Let’s begin with Peter S. Beagle here and post the rest of Daniel Dern’s gallery after the jump —
Peter S. BeagleContinue reading
Let’s begin with Peter S. Beagle here and post the rest of Daniel Dern’s gallery after the jump —
Peter S. BeagleContinue reading
(1) GWW TEAMS UP WITH WW. ComicsBeat spreads the word: “G. Willow Wilson and Cary Nord Are Your New WONDER WOMAN Creative Team”.
Dan DiDio revealed in the “DC Nation” portion of this week’s DC All Access video that award-winning writer G. Willow Wilson will be the new regular series writer on Wonder Woman. Wilson will team with artist Cary Nord following Steve Orlando’s forthcoming guest-arc. In the video, DiDio says that Wilson will be expanding on the concepts and ideas that initial Rebirth Wonder Woman writer Greg Rucka introduced in his year-long run on the series. The creative team’s first story will be titled “The Just War,” and will feature Wonder Woman facing off again with Ares while attempting to rescue a missing Steve Trevor.
On G. Willow Wilson’s site a headline says “The rumors were true”.
“I’m delighted to be writing such an iconic character as Wonder Woman and to be working with DC once again,” said Wilson. “With more than 75 years of history, Wonder Woman has a wealth of backstory and drama to draw from, and I look forward to putting a spin on Diana and her supporting cast that’s both new, yet familiar. It’ll be a challenge to do her justice, but I like a challenge and can’t wait to get started.”
(2) POOH MAP SETS RECORD. CNN has the story — “Winnie-the-Pooh original map illustration sells for record $570,000”.
The original drawing of the map that appears inside the cover of A.A. Milne’s beloved book “Winnie-the-Pooh” sold at a Sotheby’s auction for nearly $600,000 — a record for any book illustration.
The Hundred Acre Wood map is the work of E.H. Shepard, who was asked to illustrate the book in 1926. Sotheby’s valued the map between $130,000 and nearly $200,000 (or between £100,000 and £150,000), according to a news release from May announcing the sale.
The auction house described the drawing, which was unseen for 50 years, as “possibly the most famous map in children’s literature.”
— Sotheby's (@Sothebys) July 10, 2018
(3) MOON MISSION. There’s a plan for an “Israeli unmanned spacecraft to land on Moon in 2019” —
An Israeli non-profit organisation has announced plans to send the first privately-funded unmanned spacecraft to the Moon.
SpaceIL said the probe would be launched from Cape Canaveral, Florida, in December on a Falcon 9 rocket built by Elon Musk’s SpaceX company.
It is expected to land on the Moon in February 2019.
The spacecraft will plant an Israeli flag on the Moon’s surface and carry out research into its magnetic field.
SpaceIL’s project began as part of the Google Lunar XPrize, which offered $30m (£23m) in prizes to inspire people to develop low-cost methods of robotic space exploration. However, the competition expired this March, with the $20m grand prize for landing on the Moon unclaimed….
(4) EATING THE FANTASTIC. Scott Edelman takes a page right out of history in Episode 71 of his Eating the Fantastic podcast. Join Arlan Andrews, Sr., Gregory Benford, Geoffrey A. Landis, and Charles Sheffield for lunch in 1993.
Join me for lunch at the World Science Fiction Convention. No, not this year’s San Jose Worldcon, which won’t happen until August. Or even last year’s Worldcon in Helsinki. But the 1993 San Francisco Worldcon!
Here’s how we’re going to do that …
Late last year, I repurposed a Science Forum I’d recorded for Science Fiction Age magazine on March 1, 1994 into Episode 56 of Eating the Fantastic. You got to hear Charles Sheffield and Arlan Andrews, Sr. chatting over lunch at an Italian restaurant about the many ways the world might end. But for this episode, we’ll be going even further back into the past.
On September 1, 1993, I shared lunch during the San Francisco Worldcon with not only Andrews and Sheffield, but Gregory Benford and Geoffrey Landis as well. I thought it would be fun to bring together working scientists to have them discuss over a meal everything wrong (and a few things which might be right) with how their profession is portrayed in science fiction.
I no longer have any idea which convention hotel restaurant we gathered in for our recording session, but we were definitely eating—as you’ll be able to hear for yourself when a sizzling platter of something called a “Laredo” is put in front of us and we worry about whether it’s safe to eat without burning ourselves.
An edited transcript of this conversation was published in the January 1994 issue of Science Fiction Age. So who were this quartet of scientist/science fiction writers when we recorded this Science Forum 25 years ago? Here’s how I described them in that issue—
Gregory Benford is a professor of physics working at the University of California at Irvine, who has also written over a dozen SF novels. Arlan Andrew, Sr. is an executive at a national laboratory, who has worked in the White House Science Office in both the Bush and Clinton administrations. A longtime SF reader, Geoffrey Landis has long looked at the role of the scientist both as an experimentalist and as an SF writer. Charles Sheffield holds a Ph.D in theoretical physics and serves as Chief Scientist for the Earth Satellite Corporation.
And I should add that during my years editing Science Fiction Age magazine from 1992 through 2000, I published short fiction by each of them.
(5) SPEAKER FOR THE FED. In the Washington Post Magazine, Rachel Manteuffel interviews Marc Okrand about how his development of Klingon came about as a consequence of his work on closed captioning — “He invented the Klingon language for ‘Star Trek.’ But how?”.
And how did that happen?
Because I did Vulcan for “Star Trek II.”
And how did that happen?
My real job, the one that really paid the bills, was closed captioning. The first program we did live was the Oscars, 1982. They flew me out to L.A., and I was having lunch with a friend who worked at Paramount. She and I go out to lunch, and the fact that I was a linguist came up — I have a PhD in linguistics. She said: “That’s really interesting. We’ve been talking to linguists. There’s this scene in the movie where Mr. Spock and this female Vulcan character have a conversation. When they filmed it, the actors were speaking English. But in postproduction, everyone thinks it would be better if they were speaking Vulcan.” They wanted a linguist to come and make up gobbledygook that matches the lip movements. And I said, “I can do that!”
(6) DUBIOUS TIE-IN PRODUCT. Vulture says it’s already off the market: “And The Handmaid’s Tale Wine Has Already Been Pulled”.
Look, we all agree, blessed be his fruit, but the newly announced The Handmaid’s Tale wine seemed a little off-brand for a dystopian drama about a totalitarian government forcing women to reproduce against their will. Looks like Lot18 and MGM, the manufacturers of the newly announced themed wines, agreed, removing them for purchase from their website on Tuesday. A representative for Lot18 also confirmed to Vulture the line has been pulled, though the website currently lists the Offred pinot noir as “sold out.” Then again, it also lists the “seductive and appealing” wine, named after Elisabeth Moss’s Handmaid character, as “useless to resist,” so yeah, better to bail out of this whole thing now, and hard.
(7) CONFERENCE QUOTE. Bird is the word.
Yes, it was me who smuggled a large seabird into the plenary and launched it at the speaker's head with the words "Actually this is more of a cormorant than a question." I am to be considered for possible readmission to the society in 2038, which seems fair.
— James Sumner (@JamesBSumner) July 11, 2018
(8) THREADBARE GAUNTLET. Galaxy didn’t measure up to expectations this month says The Traveler at Galactic Journey. This month being one that fell in the middle of 1963…. “[July 10, 1963] (August 1963 Galaxy)”
Speaking of revolutions, every two months, we get to take the pulse of the one started by H.L. Gold, who threw down the gauntlet at the feet of pulp sci-fi in 1950 when he started his scientifiction magazine, Galaxy. It was once a monthly magazine, but since 1959 it has been a half-again-sized bi-monthly. This was a cost-saving measure, as was the reduction of writers’ rates. The latter caused a tangible (if not fatal) drop in quality, and it is my understanding that it either has recently been or will soon be reversed.
Thus, the August 1963 Galaxy is a mixed bag, with standout stories by lesser authors and lesser stories by standout authors….
(9) TODAY IN HISTORY
(10) TODAY’S BIRTHDAYS
(11) WELLINGTON PARANORMAL. The truth is out there – but there’s small risk these cops will run into it. The New Zealand TV series follows two oblivious cops who work out of the Wellington police station where Sgt Maaka has a secret office he uses to investigate the paranormal —
In this new factual reality *cough* *cough* show, go behind the scenes of New Zealand’s first Paranormal Unit. As we all know, Wellington is a hotbed of supernatural activity… so Officers Minogue and O’Leary, who featured in the vampire documentary What We Do In The Shadows, take to the streets to investigate all manner of paranormal phenomena.
Wellington Paranormal is executive produced by Taika Waititi (Hunt For The Wilderpeople, Thor: Ragnorok) and Jemaine Clement (Flight of The Conchords), two locals who have an interest in exposing what is really going on in the streets of Wellington.
In episode one of the series, Wellington’s Paranormal Unit, fresh off a successful retrieval of 5 pairs of stolen trousers that were taken from Blackfield Menswear, officers are tasked with bringing in Bazu’aal – a body-hopping demon. His name, which translates to ‘He who brings hell on earth’.
Actor Maaka Pohatu has been channelling the spirit of Winston Peters while dealing with paranormal occurrences around Wellington.
Pohatu, who plays the diplomatic Sergeant Ruawai Maaka, is obsessed and a little bit frightened of the spirit world in the new television series Wellington Paranormal. So his bosses encouraged him to look to our (temporary) leader.
“Initially, when I was thinking of building Sergeant Maaka [as a character], I got inspired by Willie Apiata, mainly because I wanted to grow a heavy moustache. But producer Paul [Yates] said no, and so did Jemaine [Clement, who directed the series],” Pohatu says.
(12) HANDMAID. NPR’s Linda Holmes dislikes “The Truck, The Choice And The ‘Handmaid’s Tale’ Finale” – beware fullscale spoilers.
This review of the second-season finale of The Handmaid’s Tale discusses in detail what happens in the second-season finale of The Handmaid’s Tale.
The sound of the second season of Hulu’s The Handmaid’s Tale coming to an end was the sound of a balloon, expertly inflated to the point where it seemed about to break, being let go so that it releases its tension in a long, anticlimactic raspberry….
(13) USED BOOK. This one’s older than dirt: “Homer Odyssey: Oldest extract discovered on clay tablet”.
A clay tablet discovered during an archaeological dig may be the oldest written record of Homer’s epic tale, the Odyssey, ever found in Greece, the country’s culture ministry has said.
Found near the ruined Temple of Zeus in the ancient city of Olympia, the tablet has been dated to Roman times.
It is engraved with 13 verses from the poem recounting the adventures of the hero Odysseus after the fall of Troy.
(14) BIG DINO. They got their growth even earlier in prehistory than was known before: “Fossil of ‘first giant’ dinosaur discovered in Argentina”.
Analysis: By Dr Steve Brusatte of the University of Edinburgh
Dinosaur fans need to learn a new name, the lessemsaurids, because these were the first dinosaurs to grow to giant sizes of around 10 tonnes, back in the Triassic Period some 215 million years ago. The remarkable discovery of four lessemsaurid skeletons forces us to rethink when, and how, dinosaurs got so huge.
We used to think that the first giant dinosaurs arose in the early part of the Jurassic Period, after supervolcanoes caused a global extinction at the end of the Triassic. But the lessemsaurids tell us that at least some dinosaurs were able to attain giant sizes during the latest part of the Triassic, before the extinction.
(15) SOLID BRASS. BBC recounts “The crypto-currencies that die before they have bloomed”. Fewer than half survive for four months from ICO — just in case there were any Filers who thought the recent e-coin payments for stories idea sounded attractive.
It has been the biggest craze in investment of the last two years – the idea that creating your own crypto-currency through an Initial Coin Offering (ICO) is the route to riches.
But now an academic study has revealed just how many of these ICOs end up disappearing without trace after a short while.
A Boston College research paper entitled Digital Tulips finds that fewer than half of these projects survive more than 120 days after the completion of their sales of tokens to the public.
The researchers arrived at this conclusion by examining the official Twitter accounts of the crypto-currencies. They found only 44.2% of them were still tweeting after that four-month period and concluded that the rest of the ICOs had died.
(16) THEY’RE PINK. BBC finds another obscure record to report: “World’s ‘oldest coloured molecules’ are bright pink”.
Scientists have discovered what they say are the world’s oldest surviving biological colours, from ancient rocks beneath the Sahara desert.
The 1.1 billion-year-old pigments have a bright pink hue, but range from blood red to deep purple in their concentrated form.
The pigments are fossilised molecules of chlorophyll produced by sea organisms, Australian scientists said.
Researchers ground shale rocks into powder to extract the pigment.
“Imagine you could find a fossilised dinosaur skin that still has its original colour, green or blue… that is exactly the type of discovery that we’ve made,” Associate Prof Jochen Brocks from the Australian National University (ANU) told the BBC.
[Thanks to JJ, Carl Slaughter, Errolwi, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, Cat Eldridge, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]
(1) FREE CLIMATE CHANGE SF ANTHOLOGY. Twelve stories from the Climate Fiction Short Story Contest are collected in Everything Change, a new fiction anthology from Arizona State University’s Imagination and Climate Futures Initiative (ICF). Kim Stanley Robinson wrote the foreword, and there is also an interview with Pablo Bacigalupi.
In the midst of Earth’s hottest year on record, the effects of climate change are more apparent than ever. But how do we come to grips with the consequences on the ground, for actual people in specific places? New York Times bestselling science fiction author Paolo Bacigalupi believes the answer lies in fiction: “Fiction has this superpower of creating empathy in people for alien experiences. You can live inside of the skin of a person who is utterly unlike you.”
The anthology includes the grand prize winner of the Climate Fiction Short Story Contest, “Sunshine State,” a quasi-utopian disaster story set in the Florida Everglades. The story’s authors, Adam Flynn and Andrew Dana Hudson of Oakland, CA, will receive a $1000 prize, and four other prizewinners will receive book bundles signed by Bacigalupi. The contest received 743 submissions from 67 different countries and from more than half of the states in the U.S.
The title Everything Change is drawn from a quote by Margaret Atwood, the first Imagination and Climate Futures lecturer in 2014.
Table of Contents:
(2) THE TIMES THEY ARE A-CHANGIN’. The New York Times reports on another history-making moment in the career of this musician: “Bob Dylan Awarded Nobel Prize in Literature”.
Half a century ago, Bob Dylan shocked the music world by plugging in an electric guitar and alienating folk purists. For decades he continued to confound expectations, selling millions of records with dense, enigmatic songwriting.
Now, Mr. Dylan, the poet laureate of the rock era, has been rewarded with the Nobel Prize in Literature, an honor that elevates him into the company of T. S. Eliot, Gabriel García Márquez, Toni Morrison and Samuel Beckett.
Mr. Dylan, 75, is the first musician to win the award, and his selection on Thursday is perhaps the most radical choice in a history stretching back to 1901. In choosing a popular musician for the literary world’s highest honor, the Swedish Academy, which awards the prize, dramatically redefined the boundaries of literature, setting off a debate about whether song lyrics have the same artistic value as poetry or novels.
(3) CALIFORNIA COLLECTIBLES LAW UPDATE. The American Booksellers Association says: “California Collectibles Bill Clarification Expected”.
At press time, Bookselling This Week learned that California Assemblywoman Ling Ling Chang plans to submit a letter to the state legislature stipulating that a new law covering the sales of collectibles does not apply to either general bookstores or author signing events. Chang was the sponsor of the bill. The law requires sellers of signed books and artwork to provide the buyer with a certificate of authenticity (COA) for any item sold for $5 or more.
“While ABA’s reading of the bill matched that of Assemblywoman Chang’s intent in drafting the law — that the law was meant specifically for the collectibles industry to stave off fraud — we are grateful for how responsive Assemblywoman Chang and her staff were to the concerns of booksellers,” said David Grogan, senior public policy analyst for ABA. “It also clearly shows how much of an impact booksellers can have when they voice their concerns to their legislators. We are happy that a clarification is expected to be entered into the record.”
The clarification comes as a direct response to a blog post and subsequent letters from independent bookstores in California. Concerned that some might assume the law applied to general bookstores, Eureka Books in Eureka, Book Passage in Corte Madera, and others opposed the new law, fearing that it would have a negative financial impact on their businesses.
(4) VENUS IF YOU WILL. Here’s a clickbait-worthy headline: “Why Obama may have picked the wrong planet”. And as a bonus, the article quotes SF writer and NASA scientists Geoffrey Landis.
On Tuesday, Obama published an op-ed at CNN laying out his vision (once again) for visiting Mars.
“We have set a clear goal vital to the next chapter of America’s story in space: sending humans to Mars by the 2030s and returning them safely to Earth, with the ultimate ambition to one day remain there for an extended time,” he wrote.
The Obama administration has been pursuing a visit to Mars for years. But Obama may be overlooking an easier target, if the arguments of one NASA researcher (and numerous supporters) are to be believed. While Mars may seem to be an attractive destination, we should consider sending people to Venus instead, these people argue….
You see, Mars is a challenging destination. It’s far away, the gravity is a fraction of Earth’s — posing additional health hazards beyond the lack of atmospheric radiation shielding — and you have to be suited up just to breathe outside.
By contrast, Venus is a lot closer to Earth than Mars is. At their closest points, Venus is only 25 million miles away, compared with Mars’s 34 million miles. The shorter distance means you’d need less time and fuel to get there, reducing the cost. And although Venus’s surface temperature is hot enough to melt metal, and the crushing pressure will squish you like a bug, the upper atmosphere is actually rather habitable.
“At about 50 kilometers above the surface the atmosphere of Venus is the most earthlike environment (other than Earth itself) in the solar system,” wrote Geoffrey Landis, a NASA scientist, in a 2003 paper. Landis has spent much of his career dreaming up ways to make a human trip to Mars actually feasible, so he knows what he’s talking about.
At high altitude, Venusian temperatures are hot but not unbearable, and the barometric pressure drops to the equivalent of one Earth atmosphere. You’d have droplets of sulfuric acid to worry about, but only if your skin is directly exposed.
It helps that NASA has already taken steps to research a manned mission to Venus.
(5) RON MILLER ON SPACESHIPS. Smithsonian.com plugs artist Ron Miller’s new opus from Smithsonian Books in “How Artists, Mad Scientists and Speculative Fiction Writers Made Spaceflight Possible”.
The realization of human spaceflight has long stood as a testament to the power of human temerity, a triumph of will and intellect alike. Pioneers such as Yuri Gagarin, Neil Armstrong and Sally Ride have been immortalized in the annals of history. Their impact on terrestrial society is as indelible as the footprints left by the Apollo astronauts on the windless surface of the Moon.
Perhaps yet more wondrous than the Cold War-era achievement of extraterrestrial travel, however, is the long and meandering trail that we as a species blazed to arrive at that result. Such is the argument of author-illustrator Ron Miller, an inveterate spaceship junkie and one-time planetarium art director at the National Air and Space Museum in Washington, D.C.
Miller’s just-published book, Spaceships: An Illustrated History of the Real and the Imagined from Smithsonian Books, is a paean to the exploratory yearning of humankind across the centuries. The profusely illustrated volume tracks technological watersheds with diligence, but its principal focus is those starry-eyed visionaries, the dreamers….
(6) TOO TANGLED FOR TINGLE? I was wondering what the chances were of Chuck Tingle setting up his own SadPuppies.com site when it’s Hugo season again. But Huge Domains already has that registered and is asking $1,895 for the rights.
Well then, what about SadPuppies5.com? Nope, that’s registered, too, by a proxy that contains a reference to the real Sad Puppies site, SadPuppies.org – have they been thinking ahead?
Of course, if Tingle wanted to make a File 770 reference, he could always start up SadPuppiesSecond5th – and that would be fine by me.
(7) VULICH OBIT. Special effects make-up artist John Vulich died October 13. Dread Central recalls:
Vulich worked on some of the horror genre’s most classic films and TV shows such as “Buffy the Vampire Slayer,” George A. Romero’s Day of the Dead, The Dark Half, Castle Freak, From Beyond, Ghoulies, Dolls, TerrorVision, The Texas Chainsaw Massacre Part 2, The Lost Boys, Two Evil Eyes, “The X-Files,” “Angel,” and “Werewolf: The Series” and was one of the founders of Optic Nerve Studios.
(8) TODAY’S BIRTHDAY BOY
(9) FIFTH NEWS IS BEASTLY. We’re always on the lookout for news items featuring the number five. I may run only about 10% of them, but Tor.com broke through with “J.K. Rowling Confirms There Will Be Five Fantastic Beasts Films”.
At Warner Bros’ global fan event for Fantastic Beasts and Where to Find Them today, the studio made a big announcement: There will be five Fantastic Beasts films total, instead of the trilogy, as originally thought.
Not 'at least.' Five. Five movies. https://t.co/61YvDIKPsG
— J.K. Rowling (@jk_rowling) October 13, 2016
(10) SHOCKED, I TELL YOU. In “thoughts on the processing of words” at Text Patterns, a blog on The New Atlantis website, Baylor University English professor Alan Jacobs gives a long review of Matthew Kirschenbaum’s Track Changes: A Literary History of Word Processing, including the revelation that the first author to write a book on a word processor was not Gerrold, Pournelle, or Crichton, but historical novelist Gay Courter.
In any case, the who-was-first questions are not as interesting or as valuable as Kirschenbaum’s meticulous record of how various writers — Anne Rice, Stephen King, John Updike, David Foster Wallace — made, or did not quite make, the transition from handwritten or typewritten drafts to a full reliance on the personal computer as the site for literary writing. Wallace, for instance, always wrote in longhand and transcribed his drafts to the computer at some relatively late stage in the process. Also, when he had significantly altered a passage, he deleted earlier versions from his hard drive so he would not be tempted to revert to them.
(11) LACKING THAT CERTAIN SOMETHING. IGN’s’ video interview with the actor reveals “Why George Takei Doesn’t Like the New Star Trek Movies and the Old Animated Series”.
Mr. Sulu explains why he doesn’t like the Star Trek cartoon and reveals the magic ingredient he believes the new films are missing. The Star Trek 50th Anniversary TV and Movie Collection Blu-ray Boxset is out now.
(12) WELLS MEETS SOLOMON. Richard Chwedyk’s “Teaching Stuff: Vast and Cool and Unsympathetic” at the SFWA Blog tells about a fascinating exercise:
Here’s an assignment I give my students:
They receive a copy of the first chapter of H. G. Wells’ War of the Worlds.
It is roughly 2,250 words.
I tell the students that Mr. Wells has just received a note from his editor. “Great stuff, Herbie, but you go on too long here. Cut this first chapter in half.”
How to make 2,250 words into 1,125 words?
Mr. Wells, alas, has passed on. Fortunately for us, so has the novel’s copyright.
…Ask students to do this to their own stories and their faces turn ashen. Their babies? By half? What madness is this?
So by practicing at first on Wells, they can see what the process entails before going on to apply the knife to their own deathless prose. The exercise not only requires careful editorial skills, but an equally careful reading of the text. What’s important in the telling? What’s icing on the cake?
(13) DEEP READING. Connie Willis, in an article for Unbound Worlds, discusses her new book Crosstalk – “Connie Willis Wants You to Think Twice About Telepathy”.
What led me to write Crosstalk? Oh, lots of things. For one, like everybody else, I’ve always been intrigued by the idea of telepathy and have often thought how nice it would be to be able to tell what other people were thinking, to know if they were lying and how they really felt about you. For another, I live in Colorado, home of the infamous Bridey Murphy, who started the whole channeling-past-lives thing back in the fifties by claiming she’d had a previous life in nineteenth-century Ireland. Which turned out not to be true and which left me with a healthy skepticism of all things paranormal, from psychics to Dr. Rhine’s ESP experiments.
(14) WHAT’S WRONG WITH THINKING OUT LOUD. She also did an interview with The Verge: “Novelist Connie Willis explains why telepathy is a terrible superpower”.
You’ve said many of your stories are about working through arguments with yourself, and working through different aspects of the idea you obsess over. Are you working through an argument in Crosstalk?
Well, looking at the society we’re living in right now, we’re bombarded with information. We have all these new ways of communicating. We can talk face-to-face to somebody in Asia, you can have a best friend who lives across the world. But our relationships don’t seem to be improving radically as a result of all this extra communication.
We’re always looking to technology, thinking it can solve our human problems. Usually it does, but with big side effects we hadn’t counted on. It’s an argument I don’t know how to solve. I’m not suggesting we go be Luddites. But occasionally I’m on panels with all these really gung-ho tech people, and they’re like, “Oh this new development will solve all our problems.” And I think “Anything that solves all our problems will create a whole mess of new problems that would have never occurred to us.” We need to start thinking more in terms of cost-benefit analysis. Maybe that would be more productive.
But mostly with Crosstalk, I just wanted to have fun with the idea of whether communication is a good idea, generally. Not tech communication, communication between people. Most people would say, “We all need more communication in our relationships.” But really, most relationships benefit from all the things we don’t say, all the things we keep to ourselves.
(15) MEMORIES. In a Rue Morgue interview, the actress looks back: “35 years of pleasant screams: an interview with Cassandra Peterson, aka ELVIRA”.
When it comes to the horror genre, there are many icons in the business but none more so than a woman who created a character that has permeated pop culture; her name is Cassandra Peterson and her wonderful, wicked, and hilarious alter ego is Elvira, Mistress Of The Dark. For 35 years, the sexy, dark, and comedic valley girl/gothic goddess has appeared on television, film, pinball machines, comic book covers, record albums, and any other product you could imagine. She is one of the most beloved incarnations in history, and is still surging in popularity to this very day. Peterson herself is now in her mid-sixties but looks like she has discovered the fountain of youth, or made a deal with the devil, she is absolutely beautiful and timeless. Her comedic timing is unmatched, quick fire and quite daunting considering the jokes come straight from her mind like bullets, one of the funniest women alive, hands down. She is also one of the hardest working women in the business, an actress who became her own boss and made her own rules (and still does); truly an inspiration in regard to drive, conviction, and perseverance.
Rue Morgue spoke to Peterson about her 35th Anniversary and her new photo book, entitled ELVIRA MISTRESS OF THE DARK, which is a love letter to her fans, and a testament to her many years as a reigning queen in horror comedy….
(16) ACES AND BAIT. In addition to the news I missed while I was in the hospital, I also fell behind reading Adventures With Kuma. From August — “Dodge City Bear”.
Bears wents to lots of places todays. Boys will writes abouts bigs holes in the grounds laters. Bears gots to plays a games in Dodges Citys withs a nices Doctors nameds Hollidays.
Bears saids, “Bears has fives fishes. Whats yous gots?”
[Thanks to John King Tarpinian, Joseph Eschrich, Bartimaeus, Sean R. Kirk, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing edtor of the day Cath.]
Acclaimed sf writer Geoffrey A. Landis, a R&D engineer at NASA Glenn Research Center, received the 2013 AIAA Aerospace Power Award on July 16 at a luncheon during the 11th International Energy Conversion Engineering Conference (IECEC)
Landis is being recognized for 35 years of developing advanced photovoltaic power systems for extreme space environments; providing leadership, fostering innovation, interfacing with the public; and contributing to an improved scientific understanding of operating solar power devices from the solar corona to the Martian surface and beyond.
[This post is part of a series about the Starship Century Symposium held May 21-22, 2013.]
Geoffrey Landis is a scientist at the NASA John Glenn Research Center working on Mars missions and on developing advanced concepts and technology for future space missions — interstellar propulsion, solar power and photovoltaics. Landis, supported by his scientific background, also writes hard sf and is the winner of a Nebula Award, two Hugo Awards – plus two Rhysling Awards for his poetry.
Landis opened by echoing a mantra of earlier speakers — Starflight requires producing and controlling vast levels of energy resources – ice and 3He harvested from the outer Solar System.
“The Moon was easy,” he teased, then said seriously, “It was the hardest technical project ever accomplished.” But the chemical rockets that took us there aren’t good enough for missions to the farther reaches of the Solar System, and certainly not for starflight.
Landis argued that the next thing we need is the spaceship equivalent of a pickup truck capable of hauling cargo for a wide variety of jobs – thus the title of his presentation, “Workhorse of the Solar System – The Nuclear Rocket and Beyond.”
Chemical fuels run up against the “rocket equation,” which dictates that as you go faster, it takes exponentially more fuel. Missions to the distant reaches of the Solar System really need an energy source that is more energetic per unit of mass like nuclear, or an energy source you don’t have to carry on board (microwave, laser).
He added that ion thrusters have been successful for some missions, but electronic propulsion scales poorly to high thrust, requiring large amounts of power.
NASA tested a NERVA (Nuclear Energy for Rocket Vehicle Applications) NTR engine in the 1960s. All the requirements for a human mission to Mars were demonstrated, but it wasn’t pursued at that time.
Landis extolled the simplicity of nuclear rockets. The nuclear reactor produces heat. If you pass a gas over that heated reactor core, the gas heats up – and you can expand heated gas out a nozzle to produce thrust. A nuclear thermal rocket (NTR) is far simpler than nuclear generators used to generate electricity.
Hydrogen has been used because its atoms are the lightest and move the fastest when heated. But because of its low density large tanks are required to hold hydrogen fuel.
Another advantage of choosing hydrogen is that water is abundant in the outer Solar System. “Water is rocket fuel ore,” he noted. And once you get far from the Sun, “Water is just another type of rock.” So a nuclear rocket could be refueled using hydrogen generated from rocks harvested among the Trojan Asteroids or short period comets.
Landis devoted some time to the limits on NERVA’s efficiency inherent in the high-temperature sensitivity of the materials available to build the rocket. He mentioned several hypothetical ways to get higher temps without melting the reactor, suggesting “it’s an engineering problem,” so may eventually be overcome.
Lastly he outlined a manned mission to Callisto, a moon of Jupiter, that was studied in NASA’s Revolution Concepts for Human Outer Planet Exploration (HOPE). Two reasons for choosing Callisto are that it is believed to have water ice, and is far enough from Jupiter to be subject to only 0.01 rem a day. A surface base might be built there that would produce fuel for further exploration of the Solar System.
These developments are prerequisites to creating the energy economy needed to support interstellar missions.
[Note: Landis acknowledged Stanley Borowski of NASA for some material used in the presentation.
[The Starship Century anthology, Symposium edition, is currently available in paperback for $28 — click here.]
The Arthur C. Clarke Center for Human Imagination will launch this month with a series of free events on the UC San Diego campus.
“Remembering Sir Arthur C. Clarke”
Remembering and celebrating the diverse genius and joie de vivre of Sir Arthur C. Clarke. Artifacts and items are from the collection of Wayne and Gloria Houser. During the May 21 reception only: Special display of original paintings of Clarke book cover art on loan from Naomi Fisher, and space science posters by Jon Lomberg. Curated by Carol Hobson, and co-sponsored by the UC San Diego Library.
Seuss Room Foyer, Geisel Library, UC San Diego
1-5 p.m., “Visions of the Future”
An afternoon of conversations and presentations featuring Clarke Center affiliates on their visions of science and culture 33 years into the future (in honor of Clarke’s imagining of 2001 in 1968).
Calit2 Auditorium, Atkinson Hall, Qualcomm Institute, UC San Diego
7 p.m., “The Literary Imagination”
A conversation between authors Jonathan Lethem and Kim Stanley Robinson presented by the Helen Edison Lecture Series, UC San Diego Extension and the Arthur C. Clarke Center for Human Imagination
Price Center West Ballroom, UC San Diego
“Starship Century Symposium”
A two-day event devoted to an ongoing exploration of the development of a starship in the next 100 years. Scientists will address the challenges and opportunities for our long?term future in space, with possibilities envisioned by Freeman Dyson, Paul Davies, Peter Schwartz, John Cramer and Robert Zubrin. Science fiction authors Neal Stephenson, Allen Steele, Joe Haldeman, Gregory Benford, Geoffrey Landis and David Brin will discuss the implications that these trajectories of exploration might have upon our development as individuals and as a civilization.
Calit2 Auditorium, Atkinson Hall, Qualcomm Institute, UC San Diego
Note: Seating is limited, but the two-day event will be offered via live streaming video at http://imagination.ucsd.edu.
Reception 6-8 p.m., “Remembering Sir Arthur C. Clarke”
Remembering and celebrating the diverse genius and joie de vivre of Sir Arthur C. Clarke. Artifacts and items are from the collection of Wayne and Gloria Houser. During the May 21 reception only: Special display of original paintings of Clarke book cover art on loan from Naomi Fisher, and space science posters by Jon Lomberg. Also screening of documentary film, “Arthur C. Clarke: The Man Who Saw the Future,” a BBC/NVC ARTS Co-Production in association with RAI Thematic Channels, 1997. Curated by Carol Hobson, and co-sponsored by the UC San Diego Library.
Seuss Room Foyer, Geisel Library, UC San Diego
Created by UCSD and the Arthur C. Clarke Foundation, the Clarke Center “will honor the late author and innovator through activities that will focus on cultural, scientific and medical transformations that can occur as we increase our understanding of the phenomena of imagination and become more effective at harnessing and incorporating our imaginations in our research and daily lives.”
UCSD’s Sheldon Brown, professor of computing in the arts in the department of visual arts, is the director of the center. The center’s associate director is David Kirsh, professor and former chair of the department of cognitive science.
In addition to drawing upon a wide range of disciplines and collaborations, the Clarke Center will engage the creative worlds of media, the arts and literature to help with discovery. UC San Diego’s unique relationship with speculative fiction and science fiction authors, including Kim Stanley Robinson, David Brin, Nancy Holder, Greg Benford, Vernor Vinge, Greg Bear and Aimee Bender, will allow the center to dismantle traditional boundaries and forge new ways of thinking about the future.