By JJ: It’s that time of year again! Even though the number of books published this year – and thus the number of eligible series – is down due to the pandemic, there are still plenty of great series for you to consider… and probably more opportunity than usual for you to get caught up on them.
To assist Hugo nominators, listed below are the series believed to be eligible as of this writing for the 2022 Best Series Hugo next year *†.
Each series name is followed by the main author name(s) and the 2021-published work(s).
Feel free to add missing series and the name of the 2021-eligible work in the comments, and I will get them included in the main post when I’ve verified their eligibility.
Note that previous Hugo Administrators ruled that nominations for a series and one of its subseries will not be combined. Therefore, when nominating a subseries work, think carefully under which series name it should be nominated. If the subseries does not yet meet the 3-volume, 240,000 word count threshold, then the main series name should be nominated. If the subseries does meet that threshold, then the subseries name should probably be nominated. This will ensure that another subseries in the same universe, or the main series itself, would still be eligible next year if this subseries is a finalist this year.
We are currently working with an outside vendor to potentially offer onsite testing to attendees for a fee of $25 – $40 collected directly by the provider….
(2) SHATNER Q&A. In the Washington Post, Michael Cavna has a chat with Shat, because William Shatner is going to be a guest at Awesome Con (the Washington, D.C. media con) this weekend. Shatner shares news on his latest projects, including his new album Bill and spending five days with StoryFile “for interactive conversational-video technology” so fans can ask questions of the William Shatner hologram! “William Shatner, at 90, keeps seeking that next personal frontier”.
…Shatner, a veteran performer of spoken-word tunes, has an album due out next month simply called “Bill.” Some of the songs are inspired by events in his life, and his collaborators included They Might Be Giants songwriter-musician Dan Miller.
He also enjoyed teaming with the L.A.-based company StoryFile to spend five days recording answers for interactive conversational-video technology. He was filmed with 3-D cameras so his words can be delivered via hologram.
The idea, he says, is that people will be able to push a button and ask questions of a virtual celebrity — like “asking Grandpa questions at his gravestone,” but with technologically advanced replies.
And now Straczynski has issued an update on the situation, revealing that contact has been made with the BBC about the soon-to-be vacancy for Doctor Who showrunner.
Replying to a fan who asked what the situation was on Twitter, he wrote, “Contact with the BBC has been made. They’re going through their own process, which began before my tweet, and that has to run its course, but if those don’t pan out and there’s a discussion to be had, they will reach out.”…
(4) OUT OF JEOPARDY! Meanwhile, Jeopardy! jettisoned Mike Richards as the replacement host after some troubling quotes from his old podcast were publicized. The Hollywood Reporter has the story: “Mike Richards Out as ‘Jeopardy!’ Host After Podcast Comments”. Whether this reopens LeVar Burton’s candidacy remains to be seen.
…Sony released the following statement which confirmed that Richards will continue on as the show’s executive producer, if not as Alex Trebek’s successor: “We support Mike’s decision to step down as host. We were surprised this week to learn of Mike’s 2013/2014 podcast and the offensive language he used in the past. We have spoken with him about our concerns and our expectations moving forward. Mike has been with us for the last two years and has led the Jeopardy! team through the most challenging time the show has ever experienced. It is our hope that as EP he will continue to do so with professionalism and respect.”
Sony also confirmed the episodes Richards shot on Thursday will still air during the upcoming season as scheduled, followed by a rotation of guest hosts until a new permanent host is selected….
(5) MAGAZINE DEBUTS. The first issue of Witch House, a new magazine of cosmic and gothic horror, is now available.
Witch House Issue 1 is now available. You can download it here. This issue includes several great stories and poems. Thanks to Chase Folmar (Associate Editor), Luke E. Dodd (Associate Editor), and all our great contributors for helping us release this issue. We hope you enjoy it!
(6) SCHASCARYZADE. Netflix dropped a trailer for Nightbooks, with Krysten Ritter.
Scary story fan Alex must tell a spine-tingling tale every night — or stay trapped with his new friend in a wicked witch’s magical apartment forever.
An author as distinctive as Science Fiction Hall of Fame member Octavia E. Butler(Kindred, The Parable of the Sower) deserves an equally distinctive biography—which is exactly why Ibi Zoboi’s Star Child: A Biographical Constellation of Octavia Estelle Butler is so exciting. Described as “a poignant biography in verse and prose,” the book, which is aimed at middle-grade readers but is truly universal, explores Butler’s childhood and how it informed her award-winning, influentialliterary career.
Zoboi—a National Book Award finalist for her YA novel American Street—actually studied with Butler at the Clarion Science Fiction and Fantasy Writers’ Workshop before Butler passed away in 2006. Star Child showcases Butler’s “own words and photos of documents from her childhood,” bolstered by Zoboi’s research on Butler’s papers at Los Angeles’ Huntington Library.
(8) LISTEN IN. Stephen Graham Jones, who’s already won several awards this year, will do an author talk about his bookMy Heart is a Chainsawon August 31 at 7:00 p.m. Mountain time. Free livestream, register here.
… Murphy started writing The Worst Witch while still at school, completing her first manuscript at the age of 18. Her mother once commented that Murphy and her two friends looked like witches in their dark school uniforms, which gave the author the idea for her first book.
Murphy initially struggled to publish her first novel, as many publishers at the time worried that children would find the book about witches too frightening. But the tale of clumsy young witch Mildred Hubble and her adventures at Miss Cackle’s Academy stole the hearts of generations of children, selling more than 3m copies and becoming one of the most successful Young Puffin titles.
Murphy’s books went on to win many major awards, including the Smarties prize for The Last Noo-Noo. Peace at Last and All in One Piece were both commended for the Kate Greenaway Medal. She was also an honorary fellow of Falmouth University….
(10) MEMORY LANE.
1974 – Forty seven years ago at Discon II where andrew j. offutt was Toastmaster, Arthur C. Clarke won the Hugo for Best Novel for Rendezvous with Rama. Other nominated works that year were Robert A. Heinlein’s Time Enough for Love, Larry Niven’s Protector, Poul Anderson‘s The People of the Wind and David Gerrold‘s The Man Who Folded Himself. It was a popular choice as it would also win a BSFA, John W. Campbell Memorial Award, a Locus Best Novel Award and a Nebula Award.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 20, 1883 — Austin Tappan Wright. Did you know that Islandia wasn’t published when he was alive? His widow edited his fifteen hundred page manuscript for publication, and following her own death in 1937 their daughter Sylvia further edited and cut the text yet more; the resulting novel, shorn of Wright’s appendices, was published in 1942, along with a pamphlet by Basil Davenport, An introduction to Islandia; its history, customs, laws, language, and geography, based on the original supplementary material. Is there a full, unedited version? (Died 1931.)
Born August 20, 1932 — Anthony Ainley. He was the fourth actor to play the role of the Master, and the first actor to portray the Master as a recurring role since the death of Roger Delgado in 1973. He appeared in eleven stories with the Fourth through Seventh Doctors. It is noted that enjoyed the role so much that sources note he even stayed in character when not portraying The Master by using both the voice and laugh in social situations. (Died 2004.)
Born August 20, 1943 — Sylvester McCoy, 78. The Seventh Doctor and the last canon Doctor until the modern era of the official BBC Doctors when they revised canon. He also played Radagast in Peter Jackson’s Hobbit films, he’s The Old Man of Hoy in Sense8 and he voices Aezethril the Wizard in the “Endgame” episode of Thunderbirds Are Go.
Born August 20, 1951 — Greg Bear, 70. Blood Music which won a Nebula Award, and a Hugo Award at L.A. Con II in its original novelette form is a amazing read. His novels Moving Mars and Darwin’s Radio are also Nebula winners, and he has other short fiction award winners. I’m also very fond of the Songs of Earth and Power duology, The Infinity Concerto and The Serpent Mage, and found his Queen of Angels a fascinating mystery. He’s deeply stocked at the usual suspects.
Born August 20, 1961 — Greg Egan, 60. Australian writer who does exist though he does his damnedest to avoid a digital footprint. His excellent Permutation City won the John W. Campbell Memorial Award and “Oceanic” garnered a Best Novella Hugo at Ausiecon Three. And he’s won a lot of Ditmar Awards.
Born August 20, 1962 — Sophie Aldred, 59. She’s Ace, the Seventh Doctor’s Companion. (By the way Doctor Who Magazine: Costume Design: Dressing the Doctor from William Hartnell to Jodie Whittaker is a brilliant read and has a nice look at her costuming.) She’s reprised the role in the Big Finish audio adventures, and she’s recently written Doctor Who: At Childhood’s End where Ace meets the Thirteenth Doctor.
Born August 20, 1963 — Justina Vail Evans, 58. Olga Vukavitch in Seven Days, a series I thought was extremely well-crafted. She shows up in other genre undertakings such as Super Force, Conan, Journey to The Center of The Earth, The Adventures of Superboy, The X-Files, Carnosaur 3: Primal Species, Conan and Highlander: The Series.
(12) COMICS SECTION.
The Onion is dead on about the intersection between climate change and space travel! But didn’t someone already write Garbage Planet?
The Oatmeal did this comic to commemorate Gene Roddenberry’s 100th birthday yesterday.
Roddenberry Entertainment has been working quietly on a feature biopic of the sci-fi TV icon, and there is a script by Adam Mazer, whose credits include the Emmy-winning script for the 2010 HBO movie You Don’t Know Jack which starred Al Pacino as Dr. Jack Kevorkian.
Producers include Star Trek caretakers Rod Roddenberry and Trevor Roth, who executive produce all current franchise series including Star Trek: Discovery and Star Trek: Picard. Next up the development will be finding a director and actors.
… There’s no shortage of subject matter surrounding Roddenberry, the fighter pilot-turned-LAPD cop-turned-TV writer who survived two plane crashes and the rough waters of Hollywood to create Star Trek, one of the world’s most enduring sci-fi franchises, with the original 1966-69 TV series eventually spawning spinoffs, movies, books and a legion of hard-core fans.
(14) THE THREE BLAHS OF ROBOTICS. [Item by Michael Kennedy.] Not satisfied with developing cars that can drive themselves (HINT: not there yet), Elon Musk is now saying he intends to develop humanoid robots to do dangerous and boring tasks. So far he seems to have this mission statement, a slide deck, plus someone dressed in a skintight suit and wearing a helmet. “Tesla Bot: Elon Musk Unveils Humanoid Robot to do ‘Boring’ work” at Bloomberg.
… The Tesla Bot, a prototype of which should be available next year, is designed to eliminate “dangerous, repetitive and boring tasks,” like bending over to pick something up, or go to the store for groceries, Musk said. “Essentially, in the future, physical work will be a choice.”…
(15) THE CLOCK IS RUNNING. Filers might find today’s New Yorker“Name Drop” puzzle of interest.
Emmet Asher-Perrin’s worthy obit for Steve Perrin mentions such Perrin-related projects as Stormbringer, Call of Cthulhu, Thieves’ World, Elfquest, Robot Warriors, and (of course!) Superworld. One fascinating Perrin work that often goes unmentioned, probably due to the fact that it has become a comparatively obscure work, is 1982’s groundbreaking Worlds of Wonder. You may not have encountered it, but odds are that you’ve seen and played later games that it inspired or influenced.
The 9½ x 12 x 1 inch box for this game contained four 16-page booklets: Basic Role-Playing, Magic World, Superworld, and Future World. Assisting Steve Perrin were Steve Henderson, Gordon Monson, Greg Stafford, Lynn Willis and others. Roleplaying game design tends to be a team effort….
(17) IT IS THE END, MY FRIEND. This week’s PBS Space Time looks at the end of everything, including beyond File 770… The universe is going to end. But of all the possible ends of the universe vacuum decay would have to be the most thorough – because it could totally rewrite the laws of physics. How terrified should you be….?
On all three nights, the Moon will be tangled together with the planets Jupiter and Saturn. Very close to Saturn on Friday night, right amidst both brilliant Jupiter and less-bright Saturn on Saturday, and forming a line with them when it’s full on Sunday. Read about super-bright Jupiter which is at its best right now….
….This is evidenced by a variety of measures of religious engagement. For example, U.S. Christians are far less likely than religiously unaffiliated Americans to say that their “best guess” is that intelligent life exists on other planets (57% vs. 80%). And U.S. adults who attend religious services on at least a weekly basis are considerably less likely than those who seldom or never attend services to say that intelligent life exists elsewhere (44% vs. 75%).
Similarly, around half of Americans who say religion is very important to them (49%) say their best guess is that intelligent life exists on other planets. By comparison, roughly three-quarters of those who say that religion is less important in their lives (76%) say that intelligent life exists elsewhere. …
…By way of example, he talked about dogs he has worked with for the U.S. Marine Corps, compared with dogs he has worked with for Canine Companions for Independence in California. The Marines needed dogs in places like Afghanistan to help sniff out incendiary devices, while the companions agency needed dogs that were good at helping people with disabilities.
Just looking at both types of purpose-bred dogs, most people would think they’re the same — to the naked eye, they all look like Labrador retrievers, and on paper, they would all be considered Labrador retrievers. But behaviorally and cognitively, because of their breeding for specific program purposes, Hare said, they were different in many ways.
Hare devised a test that could tell them apart in two or three minutes. It’s a test that’s intentionally impossible for the dog to solve — what Star Trek fans would recognize as the Kobayashi Maru. In Hare’s version, the dog was at first able to get a reward from inside a container whose lid was loosely secured and easy to dislodge; then, the reward was placed inside the same container with the lid locked and unable to be opened. Just as Starfleet was trying to figure out what a captain’s character would lead him to do in a no-win situation, Hare’s team was watching whether the dog kept trying to solve the test indefinitely, or looked to a human for help.
“What we found is that the dogs that ask for help are fantastic at the assistance-dog training, and the dogs that persevere and try to solve the problem no matter what are ideal for the detector training,” Hare said. “It’s not testing to see which dog is smart or dumb. What we’ve been able to show is that some of these measures tell you what jobs these dogs would be good at.”…
Rare tetraquark could help physicists to test theories about strong nuclear force.
The Large Hadron Collider (LHC) is also a big hadron discoverer. The atom smasher near Geneva, Switzerland, is famous for demonstrating the existence of the Higgs boson in 2012, a discovery that slotted into place the final keystone of the current classification of elementary particles. But the LHC has also netted dozens of the non-elementary particles called hadrons — those that, like protons and neutrons, are made of quarks.
The latest hadron made its debut at the virtual meeting of the European Physical Society on 29 July, when particle physicist Ivan Polyakov at Syracuse University in New York unveiled a previously unknown exotic hadron made of four quarks. This brought the LHC’s hadron bounty up to 62, according to a tally kept by Patrick Koppenburg, a particle physicist. Tetraquarks are extremely unusual: most known hadrons are made up of either two or three quarks. The first tetraquark was spotted at the High Energy Accelerator Research Organization (KEK) in Tsukuba, Japan, in 2003, and LHCb has seen several more. But the new one is an oddity. Previous tetraquarks were likely to be pairs of ordinary quark doublets attached to each other like atoms in a molecule, but theoretical physicist Marek Karliner thinks that the latest one could be a genuine, tightly bound quadruplet. “It’s the first of its kind,” says Karliner, who is at Tel Aviv University in Israel and helped to predict the existence of a particle with the same properties as Tcc in 2017.
(22) REFERENCE DIRECTOR. Today’s Scroll title was inspired by this Firefly clip. Which doesn’t mean we’re going to start explaining the titles, it is just a good excuse to include a moment from the series.
(23) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In the spoiler-filled “Honest Trailers: The Suicide Squad” on YouTube, the Screen Junkies say the one thing that every character in the film has “traumatic parent issues,” that director James Gunn replaced the overlong character introductions in Suicide Squad with no introductions at all, and Viola Davis has “way too much talent and elegance to be in a film with Pete Davidson in it.”
[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Cora Buhlert, John A Arkansawyer, James Davis Nicoll, David K.M. Klaus, SF Concatenation’s Jonathan Cowie, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day JJ.]
The Otherwise Auction supports the Otherwise Award, and it’s always a good time — famed Otherwise auctioneer Sumana Harihareswara will be reprising her role. As Otherwise Award Motherboard member Pat Murphy says:
“Last year, Sumana’s online auction was amazing, compelling, and impossible to describe. I’m a science fiction writer; I should be able to describe just about anything. But somehow Sumana managed to auction off things that didn’t actually exist but were (despite that) real. It was one of those “you had to be there” events — even though none of us were actually there.
“This year Sumana promises that there will actually be some physical things that people can buy and possess — along with a custom crossword puzzle with Otherwise-related clues. Just a few tangible objects and a lot of intangible fun — which seems appropriate as we slowly ease back into the physical world.”
Unlike last year, we’ll be using actual money for this auction. (If you have no idea what we’re talking about, ignore this whole paragraph! You never saw us, we were never here.)
The auction will start at 7pm Central on Saturday night (5/29), and will end when Sumana says it’s over. We’re really excited to have a chance to support the Otherwise Award, even without an in-person convention this year, and to have fun doing it!
(2) FROM SOAP TO SPACE. Rich Horton calls back to his 2014 anthology by that name in “Space Opera: Then and Now” at Strange at Ecbatan.
The term space opera was coined by the late great writer/fan Wilson (Bob) Tucker in 1941, and at first was strictly pejorative. Tucker used the term, analogous to radio soap operas, for “hacky, grinding, stinking, outworn, spaceship yarn[s].” The term remained largely pejorative until at least the 1970s. Even so, much work that would now be called space opera was written and widely admired in that period . . . most obviously, perhaps, the work of writers like Edmond Hamilton and, of course, E. E. “Doc” Smith. To be sure, even as people admired Hamilton and Smith, they tended to do so with a bit of disparagement: these were perhaps fun, but they weren’t “serious.” They were classic examples of guilty pleasures. That said, stories by the likes of Poul Anderson, James Schmitz, James Blish, Jack Vance, and Cordwainer Smith, among others, also fit the parameters of space opera and yet received wide praise.
It may have been Brian Aldiss who began the rehabilitation of the term with a series of anthologies in the mid 1970s: Space Opera (1974), Space Odysseys (1974), and Galactic Empires (two volumes, 1976). Aldiss, whose literary credentials were beyond reproach, celebrated pure quill space opera as “the good old stuff,” even resurrecting all but forgotten stories like Alfred Coppel’s “The Rebel of Valkyr,” complete with barbarians transporting horses in spaceship holds.
(3) IZUMI SUZUKI. Lex Berman interviews Daniel Joseph about Terminal Boredom, the first anthology of Izumi Suzuki’s science fiction to appear in English for the Diamond Bay Radio podcast.
The author, Izumi Suzuki, who committed suicide in 1986, wrote science fiction to project her own experience of the drug-fueled Japanese counter-culture into fantastic realms and situations.
Is it nihilism? Is it true love? Is it an altered consciousness critique of the mundane world? Yeah.
“‘How long are you planning on staying on this planet?’ asks CHAIR after about half an hour has passed. ‘I want to stay here forever.’ ‘Everyone says that, dear. But you can’t, can you? You have to live your life. You have to cook, clean, look after the kids when they’re sick. You have to go out to work.’ ‘Why do I have to keep on living that life?’ ‘Well, I’m not sure why.’ Her voice strikes a gentler chord, all of a sudden. And I repeat that phrase in my head. ‘I’m not sure why.’ I fluff my pillow, turn off the lights, and chant a spell. Sleep, sleep. Make the world disappear…”
Victoria Aveyard’s dystopian fantasy debut, Red Queen, launched a hit series and landed on bestseller lists in its first week of publication. Aveyard is hoping for a repeat performance with Realm Breaker, a YA high fantasy that marks the start of a trilogy….
Was it challenging to incorporate adult perspectives into a YA story?
The key is—and I think this is the hallmark of the YA genre—that all of your characters are figuring out who they are. While that is usually something that happens when you’re a young adult, that isn’t always the case. You have adults who discover who they are much later in life—in the case of some of these characters, hundreds and hundreds of years in. They are, compared to some people, kind of young adults themselves. So that was a fun dichotomy to play with—that trope of the all-knowing immortal who’s actually kind of a dummy when it comes to the real world…
…“I began writing about power,” Butler once said, “because I had so little.” Hannah Arendt’s distinction between power and violence—the first a tacit cooperation or compact, the second mere force—makes no sense in the world of Kindred, nor in most of Butler’s worlds: Consent, political, legal, or sexual, is at best contingent and suspect, at worst nonsensical. We did not, could not, consent to our own existence beforehand: We are born into the country that we get—for 330 million of us, the United States—not a country we chose in advance. It is a country founded on anti-Blackness, on white supremacy, on what that very un-American thinker Michel Foucault called biopower, the use of knowledge and law and information not to create free or equal individuals but as a channel for force….
…“I was expecting a fragmented, bizarre, incomplete work,” Professor Jones said.
Instead he found a coherent, completed 233-page manuscript. “It’s a potboiler, but it’s also the caldron of central themes we see throughout Steinbeck’s later work,” he said. For this reason, he believes it’s worth sharing with the public.
His campaign prompted a firm email statement from Steinbeck’s agents this week.
“Steinbeck wrote ‘Murder at Full Moon’under a pseudonym, and once he became an established author, he did not choose to seek publication of this work,” a representative of the New York-based agency, McIntosh & Otis, wrote. “There are several other works written by Steinbeck that have been posthumously published, with his directions and the careful consideration of the Estate. As longtime agents for Steinbeck and the Estate, we do not exploit works that the author did not wish to be published.”
The pseudonym Steinbeck chose was Peter Pym. Professor Jones said the use of the name did not mean Steinbeck had not wanted the book to see the light of day. The author did not get rid of the manuscript, something he had done with other unpublished works, the professor noted.
“He didn’t destroy ‘Murder at Full Moon,’” he said.
Steinbeck wrote the story in nine days, according to William Souder, who wrote the biography “Mad at the World: A Life of John Steinbeck.”
The writer was 28 in 1930, living in a cottage in Pacific Grove, near Monterey, Calif., hoping for his big break. The year before, he had published his first book, “Cup of Gold,” a swashbuckling pirate adventure set in the Caribbean in the 1600s. Though it received better than expected reviews, it was already out of print, Mr. Souder said.
Steinbeck had written more serious books but had not had any luck selling them.He told a friend that all he needed was another 10 or so rejections to become convinced that he should give up on writing….
… These have been organized by date first awarded, from most recent on, since many of these prizes have been around for decades and I wanted to show some love to the new folks on the scene.
Before we dive in, may I also present: Jenn’s Theory Of Why To Care About Awards. Let’s start with a given: all awards, no matter their voting system, are inherently subjective and biased. Whether it’s decided by a public popularity contest, a committee, or a single judge, literary merit is in the eye of the beholder. A book that has won science fiction or fantasy awards isn’t guaranteed to be great (for you) and a book that hasn’t won an award isn’t guaranteed to be a dud (for you). To quote S.R. Ranganathan: “Every book its reader.” So why should we care?…
By the time Northington finishes all the caveats, you may be talked out of reading the list.
(8) MEDIA ANNIVERSARY.
May 27, 1996 — On this date in 1996, Doctor Who premiered on BBC. The film involving the Eighth Doctor played by Paul McGann that is. Short of The War Doctor as portrayed by John Hurt, he would have the briefest tenure of any Doctor from a video representation viewpoint having just the film and a short video later on. (He has done some seventy Big Finish audio stories to date.) The film was directed by Geoffrey Sax off the screenplay by Matthew Jacobs. The remaining cast of importance was Daphne Ashbrook as the Companion to the Doctor, Dr. Grace Holloway, and Eric Roberts as The Master. Critics, American and British alike, were decidedly mixed on their reactions, and the audience reviewers at Rotten Tomatoes are equally divided and give it exactly a fifty percent rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 27, 1894 — Dashiell Hammett. He’s widely regarded as one of the finest mystery writers of all time, but ISFDB says that he was also the editor of three genre anthologies, Creeps by Night: Chills and Thrills, The Red Brain and Other Creepy Thrillers and Breakdown and Other Thrillers with writers such as Frank Bellnap Long and H.P. Lovecraft, it certainly looks that way. ISFDB also says one Continental Op story, “The Farewell Murder,” is at genre adj. (Died 1962.) (CE)
Born May 27, 1911 — Vincent Price. Ok, what’s popping into my head is him on The Muppets in “The House of Horrors“ sketch they did in which he and Kermit sport impressive fangs which you can see here. If I had to single out his best work, it’d be in such films as House on Haunted Hill, House of Usher and The Pit and the Pendulum. Yes, I know the latter two are Roger Corman productions. He also did a lot of series work including being Egghead on Batman, appearing in the Fifties Science Fiction Theater, having a recurring role as Jason Winters on the Time Express and so forth. (Died 1993.) (CE)
Born May 27, 1918 — Robert C. Stanley. He was one of the most two prolific paperback book cover artists used by the Dell Publishing Company for whom he worked from 1950 to 1959. Among the covers he did was Edgar Rice Burroughs’ Tarzan and the Lost Empire, Anthony Boucher’s Rocket to the Morgue and Olaf Stapledon’s Odd John. (Died 1996.) (CE)
Born May 27, 1922 — Christopher Lee. He first became famous for his role as Count Dracula in a series of Hammer Horror films. His other film roles include The Creature in The Curse of Frankenstein, Sherlock Holmes in Sherlock Holmes and the Deadly Necklace, Kharis the Mummy in The Mummy, Francisco Scaramanga in The Man with the Golden Gun, Lord Summerisle In The Wicker Man, Saruman in The Lord of the Rings films and The Hobbit film trilogy, and Count Dooku in the second and third films of the Star Wars prequel trilogy. Now interestingly enough, ISFDB lists him as being the co-editor in the Seventies with Michael Parry with a number of horror anthologies such as Christopher Lee’s ‘X’ Certificate No. 1, From the Archives of Evil and The Great Villains. (Died 2015.) (CE)
Born May 27, 1900 – Rudolph Belarski. Virtuoso at air-combat magazine covers; five dozen covers for us; interiors too. Here is one from 1955. Here is a 2018 reprint. (Died 1983) [JH]
Born May 27, 1915 – Herman Wouk. (Pronounced “woke”.) Gag man for Fred Allen; Pulitzer Prize; four honorary doctorates. Besides The “Caine” Mutiny, his masterpiece Marjorie Morningstar, The Winds of War and War and Remembrance, he wrote the fine SF novel A Hole in Texas. (Died 2019) [JH]
Born May 27, 1930 – John Barth, age 91. Fellow of Am. Acad. Arts & Sciences. Lannan Award for lifetime achievement. National Book Award. The Floating Opera is only strange (it won the Roozi Rozegari at Teheran for best translated novel, also strange); The Sot-Weed Factor could perhaps be called historical fiction; by Giles Goat-Boy he was doing SF. Heinlein compared Stranger in a Strange Land to it. In The Last Voyage of Somebody the Sailor a man jumps overboard from a reconstructed Arab ship and finds himself in the world of Sindbad. Nor was that all. [JH]
Born May 27, 1934 — Harlan Ellison. He was a SFWA Grandmaster, member of the SF Hall of Fame, and winner of eight other life achievement awards. His short story “‘Repent, Harlequin!’ Said the Ticktockman” is the second-highest ranked of the 102 Top SF/F/H Short Stories listed at Science Fiction Awards Database. Ellison wrote the most famous episode of Star Trek: The Original Series, “The City on the Edge of Forever” (setting aside the backstory about Roddenberry and others who had a hand in the broadcast version). His Dangerous Visions and Again Dangerous Visions anthologies were milestones, while Last Dangerous Visions was a millstone around his neck because it never appeared. Further harming his reputation, he groped Connie Willis during the 2006 Hugos. He won 8 Hugos, 4 Nebulas, 2 World Fantasy Awards, 6 Bram Stoker Awards and 18 Locus Awards. But there were lighter moments, like this 30-second clip of Harlan as himself conversing with “H.P. Hatecraft” in the Scooby-Doo episode “Shrieking Madness.” (Died 2018.) (OGH)
Born May 27, 1940 – Jackie Causgrove. Prominent fan in the U.S. Midwest, then Southern California. For Bruce Pelz’ Fantasy Showcase Tarot Deck she did the Knight of Cups; each card by a leading fan or pro (or both) artist of the day, styles quite various; see the whole deck here (PDF; scroll down to Cups; you can get a deck from Elayne Pelz, or if you don’t know how to do that, write to me, 236 S. Coronado St., No. 409, Los Angeles, CA 90057). With Bruce Gillespie, administered the Tucker Fund that sent Bob Tucker to Aussiecon I the 33rd Worldcon. One of her fanzines (as J. Franke) was Dilemma, illustrated by her; see here. Fan Guest of Honor at Chambanacon 5, Confusion Pi. (Died 1998) [JH]
Born May 27, 1971 – Vilma Kadleckova, age 50.(The character after the e should have a little v over it for the sound of ch in English “church”.) A dozen SF novels and shorter stories, half a dozen local prizes. Four novels so far in her Mycelium series; the first two won Book of the Year and Original Czech/Slovak Book from the SFFH Acad. in Prague; second and third available in English. In Vector 166, contributed “The View from Olympus” with Carola Biedermann and Eva Hauser. [JH]
The Flying McCoysillustrates one of the seven deadly sins, which this character presumably does all of sooner or later.
(11) SEKRIT MESSAGE IN HUGO EMAIL. Andrew Porter clued me into the presence of an invisible last line in the email DisCon III sent to members today announcing the opening of Hugo voting. I found it in mine. Check it out.
Shadows Over London was born out of reading to my daughter before bedtime. Katie was five or six at that time, and destined to become a voracious reader. (She’s just this month finished her Masters in Library Science.) I was just getting divorced at the time and had Katie every weekend, but not during the week, so we did chapter one of The Lion, the Witch, and the Wardrobe or “The Lucy Book,” as she dubbed it, the first night. Then chapter two the second, but then she had to wait five days to get chapters three and four.
She loved the first and second installments, but this had a very short duration for two reasons: Reason #1: It was really only the first three books. Try explaining to a child that age that the “Lucy Books” didn’t have Lucy in them after book three! She wanted to know why and I had no answer that didn’t fall flat. Even the second book: Prince Caspian has a long stretch without the main characters. (Don’t even get me started about the alternate order for these! That just makes it worse, in terms of storytelling.) Reason #2: while we were still in books 1-3, of which we had copies at both her mother’s house and mine, she couldn’t resist and read by herself during the week, so we finished those first three that first month.
So, the first chapter of Shadows Over London, complete with serene, crunchy snow and a Faerie King waiting underneath moonbeams slanting through darkened trees, all came from trying to write something that felt as magical as Narnia did…
“If someone is mad enough to publish my weird shit, I am going to do my utmost to be a little bit more complex.”
In this episode, middle grade horror/fantasy author Celine Kiernan joins us to talk about writing fiction for young people. How do you handle dark, difficult topics? How do you fight the censors? How do you bridge the generation gap between author and audience? How do you temper your language for inexperienced readers? What do writers owe young people? What does it mean to exploit your audience?
Celine Kiernan is the author of The Moorehawk Trilogy, Into the Grey, Resonance, and The Wild Magic Trilogy. She is also a freelance editor. She lives in Ireland.
…This is real; the videos are real; UFOs, in the most basic sense, are real. The military has spotted objects flying in the sky, and it has not identified what they are. These objects, whatever you want to call them, are worth close examination. But there’s no reason to think they’re alien.
Why not? Jason Wright, an astronomer at Penn State University, gets this question a lot, especially recently. Wright works in the field of SETI—the search for extraterrestrial intelligence. His job is to look for signs of alien technology, so it seems logical that he might have some thoughts on UFOs and their rumored extraterrestrial origins. But ufology and SETI are two entirely different fields.
SETI operates on the principle that extraterrestrials follow the laws of physics as we know them, but what makes these UFO videos so enticing is precisely the opposite—whatever is captured in them seems to be moving in a way that appears to defy those exact laws. Guided by known physics, SETI astronomers look for aliens deep in space, rather than in the clouds overhead—because if the truth is out there, it’s way, way out there, around stars many light-years away. Even after decades of research, the SETI community has yet to find evidence of aliens, probably for the same reason that extraterrestrial beings, should they exist, would be unlikely to visit our planet—the space between stars, let alone galaxies, is unfathomably vast. And astronomers are just starting to understand the planets around other stars. “Every star could have an intelligent, technological civilization like Earth and we wouldn’t know it,” Wright told me. He sees no problem with the desire to better understand our airspace and investigate unexplained phenomena, “but why drag astronomers into it?”
Perhaps because the alternatives to aliens are much more boring.
… Then there’s sleep. Between 2007 and 2011 the European Space Agency worked with Russia to simulate the conditions of a trip to Mars, particularly as a psychological isolation experiment. Called Mars500, the longest part of this study ran between 2010 and 2011, and revealed a significant degradation of the simulacral explorers’ sleep patterns. While on wide-body airliners, a business class cocoon seat can deliver comfort (and even luxury) during an overnight flight, such ergonomic palliatives won’t be as easy for a yearlong journey. Space travel to Mars is supposed to be a bold and daring adventure. But what if it ends up feeling more like a superlong red-eye flight?
For years, Musk has compared his rockets to airliners, using the familiar sizes and thrust capacities of Boeing 737s and 747s as reference points for his future-bound ships. These comparisons circulate on social media, by way of making SpaceX craft both more graspable and more impressive. But the analogies are telling. As much as the goal is to reduce the time of feeling trapped inside a cramped cabin, the endgame is in fact more of this time. And let’s be honest: A hab on Mars is not going to be a whole lot more spacious than the interior of the ship.
If the dream of space travel involves new horizons and feelings of unbound freedom—to explore, to discover, to spread humanity—a nightmare lurks just around the corner of consciousness. There will be no real “arrival” on this fantasy trip: It’s enclosures and pressurized chambers all the way down. When it comes to human space travel, the destination really is the journey. And the journey will be long, and claustrophobic. As far as “quarantine” goes, spacefaring may feel familiar to those who lived through the COVID pandemic—and certain survival tactics may crossover.
Musk wants to send humans to Mars (and beyond) because he believes that the species is doomed on Earth, sooner or later. This bleak assessment belies two haunting presuppositions: The miserable masses will wither on a climate-scorched and ecologically damaged planet back home; meanwhile, the spacefaring select will find themselves in a whole new purgatory of cramped isolation, en route and wherever they “land.”…
…For Colbert’s monologue, Snyder says he was hoping to deliver what Zack Snyder fans have been “demanding for years… Another classic Zack Snyder slow-motion shot.” To offer some action, Snyder threw a knife at the late-night host, which was filmed in slow-motion. “Directing is all about keeping talent out of their comfort zone,” Snyder said, with Colbert adding that a lot of blood was lost that day.
When considering “Zack Snyder leads,” Colbert says he was “flattered” for Snyder to help him given the director works with leading men considered to be “Gods among mortals.”
Because Colbert “fills out his clothes like lentils fill out a sandwich bag,” Snyder explains that he enlisted an “elite Hollywood personal trainer” to help Colbert in his fitness regimen but it ended with “unbelievable” results such as actually losing muscle mass….
[Thanks to Martin Morse Wooster, Joel Zakem, Mlex, JJ, Michael Toman, John King Tarpinian, Cat Eldridge, John Hertz, Mike Kennedy, Sumana Harihareswara, R.S. Benedict,and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
DisCon III announced today that online voting for the 2021 Hugo Awards has opened. Members of the 2021 Worldcon are eligible to choose the winners of the Hugo Awards, the Astounding Award for Best New Writer, and the Lodestar Award for Best Young Adult Book.
Members are receiving an email explaining how to vote online. Members also have the option of using a paper ballot.
The deadline for voting is November 19, 2021, 23:59 Pacific (which is November 20th at 02:59 Eastern, 07:59 Greenwich Mean Time, and 20:59 New Zealand Daylight Time).
Voters can make additions or changes to their online ballots as often as they like until the deadline. A copy of their current ballot will be emailed to them thirty minutes after they finish modifying it.
TRACK RECORD. Forty-four days lapsed between DisCon III’s Hugo finalist announcement and the opening of online voting. That’s faster than last year’s Worldcon managed to do it, but less quickly than the 2015-2019 Worldcons (see JJ’s chart Waiting For Online Hugo Voting And The 2021 Voter Packet.)
By JJ: Enquiring Hugo voter minds want to know: When will we be able to vote online? When will the Hugo Voter Packet be available?
In the fine tradition of similar File 770 posts on the subject in years past, and using my highly-refined statistical skills gained while acquiring my Master’s degree from Cattimothy U*, here is a comparison of the deadlines and availability dates of recent Worldcons.
Because what the hell, we’ve got time to kill. And a year from now, someone is going to ask about this again, the way they do every year.
Historic Hugo Nominating, Voting, and Packet Dates
In 2008 and 2009, the Hugo Voter Packet was put together by John Scalzi
In 2012, the Hugo Voter Packet was released in stages starting on May 18, becoming fully available on May 30
In 2008, 2010-2015, and 2018, the Finalist Announcements were made on Easter weekend
Aussiecon 4 in 2010 had online nominations available the earliest, on January 1.
Renovation in 2011 and Loncon 3 in 2014 had online nominations available the longest, at 82 days.
Chicon 7 in 2012 and Renovation were the Worldcons which had online voting up and running the fastest, at 2 and 5 days following the announcement of the Finalists.
Chicon 7 had online voting available the longest, at 113 days.
Denvention 3 in 2008 and Renovation were the Worldcons which had the Hugo Voter Packet available the most quickly, at 3 and 4 weeks following the Finalist announcement.
Historic Hugo Nominating, Voting, and Packet Dates
1 – days between online nominations becoming available and nomination deadline
2 – days between nomination deadline and finalist announcement
3 – days between finalist announcement and online voting becoming available
4 – days between finalist announcement and Hugo Voter Packet becoming available
5 – days between online voting becoming available and voting deadline
6 – days between voting deadline and the start of Worldcon
Historic Hugo Nominating, Voting, and Packet Dates
Network Effect by Martha Wells, art by Jaime Jones
The Relentless Moon by Mary Robinette Kowal, art by Jamie Stafford-Hill using figures by Gregory Manchess
The City We Became by N.K. Jemisin, art by Lauren Panepinto
Black Sun by Rebecca Roanhorse, art by John Picacio
Harrow The Ninth by Tamsyn Muir, art by Tommy Arnold
Piranesi by Susanna Clarke, art by David Mann
By JJ: DisCon III has announced the 2021 Hugo Award Finalists. Since the Hugo Voter’s packet will take awhile to arrive, if you’d like to get a head start on your reading, you can use this handy guide to find material which is available for free online. Where available in their entirety, works are linked (most of the Novelettes and Short Stories are free, as are the Pro and Fan Artist images, and many of the Semiprozines and Fanzines).
If not available for free, an Amazon or other purchase link is provided. If a free excerpt is available online, it has been linked.
If I’ve missed an excerpt, or a link doesn’t work, please let me know in the comments, and I’ll get it fixed.
Fair notice: All Amazon links are referrer URLs which benefit fan site Worlds Without End.
DisCon III, the 79th World Science Fiction Convention, today announced the finalists for the 2021 Hugo Awards, Astounding Award for Best New Writer, and Lodestar Award for Best Young Adult Book.
DisCon III received 1249 valid nominating ballots (1246 electronic and 3 paper) from the members of the 2020 and 2021 World Science Fiction Conventions.
A video announcing the finalists is available to watch on DisCon III’s YouTube channel, presided over by Malka Older and Sheree Renée Thomas who will host of the Hugo Award Ceremony in December 2021.
Voting on the final ballot will open later in April. Due to the Worldcon shifting its dates to December, voters will be given until November 19, 2021 to submit their ballots. Only DisCon III members will be able to vote on the final ballot to choose the 2021 award winners. You can join the convention at www.discon3.org – one must be at least a supporting member in order to participate in the awards voting.
The 2021 Hugo Award base will be designed by Baltimore artist Sebastian Martorana. The 2021 Lodestar Award will once again be designed by Sara Felix, president of the Association of Science Fiction and Fantasy Artists.
Once & Future vol. 1: The King Is Undead, written by Kieron Gillen, iIllustrated by Dan Mora, colored by Tamra Bonvillain, lettered by Ed Dukeshire (BOOM! Studios)
Parable of the Sower: A Graphic Novel Adaptation, written by Octavia Butler, adapted by Damian Duffy, illustrated by John Jennings (Harry N. Abrams)
BEST DRAMATIC PRESENTATION, LONG FORM
[574 votes for 192 nominees, finalist range 164-56]
Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), written by Christina Hodson, directed by Cathy Yan (Warner Bros.)
Eurovision Song Contest: The Story of Fire Saga, written by Will Ferrell, Andrew Steele, directed by David Dobkin (European Broadcasting Union/Netflix)
The Old Guard, written by Greg Rucka, directed by Gina Prince-Bythewood (Netflix / Skydance Media)
Palm Springs, written by Andy Siara, directed by Max Barbakow (Limelight / Sun Entertainment Culture / The Lonely Island / Culmination Productions / Neon / Hulu / Amazon Prime)
Soul, screenplay by Pete Docter, Mike Jones and Kemp Powers, directed by Pete Docter, co-directed by Kemp Powers, produced by Dana Murray (Pixar Animation Studios/ Walt Disney Pictures)
Tenet, written and directed by Christopher Nolan (Warner Bros./Syncopy)
BEST DRAMATIC PRESENTATION, SHORT FORM
[454 votes for 321 nominees, finalist range 130-30]
Doctor Who: Fugitive of the Judoon, written by Vinay Patel and Chris Chibnall, directed by Nida Manzoor (BBC)
The Expanse: Gaugamela, written by Dan Nowak, directed by Nick Gomez (Alcon Entertainment / Alcon Television Group / Amazon Studios / Hivemind / Just So)
She-Ra and the Princesses of Power: Heart (parts 1 and 2), written by Josie Campbell and Noelle Stevenson, directed by Jen Bennett and Kiki Manrique (DreamWorks Animation Television / Netflix)
The Mandalorian: Chapter 13: The Jedi, written and directed by Dave Filoni (Golem Creations / Lucasfilm / Disney+)
The Mandalorian: Chapter 16: The Rescue, written by Jon Favreau, directed by Peyton Reed (Golem Creations / Lucasfilm / Disney+)
The Good Place: Whenever You’re Ready, written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television, a division of Universal Studio Group)
BEST EDITOR, SHORT FORM
[370 votes for 162 nominees, finalist range 79-38]
Mur Lafferty and S.B. Divya
BEST EDITOR, LONG FORM
[310 votes for 82 nominees, finalist range 83-52]
Sheila E. Gilbert
Diana M. Pho
BEST PROFESSIONAL ARTIST
[331 votes for 179 nominees, finalist range 91-37]
[331 votes for 77 nominees, finalist range 174-39]
Beneath Ceaseless Skies, ed.Scott H. Andrews
Escape Pod, editors Mur Lafferty and S.B. Divya, assistant editor Benjamin C. Kinney, hosts Tina Connolly and Alasdair Stuart, audio producers Summer Brooks and Adam Pracht and the entire Escape Pod team.
FIYAH Magazine of Black Speculative Fiction, publisher Troy L. Wiggins, executive editor DaVaun Sanders, managing editor Eboni Dunbar, poetry editor Brandon O’Brien, reviews and social media Brent Lambert, art director L. D. Lewis, and the FIYAH Team.
PodCastle, editors, C.L. Clark and Jen R. Albert, assistant editor and host, Setsu Uzumé, producer Peter Adrian Behravesh, and the entire PodCastle team.
Uncanny Magazine, editors in chief: Lynne M. Thomas and Michael Damian Thomas, managing editor: Chimedum Ohaegbu, non-fiction editor: Elsa Sjunneson, podcast producers: Erika Ensign and Steven Schapansky
Strange Horizons, Vanessa Aguirre, Joseph Aitken, Rachel Ayers, M H Ayinde, Tierney Bailey, Scott Beggs, Drew Matthew Beyer, Gautam Bhatia, S. K. Campbell, Zhui Ning Chang, Tania Chen, Joyce Chng, Liz Christman, Linda H. Codega, Kristian Wilson Colyard, Yelena Crane, Bruhad Dave, Sarah Davidson, Tahlia Day, Arinn Dembo, Nathaniel Eakman, Belen Edwards, George Tom Elavathingal, Rebecca Evans, Ciro Faienza, Courtney Floyd, Lila Garrott, Colette Grecco, Guananí Gómez-Van Cortright, Julia Gunnison, Dan Hartland, Sydney Hilton, Angela Hinck, Stephen Ira, Amanda Jean, Ai Jiang, Sean Joyce-Farley, Erika Kanda, Anna Krepinsky, Kat Kourbeti, Clayton Kroh, Maureen Kincaid Speller, Catherine Krahe, Natasha Leullier, A.Z. Louise, Dante Luiz, Gui Machiavelli, Cameron Mack, Samantha Manaktola, Marisa Manuel, Jean McConnell, Heather McDougal, Maria Morabe, Amelia Moriarty, Emory Noakes, Sara Noakes, Aidan Oatway, AJ Odasso, Joel Oliver-Cormier, Kristina Palmer, Karintha Parker, Anjali Patel, Vanessa Rose Phin, Nicasio Reed, Belicia Rhea, Endria Richardson, Natalie Ritter, Abbey Schlanz, Clark Seanor, Elijah Rain Smith, Hebe Stanton, Melody Steiner, Romie Stott, Yejin Suh, Kwan-Ann Tan, Luke Tolvaj, Ben Tyrrell, Renee Van Siclen, Kathryn Weaver, Liza Wemakor, Aigner Loren Wilson, E.M. Wright, Vicki Xu, Fred G. Yost, staff members who prefer not to be named, and guest editor Libia Brenda with guest first reader Raquel González-Franco Alva for the Mexicanx special issue
[271 votes for 94 nominees, finalist range 79-38]
The Full Lid, written by Alasdair Stuart, edited by Marguerite Kenner
Journey Planet, edited by Michael Carroll, John Coxon, Sara Felix, Ann Gry, Sarah Gulde, Alissa McKersie, Errick Nunnally, Pádraig Ó Méalóid, Chuck Serface, Steven H Silver, Paul Trimble, Erin Underwood, James Bacon, and Chris Garcia.
Lady Business, editors. Ira, Jodie, KJ, Renay, and Susan.
nerds of a feather, flock together, ed. Adri Joy, Joe Sherry, The G, and Vance Kotrla
Quick Sip Reviews, editor, Charles Payseur
Unofficial Hugo Book Club Blog, ed. Amanda Wakaruk and Olav Rokne
[376 votes for 230 nominees, finalist range 72-28]
Be The Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace
Claire Rousseau’s YouTube channel, produced by Claire Rousseau
The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe, Jonathan Strahan, producer
Kalanadi, produced and presented by Rachel
The Skiffy and Fanty Show, produced by Shaun Duke and Jen Zink, presented by Shaun Duke, Jen Zink, Alex Acks, Paul Weimer, and David Annandale.
Worldbuilding for Masochists, presented by Rowenna Miller, Marshall Ryan Maresca and Cass Morris
BEST FAN WRITER
[365 votes for 185 nominees, finalist range 89-42]
BEST FAN ARTIST
[221 votes for 158 nominees, finalist range 54-10]
Iain J. Clark
Grace P. Fong
BEST VIDEO GAME
[341 votes for 145 nominees, finalist range 183-30]
Animal Crossing: New Horizons (Publisher and Developer: Nintendo)
Blaseball (Publisher and Developer: The Game Band)
Final Fantasy VII Remake (Publisher Square Enix)
Hades (Publisher and Developer: Supergiant Games)
The Last of Us: Part II (Publisher: Sony Interactive Entertainment / Developer: Naughty Dog)
Spiritfarer (Publisher and Developer: Thunder Lotus)
LODESTAR AWARD FOR BEST YOUNG ADULT BOOK
[507 votes for 172 nominees, finalist range 201-55]
Cemetery Boys, Aiden Thomas (Swoon Reads)
A Deadly Education, Naomi Novik (Del Rey)
Elatsoe, Darcie Little Badger (Levine Querido)
Legendborn, Tracy Deonn (Margaret K. McElderry/ Simon & Schuster Children’s Publishing)
Raybearer, Jordan Ifueko (Amulet / Hot Key)
A Wizard’s Guide to Defensive Baking, T. Kingfisher (Argyll Productions)
ASTOUNDING AWARD FOR BEST NEW WRITER
[422 votes for 181 nominees, finalist range 99-54]
Lindsay Ellis (1st year of eligibility)
Simon Jimenez (1st year of eligibility)
Micaiah Johnson (1st year of eligibility)
A.K. Larkwood (1st year of eligibility)
Jenn Lyons (2nd year of eligibility)
Emily Tesh (2nd year of eligibility)
The Hugo Awards are the premier award in the science fiction genre, honoring science fiction literature and media as well as the genre’s fans. The Hugo Awards were first presented at the 1953 World Science Fiction Convention in Philadelphia (Philcon II), and they have continued to honor science fiction and fantasy notables for more than 60 years.
By JJ: This thread is for posts about 2021-published works, which people have read and recommend to other Filers.
There will be no tallying of recommendations done in this thread; its purpose is to provide a source of recommendations for people who want to find something to read which will be eligible for the Hugos or other awards (Nebula, Locus, Asimov’s, etc.) next year.
If you’re recommending for an award other than / in addition to the Hugo Awards which has different categories than the Hugos (such as Locus Awards’ First Novel), then be sure to specify the award and category.
You don’t have to stop recommending works in Pixel Scrolls, please don’t! But it would be nice if you also post here, to capture the information for other readers.
The Suggested Format for posts is:
Title, Author, Published by / Published in (Anthology, Collection, Website, or Magazine + Issue)
Hugo or other Award Category: (Novel, Novella, Novelette, Short Story, Related Work, Graphic Novel, Lodestar, Astounding, etc)
link (if available to read/view online)
optional “Brief, spoiler-free description of story premise:”