Pixel Scroll 2/7/21 Scroll Nine From Filer Space

(1) HWA YIELDS TO SAFETY CONCERNS. This year’s StokerCon will be virtual: “StokerCon™ 2021 Special Announcement”. The virtual event will keep the announced May 20 to 23 dates. Next-year’s in-person event will take place in Denver at the same hotel they intended to use in 2021.

The Horror Writers Association has made the difficult decision to shift StokerCon™ 2021 from an in-person event to a virtual platform during its originally scheduled May 20 to 23 dates. With the ongoing pandemic, the emergence of viral variants, and the broad range of travel obstacles around the world, we have deemed this to be the safest, most responsible way to hold the event.

As might be expected with an event of this size, switching to a virtual footing poses many challenges, but Con co-chairs, James Chambers and Brian Matthews; HWA President, John Palisano; Vice President, Meghan Arcuri; Administrator, Brad Hodson; and the officers and trustees of the HWA Board have made significant progress in executing this change.  Our hope is to preserve the spirit of StokerCon and create an event that will resemble as closely as possible our usual programming—panels, presentations, interviews, author readings, ceremonies, and the Bram Stoker Awards® presentation. At this time our plans include the Ann Radcliffe Academic Conference, Librarians’ Day, Horror University, and the Final Frame Film Competition. And while we won’t be able to gather in the same place, all attendees of this virtual StokerCon will receive—or, outside the U.S., have the option to receive—a printed copy of the beautiful souvenir book created and edited by Josh Viola and HEX Publishing….

(2) BOSKONE’S INTERVIEW SERIES. Boskone 58, to be held February 12-14 has been running a series of interview posts.

Dr. Gillian Polack

…If you were planning a holiday or vacation and could visit any location, whether in the real world or fictional worlds, where would you go? Why? 

I love portal fantasies. I always dreamed of the doors in other peoples’ writing and of walking through those doors into enchanted lands. Then I wrote my own. I now want to visit the house in Borderlanders and travel to strange places. I seldom want to visit anywhere I’ve written about, for I know all the downsides of all the places, but doors that lead to hidden seas or to rooms lined with liquid glass? That’s different.

Here are links to more mini-interviews:

(3) HOUR AFTER HOUR. Jim Freund is “Celebrating 50 years of Hour of the Wolf, his WBAI radio show.

Hour of the Wolf premiered in early 1971, somewhere between January and early March. I was to engineer the majority of her programs. Adler came up with the title, taken from the 1967 Ingmar Bergman film of the same name starring Liv Ullman and Max von Sydow. Initially there was no consistent opening music theme until early 1972, when we saw the environmentally-aware science fiction movie Silent Running. The best thing in the film (IMO) was the fabulous soundtrack by Peter Schickele of P.D.Q. Bach fame. There is a grand scene in the movie in which we see small robots caring for and watering the last trees in existence; the camera then pans out to an exterior perspective showing us that this is one of many ships set up as environmental domes. The name of this music is “The Space Fleet,” and once we found a copy in a bin in a 69-cent store, it became the official theme music of the show….

…In 1973, Margot and I both passed the entrance qualifications for the Clarion West Science Fiction Writers Workshop — an intense six-week seminar that featured a different teacher each week that was a veritable Who’s Who of progressive writing in the era. I could not afford to go to Seattle for that long, much less the entrance fee, plane fare, and room and board. Furthermore, Margot told me if I could not go, I would take over Hour of the Wolf in her absence. And that’s what happened. When Margot came back, she was offered a 7-9 AM slot twice a week, which fit her schedule better, and it was agreed that I would stay over after Hour of the Wolf and engineer her show as well….

(4) BE SERIOUS. While the BBC hasn’t said Jodie Whittaker is moving on, speculation is rife – and Radio Times’ Huw Fullerton scoffs at the rumored replacements. “The next Doctor and why all the guesses are wrong”.

… Every single time we start talking about who the next Doctor should be, people invariably start suggesting names so absurd and unlikely that you have to wonder if they’ve recently returned from a parallel universe, where appearing in a popular British sci-fi series is the pinnacle of creative and financial achievement.

Tilda Swinton? Richard Ayoade? Idris Elba? If people seriously think these sort of names are realistic, they haven’t been paying attention to the way the show is made, or its demands. It’s like watching the judges on The Masked Singer confidently predicting that Brad Pitt has decided to dress up as a talking clock and sing ballads on ITV primetime – while technically possible, not a suggestion that anyone could really take seriously….

(5) PRO TIPS. Lou J. Berger drew on his 15 years of experience for this writing advice on Facebook.

… The second bit of advice is to write for yourself, first and foremost. If you are changing your manuscript because you know exactly how each of your critique partners will judge it, see the above advice about finding a new group. The value of a strong critique group will ALWAYS be better than writing in a vacuum. Unless there’s toxicity. Then get the hell out, immediately.

Writing for yourself means that you write something you want to read. And when you read it through other people’s eyes, you are catering to another person’s will. We’ve been through enough in our lives, bending to the will of others. Don’t let your prose get sullied by that same desperate need to conform. It is in the writing of your HEART that you will find release, and the passions that stir you, in the quiet hallways of your own mind, deserve the treatment that only you, and you alone, can give them. Write your HEART and let the others be damned. If there’s one thing in this godforsaken world that you can lay claim to, it is your innermost, private thoughts, and they shall always be yours, the true essence of what makes you unique….

(6) MEDIA BIRTHDAY.

  • February 7, 1992 The Ray Bradbury Theater aired “The Utterly Perfect Murder” episode. Based on a short story by Bradbury, it concerns the long anticipated revenge of a boy tormented in his childhood who now thinks he has plotted the utterly perfect murder. It’s directed by Stuart Margolian, and stars Richard Kiley, Robert Clothier and David Turri. You can watch it here.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 7, 1478 – Sir Thomas More.  Recognized as a saint in the Catholic Church.  Renowned among us for Utopia, which would be just fine if we read it carefully enough to realize that, as Lafferty had a fictional TM repeat in Past Master, it’s a satire.  (Died 1535) [JH]
  • Born February 7, 1812 – Charles Dickens.  Many of us know “A Christmas Carol”, with ghosts; he wrote fourscore more fantastic stories, among much else he is still famous for; some say he believed the end of Mr. Krook in Bleak House was possible, others call it fantasy.  I can’t let CD’s greatness go without saying, but it’s mostly outside our field.  (Died 1870) [JH]
  • Born February 7, 1883 – John Taine.  A dozen novels, three shorter stories.  Under another name he earned a Ph.D., taught math at Cal Tech, wrote Men of Mathematics which he wanted to entitle The Lives of Mathematicians, and several others, The Queen of the SciencesThe Handmaiden of the SciencesThe Development of MathematicsMathematics: Queen and Servant of Science, of substantial literary ability in this subject which is far easier to do than to write prose about.  (Died 1960) [JH]
  • February 7, 1908 Buster Crabbe. He played the lead roles in the Tarzan the FearlessFlash Gordon, and Buck Rogers series in the Thirties, the only person to do so although other actors played some of those roles.  He would show up in the Seventies series Buck Rogers in the 25th Century as a retired fighter pilot named Brigadier Gordon. (Died 1983.) (CE)
  • Born February 7, 1913 – Henry Hasse.  His superb “He Who Shrank” is in the superb Healy-McComas anthology Adventures in Time and Space.  Since this is File 770, I’ll note HH is named co-author of Ray Bradbury’s “Pendulum”, Sep 41 Super Science Stories, which I understand is RB’s first publication in a prozine.  A story “The Pendulum” appeared in the Fall 39 Futuria Fantasia, RB’s fanzine.  The Kent State Univ. Collected Stories of RB vol. 1 lists both: do you know how they differ?  I can’t get at these sources just now.  But we digress.  One novel; twoscore more shorter stories, two with RB, two with Emil Petaja, two with Albert de Pina.  (Died 1977) [JH]
  • Born February 7, 1921 – John Baltadonis.  Today is the hundredth birth-anniversary of this fannish giant (he was in fact 6’2″ [1.9 m] tall).  See the note about him yesterday, No. 6 in the Pixel Scroll.  Don’t neglect his fanart; we did during his life, he never had enough Best Fanartist nominations even to reach the Hugo ballot.  [JH]
  • February 7, 1949 Alan Grant, 72. He’s best known for writing Judge Dredd in 2000 AD as well as various Batman titles from the late 1980s to the early 2000s.  If you can find it, there’s a great Batman / Judge Dredd crossover “Judgement on Gotham” that he worked on. His recent work has largely been for small independents including his own company. (CE)
  • February 7, 1950 Karen Joy Fowler, 71. Michael Toman in a letter to our OGH asked we note her Birthday as he has a “A Good Word for one of his favorite writers” and so do I. Her first work was “Recalling Cinderella” in L Ron Hubbard Presents Writers of the Future, Vol I. Her later genre works are Sarah Canary, the Black Glass collection and  the novel The Jane Austen Book Club, is not SF though SF plays a intrinsic role in it, and two short works of hers, “Always” and ““The Pelican Bar” won significant Awards. Her latest genre novel, We Are All Completely Beside Ourselves, is being adored far and wide. (CE)
  • February 7, 1952 Gareth Hunt. Mike Gambit in The New Avengers, the two-season revival of The Avengers that also starred Joanna Lumley as Purdey and Patrick Macnee as John Steed. Quite excellent series. He was also Arak in the Third Doctor story, “Planet of The Spiders”. (Died 2007.) (CE)
  • February 7, 1955 Miguel  Ferrer. You likely best remember him as OCP VP Bob Morton in  RoboCop  who came to a most grisly death. Other notable genre roles include playing FBI Agent Albert Rosenfield on Twin Peaks and USS Excelsior helm officer in Star Trek III: The Search for Spock. In a very scary role, he was Director of Hatcheries and Conditioning in Brave New World.  Lastly I’d like to note that he did voice work in the DC Universe at the end of his life, voice Martian Manhunter (J’onn J’onzz) in Justice League: The New Frontier and Deathstroke (Slade Joseph Wilson) in Teen Titans: The Judas Contract. (Died 2017.) (CE) 
  • February 7, 1960 James Spader, 61. Most recently he did the voice and motion-capture for Ultron in Avengers: Age of Ultron. No, I did not enjoy that film, nor the Ultron character. Before that, he played Stewart Swinton in Wolf, a Jack Nicholson endeavor. Then of course he was Daniel Jackson in Stargate, a film I still enjoy though I think the series did get it better. He also plays Nick Vanzant in Supernova andJulian Rome in Alien Hunter. (CE)
  • Born February 7, 1990 – Jessica Khoury, age 30.  Seven novels. “Read as much as you can, in as many genres as you can.  Read insatiably.  Read ingredients on your food.  Read warning labels on heavy machinery.  Read the newspaper, read magazines, read manga”.  [JH]

(8) COMICS SECTION.

(9) SAME BAT CHANNEL, SAME BAT BROKEN RECORD. Busted again: “AWKKKKKK! Batman No. 1 Sells for $2.2 Million” reports Print.

Last week, reported The Hollywood Reporter, a near-mint copy of the Batman No. 1 comic, published in 1940, “sold as part of Heritage Auction’s comics and comic art events. … The final price was $2,220,000, which included the buyer’s premium fee.” Just in case you’re worrying about how you’re going to pay your monthly health insurance premium or children’s college tuition, that number, to repeat, was $2,220,000—a record for “the most expensive Batman comic ever sold.”

Does that mean that other comic books have sold for more? Well, according to Helen Stoilas in The Art Newspaper, “The rare 1940 issue, which marks the first appearance of the Joker and Catwoman, is the second most-expensive comic book ever sold. Even before the live sale opened on Thursday [Jan. 14], the start of Heritage’s four-day Comics and Comic Art event, online pre-bidding for the comic book had shot up to $1.9 million. Its sale of $2.22 million, to a U.S. bidder on the auction house’s online HA Live platform, knocked out the previous Batman record holder, a copy of 1939’s Detective Comics #27, which introduced the character to the world and sold for $1.5 million at Heritage this past November.”

(10) THROWBACK TEAM. “Justice Society: World War II” on YouTube is a trailer for a new WB cartoon about the original matchup of DC superheroes.

(11) CATCHING UP TO FANDOM. The New York Times shows why “‘Bridgerton’ Is Just the Beginning”.

It’s a world of corsets, stays and chemises. Of weskits, bum rolls, breeches and hoop panniers. For actors, wearing period costume has long meant literally stepping into the past: lacing soft modern flesh into antique shapes and learning how to use the toilet without peeling off multiple layers.

“Bridgerton,” Shonda Rhimes’s racially diverse Netflix series set in 1813 England, has suddenly ignited new interest in Regency fashions. But a global community of hobbyists has been designing, making and wearing clothing from the 19th century and earlier for many years. Long a private obsession fueled by films like “The Leopard” and “Pride and Prejudice,” social media has widened the conversation, with fans of all ages and backgrounds worldwide now trading notes on how best to trim a sleeve or adjust a straw bonnet.

Pre-pandemic, they gathered in Los Angeles at Costume College, an annual conference, at Venice’s Carnival and the Fêtes Galantes at Versailles. Some lucky Europeans, like Filippa Trozelli, find themselves invited to wear their historical clothing to private parties at ancient local estates….

(12) THE FINAL CAT FRONTIER. “Star Trek Enterprise Cat Tree: Bolding Going Where No Cat Has Gone Before” at Technabob. I’m thinking the cats shown posing on this tree might easily be mistaken for aliens.

A USS Enterprise and Deep Space Nine themed cat tree: it’s what every Star Trek loving feline owner’s home has been missing. And now thanks to Etsy seller CE360designs, you can finally fill that void with a custom Star Trek Enterprise 1701D and DS9 Wood Cat Tower. You know they say good things come in small packages, but I imagine this box being on the larger side.

According to the sales copy, “The bottom is a wormhole but can be a Borg ship.”

(13) MARS SPINOFFS. The space agency tells how “NASA’s Perseverance Pays Off Back Home”.

A laser-light sensor that can identify bacteria in a wound may sound far-fetched, but it’s already becoming a reality, thanks in part to NASA’s Mars Exploration Program. The technology is going to Mars for the first time on Perseverance, which will touch down on the Red Planet in February, but it’s already detecting trace contaminants in pharmaceutical manufacturing, wastewater treatment, and other important operations on Earth.

That’s not the only technology headed to Mars that’s already paying dividends on the ground. Here on Earth, these innovations are also improving circuit board manufacturing and even led to a special drill bit design for geologists….

(14) SLOW WOOD? That’s what Michael J. Walsh asked after reading CBC Radio’s article: “Scientists develop transparent wood that is stronger and lighter than glass”.

Researchers at the University of Maryland have turned ordinary sheets of wood into transparent material that is nearly as clear as glass, but stronger and with better insulating properties. It could become an energy efficient building material in the future.

Wood is made of two basic ingredients: cellulose, which are tiny fibres, and lignin, which bonds those fibres together to give it strength.

Tear a paper towel in half and look closely along the edge. You will see the little cellulose fibres sticking up. Lignin is a glue-like material that bonds the fibres together, a little like the plastic resin in fibreglass or carbon fibre. The lignin also contains molecules called chromophores, which give the wood its brown colour and prevent light from passing through.

Early attempts to make transparent wood involved removing the lignin, but this involved hazardous chemicals, high temperatures and a lot of time, making the product expensive and somewhat brittle. The new technique is so cheap and easy it could literally be done in a backyard….

(15) DAVIDSON READ ALOUD. The Avram Davidson Universe is a podcast dedicated to the life work and impact of award-winning author, Avram Davidson. Episode 6 features “Alan Dean Foster & “Help! I Am Dr. Morris Goldpepper”.  It’s a very funny science fiction story about dentists. 

In each episode, we perform a reading and discussion of his works with a special guest. Avram Davidson (1923–1993) was a writer of fantasy, science fiction, and crime fiction. Davidson was born in Yonkers, NY and and served in the Navy during World War II. His life work includes 19 novels and over 200 short stories, all of which have been widely recognized for their wit and originality. Davidson’s works have won awards in three genres: an Edgar Award for mystery, a Hugo Award for science fiction, and three World Fantasy Awards.

(16) SUPER BOWL COMMERCIAL. The most genre of today’s TV spots was “Edward Scissorhands – Cadillac Super Bowl Commercial”.

(17) VIDEO OF THE DAY. In “Professor Layton” on Honest Game Trailers, Fandom Games says that while Professor Layton is “the world’s worst Sherlock Holmes cosplayer” the game’s many quizzes should appeal to fans of “anime, Agatha Christie, and people who enjoy the puzzle section in the newspaper.”

[Thanks to Andrew Porter, Michael Toman, JJ, Will R., Darrah Chavey, Martin Morse Wooster, John King Tarpinian, John Hertz, Mike Kennedy, Michael J. Walsh, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

A. Bertram Chandler Award 2020 Goes to Gillian Polack

The Australian Science Fiction Foundation has given the A. Bertram Chandler Award for 2020 to Dr. Gillian Polack.

The A. Bertram Chandler Award, established in 1991, is Australia’s premier award for lifetime achievement in science fiction.

Polack discovered fandom in 1979 at a Melbourne University Science Fiction Association meeting. She has been a Canberra fan since 2002, worked on the Conflux committee, helped run the Conflux online minicon, and was a co-convenor of Flycon, the first international online sf convention. She spent four years judging the Aurealis awards. She was voted the Get Up and Over Fan Fund in 2014, attended the 72nd Worldcon in London, and published a trip report, Gillian’s Book of Lists.

Her novel Year of the Fruitcake was a 2020 Ditmar Award winner and Aurealis Award finalist. Her short fiction has been listed among the year’s best by Ellen Datlow and Gardner Dozois and is collected in Mountains of the Mind (2018),.

The award judges say, “Dr. Gillian Polack is a worthy winner of the A. Bertram Chandler award. She is a long-term fan, speculative fiction writer and organizer of wonderful fannish events. She has contributed so much to Australian fandom.”

[Via Locus Online.]

Pixel Scroll 7/11/17 Be Kind To Your Scroll-Footed Friends, For A Duck May Be Somebody’s Pixel!

(1) NEW WFA TROPHIES ON THE WAY. Kim Williams, chair of the 2016 World Fantasy Con, told readers of WFC’s Facebook page that last year’s WFA winners, given certificates at the 2016 award ceremony in Columbus, OH will soon be receiving copies of the new statuette created by Vincent Villafranca.

Vincent Villafranca’s design was chosen to replace the Lovecraft bust trophy by the World Fantasy Awards Administration and the Board of the World Fantasy Convention following a year-long public competition.

(2) OMNI REBOOTS AMID RIGHTS LITIGATION. Penthouse Global Media, on July 10, announced the acquisition of OMNI magazine and that its upcoming issue is slated for print publication in late October.

“As Penthouse Global Media enters its second year under new ownership, our driving principle is to put all of the pieces of the brand back together again.  As a result of decades of neglect, much of this company’s brilliant legacy was lost…until now,” stated Penthouse CEO Kelly Holland. “I am proud to announce that one of those casualties, OMNI—the magazine of science and science fiction, heralded as one of Guccione’s most iconic brands—is once again a part of the Penthouse family where it belongs.  Thanks in large part to Pamela Weintraub, one of OMNI‘s original editors, who had the foresight to bring the brand back to life by re-registering the trademarks and launching a digital site, she, along with many of the original OMNI staff, will deliver the award-winning magazine to newsstands once again.”

Only days ago, to protect its intellectual property, Penthouse Global Media sued Jerrick Media, and various other defendants including Jerrick Media Holdings Inc., Jeremy Frommer, and actor Jared Leto, for copyright infringement, trademark infringement, unfair competition and false advertising, among other claims.

The lawsuit states:

Despite the fact that an application for registration of the OMNI Marks in connection with magazines had already been filed with the USPTO by Penthouse’s predecessor in interest, signaling to the world that the OMNI Marks were not available for use by Defendants, in 2013, Defendants Frommer and Schwartz again willfully and blatantly disregarded the intellectual property rights of others and began planning to publish an online science and science fiction magazine using the OMNI Marks and to republish and sell archival material from the original OMNI magazine. 29.

On or about June 27, 2013, Defendant Jerrick Ventures, LLC filed an application for registration of the purported trademark OMNI REBOOT (Serial No. 85,972,230), which registration was refused by the United States Patent and Trademark Office because of a likelihood of confusion with a registered OMNI Mark. On or about May 31, 2016, Jerrick Ventures, LLC filed a cancellation  proceeding before the Trademark Trial and Appeal Board (“TTAB”) seeking to cancel the OMNI Mark (Cancellation No. 92063829). Because Penthouse General Media seeks a declaration in the present action that its registered OMNI Marks are valid and should not be cancelled, it will seek to have the cancellation proceeding  before the TTAB stayed pending the judgment in this action. 30.

Despite knowing of the existence of the registered OMNI Marks, and despite being denied registration of Omni Reboot, Defendants nonetheless  proceeded to willfully and blatantly infringe on the OMNI Marks by operating an online magazine at https://omni.media, which it refers to as OMNI Reboot, that not only uses the OMNI Marks in connection with the publication of an online magazine featuring science and science fiction topics, but also contains archival material from the original OMNI magazine, including magazine articles and reproductions of OMNI magazine covers, all without the permission or consent of Penthouse.

Jeremy Frommer’s claims to the rights are allegedly based on an auction purchase:

Frommer bought at an auction erotic photography, films and historical documents, among other things associated with Guccione and Penthouse. He then began reselling those and other related items online, according to the complaint, and allowing the public to view Caligula for a fee. That triggered the first round of this fight in bankruptcy court in 2013, but the parties mutually dismissed their claims without prejudice.

Penthouse’s Holland minimizes that claim:

“We at Penthouse don’t believe a person can acquire the rights to a brand simply by stumbling upon some of its products,” Holland said. “If you buy a DC comic book at a garage sale it doesn’t give you the rights to make a ‘Wonder Woman’ movie, nor does one have a right to our legacy because they found an old Omni magazine.”

(3) PUBLICLY CHOSEN GARGOYLE. The Washington Post’s Marylou Tousignant found some items of fannish interest at the Washington National Cathedral.

Washington National Cathedral, the sixth-largest cathedral in the world, has 215 stained-glass windows. The most popular holds a piece of moon rock brought back by the Apollo 11 astronauts in 1969.

Another must-see is Darth Vader, carved into the cathedral’s north side. The “Star Wars” villain was one of four winning designs by middle-schoolers in a 1985 contest. Vader is one of 1,242 weird creatures staring down from the cathedral’s neck­stretching exterior.

(4) EYECATCHING. Marvel Comics will release lenticular covers for Marvel Legacy.

The biggest stories and most epic team-ups come to MARVEL LEGACY this fall, and now you can hold the past and the future in your hands! Today, Marvel is proud to announce that all of the Marvel Legacy homage variants will be available as lenticular covers – a true celebration of Marvel’s history and expansive universe!

As seen on Newsarama, all of Marvel Legacy’s homage variants were previously unveiled, showcasing the new Marvel Legacy line-up and classic covers of the past. Don’t miss your chance to own a part of Marvel history – enhance your collection with all of Marvel Legacy’s lenticular covers, coming to comic shops this fall.

(5) DID YOU WONDER? What will the next Wonder Woman movie be about? ” Rumor of the day: Diana will face off against the USSR in Wonder Woman 2″.

With Russia in the news so much these days, The Wrap has said in an unsourced report that Wonder Woman 2 will take place during the 1980s and feature Diana of Themyscira going head-to-head with agents of the Soviet Union.

That means that like its predecessor, Wonder Woman 2 will be a period piece — only not as far in the past as the World War I setting of Diana’s first standalone adventure.

Although Patty Jenkins is not officially confirmed to return as director, she is said to be developing the script for Wonder Woman 2 with DC Entertainment co-president Geoff Johns. And while the story will allegedly feature the USSR in an antagonistic capacity, there’s no word on whether other villains from Wonder Woman’s published history will appear as well.

(6) THE PAYOFF. Marvel says Secret Empire #9 will reveal Steve Rogers’ secret. On sale August 23.

When Steve Rogers was revealed to be an agent of Hydra due to the manipulations of Red Skull, the Marvel Universe was rocked to its core. Now, it’s the moment fans have been waiting for – and you’re not going to want to miss this reveal!

What is the secret of Steve Rogers? And how will it affect the Marvel Universe as we know it?

(7) WHY IT’S HARDER TO FIND GOOD REVIEWS. Speculiction’s Jesse Hudson, in “And the drop is due to”,  charts the site’s declining number of book reviews against his rising familiarity with PlayStation 3 games. He is in awe of the current gaming technology.

It’s no secret that modern video games are exponentially more realistic and immersive than their pixel and dot forebears.  For the unaware, the degree of realism and immersion in today’s video games is essentially one degree removed from cinematics—a gap that will be covered in the next few years, for sure.  What this means is that game creators are able to put players, as much as is possible, into the shoes of the characters running around the imagined worlds on screen.  Being a detective, mighty warrior (or warrioress), or space marine is this close.  Game developers have done all the work to give you agency in what are essentially silver screen experiences.  Instead of watching a movie, you become part of the movie, directing the character, depending on the game, through the story.  I still fully appreciate novels for retaining the distance between sensual and imagined reality—for forcing the reader to use their imagination.  But I also appreciate what modern gaming is doing to virtually eliminate this distance; if the game’s world and gameplay are well-developed and unique, then so too can be the experience.

(8) THOUGHTS THUNK WHILE THINKING. Nancy Kress tells about her Big Idea for Tomorrow’s Kin at Whatever.

Your mind does not work the way you think it does.

You probably assume that you consider data and come to rational conclusions. But all too often, people don’t take into account such pesky tendencies as confirmation bias (“This fact confirms what I already believe so it gets more weight”) Or polarization (“This situation is all good/bad”). Or emotionalism (“I feel this so it must be true”), a need for control (“I’m looking at what I can change and nothing else”), presentism (“The future will be like the present only maybe a little more so”), or scapegoating (“If this isn’t as I wish it to be, someone must be to blame!”)

When I set out to extend my novella “Yesterday’s Kin” into the novel Tomorrow’s Kin, which takes the story ten years farther along, I wanted to write about these distortions in your thinking. Oh, not you in particular (how do I know what you’re thinking as you read this—maybe it’s “She doesn’t mean me. I’m different.”) What interested me—especially in the current political climate—is the public mind as it relates to science and the perception of science….

(9) CROWLEY’S TIME HAS COME. Tor.com’s Matthew Keeley has published a brief profile of John Crowley, “Predicting the Future and Remembering the Past with John Crowley”, an author he notes is best known for his book Little, Big, but regrets is still not very well-known outside writing circles. The article aims to change this situation:

At Readercon a few years ago, I attended a panel on favorite science fiction and fantasy books. One author, one of the best working today, talked about the near-impossibility of writing a book so perfect as John Crowley’s Little, Big. There were wistful sighs from writers in the audience and nodded agreements from other panelists. Everyone in the room at that most bookish convention recognized that competing with Crowley was impossible.

Yet in many fan circles Crowley remains unknown. This literary master of the hermetic, hidden, and esoteric has for too long been as hidden as the obscure histories, gnostic theorists, and addled visionaries that populate his work. Despite the many awards; despite the praise of luminaries both inside the genre community, like Ursula K. Le Guin and Thomas Disch, and outside it, like Harold Bloom; despite his inclusion in both Bloom’s Western Canon and Gollancz’s Fantasy Masterworks, most fantasy readers don’t read him. Perhaps this is the year that changes.

(10) MARTINELLI OBIT. Italian-born actress Elsa Martinelli died of cancer in Rome on July 8. She was 82. Her genre work included The 10th Victim (1965), based on the Robert Sheckley novel.

(11) TODAY IN HISTORY

  • July 11, 1997 — On this day in 1997, Carl Sagan’s Contact entered theatres.
  • July 11, 2014 Dawn of the Planet of the Apes premiered theatrically.

(12) TODAY’S BIRTHDAY BOYS

  • Born July 11, 1899 – E.B. White
  • Born July 11, 1913 — Paul Myron Anthony Linebarger — better known by his pseudonym, Cordwainer Smith

(13) JEOPARDY! CONTESTANT. On the July 11 episode of Jeopardy!, Kelly Lasiter, from the St. Louis area, admitted she’s an SF fan who attends conventions in the area, and went to the 2016 Worldcon in Kansas City.

She won the game, with $22,800, and will play again on Wednesday.

(14) WHERE THE GEEKNERDS ARE. Examined Worlds’ Ethan Mills praises a convention’s community building in “CONvergence 2017 Report”.

The deeper thing that CONvergence taught me back in the early-mid 2000’s was the value of cons as a space for community, something I’ve discussed before with regard to other cons.  While being a geek/nerd is not as uncool as it used to be, it’s still great to have a place where you can let your geek flag fly proudly.  No matter how intense your nerdery is, someone at con is nerdier.  You may be wearing Vulcan ears, but someone else may have a full Starfleet uniform and android-colored contacts to dress up as Data from Star Trek: The Next Generation (an actual costume I saw at CONvergence).

The openness of a place where people can love what they love without derision or judgment is a beautiful thing.  This aspect of fandom seems to be unappreciated by small but annoying parts of fandom like the Rabid Puppies and Gamergaters, but it’s safe to say that for the vast majority of fans, this is precisely what fandom is all about….

(15) WHERE TO SELL. Now available: the “SFWA Market Report for July” compiled by David Steffen.

(16) A DAY AT THE PLANT. At Amazing Stories, Adam Roberts is interviewed about his contribution to an anthology,

Gary Dalkin for Amazing Stories: ‘Black Phil’, your story in Improbable Botany, packs a huge amount into 20 pages. It combines the scientific, the political and the personal in a way which is ultimately very moving, and does so while gradually revealing to the reader a startlingly imagined near future earth. There is a lot of specific detail in the story and I’m wondering what your approach to writing a piece like this is, how much do you have planned out before you begin writing, and how much comes to you through the writing process? I’m asking this in part because I’m wondering how quickly you write, given you are a prolific author of highly imaginative, intricately constructed novels and have a day job as a professor of literature as well.

Adam Roberts: My approach to writing has changed, I suppose. When I was starting out as a writer I would generally plan things out fairly carefully; now I have more technical fluency, and can trust my hands to produce more of what’s needed if I let them loose on the keyboard. Not entirely though. It’s a balance, as with so much of life. If a writer maps every beat of every chapter in a detailed plan before she ever writes a word, the danger is that the actual writing turns into a chore, merely filling in the blocks in the grid, and if the writer gets bored writing then that tends to communicate itself to the reader. On the other hand, simply diving in with no sense of where you’re going or how the story is going to unfold, in my experience, will result in something too baggy and freeform, understructured and messy. So the praxis for me is threading a path between those extremes: having a sense of the overall shape of the thing, and which spots I definitely want to hit as I go, but working out some of the specifics as I write the first draft, to keep at least elements of it fresh. With short stories the process is a little different to novels: plot is constrained by the shorter space, so there’s a greater need for other things to hold the whole together – a governing metaphor, for instance, that can be unpacked and explored, provided it’s eloquent enough. In ‘Black Phil’ I was working with blackness as a colour and blackness as a mood, which meant that the story needed to make a certain kind of emotional sense, and the other elements were rather subordinated to that.

(17) IF YOU WANT TO GIVE HER A MISS. Canberra sff author Gillian Polack puts a different spin on the typical convention schedule announcement in “How to avoid me at Worldcon 75”.

This is the post you’ve been waiting for. Now you can plan your Helsinki visit knowing you can avoid me. You’ll also know that I can’t redeem myself with chocolate, for I have tiny scraps of Australia to give everyone instead. Ask me nicely and you could take home some opal or Australian turquoise or fool’s gold. (When I say ‘scraps of Australia’ I mean it quite literally.) Asking me politely would, of course, mean not avoiding me.

I can only be at a small bit of the auction, but I’m bringing Tim tams, a blow-up kangaroo and other exciting things to add to the bidding frenzy. This emans I’ll be there … sort of…for some of the time and my luggage will represent me the rest of the time….

(18) GOOD REVIEWS. The other day I said someone’s Hugo nominee reviews were lacking who hadn’t completely read most of the stories. Now, at the opposite end of the spectrum, I’ve encountered the hyperfeasance of Garik16 who claims, “I managed to read every nominee this year before the nominations were announced except for A Closed and Common Orbit (Yes I know I’m hipster bragging here lol).”

More importantly, his post, “Reviewing the Hugo Nominees: Best Novel”, is rich in analysis and substantive comments.

  1. Ninefox Gambit by Yoon Ha Lee

Review on twitter here:

Disclaimer: I’ve just finished this books sequel (Raven Strategem, review forthcoming next week), and will try to separate the two books since its fresh in my mind. Ninefox Gambit is a book that is Challenging to read.  Whereas other books might try to infodump explanations of how extremely complicated made up SF or Fantasy worlds work, Ninefox Gambit just drops you right in the world, made up terminology and all, and trusts you to figure it out on your own.  It’s probably a bit too far in this direction honestly – a short story in the same universe for example explains a little bit more and there’s no reason this book couldn’t have done the same – but if you can get past it, the result is just phenomenal.

This is a universe where calendars followed are of maximum importance, where mathematical calculations allow for armies to create devastating attacks on a battlefield, and where immortality may be very possible.  This book deals largely with the efforts of a mathematical genius but otherwise standard infantry soldier getting stuck with an undead general in her head – an undead general who is both brilliant and known for massacreing his own forces.  The interplay between them, as well as how the world works around them, results in a truly fantastic book.

This is one of those books that will have you going back after your first reread to find out things you might have missed, and to see how things read after the reveal later in the book. The book isn’t light in tone – the dominant government relies on ritual torture to keep its technology working for example – but it is absolutely gripping if you can get past the terminology at the start and contains some pretty strong themes of the values of freedom, justice and sacrifice.

I suspect it’ll come in 2nd in voting, but this has my vote.

And for bonus reading, here’s what Garik16 thinks about the Hugo nominated novellas, novelettes, and short stories.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Andrew Porter, Rob Thornton, Rich Lynch, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Hanson Wins 2017 GUFF Race

Donna Maree Hanson is the Get Up and Over Fan Fund (GUFF) winner 2017. GUFF exchanges delegates between Australasia and Europe. Hanson will represent Australasian fandom at Worldcon 75 this year.

Alexandra Pierce, Sam Hawke, and Belle McQuattie were the other candidates.

Gillian Polack announced the result on Twitter and the voting results are at the Ozfanfunds site.

2017 GUFF VOTING DETAILS

Total number of eligible voters: 62

 

Hanson

Hawke McQuattie Pierce Hold Over Funds Write-in No Preference

Total

1st Round

25

6 10 16 0 1 4 62
2nd Round

26

6

10

16

      58

3rd Round

30

 

10

16

      56

4th Round

33     18      

51

In the fourth round Hanson received more than 50% of the total number of eligible votes in the race, making her the winner. One write in vote was received, for Davina Watson

[Thanks to Paul Weimer for the story.]

2017 DUFF Race Begins

Voting on the Down Under Fan Fund delegate to Continuum, the 56th Australian National Science Fiction Convention in Melbourne, Australia, has opened and will continue until March 10, 2017 at 23:59 PST. There is one candidate in this year’s race, our own —

Paul Weimer

I’m a podcaster for the Skiffy and Fanty podcast, the SFF audio podcast, a noted SF/F book reviewer and a regular panelist at local cons. I am also an amateur photographer. I have only been to one international con, the Worldcon in London in 2014, and would love to broaden my international fandom connections. If I have the honor of being selected, I aim to build the links I already have with Australian fandom (in things like being a prior participant in The Australian SF Snapshot) into face to face interviews, meetings, and more with fans and genre folk at Continuum and elsewhere in Australia. Have camera and recorder and ready to travel!

Nominators: North America: Mike Glyer, Arref Mak, and Jen Zink. Australasia: Gillian Polack and Alexandra Pierce.

It’s important for fans to vote because that’s a source of funds for Paul’s trip. (Votes should be accompanied by a minimum contribution of $5 in US, Australian, Canadian, or New Zealand currency, or an equivalent sum in other currencies. Any contributions in excess of the minimum voting fee will be gratefully accepted.)

You can vote online using this form, or you can print a copy of the ballot by downloading the PDF.

DUFF was founded in 1972 to exchange delegates from Australia, New Zealand and North America.

Delegates are chosen as active members of the SF community whom fans on the visited side would like to meet. The delegate travels as much as possible, makes friends, radiates goodwill, and becomes the Administrator in turn until the next cycle. There is an expectation (not always fulfilled!) that delegates will write a trip report during or after their trip. Delegates’ trip reports are sold to support the Fund.

The current administrators of the fund are Lucy Huntzinger in North America, and Clare McDonald-Sims in Australia.

Shamrokon Miscellany

Shamrokon, the 36th Eurocon, came to an end today in Dublin, the ”city that helped Bram Stoker work out how to describe what a vampire’s skin would look like”.

GUFF delegate and Tim Tam smuggler Gillian Polack said the candy was key to the success of the Shamrokon auction which raised “an extra 555 euros.”

Legendary Irish fanzine fan Thomas Ferguson handed out copies of Götterdämmerung Redux, the best writing from 11 issues of the Belfast SF fandom fanzine.

And throughout the weekend some of the bids campaigning at Shamrokon have been drawn into the ALS Ice Bucket Challenge. I’m not going to make an exhaustive list, but in my favorite two fans get the works — Helsinki in 2017 bidder Eemeli Aro is doused by a one-boy bucket brigade then, on the other side of the world, Adam Beaton gets deluged before calmly replacing his trademark red porkpie hat on his soggy head.