Daniel Dern shares his pictures of guests, panelists and vendors who participated in Readercon 29 over the July 12-15 weekend.
GoH Nisi Shawl
Daniel Dern shares his pictures of guests, panelists and vendors who participated in Readercon 29 over the July 12-15 weekend.
GoH Nisi Shawl
(1) PLUG PULLED ON GAMING CON. The Dark Carnival Games convention in Denver was shut down by the hotel this weekend. Violence between some people on the premises seems to have been the cause – for example, see this video of a fight that purportedly occurred there.
Trae Dorn explains one of the con’s unusual characteristics in his post at Nerd & Tie.
Dark Carnival Games Con (or “Dark Carnival Game Con” according to some of the other official materials) isn’t exactly your typical gaming convention. It’s a game convention for Juggalos hosted by the Insane Clown Posse themselves.
In fact, after the shutdown, Insane Clown Posse issued a statement on Facebook:
…Juggalos…we love you. We appreciate you. And we acknowledge all your wonderful work and creativity in making DCG a Dark Carnival blessed and beautiful space that was truly For Juggalos, By Juggalos. However, due to circumstances that are beyond our control, the DCG Con Conventiion Hall has been shut down, to the tears and heartbreak of our wonderful 100% Juggalo-run staff and amazing attendees who put their hearts and souls into making this space for our beloved Juggalo Family. This was COMPLETELY out of our hands, ninjas. We here at Psychopathic Records apologize and we are with you, we will be here in the hotel, and we love you more than you will ever know….
(2) ARE CODES OF CONDUCT WORKING? Alisa Krasnostein has made available the results of her “Audit of Australian Science Fiction convention Codes of Conduct”. Her survey received 81 responses. Analysis and graphs at the link.
After personally hearing recounts of a few very troubling incidents, I decided to conduct a survey of attendees at Australian SF conventions to assess the prevalence of harassment still being experienced there….
…Drilling down into the details of how these codes of conduct are being enforced, and how complaints are being addressed, raised some real issues for concern.
The successful enforcement of a code of conduct relies on a reporting process that is well publicised, accessible, supportive, safe and trusted.
Only 85% of the respondents were aware of the code of conduct. 70% knew whom to approach for assistance as per the code of conduct. All three of the main SF conventions inform attendees to report any incidents of harassment to the convention committee. Swancon includes WASFF board members as a point of contact. Only one of the conventions tells attendees how to identify these points of contact (by the colour of their con badge).
I find this to be grossly insufficient. It relies on convention attendees to know not only the names but also match them to the faces of organisers of the event they are attending, and to be able to locate them during a personally stressful or distressing time. Additionally, in my experience, both as a convention attendee and organiser, convention committee members are incredibly busy and not remotely accessible at the best of times. Let alone when you need a quiet and private moment to lodge an upsetting complaint….
(3) AS IF MILLONS OF VOICES SUDDENLY CRIED OUT. Inverse reports “That pesky Obi-Wan Kenobi movie might actually be happening” — “Obi-Wan ‘Star Wars’ Movie Rumored to Be in Secret Pre-Production”.
Since August of 2017, persistent rumors have suggested that a standalone Star Wars movie about Obi-Wan Kenobi, and starring Ewan McGregor is definitely going to happen. However, since then, there has been no official confirmation from Lucasfilm about this project. But, on Thursday, the day of the early Los Angeles premiere of Solo: A Star Wars Story, a new rumor surfaced that the Obi-Wan movie is already in secret pre-production.
…[A]ccording to an anonymous source who spoke to Fantha Tracks on Thursday, “The project is sufficiently along that an art department is now in full pre-production mode at Pinewood Studios, England…A number of concept artists, prop modelers, and storyboard artists are working as a team across the two locations on the film…”
(4) EATING THE FANTASTIC. Scott Edelman says don’t miss a chance to chow down on chive dumplings with Mary SanGiovanni in Episode 66 of his Eating the Fantastic podcast. Scott adds, “Warning: The post — though not the episode itself — include video of me strumming ‘Monster Mash’ on the ukulele!” Hm, I better see if my liability insurance covers that….
Did you listen to the 24-hour Scares That Care Telethon, hosted by Brian Keene and his cohorts from The Horror Show with Brian Keene podcast, which ended at noon today after having raised $21,591 for that 501c3 charity devoted to helping those coping with childhood illness, burns and breast cancer? If not, don’t worry. Because though its content was for the most part livestreamed only, never to be seen or heard again, I’ve got some of it for you right here.
Because once again, Eating the Fantastic invaded!
During last year’s telethon, as captured in Episode 34, I brought BBQ and chatted with that best-selling zombie author himself, while this year I picked up takeout from Viet Thai Cafe for dinner with Mary SanGiovanni.
Mary’s the author of The Hollower trilogy, the first volume of which was nominated for the Bram Stoker Award, plus the recent novels Chills and Savage Woods. Her collections include Under Cover of Night, A Darkling Plain, and Night Moves. She’s also the host of the Cosmic Shenanigans podcast.
We discussed H. P. Lovecraft’s racism and sexuality (or lack thereof), how having grown up in New Jersey might have given her the toughness she needed to survive her early short story rejections, why she ended up writing horror instead of science fiction even though her father read her Isaac Asimov and Frank Herbert when she was a kid, which novella she wrote that will never see the light of day, how watching The Exorcist III changed her life, why she’s no longer afraid of vampires, the reason her motto if she founded a religious cult would be “doorways are meant to be opened,” the first writer she met who treated her like an equal, the identify of “the George Carlin of Horror,” and much, much more.
(5) PREFERRED BOOKSTORES. N. K. Jemisin contributed to Lonely Planet’s list: “11 authors recommend US bookstores worth traveling for”.
WORD Books in Greenpoint, Brooklyn
Recommended by NK Jemisin, author of The Stone Sky
WORD Books in Greenpoint is probably my current favorite. It’s tiny and cramped, yet they consistently manage to have at least one book that I absolutely HAVE to buy, every time I go there. And the downstairs event space makes up for the tight fit upstairs; I had the launch party for The Fifth Season there and it was lovely. There was even enough room for a homemade volcano! And readings, and talks and more. It’s on a gorgeous street with historic architecture and a little park, easily bike-able or train-able. All they lack is a bookstore cat. Why don’t bookstores do those anymore? Oh, allergies. Well, it’s perfect except for that.
(6) BUD PLANT OUT. One of the San Diego Comic-Con giants is going away: “Comic-Con Pioneer Vendor, Bud Plant, Calls it Quits After 48 Years”.
“I’m proud that we had as many as 11 booths up until 2008, 10 of new products and one with out-of-print material,” he said. “But since that disastrous year, when sales dropped by 40 percent, we’ve been downsizing in an effort to still make it work.”
Francis “Bud” Plant, 66, of Grass Valley noted how he spent “seven full days on the road” and 13-hour days at the annual July show.
He said event organizers had always treated him well, but “attendees these days are, in general, not our customers or they are not looking for books.”
(7) WHO’S WHO IN EOFANDOM. Fanac.org posted a scan of L.D. Broyles’ “1961 Who’s Who #1”. Lots of fans you never heard of before, I betcha. However, I did pretty well on page 4 – recognized 5 out of 9 fans listed, including Greg Benford and Ruth Berman. You might be intrigued by Roger Ebert’s entry, from before he made the big time —
(8) TODAY IN HISTORY
(9) COMICS SECTION.
(10) WE INTERRUPT THIS WAKE… After Syfy cancelled The Expanse The Verge’s Andrew Liptak found a way to soften the blow: “The Expanse author James S.A. Corey is writing a new space opera trilogy”.
Coming off of this morning’s news that the Syfy channel was not going to renew The Expanse for a fourth season, there is some positive news for fans of the series: Orbit Books has announced that it has signed Expanse author James S.A. Corey for three books of a new space opera series.
Corey is actually two authors: Daniel Abraham and Ty Franck, who co-wrote The Expanse series, which is expected to run for nine novels, the last of which will hit bookstores in 2019. That series has become a popular hit with readers and was adapted as a television show on the Syfy channel that premiered in 2015 with Abraham and Franck as producers. The duo have written outside of the series before: they wrote a Star Wars novel about Han Solo in 2014, Honor Among Thieves. Abraham tells The Verge that “Orbit is where James S.A. Corey really began, and I’m delighted that we have another projected queued up with them once The Expanse is complete.”
(11) DISNEY WORLD’S HOTTEST ATTRACTION – FOR ONE DAY. Syfy Wire has videos and stills — “WATCH: Maleficent the dragon bursts into flames during Disney World parade”.
We all know that dragons are supposed to breathe fire, not catch fire. Well, Maleficent never got that memo.
Friday afternoon, during the Festival of Fantasy parade at Walt Disney World’s Magic Kingdom, an enormous animatronic float of Maleficent in dragon form caught fire. The fire occurred when the dragon arrived in Liberty Square, with about 15 minutes remaining in the parade. No one was injured, and the fire was extinguished quickly.
(12) A PENNY FOR YOUR VIKING THOUGHTS. Atlas Obscura delves into “The Mystery of Maine’s Viking Penny”.
On February 6, 1979, Kolbjørn Skaare, a Norwegian numismatist with a tall, wide forehead, walked into the Maine State Museum to see the coin. Just a few years earlier, he had published Coins and Coinage in Viking-Age Norway, a doctoral thesis that grew from the decade-plus he had spent as a keeper at the University of Oslo’s Coin Cabinet. The first specialist to examine the coin in person, he had just a day with it before Bruce J. Bourque, the museum’s lead archaeologist, had to address the national press.
Skaare saw “a dark-grey, fragmentary piece,” he later wrote. It had not been found whole, and the coin had continued to shed tiny bits since it was first weighed. A little less than two-thirds of an inch in diameter, it had a cross on one side, with two horizontal lines, and on the other side “an animal-like figure in a rather barbarous design,” with a curved throat and hair like a horse’s mane. In his opinion, it was an authentic Norwegian penny from the second half of the 11th century.
The mystery centered on its journey from Norway to Maine. It was possible to imagine, for example, that it had traveled through the hands of traders, from farther up the Atlantic coast, where Norse explorer Leif Eriksson was known to have built a winter camp. If the coin had come to America in the more recent decades, the hoaxer—presumably Mellgren, Runge, or someone playing a trick on them—must have been able to obtain a medieval Norse coin.
(13) FAMILIAR FIGURE. Here’s something else in silver that’s come from the mint a little more recently…. The New Zealand Mint has just introduced its very first Star Trek pure silver miniature: “Captain Kirk Takes the Silver”.
3D master sculptor Alejandro Pereira Ezcurra designed the Kirk miniature, which is available now in a limited worldwide production of only 1,000 casts. Produced from a minimum of 150g pure silver, it stands approx 10cm tall, is finished with an antique polish, and features a unique production number stamped into the base.
They want US$550 for the Captain. The New Zealand Mint is also offering some less expensive silver Trek collectibles. There’s a series of coin notes with images of the Classic Trek crew. Who knew the day would come when money would be issued with Lt. Uhura on one side and Queen Elizabeth II on the other?
Made from 5g of pure silver, the note’s reverse has images of Uhura and the U.S.S. Enterprise NCC-1701 and is coloured and engraved with Star Trek themes.
The obverse features the Ian Rank-Broadley effigy of Her Majesty Queen Elizabeth II and is legal tender in Niue.
(14) REPOPULATION TROPE. Wired headline: “How Hard Could It Be to Repopulate the Planet?” Editor Gordon Van Gelder addresses repopulating the Earth stories (including his collection Go Forth and Multiply), John W. Campbell, and much more in an episode of Wired’s Geek’s Guide to the Galaxy.
In the 1950s many science fiction writers explored the idea of a global disaster that leaves behind only a single man and woman, who would then have to carry on the human race. According to science fiction editor Gordon Van Gelder, a popular variant of this idea featured a twist ending in which the last man and woman turn out to be Adam and Eve.
“It was one of those stories that science fiction would lend itself to so readily, and newbies would be drawn to it, like ants going to a sugar cube,” Van Gelder says in Episode 308 of the Geek’s Guide to the Galaxy podcast.
The idea became so overused that magazines would specifically prohibit writers from submitting “Adam and Eve stories.” And while such stories would remain the bane of science fiction editors for decades, the theme of repopulation also produced a number of interesting thought experiments, many of which Van Gelder collected in his recent book Go Forth and Multiply. He says that despite obvious concerns about inbreeding, the idea of one man and one woman repopulating the world isn’t impossible.
(15) SWIMMING THE CHANNELS. SF Concatenation’s Jonathan Cowie says, “Unless you have one of those new-fangled colour television things with auto-record, this Thursday 9 p.m. gives us Brit SF fans a tough choice.” At that hour they have to pick between —
(16) WHIRLYBIRD. BBC reports “NASA will send helicopter to Mars to test otherworldly flight”.
The Mars Helicopter will be bundled with the US space agency’s Mars rover when it launches in 2020.
Its design team spent more than four years shrinking a working helicopter to “the size of a softball” and cutting its weight to 1.8kg (4lbs).
It is specifically designed to fly in the atmosphere of Mars, which is 100 times thinner than Earth’s.
(17) WHERE DINOS TROD. In case you hadn’t heard, some people are idiots: “Utah tourists urged to stop throwing dinosaur tracks in lake”.
Visitors to a US state park in Utah have been destroying 200 million-year-old dinosaur tracks by throwing them into the water, park officials say.
While this has been an ongoing problem for many years, officials say the damaging behaviour has increased dramatically in the last six months.
The dinosaur tracks are one of the biggest draws to Red Fleet State Park and many have been irrevocably damaged.
Visitors have been throwing the tracks around as if they were merely rocks.
(18) USING SPACE. The Washington Post’s Michael Cavna, in “Here’s why 2018 is a huge moment in the history of political cartoons”, studies the work of such prize-winning political cartoonists as Ruben Bolling, Tom Tomorrow, and Jen Sorensen and finds they are more like multi-panel comics than they used to be.
Many veteran political cartoonists occasionally create longer-form comics, but traditionally that work hasn’t garnered the mainstream awards. Now, formal recognition is catching up to both changing technology and new pools of talent.
“Without the space constraints print always had,” Sutton notes of drawing in an online era, “the number of panels in a cartoon is no longer the pressing issue it once was” — so more cartoonists can diversify their formats.
(19) VIDEO OF THE DAY. “Destino: Walt Disney & Salvador Dali (1945-2003)” is a short animated film on YouTube begun by Salvador Dali in 1945 and abandoned and ultimately completed by Disney in 2003.
[Thanks to Chip Hitchcock, John King Tarpinian, JJ, Errolwi, Michael J. Walsh. Cat Eldridge, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, Scott Edelman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editors of the day Andrew and Lee.]
(1) EVERYONE MUST GET STONED. James Davis Nicoll shares “The Lottery” by Shirley Jackson with the panel in the latest installment of Young People Read Old SFF.
Incredibly influential, Shirley Jackson died aged only 48 back in the 1960s. I sense that while some of her acolytes (and their students) are well known Jackson herself has declined in fame. If a young person has encountered Jackson, it’s most likely thanks to the film adaptation of The Haunting, in which an attempt to probe the secrets of an ancient house goes very badly indeed (and the second, lesser, adaptation at that.). “The Lottery” is a more constrained affair than The Haunting. It’s a simple account of annual celebration that binds a small community together. A classic or superseded by more recent works?
Let’s find out…
(2) ETHICS QUESTION. Charles Payseur asked Rocket Stack Rank to drop him from the list of reviewers they track. His thread starts here —
Hey @RocketStackRank, I'd appreciate you taking me off any part of this list and stop using my recommendations on your site. It is the height of inappropriate to call any list compiled from almost entirely white sources the "Best SF/F by People of Color" https://t.co/LJb9OSVRtS
— Charles Payseur (@ClowderofTwo) March 29, 2018
Although as reported in the March 27 Scroll, the RSR piece was a project by Eric Wong, it may be the case that the reviewers tracked are predominantly white, as that is the demographic of many well-known critics and bloggers. But what about the point of the project – and one of Payseur’s goals as a reviewer – to help get more eyeballs on good sff by PoCs? Therefore, isn’t RSR multiplying the effectiveness of Payseur’s reviews? Should a reviewer have a veto in a case like this? And as I do quote from Payseur in the Scroll somewhat often, I now wonder what would I do if he asked me to stop?
(3) VR. The Washington Post’s Steven Zeitchik talked to people who say “It could be the biggest change to movies since sound. If anyone will pay for it.” He visited the Westfield Century City mall, where people can experience the 12-minute Dreamscape Immersive virtual reality production Alien Zoo for $20. He surveys the current state of virtual reality projects and finds that many of them are sf or fantasy, including an adaptation of Neil Gaiman’s The Wolves in the Walls.
The Westfield Century City mall runs a dozen of the latest blockbusters at its modern movie theater here, but recently some of the most cutting-edge entertainment was playing one story below, at a pop-up store across from Bloomingdale’s.
That’s where groups of six could enter a railed-off area, don backpacks and headsets, and wander in the dark around the “Alien Zoo,” a 12-minute virtual-reality outer-space experience with echoes of “Jurassic Park.”
By bringing the piece to the mall, “Zoo” producer Dreamscape Immersive — it counts Steven Spielberg among its investors — hopes it has cracked a major challenge bedeviling the emerging form of entertainment known as cinematic VR.
(4) GENDER MALLEABLE. At The Verge, Andrew Liptak questions “Wil Wheaton and Amber Benson on depicting gender in John Scalzi’s next audiobook”.
Next month, Audible will release the recorded version of John Scalzi’s upcoming novel Head On, a sequel to his 2014 thriller Lock In. Like Lock In — but unlike most audio editions — this release will come in two versions: one narrated by Star Trek: The Next Generation’s Wil Wheaton, and the other by Buffy the Vampire Slayer’s Amber Benson, who are each popular audiobook narrators.
When Scalzi wrote Lock In, he made a creative decision to not reveal Chris’ gender, creating a character who readers could read as male, female, or neither. He explained that he did it as a writing challenge, and realized that in this world, gender might not be easily distinguishable for a Haden using a robotic body.
(5) FIVE DAYS TO GO. The Kickstarter appeal to fund The Dark Magazine “for two more years of unsettling fiction” has achieved 70% of its $12,500 goal with just five days remaining.
The Dark Magazine has been around for five years and in that short period of time we have published award-winning stories by new and established authors; showcased great artwork from all corners of the world; and done it all on the backs of a small team of simply wonderful people. But now it is past time to take it to the next level, and help finance the magazine for two more years to allow us to increase the subscription base, increase the pay rate from three cents to five cents a word, and increase the amount of fiction we bring to you, with double Christmas issues. Because we don’t just like dark fantasy, horror, or weird fiction . . . we love it. And it means so much to us to introduce you to unsettling and thoughtful stories every month that we want to keep on doing it, with your help.
(6) F&SF COVER REVEAL. Gordon Van Gelder shared the May/June 2018 cover for The Magaine of Fantasy and Science Fiction. The cover art is by Alan M. Clark.
(7) TODAY’S BIRTHDAY XENA
(8) COMIC SECTION.
(9) NATURE CALLS. The next issue of Concatenation, the British SFF news aggregator, comes out in a couple of weeks, but while you’re waiting, Jonathan Cowie, lead editor of the original zine, sent along this link to the new issue of research journal Nature which carries a piece on “The ageless appeal of 2001:A Space Odyssey“.
Fifty years on, Arthur C. Clarke and Stanley Kubrick’s masterpiece looks more prophetic than ever, reflects Piers Bizony.
…Monoliths aside, 2001 was prescient in almost all its detailed predictions of twenty-first-century technology. For instance, in August 2011, the Samsung electronics group began a defence against a claim of patent infringement by Apple. Who invented the tablet computer? Apple claimed unique status for its iPad; Samsung presented a frame from 2001.
Samsung noted that the design claimed by Apple had many features in common with that of the tablet shown in the film clip — most notably, a rectangular shape with a display screen, narrow borders, a flat front and a thin form. In an era when computers still needed large rooms to accommodate them, Kubrick’s special-effects team rigged hidden projectors to enliven devices that looked as though you could hold them in one hand. Only the need to trim the film’s running length prevented ingenious mock-ups of touch-sensitive gaming screens and electronic newspapers from making the final cut.
(10) OFF WITH ITS HEAD. Can social media be saved? Should it? That’s the question Kevin Roose tries to answer in a New York Times column.
I don’t need to tell you that something is wrong with social media.
You’ve probably experienced it yourself. Maybe it’s the way you feel while scrolling through your Twitter feed — anxious, twitchy, a little world weary — or your unease when you see a child watching YouTube videos, knowing she’s just a few algorithmic nudges away from a rabbit hole filled with lunatic conspiracies and gore. Or maybe it was this month’s Facebook privacy scandal, which reminded you that you’ve entrusted the most intimate parts of your digital life to a profit-maximizing surveillance machine.
Our growing discomfort with our largest social platforms is reflected in polls. One recently conducted by Axios and SurveyMonkey found that all three of the major social media companies — Facebook, Twitter and Google, which shares a parent company with YouTube — are significantly less popular with Americans than they were five months ago. (And Americans might be the lucky ones. Outside the United States, social media is fueling real-world violence and empowering autocrats, often with much less oversight.)
(11) THE MATTER. “Ghostly galaxy may be missing dark matter”. i.e., it apparently doesn’t have any.
An unusually transparent galaxy about the size of the Milky Way is prompting new questions for astrophysicists.
The object, with the catchy moniker of NGC1052-DF2, appears to contain no dark matter.
If this turns out to be true, it may be the first galaxy of its kind – made up only of ordinary matter. Currently, dark matter is thought to be essential to the fabric of the Universe as we understand it.
(12) L’CHAIM! Shmaltz Brewing’s latest Star Trek beer is “Terrans Unite India Pale Lager.”
STAR TREK MIRROR UNIVERSE
TERRANS UNITE! INDIA PALE LAGER
Available in 4-Packs and on Draft.
MALTS: 2-Row, Pilsen, Patagonia 90
HOPS: Pacific Gem, Centennial
What if there was another world, a world that appeared similar to our own, with the same people, the same places, and even the same advancements in technology, but a world in which the motives and ethics of its inhabitants were turned upside down? The heroic now villainous and the noble corrupt, valuing power over peace and willing to obtain their desires by any means necessary – this is the Terran Empire in the Mirror Universe.
Our universe may feel villainous and corrupt at times, but we can still find comfort in good friends and tasty beer. By spanning north and south, east and west, continents and traditions, Mirror Universe blends ingredients bringing together the world of brave new craft brewing. HOPS – MALTS – LAGER – UNITE!
(13) EXCEPT FOR ALL THE REST. Panoply took flak for appearing to overlook how far other podcasting pioneers have already taken the medium.
— Panoply (@Panoply) March 21, 2018
Here’s an example of the feedback:
I really want to say, “Now, now. Play nice.” but I keep thinking… pic.twitter.com/MTuULUicV4
— Tee Morris (@TeeMonster) March 28, 2018
(14) LEARNING FROM WAND CONTROL. Washington Free Beacon editor Alex Griswold, in “Harry Potter Is An Inspiring Parable About #Resisting Gun Control”, argues that “I’ve read all seven (Harry Potter) books on several occasions, and they make the strongest case for an armed populace and the evils of gun control I’ve ever read.”
…Even if you buy into the notion that fantasy books should dictate our policy, I find it surprising that so many of the children who read Harry Potter came away thinking we need more gun control. I’ve read all seven books on several occasions, and they make the strongest case for an armed populace and the evils of gun control I’ve ever read.
Instead of guns, wizards in Harry Potter use wands for self-defense. Every wizard is armed at eleven, taught to use dangerous spells, and released into a society where everyone’s packing heat and concealed carry is the norm. It’s an inspiring example the United States should strive towards.
But the reader slowly discovers there is wand control in the Harry Potter universe, and that it’s a racist, corrupt and selectively enforced. In the second book, Chamber of Secrets, we learn that the Hogwarts groundskeeper Hagrid has been forcibly disarmed after being accused of a crime he didn’t commit. When government officials again come to falsely arrest Hagrid, he lacks any means of self-defense….
(15) TODAY’S THING TO WORRY ABOUT. New Statesman advised “Forget Facebook, Russian agents have been pretending to be furries on Tumblr”.
Cambridge Analytica. Mark Zuckerberg. Steve Bannon. Russians pushing propaganda on Facebook and Twitter. Yeah, you’ve heard it all before, but did you know that Russian agents were posing as furries on Tumblr to destabilise the crucial ‘Riverdale stans’, K-Pop obsessive, secretly-looking-at—‘arty’-porn in the office demographic? Because they were. And Tumblr just admitted it.
(16) REN AND STIMPY CREATOR ACCUSED. Buzzfeed tells “The Disturbing Secret Behind An Iconic Cartoon”.
Robyn Byrd and Katie Rice were teenage Ren & Stimpy fans who wanted to make cartoons. They say they were preyed upon by the creator of the show, John Kricfalusi, who admitted to having had a 16-year-old girlfriend when approached by BuzzFeed News….
In the summer of 1997, before her senior year of high school, he flew her to Los Angeles again, where Byrd had an internship at Spumco, Kricfalusi’s studio, and lived with him as his 16-year-old girlfriend and intern. After finishing her senior year in Tucson, the tiny, dark-haired girl moved in with Kricfalusi permanently at age 17. She told herself that Kricfalusi was helping to launch her career; in the end, she fled animation to get away from him.
Since October, a national reckoning with sexual assault and harassment has not only felled dozens of prominent men, but also caused allegations made in the past to resurface. In some ways, the old transgressions are the most uncomfortable: They implicate not just the alleged abusers, but everyone who knew about the stories and chose to overlook them.
(17) TRAILER PARK. The Darkest Minds, due in theaters August 3, sure has a familiar-sounding plot:
When teens mysteriously develop powerful new abilities, they are declared a threat by the government and detained. Sixteen-year-old Ruby, one of the most powerful young people anyone has encountered, escapes her camp and joins a group of runaway teens seeking safe haven. Soon this newfound family realizes that, in a world in which the adults in power have betrayed them, running is not enough and they must wage a resistance, using their collective power to take back control of their future.
(18) SCOOBYNATURAL. Daniel Dern found this video via io9. Dern leads in: “Yes, there was the Farscape episode which turned the characters (and action) into an animated cartoon sequence. And the Angel episode where Angel got turned into a large-ish puppet. (That was fun.) And now this…”
“…as in, the Supernaturalists (if that’s the right word) somehow end up in a Scooby episode. (Note, this isn’t a show I’ve watched, and not clear I will catch this episode, but I’m glad I know about it.)”
[Thanks to John King Tarpinian, Jonathan Cowie, JJ, Cat Eldridge, Brian Z., Andrew Porter, Martin Morse Wooster, Daniel Dern, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]
Kate Wilhelm died March 8 following a brief illness Her son, Richard, made the announcement on Facebook:
Her warmth, humor, and immense talent will be deeply missed. Her life as a loving mother, prolific author, friend, and generous mentor will be cherished by many. We’re proud to continue her legacy, publishing her backlist and recent work through infinityboxpress.com… A celebration of life will be held in Eugene on Friday, June 8, 2018, Kate’s birthday. Details will be announced.
Wilhelm’s first published short fiction was “The Pint-Size Genie” in the October 1956 issue of Fantastic. The next year, her first accepted story, “The Mile-Long Spaceship”, was published by John W. Campbell, Jr. in Astounding.
She won the Best Novel Hugo for Where Late the Sweet Birds Sang in 1977, and the Best Related Book Hugo for Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop in 2006. She won three Nebula Awards, for the short stories “The Planners” (1969) and “Forever Yours, Anna” (1988), and the novelette “The Girl Who Fell into the Sky” (1987).
She married Joseph Wilhelm in 1947, and had two sons. They couple divorced in 1962, and she married Damon Knight in 1963.
In addition to their literary achievements, Wilhelm and Knight made major contributions to the sf field as the creators of sf writing workshops. As Gordon Van Gelder said in his thorough appreciation of Kate Wilhelm’s for The Magazine of Fantasy & Science Fiction in 2001 (read it here) —
…You’ll note the author bio mentions that she lived in Milford at the time. As many readers of this magazine already know, her home there was a big Victorian house called the Anchorage with her second husband, a writer and critic by the name of Damon Knight.
The reason so many readers are aware of this fact is because Kate and Damon hosted many, many writing workshops there. I can’t recall for certain if they met at a workshop, but as far as the history of science fiction is concerned, they might as well have. By way of writing groups in Milford, Clarion, and eventually in Eugene, Oregon (their home for the past three decades), Kate and Damon have consistently surrounded themselves with vibrant literary communities—they’ve practically raised contemporary American science fiction.
… She and Damon helped Robin Wilson found the Clarion workshops and for more than twenty years they taught the final two weeks. I saw Kate in action once, about ten years ago, and marveled at her ability to analyze a story and gently but firmly bring out the weaknesses in a constructive manner. It is no wonder that writers can quote her twenty years later. It is no wonder that the roster of writers she helped foster includes such luminaries as Kim Stanley Robinson, George Alec Effinger, Nina Kiriki Hoffman, Robert Crais, Nicola Griffith, Lucius Shepard, and dozens more. In the year 2000, all four winners of the Nebula Award for fiction were former students of Kate’s.
Kate Wilhelm and Damon Knight were guests of honor at the 1980 Worldcon.
Wihelm was inducted to the Science Fiction Hall of Fame in 2003.
By Mark L. Blackman: On the evening of Tuesday, February 6, at its venue, the Brooklyn Commons Café in less-than-paradisiacal though not-quite dystopian Brooklyn, the New York Review of Science Fiction Reading Series hosted a cavalcade of readings spotlighting the new anthology Welcome to Dystopia. The event, guest-curated by the volume’s editor, Gordon Van Gelder, featured readings by Richard Bowes, Jennifer Marie Brissett, Deji Bryce Olukotun, Leo Vladimirsky and Paul Witcover.
Dystopianly, the evening did not begin as usual, with Series Producer and Executive Curator Jim Freund welcoming the crowd. He, along with House Manager Barbara Krasnoff, we were told, was out with the flu. (Feel better.) Terence Taylor, the Series’ Tech Director filled in for Freund, and Amy Goldschlager (a former Curator) ran the gate. After giving thanks where due, he announced upcoming readings:
Gordon Van Gelder is currently the publisher of The Magazine of Fantasy & Science Fiction, and was for 17 years also its editor, for which he was honored twice each with the World Fantasy Award and the Hugo Award. The evening was nostalgic for him as he founded the NYRSF Readings some 27-28 years ago. “It’s strange to realize how long ago that was,” he said, recalling its first readings at the Dixon Place performance space. (I remember them well; afterward, we’d often wander back to Gordon’s place.)
On Inauguration Day last year, he continued, he was talking to a writer who said that she was afraid to write dystopian sf, “afraid that a politician would run with it.” Others clearly had a different response to the new abnormal. If such term is applicable, we seem to be in a Golden Age of dystopian arts. In the wake of the 2016 Election, George Orwell’s 1984 shot onto bestseller lists and a stage version of the novel played on Broadway. “1984 is not supposed to be a how-to book,” it was sighed, but reaction, repression, racism and doublethink – or, put more impartially, chaos and uncertainty – are in bloom, as is “The Resistance” to it. (At the Brooklyn Book Festival last fall, I noted to a staffer of The Nation that Trump had spurred much artistic, literary and political creativity. He agreed, but added that it was “not a good trade-off”.) Already too late to be a cautionary work (“if this goes on”), Welcome to Dystopia is intensely, aggressively timely, and fiercely political. (Another Van Gelder-edited anthology, Welcome to the Greenhouse, tales about climate change, similarly draws from the zeitgeist.)
The first reader of the evening was Leo Vladimirsky, who recently finished his first novel, The Horrorists. He works in advertising and his experience was evident in his story, “We All Have Hearts of Gold®.” The “currency” in advertising, he explained, is the creative brief, and his story’s format follows its three stages, the e-mail to the team, the assignment and the final tv script. Set immediately after the 2021 Inauguration, the agency – which has lost staff as immigrants were sent home and its European offices were closed, though new ones opened in Russia and West Virginia – is hired by the Republican Security Service to help recruit for its team of Gold Shirts. Wearing gold polo shirts emblazoned with “MAGA” and silhouettes of Donald J. Trump, they maintained (says the creative brief) “order and safety” during the 2020 Election and prevented “voter fraud.” In the recruitment commercial, they burst into classrooms, health clinics, “perverts’” toilet stalls and even the Supreme Court, hauling off so-called offenders. (The allusion to Hitler’s Black Shirts isn’t exactly subtle.)
Next up was Deji Bryce Olukotun, the author of the novels Nigerians in Space and its sequel After the Flare, which was nominated for the 2018 Philip K. Dick Award. (His online address, returnofthedeji.com, amusingly reminds that his name is an anagram of “Jedi.”) His story, “The Levelers,” from which he read, draws on his growing up in a small town in the New Jersey wetlands, which faced land development. The titular Levelers (not to be confused with the ultra-egalitarian antiroyalist group during the English Civil War) are developers who employ genetics, demographics and finally drones to target and burn out houses in order to steal land. Sam, a transgender, is tapping maple trees for sap when her family farm is targeted.
In his introduction to Jennifer Marie Brissett, while putting together the anthology, Van Gelder said, he’d wanted different voices, different backgrounds and even different formats. Brissett, a Jamaican-British-American, is the author of Elysium, or The World After. She has been shortlisted for the Locus Award, the James Tiptree, Jr. Award and the storySouth Million Writers Award, and has won the Philip K. Dick Special Citation. Also, as she noted in her biographical sketch, “once in her life, a long time ago and for three-and-a-half years, she owned and operated a Brooklyn indie bookstore called Indigo Café & Books.” In fact, she was there on 9/11, and later witnessed PATRIOT Act-invoked overreaches. Her story “Newsletter” is in the form of a bookstore’s bulletin to the community reporting that the government was monitoring her special orders (she had actually received such a letter) and that they could even retrieve books from people’s homes; targeted books included James Baldwin’s The Fire Next Time, Howard Zinn’s A People’s History of the United States and Octavia Butler’s Kindred. (During the Reagan Administration, the Feds attempted to monitor library patrons’ selections. Look, they’re reading books by a Russian, Asimov.)
As her story was short, she also read a scene from Eleusis, her follow-up to Elysium, and like it based on the Demeter-Persephone myth and set in a post-apocalyptic future, so it’s also an sf dystopia, she said. An interspecies spaceport docking station opens and aliens arrive.
During the intermission, a raffle was held for donors (the readings are free, with a suggested donation of $7), the prizes being a British book club edition of Clifford Simak’s City that had been the property of Charles Platt, and a copy of the anthology Welcome to the Greenhouse.
Leading off the second half of the evening, Van Gelder remarked that there were several stories about the proposed Wall (not Pink Floyd’s; China has a Great Wall, so I guess this would be the Hyuge Wall), but that Paul Witcover’s was “probably the most somber.” Witcover has been a finalist for the Nebula, World Fantasy and Shirley Jackson Awards, and in their review of his novel Tumbling After, was called by the Washington Post “a gifted, fiercely original writer whose genre-bending fiction deserves the widest possible attention.” In “Walls,” even though born in Ohio and having only been to Mexico once briefly, because others in the family were born in Mexico, the protagonist is deported to a detention camp in sight of the Wall, which is described as resembling stacks of chicken cages. Their forced march out of their Ohio town is cheered by its residents, former neighbors and classmates.
The final reader, Richard Bowes, has written six novels, four story collections, and 80-plus stories, and won two World Fantasy, a Lambda, an IHG and storySouth Million Writers Awards. Van Gelder described his piece as “one of the most New York stories in the book.” Quipped Bowes, “I write about New York because it’s the only thing I know.” (Like many other quintessential New Yorkers, Rick isn’t originally from here. He was raised in Boston, as his accent proclaims, though, in his own words, “has lived in Manhattan for the better part of a century.”) His story is set some 40 years in the future, after a certain dictator has renamed the Avenue of the Americas “the Avenue of American Greatness,” though no one calls it that, any more than they call 6th Avenue the Avenue of the Americas. Throughout, the dictator (who was impeached after California seceded and Illinois joined Canada) is referred to only as “the Monster,” “the Beast,” “His Grand Pestilence,” “the Great Infection” and “the Cancer”; indeed, “his name is the only obscenity not spoken in New York,” and the story’s title is “The Name Unspoken.” Like the first story, it was a welcome bit of levity in an otherwise nightmarish set of visions.
It’s a truism that science fiction isn’t really predictive or about the future, but is about the present. The drawback to books like this is that – with rare exceptions – they’re too anchored to their time. Trump Era sf might, many hope, soon become as outmoded and irrelevant as Cold War sf. (We seem, though, to have come full circle, back to Russian plots.)
Taylor having left (he was getting over the flu), Goldschlager did the “outro.”
Despite Freund’s absence, the traditional Jenna freebie table offered books.
The audience of perhaps 50 included Melissa C. Beckman (the Readings’ photographer), Susan Bratisher, Amy Goldschlager, John Kwok, Lissanne Lake, James Ryan and Terence Taylor. Over the course of the evening, audience members availed themselves of the Café’s food, coffee bar, beer and wine.
(1) VAN GELDER AUCTION BENEFITS PKD AWARD. Norwescon announced that Gordon Van Gelder, administrator for the Philip K. Dick Award, has put 18 sff books up for auction on eBay, including several first editions and signed editions (and some signed first editions), as a benefit for the award’s administrative fees. The Philip K. Dick Award, is presented annually to distinguished science fiction books published for the first time in the United States as a paperback original. The award ceremony is held each year at Norwescon.
(2) SECOND TAKE. Strange Horizons got some pushback about sexism in Adam Roberts’ review of Star Wars: The Last Jedi and has now supplemented the original with an edited version —
Editor’s note: This review has been edited to remove sexist commentary about Carrie Fisher. The original version of this review can be read here. For additional background, please see this Twitter thread.
We recently published a review of Star Wars: The Last Jedi that includes sexist commentary about Carrie Fisher. I understand that we’ve hurt you and damaged your faith in us, and I (@keightdee) accept responsibility for publishing that piece.
— Strange Horizons (@strangehorizons) January 15, 2018
(3) TRUE GRIT. The BBC reports on “Transport Scotland’s fleet of gritters and their gritter tracker”. Contractors Bear Scotland ran competitions to name the various vehicles, and what roads they’re covering can be viewed online.
Thanks to social media, Transport Scotland’s fleet of light-flashing, salt-spraying kings of the road have become a bit of a sensation.
Followers have been glued to their screens following the roads authority’s Gritter Tracker.
They were surprised to find out the vehicles had humorous names like Sir Andy Flurry, Sir Salter Scott and Gritty Gritty Bang Bang….
The force was with the people of Ayrshire during Tuesday’s snow flurries, their roads were being protected by Luke Snowalker.
Along with strong snow-slaying names like the Ice Destroyer, Snow Queen and Ice Buster, more unassuming gritters like Fred, Jack and Frosty have also been out and about keeping the country moving.
Not forgetting Sprinkles, Sparkle and Ready Spready Go.
(4) ANOTHER HORRIFIC LESSON. Chloe N. Clark continues the excellent Horror 101 series with “Surrounded by Others–Anatomy of a Pod Person” at Nerds of a Feather.
As a child, two of my earliest film-related memories are watching the 1978 version of Invasion of the Body Snatchers and watching the John Carpenter version of The Thing. In both, what stuck with child me was the depiction of a monster who not only could be anyone, but also could be someone that you think you know so well: your crewmate, your friend, your lover. This early exposure to these two films led to a longtime obsession with pod people (which the Thing is not technically, but I’m extending my definition here to any monster who can appear in the exact visage of someone you know and trust). As a child, there was a visceral terror to the idea, because the world was one I trusted. As an adult, while I don’t think pod people are likely, they still strike a certain fear because the concept at the heart of pod people’s terror-making is very much real. In this edition of Horror 101, I’ll be diving into the anatomy of a monster (a thing I’ll do occasionally in this series).
(5) ABOUT THAT VENN DIAGRAM. Sarah at Bookworm Blues was caught up in a kerfuffle yesterday, and analyzes the underlying issues in “On Twitter and Representation”.
While most of the comments I received yesterday were displaying the righteous indignation I’m still feeling, there were a handful of others that made their way to me through various means that said something along the lines of, “I just love reading SciFi and Fantasy. I don’t pay attention to the gender of the author.” Or “Does the gender of the author even matter?”
Comments like that bother me about as much as, “I don’t see your disabilities.” Or “I don’t see color.”
As much as I don’t want to be defined by my chronic illness, or my disabilities, they absolutely are part of who I am, and by refusing to see them, you are, in a way, refusing to see me. You’re only seeing pieces of me. Not seeing my disability doesn’t make it go away. Putting me in a box will limit the reaches of my work, rather than expand it.
In another example, women tend to get paid less than men here in the good ol’ US of A, and not seeing the gender roles in that situation, is refusing to see the problem.
Representation matters. It matters for a hell of a lot of reasons. It is important to show young kids everywhere that they can be, do, accomplish whatever they set their minds to. Seeing disabled characters in literature normalizes disabilities in important ways. It provides education to those who might need it. It also gives me someone I can relate to in the books I read, and that right there is absolutely priceless.
This graphic that I posted yesterday doesn’t just have a dearth of female authors on it, but it also lacks any people of color, disabled authors, LGBTQ authors and basically any minority group at all. It’s a list of white male fantasy authors…
and Robin Hobb.
This is important because, I get pretty fed up with women authors putting out work that’s just as good, if not better, than their male counterparts and not getting equal recognition for it. This isn’t a Divide and Conquer thing, it’s a We’re all in it Together thing. Someone’s effort shouldn’t be seen or overlooked based on any of their minority or majority qualifiers. The fact that when asked for a list of fantasy authors the first ones someone gets are white male, says a whole lot. And the truth is, I think this inequality is so ingrained in our culture that it really isn’t even noticed until something like this happens. Maybe we don’t mean for this to happen, but in a way, the fact that this happens without malice or intent makes it just that much more insidious.
Women have basically cleaned the clock in the past few Hugo Awards, and where are they on charts like this? One of the most awarded, celebrated authors in our genre today is N.K. Jemisin, a black female fantasy author, and she deserves recognition for her accomplishments, but where is it in a list like this, and why in the world didn’t her name come up when someone was polling Twitter for fantasy authors? Nnedi Okorafor is getting her book Who Fears Death turned into a television show, and I’ve seen her name, her image, herself routinely cut off from many articles. Namely, when Vice News tweeted about this deal, and the graphic that followed wasn’t of the author who wrote the book, but of George R R Martin, and the book cover….
And today an alternate version is making the rounds –
Do better, internet. pic.twitter.com/8GxKp8xDxN
— Shimmer Magazine (@ShimmerStories) January 16, 2018
(6) JACKET. Neil Gaiman’s cover reveal for the U.S. paperback.
Here is the beautiful US NORSE MYTHOLOGY paperback cover. On sale March 6th! pic.twitter.com/gzApsAoKwn
— Neil Gaiman (@neilhimself) January 16, 2018
(7) TODAY IN HISTORY
(8) TODAY’S BIRTHDAY BOY
Happy birthday John Carpenter! Rotten Tomatoes has some bad news…
The mega-popular film review aggregation site mistakenly declared veteran film director dead Tuesday in a since-deleted tweet.
The 70-year-old horror icon is very much alive, though RT seemed to have a different impression when it honored the Halloween and The Thing director’s birthday…
(9) SEARCHING FOR A SIGN. Further Confusion was held this past weekend in San Jos and they have lost track of a convention icon —
Help! The LED sign and LED light-rod which you may have seen at one of the dances or around #furtherconfusion, have been stolen. These were a big part of the convention and many con-goers have signed it. Anyone with information please contact @furcon and myself. pic.twitter.com/jDGCrptzHf
— Cass-cougar (@Carnassiel) January 16, 2018
(10) CATAPOSTROPHE. Apparently Kazakhstan is switching from the Cyrillic to the Latin alphabet, and the result is loaded with apostrophes, so the words look like they came from a bad SF novel. The New York Times has the story: “Kazakhstan Cheers New Alphabet, Except for All Those Apostrophes”.
In his 26 years as Kazakhstan’s first and only president, Nursultan A. Nazarbayev has managed to keep a resurgent Russia at bay and navigate the treacherous geopolitical waters around Moscow, Beijing and Washington, keeping on good terms with all three capitals.
The authoritarian leader’s talent for balancing divergent interests, however, suddenly seems to have deserted him over an issue that, at first glance, involves neither great power rivalry nor weighty matters of state: the role of the humble apostrophe in writing down Kazakh words.
The Kazakh language is currently written using a modified version of Cyrillic, a legacy of Soviet rule, but Mr. Nazarbayev announced in May that the Russian alphabet would be dumped in favor of a new script based on the Latin alphabet. This, he said, “is not only the fulfillment of the dreams of our ancestors, but also the way to the future for younger generations.”
…The modified Latin alphabet put forward by Mr. Nazarbayev uses apostrophes to elongate or modify the sounds of certain letters.
For example, the letter “I” with an apostrophe designates roughly the same sound as the “I” in Fiji, while “I” on its own sounds like the vowel in fig. The letter “S” with an apostrophe indicates “sh” and C’ is pronounced “ch.” Under this new system, the Kazakh word for cherry will be written as s’i’i’e, and pronounced she-ee-ye.
(11) ON TONIGHT’S JEOPARDY! Rich Lynch says the game show Jeopardy! included an Asimov clue in the first round of tonight’s episode, mentioning the Hugo Award. The returning champ got it right!
(12) WHERE’S THE BEEF? Astronaut John Young, who recently died, once got in trouble for smuggling a corned beef sandwich on a space mission.
Gemini 3 had several objectives, from testing the effect of zero gravity on sea urchin eggs to testing orbital maneuvers in a manned spacecraft, which would aid the future moon landing. But another imperative was to test new space foods. Grissom and Young were sent up with dehydrated packets that they were meant to reconstitute with a water gun.
According to Young’s biography, “A couple of congressmen became upset, thinking that, by smuggling in the sandwich and eating part of it, Gus and I had ignored the actual space food that we were up there to evaluate, costing the country millions of dollars.” The House Appropriations Committee convened to mull over the sandwich incident, and one representative even harangued a NASA administrator, calling the sandwich stunt “just a little bit disgusting.”
Young was given a reprimand, the first ever for a member of a NASA space flight. He eventually regretted smuggling the sandwich into space, especially as the story came up over and over. But Grissom remembered it as “one of the highlights of the flight.” Grissom himself was in hot water for nicknaming Gemini 3’s spacecraft Molly Brown after the musical “The Unsinkable Molly Brown.” (Grissom’s first space flight ended with his capsule sinking into the ocean after re-entry.) Grissom forced irritated NASA administrators to back down after he suggested the name “Titanic” as an alternative.
(13) STARGAZING. From the BBC, “Hubble scores unique close-up view of distant galaxy”.
The Hubble telescope has bagged an unprecedented close-up view of one of the Universe’s oldest known galaxies.
Astronomers were lucky when the orbiting observatory captured the image of a galaxy that existed just 500 million years after the Big Bang.
The image was stretched and amplified by the natural phenomenon of gravitational lensing, unlocking unprecedented detail.
Such objects usually appear as tiny red spots to powerful telescopes.
(14) RATS ACQUITTED! New simulations show “Black Death ‘spread by humans not rats'”.
“We have good mortality data from outbreaks in nine cities in Europe,” Prof Nils Stenseth, from the University of Oslo, told BBC News.
“So we could construct models of the disease dynamics [there].”
He and his colleagues then simulated disease outbreaks in each of these cities, creating three models where the disease was spread by:
- airborne transmission
- fleas and lice that live on humans and their clothes
In seven out of the nine cities studied, the “human parasite model” was a much better match for the pattern of the outbreak.
(15) RARE CASES. BBC considers “The mystery of why some people become sudden geniuses”. Chip Hitchcock notes, “Readers of old-time SF may recall H. L. Gold’s ‘The Man with English.’”
But until recently, most sensible people agreed on one thing: creativity begins in the pink, wobbly mass inside our skulls. It surely goes without saying that striking the brain, impaling it, electrocuting it, shooting it, slicing bits out of it or depriving it of oxygen would lead to the swift death of any great visions possessed by its owner.
As it happens, sometimes the opposite is true.
After the accident, Muybridge eventually recovered enough to sail to England. There his creativity really took hold. He abandoned bookselling and became a photographer, one of the most famous in the world. He was also a prolific inventor. Before the accident, he hadn’t filed a single patent. In the following two decades, he applied for at least 10.
In 1877 he took a bet that allowed him to combine invention and photography. Legend has it that his friend, a wealthy railroad tycoon called Leland Stanford, was convinced that horses could fly. Or, more accurately, he was convinced that when they run, all their legs leave the ground at the same time. Muybridge said they didn’t.
To prove it he placed 12 cameras along a horse track and installed a tripwire that would set them off automatically as Stanford’s favourite racing horse, Occident, ran. Next he invented the inelegantly named “zoopraxiscope”, a device which allowed him to project several images in quick succession and give the impression of motion. To his amazement, the horse was briefly suspended, mid-gallop. Muybridge had filmed the first movie – and with it proven that yes, horses can fly.
The abrupt turnaround of Muybridge’s life, from ordinary bookseller to creative genius, has prompted speculation that it was a direct result of his accident. It’s possible that he had “sudden savant syndrome”, in which exceptional abilities emerge after a brain injury or disease. It’s extremely rare, with just 25 verified cases on the planet
(16) KEVIN SMITH’S RATIONALE. Sebastian Paris, in “‘Star Wars’: Kevin Smith Weighs In On The Backlash Against ‘The Last Jedi’” on Heroic Hollywood, says that Smith, in his Fatman on Batman podcast, says that one reason many fans were disappointed with The Last Jedi was that they expected Luke Skywalker to be like Obi-Wan Kenobi and were disappointed when he turned out to be someone else.
(17) 2017 IN THE REAR VIEW MIRROR. Rich Lynch’s 19th issue of My Back Pages [PDF file] is now online at the eFanzines.com website:
Issue #19 absolutely deplores the undearly departed 2017 as one terrible, horrible, no good, very bad year, and has essays involving historic mansions, convincing re-enactors, subway cars, Broadway shows, urban renewal, pub food, deadly duels, famous composers, iconic catchphrases, tablet computers, 1930s comic books, noir-ish buildings, foreboding edifices, unpaid interns, jams & singalongs, storm warnings, ancient palace grounds, Buddhist temples, worrisome fortunes, sushi adventures, retirement plans, and lots of Morris Dancers.
(18) MUNDANE COMMERCIALS, WHAT ELSE? Should you run out of things to watch, there’s always this collection of Dos Equis “The Most Interesting Man In the World” ads – at least 8 minutes worth.
(19) VIDEO OF THE DAY. Richard Williams–Animating Movement is a piece on Vimeo by the Royal Ocean Film Society that describes the techniques of the great Canadian animator whose best known work is the Pink Panther and Who Framed Roger Rabbit?
[Thanks to John King Tarpinian, IanP, JJ, Chip Hitchcock, Greg Hullender, Martin Morse Wooster, Rich Lynch, ULTRAGOTHA, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]
(1) CADIGAN NEWS. Congratulations to Pat Cadigan who told her Facebook followers today:
I am now allowed to say that I am writing both the novelisation for the forthcoming movie Alita: Battle Angel as well as the prequel novel, Iron City.
And this is why I’m in Deadline Hell.
That is all.
In post-war Germany, a version of Casablanca was produced, re-edited and with a new script for the dubbing, that had no Nazis in it. As you can imagine, given the role Nazis play in the plot, they had to do a lot of work.
I was wondering if you could do the same to Star Wars Episode 4 – remove the Empire…
Star Not Wars Because They Aren’t Having a War With Anybody: A New Hope
A spaceship has broken down. Princess Leia finds a robot on the ship and gives it something. The robot (R2D2) finds an escape pod with its friend (C3PO). They leave the ship. We don’t see the ship again. It probably had engine trouble or something. Maybe the robots have gone off to get some fuel from a service station.
The robots land in a desert. After an argument, they split up. Later they each get caught by tiny people.
Meanwhile, young Luke Skywalker is unhappy being a farmer and living with his uncle. He’d rather be…doing something else I suppose.
(4) ROBOT ON PATROL. Tech Crunch reports “Security robots are being used to ward off San Francisco’s homeless population”:
Is it worse if a robot instead of a human is used to deter the homeless from setting up camp outside places of business?
One such bot cop recently took over the outside of the San Francisco SPCA, an animal advocacy and pet adoption clinic in the city’s Mission district, to deter homeless people from hanging out there — causing some people to get very upset.
The article quotes this tweet from Brianna Wu:
I’m sorry for being so frank, but this absolutely disgusts me as someone that experienced homelessness.
Every time I travel to San Fran my heart breaks from seeing all the homelessness in a city with so much wealth and privilege.
FUND PROGRAMS TO HELP THE HOMELESS, FULL STOP. https://t.co/LaalT3XhTl
— Brianna Wu (@Spacekatgal) December 12, 2017
The SPCA deployed a robot from security startup Knightscope to deter crime and vandalism on their campus.
And, according to both the S.F. SPCA and Knightscope, crime dropped after deploying the bot.
However, the K9 unit was patrolling several areas around the shop, including the sidewalk where humans walk, drawing the ire of pedestrians and advocacy group Walk SF, which previously introduced a bill to ban food delivery robots throughout the city.
“We’re seeing more types of robots on sidewalks and want to see the city getting ahead of this,” said Cathy DeLuca, Walk SF policy and program director, who also mentioned S.F. district 7 supervisor Norman Yee would be introducing legislation around sidewalk use permits for robots in the beginning of 2018.
Last week the city ordered the S.F. SPCA to stop using these security robots altogether or face a fine of $1,000 per day for operating in a public right of way without a permit.
The S.F. SPCA says it has since removed the robot and is working through a permitting process. It has already seen “two acts of vandalism” since the robot’s removal.
(5) THE DIAGNOSIS. Ted Chiang says “The Real Danger To Civilization Isn’t AI. It’s Runaway Capitalism” in an article for Buzzfeed.
…Speaking to Maureen Dowd for a Vanity Fair article published in April, Musk gave an example of an artificial intelligence that’s given the task of picking strawberries. It seems harmless enough, but as the AI redesigns itself to be more effective, it might decide that the best way to maximize its output would be to destroy civilization and convert the entire surface of the Earth into strawberry fields. Thus, in its pursuit of a seemingly innocuous goal, an AI could bring about the extinction of humanity purely as an unintended side effect.
This scenario sounds absurd to most people, yet there are a surprising number of technologists who think it illustrates a real danger. Why? Perhaps it’s because they’re already accustomed to entities that operate this way: Silicon Valley tech companies.
(6) CHEERS AND BOOS. Fanac.org has posted a 36-minute video of Robert A. Heinlein’s guest of honor speech at the 1976 Worldcon.
MidAmeriCon, the 34th World Science Fiction Convention, was held in Kansas City in 1976, with Robert A. Heinlein as Guest of Honor. With a warm introduction by Bob Tucker, this sometimes uncomfortable speech touches on Heinlein’s belief in the inevitability of atomic war and his belief that mankind will go to the stars. There are comments on Russia and China, the role of men, and more than a few very bad jokes. You will hear applause and you can hear disapproving boos. If you are one of “Heinlein’s Children”, or simply a reader of classic SF, this video is a rare opportunity to hear that legendary figure.
(More background about the booing is here.)
(7) UNCANNY DINOSAUR ISSUE. The submission window opens in March – read the pitch and complete details here: “Uncanny Magazine Dinosaur Special Issue Guidelines”.
As you may know if you followed the Uncanny Magazine Year 4 Kickstarter, Uncanny Magazine Issue 23 will be a Special Shared-Universe Dinosaur Issue! The planned solicited contributors are:
- Sam J. Miller
- Brooke Bolander
- Mari Ness
- A. Merc Rustad & Elsa Sjunneson-Henry
- JY Yang
- K.M. Szpara
- Nicasio Andres Reed
Do you want to join them? One of the stretch goals was adding two extra unsolicited stories to the issue! We will be open to submissions from March 1- March 15, 2018.
(8) CAPITOL TBR. Former congressman Steve Israel profiles members of Congress in the Washington Post about their favorite books of the year and found Rep. Ted Lieu of California enjoying the Nebula Awards anthology and Rep.Adam Schiff of California reading Pierce Brown’s Red Rising series — “A former congressman asked his old colleagues for book suggestions. Here’s their list.”
(9) TROLLING FOR CLICKS. At NBC News, Noah Berlatsky asks “Is Star Wars’ ‘The Last Jedi’ science fiction? It’s time to settle this age-old argument”. Will anybody take my bet that the argument will not be settled by his op-ed? Or maybe it will, by a kind of cinematic force majeure.
To figure out whether Star Wars is science fiction, you first need to figure out how to define the term — which is harder than you might think. Genres are notoriously difficult to pin down, which is why they spark so many arguments. Some country fans protested loudly when Beyoncé appeared at the Country Music Awards because she (supposedly) was not a country artist. Some critics similarly argued that Bob Dylan’s lyrics are not literature, though the Nobel committee disagreed.
Genre is a marker of quality and belonging, of seriousness and community. Science fiction in particular is often seen as more important or serious than fantasy, so it’s no wonder that there’s been some struggle over how to place the films. George Lucas himself declared that “Star Wars isn’t a science-fiction film, it’s a fantasy film and a space opera” in 2015. Others have also waded in over the years; Annalee Newitz included Star Wars in a list of 10 science-fiction works that are really fantasy at io9, while author Brian Clegg says Star Wars is only “low-grade science-fiction” — it’s not quite real science-fiction, so it’s not high quality.
(10) TODAY IN HISTORY
(11) TODAY’S BIRTHDAYS
(12) COMICS SECTION.
(13) I HAVE A LITTLE LIST. SyFy Wire’s Swapna Krishna names these as “The 10 best sci-fi and fantasy books of 2017”. People get upset if I say I haven’t heard of all the books on a “best” list, so let me say I have heard of many of these.
(14) THE GHOST OF CHRISTMAS 2014. Everyone has their own way of celebrating the holidays. John King Tarpinian’s traditions include rewatching Thug Notes’ analysis of Dickens’ “A Christmas Carol.”
(15) THE BIG BUCKS. Speaking of stacks of cheddar — “Star Wars: The Last Jedi takes $450m on opening weekend”.
The movie dwarfed its nearest rival – the computer-animated comedy Ferdinand, which took $13m (£10m).
The total for The Last Jedi includes $220m (£165m) from box offices in the US and Canada, placing the film second in the all-time list for North America.
It trails behind the 2015 release Star Wars: The Force Awakens, which opened with a record-breaking $248m (£185m).
(16) BREATHLESS TAKE. Chuck Wendig launches his review with a long stretch of onomatopoeia: “The Last Jedi: A Mirror, Slowly Cracking”. And how often do you get a chance to use that word?
This will be less a review of The Last Jedi (Episode VIII) than it will be… my thoughts? An analysis? Me opening my head like a flip-top Pac-Men and seeing what globs of brain-goo I can grab and hastily smack into the screen?
Spoilers follow the noises, Wendig warns.
(17) WHAT’S BREWING IN SHORT FICTION. Nerds of a Feather’s Charles Payseur serves “THE MONTHLY ROUND – A Taster’s Guide to Speculative Short Fiction, 11/2017”.
So please, take seat. The flavors on tap this month are perfect for those looking to unwind by the fire, to shed a tear for those who have not made it this far, and to reaffirm a commitment to pushing forward, into a future that is not mired by the same harms and dangers as the past. Each pint today comes with a special side of memories and a tendril of shadow creeping just out of view. The only remedy is to drink deep, and share the moment with those you care about, and look for ways to escape the familiar cycles of hate, loss, and fear—together….
Tasting Flight – November 2017
“An Unexpected Boon” by S.B. Divya (Apex)
Notes: Pouring a dark brown rimmed with gold, the first sip is deep, subtle and smoky like dreams burning, only to reveal newer, sweeter tones underneath, a future still bright despite loss and danger.
Pairs with: Honey Bock
Review: Kalyani is a young (probably autistic) girl who experiences the world quite differently from the rest of her family. It’s something that Aruni, her older brother, finds quite difficult to handle, especially when his parents have left him in charge while they are away. For Kalyani, though, it’s the rest of the world that doesn’t make as much sense, that overflows with threats and dangers…
(18) ON STAGE. It’s live! “The Twilight Zone returns to spook theatergoers”.
In 1959, a groundbreaking TV series began in the USA. The Twilight Zone came to be regarded as a classic of science fiction for the small screen. Now the Almeida Theatre in London is taking eight episodes to make a Twilight Zone for the stage.
(19) YA. A dystopia? Why, that’s just another day in a teenaged life: “Why Teens Find The End Of The World So Appealing”.
“The hallmark of moving from childhood to adulthood is that you start to recognize that things aren’t black and white,” says Ostenson “and there’s a whole bunch of ethical grey area out there.”
Which makes dystopian fiction perfect for the developing adolescent brain, says Laurence Steinberg, a psychologist at Temple University.
“Their brains are very responsive to emotionally arousing stimuli,” he explains. During this time, there are so many new emotions and they are much stronger than those kids experienced when they were younger.
“When teenagers feel sad, what they often do it put themselves in situations where they feel even sadder,” Steinberg says. They listen to sad music — think emo! — they watch melodramatic TV shows. So dystopian novels fit right in, they have all that sadness plus big, emotional ideas: justice, fairness, loyalty and mortality.
This time in a kid’s life is often defined by acting out, but, Steinberg says, that’s a misguided interpretation of what’s happening. “It isn’t so much rebellion, but it is questioning.”
(20) BAD AIR. I remember breathing this stuff at the 2015 Worldcon: “California fires: Sentinel satellite tracks wildfire smoke plume”.
Europe’s new Sentinel-5P satellite has captured a dramatic image of the smoke billowing away from the devastating California wildfires.
It is a powerful demonstration of 5P’s ability to sense the atmosphere.
The plume is seen to sweep westwards out over the Pacific Ocean near Los Angeles and then turn north towards the State of Oregon.
(21) JDA. Jon Del Arroz shares his vision of the controversies he’s engaged in this year with BayCon, Scalzi, Cat Rambo, Chuck Wendig, and some guy who scrolls pixels in “It’s Better To Be My Friend #JDAYourFriend”.
…Where they all screwed up, is that I’m a competent writer who works hard. I’m a competent businessman who markets hard. I don’t take my ball and go home and I’m not deterred from speaking the truth by some threats or someone’s bully pulpit.
And now I’ve got a platform. It’s one a lot of people read on a daily basis. It’s only going to grow bigger in 2018. I’m a well-respected journalist, I’m a multiple-award nominated author with an avid readership. I’m winning. Readers and audiences like winners. Yet not one of these people has come forward and said “you know what, Jon, I shouldn’t have attacked you, let’s be friends.”
(22) TO SMELL THE TRUTH. Hugo-winning editor Gordon Van Gelder had a famous father, Dr. Richard Van Gelder, who tried to stump the panelists on the episode of game show To Tell The Truth aired March 13, 1961. The chairman of the Department of Mammals at the American Museum of Natural History, Van Gelder pere was specially touted as an expert on skunks. The real Van Gelder and two impostors appear at 17:00, and the truth is told right after the 23:00 mark.
[Thanks to Andrew Porter, JJ, John King Tarpinian, Chip Hitchcock, Carl Slaughter, Cat Eldridge, and Martin Morse Wooster for some of these stories, Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Artist Kent Bash’s cover for the November-December 2017 issue of Fantasy & Science Fiction is previewed here courtesy of publisher Gordon Van Gelder.
By Carl Slaughter: Gordon Van Gelder does themed anthologies. A painstaking and time-consuming but rewarding task.
CARL SLAUGHTER: Why did you give up the editor’s chair of FSF?
GORDON VAN GELDER: I was wearing two hats — that of the publisher and that of the editor.
With the publisher’s hat on, I could see that the magazine was losing some of its edge –it was growing too predictable, falling short in some other ways. So I tried bringing in a guest editor to liven things up, and that went well. So I decided it was time to step down (wearing my editor’s hat) and I offered the editing job to C. C. Finlay (with my publisher’s hat on).
CS: Why stay on as publisher?
GVG: I like the hat.
But seriously, publishing a magazine isn’t a bad job. And someone’s got to do it.
CS: Looking at your list of anthologies, it seems you’re still doing some best of, but have been moving toward themed. Is that an accurate interpretation?
GVG: Fairly accurate. The path we take is mostly a function of what the market wants and what book publishers want. If we could publish a non-theme “Best of F&SF” anthology every year as we did in the 1950s, I’d be happy with that. But the book market in 2017 is vastly different from what it was in 1954.
CS: What’s the selection process for the themes?
GVG: Again, it’s mostly a function of what the market will support and what interests book publishers. There’s such a wealth of material in our back issues that we can produce good anthologies on a lot of themes. (I have detailed notes for several.) But how many of them will sell well?
GVG: It varies a bit from book to book, but mostly, it’s a matter of pinning down the prominent stories on the theme, and then doing research and filling in the book with lesser-known works.
My favorite one to assemble was the Mars anthology, Fourth Planet From The Sun. That one had a real dynamic to it, from Bradbury to Zelazny to Varley to Alex Irvine. The whole book seemed to assemble itself, much as writers will sometimes say that a book wrote itself.
CS: Your latest anthology is on repopulation. I confess, I am not familiar with that subgenre. Give us the background on this project.
GVG: The subgenre is like a relative of the old Adam and Eve stories — a lot of stories born from anxiety over the threat of nuclear bomb destruction and wondering what happens if humanity mostly manages to wipe itself out. (In fact, there was a recent book on this exact subject, something called The Knowledge by Lewis Dartnell on how to rebuild civilization. I used a quotation from it as the epigraph for my book.)
I got interested in the subgenre when I happened to encounter two stories on the theme from the 1950s and I thought, “I read a lot of these stories as a kid, but I don’t think I’ve seen one in the last fifteen years.”
When I dug into it, I found a lot of interesting material. Since the subgenre by definition basically calls for a scenario with a small number of people under fairly intense pressure, the stories tended to be dramatic and often extreme. Some of them are deeply moving, others are disturbing.
Researching the book took a long time, but it was a lot of fun reading through anthologies and old magazine issues. It was also interesting to see a lot of the 1950s stories from the SF magazines that have never been reprinted.
One thing that frustrated me is that I heard about a couple of stories I was never able to locate. If you don’t mind, I’ll mention one now in hopes that someone seeing this interview will be able to identify it:
As I heard it (and this may well be confused or mis-remembered, especially since I feel like I read it myself when I was a teen) the story concerns a p.r. or advertising guy who’s hired to convince men to go to Mars or another planet because they need men there. And he’s so good at his job that he convinces all the men to leave, leaving him alone on the home planet with the responsibility of repopulating Earth. But the kicker at the end comes in the form of his confession to the reader: “I don’t have the heart to tell them I’m sterile.”
GVG: Not really. If I’d thought any of the writers could actually make things better, I’d have sent them to a college friend of mine who’s working on these things for real. I saw the anthology more as an opportunity for writers to dramatize different aspects of what we humans might experience as the planet changes.
CS: Your next project is on dystopias. Why do in this direction? Isn’t this a well-worn trail?
GVG: Does it answer your question if I say that we came up with the idea for the book on January 20th and most of the stories are specifically focused on the next four years?
CS: What else is on the horizon for Gordon Van Gelder?
GVG: Well, aside from continuing to run F&SF, I’ve got a couple of smallish writing projects — an article and a book introduction — that I need to finish up. I’m also helping a couple of writers get some of their older work back in print. I don’t have any more books under contract right now, but I’ve got a few ideas simmering. And who knows? Maybe another odd, half-forgotten subgenre will come along and grab me and set me off on another four years of research to produce a book that’s liable to interest only a few oddballs like myself.
You just never know.
(1) HARTWELL LIFE ACHIEVEMENT AWARD. Kathryn Cramer posted the speech she prepared for Gordon Van Gelder to deliver accepting David G. Hartwell’s posthumous World Fantasy Life Achievement Award.
First of all, to the board, we are sorry David missed the meeting this morning. Almost nothing could stop him from showing up bright and early on the Sunday morning of World Fantasy to preside over the board meeting.
Not late nights, high fevers, the birth of his children.
This convention—and these awards—were very important to David. For him they were about the conversations we have about our genre and what the genre can do for the world. It makes us proud to think of you all in this room thinking about and talking about the fantasy and horror genres and what excites you about them.
Take a moment, in his honor, and look around the room at the people you have connected with here.
This is what he wanted for you.
This Life Achievement award honors a life well-lived. Thank you all.
(2) ROBERTA POURNELLE SUFFERS STROKE. Jerry Pournelle announced some “Bad News at Chaos Manor”.
Sunday morning – this morning although it’s after midnight now so maybe I mean yesterday morning – I discovered that Roberta had suffered a stroke during the night. I called 911. The firemen responded almost instantly.
We spent the day first at the St. Joseph’s Emergency Room (where the firemen took me after my stroke), then at the Kaiser Emergency Room where she was taken by ambulance arranged by Kaiser, then finally in the Kaiser main hospital. Alex was with me for essentially the entire time. My second son, Frank, who lives in Palm Springs, drove up as soon as he could. Our youngest son, Richard, flew in from DC and just got here.
Roberta appears to be about where I was after my stroke. She can’t really talk yet, but she’s aware of what’s going on around her. We’re trying to arrange rehab at Holy Cross where I was retaught how to swallow, walk, and do all the other things people do.
I’m trying to be calm, but I’m scared stiff.
(3) MARATHON WOMAN. Pat Cadigan’s window isn’t closing this year but she remembers when that was the medical prediction — “Late 2016 Already – Where Does The Time Go”.
…This is not silly wish-fulfilment fantasy optimism on my part. At the worldcon in Kansas City, a few of us fellow-travellers in Cancerland did a panel about living with cancer. One beautiful lady has stage-four lung cancer. You’d never know it, though, because she’s doing great––clinical trials pay off. In fact, over thirty years ago, my Aunt Loretta (one of my mothers) agreed to be in a clinical trial for a breast cancer drug. That drug is Tamoxifen. On her behalf, you’re welcome.
Rational optimism notwithstanding, however, I still remember how the last months of 2016 were projected to be the last months of my life and…well, I can’t help gloating. Who am I gloating at? Cancer, of course. Who else?
These days, I’m thinking not so much in terms of a singing horse as I am the story about the two people in the forest being chased by a bear. One of them stops and puts on fancy running shoes. The other person says, ‘Do you really think you can outrun a bear?’ And the first person says, ‘No, I only have to outrun you.’
I picture me and cancer being chased by a bear called Annihilation. It’s going to get one of us first, and I’m hoping thanks to current clinical trials and the latest developments in immunotherapy, that will be cancer, not me. All I have to do is last long enough. All I have to do is outrun cancer.
(4) TOLKIEN GETS AWARD. The Tolkien Society reports Christopher Tolkien has been awarded the Bodley Medal, given by the Bodleian Libraries at the University of Oxford to individuals who have made outstanding contributions to literature, culture, science, and communication.
Tolkien Society chair Shaun Gunner said: “Christopher Tolkien is a very worthy recipient of the Bodley Medal not only for his own work but for the decades of tireless dedication he has shown in editing his father’s texts. From The Silmarillion to next year’s Beren and Lúthien, Christopher has opened up new vistas of Middle-earth that otherwise might never have seen the light of day. This award is a testament to Christopher’s quiet scholarship as an editor, and a symbol of the continuing significance of J.R.R. Tolkien’s legendarium.”
Christopher Tolkien said: “Although I have never looked for anything remotely of such a kind, I find it especially welcome to receive the Bodley Medal in that it affirms the unique significance of my father’s creation and accords a worthy place in the Republic of Letters to Tolkien scholarship. It gives me particular pleasure that the award comes from and is conceived by the Bodleian, where a great part of my father’s manuscripts lie and where I have happy memories of the great library itself.”
(5) HARASSMENT AT WFC. Jason Sanford revealed the committee was called upon to handle a harassment issue at this weekend’s World Fantasy Con.
— Jason Sanford (@jasonsanford) October 31, 2016
Good thing they did b/c I've heard a convention attendee harassed women there. WFC evidently took report seriously & handled it per policy.
— Jason Sanford (@jasonsanford) October 31, 2016
Proof — yet again! — on why conventions need strong codes of conduct & policies against harassment. Why can't some people understand this?
— Jason Sanford (@jasonsanford) October 31, 2016
Lucy A. Snyder also wrote a public Facebook post.
So I just returned from WFC, where some women experienced harassment: street harassment from rando men that convention organizers had no control over, and at-con harassment courtesy of a local fan who has a documented history of bad behavior (the convention organizers appeared to take the harassment report seriously and appeared to handle it as per their policy, but I question why they’d sell a membership to someone who is known to be a problem.)…
Snyder added in a comment:
I know he harassed at least one woman, because she told me and I escorted her to con ops so she could make the report. In the instance I know about, he did it in front of a male witness (who filed a corroborating report), so I strongly suspect there were other instances that I don’t know about and/or didn’t get reported.
(6) TODAY’S BIRTHDAY FANDOM
On Monday October 27th, 1930, the Ilford Science Literary Circle held its inaugural meeting at 32 Thorold Road (which a check of contemporary electoral rolls shows to have been the home of George & Mary Dew), the first ever meeting of our first ever SF fan group. If British fandom has a birthday, this is it. Here is Gillings’ report on the outcome of the event. More details of how many were present and the like would have been useful, but Gillings’ primary intent is to proselytise:…
(7) ESFS AWARDS NOMINEES. At Europa SF, Nina Horvath has listed the 2016 nominees for 14 annual awards presented by the European Science Fiction Society.
I’m not excerpting any of the information here because a lot of the names include special characters that just turn into question marks on WordPress. Boo!
(8) SERIES OF INTEREST. Ed Zitron profiles the late, lamented show beloved by many fans: “Person Of Interest Was Anti-Prestige TV And Too Smart For Primetime”.
First, let me tell you what Person of Interest is. Person of Interest is the inverse of Game of Thrones. For every shock death from the HBO’s version of George R.R. Martin’s book series, it had Kevin Chapman getting maced by a model and beaten up with a handbag. For every Game of Thrones setpiece that sent 49 bloggers into an ejaculatory frenzy over the ambiguous motives and bloodlines of royals, Person of Interest had a scene where Jim Caviezel kicks seven shades of shit out of the cardboard archetype of a bad person. It’s weird watching Jesus throttle people, but you know what, we’re all going to Hell anyway.
[Warning, reading this may spoil the show. But really, you could read an entire synopsis and the show would still be fantastic.]
Caviezel’s John Reese is a former CIA agent that you’re introduced to as a piss-stained, beardy hooch-swigging hobo sitting on a subway train. In one of the most satisfying scenes in TV history, a group of rich dickheads yell at him on the train and attempt to take his booze, which he clings to with an iron grip. He then proceeds to beat them up with his somehow-not-atrophied CIA skills before grabbing one around the throat and giving him the deep, angry stare of a man who uses his pants as a toilet and just wanted to enjoy his train booze in peace.
It’s a great introduction to the show in its purest sense. Peel back the layers of intrigue, spywork and social commentary, and you’ll still find a TV show that brings back the pure joy of seeing people you don’t like getting beaten up. There are no pretenses to prestige here.
(9) HE SCORES, HE WINS! James Davis Nicoll has the numbers to prove a point.
The following review sources managed to review as many works by persons of colour in 2015 as I did in Oct 2016.
The following review sources failed to review as many works by persons of colour in 2015 as I did in Oct 2016. Note that the Big Three are listed.
Rising Shadows 1
(10) SAY CHEESE! NPR reports “NASA’S New ‘Intruder Alert’ System Spots An Incoming Asteroid”.
NASA pays for several telescopes around the planet to scan the skies on a nightly basis, looking for these objects. “The NASA surveys are finding something like at least five asteroids every night,” says astronomer Paul Chodas of JPL.
But then the trick is to figure out which new objects might hit Earth.
“When a telescope first finds a moving object, all you know is it’s just a dot, moving on the sky,” says Chodas. “You have no information about how far away it is. “The more telescopes you get pointed at an object, the more data you get, and the more you’re sure you are how big it is and which way it’s headed. But sometimes you don’t have a lot of time to make those observations.
“Objects can come close to the Earth shortly after discovery, sometimes one day, two days, even hours in some cases,” says JPL’s Davide Farnocchia. “The main goal of Scout is to speed up the confirmation process.”
(11) WHEN GENIUSES PLAY WITH SHARP OBJECTS. Here what NASA’s JPL brings to jack o’lantern design:
Carving pumpkins may not be rocket science – but that hasn’t stopped Nasa engineers.
Scientists at the space agency’s Jet Propulsion Lab held their annual contest to create the best pumpkin this week.
Entries included a gourd inspired by Star Wars villain Darth Vader, and two pumpkins dressed as Donald Trump and Hillary Clinton being hit by a meteor.
Motors, robotics and lights all featured heavily.
(12) COSTUMES FOR WHEELCHAIRS. About half a dozen photos here illustrating how wheelchairs are converted to vehicles of kids’ dreams.
Halloween is big business and when you use a wheelchair you want your outfit to pack a punch when you go trick-or-treating.
In America, Ryan Weimer and his wife Lana, have tapped into that market by providing children with the 3D costumes of their imaginations.
Costing between $2,000 and $4,000 each, a team of volunteers spend about 120 hours building the costumes which range from aeroplanes to dragons.
(13) HALLOWEEN TREE. Ray Bradbury tells how the “Halloween Tree” novel and animated film came about.
(14) RAY’S FAVORITE HOLIDAY. John King Tarpinian visited Ray Bradbury’s grave today, bringing some gifts and decorations.
Every Halloween I pay a visit to the Westwood Cemetery where Ray Bradbury is at rest. I had the custom trick or treat bag made and filled it with Clark Bars, Ray’s favorite. The little pumpkin shaped stone I luckily found yesterday from a bead shop I was dragged to by a visiting out of town friend. The pumpkins were brought by one of Ray’s theatrical actors, Robert Kerr.
(15) BOO PLATE SPECIAL. Someone’s Cthulhu license plate attracted a crowd at World Fantasy Con.
— Kat Otis (@kat_otis) October 30, 2016
(16) SILLY SYMPHONY. And here’s your musical accompaniment of the day:
[Thanks to JJ, John King Tarpinian, James Davis Nicoll, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]