2020 Novellapalooza

stack of books ©canstockphoto / olegd

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ:

TL;DR: Here’s what I thought of the 2020 Novellas. What did you think?

I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story Synopsis had some appeal for me). I ended up reading:

  • 31 of the novellas published in 2015,
  • 35 of the novellas published in 2016,
  • 50 of the novellas published in 2017,
  • 38 of the novellas published in 2018,
  • 57 of the 2019 novellas,
  • and this year I was waiting for access to a few novellas from my library, so I was reading others, and thus my final total crept up to 59!

The result of these reading sprees were

I really felt as though this enabled me to do Hugo nominations for the Novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low.

Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). What’s more, I apparently had a defective childhood, and I do not share a lot of peoples’ appreciation for fairytale retellings and portal fantasies. My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

Novellas are listed in two sections below. The first section, those with cover art, are the ones I have read, and they include mini-reviews by me. These are in approximate order from most-favorite to least-favorite (but bear in mind that after around the first dozen listed, there was not a large degree of difference in preference among most of the remainder, with the exception of a handful at the bottom). The second section is those novellas I haven’t read, in alphabetical order by title.

I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Some short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included, and in a couple of cases, novelettes which were long enough to be in the Hugo Novella tolerance were also included.

Please feel free to post comments about 2020 novellas which you’ve read, as well. And if I’ve missed your File 770 comment about a novella, or an excerpt for a novella, please point me to it!

If you see something that looks like gibberish, it is text that has been ROT-13’ed to avoid spoilers. (Please be sure to rot-13 any spoilers.)

(fair notice: all Amazon links are referrer URLs which benefit non-profit SFF fan website Worlds Without End)
Continue reading

2019 Novellapalooza

stack of books ©canstockphoto / pjgon71

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ:

TL;DR: Here’s what I thought of the 2019 Novellas. What did you think?

I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading:

  • 31 of the novellas published in 2015,
  • 35 of the novellas published in 2016,
  • 46 of the novellas published in 2017,
  • and 38 of the 2018 novellas.
  • (and this year I was waiting for access to a few novellas, so I was reading others, and thus my final total crept up to 55!)

The result of these reading sprees were

I really felt as though this enabled me to do Hugo nominations for the Novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.

The success and popularity of novellas in the last 5 years seems to have sparked a Golden Age for SFF novellas – so there are a lot more novellas to cover this year. By necessity, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis being of interest to me.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low.

Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). What’s more, I apparently had a defective childhood, and do not share a lot of peoples’ appreciation for fairytale retellings and portal fantasies. My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

Novellas I’ve read appear in order based on how much I liked them (best to least), followed by the novellas I haven’t read in alphabetical order.

I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included.

Please feel free to post comments about any other 2019 novellas which you’ve read, as well. And if I’ve missed your comment about a novella, or an excerpt for a novella, please point me to it!

(Please be sure to rot-13 any spoilers.)

(fair notice: all Amazon links are referrer URLs which benefit non-profit SFF fan website Worlds Without End)

Continue reading

2018 Novellapalooza

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ: I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading 31 of the novellas published in 2015, 35 of the novellas published in 2016, and 46 of the novellas published in 2017 (though a few of those were after Hugo nominations closed).

The result of this was the 2016 Novellapalooza and the 2017 Novellapalooza. I really felt as though I was able to do Hugo nominations for the novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.

The success and popularity of novellas in the last 4 years seems to have sparked a Golden Age for SFF novellas, with Tor.com, Subterranean Press, NewCon Press, PS Publishing, Book Smugglers, Clarkesworld, Beneath Ceaseless Skies, and Tachyon bringing out a multitude of works, along with the traditional magazines Asimov’s, Fantasy and Science Fiction, and Analog – so there are a lot more novellas to cover this year. By necessity, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis being of interest to me.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low. Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

I thought it would be helpful to have a thread where all the Filers’ thoughts on novellas are collected in one place, as a resource when Hugo nomination time rolls around. Which of these novellas have you read? And what did you think of them?

I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included.

Please feel free to post comments about any other 2018 novellas which you’ve read, as well.

(Please be sure to rot-13 any spoilers.)

(fair notice: all Amazon links are referrer URLs which benefit non-profit SFF fan website Worlds Without End)

Read more…

Pixel Scroll 11/1/18 When You Gonna Give Me Some Time Scrollona

(1) SAME NAME, DIFFERENT GAME. At Strange Horizons, Abigail Nussbaum reviews Netflix’ “The Haunting of Hill House”.

…Netflix’s miniseries adaptation of The Haunting of Hill House, by Mike Flanagan (who wrote most of the series’s ten episodes and directed all of them), throws most of that out the window. It takes only a few scenes for a viewer familiar with the book to realize that the only similarity between it and this miniseries are a few character names, and the fact that they both revolve around a Hill House which is haunted. To a Jackson fan (most of whom are, after all, extremely defensive of her reputation) this initially seems like sacrilege. Why use the name if you’re not going to honor the actual work?

Flanagan’s Haunting never offers a persuasive answer to this question. What it does instead, almost as soon as the issue is raised, is counter with a genuinely excellent piece of horror filmmaking that makes you forget, at least for a while, its total lack of fidelity to its source….

(2) EATING THE FANTASTIC. Scott Edelman orders up an interview with Steve Rasnic Tem in Episode 80 of the Eating the Fantastic podcast.

Steve Rasnic Tem

…I now ask that you join me for lunch at The Fish Market with Steve Rasnic Tem.

Tem has published more than 400 short stories, garnering multiple award nominations and wins, including a British Fantasy Award in 1988 for “Leaks,” a 2001 International Horror Guild Award for “City Fishing,” and a 2002 Bram Stoker Award for “In These Final Days of Sales.” His many collections include Fairytales, Celestial Inventory, The Far Side of the Lake, and others. Some of his poetry has been collected in The Hydrocephalic Ward, and he edited The Umbral Anthology of Science Fiction Poetry. His novel Blood Kin won the 2014 Bram Stoker Award. His collaborative novella with his late wife Melanie Tem, The Man On The Ceiling, won the World Fantasy, Bram Stoker, and International Horror Guild awards in 2001.

We discussed the importance of writing until you get to page eight, what he did the day after Harlan Ellison died, why even though he was a fearful kid he turned to horror, the thing which if I’d known about his marriage might have caused problems with my own, how crushed we both were when comics went up to 12 cents from a dime, why his all-time favorite short story is Franz Kafka’s “A Country Doctor,” how TV shows like “So You Think You Can Dance” had an effect on the way he writes action scenes, why he made an early pivot from science fiction to creating horror, the way joining Ed Bryant’s writing workshop taught him to become a writer, how math destroyed his intended science career, the reason it took him 48 years to take Ubo from initial idea to finished novel, why beginning writers should consciously read 1,000 short stories (and what they should do once they’re done), and much more

(3) THESE BOOKS DON’T MAKE THEMSELVES. Jeannette Ng has written a fabulous thread on the history of book production, urging writers to think about this when worldbuilding. Starts here.

(4) DAWN’S SUNSET. For the second time this week, a long-duration NASA mission has come to an end due to exhausting its fuel supply. RIP Kepler is now joined by RIP Dawn. (CNN: “NASA’s Dawn mission to strange places in our solar system ends”)

NASA’s Dawn spacecraft has run out of fuel and dropped out of contact with mission control, the agency said Thursday.

This ends the spacecraft’s 11-year mission, which sent it on a 4.3 billion-mile journey to two of the largest objects in our solar system’s main asteroid belt. Dawn visited Vesta and Ceres, becoming the first spacecraft to orbit two deep-space destinations.

Dawn missed two communication sessions with NASA’s Deep Space Network the past two days, which means it has lost the ability to turn its antennae toward the Earth or its solar panels toward the sun. The end of the mission is not unexpected, as the spacecraft has been low on fuel for some time.

It’s the second historic NASA mission this week to run out of fuel and come to an end, as NASA’s Kepler Space Telescope did Tuesday.

(5) HOSTILE GALACTIC TAKEOVER. Today’s Nature shares “Evidence of ancient Milky Way merger”:

An analysis of data from the Gaia space observatory suggests that stars in the inner halo of the Milky Way originated in another galaxy.

This galaxy is thought to have collided with the Milky Way about ten billion years ago.

One conclusion on which all of the groups agree is that the event might have contributed to the formation of the Milky Way’s thick stellar disk. Astronomers have speculated for several decades that an ancient satellite galaxy merged with the Milky Way in the past, because such  an event could explain differences in the motions and chemical compositions of stars in the neighbourhood of the Sun.

Here’s a PDF of the item.

(6) SABRINA SHORTCOMINGS. Taylor Crumpton’s op-ed for Teen Vogue analyzes “How ‘Chilling Adventures of Sabrina’ Failed Prudence Night”.

Chilling Adventures of Sabrina is not a reboot. Yes, the new Netflix show features the same characters as the cheery ‘90s sitcom, but it has been updated to reflect our darker, more malevolent times. The show also aims to be progressive, with storylines that speak to marginalized communities and a diverse cast of actors in almost every scene.

But despite great intentions, the show falls short in its portrayal of its black women characters, specifically with the character of Prudence Night (Tati Gabrielle), the head witch of the Academy of the Unseen Arts and leader of the Weird Sisters.

…The most troubling aspect of the conflict between Sabrina and Prudence occurs after “The Harrowing,” a pledging ritual that simulates the horrors experienced by the 13 witches during the Greendale Witch Trials. The last step in the ritual process mimics the hangings of the original witches by the mortals of Greendale; as Prudence leads Sabrina to the tree, Sabrina emphasizes the importance of the Academy as a safe space of community and inclusion for witches who have been subjected to violence by mortals for centuries. While in the tree, Sabrina calls upon the power of the dead witches and warlocks to effectively lynch Prudence and the Weird Sisters, and declares the end of “The Harrowing.”

The show did not issue a trigger warning for an image of a lynched Black woman in 2018; it comes on suddenly and in close-up view

(7) STATIONING GAS. [Item by Mike Kennedy.] The preprint paper “Securing Fuel for Our Frigid Cosmic Future” was discussed in a news story covering that article at Universe Today: “The Tools Humanity Will Need for Living in the Year 1 Trillion”

A preprint (that is, not yet peer-reviewed) paper from Harvard University’s chair of the astronomy department, Dr. Abraham Loeb, concludes in Securing Fuel for Our Frigid Cosmic Future that:

Advanced civilizations will likely migrate into rich clusters of galaxies, which host the largest reservoirs of matter bound by gravity against the accelerated cosmic expansion.

He opens with the question:

The accelerated expansion of the Universe pushes resources away from us at an ever- speed. Once the Universe will age by a factor of ten, all stars outside our Local Group of galaxies will not be accessible to us as they will be receding away faster than light. Is there something we can do to avoid this cosmic fate?

In his discussion, Loeb mentions various “cosmic engineering” projects that have been suggested and briefly examines their limitations. He then works his way around to suggesting an advanced civilization should move to a region with a high concentration of galaxies close together to provide a large fuel density, even as ones observable universe shrinks due to the accelerating expansion of the universe. He further notes that:

The added benefit of naturally-produced clusters is that they contain stars of all masses, much like a cosmic bag that collected everything from its environment. The most common stars weigh a tenth of the mass of the Sun, but are expected to shine for a thousand times longer because they burn their fuel at a slower rate. Hence, they could keep a civilization warm for up to ten trillion years into the future.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born November 1, 1897 — Dame Naomi Mitchison, Writer, Poet, and Activist from Scotland who lived to be over a hundred years old. Her genre writing includes the 1931 novel The Corn King and the Spring Queen, which contains open sexuality and is considered by contemporary genre editor Terri Windling to be “a lost classic”. Other genre works include Memoirs of a Spacewoman, which was nominated for a Retrospective Tiptree Award, Solution Three, and the Arthurian novel To the Chapel Perilous. As a good friend of J. R. R. Tolkien, she was a proofreader for The Lord of the Rings.
  • Born November 1, 1917 — Zenna Henderson, Writer whose first story was published in The Magazine of Fantasy & Science Fiction in 1951. She is best known for her more than 30 stories in The People universe about members of an alien race with special powers who are stranded on earth, which were published in magazines and later in collections, including The People: No Different Flesh, and the stitched-together Pilgrimage: The Book of the People. Her novelette “Captivity” was nominated for a Hugo Award, and her story “Pottage” was made into a movie starring William Shatner, The People, which was a Hugo finalist for Best Dramatic Presentation in 1973. “Hush” became an episode of George A. Romero’s Tales from the Darkside, which first aired in 1988.
  • Born November 1, 1923 — Dean A. “dag” Grennell, Writer, Editor, Firearms Expert, Conrunner, and Fan who edited numerous fanzines including La Banshee and Grue, which was produced sporadically from 1953 to 1979 and was a finalist for the Hugo Award in 1956. He published several short fiction works, and even dabbled in fanzine art. He ran a small U.S. gathering held the same weekend as the 1956 UK Natcon which was called the Eastercon-DAG, and another called Wiscon, which preceded the current convention of that name by more than twenty years. He is responsible for the long-running fannish joke “Crottled Greeps”.
  • Born November 1, 1923 — Gordon R. Dickson, Writer, Filker, and Fan who was truly one of the best writers of both science fiction and fantasy. It would require a skald to detail his stellar career in any detail. His first published speculative fiction was the short story “Trespass!”, written with Poul Anderson, in the Spring 1950 issue of Fantastic Stories. Childe Cycle, featuring the Dorsai, is his best known series, and the Hoka are certainly his and Poul Anderson’s silliest creation. I’m very fond of his Dragon Knight series, which I think reflects his interest in medieval history.  His works received a multitude of award nominations, and he won Hugo, Nebula, and British Fantasy Awards. In 1975, he was presented the Skylark Award for achievement in imaginative fiction. He was Guest of Honor at dozens of conventions, including the 1984 Worldcon, and he was named to the Science Fiction Hall of Fame and the Filk Hall of Fame. The Dorsai Irregulars, an invitation-only fan volunteer security group named after his series, was formed at the 1974 Worldcon in response to the theft of some of Kelly Freas’ work the year before, and has provided security at conventions for the last 34 years.
  • Born November 1, 1941 — Robert Foxworth, 77, Actor whom you’ve most likely seen, if you’ve watched genre television or film. His first genre role was as Dr. Victor Frankenstein in the 1973 Frankenstein TV movie, followed by the lead role in Gene Roddenberry’s TV pilot The Questor Tapes, which never made it to series after NBC and The Great Bird of the Galaxy had a falling-out. He is well-known to Star Trek fans, having had roles in episodes of both Deep Space Nine and Enterprise, as well as Stargate SG-1, Babylon 5, seaQuest DSV, and The (new) Outer Limits. His genre movie roles have included Beyond the Stars, Damien: Omen II, Invisible Strangler, Prophecy, The Devil’s Daughter, and The Librarian: Return to King Solomon’s Mines, and he provided the voice for the character Ratchet in the Transformers movie franchise.
  • Born November 1, 1944 — David Rorvik, 74, Writer and Journalist who published in 1978 the book In his Image: The Cloning of a Man, in which he claimed to have been part of a successful endeavor to create a clone of a human being. According to the book, at the behest of a mysterious wealthy businessman, he had formed a scientific team that was taken to a lab at a secret location, and after a few years of experimentation they managed to create a human ovum containing implanted DNA, which was brought to term by a surrogate mother and produced a living, cloned child. A British scientist whose doctoral work had been lifted for the theoretical basis outlined in In His Image sued for 7 million dollars, and after a judge ruled pre-trial that the book was a fraud, the publisher settled out-of-court for $100,000 plus an admission that the book was a hoax. No evidence for or against the cloning claim was ever produced, and the author to this day still denies that it was a hoax. (numerous conflicting sources list either 1944 or 1946 as his birth year)
  • Born November 1, 1959 — Susanna Clarke, 59, Writer from England whose alt-history Jonathan Strange & Mr Norrell wins my award for the most footnoted work in genre literature. It won the Hugo, World Fantasy, Mythopoeic, and Locus Awards, was a finalist for Nebula, British Fantasy Society, British Science Fiction Association, and Premio Ignotus Awards, and was adapted into a 7-episode BBC series which was nominated for a Saturn Award. The Ladies of Grace Adieu and Other Stories collects her short works, and is splendid indeed; it was a finalist for the World Fantasy, Mythopoeic, and Prix Imaginaire Awards. Interestingly, she also has a novelette included in Neil Gaiman’s The Sandman: Book of Dreams anthology.
  • Born November 1, 1972 — Toni Collette, 46, Tony-nominated Actor of Stage and Screen from Australia who received an Oscar nomination for her leading role in the supernatural film The Sixth Sense, and had roles in Hereditary, The Night Listener, Fright Night, Krampus, xXx: Return of Xander Cage, Tsunami: The Aftermath, and the upcoming Velvet Buzzsaw. She has provided voices for characters in the animated features The Boxtrolls, Blinky Bill the Movie, The Thief and the Cobbler, The Magic Pudding, and Mary and Max.
  • Born November 1, 1984 — Natalia Tena, 34, Actor from England who played Nymphadora Tonks in the Harry Potter film franchise and the wildling Osha in the Game of Thrones series. She also appeared in Black Mirror’s feature-length special White Christmas and the superhero comedy SuperBob, and had lead roles in the Residue miniseries and the short-lived Wisdom of The Crowd series. She has a recurring role on Origin, a series set on a spacecraft bound for another system which premieres on November 14.
  • Born November 1 — Jaym Gates, Writer, Editor, Game Designer, and Crisis Management Educator who is currently the acquisitions editor for Nisaba Press and Falstaff Books’ Broken Cities line. She also writes and designs role-playing games, fiction, comics, and nonfiction, and has been editor of numerous SFF anthologies, including JJ’s favorite Genius Loci. She has presented on the topic of crisis communication and community crisis response to groups including the 100 Year Starship and the Atlantic Council, and is a creative partner on an educational project which uses role-playing games, storytelling, and game theory to teach students about managing crisis. She was the SFWA Communication Director for five years and helped to run the Nebula weekends during that time, as well as fostering communications with NASA, DARPA, library and school systems, and public media. She will be a Special Guest at the OrcaCon tabletop gaming convention in January 2019.

(9) COMICS SECTION.

(10) TITLE POLL. The Bookseller has opened public voting for this year’s “Diagram Prize for the Oddest Book Title of the Year”. Voting closes on November 16, and the winner will be announced November 23. The shortlist for year’s six oddest titles includes:

  • Are Gay Men More Accurate in Detecting Deceits? by Hoe-Chi Angel Au
  • Call of Nature: The Secret Life of Dung by Richard Jones
  • Equine Dry Needling by Cornelia Klarholz and Andrea Schachinger
  • Jesus on Gardening by David Muskett
  • Joy of Waterboiling by Christina Scheffenacker
  • Why Sell Tacos in Africa? by Paul Oberschneider

(11) PROPS TO YOU. An LAist reporter managed to get in the door at “The Amazing Santa Monica Prop Shop That’s Rarely Open”.

It’s difficult to define Jadis, because it wears multiple hats: it’s a movie prop house, a museum of pre-computer-era oddities, a cabinet of curiosities, and a retail store.

Oh, and it’s also infamous for almost never being open. Like, ever.

“I tell people, not being open all the time just increases the demand,” Jadis’s owner Susan Lieberman said. “You would take me for granted if I was open regular hours.”

When you walk inside Jadis, you might feel like you’ve found yourself inside a mad collector’s lab: giant interlocking gears, microscopes, cabinets filled with old postcards and eyeglasses, quack science devices from the turn of the century. And if you clap or talk too loudly, there’s a talking head that might yell at you: “My brain hurts. Why you look at me like that. WHYYY?!”

 

(12) NUKE AVOIDANCE. They say all knowledge is contained in…. I thought it was fanzines, but apparently it’s in James Davis Nicoll essays. Today he points out “13 Stories About Surviving a Nuclear War — At Least Briefly”.

Most people now living are too young to remember the Cuban Missile Crisis. It was a fun time when the Americans and the Russians (who at that time were not good buddies but rivals), toyed with seeing just how close they could come to World War Three without pressing the (metaphorical) button. For various reasons, not least of which was that the balance of power of power greatly favoured the United States and the Soviets apparently didn’t fancy atomic suicide for some reason, the stand-off stopped short of nuclear war.

(13) DEATH WHERE IS THY STING. Horror Writers Association President Lisa Morton was one of those asked to explain “How death disappeared from Halloween” for the Washington Post.

Sexy avocado costumes obscure the holiday’s historical roots and the role it once played in allowing people to engage with mortality. What was once a spiritual practice, like so much else, has become largely commercial. While there is nothing better than a baby dressed as a Gryffindor, Halloween is supposed to be about death, a subject Americans aren’t particularly good at addressing. And nowhere is that more evident than in the way we celebrate (or don’t celebrate) Halloween.

Halloween has its origins in the first millennium A.D. in the Celtic Irish holiday Samhain. According to Lisa Morton, author of “Trick or Treat: A History of Halloween,” Samhain was a New Year’s celebration held in the fall, a sort of seasonal acknowledgment of the annual change from a season of life to one of death. The Celts used Samhain celebrations to settle debts, thin their herds of livestock and appease the spirits: the kinds of preparations one might make if they are genuinely unsure whether they will survive the winter.

(14) MARVELMAN. Corporate and legal shenanigans enliven Pádraig Ó Méalóid’s new history Poisoned Chalice.

The comic character Marvelman (and Miracleman) has a fascinating – and probably unique – history in the field of comics. His extended origin goes all the way back to the very beginnings of the American superhero comics industry, and it seems likely that his ongoing story will stretch on well into the future. It involves some of the biggest names in comics. It’s a story of good versus evil, of heroes and villains, and of any number of acts of plagiarism and casual breaches of copyright. Poisoned Chalice wades into one of the strangest and thorniest knots of all of comics: the history of Marvel/Miracleman and still unsolved question of who owns this character. It’s a story that touches on many of the most remarkable personalities in the comics industry—Alan Moore, Neil Gaiman, Todd McFarlane, Joe Quesada and more—and one of the most fascinating in the medium. The story of Marvelman touches on the darker places of comics history, springing from the prehistory where greed ruled the day; it’s a complex tale that others have attempted to untangle, but there has never been as thorough or as meticulous a study of it as this book.

(15) ELEGANT SOLUTION. Greg Egan and fans of The Melancholy of Haruhi Suzumiya contribute to mathematics: “An anonymous 4chan post could help solve a 25-year-old math mystery”.

…An anonymous poster figured out one possible way to solve to the 4chan problem, satisfying the more mathematically inclined Haruhi fans. But in the process, they also helped puzzle out an issue that mathematicians have been working on since 1993. The anonymously authored proof (which was recently reposted on a Fandom wiki) is currently the most elegant solution to part of a mathematical problem involving something called superpermutations. It’s an enigma that goes well beyond anime….

… The 4chan proof outlines how to find the smallest possible number of episodes for the solution. But that doesn’t fully solve the problem. An even bigger breakthrough came earlier this month when sci-fi author and mathematician Greg Egan wrote up a proof that outlined how to find the largest possible number for any given superpermutation problem….

(16) THERE WILL BE (WATER) WAR. Gizmodo take’s a look at a new report that looks at potential areas of conflict over water could arise as climate change continues (“Here’s Where the Post-Apocalyptic Water Wars Will Be Fought”). They couldn’t resist the genre allusions.

A United Nations report published last week said we have about a decade to get climate change under control, which—let’s be honest—isn’t likely to happen. So break out your goalie masks and harpoon guns, a Mad Max future awaits! Now, as new research points out, we even know where on Earth the inevitable water wars are most likely to take place.

Sarcasm aside, this report is actually quite serious.

Published today in Global Environmental Change, the paper identifies several hotspots around the globe where “hydro-political issues,” in the parlance of the researchers, are likely to give rise to geopolitical tensions, and possibly even conflict. The authors of the new report, a team from the European Commission’s Joint Research Centre (JRC), say the escalating effects of climate change, in conjunction with ongoing trends in population growth, could trigger regional instability and social unrest in regions where freshwater is scarce, and where bordering nations have to manage and share this increasingly scarce commodity.

(17) VIDEO OF THE DAY. “Big Data–L1ZY” on Vimeo shows what happens when a virtual assistant becomes an evil robot overlord!

[Thanks to Chip Hitchcock, JJ, John King Tarpinian Mike Kennedy, Martin Morse Wooster, Cat Eldridge, Carl Slaughter, Andrew, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 7/2/17 Pixeldimethylaminotickaldescroll

(1) PREMIO MINOTAURO. Nieve en Marte (Snow on Mars), a science fiction novel written by Pablo Tébar, is the winner of the 2017 Minotauro Award, Spain’s literary award for the best unpublished SF, fantasy or horror novel. The prize is worth 6,000 Euros.

The novel earned the unanimous vote of the Minotauro Award Jury, this year composed of writers Javier Sierra and Manel Loureiro, the Director of the Sitges – International Fantastic Film Festival of Catalonia, Ángel Sala, movie producer Adrián Guerra and the editor in chief of Ediciones Minotauro publishing house, Marcela Serras.

This is the fourteenth year that the International Fantastic and Science Fiction Literature Award has been presented by Ediciones Minotauro. (Hat tip to Europa SF.)

(2) AT THE LANGUAGE FOUNDRY. Editor Joe Stech says from now on he’s calling what his magazine publishes “Plausible Science Fiction”.

I was at convention yesterday and heard a panel discussion about the old “hard vs. soft” science fiction debate. I realized while listening that there is a huge amount of baggage that people associate with the term “hard science fiction,” and that by using it when I describe the focus of Compelling Science Fiction I may be conveying something different than intended. Because of this, I’m going to start using a different term when talking about what sub-genre Compelling Science Fiction focuses on: “plausible science fiction.” The word “plausible” is still ambiguous, but I believe it doesn’t have all the semantic cruft that has built up over the decades around “hard.” We will no longer reference “hard science fiction” when describing our magazine, even though what we look for in stories is not changing.

“Plausible science fiction,” in this context, means “science fiction that tries not to disrupt suspension of disbelief for people that have knowledge of science and engineering.” This can mean not blatantly contradicting our current knowledge of the universe, and it can also mean not blatantly ignoring how humans generally behave. It also means internal self-consistency….

(3) STORY TIME. LeVar Burton reads to you — in the intro he says he’ll pick short stories from a lot of genres, including his favorite, science fiction — on the Levar Burton podcast.

LeVar Burton is an Actor, Director, Educator & Cofounder of the award-winning Skybrary App, host and Executive Producer of PBS’s Reading Rainbow and lifelong children’s literacy advocate.

(4) COMPLETELY MAD,  I TELL YOU. Dorothy Grant at Mad Genius Club lets a “friend” explain the best strategies for not selling books in  “How to Successfully not Market your Book: Or Doing it All Wrong (Almost) By Alma Boykin”

Alma Boykin here. I have been successfully getting in my own way and not marketing (fiction) books since December 2012. In the process, I’ve managed to make pretty much every mistake you can do as an indie author, bar one. Dorothy Grant, Cedar Sanderson, and others have written a lot about how to market your books and stories. So here’s a quick guide on how to successfully not market your book, thus ensuring that only the most selective, discriminating, or lucky readers will ever find it. …

  1. No social media presence ever. I did give in and start a blog, Cat Rotator’s Quarterly,(Alma! I added the blog name and link! You should promote it! -Ed.) in February 2014, but I have no Twitter, Facebook, G+, LiveJournal, Snapchat, Pinterest, or whatever other social media platforms are out there. This is another great way not to tell people about your books. What they don’t know about, then can’t find. HOWEVER! If used properly, social media can help not-sell your work. Some of the best ways are to overload anyone who follows you with near-daily announcements about “Only three years, two months, and a day and a half until the release of [book]!” or “Hey, boy my book! Buy my book!” The more often you remind people to buy your work, the more they will drop your feed and flee the company of your works. Think of it as the electronic version of the whiney 5-year-old in the back seat asking “Are we there yet? Are we there yet? I gotta go. Are we there yet?”

(5) SUMMER READING. The Verge says “Here are 16 books coming out this month that you should also check out”, beginning with —

Dichronauts by Greg Egan

Greg Egan is known for some spectacular science fiction novels in recent years, and his latest looks pretty out there. It’s set in a strange universe where light can’t travel in every direction. Its inhabitants can only face and travel in one direction: east. Otherwise, they’ll get distorted across the landscape. A surveyor named Seth joins an expedition to the edge of inhabitable space, where they discover an unimaginable fissure in the world — one that will stop the ongoing migration of its inhabitants. The only way forward is down, to try and find a way to save everyone.

(6) THE WORST FORM OF GOVERNMENT, AFTER ALL THE REST. David Langford has made a belated addition to the July Ansible – a copy of “the tasty General Election campaign flyer from a candidate in our area.” Well worth a look.

(7) COME TO THE FAIR. Also thieved from Ansible, this item about Ken McLeod’s slate of events at the Edinburgh International Book Fair.

  • On Tuesday 15 August at 6:30 I’ll be talking with Stephen Baxter about his new novel The Massacre of Mankind,
  • On Wednesday 16 August 2017 at 7.15pm I’ll be chairing a discussion with Charles Stross and Jo Walton on ‘End Times, Crazy Years’, to ask: what happens when reality outdoes dystopia, let alone satire?
  • My own work comes up for discussion on Thursday 17 August at 2.30 pm, when I’m on with Charlie Fletcher, who, like me, has just completed a trilogy.
  • I’ve long been a proponent of the argument, which I first encountered in the work of Gary Westfahl, that informed and engaged criticism by active readers has shaped the SF genre perhaps more than any other, from the letter columns of Amazing Stories onward. Who better to test this contention with than two outstanding critics who are also outstanding writers? That’s what’s on offer on Thursday 17 August at 5.30 pm, when I chair a discussion between Adam Roberts and Jo Walton.
  • For this final event in the strand, Rockets to Utopia? on Friday 18 August at 6.30 pm, we have two truly exceptional writers. Nalo Hopkinson is a Guest of Honour at this year’s World Science Fiction Convention in Helsinki, …Ada Palmer is a historian, who burst on the SF scene only last year with her acclaimed, complex novel Too Like the Lighting …Nalo and Ada are joined by me and Charlie, and we’re chaired by Pippa Goldschmidt. Pippa writes close to the edge of SF, has previously featured at the Book Festival, and in an earlier life held the Civil Service title ‘Chair of Outer Space’, so should have no difficulty chairing a panel.

(8) TODAY’S DAY

  • History of World UFO Day

World UFO Day was organized by WorldUFODay.com in 2001, and was put together to bring together enthusiasts of UFO’s and the evidence they’ve all gathered to support their existence. …Many of them believe they already have arrived, and anyone who knows anything about UFO’s is aware of the stories of abductions and what is seen as the seminal event in UFO history, the crash at Roswell. While they believe that the governments of the world are presently hiding this information from the populace, this in no way discourages believers from continuing to search for the truth they’re certain is out there.

(9) TALKING FOR DOLLARS. The truth may be out there, but the number of people looking for it seems to be declining. Consider this report from The Register, cleaning up after the latest mess: “Shock: NASA denies secret child sex slave cannibal colony on Mars”.

NASA has not enslaved a colony of children on Mars nor is it using them for vile orgies on the Red Planet nor feasting on them to harvest their precious bone marrow, officials have told The Register….

On Thursday, one of President Trump’s favorite talking heads, Alex Jones, interviewed ex-CIA officer Robert David Steele during his radio show. Steele made some astonishing – think nuttier than squirrel crap – allegations of NASA covering up that humankind already has an outpost on the Mars. And that the alien world was red not just with oxidized iron dust but with the spilled blood of innocent youngsters snatched off the street and shipped into outer space.

“We actually believe that there is a colony on Mars that is populated by children who were kidnapped and sent into space on a 20-year ride. So that once they get to Mars they have no alternative but to be slaves on the Mars colony,” Steele claimed. How exactly they are still children after 20 years of space travel wasn’t, funnily enough, explained.

…”There are no humans on Mars yet,” NASA spokesman Guy Webster told El Reg last night, presumably restraining himself from adding” “I can’t believe I have to answer this kind of stuff.”

(10) TODAY IN HISTORY

  • July 2, 1959 – Premiered on this date, Plan 9 From Outer Space.
  • July 2, 1992 — Theoretical physicist Stephen Hawking breaks British publishing records on this day. His book A Brief History of Time has been on the nonfiction bestseller list for three and a half years, selling more than 3 million copies in 22 languages.

(11) SAVE THE BOOKS. History will be rewritten – if it’s not destroyed first. See The Guardian’s book review, “The Book Smugglers of Timbuktu by Charlie English review – how precious manuscripts were saved”.

For African historians, the realisation during the late 1990s of the full scale of Timbuktu’s intellectual heritage was the equivalent of the discovery of the Dead Sea Scrolls for scholars of Judaism in the 1950s. When the African American academic Henry Louis Gates Jr visited Timbuktu in 1997 he actually burst into tears at the discovery of the extraordinary literary riches. He had always taught his Harvard students that “there was no written history in Africa, that it was all oral. Now that he had seen these manuscripts, everything had changed.”

Yet with the coming of al-Qaida, there was now a widespread fear that this huge treasure trove, the study of which had only just begun, could go the way of the Baghdad, Kabul or Palmyra museums, or the Bamiyan Buddhas. Before long, efforts began to smuggle the most important of the manuscripts out of Timbuktu and to somehow get them to safety in Bamako, the capital of Mali. The story of how this was done forms the narrative backbone of The Book Smugglers of Timbuktu, which consequently reads like a sort of Schindler’s list for medieval African manuscripts, “a modern day folk tale that proved irresistible, with such resonant, universal themes of good versus evil, books versus guns, fanatics versus moderates”.

(12) JUST THE FACTS. How well will you do on the Guardian’s twentieth anniversary “Harry Potter quiz: 20 years, 20 questions”?

It’s exactly two decades since the first of JK Rowling’s books was published. Try our Nastily Exhausting Wizarding Test to see how much you have learned since then.

I got 8/20, which is better than I usually do on internet quizzes.

(13) NO JUSTICE. There’s a reason CBS never greenlighted its Justice League series, even if it did include the Green Lantern. ScreenRant says, actually, there are fifteen reaons why…. “15 Things The Unseen Justice League TV Pilot Got Wrong”.

You’d be hard pressed to find a comics or cinema fan not aware of the highly anticipated Justice League film due this November. What many of these fans might not know is that this is actually the second attempt at adapting DC Comics premiere super team – with the feature-length pilot for a CBS Justice League of America TV series pre-dating it by a whole decade!

The reason why most people are oblivious when it comes to the Justice League pilot is simple: it never aired in the United States (although it did see the light of day on some international networks). The rationale behind the CBS executives’ decision to bury the pilot is even simpler: it’s… uh, not very good (like, at all).

The worst of all was its –

  1. Mockumentary-style Interviews

Another “surprisingly ahead of its time” aspect of the Justice League pilot gone horribly wrong is its inclusion of mockumentary-style, to-camera interviews intercut through the episode.

Ever since The Office popularized the mockumentary format in TV comedy, there have been plenty of imitators with little interest in accurately simulating its “real-world” mechanics (looking at you, Modern Family). But way before any of these – heck, before The Office itself! – the Justice League pilot was completely throwing any sense of verisimilitude out the window entirely!

Think about it: who is filming these interviews? How come they know our heroes secret identities? Why isn’t the rest of the show shot like a documentary? These questions and more immediately come to mind as soon as the first interview cut-away rolls around, but those looking for answers shouldn’t get their hopes up.

(14) EVERY VOTE A SURPRISE. Tpi’s Reading Diary shares “My Hugo award votes 2017 part 1: novellas” and says Seanan McGuire’s story is in first place on his ballot.

Every Heart a Doorway by Seanan McGuire Young teenagers, mostly girls, have gone to alternative worlds where they felt at home. The alternative worlds are mostly different, some are fantasy lands, others are based on logic, some are based on some kind of horror motive, and so on. In the most cases, the youths felt at home on those worlds. For some reason, some of them have been cast out. Time has moved at a different rate for them in many cases. It might have been years in our world and their parents assumed that their children had been abducted/run out and are most likely dead. The relationships between the children and their parents are usually very strained – and usually they were strained even before the youths went away. The victims are gathered to a special school, which is run by an old woman who herself had the same fate as a teenager. She looks middle-aged but is possibly much older. A young girl goes to the school. Soon other pupils start to die – gruesomely. The other pupils naturally first have some suspicion toward the new pupil, especially as she comes from a world where death himself is an important figure. A pretty good story with a new look at what Alice in Wonderland and Narnia (according to the novella, Lewis didn’t really know anything, he just used stories he had heard – badly) might actually mean. A nice and interesting story, with unusual characters and excellent writing.

(15) WHATEVER. Two tweets make a post – is that a metric thing? John Scalzi and Dan Wells make merry on the last day of a con — “In Which I Trespass Against Dan Wells at Denver Comic Con, and He Exacts His Fitting Revenge, a Tale Told in Two Tweets”.

(16) BAD TO THE BONE. BBC Trending gleefully explains “Why coders are battling to be the… worst”

Why have computer programmers on Reddit been battling it out to make volume control as bad as possible?

[Thanks to JJ, Cat Eldridge, Cheryl S., John King Tarpinian, Joe Stech, and David Langford for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]