(1) STABBY TIME. Reddit’s r/Fantasy group is voting on the winners of The 2016 Best of r/Fantasy Stabby Awards through January 11. You’re invited.
For 2016, we need you to vote!
The eligible candidates below were set by the 2016 r/Fantasy Nomination Thread and populated by r/Fantasy members. The list was locked in place this past Wednesday at 10PM Pacific.
To vote, please click the upvote arrow next to your choice or choices for ‘best of’ in each category. Yes, you can upvote more than one.
(2) STICKS THE LANDING. The New York Times’ Neil Genzlinger reviews Emerald City in “Toto, You’re Not a Basket-Size Terrier Anymore”
Dorothy, the Wizard and the rest of the Oz gang get the “Grimm” treatment as well as the grim treatment in “Emerald City,” a series beginning Friday on NBC, one that’s addictive if you allow it to be. That may, however, require some effort on your part.
You may not be conscious of just how deeply imprinted the film version of “The Wizard of Oz” is on your psyche until you watch a bit of this show, which initially seems so very wrong in every possible way. Where is the singing? Where are the psychedelic colors? So here’s what you do: At the first commercial break, pause and marvel all over again at what a spectacular achievement in artistry and cross-generational endurance the 1939 Judy Garland film is, and then let it go.
“Emerald City” has its Dorothy, engagingly played by Adria Arjona, but it draws on the full canon of L. Frank Baum’s “Oz” books (a series that continued after his death in 1919). It is partial to the dark and unsettling aspects of those tales, which it teases out and enhances with flourishes of its own. When this Dorothy lands in Oz, she’s armed, and that dog alongside her is no basket-size terrier.
The result is decidedly not a fairy tale for young children. This version of Oz has bloodshed, charred bodies, a very disturbing multiple suicide and much more. Friday’s premiere consists of two episodes, which is good, because two hours is about how long it takes you to acclimate to the tone and intent. In the third episode, a doozy, the show’s grip on you really tightens.
(3) NOT SINBAD AND NOT SHAZAAM. Kenneth R. Johnson emailed his theory about the misremembered genie movie debated in comments on yesterday’s Scroll:
I think I may have the answer to what the mysterious genie movie is that various people are mis-remembering as “Shazaam.” I distinctly remember watching a movie on TV back in the 1990s in which the genie was played by a tall black guy with dreadlocks; he also had some kind of British accent. After extensive googling I’ve identified it as “Bernard and the Genie,” a TV movie from 1991. The genie was played by British actor/comedian Lenny Henry. He may have been doing a Jamaican accent to make the genie appear pseudo-Rastafarian. The movie also has Alan Cumming and Rowan Atkinson in it. It’s very strange.
(4) BUG JACQUES BARRON. French citizens are now automatic organ donors under the law.
All French citizens are now automatic organ donors, unless they officially opt out of the program.
A new law that went into effect on Jan. 1 makes everyone an organ and tissue donor. People can opt out of the program, but they must enroll in something called the National Rejection Register in order to do so.
A low number of organ donations prompted the new rule, according to news reports.
France’s biomedicine agency said in a statement on its website that “in the name of national solidarity, the principle of presumed consent was chosen,” The World Post reported.
(5) REMEMBER THE ALICORN. Rick Riordan putting his foot down —
(6) FATE OF THE FRANCHISE. What would you do? HuffPo says “’Star Wars’ Team Grappling With How Leia Will Live On After Carrie Fisher’s Death”.
In the wake of Carrie Fisher’s death, the team responsible for future “Star Wars” projects is reportedly reconsidering the place of her character, Leia Organa, in the franchise’s ever-expanding universe, according to The Hollywood Reporter. …
Fisher, who first played the iconic princess in 1977, brought Leia back to the big screen as a general in “Star Wars: The Force Awakens” in 2015. The actress has apparently already filmed her scenes for the second installment in the latest trilogy, but was rumored to have an even larger role in the following film….
The team is reportedly concerned with two key scenes featuring Fisher that would bring her character and the film’s plot full circle: a much belated reunion between Leia and Luke Skywalker (Mark Hamill) and a faceoff with her son Kylo Ren (Adam Driver), who killed his father and her lover, Han Solo, in “The Force Awakens.”
Shooting for “Star Wars: Episode IX” isn’t scheduled to begin until early 2018, so until then, those at the helm are pursuing a variety of options on how to proceed. Resurrecting Fisher with CGI effects is apparently one alternative in play, according to The Hollywood Reporter. Technological advances have allowed for actors like the late Peter Cushing to return to the screen in the latest “Star Wars” offering, “Rogue One,” so Fisher could continue to have a similar presence, however limited, in future films.
The braintrust is also reportedly discussing writing the character out all together and reshooting certain scenes to lay the groundwork for her eventual exit from the franchise.
(7) BRINGING ATWOOD TO TV. The Daily Mail brings the showbiz news: “Not quite Stars Hollow! Gilmore Girls’ Alexis Bledel set to star in dystopian Handmaid’s Tale as subversive lesbian”. She’s best known for her role as Rory Gilmore in the idyllic Gilmore Girls.
But it seems Alexis Bledel’s next role will be significantly darker, as it was announced she’ll be joining Hulu’s dystopian Handmaid’s Tale, according to TV Line.
The 35-year-old actress will play the role of Ofglen in the 10 episode series, which is based on Margaret Atwood’s best-selling novel.
(8) TODAY IN HISTORY
- January 7, 1977: Michael Winner’s The Sentinel premieres in New York City.
(9) TODAY’S BIRTHDAY BOYS
- Born January 7, 1903 — Alan Napier (Alfred Pennyworth) is born in Birmingham, England.
- Born January 7, 1928 – William Peter Blatty (The Exorcist).
(10) FANTASTIC FICTION AT KGB. On January 18 the hosts of the Fantastic Fiction at KGB reading series, Ellen Datlow and Matthew Kressel, present Holly Black and Fran Wilde. The event begins at 7 p.m. in the KGB Bar (85 East 4th Street, NY — just off 2nd Ave, upstairs.)
Holly Black is a writer of bestselling contemporary dark fantasy. Some of her titles include The Spiderwick Chronicles (with Tony DiTerlizzi), The Modern Faerie Tale series, the Curse Workers series, Doll Bones, The Coldest Girl in Coldtown, the Magisterium series (with Cassandra Clare) and The Darkest Part of the Forest. She has been a a finalist for an Eisner Award, and the recipient of the Andre Norton Award, the Mythopoeic Award and a Newbery Honor.
Fran Wilde writes science fiction and fantasy. Her debut novel, Updraft, won the Andre Norton Award and the Compton Crook award, and was a Nebula nominee. Cloudbound, the second book in the Bone Universe series, came out in September 2016, and Horizon will appear in fall 2017. Her novella, “The Jewel and Her Lapidary,” was published by Tor.com publishing in May 2016. Fran’s short fiction has appeared in Asimov’s, Uncanny Magazine, Tor.com, and Beneath Ceaseless Skies.
(11) BE YOUR OWN TIME LORD. Cat Rambo tells Risingshadow readers the importance to writers of “Daily rituals”.
The thing I have learned more than anything else is that a writer must defend their time. That everyone assumes that you’re ready to take a break, come down to the coffee shop and kill a couple of hours. A friend complained to my husband that he felt as though I was timing our encounters, and I was. At the hour mark, I needed to get back to work, because otherwise I’d sit there nattering for far too long. Because you must defend that time not just from others, but from yourself and your own human tendencies toward procrastination and farting around on the Internet, while still being mindful that you do deserve a break every once in a while. You become your own manager, and that is a more difficult task than it might seem.
(12) SURVIVAL TACTICS. John Scalzi’s “10-point plan for getting creative work done in the age of Trump” is easier to understand than Christopher Priest’s.
Scalzi’s plan, published in the Los Angeles Times, was introduced to Whatever readers in these terms:
First, and in case you missed me talking about it on Twitter yesterday, I have a piece up at the LA Times site (a version of it is also in the Sunday newspaper) about getting creative work done in the Trump years — some advice about how to keep focus when it’s likely to be a challenging time for the creative class. Note that this advice generally probably also works for people working in professions generally considered “non-creative” as well, but I’m working with what I know here. Also, of course, if you’re neutral or positive on the idea of the incoming Trump administration, then this particular piece is probably unnecessary for you. Carry on, then.
One of Scalzi’s ten points is —
- Reconnect (judiciously). When you go back to the news of the world, and to social media, it’s perfectly all right to ask yourself: Is this making me happy? Is it giving me useful information? Is it inspiring me to engage in the world or does it make me want to run from it?
If it’s not helping you, let it go. Unfollow that Facebook friend passing along fake news, and block those fake news sites outright. Mute that person on Twitter who is apparently always angry. Evaluate the news sources you read and keep the ones that offer news accurately and truthfully (spin is spin, even if it’s spin you like). Design your media intake to be useful, truthful and less stressful.
As for Christopher Priest, he posted on New Year’s Eve that he’ll be moving 500 miles from Devon, England (he didn’t identify where). He spends nearly the entire post pouring out his fear and loathing of Donald Trump, yet never managing to establish any connection between the move and Trump’s election. Did he just want to insure an audience for his farewell address?
(13) LIVING IN STAR TREK TIMES. The Washington Post’s Hayley Tsukayama, in “The Big Takeaway From This Year’s CES”, concludes:
There has been no killer gadget at this year’s International CES technology show. Instead, something more subtle has emerged as the keystone of the tech world.
I’m talking about the smart, central voice assistant. Yes, even that may sound a bit old hat for those who’ve been paying attention….
Virtual assistants can now understand what you say and even interpret the many ways you may say it. Shawn DuBravac, an economist for the Consumer Technology Association, said that machines now have the same word error rate — that is, the batting average of understanding what we’ve actually said — as humans. That’s up from a 23 percent error rate in 2013, meaning that the tech is getting better, and quickly.
That fact has made the dreams of a STAR TREK-like computer come even closer to reality. The hope is that these assistants will move even beyond our sci-fi dreams and learn our habits and needs well enough to anticipate them.
David K.M. Klaus comments, “I think it’s clear that nobody connected with the program at the time thought it likely that voice-controlled devices would come into mass use in just a half-century — yet the program itself has accelerated technology design in its own direction. I started writing letters to local newspapers pointing out the inspiration when they published articles about new technology thirty years ago. (Asimov, Bradbury, Heinlein, et al. predated that, of course, but Star Trek in particular has been responsible for how it looks.) Glad to see that mundane reporters have finally caught up with me.”
(14) WATCH YOUR INTAKE. Cat Rambo shares a second bit of writerly advice at GeekMom in “Artificial inspiration”.
This phenomenon underscores the fact that authors need to pay attention to what they’re putting into their mental buckets, particularly whenever they’re working on a project. The old computer adage, “Garbage in, garbage out,” comes into play. Or turn it around and aim it in another direction: put marvelous things in, get marvelous things out.
In some ways, I think of it like learning a language. We all speak storytelling, we’ve heard it spoken around and to us in fairytales, myths, fables, and a kerjilliion other texts, down to the format of many ads. And just as, when you’re around a number of people all speaking with the same accent, that accent begins to creep into your own speech. So if you’re only hearing one kind of storytelling, all that you speak in that language of storytelling will have that accent–or flavor, or texture, or however you choose to conceptualize it.
Want to create something wonderful? Then you must read wonderful things and not just read them but study them. Take the sentences apart as carefully as a pathologist dissecting an organ and figure out how they work–and then apply that knowledge so you know you’ve got the tool down and have added it to your writerly toolkit.
(15) I’LL BE BACK. At the BBC, Frank Swain tells “Why we may be living in the future of The Running Man”.
The vision of 2017 depicted in Arnold Schwarzenegger’s 30-year-old dystopian action movie captures how our world is changing today.
In a world beset by a collapsing economy, the US media conspires with the government to keep the population in check with a combination of heavy-handed policing and a steady stream of vapid reality TV shows. Meanwhile, one of the most powerful men in the world is the host of a reality TV show.
Sound familiar? That was 2017 conjured by campy action thriller The Running Man when it was released 30 years ago.
Sci-fi commonly reveals hidden truths about society. So, it makes you wonder: what else could this dystopian vision say about the world we live in today? If we look at where we are in 2017, what can The Running Man tell us about our changing politics, media and technology?
Chip Hitchcock urges, “Note the photo of Erland van Lidth de Jeude partway through; when he was in the MIT Musical Theatre Guild we used to say that he might be the first Olympic victor to sing his own national anthem. The movies typecast him as a hulk, losing the singing voice that he used in roles ranging from Roderick Murgatroyd to Richard Henry Lee.”
[Thanks to Mark-kitteh, Andrew Porter, Cat Rambo, Chip Hitchcock, David K.M.Klaus, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]