[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]
TL;DR: Here’s what I thought of the 2019 Novellas. What did you think?
I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading:
31 of the novellas published in 2015,
35 of the novellas published in 2016,
46 of the novellas published in 2017,
and 38 of the 2018 novellas.
(and this year I was waiting for access to a few novellas, so I was reading others, and thus my final total crept up to 55!)
I really felt as though this enabled me to do Hugo nominations for the Novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.
The success and popularity of novellas in the last 5 years seems to have sparked a Golden Age for SFF novellas – so there are a lot more novellas to cover this year. By necessity, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis being of interest to me.
It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.
Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low.
Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). What’s more, I apparently had a defective childhood, and do not share a lot of peoples’ appreciation for fairytale retellings and portal fantasies. My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.
Novellas I’ve read appear in order based on how much I liked them (best to least), followed by the novellas I haven’t read in alphabetical order.
I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included.
Please feel free to post comments about any other 2019 novellas which you’ve read, as well. And if I’ve missed your comment about a novella, or an excerpt for a novella, please point me to it!
(1) STAMPEDE ZONE. Fran Wilde, in one of the New York Times’
op-eds from the future, implores “Please,
Stop Printing Unicorns”. Tagline: “Bioprinters are not toys, and parents shouldn’t give them to
… Making bioprinting more accessible to the public — especially to children — will be likely to lead to even worse disasters than last Friday’s blockade of the Chicago I-899 skyways off-ramp by a herd of miniature unicorns. Sure, the unicorns (whose origins are unknown) were the size of ducklings, but their appearance caused several accidents and a moral quandary.
These bioprinted unicorns were living creatures with consciousness — as defined by the A.I. Treaty of 2047 — trying to find their way in the world…..
Gregory Feeley writes novels and stories, most in some respect science-fictional. His first novel, The Oxygen Barons, was nominated for the Philip K. Dick award, and his short fiction has twice been nominated for the Nebula Award. His most recent novels are the historical novel Arabian Wine, and Kentauros, a fantasia on an obscure Greek myth. He recently completed a long novel, Hamlet the Magician.
Michael Swanwick writes fantasy and science fiction of all sorts, at lengths ranging from novels to flash fiction. Over the years, he’s picked up a Nebula Award, five Hugos and the World Fantasy Award–and has the pleasant distinction of having lost more of these awards than any other writer. Tor recently published The Iron Dragon’s Mother, completing a trilogy begun with The Iron Dragon’s Daughter twenty-five years ago. That’s far longer than it took Professor Tolkien to complete his trilogy.
The event is Tuesday,
September 3 at The Brooklyn Commons Café,
388 Atlantic Avenue (between Hoyt & Bond St.). Doors open at 6:30
p.m., event begins at 7:00 p.m.
Everybody calls Rob Kuntz last, he says. Those who want to know about the history of Dungeons & Dragons start with co-creator Gary Gygax’s kids, one of Gygax’s biographers, or D&D publisher Wizards of the Coast. As they’re wrapping things up, they might get around to dialing up Kuntz, a 63-year-old game designer. And once they call him, he tells them the same thing: Everything they know about the creation of the tabletop role-playing game is, in his opinion, sorely mistaken or flat-out wrong.
“There’s a myth that’s been propagated in the industry,” Kuntz told Kotaku during an interview in February of this year. “If you keep digging into this, you’re going to come up with a story that will enrage people and expose the truth.”
(4) MIND OF THESEUS. In the August 14 Financial Times (behind a
paywall), Library of Congress fellow Susan Schneider critiques the arguments
of Ray Kurzweil and Elon Musk that we should figure out how to download our
brains into the clouds to prevent really smart AI machines from taking over our
“Here is a new challenge, derived from a story by the Australian science fiction writer Greg Egan. Imagine that an AI device called ‘a jewel’ is inserted into your brain at birth. The jewel monitors your brain’s activity in order to learn how to mimic your thoughts and behaviours. By th time you are an adult, it perfectly simulates your biological brain.
At some point, like other members of society, you grow confident that your brain is just redundant meatware. So you become a ‘jewel head,’ having your brain surgically removed. The jewel is now in the driver’s seat.
Unlike in Mr Egan’s story, let us assume the jewel works perfectly, So which is you–your brain or your jewel?”
(5) CHAMBERS PRAISED. [Item by Olav Rokne.] The recent Worldcon in Dublin seems to be prompting some
discussion of the literary merit of genre work. Writing in the Irish Times, John
Connolly (“The future of sci-fi never looked so bright”) holds up the work of Hugo-winner Becky
Chambers as an example of meritorious genre work, writing that:
In a world in which intolerance seems to be implacably on the rise, the fundamental decency at the heart of Chambers’s narratives, her depiction of a post-dystopian humanity attempting to construct a better version of itself while encountering new worlds and species, begins to seem quietly, gently radical.
Disney released a new poster depicting the battle, presenting it to all attendees.
Fans can now watch the pinnacle moment of the footage – a cloaked Rey pulls out what appeared to be a red, double lightsaber in battle, similar to the infamous weapon wielded by Darth Maul in “Star Wars: Episode I – The Phantom Menace.”
The D23 crowd let out an immediate, overpowering cheer at the sight of the weapon’s return and proclaimed the sighting on Twitter.
It caused a disturbance in the Force which was felt well beyond the D23 walls.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 26, 1911 — Otto Oscar Binder. He’s best remembered as the co-creator with Al Plastino of Supergirl and for his many scripts for Captain Marvel Adventures and other stories involving the entire Marvel Family. He was extremely prolific in the comic book industry and is credited with writing over four thousand stories across a variety of publishers under his own name. He also wrote novels, one of which was The Avengers Battle the Earth Wrecker, one of the series created by writer-editor Stan Lee and artist and co-plotter Jack Kirby. (Died 1974.)
August 26, 1912 – Ted Key. Of interest to us is his screenplay for The Cat from Outer Space about an apparent alien feline who has crash-landed here (starring Ken Berry, Sandy Duncan and Harry Morgan), which he followed up with a novelization. He also conceived and created Peabody’s Improbable History for producer Jay Ward’s The Rocky and Bullwinkle Show. It would become the Sherman and Peabody Show. (Died 2008.)
Born August 26, 1912 — Gerald Kersh. He wrote but one genre novel, The Secret Masters, and two genre stories in his Henry the Ghost series. So why’s he here, you ask? Because Ellison declared “you will find yourself in the presence of a talent so immense and compelling, that you will understand how grateful and humble I felt merely to have been permitted to associate myself with his name as editor.” You can read his full letters here. (Died 1968.)
Born August 26, 1938 — Francine York. Her last genre performance was on Star Trek: Progeny. Never heard of It? Of course not, as it was yet another fan project. It’s amazing how many of these there are. Before that, she appeared in Mutiny in Outer Space, Space Probe Taurus and Astro Zombies: M3 – Cloned. (Died 2017.)
Born August 26, 1949 — Sheila E Gilbert, 70. Co-editor-in-chief and publisher of DAW Books with Elizabeth R (Betsy) Wollheim. For her work there, she has also shared the Chesley Awards for best art director with Wollheim twice, and received a solo 2016 Hugo award as best professional editor (long form).
Born August 26, 1950 — Annette Badland, 69. She is best known for her role as Margaret Blaine on Doctor Who where she was taken over by Blon Fel-Fotch Pasameer-Day, a Slitheen. This happened during “Aliens of London” and “World War Three” during the Era of the Ninth Doctor. Her story would conclude in “Boom Town”.
Born August 26, 1970 — Melissa McCarthy, 49. Yes, I know she was in the rebooted Ghostbusters. Fanboys across the net are still wetting their pants about that film. I’m more interested in Super Intelligence in which she is playing a character that has an AI who has decided to take over her life. It reminds me somewhat of Kritzer’s “Cat Pictures Please” premise. It will be released on December 20 of this year. (And we are not talking about her The Happytime Murders.)
Born August 26, 1980 — Chris Pine, 39. James T. Kirk in the Star Trek reboot series. He also plays Steve Trevor in both Wonder Woman films and Dr. Alexander Murry in A Wrinkle in Time. He’s also Cinderella’s Prince in Into the Woods. Finally, he voices Peter Parker / Ultimate Spider-Man in Spider-Man: Into the Spider-Verse.
If you haven’t had a chance to try this snack yet, they’re basically Cheetos puffs that are shaped into various parts of a skeleton like the head, ribcage, hands, and bones. This means that besides being as delicious as a classic Cheeto, you can also build spooky skeletons with your food if you can resist scarfing down the whole bag for a while.
Not a blade of grass longer than the rest, a red “Remove Before Flight” tag unchecked, or a single Kiwi (be it bird or engineer) out of place: Rocket Lab’s Launch Complex-1 looks like an industry brochure come to life (better in fact). Located at the southern tip of the picturesque Mahia Peninsula on the east coast of New Zealand’s North Island, LC-1 is currently the only operational Rocket Lab launch site where the Electron vehicle—Rocket Lab’s low-cost small satellite launch vehicle—takes flight.
Rocket Lab just took advantage of the latest window at LC-1 on August 19. But back in December 2018, fellow rocket launch photographer Brady Kenniston had the exclusive opportunity to photograph Rocket Lab’s first NASA mission, ElaNa-19, from this private launch site. This launch was going to be Rocket Lab’s mostimportant mission to date because, as the leader in the small satellite industry, they had an opportunity to show NASA (and the world) what they are made of. If successful, it could lead to future business from other small satellites in need of a ride to space—not to mention, the company would earn the endorsement of NASA Launch Services as an eligible vehicle to fly future NASA small-satellite science payloads.
Joe: We’re a little more than seven months into what is shaping up to be an absolute stellar year for science fiction and fantasy fiction and I wanted to check in with the two of you to see what you’ve been reading and what has stood out in a year of excellence.
Adri: Indeed! well for starters I lost my heart in the time war…
Paul: I, too, lost my heart in the Time War. Among many other places, but having recently finished that, it is strongly on my mind. I am Team Blue, Adri, how about you?
Heinlein was not fond of critics, not entirely without reason. Even in his day, a good critic could be a wonder – and a bad one a nightmare. But I think he might have liked this book – and, as Heinlein remains popular, we should ask ourselves why. You may not agree with everything in this book, but it will make you think. Mendlesohn treats Heinlein as what he was, a man. Not an angel, or a demon, but a man. An influential man, but a man nonetheless.
(13) SMILE! Guess what this scene made Kevin Standlee think of —
(Now imagine, what if somebody used X-ray film?)
(14) CHALLENGES IN PRODUCING HEINLEIN BOOK. Shahid Mahmud of Arc Manor Publishers sent out an update about Phoenix Pick’s Heinlein novel The Pursuit of the Pankera.
…As many of you are aware from my previous emails, this is the parallel text to The Number of the Beast.
It is, effectively, a parallel book about parallel universes.
We had originally attempted to release the book before Christmas, but some production issues have delayed the release to Sprint/Summer of 2020.
These include sorting out some fairly intricate details discussed in the book. For example (for those of you dying to see what it is that we publishers actually do), here are a few internal excerpts between editors working on various aspects of the book:
“The planet-numbering system may be off in certain parts of the story. At the beginning of the story (and in real life) we live on planet Earth. In the course of the story, there is time travel, and that’s where it gets confusing… the story refers to both Earth-One and Earth-Zero. There is a detailed explanation of the numbering system (see pg. 312) wherein “Earth-Zero is so designated because Dr. Jacob Burroughs was born on that planet…”
However, in other parts of the book, Earth-One is referred to as the characters’ home planet.”
“After discussion with Patrick, I’ve settled on the following conventions: x-axis (hyphenated, lowercase, no italics) but axis x (no hyphen, lowercase, italic single letter). In the manuscript, of course, the italic letter would be underlined rather than set italic. The letters tau and teh remain in the Latin alphabet (rather than Greek or Cyrillic) and are lowercase but not set italic. When used with the word “axis” (tau-axis) they are hyphenated.”
These are the little details that keep us Publishers up at night 🙂
But alas, given a book of this magnitude and size (this is a BIG book, over 185,000 words) all this takes time.
Hence the delay.
Mahmud says the ebook will be priced at $9.99 at launch, but they will run a Kickstarter beginning September 4 to help pay for production, which will allow people to buy the ebook for just $7.00. And there will be other rewards available.
(15) THE NEXT BIG THING. Best Fanzine Hugo winner Lady Business tweeted a get-acquainted thread for new followers (starts here) which closes with this appeal –
Legion creator Noah Hawley’s feature directorial debut stars the Oscar-winning actress as Lucy Cola, a loose adaptation of real-life astronaut Lisa Nowak, who, after returning to earth from a length mission to space, began an obsessive affair with a coworker….
[Thanks to Jim Freund, JJ, Cat Eldridge, Mike Kennedy, Martin
Morse Wooster, Lise Andreasen, Chip Hitchcock, John King Tarpinian, Errolwi,
and Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Soon Lee.]
MEETUP ISSUE. Wanda
Kurtcu said on
Facebook there are two people who should not have attended the meetup for PoC of African
descent at Dublin 2019:
I had the opportunity to co-facilitate an POC of African Descent meetup at WorldCon. The description of the meetup was that it was ONLY for POC of African Descent. NOTE the PEOPLE OF COLOR (POC) requirement for this meeting.
There were two white men already in the room when I arrived. At no point did they request to be allowed to be part of our meeting. One said he was the editor of a spec sci-fi magazine and the other said he was there because his adopted son was Ethiopian and he wanted to see what the meetup was about. His son was not at WorldCon.
Neither I nor my co-facilitator asked them to leave because I didn’t want to cause any problems. In fact, I waited a few days to write this post to make sure I was coming from a place of mindfulness and not anger….
Director Abrams said of adding Leia into the film: “Of course, we can’t talk about the cast without talking about Carrie Fisher. And the character of Leia is really in a way the heart of this story. We could not tell the end of these 9 films without Leia. And we realized that we had footage from episode 7 that we realized we could use in a new way. So Carrie, as Leia, gets to be in the film.”
Continued Abrams: “But the crazy part is we started to work on this movie and I wasn’t supposed to be directing this movie [as Colin Trevorrow was originally tapped as director]. Then we lost Carrie. And I was hired on this film and began working. And I remember this thing that I had read that I actually thought I was mistaken. I looked in her last book, The Princess Diarist, and she had written, ‘Special thanks to J.J. Abrams for putting up with me twice.’ Now I had never worked with her before Force Awakens and I wasn’t supposed to do this movie. So it was a classic Carrie thing to sort of write something like that that could only mean one thing for me. We couldn’t be more excited to have you see her in her final performance as Leia.”
I suppose you could say that it started with the storm.
I hadn’t seen one like it in 30 years. Not since I moved to Tkaronto, in the Northern Indigenous Zone of Turtle Island—what settler-colonialists still insisted on calling North America. I’d forgotten its raw power: angry thunderclouds that blot out the sun, taking you from noon to evening in an instant, then the water that comes down like fury—like the sky itself wants to hurt you.
Immigrants know what is like to deal with restless ghosts from the past. Some of us are haunted for the rest of our lives by the inability to have closure. But when the opportunity presents itself to face our demons, it’s never like what we imagined in our heads.
Chinelo Onwualu’s short story “What the Dead Man Said” speaks to and delves deeper than that universal theme. The reader enters a futuristic society suffering from climate change–induced disaster and migration, a place where human bodies of those once enslaved are treated as a commodity and where unhealed trauma lies beneath the surface….
(6) JOURNALING ADVISED. Fran Wilde ran a “Creativity &
Journaling” online today. Cat Rambo tweeted some notes. A portion of the thread
The hotel charges known as resort fees are again under scrutiny — this time, from state attorneys general.
Travelers loathe the mandatory — and consumer watchdogs say, confusing — fees, which vary by location and by the services they purport to cover. Some hotels charge the fees for Wi-Fi and gym access, while others may use them to cover in-room safes, newspapers or bottled water — whether guests use them or not.
The attorneys general in Washington, D.C., and Nebraska filed separate but similar lawsuits this summer against two big hotel chains, accusing them of deceiving travelers by failing to include the resort fees in their published room rates, making it hard for consumers to compare rates when booking online. The suits allege that the hotels’ “deceptive and misleading” pricing practices violate consumer protection laws.
The suits, brought against the Marriott and Hilton chains, follow an investigation of hotel industry pricing practices by the attorneys general in all 50 states and the District of Columbia, according to the attorneys general in Washington, D.C., and Nebraska.
Travelers searching for lodging, whether on hotel websites or on separate travel websites, typically are not made aware of the resort fees until after they have clicked past the initial search results page and have started booking, according to a complaint filed in July against Marriott International by the attorney general in Washington….
(8) TODAY IN HISTORY.
August 24, 1966 — Fantastic Voyage with Raquel Welch opened in theatres. It was based on a story by Otto Klement and Jerome Bixby. Bixby was a script writer for Star Trek writing four episodes: “Mirror, Mirror”, “Day of the Dove”, “Requiem for Methuselah”, and “By Any Other Name”.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 24, 1896 — Stanton Arthur Coblentz. A very prolific genre writer whose first published genre work was The Sunken World, a satire about Atlantis, serialized in Hugo Gernsback’s Amazing Stories Quarterly starting in July, 1928. Scattered tales by him are available in digital form from iBooks and Kindle but it looks no one has actually systematically digitized him yet. (Died 1982.)
Born August 24, 1899 — Gaylord Du Bois. He was a writer of comic book stories and comic strips, as well as Big Little Books. He wrote Tarzan for Dell Comics and Gold Key Comics from the Forties to early Seventies.) He was one of the writers for Space Family Robinson which was the basis for the Lost in Space series. (Died 1993.)
Born August 24, 1915 — James Tiptree Jr. One of our most brilliant short story writers ever. She only wrote two novels, Up the Walls of the World and Brightness Falls from the Air but they too are worth reading even if critics weren’t pleased by them. (Died 1987.)
Born August 24, 1932 — William M. Sheppard. I remember him best as Blank Reg on Max Headroom but I see he has a long history in genre with appearances in Star Trek VI: The Undiscovered Country (as a Klingon prison warden), The Prestige, Mysterious Island (in which he played Captain Nemo), Needful Things, Elvira, Mistress of The Darkness, The Doctor and the Devils, Transformers and Star Trek (in an uncredited role as Vulcan Science Minister). Series wise, he’s shown up, on Sherlock Holmes and Doctor Watson, Babylon 5, The Legend of King Arthur, Next Gen, seaQuest DSV, Poltergeist: The Legacy, Voyager and The Librarians. And yes, Doctor Who. He was Old Canton Everett Delaware III in “The Impossible Astronaut” story which featured the Eleventh Doctor. (Died 2019.)
Born August 24, 1934 — Kenny Baker. Certainly his portrayal of R2-D2 in the Star Wars franchise is what he’s best known for but he’s also been in Circus of Horrors, Wombling Free, Prince Caspian and the Voyage of the Dawn Treader series, The Elephant Man, Sleeping Beauty, Time Bandits, Willow, Flash Gordon and Labyrinth. Personally, I think his best role was as Fidgit in Time Bandits. (Died 2016.)
Born August 24, 1951 — Orson Scott Card, 68. Ender’s Game and its sequel, Speaker for the Dead, both won Hugo and Nebula Awards, making Card the only author to win the two top genre Awards in consecutive years. Huh. I think the only thing I’ve read by him is Ender’s Game. So anyone here read his more recent works?
Born August 24, 1951 — Tony Amendola, 68. Prolly best known or being the Jaffa master Bra’tac on Stargate SG-1. He’s also had recurring roles as Edouard Kagame of Liber8 on Continuum and on Once Upon a Time as Pinocchio’s creator, Geppetto. His list of one-off genre appearances is extensive and includes Angel, Charmed, Lois & Clark,Space: Above and Beyond, the Crusade spin-off of Babylon 5, X Files, Voyager, Dirk Gently’s Holistic Detective Agency, Terminator: The Sarah Connor Chronicles, Alias, She-Wolf of London and Kindred: The Embraced. He’s also been a voice actor in gaming with roles in such games as World of Warcraft: Warlords of Draenor, World of Warcraft: Legion and Workd of Final Fantasy.
Born August 24, 1957 — Stephen Fry, 62. He’s Gordon Deitrich in V for Vendetta, and he’s the Master of Lakedown in The Hobbit franchise. His best role is as Mycroft Holmes in Sherlock Holmes: A Game of Shadows. And he’s the narrator for all seven of the Potter novels for the UK audiobook recordings
Born August 24, 1958 — Lisa A. Barnett. Wife of Melissa Scott. All of her works were for-authored with her: The Armor of Light, Point of Hopes: A Novel of Astreiant and Point of Dreams: A Novel of Astreiant. They wrote one short story, “The Carmen Miranda Gambit”. (Died 2006.)
Born August 24, 1972 — Ava DuVernay, 47. Director of A Wrinkle in Time. She will be directing a New Gods film based upon the characters that Jack Kirby created. She and Tom King, who had the writing for recent Mister Miracle series (one of the New Gods), will co-write the film.
Born August 24, 1976 — Alex O’Loughlin, 43. I discover the oddest things in doing these Birthdays. Did you know that an obscure Marvel character named Man Thing got used for a horror film of that name? This Australian actor who is much better as the lead for the retooled Hawaii Five-0 was in it. He’s was also in horror films Feed and The Invisible, both Australian, and The American Moonlight series where he’s a vampire PI named Mick St. John. It lasted sixteen episodes.
(11) LATE BLOOMER. Like PJ Evans said after reading this, “It’s awfully dusty in here, all of a sudden.” Thanks to Soon Lee for leaving the link in comments.
My grandmother passed away. Her funerals were today, but here I’d like to talk about the most important thing I couldn’t spend too much time on in her eulogy: her love for Dungeons & Dragons. #DnD
She started very late, at 75, only a little over a year ago. One day I simply asked her if she’d like to try, and, like always when presented with something new, she said “Of course!”. So we grabbed my PHB and built up a character together.
My grandmother chose to be a forest gnome because they seemed the most happy of the races and she really liked the fact that she could talk to small animals. She went with druid just to double down on the animal-friendship theme.
(Also when we went through the character traits, I asked her: “Do you want to be a boy or a girl?”, and she answered right away “I’ve been a girl my whole life, it’d be fun to try being a boy for once”.)
So, we’re making her character sheet, rolling her stats (she gets a 17 and puts it in WIS) and chosing her first spells, and I ask her if she has a name in mind. “I don’t know, I’ll find one by tomorrow”.
That night, she does something that even I never expected: she goes on the Internet and reads every piece of lore she can find about gnomes. She barely knew how to Google, and yet here she was, browsing Wikipedia articles and D&D fansites….
(12) SURVIVING AS A WRITER. N.K. Jemisin argues against the
attitude that writers with day jobs just need to tough it out. Thread starts here.
NASA is examining a claim that an astronaut improperly accessed the bank account of her estranged spouse from the International Space Station, The New York Times reported Friday — potentially the first criminal allegation from space.
NASA astronaut Anne McClain told investigators she had accessed the bank account of her spouse while on a six-month mission aboard the ISS in preparation for her role in NASA’s anticipated first all-female spacewalk, the Times reported.
McClain’s spouse, former Air Force intelligence officer Summer Worden, brought a complaint with the Federal Trade Commission that McClain had committed identity theft, despite not seeing any indication of moved or spent funds.
Worden’s parents then brought another complaint with NASA’s Office of Inspector General, alleging that McClain had improperly accessed Worden’s private financial records and conducted a “highly calculated and manipulative campaign” to gain custody of Worden’s son.
McClain’s lawyer, Rusty Hardin, told the Times that “she strenuously denies that she did anything improper” and “is totally cooperating.”
When the crewmembers of the starship Enterprise pull into orbit around a new planet, one of the first things they do is scan for life-forms. Here in the real world, researchers have long been trying to figure out how to unambiguously detect signs of life on distant exoplanets.
They are now one step closer to this goal, thanks to a new remote-sensing technique that relies on a quirk of biochemistry causing light to spiral in a particular direction and produce a fairly unmistakable signal. The method, described in a recent paper published in the journal Astrobiology, could be used aboard space-based observatories and help scientists learn if the universe contains living beings like ourselves.
In recent years, remote-life detection has become a topic of immense interest as astronomers have begun to capture light from planets orbiting other stars, which can be analyzed to determine what kind of chemicals those worlds contain. Researchers would like to figure out some indicator that could definitively tell them whether or not they are looking at a living biosphere.
This week’s books and more, unfairly (or sometimes fairly) neglected, or simply those the reviewers below think you might find of some interest (or, infrequently, you should be warned away from); certainly, most weeks we have a few not at all forgotten titles, and this week is festooned with not-obscure writers and their books which have fallen mostly out of favor, or, even more often, been lost in the shuffle of their prolific legacy…i
Patricia Abbott: My Cousin Rachel by Daphne Du Maurier
Stacy Alesi: The A List: Fiction Reviews: 1983-2013
Brad Bigelow: No Goodness in the Worm by Gay Taylor
Les Blatt: The Mysterious Affair at Styles by Agatha Christie; The Case of the Careless Kitten by Erle Stanley Gardner
Elgin Bleecker: The Case of the Beautiful Beggar by Erle Stanley Gardner
Brian Busby: The Squeaking Wheel by John Mercer
Rachel S. Cordasco: from 13 French Science Fiction Stories, edited and translated by Damon Knight, stories by Catherine Cliff, Natalie Henneberg, Suzanne Malaval
Martin Edwards: Midsummer Murder by Clifford Whitting
Peter Enfantino: Atlas (proto-Marvel) horror comics, August 1952
Peter Enfantino and Jack Seabrook: DC war comics, July 1975
Barry Ergang: The Last Best Hope by “Ed McBain” (Evan Hunter)
Will Errickson: Unholy Trinity by Ray Russell
José Ignacio Escribano: “Ibn-Hakam al Bokhari, Murdered in His Labyrinth” by Jorge Luis Borges (variously translated from “Abenjacán el Bojarí, muerto en su laberinto”), Sur, August 1951
Curtis Evans: recommendations to the Library of America
Olman Feelyus: Silver on the Tree by Susan Cooper
Paul Fraser: The Magazine of Fantasy and Science Fiction, November 1954, edited by “Anthony Boucher” (William White)
John Grant: Bad Debts by Peter Temple; The Lazarus Curse by Tessa Harris; When Elves Attack by Tim Dorsey
Aubrey Hamilton: Most Cunning Workmen by Roy (John Royston) Lewis; Bad to the Bones by Rett MacPherson
Bev Hankins: Family Affair by Ione Sandberg Shriber
Rich Horton: Stories of Brian W. Aldiss; stories of Rachel Pollack; The Dalemark Quartet by Diana Wynne Jones; stories of Greg Egan; stories of Lucius Shepard; The Martian Chronicles and The Illustrated Man by Ray Bradbury; The Canterbury Tales by Geoffrey Chaucer; Christopher Priest novels
Jerry House: “The Death Chair” by L. T. (Elizabeth Thomasina) Meade and Robert Eustace, The Strand Magazine, July 1899, edited by Herbert Smith
Sally Fitzgerald: “The Train” by Flannery O’Connor, Sewanee Review, April 1948, edited by Alan Tate
Kate Jackson: The Unpleasantness at the Bellona Club by Dorothy L. Sayers; Hallowe’en Party by Agatha Christie
Tracy K: City of Shadows by Ariana Franklin; Behind That Curtain by Earl Derr Biggers
Colman Keane: Mr. Monk Goes to the Firehouse by Lee Goldberg
George Kelley: The Case of the Borrowed Brunette by Earl Stanley Gardner
Joe Kenney: The Anderson Tapes by Lawrence Sanders; Cult of the Damned by “Spike Andrews” (Duane Schemerhorn)
Rob Kitchin: Black Hornet by James Sallis
B. V. Lawson: The FBI: A Centennial History 1908-2008, Anonymous (produced by the US Dept. of Justice)
Evan Lewis: Hombre by Elmore Leonard
Steve Lewis: “The Spy Who Came to the Brink” by Edward D. Hoch, Ellery Queen’s Mystery Magazine, December 1965, edited by Frederic Dannay; “The Theft from the Onyx Pool”, EQMM, June 1967; stories from Forbidden River by Frederick Nebel; The Detective and the Chinese High-Fin by Michael Craven
J. F. Norris: Secret Sceptre by Francis Gerard
Matt Paust: Hollywood by Charles Bukowski
James Reasoner: Love Addict by “Don Elliott” (Robert Silverberg)
Richard Robinson: Have Space Suit–Will Travel by Robert A. Heinlein
Sandra Ruttan: A Thousand Bones by P. J. Parrish
Gerard Saylor: A Walk in the Woods by Bill Bryson
Doreen Sheridan: The Suspect by L. R. Wright
Steven H Silver: “giANTS” by Edward Bryant, Analog Science Fiction/Science Fact, August 1979, edited by Stanley Schmidt
Kerrie Smith: Head in the Sand by Damien Boyd
Dan Stumpf: The Third Man by Graham Greene; Leonardo’s Bicycle by Paco Ignacio Taibo II
“TomCat”: Terror Tower by Gerald Verner
David Vineyard: Murder on the Ballarat Train by Kerry Greenwood
Disney will officially enter the streaming wars in the fall when it launches its direct-to-consumer platform, Disney+, in November.
The platform, in the works since August 2017 when it was announced during an earnings call by Disney CEO Bob Iger, saw the media behemoth begin to pull its films from Netflix in a bid to use fare like Marvel features to incentivize potential subscribers to the service.
Make no mistake, Disney+ is the company’s biggest bet yet. The service — designed as a competitor to Netflix with a monthly price of $6.99 — will be a home to Disney’s massive animated feature library as well as assets from Lucasfilm (Star Wars), Pixar and Marvel, including new scripted offerings from the latter two companies.
Disney+ will be a separate service from its majority stake in Hulu and sports-themed ESPN+. While viewers will have to pay for each of the three services, they will all exist on the same platform — meaning subscribers can use the same password and credit card for each and all….
[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Cat Eldridge, John
A Arkansawyer, Martin Morse Wooster, Contrarius, Karl-Johan Norén, Mike
Kennedy, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Joe H.]
…[Vudu Senior Director Julian] Franco had more details to share when it came to Vudu’s plans for non-interactive, original content. He announced that the service is producing (in partnership with eOne and Bell Canada) “Albedo,” a science fiction detective series from “Rampage” director Brad Peyton that will premiere next year, and will mark “Lost” star Evangeline Lilly’s return to TV. In addition, the first three episodes of Nickelodeon’s remake “Blues Clues & You” will premiere on Vudu before they air on linear TV.
Also in the works are unscripted shows like “Turning Point with Randy Jackson” and “Friends in Strange Places,” a travel show with Queen Latifah.
In total, the service will be premiering around a dozen original movies and TV shows later this year, Franco said.
As for those shoppable ads, Vudu Chief Operating Officer and Head of Product Scott Blanksteen said the service is already testing them. These are ads that allow you to purchase the featured products through a pop-up window. He added that these ads are dynamic, changing based on viewer preferences.
(2) WESTEROS SPINOFFS. Although Game of Thrones writer Bryan Cogman told
The Hollywood Reporter in April that his time with the franchise is over for
now—because the spinoff series he was attached to is officially scrubbed, George
R.R.Martin had this to say on his blog.
Oh, and speaking of television, don’t believe everything you read. Internet reports are notoriously unreliable. We have had five different GAME OF THRONES successor shows in development (I mislike the term “spinoffs”) at HBO, and three of them are still moving forward nicely. The one I am not supposed to call THE LONG NIGHT will be shooting later this year, and two other shows remain in the script stage, but are edging closer. What are they about? I cannot say. But maybe some of you should pick up a copy of FIRE & BLOOD and come up with your own theories.
Born May 5, 1908 — Pat Frank. Author of Alas, Babylon. also wrote a 160-page non-fiction book, How To Survive the H Bomb And Why (1962). (Insert irony here.) Forbidden Area, another novel, he wrote, was adapted by Rod Serling for the 1957 debut episode of Playhouse 90. (Died 1964.)
Born May 5, 1926 — Richard Cowper, penname of John Middleton Murry Jr. Christopher Priest in his obit says ‘His best SF is found in the novel The Twilight of Briareus and the books in the White Bird of Kinship series, but most of his short stories were also remarkable. His work always stood out in the SF genre: he was anachronistic, but he dazzled with his elegant, precise, bountiful prose.’ (Died 2002.)
Born May 5, 1942 — Marc Alaimo, 77. Best known for his role as recurring villain Gul Dukat on Deep Space Nine. He was also a security officer in Total Recall named Captain Everett, and the human form of an alien in The Last Starfighter.
Born May 5, 1942 — Lee Killough, 77. Author of two series, the Brill and Maxwell series which I read a very long time ago and remember enjoying, and the Bloodwalk series which doesn’t ring even a faint bell. I see she’s written a number of stand-alone novels as well – who’s read deeply of her?
Born May 5, 1943 — Michael Palin, 76. Monty Python of course. I’ll single him out for writing Monty Python’s The Meaning of Life and co-writing Time Bandits with Terry Gilliam. Though decidedly not genre, I going to single him out for being in A Fish Called Wanda for which he won the BAFTA Award for Best Actor in a Supporting Role.
Born May 5, 1944 — John Rhys-Davies, 75. Known for his portrayal of Gimli and the voice of Treebeard in the Lord of the Rings trilogy, General Leonid Pushkin in The Living Daylights, King Richard I in Robin of Sherwood, Professor Maximillian Arturo in Sliders, Macbeth in Gargoyles, Hades in Justice League and Sallah in the Indiana Jones films.
Born May 5, 1979 — Catherynne M. Valente, 40. The list thing I read by her was The Refrigerator Monologues which is a lot of fun. Space Opera is in by TBR pile and I’d like to know what y’all thought of it. My favorite work by her? Oh, by far that’d be the two volumes of The Orphan’s Tales which I go back to fairly often — stunning writing. If you’ve not read them yet, here’s her telling “The Tea Maid And The Tailor” as excerpted from In the Night Garden which is from Green Man.
Born May 5, 1983 — Henry Cavill, 46. Best known portraying Superman in Batman v Superman: Dawn of Justice and Justice League. He appears next in Mission: Impossible – Fallout. He did early in his career as Mike in Hellraiser: Hellworld and was The Hunter In Red Riding Hood, an interesting musical.
Free Range tells a story about Noah that was left out of Genesis.
Frank and Ernest have questionable advice for scientists searching for extraterrestrial life.
“To Boldly Go Where No Cat Has Gone Before” is a motto that Texas-based Chronicle Collectibles has taken to heart with its wonderfully whiskered new line, the Star Trek Cats Collection, which is based on the whimsical feline artwork of Jenny Parks.
(7) YODA, HOW
YOU’VE GROWN! Yankees pitcher CC Sabathia
dressed up as Yoda on Star Wars Day and helped give out bobbleheads at the park
before the game.
Many people harbor a desire for fame — their face on the screen, their star on a boulevard, their name in print. That’s why it’s been so gratifying to have been given plaudits by no less a personage than Rod Serling, as well as the folks who vote for the Hugos.
But it wasn’t until this month that one of us finally made the big time. Check out this month’s issue of Analog, for in the very back is a letter whose sardonic commentary makes the author evident even before one gets to the byline. Yes, it’s our very own John Boston, Traveler extraordinaire.
With that said, “watchable” and “entertaining in the moment” are not precisely the same thing to me as “fun” and “enjoyable.” Watching Endgame to me felt like being on a forced march through a checklist of plot points and character moments, and after a (very short) time I began to be rather conscious of all the scenes that existed not to be an organic moment of story but to be fanservice for a particular character (or set of characters), or to make sure some barely-remembered loose end was tucked in. By the third act and its climactic and overstuffed battle scene, it stopped being clever and started being exhausting. I felt like a kid on vacation being dragged to all the sights on a tour, with no time to really enjoy any of them because look, we’re on a schedule here.
…Spinning Silver is not “Uprooted 2” but it shares common features: based on folk tale tropes and using a (sort of) Eastern European setting to tell an original story with familiar aspects. Instead, we get a story of multiple characters navigating a world of promises, oaths and bargains and the consequences of ambiguous terms.
“You’ve been trying not to pee in your pants your whole life,” says the retired astronaut Scott Kelly, who wore a diaper for liftoff and landing on all four of his space missions. Going into orbit will require you to confront your body in ways you don’t have to on Earth. Get over decades of conditioning by rehearsing basic bodily functions on land: Put on a diaper, lie on the floor with your legs up on the couch, and practice urinating without shame or gravity’s assistance. (Don’t, and you’ll risk damaging your bladder when your body won’t relieve itself in space.)
Leaving Earth is dangerous; you might die, and you should acknowledge and grapple with that before you go. Kelly has spent a total of 520 days in space. Before departing, he always wrote letters to his loved ones to be opened only in the case of his death. Seek help beforehand. Don’t step foot in a spacecraft without some counseling….
It’s not unusual for TV fans to wish that their favourite shows would carry on (Fleabag anyone?). But it seems viewers who long for more have an unlikely ally – former UK Prime Minister David Cameron.
Speaking on David Tennant’s podcast, US writer and actress Tina Fey revealed that, while leader, Mr Cameron implored her to lobby the British TV industry to churn out as many episodes as US shows do.
“Come and convince our showrunners that they can’t just make six episodes of things. Like you guys, they should make 200 episodes,” she recalled him saying.
Fey rejected the request, however, explaining that US writers were, in fact, jealous of the less-is-more British approach.
(13) FUSSIN’ & FEUDIN’. The cold opening of last night’s Saturday Night Live is a Family Feud episode pitting the Game of Thrones against the Avengers.
Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Chip Hitchcock,
Carl Slaughter, Andrew Porter, and Cat Eldridge for some of these stories.
Title credit goes to File 770 contributing editor of the day Andrew.]
(1) MIGNOGNA FILES SUIT. Anime News Network reported in January that a Twitter thread accused dub voice actor Vic Mignogna of homophobia, rude behavior, and making unwanted physical advances on female con-goers. He’s now filed suit claiming several individuals and a corporation have damaged his professional career.
This comes after a wave of misconduct accusations which resulted in Mignogna’s removal from Funimation’s The Morose Mononokean 2 and Rooster Teeth’s RWBY. Allegations first started to surface around the release of Dragon Ball Super: Broly, in which Mignogna voices the title character.
Mignogna is seeking “monetary relief over $1,000,000.00” in part due to Funimation no longer contracting him for future productions, as well as conventions canceling his appearances. Mignogna and his lawyer are also seeking “judgment against the Defendants for actual, consequential and punitive damages according to the claims … in amounts to be determined on final hearing, pre- and post-judgment interest at the highest rate permitted by law, and costs of court” in addition to “such other and further relief to which he may be justly or equitably entitled” and “general relief.”
Mignogna is represented by Ty Beard of Beard Harris Bullock Hughes in Tyler, Texas.
The lawsuit alleges that Sony executive Tammi Denbow told Mignogna in mid-January she was “investigating three allegations of sexual harassment against him,” and that on January 29 “Denbow and another Sony executive informed [Mignogna] that his employment with Funimation was terminated” following an investigation. Denbow is listed on LinkedIn as “Executive Director, Employee Relations at Sony Pictures Entertainment.” Sony Pictures Television Networksacquired a majority stake in FUNimation in October 2017.
The suit claims that “Ronald (a Funimation agent or employee) has tweeted more than 80 times that Vic sexually assaulted or assaulted Monica, more than 10 times that Vic sexually assaulted or assaulted three of his “very close friends,” more than 10 times that Vic has been accused of hundreds and possibly thousands of assaults, and at least 17 times that Vic is a “predator.” It also points to a number of tweets made by Rial and Marchi.
(2) BROAD UNIVERSE. Broad
Universe is “a nonprofit
international organization of women and men dedicated to celebrating and
promoting the work of women writers of science fiction, fantasy and horror.”
This is a heads-up on a problem related to Broad Universe participation in upcoming cons.
As you know, I organized the RavenCon RFR. When I submitted my invoice for the poster, BU Treasurer Marta Murvosh informed me that men weren’t allowed to read. This came as a complete shock, since I’ve been organizing RFRs—and submitting invoices for posters—for years. When I objected, Marta advised me that it would only be okay if the man depicted in the poster identified as non-cisgendered. Otherwise, he couldn’t read…but maybe he could moderate.
I said no. It was too late to change line-up. Moreover, it would have been grossly unfair to a member who prepared to read in good faith, with no prior warning that it was not allowed…
(The poster expense has been reimbursed, but the main controversy
is still under discussion.)
… It’s not right to ask them to host events that violate their anti-discrimination and anti-harassment policies. Likewise, I will not knowingly participate in or organize any event for an organization that practices discrimination or accepts money under false pretenses.
Finally, as an officer of BWAWA, I am obliged to inform to inform the cons that look to me to moderate their BU-related programming (Balticon, Dragon Con, Capclave and all BWAWA-associated events, such as the 2014 and 2018 World Fantasy Cons) of the potential liability issues created by BU’s current policies. Some of the women responding on the BU forum thought I was bluffing when I said this could cause a number of major cons to drop all BU events. It wasn’t a bluff, or a threat. It was a statement of fact. In the absence of a commitment to change the problematic policies before they have to go to print on program materials and signage, both Balticon and Dragon Con will drop all BU programming. In the absence of a policy by mid-summer, there will be no RFR at this year’s Capclave. It won’t even make the preliminary list of panel ideas.
Balticon reportedly has addressed the issue by keeping the
event and renaming it.
Jason Gilbert: I am the male member who was included in the Ravencon BU Rapid Fire Reading. I had a blast doing it, and enjoyed listening to my friends read. I was the only dude in the room. I thought my membership and the money I paid for that membership was my way of supporting women and the BU cause. Had I known that my membership was nothing more than a handout to an organization that excludes members from participating in BU events based on their gender, I would never have signed up or supported BU. I feel excluded, a little betrayed, and angry for my friends who are catching the heat and consequences for allowing me to participate. I am the other Co-Director of Programming at ConCarolinas, and I will also be reporting to the concom on the discriminatory practices of BU, as it directly violates the ConCarolinas anti-discrimination policy. I will also be canceling my membership, and will no longer support Broad Universe. Jean Marie Ward, I am sorry you are having to deal with this, and thank you for letting me read during the Broad Universe Rapid Fire Reading at Ravencon. I truly thought I was supporting an honest organization.
Morven Westfield: Please give the Motherboard a chance to find out what’s going on. I am saddened that the conventions dropped us without hearing the Motherboard’s side of the story, but I understand they probably want to err on the side of caution. Please give the Motherboard time to investigate this.
Someone recently commented (sorry, I’m reading too many things and can’t remember who said what) that bisexuals are endangered by the current policy of not letting men read. I’m not trying to stir anything up, but I am asking sincerely, how so? If a bisexual, pansexual, or asexual person identifies as female, she can read. It’s not sexual orientation, but gender. Remember that when Broad Universe formed, it was to help women overcome the problems they encountered in a male-dominated publishing industry because they were women, not because they had a different sexual orientation.
…To all who are reading this, let me reiterate what Inanna said. “The MotherBoard is not a bunch of fiendish con-artists who sit around chortling as we think up ways to cheat our members.” As I said before, I think it’s a communication error. In looking through my emails I found reference to a Broad Universe brochure we used in 2010 that said that only women would be allowed to read in RFRs. The wording was taken from our web page at that time. So something happened after 2010.
Also, it appears that Broads on the East Coast were still going by the 2010 and earlier policies (men not allowed to read), but other parts of the country were regularly allowing that, and it seemed like both halves were unaware what was going on. In other words, miscommunication.
Please bear with the Motherboard as they try to sort this out.
FANZINES. Edie Stern alerts Harlan Ellison fans to some new items at Fanac.org:
For those that are interested in Harlan’s early fannish career, Fanac has something nice for you today. We’ve uploaded 6 issues of his fanzine Science Fantasy from the early 1950s. Not only is there writing by Harlan, but by Bob Bloch, MZB, Dean Grennell, Algis Budrys, Bob Silverberg and more. Scanning by Joe Siclari. You can reach the index page at: http://fanac.org/fanzines/Harlan_Ellison/
(4) CHILDREN IN
PERIL. Fran Wilde makes a point about the parallels of life and fiction.
Thread starts here.
[Compiled by Cat
Born April 20, 1937 — George Takei, 82. Hikaru Sulu on the original Trek. And yes, I know that Vonda McIntyre wouldn’t coin the first name until a decade later in her Entropy Effect novel. Post-Trek, he would write Mirror Friend, Mirror Foe with Robert Asprin. By the way, his first genre roles were actually dubbing the English voices of Professor Kashiwagi of Rodan! The Flying Monster and the same of the Commander of Landing Craft of Godzilla Raids Again.
Born April 20, 1939 — Peter S. Beagle, 80. I’ve known him for about fifteen years now, met him but once in that time. He’s quite charming. My favorite works? Tamsin, Summerlong and In Calabria.
Born April 20, 1949 — John Ostrander, 70. Writer of comic books, including Grimjack, Suicide Squad and Star Wars: Legacy. Well those are the titles he most frequently gets noted for but I’ll add in the Spectre, Martian Manhunter and the late Eighties Manhunter as well.
Born April 20, 1949 — Jessica Lange, 70. Her very first role was Dwan in King Kong. Later genre roles are modest, Sandra Bloom Sr. in Big Fish and Constance Langdon / Elsa Mars / Fiona Goode / Sister Jude Martin in American Horror Story.
Born April 20, 1951 — Louise Jameson, 68. Leela of the Sevateem, companion to the Fourth Doctor. Appeared in nine stories of which my favorite was “The Talons of Weng Chiang” which I reviewed here. She segued from Dr. Who to The Omega Factor where she was the regular cast as Dr. Anne Reynolds. These appear to her only meaningful genre roles.
Born April 20, 1959 — Clint Howard, 60. So the most interesting connection that he has to the genre is playing Balok, the strange child like alien, in “The Corbomite Maneuver” which I remember clearly decades after last seeing it. Other than that, there’s very he’s done of a genre nature that’s even mildly interesting other than voicing Roo three in three Winnie-the-Pooh films.
Born April 20, 1959 — Carole E. Barrowman, 60. Sister of John Barrowman. John and Carole co-wrote a Torchwood comic strip, featuring Jack Harkness, entitled Captain Jack and the Selkie. They’ve also written the Torchwood: Exodus Code audiobook. In addition, they’ve written Hollow Earth, a horror novel. She contributed an essay about her brother to the Chicks Dig Time Lords anthology.
Born April 20, 1964 — Crispin Glover, 55. An American actor and director, Glover is known for portraying George McFly in Back to the Future, Willard Stiles in the Willard remake, Ilosovic Stayne/The Knave of Hearts in Alice in Wonderland, Grendel in Beowulf, Phil Wedmaier in Hot Tub Time Machine, and 6 in 9. He currently stars in American Gods as Mr. World, the god of globalization.
Born April 20, 1964 — Andy Serkis, 55. I admit that the list of characters that he has helped create is amazing: Gollum in The Lord of the Rings films and The Hobbit: An Unexpected Journey, King Kong in that film, Caesar in the Planet of the Apes reboot series. Captain Haddock / Sir Francis Haddock in The Adventures of Tintin (great film that was), and even Supreme Leader Snoke in The Force Awakens and The Last Jedi. Last year, he portrayed the character of Baloo in his self-directed film, Mowgli: Legend of the Jungle.
LONDON! The heart of the world of publishing. It was here that I would build my empire! I immediately set off to the zoo to visit the penguins. Strangely, they were untalkative and showed no sign of controlling a vast business of iconic paperbacks. They mainly waddled around an enclosure with excellent views of Regent Park…
If the BBC’s upcoming War of the Worlds TV adaptation wasn’t enough for you then buckle up, because a new project by Audible is bringing the works of novelist HG Wells to life with a series of star-studded audiobook adaptations.
Former Doctor Who star David Tennant is set to narrate alien invasion classic The War of the Worlds, while Oscar nominee Sophie Okonedo will tackle The Invisible Man.
Downton Abbey’s Hugh Bonneville will narrate The Time Machine, with Harry Potter and Star Trek: Discovery star Jason Isaacs lending his voice to The Island of Doctor Moreau and Versailles’ Alexander Vlahos reading The First Men in the Moon.
(8) THE LONG AND WINDING
ROAD. LROC graphs the movements
of the first astronauts on the surface of the Moon: “Apollo 11”.
Astronauts Neil Armstrong and “Buzz” Aldrin landed the Apollo 11 Lunar Module (LM) in Mare Tranquillitatis [0.67416 N, 23.47314 E], at 20:17:40 UTC 20 July 1969. They spent a total of 21.5 hours on the lunar surface, performing one Extra-Vehicular Activity (EVA) and collecting 21.5 kg of lunar samples. Astronaut Michael Collins orbited the Moon in the Lunar Command Module (LCM), awaiting the return of Armstrong and Aldrin from the surface. Apollo 11 was the first lunar landing, however it was the fifth manned Apollo mission, earlier missions laying the ground-work for Apollo 11.
(9) OUR POSITRONIC
PROSECUTORS. CrimeReads’ M.G.
Wheaton surveys sf’s attitudes towards artificial intelligence and suggests that
someday machines will make our lives better and won’t such be vehicles to crush
us or take our jobs. Or maybe not: “Why
We’ve Decided That The Machines Want to Kill Us”.
…While hardly the first filmic thinking machine to read the tea leaves and decide to either wipe out humanity (Terminator), subjugate it (The Matrix), or rid us of our freedom of thought (everything from Alphaville to any Borg episode of Star Trek: The Next Generation), Age of Ultron wins the prize for its antagonist coming to that conclusion the fastest.
So, why is this? Why does HAL 9000 decide the only way to complete his mission is to kill all the humans aboard his ship in 2001: A Space Odyssey? Why does Colossus, the titular super-computer from Colossus: The Forbin Project start out friendly then conclude the only way to end the Cold War is to seize all the nukes and demand subservience in return for not setting them off? Why as early as 1942 when Isaac Asimov laid down his Three Laws of Robotics did he feel the need to say in the very first one that robots must be programmed not to ever hurt humans as otherwise we’d be doomed?
I mean, are we really so bad?
Well, as we’re the ones writing all these stories, maybe it’s not the machines that find us so inferior….
Perhaps in response to Asimov’s rebuttal in 1980, he showed up in a Superman comic book at the end of that year in a story by Cary Bates (with artwork by Curt Swan and Frank Chiaramonte) in Superman #355. Here, Asimov is, instead, Asa Ezaak, and he is a bit of a condescending jerk to Lois Lane at a science conference….
…He plans on injecting himself with a special “potion” that gives him gravity powers! He is now Momentus!
‘The Museum of Classic Sci-Fi’ is a permanent exhibition, nestled in the historic, Northumberland village of Allendale. Situated beside the market place square, visitors will embark upon a nostalgic tour of some of the genre’s most influential imagery and themes. Featuring a substantial and eclectic collection of over 200 original screen-used props, costumes and production made artefacts; the museum tells the story of the Science-Fiction genre and acts a visual ‘episode guide’ to classic era ‘Doctor Who’. In addition, artist Neil Cole has produced unique paintings and sculptures, to enhance the impact of the presentations.It includes a “Doctor Who Gallery” –
Oh, Ein. Sweet, sweet Ein. Where would the Cowboy Bebop team (especially Edward) be without this data dog? This super-intelligent corgi has all the charm of a pup and all the computing power of a… well… a computer. He’s the best of all worlds.
Now we just have one question: Which lucky corg will play Ein in the upcoming live-action Cowboy Bebop?
[Thanks to John King
Tarpinian, Cat Eldridge, Hampus Eckerman, Mike Kennedy JJ, Martin Morse
Wooster, Chip Hitchcock, Michael Toman, Carl Slaughter, and Andrew Porter for
some of these stories. Title credit goes to File 770 contributing editor of the
day Darren Garrison.]
In a cheeky nod to the end of “Infinity War,” Sunday’s press conference for the upcoming “Avengers: Endgame” left several seats empty for the actors who played characters snapped into oblivion by Thanos.
“Post-Snap, there’s a few empty seats, so I’d like to welcome back the people that you see here onstage,” said “Iron Man” director and star Jon Favreau, who hosted the event.
Those who did make it included Marvel Studios head Kevin Feige, “Endgame” directors Anthony and Joe Russo, and stars Robert Downey Jr., Chris Evans, Mark Ruffalo, Danai Gurira, Chris Hemsworth, Don Cheadle, Scarlett Johansson, Paul Rudd, Karen Gillan, Jeremy Renner, and “Captain Marvel” newcomer Brie Larson.
(3) CELLAR DOOR (NOT INTO
SUMMER). Empire posted an
exclusive clip from the Tolkien biopic.
Tolkien explores the formative years of the orphaned author as he finds friendship, love and artistic inspiration among a group of fellow outcasts at school. This takes him into the outbreak of World War I, which threatens to tear the “fellowship” apart. All of these experiences would inspire Tolkien to write his famous Middle-Earth novels.
…But fan works, and the community that surrounds them, often don’t get the respect they deserve. So AO3’s nomination for the prestigious award—both for the platform itself and for the platform as a proxy for the very concept of fan fiction—is a big deal. Many, both inside and outside the sci-fi and fantasy community, deride fan fiction as mostly clumsy amateur works of sexual fantasy—critiques that, as those who have looked at them closely have pointed out, have a glaringly gendered component. Erotic fan fiction is part of the landscape—and, frankly, can be a wonderful part of it—but it’s about more than that. It’s about spending more time in the worlds you love and exploring characters beyond the page. It’s about speculating overhow things could be different, just as good science fiction and fantasy does. And it’s also about critiquing source texts, pushing back against harmful narratives, and adding and correcting certain types of representation (including the ways women and LGBTQ people are portrayed in these genres).
(6) SHOOTING THE MOON. Christian Davenport in the Washington Post questions whether the
administration’s goal of landing on the Moon in 2024 can be met, since the plan
is based on a lunar orbital station that has not been built, much less
contracted. Davenport notes that Vice-President Pence “has dedicated
more time to space than any other White House official since the Kennedy
administration.” — “Trump’s
moonshot: The next giant leap or another empty promise?”.
…NASA officials also face a major test of their agency’s effectiveness: Is this another empty promise by an administration nostalgic for the triumph of Apollo and looking to make a splash while in office, or can NASA somehow pull off what would be an audacious step just in time for the presidential election?
Already, there are signs that the White House’s plan is running into fierce head winds.
At a hearing Tuesday, Rep. Eddie Bernice Johnson (D-Tex.), the chair of the House Committee on Science, Space and Technology, blasted Pence’s speech for lacking any details of how NASA would achieve what she called a “crash program” or what it would cost.
“We need specifics, not rhetoric,” she said. “Because rhetoric that is not backed up by a concrete plan and believable cost estimates is just hot air. And hot air may be helpful in ballooning, but it won’t get us to the moon or Mars.”
…I did a keynote for Writer Digest conference in Cincinnati not too long ago. I really tried to kick my keynoting abilities up to a new level, and I think I was able to deliver. But while there, I met quite a few staff from Writers Digest. I really hope this ends well for them, as they were all excited about helping writers and celebrating books.
More than half a dozen scientific press conferences are set for 10 April, raising hopes that astronomers have for the first time imaged a black hole, objects with gravitational fields so strong that even light cannot escape. Although their existence is now almost universally accepted, mostly from the effect of their gravity on nearby objects, no one has actually seen one.
Black holes themselves are entirely dark and featureless. The giant ones at the centers of galaxies are also surprisingly small, despite containing millions or billions of times the mass of our sun. To make observing them yet more difficult, those giants are shrouded in clouds of dust and gas. But streams of superhot gas swirl around the holes, emanating radio waves about a millimeter in wavelength that can penetrate those clouds.
On camera in Worlds of Ursula K. Le Guin, Vonda keenly describes the moment when women began to make a space for themselves in science fiction and fantasy, and the controversy it stirred up. I recorded her during a vacation with Ursula and Charles Le Guin in the southeast Oregon desert on a blistering day — a day so hot that the camera overheated and we had to pause filming and cool off. I still feel a little guilty about the heat of that afternoon, and grateful that she endured it.
(10) TODAY IN HISTORY.
April 9, 1960 – The Mercury Seven astronauts were introduced to the public.
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born April 9, 1911 — George O. Smith. He was an active contributor to Astounding Science Fiction during the Forties. His collaboration with the magazine’s editor, John W. Campbell, Jr. ended when Campbell’s first wife, Doña, left him in 1949 and married Smith. Ouch. He was a prolific writer with eight novels and some seventy short stories to his name. He was a member of the all-male dining and drinking club the Trap Door Spiders, which was the inspiration for Asimov’s the Black Widowers. (Died 1981.)
Born April 9, 1926 — Hugh Hefner. According to SFE, he had been an avid reader of Weird Tales when he was younger. Perhaps as a result, Playboy came to feature stories from the likes of Poul Anderson, Isaac Asimov, Algis Budrys, Ray Bradbury, Richard Matheson, James Blish, Robert A Heinlein, Frederik Pohl and Rod Serling. Arthur C. Clarke’s “A Meeting with Medusa” which would first run here won a Nebula. (Died 2017.)
Born April 9, 1926 — Avery Schreiber. Principal genre claim is being in Galaxina which parodied Trek, Star Wars and Alien. Other genre appearances included being a rider on a coach in Dracula: Dead and Loving It, the Russian Ambassador in More Wild Wild West and the voice ofBeanie the Brain-Dead Bison on the Animaniacs. (Died 2002.)
Born April 9, 1954 — Dennis Quaid, 65. I’m reasonably sure that his first genre role was in Dreamscape as Alex Gardner followed immediately by the superb role of Willis Davidge in Enemy Mine, followed by completing a trifecta with Innerspace and the character of Lt. Tuck Pendleton. And then there’s the sweet film of Dragonheart and him as Bowen. Anyone hear of The Day After Tomorrow in which he was Jack Hall? I hadn’t a clue about it.
Born April 9, 1972 — Neve McIntosh, 47. During time of the Eleventh Doctor, She plays Alaya and Restac, two Silurian reptilian sisters who have been disturbed under the earth, one captured by humans and the other demanding vengeance. Her second appearance on Doctor Who is Madame Vastra, in “A Good Man Goes to War”. Also a Silurian, she’s a Victorian crime fighter. She’s back in the 2012 Christmas special, and in the episodes “The Crimson Horror” and “The Name of the Doctor”. She reprises her role as Madame Vastra, who along with her wife, Jenny Flint, and Strax, a former Sontaran warrior, form an private investigator team.
Born April 9, 1982 — Brandon Stacy, 37. He worked on both of the new Trek films as a stand-in for Quinto with obviously the acting jones as he become involved in two of the Trek video fanfics, Star Trek: Hidden Frontier and Star Trek: Phase II, the latter in which he portrays Spock of course.
Born April 9, 1990 — Kristen Stewart, 29. She first shows up in our area of interest in The Flintstones in Viva Rock Vegas as a Ring Toss Girl (ok, it wasn’t that bad a film). Zathura: A Space Adventure based off the Chris Van Allsburg book has her playing Lisa Budwing. Jumper based off the Stephen Gould novel of the same name had her in a minor role as Sophie. If you’ve not seen it, I recommend Snow White and the Huntsman which has her in the title role of Snow White. It’s a really great popcorn film. Finally she’s got a gig in The Twilight Saga franchise as Bella Cullen.
Born April 9, 1998 — Elle Fanning, 21. Yes, she’s from that acting family. And she’s certainly been busy, with roles in over forty films! Her first genre film is The Curious Case of Benjamin Button followed by Astro Boy, Super 8, Maleficent, The Boxtrolls, The Neon Demon, the upcoming Maleficent: Mistress of Evil and a recurring role on The Lost Room, a Cursed Objects miniseries that aired on Syfy.
(12) COMICS SECTION.
Grimmy tries a
familiar origin story on for size – and it doesn’t fit!
“Wakanda Funk Lounge” by SassyBlack, is a svelte slab of hologram funk delivered directly from the Black Panther nation of Wakanda. This four-song EP contains the chart-topping hits from that nation’s funk lounges, and rising star, SassyBlack.
SassyBlack is a queer “blaxploitation, sci-fi warrior queen” and is also a multi-talented, space-aged songwriter, beatmaker, composer and singer. Her music has been described as “electronic psychedelic soul,” with roots in experimental hip-hop, R&B, and jazz. Her voice has been compared to that of Ella Fitzgerald, Erykah Badu, and Georgia Anne Muldrow and her beats owe a debt to Herbie Hancock and Quincy Jones. Like Queen Latifah, she sings, raps, is an actor (who recently appeared on Broad City) and produces all her own music. Before going solo, she recorded and performed as half of the Afrofuturist hip-hop duo THEESatisfaction. Her music has received attention from Okayplayer, Afropunk, The Fader, Pitchfork, Bitch magazine and more.
Her brand new “Wakanda Funk Lounge” EP has been recently released as a 500-copy special-edition 7” single on Seattle hip-hop record label Crane City Music. The cover was designed by visual artist Wutang McDougal and each copy is pressed on colored vinyl and is individually numbered. The music is also available online on all major streaming services and can be purchased digitally through Bandcamp. It’s funky music that reminds us that Wakanda’s main export is “VIBE-ranium.”
In describing the project, SassyBlack says that “Wakanda Funk Lounge is about black freedom. When I think of “Black Panther,” it is talking about black freedom, so much that we have our own secret space. What would be freer than a Wakanda funk lounge?”
This is not her first sci-fi or superhero-themed project. SassyBlack performed at 2018’s Emerald City Comic Con, and her 2016 full-length album, “No More Weak Dates” contains numerous references to Star Trek. In an interview with Hearst publication Shondaland, she explains her sci-fi fascination: “Star Trek and Star Wars have always had bars and concerts. There’s no culture without music… And so Black Panther’s M’Baku invites me to come and perform in one of Wakanda’s funk lounges. This EP is the music I perform there. And where it gets crazy is that I’m like, ‘Listen, I have to leave Wakanda now because I’m going to go join Starfleet.’ [laughs] It could technically work.”
The 230-foot-tall rocket is scheduled to lift off at 6:35 p.m. ET from the Kennedy Space Center in Cape Canaveral, Florida. This will be only the second flight for the world’s most powerful rocket now in operation.
…You’d be wrong if you thought this was going to be a light-hearted jaunt on airships. We’re quickly introduced to our rag-tag crew aboard the Liberty Wind, with plucky protagonist Serena and the chip on her shoulder, discovering their unique personalities. It’s not long into the story before things start going wrong, the pace immediately picks up and gives us a taste of what’s yet to fully unfold.
It’s commendable that the author strikes while the iron is hot and gets down and dirty within the first chapter…
AFTER THE GREEN WITHERED is definitely a book with a relevant political and social message. Author Kristin Ward does not pull any punches in this regard and the reader absolutely gets a taste of what the world could possibly be like if we continue down our current path with regard to how we are addressing environmental issues. I’m a fan of dystopian SF like this one, and I thought that by and large the author did a solid job of creating an atmosphere that delved into the hopelessness that living under these conditions would obviously engender.
Alliance Rising marks the return of C.J. Cherryh to her Alliance-Union Universe. It’s been ten years since the publication of Regenesis, and since then she’s published nine more Foreigner novels, but it’s been a long wait for Alliance-Union fans. Alliance Rising is the earliest novel set in the timeline. Set on the cusp of the Company Wars, there are plenty of references for long time Cherryh readers: Pell Station, Cyteen, the azi and the Emorys, the ship Finity’s End and its captain JR Neihart. Put together, the novel is grounded in a particular time and the edges of a setting that many readers are well familiar with even though no prior knowledge is required.
Billions are being lost to cyber-crime each year, and the problem seems to be getting worse. So could we ever create unhackable computers beyond the reach of criminals and spies? Israeli researchers are coming up with some interesting solutions.
The key to stopping the hackers, explains Neatsun Ziv, vice president of cyber-security products at Tel Aviv-based Check Point Security Technologies, is to make hacking unprofitable.
“We’re currently tracking 150 hacking groups a week, and they’re making $100,000 a week each,” he tells the BBC.
“If we raise the bar, they lose money. They don’t want to lose money.”
This means making it difficult enough for hackers to break in that they choose easier targets.
And this has been the main principle governing the cyber-security industry ever since it was invented – surrounding businesses with enough armour plating to make it too time-consuming for hackers to drill through. The rhinoceros approach, you might call it.
But some think the industry needs to be less rhinoceros and more chameleon, camouflaging itself against attack.
As the fantasy saga returns for its final series, Chris Mandle asks whether the small screen will ever produce such a worldwide obsession again.
…In the US, season seven had an astonishing average viewership of 32.8 million people per episode – to put that in context, the finale of Mad Men, another critically acclaimed, much talked about prestige drama, pulled in 4.6 million US viewers in 2015 – while in recent years, interest in the show has surged in Asian markets, among others.
But while Thrones changed television, it’s also true that television itself changed during the show’s run. As the wars between the factions of Westeros’s Seven Kingdoms have raged, traditional television has been usurped by streaming services, non-linear viewing and ‘binge’ culture, where consumers, rather than wait patiently for an episode airing each week, are more used to having an entire season dropped in their lap to watch at their leisure.
What seems likely is that Game of Thrones’ swansong might also mark the end of TV’s monoculture era – the age of shows that everyone watches and talks about together. Certainly, nothing else that appears on traditional broadcasters seems primed to roll out on its scale….
… But throughout his career, Silverberg returned obsessively to one of the genre’s key motifs — time travel — upon which he spun elaborate and strikingly original variations. During his New Wave heyday, when he was one of the preeminent American SF writers, he produced six novels dealing centrally with themes of temporal transit or displacement — The Time Hoppers (1967), Hawksbill Station (1968), The Masks of Time (1968), Up the Line (1969), Son of Man (1971), and TheStochastic Man (1975) — his treatment of the topic ranging from straightforward adventure stories to heady philosophical disquisitions. The new collection Time and Time Again: Sixteen Trips in Time (Three Rooms Press, 2018), which gathers 16 stories published between 1956 and 2007, provides a robust — and very welcome — conspectus of Silverberg’s short fiction on the subject….
From Edinburgh to St Andrews and Glasgow to Dundee, the one-horned mythological horse is real in Scotland.
In a corner of Edinburgh, outside the Palace of Holyroodhouse with its witches’ hat towers and crenellated turrets, 74-year-old tour guide Kenny Hanley can often be found pointing to a little piece of magic atop an ornamental gateway at the residence’s southern approach.
The focus of his attention is an almost-forgotten stone emblem of the city and country in which he lives, and yet few realise it’s one that teems with meaning, telling an almost unbelievable story about Scotland’s national identity.
Take a step back, and the fuller picture emerges. There’s a second cast-stone figure opposite – a rampant lion, crowned, and holding a ceremonial flag as it stands guard. But Hanley’s gaze remains drawn to the slender, mythical creature wrapped in chains to our right.
The stone is just stone and the lion is just a lion, but this horse-like figure – adorned with a singularly fancy horn on its forehead – is extraordinary. It is a unicorn. And, believe the hype or not, it is Scotland’s national animal.
…“It’s long been a symbol of purity and power, but also of virginity and subtlety,” said Hanley, who works as a Blue Badge guide for the Scottish Tourist Guides Association. “And those values still stand up when thinking about Scotland today. These are characteristics embedded in the Scottish psyche.”
…According to the National Museum of Scotland, medieval legend further suggests only a king could hold a unicorn captive because of the supposed danger it posed, something that may have given rise to its widespread adoption. What is known is James II wholeheartedly embraced the legend, and the unicorn became the symbol of purity and power that Scottish kings and nobility identified with in the 15th Century. Over time, this led to the unicorn becoming officially recognised as Scotland’s national animal.
John King Tarpinian, Martin Morse Wooster, JJ, Chip Hitchcock, Cat Eldridge,
Mike Kennedy, SF Concatenation’s Jonathan Cowie, Carl Slaughter, and Andrew Porter
for some of these stories. Title credit goes to File 770 contributing editor of
the day Jack Lint, who wears his scrolls rolled.]
(1) ANDREW CARNEGIE MEDALS. No genre works were on the shortlist, so needless to say today’s Andrew Carnegie Medal winners were all non-genre books. The omnivorous readers among you might like to know what they are anyway:
The Tea Master & the Detective by Aliette de Bodard
The trouble with reading SFF is that you end up with amazing life goals that probably will not be attained during your own lifetime. It’s bad enough when a favourite book leaves you wanting a dragon librarian to be your best friend, or a magic school to invite you in when you turn eleven… and now I need a spaceship who brews tea in my life.
A really good cozy mystery balances rich characters with charmingly creepy murders, and de Bodard hits all the right notes in this wonderful, warm homage to Sherlock Holmes in which our detective is Long Chau, an angry and traumatised scholar, and her Watson is a calm, tea-brewing shipmind.
As with the original Watson, Long Chau’s story is told from the point of view of the detective’s friend, which allows a contrast between the detective’s technical brilliance, and our narrator’s emotional intelligence. Yes, the emotional work in the story is largely done by the spaceship. That’s how great it is. –Tansy
(4) HEMMING DEADLINE. If you’re going to nominate for the Norma K. Hemming Award, you need to get it done by January 31. Details at the website.
Designed to recognise excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work, the Norma K Hemming award is open to short fiction, novellas, novels, anthologies, collections, graphic novels and stage plays, and makes allowances for serialised work.
Entry is free for all works, and entries may be provided to the judges in print or digital format.
Nominations are open to all relevant and eligible Australian work produced in 2018.
(5) FOOD REVELATIONS. Fran
Wilde did a class about “Fantastic Worldbuilding.” Cat Rambo tweeted the highlights.
A new trailer for The Wandering Earth — described as China’s biggest science fiction movie ever — landed earlier this week, showing off an ambitious adventure that follows the efforts to save Earth after scientists discover that the sun is about to go out.
The movie is based on a story by Chinese author Cixin Liu — who’s best known for his Three-Body Problem trilogy and last year’s Ball Lightning. While those books are huge, epic stories, The Wandering Earth is no less ambitious: when scientists realize that the sun will go out in a couple of decades, they hatch a desperate plan: to move the planet to Proxima Centauri. The construct thousands of giant engines to move the planet out of orbit, where it can then slingshot post Jupiter and out of the Solar System.
Robert Pattinson despises his iconic “Twilight” character, Edward Cullen, with a fury unlike any other. Pattinson has complained throughout so many interviews about Edward, the century-old telepathic vampire who falls for Kristen Stewart’s Bella (a witch or something), that there’s an entire Tumblr feed dedicated to his most (self-) scathing comments.
Among his harshest words: He has said “Twilight” “seemed like a book that shouldn’t be published.” That “if Edward was not a fictional character, and you just met him in reality — you know, he’s one of those guys who would be an ax murderer.” He called his performance “a mixture of looking slightly constipated and stoned.”
(8) OBSCURE AWARD. The Society of Camera Operators’ awards were presented January
26, and if you scan The Hollywood Reporter article closely enough you’ll be able
to discover the single winner of genre note: “‘A Star Is Born’ Camera Operator Tops SOC Awards”.
Movie category had no genre nominees
* P. Scott Sakamoto for A Star Is Born
* Chris Haarhoff and Steven Matzinger for Westworld
* Jane Fonda — Governor’s Award
* Harrison Ford— President’s Award
* “Lifetime Achievement award recipients were Dave Emmerichs, camera operator; Hector Ramirez, camera operator (live and non-scripted); Jimmy Jensen, camera technician; John Man, mobile camera platform operator, and Peter Iovino, still photographer.”
* Technical achievement award — makers of the Cinemoves Matrix 4 axis stabilized gimbal
Rami Harpaz lead a group of IAF pilots in Egyptian captivity to translate the iconic fantasy work into Hebrew while in prison, the book introduced Tolkien to Israeli readers and remains iconic.
…He was captured by the Egyptians during the War of Attrition, while in captivity he was given a copy of the Hobbit, the famous fantasy book by J.R.R. Tolkien, by his brother who was able to deliver the book to him via the Red Cross.
Prison conditions were harsh and the Egyptians tortured the Israeli prisoners, yet despite of this, Harpaz and his fellow prisoners began to translate the book into Hebrew. The initial motivation was to allow Israelis who could not read English well to enjoy the book in Hebrew.
The translation was done in pairs with one person reading in English and speaking it out in Hebrew and the translation partner writing it down in Hebrew and editing it. Harpaz and three other captured pilots were the translators of what became known as ‘the pilots translation’ of the Hobbit. The final product was seven notebooks written by hand, the book was published in 1977 with funding provided by the IAF.
by Cat Eldridge.]
Born January 27, 1832 – Lewis Carroll. Writer of Alice’s Adventures in Wonderland and its sequel Through the Looking-Glass. In 1876, he also produced his work, “The Hunting of the Snark”, a fantastical nonsense poem exploring the adventures of a very, very bizarre crew of nine tradesmen and a beaver who set off to find the snark. (Died 1898.)
Born January 27, 1940 – James Cromwell, 79. I think we best know him as Doctor Zefram Cochrane In Star Trek: First Contact which was re-used in the Enterprise episode “In a Mirror, Darkly (Part I)”. He’s been in other genre films including Species II, Deep Impact, The Green Mile, Space Cowboys, I, Robot, Spider-Man 3 and Jurassic World: Fallen Kingdom. He played characters on three Trek series, Prime Minister Nayrok on “The Hunted” episode of Star Trek: The Next Generation and Jaglom Shrek in the two part “Birthright” story, Hanok on the “Starship Down” episode of Deep Space Nine and Zefram Cochrane once as noted before on Enterprise.
Born January 27, 1957 – Frank Miller, 62. If you’re not a comic reader, you first encountered him in the form of Robocop 2 which I think is a quite decent film. His other films include Robocop 3, Sin City, 300, Spirit (fun) and various Batman animated films that you’ll either like or loathe depending on your ability to tolerate extreme violence. Oh, but his comics. Setting aside his Batman work all of which is a must read, I’d recommend his Daredevil, especially the Frank Miller & Klaus Janson Omnibus which gives you everything by him you need, Elektra by Frank Miller & Bill Sienkiewicz, all of his Sin City work and RoboCop vs. The Terminator #1–4 with Walt Simonson.
Born January 27, 1963 – Alan Cumming, 56. His film roles include his performances as Boris Grishenko in GoldenEye, Fegan Floop In the Spy Kids trilogy, Loki, god of Mischief in Son of the Mask (a really horrid film), Nightcrawler In X2 and Judas Caretaker in Riverworld (anyone know this got made?).
Born January 27, 1970 – Irene Gallo, 49. Associate Publisher of Tor.com and Creative Director of Tor Books. Editor of Worlds Seen in Passing: Ten Years of Tor.com Short Fiction. Interestingly she won all but one of the Chesley Award for Best Art Director that were given out between 2004 and 2012.
…Like Verne and Wells, Kipling wrote stories whose subject-matter is explicitly science-fictional. “With the Night Mail: A Story of 2000 A.D.” portrays futuristic aviation in a journalistic present-tense that recalls Kipling’s years as a teenaged subeditor on Anglo-Indian newspapers. “The Eye of Allah” deals with the introduction of advanced technology into a mediaeval society that may not be ready for it.
But it is not this explicit use of science and technology in some of his stories that makes Kipling so important to modern science fiction. Many of Kipling’s contemporaries and predecessors wrote scientific fiction. Nathaniel Hawthorne and Herman Melville, Mark Twain and Conan Doyle are among them. Yet echoes of their work are seldom seen in today’s science fiction. Kipling’s appeal to modern readers lies instead in his approach and his technique.
The real subject-matter of Rudyard Kipling’s writing is the world’s work and the men and women and machines who do it. Whether that work be manual or intellectual, creative or administrative, the performance of his work is the most important thing in a person’s life. As Disko Troop says in Captains Courageous, “the most interesting thing in the world is to find out how the next man gets his vittles”….
(12) PACIFIC INKLINGS FESTIVAL. Sørina Higgins, Editor of The Inklings and King Arthur, will be the featured speaker when The Southern California C.S. Lewis Society presents The Pacific Inklings Festival and General Meeting on March 9.
This came after Maher found himself in hot water once again after doubling down on his controversial comments about how comic books cannot be considered “literature” and how superhero movies are not “great cinema.” Moreover, he said that people who think otherwise “are stuck in an everlasting childhood.”
Maher played himself in a deleted scene in Iron Man 3, where he blames America for creating The Mandarin
Kihrin is a thief, an apprentice musician, and a resident of the Capital. He’s also possesses a rather powerful artifact whose provenance he does not quite understand, one that is difficult to take from him except by his free will. Even more than this, Kihrin and his artifact are pawns in a long simmering plot that would see him as key to the destruction of an empire. Instead of being a prophesied hero come to save the world, Kihrin’s role is seemingly destined for a much darker fate, unless his patron goddess, the goddess of luck, Taja, really IS on his side.
1. Somebody’s Trying to Kill Me and I Think It’s My Husband by Joanna Russ [Top] Someone’s Trying to Kill Me and I Think It’s My Husband is Joanna Russ talking about the narrative tropes of gothic fiction from the late sixties and early seventies. The essay itself was originally published in 1973; I first read it in the collection To Write Like A Woman, which is great if you have a chance to read it. I found Somebody’s Trying to Kill Me at work though, and ah, it’s good to have it back.
The premise of this essay is that Joanna Russ, faced with the new wave of gothic fiction, had a publisher friend send her some of the most representative examples of the genre and broke down all of the common elements and analysed them as expressions of the “traditional feminine situation.” I would argue that regardless of how representative those books were, that’s a very small sample size (she mentions about half a dozen titles, and I’m just trying to picture the reaction today if someone tried this with, say, romantic suspense books). But her analysis is interesting? She’s analysing it, justifiably, as an incredibly popular genre with female readers, and picking out the elements that might be contributing to that (“‘Occupation: housewife’ is simultaneously avoided, glamorised, and vindicated” is one of the stand-out points for me, especially when coupled with the observation that the everyday skills of reading people’s feelings and faces are often the only thing keeping the heroine alive), but it’s a little strange to read. It’s interesting, and I can definitely relate some of her points to female-led genres today (I’m mainly thinking of things like cozy mysteries), but it is definitely an outsider to a genre picking apart its building blocks. So, interesting as a dissection of those specific titles and tropes, but maybe not representative of the wider genre.
…In addition to balancing the magical aspects of the show, multiple episodes explore issues of feminism, smashing the patriarchy, race, sexual orientation, disability, and bullying. Through Sabrina, these becomes issues of her world rather than political statements. While TV shows at times have issue-driven episodes that seem to be responding to the political climate of the previous six months, The Chilling Adventures of Sabrina focuses on the lives of the characters, and since this is part of their lives, of course Sabrina is going to help them. That being said, especially early in the season, it at times felt a little white-savior as Sabrina works behind the scenes with magic to help her friends….
(17) THAT LEAKY WARDROBE. In this Saturday Night Live sketch, Mr. Tumnus (James McAvoy, reprising a character he played in a movie) meets several women who have recently arrived in Narnia.
(18) REVIEW OF “I AM MOTHER”.
Variety: “Sundance Film Review: ‘I Am Mother’”. “After
a mass extinction, a robot raises a little girl in a handsome, if derivative
sci-fi thriller that salutes its own parentage.” The review gives much of
this female-cast-led gerne film generally good marks, though significant issues
are also pointed out. Bottom line:
What really presses [Director Grant] Sputore’s buttons is proving that he can make an expensive-looking flick for relative peanuts. If this were his job application for a blockbuster gig, he’d get the job. Though hopefully he and [Screenwriter Michael Lloyd] Green realize that the best sci-fi thrillers don’t just focus on solving the mystery of what happened — they explore what it all means. Sputore is clearly an intelligent life form. But as even his robot creator knows, “Mothers need to learn.”
Cast: Clara Rugaard, Rose Byrne (voice), Hilary Swank, Luke Hawker (motion capture), Tahlia Sturzaker.
A tree made famous by the TV fantasy drama Game of Thrones has fallen in strong winds.
Gale force winds of up to 60 mph hit Northern Ireland overnight on Saturday.
The Dark Hedges are a tunnel of beech trees on the Bregagh Road near Armoy that have become an an international tourist attraction since featuring in the hit series.
(21) OVER THE TOP. Let
Quinn Curio tell you “The Dumbest Things About
What are the dumbest things that have ever happened on Fox’s Gotham show? Welcome to the party. The pain party.
[Thanks to John Hertz, Martin Morse Wooster, Cat Eldridge, Mark Blackman, JJ, Mike Kennedy, Chip Hitchcock, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]
(1) YA FOR YA. Vicky Who Reads has a lot of interesting observations about “The Many Ways YA Books & The Community Isolates Teens”. Following up her first point, that teens lack money and often do their reading in ways that don’t register with the market (e.g., borrowing books), she says that leads to —
Adults’ money speaks, and adults oftentimes support YA novels with older characters.
Actually–scratch that. Characters who are in their teen years, but basically act like adults.
I find this is both because adult publishing doesn’t want YA-style stories–character relationships and lots of entertainment value. But adults do want to read these types of books, and they show it by influencing the YA category.
So, we end up with lots of upper YA books featuring young adult characters that are acting older and older, but they’re still the same age.
And this doesn’t mean YA readers can’t enjoy adult characters or adult novels or novels with characters that act like adults. But it does mean that these books are taking up the space of books that should be representing teens and the teenage experiences–not a YA style story representing an adult experience.
That’s a tough question because predicting what works for markets, when markets are always changing, is like trying to read tea leaves when you don’t know how. But early in my writing career, I read slush at a magazine, and that gave me some clues.
For me, tightening everything and making every image and scene as vivid as possible was part of it. And making sure first scenes are crystal clear in intent, voice, setting, and theme—essentially answering the question of why the reader should give this story their time—was part of what helped the work find its audience.
(3) SETTING BOUNDARIES. Con or Bust, which helps people of color/non-white people attend SFF conventions, has adopted a minimal set of anti-harassment policies for cons that wish to donate memberships, “because when Con or Bust accepts donated memberships, it necessarily promotes the conventions in question…” The guideline has been announced now, and will take effect in a year — “Con or Bust will require anti-harassment policies before accepting donated con memberships”.
Here are our requirements for a meaningful anti-harassment policy.
The policy’s definition of harassment must:
o include offensive verbal statements, physical contact, and actions other than physical contact (e.g., stalking, non-consensual photography or recording); and
o state that the convention prohibits harassment in relation to—at minimum—race, gender, sexuality, impairment, physical appearance, and religion.
The policy must state where and when it applies. (Does it extend to off-site events associated with the con, or to con-related online spaces? Does it apply before the con, or after?)
The policy must state what happens if someone violates it, including:
o Who can report the harassment;
o How to report the harassment. This must include a method of reporting that is not in-person and must include a method of reporting after the convention; and
o The potential consequences for both the violator and the reporter, including what privacy the reporter will be provided and to what extent the con will take the reporter’s wishes into account when determining what action to take.
(4) NO KSM AWARD. The 20Booksto50K Vegas conference came and went without a word about the “Keystroke Medium Reader’s Choice Awards” expected to debut there following last February’s announcement. I sent a query and KSM’s Josh Hayes answered:
The KSM Awards project was put on hold indefinitely. We didn’t get enough responses to produce a fair and accurate accounting of winners. It’s something we’re looking into for the future!
We have some important news to share with regards to Book Smugglers Publishing. As of December 31st 2018, we will be shifting our business away from for sale short stories, novellas, and novels….
After much thought, discussion, and agonizing–we came to the only decision that we felt was fair for our readers and our creators: to focus on our key Book Smuggler strengths as a website, and as a publisher of short fiction. Moving forward, we will continue to focus on The Book Smugglers as a website with our regular coverage of books–just as we’ve always done since the beginning. We would like to still acquire short stories in the future, but they will only be available for free on our website and without the for sale distribution into e-retail markets.
(6) RAPPING FOR SCIENCE. Rivkah Brown, in “When Rap Gets Physical” in the Financial Times, discusses rapper Consensus, who works with CERN to produce rap videos that explain particle physics. (I could access the article from Bing, but the URL copied here ends up at a paywall. So no link.) His latest video can be found is you look for “Consensus Dark Matter” on YouTube,’
Realising how rapidly CERN’s research moved, Consensus decided to avoid the theoretical and stick to facts. “I didn’t want to write a song, only for the science to change.”
The result of his research was ConCERNed. Released last year, the album condenses an astronomical amount of physics into nine tracks. The most densely packed is, unsurprisingly, “Higgs”. The other eight tracks, Consensus tells me, respect the fact that “there’s only so much people can absorb in four minutes”. But to do justice to the Higgs boson, a particle to which many devote their entire careers, he would have to surpass that saturation point.
Indeed, the lyrics to “Higgs” are pretty cryptic to those who don’t have a deep understanding of the science (“I’m looking to vacuum whatever you’ve got / And the value of what I’m expecting is not / To be zero”). They are, however, menacing. Borrowing from battle rap, Consensus delivers a guttural rhyme that moves between boasts (“People call me Higgs ’cos I’m massive”), insults (“You’re weak, and your life isn’t long”) and threats (“Treat ’em like the LHC / Smash ’em up collide”) to personify a particle that — given that it is known as the “God” particle — probably should intimidate. As he says on the track, “I’m practically the reason you exist.”
(7) DORRIS OBIT. Marcia Illingworth writes, “It pains me to have to tell you that Maurine [Dorris] passed away last night [November 11], shortly after 01:00 AM. She passed peacefully with her son Jimmy and friend JoAnn Parsons by her side.”
Maurine is old time SF Fandom. She and Joann Parsons started World Horror Convention. She was active in WorldCon Fandom and World Fantasy. She in known for running ASFA Suites and SWFA Suites at quite a few Worldcons.
(8) RAIN OBIT. Canadian actor Douglas Rain, who was the voice of HAL 9000 in 2001 and 2010, died November 11. (He also voiced Bio Central Computer 2100, Series G, the computer aiding in Our Leader’s cloning in Woody Allen’s comedy Sleeper.)
(9) TRIVIAL TRIVIA.
The SAL9000 was voiced by Candice Bergen.
(10) TODAY IN HISTORY
November 11, 1951 — Flight to Mars premiered in theatres.
November 11, 1994 – Interview with the Vampire was released.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born November 11, 1916 – Donald Franson. Author of A Key to the Terminology of Science-Fiction Fandom. Also wrote A History of the Hugo, Nebula, and International Fantasy Awards, Listing Nominees & Winners, 1951-1970 and An Author Index to Astounding/Analog: Part II—Vol. 36, #1, September, 1945 to Vol. 73 #3, May, 1964, the first with Howard DeVore. When I first stumble across an author and their works I’m reminded how deep the genre is. (Died 2002.)
Born November 11, 1917 – Mack Reynolds. Author of a couple hundred published short stories and several novels, he sold more work to John W. Campbell Jr.’s Analog than just about anyone — but not the oft-anthologized “Compound Interest” which appeared in F&SF. His 1962 story “Status Quo” was a Hugo nominee, and he had two stories up for the Nebula in 1966, the clever Sherlock Holmes pastiche, “Adventure of the Extraterrestrial,” and “A Leader for Yesteryear.” OGH met him at the 1972 Worldcon. (Died 1983.)
Born November 11, 1922 – Kurt Vonnegut, Jr.The Sirens of Titan was his first SF novel followed by Cat’s Cradle which after turning down his original thesis in 1947, the University of Chicago awarded him his master’s degree in anthropology in 1971 for this novel. Next was Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death which is one weird book and an even stranger film. It was nominated for best novel Nebula and Hugo Awards but lost both to Ursula K. Le Guin’s The Left Hand of Darkness. I’m fairly sure Breakfast of Champions, or Goodbye Blue Monday is his last genre novel there’s a lot of short fiction where something of a genre nature might have occurred. (Died 2007.)
Born November 11, 1925 – Jonathan Winters. Yes he did do quite a few genre performances including an early one as James Howard “Fats” Brown in “A Game of Pool”, a 1961 episode of The Twilight Zone. He next shows up as Albert Paradine II in the TV movie More Wild, Wild West. He had a recurring role in Mork & Mindy as a character named Mearth. You’ll find him in The Shadow, The Adventures of Rocky and Bullwinkle, The Flintstones, both of The Smurfs films and quite a bit more. He even of course was a guest on The Muppets Show. (Died 2013.)
Born November 11, 1945 – Delphyne Joan Hanke-Woods. Artist and Illustrator whose grandfather taught her to read using science fiction pulp magazines. After discovering genre fandom at Windycon in 1978, she became one of the leading fan artists in fanzines of the time, including providing numerous covers for File 770. In addition to convention art shows, her art also appeared professionally, illustrating books by R.A. Lafferty, Joan D. Vinge, and Theodore Sturgeon, and in magazines including Galaxy, Fantastic Films, and The Comics Journal. She won two FAAn Awards for Best Serious Artist and was nominated six times for the Best Fan Artist Hugo, winning in 1986. She was Fan Guest of Honor at several conventions, including back at a Windycon, where her fandom started. (Died 2013.)
November 11, 1948 – Kathy Sanders, 70, Costumer and Fan from the Los Angeles area who has chaired/co-chaired Costume-Cons, and has worked on or organized masquerades at a number of Westercons, Loscons, and a Worldcon. She received Costume-Con’s Life Achievement Award in 2015. She is a member of LASFS and of SCIFI, and ran for DUFF in 1987. Her essay “A Masquerade by Any Other Name” appeared in the L.A.con III Worldcon Program Book.
Born November 11, 1960 – Stanley Tucci, 58. Actor, Director, and Producer with a lengthy resume of character roles in genre films including The Core (Yay! The Core!), Prelude to a Kiss, A Midsummer Night’s Dream, Muppets Most Wanted, Beauty and the Beast, The Lovely Bones, Captain America: The First Avenger, Jack the Giant Slayer, Percy Jackson: Sea of Monsters, and The Hunger Games films, as well as numerous voice roles including Leonardo da Vinci in Mr. Peabody & Sherman.
The story of the giant gold-digging ants date back to Herodotus, the father of lies and history. The story goes that these giant dog-sized, furry ants dig grains of gold from the ground. They guard this gold with military precision and diligent action.
It’s a ridiculous tall tale story, but where did it come from?
And is an ant really an ant when it is quite that big and furry?
Herodotus was also very keen on there being winged serpents in Egypt. I’ve long thought of him as travel writer keen to tell you all the stories random people tell him at the pub.
And with the ants, it is possible that it’s just a misunderstanding born out of a translation error. The Persian word for marmot and mountain ant are similar, and there is indeed a species of fox-sized marmot who regularly uncover gold dust in a province of Pakistan due to how rich that ground is in gold.
(13) DOCTOR WHO DOSSIER. Find out what police officer Yasmin Khan has on file about the Pting.
The sector known as one of the film world’s most stable — “Incredibles 2” and “Hotel Transylvania 3” were both hugely lucrative this past summer — is slowly playing out its own mythic dramas, if with less-catchy music.
Companies are beset by mergers, or #MeToo scandals. Studios are wedded to big ambitions, or shackled to past successes.
And internal questions are only the start. Leaders such as Disney and Pixar are trying to maintain dominance over the field, while close competitors like Illumination are closing in. Once-great studios such as DreamWorks are struggling to find their way back. And well-funded upstarts from Sony to Netflix are seeking to knock them all off.
…In interviews with The Washington Post, 16 animation executives and experts, many of whom spoke on the condition of anonymity because of the highly competitive nature of the field, described a world of intense battles, complex strategies and, maybe most telling, modern motivations. In an era in which entertainment has become fragmented and niche, with kids and parents rarely agreeing on what to watch, animation’s reliable power to attract whole families is the reason studios can’t let it go.
At stake is not just which Hollywood conglomerate will reap financial bounties — major franchises like Toy Story can take in $2 billion or more globally — but which will define the tone and style of animation moviegoers see for years to come. Will the category continued to be dominated by the computer-generated soulfulness of Disney and Pixar? Or will the off-kilter, European flavor of Illumination and its lovably goofy “Minions” make more inroads?
The Gate to Women’s Country has a reputation for being among the great works of feminist science fiction, and it may have been at the time, but now thirty years after it was first published, The Gate to Women’s Country does not quite hold up to that legacy. Its importance to the canon of science fiction is not in question. The Gate to Women’s Country has earned that importance. Its reputation as a novel that remains great today is, however, very much in question.
Kate Jackson/CrossExaminingCrime, ROCKET TO THE MORGUE, Anthony Boucher
Curtis Evans, THE ELECTION BOOTH MURDER, Milton M. Propper
Elisabeth Grace Foley, REST AND BE THANKFUL, Helen MacInnes
Rich Horton, SKIN HUNGER and SACRED SCARS, Kathleen Duey
Jerry House, STAR OVER BETHLEHEM AND OTHER STORIES, Agatha Christie Mallowan
George Kelley, END OF THE LINE, Burt and Dolores Hitchens
Margot Kinberg, DESERT HEAT, J.A. Jance
Rob Kitchin, SIRENS, Joseph Knox
B.V. Lawson, VOICE OUT OF DARKNESS, Ursula Curtiss
Evan Lewis, THE SEVEN PERCENT SOLUTION, Nicholas Meyer
Steve Lewis, SHADY LADY, Cleve Adams
Todd Mason, THE AMERICAN FOLK SCENE ed. David DeTurk & A. Poulin, Jr.; BOB
DYLAN: DON’T LOOK BACK transcribed & edited by DJ Pennebaker et al.;
DANGEROUSLY FUNNY by David Bianculli
Kent Morgan, IN A TRUE LIGHT, John Harvey
J. F. Norris, MAYNARDS’S HOUSE, Herman Raucher
James Reasoner, THE COMPLETE MIKE SHAYNE, PRIVATE EYE, Ken Fitch and Ed Ashe (1960s comics adaptation)
Richard Robinson, THE WAY THE FUTURE WAS, Frederik Pohl
Mike Sind/Only Detect, DARKNESS TAKE MY HAND, Dennis Lehane
Kevin Tipple, CORKSCREW, Ted Wood
TomCat, THE HOUSE OF STRANGE GUESTS, Nicholas Brady
TracyK, THE BIRTHDAY MURDER, Lange Lewis
(17) VIDEO OF THE DAY. In “Why Does The Grim Reaper Exist?” on YouTube, The New Yorker looks at the 132 Grim Reaper cartoons published in their magazine (including ones by Charles Addams and Gahan Wilson) to see why the Grim Reaper exists and why we think he can be mocked.
[Thanks to JJ, Marcia Illingworth, Karl-Johan Norén, Cat Eldridge, John King Tarpinian, Carl Slaughter, Martin Morse Wooster, Andrew Porter, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day cmm.]
In ten years, BCS has published over 550 stories and 225 audio podcasts; the magazine or its stories have been finalists for seven Hugo Awards, nine World Fantasy Awards, three Nebula Awards, and numerous other short fiction, magazine, and podcast awards.
The evening’s host will be Scott H. Andrews. Featured authors will be: Fran Wilde, Martin Cahill, Seth Dickinson, Jonathan Edelstein, Rose Lemberg (read by C.S.E. Cooney), & Aliette de Bodard (read by Scott H. Andrews)
Scott H. Andrews
Scott H. Andrews
Scott H. Andrews is a writer, editor, chemistry lecturer, musician, woodworker, and connoisseur of stouts. His literary short fiction has won a $1,000 prize from the Briar Cliff Review, and his genre short fiction has appeared in Ann VanderMeer’s Weird Tales and in On Spec. He is editor-in-chief and publisher of the four-time Hugo Award-finalist fantasy e-zine Beneath Ceaseless Skies and its five-time Parsec Award finalist podcast. Scott lives in Virginia with his wife, two cats, 11 guitars, a dozen overflowing bookcases, and hundreds of beer bottles from all over the world.
Fran Wilde. Photo by Bryan Derballa
Fran Wilde writes science fiction and fantasy. She can also tie a bunch of sailing knots, set gemstones, and program digital minions. Her novels and short stories have been finalists for three Nebula Awards, a World Fantasy Award, and two Hugo Awards, and include her Andre Norton- and Compton-Crook-winning debut novel Updraft, its sequels Cloudbound, and Horizon, and the Nebula-, Hugo-, and Locus-nominated novelette The Jewel and Her Lapidary. Her short stories have appeared in Asimov’s, Tor.com, Beneath Ceaseless Skies, Shimmer, Nature, and the 2017 Year’s Best Dark Fantasy and Horror. Her poetry has appeared in The Marlboro Review, Articulate, and Poetry Baltimore. She holds an MFA in poetry and an MA in information architecture and interaction design. You can find her on Twitter, Facebook, and at FranWilde.net.
Martin Cahill is a writer working in Manhattan and living in Astoria, Queens. He is a graduate of the 2014 Clarion Writers’ Workshop and a member of the New York City based writing group, Altered Fluid. He has had fiction published in Fireside Fiction, Nightmare, Beneath Ceaseless Skies, Shimmer, and Lightspeed. Martin also writes non-fiction reviews, articles, and essays for Book Riot, Tor.com, the Barnes & Noble Sci-fi and Fantasy Blog, and Strange Horizons.
Seth Dickinson’s debut novel The Traitor Baru Cormorant (2015), a hard fantasy expansion of a 2011 short story in Beneath Ceaseless Skies, is about a brilliant young woman who sets out to gain power to subvert an empire from within. It won praise from Publishers Weekly and NPR, and its sequel, The Monster Baru Cormorant, is forthcoming in October 2018. Seth’s short fiction has appeared in Clarkesworld, Lightspeed, Analog, Beneath Ceaseless Skies, and nearly every other major science fiction and fantasy market. He’s a lapsed student of social neuroscience, where he studied the role of racial bias in police shootings, and the writer of much of the lore and fictional flavor for Bungie Studios’ smash hit Destiny. In his spare time he works on the collaborative space opera Blue Planet: War in Heaven.
Jonathan Edelstein is forty-six years old, married with cat, and living in New York City. His work has appeared in Strange Horizons, Escape Pod, Intergalactic Medicine Show, the Lacuna Journal, and multiple times in Beneath Ceaseless Skies, and he blogs occasionally at haibane.info/author/jonnaomi/. He counts Ursula Le Guin and Bernard Cornwell among his inspirations, and when he isn’t writing, he practices law and hopes someday to get it right.
Rose Lemberg is a queer immigrant from Eastern Europe. Their work has appeared in Strange Horizons, Interfictions, Uncanny, Sisters of the Revolution: A Feminist Speculative Fiction Anthology, and multiple times in Beneath Ceaseless Skies, among other venues, and their story “Grandmother-nai-Leylit’s Cloth of Winds” in Beneath Ceaseless Skies was a finalist for the Nebula Awards. Rose co-edits Stone Telling, a magazine of boundary-crossing poetry, with Shweta Narayan. They have edited Here, We Cross, an anthology of queer and gender-fluid speculative poetry from Stone Telling and The Moment of Change, an anthology of feminist speculative poetry. You can find Rose at roselemberg.net and @roselemberg, including links to their page on Patreon, where they post about Birdverse, the world in which their BCS stories and others take place. Rose Lemberg’s work will be read by C.S.E. Cooney.
C.S.E. Cooney is an audiobook narrator, the singer/songwriter Brimstone Rhine, and author of World Fantasy Award-winning short fiction collection Bone Swans: Stories.
Aliette de Bodard
Aliette de Bodard
Aliette de Bodard lives and works in Paris. She is the author of the critically acclaimed Obsidian and Blood trilogy of Aztec noir fantasies, as well as numerous short stories which have garnered her two Nebula Awards, a Locus Award and two British Science Fiction Association Awards. Her space opera books include The Tea Master and the Detective, a murder mystery set on a space station in a Vietnamese Galactic empire and inspired by the characters of Sherlock Holmes and Dr. Watson. Recent works include the Dominion of the Fallen series, set in a turn-of-the-century Paris devastated by a magical war, which comprises The House of Shattered Wings (2015 British Science Fiction Association Award, Locus Award finalist) and its standalone sequel The House of Binding Thorns. Visit her at aliettedebodard.com for writing process and Franco-Vietnamese cooking. Aliette de Bodard’s work will be read by Scott H. Andrews.
Jim Freund is Producer and Executive Curator of The New York Review of Science Fiction Readings.
Tuesday, October 2nd
Doors open at 6:30 — event begins at 7
The Brooklyn Commons Café
388 Atlantic Avenue (between Hoyt & Bond St.)
The New York Review of Science Fiction Reading Series provides performances from some of the best writers in science fiction, fantasy, speculative fiction, etc. The series usually takes place the first Tuesday of every month.
Nyarlathotep is now facing one of the greatest threats in Its presidency so far. I should know, I clock in to kneel at Its feet upon the Altar of Despair every day.
In the year-and-a-half since the Black Pharaoh replaced the Oval Office with a literal blood fountain throne, I’ve watched as the hits keep on coming. The executive cabinet is wracked with scandal, ordinary citizens who signed the cultist oath are making good on their grave pacts, and, of course, the entirety of the country’s water supply is now teeming with pulsating eggs from some kind of inter-dimensional parasite. It’s easy to look at these kinds of headlines, to read these sorts of leaked stories from the desiccated Capitol Hill, and see an unsustainable administration. Rumors of reversal incantations are beginning to make the rounds, and if our Commander-in-Chief is not careful, It could find Itself cast back among the stars beyond the universe. The past few weeks, in particular, have seen our President certainly live up to our campaign slogan “I See All, and It Shall Burn.”…
(2) FOR THE RECORD. On the second night of the 2018 Creative Arts Awards no Emmys were given for works of genre interest, which made it hard to do a post about them….
Like many SF/F fans across the intersections of LGBTQ+ identities, I’m constantly on the lookout for good fiction that reflects something of my own experience. In seeking lists that recommend or simply catalogue such works, I’ve found many that, while well-intended, tend to mash an enormous body of work together without considering how authors actually deal with the content. This means that quite often, bigoted portrayals are set right next to works that feature positive representation, or else work that is as gay as possible will be set next to work with only the briefest passing mention of “non-normative” sexuality.
This raises some potentially thorny questions: How should we approach the idea of canon, in this particular set of circumstances? What should we look for when we compile lists of LGBTQ+ speculative fiction? What are we compiling for? Do we consider any mention at all? Focus mainly on positive representation? What about historical context and works by authors who identify as part of the LGBTQ+ community?
(7) WRITING CLASS HIGHLIGHTS. Connect with Cat Rambo’s livetweeted highlights from last weekend’s classes at the Rambo Academy for Wayward Writers:
Rachel Swirsky talking about Breaking the Rules: thread starts here.
Rachel Swirsky’s Ideas Are Everywhere class: thread starts here.
Fran Wilde’s Fantastic Worldbuilding class: thread starts here.
If you’ve read David R. Bunch, there’s a good chance it’s because of Harlan Ellison. The famed author (and renowned grouch of popular culture) selected not one, but two short stories by the little-known writer for his landmark 1967 New Wave sci-fi collection, Dangerous Visions—the only contributor to have more than one piece included. As a result, “Incident In Moderan” and “The Escaping” are where most people’s awareness of Bunch begins—and ends. He published hundreds of short stories in his life, but mostly in small digests, obscure literary magazines, and even fanzines. No definitive bibliography exists; his last published work (a book of poetry) was from 18 years ago, and neither of his two collections of fiction have been in print for decades.
That changes with the publication of Moderan, the latest entry in NYRB Classics’ series, and a fascinating testament to Bunch’s strange talent….
(9) TODAY’S TRIVIA
Andre Delambre, The Fly, 1958 —
“Take television. What happens? A string of electrons – sound and picture impulses – are transmitted through wires into the air. The TV camera is the disintegrater. Your set [the reintegrater] unscrambles or integrates the electrons back into pictures and sound…the disintegrator/will completely change life as we know it. Think what it’ll mean. Food. Anything. Even humans will go through one of these devices. No need for cars or railways or airplanes, even spaceships. We’ll just set up matter transcieving devices throughout the world, and later the universe. They will never be a need or famine. Surpluses can be sent instantaneously at almost no cost anywhere. Humanity need never fear or want again.”
(10) TODAY IN HISTORY
September 10, 1993 — The X-Files premiered
(11) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
Born September 10 – Thelma J. Shinn, 76. Author of Worlds Within Women, Myth and Mythmaking in Fantastic Literature by Women and Women Shapeshifters: Transforming the Contemporary Novel.
Born September 10 — Nancy A. Collins, 59. Ok, I consider her Sonja Blue punk vampire series which ran I think to nearly a baker’s dozen works starting in the early 90s to be one of the best of that genre, easily the equal of the Blade comic series. She also did more than a smattering of short fiction, essays and reviews as well.
Born September 10 – Victoria Strauss, 63. An author of nine fantasy novels largely in the Stone and the Way of Arata series. Has written myriad reviews for both print and website venues.
Born September 10 – Pat Cadigan, 65. Writer whose work has been described as cyberpunkish. Won a Hugo for “The Girl-Thing Who Went Out for Sushi” in the Novelette category. Garnered the Arthur C. Clarke Award for her novels Synners and Fools. Tea from an Empty Cup is my favorite work by her.
Cadigan won a Hugo Award for Best Novelette in 2013 for “The Girl-Thing Who Went Out for Sushi.,” which has also won a Seiun Award. She had previously won a World Fantasy Award in the Non-Professional category for co-editing the fanzine Shayol with Arnie Fenner. She won two Arthur C. Clarke Awards for her novels Synners and Fools. In 1979, her story “Death from Exposure” won the coveted Balrog Award. In 2006, Cadigan received the third (and most recent) Richard Evans Memorial Prize, given to genre authors who were considered insufficiently recognized for their excellence. Cadigan served as the Toastmaster for MidAmericon II, the 2016 Worldcon in Kansas City.
In the centre of the small downtown, on the banks of the San Juan River, sit three conspicuous, geodesic greenhouses, each 42ft (13m) in diameter. They stand in stark contrast to the old-timey buildings on the road above. All will house gardens, but each has a different mission.
(17) POWER OF THE MIND. Defense One’s story “It’s Now Possible To Telepathically Communicate with a Drone Swarm” tells how a communication interface directly connected to a human brain can control up to three drones. The serious implications extend well beyond the defense industry to potential help for the locationally challenged as well as those with artificial limbs.
Dann appreciated that the above link was followed in his RSS feed by a Dilbert comic that suggests there are some folks who might be beyond help.
(18) PAYING ATTENTION, In “The stunning artworks made of light”, the BBC reports on an interactive digital museum where each display of chandelieresque lights etc. changes according to the people in the room.
“The museum itself is one artwork,” Takashi Kudo of teamLab tells BBC Culture. The Mori Building Digital Art Museum: teamLab Borderless is a 10,000 sq m (107,639 sq ft) digital art space in Tokyo, Japan, where everything is controlled by computers, right down to the electronic tickets. The museum is made up of 60 individual artworks, but as the name, Borderless, suggests, the place is meant to be experienced as a whole, rather than as a series of individual pieces.
Made up of 520 computers and 470 projectors, the museum is inspired by the concept of interactivity and the art responds to movement as visitors walk through the space. In this piece, Forest of Lamps, the lights react to a person’s presence. If there is more than one person in the room, the lights will change based on both of their movements, and the process continues the more people you add. Kudo explains that having multiple people experiencing an artwork at one time, and becoming a part of it, means the experience is enhanced for all.
(19) DOES ANYBODY REALLY KNOW WHAT TIME IT IS?[Item by Mike Kennedy.] In a new scientific paper in Proceeding of the National Academy of Sciences (“Universal method for robust detection of circadian state from gene expression”) Dr Rosemary Braun, et al., claim to have developed a new and simpler method to measure a person’s circadian rhythm. The paper is broken down in simpler terms in Popular Science (“This new blood test can figure out what time it is inside your cells”). The existing method requires numerous blood draws so that melatonin in the blood can be measured over time. The new method requires only two blood draws—a number of different markers are measured to determine the level of expression of different genes. Popular Science author Kat Eschner writes:
…To create this test, researchers trained [an] algorithm to look for chemical evidence of about 40 specific genes in the blood samples. They picked those 40 by analyzing a much larger dataset and finding the ones that express at specific times.
According to the research, the algorithm works regardless of whether the patient is sick or well. That’s significant because gene expression—the way your genes activate, prompting the production of chemicals and helping your body to function—is changed by things as simple as how much sleep you get.
…The researchers found something unexpected—the genes that are the best predictors of body clock aren’t all “what we could call the core clock genes,” Braun says. “A lot of them are genes that are related to other biological processes, but they’re regulated by the clock. They’re regulated so tightly by the clock that observing them becomes a good marker for the clock itself.”
Kalashnikov Concern, a Russian manufacturer known for the AK-47 assault rifle, is thinking pretty big these days when it comes to new defense machines. The company unveiled a concept for a bipedal battle robot this week and all I can think about are the two-legged AT-STs from Star Wars.
The Kalashnikov creation seems to be solidly in the concept realm right now. It looks like its main job is to just stand there and look cool.
It has a couple of grabby arms and hands reminiscent of the Power Loader suit from Aliens and a large cabin at the top where presumably a human driver would sit to control the machine. It looks a bit top-heavy and not quite as lithe as an AT-ST.
…And this year, we’re celebrating the 200th birthday of one of the most famous scary stories of all time: Frankenstein — so a few months ago, we asked you to nominate your favorite horror novels and stories, and then we assembled an expert panel of judges to take your 7000 nominations and turn them into a final, curated list of 100 spine-tingling favorites for all kinds of readers. Want to scar your children for life? We can help. Want to dig into the dark, slimy roots of horror? We’ve got you covered.
As with our other reader polls, this isn’t meant to be a ranked or comprehensive list — there are a few books you won’t see on it despite their popularity — some didn’t stand the test of time, some just didn’t catch our readers’ interest, and in some cases our judges would prefer you see the movie instead. (So no Jaws, sorry.) And there are a few titles that aren’t strictly horror, but at least have a toe in the dark water, or are commenting about horrific things, so our judges felt they deserved a place on the list.
One thing you won’t see on the list is any work from this year’s judges, Stephen Graham Jones, Ruthanna Emrys, Tananarive Due and Grady Hendrix….
[Thanks to JJ, Cat Eldridge, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, Dann, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Lee.]