The official Hugo Awards site reports that CoNZealand, the 78th World Science Fiction Convention, will announce the finalists for the 2020 Hugo Awards and 1945 Retrospective Hugo Awards on Wednesday, April 8, 2020 at 8 AM NZST.
In other time zones that is: Tuesday, April 7, 2020 at 9:00 p.m. British Summer Time; 4:00 p.m. Eastern Daylight Time; and 1:00 p.m. Pacific Daylight Time.
CoNZealand received Hugo Awards nominations from 1,584 people, and Retro Hugo Awards nominations from 120 people.
Information on how to watch the finalist announcement will be released by CoNZealand later.
CoNZealand, 78th Worldcon host, announced two New Zealand artists selected to create the bases for the 2020 Hugo Awards and the 1945 Retro Hugos.
CoNZealand invited New Zealand-based artists to submit a base design. Five designers submitted excellent proposals, and two were selected to produce a base for the awards.
The 2020 Hugo Award base has been designed by John Flower.
John has been working as an engraver for Trophy Specialists & Engraving in Palmerston North for the past 16 years. He has been a fan of science fiction since he was a wee lad when his father would tell him about the goings on in books by Asimov, Heinlein, and others and is chuffed to be part of recognising the talented people creating science fiction works today.
“The trophy base was designed using open source software and hopefully it captures the sense of wonder of the sci-fi genre and the spirit of cooperation that is required to explore beyond the Earth,” said Flower.
The 1945 Retro Hugo Awards base has been designed by James Brown.
Born in Christchurch but a long time resident of Auckland, James studied graphic design and illustration at Auckland University of Technology. He spent a decade working as a miniature painter and sculptor for a tabletop wargaming company, a role which allowed him to combine his love of tiny things with his interests in history and gaming. He also had a brief but very enjoyable stint painting film props at Weta Workshop.
“As a lifelong science fiction fan I attended different NatCons [New Zealand national conventions], but this year will be my first time participating in a Worldcon,” Brown said.
The Hugo Awards are a major highlight of every Worldcon, recognizing the best science fiction or fantasy works and achievements from the previous year. Each award features a metal rocket as the central element but the base design changes every year.
By JJ: This thread is for posts about 2020-published works, which people have read and recommend to other Filers.
There will be no tallying of recommendations done in this thread; its purpose is to provide a source of recommendations for people who want to find something to read which will be eligible for the Hugos or other awards (Nebula, Locus, Asimov’s, etc.) next year.
If you’re recommending for an award other than / in addition to the Hugo Awards which has different categories than the Hugos (such as Locus Awards’ First Novel), then be sure to specify the award and category.
You don’t have to stop recommending works in Pixel Scrolls, please don’t! But it would be nice if you also post here, to capture the information for other readers.
The Suggested Format for posts is:
Title, Author, Published by / Published in (Anthology, Collection, Website, or Magazine + Issue)
Hugo or other Award Category: (Novel, Novella, Novelette, Short Story, Related Work, Graphic Novel, Lodestar, Astounding, etc)
link (if available to read/view online)
optional “Brief, spoiler-free description of story premise:”
By JJ: To assist Hugo nominators, listed below are the editors of short form works published for the first time in 2019.
These credits have been accumulated from Acknowledgments sections and copyright pages in works, eligibility posts, and other sources on the internet.
Feel free to add missing 2019-original works and the name of their editors in the comments, and I will get them included in the main post. Self-published works may or may not be added to the list at my discretion.
PLEASE DON’T ADD GUESSES.
If you are able to confirm credits from Acknowledgments sections, copyright pages, or by contacting authors and/or editors, then go ahead and add them in comments. If you have questions or corrections, please add those also.
Authors, Editors, and Publishers are welcome to post in comments here, or to send their lists to jjfile770 [at] gmail [dot] com.
Some of the magazines listed below are Prozines and are not eligible in the Hugo Semiprozine category. For a list of Semiprozines vs. Prozines, see Semiprozine.org.
Short Form Editors
3.3.10: Best Editor Short Form. The editor of at least four (4) anthologies, collections or magazine issues (or their equivalent in other media) primarily devoted to science fiction and / or fantasy, at least one of which was published in the previous calendar year.
(Note that the Short Form Editors listed below may, or may not, be eligible — that is, have the equivalent of at least 4 anthologies and/or magazine issues in their career, with at least 1 of them published in 2019.)
(1) STÅLENHAG ARRIVES ON SMALL SCREEN. Amazon Prime
dropped a trailer for Tales from the Loop.
Inspired by the wondrous paintings of Simon Stålenhag, Tales from the Loop explores the mind-bending adventures of the people who live above the Loop, a machine built to unlock and explore the mysteries of the universe – making things previously relegated to science fiction, possible.
(2) HUGO DEADLINE APPROACHING. CoNZealand sent members a
reminder that the end of the Hugo
nomination period is March 13, 2020 at 11:59 p.m. Pacific Daylight Time (2:59
am Eastern Daylight Time, 06:59 Irish time, and 8:59 pm March 14, 2020 New
If you think the government has more information about UFOs than it’s letting on, you’re not alone. In fact, you’re in the majority. A 2019 Gallup poll revealed 68 percent of people feel that way. Thirty-three percent of all respondents said that they believe UFOs were built by aliens from outer space.
The Venn diagram center of those two groups clings to one of the most enduring conspiracy theories: The Government (it’s always with a capital G for believers) is squirreling away information about alien spacecraft. This idea appears, and has for years, on internet forums, social media, TV shows, memes, movies, and, of course, fiction, like Max Barry’s “It Came From Cruden Farm.”
There isn’t a word wasted in Nino Cipri’s Finna. For a book about travelling through nightmarish labyrinths that cut and twist between worlds, it’s remarkably straightforward.
Ava works at LitenVärld, an IKEA-like giant box store where “the showrooms sat together uneasily, like habitats at a hyper-condensed zoo.” Her day begins with relatively minor inconveniences — being forced to come in on her day off, worrying about having to work with Jules, her ex as of a week ago — but these escalate significantly when a young woman reports that her elderly grandmother’s gone missing. It turns out that something about the haphazardly organized chaos of LitenVärld makes it an especially likely place for wormholes to open up between dimensions — to the point where there are corporate instructions (on VHS) on what to do when that happens. But corporations being what they are, the in-house division for wormhole-patrol was cut a decade ago as a cost-saving measure, so it falls to the two most junior members of staff — barely able to speak to each other, the wound of their breakup still raw — to venture into the other worlds themselves and retrieve the lost grandmother.
I tore through this book in knuckle-biting delight. The contrast between the wacky extra-dimensional (and often terrifying) hijinks and LitenVärld’s soul-depleting mundanity is fresh and lovely, and you’re never quite able to forget the fact that person-eating chairs and blood-drinking Hive Mothers are more enjoyable to spend time with than the grinding misery of minimum-wage work in our late capitalist modernity. But the shenanigans are not the point; they function best as a sly, winking backdrop to the deeply moving character work.
Of the Universal classic monsters — Dracula, Frankenstein, The Wolf Man, The Mummy, et al. — The Invisible Man is by far the most destructive, the most psychotic, and, not coincidentally, the most recognizably human of them all. (As played by Claude Rains, he’s also the wittiest.) When a man doesn’t have to look at himself in the mirror, he divorces himself from the moral accountability that curbs his worst instincts. Arrogance and contempt are his defining character traits, and invisibility has the effect of weaponizing them, because his scientific genius has both isolated him from other people and heightened his superiority complex.
With his ingenious updating of The Invisible Man, writer-director Leigh Whannell changes perspective from the mad scientist to the terrified victim he’s stalking, which effectively turns the film into Gaslight with a horror twist. And with an actress of Elisabeth Moss’ caliber in the lead role, the film has a psychological realism that’s unusual for the genre, with Moss playing a woman who’s withstanding a form of domestic abuse that may have a supernatural component, but feels sickeningly familiar in many respects. Invisibility has the effect of elevating a person’s worst instincts, so it follows that the manipulation and torment she experiences is just a more extreme version of common behaviors.
…As Cecelia gets pushed to the brink of madness — as much by not be believed as being stalked — Whannell gives the suspense set pieces plenty of room to breathe and take on a paranoid flavor. Moss and the camera are co-conspirators in horror: She imagines Adrian watching her silently from some empty corner of a room and the camera seems to affirm her worst fears, suggesting a presence through odd angles and pans across the space. Where another actor might look foolish swatting and wrestling thin air, Moss sells it as part of the overall choreography between an immensely powerful, destructive husband and a wife struggling to leverage control over a desperate situation.
Physicist Freeman Dyson suggests that we start looking for life on the moons of Jupiter and out past Neptune, in the Kuiper belt and the Oort cloud. He talks about what such life would be like — and how we might find it.
And Axios Future Issue #2 carried this information about
Dyson never won a Nobel Prize for his work. He never even bothered to earn a PhD.
He achieved popular renown as a gifted scientific writer, publishing his final book in 2018 at the age of 95.
A dedicated contrarian, later in his career he came under fire for doubting the danger of human-made climate change.
The bottom line: Few scientists can be said to have played as important a role in the making of our present than Dyson — and even fewer could so brilliantly envision the future.
(8) TODAY IN HISTORY.
February 29, 1952 — Tales Of Tomorrow first aired “The Children’s Room”. A secret Children’s Room at a college attracts the attention of intellectual advanced youths. A professor uncovers that his son and other children are mutants being groomed to assist an alien race in a distant part of the galaxy. It was written by Mel Goldberg by a story by Raymond F. Jones who you’ll know as the author of This Island Earth novel. It starred Claire Luce, Una O’Connor and John Boruff. You can see it here.
February 29, 2000— Episode three, “Crunchy Munchy” of The Strangerers would air. This SF comedy about two plant beings who assume human form on Earth to accomplish their mission. The series was by Rob Grant, the creator of Red Dwarf. It would last nine episodes and unsurprisingly ends on a cliffhanger as it was canceled. Jack Docherty and Mark Williams played Cadet Flynn and Cadet Niven. You can see this episode here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 29, 1920 — Arthur Franz. He played Dr. Stuart Kelston in the early Fifties Invaders from Mars. He was also Jim Barker in Flight to Mars, and, on a much lighter note, Tommy Nelson in Bud Abbott and Lou Costello Meet the Invisible Man. He’ll have six appearances on Science Fiction Theater in six roles, play a hideous monster in Monster on the Campus, and have one-offs on The Invaders, Voyage to the Bottom of The Sea, Land of The Giants, Mission: Impossible and The Six-Million Dollar Man. (Died 2006.)
Born February 29, 1928 — Joss Ackland, 92. A very long history of genre involvement starting with Ghost Ship, an early Fifties horror film. He’d soon after play Peter Quince in A Midsummer Night’s Dream, and makes a stop on The Avengers. (I’m skipping over a lot of horror he did.) he’s Sapten in Royal Flash but I’ll bet you won’t consider that genre though Kage loved that scoundrel. He shows up in Brett’s Sherlock Holmes, and he he’s in a Jekyll and Hyde film in that time period as well. I think I’ll stop with him voicing Black Rabbit in the Watership Down film…
Born February 29, 1948 — Patricia A. McKillip, 72. If I was to recommend a short list of essential readings of her, I’d start with The Riddle-Master trilogy which is absolutely amazing, toss in the Cygnet series, and add in the linked novels of Winter Rose and Solstice. (The latter has the most cool stitching circle you’ll ever encounter.) For her tasty short stories, there’s Harrowing the Dragon, Wonders of the Invisible World and Dreams of Distant Shores.
Born February 29, 1948 — Yanti Somer, 72. Finnish-born actress who appeared in a spate of French and Italian genre films in the late Seventies: Star Odyssey, Battle of the Stars, War of the Robots and Cosmos: War of the Planets. She retired from acting in the early Eighties.
Born February 29, 1952 — Tim Powers, 68. He’s won the World Fantasy Award twice for Last Call and Declare, the latter of which I think is awesome. I’m also fond of The Anubis Gates and On Stranger Tides.
Born February 29, 1952 — Albert Welling, 68. He played Adolph Hitler in the Eleventh Doctor story, “ Let’s Kill Hitler”. It’s one of the stranger stories they told for that Doctor. He had one-offs on Tales of The Unexpected and Outlander.
Born February 29, 1984 — Rakhee Thakrar, 36. She also plays the Eighth Doctor’s companion, Bliss, in Big Finish’s Doctor Who: The Time War audio dramas. Have I ever noted that what I admire about the Whoverse is how expansive the the definition of accepted storytelling is? Big Finish has done hundreds of hours of new stories, all adding to the original mythos.
Scientists have detected evidence of a colossal explosion in space – five times bigger than anything observed before.
The huge release of energy is thought to have emanated from a supermassive black hole some 390 million light years from Earth.
The eruption is said to have left a giant dent in the Ophiuchus galaxy cluster.
Researchers reported their findings in The Astrophysical Journal.
“I’ve tried to put this explosion into human terms and it’s really, really difficult,” co-author Melanie Johnston-Hollitt told BBC News.
“The best I can do is tell you that if this explosion continued to occur over the 240 million years of the outburst – which it probably didn’t, but anyway – it’d be like setting off 20 billion, billion megaton TNT explosions every thousandth of a second for the entire 240 million years. So that’s incomprehensibly big. Huge.”
The WEHO TIMES reported the statute’s return today, capturing its image in a brief moment during installation before it was covered. An official unveiling is planned for the end of March, but no date has been set.
The spinning statue depicts Bullwinkle holding his friend Rocky. It stands on the corner where Sunset Boulevard splits into Holloway Drive. The statue was removed in 2013 for restoration work.
Today, a giant crane placed the 14-foot, 700-pound statue on its pedestal. The statue dates to 1961, but the original creator is not known. The statue was restored by Ric Scozzari with funding by Twentieth Century Fox and Dreamworks, and donated by the Jay Ward family for the City of West Hollywood’s Urban Art Collection. It was last seen at the Paley Center’s Jay Ward Legacy Exhibit in 2014.
There is a rising din in the oceans – and whales are having to struggle to compete with it.
“They’re spending more time or energy trying to communicate… by essentially screaming at each other – what we would have to do at a nightclub,” explains says Mark Jessopp at University College Cork.
Dr Jessopp was recently involved in a research project to study the effects of marine seismic surveys on animals such as whales and dolphins.
He and his colleagues found a “huge decrease” in sightings of such species when the work was going on, even when accounting for other factors such as weather.
Seismic surveys are carried out by a range of organisations, including oil and gas companies, as a means of mapping what lies beneath the seafloor.
Shockwaves fired from an air gun – like a very powerful speaker – are blasted down towards the seabed. The waves bounce off features below and are detected again at the surface. The signal that returns reveals whether there is, for instance, oil locked in the rock beneath.
The process creates a tremendous racket. “It’s like an explosion,” says Lindy Weilgart at Dalhousie University in Nova Scotia. She says that there is now plenty of evidence to show that many marine animals are negatively affected by the clamour.
…And yet a technology exists that could be far less harmful. It is called marine vibroseis and is a low-energy alternative to air guns. Instead of explosive blasts, vibroseis uses smaller vibrations to transmit waves down to the seabed. It actually emits a similar amount of energy overall but spreads it over a longer period, meaning the survey has a less “shocking” impact.
The “appropriateness” of Google’s sister company’s plan for a “digital city” in Toronto has been questioned.
A panel set up to scrutinise Sidewalk Labs’s plan has asked it to explain what the benefits would be for citizens in collecting large amounts of data.
The company wants to build a sensor-laden, eco-friendly neighbourhood with all the latest technology innovations.
But it has faced opposition locally. A final decision on whether it can proceed is due next month.
Sidewalk Labs’s plans for a “city… built from the internet up” include sensors to monitor traffic, noise, weather, energy use and even rubbish collection.
But now, the Waterfront Toronto’s digital strategy advisory panel has questioned the “appropriateness and necessity” of some of its innovations and asked whether “sufficient benefits had been identified to justify the proposed collection or use of data”.
Amazon has banned more than one million products which claim to protect against the coronavirus – or even cure it.
The online retailer told Reuters it had also removed “tens of thousands” of overpriced health products from unscrupulous sellers.
The World Health Organisation (WHO) expressed concern about some misleading Amazon listings earlier this month, including fake treatments.
The virus, which causes Covid-19, has killed about 2,800 people worldwide.
The WHO said fake coronavirus claims online were causing mass confusion, and urged tech giants to combat the spread of misinformation.
A search for “coronavirus” on Amazon brought up results for face masks, disinfectant wipes and newly-published books on viral infections, revealing how some sellers are cashing in on the health crisis.
It also offered results for vitamin C boosters – a fake cure for the virus that has been widely disseminated online.
(17) VIDEO OF THE DAY. “Charles M. Schulz Interview on Peanuts (1997)” on YouTube is an interview Charles Schulz did on The Charlie Rose Show.
[Thanks to Christian Brunschen, JJ, Cat Eldridge, John King Tarpinian, Brian Z., Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, Michael Tolan, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew. Will this be the first time the title is longer than the Scroll?]
By JJ: To assist Hugo nominators, listed below are the editors of long-form works published for the first time in 2019.
These credits have been accumulated over the course of the year from dust jackets, Acknowledgments sections and copyright pages in works, as well as other sources on the internet. This year, Filer Goobergunch also collected this information, and though we had a lot of overlap, his extra entries have almost doubled the information we are able to provide you. My profound thanks go to Goobergunch for all of his hard work.
You can see the full combined spreadsheet of Editor and Artist credits here (I will be continuing to update this as I get more information).
Feel free to add missing 2019-original works and the name of their editors in the comments, and I will get them included in the main post. Self-published works may or may not be added to the list at my discretion. (Short form works will be in a different post. Please do not add them here.)
PLEASE DON’T ADD GUESSES.
If you are able to confirm credits from Acknowledgments sections, copyright pages, or by contacting authors and/or editors, then go ahead and add them in comments. If you have questions or corrections, please add those also.
Authors, Editors, and Publishers are welcome to post in comments here, or to send their lists to jjfile770 [at] gmail [dot] com.
Long Form Editors
3.3.11: Best Editor Long Form. The editor of at least four (4) novel-length works primarily devoted to science fiction and / or fantasy published in the previous calendar year that do not qualify as works under 3.3.10.
(Note that the Long Form Editors listed below may, or may not, be eligible — that is, have 4 qualifying works published in 2019. Editors whose eligibility has been confirmed are listed first.)
(1) PROZINE REJOINS THE LIVING Compelling Science
Fiction has been saved from the scrapheap of history. Editor Joe Stech explains
how it happened:
We’re back in business and will be open to submissions once again on Monday, January 13th!
After I announced in September that Compelling Science Fiction would be shutting down for good, Nick Wells of Flame Tree reached out to me and suggested we work together to keep the magazine publishing our unique brand of science fiction stories. Over the last month we came to an agreement that will allow Compelling Science Fiction to continue publishing — you may recall that my issue was one of time, and Flame Tree will take over many of the most time-consuming aspects of the magazine. My role will transition to that of editor-in-chief, and Nick will take over the publishing role. I’m very excited to work with Nick and Flame Tree, and continue to support this genre of fiction that I love.
We’ll be transitioning to a quarterly schedule, and will also be accepting submissions much more often. Authors, we need your wonderful stories, so please send them our way! And readers, thanks for entrusting us with your time. I will always treat it with respect, and do my best to provide the types of stories you come here for.
(2) MORE SFF ON JEOPARDY! David Goldfarb says “The third episode of the ‘Greatest of All Time’ Jeopardy! tourney had a number of SFF-related questions.”
Here was the $800 answer in “Prequels and Sequels”:
Edited by the author’s son Christopher & published in 1977, it’s a history of Middle-Earth before “Lord of the Rings”.
Ken Jennings readily questioned, “What is Silmarillion?”
And the $400 answer:
Set for release in 2020 is Suzanne Collins’ “The Ballad of Songbirds and Snakes”, a prequel to this series.
James Holzhauer asked, “What is The Hunger Games?”
In the “TV Green Thumb” category:
$1200: On “The Handmaid’s Tale”, this wife of Commander Waterford has some pivotal scenes in her greenhouse.
Two wrong guesses, but nobody got, “Who is Serena?”
$1600: Played by Carolyn Jones in the ’60s, she loved to cut the heads off her roses, & rejoiced when her thorns came in sharp.
Crickets. “Who is Morticia Addams?”
And the $2000 featured a picture of Jean-Luc Picard and Boothby the groundskeeper: Jean-Luc Picard once helped Boothby, played by this one-time TV Martian, to replant some flowers at Star Fleet Academy.
Ken Jennings got it: “Who is Ray Walston?”
Goldfarb concludes, “The game in the second half (each day’s game is two regular games put together) had questions about Cocteau’s ‘La Belle et Le Bête’ and Grieg’s ‘In the Hall of the Mountain King’, but I’m going to call those only genre-adjacent and not quote them.”
Then, Andrew Porter saw this go down —
Category: Book Marks
Answer: In this novel, Mark Watney says, “I didn’t die on Sol 6. Certainly the rest of the crew thought I did.”
…Video game remakes work because, in many ways, they are the antithesis of film remakes. They honor the original vision by elevating it to what it was hoping to be but unable to achieve due to the limits of technology. The best remakes (in any medium) maintain the heart and soul of their source material while simultaneously modernizing them. In that regard, games have outshone film, delivering on the promise of the original while also updating them in a way that appeals to the nostalgia of longtime fans and the discerning eye of newcomers.
(4) STREAMING SEVENTIES SFF. [Item by Rob Thornton.] Criterion Channel, a streaming service that focuses
on art films and is based on the home video distributor The Criterion
Collection, will be featuring a wide range of science fiction films from the
1970s for most of January 2020. The service’s sci-fi offerings
for the month are:
No Blade of Grass (Cornel Wilde, 1970)
A Clockwork Orange (Stanley Kubrick, 1971) [based on the
Anthony Burgess novel of the same name]
The Omega Man (Boris Sagal, 1971) [based on Richard
Matheson’s novel I Am Legend]
THX 1138 (George Lucas, 1971)
Z.P.G. (Michael Campus, 1972)**
Westworld (Michael Crichton, 1973) Soylent Green (Richard Fleischer, 1973) [based on Harry Harrison’s Make
Room, Make Room!]
Dark Star (John Carpenter, 1974)
The Terminal Man (Mike Hodges, 1974)
Rollerball (Norman Jewison, 1975),
A Boy and His Dog (L. Q. Jones, 1975) [based on the Harlan
Ellison story of the same name]
Death Race 2000 (Paul Bartel, 1975)
Shivers (David Cronenberg, 1975)
The Ultimate Warrior (Robert Clouse, 1975)
Logan’s Run (Michael Anderson, 1976)
God Told Me To (Larry Cohen, 1976)
Demon Seed (Donald Cammell, 1977)
Mad Max (George Miller, 1979)
Other genre-related SF films from the decade may already
be available on the service (Tarkovsky’s Stalker and Solaris are
definitely there) .
(6) CROWDFUNDING WISDOM. Cat Rambo tweeted the highlights from “Crowdfunding and Kickstartering with M.C.A. Hogarth.” Thread starts here.
(7) GETTING THE ROCKETS READY. CoNZealand has posted a “Hugo Awards
Video” hosted by Tammy Coxen, this year’s awards administrator.
If you’d like to know more about the Hugo Awards, check out this new video from the CoNZealand team, talking about the history of the awards and why they’re so important.
(8) TODAY IN HISTORY.
January 11, 1997 — in Japan, Barb Wire got released. Starring Pamela Anderson and a very brief outfit, it was based on a Dark Horse comic (written by John Arcudi and illustrated by a rotating group of artists), the film was made on a shoehorn budget (about the size of her outfit) of nine million but was still a box office bomb bringing in only four million. Excepting Ebert, most critics didn’t like it and the reviewers at Rotten Tomatoes are especially harsh, giving it just a 14% rating. And there’s a lot of them that don’t like it — 47, 276 so far!
January 11, 2013 — Survival Code (Borealis was its original name and it was called that in Canada), and it starred Ty Olsson, Patrick Gallagher and Michelle Harrison. It was directed by David Frazee. It won three Canadian Screen Awards at the Second Canadian Screen Awards for Best Dramatic Miniseries or Television Movie, Best Writing in a Dramatic Program or Miniseries, and Best Original Score for a Television Program. The film was created to be a series pilot for Space, but the series never happened for reasons we can’t find but Space, its distributor, aired it instead as a television film. Yes it scored well at the Canadian Screen Awards, but the reviewers at Rotten Tomatoes were less forgiving as it get just 33% there.
[Compiled by Cat Eldridge.]
Born January 11, 1906 — John Myers Myers. Ahhh, Silverlock. I read the NESFA Edition which has the Silverlock Companion in it which is very useful as you know the novel’s very meta indeed. If you don’t have this, it was reprinted separately later. Thirty years after Silverlock was published, The Moon’s Fire-Eating Daughter novella came out. Myers claims it’s a sequel to Silverlock. (Died 1988.)
Born January 11, 1923 — Jerome Bixby. His “It’s a Good Life” story became the basis for an episode of the original Twilight Zone episode under the same name, and which was included in Twilight Zone: The Movie. He also wrote four episodes for the original Star Trek series: “Mirror, Mirror”, “Day of the Dove”, “Requiem for Methuselah”, and “By Any Other Name”. With Otto Klement, he co-wrote the story upon which Fantastic Voyage series is based, and the Isaac Asimov novel was based. Bixby’s final produced or published work so far was the screenplay for The Man from Earth film. (Died 1998.)
Born January 11, 1923 — Wright King. He’s had roles in the SFF realm starting with Captain Video and His Video Rangers and including Johnny Jupiter, Twilight Zone, Out There, The Invaders, Planet Of The Apes , Invasion of the Bee Girls, Voyage to the Bottom of the Sea and Logan’s Run. (Died 2018.)
Born January 11, 1930 — Rod Taylor. First SFF role would be as Israel Hands in Long John Silver. He would follow that up with World Without End (which you probably heard of), The Time Machine, Colossus and the Amazon Queen (Taylor claims to have rewritten the script), The Birds (I really don’t like it), Gulliver’s Travels and last, and certainly least, The Warlord: Battle for the Galaxy. (Died 2015.)
Born January 11, 1937 — Felix Silla, 83. He played Cousin Itt (sic) on The Addams Family in a role invented for the show. The voice was not done by him but rather provided by sound engineer Tony Magro in post-production. He was also responsible for the physical performance of Twiki on Buck Rogers in the 25th Century though the voice was supplied by Mel Blanc or Bob Elyea. And he played an unnamed Ewok on Return of the Jedi.
Born January 11, 1961 — Jasper Fforde, 59. I read and thoroughly enjoyed every one of his Thursday Next novels with their delightfully twisted wordplay as I did his Nursery Crimes series. I thought last year when I wrote Birthday note up that I had not read his Shades of Grey books and I was right — I now know that I read the first few chapters of the first one and wasn’t impressed enough to finish it. I do know I’ve not read the Dragonslayer series though I’ve heard Good Things about them.
Born January 11, 1963 — Jason Connery, 57. Son of Sir Sean Connery. He’s best known for appearing in the third series of Robin of Sherwood, a series I loved dearly including the music which was done by Clannad which I’ve got live boots of. He also played Jondar in the “Vengeance on Varos”story on Doctor Who during the Sixth Doctor era (my least favorite Doctor). He was Ian Fleming in Spymaker: The Secret Life of Ian Fleming. And he was a young Merlin in Merlin: The Quest Begins.
Born January 11, 1971 — Tom Ward, 49. He’s Captain Latimer in the Eleventh Doctor’s Christmas Special, “The Snowmen”. And he’s Edward Goodwin in Harry Price: Ghost Hunter. His latest genre role was as Sir Robert Peel in The Frankenstein Chronicles.
Born January 11, 1972 — Amanda Peet, 48. Not a long SFF précis but an interesting one none-the-less. She first shows up voicing Maria Montez in Battle for Terra. She was then Harlee in Martian Child which is at genre adjacent. She was ASAC Dakota Whitney in The X-Files: I Want to Believe. Say did you know that Quantum Quest: A Cassini Space Odyssey was paid for in part by NASA? Way cool. She voiced Ranger in it.
(10) BRITISH INTERPLANETARY SOCIETY REMEMBERED. The London Review of Books has
linked to “Operation
Backfire” by Francis Spufford first published in 1999. This history
of the British space program mentions Arthur C. Clarke twice: first in
describing the British Interplanetary Society in 1944 and second a theological
debate Clarke had with Lewis and Tolkien in 1958.
In November 1944 a group of men met in a London pub. In this fifth year of the war, the capital was dingy, dog-eared, clapped-out, frankly grimy. Though Britain had not shaken off its usual inefficiencies at mass production, it had converted its economy to the needs of the war more completely than any other combatant nation. For five years there had been no new prams, trams, lawnmowers, streetlamps, paint or wallpaper, and it showed. All over the city things leaked, flapped, wobbled and smelt of cabbage. It was the metropole that Orwell would project forward in time as the London of 1984.
These drinkers were not the kind of people to let an unpromising present determine the shape of things to come. They were the inner circle of the British Interplanetary Society, and in 1938 they had published a plan for reaching the Moon using two modules, one to orbit, one to descend to the lunar surface. The cost of the rocket – as much as a million pounds – was far more than they could raise, but they did have enough money to make a couple of instruments for it. ‘We were in the position of someone who could not afford a car, but had enough for the speedometer and the rear-view mirror,’ Arthur C. Clarke would remember. They constructed a ‘coelostat’, a device to stabilise the image of a spinning star-field. It was made from four mirrors and the motor of Clarke’s gramophone; it worked, and was proudly displayed in the Science Museum.
(11) “FUN” IS OVER. For awhile Jon Del Arroz branded his videos
Diversity in Comics – but no more! “Why I’m Changing the
Channel Name Back to Jon Del Arroz”. Here’s the transcript of his explanation. (And
remember, YouTube talking head videos really do tend to be one endless run-on
…But for here I’ve used the name Diversity in Comics over the last I guess two three months helped grow the channel quite a bit so thank you everybody came by because you saw the name and thought it was funny and all that but there comes a time where jokes have to end and we had a funny joke for a bit there and it was great and at this point I’m seeing that there’s a couple things that are an issue with this which is one that yeah it is needlessly antagonizing some people who get really worked up about this and and while I I do enjoy triggering people who get triggered for no reason and all that there there comes a time where joke a stand and it’s it’s just not funny and it’s not funny even watching somebody lose their minds over something like this anymore so definitely don’t want that happening anymore don’t want to insult anybody who might be a comic book reader who might check out the books and things like that I definitely want that to be something uh you know to where we can have are buying comic books and and we’re coming back and changing it back to just my name and the reason we’ll go with my name instead of something fancy….
… As a Canadian writer who initially marked his territory in a future Japan, what attracted him to setting his post-Jackpot world in London? He doesn’t see it as so much of a jump. “On my first three or four visits to Japan I immediately thought that Tokyo had more in common with London than with any other city,” he says. “These disproportionately large sites of former empires, huge concentrated populations, recent wartime trauma, lots of fatalities. They’re capitals of island nations. But also cultural things: the fanatical attention paid to specific individual classes of objects. In London you could probably find a speciality shop for almost anything. And you certainly could in Tokyo. All these parallels. I’m curious that I’ve almost never seen it mentioned anywhere.”
The parents of a teenager who suffered a seizure while chatting online have thanked his friend who called emergency services from 5,000 miles away.
Aidan Jackson, 17, was talking to an American gamer from his bedroom in Widnes on 2 January when he had a fit.
His friend, 20-year-old Dia Lathora, from Texas, alerted police in the UK.
The first Aidan’s parents knew of the emergency was when police and an ambulance appeared at their front door, the Liverpool Echo reported.
Caroline and Steve Jackson then rushed upstairs to find their son “extremely disorientated”.
(16) VIDEO OF THE DAY. They intend to live happily ever
Lee Loechler recently proposed to his girlfriend, Sthuthi David, by taking her to a packed theater to see her favorite movie, Sleeping Beauty. Little did she know that Loechler had spent six months altering the animation of the film’s most iconic scene, changing the characters to look like the couple themselves and altering the storyline to set up his Big Question. And that’s only the beginning.
Watching David’s face during the scene change is sheer delight, as her confused look proves that she has no clue what is about to happen. The set-up is great, but the magical moment when Loechler’s illustrated self tosses the engagement ring to his real-life self? That’s when we all toss up our hands and say, “OKAY, man. You win at proposing. Everyone else must bow before you now.”
The whole proposal—the re-illustrations, the heart jokes (David is a cardiologist), and the bride-to-be’s surprise when she finds surrounded by her friends and family—it’s all perfection. Just watch:
[Thanks to Rob Thornton, Chip Hitchcock, Martin Morse Wooster, JJ, Mike Kennedy, Cat Eldridge, John King Tarpinian, Michael J. Walsh, Contrarius, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
CoNZealand is in the process of notifying members that nominations are now being accepted for the 2020 Hugo Awards, 1945 Retro Hugos, Lodestar Award for Best Young Adult Book, the Astounding Award for Best New Writer (formerly known as the John W. Campbell Award), and for the 1945 Retro Hugos, celebrating the genre work of 1944.
Hugo Administrator Tammy Coxen and Deputy Hugo Administrators Nicholas
Whyte and Ian Moore are emailing instructions to eligible participants. Although
members of Dublin 2019 can nominate, only members of CoNZealand will be
eligible to vote on the final ballot.
To nominate online, participants visit members.conzealand.nz, enter the email address at which they received the notification, and request a login link. After entering the members area, they click on My Memberships to access all memberships linked with that email address, then click the nominating link for their specific membership.
Voters can make as many changes to their nomination ballots as thy
want up until the deadline. A copy of their current ballot will be emailed to them
an hour after they stop making changes.
Voting with a paper ballot is also an option. CoNZealand has mailed
a copy with Progress Report 2, and the ballot form also can be downloaded in A4, or US letter sizes. The WSFS
Constitution is also available online here.
The deadline for nominations is March 13, 2020 at 11:59 p.m.
Pacific Daylight Time (2:59 a.m. Eastern Daylight Time, 06:59 Irish time, and
8:59 p.m. March 14, 2020 New Zealand time).
The adminstrators expect to announce the final ballot in early
April, and the awards will be presented at CoNZealand, to be held July 29 to
August 2, 2020.
Fans are advised to contact email@example.com
if they have difficulties accessing the online ballot(s), or have any other
questions about the Hugo process.
Right, here’s the big list of every new Audio Drama/Fiction/RPG show I found that debuted in 2019, sorted by genre. I think it contains 660 shows. It’s probably a fair chunk of data, so I’ve taken the embedded episodes out – you’ll have to look at a show itself to have a listen.
Instead, at the other end of the decade, ebook sales seem to have stabilized at around 20 percent of total book sales, with print sales making up the remaining 80 percent. “Five or 10 years ago,” says Andrew Albanese, a senior writer at trade magazine Publishers Weekly and the author of The Battle of $9.99, “you would have thought those numbers would have been reversed.”
And in part, Albanese tells Vox in a phone interview, that’s because the digital natives of Gen Z and the millennial generation have very little interest in buying ebooks. “They’re glued to their phones, they love social media, but when it comes to reading a book, they want John Green in print,” he says. The people who are actually buying ebooks? Mostly boomers. “Older readers are glued to their e-readers,” says Albanese. “They don’t have to go to the bookstore. They can make the font bigger. It’s convenient.”
Ebooks aren’t only selling less than everyone predicted they would at the beginning of the decade. They also cost more than everyone predicted they would — and consistently, they cost more than their print equivalents. On Amazon as I’m writing this, a copy of Sally Rooney’s Normal People costs $12.99 as an ebook, but only $11.48 as a hardcover. And increasingly, such disparities aren’t an exception. They’re the rule.
(4) TOP SFF BY POC FROM 2018. Rocket Stack Rank catches
up with its annual “Outstanding SF/F by People of Color 2018”, with 65 stories that were that were finalists
for major SF/F awards, included in “year’s best” SF/F anthologies, or
recommended by prolific reviewers in short fiction.
Eric Wong says, “Included are some observations obtained from pivoting
the table by publication, author, awards, year’s best anthologies, and
As for RSR, we recommended 16 stories (4 award worthy), were neutral on 14 stories, and recommended against 6 stories (view by RSR rating).
(5) HEAD OF THE CLASS. The Oxford Mail, while spotlighting a photo gallery about the famed sff author, typoed his name in the headline. And you thought that kind of thing only happens at a certain well-known news blog…
The scene, which Disney cut to preserve a PG-13 rating in the conservative nation, was the first overt appearance of gay characters in the “Star Wars” franchise.
A brief kiss between two female characters was removed from screenings of “Star Wars: The Rise of Skywalker” in Singapore, a country with restrictive laws against gay people.
Though lasting just a few seconds and hardly a major plot point, the kiss between two minor characters was notable as the first overt appearance of gay characters in a “Star Wars” film. Disney cut the kiss to preserve the film’s PG-13 rating in Singapore, according to reports.
Apparently the people who made this infernal movie are having to digitally retouch it as it’s in theaters, due to some last-minute suggestions, like that Judi Dench’s character Old Deuteronomy (unquestionably a cat) should not suddenly, for a single shot, have a human hand with a wedding ring on it.
Martin Scorsese‘s daughter is poking fun at the filmmaker following his comments about the Marvel franchise.
On Christmas Eve, Francesca Scorsese showed off the many gifts she got for her dad, which she hilariously wrapped in Marvel wrapping paper.
“Look what I’m wrapping my dad’s xmas gifts in,” Francesca wrote over the Instagram Story photo of the presents, which are adorned with comic book images of The Hulk, Captain America and many other super heroes.
Francesca’s timely joke comes a month after Scorsese, 77, made headlines for saying Marvel films are “not cinema.”
(10) TODAY IN HISTORY.
December 26, 1954 — The very last episode of The Shadow radio serial aired. It was the program’s 665th installment and the episode was “Murder by the Sea” with Bret Morrison as The Shadow (Lamont Cranston) and Gertrude Warner as Margot Lane. This is the final episode of The Shadow to be aired on the Mutual Broadcasting System.
December 26, 1959 — In Japan, Battle In Outer Space premiered. It was produced by Toho Studios, best known for Godzilla. Directed by Ishiro Honda and featuring the special effects of Eiji Tsuburaya, the film had a cast of Ryo Ikebe, Koreya Senda and Yoshio Tsuchiya. It was released in the Stateside in an English-dubbed version by Columbia Pictures a year later where it was a double feature with 12 to the Moon. Reception in the States as usual praised the special effects and panned the acting. Rotten Tomatoes reviewers currently deciedly don’t like it giving a 37% rating.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 26, 1791 — Charles Babbage. Y’ll likely best know him as creator of the Babbage Machine which shows up in Perdido Street Station, The Peshawar Lancers, The Thrilling Adventures of Lovelace and Babbage webcomic, and there’s “Georgia on My Mind“ a novelette by Charles Sheffield which involves a search for a lost Babbage device. The latter won both a Nebula and a Hugo Award for Best Novelette. (Died 1871.)
Born December 26, 1903 — Elisha Cook Jr. On the Trek side, he shows up as playing lawyer Samuel T. Cogley in the “Court Martial” episode. Elsewhere he had long association with the genre starting with Voodoo Island and including House on a Haunted Hill, Rosemary’s Baby, Wild Wild West, The Night Stalker and Twilight Zone. (Died 1995.)
Born December 26, 1926 — Mark R. Hillegas. ESF claims that he was one of the first to teach a University level course in SFF which he did at Colgate in 1961. The Future as Nightmare: H G Wells and the Anti-Utopians and Shadows of Imagination: The Fantasies of C S Lewis, J R R Tolkien and Charles Williams are his two works in the field. The former is listed in Barron’s Anatomy of Wonder as part of a core collection of genre non-fiction. SFRA awarded the Pilgrim Award. (Died 2000.)
Born December 26, 1929 — Kathleen Crowley. She retired from acting at forty so she has a brief career. She appeared in only a limited number of genre roles, one being as Nora King in in early Fifties Target Earth, and Dolores Carter in Curse of The Undead, a Western horror film. She also played Sophia Starr twice on Batman. (Died 2017.)
Born December 26, 1951 — Priscilla Olson, 68. She and her husband have been involved with NESFA Press’s efforts to put neglected SF writers back into print and has edited myriad writers such by Chad Oliver and Charles Harness, plus better-known ones like Jane Yolen. She’s chaired a number of Boskones.
Born December 26, 1953 — Clayton Emery, 66. Somewhere there’s a bookstore with nothing but the novels and collections that exist within a given franchise. This author has novels in the Forgotten Realms, Magic: The Gathering and Runesworld franchise, plus several genre works including surprisingly Tales of Robin Hood on Baen Books. Must not be your granddaddy’s Hood.
Born December 26, 1960 — Temuera Morrison, 59. Ahhhh clones. In Attack of the Clones, he plays Jango Fett. In Revenge of the Sith, he came back in the guise of Commander Cody. See no spoilers?
Born December 26, 1961 — Tahnee Welch, 58. Yes the daughter of that actress. She’s in both Cocoon films as well in Sleeping Beauty which was filmed in the same time. Black Light in which she’s the lead might qualify as genre in the way some horror does.
Born December 26, 1970 — Danielle Cormack, 49. If it’s fantasy and it was produced in New Zealand, she’s might have been in it. She was in Xena and Hercules as Ephiny on recurring role, Hercules again as Lady Marie DeValle, Jack of All Trades, one of Kage Baker’s favorite series because, well, Bruce was the lead, as she was Raina in recurring role, Samsara on Xena in amother one-off and Margaret Sparrow in Perfect Creature, an alternate universe horror film.
Riley Howell, 21, was praised as a hero by police officials, who said “his sacrifice saved lives.” Howell charged and tackled the gunman who opened fire in a classroom on campus in April. Police said his actions stopped the gunman from shooting more people. Ellis Parlier, 19, was also killed in the attack, and four other students were wounded.
Howell, who was a Star Wars fan, is now being honored by Lucasfilm with an entry in Star Wars: The Rise of Skywalker — The Visual Dictionary, which was published this month.
According to The Charlotte Observer, the newly released book named a character after him: “Jedi Master and historian Ri-Lee Howell,” who is credited with collecting “many of the earliest accounts of exploration and codifications of The Force.” Jedi Master Howell also has an entry on Wookieepedia, the Star Wars wiki.
… “The Rise of Skywalker,” released last week, is a muddled and aimless homage to previous films in the series. Its countless callbacks to the older films feel like an effort to “make ‘Star Wars’ great again,” though it does manage to deliver a few liberal-sounding messages. Call it the Joe Biden of “Star Wars” movies.
To continue the analogy, you might say that “The Last Jedi,” “The Force Awakens,” and “Rogue One” are in the Barack Obama tradition. They gave fans truly diverse casts and grappled in a relatively nuanced way with the class and race conflicts that have hovered at the margins of every “Star Wars” story.
They also made fans of the early movies livid. Some used social media to demand that Disney stop with the politically correct storytelling, while others launched racist attacks on the Vietnamese-American actress Kelly Tran, who plays the engineer Rose Tico in two of the films….
…The secret, Mathew believes, is to separate the brain and the spinal column in one piece that will be introduced into a new body. This cuts out, so to speak, what Mathew considers the most daunting obstacle. If you never have to sever the spinal cord at all, you don’t have to solve any of the thorny problems created by all of the different proposed solutions before now.
There’s an inherent downside to Mathew’s idea, even if it were to become feasible in the next 10 years. If a surgery can only successfully be performed on people with intact spinal columns, that rules out one of the major suggested goals of such a transplant, which is to restore mobility to people with disabling spinal injuries who are trying to reverse them….
Q: The book also confirms long-standing speculation that “Return of the Jedi” director Richard Marquand struggled to command the set, leading Lucas to direct much of the film “by proxy.” Why did you want to share your perspective on that situation?
A: Because there has been so much speculation over the years. I am giving my point of view, and hopefully not in an over-elaborated way. Marquand was an unfortunate experience because, really, he should have had the courage to leave the set. It was an uncomfortable situation. He was a man who was clearly out of his depth with responsibility for other people. I didn’t put this in the book, but I remember hearing Harrison Ford was reportedly amazed, and in fact rather angry, to hear that Marquand claimed to have helped him with his performance of Han Solo, and that’s just ridiculous.
… This is kind of a big deal when humans have known about the brain’s tendency to break down after death for so long that even the ancient Egyptians knew it had to go during the mummification process. There was no point in trying to preserve it like some other organs (never mind that the heart was believed to be the epicenter of thinking back then). It seems that an organ that can’t be mummified would never stay intact long enough to fossilize, but what appeared to be a stain on the Alalcomenaeus fossil that was recently dug up was found to be its brain.
…An Alalcomenaeus brain doesn’t exactly look like a human brain. It really has no resemblance to a human brain at all, but is more of a central nervous system that mirrors those of many extant arthropods, with an elongated brain structure that runs from its head to its upper back. Neural tissue connects to the creature’s four eyes and four pairs of segmented nerves. More nerves from the brain extend all the way down its back.
(24) MUSIC OF THE SPHERES. Since the Scroll took yesterday
off there wasn’t a chance to share this clever bit, the “Star Wars Epic Christmas Medley |
Carol of The Bells & Imperial March.”
[Thanks to Olav Rokne, JJ, Cat Eldridge, Martin Morse Wooster, Eric
Wong, Chip Hitchcock, Andrew Porter, Contrarius, John King Tarpinian, StephenfromOttawa,
Bill, Steve Davidson, and Mike Kennedy for some of these stories. Title credit
goes to File 770 contributing editor of the day Anna Nimmhaus.]