cherryh, 76. Author of several major series set in different settings including the Alliance-Union universe, the Foreigner universe, the Russian stories, Heroes in Hell, the Fortress universe and Ealdwood. I think my favorites are the Russian stories, particularly Rusalka which was a Locus Fantasy Award nominee. Downbelow Station and Cyteen both won Hugo Awards as did her short story titled “Cassandra.”
  • Born September 1 – Timothy Zahn, 66. I’ll admit that I’ve not read anything by him on and only know of him by his work in the Star Wars Universe. His other work appears largely to be milsf and largely on Baen Books.
  • Born September 1 – Brad Linaweaver. His Moon of Ice novella was a Nebula Award finalist and the novel length version won a Prometheus Award

(11) COMICS SECTION.

  • Frank and Ernest decide it’s better to go with their second favorite name for a new invention.

(12) A COOKIE WITH MORE BITE TO IT. Oreo has introduced two new cookie flavors — wasabi and hot chicken wing. For now, they are only available in China.

(13) A LITTLE LIST. Kendall has read the comments here before and introduced this as “Another list for people to slam!”

Unbound Worlds, who posted a ‘100 Best Fantasy Novels of All Time’ list a while back, now has a 100 Best Sci-Fi Books of All Time list. As before, they’re clear they just asked staffers for top sci-fi recs…

Hey, there are a bunch of books on this list I like, and if I’ve read 41 of them, your count probably will be even higher.

(14) IT’S NOT EPIC BUT IT IS FANTASY. Camestros Felapton reviews Matt Groening’s new series for Netflix, Disenchantment.

A new series from Matt Groening of Simpsons and Futurama fame was bound to generate some excitement. Using an epic fantasy/fairytale faux-medieval setting sounds like a fun premise for the kind of genre subverting humour that worked for Futurama. I’m up to the last two episodes and well, it isn’t great. It isn’t terrible but it isn’t great.

There are two issues:

  • Quite a lot of Futurama wasn’t that great either but your brain edits in the best bits.
  • Disenchantment leans too much on standard jokes and tropes used in its predecessors, making the show feel less fresh and novel.

It gets better, mainly because the characters start working on you and sometimes because of basic plot development.

(15) DOCTORDONNA IS IN. Sometimes the unexpected happens at Dragon Con. Democratic candidate for governor of Georgia Stacey Abrams encountered actress Catherine Tate.

(16) SIDEBAR. Cat Rambo found comic relief at the SFWA business meeting during Dragon Con.

(17) RUGRATS. Airboy notes, “There was a ‘weird news’ story on the front page of August 31’s Wall Street Journal on the odd carpet design of the Marriott Hotel in downtown Atlanta that is one of the DragonCon Hotels.  It had an odd carpet that was eventually removed due to age.  Some fans obsessed over it creating dresses, camo outfits, and eventually a group of them marched together in the annual DragonCon parade in downtown Atlanta.”

The article is online behind a paywall at the Wall Street Journal, “‘We’re Spending Our Hard-Earned Money to Dress Up Like Carpet.’ The Tight-Knit World of Rug Fans”.

These are the people who are obsessed with carpet and rug patterns in hotels, airports and office buildings; Dragon Con at the Marriott

Here’s a lot more material (free!) at the Dragon Con Eternal Members site: “Marriott Carpet Pattern”, including the famous photo of two prone cosplayers whose camo military uniforms blend almost perfectly with the rug.

(18) IN CASE YOU’RE CURIOUS. I’d never seen a photo of Dragon Con CEO Pat Henry before (not that they aren’t available). Writers of the Future’s John Goodwin posted a photo of them together.

He also posted a photo of the Writers of the Future panel with Contest judges Kevin J. Anderson, Robert J. Sawyer, Mike Resnick and Jody Lynn Nye.

(19) MORE CON HEALTH ADVICE. In advance of this weekend’s PAX West convention, the Seattle’s Public Health Insider warned con crud is a thing: “Gaming, Cosplay, and Con Crud, Oh My!”

PAX West opens on Friday and will bring tens of thousands of people to downtown Seattle. Be prepared for legions of cosplayers and badge wearers in downtown, even if you aren’t attending.

So… what is “con crud”?

“Con crud” is an artificial term that refers to the common cold, mild flu, or other non-threatening illness that may strike towards the end of a convention, or soon after leaving. You might have also heard it called PAX pox, festival plague, or even nerd flu.

The balance of the post advises ways to avoid getting it. [Via Ron Oakes.]

(20) AIR APPARENT. Fixing a flat: “Astronauts tackle air leak on International Space Station”.

Astronauts on the International Space Station (ISS) are having to deal with an air leak from a possible collision.

It has been traced to a small hole in a capsule that was used to deliver a new crew to the laboratory 400km (250 miles) above the Earth in June.

It is thought the damage was caused by the impact of a high-speed rocky fragment flying through space.

(21) BACK ON THE RAILS. BBC tells “How the Hogwarts Express was saved from a Welsh scrapyard”.

Emerging from the clouds of steam engulfing platform nine and three-quarters, the gleaming Hogwarts Express commands a special place in the hearts of Harry Potter fans.

Yet there was a time when the only place this engine could call home, was a south Wales scrapyard where it lay rotting among the hulks of a bygone era.

That is because the locomotive that entranced millions of Potter viewers and now sits proudly in Warner Brothers Studios, was once earmarked to be dismantled for the furnace.

Written off, abandoned and forgotten for 17 years, this lowly engine’s final destiny was originally far from Hogwarts School of Witchcraft and Wizardry.

(22) MORE THAN JUST ONLINE. “Telepresence: ‘My robot makes me feel like I haven’t been forgotten'”. – about helping shut-ins keep up with school.

Internet-connected robots that can stream audio and video are increasingly helping housebound sick children and elderly people keep in touch with teachers, family and friends, combating the scourge of isolation and loneliness.

Zoe Johnson, 16, hasn’t been to school since she was 12.

She went to the doctor in 2014 “with a bit of a sore throat”, and “somehow that became A&E [accident and emergency],” says her mother, Rachel Johnson.

(23) CASTING CONTROVERSIES. ScreenRant analyzes “10 Superhero Castings That Caused Fan Backlash.”

(24) ALMOST TIME. The House with a Clock in Its Walls – in theaters September 21.

In the tradition of Amblin classics where fantastical events occur in the most unexpected places, Jack Black and two-time Academy Award® winner Cate Blanchett star in The House with a Clock in Its Walls, from Amblin Entertainment. The magical adventure tells the spine-tingling tale of 10-year-old Lewis (Owen Vaccaro) who goes to live with his uncle in a creaky old house with a mysterious tick-tocking heart. But his new town’s sleepy façade jolts to life with a secret world of warlocks and witches when Lewis accidentally awakens the dead. Based on the beloved children’s classic written by John Bellairs and illustrated by Edward Gorey, The House with a Clock in Its Walls is directed by master frightener Eli Roth and written by Eric Kripke (creator of TV’s Supernatural). Co-starring Kyle MacLachlan, Colleen Camp, Renée Elise Goldsberry, Vanessa Anne Williams and Sunny Suljic, it is produced by Mythology Entertainment’s Brad Fischer (Shutter Island) and James Vanderbilt (Zodiac), as well as Kripke.

 

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Jonathan Cowie, Cat Eldridge, Todd Mason, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. And belated thanks to Joanna Rivers for an item the other day. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 8/28/18 Robert’s Pixels Of Order, Newly Scrolled

(1) IN TUNE WITH SPACE OPERA. Strange Horizons presents “’In The Far and Dazzling Future, People Are Still People’: A Round-Table on Domestic Space Opera” with Ann Leckie, Jennifer Foehner Wells, Judith Tarr, Joyce Chng, and Foz Meadows.

Foz Meadows: I honestly think you can’t have good SF without a degree of domesticity. There’s something sterile to the environments so often preferred by hard and military SF, where everyone is in uniform without a hint of how they live outside of it, that forgets that, even in the far and dazzling future, people are still people. One of the clearest visual examples that springs to mind was the ship Serenity, in Firefly—that show had a lot of problems, but the decision to lovingly render the spaceship as a domestic environment wasn’t one of them. There were hand-painted signs on the metal that Kaylee had done, scenes of the crew cooking real food together as a novelty, or making Simon a cake out of flavoured protein for his birthday because they didn’t have anything else; the difference between Inara’s quarters, with its lush decorations, and Jayne’s wall of guns. The Radchaii love of tea in Ann Leckie’s Ancillary series is another example of this.

But again, I find myself at odds with the assumption that domesticity is frowned upon in space opera, given that its presence is, to me, one of the defining qualities that separates it from traditional, “masculine” hard and military SF….

(2) DOCTOR IS IN. Variety says a former Doctor Who will be in Episode IX: “‘Star Wars: Episode IX’ Casts Matt Smith in Key Role”.

Sources tell Variety that “The Crown” star Matt Smith is joining “Star Wars: Episode IX,” which is currently in production in the U.K. It’s unknown at this time whether the “Doctor Who” alum will be on the side of the rebels or the evil empire.

(3) A SFF SPLASH. Scott Edelman interviews Rachel Pollack over a bowl of Vietnamese Seafood Noodle Soup in Episode 75 of Eating the Fantastic.

Rachel Pollack

We had lunch on the final day of Readercon at Pho Pasteur. This Quincy restaurant is a 2017 spin-off of the original Boston Vietnamese venue which has been open since 1991, and since that cuisine is one of her favorites, I thought we should give that venue a try.

Rachel Pollack is someone I’ve been connected to for a third of a century, even since I ran her story “Lands of Stone” in a 1984 issue of Last Wave, a small press magazine I edited and published. But she’s gone on to do so much more since then!

Her novel Unquenchable Fire won the 1989 Arthur C. Clarke Award, and her novel Godmother Night won the 1997 World Fantasy Award. Her other novels include Temporary Agency, which was a 1994 Nebula Award nominee. Her comic book writing includes an acclaimed run on Doom Patrol, as well as New Gods and Brother Power the Geek. She is also an expert on the Tarot and has published many books on the subject, including a guide to Salvador Dali’s Tarot deck. Her comics and Tarot loves blended when she created the Vertigo Tarot Deck with writer Neil Gaiman and artist Dave McKean.

We discussed why Ursula K. Le Guin was such an inspiration, the reason celebrating young writers over older ones can skew sexist, what Tarot cards and comic books have in common, how 2001: A Space Odyssey isn’t a science fiction movie but an occult movie, why Captain Marvel was her favorite comic as a kid (Shazam!), the serendipitous encounter which led to her writing Doom Patrol, how she used DC’s Tomahawk to comment on old Western racial stereotypes, the problems that killed her Buffy the Vampire Slayer Tarot deck, how she intends to bring back her shaman-for-hire character Jack Shade, and much more.

(4) MORE ON CARNEGIE LIBRARY THEFTS. The New York Times traces the fate of an individual stolen book to illustrate why the thefts could be carried on so long: “Vast Theft of Antiquarian Books Sends a Shudder Through a Cloistered World of Dealers”.

A rare books dealer thought he had gotten lucky in 2013 when he managed to acquire a 1787 French first edition — inscribed by Thomas Jefferson when he was ambassador to France.

“If someone else had seen it first, it would have been gone,” said the dealer, John Thomson, who owns Bartleby’s Books, an online shop.

He had no idea that his seeming good fortune was a byproduct of one of the most expansive rare book thefts in history.

The dealer at a book fair who sold it to him, John Schulman, is now accused of conspiring with a library archivist, Gregory Priore, to steal and sell rare items from the Carnegie Library of Pittsburgh….

… In this niche world based on trust, where confidants are currency and handshake deals are commonplace, the arrest of a prominent dealer is a shocking suggestion of deceit.

Mr. Schulman had served on the association’s board of governors and had even led its ethics committee, the organization said. His clients included some of the biggest names in the business. Prominent bookshops from New York to London bought stolen books, an affidavit shows.

…None of the buyers are accused of wrongdoing. But the booksellers’ association is taking steps to try to prevent a similar wide-scale theft from happening again.

We traced the path of one book, the edition signed by Jefferson, to explain how the theft is suspected to have worked — and why it went undetected for so long….

(5) BETHKE TRIBUTE. Bruce Bethke’s frank memoir “Family Matters” leads up to his announcement of the death of his first wife.

…What even fewer people have known until recently is that in December of 2012, my first wife, Nancy, was diagnosed with renal cell carcinoma. After a five-and-a-half year battle, she left this world sometime between late Sunday evening, August 19, and early Monday morning, August 20. Her funeral was this past Saturday.

(6) VELEZ OBIT. Artist Walter Velez (1939-2018) died August 24 at the age of 78.

The Encyclopedia of Science Fiction tells about his popular work, including covers for Robert Asprin’s books, such as the first Thieves World anthology.

His website is here.

(7) WAYNE OBIT. From Syfy Wire: “The Twilight Zone and Bewitched Actor Fredd Wayne Dead at 93” and The Hollywood Reporter: “Fredd Wayne, Who Played Benjamin Franklin on ‘Bewitched,’ Dies at 93”.

Per the SYFY Wire story, genre roles included appearances on: One Step Beyond (1 episode); The Twilight Zone (2 episodes); Voyagers! (1 episode); Bewitched (2-part episode); Walt Disney’s Wonderful World of Color (2-part episode); Wonder Woman (1 episode); Small Wonder (1 episode); The Phantom of Hollywood (TV movie); Chamber of Horrors.(feature film). There may be others they didn’t list. Depends, in part, on what you count as genre (Nanny and the Professor? Matinee Theatre’s “The Alumni Reunion” & “The Century Plant”?)

(8) TODAY IN HISTORY

  • August 28, 1991 — First E-mail Sent from Space

 Using a Mac Portable aboard the Space Shuttle Atlantis, the first e-mail from space is sent to Earth. Two astronauts on the spacecraft, James Adamson and Shannon Lucid, wrote, “Hello Earth! Greetings from the STS-43 Crew. This is the first AppleLink from space. Having a GREAT time, wish you were here,…send cryo and RCS! Hasta la vista, baby,…we’ll be back!” The message was transmitted to the Johnson Space Center in Houston, Texas.

(9) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born August 28, 1915 – Tasha Tudor. American illustrator and writer of children’s books. Her most well-known book is Corgiville Fair, published in 1971, the first of a series to feature anthropomorphic corgis.
  • Born August 28, 1916 – Jack Vance. Where to start? The Dying Earth series? Or perhaps the Lyonesse trilogy? I think I’ll pick the Demon Princes series.
  • Born August 28, 1917 – Jack Kirby. Comic artist is somewhat of an understatement for what he was. Created much of modern Marvel continuity and even some of the DCU as well with New Gods at the latter being my fav work by him.
  • Born August 28, 1948 – Vonda McIntyre, 70. Best known I think for for her Trek and SW work, but Dreamsnake won her both the Hugo Award and the Nebula Award for Best Novel, and The Moon and The Sun won her the Nebula Award.
  • Born August 28 – Barbara Hambly, 67. Author of myriad genre works including the James Asher, Vampire NovelsThe Windrose Chronicles, and the Sun Wolf and Starhawk series. Some Trek work. Was married for some years to George Alec Effinger.
  • Born August 28 – Amanda Tapping, 53. Stargate franchise of course, also lead in Sanctuary, Travelers, Kiljoys, Riese, Earthsea, Flash Forward and X-Files.
  • Born August 28 – Kelly Overton, 40. Genre work includes Van Helsing, Legends, True Blood, Beauty and The Beast and Medium.

(10) COMICS SECTION.

(11) REASON FOR A SEASON. John King Tarpinian says he has already ordered his “Santa in Space” shirt.

(12) ABOUT W76. Alexandra Erin unpacks a host of feelings about attending a Worldcon in “Conventional Wisdom”, like these sentiments about awards:

And so here is my insight for this year: the awards matter because they represent genuine appreciation, and the appreciation is genuine because it comes from people, from real people, a real community of people, a community of communities — some old, some newer, each diverse in different ways, each with their own competing and conflicting and even occasionally complementary tastes. This community is here at the convention and it is distributed somewhat haphazardly across the globe, wherever people are reading and writing and appreciating science fiction and fantasy literature published in the English language.

WorldCon is a concentration of that community, and the Hugo Awards are a concentration of WorldCon. The community is people, the convention is people, the awards are people, Soylent Green is people, and it is beautiful and it is glorious, even when the community stumbles.

(13) OUT IN FRONT. John Picacio mentions that he won the only Alfie Award presented by George R.R. Martin this year, tells about the gatherings of MexicanX Initiative members, and how he felt while emceeing the Hugos, in his conreport “Worldcon 76: The End Is The Beginning”.

I always forget how applause makes me feel like I’m underwater. I knew I was going to ‘X-up’ centerstage in salute to my Mexicanx brothers and sisters, but from there, every word of my opening address was blank page. Unscripted. Pulled from the bright stagelights, the infinite sea of faces, the inky black, that primetime moment you can’t calculate no matter how hard you try. It’s right there in front of your eyes, beyond the dazzle, if you can stop your heart from exploding out of your chest. All of those struggling years, building to arrive at that moment….I remembered that kid who so desperately wanted to be a part of this business….that guy who appeared at his first Worldcon a mere twenty-one years ago. And he led me through the darkness, like he always does — because I’m still that guy. I still want it as bad as I did when I worked on my first book cover, when I resigned from architecture to be the person I am full-time, seventeen years ago. I don’t remember everything I said up there — it just comes out — and no, I don’t want to watch the video and find out. Once is enough.

(14) NEW WETWARE DISCOVERY. NPR reports on “What Makes A Human Brain Unique? A Newly Discovered Neuron May Be A Clue”. Breaks the use of mice as models for neurological problems, e.g. Alzheimer’s.

An international team has identified a kind of brain cell that exists in people but not mice, the team reported Monday in the journal Nature Neuroscience.

“This particular type of cell had properties that had never actually been described in another species,” says Ed Lein, one of the study’s authors and an investigator at the Allen Institute for Brain Science in Seattle.

The finding could help explain why many experimental treatments for brain disorders have worked in mice, but failed in people. It could also provide new clues to scientists who study human brain disorders ranging from autism to Alzheimer’s disease to schizophrenia.

“It may be that in order to fully understand psychiatric disorders, we need to get access to these special types of neurons that exist only in humans,” says Joshua Gordon, director of the National Institute of Mental Health, which helped fund the research.

(15) PREEMPTIVE STRIKE ON CHOLERA. 21st-century pump handle: “Yemen cholera epidemic ‘controlled’ by computer predictions”. Rainfall predictions ID where sewers will overflow, telling where to concentrate treatment etc.

Last year, there were more than 50,000 new cases in just one week – this year, the numbers plummeted to about 2,500.

The system has enabled aid workers to focus efforts on prevention several weeks in advance of an outbreak – by monitoring rainfall.

It comes as the UN says it is concerned about a possible “third wave” of the epidemic.

(16) MAD, I TELL YOU. At The Onion: “New ‘Game Of Thrones’ Teaser Shows Cackling, Power-Mad George R.R. Martin Burning Completed ‘Winds Of Winter’ Manuscript”.

Shedding light on the much-rumored events of the upcoming eighth and final season, a newly released teaser for the wildly popular HBO series of Game Of Thrones that aired Monday centered around the image of a cackling, power-mad George R.R. Martin burning the completed manuscript of Winds Of Winter.

(17) COMING TO A BOOKSTORE NOWHERE NEAR YOU. Ferret Bueller shares a rarity:

This is a pic?ture I took of the official (I guess) Mongolian translations of the Game of Thrones books in Ulaanbaatar; they’re published by Monsudar, the leading publisher of translated books. These were on display at one of the little branches of Internom, their brick and mortar franchise, this one being near my office. I see by the stamp I took it on 1 April; I took the picture for a friend of mine who’s a GoT fanatic and didn’t even think that you might enjoy seeing it or putting it up on File 770 (it’s interesting enough SF news, I guess) until earlier today.

(18) YOU COULDN’T LOOK IT UP. Cameron Laux describes “Fourteen words and phrases that define the present” for BBC readers:

The new weird

An emerging genre of speculative, ‘post-human’ writing that blurs genre boundaries and conventions, pushes humanity and human-centred reason from the centre to the margins, and generally poses questions that may not be answerable in any terms we can understand (hence the ‘weird’). It is associated with people like Jeff Vandermeer and M John Harrison in fiction, but the approach is bleeding into television narratives (see Westworld or Noah Hawley’s innovative series Fargo and Legion). Vandermeer’s Annihilation is heavily influenced by recent ecological thinking which takes the view that humanity is a blip in geologic history: even considering the potential catastrophe of global warming, the Earth existed long before us, and it will exist long after (see the ‘hyperobject’ entry elsewhere here). In his 2002 book Light, Harrison imagines a universe where human physics is encroached upon by alien physics that coexist and are equally or more potent. Westworld posits machine intelligences that overthrow their masters, unleashing a radically non-human order.

(19) DEL TORO PROJECT. From Variety: “Guillermo del Toro’s ‘Scary Stories to Tell in the Dark’ Movie Sets Cast”.

Guillermo del Toro’s “Scary Stories to Tell in the Dark” adaptation has cast Michael Garza, Austin Abrams, Gabriel Rush, Austin Zajur and Natalie Ganzhorn with production to start this week.

Del Toro is producing the teen thriller with his “Shape of Water” producer J. Miles Dale. Sean Daniel and Jason Brown of Hivemind and Elizabeth Grave are also producing. CBS Films and Entertainment One are co-financing.

(20) NOT ENOUGH CONAN. Doctor Strangemind’s Kim Huett tells how Hollywood suffers for lack of his advice to guide them, in “Conan the Rebooter”.

What is best in life? To revive a franchise, to turn it into a success, and to hear the lamentation of your rivals!

I really do wish Hollywood would consult with me before embarking upon certain film projects. I’ve no doubt my sage advice could save them endless money and embarrassment in regards to the making of the more expensive science fiction and fantasy sort of films. “What’s that Mr Executive? You’re thinking about green-lighting a film based on the game Battleship? No. Just no.”

Ah, but I sense you would like some proof of my ability to deliver such sage advice. Fair enough, let’s then consider that famous barbarian, Conan, by Crom! As a teenager I read at least eleventy-seven paperbacks featuring Conan stories (published by Sphere Books in the UK and by first Lancer and then Ace Books in the US) so I’m reasonably familiar with the source material. Admittedly, it’s been a while since I’ve read any of Robert E. Howard’s stories but I think I can unequivocally state that neither attempt to put Conan on the big screen was unflawed….

[Thanks to Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, JJ, Ferret Bueller, Mike Kennedy, Carl Slaughter, Kim Huett, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Goobergunch.]

Kowal To Assist Changing Worldcon 76 Program

The Worldcon 76 program revisions promised yesterday will be aided by Mary Robinette Kowal and a team she is in the process of assembling.

Chair Kevin Roche tweeted –

Mary Robinette Kowal asked for breathing space to get started. (Thread begins here.)

John Picacio announced on Facebook:

Well, here goes nothing. I just got off the phone with my friend Mary Robinette Kowal and agreed to join her select team to help Worldcon 76 in San Jose with programming. Yes, all of us have witnessed problems in recent days, but there’s a lot of AMAZING work that is in the foundation that Christine Doyle and team has constructed, with the support of Kevin Roche. Our team is not here to trash and burn, but to chisel, refine, and include. LET’S DO THIS. #GameOn #Worldcon76

Despite the dramatic statement “We are tearing the program apart and starting over,” as John Picacio indicates, the program is being fixed, not done over from scratch.

PANELS DECLINED. Additions to File 770’s list of creators who tweeted yesterday that they were dropping off Worldcon 76 program:

  • Charlie Jane Anders

  • Annalee Newitz

  • Patrick and Teresa Nielsen Hayden

PERSPECTIVES. Representative examples from a broad spectrum of responses to the controversy that have appeared since last night —

Foz Meadows: “Worldcon 76: More Than Technical Difficulties”

Right now, my personal suspicion is that Worldcon 76 has been afflicted by a combination of bigotry – some likely subconscious, some very likely not – and poor coordination, with the latter significantly enabling the impact of the former. As much as I appreciate Kevin Roche stepping in to issue apologies and redo the programming, that these actions were necessary at all speaks, at absolute best, to an administrative setup wherein the right hand didn’t know what the left was doing, and at worst, to a gross case of insincere, post-facto ass-covering.

Even from the outside, it seemed clear well before yesterday that the programming for Worldcon was disorganised and running behind schedule. The “very preliminary programming” email I received on July 9 had me listed for no panels at all, confirming only that I’d be attending the Hugo Awards. When I queried whether I’d be on any panelling, the reply I received from Christine Doyle stated that, while I was “pencilled in” for some panels, “We were in the “get something out now” vs “get everyone scheduled” phase — and opted for the get something out now.” This didn’t exactly alleviate my worries, given that the con is due to start on August 16. (By comparison, the first full program schedule for MidAmericon II in 2016 was sent out on July 6, well in advance of the August 16 start date, with final corrections issued by August 4.)

I was more encouraged by the July 22 email I received from Leigh Ann Hildebrand, the LGBTQ+ content lead for programming, which listed 27 separate queer panel topics and asked which ones I’d like to be a part of. Thinking that these would be the only panels on which I might appear, I listed four but gave no order of preference; when the original program was sent out yesterday, I was therefore surprised to find that I’d been given two of the four, plus three other panels and a reading. In honesty, I was happy with the panels I’d been given – both in terms of topics and fellow panellists – but once it became apparent that other Hugo nominees had been offered far less, it was difficult not to feel angry on their behalf. Campbell Award nominee Rivers Solomon, whose expenses for attending Worldcon were crowdsourced by the SFF community, was offered only one item; to the best of my knowledge, JY Yang was given only a reading – or at least, this is what I inferred from their saying that they’d been left off the panelling items that they requested. Either way, it ought to be Worldcon 101 to try and accommodate both guests and award nominees from the outset instead of letting their contributions be afterthoughts, and whatever other factors are in play, it doesn’t escape notice that, overwhelmingly, those slighted by the programming are POC, non-American, queer or a combination of all three.

L.E.H. Light of Black Nerd Problems responds to the controversy and proposed solution in “Worldcon Starts Over: But Will It Be Enough?” . (I’m linking to this even though the post was publicized in a tweet with a dumpster fire GIF…)

…With only a month left to the convention, can the trust be regained? Can WorldCon 76 get itself together and present the event they promised us?

I’m not feeling hopeful.

Full disclosure, I’m attending WorldCon 76. I’ve paid my money, booked my room, and planned my cosplay. WorldCon is the best chance for me to meet some of my favorite authors without me having to book an international flight. And to attend the Hugos? That will be fantastic. I submitted panel ideas and have been placed on a few. Every step of that process has been delayed and challenging far beyond what I expected, even from a volunteer-run event. All along I had a voice in the back of my mind telling me something was wrong, and now, with all the evidence in front of me, I have to confront a real possibility: That my presence at the con is one of tokenism and not inclusion.

I say that while keeping in my mind all of the white people, whom I know personally, who invited me, and the people of color who stood up for me to get the placements I did. I don’t want to insult their work or say they did this purposefully. I do want to say that when they added me to a panel, for some the “Black critic with a sassy mouth” box was checked and they went on to schedule a bunch more white guys with conscious clear.

The old gatekeepers of book sci-fi/fantasy continue to be in full control of the keys to mainstream readers. I say that knowing that many of these people consider themselves “allies”, but they remain small-c conservative. They are fundamentally change resistant. While we readers may nominate an inclusive slate of writers and artists for the Hugo awards, the folks planning the conventions don’t really want to have us around, to socialize with queer fans, fans of color, immigrant fans. How can people who haven’t put out new fiction in 10 years have panels, but you can’t find room for new talent? They want our art, but they don’t want to make room at the con table for our concerns, our fan fiction, and our #ownvoices panels.

Larry Correia is one of several Sad Puppy authors delighted to hear about these problems — “My Official Comment on WorldCon 2018’s Social Justice Cannibal Feeding Frenzy” [Internet Archive link].

James Pyles: “An Outsider’s Point of View: Why Did WorldCon 76 Implode?” Despite taking Declan Finn’s and Richard Paolinelli’s posts as his jumping-off point, Pyles is an unusual commenter from the right who isn’t verbally abusive.

So far, I have no skin in the game, but if I ever have some body of my work published and become even marginally established, the Cons will start to become more significant in my life. My concern, and I’ve expressed it before, is by the time I get there, I will be considered an artifact from the “bad old days,” unworthy to have my #OwnVoice.

I don’t think it ever occurs to very many people that you don’t have to exclude “traditional” voices to include “underrepresented” ones. However, in this era of reflexive and wholly visceral panic attacks demonstrated on the far left side of the aisle, it seem virtuous to exclude, marginalize, or even actively express hostility toward “white baby-boomers,” if for no other reason than we’re old and white. And as those who tout the values of social justice and progressiveness continue to dominate the entertainment industry (including publication of SF/F genre material), the shoe, very much, is being put on the other foot.

The answer? I’ve said this before, too and it’s so, so simple. Definitely include Bogi Takács, JY Yang, and others who are from “marginalized” groups, and treat them in a humane manner and with respect, but do not throw the baby out with the bath water. Don’t torpedo those writers and editors who aren’t considered “marginalized,” even if you feel that somehow they (we/me) have “done you wrong,” because, in all likelihood, the vast majority of us haven’t. At the end of the day, all we want to do is tell a good story.

David Gillon’s suggestion —

Pixel Scroll 7/15/18 Old Filer’s Scroll Of Practical Pixels

(1) AMERICA’S FAVORITE DOCTOR. Welby? Casey? Kildare? Guess Who….? Thursday on BBC America:

Have TARDIS, will time travel: The new special “Doctor Who: The Lost Episode” uses remastered footage and new animation to reconstruct an unfinished 1970s-era tale from the venerable British science fiction drama penned by “Hitchhiker’s Guide to the Galaxy” author Douglas Adams and starring Tom Baker as the Fourth Doctor. 8 p.m. BBC America

(2) DEAL ALL THE CARDS. The Doctor figures in “The Pigs in Space” sketch at The Muppets Take the O2 (Arena) show, too.

(3) TASTE TEST. Cat Rambo turns in another sweet critique to The Green Man Review: “The Prettiest Candy: Albanese World’s Best Mini Gummi Butterflies”.

Having recently discovered that my favorite gummi bears were possibly made with child labor, I went looking for a substitute recently and picked up a bag of Albanese Mini Gummi Butterflies.

Candy is often not pretty, particularly when chocolate is involved, but these candies, shaped like butterflies, look like little stained glass jewels. The flavors are blue raspberry, cherry, grape, green apple, orange, and strawberry, with the usual scheme of color vaguely indicating flavor….

(4) SHADOW CLARKE JURY DELIBERATIONS. Fell a little behind linking to these posts…..

…I went a bit overboard (OH GOD HELP I CAN’T STOP) but you get the point. There’s a completely functional and immensely fun version of this story that puts it solidly in the Hunger Games/Limetown bracket of ‘tough heroic female lead discovers something terrible and vows to defeat it.’ I love stories like those, especially when they’re folded into this kind of post-apocalyptic subset of fiction.

But what Curtis does here is untidier, harder to achieve, newer and ultimately more rewarding. Nerissa is living day to day after losing everything, so she isn’t party to what would be the central plot in a more traditional dystopia. The parts she discovers, especially the transhumanism elements of the final act, feel earned and contextualized precisely because she discovers them when she does….

 As I said when making my selection of books to review for the Shadow Clarke, I didn’t expect to see Ian McDonald’s Luna: Wolf Moon on the shortlist. Having read it, I don’t have any direct criticism of the Clarke jury for neglecting it but that is not to say that I didn’t enjoy the novel. In fact, I enjoyed it very much and also its predecessor, Luna: New Moon, which I read immediately beforehand. That, of course, is one of the problems with considering a sequel or volume from a series for an award; it is going to be difficult to judge it without knowledge of the preceding story. Especially, when, as in this case, we are dealing with the middle volume in a trilogy which directly picks up strands from the first volume and also does recognisable work in setting up its successor. Therefore, despite the fact that Luna: Wolf Moon contains a strong narrative arc of its own and leaves the reader feeling as satisfied as if they have read a standalone novel, it is nonetheless not directly comparable because it is not entirely self-contained. Experience suggests that judges are generally inclined to favour the single-volume work (and on a practical level they are probably unwilling to read earlier series volumes on top of lengthy submission lists).

To kick off my Shadow Clarke experience, I’ve started with John Scalzi’s The Collapsing Empire, a novel based on a singularly intriguing premise. In a far distant future, humanity exists in an interplanetary empire called the Interdependency, its far-flung outposts connected by the Flow: a series of natural space-time currents that facilitate fast travel between different parts of the universe. As the Flow exists without concern for human planetary preferences – and as the Flow route to Earth was lost centuries ago – the majority of people live underground, in planetary habitats or in space stations along these Flow routes, with trade and travel controlled by aristocratic Guild families. Only one habitable world exists: the planet of End, so-called because it’s the most distant realm in the Interdependency, accessible only by a single pair of Flow streams connecting it to Hub, where the Emperox rules. But the Flow, so long assumed stable, is collapsing, threatening the survival of the entire Interdependency – and, as a consequence, of the human race….

…When I originally added Water & Glass to my short list, I suspected that the plot’s concern with a group of (largely European-coded) survivors onboard a submarine, the Baleen, would herald “an already present anxiety about intimacy, trauma, and reproductive concerns.” Given its thematic concerns from the blurb, I guessed that as a Noah’s Ark tale, the plot would likely revolve around questions of “precariousness and interdependent survival, resettling, and the possibility or repopulation or extinction,” though within the frameworks of the novel itself they were unable to gather more than a few animals, rather than any idea of two of a wide variety. Since reproduction felt central to Water & Glass’ concerns, the blurb itself led me to worry about the likelihood of queerphobia or eugenics in play, and unfortunately this assumption is almost entirely borne out. While queerness is entirely and frustratingly absented from this narrative (its own form of queerphobia), a concern with eugenics and human evolution through human-animal gene splicing is one of the grand revelations of the piece….

Dreams Before the Start of Time is beautifully written. The prose is clear, sometimes sparse, quite subtle in the way it provides a smooth emotional surface whilst signalling a great depth of feeling within the many characters. It is also an excellent science fiction novel-of-ideas, with clear themes and careful working out of the societal implications of new technology. How wonderful! …

American War has been short-listed for the 2018 Arthur C. Clarke award. A selection of our panel of shadow jurors respond to the novel below…

Rich with warmth and suspense and surprise, Spaceman of Bohemia is an exuberant delight from start to finish. Very seldom has a novel this profound taken readers on a journey of such boundless entertainment and sheer fun. It has been short-listed for the 2018 Arthur C. Clarke award. A selection of our panel of shadow jurors respond to the novel below…

HUMANKIND IS EXTINCT.

Wiped out in a global uprising by the very machines made to serve them. Now the world is controlled by OWIs — vast mainframes that have assimilated the minds of millions of robots.

But not all robots are willing to cede their individuality, and Brittle is one of the holdouts.

Left to my own devices, it’s rare for me to write criticism for books I haven’t finished. If I find a book boring or if it simply isn’t for me, there’s little motive to write a partial review to that effect, and so I don’t say anything; alternatively, if a work annoys me so much that I want to nitpick it in detail, I usually spite-read the entirety to be sure my facts are in order. In this instance, however, I feel justified in submitting criticism based on partial reads for two main reasons. Firstly, the Shadow Clarke jury is, by design and definition, reactive: we are here to pass judgement on award selections that have already been made by other people, and to do so in only 300-500 words per book. That being so, while we’ve certainly been given the scope and opportunity to write longer, more in-depth criticisms if we want, at base, we’ve been asked to provide a pass/fail grade on whether we feel a particular book merited its inclusion on the shortlist, with only a cursory explanation as to why.

Which leads to the second point: we are doing this on a fairly tight schedule which – for me, personally – overlaps with packing up my house and family in preparation for an international move. Work on the Shadow Clarke is unpaid, done as a labour of love for the genre; and while I’m happy to participate on those conditions, I am not a masochist….

Reading American War directly after Borne is an interesting experience, if not exactly a cheerful one. Where Vandermeer’s novel carefully files the comfort of specific geography off every element of it’s world, El Akkad builds his dystopian America in painful familiarity. North and South, Blue and Red. CNN and Fox. The political and ideological dividing lines that it’s impossible to avoid in the hourly news cycle are the frame work for El Akkad’s novel. Or at the very least, the foundation.

In a near-future London, Millie Dack places her hand on her belly to feel her baby kick, resolute in her decision to be a single parent. Across town, her closest friend—a hungover Toni Munroe—steps into the shower and places her hand on a medic console. The diagnosis is devastating.

In this stunning, bittersweet family saga, Millie and Toni experience the aftershocks of human progress as their children and grandchildren embrace new ways of making babies. When infertility is a thing of the past, a man can create a child without a woman, a woman can create a child without a man, and artificial wombs eliminate the struggles of pregnancy. But what does it mean to be a parent? A child? A family?

Through a series of interconnected vignettes that spans five generations and three continents, this emotionally taut story explores the anxieties that arise when the science of fertility claims to deliver all the answers.

It has been short-listed for the 2018 Arthur C. Clarke award. A selection of our panel of shadow jurors respond to the novel below…

…Cargill is a screenwriter first and foremost and its impossible not to see the influence of his primary craft here. That’s not a criticism either, there’s no sense of this being a lightly expanded movie treatment designed to be dropped onto a producer’s desk as an unusually fancy leave behind. Rather, this is a book steeped in the iconography and tempo of modern American cinema and that’s both interesting and not always a good thing for book or reader….

On a small isolated island, there’s a community that lives by its own rules. Boys grow up knowing they will one day take charge, while girls know they will be married and pregnant within moments of hitting womanhood.

But before that time comes, a ritual offers children an exhilarating reprieve. Every summer they are turned out onto their doorsteps, to roam the island, sleep on the beach and build camps in trees. To be free.

At the end of one of such summer, one of the younger girls sees something she was never supposed to see. And she returns home with a truth that could bring their island world to its knees.

It has been short-listed for the 2018 Arthur C. Clarke award. A selection of our panel of shadow jurors respond to the novel below…

…The greatest problem for me with Gather the Daughters is that no one is allowed to behave or think or speak like an adult. (We have only to think of the depth of field achieved by Margaret Atwood in her characterisation of The Handmaid’s Tale to see how Melamed’s novel is deficient in this regard.) A narrative that depends on compliance will inevitably run out of steam, as this one does. History has proved to us time and again that holding down a dictatorship is difficult work – sooner rather than later the peasants begin to uncover the injustices and deceptions perpetrated against them, and start to revolt. You have to kill a lot of people to keep these systems going, and even so your days as a despot are numbered from the beginning. On the island, the only reason nothing has come unstuck for the Wanderers so far is because everyone else in the community insists on behaving like characters in a YA dystopia….

It has been short-listed for the 2018 Arthur C. Clarke award. A selection of our panel of shadow jurors respond to the novel below…

What is it I look for in science fiction? The answer will be different for everyone, of course, and some who followed last year’s Shadow Clarke project may have come away with the impression that I don’t really like science fiction at all, that I’ll always find something to gripe about because that’s the kind of critic I am.

The truth is that I want books to be brilliant, and that’s what I go in hoping, every time. Most of all I hope to be shocked and surprised by a new voice or a new idea or a new way with words, to be seduced by science fiction all over again. Although Jeff VanderMeer can scarcely be described as a new voice, the effect of reading Borne has been transfiguring, like water after drought. After a long dry spell in which I honestly thought I’d had it with the genre, encountering Borne has left me on a high, inspired to join in the conversation once again.

(5) EXERCISE YOUR FRANCHISE. One of File 770’s self-imposed duties is to chronicle the many genre awards. Few are as exotic as Chuck Wendig’s — “Awkward Author Contest 2018: Winner, And Now It’s Your Turn”. He has picked JD Buffington as the first winner, and called on his blog readers to vote on the other entries.

Here are the rest — there are 40 more submissions.

They are utterly weird and wonderful. You will find some familiar faces in here, perhaps.

Your job now is:

Pick your favorite.

Just one.

JUST ONE.

Go to the comments section below.

Type in the number of your favorite photo — the number that corresponds with the photo in Flickr. Aka, the photo’s title.

That’s it.

Type nothing else, or your vote may not be counted.

Do not choose two.

Choose one, type only the number.

We’ll keep voting open till Wednesday, July 25th.

Enjoy. Vote. See you on the other side.

(6) COMICS SECTION.

  • A bad pun produced by a great mashup of comic and movie references in Brevity.

(7) BOOK RECOMMENDATIONS. Business Insider lists “15 books famous scientists think you should read”.

We compiled a list of book recommendations from a handful of illustrious minds by combing the web for quotes, checking out personal blogs, and just asking them directly. The picks below come from popular scientists including author and television personality Bill Nye, surgeon-turned-writer Siddhartha Mukherjee, and globe-trotting primatologist Jane Goodall.

The books they’ve recommended range from high fantasy, like Tolkien’s “The Lord of the Rings,” to canonical, like Plato’s seminal work “The Republic.”

Here are 15 books that brilliant scientists consider must-reads…

(8) AIR CAB. No discussion of what fares will be: “Rolls Royce develops propulsion system for flying taxi”.

Rolls said the initial concept for EVTOL used gas turbine technology to generate electricity to power six electric propulsors, specially designed to have a low noise profile.

Its wings would be able to rotate 90 degrees, enabling the vehicle to take off or land vertically. It could also use existing heliports and airports.

“We believe that given the work we are doing today to develop hybrid electric propulsion capabilities, this model could be available by the early to mid 2020s, provided that a viable commercial model for its introduction can be created,” the firm said.

(9) PROJECT LAUNCHED. The BBC reports — “Lift-off for Scotland: Sutherland to host first UK spaceport”.

Lockheed has made no secret of its desire to bring the Electron rocket to Scotland. Currently, this vehicle flies out of New Zealand.

A British version of the rocket would have an upper-stage developed and built at LM’s UK HQ in Ampthill, Bedfordshire.

“This is a defining moment for UK Space,” a spokesperson for the company told BBC News. “Lockheed Martin has been working with Britain for over 80 years and we stand ready to support the development of UK launch capability should our extensive experience in developing space infrastructure be called upon.”

(10) INFLUENTIAL ANIME. In the Washington Post, Hau Chu looks at the 30th anniversary of Akira (first released in Japan on July 15, 1988) and sees it as “inspiring a generation of works to come”, including “Stranger Things,” a Kanye West music video, and Rian Johnson’s Looper: “Why the pioneering Japanese anime ‘Akira’ is still relevant 30 years later”.

For the film’s cyberpunk look, Otomo drew from his own pop culture obsessions, including “Blade Runner,” which influenced the towering skyscrapers of Neo Tokyo, and “Tron,” whose neon-illuminated motorcycles inspired the hordes of biker gangs.

Otomo had been a respected illustrator of manga, Japanese comics. But for “Akira,” instead of trying to match his anime peers in Japan, he was working from European comic artists such as Moebius — an influential artist for the legendary Japanese animator Hayao Miyazaki. Otomo’s drawings for “Akira” were distinctive for their realism; he used lighting, color and an attention to detail to create a vivid, lived-in space.

(11) DRAGONS FOREVER. In August, the USPS will issue a set of stamps featuring dragons: “Postal Service to Feature Mythological Creatures on Stamps at APS National Summer Convention Stamp Show”.

The U.S. Postal Service will be joined by the American Philatelic Society (APS) to unveil four colorful stamp designs of 16 Forever stamps depicting dragons — the high-flying, fire-breathing mythological creatures that have roamed our imaginations for millennia — at the APS national summer convention and stamp show Aug. 9-12 in Columbus, OH.

“We’re very excited to bring these beautiful stamps to the 132nd annual APS convention,” said U.S. Postal Service Stamp Services Director Mary-Anne Penner. “This is one of the premier stamp shows in America and serves as an excellent platform to showcase these special stamps.”

…The new stamps will be issued as a pane of 16 stamps showcasing one of four designs: a green fire-breathing dragon towering over a medieval-inspired castle; a purple dragon with orange wings and sharp black armor on its back snaking around a white castle; a black dragon with green wings and green armor on its back swooping past a ship on the sea; and a wingless orange dragon weaving its way around a pagoda.

The stamps feature digital illustrations created by artist Don Clark of Invisible Creature studio.

(12) TRAILER PARK. 7 Splinters in Time — now in theaters.

Directed by: Gabriel Judet-Weinshel Detective Darius Lefaux is called to identify a body that is identical to him. As he dives into the harrowing case, different versions of himself begin to emerge and haunting memories of lives not lived fill his mind. Darius soon realizes that not all versions of himself are good and that he must find his other self, before it finds him.

 

[Thanks to John King Tarpinian, Cat Eldridge, Chip Hitchcock, JJ, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

2018 Norma K Hemming Awards

The 2018 Norma K Hemming Awards, given by the Australian Science Fiction Foundation (ASFF), were announced at a ceremony June 8 at Continuum in Melbourne.

The award is designed to recognize excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work. The winners receive citations and a monetary prize.

Eligible works were published in 2016 and 2017 across the long and short form categories, comprised of short fiction, novellas, novels, edited anthologies, collections, graphic novels and stage plays.

The winners are:

Short Fiction Category (stories up to 17,500 words)

  • “Coral Bones”, Foz Meadows (Monstrous Little Voices, Abaddon Books)

Long Work Category

  • Terra Nullius, Claire G Coleman, (Hachette)

[Thanks to Mark Hepworth for the story.]

Pixel Scroll 5/7/18 The File And The Pixel-Scroll Went To Space In A Runcible Manxome File

(1) LUKE CAGE CONTINUES. From Netflix, “Marvel’s Luke Cage – Season 2 Official Trailer.”

After clearing his name, Luke Cage has become a celebrity on the streets of Harlem with a reputation as bulletproof as his skin. But being so visible has only increased his need to protect the community and find the limits of who he can and can’t save. With the rise of a formidable new foe, Luke is forced to confront the fine line that separates a hero from a villain.

 

(2) NICHELLE NICHOLS’ HEALTH. “’Star Trek’ Star Nichelle Nichols Is Living With Dementia”Madamenoir has the story,

Nichelle Nichols, who is known for her iconic role as Uhura in “Star Trek” is living with severe dementia.

Nichols’ son Kyle Johnson says that his 85-year-old mother needs protection to prevent people from taking advantage of her.

According to TMZ, Johnson filed documents nominating 4 fiduciaries to become his mother’s conservators—giving them control of her finances and authority to make decisions regarding her health.

(3) FANTASTIC FICTION AT KGB. At the next Fantastic Fiction at KGB reading hosts Ellen Datlow and Matthew Kressel present Tina Connolly & Caroline M. Yoachim. Date and time: Wednesday, May 16, 2018, 7 p.m. at the KGB Bar.

  • Tina Connolly

Tina Connolly’s books include the Ironskin trilogy (Tor), the Seriously Wicked series (Tor Teen), and the collection On the Eyeball Floor and Other Stories (Fairwood Press). Her books have been finalists for the Nebula, Norton, and World Fantasy awards. She is one of the co-hosts of Escape Pod, and runs the flash fiction podcast Toasted Cake. Find her at tinaconnolly.com.

  • Caroline M. Yoachim

Caroline M. Yoachim is the author of over a hundred short stories. Her fiction has been translated into several languages, reprinted in best-of anthologies, and is available in her debut collection Seven Wonders of a Once and Future World & Other Stories. Her 2017 short story “Carnival Nine” is a Nebula and Hugo finalist. For more about Caroline, check out her website at carolineyoachim.com

The KGB Bar id st 85 East 4th Street (just off 2nd Ave, upstairs.), New York, NY.

(4) NEVER GIVE UP, NEVER SURRENDER. David Grinspoon, an astrobiologist who studies climate evolution and habitability of other worlds, and Alan Stern, the principal investigator of the New Horizons mission to Pluto and the Kuiper belt, say “Yes, Pluto is a planet” in  Washington Post op-ed.

Three years ago, NASA’s New Horizons, the fastest spaceship ever launched, raced past Pluto, spectacularly revealing the wonders of that newly seen world. This coming New Year’s Eve — if all goes well on board this small robot operating extremely far from home — it will treat us to images of the most distant body ever explored, provisionally named Ultima Thule. We know very little about it, but we do know it’s not a planet. Pluto, by contrast — despite what you’ve heard — is.

Why do we say this? We are planetary scientists, meaning we’ve spent our careers exploring and studying objects that orbit stars. We use “planet” to describe worlds with certain qualities. When we see one like Pluto, with its many familiar features — mountains of ice, glaciers of nitrogen, a blue sky with layers of smog — we and our colleagues quite naturally find ourselves using the word “planet” to describe it and compare it to other planets that we know and love.

In 2006, the International Astronomical Union (IAU) announced an attempted redefinition of the word “planet” that excluded many objects, including Pluto. We think that decision was flawed, and that a logical and useful definition of planet will include many more worlds….

 

(5) TRIVIAL TRIVIA. Because the International Space Station does not have a way to wash dirty clothes, astronauts shoot their laundry into the Earth’s atmosphere to be incinerated. Consequently, a crew of six can go through 900 pounds of clothing per year. (Source: Smithsonian.com)

(6) TODAY IN HISTORY

  • May 7, 1950 Ray Bradbury’s The Martian Chronicles became the first new work of science fiction ever noted in the New York Times Book Review, breaking that glass ceiling via Rex Lardner’s “Fiction in Brief” column. As John King Tarpinian tells it, “Ray was not happy with Martian being described as Science Fiction but heck, who cares now…”

(7) COMICS SECTION.

  • Lise Andreasen says the lesson learned from Saturday Morning Breakfast Cereal’s “Soulmate” is never build a dating website.

(8) AFROFUTURISM. A BBC profile: “Afrofuturism: Why black science fiction ‘can’t be ignored'”.

Afrofuturism is perhaps best summed up by the queen of contemporary afrofuturism herself — Janelle Monae.

Her futuristic music videos and radical aesthetic (she even calls her fans “fAndroids”) are seen by some as a key force for pushing afrofuturism into the mainstream.

“Afrofuturism is me, us… is black people seeing ourselves in the future,” she explains in a 30-second video clip for Spotify.

It is no surprise then that Janelle cites the movement as the inspiration for her new narrative film, Dirty Computer: Emotion Picture, a visual accompaniment to her latest album (which is currently trending on YouTube).

(9) CATCHING UP. Here are “Some Pragmatic Picks by Foz Meadows” a 2018 Shadow Clarke juror.

In compiling my personal Shadow Clarke shortlist, I’ve opted to forego the pressures of dutiful or adventurous reading, and have stuck to a selection of books which, for various reasons, I’d already planned to read. Partially, I’ve done so out of pragmatism: it’s hard enough at the best of times to force myself to read something in which I have little to no existing interest and whose premise doesn’t appeal to me, and if I can’t actually bring myself to read my selected works, there’s little point in being a shadow judge at all. At the same time, I’d argue that the parameters of the Clarke Award are such that the final selection of any judge or judges, whether shadow or otherwise, is always going to hinge on personal taste. The submissions list, as the name suggests, does not come pre-curated: in order to be in contention for the award, eligible works need only be submitted for consideration by their publishers. While there’s invariably a fascinating conversation to be had about which of their titles particular houses either forget, neglect or actively decline to submit in the first place, the impact of those choices is at best a process of curation by collective omission. That being so, the contents of the submissions list as is become something of a crapshoot, running the gamut from obvious, big-name contenders to self-published indies to midlist titles flung at the wall to see what sticks. But then, science fiction, when not broken down into subgenres, is a spectacularly broad mandate – how else can it be honestly navigated except through personal preference?

(10) WHERE DO THEY ALL COME FROM. “Cat Rambo’s Ideas For The Asking: A Guest Post!” at Sue Bursztynski’s blog.

Where do you get your ideas, my youngest brother asked as we were driving to dinner. I shrugged and said, Everywhere. He eyed me sideways, as though to say, it has to be harder than that.

But the truth is that I’ve always tried to look at the world in different ways. As a child, a favorite activity was looking at the ceiling and imagining what it would be like to live from that angle — not so different from our own life, but with much more inconvenient doors, for one. Or later, looking at public spaces to imagine what a superhero battle would be like staged there — where was cover, where the blind spots or perches? …

(11) RAMBO TRIVIA. Time to cram for the quiz:

(12) FAAN STATS. Click on the link to download Nic Farey’s FAAn Awards voting statistics and analysis publication.

(13) MINIATURE WORLDCON BID. Kate Secor (bid chair) and Michael Lee (bid treasurer) have announced a bid for “Worldcon 84: The Minimal Viable Worldcon” to be held in Charlottesville, VA in 2026. This is probably supposed to be funny.

W84 is targeting lovely Charlottesville, Virginia as a site. We will be capping attending memberships at 125 (not including staff) in order to fit in our chosen venue, the Charlottesville CitySpace. …

We are currently looking at dates in early October, so as to take advantage of Virginia’s long fall season and lovely natural scenery. We expect there to be sufficient hotel rooms to accommodate all our members at various price points. There will be no official con hotel, although W84 may be able to work with Charlottesville’s Visitor Bureau to change this.

…W84 will be administering the Hugos entirely online and via postal mail, and announcing the results via press release. Trophies will be mailed to the winners. W84 will be administering Site Selection largely via mail, but will accept hand-carried ballots and also allow on-site voting for all members even if they do not have attending memberships.

(14) MODERN WARRIOR. James Breakwell reporting:

(15) READY PLAYER THREE. And right after —

(16) GOOD DOG. At Middle-Earth Reflections, Olga Polomoshnova a series of posts finishes with “Reading Roverandom /// Chapter 5”.

The closing chapter of Roverandom is a good example of a happy turn of events when you least expect it. Moreover, it is where we can see the results of Rover’s moral journey and how he has changed over the course of the story.

Once out of the sea depths, Rover again addresses Artaxerxes with his request: to change him into his proper size and shape. He does not hesitate to use the word “please” abundantly. The wizard is happy to help the dog as he has become wiser and kinder, too, following his failure as PAM and the anger of mer-people.  But, alas, all his spells were destroyed at the bottom of the ocean. Artaxerxes is truly miserable, and he really means it being eager to change Rover back into his normal self. Things would have been pretty bad had it not been for the wizard’s shrewd wife. She kept some spells and now has exactly the one he needs to grant Rover’s request.

(17) DECODING HEINLEIN. Does the BBC know this was the source of the ship name in Citizen of the Galaxy? — “Sisu: the Finnish art of inner strength”.

“Sisu will get you even through granite,” my Finnish mother-in-law used to say. If you look at the enormous grey outcrops of granite scattered since the ice age through the Finnish countryside and forests, you’ll realise that getting through them is not just difficult, it is pretty well impossible.

‘Sisu’ in Finnish means strength, perseverance in a task that for some may seem crazy to undertake, almost hopeless. My mother-in-law experienced the bombings of the Winter War (1939-1940) when Finland was attacked by the much superior Soviet army but managed to mount a resistance to remain independent. The New York Times ran an article in 1940 with the headline “Sisu: A Word that Explains Finland”.

So, what is this almost mythical quality that appears to be so Finnish? “It is a special thing that is reserved for especially challenging moments. When we feel that we came to the end point of our preconceived capacities. You could say that sisu is energy, determination in the face of adversities that are more demanding than usual,” says Emilia Lahti, a researcher of sisu from Aalto University in Helsinki.

(18) CELEBRATING HEINLEIN’S BIRTHDAY.  A Barcelona club plans to celebrate Heinlein’s birthday on July 7. Juan Miguel de la Torre Quesada, Vice-President of Barcelona’s Otium Club sent out an English translation of their press release with the schedule. Here are a few highlights.

H-Day – Heinlein’s Day

Saturday, July 7nth, 2018 – from 10: 00 to 14:00.

Civic Center Joan Oliver “Pere Quart”

C/ Comandante Benítez, 6 – Barcelona (Spain)

About the event:

On the day of his 111nth birthday, this July, the seventh, we’re gathering to celebrate the life and work of Robert Anson Heinlein in a event we have baptised as “Dia H – Heinlein’s Day”. With this activity we wish to present to the greater audience, beyond the limits of fandom, this seminal autor and his influence within the genere of SF as well as in the cultural fabric of our times.

Robert Heinlein is considered one of the greatest and most essential writers in the SF cannon, not only because of his excellent narrative and literary qualities, but as a pioneer in the field, a paladin of critical thinking and of rational pragmatism, owing perhaps to his formation as an engineer, whose ideas and reflections, poured into a hundred Works, remain relevant today and are worth debating.

10:00 Introduction.

Ángel.F. Bueno, founder and President of the Otium Club will welcome the attendees with a brief exposition about the activities, presneting the author and his work, and then introducing the main guest speaker, Salvador Bayarri.

10: 20 – 11:40 Conference : “Robert Heinlein: a libertarian in science fiction”.

Salvador Bayarri, Doctor in Physics and Master Degree in Philosophy, as well as an SF writer, will expound on a complete exploration and biographical analysis on the thought, themes and work of the autor, in a light and humorous manner.

11:40 – 11:45 “The attendees will be invited to blow the candles on a birthday cake customised for the occasion”.

11:45 – 13:13 Screening of “Predestination” (2014) , The Spierig Brothers.

Salvador Bayarri and Ángel F. Bueno will introduce this excellent movie based on the short story “All you zombies!” (1958) by Robert A. Heinlein….

(19) TAGGING ALONG. The latest Mars mission has company: “WALL-E and EVE on their way to Mars with InSight”.

NASA’s InSight lander is on its way to Mars, after a successful launch on Saturday morning.

The lander was launched by an Atlas V rocket taking off from Vandenberg Air Force Base in California shortly after 4 a.m. local time. It successfully separated from the upper stage more than an hour later.

Because InSight is a lander — not a rover — it will stay put on Mars as it carries out “an $813.8 million mission to study the interior of the Red Planet.”

Two CubeSats, or miniature satellites about the size of a briefcase, were launched by the same rocket, basically hitching a ride with the Insight. Named after the characters in the 2008 animated movie, WALL-E and EVE are each about the size of a briefcase or large cereal box. They popped out from the rocket’s upper stage after liftoff and are hightailing it to Mars, right behind InSight. This is the first time CubeSats have set sail for deep space.

[Thanks to Keith G. Kato, JJ, Cat Eldridge, ULTRAGOTHA, John King Tarpinian, Mark Hepworth, Chip Hitchcock, Andrew Porter, Martin Morse Wooster, Lise Andreasen, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 2/25/18 I, Pixel

By JJ:

(1) ALSO #METOO. In a follow-on to Myke Cole’s mea culpa as reported in the February 15 Pixel Scroll (item #3) about a thread on industry harassment at School Library Journal, author Janci Patterson, in a post entitled “Sexual Harassment, Apologies, and Forgiveness” explains how Cole’s willingness to own, and apologize for, his past behavior has made a huge difference in her life:

That is what it was like being a woman in publishing who had been harassed. I watched people discrediting the women who spoke up on the basis of their comments being anonymous. If it was true, why would they need anonymity?

I knew why. After Zoe Quinn, women in my position all know. We are all one internet post away from being Zoe Quinn.

And then Myke apologized. If you haven’t yet, take a minute and read what he wrote. What he says describes my experience exactly. It’s a damn good apology. He admits to what he did, in specific terms. He expresses that he was unaware that he did it, but he doesn’t treat that as an excuse. He addresses his victims directly and says he’s sorry. He expresses additional sorrow. He talks about both what he’s going to do to make reparations and also how he’s going to address his behavior going forward.

Reading that changed the whole world for me. I had been watching the cultural shifts in our post-#metoo, post-Weinstein-scandal world, but for me, this was the final piece. In that moment, I went from a scared woman with a difficult secret to a woman who could speak authentically. Who could tell the truth. No one could jump on me in any kind of credible way anymore. It was true. It happened. Myke admitted it was true. He saw the hypocrisy in his feminism. He owned it.

He set me free.

Another SFF author who was mentioned in the comments on the SLJ thread, Dan Wells, also posted his thoughts on harassment and being willing to step up and do better:

I have always believed that you should believe a woman who says she’s been harassed, so I believe these women, too.

And then I was accused of being a harasser.

And then the same woman recanted her accusation.

I do not know who this woman is, as she posted anonymously both times, but I want to take this opportunity to pubicly accept her apology, and to thank her for coming forward.

But here’s the thing: I believed her. Obviously I didn’t believe that I had assaulted someone and then forgotten about it, or anything ridiculous like that. But I was – and am – willing to believe that without intending to and without noticing I had done something to make a woman feel uncomfortable or unwelcome or unsafe…

I could have raged against the injustice of this comment – and to be perfectly honest, a part of me did – but the more useful, more helpful response was to sit down and take a good hard look at myself and my actions. What have I been doing, and what can I do in the future, to make the conventions I attend and the spaces I inhabit safer for other people?

Recanted accusation or not, I found some stuff I need to work on. Not a long history of abusive behavior, but a tune-up on boundaries, and on thinking before I speak.

(2) THE LATTER IS NOT RECOMMENDED. SFF author Jeremiah Tolbert spent last Saturday at the Planet ComicCon Kansas City 2018, and he says, “ComicCons Are More Fun With Children. You Should Make Some, or Steal Somebody’s”.

So given that I’m not big on photos with famous people (but definitely not above walking past autograph alley to oogle them and say, without fail, “oh, they’re shorter than I expected”), and I am not really a collector of toys or comics, why would I ever attend these things? Two simple reasons: to meet up with professionals attending who are good friends and to watch my tiny human
lose.
his.
shit.
Little Dude Tolbert (hereafter referred to LDT) will be four in June, and he’s developing into quite the little protogeek.

 

(3) CONTRACTUALLY DEFICIENT. In a public post on Patreon, Jason Sanford reported:

Since the first of the year I’ve written a couple of times about Spectacle Magazine, a new quarterly speculative fiction publication (see here and here for previous articles). The magazine is published and edited by Kevin Hale and Danny Dumas and aims to be a high-end venue for thought-provoking fiction and non-fiction focused on SF/F themes.

Three days ago the Spectacle’s editors sent out a number of story acceptances. Normally you’d expect authors to be excited about acceptances, but news quickly spread that many of them were not happy with the contract terms being offered. I personally had multiple authors contact me about issues around the contracts they were offered…

There are several issues there, including with derivative rights. At worst this derivative rights grab could allow Spectacle to create films or video games or nearly anything else using the stories they purchased and the authors wouldn’t be able to object.

There are also other issues with the contract, such as not laying out when the work would be published or that the rights will revert to the author in the case the story is never published.

Shortly afterward, Spectacle Magazine published the following tweet:

Another author on Twitter noted, with astonishment:

(4) DEADLINE EXTENDED. Worldcon 76 has announced that the deadline for submissions to their Academic Track have been extended to March 1, 2018:

Participants in the Academic Track will have a chance at winning a “Best Academic Track Paper” cash prize from The Heinlein Society.  This $250 prize will be awarded based on the presentations as given at Worldcon 76.  Given this new opportunity, we will extend the submission deadline to March 1st.

Details on submitting can be found at the Worldcon 76 website.

(5) THIS IS THE FUTURE THAT FILERS WANT. Via Foz Meadows:

http://peppylilspitfuck.tumblr.com/post/171099260572/fozmeadows-majorgenerally-writing-prompt-s

(6) TAKING CREDIT. Kristine Kathryn Rusch, in her latest column “Business Musings: Editorial Encroachment”, comments on the recent trend she’s been seeing of editors requiring equal authorial credit on books:

Last week, as I was searching for a friend’s book on Amazon, I made a loathsome discovery. My friend’s book, which is up for preorder, lists her name and the name of someone else on the byline.

I had never heard of that someone else. So I clicked on the preorder, and what did I see? A cover, with just my friend’s name on it.

So I glanced up at the title. Beneath it was this byline:

My Friend (Author), Annoying Person (Editor)

I went through the roof. My friend wrote that book. She hired Annoying Person to edit the book.

I looked up Annoying Person and found her terms and conditions. She sounds like a fairly knowledgeable editor. She only handles copy editing and line editing (although it sounds like she would have a pretty heavy hand). She explicitly says she does not do developmental editing.

Which means she has done exactly nothing on this book. She didn’t come up with the concept. She didn’t brainstorm the characters. She didn’t improve the plot. She didn’t imagine the setting.

All she did was tweak the words.

So why the hell is she getting credit for this book?

Rusch explains in detail why she believes that going along with this is damaging to an author’s brand, and offers advice to authors who are faced with such contracts by their editors.

(7) CHESHIRE CATS. In a Twitter thread, lindsay beth explains how your SJW Credential always manages to magically appear, despite not having been in any of the places you’ve looked: (click the date/time stamp to read the whole thread)

(8) NEBULOSITY. Filer Cora Buhlert has posted “Some Thoughts on the 2017 Nebula Award Nominees”, and offers her thoughts on the shortlists of the various categories as well as some possible trends.

In general, what’s notable about the adult fiction categories is that Uncanny dominates the short fiction categories, followed by Tor.com and Clarkesworld. Tor.com absolutely dominates the novella category, while Orbit dominates best novel. The decline of the big three print magazines continues. F&SF and Asimov’s managed to garner one nomination each, while Analog didn’t get any at all. Only a single nominee in the fiction categories is self-published. Thematically, I don’t see a clear trend beyond a preferences for works with historical settings.

Buhlert’s piece contains more detailed analysis of individual entries, as well as of the levels of diversity reflected by the shortlist authors.

 

(9) DOCTOR WHEN. The Gallifrey Times says that during the February 21 BBC Worldwide Showcase Panel at Liverpool’s Echo Arena, it appeared to be confirmed that Doctor Who will be returning in October 2018.

In the background, we see a promotional photo of the Thirteenth Doctor with some text that reads:

Series 11 – 1×65 – 9×50 – delivers October 2018

You can view the Liverpool Echo’s photo gallery of the event here.

(10) ACHIEVEMENT GATEKEPT. Experienced gamer and blogger Mysty Vander describes how she conquered her social anxiety to attend a gaming convention in 2017, only to be confronted with outrageous sexism, in “Honey, Let the Real Gamers Play”:

We reached a point where my Gunslinger passed a search check nobody else did. I had found a letter. My character was quiet, stoic, and kept to herself – she likely would only divulge the necessary information. When the GM took the letter out, he handed it to the man playing Freya instead of myself. Okay…that’s fine, not a big deal, as long as I get to read it in the end (being partially deaf at a convention, I truly needed to read it with my own eyes to understand all of it).

That didn’t quite happen. Freya’s player read it, passed it along to the older man beside him, and then the note went no further. “Oh, so we need to find the South Gate?” Freya inquired.

The player beside him responded, “Seems like it,” and handed the note back to the GM.

“May I see the note?” I asked.

Without hesitation, the player playing Freya responded, “No need, we know what it meant, sweetie,” he said with a smile.

(11) JUMPING ON THE MAPWAGON. The February 19 Pixel Scroll (item #9), mentions an artist who has done Lord of the Rings-style maps of UK and US National Parks. Kim Huett points out that an Australian artist has done a map of Canberra in the style of Game of Thrones.

(12) BIRTHDAYS.

  • Born February 25, 1966Alexis Denisof (The Avengers, Guardians of the Galaxy)
  • Born February 25, 1966Téa Leoni (Deep Impact, Jurassic Park III)
  • Born February 25, 1971Sean Astin (The Lord of the Rings, Stranger Things)
  • Born February 25, 1986Jameela Jamil (The Good Place)

(13) BUG REPORTS. In xkcd’s 2018 CVE List, Randall Munroe details the most recently-discovered Common Vulnerabilities and Exposures of software, of which we must all be wary. Be sure to mouseover the image for a special Security Disclosure.

(14) DEBUNKING THE MYTHS. In “Hugo Myth Season Again”, Cheryl Morgan dispels the idea that nominators must have read exhaustively in order to be legitimate nominators:

Voting is open for this year’s Hugo Awards, and consequently I need to get back to dispelling the strange ideas about the Hugos that seem to proliferate at this time of the year.

This post has been inspired in particular by the latest episode of the Coode Street Podcast where Gary and Jonathan do their usual fine job, but don’t quite get everything right.

Something that they do get right is the “I haven’t read enough” myth. Every year people trot out the idea that if you haven’t read “everything” then you are not eligible to nominate. This is nonsense.

However, Morgan says that there is another persistent myth to which even the Coode Street Regulars have fallen, which must be corrected:

Finally we come to the bit where the podcast goes totally off the rails. Jonathan resurrects one of the best known zombies of Hugo lore, the idea that the Hugos were once for science fiction only and were later changed to include fantasy. This is not entirely Jonathan’s fault. He got the story from Justin Ackroyd. I have had this discussion with Justin before. He was wrong then and he is still wrong now.

 

(15) I GOT YOUR EXHIBIT RIGHT HERE. Filer von Dimpleheimer, after seeing the announcement in the February 18 Pixel Scroll (item #21) that the exhibit “A Conversation Larger Than the Universe: Science Fiction and the Literature of the Fantastic from the Collection of Henry Wessells” would be taking place at The Grolier Club, stopped by when he was in the neighborhood. You can see his photos of the exhibit here.

– photo by von Dimpleheimer

(16) INADVERTENT DOXXING. In an article entitled “Furry Website Leaks Real Identities”, Medium contributor Sky raises some issues for concern regarding the registration software system used by a number of fannish conventions.

A “feature” in the popular convention registration system ‘Convention Master’ lets anyone find out your fursona name just by typing your real name.

The software is used widely by many conventions, especially in the furry scene. Civet Solutions, the maker of the software, boast “over one hundred and fifty thousand registrations processed.” If you’ve ever attended a furry convention, there’s decent odds they have your data on file… and are now leaking it with no plans to ever stop.

During online pre-registration, you enter your first and last name to see if you have an account at that convention. Unfortunately, anyone can do this. If you’ve ever pre-registered for that convention, or registered on site in a previous year, you have an account. And everyone can see you’ve attended that con with just your first and last name.

Even worse, your fursona name is also displayed.

Yep, that’s right. Anyone can find your fursona name if they know your real name.

Known affected furry cons:

  • Alamo City Furry Invasion
  • Califur
  • Fur-Eh!
  • Furlandia
  • Pacific Anthropomorphics Weekend
  • Scotiacon
  • Vancoufur
  • Wild Prairie Fur Con

Known affected non-furry cons:

  • Arisia
  • RustyCon

The article’s author discusses potential personal and professional implications of the public accessibility of members’ information, as well as possible avenues for remediation. They have also added a follow-up:

UPDATE NOTE: This article was updated with a section of feedback from Civet Solutions at the end of the article. Although the real name look-up feature in question will unfortunately not be removed from the software in future, I encourage you to read the update over to better understand their point of view and their future development plans.

(17) OLD PEOPLE READ YOUR SFF. In the past, James Davis Nicoll took requests on a commission basis only. However, he has now opened a Suggestion Box. There’s no guarantee that the work you suggest will be reviewed; however, submissions are welcome.

(18) YOU SHOULD SEE THIS. At Skiffy and Fanty, Stephen Geigen-Miller offers his “Best Graphic Story Hugo Recommendations”:

One of my biggest personal goals with these reviews – I mention this in the introduction to every column, and unpacked it a bit in my Month of Joy post – is to bring more, and different, deserving SFFnal comics, webcomics and graphic novels to the attention of SF&F readers.

That’s especially important when when it gets to be Hugo nomination season; I want to see a diverse, inclusive, smart Best Graphic Story category that reflects the breadth of the material that’s out there, and I want other genre readers to have the chance to find and fall in love with those comics, like I have.

(19) WHY SETI IS CONTRAINDICATED.

(20) ANNIHILATED. At The Verge, Annihilation and Ex Machina director Alex Garland talks about using sci-fi to explore self-destruction:

I think the main thematic preoccupation probably belongs primarily to the film, which is really about self-destruction. It’s about the nature of self-destruction in a literal sense: cells have life cycles and stars have life cycles and plants and the universe and us. You, me, everyone. But also psychological forms of self-destruction.

It was born out of a funny kind of preoccupation I started to have, that everybody is self-destructive, which is a strange thing to notice. I think a lot of self-destruction is very obvious. [Gestures to cigarettes on the table.] That’s an obvious self-destruction, right? And if a friend of yours is a heroin addict or an alcoholic, that’s an obvious kind of self-destruction. But there are also… You’ve also got friends, or people you encounter, who are super comfortable in their own skin, and very self-possessed, and feel like they have understood some sort of secret to existence that you’re not party to. And then you start to see, no, that’s not quite right. It’s more complicated than that. And fissures and fault lines appear, and between the fissures and the fault lines, you see bits of behavior that doesn’t really make sense – like they’re dismantling things in their lives for no good reason.

In “People Have Accused Annihilation of Whitewashing. Here’s How Its Director and Stars RespondedTIME Magazine reports:

Anticipation for the movie has been high since the release of the first trailer last fall. But recently, some, including the advocacy group Media Action Network for Asian Americans, have accused the film of whitewashing the roles played by Portman’s and Leigh’s characters, saying the characters on which they are based are of Asian descent and Native American descent, respectively, in the trilogy. In a statement, Alieesa Badreshia, an MANAA board member, said that writer-director Alex Garland “exploits the story but fails to take advantage of the true identities of each character.”

Others have pointed out that revelations of the two characters’ ethnic backgrounds are not made until subsequent books in the series.

In response to the criticism, Garland provided the following statement to TIME:

This is an awkward problem for me, because I think whitewashing is a serious and real issue, and I fully support the groups drawing attention to it.

But the characters in the novel I read and adapted were not given names or ethnicities. I cast the film reacting only to the actors I met in the casting process, or actors I had worked with before. There was no studio pressure to cast white. The casting choices were entirely mine.

As a middle-aged white man, I can believe I might at times be guilty of unconscious racism, in the way that potentially we all are. But there was nothing cynical or conspiratorial about the way I cast this movie.

While Portman, Leigh and Novotny are white, co-stars Thompson and Rodriguez are women of color. Oscar Isaac, who plays Portman’s character’s husband in the film, is of Guatemalan and Cuban descent.

 

[Thanks to Cora Buhlert, James Davis Nicoll, Jason Sanford, Kim Huett, RedWombat, ULTRAGOTHA, and von Dimpleheimer for some of these stories. Title credit goes to File 770 Contributing Editor of the Day JJ.]

Pixel Scroll 2/14/18 Do Not Scroll, Bend, Fold, or Pixelate

(1) DIANE DUANE’S GOOD NEWS. An appeal signal-boosted here yielded enough book sales to save the Duane/Morwood home. As she wrote in a comment

Hi folks! Diane Duane here.

I noted this morning that visitors have been arriving at the Ebooks Direct store from here. I just wanted to let everyone know that the astonishing generosity of customers and donors has meant that our problem has been completely solved in A SINGLE DAY. To say that Peter and I are gobsmacked — not to mention amazed and overwhelmed and unutterably relieved by the sudden removal of a difficulty that’s been hanging albatross-like around our creative lives for what seems like forever — would be putting if mildly. If you were involved in assisting with this… THANK YOU! (And meanwhile we’re leaving the sale running, because what the heck, everybody likes a sale…) Best! D.

(2) A DIFFERENT TONGUE. CNET’s Bonnie Burton advises: “This Valentine’s Day, woo your crush like a Wookiee or Klingon”.

Who needs boring English? Once you discover how to flirt in sci-fi speak, you’ll be making out to the Star Wars or Star Trek theme song in no time. Well, that’s the idea….

My love of speaking sci-fi goes way back. As a kid, I thought I could talk droid like R2-D2 and began to randomly beep at my classmates in elementary school — until a confused teacher pulled me aside to ask if I was OK. Later, when I worked as a senior editor for the Lucasfilm site StarWars.com, part of my job was to become familiar with phrases spoken by characters like Chewbacca, Jabba the Hutt, Greedo, Wicket the Ewok and Jawas.

While I did end up marrying R2-D2, it’s not as easy to master a sci-fi language as it looks. It took awhile just to decipher the difference between the high-pitched sounds of Jawas and Ewoks and the deeper, guttural utterances of Jabba the Hutt and Chewbacca. But with patience, and the help of repeat Star Wars film viewings and books like the “Star Wars Galactic Phrase Book & Travel Guide,” I got there.

(3) HAVE SCARF, WILL TRAVEL. James Bacon is visiting this side of the pond. He snapped a selfie on the plane:

I’m on my way to Boston.

Tomorrow I fly to Chicago for Capricon

Then early on Sunday back to Boskone.

(4) DOWN THESE MEAN TWEETS. Bleeding Cool’s Rich Johnston released an internal DC Comics memo in his post “‘Mean Spirited’ Tweets Against Company Policy – DC Comics’ Social Media and Press Guidelines to Comic Creators”.

…While I understand that this kind of thing has been an increasing concern in recent years, I understand that this is happening right now as a result of the actions and internal company employee reactions and concerns reported by Bleeding Cool over artist Ethan Van Sciver‘s social media activity. Concern has been expressed from the top, from President Diane Nelson, down to fellow freelance creators….

DC’s memo begins:

Dear DC Talent Community –

The comic book industry is a very special creative community dedicated to telling epic and legendary stories of action, heroism and intrigue with a rich and diverse portfolio of characters. Both DC’s employees, as well as its extended family of freelance talent, contribute to our success and are direct reflections of our company, characters and comics.

As such, DC expects that its employees and freelance talent community maintain a high level of professionalism as well as reasonable and respectful behavior when engaging in online activities. Comments that may be considered defamatory, libelous, discriminatory, harassing, hateful, or that incite violence are unacceptable and may result in civil or criminal action.

In addition, comments that may be considered insulting, cruel, rude, crass and mean spirited are against company policy and guidelines. We ask, and expect, that you will help to create an online environment that is inclusive, supportive and safe.

Below you will find the most current version of the company’s social media guidelines. If you have any questions, please contact DC Talent Relations department so that we can be of assistance.

The full text of the guidelines can be read at the Bleeding Cool link.

(5) TOP GRAPHIC NOVELS FOR TEENS: The Young Adult Library Services Association (YALSA), a division of the American Library Association (ALA),  announced its list of 2018 Great Graphic Novels for Teens, with 115 titles. The list is presented annually at the ALA Midwinter Meeting. The books, recommended for those ages 12-18, meet the criteria of both good quality literature and appealing reading for teens. The cumulative list can be viewed at www.ala.org/yalsa/great-graphic-novels.

In addition to the full 2018 list, the committee chose the following titles as its top ten:

  • The Backstagers. By James Tynion IV. Illus. by Rian Sygh. 2017. BOOM! Studios. (9781608869930).
  • Black Hammer, Volume 1: Secret Origins. By Jeff Lemire. Illus. by Dean Ormston. 2017. Dark Horse. (9781616557867).
  • Brave. By Svetlana Chmakova. Illus. by the author. 2017. Yen Press. (9780316363189).
  • I Am Alfonso Jones. By Tony Medina. Illus. by Stacey Robison and John Jennings. 2017. Tu Books. (9781620142639).
  • Jonesy. By Sam Humprhies. Illus. by Caitlin Rose Boyle.
    • v.1. 2016. BOOM! Studios. (9781608868834).
    • v.2. BOOM! Studios. (9781608869992).
    • v.3. BOOM! Studios. (9781684150168).
  • Kindred: A Graphic Novel Adaptation. By Damian Duffy and Octavia E. Butler. Illus. by John Jennings. 2017. Abrams ComicArts. (9781419709470).
  • Lighter than My Shadow. By Katie Green. Illus. by the author. 2017. Lion Forge. (9781941302415).
  • My Brother’s Husband. By Gengoroh Tagame. Illus. by Gengoroh Tagame. 2017. Pantheon Books. (9781101871515).
  • Pashmina. By Nidhi Chanani. Illus. by Nidhi Chanani. 2017. First Second. (9781626720879).
  • Spill Zone. By Scott Westerfeld. Illus. by Alex Puvilland. 2017. First Second. (9781596439368).

(6) THEY WANT A LITTLE LIST. Graphic novels are a theme of the day – The Daily Dot reports: “Comics creators want the New York Times to bring back the graphic novel bestseller list”.

The New York Times killed its graphic novel bestseller list last year, and comics creators want it back. Over the past few days, hundreds have signed an open letter asking for the list to be reinstated, claiming the Times is causing damage to their industry.

When the Times canceled the bestseller list in January 2017, the decision was met with immediate criticism. Comics and graphic novels are more culturally relevant than ever, but the industry still relies on mainstream media outlets like the Times to find new readers. And as Polygon pointed out, the paper continued to publish much more specific lists like “Children’s Young Adult Hardcover Chapter Books” and “Advice Miscellaneous.”

In the words of the open letter, creators and publishers have “watched their readership decline” since the list was removed.

(7) CONGRATULATIONS. Heather Rose Jones announced she has an Alpennia story in Deborah J. Ross’ newly-released anthology Lace and Blade 4.

The important contents, of course, is my new Alpennia story “Gifts Tell Truth”, but here’s the full table of contents:

Lace and Blade is an anthology series featuring stories with a particular look-and-feel — a flavor of romantic, elegant, swashbuckling sword and sorcery, across a wide array of eras and cultures. (Alpennia is a perfect setting for this sort of tale.) If you want an collection of stories that’s perfect for Valentine’s day (or any day of the year, for that matter), check it out!

(8) CYBILS AWARDS. SF Site News reports the 2017 Cybils Award winners of genre interest

The winners for the 2017 Cybils Literary Award for Elementary and Middle Grade Speculative Fiction have been announced. The awards recognize the children’s and young adult authors and illustrators whose books combine the highest literary merit and popular appeal. Categories with winners of genre interest are listed below.

  • Elementary/Middle Grade Graphic Novels: Where’s Halmoni?, by Julie Kim
  • Elementary/Middle Grade Speculative Fiction: The Dragon with a Chocolate Heart, by Stephanie Burgis
  • Young Adult Graphic Novels: Spill Zone, by Scott Westerfeld
  • Young Adult Speculative Fiction: Scythe, by Neal Shusterman

(9) VICTOR MILAN. George R.R. Martin posted a tribute to his late friend and colleague – Another Ace Falls.

Our writing community here in New Mexico, and the world of SF and fantasy in general, took a blow this afternoon when our friend Victor Milan died after two months of suffering and struggle in a series of Albuquerque hospitals.

I first met Vic not long after I moved to Santa Fe in 1979. Outgoing, funny, friendly, and incredibly bright, he was one of the cornerstones of the New Mexico SF crowd for decades, a regular at Bubonicon in Albuquerque, the perennial masquerade host at Archon in St. Louis, a fan, a lover of ferrets and collector of guns, a gamer (I can’t tell you how many times we stayed up till dawn playing Superworld, Call of Cthulhu, and other RPGs with Vic, and laughing at the outrageous antics of the characters he created). But above all, he was a writer.

(10) TODAY IN HISTORY

  • February 14, 1959Journey to the Center of the Earth premiered.
  • February 14, 1976The Bionic Woman aired its first episode on TV.

(11) TODAY’S BIRTHDAY BOY

  • Born February 14, 1919 – David A. Kyle

(12) FRANK HERBERT HONORED. The late author of Dune has been commemorated by the town where he spent his childhood: “Metro Parks Tacoma board honors author Frank Herbert and Judge Jack Tanner”.

Dune Peninsula

The process of naming a new public gathering space carved from the remnants of the former ASARCO smelting operation has sparked the parallel recognition of a pioneering African-American jurist, the late U.S. District Court Judge Jack Tanner.

On Monday, Feb. 12, the Metro Parks Tacoma Board of Commissioners concluded a lengthy public process by naming the 11-acre waterfront site on the breakwater peninsula in honor of science fiction writer Frank Herbert’s 1965 novel “Dune” and its five sequels.

The board approved the name Dune Peninsula at Point Defiance Park for the highly anticipated space that’s still under construction around the Tacoma Yacht Club boat basin. In addition, a winding, paved pedestrian loop also being built on the site has been named Frank Herbert Trail. Both are tentatively scheduled to open to the public later this year.

… The chosen names for the breakwater peninsula area were recommended by a Metro Parks committee of staff members who reviewed more than 500 recommendations submitted by the public last summer. Of those, about 300 were related to Herbert or “Dune.” Tanner’s name also was highly rated among the publicly submitted recommendations.

(13) SHORT FICTION REVIEWS. Charles Payseur is back with “Quick Sips – GigaNotoSaurus February 2018”

Perhaps appropriate for the month, GigaNotoSaurus brings a rather romantic piece for its February release. Or, at least, a story very interested in love and trust, hope and freedom. It’s a story that features two very different characters finding a common language, a common purpose, and staying true to each other in order to do something they couldn’t do alone. It’s a touching and beautiful piece, for all that it’s dominated by the weight of captivity and the desire for release. But before I spoil everything, let’s get to the review!

(14) MEET ANOTHER SHARKE. Another new Shadow Clarke juror meets the publilc: “Introducing Foz Meadows”.

My Shattersnipe blog turns ten years old in May this year, which is a genuinely startling milestone to contemplate. The idea of my one day being invited to participate in something like the Shadow Clarke jury wouldn’t have occurred to me a decade ago. Though my first novel was years from being accepted and published when I started Shattersnipe, my aim was still to become a fantasy author, which is why I opted to blog under my own name. Even so, I had no sense that I might end up being paid or known for my essays there: it was just an extension of what I’d always done, a way to keep myself occupied. I’ve changed a lot since I started it, as has my writing; as, for that matter, have my opinions about writing. My taste in things has never been static, and while there’s something to be said for consistency, it’s my belief that critical practice, like any other discipline, should always be a sort of Theseus’s ship, willing and able to improve or change while still remaining coherent and functional.

At base, my approach to criticism is that total objectivity is impossible. Everyone has a bias, which is another way of saying that everyone has their own tastes, opinions, and context, and that rather than trying to feign objectivity by generalising those biases into an inherently limited concept of what is Normal or Traditional and therefore Good, the more honest, productive approach is to acknowledge them openly. In this way, I believe, our literary yardsticks become both more varied in terms of scope and more individually useful to the audience. Knowing that a critic dislikes steampunk, for example, gives their potential enthusiasm for a steampunk novel far more positive weight than if that dislike had hitherto been presented, not as an individual preference, but as a blanket, universalised declaration that steampunk is fundamentally Bad. In the latter case, such a critic’s praise of a book that their readership would reasonably have expected them to shun reads as a total alteration of judgement and worldview, like a political flip-flop, and is therefore made somewhat suspect. In the former case, it becomes a genuinely intriguing recommendation, that such a story was good enough to overcome their usual inclinations.

The new juror received an immediate endorsement from a Becky Chambers fan –

(15) IT’S THE RIGHT TIME. At SciFiNow, “Guillermo del Toro talks The Shape Of Water, Sally Hawkins and making an adult fairytale”.

Was the 1962 setting always a key element?

I knew I wanted to make it about now, not about then, but most of the time the fairytale needs “Once Upon A Time”. So, I thought, “What is the most cherished time in American history, recent American History?” I thought of 1962 because it’s when everybody is talking about the future, the space race is on and you have beautiful jet fin cars, suburban life, a TV in every house, Kennedy in the White House and Vietnam is starting to escalate, and then Kennedy’s shot, Vietnam escalates and everything kind of dies and scepticism is born. But when people say “Let’s make America great again” they’re thinking of ’62, I think. But this is if you were a WASP. If you were a minority the problems were horrible.

(16) CALL AND RESPONSE. Liz Bourke devoted her latest Sleeps With Monsters column to asking “Where Are the SFF Stories About Pregnancy and Child-rearing?” It begins:

The literature of the fantastic is a fruitful place in which to examine gendered questions of power. People have been using it to talk about women’s place in society (and the place of gender in society) pretty much for as long as science fiction has been a recognisable genre. Joanna Russ and Ursula Le Guin are only two of the most instantly recognisable names whose work directly engaged these themes. But for all that, science fiction and fantasy—especially the pulpishly fun kind—is strangely reluctant to acknowledge a challenge to participation in demanding public life (or a physically ass-kicking one) faced primarily (though not only) by women.

Pretty sure you’ve already guessed what it is. But just to be sure—

Pregnancy. And the frequent result, parenting small children.

Judith Tarr felt the title was not a rhetorical question and answered it this way —

(17) HARASSMENT SURVEY. Here are the responses to Anne Ursu’s survey about “Sexual Harassment in the Children’s Book Industry”.

We work in children’s books, and we like to think we are different, somehow. We value “kindness.” The ranks of publishers are populated with women. And everyone is so nice, right?

But we aren’t different, and before we can do anything about sexual harassment, we need to face that reality. And the reality is that a culture of “kindness” can silence people who have been harassed, that women can be complicit in a culture of sexual harassment and gender discrimination, and that the people who we work alongside, whose books we care about, who we like, can be sexual harassers.

Facing this reality is going to be ugly. But it is far uglier to pretend these problems aren’t here.

In December, I opened a survey about sexual harassment in children’s publishing, inspired by Kelly Jensen’s work on sexual harassment in libraries. I received almost 90 responses, as well as emails and DMs from people who didn’t want to fill out the survey because they felt too ashamed, or were still frightened of reprisal.

This is not intended to be some kind of lurid exposé of children’s publishing. The point of it isn’t to say that our industry is somehow special; the point is simply that we do have problems, that these problems affect people’s careers and mental health, and that we can and should take steps to solve these problems so more people do not get hurt.

(18) SHE BELONGS IN PICTURES. The Thirteenth Doctor heralds a new era for Titan Comics’ Doctor Who.

BBC Worldwide Americas and Titan Comics are excited to announce that, alongside premiering in the Doctor Who season, the Thirteenth Doctor will be debuting in comics this fall!

This brand-new ongoing comic series, written by Eisner-nominated writer Jody Houser (Orphan Black, Star Wars: Rogue One, Amazing Spider-Man: Renew Your Vows, Faith, Supergirl, Mother Panic) with art by fan-favorite artist Rachael Stott (The Twelfth Doctor, Motherlands) joined by colorist Enrica Angolini (Warhammer 40,000), features the Thirteenth Doctor, as played by Jodie Whittaker. The new Doctor made her first appearance on 2017’s Doctor Who Christmas Special, “Twice Upon A Time,” regenerating from Peter Capaldi’s Twelfth Doctor.

(19) A ROLL CALL OF STINKERS. 24/7 Wall St. believes these are the “30 Worst Superhero Movies”. For instance —

  1. “The Phantom” (1996) > Director: Simon Wincer > Starring: Billy Zane, Kristy Swanson, Treat Williams > Domestic box office: $17.30 million > Superpower: Extreme athleticism

(20) SFF FILM FOR VALENTINE’S DAY. “Orbit Ever After” by Jamie Magnus Stone (2013) featuring Love, Actually’s Thomas Brodie-Sangster as a smitten suitor in space.

[Thanks to JJ, John King Tarpinian, Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, DMS, Mark Hepworth, Carl Slaughter, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day jayn.]

Pixel Scroll 2/3/18 As God Is My Witness, I Thought Pixels Could Scroll!

(1) QUEEN OF PULP. Twitter’s Pulp Librarian today did a retrospective of illustrator Margaret Brundage, “the Queen of Pulp,” with lots of her Weird Tales covers from the 1930s. Jump on the thread here —

(2) ELLEN KLAGES DONATES CLARION WEST INSTRUCTORSHIP. Clarion West announced Karen Lord is the recipient of “The Sally Klages Memorial Instructorship 2018”.

The Sally Klages Memorial Instructorship will be awarded in 2018 in memory of Sally Klages, with love from her sister Ellen Klages….

Ellen Klages’ tribute begins —

Sally was a writer. I never heard her say that she wanted to be one; she simply proclaimed, proudly, that she was. She wrote every day in tiny, cramped cursive: working on her autobiography, lectures to her Invisible Friends, instructions about how life ought to be led.

Like many of us, she owned dozens of notebooks and countless pens, and was never without them. She once packed a gallon-sized Ziploc bag of pens and markers into her carry-on bag for a two-hour flight, “in case one runs out.” Writing was her joy, her recreation, her solace.

Sally was born with Down Syndrome. As far as she was concerned, that wasn’t a handicap — it was what made her special. And she was. She was Valedictorian of her class at Northeast Training Center, and an employee at Columbus State University for 17 years. She was one of the founding members of the Down Syndrome Association of Central Ohio (DSACO), she was on the board of the National Down Syndrome Conference, and was a featured speaker there in 1989. An active participant in the Special Olympics, she won more than three dozen medals in swimming, diving, track and field, bowling, and cross-country skiing….

[Via Locus Online.]

(3) PICACIO AT THE MIKE. In “Your 2018 Hugo Awards MC Is….” John Picacio tells why he is proud to be Worldcon 76’s choice.

Today, the 76th World Science Fiction Convention has announced me as the Master of Ceremonies for this year’s Hugo Awards in San Jose, CA, while also announcing that the Hugo Awards’ Nominations Period is now open! Having won two Hugos for Best Professional Artist, I know how much the Hugos mean to the sf/f field, and it’s a huge honor to serve this stage in front of my colleagues and heroes. Worldcon 76 asked me to be the 2018 Hugo MC last August so it’s been fun keeping that under wraps the last five months, even after being announced as this year’s Artist Guest of Honor.

There’s some history that comes along with this role.

  • I’m the first visual artist to ever be a Hugo Awards MC. I think this could perhaps be a harbinger of Hugo Ceremonies to come. Many of our best visual creators — such as Brom, Todd Lockwood, Ruth Sanderson, Gregory Manchess, and more — are becoming author / artist / storytellers, conjuring the words and pictures of their own bestselling books and media. Our next generation of illustrators are aspiring to tell their own stories, just as much as becoming hired guns. I suspect there will be more artists following through the Hugo MC door behind me, and they’ll likely come from this expanding universe of hybrid, contemporary artists.
  • I’m only the third Worldcon Guest of Honor to also serve as Hugo Awards MC at the same Worldcon. I believe Connie Willis and David Gerrold are the only others to do this in the con’s 76-year history. We must all be insane. ?.
  • I’m especially proud to be the first Mexicanx to ever serve as a Hugo Awards MC. I love being first, but the most important thing is that I’m not the last. With the daily assaults upon our DREAMers, villainizing of our culture by racists, and terroristic threats against our citizens, we’re living in an important moment for Mexicanx north and south of the border. I’m looking forward to sharing my spotlight with all of them.

(4) WITHOUT A SHADOW OF A DOUBT. 2016 Clarke Award judge David Gullen discusses what the experience taught him about his own fiction writing: “Things I Learned Judging the Arthur C. Clarke Award” at Medium.

At some point during reading those 113 books it occurred to me what a difficult thing writers are trying to do and just how many different things each author is trying to get right. It’s not just character and plot and pace and tension, world-building, good dialogue, effective exposition, setting story questions and keeping story promises, it’s also trying to get that motivating vision in your head down onto the page. Even a pretty ordinary book takes a lot of effort. If you assume each of those books took 6 months to write?—?and many would have taken more?—?that is 57 years of effort, not far from the entire productive life of a single person.

(5) THE WRITER’S EMOTIONAL ROLLER COASTER. A tweet from Annie Bellet.

(6) READERCON PRUNES PROGRAM INVITE LIST. Several older, white male writers who have participated on Readercon’s program in previous years have posted to Facebook over the past month that they have been notified they won’t be on this year’s program, or simply haven’t received the expected invitation. There’s no reason they have to be happy about it, and understandable if it triggers a bit of insecurity and resentment. However, the whiff of controversy around this development is not completely unlike Jon Del Arroz’ certainty that politics were the real reason he was rotated off BayCon programming.

Allen Steele wrote on Facebook yesterday:

The other convention I’ve usually gone to in the past, but will no longer attend, is Readercon. I’ve been an invited guest since Readercon 2 (had to skip the first one because of a schedule conflict), and have attended most of the 36 previous conventions … and then last year, without any sort of notice or explanation, I wasn’t invited. I was recovering from last year’s pancreas operation, so I probably wouldn’t have been able to show up anyway, but I wondered why nonetheless.

This year, I have an explanation … just not a good one. It appears, in an effort to be fair to young new writers, Readercon has been sending out form email letters to older authors such as myself (everyone known to have received the letter is male and above age 50), telling them that they’ve been dropped from the program participant list and therefore will not be invited guests.

Oh, we’re still welcome to attend, if we pay the registration fee. In fact, because of our exalted former status, we’re entitled to a 25% discount … if we go to a private registration site and enter the password (get this) PASTPRO.

So not only have we been told that we’re not welcome to come as professionals, we’re also being told that we’re no longer professionals, period.

I haven’t received the letter … but neither have I been invited. As I said, I wasn’t invited last year either, nor was I ever offered a reason why. To their program chair, I sent a polite letter calmly explaining why the letter is demeaning, insulting, and for the convention disastrously short-sighted; the response I got was a “so sorry you feel that way” blow-off. This pretty much confirms that I’ve been cast into the outer darkness for being … well, let’s not go there. And even if I’m not on the “past pro” list, I won’t come to a convention that would treat my friends and colleagues this way.

I mention this because I usually see at Readercon quite a few people who follow this page. Sometimes they bring copies of my books so I can sign them, and they need to know in advance not to use valuable suitcase-space. Sorry, guys … this year, it’s Boskone and the Hong Kong SF Forum only. At least those conventions still have respect for senior authors.

A month ago Ian Randall Strock said he got the letter and named two others who’d received it:

It seems Readercon has begun their apparently new tradition of uninviting past guests. Last year, it was Darrell Schweitzer. Today, I got the letter, as did Warren Lapine.

Anyone else get the email (under the subject line “Thank you for your service to Readercon”) starting out “There’s no easy way to say this, so I’ll be straightforward: you won’t be receiving an invitation to participate in programming for Readercon 29.”?

Another thought occurs: are they only doing this to folks who are also dealers, thinking we’ll be there anyway? I’ll have to run the numbers to see if it’s worth attending.

Readercon 29 takes place July 12-15 in Quincy, MA.

(7) TODAY IN HISTORY

  • February 3, 1993 Star Trek: Deep Space Nine premiered in television syndication.

(8) TODAY’S BIRTHDAY SUBCREATOR

  • Born February January 3, 1892 – J.R.R. Tolkien [never mind….]

(9) COMICS SECTION.

  • Mike Kennedy sends Pearls Before Swine with an observation that sounds just like the kind of dismal thing Kurt Vonnegut would come up with. So you’ll love it, right? (?)
  • John King Tarpinian discovered a horrific satirical cereal box in Off the Mark. (Was that a description or a pleonasm?)
  • JJ admires Grant Snider’s The Specter of Failure at Incidental Comics.
  • Via RedWombat –

(10) ARE YOU SURPRISED? Mental Floss tempts readers with “16 Surprising Facts About Ray Bradbury’s Fahrenheit 451”. Some are no more surprising than this —

  1. BRADBURY DID NOT WRITE FAHRENHEIT 451 IN NINE DAYS.

A popular apocryphal story is that Bradbury hammered out Fahrenheit 451 in just over a week. That story is wrong: It was the 25,000-word “The Fireman” that he wrote in that time period. The author would later refer to the short story as “the first version” of the eventual novel. But over the years, he would often speak about “The Fireman” and Fahrenheit 451 interchangeably, which has caused some confusion.

  1. HE WROTE HIS FIRST VERSION ON A RENTED TYPEWRITER IN A LIBRARY BASEMENT.

Bradbury and wife Marguerite McClure had two children in 1950 and 1951, and he was in need of a quiet place to write but had no money for renting an office. In a 2005 interview, Bradbury said:

“I was wandering around the UCLA library and discovered there was a typing room where you could rent a typewriter for 10 cents a half-hour. So I went and got a bag of dimes. The novel began that day, and nine days later it was finished. But my God, what a place to write that book! I ran up and down stairs and grabbed books off the shelf to find any kind of quote and ran back down and put it in the novel. The book wrote itself in nine days, because the library told me to do it.”

  1. HE SPENT $9.80 ON TYPEWRITER RENTAL.

Bradbury’s nine days in the library cost him, by his own estimate, just under $10. That means he spent about 49 hours writing “The Fireman.”

(11) NOT YOUR TYPICAL FLORIDA MAN STORY. From Futurism, “Florida Man Becomes First Person to Live With Advanced Mind-Controlled Robotic Arm”.

Prosthetics have advanced drastically in recent years. The technology’s potential has even inspired many, like Elon Musk, to ask whether we may be living as “cyborgs” in the not-too-far future. For Johnny Matheny of Port Richey, Florida, that future is now. Matheny, who lost his arm to cancer in 2005, has recently become the first person to live with an advanced mind-controlled robotic arm. He received the arm in December and will be spending the next year testing it out.

The arm was developed by Johns Hopkins Applied Physics Lab as part of their program Revolutionizing Prosthetics. The aim of the program, which is funded by the Defense Advanced Research Projects Agency (DARPA), is to create prosthetics that are controlled by neural activity in the brain to restore motor function to where it feels entirely natural. The program is specifically working on prosthetics for upper-arm amputee patients. While this particular arm has been demoed before, Matheny will be the first person to actually live with the prosthesis. The program does hope to have more patients take the tech for a longterm test run, though.

(12) FROM SOMEWHERE BESIDES LAKE WOEBEGONE. Since the firing of Garrison Keillor A Prairie Home Companion has a new host and a new name – Cat Eldridge reviews “Live from Here, the show formerly known as APHC, hosted by Chris Thile” at Green Man Review.

… Where Kellior was the sedate, downbeat host who wanted you to be part of the Lake Woebegon community, Thile is more than a bit manic, bouncing around in delight apparently as he gets to interact with musicians and other folk who he obviously admires a lot. APHC put me to sleep, LFH is definitely designed to keep me actively listening.

Shovel & Rope, a really good Americana couple, is dok good a bluesy travel song as I listen this moment. (By now I’d usually have decided to turn Kellior off.) Some minutes later, Gabby Moreno is playing a very lively (I think) a Tex-Mex song. Need I say Thile is really excited like her being on Live from Here?

… I’m an hour in and still not even close to tuning out though the comedy riff just now was meh but I’m not a fan of most such comedy anyways. That segued into a very nice and quite tasty bit of jazzy music by Snarky Puppy which is enhanced by the production team cleverly positioning mics in the audience which is more than a bit raucous all show long which they really demonstrate when Chris musically deconstructs  ‘I’ll Be There’ in words and music….

(13) FAR SIDE OF THE KERFUFFLE. Most of the post is more abuse, so won’t be excerpted here, but Vox Day hastened to say Foz Meadows won’t be getting an apology from him: “I’ll take ‘things that will never happen’”. He adds —

Third, Dave Freer didn’t sic me on anyone about anything. I don’t recall having any communication with him in years. I just checked my email and I haven’t received even a single email from him since I set up my current machine in April 2016. Nor have I spoken to him.

(I’m not creating an Internet Archive page for this one so people can somehow feel okay about insisting on reading the insults.)

(14) COUGH IT UP. Add this contraption to the list of things science fiction never predicted: “When The Flu Hits Campus, The Gesundheit Machine Will Be Ready”.

Those sick enough will get sent around the corner to a room with a crazy-looking, Rube-Goldberg-like contraption known as the Gesundheit machine.

For half an hour, the student sits in the machine. As the student breathes, the machine collects whatever virus they’ve got from the droplets in their breath.

The researchers will then use the student’s contacts to try to figure out how infections spread from person to person: “roommates, study buddies, girlfriends and boyfriends,” Milton says. “We’re going to swab them every day for a week to see if they get infected.”

If the student’s contacts get infected, researchers will try to pin down whether they got the bug from the original subject or someone else.

“We’re going to deep sequence the genetic code of the agent to see if it was really exactly the same thing,” Milton explains. He’s aware that confirming that your roommate gave you a horrible flu could ruin some perfectly nice relationships, but it’s for science.

(15) MELTING, MELTING. BBC tells how “Space lasers to track Earth’s ice”.

Ice is the “climate canary”. The loss, and the rate of that loss, tell us something about how global warming is progressing.

In the Arctic, the most visible sign is the decline of sea-ice, which, measured at its minimum extent over the ocean in September, is reducing by about 14% per decade.

At the other pole, the marine floes look much the same as they did in the earliest satellite imagery from the 1960s, but land ice is in a negative phase.

Something on the order of 160 billion tonnes are being lost annually, with most of that mass going from the west of the White Continent.

(16) STAR WARS MEETS PETER RABBIT. Daisy Ridley is still a rebel. And a rabbit.

[Thanks to Cat Eldridge, Bill, JJ, John King Tarpinian, John Picacio, Carl Slaughter, Chip Hitchcock, Andrew Porter, Mark Hepworth, Chris Garcia, Will R., Vox Day, StephenfromOttawa, Christopher Rowe, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Jamoche.]

Foz Meadows on Other Prospective Apologies

Foz Meadows, who readily accepted Lou Antonelli’s apology for claiming Camestros Felapton is a pseudonym for Foz Meadows’ husband, Toby, said today she has a different policy and expectation for any apologies and retractions that might come from Dave Freer and others who ran with the story because of all the abuse they packaged with it.