Pixel Scroll 3/3/24 And Did Those Filers In Ancient Times Scroll Upon Glyer’s Pixels Green?

(1) SIGN FROM A FELINE. Mary Robinette Kowal’s “Rude Litterbox Space” is a free read at Sunday Morning Transport to encourage people to subscribe. Bonnie McDaniel says it is based on the author’s real-life communication-board-using cat.

… Language was hard. Bending space-time was not….

(2) A HITCH. P. Djèlí Clark’s blog post makes you want to read “The Dead Cat Tail Assassins”, then tells you why you’ll need to wait ’til summer’s end.

…Okay, now for the not so good news. The Dead Cat Tail Assassins was supposed to drop this month, March. But… yadda, yadda, yadda.. we got a new pub date: August, 6 2024.

What happened? Stuff. Stuff happened. Putting a book together requires lots of hands: me the author, editors, copyeditors, publicists, printers, centaurs, goblins, magical creatures from Fillory. And, for a myriad of reasons, sometimes things go pear shaped and stuff gets pushed back. You’re probably like, yeah but from March to August? That’s a big pushback! Hey, what can I tell you… lose your place in line, and you don’t just get a back-cut. There are other books by other authors waiting to be worked on, books coming out that can’t clash with your own, gotta find a new place in the queue at the printing warehouse, and all kinds of arcane alchemy I don’t pretend to understand…

(3) LIVESTOCK BY MAIL. I think the anecdote that starts Brian Keene’s “Letters From the Labyrinth 370” really happened, though I won’t be surprised if it finds its way into a book.

“I’m here about the dead chicks.”

That was what the woman butting in front of me and another customer at the post office said. I turned, intrigued. She was short, thin, blonde hair fading with age to the color of straw. I placed her at older than me — probably mid-sixties but then I remembered the day before when my postal carrier, whom I’d thought was in her seventies, told me she was the same age as me — 56. I can’t gauge age anymore. When I look in the mirror, I don’t see 56. But I’m also smart enough to know that how I see myself isn’t necessarily how others see me. In my mind, I’m still as suave and charming as Diamond David Lee Roth, but I suspect others look at me and think “Look at that silly old man. How sweet.”

But I digress….

Makes me remember when I was surprised to learn you could order live honeybees through the Sears catalog. (Which I wasn’t allowed to do. Just as well.)

(4) HUGO NEWS ROUNDUP AND MORE. Jason Sanford’s “Genre Grapevine for February 2024” on Patreon is free to the public.

In early February, Chris Barkley contacted me and said he’d received emails and documents related to the 2023 Hugo Awards from Diane Lacey, one of the award administrators. I’d seen Chris only two weeks earlier at the ConFusion convention in Detroit, where we sat at the bar discussing that weekend’s release of the Hugo nomination and voting stats. We were both shocked by the works and authors deemed “not eligible” and kept off the final ballot for no stated reason. We also were surprised so few Chinese authors and works made the Hugo longlist.

While talking in Detroit, Chris and I felt shenanigans had likely happened during last year’s Hugos. However, we also feared the truth of what happened might never come out.

Two weeks later, Chris shared the leaked emails and documents and I realized we’d been wrong. The truth would indeed come out….

(5) FAITH. Abigail Nussbaum walks readers through “The 2024 Hugo Awards: My Hugo Ballot” at Asking the Wrong Questions. She says in a preamble to the nominations:

We’ve spent so much of the last six weeks talking about the debacle that was last year’s Hugo awards, that it was easy to forget that another awards season was gearing up at the same time. So here we are, with less than a week left to nominate for this year’s Hugos, and to be honest it feels a bit strange to make this post. I always love to talk about the things I enjoyed in the fantastic genres over the last year, and to encourage my readers to consider them for a Hugo nomination. But doing it this year, with the shadow of an award whose nominations and results we can have no faith in, can feel a bit pointless.

Another way of putting it is that this is an act of faith–in the administrators of this year’s award, who have been doing their utmost to project reliability and distance themselves from last year’s inexcusable actions; in the fandom, which continues to care about this award and try to make it the best it can be; and in the award itself, and the idea that it can overcome this blow to its reputation and start moving back to what it was….

(6) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Christopher Rowe and Moses Ose Utomi on Wednesday, March 13 starting at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003. (Just off 2nd Ave, upstairs)

Christopher Rowe

Christopher Rowe’s most recent novella, The Navigating Fox, published by Tordotcom was described by The Wall Street Journal as a “modern Aesop’s fable.” His other books include the novella These Prisoning Hills and a collection, Telling the Map. Over the last 25 years, his stories have been published, anthologized, and translated around the world and he has been a finalist for the Hugo, Nebula, World Fantasy, Theodore Sturgeon, Neukom, Seiun, and other awards. He lives in Kentucky.

Moses Ose Utomi

Moses Ose Utomi is a Nigerian-American fantasy writer and nomad currently based out of San Diego, California. He has an MFA in fiction from Sarah Lawrence College and short fiction publications in Fantasy MagazineSunday Morning Transport, and other venues. He is the author of the young adult fantasy novel Daughters of Oduma and The Forever Desert, the fantasy novella series that includes the acclaimed The Lies of the Ajungo. When he’s not writing, he’s traveling, training martial arts, or doing karaoke—with or without a backing track.

(7) FILM EDITING AWARDS. Deadline has the “ACE Eddie Awards Winners List”.

Oppenheimer took the marquee Best Edited Feature Film (Dramatic) honor and The Holdovers landed the top Best Edited Feature Film (Comedy) award at the 74th ACE Eddie Awards Sunday….

Here are all the winners of genre interest:

BEST EDITED FEATURE FILM (Drama, Theatrical)

  • Oppenheimer — Jennifer Lame

BEST EDITED ANIMATED FEATURE FILM

  • Spider-Man: Across the Spider-Verse — Michael Andrews, ACE

BEST EDITED DRAMA SERIES

  • The Last of Us: “Long, Long Time”Timothy A. Good, ACE

(8) HERE WE GO AGAIN. “Hollywood Teamsters, IATSE Hold Solidarity Rally Ahead of AMPTP Negotiations”The Hollywood Reporter was there.

A coalition of Hollywood’s below-the-line unions rallied Sunday on the eve of their latest contract negotiations. They threatened a historic strike against the Alliance of Motion Picture and Television Producers if their demands weren’t met. Such a work stoppage would follow a pair of strikes in 2023 by industry writers and actors which crippled the entertainment industry and have left it limping into the new year.

“I hope they’re paying attention right down the road at the AMPTP,” IATSE vice president Michael Miller announced from the stage to the crowd of around a thousand people at Woodley Park in Encino. (Nearly a thousand more watched a live-stream online.) He then invoked a slogan repeated throughout the event: “Nothing moves without the crew.”

For the first time since 1988, the Hollywood Basic Crafts group — which includes Teamsters Local 399, IBEW Local 40, LiUNA! Local 724, OPCMIA Local 755 and UA Local 78 — and the crew union IATSE are joining this year to negotiate their health and pension benefits with the Hollywood trade group the AMPTP, which represents studios and streamers. Those talks begin Monday.

The “Many Crafts, One Fight” rally served mainly as an opportunity for members to express solidarity and hype each other up. So-called “above-the-line” unions SAG-AFTRA and the WGA made strong shows of force with their sign-wielding members and leaders expressing gratitude. (Teamster cooperation was key in the WGA’s production shutdown strategy early in its stoppage.) WGA West vice president Michele Mulroney drew applause when she acknowledged crew support which “sustained us through our own long and arduous fight,” and noted that “without all of you our words would just languish on the page.”…

(9) ARRAKIS DELIVERS BIG B.O. “’Dune 2′ Nears $100 Million Overseas, Surpasses $150 Million Globally” according to Variety.

Dune: Part Two” is turbocharging the international box office.

Director Denis Villeneuve’s otherworldly sequel has generated $97 million from 71 overseas markets, bringing its global tally to a promising $178.5 million. Those worldwide revenues include $81.5 million from North American theaters, where it landed the biggest domestic opening weekend of the year.

The movie, starring Timothée Chalamet and Zendaya, has been embraced in the U.S. and Canada. But the backers of “Dune 2” need overseas audiences to keep the ticket sales flowing as freely as spice on the desert planet of Arrakis. That’s because Warner Bros. and Legendary Entertainment spent $190 million to produce and roughly $100 million more to promote the film to global audiences. Those hefty fees mean the tentpole will require outsized admissions to turn a profit.

(10) MARK DODSON (1960-2024). The voice actor Mark Dodson died of a heart attack while staying in Evansville, IN to appear at Horror Con. Deadline pays tribute: “Mark Dodson Dies: ‘Star Wars’ And ‘Gremlins’ Voiceover Artist Was 64”.

Mark Dodson, whose unique voice characterizations propelled creatures in the films Star Wars: Return of the Jediand Gremlins, has died at 64.

His daughter told TMZ that he died while in Evansville, Indiana, to attend Horror Con. He checked into a hotel and suffered a “massive heart attack” while sleeping, she said.

Dodson was the voice of Salacious Crumb, the scruffy little creature who was a cackling crony of Jabba the Hut in Star Wars: Return of the Jedi.That memorable voice led to a gig in Gremlins, where he became the voice Mogwai, much-imitated in school yards. 

He worked continuously for several decades in film, video games, radio and commercials as a voice artist. . 

His daughter, Ciara, told TMZ that her father “never ceased making me proud.” a 

The Evansville Horror Con, where Dodson was scheduled to appear, posted a tribute to Facebook. 

“We are heartbroken to announce the sudden passing of Mark Dodson last night. Mark was not only a talented voice actor but also a cherished member of the horror community. Our thoughts and prayers are with his family, friends, and fans during this incredibly difficult time. We hope that you can take a moment out of your day to reflect on the joy and laughter that Mark brought into the world. His legacy will live on through his work.”

Survivors include his daughter and several grandchildren.

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 3, 1920 James Doohan. (Died 2005.) James Doohan, a Canadian, is of course remembered best for being the original Montgomery “Scotty” Scott on the first version of the Enterprise. And doesn’t it say something about the franchise that I had to write the sentence that way? 

He played, definitely way too much in my opinion, the archetypal Scotsman. He even had a Dress Uniform Kilt, something I’m dead certain doesn’t exist in the modern Navy, as on display in “Is There in Truth No Beauty?” and “The Savage Curtain”. And I forget how many characters he drank literally to the floor. No don’t get me wrong, I loved the character, but the depiction was seriously over the top.

So my favorite episode involving him? That had to be when he defended the honor of the Enterprise in a bar brawl with a Klingon in “The Trouble with Tribbles” after that Klingon called his beloved ship a garbage scow. Perfect, just perfect. 

So what else has he done? His first major genre role (he had previously appeared in one episode of Tales of Tomorrow) was as Paul Mitchell on Space Command, an early Fifties Canadian children’s sf series. It only lasted two years but they did one hundred and fifty episodes!  Shatner would appear there.

A decade later, he entered the Twilight Zone playing Johnson, by no means a major role, in the “Valley of the Shadow”.  Around the same time, on Outer Limits he played Police Lt. Branch in “Expanding Human”, this time a lead role. 

He showed up twice in The Man from U.N.C.L.E (in different roles),  BewitchedFantasy IslandMacGyver and Knight Rider 2000.

Need I say Next Generation’s “Relics” was wonderful?  And I’m not talking about Trials and Tribble-ations even though it’s a stellar story as he’s only there in existing footage of him.

Filmwise, Trek was his major gig as I see very little genre undertakings at all. He had an uncredited role in The Satan Bug, an sf thriller. It’s so short that IMDB gives the time that he’s in the film.

His only other genre role that I can see in a film outside of Trek was as Judge Peterson in Skinwalker: Curse of the Shaman. If you’ve not seen it don’t feel bad. It’s obscure enough that no one on Rotten Tomatoes has either. 

I think that covers it for him. Now keep in mind that I did love him, despite my criticism of his portrayal of a Scottish character, on Trek as he’s really likeable. He and Nichelle Nichol’s always seems to be the two most, well, truly warm, likeable individuals there. 

I think I’ll go watch both of the Tribbles episodes on Paramount + now.  Yes, I know there’s the animated episode as well, “More Tribbles, More Trouble”, but it just doesn’t have the charm the actual ones with live actors do. 

(12) COMICS SECTION.

(13) CACHING IN. [Item by SF Concatenation’s Jonathan Cowie.] If my memory serves (and it is not that reliable though I constantly amaze myself in recalling a science paper from years ago out of the recesses of my mind) I have a feeling that File770 covered the demise of Google’s readily available Cache. Then  this piece might interest you — “Why Is Google Hiding Its Cached Search Results?” at Tedium.

I have to imagine that Google did not make a lot of money from people pinging its search engine for cached website results, but making it convenient to access was a service to searchers.

It was also somewhat of a service to society. Often, when information-related scandals broke—such as content with egregious errors, evidence of deleted social media statements, or information at risk of appearing offline in short order—it was a great backstop that worked more effectively than the Internet Archive for capturing fresh information.

And yet, for some reason, Google has treated this feature like it was embarrassed of it. Over the years, it has increasingly come to bury the feature in its search interface, making it harder and harder to find, despite me finding it just as useful as it was the day it launched.

Recently, the company started removing it entirely…

… To be clear, the cache is not gone—it is simply hidden from public view. (I don’t see it on my end, either.) You can access it manually by typing in a specialized URL…

For example, here’s the URL to access the cache for File 770: https://webcache.googleusercontent.com/search?q=cache:file770.com

(13) A TRUTH NOT YET UNIVERSALLY ACKNOWLEDGED. Would Jane herself have turned thumbs down on this idea? “Winchester plan for £100,000 Jane Austen statue triggers ‘Disneyfication’ fears” reports the Guardian.

The idea was to celebrate one of the greatest British authors with a beautiful statue set up in a cathedral for the 250th anniversary of their birth.

But at a public meeting to discuss the erection of a Jane Austen sculpture close to her final resting place at Winchester Cathedral, concerns were raised that it would lead to the “Disneyfication” of the place of worship and become a magnet for tourists keen to get a selfie.

Elizabeth Proudman, an Austen expert and leading light in the Jane Austen Society, also suggested the author herself would not have approved of the statue and the fuss surrounding it.

She said: “We don’t know what she looked like, but we do know that she was a very private person. She despised publicity.”

Austen is buried in the north nave aisle of Winchester Cathedral under a memorial stone, which mentions “the extraordinary endowments of her mind” but does not provide any more detail about her career.

(15) IN CASE YOU WONDERED. Everyone who’s read the history of the first atomic bomb saw this was missing from the movie. SYFY Wire’s James Grebey gives his opinion “Why Oppenheimer Doesn’t Include the Deadly “Demon Core” Accidents”.

… The ominously named demon core, a sphere of plutonium used in the development of atomic bombs after the success of the Trinity Test, was responsible for the deaths of two scientists who worked on the Manhattan Project. The core, which weighed 14 pounds and measured just 3.5 inches in diameter, was all set to be turned into a third bomb that could have been used against Japan had they not surrendered following the bombings of Hiroshima and Nagasaki in August 1945…. 

(16) THE HILLS ARE UNDEAD WITH THE SOUND OF MUSIC. Mitch Benn mashes up “Gilbert & Sullivan’s Francis Ford Coppola’s Bram Stoker’s Dracula” for YouTube viewers.

Now with on-screen libretto, my “restoration” of Gilbert & Sullivan’s operetta version of Dracula married to the sumptuous visuals of Coppola’s masterful 1992 film adaptation… Have fun with it before someone has it taken down

(17) VIDEO OF THE DAY. In a 2018 video Mr. Sci-Fi, Marc Scott Zicree, explains “WHY DIDN”T WE GET THIS?! Unreleased Sulu Star Trek Series!”

Star Trek and Deep Space Nine writer Marc Scott Zicree shares the entire Captain Sulu Star Trek pilot he and Emmy winner Michael Reaves wrote, and shares the untold story of why you never got to see that series — despite its Hugo and Nebula Award nominations!

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kathy Sullivan, Bill, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 2/5/24 To Boldly Scroll Where No Fan Has Scrolled Before

(1) MCCARTY Q&A. Chris Barkley’s audio interview with Dave McCarty was published here overnight: “Barkley — So Glad You (Didn’t) Ask #81”. The audio recording is at Soundcloud. A transcript is here.

(2) SPARE CHANGE? The New Zealand Mint has a line of The Lord Of The Rings™ Collectible coins.

Set in the mythical world of Middle-earth, The Lord of The Rings fantasy saga follows hobbit Frodo Baggins, Samwise Gamgee and a fellowship of characters as they embark on a quest to destroy the One Ring. Considered one of the greatest works of the 21st century, its popularity has spawned numerous adaptions.

Return to Middle-earth with our limited-edition THE LORD OF THE RINGS™ coins. Made from pure gold or silver, they feature characters and landscapes from the epic fantasy adventure films. Crafted in fine detail with themed packaging, they make the perfect memento for any fan!

Famed Middle-Earth locations feature in these gold coins.

And the silver series includes one with Gollum. Heads he wins, tails you lose!

(3) LEST GRIMDARKNESS FALL. [Item by Anne Marble.] Sebastian Milbank, in an article for the British magazine The Critic (called a “contrarian conservative magazine”) refers to “grimdark” as “Grimdull” — and seems to think they are both “liberal” and “leftist.” (Umm, those are not the same thing.) The article also flings darts at Michael Moorcock and Phillip Pullman. And it calls Breaking Bad grimdark?! Boy, does this article ever make a lot of assumptions about the writers (and readers) of grimdark! And it uses a lot of words in which to do so.

For those unblessed (or uncursed) with an interest in contemporary fantasy, the phrase “Grimdark” may suggest the name of some 2000s era Goth club. It’s a recent coinage for an ongoing craze in “gritty” and dark fantasy settings, epitomised and popularised by George RR Martin, becoming the default tone for a whole range of feted fantasy offerings from Joe Abercrombie’s First Law series featuring a dark, brooding protagonist who kills a lot of people — and occasionally feels bad about it — to Mark Lawrence’s Broken Empire Trilogy featuring a dark, brooding protagonist who kills a lot of people — and occasionally feels bad about it.

It’s a genre with a number of consistent features. It’s generally in a mediaeval fantasy setting, but shorn of any romance. Characters are overwhelmingly cynical, and those few who exhibit nobility are treated as foolish or naive. Generally a chaotic war is happening, or about to happen. Religion features, but largely as a tool of social control, often portrayed (usually with some real effort given the baseline awfulness) as even more cruel and cynical than the secular world around it. Dark observations about human nature substitute for any moral drama, with characters seeking to outwit, manipulate or overpower one another in a kind of Darwinian struggle for dominance.

It’s a script born of vaguely liberal, vaguely radical, vaguely anarchic sentiments common to most contemporary creative “industries”. But fantasy, with its over escapism and heroic aristocratic setting, presents something of a problem. This is the inner tension of left wing fantasy — how can a genre defined by apparent escapism not end up serving reactionary ends?…

Grimdark author Joe Abercrombie has a very concise takedown:

(4) ALERT FOR CONVENTION EMAIL RUNNERS. Andrew Trembley shared this alert on Facebook.

For y’all running conventions and running convention email, if you haven’t set up SPF, DKIM and DMARC, you need to do it yesterday. If you’re reading this on Monday, February 5, literally yesterday, because today is the day Google and Yahoo started refusing mail from many email services that have failed to implement SPF, DKIM and DMARC.

(ETA long version, did not include in the share)

I’m seeing people saying “Google is starting to block more non-Gmail senders.” Now they’re right from the perspective they’re looking at this from, but they’re not seeing the whole picture.

It’s not non-Gmail senders. It’s also not just Gmail.

So what is happening? Bear with me, this is long…

(5) MARY SOON LEE Q&A. Space Cowboy Books hosts an “Online Reading and Interview with Mary Soon Lee” on Tuesday, February 6 at 6:00 p.m. Pacific. Register for free HERE.

How-to astronomy poetry to answer vexing questions such as How to Surprise Saturn, How to Blush Like Betelgeuse, and How to Survive a Black Hole.

“Unraveling meaning from partial glimpses of the universe has preoccupied astronomers for thousands of years. Mary Soon Lee’s remarkable collection of poetry traces this journey, capturing the wonder of the celestial bodies that comprise our universe, the elegance of the rules that guide its evolution and the humanity of those who search to better our understanding.” -Andy Connolly, Professor of Astronomy, University of Washington

Mary Soon Lee is a Grand Master of the Science Fiction & Fantasy Poetry Association, and has won the Rhysling Award, the Elgin Award, and the AnLab Readers’ Award. Her work has appeared in Science, American Scholar, Spillway, Asimov’s Science Fiction, and Strange Horizons. This is her second collection of science poetry, following on from Elemental Haiku: Poems to honor the periodic table three lines at a time. Born and raised in London, she now lives in Pittsburgh.

(6) FAN FALLOUT. The Seattle 2025 Worldcon committee answered a query on Facebook by saying that neither Dave McCarty nor anyone else from the Chengdu Worldcon team will be involved with their Hugo Awards.

(7) SALAM AWARD OPEN FOR SUBMISSIONS. The Salam Award, which promotes imaginative fiction in and about Pakistan, reminds Pakistani writers they have until midnight July 31 to submit entries for the award. See full guidelines at this link. Participants must either be currently residing in Pakistan, or be of Pakistani birth/descent.

(8) DANISH COMPLETIST. “Modstand og håb” at Superkultur is written in Danish, however, Lise Andreasen has provided an English translation in the first comment.

Niels Dalgaard is a patient man – not only in his persistent attempt to collect all the science fiction that has been published in odd corners of the Danish publishing world, but more specifically in this case in his project: to read through the approximately 250 novels that has been published in Danish, which can be placed in the category “youth dystopias”….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 5, 1941 Stephen J. Cannell. I have come this Scroll to talk of not cabbages and kings but a man who as a mystery writer showed up regularly playing poker as himself in the Castle series with Nathan Fillion as Richard Castle — Stephen J. Cannell. James Patterson, Michael Connelly, and Dennis Lehane were the other such writers here. I’ll talk about his work as a novelist later. 

Nathan Fillion as mystery writer Richard Castle, playing poker with real-life authors Michael Connelly, James Patterson and Stephen J Cannell.

The Zorro rip-off, scripted in its one season by him, The Night Rider, described by IMDB this way, “A refined New Orleans gentleman becomes a masked crimefighter by night, both to uphold law and order and to find the men who murdered his family in order to get their silver mine” is genre the same The Shadow or Doc Savage is in that it’s pulp.

Between that series and what I’m about to note next, scripting shows, the good, the bad and the truly awful made him very wealthy. So he got to produce a series that he said was one he’d to do a very long time ago — The Greatest American Hero.  You know the story of it so I want go into deep detail here, but suffice it to say that he was very happy with its success.

Veering way out of genre, I’m going to note he created Baa Baa Black Sheep (which was renamed Black Sheep Squadron for the second season for reasons unknown by the Powers That Be), a series I really liked.

I’ll note next 21 Jump Street which he created with Patrick Hasburgh which was about the cases of an undercover police unit composed of really great looking young officers specializing in youth crime. Definitely not genre, so why mention it? Because that featured Johnny Depp who would later do so many genre performances. And yes, he’d done one before this series as Greg Lantz in A Nightmare on Elm Street.

He loved making low budget horror films such as The Demon HunterThe Fairy and Left in Darkness. All shot on all cheap budgets (and this is after he became very wealthy), shot on locations you wouldn’t go without security in armor and shot fast enough you’d suspect use of interesting drugs to keep everyone alert, there’s more than makes sense of these in his IMDB listings. Stephen, you devil. Possibly literally.

Now about that poker game on Castle. All four of those players are there because they are mystery writers. Cannell wrote a series of novels about Shane Scully who was a detective in the LAPD force. I don’t know if they actually played poker in those scenes but I suspect they did. 

(10) SATISFIED FAN. Cora Buhlert heaps praise on a He-Man adaptation: “The Revolution Will Be Televised: Some Thoughts on Masters of the Universe Revolution”.

…So I watched Revelation and it turned out to be not just some nostalgic fun, but so much more. Here was the He-Man story I always wanted to see, a series which took the characters seriously in all their beautiful absurdity and found new depths in them and even managed to make me cry (something western animation in general very rarely does – crying is for anime), while also harkening back to the early 20th SFF which had inspired Masters of the Universe in the first place. Plus, the animation was gorgeous and finally looked as good as the Filmation cartoon looked in my memory, but never in reality, and the voice cast was stellar….

(11) GROUNDHOG DAY CAST REUNION. “Bill Murray celebrates ‘Harold Ramis Day’ Groundhog Day” at CBS Chicago.

This Groundhog Day, Woodstock Willie did not see his shadow — and thus said we should expect an early spring this year.

But at a ceremony in Chicago on Friday, a groundhog named Chicago Harry did not agree.

But first off, why is there a groundhog prognosticating on the trajectory of winter in Woodstock, Illinois? The answer, of course, is that in the 1993 film “Groundhog Day,” Woodstock stood in for Punxsutawney, Pennsylvania — home of Groundhog Day celebrations since the 1880s.

Ever since the movie came out 31 years ago, Woodstock Willie has been up there with Punxsutawney Phil in the real Punxsutawney among large-rodent long-range winter forecasters.

Members of the cast of the iconic film reunited for the first time at Navy Pier Friday, marking 31 years since the film was released. But Friday was also about honoring Harold Ramis and commemorating 10 years since his death….

…”I think it’s great that we’re here and, I don’t want to be too Irish, but it’s very nice of Harold to make it a very nice, mild day for today,” Murray said. “He’s up there stirring the clouds around, making that low pressure move out to Indiana and just drenching, ruining those people’s lives over there in Indiana.”

Ramis’ wife, Erica, was in attendance, beaming with pride as many spoke wonders about her husband. She even read a letter from former President Barack Obama encouraging people to enjoy the day as Ramis would. 

The ceremony included re-enactments of Punxsutawney festival emcee Buster Green (Brian Doyle-Murray) knocking at the tree stump with his cane, where a groundhog named Chicago Harry made his prediction.

Ken Hudson Campbell (“man in hallway”), Robin Duke (Doris the waitress), Marita Geraghty (Nancy Taylor), Richard Henzel (the DJ), Don Rio McNichols (drum player), David Pasquesi (the psychiatrist), and Peggy Roeder (the piano teacher) were also in attendance.

And unlike Woodstock Willie, and Punxsutawney Phil, Chicago Harry saw his shadow — and predicted six more weeks of winter after all.

(12) GOING ROGUE. [Item by SF Concatenation’s Jonathan Cowie.] Just learned that the 2000AD strip Rogue Trooper film is at last moving forward. Director Duncan (Moon, Source Code) Jones teased about this back in 2018 and it now looks like a cast is being pulled together. “Duncan Jones’ Rogue Trooper Movie Cast Announced, Including Hayley Atwell, Sean Bean, and Matt Berry” at IGN.

The cast for Rogue Trooper, the upcoming movie from Moon and Warcraft director Duncan Jones, has been announced. The animated adaptation of the classic 2000 AD comic will be headlined by Aneurin Barnard, Hayley Atwell, and Jack Lowden, and will also feature a number of other well-known British stars such as Sean Bean.

Aneurin Barnard, who previously starred in The Goldfinch and Dunkirk, plays the titular Rogue Trooper, a blue-skinned, genetically-engineered soldier fighting on the toxic battlefields of a seemingly never-ending war. The sole survivor of a massacre that killed his squadmates, he’s on the hunt for the traitor that arranged their deaths. He does this with the aid of three of his killed-in-action squadmates, whose digital personalities still remain conscious after death and are uploaded into Rogue’s gun, helmet, and backpack….

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Science Futurism with Isaac Arthur this week took a look at Death Worlds. These are planets on which, once you land, they set out to kill you.  Unlike most of Isaac Arthur’s episodes (other than his monthly ‘Sci-Fi Sundays’) which have a (highly speculative) science take, this one has as much a science fictional approach, starting as it does with the legendary Harry Harrison’s DeathWorld series of the 1960s. Along the way, he gives us a number of SFnal examples… So, pour a mug of builders and sit back for a half-hour episode (it won’t kill you)…

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Lise Andreasen, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 2/4/24 Pixel, Pixel, Scroll And Stumble. File Churn And Cauldron Double

(1) FUNERAL FOR CACHED WEBPAGES. Ars Technica says “Google will no longer back up the Internet: Cached webpages are dead”. That will make reporting controversial social media – where people sometimes take down posts that have attracted attention — rather harder.

Google will no longer be keeping a backup of the entire Internet. Google Search’s “cached” links have long been an alternative way to load a website that was down or had changed, but now the company is killing them off. Google “Search Liaison” Danny Sullivan confirmed the feature removal in an X post, saying the feature “was meant for helping people access pages when way back, you often couldn’t depend on a page loading. These days, things have greatly improved. So, it was decided to retire it.”

The feature has been appearing and disappearing for some people since December, and currently, we don’t see any cache links in Google Search. For now, you can still build your own cache links even without the button, just by going to “https://webcache.googleusercontent.com/search?q=cache:” plus a website URL, or by typing “cache:” plus a URL into Google Search. For now, the cached version of Ars Technica seems to still work. All of Google’s support pages about cached sites have been taken down….

(2) GERROLD Q&A. The Roddenberry Archive has released a two-part interview with David Gerrold.

The Roddenberry Archive presents an in-depth two-part conversation with award-winning science fiction novelist and screenwriter David Gerrold. During the conversation, Mr. Gerrold tells how, as a college student he broke into the television industry by writing a script for the original Star Trek, the classic episode, “Trouble With Tribbles.”. Mr. Gerrold speaks candidly of his sometimes-tumultuous relationship with Star Trek’s creator, the late Gene Roddenberry. He delves into his personal experiences in the making of the legendary series and of his pivotal role in the development of Star Trek: The Next Generation.

(3) DISCUSSING HUGO REFORM. Brad Templeton has distilled his comments about the Chengdu Worldcon Hugo problems and potential fixes into a single post: “The World Science Fiction convention/awards were attacked again. How can its unusual governance structure deal with this?” at Brad Ideas. Here are the final two sections:

Legal clarity

The organization also needs more legal clarity. The terms of the agreement between WSFS and the conventions it appoints need to be more explicit and clear. The current WSFS constitution says the WorldCon (the local convention entity) does most of what goes on at a convention, but the Hugos and Site Selection are officially the actions of WSFS, though it delegates the logistics and administration to the WorldCon. It’s a bit confusing and might not handle legal scrutiny well.

That WSFS is constitutionally the party that awards the Hugos, using the WorldCon as its agent, has many advantages for trademark law and also if WSFS wants to exercise authority over the Hugos and the people administering them. This should be made more clear.

Recommendations

  • When all is done, there should at least be the appearance that they did not get away with it, to deter future corruption and censorship.
  • The best solution is not a specific one, but a general one that allows the organization to respond quickly to problems and threats, without removing its intentional slow pace of change, and resistance to control by “SMOFs.”
  • Auditing and more transparency are a good start, with an ethos of whistleblowing.
  • Put term limits on all WSFS officials.
  • Clarify and codify the structure of WSFS and the contracts.
  • Pick one way or another to allow WSFS to respond immediately to threats. I like the idea of actions that can be reversed, but some path should be chosen.
  • Do find some way to stop Hugo administration from being under the influence of censorship states, including China.

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

La Zi speaks again

Filers will recall that on January 24th, Mike ran an article by me that included an item about a bizarre Weibo post from Worldcon Vice-Chair and SFW editor La Zi.  I did notice that that Weibo post disappeared not long after it was featured here, but I’d not checked on his account since then, thinking that he might understandably be taking a step back from social media, especially given all the ongoing Hugo stats report controversy.

Reader, I was sorely mistaken.

Amongst some fairly mundane reposts, a couple of his recent posts stood out to me.  The most pertinent to File 770 is this short one from Wednesday January 31st, which is straightforward enough that I could just about understand it all, even with my meagre Chinese language skills.  That text reads:

中国科幻迷应该永远记得本·亚洛这个名字。他是真正的好人,也是真正的国际主义者。

which Google Translate renders as follows (surname error corrected):

Chinese science fiction fans should always remember the name Ben Yalow. He is a truly good man and a true internationalist. 

Here’s a screenshot of the Weibo post – including a similar translation from Alibaba Cloud – just in case it also disappears.

Note to readers: the censuring of Ben Yalow (and Chen Shi, and Dave McCarty) occurred on the previous day, the 30th – although obviously time zone differences make things a bit more complicated with regard to recording what happened when.

The second post that I would like to bring to your attention is a couple of days older, published on Monday the 29th.  The Chinese text reads:

应该要求美国尊重得克萨斯(孤星)共和国人民的民主诉求,承认其独立共和国身份。可以考虑签订《与得克萨斯(孤星)共和国关系法》,并提供防卫目的的武器贸易和军事援助,目的是保护得克萨斯不会因为强大北方邻国的觊觎而被掠夺珍贵的油气资源,任何企图以非和平方式来决定得克萨斯共和国前途之举——包括使用经济抵制及禁运手段在内,将被视为对东太平洋地区和平及安定的威胁,联合国应该介入。

Google Translate renders this as follows (text left unaltered):

The United States should be required to respect the democratic aspirations of the people of the Republic of Texas (Lone Star) and recognize its identity as an independent republic. Consider signing the “Relationships with the Republic of Texas (Lone Star) Act” and provide arms trade and military assistance for defense purposes. The purpose is to protect Texas from being plundered of precious oil and gas resources due to the covetousness of its powerful northern neighbors. Any attempt to use Non-peaceful measures to determine the future of the Republic of Texas, including the use of economic boycotts and embargoes, will be considered a threat to peace and stability in the Eastern Pacific region, and the United Nations should intervene.

Here’s another screenshot for posterity.

Whilst many may presume that this second post indirectly refers to some other place, please note that on January 30th, Newsweek reported that Chinese social media was full of stories about the US being in a state of civil war.  A couple of extracts:

As the battle of wills over immigration continues between the White House and Texas Gov. Greg Abbott, a parallel debate is happening in China, where trending social media posts are backing the Lone Star State’s right to secede from the United States.

On China’s X-like microblogging site Weibo, accounts with more than a million followers were spreading misinformation this week claiming Texas had entered a “state of war” with the federal government. In the comment sections, Chinese netizens met the news with excitement and glee…

“If the U.S. really pushes Texas back, then it will be great fun,” the user said. “I hope both sides will not be cowardly and that they will fight to the end!”

In a follow-up post on Tuesday, the user said he was inspired to “definitely contribute money and effort” to support the cause against America’s “imperialist oppression” in Texas and elsewhere in the world.

There’s further discussion of this on Reddit’s /r/China, which is where I’d previously heard about this meme.

Note to readers: per Fancyclopedia:

Ben [Yalow] shocked most of fandom when he moved to Texas in 2021.

(5) GLOBETROTTER. Australian fan Robin Johnson has been writing posts for The Little Aviation Museum “Reading Room”. Here’s an example published in 2022: “1997 – A Year of Sightseeing and Science Fiction”.

I have been reminded by a Facebook post by astronomical artist Don Davis of the Hale-Bopp comet of 1997, a year that was a red-letter one for me. As a pensioner of BOAC (now British Airways) I was able to fly on a stand-by basis on their flights (and some other airlines). Flights from Australia to England were operating with one stop using the latest Boeing 747-400s.

I visited my father in England in January for his birthday, and on the way home to Tasmania attended two regional science fiction conventions in the U.S.A. and one in Perth – Arisia in Boston, Chattacon in Chattanooga, and Swancon in Perth.

In late March I set off to England again, attending a Con in Wellington, New Zealand en route, visited friends in the Los Angeles area, and took advantage of the fact that BOAC had recently taken over British Caledonian Airways to fly to London from Dallas-Ft Worth by DC-10.

Comet Hale-Bopp had not yet been easily visible in the Southern hemisphere when I left home, but was spectacular in the Northern Hemisphere. Sitting aboard the flight next to a flight crew member, we talked about the comet – and soon I was invited onto the flight deck. The DC-10 has spectacularly large windows, and standing behind the Captain as we overflew Greenland, on a moonless night: the view was unique. The comet had just passed its closest point to Earth, and the tail was prominently on view to the naked eye, and there could not have been a better viewpoint….

(6) CHRISTOPHER PRIEST OBITUARIES.

John Clute’s “Christopher Priest obituary” ran in the Guardian today.

The novelist Christopher Priest, who has died aged 80 after suffering from cancer, became eminent more than once over the nearly 60 years of his active working life. But while he relished success, he displayed a wry reserve about the ambiguities attending these moments in the limelight.

In 1983 he was included in the Granta Best of Young British Novelists, a 20-strong cohort, most of them – such as Martin Amis, William Boyd, Kazuo Ishiguro, Ian McEwan, Salman Rushdie, Graham Swift and AN Wilson – significantly younger than Priest, whose career had begun almost two decades earlier, and who had at least 15 books and 50 stories in print by the early 80s. He clearly felt that it was not so much the quality of his work that delayed his “promotion” to the literary establishment, but his reluctance to deny, when asked, that he wrote science fiction.

His large body of work never fitted easily into any mould. Only in recent years has it become widely understood that the sometimes baffling ingenuity and thrust of his fiction has been of a piece, no more detachable into convenient genres than, say, Amis’s or Ishiguro’s tales of the fantastic….

Paul Kincaid’s reminiscences about “Chris” appear at Through the dark labyrinth.

The 1976 Eastercon was held in the rather grim surroundings of Owen’s Park student accommodation, Manchester. It was my third convention and I still wasn’t used to the fact that mere mortals could mix freely with actual authors. So I was very nervous approaching a small group in the bar. My target was a tall, thin guy wearing blue denim jacket and jeans and smoking with a long cigarette holder (later in the convention, Lee Montgomerie would win the fancy dress for the best costume as an author; she was wearing almost exactly the same outfit). This was Christopher Priest and I had just bought the paperback of his latest novel, The Space Machine. I asked for an autograph. He pointed to someone at the other side of the bar. “See that guy? Andrew Stephenson. He did the illustrations. Why don’t you get him to sign it?” To this day, that paperback is one of the few Chris Priest novels I own that isn’t signed by the author.

Later that day I was standing at the back of a programme item. Chris was on the panel, smoking with that long holder, and I began to notice the wild figure of 8 shape that the glowing end of the cigarette was making, and I realised his hand was shaking. He was more nervous than I had been.

Years go by. A BSFA meeting in London at a pub near Hatton Garden. I’m propping up the bar with Chris. I mention that I’ve just reviewed his latest novel, The Glamour, and I thought it was really good except that the ending didn’t quite work. Two days later I receive a thick envelope in the post. It was the typescript for a revised ending of The Glamour, the first of countless revisions of the novel that was so good but so impossible to end….

black and white photo of Christopher Priest taken in 1983 by Gamma
Christoper Priest outside Forbidden Planet in London in 1983. Photo by Gamma.

(7) MEMORY LANE.

[Written by Cat Eldridge.]

1940 The Adventures of Superman on radio

Black and white photo of Superman radio show cast members Jackson Beck (announcer), Joan Alexander (Lois Lane) and Bud Collyer (Superman)
Superman radio show cast members Jackson Beck (announcer), Joan Alexander (Lois Lane) and Bud Collyer (Superman)

The Adventures of Superman is a long-running radio serial. Initially, the show, which aired  from 1940 through to 1951, was  syndicated through the Mutual Broadcasting System’s cornerstone station, WOR in New York, subsequently taken up by the Mutual network, and finally by ABC. In the beginning there were three episodes a week of 15 minutes in length. When in 1941 they began making five episodes a week, some stations stayed with the three-a-week format. Late in the show’s run episodes ran 30 minutes.

The year after the comic strip debuted four audition radio programs were prepared to sell Superman as a syndicated radio series. It took very little time to have WOR sign the contract to do this, so it went on the air less two years after the comic strip launched.

The original pitch was that the audience was going to be predominantly juvenile so the scripts had to be lighthearted with the violence toned down. The performers were chosen with that mind, so they cast Bud Collyer in the Clark Kent / Superman role and Joan Alexander as Lois Lane. She also voiced that role in animated Fleischer Superman shorts. 

The continuity of the series is significantly different than the series as Krypton is located on the far side of the sun, and on the journey to Earth,  Kal-el becomes an adult before his ship lands on Earth., so he is never adopted by the Kents but immediately begins his superhero / reporter career. 

This serial is responsible for the introduction of kryptonite to the Superman universe. Daily Planet editor Perry White and Jimmy Olsen who was a copy editor originated in the serial as well. 

As a gimmick that paralleled the Superman comic and which the audience adored, they kept the identity of Collyer as the character a secret for the first six years, until when Superman became the character in a radio campaign for racial and religious tolerance and Collyer did a Time magazine interview about that campaign.

Kellog Company was the sponsor at least initially with the product being its Pep cereal. It was sponsored Tom Corbet, Space Cadet.

(8) COMICS SECTION.

  • The Far Side captures a photo op with visitors who aren’t from around here.
  • Pearls Before Swine finds an unexpected angle to library censorship.
  • Six Chix meanwhile shows the challenges of a bookstore customer.  

(9) EUROSTAR. The Guardian looks ahead to issues with cross-Channel train travel. “Eurostar may cap services due to post-Brexit biometric passport checks, says station owner”.

Eurostar could be forced to limit passenger numbers travelling from St Pancras each day under post-Brexit plans to bring in biometric border controls later this year, the owner of the station has warned.

HS1, the owner and operator of the line and stations between London and the Channel tunnel, has raised concerns that planning for new Entry/Exit System (EES) checks at the London rail station are “severely inadequate”, and would lead to long delays and potential capping of services and passenger numbers.

The EES requires citizens from outside the EU or Schengen area to register before entering the zone.

This will replace the stamping of passports for UK travellers, and instead require passengers to enter personal information and details about their trip, as well as submitting fingerprint and facial biometric data.

It has been mooted that the new checks will come into force in October but the implementation has been delayed several times in recent years because the infrastructure was not ready.

HS1 has now raised several concerns to MPs around St Pancras’s ability to accommodate the changes, predicting “unacceptable passenger delays”.

It said only 24 EES kiosks had been allocated by the French government, despite modelling suggesting that nearly 50 would be needed at peak times….

(10) WOULD YOU CARE FOR A BEVERAGE? Comics on Coffee has enlisted this couple to share their “Mad Love for Raspberry Coffee”.

DC & Comics On Coffee have joined forces to make your mornings more action packed with great tasting coffee! It’s time to get crazy in love with this Valentine’s Day Special Edition Coffee. A smooth, raspberry flavored coffee.  

(11) VIDEO OF THE DAY. George R.R. Martin shares as much as he can about the films they’re making based on the late Howard Waldrop’s stories in “Come to the Pulls” at Not A Blog.

…COOTERS was just the beginning, though.  Only the first of a series of short films — and one full-length feature, we hope — we have been making, based on some of Howard’s astonishing, and unique, stories.   He wrote so many, it was hard to know where to start, but start we did, and I am pleased to say that we have three more Waldrop movies filmed and in the can, in various stages of post production.   Some of you — the lucky ones — will get a chance to see them this year, at a film festival near you.  As with COOTERS, we’re taking them out on the festival circuit.

First one out of the chute will be MARY-MARGARET ROAD GRADER.   We were able to screen a rough cut for Howard just a few days before his death.  I am so so so glad we did.   And I am thrilled to be able to report that he loved it.

We can’t show it to the world yet.   But here’s a trailer, to give you all a taste.

[Thanks to SF Concatenation’s Jonathan Cowie, Ersatz Culture, Daniel Dern, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff Warner.]

Pixel Scroll 12/12/23 Dancing With Pixels In Our Scrolls

(1) PAXSON ASSAILANT BYRON DECLES ARRESTED. The Berkeley Scanner reports that Byron DeCles, wanted for his attack on Diana Paxson and her son, Ian, was caught today and charged with attempted murder: “Berkeley double stabbing suspect arrested in Oakland”.

A man who had been wanted by police since Friday in connection with a stabbing in Berkeley that sent two people to the hospital is now in custody, according to booking records.

Byron DeCles, 21, was arrested shortly before 4 a.m. Tuesday in Oakland on a warrant from the Berkeley case, jail records show.

…On Tuesday, DeCles was arrested by OPD on suspicion of attempted murder, battery with serious bodily injury, elder abuse and burglary, according to booking records….

DeCles, who is unhoused, has no prior criminal cases in Alameda County, according to court records online.

According to preliminary information, he is related to the victims and has a history of mental health issues.

DeCles is now scheduled for arraignment Thursday at Wiley Manuel Courthouse in Oakland. He is being held without bail….

The Berkeley Scanner also got an update from Diana Paxson about her injuries: “Berkeley writer Diana Paxson on the mend after stabbing”.

… Reached by phone late Tuesday afternoon, Paxson said she had spent the whole day responding to the many well wishes she’d received from supporters and friends….

“We are currently being very, very grateful to the members of our community — our local community and the larger community — who have been sending us energy for protection,” she told The Scanner. “It’s been a very difficult time and we are also incredibly relieved and grateful to the Oakland Police Department for actually being able to find him.”

… Paxson said she and her son were “recovering well” from their injuries.

“We look forward to being able to resume our usual schedule of events with our community,” she said.

She said she and Grey now need to look into several home repairs stemming from Friday’s incident. They plan to call the Family Justice Center in Oakland, which helps victims with a range of services in the aftermath of crimes.

“We’re very happy to hear that there is such a thing,” she said.

Paxson said what happened Friday had been the culmination of “a series of difficulties” with DeCles over the past year, which may have stemmed from or been exacerbated by untreated head injuries linked to multiple vehicle collisions.

“He never went to the hospital to be checked out,” she said. “We’re hoping that at least he’ll get checked out now.”

Paxson said medication can also help with these types of issues, but only if people take it.

“The light bulb has to want to be changed,” she said, adding: “Our whole mental system needs a lot more support than it’s been getting. That’s something to think about.”…

Diana Paxson also said today in a public Facebook post:

What’s on my mind is overwhelming gratitude that our attacker was arrested by the Oakland police this morning.

Many, many thanks to everyone who has been sending energy for protection and aid in hunting him down.

(2) CORRAIN APOLOGY. Cait Corrain reopened her X.com account today to publish “A sincere apology”, which attributed her surreptitious campaign of one-star reviews against other debut authors to “depression, alcoholism, and substance abuse”, and a “complete psychological breakdown” after starting a new medication. (Click for larger image.)

Many responses in social media, not excerpted here, have been skeptical, or view the statement as inadequate.

Surprisingly, an author found Corrain’s book was still on Amazon, now with a 2027 publication date. Del Rey Books cleared the air.

The Washington Post covered the story today: “Author Cait Corrain loses book deal after ‘review bombing’ debut authors’ books via Goodreads”. (Gift link.)


Nnedi Okorafor’s notes about the shortcomings of Goodreads and the prevalence of this kind of misconduct are well worth thinking about. Thread starts here.

(3) DUNE TRAILER. “Dune Part 2’s Epic New Trailer Teases a War Across Generations” at Gizmodo.

… The main thing you get from that trailer is that Part Two is just a much, much bigger movie than Part One. Part One had to move all the pieces into place. Now, Paul is becoming the leader of an entire people and will use them to win back their planet. We’re talking war on a planetary scale, which—most excitingly—includes not just one, but multiple sandworms tearing through soldiers. Can you wait to see that shot in IMAX? We can’t….

(4) JURY SIDES WITH FORTNITE. The New York Times reports that a federal district court jury sided against Google: “Google Loses Antitrust Court Battle With Makers of Fortnite Video Game”.

A jury ruled on Monday that Google had violated antitrust laws to extract fees and limit competition from Epic Games and other developers on its Play mobile app store, in a case that could rewrite the rules on how thousands of businesses make money on Google’s smartphone operating system, Android.

After deliberating for a little more than three hours, the nine-person federal jury sided with Epic Games on all 11 questions in a monthlong trial that was the latest turn in a three-year legal battle.

The jury in San Francisco found that Epic, the maker of the hit game Fortnite, proved that Google had maintained a monopoly in the smartphone app store market and engaged in anticompetitive conduct that harmed the videogame maker.

Google could be forced to alter its Play Store rules, allowing other companies to offer competing app stores and making it easier for developers to avoid the cut it collects from in-app purchases.

Judge James Donato of the United States District Court for the Northern District of California will decide the remedies needed to address Google’s conduct next year. Google said it would appeal the verdict….

(5) RECOGNITION RESTORED. [Item by Steven French.] This sounds genre to me, especially as the author Yambo Ouologuem is described as writing in the style of Vonnegut. “African writer ruined by row with Graham Greene finally gets chance to shine” in the Guardian.

In 1968 the books pages of the French newspaper Le Monde excitedly praised an uncompromising new novel, Bound to Violence, going on to salute its author as one of “the rare intellectuals of international stature presented to the world by Black Africa”.

The newspaper’s words, written in tribute to the young Malian writer Yambo Ouologuem, sound condescending today. Back then, however, the intended compliment was genuine and many European critics soon agreed: the publication of Ouologuem’s strange novel really did mark the arrival of a major new talent.

But the literary world can be brutal, and particularly so for a young African novelist living in Paris who was attempting a fresh twist on conventional storytelling.

Fellow African writers began to express shock at Ouologuem’s harsh parody of his own culture. Three years later damaging accusations of plagiarism had also emerged, including a public skirmish with Graham Greene, which ended Ouologuem’s short career. He retreated into the life of a recluse, returned to Mali and died in 2017, having never published again.

Now, 50 years after this scandal, Penguin Classics is to bring out a new English edition of Bound to Violence in a bid to rehabilitate the gifted author and introduce him to new readers.

“I was so exhilarated when I read this book,” said Penguin editor Ka Bradley. “It’s the history of an imaginary African empire called Nakem and whole centuries are dealt with in just a paragraph or two. It’s dizzying.”

(6) WRITING WITH AI IS NOT A SPORT. This player has been ejected. “Publisher Of Sports Illustrated Ousts CEO Ross Levinsohn” reports Deadline.

The CEO of the parent company of Sports Illustrated was ousted on Monday.

The firing followed a scandal over the publication’s use of AI-generated stories from fake authors, although it was not immediately clear if that was related to the shakeup.

Ross Levinsohn, CEO of The Arena Group, was terminated and Manoj Bhargava was named interim chief executive officer, the company said. No other information was provided, other than that the board met “and took actions to improve the operational efficiency and revenue of the company.”…

(7) AUTHOR’S CANDIDACY SCOTCHED. [Item by Ersatz Culture.] The Tomorrow’s MPs Twitter account reported that a potential candidate for a constituency in Scotland was forced to stand down from the party selection contest, due to the content of novels he had previously written.  The tweet links to a piece in The Courier news website, which states:

A long-serving Fife Labour councillor has stood down from an internal contest to stand as the party’s candidate in Glenrothes after concerns were raised about fantasy books he has written.

Insiders expect Altany Craik to issue a statement saying he is withdrawing from the contest for “family reasons”.

But we can reveal that Mr Craik, a supernatural horror author, was directed to stand down because of party reservations about his novels.

Mr Craik had been seeking support from members to stand as the Labour candidate for Glenrothes at the General Election expected next year….

…A source said: “It’s absolutely disgusting.”

“They’re saying he’s not a suitable candidate because his books are too sexy and satanic.”…

…His profile on Amazon includes titles such as “Innocence Lost”, with readers praising the books and it’s (sic) protagonist, Father Andrew Steel.

One reviewer wrote: “This book has graphic descriptions of gore, mutilation, rape, and foul language. But getting past that, it is a worthwhile read.”…

(8) GUESS WHO HAS A NEW NEIGHBOR? [Item by John King Tarpinian.] John Waters’ star adjoins Ray Bradbury’s on the Hollywood Walk of Fame

(9) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Post about the Chengdu Worldcon receives complaint from con organizers

This November 13th post (archive.org backup copy) by an account using the name 四海朝阳/Sihai Zhaoyang is mostly about the history of the Chengdu Worldcon, although there’s some relatively brief coverage of the actual con itself – mainly the online aspects – towards the end.  Some extracts via Google Translate, with manual edits:

On January 17, 2022, the official WeChat public account of the Chengdu Worldcon released volunteer recruitment information. However, according to feedback from science fiction fans who submitted their resumes, there were no updates after their submission, and there was no mention of subsidies or compensation for volunteers. In actuality, volunteers during the conference were recruited from surrounding schools.

On January 20, 2022 [this is an error/typo, it should read “2023”], some science fiction fans on Twitter discovered that the Chengdu Science Fiction Conference had officially announced that the conference would be rescheduled from August to October 2023, and the location changed from the Century City International Convention and Exhibition Center to the Chengdu Science Fiction Museum. This news was not announced to Chinese fans at that time, nor were those who voted that year notified. (i.e. the group of science fiction fans who were also members of the 81st World Science Fiction Convention).  It was not until that night that the notice of the postponement and venue change was hastily issued.

In fact, this change had been known about for a long time. In May 2022, a science fiction fan discovered the news on a government bidding website that the Chengdu Science Fiction Museum and Qingrong Lake Science Fiction Park would be built in Pidu District, Chengdu, and posted this on Weibo. After making the news public, they received a message from the organizing committee, ordering them to delete their Weibo post. However, coverage of the same topic could still be seen in local Chengdu media.  At this time, the estimated completion time was the end of June [presumably 2023], and the exhibition completion time would be the end of July….

The organizing committee of the Chengdu Worldcon also began to travel to various cities to conduct research with local science fiction fans. However, of the university science fiction clubs with the largest number of science fiction fans, very few received relevant notifications. During this process, the organizing committee members who did not understand science fiction once again made a joke. Their main person in charge had never heard of such a thing as a “light saber” and vowed to invite Shinichi Hoshi,

Kobayashi Yasumi, Douglas Adams and others mentioned by fans, despite all those people passing away long ago…

[During the preparation period in the days leading up to the con] something ridiculous happened. A staff member from Science Fiction World entered the venue with Liu Cixin’s Hugo Award trophy from 2015, to set it up as an exhibit. However, they were stopped by the security guard at the door, because the trophy was too long and was a sharp object…

Of course, we cannot ignore the “good” side of this conference, and that side has nothing to do with this organizing committee and comes purely from the lovely fans. Thanks to the efforts of some of the staff from Science Fiction World, the science fiction associations of many schools took a group photo at the Galaxy Awards Ceremony for the “Best Science Fiction Society Award”. The number of participating societies has become the highest in history. Science fiction fans communicated with each other at the conference, from badges to ribbons, embodying the ingenuity and wonderful ideas of fantasy fans.  After RiverFlow was taken to hospital, many science fiction fans and science fiction authors rushed there spontaneously and waited all night. Online and offline, most of the problems encountered by science fiction fans were solved by other enthusiastic science fiction fans. No matter how many times a question was asked, they never tired of answering it…

Has the Chengdu World Science Fiction Convention had a good or bad impact on Chinese science fiction? In the short term, the answer does not seem to be available.

A couple of days later, on November 15th, there was a follow-up post (archive.org copy), stating that a complaint about the original post had been received from the Worldcon organizers.  A screenshot of the complaint was included; a Google Translate rendition to English is below, which I haven’t edited in any way.

The following content is not officially provided by WeChat and should be filled in by the rights holder when making a complaint. Please operate with caution.

This article involves malicious attacks against individuals, institutions and governments, seriously affects the government’s credibility, denies the work results of the Chengdu World Science Fiction Convention Organizing Committee, and misguides public opinion.

As the only legal entity of the 2023 Chengdu World Science Fiction Conference, the Chengdu Science Fiction Association strictly abides by the World Science Fiction Association charter and relevant regulations from application to hosting. The theme salon, guest reception, Hugo Award selection and award, and ticket sales all comply with relevant requirements. Said untrue situation.

The original poster responds by stating that their post was based on public information, whether from the con itself, or posted online by other members of the public, and argues that ‘it is precisely the organizing committee of the Chengdu World Science Fiction Convention itself that “seriously affects the government’s credibility.”‘ (via Google Translate, again with no manual edits).

It’s not clear to me whether this complaint had any weight behind it, legal or otherwise.  As I understand it, once a post has been made public on Weixin/WeChat, only a small number of edits can be made, so presumably any response would have involved taking the post down rather than removing any offending text.  Given that the post is still up a month later, the complaint seems to have had zero effect – other than provoking further coverage in this Weibo post by SF Light Year, and in issue 16 of the Zhejiang University SF association news summary, and now here, causing a Streisand effect.

Xingyun (Nebula) event to be held at the Chengdu SF Museum in May 2024

On the weekend of May 17th-19th next year, the 2024 Xingyun (Nebula) Celebration will be held at the Chengdu SF museum.  To the best of my knowledge, this is the only confirmed event or activity to be held at the venue post-Worldcon, other than Lukyanenko’s tour on December 1st.

This event appears to comprise three elements (via Google Translate, so these may not be the official English names):

  • The 2024 Children’s Science Fiction Conference
  • The 2024 International Science Fiction Summit Forum
  • The 15th Annual Xingyun (Nebula) Awards – I think these may have been previously announced, although I don’t think it was covered here on File 770.

Note: Looking at the dates of previous SFWA Nebula conferences, it wouldn’t surprise if both events take place on the same weekend.

Video of an SF themed bus in Chengdu

This three-minute video was filmed on the final day of the con, and posted to Bilibili a couple of days later.  It shows an SF-themed bus, followed by a timelapse sequence of the route it takes.  I’m sure people who attended the Worldcon may need to correct me, but I think the red and blue banners that hang from most of the streetlights were also promoting the con?

Note that these seem to be buses running a public route, different from the red ones that I think were dedicated to transporting Worldcon attendees, and which can be seen in the first photo.

(10) BUILDING A TOWN WITHOUT CGI. Not something many movie makers would do. “’Oppenheimer’ Production Designer Ruth De Jong – Featurette” at Deadline.

When location scouting for Oppenheimer, production designer Ruth De Jong was tasked with finding a location to recreate Los Alamos. Although the actual town of Los Alamos was too modernized to use for the period piece, De Jong and her team spent some time there for research. “I began laying out the expanse of the town with our set designer Jim Hewitt,” she says. “We took these drawings, with plans and elevations, and made foam core architectural models in a quarter-inch scale.”

De Jong and her team landed on Ghost Ranch, which is along the same mountain range as the existing Los Alamos. “We had this epic town that we wanted to do,” she says, “but the U.S. government had $2 million and a few years and I had nowhere near that.” Neither De Jong nor director Christopher Nolan wanted to use CGI for extensions on the town, so De Jong opted for building exteriors and shooting the interiors at the actual Los Alamos, like Oppenheimer’s house, which has been largely untouched since he lived there.…

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 12, 1946 Josepha Sherman. (Died 2012.) Josepha Sherman was a remarkable woman. She was another individual who died far too young. Author, folklorist, and anthologist, I knew her for a number of years up to the time of her death, by email and phone, though I lost touch with her a few years before she died. 

She wrote dozens of short stories and novels, including her Compton Crook Award-winning novel The Shining Falcon. She was prolific with Child of Faerie, Child of EarthA Strange and Ancient NameWindleafGleaming BrightKing’s Son, Magic’s Son and Son of Darkness being some of her other novels. 

She also penned five novels set in the Trek verse co-authored with Susan Shwartz including Vulcan’s Forge and Vulcan’s Heart.  She wrote a lot of media tie dipping into the universes of Andromeda and BuffyBardic Choices (with Mercedes Lackey) and even Highlander as she told me she loved Adrian Paul there.

Oh, she was a superb anthologist. A Jewish woman, she put together several collections reflecting what she knew so well — A Sampler of Jewish-American Folklore and Rachel The Clever and Other Jewish Folktales. But my favorite work by her was isn’t an anthology, but a rather serious work she did with T.K.F. Weisskopf: Greasy Grimy Gopher Guts: The Subversive Folklore of Childhood. Yes, Green Man reviewed it as she sent us a copy. Actually we reviewed so long ago that it ran on our predecessor, Mostly Folk, but that is another story for another time.

So let’s finish off by telling you that she was a Winter Queen at Green Man as was Ellen Kushner and Jane Yolen. All it means is they get to write a Speech and get chocolate. Somehow that charms them, so here’s Joshepa’s meditation on Winter: “Josepha Sherman’s Winter Queen Speech”.

Josepha Sherman. Photo by and (c) Andrew Porter

(12) SHINY. Peer today posted a stunning improvement to that popular tune about a reindeer hero.  

You know Pixelsdasher and Pixeldancer
And Pixelprancer and Pixelvixen,
Pixelcomet and Pixelcupid
And Pixeldonner and Pixelblitzen.
But do you recall
The most famous scroll title of all?
Godstalk the click-boxed title
Had a very shiny scroll
And if you ever saw it
You would even feed the troll
All of the other titles
Used to laugh and scroll its names
They never let poor Godstalk
Play in any wordle games

Then one foggy Christmas Eve
Mike came to say,
“Jetpacks not working,
Won’t you scroll my File tonight?”

Then all the Filers loved it
And they shouted it out with glee,
“Godstalk as a scroll title
will go down in history!”

With apologies to … everyone I guess.

(13) FANAC’S APA PANEL NOW ONLINE.

APAs Everywhere with Fred Lerner, Christina Lake, Amy Thomson and Tom Whitmore

In this wonderful FanHistory Zoom panel, our speakers, all long-time participants (in multiple different APAs), speak about their experiences with APA life. During this 2-part recording, you’ll hear their personal fannish origin stories and APA experiences, along with a wealth of fascinating commentary on the nature and purpose of APAs. From “fanac in a corner” to “intentional community”, this video provides thoughtful, insightful discussion on why APAs have been a mainstay of science fiction fandom.

Of particular interest are the discussions of “standing waves” of cultural issues that run through our APAs and the ways that science fiction fandom has dealt with cultural challenges. Fandom had notable failures (and successes) dealing with social issues long before the general culture dealt with them.

Of course, it’s not all social commentary. You’ll hear the story of APAs used in divorce proceedings, APAs which may have been created to bedevil particular individuals, and the APA which didn’t live up to its banner of “the 13 nastiest bastards in fandom”.  You’ll learn why APAs thrive, even in this era of instant  online gratification. Other topics: privacy issues, digital preservation of APAs, a soft toy APA, APAs you wouldn’t join, Langdon charts, and of course, audience Q&A.

Part 1

Part 2

(14) THEY’RE NOT PLAYING AROUND. Turn out the lights, the party’s over. “E3 has entertained its last electronic expo” says TechCrunch.

E3’s decades-long history has been peppered with ups and downs. The annual Los Angeles-based gaming expo saw a decade of steady growth after it was founded in the mid-90s. The mid-00s, on the other hand, were an altogether different story, as the event struggled, downsized and moved out of the LA Convention Center.

Opening the industry-only event to the public breathed new life into the event the following decade, however, until 2020 saw E3 — and the rest of the world — suddenly grind to a halt. Since then, the show has, understandably, struggled.

The in-person event was canceled courtesy of COVID, and a virtual version failed to materialize by that summer. Show organizer, the Entertainment Software Association (ESA), did manage an online event in 2021, only to once again cancel things in full the following year. After failing to garner enough interest, there was no E3 2023, nor will the event return in 2024.

Given its recent history, there was little surprise this morning, when the ESA announced that E3 is now gone for good. Such decisions are never easy to make, and big organizations/events take a while to wind down. The group no doubt wanted to exhaust all feasible options before officially throwing in the towel for good….

(15) BEAR BEGINNINGS. The Guardian declares “Paws for applause: Paddington set to star in stage musical”.

Paddington, Michael Bond’s “very rare sort of bear”, is to star in a new stage musical. The production, announced on Tuesday, is being developed by Sonia Friedman’s company, whose hits include Harry Potter and the Cursed Child, and will have music and lyrics by McFly’s Tom Fletcher. It is currently being workshopped with the title Paddington: The Musical and has a UK premiere planned for 2025.

The show is adapted from Bond’s bestselling children’s books – the first of which was published 65 years ago – and from the popular live-action film versions which feature Ben Whishaw as the voice of a CGI Paddington. How the marmalade-loving, accident-prone bear will be represented on stage has not yet been revealed….

(16) SPEAKER FOR THE DEAD. The New York Times finds some are “Using A.I. to Talk to the Dead”.

Dr. Stephenie Lucas Oney is 75, but she still turns to her father for advice. How did he deal with racism, she wonders. How did he succeed when the odds were stacked against him?

The answers are rooted in William Lucas’s experience as a Black man from Harlem who made his living as a police officer, F.B.I. agent and judge. But Dr. Oney doesn’t receive the guidance in person. Her father has been dead for more than a year.

Instead, she listens to the answers, delivered in her father’s voice, on her phone through HereAfter AI, an app powered by artificial intelligence that generates responses based on hours of interviews conducted with him before he died in May 2022.

His voice gives her comfort, but she said she created the profile more for her four children and eight grandchildren.

“I want the children to hear all of those things in his voice,” Dr. Oney, an endocrinologist, said from her home in Grosse Pointe, Mich., “and not from me trying to paraphrase, but to hear it from his point of view, his time and his perspective.”…

… HereAfter AI was introduced in 2019, two years after the debut of StoryFile, which produces interactive videos in which subjects appear to make eye contact, breathe and blink as they respond to questions. Both generate answers from responses users gave to prompts like “Tell me about your childhood” and “What’s the greatest challenge you faced?”…

… StoryFile offers a “high-fidelity” version in which someone is interviewed in a studio by a historian, but there is also a version that requires only a laptop and webcam to get started. Stephen Smith, a co-founder, had his mother, Marina Smith, a Holocaust educator, try it out. Her StoryFile avatar fielded questions at her funeral in July.

According to StoryFile, about 5,000 people have made profiles. Among them was the actor Ed Asner, who was interviewed eight weeks before his death in 2021.

The company sent Mr. Asner’s StoryFile to his son Matt Asner, who was stunned to see his father looking at him and appearing to answer questions.

“I was blown away by it,” Matt Asner said. “It was unbelievable to me about how I could have this interaction with my father that was relevant and meaningful, and it was his personality. This man that I really missed, my best friend, was there.”…

(17) VIDEO OF THE DAY. “Doctor Who releases Christmas single The Goblin Song” and it’s on the Guardian’s radar. Warning for anthropophagy. Or maybe not. It’s goblins doing it.

For the first time in its 60-year history, Doctor Who is releasing an official Christmas single.

The Goblin Song, written by the show’s composer, Murray Gold, with lyrics by Russell T Davies, is raising money for Children in Need….

…The music video features a clip from the forthcoming Doctor Who Christmas special, in which Ncuti Gatwa will make his full-length debut as the Doctor, alongside Millie Gibson as Ruby Sunday, who joins as a regular Tardis companion.

During the video, the Doctor and Ruby are seen crawling through a pirate ship while goblins sing about eating a baby. Gold described the song as “fiendishly catchy”, adding: “I don’t like these goblins – and you won’t either.”

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Ersatz Culture, Rob Thornton, Rose Embolism, Anne Marble, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Hampus Eckerman.]

Pixel Scroll 10/3/23 Midnight At The Oasis

(1) My mother’s mental state was actually back to about normal today. And putting together even this short Scroll will do wonders for mine.

(2) AFROPANTHEOLOGY. Oghenechovwe Donald Ekpeki & Joshua Uchenna Omenga provide an “Introduction to Afropantheology” at Public Books.

African cosmologies recognize two spheres of existence—the physical and the spiritual—between which there is an inseparable link, as well as constant interactions. Each sphere of existence is connected to the other: the living to the dead, the born to the unborn, humans to the deities. “A community develops its mode of relating to its ancestors and the gods, harmonizing the interconnectedness of everything,” according to Dr. K. C. Nweke. “Each community has its spiritual exclusiveness through its relatedness to the ancestors in the underworld who oversee the ephemeral world.”1

Today, many works of African fiction reflecting African cosmology are themselves fictional reflections of these African realities of life. Yet this can make it easy to mislabel such literary fiction as mere fantasy.

The genre of fantasy (part of the broader category of speculative fiction) can simply mean imaginative fictions involving outlandish characters, magical elements, and often set in created worlds. It is often a genre of escapist literature, in which readers must suspend their belief to enjoy. As such, “fantasy” can be an ill-fitting term, when describing many literary works of similar rendering from the African continent. In response, a new term was conceived to capture this gamut of African literary works, which, though having fantasy elements, are additionally imbued with the African spiritual realities: Afropantheology….

(3) ALEX SCHOMBURG ART AUCTION ON OCTOBER 6. Susan Schomburg sends word that artwork by her grandpa, Alex Schomburg, will be auctioning through Heritage this Friday, October 6. Here is a search link to his lots: Search: Alex Schomburg.

And here is a link to his original art for “World at Bay”.

 (4) MY INDIANA BAT HOME. “Your FIRST LOOK at America’s Only Permanent BATMAN ’66 MUSEUM” at 13th Dimension. (The museum’s own website is here: Fiberglass Freaks Batman Museum.)

October will be a helluva month for Batman ’66 fans: It will feature the opening of the only permanent museum dedicated to the 1966 Batman TV show.

The Batman Museum in Logansport, Indiana — which is reminiscent of the popular Hollywood Museum exhibit from several years ago — will be operated by Fiberglass Freaks, Mark Racop’s company that builds the only officially licensed full-scale Batmobile replicas.

But the museum will be more than just about the greatest version of Batman’s ride — it will feature displays of costumes, real and replica; set reconstructions; memorabilia; a theater; props; other vehicles; a gift shop; and more.

… Fiberglass Freaks’ Batman Museum is located at 525 East Market Street, Logansport, Indiana, 46947;

Hours will be 1 p.m.-7 p.m. Tuesday-Thursday; 1 p.m. 8 p.m. Friday and Saturday; closed Sunday and Monday.

(5) ADS SUBTRACT. Cory Doctorow takes readers through “Google’s enshittification memos” at Pluralistic.

…When I think about this enshittification curve, I often think of Google, a company that had its users’ backs for years, which created a genuinely innovative search engine that worked so well it seemed like *magic, a company whose employees often had their pick of jobs, but chose the “don’t be evil” gig because that mattered to them.

People make fun of that “don’t be evil” motto, but if your key employees took the gig because they didn’t want to be evil, and then you ask them to be evil, they might just quit. Hell, they might make a stink on the way out the door, too…

Google is a company whose founders started out by publishing a scientific paper describing their search methodology, in which they said, “Oh, and by the way, ads will inevitably turn your search engine into a pile of shit, so we’re gonna stay the fuck away from them”:

http://infolab.stanford.edu/pub/papers/google.pdf

Those same founders retained a controlling interest in the company after it went IPO, explaining to investors that they were going to run the business without having their elbows jostled by shortsighted Wall Street assholes, so they could keep it from turning into a pile of shit:

https://abc.xyz/investor/founders-letters/ipo-letter/

And yet, it’s turned into a pile of shit. Google search is so bad you might as well ask Jeeves. The company’s big plan to fix it? Replace links to webpages with florid paragraphs of chatbot nonsense filled with a supremely confident lies,,,

How did the company get this bad? In part, this is the “curse of bigness.” The company can’t grow by attracting new users. When you have 90%+ of the market, there are no new customers to sign up. Hypothetically, they could grow by going into new lines of business, but Google is incapable of making a successful product in-house and also kills most of the products it buys from other, more innovative companies…

(6) CAN*CON COULD BE FOR YOU. Derek Künsken recommends:

If you are a writer in some far off place without access to other writers, editors, agents (like my early career), I really recommend you check out the virtual program of

@CanConSF

that will run 14 and 15 October. It’s got a lot for aspiring and leveling-up writers!

CanCon registration is at their website here.

(7) WORD POWER. Steve Erikson did a five part essay on “The Language of Magic and the Magic of Language” on Facebook.

…Oxford Dictionary:

mag·ic

/ˈmajik/

noun

1. the power of apparently influencing the course of events by using mysterious or supernatural forces.

“suddenly, as if by magic, the doors start to open”

Okay, let’s look at this definition. There are three key words here: ‘influencing,’ ‘mysterious’ and ‘supernatural.’ Now, I’m not going to back up still further to define ‘mysterious’ or ‘supernatural,’ and if ‘influencing’ is in any way baffling, I can’t help you.

Anthropology examines ‘magic’ in cultures with an emphasis on the ‘influencing’ aspects, specifically in terms of the material component. Why? Because that is the only component of ‘magic’ that can be explored in a pseudo-scientific sense. The rest is metaphysical. Ethnology can add a narrative element, of course, when, for example, shamans explain stuff to the ethnologist, who in turn records the details. Those explanations may be accurate or entirely made up. They can be well-established (tradition) or invented on the fly. Even shamans can have a sense of humour.

All human cultures possess some ideation of magic, of the miraculous and the unseen. I can’t think of a single one that doesn’t. Large elements of even the Western world hold to these notions in some iteration, whether blanketed under ‘religion,’ ‘faith’ or ‘spiritualism.’ Atheism rejects the whole shebang in favour of a strictly mechanistic universe, but atheism is a minority position dwelling within a larger, global culture of belief.

No, really, it is. …

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 3, 1874 Charles Middleton. He is no doubt best remembered for his role as the Emperor Ming the Merciless in the three Flash Gordon serials made between 1936 and 1940 which is only genre production he appeared in save three chapters of a Forties Batman serial in which he played Ken Colton. (Died 1949.)
  • Born October 3, 1931 Ray Nelson. SF writer best known for his short story “Eight O’Clock in the Morning” which was the basis of John Carpenter’s They Live.  He later collaborated with Philip K. Dick on The Ganymede Takeover. In the 1940s Nelson appropriated the propeller beanie as a symbol of science fiction fandom. His fannish cartoons were recognized with the Rotsler Award in 2003. He was inducted to the First Fandom Hall of Fame in 2019. (Died 2022.)
  • Born October 3, 1933 Norman Adams. The SF Encyclopaedia says genre wise that “Adams may be best known for his cover for the first edition of Larry’s Niven’s World of Ptavvs” on Ballantine Books in 1966.  I must say having looked at his ISFDB listings that their assessment is absolutely right. (Died 2014.)
  • Born October 3, 1935 Madlyn Rhue. She on Trek’s “Space Seed” as Lt. Marla McGivers, Khan Noonien Singh’s (Ricardo Montalbán) love interest. Other genre appearances included being on the original Fantasy Island as Lillie Langtry in “Legends,” and Maria in the “Firefall” episode of Kolchak: The Night. (Died 2003.)
  • Born October 3, 1944 Katharine Kerr, 79. Ok I’m going to confess that I’ve not read her Deverry series so please tell me how they are. Usually I do read such Celtic tinged series so I don’t know how I missed them. Her Polar City SF mystery novels (second written with Kate Daniel) sound fascinating. Only the first, Polar City Blues, is available from the usual suspects.
  • Born October 3, 1964 Clive Owen, 59. First role I saw him in was the title role of Stephen Crane in the Chancer series. Not genre, but fascinating none the less. He’s been King Arthur in film of the same name where Keira Knightley was Guinevere. He’s also was in Sin City as Dwight McCarthy, and in The Pink Panther (though weirdly uncredited) as Nigel Boswell/Agent 006. I’ll also single him out for being Commander Arun Filitt in Valerian and the City of a Thousand Planets.
  • Born October 3, 1973 Lena Headey, 50. Many of you will know her as Cersei Lannister on Game of Thrones, but I liked her sociopathic Madeline “Ma-Ma” Madrigal on Dredd better.  She was also Angelika in The Brothers Grimm, a film I’m sure I’ve seen but remember nothing about. 
  • Born October 3, 1988 Alicia Vikander, 35. She was Ava, an artificial intelligence, in Ex Machina, spooky film it was. Several years later, she starred as Lara Croft in the rebooted Tomb Raider. In The Man from U.N.C.L.E., she plays Gaby Teller. Finally she’s The Lady / Esel in The Green Knight, a retelling of the story of Sir Gawain.  

(9) DUBAI YANKS THE WELCOME MAT OUT FROM UNDER. The International Association of Library Associations and Institutions announced today that “Invitation to host IFLA WLIC 2024 in Dubai withdrawn”. Bruce Arthurs says, “This reminded me of some of the travails past & ongoing about SF/F cons being held in morally objectionable countries. The big difference here is that it was the host city itself that yanked the rug out, rather than the conference committee.”

IFLA has been informed of the decision to withdraw the invitation to hold the 2024 World Library and Information Congress in Dubai.

The decision was communicated to us by the Emirates Library and Information Association who led the bid to support the development of the field and wider region.

The Association has underlined its ongoing commitment to IFLA, and keenness to find other ways to bring librarians from the country and region closer to the global library field. IFLA is grateful to the Association for the work that it has done, and firmly believes that this provides a strong basis for building engagement in other ways going forwards.

Acknowledging the reservations expressed about holding the Congress in Dubai, we recognise the disappointment that many in the region and beyond will feel. IFLA remains committed to finding ways to engage with and support the librarians in MENA and the surrounding regions who were looking forward to experiencing the vibrancy of a World Library and Information Congress. Continuing our work in this area is vital if we are to be not just an international, but a truly global Federation.

As Dubai was the only viable bid, there will now not be a World Library and Information Conference in 2024.

(10) CHENGDU WORLDCON UPDATE. [By Ersatz Culture.]

  • Worldcon COVID preparations

The Health Bureau of the Pidu District of Chengdu carried out a number of checks and inspections in August and September, and these will continue in the run up to the con.

Photo of a meeting held September 25th, the first four characters on the LED display read “Science Fiction Conference”.  Source: https://weibo.com/3339983832/Nl50S16Up

Photo of what I assume is a ventilation check at the con venue.  Source: here (presumably taken from elsewhere, but I’ve not been able to track it down.)

On September 26th, local media in Sichuan province published an interview (in Chinese) with Ben Yalow.  Here is an extract via Google Translate:

Reporter: What do you think of Chengdu’s bid and preparation process?

Ben Yalow: I first heard about the Chengdu bid when I met a group of Chinese fans at the World Science Fiction Convention in Dublin 2019. It’s always fun to meet a new fan base. This group of people in the Chengdu circle have worked hard to present a successful World Science Fiction Convention, and now things are going smoothly.

  • Zhejiang University SF club weekly newsletter

Both of the above stories came from the Zhejiang University SF club newsletter, edited by File 770 commenter Zimozi Natsuco.  Besides items about the Chengdu Worldcon, there are lots of items about other SF activities in China and other parts of the world, and is well worth checking out (via Google Translate or similar tools) if that interests you.  NB: the current issue namechecks the Chengdu coverage that has been published here on File 770, so this is perhaps a biased opinion…

The current issue can be found here, and a list of earlier issues here

[Thanks to Andrew Porter, Ersatz Culture, John King Tarpinian, Oghenechovwe Donald Ekpeki, Rob Thornton, Susan Schomburg, Bruce D. Arthurs, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Pixel Scroll 9/7/23 Like Pixels Through The Hourglass, So Are The Scrolls Of Our Lives

(1) NECESSITY IS THE MOTHER OF INVENTION – AND UNOFFICIAL HUGO FANZINE AND FAN WRITER PACKETS. There is less than one month until the Hugo Awards voting deadline and yet the Hugo Voter Packet is still missing the content for the Fanzine and Fan Writer categories without any explanation or progress. Chinese fans are taking their own initiative to make them available.  

Two days ago Arthur Liu (“Heaven Dule”) posted a compilation of fan Hugo finalist packet material currently accessible from public links: “Worldcon Special | Hugo Award Fan Magazine & Fan Author Vote Reading Pack”. He says in his introduction [machine translated from Chinese to English]:

On August 2023, 8, the Hugo Awards Voting Reading Pack (Issue 17) was released, which did not include voting references for the three categories of Best Fan Magazine, Best Fan Author and Best Dramatic Performance. As of September 9, less than a full month before the voting deadline, there is no follow-up announcement. In this connection, we have compiled a list of public reading reference materials for voters to compile the Best Fan Magazine and Fan Author Winners. Let the official belong to the official, and the fans to the fans.

Note: that intro was also quoted in a Weibo post by Kehuan Guang Nian/SF Light Year, who occasionally comments on File 770 under a handle. He has over a third of a million followers, so the concerns being voiced by some people in China are being widely heard.

Ersatz Culture has updated their own comprehensive index to 2023 Hugo Award Voter Packet Contents. (The direct link to the Fanzine and Fan Writer categories is here.)  Here is a screencap from that website.

(2) JOURNEY PLANET VOTER PACKET CONTENTS. Journey Planet has taken their own steps to remedy the Hugo Voter Packet’s failure (so far) to distribute their  material, which is now available at this website

(3) CHENGDU WORLDCON VENUE UPDATE. The Chengdu urban blogger skyxiang1991 posted some photos from the convention center construction, which have been tweeted by Ersatz Culture.

(4) YOU CONTROL THE VERTICAL. Ursula Vernon is running a choose-your-own-adventure game on Tumblr: “The Book Of The Gear”, with audience polls used to pick which alternative is pursued.

Long, long ago, before Twitter descended into its end-stage hellscape, I ran a few iterations of a weird little choose-your-own-adventure game there, where I used the poll functions to offer options as we traversed a strange concrete labyrinth. I’d like to do that again. But as the shortest poll I can run is one day, this is more like a play-by-mail than a real-time on-the-fly. Fewer choices, but hey, you do get much longer descriptions!…

Here’s an excerpt from the first installment.

Let’s begin, shall we?

You, friend, are the latest graduate of the Wentworth School Of Exploration and Adventure (Goooo Fighting Codfish!) the second-best explorer’s school in the city. You left behind your grandmother’s cabbage farm in pursuit of higher, better, possibly more fatal things.

It was at Wentworth that you first came across a reference to the works of Eland the Younger, that wandering naturalist, historian…okay, occasionally out-and-out liar…and his great fragmentary work, the Book of the Gear. It detailed his descent into a great clockwork labyrinth, filled with strange creatures and stone gears. Even for Eland, it’s a bit weird. Most scholars dismiss it outright as a fabrication, and the few professors who would talk to you about it strongly suggested that it was dangerous and you should ignore any rumors about its location and do something else. (Possibly on one of their projects! For course credit, obviously, not money.)

You didn’t listen….

(5) FRANK TALK ABOUT A TOXIC HISTORY. Kristine Kathryn Rusch doesn’t just talk about the latest F&SF kerfuffle, but surveys decades of issues in “Business Musings: My Magazine. My Voice. My Rules”.

…I have been quite reluctant to weigh in on the F&SF mess for personal reasons. I believe that rescinding that contract was the absolute right thing to do, and I will get to that in a moment.

But let me say this first:

I try very hard not to discuss The Magazine of Fantasy & Science Fiction. I think Sheree Renée Thomas is a fantastic editor. She’s done a spectacular job at F&SF. I think she’s managed to honor the magazine’s traditions and bring it solidly into the 21st century.

I wish she had a better boss. But I have remained mostly quiet about Gordon Van Gelder. The transition between my editorship and his was ugly, with him sending a form letter to everyone with a story in inventory, telling them that the editing on their stories was poor and the stories needed to be re-edited. That was but one thing that he did when he came on board. The microaggressions continued for decades, including leaving me out of as much of the history of the magazine as possible (including the Wikipedia page, except as a name, until people complained).

The behind-the-scenes stuff got so ugly that a friend of mine, a big-name corporate lawyer, wanted to take my case for free because he said it was a textbook case of tortious interference. I did not let my friend or, later, another lawyer who offered, take the case because I was not going to edit any longer. I didn’t need editing work. If I had, I would have had to take them up on going to court.

But I was no longer interested in editing. I was more concerned with my fiction career. If Gordon and his friends managed to destroy my reputation under the Rusch name, I could—and did—write under pen names. I didn’t want to spend time in court, even though a few other lawyers (and one appellate court judge) who learned the story agreed that the case was a slam dunk.

But let’s just say that I have very little good to say about Gordon, and the lack of respect he showed, not just me, but most women in his orbit….

…Sheree has to walk a tight line between her boss and her own voice. She’s been doing so for three years now. But this conflict spilled into the open, and Gordon, acting in a typically insensitive manner (at best), left her out to dry for nearly six weeks.

That’s the problem here.

Not rescinding the acceptance.

No magazine should ever be forced to buy something from anyone they find abhorrent. Or from anyone who espouses different views than the magazine itself.

Every magazine has a voice and a perspective. Sheree’s assignment is to maintain the voice of a seventy-three year-old magazine while making that magazine relevant to 2023. She has brought in new voices while keeping some of the old ones. She has maintained the reading experience for long-time subscribers and has managed to bring in new ones along the way.

She’s doing an amazing job.

It’s a balancing act that all editors face….

(6) IN THE TRENCHES. And if you can take it, here’s some more publishing truth. On the Publishing Rodeo Podcast, Sunyi Dean and Scott Drakeford interview Kameron Hurley: “Why Don’t We Just Quit?”. Transcript at the link.

…Kameron
I couldn’t quit my job. There was no way that that was going to happen. We actually got married because his health insurance is this is before Obamacare. His health insurance was going to went out. We were going to be screwed. He was like, I’m going to die. For me, I needed to realize, I wanted to be transparent that just because someone seems to be successful, quote-unquote, there are some years I’ll make $5,000 writing that year, right? With patron now, I make much more, but that’s because of patron. I make way more than I do in book advances every year, let me tell you, especially because I’m way behind this current book. Because let me tell you, you get behind because of a pandemic or something like that. You don’t get paid until you send them the rest of the book. So you’re just sitting there going, Crap, I need to finish a book or I’m not going to get paid. So it’s understanding the way that those economics actually work. And just because someone has written a seminal novel or has written 25 novels does not mean that they’re not waking up at 06:00 a.m. And going to be a marketing strategist and getting yelled at by clients all day.

Kameron
That’s what I did today. So it’s understanding that there’s a lot more going on the background than a lot of people will present. And I think that it gives, especially newer writers, this really warped view of what success means, of what that trajectory is. Martha Wells was putting out book after book after book since I was a teenager. And not really like it was… She was just this reliable, wonderful storyteller and nothing broke out until Murderbot. And she even said at one point, she’s just like, I didn’t realize it until I looked up one day that my career was almost over. And she ended up signing with one of the publishers that I did that went bankrupt, just how I met her. But I think that people forget that sometimes you can go, Victoria Schwab talks about this. She refers to what? Eleven books were midlist books that was out of print within two years, her first book. And I like those stories because they are much more typical of the actual experience that the vast majority of writers have….

 (7) BOUCHERCON COVID INFECTION REPORT. Lee Goldberg has been tracking Covid infection reports among people who attended last weekend’s Bouchercon. “My informal tally is up to 20 #Bouchercon2023 attendees announcing their infection on Twitter. I wouldn’t be surprised if the actual total of infected attendees is at least 3 times as many…”

(8) THE WRONG KIND OF GREEN. [Item by Bruce D. Arthurs.] Lauren Panepinto’s essay, “The Envy of Non-Creatives” on Muddy Colors addresses an important aspect of AI art generation and why some people are in favor of it.

…. Some of you will read this and say, duh, I have experienced this first hand. It’s very common for artists and authors to lose friends when they make the jump to “going pro” and finding success. I work with so many authors, and it’s a given that when you publish your first book you lose a good number of friends. And it’s almost always the friends who also wanted to become an author. It’s because those friends were fine encouraging you when you were all amateurs together…but if you put the work in and level up, then it can be a harsh wake-up call to the folks in your life who haven’t put the same work and time into their own dreams. And many of hem would rather project that self-hatred onto someone else. I know many professional artists have experienced this as well. If you haven’t experienced this, then I think it is still important to think about. It’s been disheartening to see how many non-artists have leaped to defend the AI platforms, and I struggled to understand why. Put aside the businesses who want to save money — I’m talking about individuals who have nothing to gain financially from these platforms. It’s also something important to keep in mind when people try to convince us of that pesky myth that an artist must starve, must suffer, must be partially insane to make good art. That that’s the price we pay for creativity. It’s not true. Yes, there can be a correlation between mental illness and creativity (I’ve written on that before) but it’s not a causation. There’s deeper meaning there and it’s important for us as artists to see that clearly, not fall into the self-defeating traps society can often set for us….

(9) IT’S GREAT TO BEAT YOUR FEET. Cory Doctorow, in a New York Times opinion piece, says “Burning Man Is Always a Challenge, but Burners Like Me Know This Time Is Different”.

… Obviously, the weather at the ending was also one for the history books — for very different reasons. Not only did we get more heavy rains, compounding rarity upon rarity, but they arrived at the worst possible time, near the end of the event, when everyone’s supplies of food, water and fuel were low.

The storm turned the playa’s microscopic dust into a bedeviling clay that mired everything in clinging mud. Just walking was a challenge: The mud stuck to your shoes and turned your feet into tragicomic irregular spheres that grew heavier with each step. Worse, all this movement churned up the playa, marring the surface and creating pockmarks that retained water, slowing the drying out and stranding attendees for longer.

Though such rainstorms are all but unheard-of, harsh weather at Burning Man is absolutely normal. I’ve been caught in at least one white-out dust storm every year. This is how the playa teaches patience. Whatever pleasurable thing you find yourself doing is every bit as fun as the thing you were planning to do, so enjoy it.

This is how the playa teaches solidarity. The ultrafine dust infiltrates every bearing of every machine. The gusting winds blow over shelters and tear reinforced grommets. Your goggles break and the blowing, burning dust gets into your eyes. You help your neighbors. Your neighbors help you. The “radical self-reliance” of Burning Man isn’t the final word — it is counterpart to the event’s “radical inclusion.”…

(10) GOOGLE TWEAKS POLITICAL AD RULES. BBC News reports a new policy: “Google: Political adverts must disclose use of AI”.

Google will soon require that political ads on its platforms let people know when images and audio have been created using artificial intelligence (AI).

The rules have been created as a response to the “growing prevalence of tools that produce synthetic content”, a Google spokesperson told the BBC.

The change is scheduled for November, about a year ahead of the next US presidential election.

There are fears AI will supercharge disinformation around the campaigns.

Google’s existing ad policies already ban manipulating digital media to deceive or mislead people about politics, social issues, or matters of public concern.

But this update will require election-related ads to “prominently disclose” if they contain “synthetic content” that depicts real or realistic-looking people or events.

Google suggested labels such as “this image does not depict real events” or “this video content was synthetically generated” will work as flags….

(11) POPULAR MARYLAND SFF CON HOTEL CLOSING. [Item by Dale Arnold.] The Delta Hunt Valley Hotel (Formerly the Hunt Valley Inn) which was the location of many past Balticons, once a World Fantasy Con, and present convention hotel for the SF genre media cons Shoreleave, Farpoint and Mid-Atlantic Nostalgia Convention will be closing permanently at the end of October 2023. Once upon a time the Hunt Valley Inn was considered the best hotel for SF cons in the area with a sea of free parking that the fans loved. Unfortunately, that sea of free parking on 29 acres in a desirable spot right off an interstate interchange proved so attractive that a development group bought the hotel in 2018 and although they were guarded about future plans it is now confirmed they have created a plan for mixed use office, retail etc. and will now demolish the hotel and rebuild. Many fans noticed the hotel was not being invested in since 2018, but we all hoped the grand old facility would bounce back, but alas it is not to be. 

(12) IT’S A THEORY. Electoral-vote.com took note of a sff reference in coverage of Texas Attorney General Ken Paxton’s impeachment trial:

…state senator Angela Paxton, Ken Paxton’s wife, whom he cheated on, and is required to attend the proceedings by the state constitution, showed up in a red dress. I’ll suggest that this is not to show support for Republicans, but rather a reference to the Wheel of Time‘s Red Aja, the notoriously misandrist faction, and whose TV series just launched its second season. She’s out for blood.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 7, 1795 John William Polidori. His most remembered work was “The Vampyre”, the first modern vampire story published in 1819. Although originally and erroneously accredited to Lord Byron, both Byron and Polidori affirmed that the story was his. Because of this work, he is credited by several as the creator of the vampire genre of fantasy fiction. (Died 1821.)
  • Born September 7, 1921 Donald William Heiney. Under the pseudonym of MacDonald Harris, which he used for all of his fiction, wrote one of the better modern set novels using the Minotaur myth, Bull Fever. His time travel novel, Screenplay, where the protagonist ends up in a film noir 1920s Hollywood is also well crafted. Most of his work is available from the usual digital suspects.  (Died 1993.)
  • Born September 7, 1924 Gerry de la Ree. He published fanzines such as Sun Spots which ran for 29 issues from the Thirties through the Forties, and as editor, he published such work as The Book of Virgil FinlayA Hannes Bok Sketchbook, and Clark Ashton Smith – Artist. He was inducted into the First Fandom Hall of Fame. (Died 1993.)
  • Born September 7, 1955 Mira Furlan. She’s best known for her role as the Minbari Ambassador Delenn on entire run of Babylon 5, and also as Danielle Rousseau on Lost, a series I did not watch. She’s reunited with Bill Mumy and Bruce Boxleitner at least## briefly in Marc Zicree’s Space Command. She died of the West Nile virus. Damn. (Died 2021.)
  • Born September 7, 1956 Mark Dawidziak, 67. A Kolchak: Night Stalker fan of the first degree. He has written The Night Stalker Companion: A 30th Anniversary Tribute, Kolchak: The Night Stalker ChroniclesKolchak: The Night Stalker Casebook and The Kolchak Papers: Grave Secret. And more additional works than I care to note here. To my knowledge, he’s not written a word about the rebooted Night Stalker series. Proving he’s a man of discriminating taste. 
  • Born September 7, 1961 Susan Palwick,  62. She won the Rhysling Award for “The Neighbor’s Wife,” the Crawford Award for best first novel with Her Flying in Place, and the Alex Award for her second novel, The Necessary Beggar. Impressive as she’s not at all prolific. All Worlds are Real, her latest collection, was nominated for the 2020 Philip K. Dick Award. She was one of the editors of New York Review of Science Fiction which was nominated for the Best Semiprozine Hugo at Noreascon 3. 
  • Born September 7, 1960 Christopher Villiers, 63. He was Professor Moorhouse in “Mummy on the Orient Express”, a Twelfth Doctor story. It’s one of the better tales of the very uneven Calpadi run. He’s also Sir Kay in First Knight and is an unnamed officer in From Time to Time which based on Lucy M. Boston’s The Chimneys of Green Knowe.
  • Born September 7, 1973 Alex Kurtzman, 50. Ok, a number of sites claim he single-handedly destroyed Trek as the fanboys knew it. So why their hatred for him? Mind you I’m more interested that he and Roberto Orci created the superb Fringe series, and that alone redeems him for me. And I’m fascinated that he was Executive Producer on Hercules: The Legendary Journeys and Xena: Warrior Princess!

(14) COMICS SECTION.

  • Thatababy gets a media tie-in gift that even surprises Mom.

(15) MARVEL AT NY COMIC CON. “Marvel Announces 2023 New York Comic Con Panel Line-Up”. See details at the link.

This October, Marvel is returning to New York Comic Con with a line-up of fan-favorite panels, can’t-miss activations, exciting announcements, New York Comic Con convention-exclusive merchandise, all-star talent signings, and countless fan experiences at the Marvel booth from Thursday, October 12 through Sunday, October 15.

Marvel will be on the ground to host the exciting events in the Marvel Booth and fans at home can experience it all by watching the exclusive livestream broadcast hosted by Ryan Penagos, Josh Saleh, Langston Belton, Ray Lowe, and Mikey Trujillo. Fans can stay up to date on the biggest stories and breaking news by tuning in on Marvel.comYouTubeX (formerly Twitter)Facebook and Twitch….

(16) ALIEN BREAKTHROUGH. The Guardian profiles “Jewelle Gomez: the Black lesbian writer who changed vampire fiction – and the world”.

Ridley Scott’s Alien holds a special place in the heart of Jewelle Gomez, but not simply because Sigourney Weaver’s Ellen Ripley was just her type. “If you were going to come out, that was the movie to come out to,” she says with a chuckle over video call from her home office in San Francisco. The year was 1979, Gomez was 31, and her mother, Dolores, and grandmother, Lydia, were in New York City for a visit when they went to see the sci-fi horror at a cinema near Times Square. “We were in the bathroom after and my mother started reading graffiti on the bathroom stall,” Gomez says. “My mother says: ‘Oh, here’s one. It says Dykes unite!’ And I was like, should I speak? Should I not speak? What do I say?” Her grandmother didn’t give her a chance to answer: “She says: ‘Oh, that’s nothing. Jewelle has an ink stamp on her desk at home and it says Lesbian money!’ All three of us cracked up and I breathed a sigh of relief. It was lovely.”

(17) FRESH INTERPRETATION OF DRACULA. “New blood: Scotland to stage all-woman and non-binary Dracula play” – the Guardian has the story.

The first major staging of Dracula with an all-woman and non-binary cast aims to “reclaim and subvert” gothic tropes of fragile and corruptible females by retelling the genre classic through the eyes of Mina Murray.

In Bram Stoker’s 1897 novel, Murray’s fiance, the solicitor Jonathan Harker, clumsily embroils Mina and her friend Lucy in Dracula’s bloodlust when he travels to Transylvania to assist the count in a property purchase. However, the new National Theatre of Scotland production puts Mina at the centre of the action.

Set in a psychiatric hospital in Aberdeenshire in 1897, Dracula: Mina’s Reckoning is a unique Scottish adaptation that tells the familiar story through her eyes, assisted by an ensemble of asylum inmates led by a non-binary Renfield, the Count’s devoted servant.

“The novel is wonderful,” says director Sally Cookson, Olivier award-winner and associate artist at Bristol Old Vic. “But I was always very aware of how the male characters had all the power.”

Bram Stoker hinted at Mina’s fascination with the New Woman, the feminist ideal of independence embodied in the suffragette movement, Cookson explains, “but he never really allows her to become one; she’s not allowed to join in the vampire hunt, he continually locks her up for her own safety, and then tidily marries her off [to Harker] at the end of the story”.

“What would happen if Mina’s ambition was not to get married and have children?”…

(18) FREDDIE MERCURY AUCTION. [Item by Lis Riba.] This week, Sotheby’s is auctioning off Freddie Mercury’s estate. In addition to his music memorabilia, wardrobe, and truly gorgeous works art and furniture, I noticed several lots the File 770 readership might find interesting.

(19) AT HOME IN A TESSERACT. Did we cover this in 2021? Well, let’s link to it again just in case: “Jonathan Lethem on Robert Heinlein and Other Influences” in the New Yorker.

…The story’s protagonist, Mull, has found himself living in a once spectacular tesseract house—an architect’s grandiose solution to L.A.’s housing crisis—which has collapsed yet is still habitable. The structure keeps shifting and Mull struggles to find his way around. A corridor he used one day may have vanished the next. When did you first imagine this building? Do you see it as a three-dimensional space in your mind’s eye? Do you know it better than Mull? Or as well as Mull?

The idea of a tesseract as building comes from Robert Heinlein’s famous 1941 short story, “—And He Built a Crooked House—” (an influence my story wears on the sleeve of its title). It was one of my favorite stories growing up, and, for a lot of readers my age, it might be as responsible for the introduction of the idea of a tesseract as Madeleine L’Engle’s “A Wrinkle in Time.” It’s also an L.A. story, and Heinlein was a resident when he wrote it. The house in the story is across the street from his own address, if I’m remembering right.

That people in Los Angeles live outside right now, in tents and under overpasses, is such a cruel and overwhelming reality that it may be atrocious to make reference to it in passing (though it probably isn’t better to leave it unmentioned at all, which is what happens constantly). I’ll try saying simply that I sometimes find it easiest to let certain realities express themselves in my thinking when I give them a surreal or allegorical expression. I grew up reading Stanisław Lem and the Brothers Strugatsky, and also Kafka and Anna Kavan and Kōbō Abe, so I may be predisposed to place the severest subjects into this kind of indeterminate fictional space….

(20) ALL STACKED UP AND NOWHERE TO GO. [Item by Mike Kennedy.] After their April “rapid, unplanned disassembly,“ SpaceX is ready for its next Starship launch attempt. The vehicle is stacked on top of one of their super heavy boosters, and they’re raring to roar. There’s one teeny tiny problem. The FAA has not given permission for another attempt nor publicly said when it might. Could Elon Musk be suffering from failure to launch? “Starship is stacked and ready to make its second launch attempt” at Ars Technica.

…”The SpaceX Starship mishap investigation remains open,” the agency stated. “The FAA will not authorize another Starship launch until SpaceX implements the corrective actions identified during the mishap investigation and demonstrates compliance with all the regulatory requirements of the license modification process.”…

(21) VIDEO OF THE DAY. Marc Scott Zicree invites everyone to enjoy video of the “Space Command Creature Test”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Ersatz Culture, Lis Riba, Bruce D. Arthurs, Dale Arnold, Kathy Sullivan, Steven French, Michael J. “Orange Mike” Lowrey, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Lou.]

Pixel Scroll 8/20/23 But Can He Put A Brick To Sleep Through Hypnosis?

(1) MAINE PAPER INTERVIEWS LIADEN CREATORS. “Waterville authors’ marriage has stood the test of time – and deadlines”, in the Portland, ME Press-Herald.

In the days when they were trying to build their careers as science fiction writers, Sharon Lee and Steve Miller had multiple jobs to pay the bills, and a shared typewriter.

Lee remembers going off to work at the paper mill in Skowhegan during the day and leaving whatever she had written in the typewriter for Miller, so he could pick up where she left off when he came home from his overnight shift at a Cumberland Farms.

“We just left the paper in the typewriter for whoever was home to work on the book,” said Lee, 70. “We had a deadline to meet, it was a necessity.”

Some 35 years later, Lee and Miller still write science fiction novels together, but with the luxury of time and space. Both write full-time and each have their own writing office, at opposite ends of their ranch house in Waterville. Nowadays, they sometimes leave finished pages on the dining room table for the other to read over. They’ve collaborated on some 100 stories and books over the years, including 25 novels in the popular Liaden Universe series.

The most recent book in the series, “Salvage Right,” went on sale in July and debuted at No. 2 on book publishing industry data provider BookScan’s science fiction list. It was published by Baen Books and distributed by Simon & Schuster. Their first book came out in 1988, the year they moved to Maine from Baltimore. The couple has been married since 1980.

“They are two very intelligent, creative people playing off each other, and there’s a huge element of trust in the way they work. You can’t tell which ones Sharon took the lead on or which ones Steve did,” said Toni Weisskopf, the publisher at Baen Books. “There have been some husband-and-wife collaborations in science fiction, but for a couple to work together this long and for their marriage to remain successful is probably unique.”…

(2) CHENGDU WORLDCON TAKING APPLICATIONS FOR FAN TABLES. The Chengdu Worldcon (October 18-22) is now accepting requests from those who want to run Fan Tables. The deadline to apply is August 31 at 5:00 p.m. (Beijing Time). Detailed information is in the 2023 Chengdu Worldcon Exhibition Brochure. The contact email is [email protected].

…As one of the most important parts of a Worldcon, the exhibition is an excellent platform for global fannish groups to experience science fiction culture from various community and communicate and exchange science fiction ideas and perspectives. This year, we have set up an area of over 5,000 sqm exhibition space which composed with industries and fannish groups related to science fiction genre. You can find exhibitors featuring the content of science fiction lifestyle, arts, films, publishing, games, popular science and culture and tourism along with Fan Table, Dealer’s Room and the Future Worldcons. Now we are pleased to announce the open of application for the exhibition, however, due to the limited space and table, we have to approve the application in a manner of first come first get.

(3) ALL BRADBURY, ALL THE TIME. The Library of America interviewed Jonathan Eller, editor of  The Illustrated Man, The October Country, Other Stories, which gathers two of Ray Bradbury’s celebrated collections and twenty-seven other stories. Eller is the author of the definitive, three-volume Ray Bradbury biography (Becoming Ray BradburyRay Bradbury UnboundBradbury Beyond Apollo) and the general editor of the Collected Stories of Ray Bradbury and The New Bradbury Review. “Jonathan R. Eller on Ray Bradbury’s journey from the pulps to the slicks”.

Jonathan R. Eller: Throughout World War II, Ray Bradbury published in the genre pulps by way of his first New York agent, Julius Schwartz. His success with off-trail stories in the pages of Weird Tales came first, as he slowly developed a style to match his tales of strange children and eccentric supernatural creatures that bore little resemblance to the conventional vampires, ghosts, and werewolves usually featured in the supernatural pulps.

By 1945 he had found another reading audience through the crime fiction pulps, again creating unconventional characters who blurred the boundaries between rational, neurotic, and psychotic behavior. All along he had also been publishing in the science fiction magazines with limited success, hampered to some degree by an anxiety of influence and the virtual lack of any background in the sciences or technologies that stimulated many other writers in the field.

Nevertheless, Bradbury was already developing his own distinctive, metaphor-rich style, and genre mentors such as Leigh Brackett, Edmond Hamilton, and Henry Kuttner helped him discover his true strengths as a writer. Bradbury always believed that his subconscious was the key to original ideas, and by the mid-1940s he realized, on some level, that his strengths were not in imagining the experiences of others, but in telling stories that came from the emotional responses to life found in the mind of a child, and the mind of the adult that the child would become. These subjects he knew well….

(4) I’VE HEARD THAT SONG BEFORE. “Rod Serling Committed Plagiarism In The Twilight Zone – By Accident”Slashfilm explains what they mean by that.

The pilot episode for Rod Serling’s seminal sci-fi TV series “The Twilight Zone” was called “Where Is Everybody?,” and it aired on October 2, 1959. It was directed by Robert Stevens and, like most episodes of “The Twilight Zone,” was written by Serling himself…

Bradbury was unambiguous when addressing Serling’s “inspiration.” He explained:

“The first program of ‘The Twilight Zone’ is based on a story from ‘The Martian Chronicles.’ He invited me to a screening with my friend Bill Nolan and the other boys in the gang, you know, and when we came out we all looked at each other and said, ‘God, that looks a little bit like a story from “The Martian Chronicles.”‘ I didn’t say anything because I was embarrassed. And a month or so later, Rod called me on the phone and said, ‘Why didn’t you tell me?’ I said, ‘Tell you what?’ He said, ‘Well, my pilot script is based partially on a story of yours from “The Martian Chronicles?”‘”

It seemed that Serling didn’t know that Ray Bradbury had beaten him to a “lone soul wanders a human-free landscape” story by about nine years. Serling then told Bradbury that it took his wife, Carol, to point out the similarities to him. Luckily, she happened to be readying Bradbury’s book at the time. The author recalled:

“[Serling] said ‘I was in bed reading with my wife and Carol turned over, she was reading “The Martian Chronicles” and she said, “Rod, read this, it’s like your pilot.”‘ And he said, ‘My God, I realized that inadvertently I’d stolen part of your idea.'”

Luckily, Serling wanted to do the honorable thing, and give credit where credit was due; it seems that Rod didn’t want to rip off any ideas or claim credit for himself. He offered to pay Bradbury to appropriate amount to purchase the rights to his story. Bradbury refused, saying that the acknowledgment was enough, offering him vindication….

(5) SCOREBOARD, BABY! “Another judge agrees: AI-Created art isn’t copyrightable” reports Mashable.

…There has been a debate raging over whether or not work created by generative artificial intelligence can be copyrighted. Some judges have ruled no, of course not, that would be absurd; others have argued the opposite. On Friday, the computers took another L.

A federal judge ruled to uphold a finding from the U.S. Copyright Office that states that pieces of art that are created by AI are not protected by copyright law. As the Hollywood Reporter found, U.S. District Judge Beryl Howell, who delivered the ruling, said copyright law hasn’t ever protected “works generated by new forms of technology operating absent any guiding human hand.”

Stephen Thaler, the chief executive of the neural network firm Imagination Engines, has been leading the charge in hopes of copywriting AI works, according to the Hollywood Reporter. In his lawsuit, he argued that AI should be acknowledged “as an author where it otherwise meets authorship criteria” and that works generated completely and solely by artificial intelligence should be protected by copyright law.

“In the absence of any human involvement in the creation of the work, the clear and straightforward answer is the one given by the Register: No,” Howell wrote, adding that copyright law “protects only works of human creation.”…

(6) GRABBING WITH BOTH ROBOTIC HANDS. [Item by Bill.] Meanwhile, Google wants Australian copyright (and presumably other countries as well) to explicitly allow AI/LLM systems to scrape copyrighted material as “fair use”. “Google Wants AI Scraping to Be ‘Fair Use.’ Will Courts Agree?” at Tom’s Hardware.

What do you think would happen if I tried this? I stroll into a bank and see a wad of cash within arm’s reach behind an unoccupied teller window. I grab the dough and start walking out the door with it when a police officer, very rudely, stops me. “I’m entitled to take this money,” I say. “Because nobody at the bank told me not to.”

If you think my defense is implausible, then you don’t work for Google. This week, the search giant said that it wants to change copyright laws so that it can grab any content it wants from the Internet, use it as training data for its AI products, and argue “fair use” if anyone objects to the plagiarism stew Google’s cooking up. Google’s figleaf to copyright holders: they’ll find a way to let you opt-out.

In a recent statement to the Australian government, which is considering new AI laws, Google wrote that it wants “copyright systems that enable appropriate and fair use of copyrighted content to enable the training of AI models in Australia on a broad and diverse range of data while supporting workable opt-outs for entities that prefer their data not to be trained in using AI systems.”…

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 20, 1883 Austin Tappan Wright. Did you know that Islandia wasn’t published when he was alive? His widow edited his fifteen hundred page manuscript for publication, and following her own death in 1937 their daughter Sylvia further edited and cut the text; the resulting novel, shorn of Wright’s appendices, was published in 1942, along with a pamphlet by Basil Davenport, An introduction to Islandia; its history, customs, laws, language, and geography, based on the original supplementary material. (Died 1931.)
  • Born August 20, 1890 Howard P. Lovecraft. Virtually unknown during his lifetime, he was published only in pulp magazines before he died in poverty. He’s regarded now as one of our most important authors of horror and weird fiction. He is not the originator of the term Cthulhu mythos, that honor goes to August Derleth. (Died 1937.)
  • Born August 20, 1932 Anthony Ainley. He was the fourth actor to play the role of the Master, and the first actor to portray the Master as a recurring role since the death of Roger Delgado in 1973. He appeared in eleven stories with the Fourth through Seventh Doctors.  It is noted that he enjoyed the role so much that sources note he even stayed in character when not portraying The Master by using both the voice and laugh in social situations. (Died 2004.)
  • Born August 20, 1943 Sylvester McCoy, 80. The Seventh Doctor (my second favorite of the classic Who Doctors after Baker) and the last canon Doctor until the modern era of the official BBC Doctors when they revised canon. He also played Radagast in Peter Jackson’s Hobbit films, he’s The Old Man of Hoy in Sense8 and he voices Aezethril the Wizard in the “Endgame” episode of Thunderbirds Are Go
  • Born August 20, 1951 Greg BearBlood Music which won both a Nebula and a Hugo for Best Novelette is an amazing read. I’m also very fond of the Songs of Earth and Power duology, The Infinity Concerto and The Serpent Mage, and found his Queen of Angels a fascinating mystery. (Died 2022.)
  • Born August 20, 1961 Greg Egan, 62. Australian writer who exists though he does his damnedest to avoid a digital footprint. His excellent Permutation City won the John W. Campbell Memorial Award  and “Oceanic” garnered a Best Novella Hugo at Ausiecon Three. I assume he wasn’t there given his stance against attending Worldcons?
  • Born August 20, 1962 Sophie Aldred, 61. She’s Ace, the Seventh Doctor’s Companion. (By the way Doctor Who Magazine: Costume Design: Dressing the Doctor from William Hartnell to Jodie Whittaker is a brilliant read and has a nice look at her costuming.) She’s reprised the role in the Big Finish audio adventures, and she’s recently written Doctor Who: At Childhood’s End where Ace meets the Thirteenth Doctor. 

(8) COMICS SECTION.

  • Shoe shows an alternative “next generation” idea.
  • Tom Gauld finds a case of scholarly overkill.

(9) RUSSIAN MOON LANDER FAILS. [Item by Mike Kennedy.] Well, it looks like the anomaly in Luna 25’s orbit was of the “we attempted a negative altitude maneuver” type.  “Luna-25 crashes into moon after orbit maneuver” at Space.com.

Russia’s Luna-25 mission ended in failure after crashing into the moon, space agency Roscosmos has announced.

statement posted to the agency’s Telegram social media channel early Aug. 20 confirmed that an anomaly during an Aug. 19 maneuver to lower Luna-25’s orbit resulted in the spacecraft impacting the lunar surface.

The spacecraft was scheduled to attempt a soft lunar landing Aug. 21, near Boguslawsky crater, located approximately 70 degrees south latitude in the vicinity of the south polar region of the moon.

Roscosmos announced Aug. 19 that at 7:10 a.m. Eastern that day Luna-25 was instructed to fire its engines to send the spacecraft into a “pre-landing” orbit around the moon. The planned maneuver was anomalous, however. 

“An emergency situation occurred on board the automatic station, which did not allow the maneuver to be performed with the specified parameters,” according to a translation of the Roscosmos statement. 

The agency clarified Sunday that contact was lost with the spacecraft around 7:57 a.m. Eastern. Measures taken Aug. 19 and 20 to reestablish contact with Luna-25 were not successful, according to the Aug. 20 statement.

A preliminary analysis revealed that a deviation of the actual parameters of the impulse from those calculated resulted in the spacecraft colliding with the lunar surface, according to a machine translation of the statement….

(10) ICONIC ARCHITECTURE NO MORE. The Guardian listens to the “Outcry over loss of features on Bangkok’s landmark ‘robot building’”.

A Bangkok landmark known as the “robot building” has been stripped of its identity, heritage campaigners have said, as they called for the city’s distinctive architecture to preserved.

The building – in the form of a giant robot made up of stacks of cubes and inspired by the architect watching his son play with a toy – has loomed over one of Bangkok’s busiest commercial districts for decades. Its design included oversized bolts and antenna, and windows shaped like cartoonish eyes.

The building’s owner, the Thai arm of the Singaporean multinational United Overseas Bank (UOB), is renovating the structure, however, and its distinctive features have been altered or removed.

The building, which is mentioned in many guides of the city, was completed in 1986 and was previously the headquarters of Bank of Asia. The architect, Dr Sumet Jumsai na Ayudhya, who sought to reflect the computerisation of banking, wanted to create a building that was futuristic….

(11) WWII FLIGHT PHOTOS. The Guardian reports that the Historic England website has made available for the first time large numbers of photos indexed under “Baseball and Bombers: USAAF Reconnaissance Photography During the Second World War”.

The United States Army Air Forces (USAAF) reconnaissance aircraft flew hundreds of sorties over England during the Second World War. The Historic England Archive holds a USAAF collection of over 20,000 photographs that records airfields, military bases, towns, and countryside in England between 1943 and 1944.

… The photographs also show incidental details, including Second World War anti-invasion defences. Traces of earlier times can also be seen, from prehistoric archaeological features to the remains of First World War camps. Others record busy townscapes or the relative tranquillity of the natural landscape and cloud formations….

(12) VIDEO OF THE DAY. Ryan George convinces himself to make a sequel in “Meg 2: The Trench Pitch Meeting”.

Jason Statham fighting giant prehistoric sharks. That’s maybe the easiest pitch that’s ever been made, and first Meg movie made over half a billion dollars thanks to that awesome sounding premise. And when something makes half a billion dollars, you can bet we’re going to see some more of it. Meg 2: The Trench definitely raises some questions. Like why is this shark movie mostly about humans running around doing sketchy stuff? How did Jason Statham free dive at 25,000 feet? Wait, these movies are based on books? Where did that Kraken come from and why isn’t anyone talking about it? To answer all these questions, check out the pitch meeting that led to Meg 2: The Trench!

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 6/15/23 Where Do Pixels Come From? They Are Born Of Scrolls. Where Do Scrolls Originate? Go Ask Mike

(1) BLACK MIRROR CREATOR. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4’s The Media Show yesterday was devoted to Charlie Brooker. You can download the episode here.

Brooker in SF terms is best known for being the writer behind the Black Mirror whose first two seasons were on Britain’s publicly-owned but self-financed Channel 4 before it migrated behind Netflix’s pay wall. (Netflix could afford the show a bigger budget.)

Charlie Brooker is one of the most influential satirists working today. Having started out as a cartoonist, his razor sharp writing on culture and the media made his TV columns for The Guardian, begun in 2000, essential reading for many. It wasn’t long until his acerbic and frequently absurd world view found a home on BBC Four in the form of the TV review show, Screenwipe. He’s also behind acclaimed comedies like Nathan Barley. But he’s found global fame with the series Black Mirror, which has entered the lexicon for a singular form of technology-enhanced dread. In the week that the new season launches, Charlie Brooker joins</I> The Media Show <I>to look back at his career.

(2) WOMEN’S PRIZE FOR FICTION. The 2023 winner of the Women’s Prize for Fiction is Barbara Kingsolver’s Demon Copperhead, which despite the thrilling sound of its title is a non-genre work.

(3) 2023 KAYMAR AWARDS. The National Fantasy Fan Federation has named Will Mayo and Justin E. A. Busch the winners of the 2023 Kaymar Awards. Each is a posthumous award, a first for the N3F.

The Kaymar Award recipient is selected by a committee consisting of previous winners who are still in the N3F, from nominations submitted by members.

The award, unlike many other awards in fandom, can be awarded only once. It is not given for talent or for popularity, but for work — work for the benefit of the club and its members. The award is a memorial to K. Martin Carlson [1904-1986], who originated, maintained, and financed it for 25 years. Carlson was a long-time N3F member who held many positions in the club, including club Historian. He went by the fan name of Kaymar.

(4) ELIO. Here’s a teaser for next year’s Pixar release, Elio.

Disney and Pixar’s 28th feature film is “Elio”. Jameela Jamil and Brad Garrett join previously announced America Ferrera and Yonas Kibreab in the intergalactic misadventure that is scheduled to take off next spring—March 1, 2024.   For centuries, people have called out to the universe looking for answers—in Disney and Pixar’s all-new movie “Elio,” the universe calls back! The original feature film introduces Elio, an underdog with an active imagination who finds himself inadvertently beamed up to the Communiverse, an interplanetary organization with representatives from galaxies far and wide. Mistakenly identified as Earth’s ambassador to the rest of the universe, and completely unprepared for that kind of pressure, Elio must form new bonds with eccentric alien lifeforms, survive a series of formidable trials and somehow discover who he is truly meant to be. 

(5) UPLIFTER. Steven Barnes showed Facebook readers his latest recognition, The Uplifter Ghost of Honor Award.

(6) ANOTHER COMPANION. “Doctor Who’ Casts BAFTA-Winner Lenny Rush As Morris” reports Deadline.

Lenny Rush, the BAFTA-winning star of BBC comedy Am I Being Unreasonable?, has joined the iconic sci-fi series as Time Lord companion Morris. No further details were given about his role.

Rush, 14, won Best Male Performance for Daisy May Cooper’s Am I Being Unreasonable? last month. He has previously appeared in shows including A Christmas Carol and Dodger.

Showrunner Russell T Davies said: “This is what Doctor Who‘s all about, brand new talent from the next generation, and no one’s more talented than Lenny. He joins the TARDIS team just in time for the Doctor’s greatest nightmare, so hold on tight.”

(7) IT’S A GAS. [Item by Steven French.] “Blending science and the supernatural, high art and gothic horror, Hamad Butt made work that was literally dangerous, in one case sparking fears of a gas leak. He is one of the stars of Tate Britain’s rehang”. “’Dicing with death’: the lethal, terrifying art of Hamad Butt – and the evacuation it once caused” in the Guardian.

But where’s the genre interest, you ask? The work being showcased at the art gallery is Transmission which features a circle of glass books displaying etchings of John Wyndham’s triffids.

…One particularly exciting addition is the little-known Pakistani-born artist Hamad Butt, whose striking 1990 installation Transmission has been given a whole room.

Created at the height of the Aids epidemic in Europe and the US, Transmission evokes multiple terrors. Donning safety goggles at the entrance, you encounter a darkened space with nine open glass books, lit by UV lamps, arranged in a circle on the floor as if for some cabalistic ritual. Through the eerie glow, an etching looms on each book of a triffid, the giant carnivorous plants that overrun Earth after a blinding meteor shower in John Wyndham’s 1951 sci-fi novel The Day of the Triffids. On the wall, nine cryptic statements pronounce things like: “We have the eruption of the Triffid that obscures sex with death” and “We have the blindness of fear and the books of fear”. The piece explores fears of the foreign invader, of deadly desire (through the distinctly phallic-looking triffid), of literal blindness as well as blind faith, the open tomes recalling a madrasa or a witch’s coven….

(8) ROBERT GOTTLIEB (1931-2023). Robert Gottlieb, an influential editor who worked at Simon & Schuster, Alfred A. Knopf and The New Yorker during his career, died June 14 reports the New York Times. He was 92. He edited many successful books “by, among many others, John le Carré, Toni Morrison, John Cheever, Joseph Heller, Doris Lessing and Chaim Potok; science fiction by Michael Crichton and Ray Bradbury; histories by Antonia Fraser and Barbara Tuchman; memoirs by former President Bill Clinton and Katharine Graham, the former publisher of The Washington Post; and works by Jessica Mitford and Anthony Burgess.”

(9) MEMORY LANE.

2001[Written by Cat Eldridge from a choice by Mike Glyer.]

If memory serves me right, the first thing that I read by  Kelly Link was something in an early issue of Lady Churchill’s Rosebud Wristlet that she and Gavin Grant sent to Green Man of Small Beer Press for review.

They also edited the last four years of The Year’s Best Fantasy and Horror that Datlow and Windling founded. Same anthology, different tastes under their editorship. 

Our Beginning this Scroll comes from the Nebula-winning “Louise’s Ghost” novelette which is in the Stranger Things Happen collection which is where it was originally published twenty-two years ago. The entire collection being her writing is wonderful. 

And now for her Beginning here…

Two women and a small child meet in a restaurant. The restaurant is nice—there are windows everywhere. The women have been here before. It’s all that light that makes the food taste so good. The small child—a girl dressed all in green, hairy green sweater, green T-shirt, green corduroys and dirty sneakers with green-black laces—sniffs. She’s a small child but she has a big nose. She might be smelling the food that people are eating. She might be smelling the warm light that lies on top of everything. 

Hit

None of her greens match except of course they are all green.

“Louise,” one woman says to the other.

 “Louise,” the other woman says. 

They kiss.

The maitre d’ comes up to them. He says to the first woman, “Louise, how nice to see you. And look at Anna! You’re so big. Last time I saw you, you were so small. This small.” He holds his index finger and his thumb together as if pinching salt. He looks at the other woman. 

Louise says, “This is my friend, Louise. My best friend. Since Girl Scout camp. Louise.” The maitre d’ smiles. “Yes, Louise. 

Of course. How could I forget?

Louise sits across from Louise. Anna sits between them. She has a notebook full of green paper, and a green crayon. She’s drawing something, only it’s difficult to see what, exactly. Maybe it’s a house. 

Louise says, “Sorry about you know who. Teacher’s day. The sitter canceled at the last minute. And I had such a lot to tell you, too! About you know, number eight. Oh boy, I think I’m in love. Well, not in love.” 

She is sitting opposite a window, and all that rich soft light falls on her. She looks creamy with happiness, as if she’s carved out of butter. The light loves Louise, the other Louise thinks. Of course it loves Louise. Who doesn’t?

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 15, 1942 Sondra Marshak, 81. Author of multiple Trek novels including The Price of the Phoenix and The Fate of the Phoenix, both co-written with Myrna Culbreath. She also wrote, again with Myrna Culbreath, Shatner: Where No Man …: The Authorized Biography of William Shatner which of course naturally lists Shatner as the third co-author. Finally she’s co-writer with Jacqueline Lichtenberg, and television producer Joan Winston of Star Trek Lives!
  • Born June 15, 1947 David S Garnett, 76. Not to be confused with the David Garnett without an S. Author of the Bikini Planet novels (StargonautsBikini Planet and Space Wasters) which should be taken as seriously as the names suggests. Revived with the blessing of Michael Moorcock a new version of New Worlds as an anthology. Last work was writing Warhammer novels.
  • Born June 15, 1960 William Snow, 63. He is best remembered as Lord John Roxton on Sir Arthur Conan Doyle’s The Lost World. (Yes, that’s its official title.) He also had the lead as David Grief on the Australian series Tales of the South Seas which had Rachel Blakey from Sir Arthur Conan Doyle’s The Lost World as Isabelle Reed. It was definitely genre. 
  • Born June 15, 1960 Sabrina Vourvoulias, 63. Thai-born author, an American citizen from birth brought up in Guatemala, but here since her teens. Her novel, Ink, deals with immigrants who are tattooed with biometric implants that are used to keep track of them no matter where they are. I’m assuming that the “Skin in the Game” story which appeared first on Tor.com is set in the future. Fair guess that “The Ways of Walls and Words” which also appeared on Tor.com is also set there.
  • Born June 15, 1963 Mark Morris, 60. English author known for his horror novels, although he has also written several novels based on Doctor Who and Torchwood. Given his horror background, these tend to be darker than many similar novels are, I recommend Forever Autumn and Bay of the Dead if you like a good chill. 
  • Born June 15, 1973 Neil Patrick Harris, 50. His first genre role was not Carl Jenkins in Starship Troopers, but rather Billy Johnson in Purple People Eater, an SF comedy best forgotten I suspect. Post-Starship Troopers, I’ve got him voicing Barry Allen / The Flash in Justice League: The New Frontier and Dick Grayson / Nightwing in Batman: Under the Red Hood. He also voiced Peter Parker and his superhero alias in Spider-Man: The New Animated Series. Finally he’s Count Olaf in A Series of Unfortunate Events which he also produces. 

(11) COMICS SECTION.

  • Eek! reveals something about smartphones and the undead.

(12) SIMULTANEOUS TIMES. Space Cowboy Books in Joshua Tree, CA has released episode 64 of its monthly science fiction podcast Simultaneous Times. The stories featured in this episode are:

  • “The Runner” by Jonathan Nevair (with music by Phog Masheeen)
  • “The Last AI Editor on Planet Earth” by Toshiya Kamei (with music by Patrick Urn)

(13) DOES SOMEBODY OWE YOU $7.70? From the New York Times: “Google Might Owe You Money. Here’s How to Get It.” “As part of a legal settlement, Google agreed to pay $23 million to users who clicked on a search link from 2006 to 2013. Individual payments are estimated to be less than $8.”

Anyone who clicked on a Google search result link from October 2006 to September 2013 is entitled to a piece — however small — of a $23 million settlement that the tech giant has agreed to pay to resolve a class-action lawsuit.

The settlement’s administrators set up a website for people to submit claims. According to the site, the estimated individual payout stands at $7.70. But that figure can fluctuate based on the number of people who make valid claims.

Google, which is owned by Alphabet Inc., agreed to the settlement in August. The consolidated class-action lawsuit filed in 2013 accused the company of “storing and intentionally, systematically and repeatedly divulging” users’ search queries and histories to third-party websites and companies….

(14) ROCKS AROUND THE CLOCK. Smithsonian Magazine can help you find “Seven Ways to Explore Space Without Leaving Earth”.

…Just up the road from the Cinder Hills is Sunset Crater Volcano National Monument, another astronaut training site. In the early 1970s, commander Gene Cernan and geologist Jack Schmitt trained here before Apollo 17. The mission for this final lunar landing was to find evidence of volcanism on the moon. The two astronauts used the jagged Bonito lava flow, along with surrounding cinder fields and cones, to test equipment and practice geological survey techniques.

In December 1972, Cernan and Schmitt landed in a valley of the Taurus mountain range in the Sea of Serenity. Satellite imagery had suggested these lunar highlands might be volcanic in nature. The pair’s first extravehicular activity—as astronauts call such trips outside their spacecraft—turned up mostly breccias, conglomerate rocks created by the meteorite impacts that actually formed most lunar mountains. But halfway through their second excursion, Schmitt became ecstatic when he spotted something unusual: orange soil. Analysis back on Earth proved the mission a success. They had found remnants of volcanic glass. The eventual theory was that billions of years ago, the moon was a magmatically turbulent place, where lava explosively burst from the low-gravity surface to great heights before raining down as tiny grains of orange glass.

Today, the 3,138-acre Sunset Crater Volcano National Monument offers an excellent way to experience the Arizona landscape that once simulated the lunar environment. A series of short trails allow you to explore some of the volcanic processes that Artemis astronauts may search for when they return to the moon in coming years….

(15) QUANTUM COMPUTER HITS THE MARK. “IBM quantum computer passes calculation milestone”Nature explains the significance.

‘Benchmark’ experiment suggests quantum computers could have useful real-world applications within two years.

“Four years ago, physicists at Google claimed their quantum computer could outperform classical machines — although only at a niche calculation with no practical applications. Now their counterparts at IBM say they have evidence that quantum computers will soon beat ordinary ones at useful tasks, such as calculating properties of materials or the interactions of elementary particles.”…

(16) WHAT IS A SAFE DISTANCE FROM A SUPERNOVA? [Item by SF Concatenation’s Jonathan Cowie.] You know me… I do worry so.  So much so that it is a wonder I get any sleep.

Among many troubling concerns is the end of the world.  Now, I have to admit liking the end of the world: it is great fun, but with the firm proviso that is that it is firmly in science fiction.  The real deal is the thing that gets me.

So Matt O’Dowd (he’s a physicist but don’t let that put you off) in this week’s PBS Space Time is sort of re-assuring (only sort of) as to one way the world might end… being caught in the blast of a supernova…

(Best make a calming cup of tea before viewing.)

The deaths of massive stars results in one of the most beautiful and violent events in the universe: the supernova. They are so luminous we can see them here on Earth and historical records show that we can even see them into the day. But supernovas release deadly and violent radiation that could destroy our atmosphere. So how far away do these supernova have to be for humanity to be safe? And when will the next supernova occur…

Nobody panic…

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Cat Eldridge, Cliff, Steven French, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 1/28/23 But Oh, Saberish Padawan, Beware Of The Day, If Your Scroll Be A Pixel

(1) COLUMBIA SHUTTLE TRAGEDY ANNIVERSARY. NPR is “Remembering the Space Shuttle Columbia tragedy 20 years on”.

…SIMON: Twenty years later, what have we learned about that day? What happened there in the sky? And what might have prevented it?

DUGGINS: Well, you know, it’s funny. I mean, if you talk to historians, who are much better at this than I am, they’ll say, you know, the Titanic, it can’t sink. Challenger – routine launch and landing, no problems there. And that hubris always seems to catch up with us. And with Columbia, it was the piece of falling foam that hit the vehicle. And NASA asked the engineers, do you know it’s a problem? And they said, well, we can’t be sure. And so the manager said, fine, we’ll just keep going with the mission and not tell anybody about it. And it wasn’t until the very end that they informed the astronauts ’cause they figured it was going to come up in a press conference. And that was what ultimately doomed the crew….

(2) LE GUIN POETRY VOLUME COMING. The Library of America edition of Ursula K. Le Guin: Collected Poems will be released April 23.  See a PDF of the Table of Contents.

Throughout a celebrated career that spanned five decades and multiple genres, Ursula K. Le Guin was first and last a poet. This sixth volume in the definitive Library of America edition of Le Guin’s work presents for the first time an authoritative gathering of her poetry—from the earliest collection, 1974’s Wild Angels, through her final publication, So Far So Good, which she delivered to her editor a week before her death in 2018. It reveals the full formal range and visionary breadth of a major American poet.

Le Guin’s poems engage with themes that resonate throughout her fiction but find their most refined expression here: exploration as a metaphor for both human bravery and creativity, the mystery and fragility of nature and the impact of humankind on the environment, the Tao Te Ching, marriage, aging, and womanhood. Often traditional in form but never in style, her verse is earthy and playful, surprising and lyrical.

This volume features a new introduction by editor Harold Bloom, written shortly before his own death in 2019, in which he reflects on his late-in-life friendship with Le Guin and the power of her poetic gift. “For many years I have wondered why her poetry is relatively neglected,” he writes. “Her lyrics and reflections are American originals. Sometimes I hear in them the accent of William Butler Yeats and occasionally a touch of Robinson Jeffers, yet her voicing is inimitably individual.” The book also presents sixty-eight uncollected poems, a generous selection of Le Guin’s introductions to and reflections on her poetry, including a rare interview, and a chronology of her life and career.

(3) OH GOODY. Futurism assures readers, “By 2030, You’ll Be Living in a World That’s Run by Google”.

…By 2030, Google will have that World Brain in existence, and it will look after all of us. And that’s quite possibly both the best and worst thing that could happen to humanity.

To explain that claim, let me tell you a story of how your day is going to unfold in 2030.

You wake up in the morning, January 1st, 2030. It’s freezing outside, but you’re warm in your room. Why? Because Nest – your AI-based air conditioner – knows exactly when you need to wake up, and warms the room you’re in so that you enjoy the perfect temperature for waking up.

And who acquired Nest three years ago for $3.2 billion USD? Google did.

You go out to the street and order an autonomous taxi to take you to your workplace. Who programmed that autonomous car? Google did. Who acquired Waze – a crowdsourcing navigation app? That’s right: Google did….

(4) WISH WE COULD BE THERE. Dr. Phil Nichols will speak about “Literacy, Censorship and Burning Books: Ray Bradbury’s Fahrenheit 451” at the Wolverhampton Literature Festival on February 3.

Ray Bradbury’s Fahrenheit 451, the classic dystopian novel of book-burning firemen, is as relevant today as when it debuted seventy years ago. Its insights into censorship, television, drug abuse and the fall and rise of civilisation retain a freshness and plausibility rarely seen in other science fiction of that era.

Fahrenheit 451 is Ray Bradbury’s most successful novel. Ironically for a book which rages against censorship, it frequently shows up on lists of “banned books”. Adapted for the stage by Bradbury himself and twice filmed, it somehow doesn’t date, despite being seventy years old in 2023.

Phil Nichols is the editor of The New Ray Bradbury Review and Senior Consultant to the Ray Bradbury Centre at Indiana University. In this extensively illustrated talk, he explains the curious history of this classic science fiction dystopia. It’s a tale of diverse influences (Huxley and Koestler; but surprisingly not Orwell) and extensive re-writing, resulting in a work which Neil Gaiman calls “a love letter to books . . . a love letter to people.”

(5) DEFINITELY BELONGS TO THE SCIENCE FICTION CANNON. ScreenRant celebrates that “The First Science Fiction Movie Is Over 120 Years Old” and they’ll fight anyone who says it isn’t genre.

A Trip to the Moon is considered the first science fiction movie by most – but some say it is not science fiction, because it is not based on any realistic form of science, classing it more as a space fantasy. A Trip to the Moon features classic elements of the current sci-fi genre, such as aliens and sleek rockets, that would now be considered sci-fi because of how the genre has developed. However, some people do not classify films such as Star Wars as sci-fi because the science in it lacks plausibility, the same way A Trip to the Moon is not realistic with its science – highlighting how differently the genre is considered amongst audiences, as many would consider it a quintessential sci-fi series….

(6) QUITE A BUNCH OF CHARACTERS. Fonts In Use unravels “The Mystery of the Dune Font” and how devotees are keeping it alive.

… The liaison between Dune and Davison Art Nouveau started in September 1975, when the typeface was used by Berkley Medallion for a paperback edition of the first two novels. At the time, the Berkley imprint was owned by New York-based publisher G.P. Putnam’s Sons. When Berkley Putnam published the first hardcover edition of the third novel, Children of Dune, in 1976, the new typographic identity was applied there, too. Later on, Putnam used the typeface on the jackets for hardback editions of other, unrelated books authored (or coauthored) by Frank Herbert…

 … In 2009, a Dune aficionado who goes by the moniker DuneFish (DFUK) and/or MEP made a digital font called Orthodox Herbertarian, “painstakingly traced from scans of the typeface that was used on the American Ace editions […] of Dune and many other Frank Herbert books”. This amateur digitization is freely available at kullwahad.com. The font is caps only (A–Z), with a basic set of punctuation characters and scaled-down caps in the lowercase. Because it’s based on the book covers (as opposed to the original typeface), it naturally adopts the narrowed proportions. Orthodox Herbertarian is a laudable effort, but it doesn’t include any of the alternates or the numerals. In 2020, Reddit user purgruv added lowercase letters and numerals to this freebie and offered it for download as Extended Herbertarian. The additions aren’t faithful to the original and unfortunately aren’t well drawn, either….

(7) MEMORY LANE.

1923 [Compiled by Cat Eldridge.]

Following up on my essay yesterday, the quote tonight is from Agatha Christie’s “The Disappearance of Mr. Davenheim”.  

It was first published in March of 1923 in Britain in the Sketch. The story was published in the States in the Blue Book Magazine in December of 1923 as “Mr Davenby Disappears”.  In 1924, the story appeared as part of the Poirot Investigates anthology. 

And yes, David Suchet got to perform the story here in which is Poirot wagers Chief Inspector Japp that he can solve the mystery of a missing banker without leaving his flat. 

And here’s the quote now…

Poirot and I were expecting our old friend Inspector Japp of Scotland Yard to tea. We were sitting round the tea-table awaiting his arrival. Poirot had just finished carefully straightening the cups and saucers which our landlady was in the habit of throwing, rather than placing, on the table. He had also breathed heavily on the metal teapot, and polished it with a silk handkerchief. The kettle was on the boil, and a small enamel saucepan beside it contained some thick, sweet chocolate which was more to Poirot’s palate than what he described as ‘your English poison’. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 28, 1910 Arnold Moss. Anton Karidian a.k.a. Kodos the Executioner in the most excellent “The Conscience of the King” episode of Trek. It wasn’t his only SFF role as he’d show up in Tales of TomorrowThe Man from U.N.C.L.E. and The Girl from U.N.C.L.E.The Alfred Hitchcock HourTime Tunnel and Fantasy Island. (Died 1989.)
  • Born January 28, 1920 Lewis Wilson. Genre wise, he’s remembered for being the first actor to play Batman on screen in the 1943 Batman, a 15-chapter theatrical serial from Columbia Pictures. A sequel to the serial was made in 1949, but Robert Lowery replaced Wilson as Batman. (Died 2000.)
  • Born January 28, 1929 Parke Godwin. I’ve read a number of his novels and I fondly remember in particular Sherwood and Robin and the King. If you’ve not read his excellent Firelord series, I do recommend you do so. So who has read his Beowulf series? (Died 2013.)
  • Born January 28, 1965 Lynda Boyd, 58. Let’s start off with she’s a singer who starred in productions The Little Shop of Horrors and The Rocky Horror Picture Show. Film-wise, she had roles in Final Destination 2, The Invader, Mission to Mars and Hot Tub Time Machine. She’s had one-offs in X-Files, Highlander, Strange Luck, Millennium, The Sentinel, The Crow: Stairway to Heaven (where she had a recurring role as Darla Mohr), Outer Limits, Twilight Zone and Smallville.
  • Born January 28, 1981 Elijah Wood, 42. His first genre role was Video-Game Boy #2 in Back to the Future Part II. He next shows up as Nat Cooper in Forever Young followed by playing Leo Biederman in Deep Impact. Up next was his performance as Frodo Baggins In The Lord of The Rings and The Hobbit films. Confession time: I watched the very first of these. Wasn’t impressed. He’s done some other genre work as well including playing Todd Brotzman in the Beeb superb production of Dirk Gently’s Holistic Detective Agency
  • Born January 28, 1986 Shruti Haasan, 37. Indian film actress known for the Telugu fantasy film Anaganaga O Dheerudu, and the Tamil science fiction thriller 7aum Arivu. She voiced Queen Elsa in the Tamil-dubbed version of Frozen II.
  • Born January 28, 1998 Ariel Winter, 25. Voice actress who’s shown up in such productions as Mr. Peabody & Sherman as Penny Peterson, Horton Hears a Who!DC Showcase: Green Arrow as Princess Perdita and Batman: The Dark Knight Returns as Carrie Kelly (Robin). She’s got several one-off live performances on genre series, The Haunting Hour: The Series and Ghost Whisperer.

(9) COMICS SECTION.

  • Six Chix shows how hardcover books have learned to play rough at the airport.

(10) CATZILLAS. “The Army Corps of Engineers Made a Glorious 2023 Cat Calendar” and Gizmodo has a slideshow of the whole thing.

It’s hard to believe that the mighty, stone-faced U.S. Army would ever adapt adorable cat babies as its representatives, but this is the internet in the year of our lord 2023. Anything is possible.

That’s certainly what I thought when I stumbled upon this glorious 2023 cat calendar made by the Portland District of U.S. Army Corps of Engineers. While it’s not the product of a Photoshop wizard, the calendar earnestly features gigantic cats being their amazing furry selves. They play, they scratch, they think about life, and they stretch—all the while interacting with the Army Corps’ various dams, jetties, and heavy machinery….

(11) PLAUDITS FOR NEWITZ. Paul Di Filippo reviews The Terraformers by Annalee Newitz in the Washington Post [Archive.is link].

… This generously overstuffed tale has enough ideas and incidents to populate half a dozen lesser science fiction books. But the reading experience is never clotted or tedious, never plagued by extraneous detours. The story — which begins nearly 60,000 years in the future and unfolds over more than a millennium — rollicks along at a brisk clip while allowing Newitz space to dig into characters and milieu, and pile on startling speculative elements….

(12) NUKE THE MOON. In the New York Times: “‘The Wandering Earth II’ Review: It Wanders Too Far”

Upon its release, “The Wandering Earth,” Frant Gwo’s 2019 film about a dystopia in which Earth is perilously pushed through space, was minted as China’s first substantial, domestic sci-fi blockbuster, with the box office returns to prove it.

The film was entertaining enough, but its ambitious scope had something of an empty gloss to it, partly because the story’s drama wasn’t grounded in anything beyond the showy cataclysm. Its audaciously messy sequel, “The Wandering Earth II,” seems to have taken note and sprinted, aimlessly, entirely in the other direction. Losing all of the glee of its predecessor, the movie instead offers nearly three hours of convoluted story lines, undercooked themes and a tangle of confused, glaringly state-approved political subtext….

(13) KEEP YOUR DRAWERS ON. The Takeout tells how “Fox News Fell for an A&W Joke About Its Pantsless Mascot”.

…As you can see, the A&W tweet is simply parroting M&M’s tweet closely (the internet age is weird, everyone) and riding the same jokey wave. Rooty, typically pantsless, will wear jeans now. Funny gag! However, Fox News took A&W’s post as an opportunity to wage a culture war.

At first the outlet reported A&W’s Rooty announcement as a serious matter….

“First it was an M&M’s, now a bear has to wear [pants],” noted Fox Business anchor Cheryl Casone. “This is the woke police. Cancel culture has gone—ridiculous.”

Later, however, after all that lamentation, Fox realized the error, clarifying that A&W followed up its original tweet with another one that said, “Is now a good time to mention that this is a joke?”

(14) IT COULD HAPPEN ANYWHERE. [Item by SF Concatenation’s Jonathan Cowie.] It’s Saturday, I’m up early, had croissant and coffee and done work chores for today already 10.20. (I’m so hot it’s untrue…) So here is an extra from today’s Science. “Earth-like planets should readily form around other stars, meteorites suggest”.

Samples from space rocks suggest water and light elements are present in warm inner part of planet-forming disks

How hard is it to give birth to an Earth? To assemble the right mix of rock, metal, and water, in a balmy spot not too far from a star? For a long time, planetary scientists have thought Earth was a lucky accident, enriched with water and lighter “volatile” elements—such as nitrogen and carbon—by asteroids that had strayed in from the outer edges of the early Solar System, where those materials were abundant. But a series of new studies, including two published today in Science, suggests all the ingredients were much closer at hand when Earth was born…

Also Matt over at PBS Space Time contemplates Silicon based aliens

(15) VIDEO OF THE DAY. Everything’s up to date on Ukraine’s farms.

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editors of the day Andrew (not Werdna).]

Pixel Scroll 9/27/22 You’re Telling Me A Pixel Filed This Scroll?

(1) UP ALL NIGHT. Sarah Gailey hosts an “Exclusive Interview with Victor Manibo” about his novel, The Sleepless.

…One aspect of The Sleepless that fascinates me is the way society in the book reacts to what some call a superpower, and what could also be framed as a hypercapitalist disability. Sleeplessness offers a fundamental change to human form and function as it’s typically understood, but it’s a change that allows people to engage more with capitalist productivity culture, consumption, and work. What made you want to explore this particular tension?

This story grew out of a what-if question I asked myself during a particularly busy time in my life. What if I didn’t need to sleep? Would I get more stuff done? How would such a change impact me, personally? The thought experiment was hard to contain to the individual level, and when I expanded the what-if to the world at large, it really raised some interesting questions. That’s when I felt like I needed to write it all out.

We’re living in an interesting time where more and more people are taking more control regarding their place in our capitalistic society. People are “quiet quitting”; it’s the age of “The Great Resignation”; there’s an increasing frequency of success stories in labor organizing, and there’s a record number of socialists in Congress. I wanted this story to be in conversation with what’s going on in the world, to interrogate why and how we participate in capitalism….

(2) A LITTLE SURPRISE. Google Double Asteroid Redirection Test, then wait a moment. [Via Tom Galloway.]

(3) HE’S GOT NOTHING. BUT SOMEBODY ELSE HAS SOMETHING. This teaser for Deadpool 3 dropped today. Ryan Reynolds apologizes for missing D23. Oh, and there’s a little casting surprised revealed at the end. “Deadpool Update”.

Or if you want to skip the video and go straight to the surprise, read this article in The Hollywood Reporter.

(4) MAKING CONTACT. Vulture has assembled an oral history of the movie Contact. “‘No Aliens, No Spaceships, No Invasion of Earth’”.

Ahead of Contact’s 25th anniversary, we spoke to nearly two dozen people involved in its making, including Zemeckis, Foster, McConaughey, Druyan, Sasha Sagan, and veteran producer Lynda Obst. They disagreed on several aspects of Contact’s development saga, but settled on some consensus: Contact was a lightning-in-a-bottle project, the kind of thing big movie studios barely made before and would probably never make again — intellectually challenging, emotionally messy, heavy with metaphor, wherein nobody shoots an alien in the face in front of an American flag. “We used to do that,” said Foster. “We used to make movies that were resonant and were entertaining.”…

Ann Druyan: This is 1978. Carl and I are still working on Cosmos. At the time, it was popular to say things like, “Well, if men are as smart as women, then how come there are no female Leonardos? No female Einsteins?” This made both of us furious. I had just co-written the part of Cosmos about the Great Library of Alexandria and the fact that Hypatia, who was the leader of the library, was a mathematician focusing on the Diophantine equations that Newton would later become interested in. Her reward for being the great intellectual light of the library in 415 AD was to be ripped from her chariot that she was driving herself and carved to bits with abalone shells.

People were throwing everything at Carl then. He was such a phenomenon in the culture, and everybody wanted to do something with him. So we knew we could get a book and a movie contract. We agreed one night, sitting in the pool at our little rented house in West Hollywood, that we were going to tell a story in which not only would a woman be the intellectual hero but, in the great tradition of Gilgamesh, she was going to go on the voyage and the guys would stay home.

(5) UNIONIZING PUBLISHING. UAW Local 2110 (2110uaw.org) – HarperCollins is the only unionized Big 4 publisher. HarperCollins workers are pushing for better compensation, diversity protections, and union security.

(6) KSR TO SPEAK IN MARYLAND.  At the 2022 F. Scott Fitzgerald Festival, with the theme “Stories and the More-Than-Human”, will be held over several dates. The main date events are on October 15, 2022 at the Unitarian Universalist Congregation of Rockville, MD.  The keynote speaker Kim Stanley Robinson will participate in the “Tribute to Richard Powers” at the Writer’s Center on Friday evening, October 14, and will engage with Richard Powers in a “Conversation about the Art of Fiction” and introduce Richard Powers for the Fitzgerald Award on Saturday, October 15. Festival registration is here.

(7) CRAFTING WITCHES. Leanna Renee Hieber and Andrea Janes admire “The Unstoppable, Fearsome, Delicious Allure of the Witch” at CrimeReads.

Witches are powerful women. Like all powerful women, they have been maligned, persecuted, hated, desired, feared. They are eternal, mythical subjects, a source of endless fascination. In American history, they occupy a unique place where folklore blurs the lines of reality; we remember the “witches” of Salem, Massachusetts, who were not actually witches. They have become totemic figures in television, movies, books, and pop culture, and their appeal shows no signs of waning: as of this writing, the Peabody Essex Museum in Salem is devoting a full-scale exhibit to the power and imagery of the witch…

(8) INVESTING TIME. Camestros Felapton is inspired to think about “Time travel and energy” after reading Sheila Jenne’s “Theories of time travel”. (His post was published on September 28, which is only appropriate, too…)

I was reading this neat summary of time travel rules in fiction and thinking about a couple of things basically angles and effort. The idea that a small change at one point leads to a big change in the future (aka two different kinds of things both known as a butterfly effect) predates modern science fiction. The proverb of consequences that typically starts with “for want of a nail” dates back to at least the 13th century and describes a causal chain of circumstances where a small issue (the nail in a horseshoe) leads to a major outcome.

Put another way: a small amount of effort in the past can lead to a result that would require a huge amount of effort if you were to attempt the same outcome in the present. I think that gives a neat rationale for fiction where you want time travel that allows changes to the future but where you don’t want an oops-I-stepped-on-a-butterfly-now-Donald-Trump-is-president situation….

(9) HOLDING HANDS WITH DEATH. “Terry Pratchett: A Life With Footnotes by Rob Wilkins review – anecdotes, elephants and ‘an embuggerance’” – the Guardian’s Frank Cottrell-Boyce comes away wondering why Pratchett was “so underestimated”.

…Caring for someone who has dementia is an overwhelmingly vivid experience, full of pain and comedy. There are heartbreaking and funny stories in A Life With Footnotes – started by Pratchett himself but written and completed by his longtime assistant Rob Wilkins – about the things that Pratchett’s shrinking brain made him do. He once accidentally donated £50,000 to Bath Postal Museum, for instance. Moments like that can supplant your memories of what a person was like before; here, Wilkins, who started working for the author in 2000, attempts to recover Pratchett pre-dementia. His closeness to the subject means that the book is sometimes joyfully, sometimes painfully, intimate. The description of the day Pratchett’s daughter, Rhianna, was born, for example, is so animated by love, it’s as if this treasured moment was a jewel that Pratchett placed in Wilkins’s care, to ensure it would not be stolen away by the embuggerance….

(10) CHAN DAVIS (1926-2022). Author Chandler Davis died September 24 reports Olav Rokne, who tweeted an extensive tribute that begins here.

SIDE NOTE: (I became aware of Chandler Davis as a science fiction author only a couple of years ago because of @gautambhatia88. But by an odd coincidence it turns out I met him several times in the 1980s as he worked on some math papers with my godfather Dr. Peter Lancaster)

(11) MEDIA BIRTHDAY.  

1968 [By Cat Eldridge.] This, I believe, was truly one of the the classic episodes of the original Star Trek series. Airing fifty-four years ago on NBC, it scripted by D.C. Fontana, one of eleven episodes that she would write including “Catspaw” that I dearly love, and directed by John Meredyth Lucas as the second episode of the final season.

If you’ve forgotten, the story is Kirk violated the neutral zone. The Romulans have a new bit of technology called a “cloaking device” (just go with the idea please). Kirk pretends to be crazy, then pretends to be a Romulan to get to it. Meanwhile, Spock pretends to be in love. But is he pretending? Who knows. 

D. C. Fontana says she based her script very loosely upon the Pueblo incident but I’ll be damned I can see this. It’s a Cold War espionage thriller at heart and most excellently played out. You did note the Romulnan commander never gets named? Later novels including Vulcan’s Heart by Josepha Sherman and Susan Shwartz gave her the name of Liviana Charvanek. 

Speaking of Vulcans, Fontana deliberately kept the romance between her and Spock low key to the finger games they did. And then there’s Roddenberry’s idea, never done, Spock “raining kisses” on the bare shoulders of the Romulan commander. Oh awful.

Season three had no budget, I repeat, no budget for frills, so this episode suffered several times from that. Kirk was supposed to have surgery done on him after dying but that got deep sixed, and McCoy was supposed to accompany him back to the Romulan ship but my, oh my ears are expensive, aren’t they? 

Fontana would co-write with Derek Chester a sequel: Star Trek: Year Four—The Enterprise Experiment, a graphic novel published by IDW Publishing in 2008.

Critics then and now love it.

It’s airing on Paramount + as is everything else in the Trek universe. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 27, 1927 Roberta Gellis. Though she wrote nearly a dozen novels of her own, you most likely know her writing within the Elves on the Road Universe created by Mercedes Lackey. She co-wrote Serrated Edge Prequels with Lackey, two of which were full novels — Ill Met by Moonlight and And Less Than Kind. (Died 2016.)
  • Born September 27, 1932 Roger Charles Carmel. The original Harcourt Fenton “Harry” Mudd who appeared in two episodes of the original Star Trek, “Mudd’s Women” and “I, Mudd”” and one episode of the animated series as well, “Mudd’s Passion”. I say original because Discovery has decided that they have a Harry Mudd. He also had one-offs on I-SpyMunstersThe Man from U.N.C.L.E.Voyage to the Bottom of the Sea and Batman. It is rumored but at all not confirmed he was going to reprise his role as Harry Mudd in a first-season episode of Next Gen but died before filming could start. (Died 1986.)
  • Born September 27, 1934 Wilford Brimley. His first genre role was as Dr. Blair in John Carpenter’s The Thing. He’s Benjamin ‘Ben’ Luckett in the Cacoon films, and Agency Director Harold Smith in Remo Williams: The Adventure Begins. He made a rather splendid President Grover Cleveland in The Wild Wild West Revisted. And finally I note that he was Noa in Ewoks: The Battle for Endor. (Died 2020.)
  • Born September 27, 1947 Meat Loaf. He has a tasty role as Eddie in The Rocky Horror Picture Show. And I’d argue some of his music videos are genre stories in their own right including “I’d Do Anything for Love (But I Won’t Do That)”. He also has film roles in Wishcraft (horror), Stage Fright (horror) and Urban Decay (yes, more horror). He’s also in BloodRayne which is yes, horror. He’s had one-offs on Tales from the Crypt, The Outer LimitsMonsters, Masters of Horror and was Doug Rennie, a main cast member of Ghost Wars. (Died 2022.)
  • Born September 27, 1950 Cary-Hiroyuki Tagawa, 72. He’d be on the Birthday Honors list if he’d only been Zylyn in Space Rangers which lasted just six episodes. Damn. But he’s also shown up on Babylon 5, the premier of Star Trek: The Next GenerationSuperboyAlien Nation, the Australian version of Mission: ImpossibleSabrina the Teenage WitchStargate SG-1Poltergeist: The LegacyThe Librarians, voicing characters on Teenage Mutant Ninja Turtles and Star Wars Rebels. More recently he played Nobusuke Tagomi in The Man in The High Castle (2015-2018), and Hiroki Watanabe in Lost in Space 2018-2021). 
  • Born September 27, 1956 Sheila Williams, 66. Editor, Asimov’s Science Fiction the last fifteen years. She won the Hugo Award for Best Short Form Editor at Renovation and Chicon 7. With the late Gardner Dozois, she co-edited a bonnie bunch of anthologies such as Isaac Asimov’s RobotsIsaac Asimov’s Christmas and Isaac Asimov’s Cyberdreams. She was also responsible for the Isaac Asimov Award for Undergraduate Excellence in Science Fiction and Fantasy writing being renamed the Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing. 
  • Born September 27, 1972 Gwyneth Paltrow, 50. Yes, she is Pepper Potts in the Marvel Universe film franchise but her first genre role was as a young Wendy Darling in Hook. And she shows up in Sky Captain and the World of Tomorrow as Polly Perkins, a reporter for The Chronicle. And let’s not forget she was in Shakespeare in Love as Viola de Lesseps. Yes, it’s most decidedly and deliciously genre, isn’t it? 
  • Born September 27, 1972 Andy Briggs, 50. He started out as an uncredited writer working on story developer on the Highlander Series. I’m going to single out his writing of The Tarzan Trilogy which consists of Tarzan: The Greystoke LegacyTarzan the Jungle Warrior and Tarzan: The Savage Lands. Most excellent pulp. He’s written eleven scripts including a remake of The Philadelphia Experiment

(13) COMICS SECTION.

Lio is rejected for UFO abduction – find out why.

(14) MEANWHILE, BACK AT THE RANCH. The Penelopiad by Margaret Atwood will be staged at City Garage Theatre in Santa Monica, CA from November 11 – December 18, 2022. Get tickets here.

City Garage presents the “The Penelopiad” by feminist icon Margaret Atwood, author of “The Handmaid’s Tale.” In this remarkable retelling of “The Odyssey,” Atwood transforms both the power and the politics of the classic tale by shifting the point of view to Penelope, Odysseus’s wife, and of her twelve faithful maids unjustly hanged by the returning “hero.” It takes place in Hades, where these thirteen spirits are trapped for all eternity, telling and retelling their story like angry furies, unable to find redress for what they suffered at male hands.

While her husband Odysseus is off fighting pointless wars—for the sake of her beautiful, shameless, aggravating cousin Helen—dallying with nymphs and sirens, and playing the hero, Penelope is holding the kingdom together. All alone, with nothing but her wits, toughness, and strength to rely on, she has to raise her rebellious son, face down dangerous rumors, and keep more than a hundred lustful, brutal suitors at bay. When twenty years later the “hero” finally returns there is indeed hell to pay—but it is Penelope and her twelve faithful maids who pay the tragic price.

Atwood gives Penelope a modern voice, witty, pragmatic, yet still filled with pain as she gets to tell her own story at last, and set the record straight. 

(15) I NEVER DRINK…WELL, ON SECOND THOUGHT. Vampire Vineyards in Ventura, CA has all kinds of amusing marketing ideas. How about wine bottles with Dracula capes? Or Vampire Gummies?

(16) LAURIE STRODE RIDES AGAIN. “Jamie Lee Curtis in ‘Halloween Ends’ final trailer”SYFY Wire cues it up:

…Universal Pictures dropped the final trailer for Halloween Ends Tuesday, giving us one last look at the concluding chapter of this legacy sequel saga ahead of its October 14 premiere, and the stakes of the film are now clearer than ever. It’s been four years since the events of Halloween Kills, which left the town of Haddonfield deeply scarred and left Laurie’s own daughter (Judy Greer) dead at Michael’s hands. After that night, Michael Myers vanished, but of course Laurie’s not convinced he’s gone for good. The boogeyman is coming back for one last night of terror, and this time, Laurie thinks she finally knows how to kill him. The catch, of course, is that she might have to die too…. 

(17) RED GULCH. “China’s Mars rover finds new evidence of an ancient waterway on the Red Planet” Inverse covers a study published in Nature.

CHINA landed its first rover on the surface of Mars, called Zhurong, on May 15, 2021. Just ten days later, it began a series of observations that ancient flows of water on the Red Planet could explain.

new study published Monday in the journal Nature details how Zhurong collected data on Mars’ subterranean sediments with an instrument called the Rover Penetrating Radar (RoPeR). Chinese scientists looked at the radar results Zhurong obtained as it traveled across more than 1,100 meters of flat landscape in a place called Utopia Planitia from May 25 to September 6, 2021. That’s about 102 Mars days, or sols. In the new work, Chinese researchers announced that Mars’ subsurface sediments were organized in a way that could be explained by ancient water flow on Mars….

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: The Sandman,” the Screen Junkies say that Neil Gaiman may “look like a hobbit,” but The Sandman was “one of the greatest comics ever” and the high quality of this $160 million production shows the merits of “creators owning the rights to their creations.”  The show is about the power of dreams, “but the concrete linear kind, not the ones where you’re mowing the lawn with your naked dad.” And does Patton Oswalt’s casting mean he “sounds like a talking bird?”

[Thanks to  JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Justin E. A. Busch, Rich Lynch, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]