Pixel Scroll 8/21/22 Of Dyson Spheres And Birthdays Best Told Fresh

(1) ON SAIL. Walter Jon Williams gets reacquainted with his 25-year-old self in “Onward Into the Past”.

Back in April Kathy and I drove the three and a half hours to Portales for the 45th Jack Williamson Lecture, and had to figure out how we were going to entertain ourselves for the long drive across the Llano Estecado. Kathy suggested we listen to the audio book of To Glory Arise, the first of my Privateers & Gentlemen books. I’d met Kathy more than ten years after saying goodbye to that series, and she’d never read them, so she was coming to them fresh.

So we listened to the book driving out and back, and were entertained by the book and Bronson Pinchot’s excellent reading of it. I found the book so entertaining that I’ve been listening to the rest of them as they’ve been released, though the reason I was so entertained was peculiar to me— reviewing that series was a way of re-discovering my twenty-five-year-old self, the person who wrote that series, a person who is not quite the man I am today.

I was surprised by how much time and energy I devoted to the psychological dimensions of my characters. I mean, I certainly knew the psychological element was there— I considered it a selling point of the series that it wasn’t about two-dimensional action heroes, but instead characters of some complexity. But there ended up being more pages devoted to psychology than I remembered, and I think more pages than the characters actually warranted. I did not understand the concept of enough. I was inclined to say the same things over and over. I wish I’d had editors who told me that….

(2) A RISING TIDE LIFTS ALL BOATS. “Game of Thrones effect fires up reissues of ‘lost’ fantasy fiction classics” in the Guardian.

It is a lyrical, beautiful fantasy story about a mythical beast who sets out on a quest into a world that no longer believes in her to find out if she is truly the last of her kind.

Published in 1968, The Last Unicorn by Peter S Beagle spawned an animated movie 40 years ago and is a cherished novel that appeals to children and adults alike. But it’s not surprising if you haven’t heard of it. It hasn’t been published in the UK for half a century.

This week it is finally being reissued, the latest in a string of classic fantasy novels to find a new audience thanks to the prevalence of the genre on TV and the big screen….

As well as Beagle’s novel, other writers’ work is being reissued, including John M Ford’s novels The Dragon Waiting and Growing Up Weightless, Hope Mirrlees’s 1926 faerie fantasy Lud-In-The-Mist, and Antonia Barber’s The Ghosts, while books such as the Arabic fantasy The Tale of Princess Fatima, Warrior Woman, and Japanese author Yukio Mishima’s delightfully weird Beautiful Star have recently had their first ever English-language publications.

(3) FRIENDS. “Supporters, Opponents Weigh in on Internet Archive Copyright Battle” at Publishers Weekly is a collection of excerpts from the amicus briefs filed on behalf of both sides.

Is the Internet Archive’s program to scan and lend copies of print library books under an untested legal theory known as controlled digital lending (CDL) wholesale piracy? Or is it a carefully considered and legal effort to preserve the mission of libraries in a digital world that is moving away from ownership to licensed access? With Summary Judgment motions now filed in a closely-watched lawsuit filed by four major publishers over the Internet Archive’s scanning program, stakeholders on both sides of the case are weighing in with amicus briefs….

(4) BRAN SPANKIN’ WORDS. Jesse Sheidlower of the Historical Dictionary of Science Fiction (HDSF) begins a new Boing Boing series, “Updating the Historical Dictionary of Science Fiction”.

…Of course, the most important feature is the continued addition of new entries. Since the launch, we have continued to unearth new information, and we are excited to be able to share it with readers. The over 200 new entries (as of this writing) include accidental omissions (Vulcan); terms from proto-SF (space senses of fleetbattleship, and warship, all from around 1900); and genuinely recent entries that came to prominence after the original project began (cli-fi (2009), murderbot (2006), Nnedi Okorafor’s Africanfuturism (2018))….

… Yet the majority of the new entries are simply common SF terms that never made it into the original: cityship (1953), doppel (1981), the proto-SF ether ship (1883), ion gun (1935), the fandom word kipple (1960), pseudopod (1929), skin job (in an original (1958) and a Blade Runner sense (1981)), star liner (1932), timequake (1954)….

(5) MEDIA BIRTHDAY.  

1985 [By Cat Eldridge.] Since I mentioned yesterday Ursula Le Guin’s Always Coming Home when I talked about Austin Wright Tappin’s Islandia yesterday, let’s have a conversation about Always Coming Home tonight. 

At one thousand and fifty-five pages, the Library of America edition of Always Coming Home is almost exactly the same length as the printed version of Islandia. Le Guin commented upon Islandia that it is “not a great book perhaps, but a singularly durable one, and a durably singular one. There is nothing else in all literature like Islandia.”

Now I will argue Always Coming Home is quite unlike anything else she wrote as it is not really a work of fiction but rather an anthropology of a people that don’t yet exist. It was published thirty-seven years ago and labeled a novel, but I that reject that label as Le Guin, the daughter of anthropologist, has here created the only true genre work of future anthropology ever done.

She lets the Kesh, the people that Pandora, the documentarian from the other civilization, is studying largely speak for themselves. So we as the observers are learning about them through a collage of their mythologies, poetry and their stories. All in an ethnographic approach.

There is a piece of fiction, a central novella, with the story of a woman called Stonetelling who leaves the valley to live with her father’s people, the Condor. That has Stonetelling reflecting upon her people. 

The end of the Always Coming Home contains additional information about the Kesh in more traditional ethnographic form. And there are maps as well. Quite fascinating maps.

The first edition, the trade paper in the slip case, had music too. It was called the Music and Poetry of the Kesh, featuring ten musical pieces and three poetry performances by Todd Barton. 

The book contains a hundred original illustrations by Margaret Chodos. 

The expanded edition released by Library of America is available from the usual suspects. I’ve decided to include the original cover here. 

Lest you ask, yes, I like it a lot.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 21, 1888 Miriam Allen deFord. Almost all of her genre fiction was published at The Magazine of Fantasy & Science Fiction under the editorship of Anthony Boucher. It can be found in two collections, Xenogenesis and Elsewhere, Elsewhen, Elsehow. Her “A Death in the Family” story was adapted in Night Gallery‘s second season. Other than a few short stories, nothing’s available digitally by her. (Died 1975.)
  • Born August 21, 1911 Anthony Boucher. I’m now reading The Case of The Crumpled Knave, one of his superb mysteries. Really great read. The Compleat Boucher: The Complete Short Science Fiction and Fantasy of Anthony Boucher is a most excellent read, but it’s not an epub yet. The Case of The Crumpled Knave, The Compleat Werewolf and Other Stories of Fantasy and Science Fiction are available digitally and a lot are at the usual suspects. (Died 1968.)
  • Born August 21, 1937 Arthur Thomson. Fanzine writer and editor and prolific artist known as ATom. Artist for the well-known Hyphen zine, he won the Trans-Atlantic Fan Fund in 1964 and visited the States. He was nominated five times for the Hugo Award for Best Fan Artist, but never won. After Thomson won the 2000 Rotsler Award, it was decided not to present the Rotsler posthumously again. (Died 1990.)
  • Born August 21, 1943 Lucius Shepard. Life During Wartime is one seriously weird novel. And his World Fantasy Award winning The Jaguar Hunter is freaking amazing as are all his short collections. (Died 2014.)
  • Born August 21, 1956 Kim Cattrall, 66. Gracie Law in John Carpenter’s Big Trouble in Little China. Fantastic film! She also played Justine de Winter in The Return of the Musketeers, Paige Katz in Wild Palms, Lieutenant Valeris in Star Trek VI: The Undiscovered Country and Linday Isley in Good v. Evil. Series-wise, she was in one offs in Tales of the Gold MonkeyLogan’s RunThe Incredible Hulk and The Outer Limits (rebooted version of course). 
  • Born August 21, 1957 John Howe 65. Canadian book illustrator who’s worked on many a project, of which the Peter Jackson Hobbit films are the ones we’ll know best and which he did with Alan Lee, but he’s also done a number of endeavors including a limited edition of George R. R. Martin’s novel A Clash of Kings which was released by Meisha Merlin, A Diversity of Dragons by Anne McCaffrey and A Middle-Earth Traveler: Sketches from Bag End to Mordor.
  • Born August 21, 1966 Denise Mina, 56. Genre wise, she’s best known for having written thirteen issues of Hellblazer. Her two runs were “Empathy is the Enemy” and “The Red Right Hand”.  ISFDB lists The Dead Hour as genre but it’s very much not. Excellent novel but think rather in the vein of Ian Rankin’s Rebus novels.
  • Born August 21, 1966 Carrie-Anne Moss, 56. I first saw her as Tara McDonald in the Dark Justice series. Not genre, just her first video I think. Playing Monica Howard in the “Feeding the Beast” episode of Forever Knight was her first genre role. Oddly enough her next role was as Liz Teel in the Canadian series called Matrix which has nothing to do with the Matrix film franchise where she’s Trinity. And she’s been playing Jeryn Hogarth in the Netflix based Marvel Universe.

(7) COMICS SECTION.

(8) WAS 1970 THE WORST IN SCI FI CINEMA? [Item by Olav Rokne.] Going through the Hugo finalists year by year in order. And oof, 1971’s shortlist was difficult to get through. We even dug through the other movies and TV shows that were eligible that year, and the fact that I don’t think Hugo nominators could have done a better job on that shortlist is an indictment of SF cinema at that time. “Possibly The Worst Year In Sci-Fi Cinema” at The Hugo Book Club Blog.

… Expressing a sentiment that was common at the time, John Baxter wrote: “Written SF is usually radical in politics and philosophy; SF cinema, like the comic strips, endorses the political and moral climate of its day.” While we’d suggest that Baxter was a little too generous towards prose SF, having watched and listened to the 1971 shortlist, it’s clear that there’s some merit in his indictment of screen offerings.

The shortlist was an eclectic one in some ways. It had one theatrically released American movie (Colossus: The Forbin Project), one television movie (Hauser’s Memory), one British movie (No Blade of Grass) one spoken-word comedy album (Don’t Crush That Dwarf, Hand Me the Pliers) and one prog rock concept album (Blows Against the Empire)…

(9) REFRESH AND RELOAD. The School Library Journal believes in “refreshing the canon” and offers this “Refreshing the Canon Booklist”. Click on the title of a famous classic and you’ll be led to a list of newer suggested readings.

George Orwell’s modeling of a totalitarian society in 1984 has long been a staple of the summer reading canon. As an alternative, consider these seven titles that feature dystopian, futuristic, and repressive societies—and teens who fight back.

  • Adeyemi, Tomi. Children of Blood and Bone. Holt. ISBN 9781250170972.
  • Anderson, M.T. Feed. Candlewick. ISBN 9780763662622.
  • Bacigalupi, Paolo. Ship Breaker. Little, Brown. ISBN 9780316056199.
  • Cameron, Sharon. The Forgetting. Scholastic. ISBN 9780545945219.
  • Dimopoulos, Elaine. Material Girls. Houghton Harcourt. ISBN 9780544388505
  • Higuera, Donna Barba. The Last Cuentista. Levine Querido. ISBN 9781646140893. 
  • Jian, Ma. China Dream. Random/Vintage. ISBN 9781640092402.

(10) AH, SWEET MYSTERY OF LIFE, AT LAST I’VE FOUND THEE. [Item by Mike Kennedy.] A look at the first episode of She-Hulk: Attorney At Law (Disney+) is filled with spoilers for that show and with (some would say) TMI about Steve Rogers’ love life. “She-Hulk post-credits finally solve an incredible Captain America mystery” at Inverse.

…Though Jennifer is related by blood to a famous Avenger, Bruce hasn’t spilled every secret about Earth’s Mightiest Heroes. In the first episode of She-Hulk: Attorney At Law, a post-credits scene continues a joke planted early in the episode about Jennifer and her crush on Captain America….

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Nancy Sauer, Jeffrey Smith, Olav Rokne, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 2/11/21 The Englishfan Who Filed Up To-Be-Read Hill But Scrolled Down Mount Tsundoku

(1) CHANGING OF THE GUARDIAN. Lisa Tuttle has taken the handoff from The Guardian’s SF/Fantasy reviewer Eric Brown who ended his fifteen-year run in January. Tuttle’s first genre round-up will appear in The Guardian’s books section on Saturday, February 13.

(2) MANDALORIAN ACTRESS OUT. Deadline reports “Gina Carano Off ‘The Mandalorian’ After Social Media Comments”. Their article quotes from the posts she made immediately following this excerpt:

In the wake of Gina Carano’s controversial social media posts, Lucasfilm has released a statement Wednesday night, with a spokesperson saying “Gina Carano is not currently employed by Lucasfilm and there are no plans for her to be in the future. Nevertheless, her social media posts denigrating people based on their cultural and religious identities are abhorrent and unacceptable.”

Carano played bounty hunter Cara Dune on the first two seasons Lucasfilm and Disney+’s The Mandalorianand it looked like we’d be seeing more of her. It appears not….

(3) ROBORIGHTS. A film based on the short story “Dolly” by Elizabeth Bear is in development: “Apple TV+ Lands Hot Package ‘Dolly’ With Florence Pugh On Board To Star” at Deadline.

Following competitive bidding war, Apple Studios has landed Dolly, a new feature film with Academy Award-nominee Florence Pugh attached to star with Vanessa Taylor and Drew Pearce Penning the script. Insiders close to the project stress the project is not greenlit at this time as the script still needs to penned and a director still needs to be attached. Insiders go on to add that the package caught the interest of a total of four bidders that included multiple studios and another streamer with Apple TV+ emerging as the winner earlier this week.

The film is a sci-fi courtroom drama in which a robotic “companion doll” kills its owner and then shocks the world by claiming that she is not guilty and asking for a lawyer. The film, which is inspired by Elizabeth Bear’s short story of the same name, has elements of both classic courtroom drama and sci-fi….

(4) FOURTH COMING. In “The Four Types of Time Travel (And What They Say About Ourselves and the World Around Us)” at CrimeReads, Dan Frey looks at whether time travel novels have characters going forwards or backwards in time and whether they retrieve objects.

Time travel is a genre unto itself, one that spans sci-fi, mystery, fantasy, history and more. But there are distinct categories of time travel narratives, each with its own set of rules—and each with a different baked-in outlook.

Getting to a taxonomy of time travel stories, the first question is—who or what is actually time-traveling? Because while the first stories we think of involve spaceships and Deloreans, the oldest time travel stories are stories about…

1. SEEING THE FUTURE

In these stories, it is actually INFORMATION that travels through time. And this might be the most scientifically plausible form of time travel, one that is already happening all the time on the quantum level….

(5) WHAT MIGHT HAVE BEEN. Robert J. Sawyer tells Facebook readers that 26 years ago Ace Science Fiction thought they were going to land a contract with Lucasfilm to produce a trilogy of novels outlining the origins of the alien races from the Star Wars universe:

Ace editor Ginjer Buchanan approached me to write those books, and before the license was finalized I produced an 11,000-word outline and also the first 11,000 words of the manuscript of volume one. But the deal fell apart — yes, they’d get a Lucasfilm license, but, no, I couldn’t use any of the actual STAR WARS races, and so I walked away. Since I was never paid for the work, I posted the material on my website as fan fiction.

Sawyer mentioned this because the Yub Nub podcast episode “Hollywood Dinners and Alien Exodus”, which dropped today, discusses that project beginning at the 36:30 mark.

Sawyer reminds fans that the outline for the whole book is here: “Alien Exodus Outline”. And his opening chapters are here: “Alien Exodus Chapters”.

(6) THE WORDS OF SFF. In the February 6 Financial Times, book columnist Nilanjana Roy discusses the Historical Dictionary of Science Fiction website.

Skipping from ‘ecotopia’ (first used back in 1975) to ‘Frankenstein complex ‘(coined by Isaac Asimov in 1947 to describe the anxiety and distrust held by humans towards robots), a living history of science fiction began to take shape in my mind.  The HDSF records language coined by eminent figures from the realms of literature and science, but also long-forgotten hacks who wrote stories for the pulps…

…The HDSF is full of surprises, even to an unabashed sf fan.  Many entries are older than I imagined:  ‘teleport’ might seem like a word dreamt up in the 1950s, for instance, but the first recorded instance comes from an 1878 mention in the Times Of India:  ‘The teleport,.an apparatus by which men can be reduced to infinitessimal (sic) atoms, transmitted through the wire, and reproduced safe and sound on the other end!’ While “infodump” was first used in a 1978 conference on science.

(7) BE CAREFUL WHAT YOU WISH FOR. Someone who dismissed the Locus Recommended Reading List as “useless” was pointed at the Tangent Online 2020 Recommended Reading List” which contains these introductory remarks by Dave Truesdale:

Looking at short fiction over at least the past 10 years, a general observation can be made. It would appear that Woke Culture is as pervasive and cancerous as it has ever been for at least the past 10 years. The dearth of true originality when it comes to political or socially themed short fiction is becoming more and more apparent to those of us who have observed and studied the field for decades. Political Correctness has now infiltrated the field like a metastazing cancer, to the point where long time readers are beginning to voice complaints. The complaints arise not from what is published in the magazines or some of the original anthologies, but what is not being published. Identity Politics and the Cancel Culture have inserted themselves into the field to the extent that not only magazine fiction editors, but other areas of the SF field are bowing to intimidation and peer pressure to conform to the total obeisance the Woke doctrine demands….

(8) PRESENT AT THE CREATION. The documentary Marvel’s Behind the Mask premieres tomorrow on Disney+. Variety has an exclusive clip, and homes in on one topic — how the “Black Panther’s ‘Perfect’ Marvel Comic Book Launch Had One Major Flaw”.

When Marvel Comics first launched the character of Black Panther, it was in the July 1966 issue of “Fantastic Four.” As explained in this exclusive clip from the upcoming Disney Plus documentary “Marvel’s Behind the Mask,” premiering Feb. 12, the character of T’Challa, the King of Wakanda, was presented just like any other Marvel superhero — attention wasn’t paid to the color of his skin, but rather to the supreme quality of his abilities.

“The first Black superhero, Black Panther, comes out perfect,” says writer-director Reginald Hudlin, who wrote a run of Black Panther comics in the 2000s. “He’s this cool, elegant, handsome guy who’s just got it on lock.”

But as the clip also demonstrates, there’s one essential element of Black Panther that was glaringly incorrect: His skin is grey, not brown.

…Rather than shy away from its less than admirable history, the “Behind the Mask” filmmakers say Marvel’s executives were on board with a warts-and-all look at the company’s efforts with representation. “They were complete partners,” says Gary. “They accepted the fact that we were going to make some things uncomfortable.” The company even opened up its vault so the filmmakers could access the full range of its history.

“There were certain things that we needed to scan that weren’t part of the digital history, that were important to the storytelling,” says Simon. “We needed to get that older imagery out of the vault.”…

(9) NYT JAMES GUNN OBITUARY. The New York Times paid their respects today: “James Gunn, Prizewinning Science Fiction Author, Dies at 97”.

(10) MEMORY LANE.

  • 1971 — Fifty years ago at Noreascon I, Fritz Leiber wins the Hugo for Best Novella with “Ill Met in Lankhmar”, one of his Fafhrd and The Grey Mouser tales. It was originally published in the April issue of Fantasy & Science Fiction. The other nominees were “The Thing in the Stone” by Clifford D. Simak,  “The Region Between” by Harlan Ellison.  “The World Outside” by Robert Silverberg and “Beastchild” by Dean R. Koontz.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 11, 1898 – Leo Szilard.  Vital in the Manhattan Project; first to connect thermodynamics and information theory; filed earliest known patent applications for the electron microscope, the linear accelerator, and the cyclotron (but did not build all these, nor publish in scientific journals, so credit went to others; Lawrence had the Nobel Prize for the cyclotron, Ruska for the electron microscope).  Present when the first man-made self-sustaining nuclear chain reaction was achieved in the first nuclear reactor; shook Fermi’s hand.  Credited with coining the term “breeder reactor”.  Half a dozen short stories for us.  To him is attributed “We are among you.  We call ourselves Hungarians.”  (Died 1964) [JH]
  • Born February 11, 1910 L. T. C. Rolt. English writer whose enthusiasm for heritage railways is writ large in his 1948 Sleep No More collection of supernatural horror stories which tend to be set in rural railways. (Simon R. Green may be influenced by him in his Ghost Finders series which often uses these railways as a setting.)  Some of these stories were adapted as radio dramas.  Sleep No More isavailable from the usual digital suspects. (Died 1974.) (CE) 
  • Born February 11, 1915 – Mabel Allan.  Four novels, one shorter story for us; a hundred seventy books all told, some under other names; some in series e.g. a dozen about Drina Adams who at age 10 wants to be a ballerina and finally is.  Here is the Mabel Project for reading MA’s books in chronological order.  (Died 1998) [JH]
  • Born February 11, 1920 – Daniel Galouye.  (“Ga-lou-ey”)  Navy pilot during World War II; journalist; New Orleans fan who developed a pro career.  Half a dozen novels, five dozen shorter stories.  Guest of Honor at Consolacon, DeepSouthCon 6.  Interviewed in Speculation.  Cordwainer Smith Rediscovery Award.  (Died 1976) [JH]
  • Born February 11, 1926 Leslie Nielsen. I know the comic, bumbling fool who delighted generations of film goers. But his first starring role was as Commander John J. Adams in one of the finest SF films of all time Forbidden Planet. I am most decidedly not a fan of his later films but I think he’s brilliant here. (Died 2010.) (CE)
  • Born February 11, 1939 Jane Yolen, 82. She loves dark chocolate so I send her some from time to time. She wrote me into a novel as a character, an ethnomusicologist in One-Armed Queen to be precise in exchange for finding her a fairytale collection she wanted. Don’t remember now what it was other than it was very old and very rare. My favorite book by her is The Wild Hunt which she’s signing a copy for me now, and I love that she financed the production of Boiled of Lead’s Antler Dance which her son Adam Stemple was lead vocalist on. (CE) 
  • Born February 11, 1948 Robert Reginald. He’s here because of two Phantom Detective novels he wrote late in his career which are most popcorn literature. (The Phantom Detective series started in 1936 so he used the Robert Wallace house name.) He has two series of some length, the Nova Europa Fantasy Saga and War of Two Worlds. Much of what he wrote is available from the usual digital sources. (Died 2013.) (CE) 
  • Born February 11, 1950 Alain Bergeron, 70. He received an Aurora Award for Best Short Story for “Les Crabes de Vénus regardent le ciel” published In Solaris number 73, and a Sideways Award for Alternate History for  “Le huitième registre” (translated in English as “The Eighth Register” by Howard Scott). (CE) 
  • Born February 11, 1953 Wayne Hammond, 68. He’s married to fellow Tolkien scholar Christina Scull. Together they’ve done some of the finest work on him that’s been done including J. R. R. Tolkien: Artist and Illustrator, The Lord of the Rings: A Reader’s CompanionThe Adventures of Tom Bombadil and Other Verses from the Red Book and The J. R. R. Tolkien Companion and Guide. (CE)
  • Born February 11, 1965 – John Zeleznik, age 56.  A dozen covers, a score of interiors.  Here is Find Your Own Truth.  Here is The Heart of Sparrill.  Here is his Rifts Coloring Book.  Here is a Magic: the Gathering card.  Ten years in Spectrum anthologies.  Website.  [JH]
  • Born February 11, 1970 – Reinhard Kleist, age 51.  Half a dozen covers, as many interiors.  Here is Asimov’s collection Azazel.  Here is Das Böse kommt auf leisen Sohlen (German, “Evil comes on quiet feet” – more literally Sohlen are soles – tr. Bradbury’s Something Wicked This Way Comes).  [JH]
  • Born February 11, 1975 – Kathy McMillan, age 46.  Two novels for us, four others (one got an Indies Award); eight resource books for educators, librarians, parents. ASL (American Sign Language) Interpreter.  Website says Author & Language Geek.  [JH]

(12) COMICS SECTION.

(13) UNFORGOTTEN LORE. Gene Luen Yang fills readers in  “On the Connection Between Chinese Folktales and American Comic Book Heroes” at Literary Hub.

I first heard about the monkey king from my mom.

When I was a kid, my mother used to tell me Chinese folktales before bedtime. My mother is an immigrant. She was born in mainland China and eventually made her way to the United States for graduate school.

She told me those stories so that I wouldn’t forget the culture that she had left. Even though I hadn’t ever experienced that culture firsthand, she wanted me to remember it.

Of all her stories, my favorites by far were about Sun Wukong, the monkey king. Here was a monkey who was so good at kung fu that his fighting skills leveled up to superpowers. He could call a cloud down from the sky and ride it like a surfboard. He could change his shape into anything he wanted. He could grow and shrink with the slightest thought. And he could clone himself by plucking hairs from his head and then breathing on them. How cool was that?…

…Turns out, my mother was pretty faithful. As I read it, I realized that American superheroes hadn’t replaced Sun Wukong in my heart after all. Superman, Spider?Man, and Captain America were simply Western expressions of everything I loved about the monkey king….

(14) THE MILLENNIUM HAS ARRIVED. The thousandth book by a woman reviewed on James Nicoll Reviews: “Just Keep Listening”.

K.B. Spangler’s 2021 coming-of-age space opera The Blackwing War is the first book in her Deep Witches Trilogy. It is set in the same universe as Spangler’s 2017 Stoneskin .

Tembi Stoneskin was rescued from abject poverty when the Deep, the vast, enigmatic entity that facilitates transgalactic teleportation, took a shine to her. As long as the Deep retains its affection for Tembi, she will be an ageless Witch, stepping from world to world as it pleases her. There is little chance Tembi will alienate the Deep. 

There is, however, every chance she will alienate her superiors in the Witch hierarchy. Youthful Tembi is that most dreaded of beings, an idealist…. 

(15) YOU DON’T HAVE TO DIAL M ANYMORE. In “The Rise of the Digital Gothic” on CrimeReads, Katie Lowe says many of today’s Gothic novelists are coming up with plots that involve apparitions or other supernatural phenomena coming out of characters’ smartphones.

…But for all that this new technology gives, there’s also the sense of our personal spaces—the physical homes we inhabit—seeming always invaded by others, both strangers and not. They wander through, startling us with questions as we brew our morning coffee; scanning our living rooms while we’re on Zoom; liking our family photos as we crawl into bed. Our daily lives are interrupted constantly by apparitions: by the voices and figures of people who simply are not there.

This is not, however, a state of being sprung entirely from the pandemic—nor is it unique to fiction. In her 2014 essay “Return of the Gothic: Digital Anxiety in the Domestic Sphere,” critic Melissa Gronlund observed similarities between recent work in the visual arts. She suggests that artists using “the Gothic tropes of the uncanny, the undead, and intrusions into the home” in their work are searching for “a way to wrestle with daunting, ongoing questions prompted by current technological shifts: How has the internet affected our sense of self? Our interaction with others? The structures of family and kinship?”

(16) MARS MERCH. The Smithsonian National Air and Space Museum told people on its mailing list that the limited edition Mars Perseverance merchandise collection will only be available until February 21. (Click for larger images.)

(17) MR. SCOTT’S SECRET STUFF. Say, we just mentioned this substance the other day: “The Science Behind Transparent Aluminum on ‘Star Trek’” at Heavy.

Forbes reports that there are two methods of creating transparent aluminum in common use today. The first method involves taking a powdered aluminum-magnesium compound that is subjected to high pressure and heated, a method used by the US Military, specifically the US Naval Laboratory. This method produces a somewhat cloudy material that needs to be polished prior to use. An alternative method, which creates a slightly stronger and much clearer material, also exists. This end-product is called aluminium oxynitride, sold under the name ALON.

(18) UNBELIEVABLE TAZ. MeTV remembers how “Taz was so crazy, he convinced the world that Tasmanian devils didn’t exist”. And the iconic character has been used to help the real ones avoid extinction.

People accept that fantasy creatures like unicorns and dragons do not really exist, and it was that kind of categorical thinking that led many Looney Tunes fans around the world to assume that a Tasmanian devil is not a real animal.

They’d never seen one before. They’d never heard of one before. It must be a made-up animal!

When the cartoon devil called “Taz” was introduced in cartoons in the 1950s, creator Robert McKinson had no idea he would be creating so much confusion with his brand-new character, which he never foresaw becoming such an icon….

(19) THAT’S CAT. They’re everywhere – on these altered versions of book covers – like the ferocious feline on the front of Arkady Martine’s A Desolation Called Peace.

(20) VIDEO OF THE DAY. “Mask Up America” on YouTube is a PSA from WarnerMedia in which Wonder Woman, Harry Potter, and Humphrey Bogart urge you to wear masks.

[Thanks to Joel Zakem, Chris Barkley, Cat Eldridge, Martin Morse Wooster, Danny Sichel, Iphinome, Michael Toman, Mike Kennedy, JJ, John Hertz, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/27/21 On The AT-Atkitchson, Twinpeaka, And The Scrollta-Fe

(1) WEIMER IS BACK. The sff community rallied around and helped get Paul Weimer’s Twitter account restored after trolls got it shut down. He tells the full background on his Patreon: “The Trolls and the Twitter Ban (PUBLIC)”. Now Paul has a new honorific:

And Paul took a visual victory lap in a thread that starts here.

And yes, He’s everywhere! He’s everywhere!

(2) LAST DANGEROUS VISIONS. Two items of non-Patreon-locked news from Ellison executor J. Michael Straczynski —

Three authors who will have a new story in LDV have been named. The first one is

As noted, several high-profile writers have stepped up to show support for TLDV by offering to contribute stories. The first was announced Monday exclusively to those on Patreon, and can now be conveyed here: the amazing NEIL GAIMAN!

And the other two

Also: I’d like to announce another significant contemporary writer who has decided to lend his name to THE LAST DANGEROUS VISIONS by contributing a story: CORY DOCTOROW, who is known as not just an amazing writer but a pioneer in the realm of electronic rights and privacy and a scholar of the internet.

And of the original writers who contributed stories, “Rundown” by the highly regarded SF and fantasy writer John Morressy has been selected to be included in this volume.

Also, one unpublished writer will have a story accepted for LDV – the submission window will be open for one day on March 31:

…That announcement included word that a slot would be open for one previously unpublished writer, one new voice, to see their story included in the book alongside some of the most well-regarded writers working in the field of SF and Fantasy over the last 50 years.

Because it will take time for those interested to come up with something appropriate to TLDV, I wanted to get the word out now that submissions will be taken for only 24 hours on Wednesday, March 31st, and must be no longer than 3,500 words. The email address for submissions will be provided the day beforehand, along with a release form. All submitted stories remain the property of the writers responsible for them, and the one chosen for inclusion will be exclusive for just a two-year period, as with all the other stories in the planned volume.

Harlan believed passionately in helping to bring new voices into the field, and I share that conviction. I think if you have any success at all, you have a moral obligation to send down the elevator for the next person. With luck, this will bring a new voice into the world.

(3) HISTORICAL DICTIONARY OF SF  MAKES SPLASH. In addition to File 770’s “Historical Dictionary of Science Fiction Goes Live”, a lot of sites are covering the HD/SF today:

The game gets played between writer and reader, for sure, but also among writers, and between all the writers and all the readers. Some words get used again and again, becoming a meta-canonical corpus as allusive as classical haiku. It’s a game so complicated that it’d be nice to know the rules, maybe see the shape of the pieces. That’s where a lexicographical mad scientist named Jesse Sheidlower comes in. His creation, the Historical Dictionary of Science Fiction came to life online this week—1,800 entries dating back to the beginning of the 20th century, with not only definitions but the earliest known uses, links to biographical information about the writers, and links to more than 1,600 scans of the original pages where the words appeared. It’s a wormhole into not just one alternate universe but a lexicographic multiverse, where time-traveling canons overlap in unexpected ways with each other and with whatever universe the reader happens to be sitting in. Cool concepts from your favorite movies turn out to precede those movies by decades; science fiction gets things right before science. It’s a trip, and it might just lead to some answers about what science fiction is and what it means. It’ll definitely start—and finish—some arguments.

… Even without Ewoks, the result is generally both amazing and astonishing. In just a few minutes of reconnaissance, for example, I learned that the first person to pilot a jet car was not, as I hoped, Buckaroo Banzai, but in fact a character in Bryce Walton’s 1946 short story “Prisoner of the Brain Mistress.” I figured that Han Solo wasn’t the first person to make the jump to “hyperspace,” but I didn’t expect the concept to first come up in 1928, in Kirk Meadowcroft’s story “The Invisible Bubble” in the germinal pulp Amazing Stories. Nor did I expect big names like E. E. “Doc” Smith, Isaac Asimov, Samuel Delaney, Marion Zimmer Bradley, and David Brin to have also used the idea. And let’s say you wanted to go back in time and kill the person who came up with the idea of the grandfather paradox. You’d have to assassinate Hugo Gernsback, arguably the coinventor of the modern iteration of the genre, before he published his essay “The Question of Time-Traveling” in Science Wonder Stories in 1929.

The fact that so many of these terms have examples of their use from a dozen different writers across decades of history proves that sometimes writers aren’t neologizing so much as digging into the genre lexicon. Well, newish. “You leverage off of other people’s work, but really you’ve activated decades of associations that other people might or might not be bringing,” [Charles] Yu says. “That’s something really rich about science fiction in general. There’s this overlap, or this tangent point. This dictionary is kind of trying to be placed squarely in that region, the overlap.”

There’s no denying the profound influence that the Star Trek franchise has had on our shared popular culture. But it turns out that some of the best-known terms associated with the series—transporter, warp speed, and the famous Prime Directive—actually predate Star Trek: The Original Series by a decade or more. According to Jesse Sheidlower, a lexicographer and editor of the newly launched online Historical Dictionary of Science Fiction (HDSF), the first mention of those terms appeared in 1956, 1952, and 1940, respectively.

The entry for each word or phrase includes a brief definition followed by a timeline of its occurrences in literature, film, and criticism, with quotations. For instance, if you’re a US Senator who wants to crow about how the cancellation of his book contract is “Orwellian,” you might be interested to note that the word appeared in a 1949 edition of the St. Alban’s Daily Messenger: “Almost all the Orwellian techniques of a future totalitarianism are found here.” Or if you want to give your endless Zoom meetings some historical context, you can note that in the 1944 book Television, R.E. Lee predicted your current misery in his writing about the “videophone”: “We shall undoubtedly see videophones replacing telephones in common usage.”

(4) AWARD-WINNING MERMAID AUTHOR. The Mermaid of Black Conch, an SFF novel, won the 2020 Costa Book Award. The Guardian interviewed author Monique Roffey: “’I’m flabbergasted’: Monique Roffey on women, whiteness and winning the Costa”.

After two decades of splashing around in the shallows of success, Monique Roffey was taking no chances with The Mermaid of Black Conch. The novel, which won the Costa book of the year award on Tuesday, is written in a Creole English and uses a patchwork of forms, from poetry to journal entries and an omniscient narrator, and “employs magical realism to the max”. Even its title was against it, she realised. “You’re either going to read a novel about a mermaid or you aren’t.”

Any one of these, she says, would scare away most publishers….

(5) ANNUAL IN MEMORIAM LIST. Steven H Silver’s 2020: In Memoriam article is now on-line at Amazing Stories.

(6) MEDIA BIRTHDAY.

  • January 27, 1980 — The Saga of a Star World started again when Galactica 1980 aired its very first episode on ABC.  The tale picked up years after the events depicted in the original Battlestar Galactica with Commander Adama still in charge as the lead vessel of the Thirteen Colonies finally found way to Earth. It was created by Glen A. Larson, and starred Lorne Greene, Kent McCord, Barry Van Dyke and Richard Lynch. The series would last for ten episodes before it was cancelled due to extremely poor ratings.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born January 27, 1756 – Wolfgang Mozart.  When I’ve happened to be teaching on this day, I’ve handed out Mozartkugeln.  Please consider you’ve received one virtually.  Had WM, a good candidate for greatest composer ever, written only Don Giovanni and The Magic Flute, it would have been enough for us.  The relations between WM and Salieri in the film Amadeus are (ahem) highly fictionalized.  WM may be the best part of Hesse’s novel Steppenwolf, but – I’d better stop.  (Died 1791) [JH]
  • Born January 27, 1832 – Lewis Carroll.  Another glorious – differently – illumination of this day.  Had LC written only the two Alice books – and I must add The Hunting of the Snark – it would have been enough for us.  What’s that?? Do you suppose it might be a boo-  [JH]
  • Born January 27, 1950 Michaela Roessner, 71. She won the Astounding Award for Best New Writer for Walkabout Woman. Her The Stars Dispose duology is quite excellent. Though not genre, her two historical novels, The Stars Dispose and The Stars Compel, about Catherine de Medici are excellent.  ISFDB lists two additional novels of genre status, Walkabout Women and Vanishing Point. None of her fiction is alas available digitally. (CE)
  • Born January 27, 1956 Mimi Rogers, 65. Her best known known SFF role is Professor Maureen Robinson in the Lost in Space film which I did see in a theatre I just realized. She’s also Mrs. Marie Kensington in Austin Powers: International Man of Mystery, and she’s Orianna Volkes in the Penny Dreadful hitchhiker horror film. She’s got one-offs in Tales from The CryptThe X-FilesWhere Are You Scooby Doo? and Ash v. Evil Dead. (CE)
  • Born January 27, 1957 Frank Miller, 64. He’s both an artist and writer so I’m not going to untangle which is which here. What’s good by him? Oh I love The Dark Knight Returns, both the original comic series and the animated film, though the same not so true of Sin City where I prefer the original series much more. Hmmm… What else? His runs on Daredevil and Electra of course. That should do. What’s your favorite? Do tell. (CE) 
  • Born January 27, 1966 Tamlyn Tomita, 55. I’m fairly sure I first saw her in a genre role on  the Babylon 5 film The Gathering as Lt. Cmdr. Laurel Takashima. Or it might have been on The Burning Zone as Dr. Kimberly Shiroma. And she had a recurring late on Eureka in Kate Anderson, and Ishi Nakamura on Heroes.  She’s been in a number of SFF series in one-off roles including HighlanderQuantum LeapThe SentinelSeven Days, FreakyLinks, Stargate SG-1 and a recurring as late as Tamiko Watanabe in The Man in The High Castle. (CE) 
  • Born January 27, 1970 Irene Gallo, 51. Creative Director for Tor.com and Tor Books. She’s won an amazing thirteen Chelsey Awards, and two World Fantasy Awards, for art director of Tor.com and for the Worlds Seen in Passing: Ten Years of Tor.com Short Fiction anthology. She also co-wrote  Revolution: The Art of Jon Foster with Jon Foster and Cathy & Arnie Fenner. (CE) 

(8) WHY WE CAN’T HAVE NICE GREEN THINGS. Ursula Vernon was briefly tempted by a catalog:

(9) SOMETHING IN THE INK. The Comics Journal reminds fans about “The Strange Case of D. Bruce Berry”, a terrific artist who was once confined to a mental institution, and later in a 38-page rant entitled A Trip To Hell claimed Chicago fan Earl Kemp and science fiction editor and writer Harlan Ellison, wearing masks, had held him up at gunpoint on a Chicago street on Labor Day night, 1958. An extensive history of Berry’s history in SF fandom, with tons of his fanzine and pro artwork.

Bruce Berry is best known as Jack Kirby’s controversial inker, who took over from Mike Royer during Kirby’s ‘70s run at DC. Perhaps Berry suffers in his close proximity to Royer, Kirby’s most faithful and therefore considered by many, his best inker. Conventional wisdom is that Berry worked for decades as an advertising product/mechanical artist before Kirby brought him on board, thus beginning his comics career.

Truth be told, Berry was an often-published pulp and fanzine illustrator, science fiction author and novelist, dating back to the 1940s. He was also a brought to court for threatening others in the science fiction community and had been confined to a mental institution as a result.

…[In] the 1948 Fantasy Annual, published by Forrest J Ackerman, Berry was ranked 3rd in the list of Top Fan Artists.

…Advertising work having dried  up in Chicago, Berry relocated to Southern California in the late 1960s. Richard Kyle helped set him up in an apartment and introduced him to professional cartoonists working in the area, which included Mike Royer. Royer had recently begun inking and lettering Jack Kirby’s “Fourth World” series of comics for DC and soon afterward he employed Berry to ink backgrounds to help keep up with the voluminous flow of work. Berry took over the full inking and lettering chores with Kamandi #17 in 1974 and remained as Kirby’s inker for most of the rest of his DC run. According to Berry, “Mike said to me, “You won’t have any problems. Just follow the lines.” Keep in mind I came out of the advertising business. When an art director tells you the way a thing should be done, it’s the rule of the game. Mike said, “follow the lines,” and that is exactly what I did.” (10) Trying to remain faithful to Kirby’s pencils as Royer had been, Berry approached the inks like a schematic, using mechanical pens and tools, which produced a static even line width (unlike Royer who employed brushes for a robust result.) The end result was that he broke Jack’s pencils into shapes and patterns, an earmark of product illustration, to mixed effect. Oddly, none of these techniques are evidenced in Berry’s own artwork.

(10) NAME OFF. “UC Berkeley removes Kroeber Hall name, noting Native Americans” reports the Los Angeles Times. Alfred Louis Kroeber was Ursula K. Le Guin’s father.

A UC Berkeley campus building will be stripped of its name because of the legacy of its namesake, an anthropologist whose work included the “immoral and unethical” collection of Native American remains, the university announced Tuesday.

Kroeber Hall, named after Alfred Louis Kroeber, will be stripped of its name in a year’s time and will temporarily be called the Anthropology and Art Practice Building.

The university’s Building Name Review Committee announced the decision Tuesday after unanimously voting to remove the name last fall. Last year, the university renamed two other buildings over their namesakes’ controversial legacies of promoting racist rhetoric and colonialist ideas…

(11) BONGING TOGETHER. John Scalzi pointed readers at this video in “I Was Gonna Complain About Something Today, But This Video of an Acapella Group Doing Windows Sounds is Much Nicer”.

(12) THE HORROR. In “Pee -wee Park – The Full Horror Trailer” on YouTube, Pixel Riot asks what would happen if all the dinosaurs in Jurassic Park were replaced with Pee Wee Herman!

[Thanks to JJ, Martin Morse Wooster, Cora Buhlert, Andrew Porter, Cat Eldridge, Michael Toman, John Hertz, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]

Historical Dictionary of Science Fiction Goes Live

Jesse Sheidlower has unveiled the Historical Dictionary of Science Fiction “a comprehensive quotation-based dictionary of the language of science fiction.”

The HD/SF traces the history of the words it covers, with illustrative quotations showing how and when the word was used. In some cases, the quotations also capture the fannish humor of the times. Consider “fugghead” (click for larger image) —

The HD/SF is an offshoot of a project begun by the Oxford English Dictionary and is being run with OED approval, though it is no longer formally affiliated with it. The site is edited by Jesse Sheidlower. (The OED’s project previously yielded the 2008 Hugo-winner Brave New Words: The Oxford Dictionary of Science Fiction edited by Jeff Prucher.)

Sheidlower is an adjunct assistant professor in the Writing program at Columbia University, the Past President of the American Dialect Society, and formerly was an editor for Random House Dictionaries and the Oxford English Dictionary;