By Mark L. Blackman: On the evening of Tuesday, September 8, 2020 (Star Trek Day), the New York Review of Science Fiction Readings Series opened its 30th Season virtually (and perhaps virtuously) with a reading by Michael Swanwick from his extraordinary collaboration with the late Gardner Dozois, The City Under the Stars. The event was hosted by Series producer and executive curator Jim Freund, host of the long-running sf/fantasy radio program Hour of the Wolf on WBAI-FM, and was live on Facebook and posted to the Series’ page for later viewing. (Tech was handled by Barbara Krasnoff, and Amy Goldschlager was the virtual audience’s “Question Wrangler.”)
Michael Swanwick, a longtime reader at the Series, is the author of ten novels, including Vacuum Flowers, Stations of the Tide, The Iron Dragon’s Daughter, Jack Faust, Bones of the Earth, The Dragons of Babel, Dancing With Bears, Chasing the Phoenix, and The Iron Dragon’s Mother; and roughly 150 stories. Notable among his non-fiction is Being Gardner Dozois, a book-length interview. He has been honored with the Nebula, Theodore Sturgeon, the World Fantasy Award, and the Hugo Award. (He has frequently noted that he has “the pleasant distinction of having lost more major awards than any other science fiction writer.”)
Gardner Dozois was, of course, the editor of Asimov’s Science Fiction magazine for almost 20 years, winning the Hugo Award as the year’s Best Editor 15 times. He was also honored with the Locus Award, the Nebula Award and the Sidewise Award, inducted into the Science Fiction Hall of Fame, and the Skylark Award for Lifetime Achievement in Science Fiction. He was the author or editor of more than a hundred books.
The evening opened with a discussion between Swanwick and Freund (who proudly displayed his very own Darger and Surplus pen). The book that became The City Under the Stars was long in the making, said Swanwick. Dozois began the story in 1972, but hit a snag. He handed a cardboard box with his unfinished manuscript to Swanwick and asked if he could turn it into a novella. Swanwick said he saw a way – “I lied” – but later did see a plotline. “The City of God” (now the first half of this novel) was published in Omni and Asimov’s. The novella was “bleak,” “dark,” and “a little more downbeat than the Book of Job, without the happy ending.”
Its ending seemed to preclude any sequels, but, over the decades, he and Dozois “talked over what might come next” and how a longer, complete story would end; Dozois had “an uplifting idea” for how to give it “a surprisingly happy ending.” They planned to write two more novellas, “The City of Angels” and “The City of Men,” however, midway through the second novella, Gardner Dozois died.
Subsequently, Swanwick returned to the project – now a memorial to Dozois – because “I wanted the world to see this genuinely happy ending.” Aiming to “keep Gardner’s vision,” he revised and combined both novellas, and changed the direction of the work in progress. As he wrote on Tor.com, Swanwick “made of them a novel I think Gardner would have been pleased with. The ending is exactly what Gardner envisioned all those decades ago. A happy one. For everyone. When I wrote the last words of it, I cried.”
Swanwick’s reading selection was from the very beginning of Chapter 1, opening in Orange, NY. The protagonist, Hanson, is part of a crew digging in a pit for and shoveling coal to feed the machines. From there, though, he can see the City of God, “perfect and inviolate.” It’s an “astonishingly depressing story.” After that “bleak” passage, “things get even worse and worse.” He later enters the City of God, but that’s not yet “the happy ending” by any means.
Hanson, Swanwick surmised, was based on Dozois himself, “a blue-collar kid who grew up in the factory town of Salem, Massachusetts. … His sympathy was with the downtrodden.” Despite his image of being “large and jolly,” Dozois was “shy and private.” He knew that by becoming editor of Asimov’s, he was effectively ending his writing career, and his output did decrease.
Answering Freund about his own path, Swanwick said that he decided to become a writer after reading The Lord of the Rings; he wanted to make an impact like that. Another influence or impetus was his father’s early onset Alzheimer’s. This segued into a Q&A, with questions from Carol Gyzander, Ian Randal Strock and Gregory Frost, among others.
Swanwick reminisced about a collaboration of his with Dozois and Jack Dann, “An Afternoon at Schraft’s,” which was eventually published in a themed anthology with one title. His personal favorite Dozois story is “A Special Kind of Morning,” a war story. In his collaborations with Dozois, “Gardner was always the alpha male,” with say on the final draft. He reminisced about hosting the Milford-style workshop “Philford.” He met Dozois shortly after he (Swanwick) came to Philadelphia, through a friend of a friend. Eventually, Dozois shrugged and offered to make suggestions on “your sucky stories.” Swanwick is currently working on short stories for Tor.com. Final words: “Don’t let your babies grow up to be writers.” (It’s a funny business, he observed. On the same day, he received checks for $9 and $1,400.)
The next reading, announced Freund, is Tuesday, October 6th, with C.L. Polk and will be guest-hosted by Amy Goldschlager. As a postscript, he noted that the software being used was “not free” and suggested that donations be made via PayPal (details are on the Series’ Facebook page). Finally, he noted again that this was the first reading of the Series’ 30th Season, also Series founder Gordon Van Gelder’s birthday – and Star Trek Day.
There seem to be a lot of cooks hovering over the broth:
Benioff and Weiss executive produce under their Bighead Littlehead banner along with the company’s newly installed president, Bernadette Caulfield. [Rian] Johnson, Ram Bergman, and Nena Rodrigue executive produce via T Street Productions. [Brad] Pitt executive produces with along with Dede Gardner and Jeremy Kleiner for Plan B Entertainment. [Rosamund] Pike and Robie Uniacke executive produce for Primitive Streak. Lin Qi, chairman of Yoozoo Group and The Three-Body Universe, and Zhao Jilong, vice president of The Three-Body Universe, also executive produce.
…Author Liu Cixin and accomplished sci-fi writer Ken Liu, who translated the English versions of the first and third books, serve as consulting producers.
The article quotes Liu Cixin:
“I have the greatest respect for and faith in the creative team adapting ‘The Three-Body Problem’ for television audiences,” said Cixin. “I set out to tell a story that transcends time and the confines of nations, cultures and races; one that compels us to consider the fate of humankind as a whole. It is a great honor as an author to see this unique sci-fi concept travel and gain fandom across the globe and I am excited for new and existing fans all over the world to discover the story on Netflix.”
…Since the start of the coronavirus outbreak in the US earlier this year, campaigns like Biden’s have been forced to entirely rethink how they organize voters. Instead of in-person rallies, Biden’s team has opted for live-streamed events and fundraisers along with socially distanced productions and interviews. The entire Democratic National Convention was held virtually earlier this month, with most guests streaming in over video software like Zoom to deliver speeches.
The Biden-Harris campaign released four sign designs for players to download, featuring the official Biden-Harris logo, Team Joe logo, the “Joe” Pride logo, and an image of aviator sunglasses shaded in red, white, and blue. Players will be able to access the designs in-game by scanning the design QR codes through the Nintendo Switch Online app.
…Millions of people have picked upAnimal Crossing: New Horizons since its initial release in March, and the Biden campaign is hoping to engage that large base with their new merch. “Animal Crossing is a dynamic, diverse, and powerful platform that brings communities together from across the world. It is an exciting new opportunity for our campaign to engage and connect Biden-Harris supporters as they build and decorate their islands,” Christian Tom, director of digital partnerships for the Biden campaign, said in a statement to The Verge. “As we enter the final campaign stretch towards November, this is one way we are finding new creative and innovative ways to meet voters where they are and bring our supporters together.”
…The first panel I watched was “Fantasy for YA vs. Adults”, featuring Alma Alexander, Farah Mendlesohn, Sherwood Smith and Kathryn Sullivan. I picked this panel over the horror panel going on at the same time, because I knew and liked the panelists. There was some concern in the chat that the panelists were all white. And indeed, more diversity would have been nice, especially considering what a diverse field fantasy in general and YA in particular is.
Talking of the chat, unlike other recent virtual conventions, NASFiC opted not to use the Zoom chat, but have the Discord chat side by side with the panel. From the POV of an audience member, this was a lot better than having to switch between Discord and Zoom in different tabs/windows. Though I’m not sure how it was from the POV of a panelist, since panelists and moderators can more easily see questions, when they are asked in the Zoom chat…
(5) MASTERING DUALITY. Sarah Gailey’s Personal Canons series continues with “Abhorsen”.
…When I first read the Abhorsen books, I was very young, and I was just starting to grapple with questions of identity, duality, and choice. Bound up in those questions was a larger, overarching question of worth. I felt certain that if I didn’t answer those questions about myself correctly, I’d lose some degree of goodness. Bit by bit, parts of me would tarnish; I’d become Bad, and there would be no place in the world for me. That feeling was too much. I couldn’t face it.
But in Garth Nix’s books, I saw that perhaps the answers could be more complicated than I realized. In Sabriel, I saw that feeling afraid and unprepared didn’t have to mean surrender, so long as I could be resourceful and stubborn. In Lirael, I saw that it’s possible to survive the crushing feeling that life is unsurvivable.
This reading marks the beginning of our 30th Season! Sadly, we cannot all join together for a fete, but over the course of time, we’ll figure something out. We wish to experiment with simulcasting the reading on our traditional home here on Facebook, but also try simulcasting it on YouTube. We’ll be testing this through the week so be sure to check back here to find out where to log in.
On Tor.com, Michael Swanwick wrote: “Almost a quarter century ago, Gardner Dozois and I published “The City of God,” now the first half of this novel. It ended with a slam, seemingly precluding any sequels. But over the decades Gardner and I talked over what might come next. We planned to write two more novellas, “The City of Angels” and “The City of Men,” which would tell one long, complete story. One with a happy ending.
Yes, Gardner could be a bleak writer. Yes, the novella was dark even for him. But he had an uplifting idea for how the book would end. We discussed it often. We were midway through the second novella and aiming at that happy ending when, without warning, Gardner died.
I knew I would never write that third novella without his input, his genius. Nevertheless I wanted the world to see this genuinely happy ending. So I changed the direction of the work in progress, combined both novellas, divided them into chapters, and made of them a novel I think Gardner would have been pleased with.
The ending is exactly what Gardner envisioned all those decades ago. A happy one. For everyone.
When I wrote the last words of it, I cried.”
(7) NOT TOO LATE TO TUNE IN. [Item by Martin Morse Wooster.]“Arthur Charles Clarke discusses science fiction” at the Studs Terkel Radio Archive is a 1959 interview Studs Terkel conducted with Clarke where Clarke discusses his novels Childhood’s End and Earthlight, explains why he thought sf was not escapist, and said that “I’m a moral vegetarian, although I hate vegetables.”
…The series trailer (watch it above) sets up the premise of Camp Cretaceous: A group of six teenagers are trapped at a new adventure camp on the opposite side of Isla Nublar. When the events of the film unfold and dinosaurs are unleashed across the island, each kid realizes their very survival rests on the shoulders of themselves and their fellow campers. Unable to reach the outside world, the six teens will go from strangers to friends to family as they band together to survive the dinosaurs and uncover hidden secrets so deep they threaten the world itself.
Jurassic World: Camp Cretaceous premieres September 18 on Netflix.
The new interactive site, live now, invites users to experience a behind the gates look at Jurassic World: Camp Cretaceous. At CampCretaceous.com, users can tour the campgrounds, get up close with dinosaurs, check out tree top cabins and a zipline, among other adventures.
(10) GOSPEL OR BLASPHEMY? Chris Mooney, in “You Don’t Have To Be A Genre Writer To Explore Genre” on CrimeReads, says his desire to put sf elements in a suspense novel led him to explore other works that combine sf and suspense, including novels by Colson Whitehead, Margaret Atwood, and Sir Kazuo Ichiguro.
…Sometimes when you mix things together, the results are amazing, even spectacular. As I was writing Blood World, I realized that almost of my all-time favorite books—the ones that had the greatest impact on me—were from authors who successfully incorporated elements from more than one genre. And now, it’s mid-August, the height of vacation season, and if, like me, you find yourself stuck in your backyard on a “staycation,” or lucky enough to live near a beach, you can do no better than these definitive, intelligent, page-turning, genre-bending classics.
(11) MEDIA BIRTHDAY.
September 1, 1950 — Dimension X’s “The Roads Must Roll.” Based on the Robert Heinlein story that first was published in Astounding Science Fiction in the June 1940 issue, it would first be broadcast on this date on NBC in 1950. It would win the Retro Hugo for Best Novella at MidAmericon II, the same year that OGH won another Hugo for Best Fan Writer. Jason Bolander, Norman Rose and Karl Weber were the cast. You can listen to it here. (CE)
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 1, 1875 — Edgar Rice Burroughs. Bradbury declared him “the most influential writer in the entire history of the world.” Now I’d not necessarily disagree or agree with that statement but I would note that he has largely fallen out of public notice once again. So what’s your favorite works by him? The Barsoom stories are mine. (Died 1950.) (CE)
Born September 1, 1928 – Shelby Vick. Edited Planetary Stories 2005-2017. Edited a new (i.e. 2013, centuries after the original) volume of Sindbad stories (with E. Erdelac & E. Roberts; unable to resist the spelling “Sinbad”), writing one. A score of short stories around then. Leading fan since the 1940s. Introduced Lee Hoffman (to some of us, after this incident, “Hoffwoman”), to Bob Tucker. Started WAW with the Crew in ’52 bringing W.A. Willis to Chicon II the 10th Worldcon. Organized, if that word may be used, Corflu 16 (fanziners’ con; corflu = mimeograph correction fluid, once indispensable); brought as a guest to Corflu 29. Rebel Award. (Died 2018) [JH]
Born September 1, 1942 — C. J. Cherryh, 78. I certainly think the Hugo Award-winning Downbelow Station and Cyteen are amazing works but I think my favorite works by her are the Merchanter novels such as Rimrunners. Anyone familiar with “Cassandra“, the short story she won a Hugo for at Seacon ‘79? What’s it part of? (CE)
Born September 1, 1943 – Filthy Pierre, 77. So unassumingly and widely helpful for so long he was at length given the Big Heart (our highest service award) and more locally made a Fellow of NESFA (New England SF Ass’n; its service award). With Marilyn Wisowaty (as she then was; also F.N.) compiled The Blackdex and Bluedex indexing SF prozines. FP being a filker is often at hand during an SF con and, when waiting is, inspires song, accompanying us on the current version of the Filth-O-Phone. Made the well-named Microfilk, an early filk index. Filk Hall of Fame. Invented the Voodoo Message Board. Fan Guest of Honor at Albacon 2010, Baltcon 52. Under a transparent pseudonym has conducted the SF Conventional Calendar for Asimov’s since 1977. [JH]
Born September 1, 1951 — Donald G. Keller, 69. Editor and critic. Co-edited Phantasmicom with Jeff Smith (1969-1974). A contributor to The New York Review of Science Fiction in the early Nineties which is where his “The Manner of Fantasy” essay appeared. He also edited The Horns of Elfland anthology with Ellen Kushner and Delia Sherman. Inactive genre wise for a decade now other than being a member of the editorial board of Slayage, the online Encyclopedia of Buffy Studies. (CE)
Born September 1, 1952 – Brad Linaweaver. Productive pro writer found lovable by many because of or despite proclaimed libertarian opinions. A dozen novels, five dozen shorter stories, some with co-authors. Artbook anthology Worlds of Tomorrowwith Forrest J Ackerman. Interviewed William Tenn for Riverside Quarterly. Two Prometheus Awards. Phoenix. Heinlein’s brass cannon bequeathed to him. (Died 2019)
Born September 1, 1954 – Larisa Mikhaylova, Ph.D., 66. Editor, critic; translator including Cadigan and Le Guin. Editor-in-chief, Supernova. Organizer of conferences on Ivan Yefremov, co-ordinator of preparing his Complete Works. Biography of HE in J. Francaville ed., Harlan Ellison. “Shore Leave Russia” on Star Trek fandom in Russia, Eaton Journal of Archival Research in SF. Academic Secretary, Russian Soc. Amer. Cultural Studies. [JH]
Born September 1, 1961 – Jacinta Escudos, 59. Mario Monteforte Toledo Central American Prize for Fiction. Collection, The Devil Knows My Name (in Spanish, i.e. El diablo sabe mi nombre). Anthologized in And We Sold the Rain, Lovers and Comrades, You Can’t Drown the Fire. Widely known outside our field. Blog here (in Spanish). [JH]
Born September 1, 1964 — Martha Wells, 56. She’s has won a Nebula Award, a Locus Award, and two Hugo Awards, one for the “All Systems Red” novella at WorldCon ‘76, and the other for her “Artificial Condition“ novella at Dublin 2019. Impressive. And she was toastmaster of the World Fantasy Convention in 2017 where she delivered a speech called “Unbury the Future”. Need I note the Muderbot Diaries are a truly amazing reading? (CE)
Born September 1, 1967 — Steve Pemberton, 53. He’s on the Birthday List for being Strackman Lux in the most excellent Eleventh Doctor stories of “Silence in the Library” and “Forest of the Dead” but he has other genre credits including being Drumknott in Terry Pratchett’s Going Postal, Professor Mule in the Gormenghast series and Harmony in the Good Omens series as well. (CE)
Born September 1, 1974 — Burn Gorman, 46. Best known for his roles as Owen Harper in Torchwood , Karl Tanner in the Game of Thrones, Philip Stryker in The Dark Knight Rises and also as Hermann Gottlieb in Pacific Rim and the sequel Pacific Rim: Uprising. Like so many of his fellow Torchwood performers, he’s been active at Big Finish where he’s been in nine Torchwood stories to date. (CE)
Born September 1, 1978 — Yoav Blum, 42. Software developer and author. First novel translated (from Hebrew), The Coincidence Makers. Ranks Guards! Guards! about the same as Winnie-the-Pooh. [JH]
(13) COMICS SECTION.
Ziggy listens to an outburst about an unfair evolutionary advantage.
Off the Mark comes up with one of those times when you shouldn’t count on Superman to save your life.
….I’ve been in a bit of a reading rut in recent weeks, but one book that I’ve been enjoying is The Human Cosmos: Civilization and the Stars by Jo Marchant. It’s out today, and Marchant takes a slightly different tack on the history of astronomy: she looks at not how humanity discovered the stars and planets, but how it impacted our development as a civilization. It’s an excellent example of multidisciplinary history, looking at archeology, science, mathematics, and of course, astronomy. I highly recommend it.
If you’re looking for other books coming out this month, here are 22 science fiction and fantasy ones hitting stores that you should check out.
(15) THE STICKS HAVE BEEN HEARD FROM. SF Concatenation’s Jonathan Cowie, who has been without the internet most of the time during the pandemic, broke out of isolation to update “Concatenation Science Communication News”.
Prior to CoVID-19 / SARS-CoV-2, neither abode being connected to the internet was not a problem (not even required) as regular internet access was available at college, volunteer work offices as well as learned society Fellows rooms’ and public libraries’ cybercafes (plus even hotels when travelling). However, with SARS-CoV-2, access to these has ceased. This means no e-mail communication since 20th March 2020 and this will not resume until we get a vaccine and restrictions are lifted. So if you have e-mailed, now you know why you have not had a response.
All other (non-e-mail) communications are working fine…
More news at the link.
He also tweeted assurance that there will be an autumnal edition of SF2 Concatenation as contributors have been snail-mailing contributions in on memory sticks.
… The material that this movie is based upon is Max McLean’s one man stage play that chronicles the Narnia author’s journey from atheism to Christianity… Although a filmed from the stage version of this production is already available on DVD, the new movie version will be entirely different with a full cast shooting at historic locations from C.S. Lewis’s life.
“The difference about this play is it’s going to be on location all over Oxford. We have full access to Maudlin College, The Kilns, the church, [and] various other places that are mentioned in the play. Instead of it being a one person show, it’s going to be a multi-actor show. I’ll play the older Lewis, we’ll have a boy Lewis, a young Lewis in his 20’s, cast his mother, his father, Tolkien, Barfield, Kirk, among others, and that is going to begin shortly.”
In March 2020 the entire world of Fellowship for Performing Arts came to a complete standstill. The New York based theatrical organization had been selling 2,000 tickets a week for their four productions, but that quickly dropped to 0 tickets a week and there is no expectation that live theater will resume until 2021. More than 30 FPA shows have been canceled because it is far too dangerous to hold any public gatherings in the United States.
“Since our plays have all shut down, we’ve moved up our feature film adaptation of C.S. Lewis’s conversion story. That was designed to be a 2021/2022 project, well we’ve moved it up to September and October of this year. I’ll be leaving tomorrow for the UK to begin shooting in mid-September (I have to quarantine for two weeks before we begin shooting).”-Max McLean
Norman Stone is the producer of this movie. This award-winning British director also directed Shadowlands (1985), C.S. Lewis: Beyond Narnia (2005), and The Narnia Code (2009).
(17) WILL CROWDFUNDING LET THEM MAKE THEIR TEASER TRAILER? The Kickstarter for “BAÏDIR – the animated series”, a space-opera animated series, looks to be far from funding, having raised only $29,266 of its $35,968 goal and the appeal ending September 6.
This is an epic, modern, ecological, and family fable…
It tells the initiatory path of a hero willing to do anything to locate his sister, and thus restore the family’s lost balance. It is also a story that echoes a much broader collective quest. At stake: restoring our planet’s lost environmental equilibrium.
Baïdir is a series designed to span three parts, each composed of 8 episodes of 26 minutes. The genre varies from adventure to science fiction with a good dash of fantasy.
Born from the imagination of Slimane Aniss, then enriched by the graphic universe spun by Charles Lefebvre and Thierry Rivière, Baïdir got its first teaser in 2009. Several years later, in 2012, the concept for the series was purchased by a first production studio. This resulted in a second teaser being hatched. Then several years after that, Andarta Pictures managed to acquire the rights to the work. At long last, work could begin on building the narration and the universe, thus allowing it to take shape for the television screen.
Baïdir is a project that has garnered quite a lot of interest during its various development phases. There is a massive amount of fan art on social networks. This crowdfunding campaign will allow us to breathe life into this whole universe and to tell the story of Baïdir and his friends at last.
Join Neil deGrasse Tyson, the Frederick P. Rose Director of the Hayden Planetarium, and a panel of experts for a livestream debate and question-and-answer session to discuss how life may have formed on Earth and explore what alien life might look like elsewhere in the universe.
What criteria do we use to classify life as we know it? Should the criteria be revised as we look for life on other worlds? The debate will bring together scientists from different fields–Nathalie A. Cabrol of the SETI Institute, Vera Kolb of the University of Wisconsin-Parkside, Seth Shostak of the SETI Institute, Carol Cleland of the University of Colorado, and Max Tegmark of MIT–to share their creative ideas for what forms life might take in an extraterrestrial environment and what these predictions can teach us about life on our own planet.
(19) HO, HO PHO. Archie McPhee has “Ketchup, Shiitake And Pho Candy Canes” ready for the holiday season – whatever holiday that may be. (“National Flash on Your Carpet Day”?) Wait – they seem to think it’s Christmas!
This year’s Archie McPhee candy canes are here! We’ve got three crazy flavors to make your Christmas more delicious than ever. Ketchup Candy Canes are fresh-from-the-bottle candy that tastes just like America’s favorite condiment. Shiitake Mushroom Candy Canes have a mushroom flavor that will make Christmas morning even more fungus than usual. And, finally, Pho Candy Canes are un-pho-gettable!
[Thanks to N., John King Tarpinian, Lise Andreasen, Contrarius, Michael Toman, JJ, Cat Eldridge, John Hertz, Martin Morse Wooster, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Daniel Dern, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day O. Westin.]
The Prix Imaginales recognize the best works of fantasy of the year published in France in six categories, with a prize of 1,000 euros for the first five categories and 500 euros for the last two.
A jury composed of critics, journalists and specialists selected the nominees: Jacques Grasser (Président), Stéphane Wieser (Directeur du Festival), Christophe de Jerphanion, Natacha Vas-Deyres, Lloyd Chéry, and Frédérique Roussel.
The awards would have been given at Imaginales, the Festival of the Imaginary Worlds in Épinal, France, this weekend, however, it is one of the myriad events cancelled due to the coronavirus outbreak.
[NOTE: The Prix Imaginales is a different award than the Grand Prix de l’Imaginaire.]
Catégorie roman francophone / French novel
Jean-Luc A. D’ASCIANO, Souviens-toi des monstres (Aux Forges de Vulcain)
Jean-Laurent DEL SOCORRO, Je suis fille de rage (ActuSF)
Catherine DUFOUR, Danse avec les lutins (L’Atalante)
Franck FERRIC, Le Chant mortel du Soleil (Albin Michel)
Alex NIKOLAVITCH, Trois coracles cinglaient vers le couchant (Les Moutons électriques)
Catégorie roman étranger traduit / Foreign Novel translated into French
Katherine ARDEN, L’Ours et le rossignol [The Bear and the Nightengale] (Denoël) Translated into French by Jacques COLLIN
Brian CATLING, Vorrh [The Vorrh] (Fleuve) Translated into French by Nathalie MEGE
Marina and Sergueï DIATCHENKO, Vita Nostra – Les Métamorphoses 1 (L’Atalante) Translated into French by Denis SAVINE
Shaun HAMILL, Une cosmologie de monstres [A Cosmology of Monsters] (Albin Michel) Translated into French by Benoît DOMIS
Jo WALTON, Pierre-de-vie [Lifelode] (Denoël) Translated into French by Florence DOLISI
Catégorie jeunesse / Youth category
Isabelle BAUTHIAN, Face au dragon (Projets Sillex)
Anthelme HAUCHECORNE, Moitiés d’Ame – Chroniques des cinq trônes (Gulf Stream)
Samantha SHANNON, Le Prieuré de l’oranger (De Saxus) Translated into French by Benjamin KUNTZER et Jean-Baptiste BERNET
Flore VESCO, L’Estrange malaventure de Mirella (L’École des loisirs)
Catégorie illustration / Illustration
François BARANGER, Les Montagnes hallucinées 1 (Bragelonne)
Daniel CACOUAULT, Alice au pays des merveilles (Bragelonne)
Armel GAULME, Les Carnets Lovecraft (Bragelonne)
Jesper EJSING, Elsewhere (Caurette)
Catégorie nouvelle / Short Story
Gardner DOZOIS, Épées et magie (Pygmalion)
Thomas GEHA, Chuchoteurs du dragon et autres murmures (Elenya)
Ellen KLAGES, Caligo Lane, Passing Strange (ActuSF)
Pierre PEVEL, Contes et récits du Paris des merveilles (Bragelonne)
Catégorie prix spécial du Jury / Special Jury Award
Christelle DABOS, La Passe-miroir (Gallimard)
S.T. JOSHI, Lovecraft je suis providence tomes 1 et 2 (ActuSF)
Roland LEHOUCQ, Loïc MANGIN, Jean-Sébastien STEYER, Tolkien et les sciences (Belin)
Alexandre SARGOS, Tolkien à 20 ans (Au diable Vauvert)
Jean-Sébastien STEYER, Anatomie comparée des espèces imaginaires de Chewbacca à Totoro (Le Cavalier bleu)
(1) DOZOIS FINALE. At Flogging Babel, Michael
Swanwick reviews “Gardner
Dozois’ Last Story”, “Homecoming” (Fantasy & Science
Fiction, Sep/Oct 2019).
Chance plays such a major role in our lives! It was chance that killed Gardner Dozois. He died not of a lingering illness but from a fortuitous disease picked up in a hospital whose staff chanced not to be competent enough to take care of his original complaint in a reasonable lenth of time. So when he wrote “Homecoming,” he had no idea how close he was to death.
Nevertheless, it is hard to read this story as anything but his farewell….
Since the creation of the Tiptree Award was first announced by Guest of Honor Pat Murphy at WisCon 15 in 1991, WisCon has been proud to host the award winners and to support the award by hosting fundraisers at-con. Making big changes can be difficult, but listening to the voices of our community members exemplifies the values that our con continues to strive towards. We fully support the Motherboard in their decision to rename the award, and we look forward to celebrating the award under its new name at WisCon 44 in 2020.
The original stars of Jurassic Park are to reunite for the next instalment of the dinosaur film franchise.
Sam Neill, Laura Dern and Jeff Goldblum will reprise their roles in the upcoming Jurassic World 3.
The actors led the cast of the 1993 hit, directed by Steven Spielberg, and have appeared separately in subsequent instalments.
…It is believed the trio will appear alongside Chris Pratt and Bryce Dallas Howard, the stars of 2015’s Jurassic World and 2018’s Jurassic World: Fallen Kingdom.
The latter release saw Goldblum reprise his role as Dr Ian Malcolm, having previously done so in 1997’s The Lost World: Jurassic Park.
Neill and Dern reprised their roles as Dr Alan Grant and Dr Ellie Sattler in 2001 film Jurassic Park III.
(4) IN AND OUT OF FANDOM. Rob Hansen announces some additions to his fanhistory site THEN:
Now that T. Bruce Yerke’s memoir of 1930s LA fandom is online I was able to expand my page on “The LASFS Clubroom” accordingly.
In the late 1930s the Los Angeles Science Fiction League – as they were then known – were meeting in Clifton’s Cafeteria, a downtown eatery located at 648 South Broadway after initially meeting at members’ homes and the like. T.Bruce Yerke recalled those LASFL days in his MEMOIRS OF A SUPERFLUOUS FAN (1943):
The great difference between the Chapter #4 of the SFL and the present LASFS is a subject of many ramifications, the product of an evolution of some years’ length, and a very interesting study. Perhaps it may be summed up in brief by the observation that the club in l937 had no social life to speak of. The chapter centered about meetings held roughly every other Thursday. Otherwise the members contented themselves with occasional Sunday gatherings of a highly informal and unofficial nature. Often groups of three or four attended shows together or went book hunting en masse, but that was virtually the sum of it. For the most part, members saw nothing of each other between alternate Thursdays, save the vicarious mediums of post and telephone….
And a couple of weeks back I added a bunch of correspondence relating to Vince Clarke’s 1960 departure from, and 1981 return to, fandom: “Vince Clarke: The Return (1981)”
Prominent among those dissidents were the trio – Vince Clarke, Joy Clarke, and Sandy Sanderson – known as ‘Inchmery’ after Inchmery Road in South London where they all shared a house together. Vince Clarke was not at all happy with fandom and was on the point of quitting it, as can be seen in this letter to him from George Locke dated 7 April 60…
(5) HUGO WANK. At Archive of Our Own, “Stanley Cup — What it
Means” by Anonymous. Looks like this has been online for over a week,
but it’s news to me!
…“What? No, the Oviraptors won fair and square. But the fans are saying they won.”
“I don’t understand.”
“Here, I’ll read you this tweet. Someone called PuckerUp wrote, “I can’t believe we won the Stanley Cup! I’m so excited you guys!” And there’s more like that. They really think they won it. So we want you to tell them that it was the Oviraptors team that won, not them. They can say they supported the actual winners.”
“Uh, are you sh—“ the spokesperson quickly changed course mid-sentence. “Are you sure someone saying “we won” instead of “my favorite team won” is a problem? I think everyone knows it was the athletes who actually won…”
“It dilutes what winning the Stanley Cup means, if just anyone can go around saying they won it. I mean, listen to this: HockeyLuvver63 tweeted, “Oviraptors won because I was the MVP and saved Darcy from rolling off the couch.” And then there’s a picture of this woman catching a Boston Terrier in a puck costume as it slides off a sofa. If people keep saying things like that, other people might start thinking the real winners and MVPs are just making it up too, and sneer at them for it.”…
(6) WILD IN THE STREETS. Although we covered this
performance, I haven’t previously linked to The New Yorker story. In the
magazine’s December 11, 2017 issue Alex Ross reviews
War of the Worlds, an opera by Annie Gosfield based on the Orson Welles radio
broadcast of 1938 and performed by the Los Angeles Philharmonic collaborating
with the experimental opera company The Industry.
The main audience was seated at Disney Hall, where the orchestra was ostensibly performing a new suit, by Gosfield, modelled on Holst’s The Planets. The actress Sigourney Weaver, who has a history with aliens, assumed the pose of an unctuous gala host. Halfway through the “Mercury” movement, she broke in with the first of many news bulletins. As the concert faltered–we never got past “Earth”–Weaver elicited live reports from three nearby parking lots, each of which had its own performers and audience. The auxiliary sites were placed near antiquated air-raid sirens that still stand throughout the city; they hummed with extraterrestrial transmissions. Scientists jabbered technicalities; a TV reporter interviewed eyewitnesses; a military honcho tried to impose order. Eric Garcetti, the mayor of Los Angeles, had a cameo, appearing onstage at Disney with a reassuring message: “Please don’t attempt to leave this building. Just outside these walls is utter chaos. A climactic ray-gun assault on Disney was repelled by the metal shield that Frank Gehry had presciently installed on the exterior. Weaver exclaimed, ‘The power of music has redeemed humanity once again!’
(7) TODAY IN HISTORY.
September 25, 1924 — Opened on this date in Moscow, Aelita: Queen of Mars. A silent film by Soviet filmmaker Yakov Protazanov. In the United States, Aelita was edited and titled by Benjamin De Casseres for release in 1929 as Aelita: Revolt of the Robots. The 2004 DVD has a musical score based on the music of Scriabin, Stravinsky, and Glazunov.
September 25, 1976 — Holmes & Yoyo debuted. A heavy on the comedy police show where Detective Alexander Holmes keeps injuring his partners so he’s given an android partner which is John Schuck as Gregory “Yoyo” Yoyonovich in his first genre role. It lasted thirteen episodes. The reviews were not kind. Nor were the ratings.
September 25, 2006 — On NBC, Heroes aired its first episode, “Genesis”. It would last four seasons and remarkably would actually not be cancelled before it wraps up its story.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 25, 1862 — Henry McNeil. Though he wrote two Lost Race novels, he’s here because he was a member of the Kalem Club circle that centered around Lovecraft. He played an important role in the career of Lovecraft as he was the first to urge that writer to submit his fiction to Weird Tales in the early Twenties. (Died 1929.)
Born September 25, 1919 — Betty Ballantine. With her husband Ian, she created Bantam Books in 1945 and established Ballantine Books seven years later. They won one special World Fantasy Award for professional work in 1975 and another one shared with Joy Chant et al for The High Kings which is indeed an amazing work. ISFDB list one novel for her, The Secret Oceans, which I’ve not read. Anyone here done so? (Died 2019.)
Born September 25, 1930 — Shel Silverstein. Not sure how he is SFF but ISFDB lists him as such and I’m more than thrilled to list him under Birthday Honors. I’m fond of his poetry collection Where the Sidewalk Ends and also note here A Light in the Attic if only because it’s been on “oh my we must ban it now attempts” all too often. (Died 1999.)
Born September 25, 1951 — Mark Hamill, 68. Ok, I’ll confess that my favorite role of his is when he voices The Joker in the DC Universe. He started doing this way back on Batman: The Animated Series and has even doing on other such series as well. Pure comic genius! Oh, and did you know he voices Chucky in the new Child’s Play film? Now that’s creepy.
Born September 25, 1952 — Christopher Reeve. Superman in the Superman film franchise. He appeared in the Smallville series as Dr. Swann in the episodes “Rosetta” and “Legacy”. His Muppet Show appearance has him denying to Miss Piggy that he’s Superman though he displays those superpowers throughout that entire episode. (Died 2004.)
Born September 25, 1962 — Beth Toussaint, 57. She was Ishara Yar in the “Legacy” episode of Next Gen and she’s been in a lot of genre series and films including Berserker, Babylon 5, the Monsters anthology series, Nightmare Cafe, Mann & Machine, Project Shadowchaser II, Legend and Fortress 2: Re-Entry.
Born September 25, 1968 — Will Smith, 51. Despite the vile stinkers that are Wild Wild West and Suicide Squad, he’s done some brilliant work — the first Men in Black film is quite superb as is Independence Day and Aladdin.
Born September 25, 1969 — Catherine Zeta-Jones, 50. Her first role ever was as in Scheherazade in French short 1001 Nights. Her next role was Sala in The Phantom. Does Zorro count as genre? If go, she appeared as Eléna Montero in The Mask of Zorro and Eléna De La Vega in The Legend of Zorro. She was Theodorain The Haunting, a riff off The Haunting of Hill House. And finally, she was in The Young Indiana Jones Chronicles as Maya in “Palestine, October 1917”.
Born September 25, 1980 — Benedict Jacka, 39. Though I’ll admit I’ve fallen behind in my reading of his Alex Verusseries, what I’ve read of it has been quite excellent — superb protagonist, interesting story and a quirky setting. Good popcorn literature!
ON TV. [Item by Olav Rokne.] In advance of The Good Place’s return this week, Kwame
Opam of the New York Times profiles the show’s understated
convention-breaking character Chidi Anagonye, and what the positive depiction
of a character like him means for nerds of color: “The
Good Place”. Opam writes:
Chidi is the sort of character who, in past generations, might have been the butt of the joke more often than not. Instead, he’s a romantic lead on one of television’s most beloved shows.
Families of those killed while watching a Batman film in 2012 have written to Warner Bros with concerns about the new Joker film and urging the studio to join action against gun violence.
Twelve people died in a cinema showing The Dark Knight Rises in Colorado.
They included Jessica Ghawi, 24, whose mother Sandy Phillips told BBC News she was “horrified” by the Joker trailers.
Warner Bros said the film – which stars Joaquin Phoenix – was not an endorsement of real-world violence.
Phoenix walked out of a recent interview when asked about the issue.
Sandy Phillips and her husband, Lonnie, who run Survivors Empowered, an anti-gun violence group, wrote to Warner Bros along with three others whose relatives were killed, injured or caught up in the 2012 shooting.
Speaking to BBC News, Mrs Phillips said: “When I first saw the trailers of the movie, I was absolutely horrified.
“And then when I dug a little deeper and found out that it had such unnecessary violence in the movie, it just chilled me to my bones.
“It just makes me angry that a major motion picture company isn’t taking responsibility and doesn’t have the concern of the public at all.”
A robotics company whose creations have amassed millions of views on YouTube, is renting out one of its stars, Spot.
Anyone wishing to lease the quadruped dog-like robot could do so for “less than the price of a car,” Boston Dynamics told IEEE Spectrum.
It suggested Spot could be useful in construction, the oil and gas industry and for those working in public safety.
One expert said its appeal may be limited by its price, which will be determined by demand.
Noel Sharkey, robotics experts and professor of computer science at Sheffield University, said “Spot is possibly the world’s finest example of a quadruped robot and since the addition of a robot arm, it seems a little more practical – but will it be practical enough at that price?
An infamous hacker group that was thought to have disbanded appears to be behind a wave of new attacks being carried out across the world.
Researchers at cyber-security company Secureworks say they reached their conclusion after analysing a new strain of computer virus.
They claim the culprits are the GandCrab crew.
The gang is thought to be Russian and previously sold customised ransomware to other criminals.
Their code had scrambled data on victims’ computers and demanded blackmail payments to decrypt it. It is estimated to have affected more than 1.5 million machines, with hospitals among those affected.
In May, the group had surprised many in the security industry when it announced it was “retiring” after earning more than $2bn (£1.6bn) from the trade.
Someone claiming to be part of the group claimed it had “cashed out” its earnings and quit the business.
It had been active since about January 2018.
But Secureworks has linked the group to a new strain of ransomware called REvil or Sondinokibi.
The malware has caused major disruption to hundreds of dental practices in the US as well as 22 Texas municipalities.
Researchers say not only is the code similar to that of the earlier attacks but that it contains similar mistakes.
[Thanks to Andrew Porter, John King Tarpinian, Rob Hansen, Mike
Kennedy, Chip Hitchcock, JJ, Cat Eldridge, and Martin Morse Wooster for some of
these stories. Title credit goes to File 770 contributing editor of the day
Memories, anecdotes, appreciations, confessions, and clickbait, from:
Michael Bishop • F. Brett Cox • Jack Dann Samuel R. Delany • Andy Duncan Greg Frost • Eileen Gunn • Joe Haldeman John Kessel • Nancy Kress • George R.R. Martin • Mike Resnick Darrell Schweitzer • Nisi Shawl Allen M. Steele • Michael Swanwick Lynne M. & Michael Damian Thomas Gordon Van Gelder • Howard Waldrop Patty Wells • Henry Wessells Fran Wilde • Sheila Williams
Michael Swanwick’s contribution leads off the issue:
Daredevil: Gardner appeared as a character in a Daredevil comic book. I am not kidding you. It was a minor role. His friend George Alec Effinger, aka “Piglet,” played a larger part in the plot, much to Gardner’s pretended chagrin. “I don’t know why I couldn’t get to beat up crooks,” he would say. “Piglet did!”
Eccentrics: Susan Casper loved to relate how she had once overheard two writers bemoaning the fact that, with the deaths of some of the founding fathers of science fiction, there were no longer any great eccentrics in the genre. Those two writers were Gardner and Howard Waldrop.
(2) INVALUABLE MAPS. The Guardian has three excerpts from The Writer’s Map, An Atlas of Imaginary Lands, ed. Hew Lewis-Jones. In the excerpts, called “Wizards, Moomins and pirates: the magic and mystery of literary maps”, Frances Hardinge discusses the map she made of Tove Jansson’s Moominland, Miraphora Mina writes about the Marauder’s Map featured in Harry Potter and the Prisoner of Azkaban, and Robert Macfarlane writes about his map of Treasure Island.
I remember poring over the Moominland map at the front of Tove Jansson’s Finn Family Moomintroll. The map is homely, crowded and jubilantly out of scale, yet also haunting. Like the books themselves, the map always touched me with a gentle and inexplicable sadness. I imagined the Lonely Mountains isolated by their own vastness and strangeness, their slow, cold hearts filled with a drear and incurable loneliness.
But even then I noticed that one feature of the little map was not accurate, except in the sense that a stopped clock is right twice a day. Near a bridge is drawn a small tent, and beside it sits a little figure in a tapering hat. This is clearly meant to show the campsite of the green-clad, harmonica-playing Snufkin. But Snufkin cannot be pinned to a location so easily. He is an inveterate nomad, vanishing from the Moominvalley for long months at a time, then returning without warning or explanation. He was probably packing up his tent before the ink on the map had dried.
I mention this as one example of the strange narcotic power that maps have, especially fictional ones, even when they’re present only in trace quantities. Of course I also had the usual transports over maps of Middle-earth, and Narnia, and the archipelagos of Earthsea, and the Hundred Acre Wood, and The Lands Beyond, where The Phantom Tollbooth took place. But I could get a contact high just from the cartographical border of the Uncle Wiggily board game. All maps are fascinating, but there’s something extra-mesmerizing about maps of places that don’t exist. Maps are part of the apparatus of reality, and the navigation thereof. There’s a subversive, electric pleasure in seeing them miswired up to someplace fictional. In most cases, the closest you can get to actually visiting the land in a fictional map is by reading about it. But in my youth I got a little closer. I did this by playing Dungeons & Dragons.
…I looked at my field of ashes draft and thought I might as well toss it in the bin: usually I manage to salvage scenes but this felt like no single scene was working properly.
I moped for a couple of weeks (a totally writer thing to do! Well, at least this writer!) And then I sat down, turned to a fresh page in my brainstorming notebook, and wrote, very deliberately, “list of current scenes in the draft”, and “list of scenes I would like in new draft” (ok, it might have been a teensy bit more cryptic since they were notes to myself). I also took another notebook and did pages of brain dumps that were essentially me talking to myself about what I needed to fix. Writing it down without judgement was actually super helpful to unlock the issues and possible fixes: since it was longhand and not on a computer, I didn’t feel like it was a final story or even graven in stone. It forced me to keep thinking, to keep track of what I was doing, but not in a way that paralyzed me….
(5) HE CONTROLS THE VERTICAL. While it’s cliché to ask an sf writer “Where do you get your ideas?”, Alastair Reynolds is happy to tell you where he got one of his — “Oh, Atlanta”.
I haven’t been back to Atlanta since 1992, but the hotel did have one lingering influence on my work which that article prompts me to mention. Those swooping interior elevators left a big mark on me, and when I came to write Revelation Space – which I started later that year – they became the model for the elevators in the Nostalgia for Infinity, especially the part where Ilia Volyova’s elevator plunges through the vast interior of the cache chamber. When, in Chapter Two, Ilia’s elevator announces its arrival at the “atrium” and “concierge” levels, that’s all down to the Marriot Marquis. I’d never been in an elevator that spoke before.
You can’t understand Lovecraft’s conflation of personal miscegenation and hereditary flaws with outside threats, social decay, and vast panoramas of evolution across Deep Time without first understanding the turn-of-the-century traditions within mainstream experimental literature and polemical pseudo-scientific writing that influenced him. Lovecraft may have been a bizarre, original outlier in the context of 1920s horror or science fiction, but he was completely comprehensible (and even representative) within these older and larger traditions. Many other far-right literary figures on both sides of World War I share much of Lovecraft’s grab-bag of Symbolist, Decadent, Spenglerian, and world-weary fin-de-siècle values and tropes. Period clichés of Yellow Book dandyism and racial doomsaying abound in this context. D’Annunzio, Hamsun, and Jean Lorrain would all have recognized a kindred spirit in Lovecraft, and period readers of Max Nordau’s Degeneration and sponsors of the Race Betterment Foundation would recognize familiar ideas, thinly recast, in Lovecraft’s oeuvre.
…So I hate it when people refer to going to these sorts of events as “networking.” I dislike the whole concept of networking. It makes people feel like tools. Networking implies business. It’s about profit and career. I never approach a friend with “Hey, you wanna network on Saturday?” I never ask a partner “Hey, I miss you, haven’t networked with you in a bit, got plans this weekend?” So why the hell am I “networking” at a convention about one of my passions in life?
I blame capitalism. Apparently one can’t even have fun without feeling guilty, unless it’s about advancing oneself in life. >:( I just like meeting people and talking and making acquaintances. I don’t expect anything from any of these evenings except a fun evening.…
There was once a time when robots roamed the surface of Mercury, when a shape-shifting alien emerged from the ice of Antarctica, and when a galactic empire of 25 million planets spanned the Milky Way. It was called the “Golden Age” of science fiction, the period from the late 1930s to the late 1940s, when pioneering authors such as Isaac Asimov and Robert A. Heinlein wrote their first mind-bending stories. And though newer literary movements have mutated sci-fi’s DNA since then, the last surviving storyteller of the Golden Age—95-year-old James Gunn—is still writing.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born October 23, 1918 – James Daly, Actor known best to genre fans as Flint in the Star Trek original series episode “Requiem for Methuselah”. He also played the simian prosecutor in Planet of the Apes, and had the role of the sinister pioneering doctor in what was possibly the first movie about providing organ transplants from the body parts of clones, The Resurrection of Zachary Wheeler. In addition to roles on The Invaders, Mission: Impossible, The Twilight Zone, and The Evil Touch, he appeared in the Wernher von Braun docudrama I Aim at the Stars.
Born October 23, 1919 – Roy Lavender, Aerospace Engineer, Writer, Conrunner, and Member of First Fandom. He was one of the early members of the Cincinnati Fantasy Group (the third-oldest continuously running SF fan club), a member of the National Fantasy Fan Federation, and a co-founder of Midwestcon. He sent out an annual newsletter in which he discussed both scientific and science-fictional subjects. He and his wife, DeeDee (who was also a member of First Fandom) played instrumental roles in the planning and running of Cinvention, the 7th Worldcon, in 1949. He later moved from Ohio to California, where he was part of John and Bjo Trimbles’ sercon (serious and constructive) fan group The Petards, formed to actually discuss SF books (out of disgust with those feckless socializers in LASFS). He was Fan Guest of Honor at Kubla Khatch in 1994.
Born October 23, 1942 – Michael Crichton, Physician (non-practicing), Writer, Director, and Producer who became disillusioned with medicine after graduating from Harvard Medical School. He went on to write many genre novels which were made into movies (or vice-versa), including the Hugo-nominated Westworld and The Andromeda Strain (which won a Seiun Award), The Terminal Man, Sphere, the Hugo-winning Jurassic Park, The Lost World, Eaters of the Dead (filmed as The 13th Warrior), and Timeline. He wrote and directed Looker, which is notable for being the first commercial film to attempt to make a realistic computer-generated character, and was also the first film to create 3D shading with a computer, months before the release of the better-known Tron. (JJ is sorry to report that The Suck Fairy has had a go at many of these films – sometimes before they even got to the theaters! – but at least Timeline had the virtue of featuring Billy Connolly, Gerard Butler and Marton Csokas.)
Born October 23, 1950 – Wolf Muser, 68, Actor originally from Germany who has had recurring roles on Alias, Grimm, and The Man in the High Castle, guest roles in episodes of Carnivale, Timecop, and Misfits of Science, and appearances in the films Kiss Me Goodbye, Pandora’s Clock, and Final Equinox. He played a major role in The Beast Within: A Gabriel Knight Mystery, an interactive movie point-and-click adventure game released by Sierra On-Line in 1995 which was produced entirely in full motion video, was noted by a reviewer for being “one of the few computer games to actually involve personal, meaningful growth in a player-character”, and was named Game of the Year by Computer Gaming World.
Born October 23, 1953 – Ira Steven Behr, 65, Television producer and screenwriter, most known for his work first on Star Trek: The Next Generation, but especially on Star Trek: Deep Space Nine, for which he served as showrunner and executive producer, and for which he wrote 53 episodes. He also had a hand in such genre series as Dark Angel, The 4400, The (new) Twilight Zone, Alphas, and Outlander, for which he is Executive Producer. He is credited with the DS9 novel The Ferengi Rules of Acquisition, and he has been the driving force, as producer, behind the DS9 documentary What We Left Behind, which is now premiering in selected theaters.
Born October 23, 1959 – Sam Raimi, 59, Writer, Director, and Producer known for his frequently over-the-top genre works, including Hercules: The Legendary Journeys, Young Hercules, Xena: Warrior Princess, the cult horror Evil Dead series, the original, Hugo-nominated Spider-Man trilogy, Darkman, and Oz the Great and Powerful. Okay, he produces lots of popcorn video. Let’s now give this writeup a true genre connection: Kage Baker, who was a dyed-in-the-wool Bruce Campbell fan, reviewed not only The Adventures of Brisco County Jr. for us over at Green Man Review, but she did a very nice look at Jack of All Trades, which Raimi produced and of which Campbell is the star. For your reading pleasure, here’s the review: Jack of All Trades: The DVD Set.
Born October 23, 1969 – Trudi Canavan, 49, Graphic Artist, Writer and Fan from Australia who started her own graphic design business and became editor of the Australian fantasy and science fiction magazine Aurealis, where she was responsible for the cover art and design, reading manuscripts, and maintaining the website. During this time, she took up writing, and went on to win Ditmar and Aurealis Awards, first for her short fiction, and then for her novels. She has done covers and many interior illustrations for books and magazines, and received two Ditmar nominations for Best Artwork. She has been a Guest of Honour at numerous conventions, including the Australian and New Zealand National Conventions, and Denmark’s Fantasy Festival.
Born October 23, 1970 – Grant Imahara, 48, Engineer, Roboticist, TV Host, and Actor who is probably best known for his work building robots and providing engineering and computer support on the Mythbusters TV series, which, using scientific methodology, engages in spectacular tests of myths and fictional book and movie scenes. He started his career at Lucasfilm’s THX and ILM divisions, working on special effects for many blockbusters including the Star Wars, Terminator, Matrix, and Jurassic Park films. He has made appearances on Battlebots with his robot Deadblow, and had cameo appearances in episodes of Eureka and The Guild. He also portrayed Mr. Sulu in the Star Trek Continues webseries, and had a role in the fan film Star Trek: Renegades.
Born October 23, 1976 – Ryan Reynolds, 42, Actor and Producer from Canada who had early roles in Sabrina the Teenage Witch, Boltneck, Blade: Trinity, The Amityville Horror remake, and The Nines, before being tapped to play Wade Wilson, aka Deadpool, in X-Men Origins: Wolverine. He has since appeared as that wisecracking character in two, now going on three, Deadpool movies and associated shorts and cameos in related films, including in the Celine Dion video for the music from Deadpool 2. No, there was no such thing as a Green Lantern movie, that was just a figment of your imagination.
Born October 23, 1986 – Emilia Clarke, 32, Actor from England who has become famous for playing Khaleesi Daenerys Targaryen in the Hugo-winning series Game of Thrones – a role for which she has received Emmy and Saturn nominations. She also played major roles in Terminator Genisys (as Sarah Connor) and Solo: A Star Wars Story (sans dragons). She auctioned a chance to watch an episode of Game of Thrones with her, which raised more than $120,000 for a Haitian Disaster Relief Organization.
(11) COMICS SECTION.
This Close To Home joke won’t be too obscure after all the time spent on the Ark in recent comments.
(12) GRAHAM JOYCE. A 1998 interview with speculative fiction writer Graham Joyce, recipient of numerous awards, including the O. Henry Award and the World Fantasy Award, has just been uploaded — “Graham Joyce BBC Radio Leicester Interview 1998”.
Microplastics have been found in human stool samples from countries in many parts of the world, according to a small pilot study being presented this week at the 26th annual United European Gastroenterology conference in Vienna.
The study, conducted by researchers from the Medical University of Vienna and the Environment Agency Austria, looked at stool samples from eight individuals in eight different countries: Finland, Italy, Japan, the Netherlands, Poland, Russia, the U.K. and Austria. Every stool sample tested positive for up to nine different plastic types, with an average of 20 particles of plastic per 10 grams of stool.
“Personally, I did not expect that each sample would … [test] … positive,” says lead researcher Dr. Philipp Schwabl of the Medical University of Vienna. He and his colleagues found that all eight stool samples contained polypropylene and polyethylene-terephthalate particles, which are major components of plastic bottle caps and plastic bottles. “Is it harmful to human health? That’s a very important question and we are planning further investigations.”
A Greek merchant ship dating back more than 2,400 years has been found lying on its side off the Bulgarian coast.
The 23m (75ft) wreck, found in the Black Sea by an Anglo-Bulgarian team, is being hailed as officially the world’s oldest known intact shipwreck.
The researchers were stunned to find the merchant vessel closely resembled in design a ship that decorated ancient Greek wine vases.
The rudder, rowing benches and even the contents of its hold remain intact.
… The vessel is similar in style to that depicted by the so-called Siren Painter on the Siren Vase in the British Museum. Dating back to around 480 BC, the vase shows Odysseus strapped to the mast as his ship sails past three mythical sea nymphs whose tune was thought to drive sailors to their deaths.
(15) MORE BOMB THEORIES. Steven Zetichik in the Washington Post looks at the box-office failure of First Man (Peter Rabbit did better!) and says two reasons are that the film opened as a wide release, whereas director Damian Chazelle’s other two films, Whiplash and La La Land, opened in limited releases and built momentum. Also, the film didn’t do as well in space-friendly Houston and Los Angeles because Astros and Dodgers fans were too deeply involved in the playoffs to think about movies — “The Neil Armstrong movie appears to be flopping because of Marco Rubio. The truth is more complicated.”.
Some Hollywood pundits certainly thought so. In a post on the trade site Deadline, Michael Cieply asked, “What Do Words Cost? For ‘First Man,’ Perhaps, Quite A Lot,” and broke down the box-office underperformance by the word count in Gosling’s interview. Meanwhile, the Hollywood Reporter columnist Scott Feinberg advanced the theory even more directly.
“FIRST MAN got Swiftboated,” he posted on Twitter, referring to the politically motivated set of attacks during the 2004 presidential election about John Kerry’s Vietnam War record. “I genuinely believe its box-office performance was undercut by the BS about the planting of the American flag.”
He makes a potent case, given the decibel level of the controversy and the fact that “First Man” contains subject matter that might be expected to play strongly in red states.
But this political question, attention-grabbing as it is, ignores more nuts-and-bolts movie issues that were just as likely to have a significant impact, relating as much to how and when the film was released as to what a politician was tweeting about it.
Back in the 1960s, when I was just a young lad and when there were only three major television stations to contend with, The New York Times used to make pithy commentaries, in their TV section, regarding films that were to be aired that day. I have never forgotten the terse words that the paper issued for the 1957 cult item From Hell It Came. In one of the most succinct pans ever written, the editors simply wrote: “Back send it.” Well, I have waited years to find out if this hilarious put-down was justified or not, and now that I have finally succeeded in catching up with this one-of-a-kind cult item, have to say that I feel the Times people may have been a bit too harsh in their assessment….
Mary Poppins Returns will be set in Depression-era London and follow now-grown up versions of Jane and Michael Banks, as well as Michael’s three children who are visited by Poppins following a personal loss….
When the pixels
From the day’s scroll
Get up and tell you where to go,
And you’ve just had some kind of comment
And your cursor’s moving, oh —
Go ask Glyer.
I think he’ll know.
When logic and proportion
Won’t even keep credentials fed,
And Camestros is hoaxing Hampus,
And Anna Nimmhaus’ titles are dead,
What the Filers said:
Get books read.
[Thanks to Mike Kennedy, John A Arkansawyer, Chip Hitchcock, John King Tarpinian, JJ, Martin Morse Wooster, Cat Eldridge, John Hertz, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
This song was inspired by Ann Leckie‘s Ancillary series. The main character had once been a warship, whose artificial mind had been distributed within the ship, and also within many ancillaries – prisoners who have had their minds wiped. The ship itself and all of the other ancillaries was destroyed, leaving just one fragment of the mind left in one body.
And here’s a section of the lyrics —
That I was designed as a warrior slave
When I was an asset
I think I remember
The communal song
Of curious pleasure
The many mouths
The single phrase
And reflected gaze
I am the last
I am my remains
All of my others
Dissolved in the flames
Leckie (who also likes their previous album When the Kill Code Fails) told readers of her blog where to find the new song –
Please forgive the extreme delay of this letter in response to Nathaniel Rich’s review of Walter Kirn’s book about me [“A Killer Con Man on the Loose,” *NYR*, May 8, 2014]. To the whole business I can only say that I barely ever knew Mr. Kirn. … His reasons for wanting retroactively to insert himself so deeply into my life, calling himself a “close friend,” seem either purely commercially motivated or perhaps speak to a deeper pathology on which I do not have the expertise to comment.
(4) FUNDING FOR A PUNK ROCK FUTURE. Editor Steve Zisson and associated editors are in the final week of a Kickstarter appeal to fund publication of A Punk Rock Future, their anthology featuring sf/f/h stories mashing up genre fiction and punk rock music.
Why now for this anthology? A punk strain not only runs through music and art but right through the heart of SFFH (think cyberpunk, steampunk, solarpunk, silkpunk, hopepunk, ecopunk, or whatever punk).
…It is the forward-thinking science fiction and fantasy community that is propelling all things punk into the future.
Want a recent published example of the kind of story you’ll read in A Punk Rock Future? The Big So-So by Erica Satifka in Interzone. Or read Sarah Pinsker’s Nebula Award winner, Our Lady of the Open Road, published in Asimov’s. These influential stories were inspirations for this anthology.
The big news is that we will have stories from both writers in A Punk Rock Future!
The anthology will feature 25 stories by Erica Satifka, Sarah Pinsker, Spencer Ellsworth, Margaret Killjoy, Maria Haskins, Izzy Wasserstein, Stewart C Baker, Kurt Pankau, Marie Vibbert, Corey J. White, P.A. Cornell, Jennifer Lee Rossman, M. Lopes da Silva, R. K. Duncan, Zandra Renwick, Dawn Vogel, Matt Bechtel, Josh Rountree, Vaughan Stanger, Michel Harris Cohen, Anthony Eichenlaub, Steven Assarian and more to come.
The appeal has brought in $2,557, or 51 percent, of its $5,000 goal, with seven days to go.
(5) MUGGLES GOT TALENT. ULTRAGOTHA recommends this high school Harry Potter dance video posted by MuggleNet.com on Facebook.
The rapid transit tunnel that Elon Musk’s Boring Company is digging beneath Los Angeles will open on December 10th, and free rides will be offered to the public the following night, Musk tweeted on Sunday evening.
The two-mile test tunnel underneath SpaceX’s headquarters in Hawthorne, California, is a proof of concept for an underground public transportation system, which aims to transport passengers and vehicles beneath congested roadways on autonomously driven electric platforms called “skates.” The skates will theoretically transport eight to 16 passengers, or one passenger vehicle, along magnetic rails at speeds of up to 155 mph (250 km/h), Musk tweeted.
Fresh off his Best Picture and Best Director Oscar wins for The Shape of Water, Guillermo del Toro is ready for his next project — and it’s one he’s been working on for a long time. Netflix announced Monday that it’s teaming up with del Toro for a stop-motion musical version of Pinocchio that is the director’s “lifelong passion project.”
Although Disney famously created an animated version of Pinocchio in 1940 (widely regarded to be among the studio’s greatest artistic achievements), the fairy tale was first written by Italian author Carlo Collodi in 1883. Del Toro’s version in particular will draw heavily from illustrator Gris Grimly’s 2002 edition, but will still pay homage to the story’s Italian origins — this Pinocchio will be set in 1930s Italy, under the reign of fascist dictator Benito Mussolini.
In 1943, he led a top-secret raid on a heavily-guarded plant in Norway’s southern region of Telemark.
The operation was immortalised in the 1965 Hollywood film Heroes of Telemark, starring Kirk Douglas.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born October 22, 1919 – Doris Lessing, Writer, Poet, and Playwright born in Iran, who moved to Zimbabwe and later to England. Although considered a mainstream literary writer, she produced a number of genre novels, including the epic science-fiction quintet Canopus in Argos: Archives; about which, when it was disparaged by mainstream critics, she stated: “What they didn’t realise was that in science fiction is some of the best social fiction of our time.” She was Guest of Honor at the 1987 Worldcon, and received many literary awards, including the Nobel Prize for Literature. She died in 2013 at the age of 94.
Born October 22, 1938 – Christopher Lloyd, 80, Actor with genre credentials a mile deep, including as Doc Brown in the Hugo- and Saturn-winning Back to the Future movies and animated series, as Uncle Fester in the Hugo- and Saturn-nominated The Addams Family and Addams Family Values, as the alien John Bigbooté in The Adventures of Buckaroo Banzai Across the 8th Dimension, and as the relentless Klingon nemesis Commander Kruge in the Hugo finalist Star Trek III: The Search for Spock. Other genre films in which he had roles include the Hugo-winning Who Framed Roger Rabbit?, Angels in the Outfield, InSight, The Pagemaster, the My Favorite Martian remake, R.L. Stine’s When Good Ghouls Go Bad, and Piranha 3D (which, judging by the big names attached, must have involved a hell of a paycheck).
Born October 22, 1939 – Suzy McKee Charnas, 79, Writer who is probably best known for The Holdfast Chronicles, a series of four books published over the space of twenty-five years, which are set in a post-apocalyptic world and are unabashedly feminist in their themes. She was a finalist for the John W. Campbell Award for Best New Writer in 1975 based on the strength of the first volume, Walk to the End of the World, which won a Retrospective Tiptree Award. The second volume, Motherlines, was delayed in publication because (this being the late 70s) several publishers would agree to publish it only if the main characters were changed to men – an offer which she refused. Her novella Unicorn Tapestry was nominated for a World Fantasy Award and won a Nebula, her other works have received numerous Hugo, Nebula, Mythopoeic, Tiptree, Stoker, Sturgeon, and Lambda nominations and wins, and she has been Guest of Honor at several conventions including Wiscon and Readercon.
Born October 22, 1939 – Jim Baen, Publisher and Editor who started his literary career in the complaints department of Ace Books, becoming managing editor of Galaxy Science Fiction in 1973, then a few years later returning to Ace to head their SF line under Tom Doherty, whom he followed to Tor Books in 1980 to start their SF line. In 1983, with Doherty’s assistance, he founded Baen Books. In defiance of ‘conventional wisdom’, starting in 1999 he made works available via his Webscriptions company (later Baen Ebooks) in DRM-free ebook format; he gave many ebooks away for free on CDs which were included with paper books, and made many books and stories available online for free at the Baen Free Library. This built a loyal following of readers who purchased the books anyway, and his became the first profitable e-book publishing service. He edited 28 volumes in anthology series: Destinies and New Destinies, and with Jerry Pournelle, Far Frontiers. He was an active participant on Baen’s Bar, the readers’ forum on his company’s website, where he discussed topics such as evolutionary biology, space technology, politics, military history, and puns. He received eight Hugo Award nominations for Best Editor and three Chesley Award nominations for Best Art Director. He was Publisher or Editor Guest of Honor at several conventions, including the 2000 Worldcon (where OGH interviewed him on the program), and was posthumously given the Phoenix Award (for lifetime achievement) by Southern Fandom. He passed away from a stroke at the too-early age of 62, but his legacy endures in the continued success of Baen Books.
Born October 22, 1952 – Jeff Goldblum, 66, Oscar- and Saturn-nominated Actor, Director, and Producer whose extensive genre resume includes the Hugo-winning Jurassic Park and its sequels, the Hugo-nominated The Fly and its sequel, and the Hugo-nominated Independence Day and its-very-definitely-not-Hugo-nominated sequel. Other roles include the genre films Invasion of the Body Snatchers, The Adventures of Buckaroo Banzai Across the 8th Dimension, Earth Girls Are Easy, The Sentinel, Threshold, Transylvania 6-5000, Mister Frost, Thor: Ragnarok, and Hotel Artemis. In July 2018, a 25-foot statue of him appeared next to London’s Tower Bridge to mark the 25th anniversary of Jurassic Park.
Born October 22, 1954 – Graham Joyce, Writer and Teacher from England whose works ran the gamut from science fiction to fantasy to horror. His novels and short fiction garnered an impressive array of award nominations in a 22-year span, and he took home trophies for six British Fantasy Awards, one World Fantasy Award, and four Prix Imaginaire Awards, as well as an O Henry Award. He served as Master of Ceremonies at Fantasycons in the UK, and was Guest of Honor at several conventions, including a World Fantasy Convention. His thriving career was cut short by cancer at the age of 59.
Born October 22, 1956 – Gretchen Roper, 62, Singer, Filker, Conrunner, and Fan. Growing up in a family where mutilating lyrics was a sport prepared her for joining fandom and filkdom at the age of 18. After meeting and marrying co-filker Bill Roper, they co-founded Dodeka Records, a small publisher of filk tapes and CDs which frequently sells their wares at convention Dealer tables. She has run the filk programming for numerous cons, and has been Filk Guest of Honor at several conventions. She received a Pegasus Award for Best Humourous Song, and was inducted into the Filk Hall of Fame in 2008. She was made a member of the Dorsai Irregulars, an invitation-only volunteer convention security team which has a lot of overlap with the filking community, in 2001.
Born October 22, 1958 – Keith Parkinson, Artist and Illustrator who began his career providing art for TSR games, and then moved on to do book covers and other art, as well as working as a game designer. In 2002, he became the art director for Sigil Games Online. He was a finalist for a Best Original Artwork Hugo, and earned 9 Chesley Award nominations, winning for each of his covers for the first two volumes of C.J. Cherryh’s Rusalka series. He was a recipient of NESFA’s Jack Gaughan Award for Best Emerging Artist, and was Artist Guest of Honor at several conventions. Sadly, he died of leukemia just after his 47th birthday.
(10) COMIC SECTION.
Half Full shows why a couple of Star Wars characters don’t hang out at the beach very often.
This classic Basic Instructions strip teaches one to be careful of books with forewords by Stephen King
There should be a prize for figuring out which sff story could have inspired this Bizarro joke.
(11) TIMELAPSE SFF SCULPTURE. On YouTube, artist Steven Richter has posted time-lapse videos of his creation of a number of genre sculptures. These include:
In 1985, a unique skull was discovered lying on Yamana Beach at Cape Shirreff in Antarctica’s South Shetland Islands. It belonged to an indigenous woman from southern Chile in her early 20s, thought to have died between 1819 and 1825. It was the oldest known human remains ever found in Antarctica.
The location of the discovered skull was unexpected. It was found at a beach camp made by sealers in the early 19th Century near remnants of her femur bone, yet female sealers were unheard of at the time. There are no surviving documents explaining how or why a young woman came to be in Antarctica during this era. Now, at nearly 200 years old, the skull is thought to align with the beginning of the first known landings on Antarctica.
(13) AIRPORT ANXIETY. John Scalzi has a growing suspicion that all glory is fleeting —
SOMEONE IS BEING UPGRADED TO FIRST CLASS
NOOOOOO TAKE ME INSTEAD
DON'T YOU KNOW WHO I AM
I AM A VERY IMPORTANT PHOTOGRAPHER OF CATS AND BURRITOS
When the subject of magic is approached in any of Norton’s writing there is never any easy solution lying right below the surface. Her flaire for piecing out information and not revealing more than what the characters themselves know keeps the reader on edge, as well as humble. This sense that there are always bigger forces at play, yet are never fully explained, teases the rational mind of the reader and allows for there to be doubt that anything “magical” can be easily quantified by rational, scientific method. It’s very disquieting when Norton’s established and venerated forces, like the witchcraft of the Women of Power and the Axe of Volt, are threatened by something indefinable that is even older and more powerful – travel across dimensions.
The October issue of Clarkesworld Magazine is all about survival. Or, I should say, about finding out what’s more important than survival. These stories take settings that are, well, grim. Where war and other disasters have created a situation where just holding onto life is difficult. Where for many it would seem obvious that it’s time to tighten one’s belt and get down to the serious business of surviving. And yet the stories show that surviving isn’t enough, especially if it means sacrificing people. That, without justice and hope beyond just making it to another day, surviving might not be worth it. But that, with an eye toward progress, and hope for something better (not just the prevention of something worse), people and peoples can begin to heal the damage that’s been caused and maybe reach a place where they can heal and find a better way to live. To the reviews!
(19) CODEWRITERS CODE. But for Jon Del Arroz’ wholehearted endorsement — “SQLite Created a Code Of Conduct And It’s AMAZING” [Internet Archive link] – it probably wouldn’t have come to my attention that SQLite, a library of public domain resources for a database engine, posted a Code of Conduct based on a chapter from The Rule of St, Benedict.
Having been encouraged by clients to adopt a written code of conduct, the SQLite developers elected to govern their interactions with each other, with their clients, and with the larger SQLite user community in accordance with the “instruments of good works” from chapter 4 of The Rule of St. Benedict. This code of conduct has proven its mettle in thousands of diverse communities for over 1,500 years, and has served as a baseline for many civil law codes since the time of Charlemagne.
This rule is strict, and none are able to comply perfectly. Grace is readily granted for minor transgressions. All are encouraged to follow this rule closely, as in so doing they may expect to live happier, healthier, and more productive lives. The entire rule is good and wholesome, and yet we make no enforcement of the more introspective aspects.
(20) VIDEO OF THE DAY. “First Bloom” on Vimeo is a cartoon showing an Imperial Chinese love story, directed by Ting Ting Liu.
[Thanks to JJ, Martin Morse Wooster, Chip Hitchcock, Daniel Dern, John King Tarpinian, Mike Kennedy, Cat Eldridge, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W – have we really not used that one before? It didn’t come up on my search.]
(1) SEUSS STRIKES OUT. The Seuss estate just lost its lawsuit against another parody, a play called “Who’s Holiday!” which sounds a lot darker than The Places You’ll Boldly Go. Kevin Underhill of Lowering the Bar has the story: “Second Circuit: Lewd “Grinch” Parody Doesn’t Infringe”.
The Second Circuit held on Friday that what Reuters called a “lewd and profane” stage version of “How the Grinch Stole Christmas!” did not infringe on the original, affirming the district court’s decision in favor of playwright Matthew Lombardo and against Dr. Seuss Enterprises.
I was not previously aware of this work, but Reuters’ summary makes it clear that it departs in some significant ways from the Dr. Seuss classic:
The dispute began when Lombardo in 2016 was preparing to stage “Who’s Holiday!” a one-woman play featuring an adult version of Cindy Lou Who, the endearing girl who in Seuss’ story stops the Grinch from ending Christmas.
In contrast, the Cindy Lou Who in “Who’s Holiday!” has become a 45-year-old woman who spends her days in a trailer home while battling alcohol and substance abuse, following a stint in prison for murdering her husband, the Grinch.
(2) @%!$$!!SF Concatenation’s Jonathan Cowie, cybercaffing from the borough library, found he was unable to access his second- (third? one hundred fiftieth?) favorite blog, File 770. He told me via email —
Your site has just been blocked by all London libraries and schools for access apparently due to profanity.
(Other screen filters elsewhere may similarly act????)
Thought you’d want to know.
I used to be blocked by the Great Firewall of China, but not anymore. How is it they can read me in China and not in a London library?
P.S. As you may know there is a workaround but you need to know you’re blocked to implement, hence my tipping you the nod. — Hope this makes sense.
Absolutely. Rest assured, I never slip a rozzer the dropsy in snide.
Stan Lee has dismissed his $1 billion lawsuit against POW! Entertainment for fraud and conversion, less than two months after the suit was filed in his name.
“The whole thing has been confusing to everyone, including myself and the fans, but I am now happy to be surrounded by those who want the best for me,” Lee said in a statement. “I am thrilled to put the lawsuit behind me, get back to business with my friends and colleagues at POW! and launch the next wave of amazing characters and stories!”
POW! CEO Shane Duffy added, “We are ecstatic that this ill-founded lawsuit has been dismissed and we look forward to working with Stan again to develop and produce the great projects that were put on hold when the lawsuit was filed. We recently got together with Stan to discuss our path forward and we and [parent company] Camsing are pleased with his overwhelmingly enthusiastic reaction.”
Lee filed the complaint in May in Los Angeles County Superior Court, claiming the company and two of its officers conspired to steal his identity, name and likeness in a “nefarious scheme” involving a “sham” sale to a Chinese company….
…The move comes as turmoil continues in Lee’s personal life. The lawsuit was filed in May, when the 95-year-old Lee was allegedly under the sway of memorabilia collector Keya Morgan. Morgan is now barred from contacting Lee or coming within 100 yards of him, under a restraining order granted on Friday.
A joint statement was issued Monday by Lee and by POW! Entertainment, now owned by Hong Kong’s Camsing International, announcing that the suit had been dismissed….
(4) IMPULSE. The first 3 episodes of YouTube series Impulse are free. You have to be a premium user to watch the whole series. (Note warning about depiction of sexual violence.)
(5) WHAT YOU THINK IT MEANS. Zack Morrissette tweeted this mashup:
SOMETIMES IT takes a prominent visiting writer or artist — from de Tocqueville to, say, Bono — to serve up a storyteller’s view of the United States that is one shot of awed wonder and two shots of bracing honesty. Along that continuum of colorful outsider perspectives sits Ralph Steadman, that savage ink-slinging satirist from Kent who depicts the land of the free as a minefield of bullies and blowhards and presidents, not necessarily in that order and not without some redundancy.
Steadman is the British/Welsh illustrator best known to the American masses as the journalistic “gonzo” accomplice of Hunter S. Thompson….
Your character Maeve in HBO’s “Westworld” is an android or “host” in a theme park. What do you think it means to have characters of color in genre work? A lot of what’s in the mainstream doesn’t have people of color. What irritates me is that science fiction is the place where you could have us. Science fiction is a projection of a time that hasn’t even happened, so if you don’t populate that place with people of different skin tones, shame on you. What it actually is is the reflection of what those makers do in their daily lives, how little they hang out with people of different skin tones. These are the key people and it’s like, “Oops-a-daisy, I don’t have a lot of black friends,” and that’s a reality.
Some of the stars in the new “Star Wars” films who are black and brown have found themselves being harassed on social media. Kelly Marie Tran, who was in last year’s “Star Wars” movie, just quit social media altogether because of harassment. Where there’s greatest progress, there’s greatest resistance. It’s a sign of getting somewhere if people get pissed about it….
(8) JAR (NOT JAR JAR). Chuck Wendig immediately complies with a fan’s request.
you got it Chris, from now on STAR WARS will be a politics-free zone, it’ll just be called STAR VOIDS and it’ll be two hours of an empty mayonnaise jar on a counter, just sitting there, being ex-mayonnaise https://t.co/kSDthB3O1H
Now that Snoke is dead and the mystery of Rey’s parentage has been definitively addressed in a way that was clever and interesting (even if it didn’t live up to the internet’s boring fan theories), there’s only one lingering question that has plagued Star Wars fans: Where the hell has Lando Calrissian been since Return Of The Jedi? Well, it looks like we’re finally going to find out in J.J. Abrams’ Star Wars: Episode IX, as The Hollywood Reporter’s sources have confirmed that Billy Dee Williams will be reprising his role as the galaxy’s smoothest gambler/smuggler/gas planet mayor in the next movie.
(10) NATIONAL MOURNING. Today’s Bristol Herald-Courier’s “News Quiz” features this question:
U.S. Rep. John Sarbanes’ office confirmed that the White House initially declined to act on a request to lower the U.S. flag to half-staff after which event?
The Fourth of July
The deadly mass shooting at the Capital-Gazette office in Annapolis, Md.
The death of science fiction writer Harlan Ellison
The separation of families at the U.S.-Mexico border
…All in all, a very sad event, laced with laughter.
(12) TODAY IN HISTORY
July 10, 1962 — Telstar satellite launched.
Trans-Atlantic television and other communications became a reality as the Telstar communications satellite was launched. A product of AT&T Bell Laboratories, the satellite was the first orbiting international communications satellite that sent information to tracking stations on both sides of the Atlantic Ocean. Initial enthusiasm for making phone calls via the satellite waned after users realized there was a half-second delay as a result of the 25,000-mile transmission path.
July 10, 1981 – Escape From New York premiered
July 10, 1981 – Time Bandits debuted in the UK.
(13) TODAY’S BIRTHDAYS
Born July 10, 1926 – Fred Gwynne (Herman Munster). (1926-1993)
Born July 10, 1929 – George Clayton Johnson (1929-2015)
Born July 10 – Chiwetel Ejiofor, 42. Roles in Serenity, Doctor Strange, the animated Sherlock Gnomes and The Martian. Yes Sherlock Gnomes voicing Watson.
Born July 10 — Peter Serafinowicz, 47. Lead role in The Tick and in the alien abduction series People of Earth, the voice of The Fisher King in Doctor Who, and a role in The Guardians Of The Galaxy.
“Peter Pan” author J.M. Barrie played on a cricket team with Arthur Conan Doyle, author of the “Sherlock Holmes” series; “Winnie-the-Pooh” author A.A. Milne; novelist H.G Wells; and P.G. Wodehouse, author of the Jeeves and Wooster series; among other writers. They called themselves the Allahakbarries, a play on the Arabic “Allahu akbar,” which the men misinterpreted to mean “Heaven help us” but actually means “God is great.” The team was reportedly terrible.
During Trekfest XXXIV in Riverside, Iowa, a new statue was unveiled that pays tribute to Captain James T. Kirk. The statue is a life-sized bronze model of the Star Trek icon, and its the product of artist Jurek Jakowicz of Sioux Falls, S.D., and a slew of Trek fans in the Iowa community and beyond.
The idea for the statue, though, was sparked by a former Riverside councilman Steve Miller, who had a bigger vision for his town: to make it the properly sanctioned future birthplace of Captain Kirk. His efforts began in 1985 when he got in touch with Star Trek creator Gene Roddenberry, to ask if he would sign off on Riverside as Kirk’s official hometown. Roddenberry called the idea “enterprising” and gave Miller the OK.
Thirty-four years later Miller helped unveil the lifesize bronze statue of Kirk at this year’s Trekfest. At the unveiling Miller shared about his journey making Riverside the future birthplace of Kirk and getting a statue made, “The statue, like I said, has been a goal for years. I had two goals, get a statue of William Shatner’s Captain Kirk and to keep Paramount Studios from suing me, and so far we’ve succeeded in both of those!”
…This is a nuanced, intricate narrative that plays with the most powerful fairy tale tropes, written in a grace that Naomi Novik alone can achieve. There are patterns throughout the story, three daughters, three wives, three lives intertwined by fate and determination to rise above the “destiny” carved out for each of them by men in their lives. I love that our perception of these characters–and the men around them–also changes over the course of the story. There are monsters, to be sure–Wanda’s father for one, and the fire demon within Tsar Mirnatius, for another–but what I love so much about this story is how everyone is more than what they initially seem. Even the cruelest winter king is given depth and humility, if not humanity, as the novel unfolds….
…For us as readers, we can only see what they see, and I was flabbergasted at how the author was able to twists their stories, the stories of the men around them, and myself around her little finger. The journey was excellent – in the way that the real story slowly unveiled itself in minutia, in gestures, in the things hidden in silence….
Published in 1971, Cooking Price-Wise contains wisdom like, “In the thirteenth century cheese was used as a substitute for cement in England, when the cheese got stale, that is. I don’t advocate keeping your cheese that long just to find out if it works.” Chapters on bacon, potatoes, and fish contain recipes that seemed exotic at the time. “People always seem afraid of food from other countries,” Price writes. He attempts to shake them out of their comfort zone with Fish Fillets Nord Zee, Moroccan Tajine [sic], and Biffes de Lomo Rellenos.
As I was scanning Cooking Price-Wise for a recipe to make, I saw two magic words—words that have been in many of my favorite dishes, but have never been put together before. I’m talking about bacon and mousse. Here is Vincent price’s recipe for bacon mousse….
(19) CRIMES AGAINST THE OZONE. The mystery release of ozone-layer-depleting chemicals reported on in File 770 earlier (see the 2nd half of item 11 here) has apparently been tracked down. The NGO Environmental Investigations Agency (EIA) is reporting that the banned chemical CFC-11 is being used as a “blowing agent” in the production of cheap insulation in China’s home construction industry. Quoting the BBC article “Ozone hole mystery: China insulating chemical said to be source of rise”
Researchers from the EIA, a green campaign group, contacted foam manufacturing factories in 10 different provinces across China. From their detailed discussions with executives in 18 companies, the investigators concluded that the chemical is used in the majority of the polyurethane insulation the firms produce.
One seller of CFC-11 estimated that 70% of China’s domestic sales used the illegal gas. The reason is quite simple – CFC-11 is better quality and much cheaper than the alternatives.
“We were absolutely gobsmacked to find that companies very openly confirmed using CFC-11 while acknowledging it was illegal,” Avipsa Mahapatra from EIA told BBC News.
“The fact that they were so blasé about it, the fact that they told us very openly how pervasive it is in the market, these were shocking findings for us.”
Dreams Before the Start of Time – Anne Charnock, 47North
Anne Charnock is having a good year, frankly, having already picked up a BSFA Award at Easter (and a good career, having been shortlisted for a Kitchie and a Phillip K Dick award previously). She’s a thought-provoking and insightful writer and Dreams is a very different sort of book to the others on the list. It’s a gentle look at three generations of several interlinked families over the next hundred years or so, and its focus is very much speculation about the family structure and child-bearing, how these things may change (entirely believably) in the near future, and what knock-on effects those changes could have….
First, let’s tick off those facets of his work that left such an impression on people.
First, his faces.
Or, technically, his fondness for their absence, in whole or in part.
Consider: Here was a guy who put his hero — and not just any hero, but freaking Spider-Man, whose whole deal is just how achingly, embarrassingly relatable, and friendly, and (not to put too fine a point on it) downright neighborhood–y he is, in a full-face mask.
Let’s agree: That was a gutsy move. Sure, Batman had been around for decades, and his cowl covered something like 5/6ths of his big ol’ melon’s surface area, but Bruce’s chin and mouth were exposed, so at least you could see him grimace, or gasp, or smile (it was 1962, Batman still smiled back then). Comics are a visual medium — readers need to see the characters’ facial expressions to stay emotionally engaged.
But Ditko loved drawing inscrutable faces — masked, half-masked, or sunk in shadows….
Liu Cixin’s epic trilogy was expected to take Chinese science fiction into a new era, but the genre is still far from its lofty ambitions.
…The editors and Liu opted to serialize “The Three-Body Problem” in Science Fiction World, which at the time had a 200,000 nationwide circulation. They were worried that Chinese readers wouldn’t be especially interested in sci-fi compared to other literature genres, but hoped that “The Three-Body Problem” could open up a new chapter for Chinese sci-fi.
And it did — for a time.
In 2015, the first installment of “The Three-Body Problem” trilogy won the prestigious Hugo Award for best novel, triggering media coverage and large-scale public attention — including, famously, an endorsement by former U.S. President Barack Obama. It increased the profile of Chinese sci-fi both domestically and internationally, and raised the possibility that sci-fi could finally extend beyond the pages of novels. In 2014, after the English-language translation was published, Chinese movie production house Yoozoo Pictures announced that it would adapt the series into a six-part motion picture.
But the much-hyped movie never happened. Filming took place in the first half of 2015, and the first movie was scheduled to premiere in July 2016. Over the past three years, the schedule has been continuously pushed back, in part due to sky-high expectations for visual effects and an unexpected company restructure.
There’s been no news recent news about “The Three-Body Problem” movie, but after a report in March that Amazon’s on-demand service planned to create a television show of the series, Yoozoo reiterated that it was the franchise’s legal copyright holder for all types of adaption. At a group interview with Sixth Tone and other media outlets during the anniversary meeting, Liu — who is serving as the project’s chief consultant — directed all questions about the movies to Yoozoo. For now, “The Three-Body Problem” remains hamstrung by its lack of visual depictions; it can hardly monetize certain aspects of the stories like international franchise “Star Wars” has been able to do with lightsabers if there are no movie or game representations.
[Thanks to John King Tarpinian, Vicki Rosenzweig, StephenfromOttawa, Jonathan Cowie, Carl Slaughter, Andrew Porter, Chip Hitchcock, Martin Morse Wooster, JJ, Mike Kennedy, Alan Baumler, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
In public, Gardner was a Personality. Loud, lewd, and Rabelaisian, he was an effervescent source of fun and mischief. I remember chatting with him in a crowded restaurant when the room suddenly went quiet, in one of those odd silences that can sometimes occur even in a busy room. Gardner was the only person in the room who kept talking, and suddenly the entire room heard Gardner’s high tenor voice singing out the words “FEMALE . . . GENITAL . . . MUTILATION.”
The silence went on for some time after that.
But if he were only the large-scale public personality, he wouldn’t have had the impact on the field that he did, and he wouldn’t have found and published the literate, sensitive stories for which his tenure at Asimov’s became known. He wouldn’t have won the Hugo Award so many times, and there wouldn’t be so many very good authors who owe him a boost in their careers.
Over the years, he established himself as one of the people who simply defined what science fiction could be — as a writer, an editor, and a reviewer. It was my privilege to present the Skylark award to him at a Boskone a few years ago — but because of his health issues, he wasn’t able to accept the trophy in person. I think I was as honored to present it to him as he was to receive it.
To put it simply, Gardner was one of the people whose respect I wanted to be worthy of. He edited the Year’s Best SF anthology for over three decades. But it wasn’t until number 23 (if I remember correctly) that he finally decided one of my stories should be included. (And then one more time, a couple years ago.) To make it into one of his anthologies had been on my bucket list. I am heartbroken that there will be no more Year’s Best with his name as editor.
Equally saddening, losing him as a reviewer. Gardner had an insightful eye — which is why I always turned to his reviews first in nearly every new issue of Locus. I think that’s one of the things I will miss the most — there will be no more reviews of short fiction by Gardner and Locus will be just a little less fun to read.
Alastair Reynolds, after recounting Dozois’ influence on his career, ends his “Gardner Dozois” tribute —
I can’t say I knew him terrible well; we met on perhaps two of three occasions over the years during which he (and his late wife) were charming company, but I liked him very much and his passing will leave a considerable void in the SF community. I always let him know how much it meant to me that he picked up my stories, and I hope some of that got through to him – it really was sincerely meant. And – all too briefly – I ought to mention that he was also a fine and stylish writer, a very accomplished SF thinker who could easily have had a career just as a writer, but who directed most of his energies into editing instead, and thereby did the community a great favour. He was also a very readable diarist, and – although it’s been many years since I last encountered them – his travel writings were extremely enjoyable. He was a loud, colourful presence at SF conventions, but also a sensitive, cultured and knowledgeable man in private.
Some days you wake up and the daylight seems a little dimmer, your gravitational spin seems a little off; as if a star has gone out and the universe has to learn to adjust to new patterns.
I’ve always truly believed that the best way to keep people with us, in our hearts, when they have to leave the party, is to look for the qualities we so deeply admired in them and cultivate those in ourselves. May a part of me, going forward, always find mad humor in the angry darkness, keep the ability to be gentle in the tossing storm of life, and to be able to find the heart of the story by expertly cutting out the unnecessary.
Dozois never showed interest in avant-garde fiction, at least to my knowledge, but in his early years at Asimov’s and in the late-’80s/early-’90s Year’s Bests he published quite a bit of work that pushed against various borders and walls, especially the expectations of genre readers about what SF could and, indeed, should be. His was a pluralistic, ecumenical, eclectic vision of the field, one gained from coming up as a writer himself in the years after the New Wave had shaken things up a bit. He loved a good space opera, but he was just as much a champion of “The Faithful Companion at Forty”, the sort of story that less open-minded readers said didn’t belong in a science fiction magazine.
What I can say about Gardner is that he meant a hell of a lot to me. He was my most strident champion in short fiction. He first contacted me about ten years ago, asking to reprint one of my stories in his seminal Year’s Best Science Fiction anthology series. Since then, he’s included me in every volume, sometimes doing me the honour of reprinting not one but two in the same volume. I only skipped one year – I got fed up with short fiction for some reason and published barely nothing, and it was the realisation that I missed a volume in Gardner’s anthology, I think, that made me realise how ridiculous I was being, so I started again.
…He’d asked me for a new one just 3 weeks ago. I was just about to start writing it… I don’t really know what happens now. He was an amazing editor, a defining force, and my knight in shining armour. He knew my work better than I did. There is no one else like him. The world of science fiction is poorer for not having him, but God damn it, I needed you, Gardner!
…I was present for an amazing “panel” discussion that included Gardner, and George R. R. Martin at Capclave back in 2013. It was standing-room only, and I stood near the back for two hours, laughing harder than I’d laughed in years. Gardner told stories from his days in the army, and the refrain across the convention the following day went something like: “IF YOU DO (X) YOU WILL DIE.” You had to be there.
…I have to remind myself that Gardner himself was a supernova. He was a nursery for new stars. And while his star may have winked out, there are thousands that he helped create that still shine brightly, and will continue to do so for generations to come.
Gardner and I never met, and we exchanged only a handful of emails over the last decade, but he profoundly affected my life on at least two occasions. The first was when I was twelve years old, and I received a copy of Asimov’s Science Fiction—which Gardner was editing at the time—for my birthday. As I’ve recounted here before, it was that present from my parents, given at exactly the right moment, that made me aware of short science fiction as a going concern, as embodied by its survival in the three print digests. My career ended up being more closely tied to Analog, but it was Asimov’s that set me on that path in the first place. Without that one issue, I don’t know if it would have occurred to me to write and submit short stories at all, and everything that followed would have been very different.
I will always be grateful to Gardner Dozois for encouraging me and giving me invaluable writing advice when I was just starting to write spec fic back in 2003 and 2004, and ultimately accepting my first pro sale, “A Rocket for the Republic”, which was published in Asimov’s Science Fiction in Sept. 2005.
That was the only story of mine he ever accepted, because it was the last he ever accepted before he retired in April 2004. I will always be proud of the fact that mine was the last story he bought before leaving Asimov’s after 19 years.
John Clute concludes his entry on “Dozois, Gardner” at The Encyclopedia of Science Fiction —
It may be that Dozois’s main contribution to sf – including a maturely realistic sense of the nature of the worlds he honoured both in his creative work and in his edited books – was technical: his remarkable capacity to select (and to edit) work that is both exciting to read and adult on reflection. But over and above that, his abiding contributions to the field seem from the first to have been fueled by his deep love for the field, not uncritical but unfaltering.
I actually “met” Gardner online back in the early 1990’s, in the relatively early days of what was almost but not quite the internet. Before FB and Reddit there was Genie and Delphi, “bulletin board” sites where you logged in through an analog modem to argue and chat with friends. A lot of the sf/f field hung out on Genie, but on one night a week a smaller, very lucky group came together on the sf/f board on Delphi. Membership varied, but at one time or another there was Janet Kagan, Pat Cadigan, Lawrence Person, Jack L. Chalker, Eva Whitley, Mike Resnick, Susan Casper and yes, Gardner Dozois. And me. I wasn’t the only nobody there, of course, but on the other hand there weren’t any nobodies there. It was a friendly group and everyone felt welcome. I certainly did. At the time I had only sold one story, several years earlier, to Amazing SF, and while I was still working hard, I was beginning to think that was it. And even though talking business was generally frowned on, it was there that Gardner broke the news that he was taking a story of mine, “Laying the Stones,” for Asimov’s SF. Now imagine yourself drowning, not for a minute or two but for months, years, and somebody finally throws you a lifeline.
Susan Casper and Gardner Dozois. Photo by and (c) Andrew Porter. Casper and Dozois were married 47 years; she passed away in February 2017.
Gardner Dozois (1947-2018), one of the sf genre’s leading editors for over forty years, died May 27 “of an overwhelming systemic infection.”
As a well-known writer, and also the editor of Asimov’s and a popular series of best of the year anthologies, he received many honors and awards during his career. Dozois won 15 Best Professional Editor Hugos, and a 2014 World Fantasy Award as the co-editor (with George R.R. Martin) of the anthology Dangerous Women. He was the editor Guest of Honor at the Millennium Philcon, the 59th World Science Fiction Convention in 2001.
Before taking over the editor’s chair at Asimov’s he was an acclaimed fiction writer who received 11 Nebula nominations, winning twice – “The Peacemaker” (1984) and “Morning Child” (1985).
Dozois was inducted to the Science Fiction Hall of Fame in 2011.
Prozine editors who plan on being around for awhile don’t just pan for nuggets in the slushpile, they spend a lot of time turning the dross into gold. Gardner Dozois’ efforts along that line during his 20 years as editor of Asimov’s Science Fiction are represented in the 35 linear feet of letters and notebooks plus 35,000 e-mails that make up the archive of his correspondence and papers acquired by UC Riverside’s Eaton Collection in 2014.
Here are some of the tributes posted in the past 24 hours, and also some excerpts from my 1989 and 2001 Worldcon reports that give windows into his popularity and history.
Gardner Dozois and Michael Swanwick at the NYRSF Reading in October 2017. Photo by Mark Blackman.
Anybody who was ever praised by Gardner Dozois should know this: He meant it. Not only did he like you personally, but he loved your work.
The second part of that mattered more than the first. I remember once he told me he’d picked up a story by a notoriously unlikeable writer for the Year’s Best Science Fiction. “That’s interesting,” I said.
“Yeah,” he replied, grinning. “The little shit wrote a reallygood story.”
Gardner was himself an extremely fine writer. If you haven’t read “A Special Kind of Morning,” do yourself a favor and look it up. It’s the apotheosis of science fiction war stories. He almost entirely gave that up when he became an editor because editing uses the same inner resources that writing requires.
He knew this would happen when he first became editor of Asimov’s. But he felt it was a price worth paying because it enabled him to buy stories nobody else would. Some of them most readers now would be astonished to learn were ever deemed unpublishable. There were times when he risked losing his job to publish a story he admired.
He paid the price. He did it for the writers… and for the readers.
…long before he’d published my work, he’d nurtured my career, including my stories in the copious honorable mentions appendices to his longrunning, definitive Year’s Best Science Fiction anthologies, appending encouraging personal notes to the rejections I got from Asimov’s and, on a memorable occasion at Philcon, announcing during a panel that he viewed me as one of the best new writers in the field.
In a field where beginning writers are starved for attention, critical feedback and encouragement, Dozois stood out as an editor who never succumbed to the laziness of simply publishing works by known authors: he was an assiduous reader of the “slushpile” of unsolicited manuscript, which made him an encylopedic guide to emerging talents, long before people were publishable. Beginning writers, years before their first sales, often found themselves meeting Dozois at conferences, only to be treated to specific, encouraging words about the stories he’d rejected and their professional and artistic progress.
…Eight days ago, Dozois’ son Christopher Casper accepted the Science Fiction Writers of America’s Solstice Award for lifetime achievement on his father’s behalf. Dozois apparently told his son to say that the award belonged properly to the writers that Dozois had published. Thankfully, Christopher defied his father and used the opportunity to remind us of Dozois’ shyness and modesty.
When Philadelphia Magazine named him one of “Philadelphia’s 100 Smartest People,” he said, “If that’s true, then God help Philadelphia!” When he was placed in the Science Fiction Hall of Fame, he returned from Seattle to report that they’d placed his name and image on a brick which went into the Hall of Fame Wall. “So now I’m really just another brick in the wall.” And when he couldn’t make it to Pittsburgh for the Nebula Awards Weekend, he told Christopher to just say that the award properly belonged to all the writers he’d published.
The world is already a sadder and less merry place without Gardner Dozois. I will always cherish the Liar’s Panels he used to do at Worldcons, where he and other veteran pro editors would dispense deliberately terrible advice to authors trying to get published. (‘Send lots more dinosaur stories!’)
Gardner was always larger than life – a little loud, a little bawdy, and always the biggest presence in the room. But he also knew his stuff, backwards and forwards, and his mark on the genre is written in indelible ink. I’m so glad SFWA got a chance to honor him while he was still around to appreciate it — but I sure wish he’d had a lot more time in which to do so.
I got to the door and heard our processional music was “March of the Gladiators” from Spartacus or something comparable with brassy flourishes and rhythms suited to the stride of captured war elephants.
We walked circuitously through the auditorium like extras in a Hercules movie. Nominees in the professional categories marched at the end. Gardner Dozois basked in the applause, flashing a V-sign at the crowd like Winston Churchill on V-E Day.
…Janice Gelb was irate that the true nature of the “Liars Club” panel had been blabbed by a participant and quoted in the daily newzine. David Hartwell had said, “Did you hear we’re roasting Gardner Dozois? Think he’ll be able to feed the whole crowd?” Everyone involved had been sworn to secrecy in an attempt to surprise Dozois.
… The Liar’s Club: The popular panel truly lived up to its name this year. Pat Cadigan, Gardner Dozois, Janice Gelb and George R.R. Martin were on the dais at the beginning. Dozois got everyone’s attention with a drill sergeant’s yell, “Shut uuuupp!” Janice Gelb moderated, later saying she was mainly there to keep Gardner from taking over the microphone for a rebuttal once she revealed that the panel was actually “The Secret Roast of Gardner Dozois.”
Hearing that, Gardner shouted, “My pager went off – bye!” Janice merely explained, “We wanted to get a rubber mallet and hit him every time he interrupted.” Gardner sneered, “You think rubber would stop me?”
George R.R. Martin claimed to avoid duplication that they had simply divided up the Gardner stories. He’d been allowed to tell the story about Gardner’s knob – which George had never touched – and also about Gardner’s nose for stories. When George met Gardner for the first time, at Disclave in 1974, Gardner had a red jelly bean in his nose. George told him, “Most people put those in their mouths.” In reply, Gardner slapped his cheek and the jellybean flew into his hand. He said, “Here, go ahead.”
…A parade of others came up to testify about Dozois. Jay Haldeman recalled that around 1971 he, Dozois and others formed a loose collection of writers who met several times a year and workshopped short stories. Dozois would bring along 35,000-word story fragments. After Jay read about 20 pages he’d think, “Say, this is just great, but nothing has happened.” His brother, Joe Haldeman, wrote a 4-page scene of a former President watching the sun creep across his yard – “Gardner loved it, of course. It was just like his.” Many years later the finished story actually sold to Omni.
… Having just watched Gardner enjoy a ribald song about himself, it was easy to believe Connie Willis’ claim that Gardner is impossible to roast because he can’t be embarrassed. She gave further examples. A Worldcon gave out a Hugo base that looked like a toilet seat with nuts and balls attached, which began to fall apart as soon as they were given out. When Connie asked Gardner how his Hugo was holding up, he answered, “My toilet seat’s fine, but my balls fell off.” Connie also described a scene from American Pie and promised, “That wouldn’t have embarrassed Gardner….”
Then Connie recalled a dinner group at a recent Worldcon held at a round table, inspiring people to give each other names of participants in the Algonquin Round Table. Connie reported that Gardner was Alexander Wolcott, “Because he’s so funny, and such a wonderful host.” Then, Connie launched into four or five sentences of effusive, frankly honest praise about Gardner’s human qualities. Gardner squirmed and blushed. Connie finished with a triumphal grin, “And now I’ve embarrassed you!”
…[Joe] Haldeman remembered an old Worldcon party. “Gardner invited me to a party back at his place. He stole a bottle of wine from the SFWA suite….” Gardner protested, “You were President!”
Haldeman ignored him and went on to talk about Dozois the editor. “John W. Campbell used to smoke unfiltered Camels in an ivory holder – the only vice that Gardner doesn’t have.” Haldeman complained that after he sent Gardner The Hemingway Hoax, Gardner “cut it to shreds so he could run it as a novella in Asimov’s. He did so much damage to it that it won both the Hugo and Nebula.”
After much more was said about Dozois, he was allowed his rebuttal. Gardner began by verifying how far he could fire a jellybean out of his nose. (Kathryn Daugherty happened to be carrying a bag of pineapple jellybeans which she donated for ammunition.) Then he told a long, risque anecdote about a closed party at the 1974 Worldcon, implicating George R.R. Martin, the Haldeman brothers and some others. Even back in the Seventies this stuff was pretty wild.
Something that struck me personally about this story was how it fit together with my memories of Norm Hollyn (then Hochberg) and Lou Stathis at the 1974 Worldcon taking me to look for some pros they’d met – Dozois being the only name I recognized at the time. What I remembered about that morning, including the hushed secrecy about someone having slept in the closet, fit perfectly with the story Gardner was telling at the end of the roast. Evidently, Norm, Lou and I had shown up the morning after all this had happened….