Pixel Scroll 5/23/23 I Had A Pixel Scroll About An Hour Ago, And It Went Right To My Head

(1) HOW PROZINES ARE COPING WITH SUBMISSIONS PRODUCED BY AI. The Dark, edited by Sean Wallace, is another sff publication being sent a lot of AI-written stories. They’ve adopted a policy in response:

Meanwhile, Matthew Kressel, designer of the Moksha Submissions System used by many sff publications, told Facebook readers today he will “soon be releasing a set of tools for Moksha to allow editors to easily filter AI-generated submissions. Yes, it relies on author affirmation that the work is wholly their own, but to affirm otherwise would be plagiarism. Gotta start somewhere.”

(2) STATEMENTS FROM AUTHORS ORGANIZATIONS. In the UK, the Society of Authors discusses the challenges of “Protecting copyright and creative careers in the face of new technology” in its statement on “Artificial Intelligence” which begins —

Whatever your area of work, whether you are an academic, an illustrator, a poet, a scriptwriter or a translator (to name a few), AI systems are being trained on existing copyright-protected works (input) and these same systems are being used to generate works ‘in the style of’ those existing works (output).

The AI development race is opaque, unfettered and unregulated, and driven primarily by the profit motives of large corporations, despite some likely adverse impacts. The ethical and moral ramifications of these AI systems are complex, and the legal ramifications are not limited to the infringement of copyright’s economic rights, but may include infringement of an author’s moral rights of attribution and integrity and right to object to false attribution; infringement of data protection laws; invasions of privacy; and acts of passing off.

And these aren’t issues for a hypothetical future….

And in the U.S., The Authors Guild discusses the problem in its advocacy article about “Artificial Intelligence”.

Artificial intelligence machines capable of generating literary and artistic works and performing other fantastical tasks that were once “science fiction” are at our doorstep. Today, commercial AI programs can already write articles, compose music, and render images in response to text prompts, and their ability to do these tasks is improving at a rapid clip. A wide assortment of tools to help writers write are commercially available today and show great potential to expedite and improve many writers’ output. At the same time, once AI is writing good books on its own (which is not so far off), it threatens to crowd the market for human authored books.

AI-generated literary and artistic works, even in their most impressive form, are essentially mimicry of human expressive works. AI generative technologies (i.e, AI machines that are used to generate output) are “trained” on mass amounts of pre-existing works (e.g., text, images, recorded music), where the copied works are broken down to their components and rules and their patterns deciphered. The consumer facing AI machines available to date have been trained on works copied by internet crawlers without licenses or permission.

While AI-generated works might look or sound like human-created works, they lack human intelligence and feeling. AI cannot feel, think, or empathize. It lacks the essential human faculties that move the arts forward. Nevertheless, the speed at which AI can create artistic and literary works to compete with human-authored works poses a significant threat to both the economic and cultural value of the latter.

We are confronting serious policy issues about the future of creativity: Do we want humans or AI creating our literature and other arts?…

(3) SUDOWRITE ADVOCATE WILL DROP TWITTER. S. B. Divya, whose promotion of Sudowrite’s “Story Engine” on Twitter met with much criticism, announced yesterday that she will be leaving the platform.

(4) MEDICAL UPDATE. “YouTube star Hank Green reveals Hodgkin’s lymphoma diagnosis” reports Deseret News. Green has also written sff novels.

YouTuber and author Hank Green announced that he has been diagnosed with Hodgkin lymphoma in a YouTube video last week.

In the video, Green recounted his diagnosis, saying it all started when “I noticed my lymph nodes were big.” After consulting with his doctor, getting an ultrasound and undergoing a biopsy, Green was given a diagnosis. According to Green, it was “good news, bad news.”

“One, it’s cancer. It’s called lymphoma. It’s cancer of the lymphatic system. And good news, it’s something called Hodgkin’s lymphoma,” Green said. “It’s one of the most treatable cancers. It responds very well to treatment. The goal is cure. The treatment to get there is fairly well-known, if unpleasant.”…

(5) FAIR USE CASE. “After the Warhol Decision, Another Major Copyright Case Looms” – the New York Times briefed readers about a fair use decision and whether it will affect forthcoming litigation.

…Last week, the Supreme Court resolved a major copyright dispute involving a Warhol that many experts thought would have a spillover effect on other cases, including a pair involving Prince that are currently playing themselves out in federal court in New York.

But in the end, the court’s Warhol decision appeared to be fairly narrow, the experts said, as the justices did not so much weigh in on how much of another work an artist can copy, but ruled instead on what sort of use such a work can be put to.

Warhol, who died in 1987, had created a series of silk-screen portraits of the rock star Prince that were based on a photograph of the musician taken by Lynn Goldsmith. One of the silk-screens was licensed by his estate to Condé Nast in 2016 to illustrate the cover of a special issue about the musician’s legacy.

When Goldsmith sued, asserting her copyright had been infringed, the Warhol estate argued that it was entitled to the so-called fair-use defense. The estate’s lawyers suggested that Warhol’s treatment of the image, which was colored, cropped and shaded in certain places, had been “transformative,” a term the courts have adopted to define just how much change the appropriating artist must bring to the underlying work to pass muster.

Many thought the latest Supreme Court decision might more clearly delineate what qualifies a work as transformative. But the justices chose instead to focus on how the Warhol portrait had been used, namely to illustrate an article about the musician. The court found that such a use was not distinct enough from the “purpose and character” of Goldsmith’s photo, which had been licensed to Vanity Fair years earlier to help illustrate an article about [the musician] Prince….

… Brian Sexton, a lawyer for [artist] Richard Prince, said the Supreme Court, in its Warhol decision, “went to great pains” to make clear that its findings were “limited to a single licensing dispute.”

“As Richard Prince makes individual paintings and does not license his works, the holding in Warhol is clearly inapplicable to his New Portraits litigation,” he said….

(6) OCTAVIA BUTLER FELLOWSHIP AWARDED. Dr. Lois Rosson is the winner of the second Octavia E. Butler Fellowship, which will support her work at the Huntington in Pasadena, CA. “Introducing the 2023–24 Huntington Fellows”.

Dr. Lois Rosson

Among the incoming cohort of fellows is Lois Rosson, winner of the Octavia E. Butler Fellowship. She received her Ph.D. from the history department of the University of California, Berkeley, in 2022 and took up a Berggruen Institute Fellowship at USC’s Center for Science, Technology, and Public Life the same year. Rosson is a historian of science, focusing on visual representations of the space environment. Her work has been supported by the Smithsonian’s National Air and Space Museum, Lawrence Livermore National Laboratory, NASA’s Ames Research Center, and The Huntington, where she was awarded a short-term fellowship in 2020.

As the second Butler Fellow at The Huntington, Rosson will develop her first book project, which explores why visual tropes that associated outer space with Western frontier expansion persisted into the late 20th century. At no point in this history, she argues, was the framing of space landscapes as topographies ideologically continuous with American Manifest Destiny an obvious or inevitable outcome. How then, she asks, did this perception become so dominant?

Rosson proposes two conceptual alternatives to depictions of space as a landscape couched in colonialist narrative. The first centers on Afrofuturist representations of outer space as a realm to which inhabitants of Earth can hypothetically flee—as opposed to landscapes characterized by prospective settlement or colonial resource extraction. The second compares representations of Latinx farm workers in midcentury California with visions of the labor-free space colonies developed by NASA at the time.

Rosson plans to spend her time principally working with The Huntington’s Octavia E. Butler Papers. Butler’s literary vision of space as a place of asylum, Rosson writes, is one of the most widely read of the 20th century. In Butler’s novel Parable of the Sower, the protagonist, Lauren Oya Olamina, frustrated with life in dystopian California, compares Mars—“cold, empty, almost airless, dead”—to heaven. In Olamina’s view, the Martian landscape is not an especially inviting one, but it offers the prospect of escaping a planet characterized by degraded human life and violent climate catastrophe. At The Huntington, Rosson will focus on Butler’s ideas about how life in space should be organized as well as her upbringing in Pasadena and proximity to NASA’s Jet Propulsion Laboratory.

Along with representations of space as a realm of noncorporate diaspora, Rosson explores the centrality of agricultural production to the large-scale space station designs that emerged in the 1970s and ’80s. While illustrations of these space stations depicted fully populated colonies set against the pastoral landscapes of fully engineered agricultural systems, the labor required to maintain these environments is never depicted. Rosson plans to compare depictions of agricultural production in space with the idealized versions circulated in 20th-century American print culture, which erased most traces of human labor. She argues that images of California citrus and vegetable farming—like those illustrated on lithographed labels held in The Huntington’s Jay T. Last Collection of Graphic Arts and Social History—function as visual precursors to the inert versions eventually depicted in illustrations of futuristic space stations in the early 1970s, a time when the rights of immigrant farm workers became increasingly visible in the United States.

(7) LOOKING BACK. Sam Reader embarks on a story-by-story commentary on a milestone David G. Hartwell anthology. “Dissecting The Dark Descent: Stephen King’s ‘The Reach,’ and Why Reading Order Matters” at Tor.com.

In 1987, editor David G. Hartwell embarked on a massive undertaking.

Through conversations, panels, and a variety of correspondence, he came to realize the horror genre was at something of a turning point. A lot of horror writers and critics, when they cited their influences and favorite works, tended to favor short stories over longer forms of horror. In fact, a lot of the works that drove horror history appeared to be short stories. After much thought, he compiled what he felt was a definitive work on shorter horror at the crossroads of the genre; The way forward being paved by novels, the previous history built upon the foundation of short stories. It was meant as an all-encompassing paean to dark fiction, to discuss and outline Hartwell’s own thoughts and definitions of the genre.

The result was a huge tome titled The Dark Descent, as much a historical and critical work of horror as it was an attempt to codify and collect the best specimens of short horror stories. It’s award-winning, weighty in both content and size, and looms large in the collections of horror fans old and new.

That was thirty-six years ago. In the years since The Dark Descent landed with an almighty boom upon our bookshelves, horror has in fact changed quite a bit….

(8) GOING, GOING. Jake Thornton reacts to the bad news in “’My Movie Is Being Removed From Disney+ Or Why Streaming Sucks’” at AllYourScreens.com. The Princess will be taken down May 26.

…Now, as you may have already gathered from the title of this post, I have some rather disheartening news to share. The movie that my dear friend Ben and I co-wrote, The Princess, is being removed from popular streaming platforms such as Hulu and Disney+. A decision made in the pursuit of cost-saving measures….

… Here is an article from Variety that provides further insight into this unfortunate development.

To be completely honest, Ben and I are both profoundly saddened by this turn of events. As Ben aptly expressed in his recent tweet, “After 25 years in LA, I finally had a movie that I’m proud of. Now, it could vanish forever…”

And indeed, that is the harsh reality we are faced with. Ben and I have dedicated countless hours to this industry, tirelessly honing our skills as writers. For 15 years, we have toiled together, overcoming numerous obstacles in the pursuit of our dreams. Finally, in 2014, our hard work paid off, and we broke into the industry. Yet, it took an additional seven long years before one of our projects was brought to life. The Princess was that project. Finally! We had achieved something remarkable—an offering for the world to experience. A piece of work that I could proudly share with my future grandchildren. Something to present to those who ever questioned my abilities as a screenwriter, proving that I had indeed left a mark on the world.

However, in an effort to cut costs, Disney has chosen to withdraw The Princess, along with several other films and shows, from their streaming services. This is reminiscent of a similar situation last year when David Zaslav, CEO of Discovery, removed a multitude of shows from HBO Max and even decided against releasing Batgirl to reduce expenses.

Now, both the creative team behind The Princess and ourselves find ourselves among the victims of such decisions….

(9) FEELS MAGICAL. “Vietnam’s Eighth Wonder in ‘A Crack in the Mountain’: Watch First Clip”Variety tells about the new documentary. The movie is being released in the UK and Ireland on May 26.

…Deep in the jungle of central Vietnam lies an underground kingdom. Hang Son Doong, which translates as ‘mountain river cave’ is the largest cave passage in the world and a place of beauty. Located in the Phong Nha-Ke Bang National Park in Quang Binh Province, the cave entrance was first discovered in 1990 by a local farmer. But it wasn’t explored until 2009 when a British expedition team rigged ropes and descended.

Often described as the eighth wonder of the world, Son Doong has its own lake, jungle and a unique weather system, and remained undisturbed for millions of years. However, in 2014, Son Doong’s future was thrown into doubt when plans were announced to build a cable car into the cave. With many arguing that this would destroy the cave’s delicate eco-system and the local community divided over the benefits this development would bring, the film follows those caught up in the unfolding events….

(10) MEMORY LANE.

2005[Compiled by Cat Eldridge.]

Joe Hill’s the son of Stephen King. I’ve met him several times, and yes he looks like his father. He’s every bit as friendly and charming as his father is in person. Lovely family they are.

Our Beginning is that of “Voluntary Committal” which was published by Subterranean Press eighteen years ago.

I don’t know who I’m writing this for, can’t say who I expect to read it. Not the police, anyway. I don’t know what happened to my brother, and I can’t tell them where he is. Nothing I could put down here would help them find him. 

And anyway, this isn’t really about his disappearance… although it does concern a missing person, and I’d be lying if I said I didn’t think the two things had anything to do with each other. I have never told anyone what I know about Edward Prior, who left school one October day in 1977, and never arrived home for chili and baked potatoes with Mom. For a long time, the first year or two after he vanished, I didn’t want to think about my friend Eddie. I would do anything not to think about him. If I passed some people talking about him in the halls of my high school—I heard he stole his momma’s weed and some money and ran away to fuckin California!—I’d fix my eyes on some point in the distance and pretend I was deaf. And if someone actually approached and asked me straight out what I thought had happened to him—now and then someone would, since we were known compañeros—I’d set my face into a rigid blank and shrug. “I almost think I care sometimes,” I said.

Later, I didn’t think about Eddie out of studiously formed habit. If anything happened by chance to remind me of him—if I saw a boy who looked like him, or read something in the news about a missing teen—I would instantly begin to think of something else, hardly aware I was even doing it. 

In the last three weeks, though, ever since my little brother Morris went missing, I find myself thinking about Ed Prior more and more; can’t seem, through any effort of will, to turn thoughts of him aside. The urge to talk to someone about what I know is really almost more than I can bear. But this isn’t a story for the police. Believe me, it wouldn’t do them any good, and it might do myself a fair amount of bad. I can’t tell them where to look for Edward Prior any more than I can tell them where to look for Morris—can’t tell what I don’t know—but if I were to share this story with a detective, I think I might be asked some harsh questions, and some people (Eddie’s mother, for example, still alive and on her third marriage) would be put through a lot of unnecessary emotional strain.

And it’s just possible I could wind up with a one-way ticket to the same place where my brother spent the last two years of his life: the Wellbrook Progressive Mental Health Center. My brother was there voluntarily, but Wellbrook includes a wing just for people who had to be committed. Morris was part of the clinic’s work program, pushed a mop for them four days out of the week, and on Friday mornings he went into the Governor’s Wing, as it’s known, to wash their shit off the walls. And their blood. 

Was I just talking about Morris in the past tense? I guess I was. I don’t hope anymore that the phone will ring, and it will be Betty Millhauser from Wellbrook, her voice rushed and winded, telling me they’ve found him in a homeless shelter somewhere, and they’re bringing him back. I don’t think anyone will be calling to tell me they found him floating in the Charles, either. I don’t think anyone will be calling at all, except maybe to say nothing is known. Which could almost be the epitaph on Morris’s grave. And maybe I have to admit that I’m writing this, not to show it to anyone, but because I can’t help myself, and a blank page is the only safe audience for this story I can imagine.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 23, 1909 Robert Thomas Maitland Scott Jr., 1909 – 1945. Son in a father-and-son writing team who created The Spider, a pulp character who was clearly a rip-off of The Shadow. They wrote only the first two Spider novels before it was written by various house authors though it’s disputed if Scott Jt. had an uncredited role because the SF element in the series clearly reflect his tastes. He would die in a motor vehicle while on active duty with Royal Canadian Army Service Corps. (Died 1945.)
  • Born May 23, 1921 James Blish. What was his best work? Cities in FlightA Case of Conscience? I’d argue it was one of those works. Certainly it wasn’t the Trek novels. And I hadn’t realized that he wrote one series, the Pantropy series, under a pen name, that of Arthur Merlyn. (Died 1975.)
  • Born May 23, 1933 Margaret Aldiss. Wife of Brian Aldiss. She wrote extensively on her husband’s work including The Work of Brian W. Aldiss: An Annotated Bibliography & Guide. He in turn wrote When the Feast is Finished: Reflections on Terminal Illness, a look at her final days. She also co-edited the A is for Brian anthology with Malcolm Edwards and Frank Hatherley. (Died 1997.)
  • Born May 23, 1935 Susan Cooper, 88. Author of the superb Dark is Rising series. Her Scottish castle set YA Boggart series is lighter in tone and is just plain fun. I’d also recommend her Dreams and Wishes: Essays on Writing for Children which is quite excellent.  The Grey King, part of The Dark is Risk series, won a Newbery, and she received a Lifetime Achievement Award from the World Fantasy Convention.
  • Born May 23, 1942 Zalman King. OK he’s best known for The Red Shoe Diaries which are decidedly not genre and indeed are soft core erotica but even that isn’t quite true as some of the episodes were definitely genre such as “The Forbidden Zone” set in a future where things are very different, and “Banished” which deals with an Angel now in mortal form all on Earth. I’m betting there’s more fantasy elements but I need to go through sixty episodes to confirm that. Denise Crosby appeared in two episodes of the Red Shoe Dairies playing the different characters, Lynn ‘Mona’ McCabe in “The Psychiatrist” and Officer Lynn ‘Mona’ McCabe in “You Have the Right to Remain Silent”. Zalman himself played Nick in “The Lost Ones” episode on The Land of The Giants and earlier was The Man with The Beard in the Munsters episode of “Far Out Munsters”. His final genre acting gig was on The Man from U.N.C.L.E. as Gregory Haymish in “The Cap and Gown Affair”. (Died 2012.)
  • Born May 23, 1967 Sean Williams, 56. Australian author who has been the recipient of a lot of Ditmar and Aurealis Awards. And I mean a lot. Most of his work has been co-authored with Shane Nix (such as Emergence and Orphans series, Star Wars: New Jedi Order novels) but I’d recommend The Books of the Cataclysm series wrote solely by him as it’s most excellent. He’s deeply stocked at the usual digital suspects.
  • Born May 23, 1986 Ryan Coogler, 37. Co-writer with Joe Robert Cole of Black Panther which he also directed. He directed Black Panther: Wakanda Forever. Producer, Space Jam 2, producer of the Wankanda series on Disney+. Black Panther was a Hugo finalist at Dublin 2019: An Irish Worldcon, the year that Spider-Man: Into the Spider-Verse won. 

(12) ‘BLOOM COUNTY’ – A BETTER FAREWELL. When the Bloom County comic originally closed its run in 1989 Mark Roth-Whitworth thought he could improve on the way it ended. “For something different: a Bloom County end”.

A long time ago, a comic strip ended: Bloom County. A lot of us were unhappy, but I also thought that there could have been a better ending… so I wrote one.

Star Date 93350.09 Captain’s Log of the Starchair Enterpoop, Helmsman and now commanding officer Binkley recording.

It seems that our long mission has come to an end. Apparently, we have been successful….

(13) CYBERWARFARE. [Item by Francis Hamit.] This one should interest military SF fans and gamers. “The Cyber Crucible: Eastern Europe, Russia, and the Development of Modern Warfare” at Army University Press.

This is a reprint of Chapter 9 from Perceptions Are Reality: Historical Case Studies of Information Operations in Large-Scale Combat Operations, part of The Large-Scale Combat Operations Series.

 …In February 2013, General Valery Gerasimov, Russia’s Chief of the General Staff (comparable to the US Chairman of the Joint Chiefs of Staff), published an article titled “The Value of Science is in the Foresight,” in the weekly Russian trade paper Military-Industrial Kurier. In it, Gerasimov suggested that the “very ‘rules of war’ have changed,” and that in many cases, nonmilitary means have exceeded the power and force of weapons in their ability to effect change on the international stage.2 Gerasimov argues that new technologies have reduced gaps between traditional forces and their command and control, though also noting that “frontal engagements of large formations of forces at the strategic and operational level are gradually becoming a thing of the past.”3 The future, Gerasimov suggests, lies in “contactless actions”—made through cyber or other electronic means—being used as the main means of military or intelligence goals. This belief—that traditional military interactions are giving way to newer and subjectively more effective indirect interactions via computers and electronics—has been dubbed by some as the Gerasimov Doctrine…..

(14) MIGHTY MUSCLES. “The Best Hercules Movies”. Is there such a thing? Fans who read Ranker think so.

Over the years, there have been many memorable movies about Hercules that have captivated audiences worldwide. Some examples include the groundbreaking 1958 Italian film Hercules, starring bodybuilder Steve Reeves; Disney’s beloved animated feature Hercules (1997), which boasts an unforgettable soundtrack; and Dwayne “The Rock” Johnson’s action-packed performance in Hercules (2014). Each film offers its own unique perspective on the life and legend of one of Greece’s most iconic heroes, with stunning visuals, thrilling action sequences, and engaging storytelling.

Now it’s your turn to let us know which Hercules movies stand out as the best among this legendary lineup. We invite you to vote on your favorite films featuring this mighty mythical hero. Together we’ll determine which movies truly capture the essence of Hercules’ strength, wisdom, and enduring popularity across generations. So grab your lion-skin cloak and club – it’s time to dive into the world of Hercules like never before.

Number one on the list is actually a sequel:

Hercules Unchained (1959)

In this timeless sequel, we’re treated to the unstoppable Steve Reeves as he takes on the role of Hercules, flexing his muscles and captivating audiences with his charm. With a gripping storyline that has him breaking free from an evil queen’s clutches, it’s no wonder this film became a hit, making Reeves a household name and cementing his status as a beloved hero in cinematic history.

(15) NEW ESTIMATE AS TO HOW OLD ARE SATURN’S RINGS. [Item by SF Concatenation’s Jonathan Cowie.] There are two main, competing hypotheses: (1) They are ancient and either formed with Saturn or during the late veneer, or… (2) They are young and formed since then. Now data has been analysed from the Cosmic Dust Analyzer (CDA) on the Cassini spacecraft, which began orbiting Saturn in July 2004 until end of mission in September 2017. Continuous bombardment by non-icy micro-meteoroids from beyond the Saturnian system is a source non-icy material in Saturn’s rings. Knowing that rate of micro-meteor accumulation in the rings and knowing how much is the non-icy component to the rings, it is possible to estimate the age of the rings.  Using CDA data European and US based astronomers estimate that the rings’ age is between around 100 million and 400 million years: hypothesis ‘2’. This estimate chimes in with a previous one using a different method. (See  Kempf, S. et al. (2023) “Micrometeoroid infall onto Saturn’s rings constrains their age to no more than a few hundred million years”. Science Advances, vol. 9 (19), eadf8537.)

(16) TIMEY WIMEY. Vice’s article “Black Holes Might Really Be Giant Structures Made of Spacetime, Physicists Propose” seemed a lot easier to understand when I imagined David Tennant reading it to me.

Black holes might really be strange defects in spacetime called topological stars that are generated by hidden cosmic dimensions, reports a new study. 

Topological stars are completely hypothetical and only exist as mathematical constructions at this point. However, they have the potential to probe perplexing paradoxes of the cosmos, including the true nature of black holes and the mind-boggling ideas raised by string theory, a framework that attempts to reconcile seemingly contradictory physical laws into a unified theory. 

String theory proposes that particles in the universe are actually vibrating strings tethered to many extra dimensions that are imperceptible to us. Scientists at Johns Hopkins University (JHU) have worked for years to envision the objects and phenomena that might exist in such a universe, including topological stars, or topological solitons, which are bubbles of nothing that form in the fabric of spacetime. 

Now, the team has used simulations to show that topological solitons would appear “remarkably similar to black holes in apparent size and scattering properties, while being smooth and horizonless,” according to a recent study published in Physical Review D. In other words, the hypothetical objects would look almost exactly like black holes from our perspective, raising the tantalizing possibility that they may actually lurk in our universe.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, SF Concatenation’s Jonathan Cowie, Jeffrey Smith, Francis Hamit, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Charon D.]

Pixel Scroll 5/8/22 So Let’s File A Scroll Of Cheer Again, Happy Tweets Are Here Again

(1) BAFTA TV. Today’s BAFTA TV Awards 2022 winners predictably had almost no genre presence because there were very few sff nominees. (Even the new Doctor Who, Ncuti Gatwa, lost – as a nominee in the Male Performance in a Comedy Programme for his role in the non-genre series Sex Education.) The one oasis in this desert, however, is that the International category winner was The Underground Railroad. (The complete list of award recipients is here.)

(2) 1977. Connie Willis recounted her experience seeing Star Wars for the first time in a post for Facebook readers.

…And the story was pure science-fiction, with its brave, naive young hero and feisty heroine, who were straight out of Robert A. Heinlein, to the tough but heart-of-gold mercenary Han Solo who was straight out of The Three Musketeers. And the garbage compactor and the Millennium Falcon and the Death Star and that great tie-fighter battle, which was straight out of every war movie I’d ever seen. And Chewbacca and Obi Wan Kenobi and the tie-fighters and the Sand People and the great lines which promptly became part of my family’s language and still are to this day: “Use the Force, Luke,” and “Don’t get cocky, kid,” and “I’d sooner kiss a wookie,” and “Aren’t you a little short to be a stormtrooper.”…

(3) 1982. The end of the first Star Wars trilogy is not nearly as romantic in retrospective: “How the California forest that starred as Endor in ‘Star Wars’ was obliterated” at SFGate.

…Months after the “Star Wars” shoot was over, the logging company did what it did best and clear-cut the entire area. Endor is no more. 

“Except, you can visit the grove where the speeder chase scene was shot,” clarified Nate Adams, deputy director of the Humboldt-Del Norte Film Commission.

Protected in perpetuity within a state park in Humboldt County are the remaining shreds of Endor. The Film Commission highlighted the area in its “Map of the Movies” for a self-guided tour through the two northern counties. 

“It’s off Highway 36 in Grizzly Creek State Park along the Cheatham Grove path,” Adams said. “When you go there, you’ll recognize some of the fallen trees close to the trailhead. I was there last year to help with the Jeff Goldblum show and immediately recognized trees 40 years later.”

As detailed in its harvesting plan, the logging company had already scheduled to clear-cut the area where Endor once stood and it was set for destruction well before filmmakers expressed an interest to shoot there. Mario D. Vaden, an arborist and longtime photographer of Redwood National Park, thinks this was a missed opportunity.

“Had somebody been able to foresee the popularity and success of ‘Star Wars,’ it would have been crazy not to save the grove where Endor was made and use it as a tourist venue,” he said. “In the same way the Trees of Mystery have their attraction, it would have been world-famous.”

Endor may have been nearly obliterated, but Perry said that its legacy lives on where you least expect it. 

“The logging company was in the commercial market and a lot of the Miller Redwood products became decking material in the Bay Area,” he said. “So people could be walking on decks that are made from ‘Star Wars’ sites.”…

(4) TWO HWA INTERVIEW SERIES. The Horror Writers Association is doing two streams of thematic interviews this month, Jewish Heritage in Horror and Asian Heritage in Horror. Here are excerpts of two recent posts.

What was it about the horror genre that drew you to it?

Again, I blame my parents. I’m dating myself, but I recall my Dad taking me to see ALIEN and I was just blown away on so many levels. I loved its artistry. I loved its world. I loved its darkness. Been hooked ever since. I recall seeing Stephen King’s NIGHT SHIFT at the bookstore … the one with the hand wrapped in gauze with the eyes poking through … and bought it and stayed up late reading it. I then scoured everything I could find of his. My dad also brought me issues of TWILIGHT ZONE and CEMETERY DANCE that we’d read and talk about. Meanwhile, my mom handed me a hardcover of a then new writer named Anne Rice. INTERVIEW WITH THE VAMPIRE opened up so many worlds. I wouldn’t be doing this without my folks. Happy as can be about it, too

What has writing horror taught you about the world and yourself?

Horror is everywhere, in the fabric of the everyday. Some people don’t want to face what makes them afraid or uneasy, but I’d rather look at it face on. The unknown is always worse than the known.

It’s taken me a long time to realise why I like horror and it’s only through writing it that I understand why. When I write about the painful things in my life, I find horror and the fantastic an easier way of processing them. The reality of suffering is truly terrible. It’s real-life dramas about terrible events or experiences that I struggle to watch or read about. I find them easier to consider when cloaked in the fantastic and horrific than when looked at directly. It abstracts them.

(5) NAMES TO CONJURE WITH. Mashable’s list of “11 incredible women sci-fi authors you need to read” begins with N.K. Jemisin, Kameron Hurley, and Joanna Russ.

…The writers that follow vary widely in subject matter and approach. Some hew closely to reality, while others let their minds take them on theoretical journeys to the ends of time and space. Some deliver gritty action and adventure, while others use a defter, more exploratory touch. They’re all absolute masters, though, and your reading list deserves to have them on it. Without further ado, here are 11 women sci-fi authors you need to read…

(6) DEFENDING SFF. Big Think’s Jonny Thomson unpacks one of J.R.R. Tolkien’s essays: “Tolkien on the importance of fantasy and science fiction”.

Sub-creation

The snobbery of those who look down on fantasy has a long pedigree — so much so that, in 1947, J.R.R. Tolkien felt the need to defend the genre in his work, “On Fairy-Stories.” For Tolkien, fantasy and fairy stories are not simply stories about fairies. They are stories that take place in a land of fairies. They exist in their own created land, where any number of wondrous things can happen, but they are always treated with the utmost seriousness by the reader. To enter Faërie is not to enter a world of simple make-believe; instead, we perform an act of “sub-creation,” in which we form a world within our wider “reality.”

This imaginary world we create always will go beyond the words given to describe it. The fantasy realm “cannot be caught in a net of words; for it is indescribable.” Words alone will never be able to conjure up a fully realized land of magic. For this, we need the ability to sub-create. When we sub-create a world, we “make a Secondary World which the mind can enter.” This world has its own internal logic, laws, and systems. We see, feel, and live in this world in a way far beyond the words on a page can alone provide. We color in background details and add sights, smells, and wonders that go beyond the narrow bounds of the words in the book. It is why movie adaptations can feel so hollow, at times.

(7) DAN DECKERT (1952-2022). LASFS member Dan Deckert, who moved with his family from LA to the Midwest decades ago, died May 8. His wife Danise announced that he passed away after several days in the ICU with major health problems. During Dan’s time as an active LASFSian, he served terms as President and on the Board of Directors, and chaired the club’s annual Loscon in 1982. His financial donations to the club were acknowledged by making him a “Patron Saint”, celebrated the twelfth meeting of each year. He produced a couple hundred issues of his fanzine Entropy for the club’s weekly APA-L. He also was a director of the conrunning organization SCIFI which hosted many cons, including the 1996 Worldcon of which he was a division head. Since Dan’s retirement a few years ago he began to volunteer in fandom again, working on a program track for Worldcon 76 in 2018.

(8) MEMORY LANE.

1969 [By Cat Eldridge.]  Sir Harry Paget Flashman VC, KCB, KCIE., 1822 – 1915

I grant he’s not even genre adjacent, but I’ll give you a tale in a minute that makes it relevant to us. Harry Flashman appears in a series of 12 George MacDonald Fraser’s books collectively known as The Flashman Papers. If Flashman had a birthday, the author says it would have been earlier this week, May 5. The first novel, Flashman, was published in 1969 and many readers here in the States thought it was a work of non-fiction.

The books centre on the exploits of Harry Flashman. He is a cowardly British soldier, rake and just generally disreputable character who is placed in a series of real historical incidents between 1839 and 1894. It must be noted that despite his cowardice and his attempts to flee danger whenever possible, he becomes a decorated war hero and rises to the rank of brigadier-general. 

Royal Flash, a 1975 British film, is based upon the second Flashman novel of the same name. It stars a thirty-two-year-old Malcolm McDowell as Flashman. It was not well received as The Observer noted it left them “breathless not so much with enchantment as with boredom”. Although audience reviewers at Rotten Tomatoes currently give it a rating of sixty-four percent which isn’t bad at all. 

Kage Baker didn’t actually write a Flashman novel, though we talked several times about her doing so, but the bones of one appeared in one of her novels as her sister Kathleen told me that it ended up elsewhere: “Most of her notes she used in her last novel, Not Less Than Gods, which she wrote while she was sick, and that was published as she was dying. As far as I can tell, Kage and I were the only people in the world who liked it. A lot of it was panned because the reviewers didn’t get most of the satire, or hated Edward Alton Bell-Fairfax, or both. Anyway, even if you personally disliked the book, I think you can see the bones of a Flashman novel there.” 

The Green Man reviewer liked it though he had it with a lump in his throat as Kage had just died as he wrote his review.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 8, 1928 John Bennett. A very long involvement in genre fiction starting with The Curse of the Werewolf in the early Sixties and ending forty years later with a role on the Minority Report series. Being a Brit, naturally he appeared on Doctor Who in the prime role of Li H’sen Chang as part of a Fourth Doctor story, “The Talons of Weng-Chiang”. He had roles in Blake’s 7, Watership DownTales of The UnexpectedThe Plague DogsDark MythSherlock Holmes and the Leading Lady (as Dr. Sigmund Freud!), Merlin of The Crystal Cave and The Infinite Worlds of H.G. Wells. (Died 2005.)
  • Born May 8, 1938 Jean Giraud. Better known to y’all as Moebius. He contributed storyboards and concept designs to myriad science fiction and fantasy films including AlienThe Fifth Element, The Abyss and the original Tron film. He also collaborated with avant-garde filmmaker Alejandro Jodorowsky for an unproduced adaptation of Dune. Oh, I would’ve loved to have seen that!  And no, I’m not forgetting his work on both Heavy Metal and Marvel Comics but I’ll let you detail those endeavors. (Died 2012.)
  • Born May 8, 1940 Peter Benchley. He’s known for writing Jaws which we decided last year was genre and he co-wrote the film script with Carl Gottlieb. His novel Beast is definitely genre and was adapted into a film as was White Shark which has absolutely nothing to do with sharks in any form what so ever. Another novel, The Island, was also turned into a film and it’s at least genre adjacent. (Died 2006.)
  • Born May 8, 1947 Susan Casper. Editor and author, married to Gardner Dozois until her death. She published over thirty short stories and essays, including collaborations with Dozois and Jack M. Dann, starting off with “Spring-Fingered Jack”. Her fiction is first collected in Slow Dancing through Time which includes one collaboration with Dozois and one with Jack M Dann. Rainbow: The Complete Short Fiction of Susan Casper which was edited just after her death by her husband is as its title states a complete collection of her short fiction. She was co-editor with him of the Ripper! and Jack the Ripper anthologies She was a much-loved figure at cons. (Died 2017.)
  • Born May 8, 1947 Ron Miller, 75. Illustrator who is quite knowledgeable about the work of astronomical artist Chesley Bonestell. The Art of Chesley Bonestell that he did received a Hugo at ConJosé (2002). The Grand Tour he did with William K. Hartmann Has nominated it at Chicon IV (1982) for Best Related Non-Fiction Book.
  • Born May 8, 1954 Stephen Furst. Stephen is dead; the saddest part of doing these Birthdays is discovering how many folks have died that I reasonably expected were still living. Babylon 5 has had far too many deaths among its cast. He died of complications from diabetes at a far too young age. You know him most likely as Centauri diplomatic attaché Vir Cotto on Babylon 5, a decent being way over his head in a job he was ill-prepared for. He also directed three low-budget movies for the Sci Fi Channel: Dragon StormPath of Destruction, and Basilisk: The Serpent King; he additionally co-starred in the last two films. And he produced Atomic Shark which aired during Sharknado Week on Syfy. (Died 2017.)
  • Born May 8, 1955 Della Van Hise, 67. Author was a prolific Trek fanwriter who later published an official Trek novel, Killing Time which in its first printing implied a sexual relationship between Spock and Kirk. Later printings didn’t include this passage as the copyright holder, Paramount, objected rather strongly according to several sources. It’s available at all the usual digital suspects.
  • Born May 8, 1967 John Hicklenton. British illustrator also known as John Deadstock. He worked on 2000 AD characters like Judge Dredd (especially the Heavy Metal Dredd series) and Nemesis the Warlock during the Eighties and Nineties. He also dipped into the Warhammer universe with “Cycles of Chaos” (with writer Andy Jones) in Warhammer Monthly No. 9. (Died 2010.)

(10) LOVE AND FRIENDSHIP. The Reinvented Heart, an anthology on the evolution of partnerships by female and nonbinary authors, is co-edited by Cat Rambo and Jennifer Brozek. The ebook version was released March 10, and a hardcover edition is coming May 31.

What happens when emotions like love and friendship span vast distances — in space, in time, and in the heart?

Science fiction often focuses on future technology and science without considering the ways social structures will change as tech changes — or not. What will relationships look like in a complicated future of clones, uploaded intelligences, artificial brains, or body augmentation? What stories emerge when we acknowledge possibilities of new genders and ways of thinking about them?

The Reinvented Heart presents stories that complicate sex and gender by showing how shifting technology may affect social attitudes and practices, stories that include relationships with communities and social groups, stories that reinvent traditional romance tropes and recast them for the 21st century, and above all, stories that experiment, astonish, and entertain.

Each of its three divisions – Hearts, Hands, Minds – begins with a poem by Jane Yolen. There are stories from Seanan McGuire, AnaMaria Curtis, Lisa Morton, Madeline Pine, Sam Fleming, Felicity Drake, Premee Mohamed, Beth Cato, Naomi Kritzer, Sophie Giroir, Maria Dong, Lyda Morehouse, Devin Miller, Aimee Ogden, Anita Ensal, Fran Wilde, Mercedes M. Yardley, Lauren Ring, Xander Odell, Rosemary Claire Smith, and Justina Robson.

(11) A PAIR TO DRAW TO. Powell Books will present Jeff VanderMeer, author of Hummingbird Salamander, in conversation by Hank Green, author of An Absolutely Remarkable Thing and A Beautifully Foolish Endeavor, on May 11. Begins at 12:00 p.m. Pacific. Register here.

(12) BEWARE! [Item by Mike Kennedy.] These baby (and other) dolls are more the stuff of nightmares than of sweet childhood dreams.

A stretch of beach in Texas gets more than its share of detritus washed in from the Gulf of Mexico due to the arrangement of currents. That’s bad enough, but it seems that quite a few of those pieces of trash turn out to be dolls. Dolls that have undergone extremely creepy transformations while at sea. 

Just ask Jace Tunnell, director of the Mission-Aransas Reserve at the University of Texas Marine Institute.  “Creepy dolls covered in barnacles or missing their limbs keep washing up on Texas beaches” at USA Today. Photos at the link. No photos here!

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Hampus Eckerman.]

Pixel Scroll 2/22/22 Credentials On Your Knee, Pixel, Scroll And Ray

(1) EASTERCON WANTS YOUR DRABBLES. The UK’s national science fiction convention, Eastercon, aka Reclamation 2022, is running April 15-18 at the Radisson Hotel & Conference Centre London Heathrow. Guests of Honor are Mary Robinette Kowal, Phillip Reeve, Tasha Suri and Nicholas Whyte. Here’s how you can join in the fun, wherever you may be.

We wanted to do something a little different with Reclamation and so are resurrecting an age-old fannish tradition of drabbling. Depending on how many we receive, we may make posters to display round the convention, and publish them in the convention readme booklet. We’re looking for tiny, standalone speculative fiction tales, of exactly 100-words each.

What is a drabble?

A drabble is a piece of fiction that is exactly 100 words long, excluding its title. If you imagine a novel to be a full three-course meal, a drabble is more of an amuse-bouche: a single, bite-sized delight that gets your taste buds primed for the next course.

For more information, go to: https://reclamation2022.co.uk/drabbles/

(2) YOUR NEXT TBR. Amal El-Mohtar is back with a batch of reviews in “Otherworldly” at the New York Times.

…Delilah S. Dawson’s THE VIOLENCE (Del Rey, 498 pp., $28) takes place in a post-Covid Florida, on the cusp of a very different pandemic. It’s 2025, and Chelsea Martin lives an apparently idyllic life in a gated community with her wealthy husband, two daughters and small fashionable dog. In reality, Chelsea’s husband is physically and emotionally abusive, and has systematically cut her off from any friends or support systems apart from her cruel and self-absorbed mother. But as a new disease called the Violence spreads — causing brief, individual episodes of amnesiac rage during which the infected beat the nearest living thing to death — Chelsea sees an opportunity to free herself and her daughters….

(3) ROLL ‘EM, ROLL ‘EM, ROLL ‘EM. Head ‘em up and move ‘em out! The Hollywood Reporter says Paramount is determined to have a Star Trek movie for Christmas 2023 but they don’t have a script and no stars are attached to the project. “Why Paramount’s ‘Star Trek’ Sequel Reveal Surprised Its Own Stars”.

On Feb. 15, Paramount (nee ViacomCBS) announced that it would boldly go where it hasn’t managed to go before — a fourth iteration in a stalled 21st century feature strategy for the Star Trek franchise. During the Paramount investor day, producer J.J. Abrams — who rebooted the sci-fi franchise for the big screen in 2009 — revealed that the USS Enterprise was being readied for a new flight. “We are thrilled to say that we are hard at work on a new Star Trek film that will be shooting by the end of the year that will be featuring our original cast,” Abrams said.

The proclamation came as a surprise, not just to observers who have been watching the movie studio haltingly try to revive Trek on the big screen for years but to the actors and their representatives as well.

Sources tell The Hollywood Reporter that most, if not all, teams for the franchise’s primary players — who include Chris Pine, Zachary Quinto, Simon Pegg, Karl Urban, Zoe Saldaña and John Cho — were not aware that an announcement for another film was coming, much less that their clients would be touted as a part of the deal, and certainly not that their clients would be shooting a movie by year’s end. Insiders say that Pine, who plays Captain Kirk, is the first to enter into early negotiations as he is the lynchpin to the project.

The hope is to begin filming in the fall in order to make the Dec. 22, 2023, theatrical release. The script is still being worked on, according to sources, and there is no green light or budget in place. In fact, the budget will now likely have to account for talent deals that may be supersized. Industry insiders say that Paramount let go of negotiating leverage in order to have a key chess piece as it courts Wall Street investors.

(4) CLOSE, BUT NO CIGAR. On the Jeopardy! National College Championship, Friday, Andrew Porter witnessed a contestant miss this one:

Category: Science Fiction

In this “colorful” author’s “An Absolutely Remarkable Thing,” alien sculptures called the Carls pop up all over the Earth.

Wrong question: Who is John Green?

Correct question: Who is Hank Green?

(5) THE INVENTOR OF BOOKS ON TAPE. The Los Angeles Times paid tribute to the late Duvall Hecht, whose daily grind to L.A. led to Books on Tape – he died February 10 at the age of 91.

Duvall Hecht was somewhere between his banking job in Los Angeles and his home in Newport Beach when he realized he’d heard the same song for the third or fourth time. On the news stations, the daily report had grown stale and repetitive. The commercials were numbing and endless.

It was, he told The Times years later, the most “deadly two hours” in his day, a grinding commute devoid of any intellectual stimulation.

In a flurry of entrepreneurial magic, he sold his 1965 Porsche, hired a college drama coach and created what would become volume No. 1 in the soon-to-be-massive Books on Tape catalog, a recording of George’s Plimpton’s football tale, “Paper Lion.”

“It never once seemed like a wacky idea to me,” he said in 2001, shortly after selling his startup to Random House for an estimated $20 million.

Hecht, a man of varied interests, died Feb. 10 at his home in Costa Mesa, his wife, Ann Marie Rousseau, said. He was 91.

… Customers would rent book tapes for 30 days, and since Hecht didn’t charge a deposit, they were on an honor system to return them. For the most part, he said, customers held up their end of the bargain and mailed back the tapes.

(6) MEMORY LANE.

1993 [Item by Cat Eldridge]  

Babylons one, two and three were sabotaged and destroyed. Number four vanished without a trace twenty-four hours after becoming operational. To this day no one knows what happened to it. — John Sinclair to Lyta Alexander in Babylon 5: The Gathering 

Twenty-nine years ago on PTEN, Babylon 5: The Gathering aired, the first of six feature length films that would happen in the franchise. And thus J. Michael Straczynski’s vision of this SF series came to be. This was written by him and directed by Richard Compton who had minor acting roles in Trek’s “The Doomsday Machine” and “The Enterprise Incident”.  Really minor acting roles. 

It was executive produced by Douglas Netter and Straczynski. Netter would between the third and fourth seasons of Babylon 5 found Netter Digital, a CGI special effects company. Unfortunately Straczynski was his only client, so the end of the Babylon 5 related projects such as Crusade meant the end of the company. 

Actual production was by Robert Latham Brown and John Copeland. The former has worked with Mel Brooks, George Lucas, Paul Verhoeven and Steven Spielberg. The latter really hasn’t done anything interesting outside of the Straczynskian universe. 

Babylon 5 always had a sprawling cast and this was no exception — here we had Michael O’Hare, Tamlyn Tomita, Jerry Doyle, Mira Furlan, Peter Jurasik, Andreas Katsulas and Patricia Tallman as the principal performers. 

It is said that following the success of the movie, Warner Bros. Television commissioned the series for production in May of that year, as part of its Prime Time Entertainment Network. The series would go on the air the next air in January. 

The pilot was quite different from the series. For example, Patricia Tallman who played Lyta Alexander here was replaced by Andrea Thompson as Talia Winters but would return later in the series, first as a recurring character and then as a regular. And the First Officer who was Laurel Takashima as played here by Tamlyn Tomita was replaced for the series by Claudia Christian who played Susan Ivanova. 

Straczynski later rejiggered it into a different version which is longer and adds footage that was obviously not seen in the original version including Kosh briefly speaking to Sinclair.

Reception by critics at the time was not overwhelming. The Boston Globe reviewer who saw it said that “Great special effects do not make for great science fiction. Writing is what makes TV series cook. Unfortunately, writing is the single biggest problem haunting Babylon 5.” And Variety said “It’s going to be a close call whether to make “Babylon 5” a series or just leave it as this one-shot telefilm. As a stand-alone, “Babylon 5” falls short of the mark, but it’s a serviceable first episode.”

It currently holds a sixty-eight percent rating among audience reviewers at Rotten Tomatoes. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 22, 1917 Reed Crandall. Illustrator and penciller best known for the Forties Quality Comics‘ Blackhawk (a DC property later) and for stories in myriad EC Comics during the 1950s.  In the late Sixties, he did the illustration work on King Features Syndicate’s King Comics comic-book version of the syndicate’s Flash Gordon strip. He’s been inducted into Will Eisner Award Hall of Fame. (Died 1982.)
  • Born February 22, 1925 Edward Gorey. I’m reasonably sure that his animated introduction to the PBS series Mystery! was my first encounter with him. I will recommend Gorey CatsThe Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas and The Doubtful Guest. Ok if he’s not genre but if he’s still fun and delightfully weird. Oh, and do go read Elephant House: Or, the Home of Edward Gorey, with superb photographs and text by Kevin McDermott. (Died 2000.)
  • Born February 22, 1929 James Hong, 93. Though not quite genre, he became known to audiences through starring in The New Adventures of Charlie Chan in the late Fifties. Genre wise, his first role was in Godzilla, King of the Monsters! voicing Ogata/Serizawa. He then pops up in The Satan Bug as Dr. Yang and next is seen playing Ho Lee in Destination Inner Space. You’ll no doubt recognize Colossus: The Forbin Project where he’s Dr. Chin but I’ll bet you’ve never heard of, oh wait you have, Blade Runner in which he’s Hannibal Chew and Big Trouble In Little China which I love in which he’s wizard David Lo Pan. It’s back to obscure films after that with next up being Shadowzone where he’s Dr. Van Fleet and Dragonfight where he’s Asawa. He’s next in The Shadow as Li Peng and he’s Che’tsai in Tank Girl.  He’s Mr. Wu in the very loose adaption of the classic The Day the Earth Stood Still
  • Born February 22, 1930 Edward Hoch, The lines between detective fiction and genre fiction can be awfully blurry at times. ISFDB listed him but I was damned if I could figure out why considering he’s known as a writer of deceive fiction who wrote several novels and close to a thousand short stories. It was his Simon Ark character who was the protagonist of Hoch’s first published story and who was ultimately featured in thirty-nine  of his stories that made him a genre writer as Ark is the cursed by God immortal doomed to wander forevermore and solved crimes. (Died 2008.)
  • Born February 22, 1937 Joanna Russ. Is it fair to say she’s known as much for her feminist literary criticism as her SF writings? That The Female Man is her best known work suggest my question really isn’t  relevant as there may be no difference between the two. She was for a long time an influential reviewer for Magazine of Fantasy & Science Fiction where I think it would fair to say that you knew clearly what she thought of a given work. (Died 2011.)
  • Born February 22, 1953 Genny Dazzo, 69. She attended the first Star Trek Convention in New York. She was later involved in the local SF con, Lunacon. Moving out to LA, she was on the committee for all of the LA Worldcons as well as many Westercons, Loscons, and AnimeLA. Fan Guest of Honor at DeepSouthCon 31 and Loscon 27 (with husband Craig Miller).
  • Born February 22, 1972 Duane Swierczynski, 50. Though a mystery writer by trade, he’s also worked as a writer at both DC and Marvel on some very impressive projects. He did writing duties on the second volume of time traveling soldier Cable, penned the Birds of Prey as part of The New 52 relaunch and wrote an excellent Punisher one-off, “Force of Nature”.

(8) REMEMBER THE BOSS. Last November, a Mark Twain Signed Copy of A Connecticut Yankee in King Arthur’s Court went for $68,750 at auction. Interestingly, bidding started at only $2,400 – there’s a video but it’s not a very visual experience.

Signed on front pastedown, “Taking the pledge will not / make bad liquor good, but it will improve it. / Mark Twain / Oct / 06.”

(9) SUBGENRES. At CrimeReads, Richard Thomas explains what “New Weird and “hopepunk” fiction are all about in “Time to Discover Your New Favorite Sub-Genre of Fiction”, which you might not have guessed are areas of expertise for an author whose forthcoming collection is titled Spontaneous Human Combustion.

As a reader, and viewer, of contemporary dark stories, I’m most drawn to work that does not sit nicely in the middle of a major genre. I’m drawn to the periphery, the edges, the shadows, and cobwebbed corners. And these three subgenres—neo-noir, new-weird, and hopepunk—all have those traits in common. They are looking to pull us in with techniques, tropes, rules, and histories that are familiar–so we’ll know how to access these works, how to set up our expectations. And then…they subvert those expectations. Not with deus ex machina twists that come out of nowhere, but with unique moments, surprises that feel fated, and endings that are earned. And I think it’s okay to be polarizing, too. As a writer, I’d rather have half my audience hate what I did and the other have love it, then have 90% think it was just okay. And I think the films coming out from A24 and Neon, television shows like Squid Game and Midnight Mass, and books being written by award-winning authors such as Stephen Graham Jones, Usman T. Malik, A. C. Wise, Brian Evenson, and Kelly Robson are doing the same thing. They are honoring the past, pouring themselves into the work, and then taking us someplace new, inspired, and unsettling. And isn’t that why we’re here?…

(10) STAPLEDON ON FILM. Chicago Reader’s Maxwell Rabb praises “Last and First Men”.

Before his untimely death, the prophetic Icelandic composer Jóhann Jóhansson completed his first and final film, exploring a delicate space between the literary and the cinematic for a science fiction classic. Last and First Men is the composer’s reimagined narrative of Olaf Stapledon’s triumphant sci-fi novel by the same name. Jóhansson’s haunting adaptation facilitates a chilling link between two distinct humanities spanning across two billion years…. 

(11) HOME IMPROVEMENT. “Now Witness the Power of This Armed and Fully Operational Space Toilet” – John Scalzi explains his bathroom upgrade at Whatever. How can you not read a post that has such a perfect headline?

Last year Krissy decided that she wanted to upgrade our bathroom suite, and not in just a “new hand towels and shower curtain” way — a whole revamp. I was fine with this, I said, if I got what I wanted out of it: a supercool space age “intelligent toilet” with all the bells and whistles. It took a while, because 2021 was The Year of Supply Chain Issues, but the new bathroom is 90% completed and the Space Toilet is now installed and operational….

(12) THE STARS MY DETONATION. “A supernova could light up the Milky Way at any time. Astronomers will be watching” promises Nature.

Masayuki Nakahata has been waiting 35 years for a nearby star to explode.

He was just starting out in science the last time it happened, in February 1987, when a dot of light suddenly appeared in the southern sky. This is the closest supernova seen during modern times; and the event, known as SN 1987A, gained worldwide media attention and led to dramatic advances in astrophysics.

Nakahata was a graduate student at the time, working on what was then one of the world’s foremost neutrino catchers, the Kamiokande-II detector at the Kamioka Underground Observatory near Hida, Japan. He and a fellow student, Keiko Hirata, spotted evidence of neutrinos pouring out of the supernova — the first time anyone had seen these fundamental particles originating from anywhere outside the Solar System.

Now, Nakahata, a physicist at the University of Tokyo, is ready for when a supernova goes off. He is head of the world’s largest neutrino experiment of its kind, Super-Kamiokande, where upgrades to its supernova alert system were completed late last year. The improvements will enable the observatory’s computers to recognize when it is detecting neutrinos from a supernova, almost in real time, and to send out an automated alert to conventional telescopes worldwide….

(13) THEY CAN DIG IT. [Item by Martin Morse Wooster.] At The Space Review, John Strickland looks at the logistics of Elon Musk’s Mars plans, including Musk’s claim that he will have to take one million tons of stuff to Mars to make the mission work and how large Martian farms would have to be to supply enough food for the mission. “Building Musk’s path to Mars”.

…Partial self-sufficiency depends heavily on two issues: energy production and food production, which itself depends on energy production. In addition, both depend on the ability to build industrial facilities to make fuel and materials, and to construct pressurized habitats to house crew and provide growing areas for food plants.

Most people greatly underestimate the effort it will take to build growing areas and grow food crops on Mars or in space. On Earth, a one-square-kilometer (247-acre) farm gets a maximum of about a one gigawatt of sunlight on a clear day, at noon in midsummer. Much less than this gets to the plants due to clouds, etc., and the plants only use about 1% of what they get to make plant tissue, only part of which is actually edible food. To create one square kilometer of pressurized growing space will require a huge amount of structural materials, and most of that will need to be made locally. Even so, Elon Musk estimates that he will need to transport one million tons of cargo to Mars before a settlement is relatively self-sufficient.

It is important to realize how large the SpaceX cargo capacity to an operating Mars development base will be. Most NASA concepts envision barely enough mass—typically a few tens of tons—to support a crew for one short mission. The high SpaceX mass transport capacity will allow a large amount of industrial equipment to be sent. This would include equipment designed to smelt Mars minerals into metals, alloy them, and then to turn the structural metals into pressurized habitats, drill rigs, and other kinds of equipment. Large amounts of other artificial materials, such as plastics and polymers, will also be produced. Tunnel boring and lining equipment would also be included. Operations will be limited more by manpower than by lack of equipment and supplies.

Musk has a goal of building the large fleet of Starships needed to carry the required amount of equipment and supplies to get a settlement going. If an advanced Starship stage can carry 200 tons of cargo to the surface of Mars, 5,000 trips of such vehicles to Mars would be able to carry the one million tons. Ignoring the prior build-up phase, if he had 500 Starship stages with the tankers to support them, he would be able to transport that much during just ten Mars launch windows or in about 22 years. In actuality, the number of flights would be increasing from year to year, as the 500 stages could carry 100,000 tons during each window, and the existing crew would not be able to handle such a large volume of materials without a carefully planned ramp-up sequence….

(14) BIG BIRD. “Scottish fossil of flying reptile leaves scientists ‘gobsmacked’” says Yahoo!

A fossil jawbone peeking out from a limestone seashore on Scotland’s Isle of Skye led scientists to discover the skeleton of a pterosaur that showed that these remarkable flying reptiles got big tens of millions of years earlier than previously known.

Researchers said on Tuesday this pterosaur, named Dearc sgiathanach, lived roughly 170 million years ago during the Jurassic Period, soaring over lagoons in a subtropical landscape and catching fish and squid with crisscrossing teeth perfect for snaring slippery prey.

Its scientific name, pronounced “jark ski-an-ach,” means “winged reptile” in Gaelic.

With a wingspan of about 8 feet (2.5 meters), Dearc was the Jurassic’s largest-known pterosaur and the biggest flying creature that had inhabited Earth to that point in time. Some pterosaurs during the subsequent Cretaceous Period achieved much greater dimensions – as big as fighter jets. But Dearc shows that this scaling up had its origins much earlier….

(15) RELIEF PITCH ON THE WAY. Ryan George came out with his first Pitch Meeting in a month for a film that isn’t genre (Uncharted Pitch Meeting) and says at the end that he is leaving Screen Rant – but it’s barely an inconvenience! He’s starting his own channel on March 10.

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Encanto,” the Screen Junkies say the newest Disney animated film has “so many characters that even the characters can’t keep up with the characters” and at least the fifth villain in a Disney cartoon named Bruno.  And how did it take Disney this long to find out that capybaras are adorable?

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Chris Barkley, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Brown Robin.]

Pixel Scroll 6/19/19 You’ve Got Mule!

(1) GREEN EYED MONSTER. Elizabeth Bear’s “Jealousy part two: what if it isn’t a friend?” is a public post from her subscription newsletter.

In response to my previous newsletter on dealing with jealousy for the career successes of friends and colleagues, I’ve had a couple of conversations about how one might deal with an even more difficult form of jealousy: jealousy for the successes of people you just can’t stand—or, even worse, who have done you some personal harm. Sometimes abusers, toxic exes, harassers, or people who got you fired go on to have brilliant careers and amass great amounts of personal power.

And that’s a hard thing to take. Especially if, every time you go to an industry event, somebody is telling you how awesome that person is.

If there’s one thing that the #MeToo movement has made evident, it’s that this isn’t a problem unique to publishing. It’s a terrible situation to be in—triggering, traumatizing, and grief-provoking. It can make you doubt your own experience, memories, and senses. It can prove a constant reminder of violation.

It’s also (if there’s another thing the #MeToo movement has made evident) a depressingly common situation.

So how does one deal with it, when one finds one’s self in a situation like that?

(2) BECOMING SUPERMAN. J. Michael Straczynski previews his forthcoming autobiography. Thread starts here.

(3) TWO-COUNTRY PROBLEM. Jiayang Fan profiles Liu Cixin for The New Yorker: “Liu Cixin’s War of the Worlds”

… When the first volume of the series was published in the United States, in 2014, the models for Trisolaris and Earth were immediately apparent. For the Chinese, achieving parity with the West is a long-cherished goal, envisaged as a restoration of greatness after the humiliation of Western occupations and the self-inflicted wounds of the Mao era. As Liu told the Times, “China is on the path of rapid modernization and progress, kind of like the U.S. during the golden age of science fiction.” The future, he went on, would be “full of threats and challenges,” and “very fertile soil” for speculative fiction.

In the past few years, those threats and challenges have escalated, as China’s global ambitions, especially in the field of technology, have begun to impinge upon America’s preëminence.

…As the standoff has intensified, Liu has become wary of touting the geopolitical underpinnings of his work. In November, when I accompanied him on a trip to Washington, D.C.—he was picking up the Arthur C. Clarke Foundation’s Award for Imagination in Service to Society—he briskly dismissed the idea that fiction could serve as commentary on history or on current affairs. “The whole point is to escape the real world!” he said. Still, the kind of reader he attracts suggests otherwise: Chinese tech entrepreneurs discuss the Hobbesian vision of the trilogy as a metaphor for cutthroat competition in the corporate world; other fans include Barack Obama, who met Liu in Beijing two years ago, and Mark Zuckerberg. Liu’s international career has become a source of national pride. In 2015, China’s then Vice-President, Li Yuanchao, invited Liu to Zhongnanhai—an off-limits complex of government accommodation sometimes compared to the Kremlin—to discuss the books and showed Liu his own copies, which were dense with highlights and annotations.

(4) CHANGING EXPECTATIONS. Why didn’t the latest Men In Black movie take off? Is it the chemistry of the leads, the script, or a third cause proposed by The Hollywood Reporter: “‘Men in Black’ and When Spectacle Isn’t Enough”.

There’s another potential explanation as to why Men in Black: International has failed to click with audiences, and it has to do with spectacle. Spectacle has long been a key part of the draw of big-budget Hollywood films. And for a long time, spectacle in terms of what films were using the most cutting-edge technology — had the most lifelike monsters, the most extensive battle sequences and so on — quite often corresponded with what films did well.

Think of a film like Avatar (2009). No one was writing home about the story. In spite of the various box office records it broke, the actual content of the film has left little lasting impression on popular culture in comparison to other comparable box office successes. While Jaws lives on in references like, “you’re gonna need a bigger boat” and the characters of the Star Wars films or the Marvel Cinematic Universe are household names, a lot of people would have a far more difficult time recalling any characters or lines of dialogue from Avatar. And this is because Avatar is the sort of film that reached the heights it did by merit of technical spectacle — immersing the audience in what, for many, was a compellingly photorealistic alien world.

(5) AUDIO FURNITURE. The new Two Chairs Talking podcast, in which David Grigg and Perry Middlemiss talk about sff books and movies, takes its name from the pair’s history as Worldcon Chairs — David: Aussiecon Two; and Perry: Aussiecon Three and co-chair of Aussiecon 4.

The fifth episode, “Episode 5: An Incomplete History of Serious Events”, features guest Leigh Edmonds talking about how he became a historian, and about his project to write a history of science fiction fandom in Australia.  It also features Perry on Greg Egan, and David, as he says, “talking probably for too long about the tv series A Series of Unfortunate Events.

(6) CALLING DOUGHNUT CONTROL. Krispy Kreme is cashing in on the 50th anniversary of the first moon landing by launching a new type of doughnut. (John King Tarpinian, who sent the link, promises he’ll be sticking to his traditional Moon Pie.)

One small bite for man. One giant leap for doughnut-kind! As America prepares for the 50th anniversary of the Apollo 11 moon landing, Krispy Kreme is making a giant leap for doughnut-kind by introducing a whole NEW interpretation of the brand’s iconic Original Glazed. This will be the FIRST TIME Krispy Kreme has offered another version of the Original Glazed Doughnut on the menu PERMANENTLY.

(7) GOAL EXCEEDED. The Dennis Etchison Memorial Fund at GoFundMe raised $5,445 to help Kristina Etchison with costs incurred to have Dennis laid to rest. (The target amount was $4,000.)

(8) TODAY IN HISTORY.

  • June 19, 1954 Them! released on this day.
  • June 19, 1964 The Twilight Zone aired its series finale: “The Bewitchin’ Pool”, penned by Earl Hamner.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 19, 1915 Julius Schwartz. He’s best known as a longtime editor at DC Comics, where at various times he was primary editor for the Superman and Batman lines. Just as interestingly, he founded the Solar Sales Service literary agency (1934–1944) where Schwartz represented such writers as  Bradbury, Bester,  Bloch, Weinbaum, and Lovecraft which including some of Bradbury’s very first published work and Lovecraft’s last such work. He also published Time Traveller, one of the first fanzines along with Mort Weisinger and Forrest J Ackerman. (Died 2004.)
  • Born June 19, 1921 Louis Jourdan. Fear No Evil and Ritual of Evil, two tv horror films in the late Sixties, appear to be his first venture into our realm. He’d play Count Dracula in, errr, Count Dracula a few years later. And then comes the role you most likely remember him for, Dr. Anton Arcane in Swamp Thing which he reprised in The Return of Swamp Thing. Definitely popcorn films. Oh, and let’s not forget he was Kamal Khan, the villain in Octopussy! (Died 2015.)
  • Born June 19, 1926 Josef Nesvadba. A Czech writer, best known for his SF short stories, many of which have appeared in English translation. ISFDB lists a number of stories as appearing in English and two collections of his translated stories were published, In The Footsteps of the Abominable Snowman: Stories of Science and Fantasy and Vampires Ltd. : Stories of Science and Fantasy. Neither’s available in digital format. (Died 2005.)
  • Born June 19, 1947 Salman Rushdie, 72. Everything he does has some elements of magic realism in it. (Let the arguments begin on that statement.) So which of his novels are really genre? I’d say The Ground Beneath Her FeetGrimus (his first and largely forgotten sf novel), Two Years Eight Months and Twenty-Eight Nights and Haroun and the Sea of Stories. If you’ve not read anything by him, I’d start with The Ground Beneath Her Feet which is by far both one of his best works and one of his most understandable ones as well.
  • Born June 19, 1953 Virginia Hey, 66. Best known for her role as Pa’u Zotoh Zhaan in the fabulous Farscape, series and playing the Warrior Woman in Mad Max 2: The Road Warrior. She’s also Rubavitch, the mistress of KGB Head, General Pushkin, in The Living Daylights. She also had a brief appearance as a beautician in The Return of Captain Invincible, an Australian musical comedy superhero film.
  • Born June 19, 1954 Kathleen Turner, 65. One of her earliest roles was in The Man with Two Brains as Dolores Benedict. Somewhat of a Fifties retro feel with that title. Of course, she voiced sultry Jessica Rabbit in Who Framed Roger Rabbit, one of my favorite all time films. I still haven’t seen all of the Roger Rabbit short films that were done. She voiced Constance in Monster House a few years later, and was in Cinderella, a television film where she was the lead of the Wicked Stepmother Claudette.
  • Born June 19, 1957 Jean Rabe, 62. She’s a genre author and editor who has worked on the Dragonlance, Forgotten Realms, Rogue Angel and BattleTech series, as well as many others. Ok, I admit to a degree of fascination with such writers as I’m a devotee of the Rogue Angel audiobooks that GraphicAudio does and she’s written according to ISFDB five of the source novels under the house name of Alex Archer.  
  • Born June 19, 1978 Zoe Saldana, 41, born with the lovely birth name of Zoë Yadira Saldaña Nazario. First genre role was Anamaria in Pirates of the Caribbean: The Curse of the Black Pearl. She’s Nyota Uhura in the  new Trek series and she’s also Neytiri in the Avatar franchise. She portrays Gamora in the MCU, beginning with Guardians of the Galaxy, a truly great film.

(10) COMICS SECTION.

  • This Off the Mark could be the pilot for CSI: Springfield, if you know what I mean.

(11) SIGHTING. The commemorative Moon Landing Oreos have hit the markets. John King Tarpinian snapped this photo in a Target store.

(12) HUGH JACKMAN. Ahead of his live show in Houston, Hugh Jackman visited NASA, something he’s been dreaming about doing since childhood:

Also, in the opening number of the second act of his show, channeling Peter Allen, he brought a NASA salsa dance instructor up on stage with him. Who even knew NASA had salsa dance instructors? It’s a real thing apparently! 

“I don’t know about you guys! I’m going to Mars!” … “I’m gonna sign up to be an astronaut tomorrow!”

(13) THANKS FOR PLAYING. Kotaku: “Amazon Lays Off Dozens Of Game Developers During E3”.

Yesterday, as the video game industry’s attention was focused squarely on the final day of the E3 convention in Los Angeles, Amazon’s video game division quietly laid off dozens of employees.

Amazon Game Studios, which is currently developing the online games Crucible and New World, told affected employees on Thursday morning that they would have 60 days to look for new positions within Amazon, according to one person who was laid off. At the end of that buffer period, if they fail to find employment, they will receive severance packages.

Amazon also canceled some unannounced games, that person told Kotaku.

(14) FOOTPRINTS IN THE SAND. BBC now knows “Why are Nike trainers washing up on beaches?”

Over the past year, from Bermuda and the Bahamas to Ireland and Orkney, hundreds of pairs of unworn shoes have washed up on beaches. But how did they get there, and why are scientists so interested in where they are being found?

…The source of all these shoes is believed to be a single ship.

“Through the research I have done,” Mr Ribeiro says, “everything indicates they may have been from some of the 70 to 76 containers that fell overboard from the Maersk Shanghai.”

…Despite the environmental damage, scientists can salvage something from such incidents – a better understanding of our oceans and the currents that drive them.

While many of the shoes from the Maersk Shanghai have been washing up on beaches, far more are likely to be doing laps of the North Atlantic ocean, stuck in a network of powerful currents.

…Even more enlightening, Dr Ebbesmeyer says, is how the shape of the shoes seems to dictate where they end up.

“The left and the right sneakers float with different orientation to the wind,” he explains. “So when the wind blows on them they will go to different places. So on some beaches you tend to get the left sneakers and on others you get the right.”

(15) VLOGBRO NOVEL. Ana Grilo’s “Book Review: An Absolutely Remarkable Thing by Hank Green” appears at The Book Smugglers:

…This book is a cool mixture of puzzle-solving, personal story and world-changing events.

What strikes me the most about it though is the choice of having this particular type of protagonist because April? Not exactly a super great person. She is kinda of a jerk, she is flawed, full of contradictions, she well and truly fucks up on numerous occasions. She loves AND hates all the attention and fame she receives – especially in a world that mirrors our own in terms of how social media shapes the lives of people. There is good in it, but there is also bad and there is certainly the ugly too and at different times April embodies all of these possibilities.

(16) KEEP ON DOWN THE ROAD. Andrew Liptak praises Rebecca Roanhorse’s next novel — Storm of Locusts is like American Gods meets Mad Max: Fury Road. (Beware spoilers in the body of the review.)

In her debut novel Trail of Lightning, Rebecca Roanhorse introduced readers to a compelling future in which climate change and wars have wrecked North America, resulting in some fantastical transformations to the country. Native American gods walk alongside mortal humans, some of whom have developed fantastical clan powers, and magical walls have grown around the traditional Navajo homeland Dinétah. In her next adventure, Storm of Locusts, Roanhorse ups the stakes for her characters and the world….

(17) KEEPING THE SRIRACHA IN SF. This is Jason Sheehan’s advice for NPR readers: “Regular Old Sci-Fi Not Weird Enough For You? Try ‘FKA USA'” (Reed King’s new book.)

Hey, you. Did you really like A Canticle For Leibowitz but think it needed more robot hookers and a talking goat? Then FKA USA is the book for you.

Did you think The Road suffered by not having enough gunfights with Mormons? Do you have a fondness for The Wizard Of Oz but believe, deep in your weird little heart, that it suffered a crippling lack of footnotes, bad language and fart jokes? Yeah, me, too. Which is (maybe) why I liked FKA USA so much.

(18) SAVAGE BUILDS. The Verge invites everyone to “Watch Adam Savage make a flying Iron Man suit in his new show, Savage Builds.

For a limited time, the first episode of Savage Builds—in which Adam Savage (late of Mythbusters) constructs and tests an Iron Man suit—is available free on the Discovery Channel website.

Adam Savage became a household name as the cohost of Mythbusters, and now, he’s returned to the Discovery Channel with a new show: Savage Builds. In each episode of the series, Savage goes out and builds something, consulting with other experts and builders. The series just began airing on Discovery, and the first episode, in which he builds a flying Iron Man costume, is available for free online (at least in the US) for the next two weeks

Think of it like a builder’s version of Mythbusters: take a thing from pop culture or history, and make a version that functions as closely as possible to its on-screen counterpart. In the show’s first episode, Savage sets out to build a real, flying Iron Man costume that’s also bulletproof. 

(19) VIDEO OF THE DAY. “Woke Up Looking” on Vimeo is a love song Gideon Irving sings to his robot.

[Thanks to Kat, Irwin Hirsh, Contrarius, Andrew Porter, Carl Slaughter, JJ, John King Tarpinian, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/8/17 Is There A Hologram On My Shuttlecraft That Says ‘Dead Klingon Storage’?

(1) CHECK-IN. The 1954 Worldcon chair Les Cole and Esther Cole, who live in the vicinity of the Ventura, CA fires answered Rich Lynch’s query about how they are doing —

Thanks for asking. Les and I and doggies are OK. Fire went passed us. The air is heavy, so we stay indoors. Much of southern California is rough.

(2) HERBERT MAY BE HONORED BY HOMETOWN. Metro Parks Tacoma Public Information Manager Michael Thompson says a recommendation to name a local peninsula “Dune Peninsula at Point Defiance Park” and its loop trail “Frank Herbert Trail” probably will go to the Park Board for a vote in January. The proposal has been working its way through the system for some time. The News Tribune has an update: “‘Dune’ author Frank Herbert finally set to get his due in his hometown of Tacoma”:

While the Metro Parks Board will have the final say on the matter — and it’s the elected body’s prerogative to deviate or tweak — it’s clear that the public has spoken, and Metro Parks’ staff has attempted to listen. During a public outreach effort earlier this year, more than 500 possible names were submitted via an online survey. The majority of responses referenced Herbert or “Dune.”

“This name provides a simple, evocative identifier that highlights the uniqueness of the peninsula remediation and new park features,” according to the staff recommendation. “On a literary level, it honors the name of the book series by Frank Herbert, a famous Tacoma author, which was inspired by the environmental history of Tacoma’s Asarco copper smelter site, directly adjacent to the peninsula.”

Last month, Thompson helped a local radio reporter tour the peninsula with park commissioner Erik Hanberg. “‘Dune’ And The City Of Destiny: How Tacoma Inspired One Of The World’s Most Acclaimed Sci-Fi Authors”.

If you go to the base of Point Defiance in Tacoma and look east, you’ll see a finger of earth jutting into Puget Sound.

It formed as toxic slag spilled from a copper smelter during the city’s industrial heyday.

For years, it was a foreboding sliver of black, glassy material. Today, workers and machines roam the peninsula as they transform it into a grassy park with Puget Sound views.

Tacoma Metro Parks Commissioner Erik Hanberg has a space-age term for what’s going on there. He calls it “terraforming.”

(3) BACK TO THE STACK. Doris V. Sutherland does a good job framing the issues in “Rocket Stack Rumpus: Critics, Authors, and Non-Binary Science Fiction” accompanied by light analysis. Sutherland concludes:

Greg Hullender responded by writing an apology-cum-rebuttal in collaboration with Eric Wong and altering the offensive reviews. Despite this, he has paid a high price for his faux pas. Locus decided that he was unfit to recommend stories to readers and removed him from its reading list jury, making the following announcement on Twitter.

Thank you to those who brought their concerns about RSR to our attention. Greg Hullender will not be involved in the Locus Recommended Reading List. We support our wonderfully complex and diverse SF community, and hope for continued positive dialogue on these issues.

The reference to positive dialogue seems out-of-place. The Rocket Stack Rumpus marks a breakdown in communications all around, from a reviewer missing the point of the stories he was covering, to authors misreading his reviews in turn. Meanwhile, the issue of Rocket Stack Rank’s provincial approach to stories set against non-Western cultural backdrops–as flagged up by Rose Lemberg in this Twitter thread–ended up being lost alongside Hullender’s misunderstanding of non-binary SF, which is perhaps a secondary issue.

There may well be positive dialogue to come out of the controversy, but at the present moment, there is little of it to be seen.

(4) MEAT AND PROPER. Autocorrect is being blamed rather than legislators falling down on the job: ” Typo in Bill C-45 legalizes cannibalism instead of cannabis”.

Canada is one step closer to the accidental legalization of cannibalism after the House of Commons passed a typo-ridden Bill C-45, formerly known as The Cannabis Act.

“I think no one wanted to be the one to point out the error,” MP Sara Anderson said. “We all thought someone else would do it, and then they called the vote, and here we are, all voting to legalize cannibalism.”

(5) RADICAL CHANGE. If this catches on, Twitter will get awfully quiet.

(6) ANDERS STORY COLLECTION. At Locus Online, “Rachel Swirsky reviews Six Months, Three Days, Five Others by Charlie Jane Anders”.

Anders’s unique humor provides a uniting theme. Only some of the stories are explicitly comic, but all benefit from her linguistic wit and her quirky but generous characterization. Her stories seem to say with affection, “People. We’re weird. What can you do?” She’s particu­larly good at tailoring prose to her characters, revealing their lives through their diction. Char­acters go to “one of those mom-and-pop Portu­guese places” and “the kinda-sorta gay bar.”

(7) MCDUFFIE AWARD OPEN. The 4th Annual Dwayne McDuffie Award for Diversity in Comics is taking entries until December 31.

Please attach a link or a 15mb .PDF file of the work to be considered. When submitting work, we strongly suggest sending the first issue of a series. If submitting anything other than the first issue, a one-page synopsis of what came before must accompany the submission. Also, we suggest sending the first 25-30 pages or first chapter of a graphic novel. We cannot guarantee anything more will be considered. If one is available, please also attach a .JPG photo of the entrant to the email. Please do not include any further attachments.

The award’s three new selection committee members are Jennifer de Guzman, Jamal Igle and Mikki Kendall, who join Mark D. Bright, Joan Hilty, Heidi MacDonald, Kevin Rubio, Gail Simone, and Will J. Watkins.

(8) ELIGIBILITY POSTS. Cat Rambo is doing her annual award eligibility post round-up, this year including editors, publishers, and magazines: “2017 Award-Eligible Work Blog Posts & Roundups for F&SF”. Right now there are about 20 entries on the list. She will be doing daily updates.

(9) CLASS TOMORROW. Cat Rambo says there is still space, including a couple of free slots, in the December 9 class “Speculative Poetry with Rachel Swirsky”.

Next classes are Saturday, December 9 – 9:30-11:30 AM or Wednesday, February 7, 2018, 4-6 PM. (Each class is a separate session.)

Poetry requires intense linguistic control. Every word matters. Whether you’re a poet who wants to create fantastical verses, or a prose writer who wants to learn the finely tuned narrative power that poetry can teach, you’ll find something in this class.

(10) WRITER’S LIFE. A short interview with Ursula K. Le Guin at Shelf Awareness:

Who do you write your blog for? Do you ever read the comments, and if so, what do you learn from them, if anything?

I write them for anybody who wants to read them. (Writers live in hope.)

Yes, sure, I read all the comments. They’re mostly good-natured, and some are thoughtful and enlightening.

You say that dystopian literature is yang-driven, and its opposite–utopian literature–is also yang-driven. Is there a literature that presents a realistically complex vision of a world in balance? Or is that just fantasy?

Of course it’s just fantasy. That’s why I write fantasy…

(11) NOBODY LIKES BEING SLAPPED. Cat Rambo, talking about writers and audiences: “Nattering Social Justice Cook: This Is Not A Review”.

So why did this book hit me so hard in an unhappy place? Because it was so smart and funny and beautifully written and involved connected stories about a favorite city and magic, which are three of my favorite things. And because it had a chapter that was one of the best short stories about addiction that I’ve read, and that left me thinking about it in a way that will probably shape at least one future story.

And yet. And yet. And yet. Women were either powerful and unfuckable for one reason or another or else fell into the category marked “women the protagonist sleeps with”, who usually didn’t even get a name. Moments of homophobic rape humor, marked by a repeated insistence on the sanctity of the hero’s anus, and a scene in which he embraces being thought gay in order to save himself from a terrible fate, ha ha, isn’t that amusing. And I’m like…jesus, there is so much to love about this book but it’s like the author reaches out and slaps me away once a chapter or so.

(12) TODAY IN HISTORY

  • December 8, 1991 Hook premieres in Hollywood.

(13) TODAY’S BIRTHDAY BOY

  • Born December 8, 1950 – Rick Baker, the Monster Maker

(14) COMICS SECTION.

  • John King Tarpinian saw that First Contact isn’t going too well in Close To Home.

(15) END OF THE MAZE. Maze Runner: The Death Cure comes to theaters January 26.

In the epic finale to the Maze Runner saga, Thomas leads his group of escaped Gladers on their final and most dangerous mission yet. To save their friends, they must break into the legendary Last City, a WCKD-controlled labyrinth that may turn out to be the deadliest maze of all. Anyone who makes it out alive will get answers to the questions the Gladers have been asking since they first arrived in the maze.

 

(16) CONTRARIAN. Go figure. While Patreon was in flames yesterday, Jon Del Arroz climbed aboard — “Jon Del Arroz Patreon Launch!”.

(17) EWW. It’s admittedly a mixed message when I say “Don’t look!” then put in a link anyway — “Here’s What It Looks Like When You Fry Your Eye In An Eclipse”.

“We were very surprised at how precisely concordant the imaged damage was with the crescent shape of the eclipse itself,” noted Dr. Avnish Deobhakta, a retina surgeon at New York Eye and Ear Infirmary of Mount Sinai in New York, in an email to NPR.

He says this was the most severely injured patient they saw after the eclipse. All in all, 22 people came to their urgent care clinic with concerns about possible eclipse-related damage, and most of them complained of blurred vision. Of those, only three showed some degree of abnormality in the retina. Two of them had only mild changes, however, and their symptoms have gone away.

The young woman described in this case report, at last check, still has not recovered normal vision.

(18) SUPPORTING SPACE EXPLORATION. Bill Nye says The Planetary Society’s latest collaboration with the Chop Shop store is mission posters for kids, like this one:

(19) TENTACLE TIME. In the garden: “‘Underwater city’ reveals mysterious octopus world”.

Once thought of as solitary creatures, scientists discover ‘underwater city’ full of octopuses living side by side

A couple of assumptions are often made about octopuses. First, that they are smart. There is truth in that: octopus behaviour such as tool use, predation techniques and puzzle-solving suggest a higher level of intelligence than other invertebrates. Everyone has watched an octopus unscrewing a jar.

Second, they have a reputation for being solitary. So solitary in fact that an official collective noun for octopuses doesn’t even exist (though ‘tangle’ has been suggested).

This may have to change, however. Over the last decade, scientists have discovered that octopuses aren’t always lone beasts. In fact, octopuses engage in rich, fascinating and unusual behaviours when they interact with each other.

(20) PATREON SURVIVOR, IF POSSIBLE. Cat Rambo is weathering the storm by asking readers how to add more value to her Patreon campaign (and also whether or not to bail from it): https://www.patreon.com/catrambo

Cat She says, “I’ve lost about 15% of my income from there so far, but I’m a very minor player. however if there is something the F&SF is not seeing from me but desperately yearns for, now’s the time to weigh in: “Patreon Changes”.

(21) FRONT PAGE NEWS. I have added to the File 770 sidebar a link to John Hertz’ review of The Glass Bead Game (Hesse), which has found a permanent online home.

(22) KRYPTON. SyFy has put out a teaser trailer for its series about Superman’s homeworld. ScienceFiction.com sums it up:

The series is set two generations before the destruction of the Man of Steel’s home planet. ‘Krypton’ follows Superman’s grandfather (Cameron Cuffe), whose House of El was ostracized and shamed, as he fights to redeem his family’s honor and save his world from chaos. The Seg-El name is both a nod to Superman co-creator Jerry Siegel and a reference to John Byrne’s 1980s miniseries, ‘The World of Krypton.’ Cameron Cuffe is set to play Seg-El alongside with Georgina Campbell as Lyta Zod.

 

(23) THE DARK SIDE. Charles Payseur turns his attention to dark fantasy and horror in “Quick Sips – The Dark #31”.

December brings a pair of stories to The Dark Magazine that focus sharply on observation and theater. In both, women drawn into roles where they are closely watched by men, and in both these experiences are further framed in terms of a sort of voyeurism. In one, a woman is filed, in the other, a woman is part of a play. Both feature stages and bring the reader in as spectators and in some ways as participants. We are the eyes that act as camera and as audience.

(24) BLOW BY BLOW. Sci-Fi Design has a gallery of “Comic Book Covers Recreated Using Balloons”.

Comic book cover art is awesome. They use a variety of styles, but have you ever seen comic book covers that are made from balloons? These awesome balloon sculptures as comic book covers were created by Phileas Flash. They take days to make and the pieces themselves fit into a 10 foot by 10-foot space. Then photoshop is used to add the letters which are also balloons. I love all of the detail that he gets with this unusual medium.

(25) POP CULTURE SUMMIT. Rolling Stone took notes: “Alice Cooper on His Dinner With David Bowie and Ray Bradbury”.

After Cooper’s initial meeting with Bowie in the late Sixties, they later forged a friendship. Once, they even had dinner together with Fahrenheit 451 author Ray Bradbury. “It was really interesting, because these guys were in outer space somewhere,” he says. “They were talking about quantum physics, and I’m going, ‘So … what kind of car are you driving?'” Cooper laughs.

(26) CAMERON PROJECT. Alita: Battle Angel Official Trailer.

From filmmakers James Cameron and Robert Rodriguez. Alita Battle Angel is in theaters July 20, 2018. Cast: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, Jackie Earle Haley, Keean Johnson.

 

[Thanks to JJ, Cat Eldridge, Chip Hitchcock, John King Tarpinian, Cat Rambo, Greg Hullender, David K.M. Klaus, Carl Slaughter, Martin Morse Wooster, Rich Lynch, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Darren Garrison.]

Pixel Scroll 12/27 So Long, and Thanks for All the Fifths

(1) ORPHAN BLACK TEASER. BBC America says Orphan Black Season 4 has started production and will be shooting in Toronto through March.

Tatiana Maslany returns to her Emmy®-nominated role as multiple clones in 10 new episodes in Spring 2016.

Season 4 of the drama will see leader-of-the-pack, Sarah, reluctantly return home from her Icelandic hideout to track down an elusive and mysterious ally tied to the clone who started it all — Beth Childs.  Sarah will follow Beth’s footsteps into a dangerous relationship with a potent new enemy, heading in a horrifying new direction. Under constant pressure to protect the sisterhood and keep everyone safe, Sarah’s old habits begin to resurface. As the close-knit sisters are pulled in disparate directions, Sarah finds herself estranged from the loving relationships that changed her for the better.

 

(2) UNDERSTANDING CONTRACTS. Fynbospress provides a wide-ranging introduction to contracts for creators in “When do you need a contract?” at Mad Genius Club, a post that does much more than merely answer the title question.

This isn’t just for court; this is when you’ve submitted a rough draft to a copyeditor and found out they only did the first third of the book and the last chapter , or when you paid a cover artist $500 and they returned one proof of concept, then stopped answering emails. This is for when the small press gives you a horrid cover, no release press, and you have some real doubts about your royalty statements. This is for when you’ve agreed to turn in a sequel, and you find out your spouse has cancer, and nothing’s going to get done that’s not medically related. It’s for when you get the avian flu and aren’t going to make your slot with your editor, and aren’t sure you could make a pushback date, either, or the house washes away in a flood and you weren’t even thinking about when your cover artist finished her painting and wants paid.

(3) NOT WHAT YOU THINK IT MEANS. Lela E. Buis in “Safe spaces and personal self defense” conflates safe spaces with the convention antiharassment policies of which she disapproves.

Reading through the proposed convention policies, safe spaces apparently mean that no one can annoy you. When some evil lowlife approaches and says something that disturbs or upsets you, then you should be able to just say “no, go away” and they are required to do so. It means that you can cruise through the convention experience without worrying about anything. If anyone fails to do what you ask, then all you have to do is complain to management and they’ll take care of the lowlife who’s bothering you, pitching him/her out on the street. This is really an ideal situation, where nobody ever has to hear things they don’t want to hear, or deal with situations they don’t want to be in.

However, when you always depend on management to protect you, then you’re not taking personal responsibility for your own well-being. You end up with no self-defense skills….

(4) CHROMIUM SÍ IN AMERICA. “Here’s How Captain Phasma Got Her Silver Armor” explains Andrew Liptak in an intro to a video at io9.

Gwendoline Christie has certainly made her mark in the Star Wars universe as the silver-armored Captain Phasma. This short video shows where that armor came from, and it’s hilarious.

(5) NO SPOILERS. Joe Vasicek’s spoiler-free first impressions of the new Star Wars movie at One Thousand and One Parsecs.

Was it campy? Yep. Was it rife with scientific inaccuracies? Oh heck, yes! Were parts of it over the top? Yeah, probably. But these were all true of the original Star Wars, too. The stuff that really mattered was all there: good writing, solid plot, believable characters, awesome music, and that grand sense of wonder that drew us all into Science Fiction in the first place.

(6) SPOILERY AND FUNNY. Emma Barrie’s “The Confused Notes of a Star Wars Newbie Who Felt Compelled to See The Force Awakens” is a high comedy journal of watching The Force Awakens.  Paragraph two only spoils the original Star Wars trilogy, so that’s safe to quote….

Even as a member of the uninitiated minority, I did know some basic stuff about Star Wars, because how could I not? My birthday is May 4, so there’s that. I knew Darth Vader is bad and has the voice of Mufasa. I knew Han Solo is a person (though I thought it was Hans Solo). I could definitely pick Chewbacca out of a lineup. Princess Leia is Carrie Fisher (whom I primarily associate with hating that wagon-wheel table in When Harry Met Sally). She has those Cinnabon hair swirls and at some point wore a gold bikini (info gleaned from Friends). Lightsabers are kind of like fancy swords. Darth Vader is Luke’s dad.

(7) SPOILERY AND SERIOUS. David Brin was greatly relieved to find things to complain about in “J.J. Abrams Awakens the Force” at Contrary Brin.

Okay we saw it.  Star Wars: The Force Awakens (SW:TFA), on Christmas Eve.  And although I am lead author — and “prosecuting attorney” — of the book Star Wars on Trial, and hence a leading critic of the series, I must admit that:

(1) The newest installment of the franchise — directed by J.J. Abrams under Disney management — has none of the deeply objectionable traits of Episodes I, II, III and VI that I denounced in that controversial tome. Abrams and Disney shrugged off the lunacies George Lucas compulsively preached in those vividly colorful-yet-wretched flicks….

(8) SPOILERY TROLLING. Nick Mamatas is like one of those basketball players who in the parlance can create his own shot. If there was nothing in The Force Awakens to complain about, Nick would not be inconvenienced in the slightest. His review is at Nihilistic Kid.

Like any Star Wars film, it makes little sense. I’m not even talking about the inexplicable political economy of the galaxy that has both intelligent robots and people hanging out in tents with dirt floors, or the horrifying reactionary theme of an entire galaxy being held a prisoner of fate by about a dozen closely related individuals.

Is that last part so unrealistic, Nick? Think of Queen Victoria’s family ties.

(9) A FAN OF PEACE. I thought Hank Green was a science fiction fan (among other things) yet he exhibits a practically unfannish lack of interest in quarrelling with his fellow fans about Important Genre Definitions.

(10) FIVE IS ALIVE. At The Book Smugglers, “Jared Shurin’s Five Terrific 2015 Titles That’ll Tie Awards in Knots”  actually contains seven titles. Did he think nobody would count? Or was he worried File 770 wouldn’t link to his post without a “fifth” reference? Never fear, Jared, your praise for “A Small, Angry Planet” deserves to be shared.

Becky Chambers’ The Long Way to a Small, Angry Planet

It lurked (and won The Kitschies) as a self-published work at the start of 2015, but as far as the ‘stablishment is concerned, this utterly glorious, brilliantly progressive and undeniably joyous space opera didn’t exist until the UK release in February and the US release soon after. It has been on multiple ‘Best Of’ lists (Waterstones, Guardian, Barnes & Noble), and hopefully that translates to even more well-deserved recognition. The awards scene is dominated by a) Americans and b) traditional publishing, so this book’s… er… long way… to market should hopefully pay off with further acclaim.

(11) SMACKIN’ WITH THE PUPPIES. George R.R. Martin finally froze comments on “Puppies at Christmas” after two days spent duking it out with trolls. Martin’s last entry in the discussion might also be taken as a reply to the coverage here the other day:

When people behave badly (in fandom or out of it), or do things that I find immoral or unethical, I reserve the right to speak out about it, as I did about Sad Puppies 3 last year.

When, on the other hand, I see behavior I regard as positive, I am also going to speak out about that… regardless of whether my words are going to be “spun” to suit someone else’s narrative. So far, what I am seeing on the Sad Puppies 4 boards is a step in the right direction… a spirited literary discussion that includes everyone from Wright and Williamson to Leckie and Jemisin. That’s good.

If it turns into something else later, well, I’ll revise my opinion or raise objections. But I am not going to deal in hypotheticals. Right now what I see is people talking books.

(12) TODAY IN HISTORY

  • December 27, 1904Peter Pan by James Barrie opens in London.
  • December 27, 1947 — The first “Howdy Doody” show, under the title “Puppet Playhouse,” was telecast on NBC.
  • December 27, 1968 — The Apollo 8 astronauts — Frank Borman, Jim Lovell, William Anders — returned to Earth after orbiting the moon 10 times.

(13) RESTATE OF THE ART. “How Weinstein Co. Distribution Chief Erik Lomis Rescued 70MM Cinema For Quentin Tarantino’s ‘The Hateful Eight’” at Deadline Hollywood.

Lomis had an 18-month lead before Hateful Eight would hit the screen, and he promptly began scouring eBay and interfacing with film warehouses and antique collectors across the country “pulling the equipment, checking it and Frankenstein-ing it together. Configuring the lens took six months alone. They needed to be adjusted to today’s stadium auditoriums, which from the booth to the screen have a shorter throw versus the lens on the older machines which had a longer throw due to the sloping floor auditoriums,” explains Lomis. For the first six months, Lomis was picking up 70MM projectors at affordable prices, but once word slipped out that it was for a Tarantino film, collectors tripled and quadrupled their asks.  Essentially, to make three solid working projectors, one needed to pull parts from as many as five projectors.  Gears, shafts, bearings and rollers were the typical replacements. At times, these parts were manufactured from scratch off original blueprints. On average, Schneider Optics made a lens a day during production to restore this antiquated technology.

(14) SIR TERRY. Rhianna Pratchett  in The Guardian“Sir Terry Pratchett remembered by his daughter, Rhianna Pratchett”.

…The reaper came for my father much earlier in his life in the form of Death from his world-famous and much-loved Discworld novels. Death was a towering, cloaked and scythe-wielding skeleton who had a penchant for curries, a love of cats and TALKED LIKE THIS. We got a number of tear-inducing letters from fans who were nearing the end of their lives and took great comfort in imagining that the death that came for them would be riding a white horse called Binky. Dad had done something with more success than anyone else – he made Death friendly.

For me, as for many of his fans, it was his gift for characterisations like this that made his books pure narrative gold. Dad was a great observer of people. And when he ran out of actual people, he was a great imaginer of them. Both his grannies come through in his witch characters, while there’s a fair chunk of me in Tiffany Aching and Susan Sto Helit, Death’s adoptive granddaughter. …

(15) THE JAVA AWAKENS. “Designers Create Star Wars-Themed Coffee Concept” at Comicbook.com.

Graphic designer Spencer Davis and product designer Scott Schenone have come up with “Dark Brew Coffee House,” a concept that imagines what a Star Wars-themed coffee shop would look like.

(Lots more thematic imagery displayed at Dark Brew Coffee House.)

Dark Side coffee

(16) DARK OUTSIDE. Then could we change this to the Darthburger?

[Thanks to DLS,and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Shao Ping.]