Pixel Scroll 6/13/19 And What Rough Pixel, Its Hour Come Round At Last, Crowdfunds Towards Dublin, To Be Scrolled?

(1) SKIPPING OVER THE SAND. Judith Tarr tells why she’ll be passing on a Bene Gesserit tv series with an all-male creative team. Thread starts here.

(2) KAIJU-CON. On Saturday June 14, the Japanese American National Museum in Los Angeles is holding a one-day “Kaiju-Con”.

In conjunction with Kaiju vs Heroes, JANM is hosting a day-long Kaiju-Con that will include a vendor hall, workshops, panel discussions, and demonstrations all related to kaiju and Japanese toys. The day will culminate in a special free outdoor screening at 8:30 p.m., on JANM’s plaza of Mothra vs. Godzilla from 1964.

The museum’s exhibit “Kaiju vs Heroes: Mark Nagata’s Journey through the World of Japanese Toys” continues through July 7.

… After the war, the United States closely monitored the types of industries allowed to revive in Japan. The toy industry was one of the first to be enabled to reinvent itself, and the kaiju films and television shows helped fuel it. Additionally, the toy industry helped stimulate Japan’s economy during the early postwar reconstruction period. These new artistic and economic factors fused with kaiju and hero characters to set the stage for a golden age of Japanese popular culture—one that Nagata first became enamored with as a nine-year-old boy.

Nagata’s pursuit of these Japanese toys took him on an unexpected journey that brought new realizations about his cultural identity as an American of Japanese ancestry….

(3) DRAW YOUR OWN CONCLUSIONS. Gizmodo assures us that “Half the DNA on the NYC Subway Matches No Known Organism”.

The results of a massive new DNA sequencing project on the New York City subway have just been published. And yup, there’s a lot of bacteria on the subway—though we know most of it is harmless. What’s really important, though, is what we don’t know about it.

The PathoMap project, which involved sampling turnstiles, benches, and keypads at 466 stations, found 15,152 life-forms in total, half of which were bacterial. The Wall Street Journal has created a fun, interactive microbial map of the subway out of the data, showing where on the lines the bacteria “associated with” everything from mozzarella cheese to staph infections was found.

(4) GUNN RETROSPECTIVE. Dark Matter Zine is revisiting the work of the late Hugo-winning fanartist Ian Gunn: “Giant man-baby. A silly illo by Ian Gunn”.

Over the next few weeks we’ll be seeing some movie cliches that Ian Gunn drew. Today’s, obviously, is the giant man-baby walking in slow motion. Although the drawing is at least 20 years old but did Gunn foresee the Trump Baby resistance balloons, banners etc? I wonder if the giant Trump Baby acts in slow motion too?

(5) JUST A LITTLE SMACK. John Boston doesn’t pull his punches when he’s slugging the prozines of 1964 for Galactic Journey: “[June 12, 1964] RISING THROUGH THE MURK (the July 1964 Amazing)”.

Can it be . . . drifting up through the murk, like a forgotten suitcase floating up from an old shipwreck . . . a worthwhile issue of Amazing?

You certainly can’t tell by the cover, which is one of the ugliest jobs ever perpetrated by the usually talented Ed Emshwiller—misconceived, crudely executed, and it doesn’t help that the reproduction is just a bit off register.

(6) CLONE ARRANGER. ComicsBeat brings music to fans’ ears — “ORPHAN BLACK returns in new serialized novel and audio adaptation”.

The Clone Club is reconvening. Variety reports that Orphan Black, the hit BBC America sci-fi series that ended in 2017, is set to return as a serialized novel, with accompany audio narration, later this year. The new story is produced by publishing startup Serial Box, and will feature original series star Tatiana Maslany providing the audio narration.

(7) FLIP THE SCRIPT. Eater says the promotion is really quite simple: “Burger King’s New ‘Stranger Things’ Special Is Literally an Upside-Down Whopper”.

With the premiere of Stranger Things Season 3 just a few weeks away, Netflix and Burger King are teaming up for a fast food stunt that seems aimed at the die-hard fans, only: At 11 locations across the country, the chain is adding an “Upside Down Whopper” to the menu, which is literally just a Whopper served upside down. No special Demagorgon sauce, Eggo bun, or Hopper’s bacon crumbles. It’s just an inverted hamburger in Stranger Things-branded packaging.

The YouTube caption assures viewers —

pro tip: you can’t get eaten by something in the upside down if you’ve already eaten the upside down whopper. served upside down at select bk locations on June 21:

(8) MILES OBIT. Actress Sylvia Miles has died at the age of 94 reports the New York Times.

Sylvia Miles, who earned two Academy Award nominations (for “Midnight Cowboy” and “Farewell, My Lovely”) and decades of glowing reviews for her acting, died on Wednesday in Manhattan. She was 94.

Ms. Miles began her career as a stage actress; [she] was a witch in “A Chekhov Sketchbook” (1962). She described her character in the 1977 horror film “The Sentinel” as “a mad dead crazed German zombie lesbian ballet dancer.” Her other film roles included … Meryl Streep’s mother in “She-Devil” (1989).

Her final TV appearance was in 2008, on the series “Life on Mars.” Her last screen appearance was in “Old Monster,” a 2013 short based on the epic “Beowulf.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 13, 1892 Basil Rathbone. He’s best remembered for being Sherlock Holmes in fourteen films made between 1939 and 1946 and in a radio series of the same period. For films other than these, I’ll single out The Adventures of Robin Hood (all Robin Hood is fantasy), Son of Frankenstein and Voyage to the Prehistoric Planet. (Died 1967.)
  • Born June 13, 1893 Dorothy Sayers. ISFDB often surprises me and having her listed as writing four stories in the genre did it again. All of them were written in the Thirties and here they are: “The Cyprian Cat”, “The Cave of Ali Baba”, “Bitter Almonds” and “The Leopard Lady”. So, who here has read them and can comment on them being genre or not? (Died 1957.)
  • Born June 13, 1929 Ralph McQuarrie. Conceptual designer and illustrator. He worked on the original Star Wars trilogy, the first Battlestar Galactica, Star Wars Holiday Special, Cocoon, Raiders of the Lost Ark, Nightbreed, Star Trek IV: The Voyage Home andE.T. the Extra-Terrestrial. (Died 2012.)
  • Born June 13, 1943 Malcolm McDowell, 76. My favorite role for him was Mr. Roarke on the rebooted Fantasy Island. Of course, his most infamous role was Alex in A Clockwork Orange. Scary film, that. His characterization of H. G. Wells in Time After Time was I thought rather spot on. And I’d like to single out his voicing Arcady Duvall in the “Showdown” episode of Batman: The Animated Series. Remember the Will Smith starred Wild Wild West film? Here is the same premise with John Hex instead. 
  • Born June 13, 1945 Whitley Strieber, 74. I’ve decidedly mixed feelings about him. He’s written two rather good horror novels, The Wolfen which made a fantastic horror film and The Hunger. But I’m convinced that his book Communion about his encounter with aliens is an absolute crock. 
  • Born June 13, 1949 Simon Callow, 70. English actor, musician, writer, and theatre director. So what’s he doing here? Well, he got to be Charles Dickens twice on Doctor Who, the first being in “The Unquiet Dead” during the time of the Ninth Doctor and then later during “The Wedding of River Song”. He’d also appear, though not as Dickens, on The Sarah Jane Adventures as the voice of Tree Blathereen in “The Gift” episode. I’ve not watched the latter. How are they? He was The Duke of Sandringham in the first season of Outlander
  • Born June 13, 1953 Tim Allen, 66. Jason Nesmith in the beloved Galaxy Quest, winning a much deserved Hugo Award for Best Dramatic Presentation. (What was running against it that year?) it actually had a big hit several years previously voicing Buzz Lightyear in Toy Story which would be the first in that film franchise.
  • Born June 13, 1963 Audrey Niffenegger, 56. Her first novel was The Time Traveler’s Wife. She has stated in interviews that she will not see the film as only the characters in the novels are hers. Good for her. Raven Girl, her third novel about a couple whose child is a raven trapped in a human body, was turned into performed at the Royal Opera House. 
  • Born June 13, 1981 Chris Evans, 38. Captain America in the Marvel film franchise. He had an earlier role as the Human Torch in the non-MCU Fantastic Four and Fantastic Four: Rise of the Silver Surfer. I think this makes him the only performer to play two major characters in either the DC or Marvel Universes. 

(10) ROBOCOMICS. The New York Times looks at a marketing solution: “Like Comic Books? This Platform Picks Titles for You”.

Comic book fans have multiple digital options to choose from these days, with apps for independents, manga and political cartoons as well as libraries from giants like DC and Marvel. But the fractured nature of the business means readers have to visit several platforms to fill their needs.

Enter Graphite, a free digital service from Graphic Comics that begins Tuesday and hopes to put them all under one roof.

The impetus for the company was a simple one, said Michael Eng, Graphite’s chief executive: “There is no solution right now that serves comics in all its forms.”

The goal of the service is to offer digital comics from all formats, including the work of independent creators as well as major publishers, and make it all free. The content will include ads, but an ad-free service is available for a $4.99 monthly fee. Graphite also hopes to expand the audience of comics readers by offering material in 61 languages. But its biggest bet is on artificial intelligence, which will suggest content to readers based on their taste.

(11) HIDDEN NO MORE. BBC: “Hidden Figures: Nasa renames street after black female mathematicians”.

The street outside Nasa’s headquarters has been named “Hidden Figures Way”, in honour of three African-American women whose work helped pave the way for future generations at the space agency.

(12) A LARK IN THE VACUUM. The Atlantic’s Rebecca Boyle has her own estimate of “The True Price of Privatizing Space Travel”.

…NASA’s decision to open up the space station is in some ways a natural next step for space exploration. Earlier, earthbound vessels all experienced a similar transformation. Transoceanic ships, railroads, and airplanes spawned cottage industries to enable their spread and wide adoption, and each eventually reached the masses. And in widening access to space, NASA is actually behind the Russians, whose space agency has transported a few space tourists through a company called Space Adventures.

But space is different. Space, as they say, is hard. To get there, you have to strap yourself to a bomb, and sometimes those bombs malfunction.

Personal space exploration is also hard to justify….

…Handing tourists the keys to the ISS reflects a much broader shift in space exploration, one that prioritizes resource extraction and commercial profit over pure research and collective scientific efforts. It’s a step toward making space more mundane, a travel destination defined by money and vacations, rather than discovery and glory.

(13) ONE OF EVERYTHING. Joe Sherry does a fine job of tackling these finalists in “Reading the Hugos: Related Work” at Nerds of a Feather.

Related Work is a bit of a catch-all category. It’s for work that is primarily non fiction and that is related to science fiction and fantasy, and which is not otherwise eligible elsewhere on the ballot. This is how you can have an encyclopedia compete against a folk album against a podcast against a collection of essays about movies (this was in 2012 when the Fancast category had not yet been created. That particular lineup of finalists can’t happen today. You may also note that albums and songs have been included in Dramatic Presentation – because the two Clipping albums in question are narrative driven whereas Seanan McGuire’s Wicked Girls was not.). There may also be a single blog post competing and winning in the category. Or a series of blog posts focusing on the women of Harry Potter. In the case of this year there is a four way biography, a series of interviews, a three part documentary, a collected essay series about the Hugo Awards, a recognition of the work done by a website, and the experience of bringing together Mexicanx fans and creators to Worldcon. Related Work is an interesting cross section of another side of the genre and another side of fandom.

(14) HUGO NOVELLAS. James Reid continues his “Hugo Awards Extravaganza 2019 – Novella”.

I feel like this category has undergone a bit of a renaissance with digital publishing: when I was growing up, I thought of Novellas as either the anchor of a short story collection, 1 or works that flesh out a larger series.2  Without the pressure of meeting mass market paperback length however, novellas can be sold as free standing works, which then can lead to series of novellas.  Fully half the slate fall into this category,3 and not only are they sequels, but they are sequels to previous nominated works.

In all three of these series, I liked the original novella,4 but the two sequels that were in the ballot last year, Binti: Home and Down Among the Sticks and Bones were both marked by precipitous drops in quality.  Given this, my big questions going into the ballot this year are can Artificial Condition avoid this sophomore slump, and can either of the threequels pull out of their series nosedives?

(15) CANNED. “Star Wars’ Mark Hamill Reveals He Got Fired From Jack in the Box for Doing a Clown Voice”Comicbook.com has the story.

Star Wars icon Mark Hamill is still full of stories that will surprise and delight fans – as he recently proved during an appearance on The Late Show with James Corden. Corden and Hamill were talking about the road to fame (and all the detours it an take); when they got to the topic of Hamill having worked as a waiter (like so many struggling actors), we got this great anecdote:

“I tried. I always was trying to find the theatrical aspect of it. You know, I worked right down the street at Jack in the Box. And I was in the back all the time, making shakes and minding the grill, and I always aspired to work the window… The one chance I had at it, it never occurred to me not to be in character as the clown, as the Jack in the Box clown! Who would want to hear [Robot voice] ‘What is your order?’ I wanted to hear [Clown voice] ‘Whats your orderrrrrrrrrr?” My manager didn’t think it was very funny: He told me to go home and never come back. I got fired! Fired for being in character! Why you… [Shakes fist] I’ll show you: One day I will be The Joker and then you’ll be sorry!”

(16) BIG FAMILY IS WATCHING. [Item by Jonathan Cowie.] Nature notes some past fiction has become science fact with the rise of the surveillance state — “Eyed up: the state of surveillance”

In the 1998 Hollywood thriller Enemy of the State, an innocent man (played by Will Smith) is pursued by a rogue spy agency that uses the advanced satellite “Big Daddy” to monitor his every move. The film — released 15 years before Edward Snowden blew the whistle on a global surveillance complex — has achieved a cult following. It was, however, much more than just prescient: it was also an inspiration, even a blueprint, for one of the most powerful surveillance technologies ever created…

This is the basis for the new book Eyes in the Sky: The Secret Rise of Gorgon Stare and How It Will Watch Us All by Arthur Holland Michel (Houghton Mifflin Harcourt, 2019).

(17) A SEMI-MOVING PICTURE. Mike Kennedy sent the link with an observation – “I was not aware we needed this”: “‘Playmobil: The Movie’: Film Review” in The Hollywood Reporter.

Once they’re transformed into animated characters, Charlie soon winds up prisoner in a Gladiator-like kingdom ruled by the evil Emperor Maximums (Adam Lambert), prompting Marla to team up with a hipster food truck driver (Jim Gaffigan, providing vague comic relief) and a ridiculous secret agent (Daniel Radcliffe) to get her bro back. Along the way, she runs into tons of other merchandise, although it’s uncertain at this point whether the figure of Glinara (Maddie Taylor) — basically a female Jabba the Hut decked out in a sleeveless leather dress — was something already made by Playmobil or a creature the filmmakers invented for the hell of it.

Otherwise, everything goes exactly where you expect, from the live-action scenes bookending the cartoon to the nonstop chases and thundering soundtrack to all the attempts at humor that mostly miss their mark. To the director’s credit, the animated sequences are richly rendered, making the most of the rather stiff and plain-looking originals (though, if you want to get nitpicky, an early gag poking fun at the fact that Playmobil legs are unbendable is soon forgotten) and offering up a plethora of settings that help compensate for the lack of good writing.

[Thanks to Mike Kennedy, Martin Morse Wooster, ULTRAGOTHA, John King Tarpinian, JJ, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day, the reference detecting Randall M.]

Pixel Scroll 2/24/19 Flow My Peanut Butter, The Panini-Maker Scrolled

(1) HIDDEN FIGURE HONORED. A NASA facility has a new name: “NASA Renames Facility in Honor of ‘Hidden Figure’ Katherine Johnson”.

NASA has redesignated its Independent Verification and Validation (IV&V) Facility in Fairmont, West Virginia, as the Katherine Johnson Independent Verification and Validation Facility, in honor of the West Virginia native and NASA “hidden figure.”

“I am thrilled we are honoring Katherine Johnson in this way as she is a true American icon who overcame incredible obstacles and inspired so many,” said NASA Administrator Jim Bridenstine. “It’s a fitting tribute to name the facility that carries on her legacy of mission-critical computations in her honor.”

… Born in White Sulphur Springs, West Virginia, in 1918, Johnson’s intense curiosity and brilliance with numbers led her to a distinguished career — spanning more than three decades — with NASA and its predecessor agency, the National Advisory Committee for Aeronautics. Among her professional accomplishments, Johnson calculated the trajectory for Alan Shepard’s Freedom 7 mission in 1961. The following year, Johnson performed the work for which she would become best known when she was asked to verify the results made by electronic computers to calculate the orbit for John Glenn’s Friendship 7 mission. She went on to provide calculations for NASA throughout her career, including for several Apollo missions.

At a time when racial segregation was prevalent throughout the southern United States, Johnson and fellow African American mathematicians Dorothy Vaughan and Mary Jackson — who was later promoted to engineer — broke through racial barriers to achieve success in their careers at NASA and helped pave the way for the diversity that currently extends across all levels of agency’s workforce and leadership. Their story became the basis of the 2017 film “Hidden Figures,” based on the book by Margot Lee Shetterly.  

(2) THE ART OF SIGNING. CoNZealand (2020 Worldcon) GoH Larry Dixon shares some wisdom in a Twitter thread that begins here.

(3) A GHOST SPEAKS. Sean McLachlan rises “In Defense of Professional Ghostwriting” at Black Gate.

…I’m acquainted with Cristiane Serruya. She was part of the Kindle Scout program, having won an advance, 50% royalties, and publication for at least one of her works from Amazon’s imprint Kindle Press. Two of my books are also in the program. We chatted numerous times on the Kindle Scout Winners Facebook group and we even traded critiques. She read the first two books in my Masked Man of Cairo mystery series and I read Damaged Love, which turns out to contain plagiarized passages too. At the time I was surprised she would want me to be a beta reader on a romance novel, a genre she knew I didn’t read and knew nothing about. Now I know why.

…It’s true that some unscrupulous people are hiring teams of underpaid ghostwriters to churn out dreck in order to game Amazon’s algorithms, which tilt in favor of newly publishing titles and prolific authors.

Unfortunately, professional ghostwriters like me are being lumped in with the hacks. There is a place for a professional ghostwriter in indie publishing, and it is a valid one.

Ghostwriting has been around since the days of the dime novel. It was strong throughout the pulp era and the post-war paperback boom. In the modern world, house names such as Don Pendleton (The Executioner) and Carolyn Keene (Nancy Drew) have been used by pools of ghostwriters to make some of the most popular series around.

Ghostwriting is my day job. To date, I have ghostwritten 18 novels, 7 novellas, and one short story for various clients, and am currently contracted for another series of novels. The clients are generally independent publishers who put out work under a variety of pen names. I get one or two pen names, and other ghostwriters get other ones. Thus each pen name keeps the specific tone of a particular writer. I have worked for one guy who used several ghostwriters writing for the same house name, but we all were given strict instructions as to tone, style, etc. None of my clients put their real name on their books, and all of them were looking for quality work….

(4) UP THE AMAZON. Nora Roberts expands on what she’s been learning about the environment for indie authors at Amazon: “Let Me Address This”.

A Broken System. Then came the scammers, and with the methods discussed in previous blogs, who flooded the market with 99 cent books. What a bargain! Readers couldn’t know these books were stolen or copied or written by ghostfarms. Couldn’t know about the clickfarms, the scam reviews.

At this price, the author receives only 30% (there’s a price point cut off on royalty rate). So all those out of pocket expenses may or may not be covered.

The legit indie saw her sales suffer, her numbers tank, her placement on lists vanish. To try to compete, many had to struggle to write faster, to heavily discount their work. Some had to give up writing altogether.

One other scamming method is to list a book–forever–as free. Not as a promotion, or incentive, but to toss up hordes or free books, so the reader wants–and often demands–free. They make their money off the scores of cheap and stolen books, and destroy the legit writer. Why pay when there are scores of free books at your fingertips?

(5) SFF ROMANCE AWARDS. The winners of genre interest for the 2018 Australian Romance Readers Awards are:

Favourite Paranormal Romance

  • Ocean Light by Nalini Singh

Favourite Sci-Fi, Fantasy or Futuristic Romance

  • Cursed by Keri Arthur

(6) FANHISTORY. Here’s a link to Archive.org footage from the 1975 Star Trek convention in New York. William Shatner’s appearance takes up the first few minutes – you can see Ben Yalow among his escorts at the 30-second mark. The latter half of the film shows a woman in front of art show panels – I think I should recognize her, but I can’t come up with a name. Maybe you can. [Update: Adrienne Martine-Barnes, maybe?] [Now identified as Jacqueline Lichtenberg.]

Yalow is on the right.

(7) TRIVIAL TRIVIA.

  • On November 1, 1884 Bat Masterson published his first newspaper article in Dodge City. The newspaper was called Vox Populi.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 24, 1786 Wilhelm Grimm. Here for two reasons, the first being the he and his brother were the first to systematically collect folktales from the peasantry of any European culture and write them down. Second is that the number of genre novels and short stories that used the Grimms’ Fairy Tales as their source for source material is, well, if not infinite certainly a really high number. I’d wager that even taking just those stories in Snow White, Blood Red series that Terri Windling and Ellen Datlow co-edited would get quite a number based the tales collected by these bothers. (Died 1859.)
  • Born February 24, 1909 August Derleth. He’s best known as the first book publisher of H. P. Lovecraft, and for his own fictional contributions to the Cthulhu Mythos (a term that S. T. Joshi does not like), not to overlook being the founder of Arkham House which alas is now defunct. I’m rather fond of his detective fiction with Solar Pons of Praed Street being a rather inspired riff off the Great Detective. (Died 1971.)
  • Born February 24, 1933 Verlyn Flieger, 86. Well known Tolkien specialist. Her best-known books are Splintered Light: Logos and Language in Tolkien’s WorldA Question of Time: J. R. R. Tolkien’s Road to Faerie, which won a Mythopoeic Award, Tolkien’s Legendarium: Essays on The History of Middle-earth (her second Mythopoeic Award) and Green Suns and Faërie: Essays on J.R.R. Tolkien (her third Mythopoeic Award). She has written a VA fantasy, Pig Tale, and some short stories.
  • Born February 24, 1942 Sam J. Lundwall, 77. Swedish writer, translator and publisher. He first started writing for Häpna!, an SF Zine in the 50s. In the late 60s, he was a producer for Sveriges Radio and made a SF series. He published his book, Science Fiction: Från begynnelsen till våra dagar (Science Fiction: What It’s All About) which landed his first job as an SF Editor. After leaving that publisher in the 80s, he would start his own company, Sam J. Lundwall Fakta & Fantasi. Lundwall was also the editor of the science fiction magazine Jules Verne-Magasinet between 1972 and 2009. He has been active in fandom as he organised conventions in Stockholm six times in the 60s and 70s. And I see he’s written a number of novels, some released here, though not recently. 
  • Born February 24, 1947 Edward James Olmos, 72. Reasonably sure the first thing I saw him in was as Detective Gaff in Blade Runner, but I see he was Eddie Holt In Wolfen a year earlier which was his genre debut. Though I didn’t realise it as I skipped watching the entire film, he was in The Green Hornet as Michael Axford. (I did try watching it, I gave up after maybe fifteen minutes. Shudder.) he has a cameo as Gaff in the new Blade Runner film. And he’s William Adama on the new Battlestar Galactica. He was made appearances on Agents of S.H.I.E.L.D. and Eureka
  • Born February 24, 1966 Ben Miller, 53. He first shows up in our corner of things on The Adventures of Young Indiana Jones in the “Daredevils of the Desert” episode as an unnamed French Officer. His main genre role was on Primeval, a series I highly recommend as a lot of fun, as James Lester.  He later shows up as the Sheriff of Nottingham in a Twelfth Doctor episode entitled “Robot of Sherwood”. 
  • Born February 24, 1968 Martin Day, 51. I don’t usually deal with writers of licensed works but he’s a good reminder that shows such as Doctor Who spawn vast secondary fiction universes. He’s been writing such novels first for Virgin Books and now for BBC Books for over twenty years. In addition, he’s doing Doctor Who audiobooks for Big Finish Productions and other companies as well. He’s also written several unofficial books to television series such as the X Files, the Next Generation and the Avengers

(9) COMICS SECTION.

(10) LEGAL EAGLE. John Scalzi has been doing his due diligence this afternoon.

(11) ROLE OF A LIFETIME. Cleveland.com has a conversation with the actor: “Wil Wheaton wraps up run as Wil Wheaton on ‘Big Bang Theory’”.

…Then “Big Bang” executive producer and co-creator Bill Prady offered him the ideal role. Would he be interested in playing, well, Wil Wheaton . . . an evil Wil Wheaton?

“If they had actually wanted me to play myself, I don’t think I would have been interested,” he said. “First, it would have felt like a cheat. So what? Show up and be yourself? There’s no challenge in that. But when Bill said, ‘We want you to play an evil version of yourself,’ I immediately got and loved that idea.”

(12) PAPERS PLEASE. Spikecon has put out a “Call for Academic Submissions”:

Westercon 72, NAFIC 2019, 1632 Minicon, and Manticon 2019 are together inviting submissions of academic papers for presentation at Spikecon to be held on July 4th-7th, 2019 in Layton, Utah. We are seeking 30 minute papers which raise the level of dialogue and discussion in the Science Fiction/Fantasy community and seek to empower fans as well as creators.

Topics of Interest Include:

  • Literary analysis/criticism of science fiction or fantasy works including those of our Spikecon Guests of Honor
  • Historical events impacting science fiction and/or fantasy works
  • Fandom
  • Developments in science and technology
  • Craft of writing
  • Cultural impact of scifi/fantasy
  • Fan and creator relationship
  • Studies of individual creators/universes

(13) PLAY BY MALE. NPR’s Etelka Lehoczky says “Chronin’s Elegant, Minimalist Samurai Adventure Is – Literally – Timeless”.

Let’s hear it for cleverness! Sometimes a few modest, well-thought-out ideas can add up to an artistic creation as impactful as — and even more appealing than — the weightiest projects. That’s the case with Chronin, Alison Wilgus’ new graphic novel. Like a miniaturist or scrimshaw engraver, Wilgus has a keen appreciation for the power of constraints. By setting careful limits on what her book will look like and what kind of story it will tell, she’s achieved an aesthetic balance that’s a thing of beauty in itself.

Chronin is lighthearted but not frivolous, simple but not simplistic. Since it’s set in 19th-century Japan, you could compare it to a netsuke: A tiny sculpture whose beauty lies in what it does with so little. Chronin’s narrative and visual themes are rather basic, but it explores them in a way that’s precise, insightful — and supremely clever.

Wilgus has experimented with artistic constraints before. A Stray in the Woods, published in 2013, originated as a Tumblr webcomic driven by suggestions from readers. And, of course, much of her work has been shaped by the will of her employers, including DC and the Cartoon Network. Plenty of creators try to blow the doors off with their first solo graphic novels, but Wilgus takes the opportunity to go small. Chronin’s story of a time-travel screw-up is familiar, even a bit of a chestnut. Protagonist Mirai Yoshida, a New York City college student in 2042, travels with some classmates back to 1864 Japan to conduct research. An accident leaves her trapped there, so she masquerades as a male — and as a member of the warrior class — for safety while she tries to figure out a way back.

(14) SURVEYING THE FIELD. Rich Horton winds up his Hugo discussion with “Hugo Nomination Thoughts, 2019: Summary Post”. One item he touches on is —

Best Series

Here’s JJ’s list of eligible series posted at File 770: http://file770.com/best-series-hugo-eligible-series-from-2018/. Much props to JJ for the tireless work of maintain this list, but … I think the list itself speaks to problems with the whole concept of this award.

I was skeptical about this award from the start, and I don’t think its history helps it. I’m really bothered by the way adding one short story to a very old series, for example, makes it again eligible (as with Earthsea, objectively by far the most worthy and influential eligible series, but does “Firelight”, beautiful as it absolutely is, really mean we should give it an award now?) Also, the endless parsing of “series” vs. “sub-series”. The way an award can be for, really, semi-random assemblages of related works. I could go on and on.

(15) TWEETING HISTORY. Myke Cole is running a giveaway, and has been retweeting some of the choicer quotes people are submitting. For example:

(16) BACKING UP TO THE MOON. CNET: “Thirty-million-page backup of humanity headed to moon aboard Israeli lander”.

If the apocalypse strikes, the Arch Mission Foundation wants to be sure all the knowledge we’ve accumulated doesn’t disappear.

On Thursday night, a SpaceX Falcon 9 rocket carried an Israeli-made spacecraft named Beresheet beyond the grasp of Earth’s gravity and sent it on its way to the surface of the moon. On board Beresheet is a specially designed disc encoded with a 30-million-page archive of human civilization built to last billions of years into the future.

The backup for humanity has been dubbed “The Lunar Library” by its creator, the Arch Mission Foundation (AMF).

“The idea is to place enough backups in enough places around the solar system, on an ongoing basis, that our precious knowledge and biological heritage can never be lost,” the nonprofit’s co-founder Nova Spivack told [CNET] via email.

(17) THE FLYING DEAD. Salon: “Zombie stars shine on after mystery detonations”.

It should have been physically impossible. Millions of years ago, a white dwarf—the fading cinder of a sunlike star—was locked in a dizzying dance with a bright companion star. The two had circled each other for eons, connected by a bridge of gas that flowed from the companion onto the white dwarf allowing it to grow heavier and heavier until it could no longer support the extra weight. At this point, the white dwarf should have exploded—blowing itself to smithereens and producing a supernova that briefly shone brighter than all the stars in the Milky Way combined. Then once the supernova faded and the white dwarf’s innards were dispersed across the galaxy, there would quite literally be nothing left save for its companion star. But against all odds, the explosion did not fully rupture the white dwarf. Instead, it survived.

…Raddi’s team made these discoveries after combing through data from the European Space Agency’s Gaia spacecraft, which is particularly well suited for finding high-speed stars—an important characteristic of ones like LP 40-365 (because a supernova explosion has the power to slingshot stars across the galaxy). Two are destined to escape the Milky Way entirely, and one is orbiting “backward” against the usual rotation of stars in our galaxy. Additionally they all boast large radii, presumably because they were puffed up by the extra energy they received from the failed explosion. And yet they possess relatively small masses, likely due to the loss of much of their material during the explosion. But perhaps the most compelling evidence these stars are supernova survivors is that they brim with heavier elements. Whereas typical white dwarfs comprise carbon and oxygen, these stars are mostly composed of neon. “That’s absurd,” Hermes says. “That’s like some barroom beer sign just flying through the galaxy.” The stars’ second-most common element is oxygen, followed by a sprinkling of even heavier elements such as magnesium, sodium and aluminum. “This is about as weird as it gets,” Hermes says…

(18) IT’S A THEORY. Orville’s season 1 Rotten Tomatoes critics score was 23%.  Season 2 is holding at 100%.  Nerdrotic theorizes that the explanation is Disney’s purchase of Fox.

(19) BLADE RUNNER COMICS. Launching this summer, Titan Comics’ new Blade Runner 2019 series will be set during the exact timeframe of the original Blade Runner film, and feature a (mostly) new set of characters and situations.

Titan also confirmed that noted artist Andres Guinaldo (Justice League Dark, Captain America) will be joining acclaimed Blade Runner 2049 screenwriter Michael Green (Logan) and veteran collaborator Mike Johnson (Star Trek, Super­man/Batman) to breathe life into their all-new Blade Runner comic books.

(20) AND HE’S NOT EVEN WELSH! CBR.com checks out “Superman’s Less Legendary LL’s!”.

In Drawing Crazy Patterns, I spotlight at least five scenes/moments from within comic book stories that fit under a specific theme (basically, stuff that happens frequently in comics). Note that these lists are inherently not exhaustive. They are a list of five examples (occasionally I’ll be nice and toss in a sixth). So no instance is “missing” if it is not listed. It’s just not one of the five examples that I chose. 

Today, we look at the less legendary LLs in Superman’s life. 

Unless you hate me and all that I stand for, you know that Superman has an inordinate amount of notable people in his life whose names are double Ls. 

Names (etc.) mentioned in the 2-page article include:

* Lori Lemaris

* Lightning Lad

* Little League (seriously)

* Lita Laverne

* Lester Link

* Liza Landis

* Lyrica Lloyd

* Lorraine Lewis

(21) CLOUDY, WITH A CHANCE OF DRAGONS. HBO puts out mashup trailer to coincide with the Oscars — SYFY Wire: “Arya Stark beholds dragon for first time in HBO mashup trailer; new Watchmen footage also included”.

Just like it did during the Golden Globes, HBO has released another mega-trailer featuring new footage from all of its new and returning shows airing this year. Of course, the eighth and final season of Game of Thrones was among the shows included in the tantalizing teaser.

[…] Game of Thrones Season 8 debuts on HBO Sunday, April 14. There’s no set premiere date for Watchmen just yet, but it will arrive sometime this year.

(22) FROM THE BEEB TO THE BO. BBC released a trailer of His Dark Materials, which will air on HBO in the U.S.

We’re keeping our daemons close. Here’s an early sneak peek of His Dark Materials. Dafne Keen, Ruth Wilson, James McAvoy, Clarke Peters and Lin-Manuel Miranda star in this thrilling new series. Adaptation of Sir Philip Pullman’s acclaimed series of novels.

[Thanks to Mike Kennedy, Cat Eldridge, Your Supreme Awesome Royal Majesty Highnessness JJ, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, and Andrew Porter.  Title credit goes to File 770 contributing editor of the day Andrew.]