……But the Third Stage Guild navigator is not an alien. That’s a human who has been mutated by longterm exposure to the Spice. Outside of extraterrestrial animal life, there are precisely zero space aliens inDune. Arguably, this fact is part of what makes Dune so successful. Common science fiction ideas don’t really drive the story of Dune, mostly because alien life is totally left out of the equation. Here’s how that works, and why Dune’s world-building is super-reliant on a lack of aliens.
(2) FOR YOUR CONSIDERATION. [Item by Dann.] Grimdark Magazine’sissue #24 dropped a few days ago. There were a couple of non-fiction pieces that might be of interest.
A Slow Kill by Peter Orullian
Berzerker by Matthew X. Gomez
How Not to Invade a Country by Anna Stephens
The Hunt by Matthew Ward
An Interview with Richard K. Morgan by Beth Tabler
Review: Persephone Station by Stina Leicht
Robert E. Howard: Godfather of Grimdark? by Matthew John
The ‘TNG’ Uniforms Nearly Caused Permanent Damage To The Cast
To an observer, spandex may seem like the world’s easiest garment to wear. Super stretchy, light, and form-fitting, it looks like it should be comfortable. But looks can be deceiving, according to designer Robert Blackman:
Jumbo, or Super Spandex, whatever you want to call that heavier weight stretch, will stretch from side to side or top to bottom, depending on how you cut the garment. So the costume would dig into the actors’ shoulders, wearing them 12 or 15 hours a day.
Blackman explained that pressure from the spandex led to back problems among the cast. Patrick Stewart, who starred as Captain Jean-Luc Picard, was told by his chiropractor that he should sue Paramount for the “lasting damage done to [his] spine.”
Born October 4, 1904 – Earl Binder. First half of Eando Binder (second being E’s brother Otto 1911-1974), credited author of a dozen novels, twoscore shorter stories. Pioneering stories of robot Adam Link. Collection Anton York, Immortal about protagonist attaining immortality and then what? E quit about 1940; O developed a solo career. (Died 1966) [JH]
Born October 4, 1908 – Al Ashley. During the 1940s, among the top two dozen active fans. Fanzines En Garde, Nova, sometimes with wife Abby Lu. The Ashleys made their house in Battle Creek, Michigan, a co-operative dwelling for fellow fans; those were the days of Van Vogt’s Slan and the self-depreciative joke “Fans are slans” (as in “Wassamatta you, you think fans are –?”), so the house was the Slan Shack. Later, lived in Los Angeles. I assume Al has gone to After-Fandom, but I have not learned when he left. [JH]
Born October 4, 1917 – Donn Brazier. Charter member of N3F (Nat’l Fantasy Fan Fed’n). Army Air Corps during World War II, mustered out as a Major, his remains buried in Jefferson Barracks Nat’l Cemetery. Leading fanzine Title; later Farrago. Guest of Honor at AutoClave 1, first SF con devoted to fanzinery (1976). Early adopter of photocopy. See two appreciations of him in File 770 142 pp. 12-13 (PDF). (Died 2002) [JH]
Born October 4, 1923 — Charlton Heston. Without doubt, best remembered for playing astronaut George Taylor in the Planet of the Apes. He retuned to the role in Beneath the Planet of the Apes. He’s also Neville in The Omega Man based off of I Am Legend by Richard Matheson. By the way, he once at the LA Music Center played Sherlock Holmes in The Crucifer of Blood, opposite Richard Johnson as Dr. Watson. His IMDB credits show him as being on SeaQuest DSV in the “Abalon” episode. ((Died 2008.) CE)
Born October 4, 1928 — Alvin Toffler. Author of Future Shock and a number of other works that almost no one will recall now. John Brunner named a most excellent novel, The Shockwave Rider, after the premise of Future Shock. (Died 2016.) (CE)
Born October 4, 1946 — Susan Sarandon, 74. She makes the Birthday list just for being Janet Weiss in The Rocky Horror Picture Show, but she’s also been in Enchanted as Queen Narissa, The Witches of Eastwick as Jane Spofford, The Lovely Bones as Grandma Lynn and The Hunger as Sarah Roberts. An impressive genre list indeed! (CE)
Born October 4, 1946 – Val Ontell, 74. Chaired Lunacon 29 & 32, Conjecture 2010, World Fantasy Con 2011. Fan Guest of Honor (with husband Ron Ontell) at Lunacon 45, Westercon 70. The Ontells have conducted fannish travel expeditions on the occasion of Worldcons: Britain (1987), Scotland & Ireland (1995, 2005), Melbourne (1999, 2010), Yokohama (2007), London (2014), Helsinki (2017), Dublin (2019); see their Website. [JH]
Born October 4, 1975 — Saladin Ahmed, 45. His Black Bolt series, with Christian Ward as the artist, won an Eisner Award for Best New Series and the graphic novel collection, Black Bolt, Volume 1: Hard Time, was a finalist at Worldcon 76 for Hugo Award for Best Graphic Story. His first novel, Throne of the Crescent Moon, won a Locus Award for Best First novel. (CE)
Born October 4, 1979 — Caitriona Balfe, 41. She is best remembered for her lead role as Claire Fraser on Outlander. Her first genre role was as Elizabeth Lamb in Super 8, and she has two other genre credits, one voicing Tavra in The Dark Crystal: Age of Resistance, and the other playing Breena Sheehan in the H+: The Digital Series in which the singularity has come and gone. (CE)
Born October 4, 1984 – Sara Bickley, 36. Poetry, some ours, in Red Sky (anthology); Best of Every Day Poets, Haiku Journal, Punchnel’s, The Same, Three Line Poetry, Trinacria. Poetry editor of The Germ awhile. Short stories in Cover of Darkness, Drabblecast B-Sides, Not One of Us, Tales of the Talisman. [JH]
Born October 4, 1988 — Melissa Benoist, 32. Kara Danvers / Supergirl In the Arrowverse. It was recently announced that the Supergirl series is ending with the next season. She also voiced Overgirl in the animated Freedom Fighters: The Ray series. (CE)
Born October 4, 1990 – Carlyn Worthy, 30. Photographer, cook, author, Afrofuturist. One story for us I’ve found published so far; and see this interview. Other work, see this article about her University’s centennial. [JH]
This podcast is now in its third season, but it just doesn’t get the credit it deserves. The series is curated by writer Tonia Ransom, who intended Nightlight to highlight Black authors telling Black stories, and in doing so the show is releasing some of the very best horror stories out there. Some tales veer into romance, some into sci-fi, and some are more standard horror fare, but each story is haunting and unforgettable. Genre faves like reluctant werewolves and murderous mermaids embrace tropes while turning them on their head to give us something new. Each episode runs about half an hour, making it a great lunchtime listen.
(7) HARRYHAUSEN 100. Coming soon at the Scottish National Gallery of Modern Art: “Ray Harryhausen | Titan of Cinema” – October 24, 2020-September 5, 2021. Highlights include the Medusa model from Clash of the Titans.
Film special effects superstar Ray Harryhausen elevated stop motion animation to an art. His innovative and inspiring films, from the 1950s onwards, changed the face of modern movie making forever. For the first time, highlights chosen from the whole of Ray’s collection will be showcased, which will be the largest and widest-ranging exhibition of his work ever seen, with newly restored and previously unseen material from his incredible archive.
Ray Harryhausen’s work included the films Jason and the Argonauts, the Sinbad films of the 1950s and 1970s, One Million Years B.C. and Mighty Joe Young, and a wider portfolio including children’s fairy tales and commercials. He also inspired a generation of filmmakers such as Peter Jackson, Aardman Animation, Tim Burton, George Lucas, and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day.
[Thanks to John Hertz, Cat Eldridge, JJ, Michael Toman, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, Jeffrey Smith, Dann. and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day OGH, who cannot guarantee it hasn’t been used before.]
“Why does climate change cast a much smaller shadow on literature than it does on the world?” asked the novelist Amitav Ghosh, writing in The Guardian in 2016. “Is it perhaps too wild a stream to be navigated in the accustomed barques of narration?”
…Yet the idea of a world in crisis is fundamental to horror, a genre historically devalued by the gatekeepers of high culture as, well, outlandish and unserious. Horror has always sought to amplify fear. It works against false comfort, complacency and euphemism, against attempts to repress or sanitize that which disturbs us. Inevitably, the climate crisis has given rise to a burgeoning horror subgenre: eco-horror. Eco-horror reworks horror in order to portray the damage done to the world by people, and the ways the world might damage or even destroy us in turn. In eco-horror, the “natural” world is both under threat and threatening.
The best-known work of eco-horror might be Jeff VanderMeer’s “Southern Reach” trilogy (2014), about a beautiful and deadly exclusion zone known as Area X. The first book, “Annihilation,” which was made into a Hollywood film last year, is narrated by a biologist on a mission to explore the area. She records her initial impressions of the abandoned landscape, including a “low, powerful moaning” audible at dusk. Her team discovers a structure in the earth, an inverted tower. The biologist is lowered into it. There is a smell like rotting honey. The walls are covered with words, the writing system of some kind of fruiting body. She hears a heartbeat. The structure turns out to be a living organism, a “horror show of … beauty and biodiversity.” The biologist leans in close and is sprayed with golden spores — infected….
(2) A LOT OF GOLD IN THEM THAR HILLS. The Hugo Book Club, an unofficial blog about its namesake, has tweeted a long, thoughtful thread about the Best Fan Writer Hugo category, probing how meaningful it is — or isn’t — that any given fan has previously heard of all the finalists. Thread starts here.
Back in 1984, Breton co-wrote a science fiction novel called “Softwar” based around the National Software Agency (which in no way resembles the U.S. National Security Agency). Billed as a “technology thriller,” the novel’s plot is centered on an American cyberattack on Soviet computers. “At the time no one was speaking about viruses, the word didn’t exist,” Breton said, according to Liberation.
However, his co-author Denis Beneich later claimed Breton “never wrote a word of this novel” although “he had the idea for it.”
Breton, whose Commission portfolio would include the space industry, wrote two other novels in the mid to late 1980s — “Vatican III” and “Netwar” (all three of his books are worth checking out, if only for the cover art).
His love of sci-fi doesn’t stop with books, however. Breton also helped come up with the idea for a high-tech theme park called “Futuroscope” in Chasseneuil-du-Poitou, just north of Poitiers in western France. Its tag-line is “Expect the unexpected,” which sounds like good advice ahead of a hearing before the European Parliament.
Charlie Chaplin slept here. So did Sarah Bernhardt, Mary Pickford, Lillian Gish, Franz Liszt, Warren Harding, Andrew Carnegie, Thomas Wolfe, Cloris Leachman and Arlene Dahl. Likewise, D.W. Griffith, who, in 1912, shot two movies — “A Feud in the Kentucky Hills” and “The Informer” — in this dot of a town in the foothills of the Poconos.
Josh Sapan has slept here too — as often as his schedule permits. But 33 years ago, when Mr. Sapan learned of Milford’s many charms from a friend, he knew nothing about the town’s past. Still, he was sufficiently captivated to buy a waterfront cabin.
It was enough that he could look out his windows after dark and see no illumination but the moon, enough that the Delaware rolled along mere steps from his door. “I just love houses on rivers and I really love this house,” said Mr. Sapan, 67, the president and chief executive of AMC Networks, a Manhattan-based company that owns and operates cable channels including AMC, BBC America and SundanceTV. “I don’t know what it is. I find it quite magical, if that’s the right word.”
Mr. Sapan had yet to learn that the novelist Stephen Crane had camped out for a summer in Milford with friends, and published a satirical newspaper during his stay, that Milford was the birthplace of the conservation movement, and that in the 1950s and 1960s, it was the red hot center of the science fiction writers’ universe, even figuring in Kurt Vonnegut’s novel “God Bless You, Mr. Rosewater,” because several big names in the genre, notably the literary agent Virginia Kidd, had settled in town….
Andrew Porter left a comment there filling in more of the “big names” only alluded to in the article:
Milford is associated with many science fiction writers. Authors Damon Knight, James Blish and Judy Merrill also lived there. It was the setting for the annual Milford Science Fiction Writers Conference for many years, starting in the 1950s, which spun off other “Milford” conferences, most notably in the UK and Seattle, as well as the “New Wave” in SF in the mid-1960s. Also in Milford, the foundations were laid for the Science Fiction & Fantasy Writers of America, an active organization which presents the annual Nebula Awards. For more information about how Milford looms so large in the science fictional universe, see the Wikipedia page here: https://en.wikipedia.org/wiki/Milford_Writer’s_Workshop
…Given the reins of Paramount Pictures with little experience in 1966 thanks to a friendship with corporate owner Gulf & Western’s Charles Bluhdorn, Evans turned the company around thanks to a string of critical darlings that would eventually become classics. During his tenure as production VP, he oversaw genre fare like Rosemary’s Baby, Don’t Look Now, and Willy Wonka & the Chocolate Factory.
Moving on from leading the studio, Evans personally produced movies like the adaptation of William Goldman’s Marathon Man (starring Dustin Hoffman), Popeye (with Robin Williams), and early comic book film The Phantom. Some hit higher highs than others, but Evans was a constant presence in the industry.
Robin Brett, a NASA scientist who 50 years ago was among the first to study and direct research on lunar samples — popularly known as ‘‘moon rocks’’ — from the Apollo space missions, died Sept. 27 at his home in Washington. He was 84.
The cause was Alzheimer’s disease, said his wife, Jill Brett.
From 1969 to 1974, Dr. Brett was chief of the geochemistry branch at NASA’s Lyndon B. Johnson Space Center in Houston. In July 1969, he was among a select four scientists present for the opening of a sealed box containing the first moon rocks from the initial Apollo lunar mission.
…When the lunar samples were first brought to Earth, they were kept for a period in a quarantined and sterile environment, lest they contain or exude a noxious substance that might be harmful in earth’s atmosphere.
Dr. Brett doubted the necessity of this precaution, which he demonstrated, he said, by becoming the first man on Earth to lick a moon rock.
What did it taste like?
‘‘A dirty potato,’’ he answered.
(9) TRIVIAL TRIVIA.
[Item by Martin Morse Wooster.] I saw Zombieland:
Double Tap, which delivers if you want a pretty gory zombie movie with many
good jokes. Early in the film the four main characters are hiding out in
the ruins of the White House. They exchange Christmas presents even
though it’s November 17 because they don’t have anything else to do. Emma
Stone gives Jesse Eisenberg a copy of the first edition of The Fellowship of
the Ring. (We don’t know why the White House has first editions of
thank you,” Eisenberg says, “and look, you’ve ruined the book by
scribbling on the first page.”
course, it isn’t really a Tolkien book but they did fake the original cover…
(10) TODAY IN HISTORY.
October 28, 1951 — The Out There series premiered. It was one of the first SF anthology series. It lasted a mere twelve episodes. Some of the SF writers it adapted were Heinlein, Sturgeon, Bradbury, Bissell and Long. Heinlein in particular was a favorite source for them.
October 28, 1994 — Stargate premiered. Starring Kurt Russell and James Spader, critics intensely hated it, and it rated 50% at Rotten Tomatoes. It of course spawned Stargate SG-1 series franchise.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 28, 1902 — Elsa Lanchester. The Bride in 1935’s The Bride of Frankenstein with Boris Karloff. In 1928 she appeared in three silent shorts written for her by H. G. Wells: Blue Bottles, Daydreams and The Tonic. Ray Bradbury originally wrote “Merry Christmas 2116” to be performed by Lanchester and her husband Charles Laughton. (Died 1986.)
Born October 28, 1951 — William H. Patterson, Jr. Author of Robert A. Heinlein: In Dialogue with His Century, a two-volume look at Heinlein which arguably is the best biography ever done on him. He also did The Martian Named Smith: Critical Perspectives on Robert A. Heinlein’s Stranger in a Strange Land. This Tribute to Bill Patterson by Mike with comments by Filers is touching indeed. (Died 2014.)
Born October 28, 1951 — Joe Lansdale, 68. Writer and screenwriter whose DCU Jonah Hex animated screenplays are far superior to the live action Hex film. Bubba Ho-Tep is a American comedy horror film starting Bruce Campbell is his best known genre work though he has done a number of another works including The God of The Razor and Reverend Jedidiah Mercer series which are definitely Weird Westerns.
Born October 28, 1952 — Annie Potts, 67. Janine Melnitz in the still-best Ghostbusters and in Ghostbusters II as well. She has a cameo as Vanessa the hotel clerk in the Ghostbusters reboot. She is listed as reprising her original role in the forthcoming Ghostbusters 2020 which I’ll freely admit I know nothing about.
Born October 28, 1958 — Amy Thomson, 61. Writer of four novels in a decade twenty years ago including Virtual Girl which won her the Astounding Award for Best New Writer. She published one piece of short fiction, “The Ransom of Princess Starshine”, in 2017 in Stupefying Stories which is edited by Bruce Bethke.
Born October 28, 1958 — Kristin Landon. Though she was working on a fourth novel in the series at the time of her death, the published novels will comprise the Hidden Worlds trilogy: The Hidden Worlds, The Cold Minds, and The Dark Reaches. (Died 2019.)
Born October 28, 1962 — Daphne Zuniga, 57. Her very first was as Debbie in The Dorm That Dripped Blood, labelled a Video Nasty in the UK. You know her much better as Princess Vespa in Spaceballs, and she also in The Fly II being Beth Logan. Series work include Nightmare Classics, Batman Beyond, Happily Ever After: Fairy Tales for Every Child, Twilight Zone, The Outer Limits and, no surprise here, Spaceballs: The Animated Series where she voicedPrincess Vespa
Born October 28, 1967 — Julia Roberts, 52. How can I resist giving Birthday Honors to Tinker Bell in Hook? Not to mention she was in the seriously weird Flatliners that I saw at a virtually empty theater. Of course, there’s the ever weirder Mary Reilly with her in the title role. For something more charming, she voiced Charlotte the Spider in Charlotte‘s Web. I’m going to skip her as a Smurf I think…
Born October 28, 1974 — Joaquin Phoenix, 45. Currently The Joker. He hasn’t done much genre acting setting aside being Max in SpaceCamp when he was twelve, and being Billy Hercules in the “Little Hercules” episode of Superboy. Well he did a Shyamalan film but I refuse to consider them genre.
Born October 28, 1982 — Matt Smith, 37. The Eleventh Doctor, also Alex in Terminator Genisys, a film I’ve not seen. Nor likely will. He’s also Jim in The Sally Lockhart Mysteries: The Ruby in the Smoke based off the Philip Pullman novels.
(12) EL-MOHTAR REVIEWS. Amal El-Mohtar, in a book review column for the NYT,“Dark Books for Dark Times”, opines about His Hideous Heart, a collection edited by Dahlia Adler, Tamsyn Muir’s Gideon the Ninth, Paul Krueger’s Steel Crow Saga, and Annalee Newitz’s The Future of Another Timeline.
… Conceptually “The Future of Another Timeline” is breathtakingly brilliant, and part of a constellation of time-travel stories this year that wed present-day activism to a willingness to change the past. But as I read, I found myself far more affected by the smaller, fiercer story of Tess and Beth’s early years — the story of feral friendships formed in extreme circumstances, of surviving abuse and finding the power to seek revenge or walk away from it. Everything about that story clutched at my heart, while the broader time-travel stakes and narrative diminished in effect; I became less concerned with the overarching conceit than with the story of these young women arguing over what love and honesty demand. But time travel creates the space for that story to happen — and Newitz’s book is, more than anything else, about the importance of fighting for such spaces. In that, it’s entirely successful.
…The blackouts solved nothing, of course. De-energizing the electrical grid is a bludgeon: imprecise, with enormous potential for collateral damage as people deal with a darkened world. It doesn’t even eliminate fire risk. What it largely does is shift responsibility away from Pacific Gas & Electric, the state’s largest utility company, whose faulty transmission lines had been found to have caused some of the most destructive wildfires on record.
In fact, cutting power can exacerbate some fire risks. In a blackout, more people rely on home generators, many of which have been installed without permits and might be no less faulty than the utility’s own equipment. Detours and gridlock force more cars into vulnerable places. (Sparks off roadways are another top cause of wildfire.) The blackout makes it harder for the public to respond to fire emergencies even as it does little to prevent all the other factors that cause them — from careless barbecues to tossed-out cigarette butts to plain old arson. One of the state’s most serious fires so far this year was ignited by burning garbage.
But a mandatory blackout does have one radically positive effect. By suddenly withdrawing electrical power — the invisible lifeblood of our unsustainable economic order — PG&E has made the apocalyptic future of the climate crisis immediate and visceral for some of the nation’s most comfortable people. It is easy to ignore climate change in the bosom of the developed world. But you can’t fail to notice when the lights go out.
…In the American West, our climate will only get hotter and drier, our wildfires worse. Every year more places are going to burn, and we will, repeatedly, be horrified by the losses. But we should not be shocked by them. The blackouts have laid bare the uncomfortable fact that the infrastructure we’ve built and maintained over the course of many decades isn’t matched to the threats we face in our rapidly unfolding climate emergency….
… Fat Sal’s, the overstuffed sandwich makers in Hollywood, have gotten into the mix before, and now for Halloween the group is transforming its corner address off Highland into a Big Kahuna Burger from the movie Pulp Fiction.
Much like in years past, Fat Sal’s plans to its dining area to fit the new temporary theme. Expect a grassy Hawaiian-tinged awning and overt nods to the 1994 film everywhere, including slogans (“Now that is a tasty burger” or “That’s that Hawaiian burger joint”) and an image of Jules Winnfield, the character played by Samuel L. Jackson in the Tarantino flick. A separate area will be turned into the pawn shop from the film as well, and diners will be able to check out merchandise in that space…
After a record-breaking 780 days circling the Earth, the U.S. Air Force’s mysterious X-37B unmanned space plane dropped out of orbit and landed safely on the same runway that the space shuttle once used.
It was the fifth acknowledged mission for the vehicle, built by Boeing at the aerospace company’s Phantom Works.
“Today marks an incredibly exciting day for the 45th Space Wing,” Brig. Gen. Doug Schiess, 45th Space Wing commander, said in a statement. “Our team has been preparing for this event, and I am extremely proud to see their hard work and dedication culminate in today’s safe and successful landing of the X-37B.”
As in previous missions, many of the details about the vehicle’s activities in the past two years are being kept under wraps. One experiment was to “test experimental electronics and oscillating heat pipe technologies in the long-duration space environment,” according to the Air Force statement.
Randy Walden, the director of the Air Force Rapid Capabilities Office, said the latest X-37B mission “successfully hosted Air Force Research Laboratory experiments, among others, as well as providing a ride for small satellites.”
“The statement that this @usairforce X-37 flight deployed small satellites is alarming, since the US has not reported those deployments in its UN Registration Convention submissions,” McDowell tweeted. “This would be the first time that either the USA or Russia has blatantly flouted the Convention.”
[Thanks to Nicholas Whyte, Andrew Porter, JJ, Chip Hitchcock, John
King Tarpinian, Mike Kennedy, Martin Morse Wooster, and Cat Eldridge for some
of these stories. Title credit goes to File 770 contributing editor of the day Daniel
The supernatural, the surreal, and the all-too real . . . tales of the dark. Such stories have always fascinated us, and modern authors carry on the disquieting traditions of the past while inventing imaginative new ways to unsettle us. Chosen from a wide variety of venues, these stories are as eclectic and varied as shadows. This volume of 2018’s best dark fantasy and horror offers more than five hundred pages of tales from some of today’s finest writers of the fantastique?sure to delight as well as disturb . . .
Table of Contents
• “Down Where Sound Comes Blunt”, G. V. Anderson (F&SF, Mar-Apr 2018)
• “Hainted”, Ashley Blooms (F&SF Jul-Aug
• “The Empyrean Light” Gregory Norman Bossert (Conjunctions:71, A Cabinet of
Curiosity, Fall 2018)
• “Raining Street” by J. S. Breukelaar (Black Static #63)
• The Black God’s Drums, P. Djèlí Clark (Tor.com)
• “Faint Voices, Increasingly Desperate”, Anya Johanna DeNiro (Shimmer #43)
• “Big Dark Hole”, Jeffrey Ford (Conjunctions:71, A Cabinet of
Curiosity, Fall 2018)
• “And Yet”, A.T. Greenblatt (Uncanny #21)
• “Second to the Left, and Straight On”, Jim C. Hines (Robots vs. Fairies, eds. Parisien & Wolfe)
• “He Sings of Salt and Wormwood”, Brian Hodge (The Devil and the Deep,
• “Just Another Love Song” Kat Howard (Robots vs. Fairies,
eds. Parisien & Wolfe)
• “Four Revelations from the Rusalka Ball”, Cassandra Khaw (The Underwater Ballroom Society, eds. Trent &
• “Rust and Bone”, Mary Robinette Kowal (Shimmer #26)
• “The Thing About Ghost Stories”, Naomi Kritzer (Uncanny #25)
• “A Man Walking His Dog” Tim Lebbon (Phantoms, ed.
• “Honey” Valya Dudycz Lupescu (A World of Horror,
• “Big Mother”, Anya Ow (Strange Horizons, 1
• “Fish Hooks”, Kit Power (New Fears 2, ed.
• “The Governor”, Tim Powers (The Book of Magic, ed.
• “True Crime”, M. Rickert (Nightmare #72)
• “Sour Milk Girls”, Erin Roberts (Clarkesworld, Jan
• “Every Good-bye Ain’t Gone”, Eden Royce (Strange Horizons, 30
• “Tom Is in The Attic”, Robert Shearman (Phantoms, ed.
• “When We Fall, We Forget”, Angela Slatter, (Phantoms, ed.
• “In This Twilight”, Simon Strantzas (Nothing Is Everything)
• “The Crow Knight”, Bonnie Jo Stufflebeam (Beneath Ceaseless Skies,
11 Oct 2018)
• “Thanatrauma”, Steve Rasnic Tem (New Fears 2, ed.
• “Sick Cats in Small Places”, Kaaron Warren (A World of Horror,
• “Blood and Smoke, Vinegar and Ashes”, D.P. Watt (The Silent Garden,
• “The Pine Arch Collection”, Michael Wehunt (The Dark #36)
• “In the End, It Always Turns Out the Same”, A. C. Wise (The Dark #37)
• “Asphalt, River, Mother, Child”, Isabel Yap (Strange Horizons, 8
• “Music for the Underworld”, E. Lily Yu (Terraform, 29 Mar
Nyarlathotep is now facing one of the greatest threats in Its presidency so far. I should know, I clock in to kneel at Its feet upon the Altar of Despair every day.
In the year-and-a-half since the Black Pharaoh replaced the Oval Office with a literal blood fountain throne, I’ve watched as the hits keep on coming. The executive cabinet is wracked with scandal, ordinary citizens who signed the cultist oath are making good on their grave pacts, and, of course, the entirety of the country’s water supply is now teeming with pulsating eggs from some kind of inter-dimensional parasite. It’s easy to look at these kinds of headlines, to read these sorts of leaked stories from the desiccated Capitol Hill, and see an unsustainable administration. Rumors of reversal incantations are beginning to make the rounds, and if our Commander-in-Chief is not careful, It could find Itself cast back among the stars beyond the universe. The past few weeks, in particular, have seen our President certainly live up to our campaign slogan “I See All, and It Shall Burn.”…
(2) FOR THE RECORD. On the second night of the 2018 Creative Arts Awards no Emmys were given for works of genre interest, which made it hard to do a post about them….
Like many SF/F fans across the intersections of LGBTQ+ identities, I’m constantly on the lookout for good fiction that reflects something of my own experience. In seeking lists that recommend or simply catalogue such works, I’ve found many that, while well-intended, tend to mash an enormous body of work together without considering how authors actually deal with the content. This means that quite often, bigoted portrayals are set right next to works that feature positive representation, or else work that is as gay as possible will be set next to work with only the briefest passing mention of “non-normative” sexuality.
This raises some potentially thorny questions: How should we approach the idea of canon, in this particular set of circumstances? What should we look for when we compile lists of LGBTQ+ speculative fiction? What are we compiling for? Do we consider any mention at all? Focus mainly on positive representation? What about historical context and works by authors who identify as part of the LGBTQ+ community?
(7) WRITING CLASS HIGHLIGHTS. Connect with Cat Rambo’s livetweeted highlights from last weekend’s classes at the Rambo Academy for Wayward Writers:
Rachel Swirsky talking about Breaking the Rules: thread starts here.
Rachel Swirsky’s Ideas Are Everywhere class: thread starts here.
Fran Wilde’s Fantastic Worldbuilding class: thread starts here.
If you’ve read David R. Bunch, there’s a good chance it’s because of Harlan Ellison. The famed author (and renowned grouch of popular culture) selected not one, but two short stories by the little-known writer for his landmark 1967 New Wave sci-fi collection, Dangerous Visions—the only contributor to have more than one piece included. As a result, “Incident In Moderan” and “The Escaping” are where most people’s awareness of Bunch begins—and ends. He published hundreds of short stories in his life, but mostly in small digests, obscure literary magazines, and even fanzines. No definitive bibliography exists; his last published work (a book of poetry) was from 18 years ago, and neither of his two collections of fiction have been in print for decades.
That changes with the publication of Moderan, the latest entry in NYRB Classics’ series, and a fascinating testament to Bunch’s strange talent….
(9) TODAY’S TRIVIA
Andre Delambre, The Fly, 1958 —
“Take television. What happens? A string of electrons – sound and picture impulses – are transmitted through wires into the air. The TV camera is the disintegrater. Your set [the reintegrater] unscrambles or integrates the electrons back into pictures and sound…the disintegrator/will completely change life as we know it. Think what it’ll mean. Food. Anything. Even humans will go through one of these devices. No need for cars or railways or airplanes, even spaceships. We’ll just set up matter transcieving devices throughout the world, and later the universe. They will never be a need or famine. Surpluses can be sent instantaneously at almost no cost anywhere. Humanity need never fear or want again.”
(10) TODAY IN HISTORY
September 10, 1993 — The X-Files premiered
(11) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
Born September 10 – Thelma J. Shinn, 76. Author of Worlds Within Women, Myth and Mythmaking in Fantastic Literature by Women and Women Shapeshifters: Transforming the Contemporary Novel.
Born September 10 — Nancy A. Collins, 59. Ok, I consider her Sonja Blue punk vampire series which ran I think to nearly a baker’s dozen works starting in the early 90s to be one of the best of that genre, easily the equal of the Blade comic series. She also did more than a smattering of short fiction, essays and reviews as well.
Born September 10 – Victoria Strauss, 63. An author of nine fantasy novels largely in the Stone and the Way of Arata series. Has written myriad reviews for both print and website venues.
Born September 10 – Pat Cadigan, 65. Writer whose work has been described as cyberpunkish. Won a Hugo for “The Girl-Thing Who Went Out for Sushi” in the Novelette category. Garnered the Arthur C. Clarke Award for her novels Synners and Fools. Tea from an Empty Cup is my favorite work by her.
Cadigan won a Hugo Award for Best Novelette in 2013 for “The Girl-Thing Who Went Out for Sushi.,” which has also won a Seiun Award. She had previously won a World Fantasy Award in the Non-Professional category for co-editing the fanzine Shayol with Arnie Fenner. She won two Arthur C. Clarke Awards for her novels Synners and Fools. In 1979, her story “Death from Exposure” won the coveted Balrog Award. In 2006, Cadigan received the third (and most recent) Richard Evans Memorial Prize, given to genre authors who were considered insufficiently recognized for their excellence. Cadigan served as the Toastmaster for MidAmericon II, the 2016 Worldcon in Kansas City.
In the centre of the small downtown, on the banks of the San Juan River, sit three conspicuous, geodesic greenhouses, each 42ft (13m) in diameter. They stand in stark contrast to the old-timey buildings on the road above. All will house gardens, but each has a different mission.
(17) POWER OF THE MIND. Defense One’s story “It’s Now Possible To Telepathically Communicate with a Drone Swarm” tells how a communication interface directly connected to a human brain can control up to three drones. The serious implications extend well beyond the defense industry to potential help for the locationally challenged as well as those with artificial limbs.
Dann appreciated that the above link was followed in his RSS feed by a Dilbert comic that suggests there are some folks who might be beyond help.
(18) PAYING ATTENTION, In “The stunning artworks made of light”, the BBC reports on an interactive digital museum where each display of chandelieresque lights etc. changes according to the people in the room.
“The museum itself is one artwork,” Takashi Kudo of teamLab tells BBC Culture. The Mori Building Digital Art Museum: teamLab Borderless is a 10,000 sq m (107,639 sq ft) digital art space in Tokyo, Japan, where everything is controlled by computers, right down to the electronic tickets. The museum is made up of 60 individual artworks, but as the name, Borderless, suggests, the place is meant to be experienced as a whole, rather than as a series of individual pieces.
Made up of 520 computers and 470 projectors, the museum is inspired by the concept of interactivity and the art responds to movement as visitors walk through the space. In this piece, Forest of Lamps, the lights react to a person’s presence. If there is more than one person in the room, the lights will change based on both of their movements, and the process continues the more people you add. Kudo explains that having multiple people experiencing an artwork at one time, and becoming a part of it, means the experience is enhanced for all.
(19) DOES ANYBODY REALLY KNOW WHAT TIME IT IS?[Item by Mike Kennedy.] In a new scientific paper in Proceeding of the National Academy of Sciences (“Universal method for robust detection of circadian state from gene expression”) Dr Rosemary Braun, et al., claim to have developed a new and simpler method to measure a person’s circadian rhythm. The paper is broken down in simpler terms in Popular Science (“This new blood test can figure out what time it is inside your cells”). The existing method requires numerous blood draws so that melatonin in the blood can be measured over time. The new method requires only two blood draws—a number of different markers are measured to determine the level of expression of different genes. Popular Science author Kat Eschner writes:
…To create this test, researchers trained [an] algorithm to look for chemical evidence of about 40 specific genes in the blood samples. They picked those 40 by analyzing a much larger dataset and finding the ones that express at specific times.
According to the research, the algorithm works regardless of whether the patient is sick or well. That’s significant because gene expression—the way your genes activate, prompting the production of chemicals and helping your body to function—is changed by things as simple as how much sleep you get.
…The researchers found something unexpected—the genes that are the best predictors of body clock aren’t all “what we could call the core clock genes,” Braun says. “A lot of them are genes that are related to other biological processes, but they’re regulated by the clock. They’re regulated so tightly by the clock that observing them becomes a good marker for the clock itself.”
Kalashnikov Concern, a Russian manufacturer known for the AK-47 assault rifle, is thinking pretty big these days when it comes to new defense machines. The company unveiled a concept for a bipedal battle robot this week and all I can think about are the two-legged AT-STs from Star Wars.
The Kalashnikov creation seems to be solidly in the concept realm right now. It looks like its main job is to just stand there and look cool.
It has a couple of grabby arms and hands reminiscent of the Power Loader suit from Aliens and a large cabin at the top where presumably a human driver would sit to control the machine. It looks a bit top-heavy and not quite as lithe as an AT-ST.
…And this year, we’re celebrating the 200th birthday of one of the most famous scary stories of all time: Frankenstein — so a few months ago, we asked you to nominate your favorite horror novels and stories, and then we assembled an expert panel of judges to take your 7000 nominations and turn them into a final, curated list of 100 spine-tingling favorites for all kinds of readers. Want to scar your children for life? We can help. Want to dig into the dark, slimy roots of horror? We’ve got you covered.
As with our other reader polls, this isn’t meant to be a ranked or comprehensive list — there are a few books you won’t see on it despite their popularity — some didn’t stand the test of time, some just didn’t catch our readers’ interest, and in some cases our judges would prefer you see the movie instead. (So no Jaws, sorry.) And there are a few titles that aren’t strictly horror, but at least have a toe in the dark water, or are commenting about horrific things, so our judges felt they deserved a place on the list.
One thing you won’t see on the list is any work from this year’s judges, Stephen Graham Jones, Ruthanna Emrys, Tananarive Due and Grady Hendrix….
[Thanks to JJ, Cat Eldridge, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, Dann, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Lee.]
Comic book industry legend Stan Lee is suing a former business manager for fraud and elder abuse in a suit that alleges such egregious claims of abuse as extracting and selling vials of the Marvel Comics icon’s blood as “collectibles” in Las Vegas.
Lee, whom many consider the godfather of the modern-day superhero, was grieving the death of his wife of 70 years, Joan B. Lee, in late 2017 when he became the target of “unscrupulous businessmen, sycophants and opportunists” who sought to take advantage of his despondency.
A suit filed today in Los Angeles Superior Court alleges Jerardo Olivarez is once such opportunist. A former business associate of Lee’s daughter, the suit claims Olivarez took control of Lee’s professional and financial affairs — and began enriching himself through various schemes and bogus enterprises….
…In one particularly ghoulish money-making scheme, Olivarez instructed a nurse to extract many containers of blood from Lee, which Hands of Respect later sold in Las Vegas for thousands of dollars, the suit contends.
“There are shops in Las Vegas selling Stan Lee’s blood,” said a family friend, Keya Morgan. “They’re stamping his blood inside the Black Panther comic books and they sell them for $500 each.”
Catwings, in which Ursula LeGuin writes about the adventures of cats who were born with wings. I have no idea why this isn’t an animated series with plush dolls and t-shirts and fan cons with cosplay cat ears and wings. —Judd Karlman, Pelham Bay
What’s better than a cat who’s a celestial being with purple eyes and sassy attitude? My favorite cat is Faithful in In the Hand of the Goddess by Tamora Pierce and then reappears again as Pounce in the Beka Cooper series Terrier, also by Pierce. —Chantalle Uzan, Francis Martin
The Aeronaut’s Windlass, Jim Butcher’s second foray into high fantasy, features a race of hyper-intelligent felines who serve the lords of the Spires. Or are they the lords? —Joshua Soule, Spuyten Duyvil
Ursula K. LeGuin’s No Time to Spare: Thinking about What Mattersis a collection of the prolific author’s essays on a variety of topics like ageing, writing, our socio-political landscape, and culture. Any cat lover, though, will probably find themselves most delighted by the vivid, playful, and soulful stories of her cat Pard that are sprinkled throughout. —Beth Dukes, Enrichment Zones
My Cat Yugoslavia. Dating can be hard, especially when your boyfriend is a sexy, bigoted, and capricious cat who doesn’t get along with your free-range snake. In Pajtim Statovci’s novel he weaves in this fanciful story line while addressing immigration, Balkin weddings, and isolation. —Richard Dowe, Aguilar…
Adding “elevated” to a movie’s description seems an attempt to distance the film from its lineage, signaling to contemporary filmgoers that a horror film isn’t a “slasher,” the type of blood-and-gore fare that proliferated from the 1980s through the aughts. But even that subgenre offered more than cheap thrills: It offered roles to then-unknown actors such as Tom Hanks, Jennifer Aniston, Leonardo DiCaprio and Charlize Theron, because horror films will make money at the box office whether or not there’s a star attached. It’s one of the few places actors can get their start.
Slashers also trained the next generation of coveted effects artists. For instance, Jim Doyle, who broke ground with chill-inducing effects on “A Nightmare on Elm Street” and “Prom Night II: Hello Mary Lou,” pioneered what would become the industry-standard fog machine, which earned him a “technical achievement” Academy Award — where horror is most often honored.
Operating under the theory that it’s become old enough to be new again, I present thirteen poems from my 2008 collection The Journey to Kailash, with illustrations, detailed explanatory notes and even audio of me reciting each poem (you’ll have to activate Flash plug-ins to listen to those). And below the links to the main show I’ve included a bonus, my concrete poem “Phase Shift” from which this blog gets its name. Originally published in Tales of the Unanticipated in 1997, “Phase Shift” appears in my collection Hungry Constellations, but this stunning visualization by artist Bob Freeman appears nowhere else but here.
[The new issue] has sections on film, books and publishing, TV, as well as the season’s forthcoming books listing of new titles (also fantasy and non-fiction) from the major imprints in the British Isles, many of which will soon be available elsewhere. And then there will be the news page’s science as well as science and SF interface section. Additionally, there isanother in our series by scientists are also SF authors as to their science heroes born in the 20th century (so by-passing Darwin, Einstein etc). We also have a review of this year’s British Eastercon, plus our annual 12-month top box-office SF/F film chart, and annual whimsey from Gaia. All this and some standalone SF/F/H and science & non-fiction book reviews.
(6) COMICS SECTION.
Cath sends three clippings from the internet of comics:
I’m one of today’s 10,000 – I had no idea that the concept had a name, or had originated from the LessWrong community. I approve of Bob’s response, not to mention XKCD’s variation (reference in the mouseover).
(7) LEFT HIGH AND DRY. SNL’s Shape of Water parody:
After retiring from acting, The Shape of Water’s Fish Man (Kyle Mooney) watches his friend (John Mulaney) succeed in his place.
(8) FUTURE HITS. The best is yet to come. Or is already here if you’re from the future.
inspired by buckaroos online message here is OFFICAL LIST OF 10 TEN RADIOMAN ALBUMS please keep in mind this is not up for debate this is offical list as decided by the experts thanks glad this is finally cleared up pic.twitter.com/prAy4IkFsL
(9) FAKE TROPE EXPOSED! They have a point. (The thread starts here.)
Hate when SF novels pretend they're based on a found manuscript and start off with an "academic" saying "yeah we found this in a cave" when any actual academic paper starts with "this proves professor douchebag wrong suck it dave"
Trina Robbins, in conversation with Richard Wolinsky.
A legend in comic book circles, an artist at a time when hardly any women drew comics, Trina Robbins discusses her latest book, a memoir, “Last Girl Standing,” which deals with her life as an artist, author, and clothing designer. She was the first woman to edit a comic book created by women, “It Ain’t Me Babe,” the first woman to draw “Wonder Woman,” and the single most influential historian chronicling the women who created comics and cartoons.
In this interview, she also talks about her other recent books including a history of women drawing comics during World War II, a graphic novel version of a short story collection originally written by her father in Yiddish, and a graphic novel based on a work by British author Sax Rohmer. Trina Robbins was clothing designer for Los Angeles rock and roll bands in the 1960s and for the Warhol factory in New York. She also was a regular contributor to “Wimmens Comix,” a series of comic books created by women from the 1970s through 1990s.
To use the world well, to be able to stop wasting it and our time in it, we need to relearn our being in it.
Skill in living, awareness of belonging to the world, delight in being part of the world, always tends to involve knowing our kinship as animals with animals. Darwin first gave that knowledge a scientific basis. And now, both poets and scientists are extending the rational aspect of our sense of relationship to creatures without nervous systems and to non-living beings — our fellowship as creatures with other creatures, things with other things.
Make no mistake, South by Southwest conference film darling Prospect takes place within a giant, intergalactic reality. Even lower- to middle-class adventurers like our heroes, Cee (Sophie Thatcher) and Damon (Jay Duplass), have a spacecraft and mostly functional equipment. And when this just-getting-by father and daughter duo takes an unexpected crash/detour that happens to land on a resource-rich planet littered with aurelacs (a valuable stone found inside some slimy pod that must be handled with care or “kaboom!”), Cee recognizes this as an opportunity.
“$10,000?” she retorts after dad ballparks the first gem recovered. “That’s enough to cover the loan… and the pod lease?”
Their ship has been built with Kubrick-like attention for analog detail, with cheap-ish CRT displays punctuated by handwritten notes. The planet they’re now on feels dream-like, a lush swampy Dagobah with a near-constant twinkle in the atmosphere. Nothing could happen from here and Prospect would still be worth watching for an hour-and-change of ambience and aesthetic alone. But as its initial 10 minutes show, this gorgeous-looking sci-fi flick has big subjects to match its style: intergalactic travel regulations, tiers of consumer goods, interplanetary trade standards.
…”We maybe were a bit naive in the conception of this, putting the entire film on the shoulders of a teenage girl,” Chris Caldwell, Prospect co-writer/director, tells Ars. “But she killed it, and in many cases she saved our ass.”
“In another movie, you might get 12 takes, but we’re in helmets that are hard to breathe in—you get four takes,” adds Zeek Earl, co-writer/director and cinematographer. “She nailed it.”
Many authors attempt comedy in science fiction, but few pull it off. Alongside very funny works like John Scalzi’s Redshirts and Terry Pratchett’s entire Discworld series, the pinnacle of hilarious science fiction is Douglas Adams’ The Hitchhiker’s Guide to the Galaxy, about the misadventures of Arthur Dent as he travels across the universe. But Catherynne M. Valente’s new novel Space Opera might give it a run for its money, because it’s one of the funniest books that I’ve ever read.
Space Opera’s title is a pun. Valente said recently that the story came out of a dare on Twitter after a conversation about Eurovision, and the novel lovingly skewers long-standing science fiction tropes, driving home humor with every single sentence. In Space Opera, humanity is living blissfully unaware of alien life, until extraterrestrials appear and invite them into an advanced intergalactic civilization. But there’s a catch: humans have to prove their sentience in a talent show called the Megagalactic Grand Prix, instituted after a galaxy-wide conflict known as The Sentience Wars. If Earth comes in dead last, humanity will be wiped out, and the biosphere reseeded so the planet can try again later.
…This new novel is set in the same universe, at roughly the same time, but outside the Radch. It is engaging and fun but frankly seems just a little thin next to the Ancillary series. There’s no crime in that – I think it’s a good thing when an author reaches the point where her readers are glad to read each of her books, and are satisfied by them – but also admit that they are not each equally as good (or progressively better). Solid and enjoyable work is nothing to sneeze at. That said, if I’m saying that, it probably means I don’t consider Provenance one of the best five or six SF novels of the year – and that’s true. But it doesn’t disgrace the award by its nomination either – and, indeed, it fits with all the nominees I’ve read so far, in being enjoyable and entertaining but not exceptional…
(15) COVERING THE MARKETPLACE. Pulp specialty website Pulps1st sells disks with galleries of old pulp covers, and other merchandise featuring cover images.
…No other company produces anything like the Pulp Image Library with thousands of pulp cover images on one disk! No other company produces the different Pulp Image Cover T-Shirts, Mugs, Mousepads, iPad covers, or Postal Stamps.
(16) THE COOLNESS. Wish you could do this? Thread starts here:
This is what my face looks like when someone lets me hold a piece of the Moon and Mars at the same time pic.twitter.com/wMN1HhXKpW
Producer Steven Paul Leiva has posted a rare artifact to You Tube – a 1980 pencil test “trailer” for a proposed animated feature based on Will Eisner’s classic comic strip hero, The Spirit.
In 1980, Leiva became involved with Brad Bird and Gary Kurtz (producer of the first two Star Wars movies) in trying to get into production an animated feature based on The Spirit”. In a 2008 piece in the L.A. Times (read it here) Leiva spoke of a pencil test “trailer” for the proposed film, made by Bird along with several classmates from Cal Arts, most of whom were working at Disney at the time.
Netflix has a new documentary coming up looking at the 13 female pilots who went through spaceflight tests around the same time the first men were planning to go up to space. While the 13 pilots never made it to space, their stories speak to the difficult and overlooked work women contributed to the US space program. It comes out April 20th.
[Thanks to Chip Hitchcock, Cat Eldridge, Danny Sichel, Martin Morse Wooster, Mike Allen, Andrew Porter, Carl Slaughter, John King Tarpinian, Mike Kennedy, JJ, Mark Hepworth, and Michael Toman. Title credit goes to File 770 contributing editor of the day Chip Hitchcock.]
When seeking reviews to link here, I’ve been surprised at how very many people start off with brilliantly written story summaries — then the review promptly ends, with very little having been said about what the writer accomplished or what the story adds to the genre.
(2) TOO MANY WORDS. But those reviews we’re complaining about above look like gems beside the work of The Literate Programmer at A Literate Programmer’s Blog who posted his “Hugo Awards – Best Novella” rankings with a confession –
…With the voting deadline for the Hugos coming up on the 15th, I decided that I wouldn’t have the time to read all the books in their entirety, and would instead just read far enough to get a feel for the style….
So I began once again working my way up to the novels, this time reading the novellas….
This Census-Taker by China Miéville was the first of the novellas I dug into. …However, the story definitely has a strange and slow start, so it was easy to move on….
A Taste of Honey by Kai Ashante Wilson sets up a nice inversion right from the beginning…. I didn’t finish it yet, but I expect it to take a rather darker turn eventually, tough not entirely too dark….
Then I picked up Every Heart a Doorway by Seanan McGuire and didn’t put it back down until I was done. …
Victor LaValle wrote the other novella I finished in its entirety, The Ballad of Black Tom …
The Dream-Quest of Vellit Boe is another take on Lovecraft… Definitely something I will finish, as I want to know what happens to Vellit….
Last but not least comes Penric and the Shaman by Lois McMaster Bujold. I like what I’ve read so far and it’s entertaining …
Someone else might have spent the time it took to write this post on, oh, I don’t know, reading the rest of these novellas before voting?
So the other night I dreamed I was in the Tower of Definitive Editions, a giant structure literally built from the definitive editions of every book ever written. There was some kind of mechanism that would pluck the book that you wanted from the structure without either damaging the book or destabilizing the tower. (Maybe it stuffed the hole with John Grisham novels or something.)
I cringe whenever I hear someone say that ‘the show has changed’ in a negative context. The show hasn’t just changed, the world has changed and certainly no one has felt it more than the publishing industry. We all know change is hard but writing letters and blaming everyone else for your business woes sounds like an entitled kid that wants to take his ball and go home. Chuck had 4 1/2 decades of pursuing what he loved and built one of the most noteable shops in history- hashtag #FirstNerdWorldProblems. I want good men and companies like Chuck and Mile High to win and get the respect they deserve. No doubt he has paid his dues and has committed his life to providing comics to a legion of adoring fans. My hope is that he and his business continues to grow each year without relying on Comic-Con business. However, after his letter, I won’t shed a tear for him and I hope Comic-Con International doesn’t either. Chuck, just go to the island, Chris Pratt will be along shortly to welcome you.
The agency has laid out the plans for its DART mission – where it will send a space capsule the size of a fridge towards an asteroid to shoot it off course. For now, the mission is just a test, but in the future it could be used to save Earth from what scientists say is an underappreciated threat from asteroids.
The mission has now been approved by Nasa and will move into the preliminary design phase, getting ready for testing in a few years.
“DART would be NASA’s first mission to demonstrate what’s known as the kinetic impactor technique – striking the asteroid to shift its orbit – to defend against a potential future asteroid impact,” said Lindley Johnson, planetary defense officer at NASA Headquarters in Washington. “This approval step advances the project toward an historic test with a non-threatening small asteroid.”
DART’s target is an asteroid that will pass by Earth in 2022, and come back two years later. More specifically, it’s actually two asteroids: a binary system called Didymos B made up of a larger and a smaller rock.
It’s the smaller one that Nasa will try and knock off course. But by using a binary system, scientists will be able to check with more accuracy how well their test has worked.
The Twilight Zone episode, “A Penny for your Thoughts,” written by George Clayton Johnson was shopped around as a series where each episode would have a different cast experiencing the ability to read minds.
(8) TODAY IN HISTORY
July 9, 1982 – TRON premiered on this day.
(9) CLASSIC ROCHE. Next year’s Worldcon chair Kevin Roche makes a fashion statement in this (public) photo on Facebook.
While Howard’s tweet is amusing, it’s realistic to think that at some point Star Wars fans will grow tired of non-news “news” from the Han Solo set. Since Howard is relatively new to the project, perhaps he doesn’t feel comfortable sharing anything from a film that he hasn’t really taken ownership of yet, his presumably strict NDA aside. Hopefully, that time will come once he not only completes principal photography but the five weeks of reshoots which were previously budgeted into production. Only then will Howard be able to help shape the tone and vision that Han Solo co-writer Lawrence Kasdan originally intended.
(11) DRAGON QUEEN. TIME Magazine’s Daniel D’Addario, in “Emilia Clarke on Why Dragons Are Daenerys’ True Love on Game of Thrones”, has a lengthy interview with Emilia Clarke where she says “I’m five-foot nothing, I’m a little girl” and adds that she thought she would be sacked from Game of Thrones because it was her first job out of drama school and she felt insecure.
In their new book “National Security Cinema,” the pair argue that the Pentagon, CIA and National Security Agency have meddled in the production of at least 800 major Hollywood movies and 1,000 TV titles. That is likely to be only the tip of the iceberg, as they concede:
“It is impossible to know exactly how widespread this military censorship of entertainment is because many files are still being withheld.”
The books introduce subjects like rocket science, quantum physics and general relativity — with bright colors, simple shapes and thick board pages perfect for teething toddlers. The books make up the Baby University series — and each one begins with the same sentence and picture — This is a ball — and then expands on the titular concept.
In the case of general relativity: This ball has mass.
But some of the topics Ferrie covers are tough for even grown-ups to comprehend. (I mean, quantum physics? Come on.)
I should mention that the film is virtually without plot, so it requires some patience. Major stars and that title notwithstanding, A Ghost Story is not a Saturday-night date movie. More a provocative art film in the European sense. Though barely 87 minutes, it unfolds in long, static shots, most of them without faces to hang onto. It’s almost a film without genre, and by the end it’s become a story untethered from time itself.
Their titles practically shriek at you: Night of the Chupacabras, When I Was Alive, The Necropolis Symphony. Right away you can guess that these are films you might need to watch through your fingers, tales of horror to quicken the heart. But you might not know where they’re from. Step aside Carmen Miranda and The Girl from Ipanema, these frightfests are from Brazil.
The first point to make about War for the Planet of the Apes is that it isn’t actually about a war. There are a couple of Skirmishes for the Planet of the Apes and one brief Battle for the Planet of the Apes, but the all-out humans-v-hairies conflict that the title promises is nowhere to be seen. And that’s one reason why the film, for all of its technical wizardry and daring solemnity, is a let-down.
(19) GOOD NIGHT. Next year’s CONvergence GoH Elizabeth Bear signs off from this year’s con:
Good night Batgirls Good night catgirls Good night Buckys Good night Chewies Good night dinos Good night Kal-Els#cvg2017
The show will launch on Monday 25 September. Which is actually not that far away when you think about it, we can be patient.
Another important detail is that the 15 episode series is going to be split into two chunks. So we’ll get weekly episodes from 25 September through to 6 November. Then there will be a break until it returns in January 2018. So, there will be more patience required, but not too much.
“Star Trek, one of the most iconic and influential global television franchises, returns 50 years after it first premiered with STAR TREK: DISCOVERY. STAR TREK: DISCOVERY will follow the voyages of Starfleet on their missions to discover new worlds and new lifeforms, and one Starfleet officer who must learn that to truly understand all things alien, you must first understand yourself. The series will feature a new ship, new characters and new missions, while embracing the same ideology and hope for the future that inspired a generation of dreamers and doers.”
(2) ON AN EVEN KEEL. Adam-Troy Castro makes an important point about keeping things in perspective: “I Am Not Owed Awe”.
There’s a scene during the Thomas Harris novel Red Dragon, the same work that introduced Hannibal Lecter, filmed twice for the movies and once for the TV series, where the serial killer known as the Tooth Fairy tells a captive, “You owe me awe.” This is megalomania, and one way you know the speaker is fucking crazy.
Nobody except a madman or a total asshole thinks he’s owed awe. Oh, you can make a certain exception to someone who occupies a position where awe is expected: a President, a Pope, a King, a legendary musician. In many cases, though, even they know that they receive awe because of what they are, not so much because of who they are. Get elected President, and even if you’re a total piece of shit you will expect to be greeted by orchestras playing “Hail to the Chief.” It’s part of the job description. Write Game of Thrones and you will receive awe because people are rapt. But that is not awe for you, the being who took a shit and didn’t quite manage to fully clean his ass this morning. You are still a flawed being.
Artists can earn awe. Artists can come to expect awe. The sane don’t think they’re owed awe. And the sane don’t get upset, to the point of rallying legions of single-minded asshole fans, to run amuck harassing people for the sin of not treating them with awe. That’s crazy. That’s tunnel-vision of the most insipid sort.
I am not owed awe. You are not owed awe. Nobody is owed awe.
(3) SF COSTUMING FANHISTORY. The International Costumers Guild has released a video about 16 People Who Defined Masquerade Costuming.
These artists helped to shape the art of Masquerade Costuming, which has been recognized as a legitimate art form by 4 English speaking countries and Japan as of 2014. The images are being collected for preservation by the Library of Congress.
“Don’t do a horror film unless you’re the monster. Horror audiences come to see the villains, and they come back again when those villains are in the sequels,” wrote The Economist magazine, listing things an actor should never do.
In India, many of the best-known Indian “villains” got into cinema hoping to be the hero. Things didn’t go to plan and they spent their screen-time plotting fantastic heists and murders, eyeing the heroine and getting beaten up. With some notable exceptions, like Vinod Khanna and Shatrughan Sinha – villains turned heroes – this was the norm.
What about monsters then?
In India, the movie monster became a staple of horror films made by a group of brothers called, simply, the Ramsay Brothers. Five of the seven brothers are still around, and one of them, Shyam, is still quite active.
Between 1972, when they made their first proper movie Do Gaz Zameen Ke Neeche, literally “six-feet under”, and 1994, when they made their last big movie, Mahakaal, the Ramsay brothers churned out movie after B-grade horror movie.
(5) LEIGHTON OBIT. Fanzine fan Rodney Leighton (1948-2017) died June 18. The SF Site News story says the Nova Scotia fan stayed with paperzines to the end. His titles included Life of Rodney, The Mail Carrier Brought It, and Rodney’s Fanac. His friends Steve George, and later Chuck Connor, put scans of these zines on eFanzinesso he’d have some feedback from readers on the internet.
(6) BILL DANA OBIT. Comedian Bill Dana, famed for his Jose Jimenez character, died June 15 reports SF Site News. Dana was also a comedy writer – he created Don Adams’ “Would you believe…?” gags.
While Dana’s ethnic humor would not be accepted today, it was still in vogue sixty years ago. According to The Hollywood Reporter —
The nation was introduced to Jimenez in a comedy sketch on [Steve] Allen’s variety show in November 1959. Struggling to speak English, Jimenez appeared in a Santa Claus outfit as an instructor at a school for wannabe Kris Kringles and interviewed by “Man on the Street” Pat Harrington Jr.
“I said, ‘My name … Jose Jimenez,’ and the [live] audience laughed,” Dana, a Massachusetts native of Hungarian-Jewish descent, recalled in a 2007 interview with the Archive of American Television. “I remember thinking, ‘This guy just said his name and everybody [went crazy] …’
…On Garry Moore’s variety program, Dana appeared as Jose the Astronaut, then recorded a comedy album with that material from a live show at the famed hungry i nightclub in San Francisco.
He sent a test pressing of the disc to the original seven Mercury astronauts — and they loved it. Alan Shepard took the code name “Jose,” and Jimenez became the astronauts’ “mascot,” Dana said. When they weren’t working, the pilots hung out at Dana’s house, and years later, he was inducted into the Astronaut Hall of Fame. (Footage of him as Jimenez on The Ed Sullivan Show can be seen in the 1983 film The Right Stuff.)
…Though it seems hard to believe in this age of political correctness, Dana and his character were embraced by the Latino community. He was honored by the National Hispanic Media Coalition and worked, largely behind the scenes, as an activist. He gave up playing the character but later regretted that.
The José Jimenez character was also one of the figures who popped his head out the window watching Batman and Robin climb a building on Batman.
(7) TODAY’S DAY
Garfield the Cat Day
Garfield The Cat Day is celebrated annually on 19th June. The day is set aside to honor all things related to the ginger feline. Garfield was famously created by cartoonist Jim Davis and appeared in a cartoon strip on 19th June 1978. Garfield’s owner: Jon Arbuckle and his dog friend; Odie, also appear in the cartoon strip.
(8) TODAY IN HISTORY
June 19, 1958 — Wham-O filed to register Hula Hoop trademark
June 19, 1992 – Batman Returns hit theaters.
Batman Returns, released June 19, 1992, featured less kid- friendly characters than its predecessor. Gone was Jack Nicholson’s The Joker, and in his place were the grotesque Penguin (Danny DeVito) and a sexy Catwoman (Michelle Pfeiffer), whose costume bore a striking resemblance to something that could be purchased at a BDSM shop.
These bold characters helped make the movie a classic, but also alienated corporations such as McDonald’s that had a newfound interest in the movie franchise business via promotional tie-ins – and complained loudly about the film’s darker tone.
(9) SINCE GAMERGATE. Keri Allan’s article “Fair play: How welcome are women in games design teams?”, in for Engineering & Technology, the on-line newsletter of the UK professional body, the Institute of Engineering and Technology, includes a quote from Brianna Wu and a mention of Rhianna Pratchett.
Sampat says it’s a mistake to believe that the furore of GamerGate ended sexism in the sector. “In a lot of ways it sucked being a female developer before GamerGate, and things are slowly getting worse because people treat ‘women in games’ as a solved problem – like GamerGate was a weird year-long blip and now sexism in our industry is gone. (But) the boots on the ground are still there being assholes to women.”
Having written about anonymous harassment of women in the industry during the height of GamerGate, Brianna Wu began to receive threats of her own. She believes there’s now a better sense of the issues out there, but policies aren’t necessarily changing in response. Feeling so strongly about equal treatment in the workplace, she’s now running for Congress.
“What makes me want to scream is that no one knows me for my engineering work, only my views on women’s equality. I’ve worked so hard to become an engineer, but the truth is you’re put in this impossible situation where you can smile, go along with the system and get fewer opportunities, or speak out and be put in this box. There’s a heightened awareness, but these congenital problems aren’t really solved. I believe women need to step up and run for office, and I hope to use my position to hold hearings on sexism in the tech industry.”
Other responses to GamerGate have included promoting the hashtag #OneReasonToBe. This was started by games narrative writer Rhianna Pratchett so women could share positive experiences about working in the industry and reasons why they love games. This has gone on to spawn a popular annual panel at the Games Developer Conference (GDC), highlighting great things the sector has to offer women.
From the New York Times bestselling author Catherynne Valente comes a series of linked stories from the points of view of the wives and girlfriends of superheroes, female heroes, and anyone who’s ever been “refrigerated”: comic book women who are killed, raped, brainwashed, driven mad, disabled, or had their powers taken so that a male superhero’s storyline will progress….
Each gets to tell her story in turn and here’s where my love for this book begins. Because it may be fun figuring out which superhero you’re reading about, but it is even more fun how every woman tells her story in her own voice. Pretty Polly (the Harley Quinn of this universe) talks just like you’d imagine she would. Kind of sweet-ish and girly, with a fair bit of madness added to the mix. Blue Bayou sounds angry, Paige Embry is just totally endearing, and Julia Ash (whose villain’s is aptly named Retcon) felt kind of resigned. The voices always fit and the stories these women have to tell are engaging and intriguing for more than one reason. First of all, they’re just interesting stories. Secondly, they would have fit so beautifully into their respective universes – why isn’t there space in a Spider Man movie to show Gwen Stacy as more than just the hero’s girlfriend. She had a life before him and she had a life with him, just like all the others. Their demise was incredibly heartbreaking, although obviously we know from the start that they die and if you remember the original comic books how they die. To me, that’s just another sign of how amazing a writer Valente is. If you know what happens and how it happens, and all she does is give you a little background info, give the character who is about to die a little agency and personality, and it hits you deep in the guts anyway, then yeah… that’s a great writer!
As the title hints, Frontera is about a liminal zone. Proverbially this would be between civilization and the wilds, but in the novel’s context, there are more specific terms. One would certainly be between existent and breaking technology. Another is locations possible to be inhabited by humanity; Mars can be altered for human life to survive, but it’s an unnatural existence. And the last major frontier addressed is the personal. Dislocated from home, the major characters on Mars all are dealing with existentialist angst. Few, if any, live in a mental comfort zone. Curtis, the colony leader, channels his uncertainty through rigid control in an attempt to mitigate his underlying fears. Kane dreams wild dreams of Greek dramas by night and by day questions Pulsystems intents for him. (Given how strongly our solar system reflects contemporary civilization’s dependence on the Greeks, this is a nice parallel.) Reese, the aging astronaut, can’t face up to certain realities, and takes comfort in drink. And disaffected by the political scene, Marysia attempts to come to terms with her new life on Mars in balance with what she knew on Earth.
(12) STYLE MAVEN. Scott Edelman is preparing to make a fashion statement at the Worldcon.
Speaking of gods: no doubt you’ll recognise a few of the names mentioned throughout this story. Odin, of course; Loki, too, as well as others such as Heimdall and the Valkyries. The Blood-Tainted Winter isn’t self-conscious of itself as a Norse fantasy, yet Raef’s tale evokes a vivid sense of place and time that thoroughly immerses the reader in a land of gods, battle and betrayal. Greylock doesn’t force the Norseness so much as nurture it, weaving familiar aspects of the mythology into the book in a way that doesn’t dominate or overshadow the story being told.
You could argue that the book’s beginning is a little too leisurely; however, I enjoyed having the opportunity to get to know the protagonist a little better – and to feel pleasantly surprised and intrigued when the following chapters have him reacting in a most unexpected manner. I will say that Greylock does a wonderful job of patiently unfolding the story through the eyes of its protagonist. Raef is distant and, at times, unfathomable (though not unlikeable), functioning more as a window onto events than as someone the reader can sympathise with or live vicariously through.
(14) EARL GREY TIME. Elizabeth Fitzgerald has her Australian National Convention report up – Continuum 13.
In keeping with the natures of the protagonists, Seanan had two different kinds of cake from Cake and Madness. One was a traditional cupcake with glittery frosting. And the other… well, the other was a bit disturbing.
Watching it be eaten was a little like finding myself in the middle of the zombie apocalypse.
From robot simians that can clean up nuclear accidents, to powered exoskeletons that enable you to lift huge objects, robotic technologies are developing incredibly quickly. Ashitey Trebi-Ollennu, chief engineer at Nasa’s Jet Propulsion Laboratory, talks us through five robots that are changing the world.
(16) FUNNY COMMERCIAL. Sometimes people see an item and ask “Why’s that on File 770?” I have carefully searched this video without detecting any science fictional references. So when somebody asks that question, I am going to need to quickly change the subject.
Maybe I can change it with the help of an anecdote Cat Eldridge sent along with the link, about his own Coca-Cola experience.
True story. Well mostly. Once upon a time in a country where we had no intelligence assets I had a medical officer who insisted it was safer to drink coke than it was to drink the water, even the water hotels insisted had been boiled. This was the high octane stuff, full of real sugar. Drank at least three bottles a day while I was in country.
Now that the two female staffers who decided to mix and eat a salad and not soak it in iodine had a very unpleasant outcome when they discovered most explosively that it was grown in night soil… Need I tell you what night soil is? There’s a good reason the Viet Cong dipped their pungee sticks in it…
(17) NEW MEDIA CON. At VikingsCon, “Meet the cast of the History show Vikings”. They promise Amy Bailey (“Kwenthrith”) and Alexander Ludwig (“Bjorn”) will be on hand October 21-22 at the site in Maryland.
[Thanks to JJ, Chip Hitchcock, Bill Burns, Cat Eldridge, David K.M. Klaus, Lex Berman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]
Brandon Vezmar from Texas is taking a stance on the issue by suing his Bumble date after she used her phone during a movie. The Austin American-Statesman reported that Vezmar filed a small court claim for $17.31, the price of a 3D showing of “Guardians of the Galaxy 2.”
“It was kind of a first date from hell,” he told the local newspaper.
The 36-year-old said that his date was on her phone “at least 10-20 times in 15 minutes to read and send text messages.” According to Vezmar, he told her she should text outside, so she left and took the car in which they both arrived.
Vezmar claimed he tried to text and call his date before taking the matter to court. He tweeted a screenshot once his date sent a statement to KVUE anonymously to say that, while she felt bad that his feelings were hurt, she chose to leave because he made her feel unsafe.
“His behavior made me extremely uncomfortable, and I felt I needed to remove myself from the situation for my own safety,” the statement read. “He has escalated the situation far past what any mentally healthy person would.”
Director James Gunn, who might have stayed safely out of this, unfortunately decided to show his ass, as if texting in the theater was the entire issue.
But really, hairless Klingons? With a H.R. Geiger armor aesthetic?
It’s not like we haven’t seen the 60’s aesthetic embraced by modern television. Deep Space Nine went there and did it brilliantly — they arguably made the TOS USS Enterprise look even more gorgeous than any of her successors, and they didn’t change anything about her at all — just lighting and texture. Enterprise itself managed to authentically portray a pre-Kirk technology chic that had a more industrial feel, which was utterly believable as the ancestor to the softened look of the Kirk era. I do not accept that the Kelvinization of the Prime timeline was necessary to modernize the production. After all, the aesthetic of The Expanse and Dark Matter is thoroughly modern but doesn’t have the same Kelvin fascination with chrome and glass. Not that I want any Trek to go the grunge-fi look, but I do at least want Trek to honor it’s own identity. This feels like a rejection — purely a Han shot first decision.
Harry and the Hendersons is a 1987 fantasy movie about a Seattle family’s encounter with a friendly bigfoot (Harry) and their efforts to protect him from harm before releasing him in the mountains of the Pacific northwest. It’s a forgettable film, but it has undoubtedly been seen and heard in more Indigenous homes than has the story of Sasq’ets–the original sasquatch.
Sasq’ets, whose name was one of the few Halkomelem words to make their way into English, was one of a host of other legendary “wild people” living in the forests on the Pacific coast. For hundreds of generations, Salish and Kwakwaka’wakw children were raised on the stories of the wild people and taught to listen for their characteristic hu-hu-hu calls. Sasq’ets, along with Dzunuka, were said to capture wayward children, take them away from their families, and eat them. With their supernatural healing powers, the wild ones were thought to be invincible; only once was a wild person taken by angry villagers and burned alive. But to the mortals’ horror, the ashes began buzzing in a tiny chorus of little hu-hu-hu’s, and each particle sought out human flesh. This was the origin myth of mosquitos.
Sasq’ets taught our children to stay out of the forests at night. It connected us to our part of the world, in the same way that Hansel and Gretel or Little Red Riding Hood connected Europeans to their ancient forests–and possibly for the same purposes. Our stories are works of genius and beauty, and vital to our relationship with the land. By no means do I want to restrict our legends to Indigenous people. I want you to know about Sasq’ets, and the psychedelically odd stories of the spirit of the South Winds, and all of the legends of our country.
But when the story is taken from us and told by outsiders without our involvement, its identity can be lost, and Sasq’ets becomes Bigfoot. The cultural dominance of non-Natives means that a B-movie like Harry and the Hendersons can have more influence over Salish children than the legend that inspired it.
(6) WESTLAKE’S BOND. Daniel Dern says be on the lookout for copies of Donald Westlake’s James Bond novel(ization) released last fall. “I’ve already just put a reserve-request in to my library.”
In the mid-1990s, prolific mystery and crime thriller author Donald E. Westlake submitted two treatments for the 18th Bond film (which would ultimately become ‘Tomorrow Never Dies’)….Never one to waste a good story, Westlake turned his treatments into a novel.
Fewer Filers than normally expected might be familiar with Westlake, since he wrote near-zero scifi, by choice. OTOH, he wrote lots of great mystery/thriller/crime and other novels and stories, ranging from humorous, e.g. his John Dortmunder stories, and his tabloid-reporter ones, to serious, notably the ones written as Richard Stark.
(7) MACE WINDU GETS HIS OWN BOOK. The Jedi have always been the galaxy’s peacekeepers — but with the Clone Wars on the horizon, all that is about to change.
This August, writer Matt Owens (Elektra) will team with artist Denys Cowan (Nighthawk, Captain America/Black Panther: Flags of Our Fathers) to unveil the exciting story of one of the Jedi’s greatest warriors in STAR WARS: JEDI OF THE REPUBLIC — MACE WINDU #1!
One of the most accomplished and storied members of the Jedi High Council, his wisdom and combat prowess are legendary. Now, in this new story, readers will get to see Mace Windu lead his Jedi into battle, and face the ultimate test of leadership!
(8) PETER OLSON OBIT. SF Site News reports that Boston area fan Peter Olson (1949-2017) died April 28. He was active in NESFA and participated in the Ig Nobel Awards.
Bonhams Fine Art Auctioneers and Turner Classic Movies (TCM) will present the movie memorabilia auction, “An Important Animation Art Collection, The Property of a Gentleman” in New York City on June 5.
The sale will feature more than 290 original Disney animation drawings, storyboards, posters, concept art and celluloids, according to Bonhams’ press release.
(13) WARNING LABEL. While I was browsing Bertie MacAvoy’s Amazon page, I especially enjoyed this self-introduction:
If you are young to the S.F. field and don’t know who I am, I will prep you by warning that I often kill off my heroes, sometimes at the most unexpected times. But never in a depressing manner. I’ve never wanted to depress my readers. My outlook is essentially comic.
I think any reasonable person would forgive the con, considering this was an extreme, unpredictable situation where homes and lives were literally lost. What’s the Sunday of a con compared to that? To the extreme credit of the Oz-Con organizers though, they still want to try to make it right.
Yesterday Oz-Con organizers announced an event they’re calling “Flood Con.” It’s a free game day the con is hosting from 9:00am until 10:00pm on June 17th at the Missouri State University-West Plains Student Rec Center. Admission is free, but they’ll also be accepting cash donations and canned food items to help with ongoing flood relief in the area. There will be video games, tabletop games, and fellow geeks to have a grand old time with.
Admittedly, I haven’t heard much about sff in the Ozarks — just that famous story about the time Larry Niven arrived expecting to be GoH of Ozarkon only to find out the con had been cancelled. (Fans involve swear they tried to get a message to him, but in those pre-internet days it failed to reach him on the road.)
(15) FAME IN PIXELS. Who needs a monument when you can be an answer on Jeopardy!
(16) LOVECRAFT COUNTRY TO TV. Get Out writer-director Jordan Peele and J.J. Abrams’ Bad Robot and Warner Bros Television are teaming on LovecraftCountry, a one-hour drama that has been given a straight-to-series order by HBO.
There is connective tissue to Peele’s breakout genre feature Get Out, which brought a Black Lives Matter theme to the horror genre. Lovecraft Country, the 2016 novel from Matt Ruff, focuses on 25-year-old Atticus Black. After his father goes missing, Black joins up with his friend Letitia and his Uncle George to embark on a road trip across 1950s Jim Crow America to find him. This begins a struggle to survive and overcome both the racist terrors of white America and the malevolent spirits that could be ripped from a Lovecraft paperback. The goal is an anthological horror series that reclaims genre storytelling from the African-American perspective.
[Thanks to Carl Slaughter, Andrew Porter, JJ, Dawn Incognito, Daniel Dern, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Ky.]
Denis Villeneuve, best known for his directorial work on Arrival, Sicario and the upcoming Blade Runner sequel, is set to tackle the adaptation of Frank Herbert’s celebrated sci-fi epic, Dune.
Villeneuve was first rumored to be in the running for the role in December, but it wasn’t until yesterday the confirmation was announced. Brian Herbert, son of Frank Herbert and a celebrated science-fiction author in his own right, made the announcement on Twitter.
It's official — Legendary Pictures has signed the very talented Denis Villeneuve to direct the exciting new DUNE series film project.
(2) PETER WESTON EULOGY. This month, Ansible has an extra issue — #355-1/2 — with Tom Shippey’s funeral tribute to Peter Weston. Shippey illustrates Peter’s personality with anecdotes about his business.
What powered that success was not government assistance but reason number two, Peter’s complete lack of pretence. The success of Weston Body Hardware was not based on cunning marketing or managerial tricks, it was based on Peter’s 150-page catalogue of door locks, and unlike many managers Peter knew everything about his product. He took every picture in his catalogue himself, and in each one you could tell left-hand from right-hand.
He usually had a screwdriver in his pocket as well, for removing interesting locks from derelict vehicles, and he could tell a Hillman Minx lock from a Ford Capri blindfolded. I recall one occasion in Texas, 1988, when his attention was caught by a beautifully-refurbished sports car in a car-park. He stepped smartly over to it, looked down, shook his head and remarked (to himself, not the yuppie owner who was standing proudly by), ‘How very disappointing! An Austin-Healey 3000, and all they’ve found to put on the boot is a left-over lock from a Singer Vogue!’ It sounded absolutely apocalyptic.
…Frank Patz, organiser of the neighbouring comic con, Eternalcon in Long Island, New York, attending NYCC as part of Michael Carbonaro‘s Vintage Movie Posters booth, was arrested by NYPD Special Forces on charges of grand larceny and possession of stolen goods….
It is common practice at shows for the trash at the end of the shows to be raided by some vendors to find things that other vendors have left behind. However Eaglemoss representatives told me they were still in the process of breaking down their space, and the items in question were still inside the booth, and not considered trash.
Most of the items were returned after the arrest, and the charges are pending dismissal if Patz keeps a clean record for the next six months.
…However NYCC and the Javitz Center do not seem to hold with the “innocent until proven guilty” thesis. And so while Frank Patz will have no marks on his official police record as a result of this, he and all the individuals named, have been barred from entering the Javits Center, and show organisers Reed POP have barred them for life from attending any of their events, including the New York Comic Con, C2E2, ECCC and more.
A Doctor who isn’t a white man is not a destination, it’s the start of a conversation. If the character worked—and it would—that would be an unmistakable turning point in how POC and female characters are portrayed on screen. It would also empower a generation of writers and actors, crew and producers to make their own work, with their own voices—work that, in the wake of a successful Doctor Who run with a woman or a POC in the lead role, would almost certainly find itself in a far more open and welcoming production environment.
That conversation is long and complicated and years overdue. It’s one that has to include bringing more and more women and POC into the fold as scriptwriters and showrunners and directors. It’s also one that needs to be years long in order for the changes it would catalyse to take effect. Most of all, it’s simply one that needs to happen, and there is no better time than now, and no better place to start than with Doctor Who.
I was pointed this morning to a blog post by an author not previously of my acquaintance who was making a bit of noise about the UK cover of The Collapsing Empire; the June 2016 cover reveal of the UK cover featured the strapline “The New York Times Bestselling Series”…
A little further digging revealed that this author almost certainly got this idea from one of my usual suspects (i.e., the same poor wee racist lad whose adorable mancrush on me has gone unabated for a dozen years now), who trumpeted the strapline as evidence that Tor is planning to fake a position for me and TCE on the New York Times bestseller list. As apparently they have done with all my work, because as you know I don’t actually sell books; Tor and Tor UK and Audible and a couple dozen publishers across the planet give me lots of money strictly because I am the world’s best virtue signaller, and therefore worth propping up with byzantine schemes to fake my standing on bestseller lists, because who doesn’t like virtue.
…(P.S.: If you would actually like to see me get on the New York Times bestseller list with The Collapsing Empire — or in the UK, the Times bestseller list (that’s the Times in the UK, that is, these newspapers with the same names are confusing) — then be part of the vast conspiracy of people who pre-order the book, either from your local bookseller, or via your favorite online retailer. Sadly, my publishers don’t actually prop me up. I really do have to sell books for a living. Again: Sooooooooo unfair!)
Famous names feature in the ledgers of shoemakers Ducker & Son which are about to be offered for sale by Oxford auction house Mallams, writes Richard Lofthouse…
They range from little-known Oxford academics and wealthy undergraduates with a taste in bespoke footwear to local luminaries such Tolkien, Brideshead Revisited author Evelyn Waugh and publisher Sir Basil Blackwell (who insisted his shoes were always rubber-soled).
First World War flying ace Baron von Richthofen, European aristocratic families and several maharajahs also shopped at Duckers. More recent patrons have included Olympic rower Matthew Pinsent, comedian Rowan Atkinson, former Top Gear presenter Jeremy Clarkson and Formula One boss Eddie Jordan.
Tolkien’s first order at the start of Michaelmas term 1913 is for a pair of black rugby boots for 14s 6d, a pair of porpoise laces for 8d, and a pair of ordinary laces for 2d. He was then an undergraduate at Exeter College, just up the street from Duckers’. The year had been a landmark one for Tolkien: he had changed his course from the Classics to English literature and, on the turn of his 21st birthday, had proposed to his childhood sweetheart Edith Bratt. Standing (above) in his pale jersey in the middle of the beefy athletes of Exeter College’s Rugby and Boat Clubs in 1914, Tolkien looks rather small; but he said that what he lacked in weight, he made up by extra ferocity.
A later page shows two orders by Tolkien in the 1950s, when he was Merton Professor of English Language and Literature and shoe prices had risen considerably: he bought three pairs for around £6 apiece. Fortunately his professorial income was supplemented by royalties from The Hobbit and, by the time of the last order, The Lord of the Rings, published in 1954–5.
(7) SNAKES, IT HAD TO BE SNAKES! I am told February 1 is Serpent Day. Not sure why that precedes Groundhog Day, but there you have it.
Serpents deserve a day dedicated to them; its presence is somehow necessary, what with all of the fables and stories abound with snake-inspired situations and wise or evil serpents, that have filled our culture for as long as any of our ancestors could remember.
(8) WHO FATIGUE. Are you tired of watching Doctor Who? I’m not, but if you are, CheatSheet offers four reasons that might explain why. (More likely, you’re tired of clickbait articles like this that drag you through multiple ad-saturated screens to see the complete post.)
The Doctor got meaner
Fans familiar with the progression of the Doctor are familiar with the defining personality traits of each modern doctor. Christopher Eccelston was a stripped-down version of a previously flamboyant character, beginning a walk down a decidedly grimmer path for the Doctor’s personality. David Tennant after him was kind yet stern, with sharp features to match. He always carried with him a certain guilt over the burden of being the last of the Time Lords, leading into the reactively younger and more carefree Matt Smith iteration.
Finally, we were left with Peter Capaldi, the more mature and notably older version of the Doctor. It was more than a little jarring to go from the warm, goofy demeanor of Smith to the crotchety and sometimes mean-spirited Capaldi version. This in turn made it hard to adjust for fans, leading many to jump ship mere episodes in to the latest season.
(9) TAKING FLIGHT. Nerds of a Feather rounds out its Hugo recommendations with two more posts:
Considering this brand new category reminds me of one novel that I have just read, Impersonations, by Walter Jon Williams, a new pendant to his Praxis (or Dread Empire’s Fall) series. It’s a fun story, and I’m glad I read it, but I don’t think it’s Hugo-worthy by itself. I am strongly considering nominating the entire series for a Hugo, however.
And, indeed, that hints at one of my misgivings about the Hugo for Best Series. The most recent entry in a series may not be particularly representative of the series as a whole, nor as good as the rest of the series. The same comment, obviously, applies to Lois McMaster Bujold’s Vorkosigan series, represented in 2016 by the rather pedestrian Gentleman Jole and the Red Queen. I would say personally that both Bujold’s Vorkosigan series and Williams’ Praxis book are worthy, over all, of a Best Series Hugo, but that the best time to award them that Hugo has passed. (Which, to be sure, is primarily a function of this being a brand new award.)
At any rate, I was wondering what the possible candidates for Best Series, eligible in 2016, might be, and I was delighted to find that JJ, over at File 770, had done the heavy lifting, producing this page with a good long list of potential eligible series: http://file770.com/?p=30940.
(11) TRUE LOVE. With Valentine’s Day on the calendar this month, Seattle’s MoPOP Museum has sent those on its email list a set of Fictional Flames: A Lovesick List of #MoPOPCULTURE Power Couples.
In honor of cupid’s return, here are our picks for the fictional couples who remind us why we love to fall in love.
Uhura + Spock : Star Trek – This futuristic couple showed the world how to love long and prosper.
Clark Kent + Lois Lane: Superman – The most unique story of journalistic love. Ever.
Hermione + Ron: Harry Potter – These longtime friends fell hard with no love potion required.
Buttercup + Westley: The Princess Bride – True love has never been more adventurous.
Elizabeth + Mr. Darcy: Pride and Prejudice – This enduring duo have been charming readers and viewers since 1813!
Kermit + Miss Piggy: The Muppets – The most sensational, inspirational, celebrational muppet couple.
Gomez + Morticia: The Addams Family – “Till death do us part” takes on a whole new meaning.
Mitch + Cam: Modern Family – These loving family men are the perfect suburban couple.
Rick + Ilsa: Casablanca – This bittersweet, war-torn romance will have you reaching for the tissues.
Willow + Tara: Buffy the Vampire Slayer – The couple that slays together stays together.
Han + Leia: Star Wars – She loves him. He knows. (He loves her too.)
Celebrate the 50th anniversary of a classic television episode from a landmark series! Watch as Captain Kirk (William Shatner) and Spock (Leonard Nimoy) deal with an infestation of cute, fuzzy tribbles aboard the Enterprise. Soothing to the crew and annoying to the Klingons, the furry nuisances nonetheless hold the key to a mystery on board. Trekkie suits and transporters optional!
Bloggers Jeffro Johnson — whose Appendix N book I spotlighted here — and Jon Mollison, both of whom I’m acquainted with online, have made much of the “Pulp Revolution,” a nascent literary movement intended to turn modern sci-fi and fantasy away from a perceived focus on deconstruction and embrace its heritage as a literature of the heroic and wondrous. It also seeks to bring the works of long ignored pulp authors back into the limelight.
I find “Pulp Revolution” a more appealing label than Sad Puppies, if anyone wants to know. (Like that’s going to happen….)
(14) RINGS. I still haven’t forgotten the first film in the series. This is the third.
First you watch it. Then you die. Rings hits theatres Friday!
A new chapter in the beloved RING horror franchise. A young woman becomes worried about her boyfriend when he explores a dark subculture surrounding a mysterious videotape said to kill the watcher seven days after he has viewed it. She sacrifices herself to save her boyfriend and in doing so makes a horrifying discovery: there is a “movie within the movie” that no one has ever seen before…
The film is being promoted by a pranks like this —
[Thanks to JJ, John King Tarpinian, Andrew Porter, and Dave Langford for some of these stories. Title credit goes to File 770 contributing editor of the day Robert Whitaker Sirignano.]