Pixel Scroll 7/13/18 It Was The Time Of The Pixel In The Year Of Scroll One

(1) DALEK WITH A COIFFURE. Look familiar? No, it’s not Davy Crockett…

(2) W76 MEMBER COMMUNICATIONS ASSET. Kevin Roche, Chair of Worldcon 76 in San Jose, announced: “Several members of the convention volunteered to moderate a Worldcon 76 resource sharing/membership transfer group for us on FaceBook. We happily took them up on the offer!”

WorldCon 76 Membership Transfer and Resource Sharing

This is the official page for WorldCon76 attendees seeking to connect with each other in order to transfer memberships and to share resources and information.

(3) SUPER SHRINKAGE. Kinky Data compares “Superheroes’ Height Vs
the Actor’s Actual Height”
. (Carl Slaughter wonders, “How exactly did they discover the height of so many comic book superheroes?”)

(4) WITH NO CLINCHES. The author of Archivist Wasp explains it all to you at The Book Smugglers: “Alternatives to Romance: Nicole Kornher-Stace on writing platonic relationships in Archivist Wasp and Latchkey (& a Giveaway)”.

In the three years since Archivist Wasp was published, there’s one thing about it that keeps coming up in reviews and reader comments/questions again and again. Which is fine by me, since I haven’t gotten tired of talking about it yet! (Hilariously, after signing up to write this post, I got put on a Readercon panel on the same topic. They said: Tell us why you should be on this
panel
. I said: I never shut up about this topic. Ever. It is the soapbox I will die on. And they gave me the panel! Readercon = BEST CON.)

And so, without further ado! The full, entire, possibly long story of why I write all my close relationships as friendships instead of romances, the pros and cons of same, and how I wish more books/movies/shows/etc would do so. (I do. So much. Universe, take note.)

(5) VALUES. A WisCon panel writeup by KJ – “Creativity and ‘Productivity’: A Panel Report and Meditiation”.

…One of the most interesting things to happen was also one of the first: as the panelists were introducing themselves, the moderator, Rachel Kronick, wondered out loud why, in these situations, we introduce ourselves with our resumes. Whether she’d planned to say it or was struck by inspiration in the moment, it was the perfect thing to get me thinking about how much we in fandom tend to define ourselves by our work, by our accomplishments. An immediate mindset shift, in the moment. I only had one panel after this one, and although I still gave the “resume” introduction, it was definitely in my mind.

One of the first topics for the panelists was the source of productivity as a measure of worth. Capitalism came in for a lot of the blame, of course, but the panelists also brought up Puritanism: if something is fun, it can’t be valuable. It’s the work ethic baked into American society (which I’ve most often heard called the “Protestant work ethic“: a tenant of Calvinism claiming you can tell who will be “saved” by their dedication to hard work and frugal living). When we measure our value by how much we produce, and how much we are paid for that production (whether that be in money, goodwill, or fandom attention), it’s really easy to think of any time not spent “producing” as “wasted.” This is absolutely a trap that I fall into, and although I fight it, I know I don’t succeed very well.

On the flip side, we have fandom as a capitalist activity: measuring your dedication as a fan by how much money you spend on Stuff. Books, movie tickets, video and other media, branded merch, costumes, going to cons… fannishness can get really expensive, and too much gatekeeping goes on around activities that cost money and time. Although this didn’t come up at the panel, as I type up these thoughts now I see a tension between the work ethic that values austerity on one hand, and a culture that demands voracious consumption on the other. This double bind isn’t unique to fandom, of course, but I’ve never really thought to apply it in this context before.

(6) THREATS. CBR.com reports “Vertigo Writer Receives Veiled Death Threats Ahead of SDCC Appearance”.

Comic-Con International in San Diego is a place where fans from all across the world gather to share their love of all things pop-culture, from comic books to movies to video games, etc. However, some fans, sadly, choose to share hate instead, as evidenced by a social media post from Border Town writer Eric M. Esquivel.

“I woke up to death threats (‘We’re not sending I.C.E. to Comic Con, we’re sending exterminators’),” Esquivel’s tweet reads. Even in the face of verbal assault, though, the writer remained positive, instead choosing to focus on the joy of holding the first issue of his and artist Ramon Villalobos’ soon-to-be-released Border Town in his hands….

(7) WE INTERRUPT YOUR FOOTBALL. For this important announcement:

Comparable information appears in this brief commercial:

(8) PRISONER COLLECTIBLE. Titan Comics is publishing The Prisoner: Kirby & Kane Artist Edition HC Vol.1 this week, “a hard cover edition of never-seen-before work based on the iconic TV series, created by two legends of comic book art.”

This special oversized collectors edition will contain the entire 17 page Jack Kirby strip, the first six pages of which were inked and lettered by Mike Royer, as well as 18 pages of pencils drawn by artist Gil Kane. In addition to reprinting these rare pages, this collection also features unmissable bonus archive material including facsimiles of the original script as written by Steve Englehart.

This book is part of several releases from Titan to mark the 50th anniversary of The Prisoner – join us in celebrating this cult classic!

(9) TODAY IN HISTORY

  • July 13, 1984 The Last Starfighter premiered on this day

(10) TODAY’S BIRTHDAYS

  • Born July 13, 1940 – Sir Patrick Stewart. Various Trek affairs but also roles in the X-Men franchise and Dune, and myriad voice work such as The Pagemaster, Steamboy, The Snow Queen and Gnomeo & Juliet. Yeah another animated gnome film.
  • Born July 13, 1942 – Harrison Ford. The Indiana Jones and Star Wars franchises, also Cowboys & Aliens and Blade Runner and Blade Runner 2049.
  • Born July 13 – Steve McQueen, 30. Yes the grandson of that actor. Genre roles in The Vampire DiariesThreshold, Piranha 3D and the forthcoming Legacies series which apparently features werewolf / vampire hybrids.

(11) COMICS SECTION.

  • I read the news today — PVP.

(12) WALKING HOUSEPLANT.

(13) LANGUAGE CREATOR. Lauren Christensen takes you “Inside
J.R.R. Tolkien’s Notebooks, a Glimpse of the Master Philologist at Work”

in her New York Times review.

From Qenya to Gnomish to Sindarin, the “high elven-speech” J. R. R. Tolkien uses amply throughout the “Lord of the Rings” trilogy was the product of almost 40 years of what the English author once referred to as his “secret vice”: glossopoeia, or language creation. As Carl F. Hostetter writes in an essay in Catherine McIlwaine’s “Tolkien: Maker of Middle-earth,” his was a labor “performed and preserved on thousands of manuscript pages containing Tolkien’s minutely detailed description and unceasing elaboration (and revision) of not just one but rather of a family of invented languages, which can be collectively called the Elvish tongues.”

Although not alone in this practice, Tolkien was the first philologist to establish such a network of evolving dialects that derive from one another “by slowly accumulating changes and divergences in form across time from a common ancestor species.” Tolkien drew this partial table of sound-correspondences among five Elvish languages — Qenya, Telerin, Noldorin, Ilkorin and Danian — around 1940….

(14) LOAD THE CANON. EpicPew gives a Catholic perspective on “Saint Tolkien’:
Why This English Don Is on the Path to Sainthood”
.

Evangelizing through beauty

J.R.R. Tolkien, in this writer’s opinion, has one of the best innate grasps of evangelizing through beauty of anyone writing in the 20th century. Why? Because his work is permeated with a Catholic understanding of beauty. That which is beautiful is pleasing to the senses, but doesn’t stop at a surface level, rather acting as an icon that draws you into deeper realities and encounter with the Divine.

The world Tolkien created in Middle Earth is steeped in this beauty and nobility that raises your mind upwards and calls you to higher things. You can’t readhis epic work without feeling stirred to your very bones to live a life of greatness, rather than comfort.

Is it possible that even Pope Emeritus Benedict XVI himself was thinking of the small hobbit Frodo Baggins when he exhorted us that “we are not made for comfort, but for greatness”?

Well, maybe not.

But it certainly applies, and the story is a grace of inspiration and encouragement for those who wish to take the path less traveled and embark on that narrower road which leads to salvation….

…Tolkien’s potential patronage

Who would turn to Tolkien with prayer requests? He’s the potential patron saint of the hopeless, the wanderers, and (of course) romantics.

(15) STRANGE HORIZONS. Charles Payseur’s short fiction reviews resume with: “Quick Sips – Strange Horizons 07/02/2018 & 07/09/2018”.

Two new issues of Strange Horizons means two new pieces of short fiction (one short story, one novelette) and two new poems, all of which look at distance and drive, humans and aliens. For the fiction, there’s not a whole lot to link the pieces together, one of which looks at language and abuse, the other at speed and drive and competition. Similarly, the poem isn’t incredibly similar either, one looking at the inhuman at the end of a long mission, the other at changes in body and relationship while also showing those changes striking toward a more stable truth. What does link everything together, though, is a wonderful and moving style, and a range of speculative visions all reflecting back the ways people are hurt by others, and the way people hurt themselves, all reaching for connection, community, and belonging. To the reviews!

(16) SHADOW SUN SEVEN. Paul Weimer has a “Microreview [book] Shadow Sun Seven by Spencer Ellsworth” posted today at Nerds of a Feather.

The complex tale of Jaqi, reluctant opposition to a Resistance that has in turn just toppled an oppressive human galactic empire, continues in Shadow Sun Seven, sequel to Spencer Ellsworth debut novella A Red Peace. This second novella jumps off not long after the first. It should be said that discussion of this second volume, a short novel, does necessarily spoil the first novella.

That novella, which posited, explored and depicted a wide ranging universe with half-Jorians, lots of biological weapons and creatures that would fit in a Kameron Hurley novel, and a net of complicated characters. By the end of the first novella, Jaqi, Half-Jorian, and Half Human pilot, had managed to spirit away two children from the Resistance that are looking for them at any cost, and had slowly started to learn that she has a destiny and power that she never knew, a destiny and power tied to the original, extinct race of which she is just a hybrid descendant gene engineered cross. Or is she?…

(17) WOMEN OF SFF IN THE SEVENTIES. James Davis Nicoll reaches names beginning with the letter R in “Fighting Erasure: Women SF Writers of the 1970s, Part IX” at Tor.com.

Pamela Sargent first caught my eye with 1976’s Cloned
Lives
, which takes a refreshingly mundane look at the lives of the world’s first clones.
Their unusual parentage does not confer on them any particular special abilities like telepathy or telekinesis. Her Venus terraforming epic (Venus of Dreams, Venus of Shadows, and Child of Venus) may have been denied its proper place in the public psyche due to a somewhat troubled publication history; all three are in print and worth consideration. Also of interest is Sargent’s Women of Wonder series (Women of Wonder, More Women of Wonder, and The New Women of Wonder, followed in the 1990s by Women of Wonder: The Classic Years, and Women of Wonder: The Contemporary Years). The difficulty of tracking down the rights at this late date probably precludes reprints, but used copies are easily obtained.

(18) HUGO NOMINEE RANKINGS. Joe Sherry’s series reaches the nonfiction: “Reading the Hugos: Related Work”. Surprisingly, he hasn’t read Ellison, but now he has read the Ellison bio —

A Lit Fuse: Here’s my genre confession: I can’t be sure if I’ve actually read Harlan Ellison before…

Nat Segaloff’s biography is necessarily a slanted one, biased towards Ellison. Segaloff doesn’t hide Ellison’s flaws, but he does minimize them and give them Ellison’s context and Ellison’s shading. As a biography, it’s a fairly well written and comprehensive one. If I were a fan of Ellison, I would probably be thrilled by detail of the man’s life. Also, a
person doesn’t need to be likeable to be interesting or to be worth writing about. This is good, because I’m not sure I would have liked him much. I’m quite sure he wouldn’t have liked me. The problem is that there is a bit of tedium to the writing and the recounting of Ellison’s life. Time will tell if A Lit Fuse turns out to be an important science fiction biography in the long run, but it is certainly a less vital and immediate work on the Hugo ballot.

(19) RETRO FAN HUGO RESOURCE. And when you’re all done with this year’s Hugo reading, you can get started deciding what to nominate for next year’s Retro-Hugos. The Fanac.org site has hundreds of zines already available.

Fan History Spotlight:

Next year’s Retro Hugos will cover 1943, and we’ve been focusing on that year as we put up additional fanzines. We have almost 250 zines from 1943 already online. Remember, before the internet, before inexpensive long distance phone calls, before air travel was common, the world came to your door by the mailbox, twice a day. The byplay, the chatting, the fannish flame wars were all conducted on paper. In 1943, FAPA (aka the Fantasy Amateur Press Association) sent out over 1,200 pages of fannish writing in 4 mailings. We have 1,196 pages of those online for you now. FAPA is a real window on the fannish world of that era, with contributions by all the BNFs of the time, including Ackerman, Ashley, Joquel, Laney, Shaw, Speer, Tucker, Warner, Widner, Wolheim and more. There’s the first publication of Lovecraft’s “Fungi From Yuggoth” Cycle. There’s a “Decimal Classification of Fantastic Fiction” by Sam Russell, and interesting in-context materials and commentary on Degler and the Cosmic Circle controversy. But wait! There’s more. See for yourself at http://www.fanac.org/fanzines/FAPA_Mailings/.

(20) 95 IS THE NEW 79. The Stan Lee hype machine gets back in gear – Syfy
Wire
has the story:“Stan Lee in first of new series of videos: ‘I’m back again with new energy'”

In a tweet posted on Thursday, Lee appeared in the first video since POW! Entertainment reasserted control over the creator’s social media channels. He joked about his age (“It’s taken me a while to get used to being 79 years old,” said the 95-year-old Lee) and promised his fans that he’s back.

(21) HARLAN STORIES. Ted White’s piece for the Falls Church News-Press,
“Remembering Harlan Ellison and His Place in My Life”, is not exactly a eulogy.

…Proximity to me reinforced in Harlan his need to settle his
debt to me. But Harlan was scuffling as a freelance writer; he had no regular income and coming up with an extra several hundred dollars wasn’t easy for him. But one August evening we went to a party in the Bronx and there encountered Ken, whom Harlan hadn’t seen in nearly five years. Harlan braced him for the money. Ken had effectively stolen the typewriter after all, and clearly owed Harlan, who owed me. Harlan was forceful in his demands, but Ken, still without a real income of his own (later he would edit a movie magazine), gave Harlan no
satisfaction.

But he did something else. He told his best friend about Harlan’s demand, and the colorful threats Harlan had made. His best friend told his mother. The mother was a crackpot who routinely complained to the FBI that her son’s antagonists were “Commies.” She called the NYPD and told them Harlan was a heroin dealer.

Ironically, Harlan did not use drugs or intoxicants of any kind, abstaining from both alcohol and caffeine (but he did sometimes smoke cigarettes or a pipe, I think for the image more than any other reason). When we went to jazz clubs together he ordered a glass of orange juice, which he could pass off as a Screwdriver.

When the police arrived at his door, Harlan was flabbergasted at the notion that he was a drug dealer, and freely allowed them to search his small apartment. In his closet, on a high shelf and in a box, they found three things: a small revolver, a set of brass knuckles, and a switchblade. They promptly arrested Harlan for possessing an unlicensed gun. New York City had very tough gun laws….

(22) TIME CAPSULE. Joe Siclari says the 1992 MagiCon time capsule will be opened this year in San Jose.

At closing ceremonies for MagiCon, the 1992 Worldcon, we created a time capsule. It was loaded with convention publications and the like, but at the ceremony something unexpected happened. Folks in the audience wanted to have their part of fandom memorialized in the time capsule, and came forward with all kinds of things to put in it. Well, at this year’s Worldcon, the time capsule will be opened. The contents will be put on exhibit. Has fandom really changed that much? If you are at the con, come and find out. We’ll also have a FANAC table with some interesting materials, so come get your contributor ribbon or sticker, and say hi.

(23) STALKED BY SFWA. Cue the Jaws theme…

(24) INSTANT MASTERPIECE. Camestros Felapton recently graced the comments section with this example of Bohemian Rhap Music:

Is this more sci-fi?
Is this just fantasy?
Caught in a pixel
No escape to reality
Open your files
Look up on the web and see…

I’m just a pixel
Not a John Williams symphony
Because I’m easy come, easy go
Scrolling high, scroll low
Any way the pix scrolls
Doesn’t really matter to me, to me

Mamaaa just filmed a cat
Put a phone just near its head
Pushed the shutter, as it fed
Mamaaa, my likes have just begun
But now I’ve gone and thrown them all away
Mamaaaaaa, ooooooooh
Didn’t mean to make you share
If I don’t tweet this time again tomorrow
Carry on, carry on as if nothing viral matters

Too late, my GIF has gone
Of cat shivers down its spine
Like it’s eating the sublime
Goodbye, everybody
I’ve got to mute
Gonna leave social media to face the truth
Mamaaaaaaaaaaaaaa, oooooooh (Anyway the pix scrolls…)
I don’t want these likes
Sometimes wish I’d never posted it at all

[Epic Guitar Solo]
[Sudden change of tempo]

I made an animated GIF of a dog
Scary pooch, Scary pooch, will you do the Fandango?
Bad contrast and lighting, very, very frightening me
(Galileo) Galileo (Galileo) Galileo, Galileo is irrelevant
Irrelevant-ant-ant
I’m just a pixel nobody loves me
He’s just a pixel from a scroll family
Spare him his life from this GIF travesty

Easy come, easy go, will you post this scroll?
Pixellah! No, we will not post this scroll
(Post this scroll!)
Pixellah! No, we will not post this scroll
(Post this scroll!)
Pixellah! We will not post this scroll
(Post this scroll!)(Will not post this scroll)
(Post this scroll!)(Will not post this scroll)
(Never, never, never, never)
Post this scro-o-o-oll
No, no, no, no, no, no, no
(Oh mama mia, mama mia) Mama Mia, ABBA is in this scroll!
The iTunes Store put soundtrack aside for me, for me, for me!

[Heavy rock break]

So you think you can quote me and make fun of my cat?
So you think you can repost that picture of it in a hat?
Oh, baby, can’t do this to me, baby
Just gotta get out, just gotta get right outta here

[Guitar Solo]
(Oooh yeah, Oooh yeah)

Nothing viral matters
Anyone can see
Nothing viral matters
Everything viral matters to me

Any way the pix scrolls….

[gong]

[Thanks to Kathy Sullivan, Hampus Eckerman, Cat Eldridge, Chip Hitchcock, JJ, John King Tarpinian, Carl Slaughter, Martin Morse Wooster, Dann, Mike Kennedy, Kevin Roche, James Davis Nicoll, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 7/10/18 A Tick In The Box Might Be Quite Pixellental But Comments Are A Scroll’s Best File

(1) SEUSS STRIKES OUT. The Seuss estate just lost its lawsuit against another parody, a play called “Who’s Holiday!” which sounds a lot darker than The Places You’ll Boldly Go. Kevin Underhill of Lowering the Bar has the story: “Second Circuit: Lewd “Grinch” Parody Doesn’t Infringe”.

The Second Circuit held on Friday that what Reuters called a “lewd and profane” stage version of “How the Grinch Stole Christmas!” did not infringe on the original, affirming the district court’s decision in favor of playwright Matthew Lombardo and against Dr. Seuss Enterprises.

I was not previously aware of this work, but Reuters’ summary makes it clear that it departs in some significant ways from the Dr. Seuss classic:

The dispute began when Lombardo in 2016 was preparing to stage “Who’s Holiday!” a one-woman play featuring an adult version of Cindy Lou Who, the endearing girl who in Seuss’ story stops the Grinch from ending Christmas.

In contrast, the Cindy Lou Who in “Who’s Holiday!” has become a 45-year-old woman who spends her days in a trailer home while battling alcohol and substance abuse, following a stint in prison for murdering her husband, the Grinch.

(2) @%!$$!! SF Concatenation’s Jonathan Cowie, cybercaffing from the borough library, found he was unable to access his second- (third? one hundred fiftieth?) favorite blog, File 770. He told me via email —

Your site has just been blocked by all London libraries and schools for access apparently due to profanity.

Attached screenshot.

(Other screen filters elsewhere may similarly act????)

Thought you’d want to know.

I used to be blocked by the Great Firewall of China, but not anymore. How is it they can read me in China and not in a London library?

P.S. As you may know there is a workaround but you need to know you’re blocked to implement, hence my tipping you the nod.  — Hope this makes sense.

Absolutely. Rest assured, I never slip a rozzer the dropsy in snide.

(3) LEE DROPS SUIT. The Hollywood Reporter has confirmed: “Stan Lee Drops $1B Lawsuit Against POW! Entertainment for “Stealing” His Name and Likeness”.

Stan Lee has dismissed his $1 billion lawsuit against POW! Entertainment for fraud and conversion, less than two months after the suit was filed in his name.

“The whole thing has been confusing to everyone, including myself and the fans, but I am now happy to be surrounded by those who want the best for me,” Lee said in a statement. “I am thrilled to put the lawsuit behind me, get back to business with my friends and colleagues at POW! and launch the next wave of amazing characters and stories!”

POW! CEO Shane Duffy added, “We are ecstatic that this ill-founded lawsuit has been dismissed and we look forward to working with Stan again to develop and produce the great projects that were put on hold when the lawsuit was filed. We recently got together with Stan to discuss our path forward and we and [parent company] Camsing are pleased with his overwhelmingly enthusiastic reaction.”

Lee filed the complaint in May in Los Angeles County Superior Court, claiming the company and two of its officers conspired to steal his identity, name and likeness in a “nefarious scheme” involving a “sham” sale to a Chinese company….

Variety adds:

…The move comes as turmoil continues in Lee’s personal life. The lawsuit was filed in May, when the 95-year-old Lee was allegedly under the sway of memorabilia collector Keya Morgan. Morgan is now barred from contacting Lee or coming within 100 yards of him, under a restraining order granted on Friday.

A joint statement was issued Monday by Lee and by POW! Entertainment, now owned by Hong Kong’s Camsing International, announcing that the suit had been dismissed….

(4) IMPULSE. The first 3 episodes of YouTube series Impulse are free.  You have to be a premium user to watch the whole series. (Note warning about depiction of sexual violence.)

(5) WHAT YOU THINK IT MEANS. Zack Morrissette tweeted this mashup:

(6) STEADMAN ON AMERICA. The Washington Post’s Michael Cavna has an interview with Ralph Steadman, who has an exhibition of his work (originally prepared and curated by Britain’s Cartoon Museum) now on exhibit at American University through August 1: “Ralph Steadman’s D.C. retrospective often shines a ‘gonzo’ light on America”.

SOMETIMES IT takes a prominent visiting writer or artist — from de Tocqueville to, say, Bono — to serve up a storyteller’s view of the United States that is one shot of awed wonder and two shots of bracing honesty. Along that continuum of colorful outsider perspectives sits Ralph Steadman, that savage ink-slinging satirist from Kent who depicts the land of the free as a minefield of bullies and blowhards and presidents, not necessarily in that order and not without some redundancy.

Steadman is the British/Welsh illustrator best known to the American masses as the journalistic “gonzo” accomplice of Hunter S. Thompson….

(7) DREAMTIME. “Thandie Newton Wants to See More Diversity in Sci-Fi” – a New York Times Magazine interview.

Your character Maeve in HBO’s “Westworld” is an android or “host” in a theme park. What do you think it means to have characters of color in genre work? A lot of what’s in the mainstream doesn’t have people of color. What irritates me is that science fiction is the place where you could have us. Science fiction is a projection of a time that hasn’t even happened, so if you don’t populate that place with people of different skin tones, shame on you. What it actually is is the reflection of what those makers do in their daily lives, how little they hang out with people of different skin tones. These are the key people and it’s like, “Oops-a-daisy, I don’t have a lot of black friends,” and that’s a reality.

Some of the stars in the new “Star Wars” films who are black and brown have found themselves being harassed on social media. Kelly Marie Tran, who was in last year’s “Star Wars” movie, just quit social media altogether because of harassment. Where there’s greatest progress, there’s greatest resistance. It’s a sign of getting somewhere if people get pissed about it….

(8) JAR (NOT JAR JAR). Chuck Wendig immediately complies with a fan’s request.

(9) EPISODE NINE EPISODE NINE EPISODE NINE. Not the Beatles — A.V. News found out the original Lando is making a comeback: “Billy Dee Williams to finally class up the Star Wars sequels in Episode IX”.

Now that Snoke is dead and the mystery of Rey’s parentage has been definitively addressed in a way that was clever and interesting (even if it didn’t live up to the internet’s boring fan theories), there’s only one lingering question that has plagued Star Wars fans: Where the hell has Lando Calrissian been since Return Of The Jedi? Well, it looks like we’re finally going to find out in J.J. Abrams’ Star Wars: Episode IX, as The Hollywood Reporter’s sources have confirmed that Billy Dee Williams will be reprising his role as the galaxy’s smoothest gambler/smuggler/gas planet mayor in the next movie.

(10) NATIONAL MOURNING. Today’s Bristol Herald-Courier’s “News Quiz” features this question:

  1. U.S. Rep. John Sarbanes’ office confirmed that the White House initially declined to act on a request to lower the U.S. flag to half-staff after which event?
    1. The Fourth of July
    2. The deadly mass shooting at the Capital-Gazette office in Annapolis, Md.
    3. The death of science fiction writer Harlan Ellison
    4. The separation of families at the U.S.-Mexico border

(11) FAREWELL, GARDNER. Michael Swanwick posted “Eight Pictures from the Gardner Dozois Memorial”: Christopher Casper, George R.R. Martin, Joe Haldeman, Samuel Delany, and others.

…All in all, a very sad event, laced with laughter.

(12) TODAY IN HISTORY

  • July 10, 1962 — Telstar satellite launched.

Trans-Atlantic television and other communications became a reality as the Telstar communications satellite was launched. A product of AT&T Bell Laboratories, the satellite was the first orbiting international communications satellite that sent information to tracking stations on both sides of the Atlantic Ocean. Initial enthusiasm for making phone calls via the satellite waned after users realized there was a half-second delay as a result of the 25,000-mile transmission path.

  • July 10, 1981 Escape From New York premiered
  • July 10, 1981 Time Bandits debuted in the UK.

(13) TODAY’S BIRTHDAYS

  • Born July 10, 1926 – Fred Gwynne (Herman Munster). (1926-1993)
  • Born July 10, 1929 – George Clayton Johnson (1929-2015)
  • Born July 10 – Chiwetel Ejiofor, 42. Roles in Serenity, Doctor Strange, the animated Sherlock Gnomes and The Martian. Yes Sherlock Gnomes voicing Watson.
  • Born July 10 — Peter Serafinowicz, 47. Lead role in The Tick and in the alien abduction series People of Earth, the voice of The Fisher King in Doctor Who, and a role in The Guardians Of The Galaxy 

(14) COMICS SECTION.

(15) TRIVIAL TRIVIA

“Peter Pan” author J.M. Barrie played on a cricket team with Arthur Conan Doyle, author of the “Sherlock Holmes” series; “Winnie-the-Pooh” author A.A. Milne; novelist H.G Wells; and P.G. Wodehouse, author of the Jeeves and Wooster series; among other writers. They called themselves the Allahakbarries, a play on the Arabic “Allahu akbar,” which the men misinterpreted to mean “Heaven help us” but actually means “God is great.” The team was reportedly terrible.

(16) MAN OF BRONZE. MeTV invites you to “Check out the new James T. Kirk statue in the Iowa town sanctioned as the captain’s birthplace”.

During Trekfest XXXIV in Riverside, Iowa, a new statue was unveiled that pays tribute to Captain James T. Kirk. The statue is a life-sized bronze model of the Star Trek icon, and its the product of artist Jurek Jakowicz of Sioux Falls, S.D., and a slew of Trek fans in the Iowa community and beyond.

The idea for the statue, though, was sparked by a former Riverside councilman Steve Miller, who had a bigger vision for his town: to make it the properly sanctioned future birthplace of Captain Kirk. His efforts began in 1985 when he got in touch with Star Trek creator Gene Roddenberry, to ask if he would sign off on Riverside as Kirk’s official hometown. Roddenberry called the idea “enterprising” and gave Miller the OK.

KCII radio covered the dedication on July 4.

Thirty-four years later Miller helped unveil the lifesize bronze statue of Kirk at this year’s Trekfest. At the unveiling Miller shared about his journey making Riverside the future birthplace of Kirk and getting a statue made, “The statue, like I said, has been a goal for years. I had two goals, get a statue of William Shatner’s Captain Kirk and to keep Paramount Studios from suing me, and so far we’ve succeeded in both of those!”

(17) SPINNING SILVER. The Book Smugglers’ Thea James and Ana Grilo do a “Joint Review: SPINNING SILVER by Naomi Novik”.

Thea says:

…This is a nuanced, intricate narrative that plays with the most powerful fairy tale tropes, written in a grace that Naomi Novik alone can achieve. There are patterns throughout the story, three daughters, three wives, three lives intertwined by fate and determination to rise above the “destiny” carved out for each of them by men in their lives. I love that our perception of these characters–and the men around them–also changes over the course of the story. There are monsters, to be sure–Wanda’s father for one, and the fire demon within Tsar Mirnatius, for another–but what I love so much about this story is how everyone is more than what they initially seem. Even the cruelest winter king is given depth and humility, if not humanity, as the novel unfolds….

Ana says:

…For us as readers, we can only see what they see, and I was flabbergasted at how the author was able to twists their stories, the stories of the men around them, and myself around her little finger. The journey was excellent – in the way that the real story slowly unveiled itself in minutia, in gestures, in the things hidden in silence….

(18) THE LARD BE WITH YOU. Lissa Townsend Rodgers of Extra Crispy confesses: “I Made the Strangest Recipe in Vincent Price’s Cookbook”.

Published in 1971, Cooking Price-Wise contains wisdom like, “In the thirteenth century cheese was used as a substitute for cement in England, when the cheese got stale, that is. I don’t advocate keeping your cheese that long just to find out if it works.” Chapters on bacon, potatoes, and fish contain recipes that seemed exotic at the time. “People always seem afraid of food from other countries,” Price writes. He attempts to shake them out of their comfort zone with Fish Fillets Nord Zee, Moroccan Tajine [sic], and Biffes de Lomo Rellenos.

As I was scanning Cooking Price-Wise for a recipe to make, I saw two magic words—words that have been in many of my favorite dishes, but have never been put together before. I’m talking about bacon and mousse. Here is Vincent price’s recipe for bacon mousse….

(19) CRIMES AGAINST THE OZONE. The mystery release of ozone-layer-depleting chemicals reported on in File 770 earlier (see the 2nd half of item 11 here) has apparently been tracked down. The NGO Environmental Investigations Agency (EIA) is reporting that the banned chemical CFC-11 is being used as a “blowing agent” in the production of cheap insulation in China’s home construction industry. Quoting the BBC article “Ozone hole mystery: China insulating chemical said to be source of rise”

Researchers from the EIA, a green campaign group, contacted foam manufacturing factories in 10 different provinces across China. From their detailed discussions with executives in 18 companies, the investigators concluded that the chemical is used in the majority of the polyurethane insulation the firms produce.

One seller of CFC-11 estimated that 70% of China’s domestic sales used the illegal gas. The reason is quite simple – CFC-11 is better quality and much cheaper than the alternatives.

“We were absolutely gobsmacked to find that companies very openly confirmed using CFC-11 while acknowledging it was illegal,” Avipsa Mahapatra from EIA told BBC News.

“The fact that they were so blasé about it, the fact that they told us very openly how pervasive it is in the market, these were shocking findings for us.”

(20) ASK THE MAN WHO OWNS ONE. Adrian Tchaikovsky, 2016 Clarke Award winner, gives his rundown of this year’s finalists: “At the Eleventh Hour: The Arthur C Clarke Award shortlist 2018”. For example:

Dreams Before the Start of Time – Anne Charnock, 47North

Anne Charnock is having a good year, frankly, having already picked up a BSFA Award at Easter (and a good career, having been shortlisted for a Kitchie and a Phillip K Dick award previously). She’s a thought-provoking and insightful writer and Dreams is a very different sort of book to the others on the list. It’s a gentle look at three generations of several interlinked families over the next hundred years or so, and its focus is very much speculation about the family structure and child-bearing, how these things may change (entirely believably) in the near future, and what knock-on effects those changes could have….

(21) DITKO. NPR’s Glen Weldon pays tribute to the late comics genius in “Remembering Steve Ditko: Forget Kirby Dots, Let’s Talk Ditko Sparkles”.

First, let’s tick off those facets of his work that left such an impression on people.

First, his faces.

Or, technically, his fondness for their absence, in whole or in part.

Consider: Here was a guy who put his hero — and not just any hero, but freaking Spider-Man, whose whole deal is just how achingly, embarrassingly relatable, and friendly, and (not to put too fine a point on it) downright neighborhoody he is, in a full-face mask.

Let’s agree: That was a gutsy move. Sure, Batman had been around for decades, and his cowl covered something like 5/6ths of his big ol’ melon’s surface area, but Bruce’s chin and mouth were exposed, so at least you could see him grimace, or gasp, or smile (it was 1962, Batman still smiled back then). Comics are a visual medium — readers need to see the characters’ facial expressions to stay emotionally engaged.

But Ditko loved drawing inscrutable faces — masked, half-masked, or sunk in shadows….

(22) BREAKTHROUGH DELAYED. Yin Yijun analyzes “The Three-Book Problem: Why Chinese Sci-Fi Still Struggles” at Sixth Tone.

Liu Cixin’s epic trilogy was expected to take Chinese science fiction into a new era, but the genre is still far from its lofty ambitions.

…The editors and Liu opted to serialize “The Three-Body Problem” in Science Fiction World, which at the time had a 200,000 nationwide circulation. They were worried that Chinese readers wouldn’t be especially interested in sci-fi compared to other literature genres, but hoped that “The Three-Body Problem” could open up a new chapter for Chinese sci-fi.

And it did — for a time.

In 2015, the first installment of “The Three-Body Problem” trilogy won the prestigious Hugo Award for best novel, triggering media coverage and large-scale public attention — including, famously, an endorsement by former U.S. President Barack Obama. It increased the profile of Chinese sci-fi both domestically and internationally, and raised the possibility that sci-fi could finally extend beyond the pages of novels. In 2014, after the English-language translation was published, Chinese movie production house Yoozoo Pictures announced that it would adapt the series into a six-part motion picture.

But the much-hyped movie never happened. Filming took place in the first half of 2015, and the first movie was scheduled to premiere in July 2016. Over the past three years, the schedule has been continuously pushed back, in part due to sky-high expectations for visual effects and an unexpected company restructure.

There’s been no news recent news about “The Three-Body Problem” movie, but after a report in March that Amazon’s on-demand service planned to create a television show of the series, Yoozoo reiterated that it was the franchise’s legal copyright holder for all types of adaption. At a group interview with Sixth Tone and other media outlets during the anniversary meeting, Liu — who is serving as the project’s chief consultant — directed all questions about the movies to Yoozoo. For now, “The Three-Body Problem” remains hamstrung by its lack of visual depictions; it can hardly monetize certain aspects of the stories like international franchise “Star Wars” has been able to do with lightsabers if there are no movie or game representations.

[Thanks to John King Tarpinian, Vicki Rosenzweig, StephenfromOttawa, Jonathan Cowie, Carl Slaughter, Andrew Porter, Chip Hitchcock, Martin Morse Wooster, JJ, Mike Kennedy, Alan Baumler, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 7/8/18 My Friend, Can Your Heart Stand The Shocking Facts Of Pixel Scrollers From Outer Space?

(1) CASH THEFT AT MONTREAL COMIC CON. Peter Chiykowski, creator of Rock, Paper, Cynic, told fans that thieves took over $1,000 from his booth at Montreal Comic Con on July 7. He has written a long post on Facebook about the theft, its toxic emotional impact on him, plus a full description of the three perpetrators, who have hit other vendors, too.

Peter Chiykowski and Husein Panju at Montreal Comic Con booth.

Yesterday an organized group of thieves stole about $1,000 cash from my booth at comic con. (Fellow vendors: details at the bottom about how to recognize them and fight back.)

I’m feeling a lot of things right now. Angry. Hurt. Defeated. Spiteful. Grateful to all the people who helped me in the aftermath, including friends and fellow vendors and comic con staff.

…They stole $1,000 in 30 seconds.

I was one of about 4 booths they hit in an hour. I seem to have been hit the hardest. Apparently this is the 3rd con they’ve done this at.

This year has been personally terrible for me. There’s been a lot going in my personal and professional life that I haven’t discussed and that has made this by far the low point and most difficult and financially strained year of my career. On the way to this show I was very seriously questioning if I want to keep doing this.

I can’t help feel like yesterday was a sign. A big fuck you, because no matter how hard I work, there will always be shitty people who can take it away.

I am going to move on from this, because I have to move on from this, and in the grand scheme of my life, $1,000 is far from the biggest thing I’ve lost….

Rodney Valerio has set up a fundraiser with the goal of replacing the thousand dollars that was taken: “Peter’s Rock, Paper, Cyncic Dream”.

(2) SMOFCON SCHOLARSHIPS OFFERED. CanSMOF Inc. is taking applications for three scholarships for convention runners to be used towards the cost of attending SMOFcon 36, to be held in Santa Rosa, CA, November 30-December 2, 2018. SMOFCon is the annual convention about organizing Science Fiction conventions.

  • The first Scholarship of up to 500 CAD is open to a Canadian citizen or resident involved in running conventions with a preference for those who have not previously attended a SMOFCon.
  • The second scholarship of up to 1000 CAD is open to anyone not residing in North America, involved in running conventions with a preference for those who have not previously attended a SMOFCon.
  • The third scholarship of up to 500 CAD is open to anyone involved in running conventions, regardless of their place of residence with a preference for those who have not previously attended a SMOFCon.

Preference will be given to fans who have not previously attended a SMOFCon, but this is not necessary to be an applicant. The submission deadline is September 9.

To apply for a scholarship, follow this link: https://goo.gl/forms/4rNPJbZ7f2Vx1NMJ2

(3) KEPLER NEARS RETIREMENT. On July 6, NASA announced that they have put the Kepler space observatory in a “no-fuel-use safe mode” in preparation for downloading data from what may have been the final Kepler observational campaign. Kepler has been very successful at finding exoplanets (both confirmed and candidates) since commissioning in 2009. After 2 of the 4 reaction wheels failed (the second in 2013), the mission was replanned to use thrusters as well as the remaining reaction wheels to point the telescope. Now, however, thruster fuel is critically low. NASA currently “expects it to run out of fuel in the next few months.”

NASA plans to take Kepler out of safe mode on August 2. It will then be commanded to reorient and point its high-gain antenna at Earth so data currently stored onboard can be downloaded. This reorientation maneuver uses significantly more fuel than observation mode and NASA notes that, “Returning the data back to Earth is the highest priority for the remaining fuel.” If the download is successful, NASA will command one more observation campaign (the 19th), to begin 6 August.

(4) WONDER WOMAN DROPS BY. Syfy Wire, in “’Wonder’-ful surprise: Gal Gadot visited a children’s hospital in her full Wonder Woman costume”, reports Wonder Woman actress Gal Gadot made a surprise appearance at Inova Children’s Hospital in Annandale VA on Friday 6 July… in her full battle armor costume.

Surgeon Dr. Lucas Collazo posted a photo to his Twitter account of Gadot posing with nearly a score of staff members and thanking her for brightening the day of many of the children (and staff).

Other pics were posted on Twitter (@WonderWomanHQ) and on Reddit (/u/oligarchyoligarchy). Gadot was apparently in the area while shooting Wonder Woman 1984, the upcoming sequel.

(5) PREMIERE. The Verge posted an excerpt of Rich Larson’s debut novel from Orbit: “A transgender girl rises up against alien invaders in Rich Larson’s novel Annex”. Previous work from Larson includes short genre fiction in Apex Magazine, in Clarkesworld Magazine, at Daily Science Fiction, on Tor.com, and in the anthology War Stories: New Military Science Fiction.

Later this month, Rich Larson will publish his debut novel, Annex, the start to his Violet Wars trilogy. The book is set in the aftermath of an alien invasion, and follows Violet, a transgender girl who has escaped capture and discovered that an alien parasite has given her strange powers. The aliens have tagged the adults of the world with a device that leaves them in a zombie-like state. She and a group of children called “Lost Boys” struggle to survive in order to take the fight back to the otherworldly invaders.

(6) SF V. LITERATURE. Gautham Shenoy interviews Adam Roberts in his 100th sff column for Factor Daily: “‘We’re Winning the War’: A Q&A with SF writer, critic and historian, Adam Roberts”.

Shenoy: I remember a few years ago, Kim Stanley Robinson angrily (I’d presume) calling the judges of the Man Booker Prize ignorant for ignoring science fiction, singling you out as the author who should’ve won that year, for your book, Yellow Blue Tibia. How did that make you feel? Which leads me to the second part of this question, where do you stand on this ‘literary apartheid’ if I can call it as such, where the ‘literary establishment’ tends to ignore if not sneer at ‘low brow’ science fiction, which in turn one could say has become ghettoised.

Roberts: Stan was being kind (really, incredibly kind and flattering) rather than wholly accurate when he said that. I’m never going to win the Man Booker, and I’m content with that. By the same token, I wonder if the ghetto doesn’t figure the opposite way to how it’s often invoked. It’s not that SFF is a ghetto inside the glorious city of ‘Literary Fiction’, but the reverse. “Literary” novels sell abominably badly, by and large; popular culture in the main belongs to SF and Fantasy, eighteen of the top twenty highest grossing movies of all time are SFF, everybody recognises SFF icons and memes, and not only popular bestsellers like Andy Weir’s The Martian but the best in contemporary experimental fiction is now SF. Nicola Barker’s Goldsmith’s Prize-winning H(a)ppy is SF; Kim Stanley Robinson’s own New York 2140 is as stylistically and formally innovative as Dos Passos, and so on. We’re winning the war.

(7) NEWS TO ME. Fafnir – Nordic Journal of Science Fiction and Fantasy Research is “a peer-reviewed, interdisciplinary academic journal published by the The Finnish Society for Science Fiction and Fantasy Research.”

Fafnir aims at serving as an international forum for scholarly exchange on science fiction and fantasy and for discussion on current issues on the field. Fafnir welcomes contributions from a wide range of perspectives.

(8) TRIBUTE TO DITKO. Sam Thielman, in “Steve Ditko’s Genius Made Him Something He Disdained–A Beloved Celebrity” in The Daily Beast, offers an appreciation of Ditko, and explains that many comics fans made the trip to 1650 Broadway, Suite 715 (an address that was in the phone book) only to find that Ditko refused to give interviews to anyone, including Neil Gaiman, who left Ditko’s office with a bag of comics and no interview.

For this beloved artist, the focus was entirely on his work, and he wanted other people’s focus there, too. “I never talk about myself,” he said when his own editors asked for a promotional interview after he’d created a new character, The Creeper, for DC Comics in 1974. “My work is me. I do my best, and if I like it, I hope somebody else likes it too.”

Pretty much everybody else did like it. There is a peculiar grammar to comics, a way that one panel suggests the next panel, that is ephemeral and hard to learn; some people intuitively understand it and reading their comics is like watching actual movement. Ditko is their patron saint.

(9) VANZINA OBIT. Carlo Vanzina (1951 – 2018): Italian screenwriter and director, died July 8, aged 67. Often collaborated with his brother Enrico. Genre work included Nothing Underneath (1985), A spasso nel tempo (1996), A spasso nel tempo – L’avventura continua (1997), 2061: Un anno eccezionale (2007).

(10) COMICS SECTION.

  • Why are UFO sightings down? Mike Kennedy learned the answer in Brewster Rockit.

(11) SHE LIGHTS UP THEIR LIVES. Mark Jenkins in the Washington Post reports on a forthcoming concert by Hatsume Miku, who is a hologram (her name means “first sound of the future” whose manga-loving fans have composed 100,000 songs in at least five languages for her, some of which have gotten 25 million hits on YouTube. “This singer is part hologram, part avatar, and might be the pop star of the future”.

When Japanese pop idol Hatsune Miku makes her Washington debut at the Anthem on Thursday, fans will be asked to use the official glow sticks for sale at the show instead of the regular brighter ones. The thing is, if too much light shines from the audience, Miku might simply disappear.

That’s because Miku is a hologram — at least when she performs in concert, backed by a quartet of flesh-and-blood musicians. She’s also an anime character, a video-game avatar, a bundle of sophisticated “vocaloid” code and a fascinating experiment in crowd-sourced pop art.

(12) AN INCREDIBLE NUMBER. ComicBook.com has pointed out that Incredibles 2 is about to set a record—the highest domestic gross for an animated film. According to BoxOfficeMojo’s Domestic Gross table, as of 5 July 2018, I2 was sitting at $475,361,414 (and #13 overall for all films), just behind Finding Dory at $486,295,561.

On the other hand, I2 would have a long way to go to gain the same distinction internationally. On BoxOfficeMojo’s Worldwide Gross chart, Frozen is the highest ranked animated film (#12 overall; $1,276.5 million) while I2 is way down the rank (#109 overall; $693.4 million). Animated films between them include Up (#96), Monsters University (#94), Madagascar 3 (#91), Shrek Forever After (#89), Maleficent (#85), Shrek the Third (#74), Coco (#73), Inside Out (#63), The Secret Life of Pets (#57), Ice Age: Continental Drift (#56),  Ice Age: Dawn of the Dinosaurs (#52),  Shrek 2 (#49), Finding Nemo (#45), The Lion King (#38), Despicable Me 2 (#37), Zootopia (#32), Finding Dory (#29), Despicable Me 3 (#27), Toy Story 3 (#23), and Minions (#16).

Of course, when adjusting Domestic Gross for inflation, no animated film can beat out Snow White and the Seven Dwarfs (#10 overall) or even 101 Dalmatians (#12 overall). And those two films together don’t add up to the inflation adjusted Domestic Gross for #1 Gone with the Wind. [Item penned by  Mike Kennedy.]

(13) SDCC PROGRAM. Comic-Con has released its program. They’ve finally found something for all the Hollywood lawyers to do.

(14) ELLISON TRIBUTE AT SDCC. San Diego’s Comic-Con International also will host a panel discussion about the late Harlan Ellison on Sunday at 3 p.m. in Room 6DE.

Josh Olson, Bill Sienkiewicz, William Stout, Erik Nelson, Steve Barnes, Nat Segaloff, Jude Meyers, Scott Tipton, J. K. Woodward, Christine Valada, Jason Davis will honor the memory of Harlan Ellison and the lasting effects of his work.

(15) PIERS ANTHONY ON ELLISON. Piers Anthony devotes a long section of his latest Newsletter to reminiscing about Ellison.

Yet there are limits. When Harlan made comments that could be dangerous to my career, I wrote to him privately saying in essence that I did not want trouble with him, as we were on the same side in so many cases, but if he repeated some of the things in print I would have to take legal action to protect my reputation. He was dismayed, listing three things that I should have said and had not. I replied by quoting all three things from the first page of my letter. Again he had accused me without cause. It was apparent that he was incorrigible, simply not capable of getting such things straight; he was a loose cannon, possibly more dangerous to friends than to enemies. Strike Three. I decided to disengage. “Fare well, Harlan,” I wrote, and cut him off.

[Thanks to Steve Green, Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Carl Slaughter, Martin Morse Wooster, Mike Kennedy, Andrew Lipitak, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Brian Z.]

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions #32

Photo by Barbara Alper/Getty images

Remembering: Harlan & I

By Chris M. Barkley

“Awareness and Kindness are the only sacred things.”
– Harlan Ellison

On May 14, 2018, Tom Wolfe died.

Most of you reading this know him as the author of The Right Stuff, a nonfiction chronicles of test pilots like Chuck Yeager and those who came after him to become the Mercury, Gemini and Apollo astronauts. Astute fans also know he was on the vanguard of “new journalism” of the 1960’s (The Electric Kool-Aid Acid Test) and wrote several novels of note (The Bonfire of the Vanities and A Man in Full).

There were eulogies, obituaries and tributes galore. There is no doubt in my mind that Tom Wolfe’s literary legacy is well assured.

On May 22, 2018, Philip Roth died.

Mr. Roth had an extraordinary literary life; a winner of the National Book Award and the National Book Critics Circle awards twice each, the Pulitzer Prize for fiction and the PEN/Faulkner Awards three times. His 2004 novel, The Plot Against America, was given the Sidewise Award for Alternate History In Time in which American hero and Nazi collaborator Charles Lindbergh defeats Franklin Roosevelt to become the President in 1940, with dire results. The waves of accolades and praise for Roth and his works came, all well deserved.

And then, on June 28, Harlan Ellison died.  And to me, seems as though the entire world just suddenly STOPPED in its tracks to pay tribute to this man, this splendid wordsmith.

It had been a very busy day. I woke up at 3 a.m. to take over the counter meds for the slight rotator cuff tear in my right shoulder (and NO, I will not be back in time for the playoffs, thank you very much for asking!).  At 7:20, I was up and listening to NPR’s Morning Edition (which my partner Juli and I have humorously nicknamed “Damage Report”), preparing the morning coffee, chai and a cat food feast for four hungry faces.

I was watching that day’s first World Cup match (Senegal vs Columbia) when I received an urgent call from my neighbor, Lillian. If you were to google a casting call image of a little old lady, ninety-five year old Lillian’s face would likely appear; frail, five foot one, probably ninety pounds soaking wet with the sweetest smile and a New York accent to die for. She adamantly insists on living by herself and manages to do so under the watchful eyes of Juli and I and her numerous in-laws and grandchildren.

“Oh, I hate to bother you,” she said, “but could you come over and have a look at the blinds upstairs? I think they might be broken.”

Well, of course I could. Because that’s what good neighbors do. And besides, I am a former Boy Scout of America and I have been mostly home since I stopped working at the bookstore over a year ago. So while Columbia was busy fending off Senegal, I was measuring her blinds to be replaced because the plastic inner mechanism had finally become so brittle and dry, it gave up the ghost. She fretted about replacing all three sets of shades in the room (because she wanted them to match) but I assured her that when she and her granddaughter returned from Home Depot later in the day, I could easily handle them.

After watching Columbia defeat Senegal 1-nil, it was time to pick up my two-and-a-half-year-old granddaughter, Lily, from pre-school. As many of you have seen from photographs posted here, she is a lively, smart-for-her years imp of a little girl. When I picked her up and bundled her into the car, she demanded her toys that are usually littered about the back seat, a pair of plastic dinosaurs (a stegosaurus and velociraptor), a tiny albino Bengal tiger and a small waterless coloring board. And once we’re underway, as she is regularly wont to do, she deftly removes her socks and shoes and settles back in her car sear for some serious singing, playing and some occasional comments about my driving abilities.

Thirty minutes later, Lily was protesting being put down for her nap, even though this has been a part of her daily routine for the past year and a half. But she’s more tired than she realizes and is soon fast asleep. And in the meantime, I asked the household’s Alexa to dial up NPR’s Here and Now for the latest news. Now it’s my turn to fret; the border crisis, the upcoming tariffs on foreign trade and the continuing analysis of the Supreme Court decisions and the speculation on who will replace Justice Anthony Kennedy dominate that day’s show.

Lily’s mom Beth came home an hour and a half later. I headed back to the house and had settled into watch the evening match in Kaliningrad between England and Belgium when I get the call from Lillian about her blinds. I went next door immediately. “I don’t want to keep too long,” she said, so she insisted I only replace the broken blind and the rest could wait until tomorrow. It took less than ten minutes and  she pronounced the work, “beautiful”.

I had just sat down on my mushroom-shaped chair to check my email when I saw it.

Right above an announcement about breaking news event about a mass shooting at a newspaper in Annapolis, there was an email from Variety with the headline: “Harlan Ellison, Sci-Fi Writer Who Contributed to ‘Star Trek,’ ‘Babylon 5,’ Dies at 84.”

My heart shuddered.

The world fell away.

I took my glasses off and openly wept.

It had finally happened and for several minutes I tried to take it in and comprehend what I had just read.

He was gone.

I had contemplated calling Harlan on his birthday in May but demurred, first because I truly did not know the state of his health and did not want to bother him unduly. I discarded the idea completely when I heard that his good friend, fellow author and editor, Gardner Dozois, had died earlier in the day. There was no way Harlan nor could his lovely wife Susan entertain the idea of a call from me. It felt like a terrible idea. So, I let it go I have no regrets.

I noodled around online looking for more information but after a while, I became fatigued with grief. I went to lie down on the bed and did so until my sweetheart and partner Juli came home from work. She had heard the news, too.  She had never met him but she knew only knew of him by his reputation and stories that she had read about him over the years. Her opinion of Harlan was quite neutral but she also knew how deeply I felt about him. “What do you want to do?,” she asked in a soft, knowing voice.

It was Thursday, which was trivia night at one of our favorite brew houses, The Casual Pint. I asked myself, what would Harlan and Susan do? They would probably say that life was the living and that moping around wasn’t going to do the dead or you any good.

So I chose to get off my ass. “Let’s go,” I said.

On the way down the highway, we received a text from Juli’s son-in-law, Tim; he wanted to go out that evening with our granddaughter Lily but couldn’t because Beth accidentally took his car keys with her to work. Since we both knew he loved craft beers, we called him, changed course and picked them up.

We arrived at The Casual Pint just in time; our team leader, a retired insurance adjuster named Ed, had already submitted our usual team name, “Mr. Peabody’s Way Back Machine.” Tater tots, cider, beer and brats were ordered and the game was on.

There are six rounds of general knowledge questions, with each question separated by a soundtrack of cheesy rock and pop songs that lasted around three to four minutes. Cheating with smart phones was not allowed.

We were playing against an overwhelmingly millennial crowd. Between Juli, Tim, Ed and I, we kicked their little tushes back to grade school with 93 total points, thirty more than our nearest opponent, “Mr. Peabody’s Way Forward Machine.” Our prizes were $25 in gift cards shared among us, a brand new FC Cincinnati t-shirt for me and two tickets to the Saturday game with the Ottawa Fury, which we gave away to a couple who just moved to Cincinnati from Washington state just days earlier.

That felt good. And I felt alive, well and connected to the world once more.

My first encounter with Harlan Ellison’s work began in the summer of 1971. That was when my geeky new friend, Michaele, came home from college. I was heavily in to comics and loaned her some essential issues from my DC and Marvel collection. She, in turn, gave me a hardcover book club edition of the World’s Best Science Fiction 1970, edited by Terry Carr and Donald Wollheim. It was (and still is) filled with fine stories by Richard Wilson (“A Man Spekith”) Fritz Lieber (“Ship of Shadows”), Ursula K. Le Guin (“Nine Lives”), Robert Silverberg (“After the Myths Went Home”), Norman Spinrad (“The Big Flash”), James Tiptree, Jr. (“Your Haploid Heart”), Suzette Haden Elgin (“For the Sake of Grace”) and Larry Niven (“Death by Ecstasy”), among others.

But as I perused the table of contents, my eye was drawn to a singularly titled story, “A Boy and His Dog” by one Harlan Ellison, a writer I had never heard of before. Out of all the titled stories, for some unknown reason, I chose the story with the simplest, least ornate title.

Curious, I began to read. And damn, I was richly rewarded.

There may be some of you reading this have never had the pleasure of reading Harlan’s Nebula Award winning novella. I have no intention of recapping the plot of this well-known story. From its deceptively benign beginnings to its jaw dropping ending, I will only state that I was not the same person who began reading that story. And I must say, before I read “A Boy and His Dog”, my fourteen-year-old brain could not contemplate the possibility of sex being written in a prose style that could be interesting, arousing or heart-rending in ANY way.

Soon thereafter, I discovered that this remarkable writer had written some very memorable stories; “’Repent, Harlequin,’ Said the Tick-Tock Man”, “I Have No Mouth and I Must Scream”,  “Delusion For a Dragon Slayer” , “Paingod” and “The Beast That Shouted Love at The Heart of the World.”

If I were to compare Harlan to a baseball pitcher, I couldn’t do it, it would have to be at least a minimum of THREE; the fastball of the Cleveland Indians’ Bob Feller (of whom I have no doubt Harlan followed as a kid), the self-assured goofiness of journeyman knuckleballer Jim Bouton and the determination, cunning, intelligence, sheer skill and intimidation factor of the St. Louis Cardinals’ Bob Gibson, who would throw at your eye teeth if you tried to dig in at the plate.

The day after Harlan Ellison died, I saw a Facebook post in which the writer (whom I am protecting from the wrath of the internet by not naming), praised him as a writer but then turned around and stated that due to his manic behavior and explosive personality, his collective works were probably the product of a “idiot savant”.

What?

Oh, HELL NO!

These were the works of a restless and assertive man, always striving to be better, do better and most importantly, DEMAND better of himself, his friends and acquaintances and the world at large. And if this worldview did not coincide with your interests, you were going to have problems with Harlan Ellison. And he had problems with a lot of people.

Harlan and I were born at the opposite ends of Ohio; him in Cleveland in 1934 and me in Cincinnati twenty-two years later. And although each city has a long, adversarial history of sniping at each other, I never got a negative vibe from him about that. In fact, Harlan spent many a summer in the 1950’s attending Midwestcon, a relaxacon (a non-programmed convention) based in the Cincinnati area.

This convention, coincidently, is also where, in the summer of 1976, I discovered fandom (a full account, 13,000 plus word account of which was previous published in File 770 in 1997) but Harlan had long since stopped attending.

I found out that Harlan drew from his boyhood memories and experiences from glancing at a map of Ohio the other day. He grew up in the small town of Painsville (oh, the irony), which is approximately thirty miles northeast of Cleveland.

Now (unfolding the map), starting from Painsville, follow Ohio State Route 2 southeast twenty-six miles to the southwest, where it merges with I-90, past Euclid…Do you see it?

Bratenahl. That happens to be the last name of Harlan’s reporter protagonist in his richly vivid screenplay adaption of Isaac Asimov’s I, Robot. A coincidence, you say?  Not a chance!

And there, to the south, running right through US 422, is Solon. I’m pretty sure he used that town’s name somewhere in his corpus of works. Are there more little gems out there waiting to be discovered by literary detectives and scholars decades from now? Most assuredly, I think.

Reading Harlan Ellison was one thing. Encountering Harlan Ellison in person was like stepping through a portal into an alternate, whirlwind dimension…

One of the people I met and befriended at that first Midwestcon was now Professor Emeritus Joseph Patrouch of the University of Dayton. He was also instrumental in bringing Harlan to town in November of 1977 for an event on campus. Not only did Joe send me an invitation, I also got to tag along to have dinner with him beforehand at a nearby restaurant.

Much of that evening has become a hazy blur over the years but I do remember him being very friendly and gracious to me when I was formally introduced to him (I saw him previously in May at Kwintus Kublius, a sf convention in Nashville) and the dinner was punctuated with stories and laughter.

The event itself was electrifying; a reading from a story he had just completed, punctuated by some searing commentary about America, the evils of contemporary television, some rather pointed statements about abysmal state of students and youth culture he was encountering during the lecture tour and the somewhat tenuous state of the world  at that moment.

Harlan spoke loudly, forcibly and most importantly, with an enormous amount of vigor and passion. Anyone who has ever witnessed his lectures, signings or public performances knows EXACTLY WHAT I’M TALKING ABOUT.  To anyone who was receptive, his speeches, observations and pronouncements left you in turns, angry, sad, amused, shocked and overwhelmed. And informed, always informed. (Well, at least to his point of view; merely agreeing with him was, in my estimation, lazy thinking.” Don’t believe me”, he would always say, “find out for yourself and forge your own, informed opinions.”) .

Harlan’s enthusiasm was infectious. If anyone in that audience that night had an inkling of becoming a writer, they were certainly given a powerful impetus to do so that evening. At least, I hope they did. I know that is was true for me.

In his 1980 non-fiction tome on horror Danse Macabre, Stephen King invited Harlan to describe his work in his own words. He said, “My work is foursquare for chaos. I spend my life personally, and my work professionally, keeping the soup boiling. Gadfly is what they call you when you are no longer dangerous; I much prefer troublemaker, malcontent, desperado. I see myself as a combination of Zorro and Jiminy Cricket. My stories go out from here and raise hell. From time to time some denigrator or critic with umbrage will say of my work, ‘He only wrote that to shock.’ I smile and nod. Precisely.”

Over the years, I have tried to emulate his code of ethics; if you see something wrong, speak up, help if you can help, do not suffer fools gladly, never settle for the mediocre in yourself or anything you do, don’t be a slave to what’s fashionable, do vote in elections and, if you accept help, pay it forward to the next person.

To be sure, Harlan didn’t always follow his own sage advice; I have read and heard about his infamous temper, which sometimes got the better of him with his dealings with fans, television and film executives, fellow authors, editors, publishers and just plain folks. I have never truly felt his wrath mostly because I closely listened and learned. Over the first few years that I knew him, I learned that there were certain odious subjects and red zones that I was never going to broach with him; his previous marriages, Richard Nixon, Star Wars (the films or the missile defense “scheme”), Gene Roddenberry and The Last Dangerous Visions.

By now you have either heard of, read or re-lived some of the more infamous true incidents; the dead gopher, the slugging of tv producer Adrian Samish, the testy encounter with Frank Sinatra, being dismissed from the Walt Disney studio after less than a day on the lot, the Starlost debacle, the I, Robot debacle, what the pseudonym “Cordwainer Bird” really means when he uses it, the bricks that were mailed to a publisher (intentionally sent with postage due, mind you), the physical assault on author Charles Platt at the 1985 Nebula Awards banquet, forcing James Cameron to admit that some of the story material in the making of the Terminator films were actually Harlan’s and the successful settlement of a lawsuit against AOL for infringement and the illegal distribution of his works online by its users.

And then there was the 2006 incident with Connie Willis at the Worldcon, which I’ll delve into that a little further along.

Over the past forty-one years, I had the privilege of experiencing a parade of encounters with Harlan Ellison.

In early May of 1977, I was sitting in the audience of Harlan’s Guest of Honor speech at the aforementioned sf convention in Nashville. He read his soon to be published (and future Hugo Award winning short story), “Jeffty Is Five” and soon after, was regaling us with stories about running away with the circus in his youth and the entertainment of that era, that included the last vestiges of the vaudeville era and minstrel shows. Several in the audience called out for him to sing a song and he was about to do so when his eyes swept to room and came resting directly on me, the only African-American person in the room. He stopped, raised his hand and said, “No. Sorry folks, I can’t do that. We have a gentleman in the audience who might object.” And everyone then expectantly turned to me.   I, in turn, said, “Hey, well, you know…”

Silence.

And Harlan smiled and put an end any thought of doing a THAT kind of song and that was the end of it. And I was grateful, then and now, that he had taken the time to notice me and took time to take my feelings into account.

The very next year Harlan was the GoH of the Iguanacon, the 36th Worldcon that was held in Phoenix, Arizona. This was my second Worldcon and the journey by air was the furthest I had ever been from my home by myself. I remember that stepping from the Hyatt Regency entrance onto the street was like entering a blast furnace. The convention center was several hundred yards away across an open plaza and there were several times that I was sure quite sure the gym shoes would melt from the walk on the pavement.

Parked just outside the hotel there was a huge mobile home Harlan had rented for the occasion. He was ensconced there as a protest against the Arizona state legislature for not passing the Equal Rights Amendment (which, as of July 2018, the Republican majority in both houses were still actively blocking).

At one point during the proceedings, wandered into the hotel lobby where Harlan was sitting in a transparent tent, writing a story for everyone to see.  As I sat down to watch this spectacle, unfold, I found myself sitting next to and becoming acquainted with one of Harlan’s close friends, author Norman Spinrad. It was an unforgettable experience.

In 1994 I was in the midst of my first go round working at my dream job as an employee of Joseph Beth Booksellers, one of the best independent retail book outlets in the country. When Harlan’s illustrated version of his 1978 screenplay for Isaac Asimov’s I, Robot was published later that year, I immediately chose it as my staff pick. To further promote the book, I called Harlan and set a time for him to call the store for a phone conference book club. Twenty-five people showed up as Harlan patiently explained his lifelong friendship with Asimov, the genesis of the project and detailed why the script would probably never be put into production.

(Note: The abominable 2004 version starring Will Smith, directed by Alex Proyas and mostly written by Akiva Goldsman over the vigorous objections of the original screenwriter, Jeff Vintar, had NOTHING to do with Asimov’s book. The late film critic Roger Ebert wrote, ”The plot is simple minded and disappointing, and the chase and action scenes are pretty much routine for movies in the sci fi CGI genre.” Ebert was also an ardent sf fan, had read I, Robot  and it’s more than likely he knew about Harlan superior screenplay. I tried watching it once on cable and turned it off after ten minutes. One day, I would like to ask Smith, who took an executive producer’s credit, whether or not he read or knew about Harlan’s script with the same name…)

A few days after the event, I got a call from Harlan thanking me again for the opportunity to talk some intelligent fans of his work. He also wanted to ask a favor; could he order a book on dinosaurs that had just been published? Not only did I order it, I gave him a 20% discount and free shipping to boot. Because that’s what friends do for each other.

Friends also help friends get nominated for the Nobel Prize in Literature.  In 2004, I did just that.

I have held a longstanding grudge against the Swedish Academy’s Literature Committee, for not only snubbing American writers like the late Philip Roth and the very much alive Joyce Carol Oates, but brilliant fantasy and sf writers like Jack Vance, Guy Gavriel Kay, Margaret Atwood, Samuel R. Delany, Ursula K. Le Guin and…Harlan Ellison.

I was going to send each of the fifteen sitting member of the Literature Committee a copy of the thirty-five year retrospective of The Essential Ellison to get their attention but it proved to be very cost prohibitive and also out of bounds, rules wise.

The rules as it turned out, were very simple:

Qualified Nominators

The right to submit proposals for the award of a Nobel Prize in Literature shall, by statute, be enjoyed by:

1. Members of the Swedish Academy and of other academies, institutions and societies which are similar to it in construction and purpose;
2. Professors of literature and of linguistics at universities and university colleges;
3. Previous Nobel Laureates in Literature;
4. Presidents of those societies of authors that are representative of the literary production in their respective countries.

Harlan was not out of the loop; I called him very early in the process and when I told him what I was up to, there was an incredulous cry of “WHHAAAAAAT!” on the other end of the phone. But once he calmed down, he was very much on board to make it happen.

Somewhere in my National Archive-sized rental storage unit, I have a copy of a letter from a professor (whose name, alas, I cannot remember at this moment) who taught at Northern Kentucky University and was a huge fan of Harlan’s. I found him by querying around local writer’s groups and schools for a volunteer to contact the Swedish Academy.

He readily agreed to write an official letter and simultaneously email the Swedish Academy with the nomination. When that was done, I would send out an officially approved press release announcing the nomination to all of the major newspapers

Well, the morning the professor sent word that the email had been sent, I first alerted the gang with a detailed post at Unca’ Harlan’s Art Deco Dining Pavilion with the good news. For a good long while, this website was the only place to contact him or his legions of friends and acquaintances online. I was within minutes of sending out the press release when I received several emails begging me NOT to.

Puzzled, I asked why and several correspondents explained that the Academy frowns upon public displays or announcements about nominations. So sending out that email would have practically ended any consideration of Harlan’s work for a Nobel Prize.

With a heavy heart I called Harlan later in the morning with the news. “I know kiddo, I know,” he said with some sadness in his voice. “But,” I said, “you still have the nomination. You just can’t talk about it.”

He gave a chuckle and thanked me profusely for my efforts. I’d like to imagine that at the very least he called up Robert Silverberg exclaiming, “Hey, GUESS WHAT I HAVE that you don’t?”

I celebrated my 50th birthday at two years later at L.A.con IV, the 64th World Science Fiction Convention. It was memorable in many, many ways. For good and for naught, as it turned out.

I met up with Harlan and Susan in the Green Room just before his first panel of the day. I came in part to present him with a signed and framed copy of the professor’s Nobel Prize nomination. Susan accidentally spilled some coffee on me and Harlan was mortified even though there wasn’t too much damage done to my pants or leg. As he graciously signed a few books I brought with me, actor Robert Picardo came by to see them. I stepped aside, said farewell and went about my assigned duties in the Press Office.

I met UK author Paul Cornell and gave him an embarrassingly long hug for writing this Hugo nominated Doctor Who episode, “Father’s Day”. The dealer’s room and art show were enormous. There was a marvelous dinner at a Bucca di Beppo’s , a franchise I had never heard up until then of and seemed to me to be solely dedicated to killing off its customer base several thousand calories at time.

At the Business Meeting, Tor editor Patrick Nielsen Hayden and I shook hands as the members voted to split the Best Editor award in two; a Long Form category for the editor of at least four novel-length works and a Short Form category for the editor of at least four anthologies, collections or issues of magazines. (This turned out well for Patrick; he won the first Long Form award a year later at Nippon 2007 and received a wondrous award that featured the traditional Hugo rocket, Mt. Fuji and Ultraman!)

Then there was the Hugo Awards Ceremony on Saturday night. As a staff member of the Press Office, my primary job that evening was wrangle the group 30 or so journalists covering the event. I had them seated in several rows in an area just to the left of the stage. No more than forty feet away from the elevated stage.

I remember that the ceremony was going very well. Connie Willis was the Mistress of Ceremonies. When it was time for the Best Short Story to be awarded, Harlan came ambling on stage to present it.. Mind you, his appearance was not much of a surprise because the short story was his favorite medium to work in and the award has near and dear to his heart.

What happened next…

When I watched a You Tube video of the incident for this tribute was painful and took a great deal of effort because having seen it live and in person once was quite enough for me. It felt surreal. Harlan comes out. They start a humorous exchange and then Harlan puts the head of the microphone, foam and all INTO HIS MOUTH and goes into a weird “babyman” shtick, babbling and well, then, see for yourself:

As I was sitting there, I my mouth gaped open and I said to myself, did I just see what I just saw? There were some audible gasps from around me but, as you can see, it happened so quickly and as you saw Connie Willis left the stage without further incident and Harlan went on to present the award.

Needless to say, things got crazy. Harlan was roundly pilloried and condemned. Everyone had an opinion. A day after the convention closed, I had not read nor heard anything from either party about the “incident”.  Then, on the following Tuesday, the following query was posted on the Unca Harlan’s Art Deco Dining Pavilion:

Anne Batik, Aberdeen, UK – Tuesday, August 29 2006 7:43:46
WorldCon awards ceremony
For the record: I’ve met Mr. Ellison, had a conversation with him, and liked him. I found him intensely funny. I respect his work –a lot– the man is a great writer.

But grabbing Connie Willis’s breast is NOT ok, and people being upset over it is perfectly legit, not just “a bunch of fen in a snit.” Grabbing any woman’s breast, uninvited, much less a professional author of equal stature, in public, just because he wanted to I guess — is **NOT OK**. He really ought to issue Ms. Willis an apology. Period. He has no excuse. That is not how you treat women and not how you treat a colleague.

The man I met ten years ago had more class than that, even though he enjoyed being abrasive. What the heck happened?

Harlan responded a few hours later:

  • – Tuesday, August 29 2006 12:19:50
    REPLY TO LYNNE BATIK:

Would you believe that, having left the Hugo ceremonies immediately after my part in it, while it was still in progress … and having left the hall entirely … yet having been around later that night for Kieth Kato’s traditional chili party … and having taken off next morning for return home … and not having the internet facility to open “journalfen” (or whatever it is), I was unaware of any problem proceeding from my intendedly-childlike grabbing of Connie Willis’s left breast, as she was exhorting me to behave.

Nonetheless, despite my only becoming aware of this brouhaha right this moment (12 noon LA time, Tuesday the 29th), three days after the digital spasm that seems to be in uproar …YOU ARE ABSOLUTELY RIGHT!!!

iT IS UNCONSCIONABLE FOR A MAN TO GRAB A WOMAN’S BREAST WITHOUT HER EXPLICIT PERMISSION. To do otherwise is to go ‘way over the line in terms of invasion of someone’s personal space. It is crude behavior at best, and actionable behavior at worst. When George W> Bush massaged the back of the neck of that female foreign dignitary, we were all justly appalled. For me to grab Connie’s breast is in excusable, indefensible, gauche, and properly offensive to any observers or those who heard of it later.

I agree wholeheartedly.

I’ve called Connie. Haven’t heard back from her yet. Maybe I never will.

So. What now, folks? It’s not as if I haven’t been a politically incorrect creature in the past. But apparently, Lynne, my 72 years of indefensible, gauche (yet for the most part classy), horrifying, jaw-dropping, sophomoric, sometimes imbecile behavior hasn’t–till now–reached your level of outrage.

I’m glad, at last, to have transcended your expectations. I stand naked and defenseless before your absolutely correct chiding.

With genuine thanks for the post, and celestial affection, I remain, puckishly,

Yr. pal, Harlan

P.S. You have my permission to repost this reply anywhere you choose, on journalfen, at SFWA, on every blog in the universe, and even as graffiti on the Great Wall of China.

  • Tuesday, August 29 2006 12:26:56

CONNIE WILLIS’S LEFT BREAST, REDUX

Did I fail to mention, I am 100% guilty as charged, and NO ONE should attempt to cobble up mitigating excuses for my behavior? As with everything else I REALLY DO (as opposed to the bullshit that is gossiped third-hand by dolts), I am responsible for my actions 100% and am prepared to shoulder all consequences, instead of shunting them off to Vice-President ScaryGuy.

Adultly said, Yr. pal, Harlan

HARLAN ELLISON
– Tuesday, August 29 2006 12:28:31
REDUX, REDUX’D

This may be what killed vaudeville.

he

  • HARLAN ELLISON
    – Tuesday, August 29 2006 12:31:1
    REDUX TERTIUS

How’s chances of me playing either the “I’m an old man and my brain is leaking out of my ass” card … or … even better …

“I’m an old Jew and this is just another example of anti-Semitism because all you goyim are pissed that Jews really DO control the whole world.”

I can go either way.

Yr. pal, Harlan

  • HARLAN ELLISON
    – Tuesday, August 29 2006 12:43:2
    ONCE MORE INTO THE BREACH

On a more serious note: if, in fact, Connie (or Courtney, or Cordelia) were/are/might in any way be offended by this latest demonstration of give’n’take jackanapery between Connie and Harlan (now in its longest-run on Broadway), you may all rest assured I will apologize vehemently, will crawl to Colorado through broken glass and steaming embers, and beg her (their) forgiveness. I need no one to prompt me.

Harlan Ellison, a friend of Connie Willis

Connie Willis has never (to my knowledge) ever publicly made a statement about what happened.

You have seen the video. You have read Harlan Ellison’s apology. So much has been said, written and pontificated upon that my opinion won’t mean much of anything in the critical maelstrom that has followed in the wake of Harlan’s passing. I’ve given my testimony. I believe that it just an accident. You can form your own opinions. Harlan would.

A little more than a year later, it was my turn to take a little tour of hell.

My marriage was on the rocks; my then wife moved from Middletown, Ohio where we were living, to Dayton twenty miles away to pursue a degree in medieval history full time. Without her income, I just could not make ends meet on the part-time salary working at the local Sears outlet. Over the preceding year, I started selling my extensive book collection on eBay. As the months went by the bills began accumulate and I sold nearly everything, including all of my signed Ellison editions.

In desperation, I began calling friends in and out of fandom to beg for assistance. When I reached the end of that list, I thought very hard about calling Harlan and Susan for help. I knew they had a done a bit of a philanthropic assistance to others but on the other hand, I hated to impose on them.

One evening, I took a deep breath and I called. Harlan answered.  “Hey, howzit going,” he asked enthusiastically.

For the next few minutes, I then laid out my tale woe. When I finished there was a few moments of silence then, he asked, “How much do you need?” I am embarrassed to say I asked for five thousand dollars.

“Oh, I’m sorry, that’s not gonna happen. I can’t help you that far, buddy, I just can’t.” I was crestfallen. He then said, “I will help you as far as I’m able to right now. Will a couple of hundred tide you over?” I pushed down my disappointment and said yes indeed, I would be incredibly grateful for anything right now. Harlan also said, “ I’m going to do you a favor, too; I’m not gonna come after you for a payback, it’s just an open loan. Just pay me back when you can.”

A few days later, a personal check for two hundred dollars arrived in the mail. That money did not solve my problems. But here’s what it did do; it put food on my table, gas and oil in the dilapidated wreck I was driving and most importantly hope that I could extract myself from the quagmire I was floundering in.

By the end of 2007, I successfully declared bankruptcy, saved some money and with the help of my daughter Laura and some friends I had made in Middletown, moved back to Cincinnati and into a large, cheap apartment carved out of a nineteenth-century tenement house that was located, ironically enough, in the neighborhood I grew up in as a child.

I survived on a grueling series of temp jobs (including a three-month stint at a Amazon.com warehouse which I wouldn’t wish on my worst enemy) and extended unemployment benefits from the kindly state of Ohio for four long years until I finally landed back at my old dream job Joseph Beth in the fall of 2011.

During that period I also found Juli, my partner and true love. I persuaded her to move up from her warm and comfortable home in South Carolina to brave somewhat intemperate climate of southwestern Ohio, with only the promise of my undying love for her.

Flash forward to 2015. Juli and I live comfortably in an integrated community on the outskirts of the city. She is working in a very sales lucrative position for Verizon and I am holding the position of periodicals manager in the best bookstore in Cincinnati. My work at the store was recognized by CityBeat, the weekly alternative newspaper and Cincinnati magazine as being the Best Magazine/Newspaper outlet in the tri-state area for past three years.

During those years, Harlan and Susan were always on my mind. There had been a heart attack back in the 90’s and a bout of clinical depression in 2011. Then there was Harlan’s stroke two years later. From most of the reports I had heard, Harlan was still his cantankerous, biting self, still writing and editing works, just a little less so than usual.

So, one summer’s day, I went to my credit union and withdrew two sequentially numbered one hundred dollar bills. I went to the book store and chose a small thank you card with a quote from Johann Wolfgang von Goethe, which I thought they might find pithy and wise:

Treat people as if they were what they ought to be and you help them to become what they are capable of being.

I signed the card with my best wishes, placed the two crisp bills and mailed it. I never heard back from them and frankly, no response was needed. Because sometimes you pay forward and sometimes you pay it back, gladly.

Over the decades that I have known Harlan Ellison, he has done hundreds, maybe thousands of small favors like mine. His stories, novels, teleplays, essays and deeds have inspired millions of people around the world. I am privileged to be one of them.

The afternoon after Harlan died, I received a call from my neighbor Lillian, who asked me to come by and put up the two matching blinds in her bedroom. It took about fifteen minutes. I also loaded the two good blinds in the car so they could be donated to Goodwill. She clapped her hands in delight when I finished, which is all the reward I would ever want from her.

I did not share my grief over Harlan’s passing with her; I had heard about her own stories of grief, tragedy and death from her in-laws and grandchildren. So I chose not burden her with mine.

Lillian is a subscriber to the New York Times, something else that endears her Juli and I. But there is no railing beside the two steps leading up to her front door. So, soon after we moved in next to her, we took it upon ourselves to make sure the paper was on the top step, leaning against the door. This is not only a courtesy, it also tells us on a daily basis that she is still with us. This was yet another lesson Harlan taught me, try never trouble the people you love unnecessarily, offer them comfort and familiarity instead.

Were Harlan and I ever truly friends? We never spoke of it over the years that we knew each other it but I’d like to think to think so. He was certainly there when I needed him and him for me. Even more so now that all we have left are our memories and his work.

Over breakfast this past week, my partner and true love Juli said it best; “He was a man of great knowledge and talent. To some he was a god, to others he was the devil incarnate. So, I guess, in the end, he was a just a man.”

To me, he was quite a man, whom I knew ever so briefly but who will always matter to me.

Goodbye, Harlan.

“My mantra is this: I am engaged in the noblest, most honorable profession that the human mind has ever conceived. I am a storyteller. That’s what I am. I tell stories. I am a writer. Not a famous writer, not a literary writer, not a blah-blah-blah writer. I’m a writer. That’s all I ever aspired to be and, at core, is all I am. I am a very content man. I have spent my life doing what I wanted to do.”

Harlan Jay Ellison, 1934-2018

Pixel Scroll 7/1/18 Hand Me 5000 Pixels By Midnight Or I Reveal The Rest Of The Scroll!

(1) NEW MARKET, NEW MONEY. SF magazine Hard Universe is taking submissions. The attention-grabbing part is how writers will get paid:

Payment for authors will be SFWA profession rates of 6 cents a word.  Payment will be made at the time of publication and be made in cryptocurrency equivalent to 6 cents a word at the time of publication.

The cryptocurrency involved is described by their sponsor at the Thought Network.

Rob Furey, speaking for Hard Universe, told Facebook readers:

Cat Rambo informed me that cryptocurrency will be viewed as any other foreign currency and valued at the exchange rate on the day of payment.

Authors will be given a link to open a secure personal wallet The cryptocurrency will be deposited in there. After that you can do with it as you like.

This is the kind of fiction they’re looking for:

Welcome to Hard Universe, where the math is strong, the science both lifts and limits, and the theories are robust.  In the coming pages we will provide science fiction based on plausibility and humanity, on the stand-up potentials of the human spirit faced with the finite yet unbounded qualities of the Universe’s inbuilt rules.
At the onset, Hard Universe will be quarterly.  Each issue will launch from a classic science fiction tale to inspire modern stories in the same vein.

(2) INSPIRED BY LE GUIN. Larry Clough spotted this sign at Saturday’s protests in Washington, DC and posted it on Facebook.

(3) BEWARE BATMAN SPOILER. This is the first time I’ve had to ROT-13 a headline – and don’t read the permalink of io9’s article either if you want the surprise to be preserved: “Jryc, Ybbxf Yvxr QP Pbzvpf Fcbvyrq Ongzna naq Pngjbzna’f Jrqqvat va gur Arj Lbex Gvzrf”.

SPOILER WARNING

(Did I make that sufficiently clear??)

The New York Times has published an article whose very headline is a major spoiler for fans of the DC universe (and followers of Batman in particular). Quoting the article:

If you’re invested in Batman’s romantic life, you might want to steer cleer of the paper of record today.

Gbqnl, gur Arj Lbex Gvzrf ena n fgbel pnyyrq “Vg Whfg Jnfa’g Zrnag gb Or, Ongzna” juvpu vf nobhg gur hcpbzvat Ongzna #50, qhr bhg Jrqarfqnl jvgu jevgvat ol Gbz Xvat naq neg ol Zvxry Wnava, jvgu pbybef ol Whar Puhat naq yrggrevat ol Pynlgba Pbjyrf, nybat jvgu n oril bs thrfg negvfgf. Va vg, gur negvpyr erirnyf jung gur urnqyvar znxrf cerggl pyrne: Ongzna vfa’g trggvat zneevrq guvf Jrqarfqnl. Ongzna naq Pngjbzna, gur yrtraqnel ureb/nagv-ivyynva cnvevat, vf abg zrnag gb or. Ng yrnfg abg va gur pnaba QP Havirefr, gung vf.

(4) STAN LEE. The Los Angeles Times tries to sort out what’s happening: “As Marvel movies soar, Stan Lee sees his private life crumble, with allegations of elder abuse”.

If the life of Stan Lee were turned into a superhero movie, it would be difficult to tell the good guys from the bad.

A battle over the Marvel Comics legend’s legacy is underway, featuring a cast of characters whose competing agendas make the plot of “Avengers: Infinity War” look simple by comparison. A man who says he is Lee’s manager and caretaker was arrested this month in Los Angeles on suspicion of filing a false police report and is being investigated over alleged elder abuse, according to court filings. A court has placed Lee, 95, under the temporary guardianship of an attorney, who has received a restraining order against the manager.

Since his wife, Joan, died last year at age 93, Lee has found himself surrounded by people with unclear motives and intentions, friends and colleagues say. The decline of his private life stands in stark contrast to the soaring success of Marvel, the brand he helped to create five decades ago. The blockbuster movie adaptations released by Disney’s Marvel Studios are perennial box-office winners that have helped to keep Lee’s influence thriving among new generations.

At the center of the current dispute is Lee himself — no longer able to see or hear well, but still active enough to attend red-carpet premieres and make cameo appearances in Marvel movies. On one side is Keya Morgan, a 42-year-old memorabilia collector and dealer who became close to Lee and served as his manager and de-facto gatekeeper. On the other side is Lee’s 68-year-old daughter, J.C. Lee, and her attorney, Kirk Schenck, who have battled Morgan over access to her father and his money.

(5) AVOIDING ELDER ABUSE. At Comicbook.com, “Casey Kasem’s Daughter Addresses Elder Abuse Claims Surrounding Stan Lee”

Anti-elder abuse advocate Kerri Kasem, daughter of legendary Scooby-Doo voice actor and American Top 40 host Casey Kasem, has detailed the warning signs of elder abuse that could be affecting famed Marvel Comics legend Stan Lee.

“In the last year of my father’s life, his wife [Jean Kasem] isolated him, keeping him away from us kids, all family members, his own brother, co-workers, friends — nobody could get a hold of him,” Kasem told USA Today.

“We called the police and they couldn’t help us, and we called Adult Protective Services, and they couldn’t help us, why? There are no laws allowing adult children to see their ailing parents in this country. Soon as you turn 18, you have no rights to see your parents — unless of course you have the Kasem Cares Visitation Bill in your state — and I’ve been working for the last five years on changing the laws in this country so that adult children have rights to see their parents.”

The Kasem Cares Visitation Bill, signed into law in 2017, allows a child to petition a court for visitation of their parent without going through a lengthy trial. Per the official website, the bill has been passed in 12 states, including California, where Lee resides.

(6) TREK GRADUATES. In “Star Trek Trek Directors’ School: Rick Berman”, an interview on StarTrek.com, ST:TNG/DS9/V/E executive producer Rick Berman discusses how so many actors from these series ended up directing.  The interview opens with:

Q: How, when, and why did the so-called directors’ school come about?

A: Jonathan Frakes, who I was very close to, personally and professionally, was very interested in directing. This was around season two. My theory on that was it was a slippery slope. There were a lot of potential pitfalls. What do you do if their episode is mediocre? On the other hand, actors were extremely good candidates for episodic directing simply because they lived their lives on the sets. They saw everything that went on, technically. Being actors, they knew everything that was going on dramatically, they spoke actor-ese and they’d see the technical elements of production and camera work going on. They seemed, in a sense, better candidates for potential directors than technical people. If a cameraman or an assistant director wanted to direct – and there are exceptions to this rule — they know the technical elements, but they don’t speak the actor-ese. They don’t understand how, necessarily, to deal with actors and to deal with character work. It’s much easier for an actor who’s directing to talk to the director of photography or sound man or production designer, and get information of a technical nature than it is for an assistant director to have somebody to discuss, “How do I talk to an actor about his performance?” So, actors always seemed to me to be decent candidates for directing.

However, what I said to Jonathan was, “You need to spend some time shadowing other directors. You need to spend time going through the whole process, going through the script, going through pre-production and all the prep a director does, spending time with directors on the stage, spending time with the director as he’s prepping each day’s work and spending time with the director in editing.” This was not always easy, because these actors were busy. They didn’t have time to necessarily do that because they were working. So, they had to find time. And my feeling was if they really had a passion to do this, they’d make it their business to find time. At some point, whether it was Jonathan or me or somebody else, it became known as “going to school” prior to getting a directing assignment. Jonathan spent numerous episodes, when he was light in an episode, going to school. Even when he was busy and had a full load of pages on a specific episode, he’d find time, whether it was lunch hours, before work, after work, scenes he wasn’t doing, to do all the things I mentioned before.

StarTrek.com also promises follow ups with some of the “graduates” of this “directors’ school,” beginning with Jonathan Frakes.

(7) FIRST CONTACT. Buzz Dixon sent the link to his reminiscence: “Harlan”.

…I met him in person at Filmation Studios back in 1978, but before then we had encountered each other on the pages of Dick Geis’ Science Fiction Review.

Let me backtrack and explain.

Harlan would approve….

(8) GRIFFIN OBIT. Helen Griffin (? – 2018): British actress, playwright and anti-war activist, died 29 June, aged 59. Genre appearances; Doctor Who (two episodes, 2006), The Machine (2013).

(9) FIRMIN OBIT. Peter Firmin (1928-2018): British producer, writer and director, died 1 July, aged 89. Genre work includes the animated series Noggin the Nog (1959 and 1979) and The Clangers (1969 and 2015).

(10) YOUNG PEOPLE. James Davis Nicoll turns on the radio and has his panel listen to Ray Bradbury’s “The Veldt”. Unbelievably, we here at All Bradbury All The Time are linking to a post that starts with this sentence:

I am not particularly fond of Ray Bradbury’s fiction but I know lots of people are. Logically, he seems like a safe bet when introducing young people to old SF in its various forms. The Veldt in particular was adapted to radio on a number of occasions. Paranoia about children was a common theme in the early Baby Boom years and The Veldt seems to be a prime example of the subgenre. I don’t see the attraction myself but I know I am in the minority where Bradbury was concerned. But will my young people agree with the majority or agree with me?

The X Minus One adaptation of The Veldt is here.

(11) BEHIND A PAYWALL. In the June 23 Financial Times, Nilanjana Roy discusses the successes of Marlon James and Toni Adeyemi in selling fantasy novels and how more people of color ought to be writing sf and fantasy.

Growing up in India, I read fantasy and sf classics by the dozen, ‘translating’ as I devoured The Wizard of Oz, The Lord of thee Rings, 2001, and other books.  It was easy enough to Imagine Tolkien’s orcs as similar to Indian rakshasas, or to mentally shift Dorothy to an Indian jungle where lions and monkeys travelled the Yellow Brick Road.  But rural Kansas was exotic to me.  And it was impossible to imagine writing a novel that might be read in the US or the UK where the hobbits were Indian, the Shire a version of the Punjab countryside…

…Speculative fiction is, by definition, about casting wide the net of the imagination.The excitement that James, Adeyemi, Liu Cixin and others have generated is also an index of how much richer SF could be in the future; speaking up to ‘diversity’ simply means creating more, and richer, fictional worlds to explore.  Somewhere on this planet, I hope there’s a teenager who dreams of becoming an sf writer–the next Rowling or Tolkien, yes, but also the next Adeyemi, the next (N.K.) Jemisin.

(12) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Brooke Bolander and Angus McIntyre on Wednesday, July 18, 7 p.m. at the KGB Bar.

Brooke Bolander

Brooke Bolander writes weird things of indeterminate genre, most of them leaning rather heavily towards fantasy or general all-around weirdness. She attended the University of Leicester studying History and Archaeology and is an alum of the 2011 Clarion Writers’ Workshop at UCSD. Her stories have been featured in LightspeedTor.comStrange HorizonsUncanny, and various other fine purveyors of the fantastic. She has been a repeat finalist for the Nebula, the Hugo, the Locus, and the Theodore Sturgeon, much to her unending bafflement. Follow her at brookebolander.com or on Twitter at @BBolander

Angus McIntyre

Angus McIntyre is the author of the novella The Warrior Within, published by Tor.com. His short fiction has appeared in Abyss & Apex Magazine, and in several anthologies including Humanity 2.0Swords & SteamMission: Tomorrow, and Black Candies: Surveillance, Visit him online at https://angus.pw/ or follow him on Twitter at @angusm.

The KGB Bar is at 85 East 4th Street (just off 2nd Ave, upstairs) in New York, NY.

(13) ASTRONAUT HONORED. On the day of the Summer Solstice, Ohio honored their late native John Glenn with the official opening of the John Glenn Astronomy Park. The facility is located in Hocking Hills (40 miles outside of OH capital, Columbus) and is surrounded by 10,000 acres of forest which shields it nicely from light pollution. A story on CNBC — “Ohio honors late space icon and native son John Glenn with an astronomy park—here’s a look inside” — includes photos of some of the features and events at the Park.

(14) THANKS, INTERNET. John Scalzi did a follow-up: “More Things I Don’t Miss”.  I love this one:

  1. Having to wait to listen/hear music. So, when I was 13, there was this song that came on the radio that I immediately fell in love with, but I missed the title of it, and it was electro-pop and all my friends listened to heavy metal so they were no help, and there was nothing I could do but wait to see if the radio station would play it again, and they did, but I missed the intro and they didn’t identify the song at the end, so I had to wait again for them to play it, and it wasn’t like a hugely popular hit in the US at the time, and I had to go to school and all, so it took a week before I learned the song was called “Only You” by this group called Yaz, and the album it was on wasn’t in stock at my local music store, not that I really had the money to buy it anyway, so it took another week of me skulking by the radio in my room waiting for it to come on again so I could lunge at the tape recorder I had set up when it started, which meant that for a couple of years the only version of the song I had was one missing the first ten seconds and an interlude where my mom came in and told me dinner was ready.

(15) TO SLEEP, PERHAPS. BBC reports a “Hi-tech dreamcatcher defeats sleep amnesia”. Chip Hitchcock sent the link with a comment: “A neat idea in theory, but the wake-people-up-just-in-time notion reminds me of Brunner’s ‘Such Stuff’; i.e., will people get enough dreaming done to stay sane?”

“The idea that you can take something concrete – a technology – that can help you access that poetic and metaphorical side of your own cognition is really exciting.”

To achieve this he has invented a hand-worn device he calls Dormio.

It collects biosignals that in turn track transitions in sleep stages – such as a loss of muscle tone, heart rate changes, and alterations in skin conductance.

The goal is to study a particular stage of sleep – the period between wakefulness and deep sleep, known as hypnagogia.

(16) BIRD WITH A BIG BILL. You couldn’t make this up: “Polish charity gets huge phone bill thanks to stork”. Someone stole the SIM card from a bird tracker and abused it.

According to official broadcaster Radio Poland, the environmental EcoLogic Group placed a tracker on the back of a white stork last year to track the bird’s migratory habits.

It travelled some 3,700 miles (6,000kms), and was traced to the Blue Nile Valley in eastern Sudan before the charity lost contact.

EcoLogic told the Super Express newspaper that somebody found the tracker in Sudan, removed the sim card and put it in their own phone, where they then racked up 20 hours’ worth of phone calls.

Radio Poland says that the organisation has received a phone bill of over 10,000 Polish zloty ($2,700; £2,064), which it will have to pay.

(17) GAME OVER.

http://his-name-is-alonso.tumblr.com/post/73915280633/towritelesbiansonherarms

[Thanks to Buzz Dixon, Mike Kennedy, John King Tarpinian, Carl Slaughter, JJ, Andrew Porter, Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, and Steve Green for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 6/30/18 Pixels Like Us, Baby We Were Born To Scroll

(1) KICK ASTEROID! Bill Nye and the Planetary Society want funds to educate people about the threat of asteroid impacts. Their Kickstarter, “Kick Asteroid!”, has raised $27,884 of its $50,000 target, with 25 days left to go.

The Planetary Society is excited to partner with space artist and designer, Thomas Romer, and backers around the world to create Kick Asteroid—a colorful graphic poster that will illustrate the effect of past catastrophic impacts, and methods to deflect future asteroid threats. Compelling and scientifically accurate art will be created for posters and other “merch” that backers can use in their everyday lives to spread the word about planetary defense.

… Thomas is collaborating directly with the Society’s Chief Scientist, Dr. Bruce Betts, to depict the asteroid threat in a compelling and scientifically accurate way. Bruce has briefed Thomas on the current state of the science related to Near Earth Objects (NEOs), as well as on the most promising asteroid deflection techniques.

(2) WRITER’S BLOCK. “How do you handle writer’s block?” Rachel Swirsky shares her advice about blocks from two sources. The first kind is medical:

…I think one of the best solutions is to be gentle with yourself about it. Hammering yourself and making yourself feel guilty because of your health is in the way is only likely to make you miserable and increase your stress–which can make the health problem worse. It can be hard to be generous with yourself, especially when the illness is lasting a long time and you have deadlines. …

(3) TWELVE RULES. The Chicago Tribune’s Stephen L. Carter lists his “12 science fiction rules for life”.

Like so many other scribes, I have been inspired by psychologist Jordan Peterson’s fascinating book to sketch my 12 rules of life. But mine are different, because each is drawn from canonical science fiction. Why? Maybe because this is the literature on which I grew up, or maybe because I have never lost the taste for it. Or maybe because the sci-fi canon really does have a lot to teach about the well-lived life. Here, then, are my 12 rules. I cannot pretend that I always follow them, but I certainly always try.

  1. “An atom-blaster is a good weapon, but it can point both ways.” — Isaac Asimov, “Foundation.”

This is one of the clearest expressions of the basis of the liberalism of process. It matters not only whether one accomplishes an end but also how. Any tool available to the “good guys” today might be wielded by the “bad guys” tomorrow. One should always take this proposition into account when choosing a toolkit.

  1. “Happiness consists in getting enough sleep. Just that, nothing more.” — Robert Heinlein, “Starship Troopers.”

OK, happiness does consist of more than this — but getting enough sleep is indeed one of its key components. The larger point is that taking physical, emotional and spiritual care of the self is crucial to being truly happy….

(4) LANDING IN THE LAP OF LUXURY. Sarah Gailey ended up cruising through the skies with the 1%. See all the details in a Twitter thread that starts here.

(5) WRITERS OF THE FUTURE. If you’re curious what the experience is like for finalists brought to LA for the workshops and ceremony, Eneasz Brodski covers it all: “Writers of the Future vol 34 – The Award Ceremony & The People”.

Let’s start with the ceremony!

This was a delight. It was fun to be treated special and given an award and just the belle of the ball for a day! Of course, it was apparently pretty quickly that this award ceremony wasn’t really for us. It was for the Scientologists. This was their party, for them to say to each other “Look at us! We’re helping these people at the start of their career, and supporting the arts! We are doing good in the world.” And good on them for it! They are helping new artists, and contributing to the SFF world in a meaningful way. They can have as big a party they want to celebrate that, it’s their money. I didn’t mind at all being the excuse for that. It kinda felt what I imagine being a unicorn for a couple would feel like? The experience is primarily about them, but they couldn’t have it without me facilitating, and I’m happy to serve that role to bring them that. Of course that’s probably my super-idealized fantasy of unicorning. But /shrug. I got the literary-award equivalent of that fantasy, so I’m happy. 🙂

(6) I HAVE NO CATEGORY AND I MUST SCREAM. Doctor Strangemind’s Kim Huett would like to tell you a Harlan Ellison story about the 1964 Hugos and the plan to omit the Dramatic Presentation category: “London Calling”. It includes this passage by Ron Ellik from the fanzine Vair-Iner.

…When I had lost perhaps half a dollar, Harlan phoned again. He read me a letter. He had talked to two dozen people since his trans-Atlantic call – other Study Committeemen, convention committeemen from past years, etc – and this letter, signed by Harlan, cited these several people as being, each, in at least passive agreement that London should not do this thing. In conclusion, Mr. Ben Jason and the group producing the physical Hugo trophies had agreed with him to withhold the trophies from the London convention.

We eagerly await news of London’s answer.

And there you have it folks, if you want to be a successful squeaky wheel then you need to really apply some of that old-fashioned elbow grease. Ah, I hear you ask, and was Harlan, that tiger of the telephone, a truly successful squeaky wheel? Well, yes….

(7) A PRIVATE MOMENT. And Bill provided a clipping from Ellison’s army days.

(8) WOULD YOU BELIEVE? What record has sold the most copies in 2018? “The Year’s Top-Selling Singer Isn’t Kanye — It’s Hugh Jackman”.

Halfway through a year filled with new work from some of the most popular artists alive, the best-selling album is the soundtrack to a movie musical with Hugh Jackman that never led the box office.

“The Greatest Showman’’ has sold almost 4 million copies for Atlantic Records, outpacing works from Kanye West, Taylor Swift and Justin Timberlake. Music from the film based on the life of circus promoter P.T. Barnum has outsold the next most popular album of the year, Post Malone’s “Beerbongs & Bentleys,’’ by about 2-to-1.

(9) HUMP MONTH: At Featured Futures, the middle of the year doesn’t mean middling stories, as Jason has compiled another list of standout fiction gleaned from the SF magazines, plus links to reviews and other postings in Summation: June 2018.

This month produced nine noted stories (four recommended) from a total of forty-five (215 Kwds). Compelling made a strong and welcome return on its new semi-annual schedule. “Nightspeed” also contributed a couple of powerful tales.

(10) HUNTER OF THE SKY CAVE. Need a good laugh? Read Laura “Tegan” Gjovaag’s wonderful post “Inkwell and the Sky Raisin”.

…As anyone who has bothered to read this blog for any length of time knows, my husband and I are owned by a black cat named Inkwell. These are some of his recent adventures, mostly from Facebook and a few of his “Inkwell Sings the Blues” from his Twitter Feed.

This morning I woke up late, and my husband was already off running errands. I looked around the house for Inkwell, fearing he might have somehow gotten outside (he’s very much an indoor cat). I went from room to room looking for him, and when I opened the door to the garage, a fly (aka Sky Raisin) flew into the house. Eventually I found Inkwell by shaking his treats. He casually wandered out from wherever he was hiding to get his reward for being a cat from his mommy.

A half an hour later, he noticed the fly….

(11) TUNE IN. BBC Radio 4’s A Good Read this week included Gibson’s Neuromancer, plus had some other SF discussion. (Thanks for the share to Jonathan Cowie of Science Fact & Science Fiction Concatenation.)

Writers Juno Dawson and Pandora Sykes discuss favourite books Bonjour Tristesse by Francoise Sagan, Neuromancer by William Gibson, and The Versions of Us by Laura Barnett, with Harriett Gilbert. How will Juno and Pandora enjoy Harriett’s foray into science fiction? And how did Sagan’s novel, written at the tender age of 17, influence Juno’s writing for young adults?

(12) COLLINS OBIT. Four-time F&SF contributor Reid Collins died on April 19. See his Washington Post death notice at Legacy.com.

…In 1982 he succeeded Dallas Townsend to become anchor of “The CBS World News Roundup”- the longest running news broadcast in history. His passion, however, was space. He anchored live coverage of all the nation’s manned space flights for CBS News from Gemini up to the Space Shuttle, including all the Apollo flights to the moon. In 1985, Mr. Collins took “one giant leap” from radio to television and became an anchor for CNN, where he remained until his retirement in 1996. During retirement, he enjoyed golf, cigars on his front porch in Kensington, his 1977 Saab convertible and spending time fishing and relaxing on the East Rosebud River at his vacation home outside Roscoe MT. Arrangements will be private. If so moved, donations in his name may be made to the Montana Historical Society, P.O. Box 201201, Helena, MT 59620-1201.

Collins had four short stories in F&SF between 1978 and 1984.

(13) TODAY IN HISTORY

  • June 30, 1971 Willy Wonka and the Chocolate Factory opened.

(14) TODAY’S BIRTHDAYS

  • Born June 30 — Vincent D’Onofrio, 59. Men in Black and the animated Men in Black series as well, genre series work including Emerald City, Daredevil and Ghost Wars.
  • Born June 30 – Molly Parker, 46. Currently on The Lost in Space series as Maureen, but genre roles on The Nightmare Cafe, The Outer Limits, HighlanderThe Sentinel, and Deadwood. Cat Eldridge says, “Ok the last may not be genre but it is a great love of Emma Bull and Will Shetterly. Emma’s novel Territory reflects her passion for the Old West.”

(15) COMICS SECTION.

  • John King Tarpinian relays a warning from a well-known comic book hero delivered in Bliss.
  • Mike Kennedy shares how in Monty, robot sidekick EB3’s left arm had achieved a sentience of its own, was rebelling, and had to be replaced.  Doc and Monty found a use for the old arm…

(16) A FLUCTUATION IN THE FORCE. JDA’s Twitter followers had a market crash:

(17) HERETICAL PRONOUNCEMENT. Camestros Felapton dares to ask, “Is HAL 9000 a robot?”. Worse than that, he dares to answer!

So what about HAL? HAL presents as an AI. He’s talked about as a brain. He is shown as a computer. But what is he the brain of? Simple, HAL is the brain of the Discovery One and has control over the ship. Discovery One is HAL’s body. HAL is a robot.

Your Good Host has a meltdown in his comments section.

(18) VIDEO OF THE DAY. In Synthetic Biology on Vimeo, Vasil Hnatiuk posits a future where giant bees race and living organisms became starships.

(19) RETRO FANDOM. Simpler times! A clipping courtesy of David Doering:

ACKERMAN  BEATS   BRADBURY   TO   A   PULP!

April 1, 1941 — Eyewitness account:

A low-flying, longstanding feud between the two would-be fun-rulers of Shangri-LA, Ray Bradbury and Forrest J Ackerman, broke into the open here late on the night of March 27 with serious injuries sustained by Bradbury — tangle occurred after a Club meeting — when Bradbury and FJA were leaving Cliftons and walked around the corner toward the newsstand. Each was playing the perennial game of trying to out-pun the other, when the now Stirring Science Stories was simultaneously spotted, Both fans leaped forward to secure the issue, Ackerman getting there first. So it was that Ackerman beat Bradbury to a pulp.

(20) BRADBURY AGAIN. Susan Sackett’s Inside Trek book promo site includes a small gallery of photos from a 1976 recording session.

In 1976, I suggested to my friend Ed Naha, A&R person for Columbia Records, that he should sign Gene to do a “spoken word” record. Gene loved the idea and wrote some great copy, inviting many science fiction luminaries to join him. “Inside Star Trek” was recorded at United Western Studios in LA, with Gene, Bill Shatner, and Ray Bradbury all present at this first session. (Isaac Asimov recorded his contribution in New York; DeForest Kelley and Mark Lenard’s sessions came later.) I was there too, of course, snapping pictures for posterity. As you can see from this shot, Gene, Bill and Ray were discussing something important. I call this Gene’s “shaggy dog” period.

(21) HOT OFF THE DIGITAL PRESS. The 20th issue of Rich Lynch’s personal fanthology My Back Pages is now online at the eFanzines website. [PDF file]

Issue #20 is a “getting closer to retirement” issue and has essays involving close-up magic and far-off business destinations, oppressive desert heat and refreshing evaporative cooling, fast cars and slow bicycles, large buildings and small details, Madisonian libertarianism and Rooseveltian progressivism, 1950s space ships and current-day space stations, famous cowboys and famous Missourians, posh hotels and run-down motels, first fans and First Fans, State Capitols and County Courthouses, steamy blues and cool jazz, hot barbecue and the Cold War, bronze statues and scrap metal constructs, large conventions and larger conventions, fan libraries and fanfiction, no reservations and “No Award”.  And colophons… Why did it have to be colophons?

(22) IN A CAST. “Jared Leto ‘joins Spider-Man movie universe’ as vampire Morbius” reports the BBC.

The 30 Seconds To Mars frontman would hop from DC to Marvel, having previously played The Joker in Suicide Squad.

Morbius is the third movie currently in production based on characters in the Spider-Man comic books.

After reports of the casting spread online, Jared shared some artwork of the character on Instagram.

(23) OVERRUNS. China Film Insider says it’s “This Year’s Most Expensive Summer Film”

When it comes to this year’s summer films in China, although Chinese audiences have been abuzz with Jiang Wen’s Hidden Man, Guo Jingming’s L.O.R.D: Legend of Ravaging Dynasties, and Xu Ke’s action movie Detective Dee: The Four Heavenly Kings, the most expensive summer film is another one: Yang Zhenjian’s Asura. This film reportedly costs 750 million yuan ($115.5 million). Based on the current revenue-sharing model in China, it has to make at least 2.3 billion yuan ($350 million) in order to breakeven. In a recent interview with WeChat media outlet D-entertainment, the film’s director Yang Zhenjian explained that a big portion of the budget was allocated to hiring international technicians and visual effect teams. In addition, the film was made by a huge crew within a long period of time.

(24) DOCTOR WHO COMIC. Titan Comics and BBC Studios have announced Doctor Who: The Thirteenth Doctor Vol. 0 – The Many Lives Of Doctor Who – a special primer edition, which celebrates the Doctor’s many lives, and leads directly into Titan’s brand-new Thirteenth Doctor comic series – launching this fall in the U.S. and UK.

It’s said that your life flashes before your eyes when you die, and the Doctor’s had many of them! As the Doctor regenerates from his twelfth incarnation to her thirteenth (as played by Jodie Whittaker), she relives unseen adventures from all her past selves from Classic through to New Who.

(25) THE JOHNNY RICO DIET. It’s not Heinlein’s Mobile Infantry powered armor, though it may be a step toward it. It’s not even in deployed use. But the US military does seem to be getting serious about testing powered exoskeleton for both upper and lower body uses. In Popular Science: “Power-multiplying exoskeletons are slimming down for use on the battlefield”.

…newly developed exoskeletons is starting to meet […] slimmed-down, stealth requirements  […] Among the most promising, and weird-looking, is the “third arm” that the U.S. Army Research Laboratory developed to help soldiers carry and support their weapons on the battlefield. The lightweight device, which weighs less than four pounds and hangs at a soldier’s side, stabilizes rifles and machine guns, which can weigh up to 27 pounds. This improves shooting accuracy and also minimizes fatigue. It can even be used while scrambling into position on the ground.

…In May, Lockheed Martin unveiled its lightest weight powered exo for lower body support. Dubbed ONYX, the form-fitting suit, which resembles an unobtrusive web of athletic braces, reduce the effort soldier’s need for walking, running, and climbing over varied terrain while carrying a heavy loads of up to 100 pounds.

The suit uses tracking sensors, mechanical knee actuators, and artificial intelligence-based software that predicts joint movement, all of which reduce stress on the lower back and the legs.…

(26) ALWAYS TO CALL IT RESEARCH. Sixth Tone is hot pursuit of the story: “Chinese Fantasy Show Accused of Stealing Harry Potter’s Magic”.

Harry Potter fans threaten to Avada Kedavra drama accused of plot-copying.

After “Legend of Fu Yao” premiered in China on Monday, some viewers pointed out that the television series appeared to have plagiarized “Harry Potter and The Goblet of Fire,” the fourth installment in British novelist J.K. Rowling’s seven-part series. Twelve episodes have aired so far — and online clips from or related to the show had gained over 350 million views within a day of the season premier.

In the series, the heroine Fu Yao is a disciple at Xuanyuan, a Taoist school that teaches swordsmanship and sorcery. The story focuses on the Tiandou Competition, an event held every eight years. To join in the contest, hopefuls must throw a piece of paper dipped in their own blood into a bronze cauldron. Once they’re signed up, there’s no getting out of the three-round competition, which sees challengers fight against a buffalo-shaped mythical creature, among other tasks.

Loyal Potterheads were quick to notice the similarities with the fourth installment’s Triwizard Tournament, a competition held every five years between three wizarding schools….

(27) HUMANITY NEEDS SAVING AGAIN. The Predator opens in theaters September 14:

From the outer reaches of space to the small-town streets of suburbia, the hunt comes home in Shane Black’s explosive reinvention of the Predator series. Now, the universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a young boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and a disgruntled science teacher can prevent the end of the human race.

 

[Thanks to JJ, John King Tarpinian, Mike Kennedy, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, Jason, Bill, Rich Lynch, David Doering, Jonathan Cowie, Todd Mason, Brian Z., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Camestros Felapton.]

Pixel Scroll 6/29/18 My Pixel’s Back, It’s Going To Save My Reputation, If I Were You, I’d Take An Internet Vacation

(1) ‘TIS THE SEASON. It’s time now for yard signs to sprout on neighborhood lawns as Brianna Wu’s campaign stands up for the September 4 primary.

(2) SMALL PLEASURES. N.K. Jemisin is right about that —

(3) MATTHEW KRESSEL. Scott Edelman entreats you to share BBQ brosket with Matthew Kressel in episode 70 of his Eating the Fantastic podcast.

This episode’s guest is Matthew Kressel, whose short story “The Last Novelist (or A Dead Lizard in the Yard)” was one of the finalists this year. He was a previous finalist twice before in the same category for “The Sounds of Old Earth” in 2014 and “The Meeker and the All-Seeing Eye” in 2015. His short stories have appeared in Lightspeed, Tor.com, Clarkesworld, Analog, Interzone, and many others, as well as in anthologies such as Mad Hatters and March Hares, Cyber World, The People of the Book, and more. His novel, King of Shards, was praised by NPR as being “majestic, resonant, reality-twisting madness.”

He was also nominated for a World Fantasy Award for his work editing the speculative fiction magazine Sybil’s Garage, and is the co-host—along with former Eating the Fantastic guest Ellen Datlow—of the Fantastic Fiction reading series held at the KGB Bar.

Our dinner Friday night that weekend was at Pork & Beans, which has been voted best BBQ in Pittsburgh.

We discussed the story of his accepted by an editor within an hour and then praised by Joyce Carol Oates, the ways in which famed editor Alice Turner was the catalyst which helped turn him into a writer, why after publishing only short stories for 10 years he eventually published a novel, how comments from his Altered Fluid writing workshop helped make his Nebula-nominated “The Sounds of Old Earth” a better story, why a writing self-help book made him swear off those kinds of self-help books, the secrets to having a happy, heathy writing career, why he’s grown to be OK with reading bad reviews, what he learned from reading slush at Sybil’s Garage, and much more

(4) FINNEGAN BEGIN AGAIN. Fatherly tells how “You Can Now Get Drunk Like Captain Kirk From ‘Star Trek’”.

This week, Silver Screen Bottling Co. announced an “official” James T. Kirk Straight Bourbon Whiskey. You can’t order this in a bar, yet, but you can pre-order a bottle right here, where they’re also selling signature glasses, and showing the whiskey next to cigars, even though Kirk never really smoked. (Except for that one time he was in a space prison in Star Trek VI.)

If you don’t want to order Star Trek whiskey online, the James T. Kirk Straight Bourbon Whiskey will also be on sale at San Diego Comic-Con, starting on July 19. At that point, Silver Screen Bottling Co. will announce other Star Trek-themed spirits.

(5) GORTON OBIT. Bob Gorton, former chairman of Pulpcon, passed away on May 31. Mike Chomko wrote a brief tribute.

A retired mathematics professor at the University of Dayton, Bob was known for his dry sense of humor. He served as an important bridge between the lengthy term of Rusty Hevelin as Pulpcon chairman and the founding of PulpFest in 2009. A quiet man, Bob was the winner of the Lamont Award in 2002, presented at Pulpcon 31 in Dayton, Ohio. He will be missed.

(6) TODAY IN HISTORY

  • June 29, 1979 Moonraker premiered on this day theatrically

(7) TODAY’S BIRTHDAYS

  • Born June 29 – Sharon Lawrence, 57. Amelia Earhart in Star Trek: Voyager, Maxima in the animated Superman series, and Vivian Cates in Wolf Lake, a short lived werewolves among us series.
  • Born June 29, 1920 – Ray Harryhausen.

Ray and Diana Harryhausen with Steve Vertlieb in 1990.

Steve Vertlieb invites you to hop over to The Thunder Child and read his “Ray Harryhausen Tribute”.

Ray Harryhausen remains one of the most revered figures in fantasy/sci-fi motion picture history. Born June 29th, 1920, Ray was not only a childhood hero, but became a dear and cherished friend of nearly fifty years duration. His work in films inspired and influenced generations of film makers, and garnered him a special Academy Award, presented by Tom Hanks, for a lifetime of cinematic achievement. Steven Spielberg joyously proclaimed that his own inspiration for directing “Jurassic Park” was the pioneering special effects work of Harryhausen. Published after his death several years ago, here is a celebration and loving remembrance of the life and work of cinematic master, and special effects genius, Ray Harryhausen. It is also the tender story of a very special man, as well as an often remarkable personal friendship. I love you, Ray. You filled my dreams, my life, and my world with your wondrous creatures.

Ray would have turned 98 years young had he lived. In remembrance of this wonderful soul, here is my affectionate tribute to my friend of nearly fifty years, and boyhood hero of interminable recollection and duration…the incomparable Stop Motion genius, and Oscar honored special effects pioneer, Ray Harryhausen. Journey with me now to a “Land Beyond Beyond” where dreams were born, Cyclopian creatures thundered across a primeval landscape, mythological dragons roared in awe struck wonder, and magical stallions ascended above the clouds…Once Upon A Time.

(8) COMICS SECTION.

(9) FARCE FIELD. Steven Levy in WIRED profiles Palmer Luckey, founder of Anduril Technologies, which aims to install a virtual surveillance system on the U.S.-Mexico border. “Inside Palmer Luckey’s Bid to Build a Border Wall”.

…Palmer Luckey—yes, that Palmer Luckey, the 25-year-old entrepreneur who founded the virtual reality company Oculus, sold it to Facebook, and then left Facebook in a haze of political controversy—hands me a Samsung Gear VR headset. Slipping it over my eyes, I am instantly immersed in a digital world that simulates the exact view I had just been enjoying in real life. In the virtual valley below is a glowing green square with text that reads PERSON 98%. Luckey directs me to tilt my head downward, toward the box, and suddenly an image pops up over the VR rendering. A human is making his way through the rugged sagebrush, a scene captured by cameras on a tower behind me. To his right I see another green box, this one labeled ANIMAL 86%. Zooming in on it brings up a photo of a calf, grazing a bit outside its usual range.

The system I’m trying out is Luckey’s solution to how the US should detect unauthorized border crossings. It merges VR with surveillance tools to create a digital wall that is not a barrier so much as a web of all-seeing eyes, with intelligence to know what it sees. Luckey’s company, Anduril Industries, is pitching its technology to the Department of Homeland Security as a complement to—or substitute for—much of President Trump’s promised physical wall along the border with Mexico.

Anduril is barely a year old, and the trespassing I’d witnessed was part of an informal test on a rancher’s private land. The company has installed three portable, 32-foot towers packed with radar, communications antennae, and a laser-­enhanced camera—the first implementation of a system Anduril is calling Lattice. It can detect and identify motion within about a 2-mile radius. The person I saw in my headset was an Anduril technician dispatched to the valley via ATV to demonstrate how the system works; he was about a mile away….

…Middle-earth buffs will recognize Anduril as the enchanted blade that was Aragorn’s go-to lethal weapon…”All of us are Lord of the Rings fans, so it was a pretty fun name,’ Luckey says. ‘Also, I have Anduril the sword hanging on my wall.  (Luckey procured a collector’s version, not the original movie prop.)…

Another fannish connection:  Anduril Industries has hired former MythBusters co-host Jamie Hyneman to develop an “autonomous firefighting machine’ called Sentry designed to put out California wildfires.  Hyneman, Levy reports, ‘built one of the fiercest battlebots in Robot Wars history.”

(10) THE STARS HIS DESTINATION. His facial expression is disturbingly like that of  Autopilot in the movie Airplane! — “Floating robot Cimon sent to International Space Station”.

An experimental robot with an animated cartoon face has been sent to the International Space Station (ISS) on board a SpaceX Falcon 9 rocket.

Dubbed Cimon (Crew Interactive Mobile Companion), the device is intended as an “an AI-based assistant for astronauts”.

Cimon weighs 5kg but in zero gravity it will float move around thanks to 14 internal fans.

It is an attempt to find out whether robots and astronauts can collaborate.

To this end, Cimon is equipped with microphones and cameras that help it recognise Alexander Gerst, the German astronaut with whom it will work.

(11) SAFETY FIRST. Adweek tells why “This Lovable Aardman Animation Is a Cautionary Tale and a ‘Dam’ Good Lesson”.

Dammy, a Canadian beaver, learns vital safety lessons in this tuneful Aardman-animated video from Ontario Power Generation.

Our anthropomorphized hero—his big, flat tail jutting out from the seat of his pants—loves to fish from a rowboat, and dreams of landing “the big one.” Alas, his quest takes him perilously near a massive hydroelectric dam.

“Don’t ignore that warning sign, your life could be on the line,” croons Canadian folk and bluegrass singer Ken Whiteley on the campfire-song soundtrack he helped compose.

Hey, listen to the lyrics and steer clear of those turbines because the fur could really fly! Of course, Dammy dodges the whammy by the skin of his teeth.

 

(12) OUR FOREFATHERS, AND FOREMOTHERS. “Partaaaaay like it’s the 60’s. The 1860s, that is,” says Mike Kennedy. “This is cosplay like you’ve never seen before.”

An episode of the Vice video series, American Conventions, takes you inside the annual meeting of the Association of Lincoln Presenters in Freeport IL—which features more than a score of Abraham Lincolns, over a dozen Mary Todd Lincolns, and multiple other period costumers. Each of them seems dedicated to not just dressing the part, but being the part. The 12 minute video is interrupted by two short commercial breaks, but may should be worth your time. And, the ghods know we could use more people in this world with the ethics of Honest Abe (or at least those of his best nature; all people are flawed in some way). The video host—Darlene Demorizi—even gets into the spirit as she dresses as Lincoln and makes a heartfelt toast to the gathered crowd.

(13) ORGANIC INVENTORY OF ENCELADUS. Behind the paywall at Nature: “Macromolecular organic compounds from the depths of Enceladus”.

Saturn’s moon Enceladus harbours a global water ocean1, which lies under an ice crust and above a rocky core2. Through warm cracks in the crust3 a cryo-volcanic plume ejects ice grains and vapour into space4,5,6,7 that contain materials originating from the ocean8,9. Hydrothermal activity is suspected to occur deep inside the porous core10,11,12, powered by tidal dissipation13. So far, only simple organic compounds with molecular masses mostly below 50 atomic mass units have been observed in plume material6,14,15. Here we report observations of emitted ice grains containing concentrated and complex macromolecular organic material with molecular masses above 200 atomic mass units. The data constrain the macromolecular structure of organics detected in the ice grains and suggest the presence of a thin organic-rich film on top of the oceanic water table, where organic nucleation cores generated by the bursting of bubbles allow the probing of Enceladus’ organic inventory in enhanced concentrations.

The popular science version of this story is free on BBC: “Saturn moon a step closer to hosting life”.

Scientists have found complex carbon-based molecules in the waters of Saturn’s moon Enceladus.

Compounds like this have only previously been found on Earth, and in some meteorites.

They are thought to have formed in reactions between water and warm rock at the base of the moon’s subsurface ocean.

Though not a sign of life, their presence suggests Enceladus could play host to living organisms.

The discovery came from data gathered by the Cassini spacecraft….

(14) A WORLDWIDE REACH. Jeff VanderMeer shares his appreciation for “The International Covers of The Southern Reach Trilogy”. See the images at the link.

Ever since FSG Originals came out with the now-classic Southern Reach covers, there has been what seems like an ongoing competition to create amazing original art and design for other editions, from the somber grace of the original UK hardcovers to, well, the neon color of the UK paperbacks, which riffed off of FSG’s gutsy X hardcover design. An incredible amount of creativity has gone into these other editions. It’s hard to pick a favorite, but the Turkish, South Korean, and Spanish covers (Pablo Delcan!) are right up there. Not to mention the lovely Hungarian cut-out covers and a Ukrainian Brutalist Rubic’s Cube with a tiny cute bunny clinging to one of its levels.

(15) YOUTH WANTS TO KNOW. Yahoo! Entertainment listens in while “Mark Hamill and Chris Evans Discuss Whether a Lightsaber Could Break Captain America’s Shield”.

Mark Hamill and Chris Evans have answered a question that kids everywhere want to know: if Luke Skywalker and Captain America got into a fight, could Luke’s lightsaber break through Cap’s vibranium shield?

(16) INFINITY WAR IMPROVED. Carl Slaughter declares this is “Probably the best How It Should Have Ended episode yet.”

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Jonathan Cowie, Chip Hitchcock, Carl Slaughter, Mike Kennedy, Martin Morse Wooster, Allan Maurer, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 6/28/18 Stay Scrolled, Pixelboy… Stay Scrolled…

(1) FUTURE TENSE. Joey Eschrich, Editor and Program Manager at ASU’s Center for Science and the Imagination and the Assistant Director, Future Tense, forwards the latest entry in the Future Tense Fiction series: “A Brief and Fearful Star” by Carmen Maria Machado.

Mama did not talk about her journey west very much; the circumstances had to be right. When she did—in the electric moments before rainfall, if a rabbit crossed clockwise against our path, if she found me flipping through the battered almanac from the year of my birth—she described it like a painting she was viewing through a fever.

“The light,” she said once, when we encountered a set of twigs that had fallen into the shape of a cross. “It was like being underwater, all blue and soft and bright.”

It was published along with a response essay, “Could the Experiences of Our Ancestors Be “Seared Into Our Cells”?” by science journalist Erika Hayasaki.

Our memories are made up of the stories we come to believe about our past, about how we got here and who we are, a running inner-narrative of scenes, summary, and anecdotes colored with bits of truth and speculation. We tend to define our lives through largely made-up memories, to decipher what makes us resilient, or what makes us weak.

There’s something seductive in believing we could also inherit memories in a biological sense, too. An ancestor passing down the experience of endurance or trauma, for example, transmitting traces of a distant past that does not belong to us and yet might be built into us before we are born. A coding that primes decedents to fear, to cope with, to prepare for, or to survive through the same perils. It makes for an uncomfortable solace, thinking that the memories of generations before may reside within our genes. It gives us explanations….

(2) FUTURE LAW. The Institute for Information Law at the Universiteit van Amsterdam invites English-language entries in the inaugural “’Science Fiction & Information Law’ Essay Competition”. The deadline is December 15.

We welcome essays that reflect on our possible data-driven future, where data has been firmly established as an economic asset and new, data-driven smart technologies can change the way we live, work, love, think and vote. How will AI change politics, democracy or the future of the media? What will life be like with robot judges and digital professors? What is the future of transportation in the wake of drones, the autonomous car and perfect matching of transportation needs? Is there a life beyond the ubiquity of social media: Is there bound to be an anti-thesis and if so, what will the synthesis look like? What will happen when social media corporations start fully-fledged co-operation with the police? Or unleash the power of public engagement to solve or prevent crime by themselves? How would crime respond to all this? What could be the true implications of the ‘data economy’ and if we really can pay our bills with our data? How will future information law look like in the age of AI?

The authors of the best five essays will compete for the IViR Science Fiction & Information Law Award. The award will be granted by an independent jury, and the five authors will be invited to Amsterdam for a public symposium…..

We welcome essays between 5000-8000 words in English. We encourage contributions from sci-fi authors but also from all scholars, thinkers, lay-philosophers, bloggers and interested citizens who like to think about technology and society, and maybe have been toying with the idea of writing something for quite some time but never did. This is your opportunity!
Please send your essay to n.helberger@uva.nl by 15 December 2018.

(3) NEEDLE FOUND AT LAST. The Portalist asks Robert Silverberg about the forthcoming film adaptation of one of his short stories: “Interview: Sci-Fi Great Robert Silverberg Talks Time Travel”.

The director, John Ridley, is best known for the movie Three Kings, for which he wrote the story, and 12 Years a Slave, which earned him an Oscar for Best Adapted Screenplay. Do you know what attracted him to “Needle in a Timestack”? 

He read it in Playboy long ago—it was published there in 1983—and said, “I want to make a movie out of that.” But once he got into a position to do that he couldn’t, because it had been optioned and later bought outright by Miramax. So it was tied up, and he was not a Miramax person, so it was in limbo for years. Vince Gerardis, my lovely Hollywood agent, managed to get the rights back. At that point John had had a huge success with 12 Years and Miramax asked him, is there anything else you want to do, and he said, “Needle in a Timestack.” So they optioned it the second time, hired Ridley, and then let the option run out. But he was hooked, and went and found another producer, who is now producing. He’s deeply attached to the project—not just in the Hollywood sense, he really loves it. He wrote the screenplay and apparently the screenplay is quite faithful to the story.

(4) YEARS AGO AT DRAGON CON. Two days ago, SF/F author K. T. Katzmann tweeted, “Also, I once watched one of the most famous SF/fantasy authors in the world pull off an act of conspiracy to commit murder over their microphone in a convention panel, but my lips are sealed until they die.”

That author was Harlan Ellison. Now that he has died, Katzmann tells the whole story in this thread:

(5) APPEAL. File 770 commenter Lurkertype could use some help after getting medical help for a cat:

One of my credentials had surgery this morning, and it’s going to cost $7,000.

Seven. Thousand. Dollars.

Which we don’t have — that’s over 2 months’ total living expenses — and we’re living off (premature, thus heavily taxed) IRA withdrawals. We get the credit to pay our Obamacare premiums, which… who knows if that will continue? Basically we are poor, and as you know, it’s not a swell time to be poor.

So I am begging for money.

You can send it to my PayPal account, which is under lurkertype (at) yahoo (dot) com.

Any amount, no matter how small, will be deliriously accepted.

I promise to send a photo of him on some SF. He is a handsome tuxedo beastie of 17 pounds. I don’t know if he’ll have a cone of shame or not.

I know many of you don’t have any spare money, but I know how much File 770 loves cats, so any kind thoughts towards him or me, prayers to your favorite deity, or just grumpy thoughts towards the universe to shape up for once are also accepted.

(6) TODAY’S BIRTHDAYS

  • Born June 28 – Mel Brooks, 92. Writer, actor and producer in, and this is a very selective listing, Get Smart, Young Frankenstein, Spaceballs and Spaceballs: The Animated Series, the Hotel Transylvania animated films and Blazing Saddles.
  • Born June 28 – Kathy Bates, 70. Performer, among many genre roles,  in Dick Tracy, The Stand, Hansel and Gretel, The Golden CompassDolores Claiborne and the American Horror Story series.
  • Born June 28 – Felicia Day, 39. Performer in Buffy the Vampire Slayer,  Eureka, Supernatural, Dr. Horrible’s Sing-Along Blog, Mystery Science Theater 3000 and LARPs which is not a complete accounting. Also writer and theme song singer (!) for Mystery Science Theater 3000. 
  • Born June 28 – Jon Watts, 37. Director of Spider-Man: Far From Home and Spider-Man Homecoming, screenplay of latter as well

(7) COMICS SECTION.

  • Lise Andreasen sends the Saturday Morning Breakfast Cereal strip “Evolution” with the cryptic recommendation, “I like ‘’I like big butts and cannot lie’ and cannot lie.” I have the cryptographic section working on this….
  • On the other hand, JJ’s Incidental Comics pick “Books are….” will be readily understood by every Filer.

(8) ALL-YOU-CAN-EAT FROM DC. Io9 shares DC’s plan: “The New DC Universe Streaming Service Will Bundle Superhero Comics and TV Shows All in One Place”.

As more and more people have begun reading comics digitally, DC’s fans have been wondering when (if ever) the publisher was going to get in on the all-you-can-read subscription service game much in the same way that Marvel has. As it turns out, that time is now.

Today, DC Comics and Warner Bros. announced the impending arrival of DC Universe, the new, fan-oriented platform where many of company’s upcoming shows like Young Justice: Outsiders, Titans, and Harley Quinn will live alongside a deep back catalog of curated DC comic books, TV shows, and films.

(9) GRIM FATE. Comics artist Warrick Wong has been producing fan art of the somewhat grim future of The Incredibles and posting on his Instagram feed. Gizmodo’s io9 has taken note (“Artist Envisions The Incredibles’ Future, and It’s Powerfully Bleak”). He’s gone into the future a decade or more where “Violet has taken over as the matriarch of the Parr family following the death of their parents [with] a facial scar and full-body tattoos” or “Dash [is] a reckless and rebellious teenager, while Jack-Jack explores his powers as a polymorph, figuring out how to control all of his abilities.” He’s also looked in the nearer term where “Old Man Incredible” has “a bitching beard” and “some awesome tattoos,” but is locked on “a path of vengeance after Mrs. Incredible was supposedly killed.”

(10) A VISIT FROM VESTA. Mike Kennedy felt this news deserved a dramatic introduction: “Aaaaaaah! We must be dooooooomed! A massive asteroid is so close to Earth you can see it with the naked eye!”

After he calmed down, Kennedy continued — “Well, closer than it’s been in a number of years… but close is a relative term here. Vesta (full name “4 Vesta”) is the second largest asteroid in the main belt and is currently in approximate opposition to Earth and about 106 million miles from our planet. That makes it bright enough to be seen with the naked eye for the next couple of weeks if you have excellent viewing conditions (such as having clear skies and being well away from a city or other source of light pollution).

“Of course, being in the main belt it’s in a nearly circular orbit (its eccentricity is only 0.08874) and isn’t going to pose any threat to Earth in the foreseeable future… not that that a lack of a threat will stop some people from trying to whip up a panic.

Newsweek reports “Vesta: Asteroid the Width of Arizona Makes Close Approach to Earth—And It’s Visible With the Naked Eye”.

Stargazers will be able to view it in both the northern and southern hemispheres until about July 16 or 17 “but only as a point of light, and only in dark skies,” Massey said. For optimum viewing, binoculars or telescopes are recommended.

Vesta will appear near the constellation Sagittarius until June 28, after which it will move into the vicinity of the constellation Ophiuchus.

The asteroid is so large, that it accounts for nearly 9 percent of the total mass of all asteroids in the asteroid belt, with only the dwarf planet Ceres being more massive, according to NASA.

Inverse says “Massive 4 Vesta Asteroid Is Zooming by Earth — Here’s How You Can Spot It”.

You can see 4 Vesta every night until July 16 or 17, which means you’ve got just weeks left to catch a glimpse of the asteroid this close to Earth until after the year 2040.

(11) CATASTROPHE AVERTED. Business Insider invites us to remember when “NASA literally saved us from a planet-wide apocalypse”. In the 1980’s NASA was one of the leading organizations that pushed to sharply reduce chlorofluorocarbon (CFC) use because of the damage to the ozone layer that could have led to ecological collapse due to doubling of the UV radiation reaching the ground. Dr. Susan Strahan (Senior Research Scientist with the Universities Space Research Association/NASA Goddard) is featured in a video that helps explain the problem. Because politicians listened to scientists (an almost unimaginable thing in some parts of the world today) the Montreal Protocol on Substances that Deplete the Ozone Layer was signed in 1987 and production of CFCs was curtailed and eliminated entirely in developed countries.

Quoting the article’s conclusion:

By 1996, CFCs were banned completely in developed countries. And today, Now satellite data indicates that the ozone hole is on the mend. And if we keep it up, it could be completely healed by the end of this century.

So it looks like the world won’t crumble by 2065 anymore. Well, at least not from a depleted ozone layer.

However, some evidence has surfaced semi-recently that someone is cheating on the Montreal Protocol and producing/releasing CFCs. See The Japan Times’ article “Scientists detect probable cheating on ozone treaty as drop in key CFC slows”.

The decline in the atmosphere of an ozone-depleting chemical banned by the Montreal Protocol has recently slowed by half, suggesting a serious violation of the 196-nation treaty, researchers revealed Wednesday.

Measurements at remote sites — including the government-run Mauna Loa Observatory in Hawaii — of the chemical, known as CFC-11, point to East Asia as the source or renewed production.

“We show that the rate of decline of atmospheric CFC-11 was constant from 2002 to 2012, and then slowed by about 50 percent after 2012,” an international team of scientists concluded in a study.

“This evidence strongly suggests increased CFC-11 emissions from eastern Asia after 2012.”

(12) IT’S TIME. Jack Black’s next flick — The House with a Clock in Its Walls.

In the tradition of Amblin classics where fantastical events occur in the most unexpected places, Jack Black and two-time Academy Award® winner Cate Blanchett star in The House with a Clock in Its Walls, from Amblin Entertainment. The magical adventure tells the spine-tingling tale of 10-year-old Lewis (Owen Vaccaro) who goes to live with his uncle in a creaky old house with a mysterious tick-tocking heart. But his new town’s sleepy façade jolts to life with a secret world of warlocks and witches when Lewis accidentally awakens the dead. Based on the beloved children’s classic written by John Bellairs and illustrated by Edward Gorey, The House with a Clock in Its Walls is directed by master frightener Eli Roth and written by Eric Kripke (creator of TV’s Supernatural). Co-starring Kyle MacLachlan, Colleen Camp, Renée Elise Goldsberry, Vanessa Anne Williams and Sunny Suljic, it is produced by Mythology Entertainment’s Brad Fischer (Shutter Island) and James Vanderbilt (Zodiac), as well as Kripke.

 

[Thanks to rcade, John King Tarpinian, JJ, Chip Hitchcock, Nicholas Whyte, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day jayn.]

Harlan Ellison Tribute Roundup

Acclaimed speculative fiction writer Harlan Ellison died today at the age of 84. Here is a selection of tributes and reactions posted in social media immediately following the announcement.

Stephen King

Samuel Delany on Facebook

Here’s the guy who started the notable part of my career. At the Tricon, he ran up to me and demand a story: I wrote it at the upcoming Milford–Aye and Gomorrah, which won the following year’s Nebula Award.

Patton Oswalt

Arthur Cover on Facebook

As most of the planet knows, Harlan Ellison passed away in his sleep last night. I am seriously bummed. Little did I know when I bought the first volume of the paperback edition on Dangerous Visions when I was a sophomore at Tech did those two words would have such a profound impact on my life. Harlan was responsible for my first sale, to the mythical Last Dangerous Visions, at a Clarion Workshop.

He became a big brother figure to me, and I stayed at Ellison Wonderland on and off during the many times when I was *ahem* between places in LA. I knew his dog Abu, who used to sneak out of the house to get some Hungarian Goulash from a couple down the street. I knew his maid Yosondua, a wonderful person. And I missed meeting his mother by a couple of weeks. There’s so much to remember about him that I can barely stand it.

I met a whole bunch of interesting people thanks to him. Forget the famous ones like Erica Jong; thanks to him, I met Pam Zoline, author of “The Heat Death of the Universe.” We saw Borges together. Thanks to him, I discovered Mahler and Bruckner. I turned him on to Kalinnikov. We both read comics and he liked to impersonate the Hulk with the voice of Ronald Coleman. (Try it.) He tried to set me up with young women; usually I ignored them, thus driving him stinking bonkers. And that was just the 70s.

Then there’s that Dangerous Visions thing – a whole bunch of autograph parties just for starters. (And let’s not forget the time he streaked A Change of Hobbit.) He was immensely supportive throughout the entire frustrating, rewarding enterprise. True, he had his faults; usually I ignored them too. But the exception of my family and friends from Tazewell, I wouldn’t know any of you today were it not for his generosity and friendship. He was a helluva guy, and I have been proud to be his friend forever.

Barbara Hambly on Facebook

Just got word that my friend Harlan Ellison passed away last night. An amazing man to know. I knew he was very ill – he’d never really recovered from a stroke a couple of years ago. So I feel no surprise. Just very, very sad.

Michael Cassutt on Facebook

A talented writer for sure, a self-made writer for absolutely sure…. I so remember “Repent, Harlequin” and “On the Downhill Side” and THE CITY ON THE EDGE OF FOREVER… and his columns that became THE GLASS TEAT, which sent me here to LA…. and more, the friendship that developed in the past decade or so, where I would pop up to Ellison Wonderland and have coffee with HE in his kitchen…. telling tales of George O. Smith and who else. I am actually bawling right now…..Harlan was my big brother and while his passing now, given his stroke three years back, is not a surprise…. it’ s still a shock.

Jaym Gates on Facebook

Harlan Ellison has died. My sympathies to those who will miss him. His voice was powerful, sometimes for good.

As a woman, I am not sad that there will be one less person who thinks it is funny to grope a woman on stage, and who was often used as a smoke screen for bad behavior by creative men.

Wil Wheaton on Twitter

Rest in Peace, Harlan. You always treated me like I was a person whose voice mattered, and I will cherish that memory for the rest of my life.

David Gerrold on Facebook

Harlan didn’t drink. I rarely drink.

Today I will drink.

Today I will toast a man who was a role model, a mentor, a critic, a friend — and ultimately my big brother.

He knew how much I loved him. I told him more than once.

The one thing he said about me that I cherish the most was shortly after I adopted Sean. He said, introducing me to someone else, “David Gerrold is the most courageous man I know.” Actually, it was Sean who needed the courage, but I understood what he was saying. He was acknowledging that I had finally grown up.

Harlan had a great public persona — but it was the private soul I loved the most. And goddammit, I’m going to miss that man.

Charles de Lint on Facebook

I’m very sad to have to write this but Harlan Ellison has passed away. He was a voice of reason, if somewhat contrary, and one of the best short story writers this field, or really any field, has known. He wore his “angry young man” persona lost after he was a young man but behind that bluster was a kind and generous man who would do anything for a friend. He will be greatly missed.

Cory Doctorow on Boing Boing

Ellison’s voice was infectious and has a tendency to creep into his fans’ writing. When I was 19, I attended a writing workshop at a local convention taught by Ann Crispin, who told me that I would be pretty good writer once I stopped trying to write like Harlan Ellison (I went on to sell that very Ellisonian story to Pulphouse).

Harlan was one of my Clarion instructors in 1992. He taught us remotely, by speakerphone, from his hospital bed in LA where he was recovering from angioplasty. I had attended that year because I couldn’t miss the opportunity to learn from Harlan Ellison, whom I held in highest regard (“hero worship” is not too strong a phrase to use here).

Ellison was not a good teacher (that year, at least). In fact, I think it’s safe to say that his instructional methods, which involved a combination of performative bullying and favorite-playing, were viewed as a disaster by all of my classmates, at least in hindsight.

Confronting the very real foibles of the object of my hero-worship was the beginning of a very important, long-running lesson whose curriculum I’m still working through: the ability to separate artists from art and the ability to understand the sins of people who’ve done wonderful things.

John Scalzi in the Los Angeles Times

…My second Harlan Ellison story was from 2011, the last time he was a finalist for the Nebula Award, given out by SFWA. Traditionally, SFWA contacts the Nebula finalists by phone to see if they’ll accept being on the ballot, and knowing of Harlan’s sometimes irascible phone manners, I was the one to call.

Harlan was not irascible. He wept into the phone. He had been ill, he said, and he wondered if what he was writing now still resonated and still mattered to people. To have his professional peers nominate him for one of the field’s most significant awards, he said, meant everything to him.

In that moment he wasn’t a giant of the field, a figure equally loved and loathed, a man about whom everyone had a story, or an opinion, about. He was simply a writer, happy to be in the company of, and remembered by, other writers.

Jeff VanderMeer on Facebook

He was a monumental personality who was influential in his day and to some extent today. He dove into the style and issues of his times with vigor, which sometimes makes his work feel dated but also resulted in classics that feel timeless. As an anthologist, he pushed boundaries in ways that, like his fiction, risked looking silly or actively terrible to modern audiences, but because of that also published a ton of innovative material and furthered the careers of writers who were quite experimental.

In erratic and sporadic fashion Ellison tended to be immensely helpful to some beginning writers and actively not helpful to others for no particular reason. Sometimes, I think, because he was too caught up in his mythology. Sometimes because he had a chip on his shoulder and was mercurial. I have mixed feelings about him for that reason, not to mention others, but there’s no denying he was a protean creative talent. I did learn to take risks in my writing from him, while also learning who I did not want to be as a teacher.

Richard Pini on Facebook

There are no words. He used them all anyway, and far better than most.

Robert Crais on Facebook

We lost Harlan Ellison today. The dedication to THE FIRST RULE reads as follows: “For my friend, Harlan Ellison, whose work, more than any other, brought me to this place.”. He cannot be replaced. He was a giant. He mattered.

David Brin on Facebook

Harlan was wickedly witty, profanely-provocative, yet generous to a fault. His penchant for skewering all authority would have got him strangled in any other human civilization, yet in this one he lived – honored – to 84… decades longer than he swore he would, much to our benefit with startling, rambunctious stories that will echo for ages.

John Hertz

I can’t remember who first remarked that “H.E.” stood equally for Harlan Ellison and High Explosive.

It also stands for His Excellency. Our H.E. being a whole-souled egalitarian would never have stood for that. But if one can break from the bonds of aristocratic associations – which in principle he was always for – it’s true.

I’m glad, not I hope without humility, that what pushed down the Montaigne piece was your notice of Brother Ellison’s death. Although Montaigne and the nature of zeal were two topics I never discussed with him, he might – and he did this sometimes – have approved.

David Doering

I feel a strong sense of loss with his passing. While he and I shared few opinions in common, I always appreciated his ability to stir up discussion.

To be clear, I did not have much personal interaction with Harlan over the years. The first tho was at a Worldcon in the 80s when he asked a large audience who had read a particular book he appreciated. Turned out that only he and I had done so. We chatted for a minute sharing comments, and, as a first encounter, I found him pleasant despite his reputation.

The other time was when Ray Bradbury suggested I call “his friend Harlan” about serving as a guest to LTUE. I can just imagine what must have gone through Harlan’s mind when he got a call from Utah, and from very Mormon BYU at that, asking about being a guest. (Had it happened, it would certainly have stirred things up here!) He was polite, straightforward, and nothing like his public “persona”. I came away appreciating him much more.

The last time was at a LASFS meeting at the old “Hooverville” building. He looked tired, but came to be with fen and seemed to have a good time. I’ll keep that image in my mind as I remember him.

Deadline.com“Harlan Ellison Dead: Legendary ‘Star Trek’, ‘A Boy And His Dog’ Sci-Fi Writer was 84”

Along with the Star Trek episode, Ellison’s 1964 Outer Limits installment “Demon with a Glass Hand” is widely considered among the best of its series. The bizarre, uncanny episode starred Robert Culp as a man who wakes with no memory but an apparently all-knowing glass hand. For years, rumors persisted that “Demon” inspired Terminator, though Ellison was quoted to have said, “Terminator was not stolen from ‘Demon with a Glass Hand,’ it was a ripoff of my OTHER Outer Limits script, ‘Soldier.’” According to a 1991 Los Angeles Times article, Ellison once again sued and settled.

ComicBook.comSci-Fi Writer Harlan Ellison Dies At 84

…Ellison also crafted a script for the Batman ’66 television series that would’ve introduced Two-Face into the show’s canon, but it was never shot. The story recently was turned into a comic titled Batman ’66: The Lost Episode, which officially brings the character into the series.

Variety Harlan Ellison Dead: Sci-Fi Writer Was 84

…When he dealt with Hollywood, he fearlessly said exactly what he thought again and again — often causing fallout as a result. In the wake of the 1977 release of “Star Wars,” a Warner Bros. executive asked Ellison to adapt Isaac Asimov’s short story collection “I, Robot” for the bigscreen.

Ellison penned a script and met with studio chief Robert Shapiro to discuss it; when the author concluded that the executive was commenting on his work without having read it, Ellison claimed to have said to Shapiro that he had “the intellectual capacity of an artichoke.” Needless to say, Ellison was dropped from the project. Ellison’s work was ultimately published with permission of the studio, but the 2004 Will Smith film “I, Robot” was not based on the material Ellison wrote.

Perhaps Ellison’s most famous story not adapted for the screen was 1965’s “Repent, Harlequin! Said the Ticktockman,” which celebrates civil disobedience against a repressive establishment. “Repent” is one of the most reprinted stories ever.

Shawn Crosby

[Editor’s note: The evil done to Harlan Ellison’s television scripts by cigar-chomping producers has long been part of his legend. In some of the worst cases he refused to have his name appear in the credits, and they aired with his pseudonym Cordwainer Bird shouldering the blame.]

Harlan’s death is accompanied by the passing of Cordwainer Bird, his writing partner of many years, described as “a short, choleric, self-possessed writer of mystery stories and science-fiction for television”, who “has no compunction about punching directors and producers two foot taller than himself right in the mouth.” Bird’s parents were Jason Bird and Rhonda Rassendyll, and he is nephew to The Shadow and a descendent of Leopold Bloom. As a member of the Wold Newton Family himself, Bird’s illustrious heritage has made him something of a fighter for justice in his own right.

Godspeed, gentlemen…

Mark Barsotti

A great voice silenced.

Until you pick up one of his books…

 

Harlan Ellison (1934-2018)

SFWA Grandmaster and member of the SF Hall of Fame Harlan Ellison died June 28.

A full reminiscence post will follow.

Harlan Ellison at the ABA convention; Larry and Marilyn Niven behind him: Photo by and (c) Andrew Porter.

[Thanks to ULTRAGOTHA, Andrew Porter, and John King Tarpinian for the story.]