Pixel Scroll 4/28/18 The Great Emu-Scroll War Was Lost When The Pixels Attacked The Gazebo

Now, where were we when we were so rudely interrupted?

(1) INFURNITY. Camestros Felapton, the world’s most understanding cat owner, provides his pet with “Tim’s Facial Hair Guide to Infinity War”.

So, I’ve explained before that Timothy doesn’t distinguish human faces well. He is also confused by facial hair. OK strictly speaking he is confused by human skin, which he assumes is fur and hence is doubly confused by facial hair which he thinks is fur that is growing out of fur. Look, the main thing is he finds beards confusing and panics if I shave.

So, Marvel’s Infinity War has many characters and about 40%+ of them have facial hair (90%+ if we count eyebrows – do eyebrows count as facial hair? I assume so.) Some of them i.e. Captain America have gained beards for this film.

So to assist Tim to keep track, here is a field guide to various beard styles in the film….

(2) PUBLIC ASKED FOR PODCAST NOMINATIONS. The Parsec Awards Steering Committee is accepting nominations of podcasts for the 2018 Parsec Awards through June 15. Nominate here.


Any material released between May 1, 2017 and April 30, 2018 is eligible for the 2018 awards. Material released needs to be free for download and released via a mechanism that allows for subscriptions. Thus, YouTube, Facebook, etc.. series are eligible.

If you are a podcaster or author, please feel free to nominate your own podcast or story

 

(3) MORE STAR WARS. Disney announced “Star Wars Resistance, Anime-Inspired Series, Set for Fall Debut”. The series is set in the era before The Force Awakens.

StarWars.com is thrilled to announce that production has begun on Star Wars Resistance, an exciting new animated adventure series about Kazuda Xiono, a young pilot recruited by the Resistance and tasked with a top-secret mission to spy on the growing threat of the First Order. It will premiere this fall on Disney Channel in the U.S. and thereafter, on Disney XD and around the world.

(4) BROADDUS JOINS APEX. Maurice Broaddus has been named nonfiction editor for Apex Magazine. Jason Sizemore, Editor-in-Chief, made the announcement April 2.

Maurice is a prolific and well-regarded author who works in a multitude of genres. He is also the Apex Magazine reprints editor and now wears two hats for our publication. Upcoming authors Maurice has lined up for essays include Mur Lafferty, Mary SanGiovanni, and Tobias S. Buckell.

You can find Maurice Broaddus on Twitter at @mauricebroaddus and online at www.mauricebroaddus.com. His novella “Buffalo Soldiers” was recently published at Tor.com.

(5) SWANWICK CITES LE GUIN ON PRESENT TENSE: Michael Swanwick would be authority enough for many, but first he appeals for support to “Le Guin on Present Tense” before handing down the stone tablets:

Here’s the rule, and it covers all cases: Only use the present tense if there is some reason for doing so that justifies losing some of your readers and annoying others. (This rule goes double for future tense.) Otherwise, use the past tense.

(6) THINGS FALL APART; THE CENTRE CANNOT HOLD: Aalto University reports 2.7 billion tweets confirm: echo chambers in Twitter are very real.

Bipartisan users, who try to bridge the echo chambers, pay a price for their work: they become less central in their network, lose connections to their communities and receive less endorsements from others.

(7) STARTING OUT AS A WOMAN SFF AUTHOR. From Fantasy Café: “Women in SF&F Month: Ann Aguirre”:

…I first sold to New York in 2007, over eleven years ago. That book was Grimspace, a story I wrote largely to please myself because it was hard for me to find the sort of science fiction that I wanted to read. I love space opera, but in the past, I found that movies and television delivered more of the stories I enjoyed. At the time, I was super excited to be published in science fiction and fantasy.

My first professional appearance was scheduled at a small con in Alabama. I was so excited for that, so fresh and full of hope. Let’s just say that my dreams were dashed quite spectacularly. I was sexually harassed by multiple colleagues and the men I encountered seemed to think I existed to serve them. To say that my work wasn’t taken seriously is an understatement. That was only reinforced when I made my first appearance at SDCC (San Diego Comic Con) six months later.

There, the moderator called me the ‘token female’, mispronounced my last name without checking with me first (she checked with the male author seated next to me), and the male panelists spoke over me, interrupted me at will, and gave me very little chance to speak. I remember quite clearly how humiliated I was, while also hoping that it wasn’t noticeable to the audience.

Dear Reader, it was very noticeable. Afterward, David Brin, who was in the audience, came up to me with a sympathetic look and he made a point of shaking my hand. He said, “Well, I was very interested in what you had to say.” With a pointed stress on the word “I.”…

(8) WTF? Can you believe somebody is comparing what they’re marketing to “The Veldt” as if it’s a good thing? “Madison Square Garden cites Ray Bradbury as an influence on upcoming Sphere Arena in Las Vegas”.

Madison Square Garden officials lifted the curtain a bit on their MSG Sphere Arena entertainment venues coming to Las Vegas and London, with a demonstration Thursday that hinted at advanced technology going into the design and experiences for audiences within the new-generation venues.

In his presentation at the Forum in Inglewood, which his company rejuvenated in 2014 with a $100-million face and body lift, Madison Square Garden Co. chairman James L. Dolan cited a short story from science-fiction author and futurist Ray Bradbury’s 1951 anthology “The Illustrated Man” as something of a spiritual model for the new facilities.

In particular, he referenced Bradbury’s story “The Veldt,” which centered on a high-tech room of the future, called the “liquid crystal room,” which could synthesize any environment in which children desired to play or explore.

(9) TODAY IN HISTORY

  • April 28, 2007 — Ashes of actor James Doohan and of Apollo 7 astronaut Gordon Cooper soared into space aboard a rocket.

(10) SIXTY-THREE. Galactic Journey’s Gideon Marcus takes his monthly whack at my favorite-in-the-Sixties prozine: “[April 27, 1963] Built to Last?  (May 1963 Analog)”.

If this trend continues, we can assume that our children and grandchildren will not only have Burroughs, Wells, Verne, Shelley, and Baum to read, but also reprinted copies of our present-day science fiction, as well as the SF of the future (their present).  Perhaps they’ll all be available via some computerized library — tens of thousands of volumes in a breadbox-shaped device, for instance.

The question, then, is whether or not our children will remember our current era fondly enough to want reprints from it.  Well, if this month’s Analog be a representative sample, the answer is a definitive…maybe.

(11) HORTON ON HUGOS. Catching up with Rich Horton’s commentaries about the 2018 Hugo nominees and who he’s voting for.

My views here are fairly simple. It’s a decent shortlist, but a bifurcated one. There are three nominees that are neck and neck in my view, all first-rate stories and well worth a Hugo. And there are three that are OK, but not special – in my view not Hugo-worthy (but not so obviously unworthy that I will vote them below No Award.)…

This is really a very strong shortlist. The strongest shortlist in years and years, I’d say. Two are stories I nominated, and two more were on my personal shortlist of stories I considered nominating. The other two stories are solid work, though without quite the little bit extra I want in an award winner….

This is by no means a bad shortlist. Every story on it is at least pretty decent. …

(12) SIPPING TIME. Charles Payseur finds stories with reasons for the season: “Quick Sips – Fireside Magazine April 2018”.

Spring might finally be arriving, and at Fireside Magazine that means the stories are about rebirth and new beginnings, even as they’re about decay and endings. For me, at least, spring always brings to mind thaw. A thawing of the world after the long freeze of winter. Which means new growth, new green, but also means revealing all the death that the snow concealed. The roadkill, the rot, the dead leaves not yet turned to mulch. And these stories find characters at this point, seeing all around them the evidence of death and pain, and having to make the decision to also see the life. To see the good, and to try and foster that good, to help it grow. These are stories that show people pushing back against the pressure to die, to be silent, and embrace a future full of the possibility of failure, yes, but also full of the hope of success. To the reviews!

(13) GENIUSES AT WORK. Nine letters from the 1940s by Freeman Dyson show “Another Side of Feynman” at Nautilus.

l through a long life I had three main concerns, with a clear order of priority. Family came first, friends second, and work third.”

So writes the pioneering theoretical physicist Freeman Dyson in the introduction to his newly published collection of letters, Maker of Patterns. Spanning about four decades, the collection presents a first-person glimpse into a life that witnessed epochal changes both in world history and in physics.

Here, we present short excerpts from nine of Dyson’s letters, with a focus on his relationship with the physicist Richard Feynman. Dyson and Feynman had both professional and personal bonds: Dyson helped interpret and draw attention to Feynman’s work—which went on to earn a Nobel Prize—and the two men traveled together and worked side by side.

Taken together, these letters present a unique perspective of each man. Feynman’s effervescent energy comes through, as does Dyson’s modesty and deep admiration for his colleague.

(14) ADVANCED TRAINING. Did MZW graduate from this course?

(15) EJECT. Yes, this is me: I sometime I feel like I have finished delivering the info yet haven’t figured out how to end the sentence. “Your Speech Is Packed With Misunderstood, Unconscious Messages” at Nautilus.

Imagine standing up to give a speech in front of a critical audience. As you do your best to wax eloquent, someone in the room uses a clicker to conspicuously count your every stumble, hesitation, um and uh; once you’ve finished, this person loudly announces how many of these blemishes have marred your presentation.

This is exactly the tactic used by the Toastmasters public-speaking club, in which a designated “Ah Counter” is charged with tallying up the speaker’s slip-ups as part of the training regimen. The goal is total eradication. The club’s punitive measures may be extreme, but they reflect the folk wisdom that ums and uhs betray a speaker as weak, nervous, ignorant, and sloppy, and should be avoided at all costs, even in spontaneous conversation.

Many scientists, though, think that our cultural fixation with stamping out what they call “disfluencies” is deeply misguided. Saying um is no character flaw, but an organic feature of speech; far from distracting listeners, there’s evidence that it focuses their attention in ways that enhance comprehension.

Disfluencies arise mainly because of the time pressures inherent in speaking. Speakers don’t pre-plan an entire sentence and then mentally press “play” to begin unspooling it. If they did, they’d probably need to pause for several seconds between each sentence as they assembled it, and it’s doubtful that they could hold a long, complex sentence in working memory. Instead, speakers talk and think at the same time, launching into speech with only a vague sense of how the sentence will unfold, taking it on faith that by the time they’ve finished uttering the earlier portions of the sentence, they’ll have worked out exactly what to say in the later portions.

(16) A MARCH IN MAY. Naomi Kritzer tweeted photos from a Mayday parade – including a notorious purple cat (who may or may not be named Timothy!…) Jump on the thread here:

(17) WHAT’S THAT SMELL. BBC tells how “Sentinel tracks ships’ dirty emissions from orbit” — unclear they’re picking up individual polluters yet, but that could come.

Sentinel-5P was launched in October last year and this week completed its in-orbit commissioning phase.

But already it is clear the satellite’s data will be transformative.

This latest image reveals the trail of nitrogen dioxide left in the air as ships move in and out of the Mediterranean Sea.

The “highway” that the vessels use to navigate the Strait of Gibraltar is easily discerned by S5P’s Tropomi instrument.

(18) EGGING THEM ON. Did anybody see this coming? “Chicken Run 2: Sequel confirmed after 18-year wait”.

The Oscar-winning animation studio hasn’t set a release date yet. Its announcement comes 18 years after the original flew onto the big screen.

Chicken Run is the highest-grossing stop-motion animation film of all-time – banking £161.3m at the box office.

 

(19) HOLD THE BACON. On the other hand, don’t expect to see this anytime soon: Hollywood Reporter headline: ““Tremors’ Reboot Starring Kevin Bacon Dead at Syfy”

Here’s a headline you don’t read every day: A TV reboot of a feature film toplined by the original star is not moving forward.

Syfy has opted to pass on its TV follow-up to 1990 feature film Tremors, starring Kevin Bacon.

…Bacon broke the news himself, writing on his verified Instagram page that he was “[s]ad to report that my dream of revisiting the world of Perfection will not become a reality. Although we made a fantastic pilot (IMHO) the network has decided not to move forward. Thanks to our killer cast and everyone behind the scenes who worked so hard. And always keep one eye out for GRABOIDS!”

(20) CHESLEYS. Here is the Association for Science Fiction and Fantasy Artists (ASFA) “2018 Chesley Award Suggestions List (for 2017 Works)”. The members have finished making nominations and ASFA says the finalists will be posted in a few weeks.

(21). UNSUSPECTED GOLDMINE. American news infamously neglects most countries of the world, but who knew there were big sf doings in Bulgaria? At Aeon, Victor Petrov discusses “Communist robot dreams”.

The police report would have baffled the most grizzled detective. A famous writer murdered in a South Dakota restaurant full of diners; the murder weapon – a simple hug. A murderer with no motive, and one who seemed genuinely distraught at what he had done. You will not find this strange murder case in the crime pages of a local US newspaper, however, but in a Bulgarian science-fiction story from the early 1980s. The explanation thus also becomes more logical: the killer was a robot.

The genre was flourishing in small Bulgaria in the last two decades of socialism, and the country became the biggest producer of robotic laws per capita, supplementing Isaac Asimov’s famous three with two more canon rules – and 96 satirical ones. Writers such as Nikola Kesarovski (who wrote the above murder mystery) and Lyuben Dilov grappled with questions of the boundaries between man and machine, brain and computer. The anxieties of their literature in this period reflected a society preoccupied with technology and cybernetics, an unlikely bastion of the information society that arose on both sides of the Iron Curtain from the 1970s onwards.

[Thanks to Martin Morse Wooster, Cora Buhlert, Cat Eldridge, JJ, John King Tarpinian, Chip Hitchcock, Jason, Carl Slaughter, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day johnstick.]

Pixel Scroll 3/31/18 It’s An Honor Just To Be Pixelated

(1) FAREWELL, PORNOKITSCH. Yesterday Anne Perry and Jared Shurin signed off their long-running sff blog: “Pornokitsch: The Exit Interview”. The existing content will remain online for some time to come.

Anne: …As you say above, Pornokitsch is what we wanted it to be: a home for thoughtful, fun (and funny) essays about… whatever. Back when it was just the two of us writing for the site, that’s what we did. And it’s been a pleasure to watch the site bloom with much, much more of that…

By and large, I’m happy to say that I think I wrote more or less exactly what I wanted to write for the site. There are a few reviews I would do differently now, if I could go back in time. But we  founded Pornokitsch as a way of talking about the pop culture we love with the humour and intelligence we wished to see in those conversations, and at the end of the day, I think we – and our many brilliant contributors over the years – have done just that.

Jared: On that note… We’ve mentioned our amazing contributors: words and art, regular and guest, past and present. We owe them a huge, huge thanks for all of their hard work and help and patience. Thank you all.

Anne: We owe you a huge debt of gratitude. Thanks also to all the publishers – editors, marketers and publicists – who offered us books to review and put quotes from us on the actual books, zomg. And, finally, thanks also to our tolerant and very supportive families, enthusiastic friends and – most of all – our readers over the years.

For those arriving too late, they created a kind of postmortem FAQ on their “Bye!” page.

How can I check if you verbally flensed my favourite piece of pop culture? I need know whether or not I should hate you forever.

An index of features and reviews can be found here.

Is there some Pornokitsch memorabilia that I could cherish forever?

Nope. Buy one of our contributor’s books instead.

(2) PUPPY FREE. I like how this was the fifth point in John Scalzi’s “Thoughts On This Year’s Hugo Finalist Ballot” at Whatever.

  1. To get ahead of a question I know someone will ask, no, there’s not any “puppy” nonsense this year. It appears the changes in nominating finalists to reduce slating had their intended effect, and also, the various puppies appear to have lost interest slamming their heads into this particular wall. This makes sense as it provided no benefit to any of them, damaged the reputations and careers of several, and succeeded only in making their rank and file waste a lot of time and effort (and money). They’ve gone off to make their own awards and/or to bother other media, which is probably a better use of their time. There was an attempt by a cadre of second-wave wannabe types to replicate slating this year, but that unsurprisingly came to naught.

In its stead are excellent stories and people, all of which and whom got on to the ballot on the strength of their work. Which is as it should be.

(3) IT’S BEEN AWHILE. Piet Nel said on Facebook about Sarah Pinsker’s “Wind Will Rove” (from Asimov’s, September/October 2017), a Best Novelette Hugo finalist —

This is the first time since 2013 that a story from Asimov’s has made the final ballot of the Hugos.

(4) NOT A NATIVE SPEAKER. J.R.R. Tolkien on Elvish:

(5) GRIMOIRES. In the Horror Writers Association Newsletter, Lawrence Berry discusses a source of “Forbidden Words (And When to Use Them)”.

Do genuinely forbidden, occult treatises exist in the modern world?

Yes, definitely.

Who has them and how do I get a look?

The great libraries of the world, private antiquarian collectors, and the Vatican’s Secret Archives all house works on satanism and witchcraft. An interested party would need to earn scholar’s credentials or have someone very good at creating false identities counterfeit them. A wide and nimble knowledge of Olde English, Middle English, Latin, Arabic, ancient German and Italian, along with gifted insight into the science of cryptography would help—a person could be burned at the stake for the sin of heresy in more centuries than not and grimoires were often written in code. It would also be wise to attain a master’s knowledge of very old books themselves—the paper they were penned on, the material used to construct the covers, the ink used in the illuminated borders and illustrations, the quality and flow of period quills and brushes. Authentic editions, with provenance, sell for a great price, and forgeries are rampant. An equally lavish fee is charged for a single reading of the rarest, genuine, and powerful spell-books.

(6) SFF AUTHORS ON GENDER PANEL IN HONG KONG. In conjunction with the Melon Conference 2, the University of Hong Kong recently held a seminar on Gender in Science Fiction and Fantasy Writing. Mlex interviewed an attendee about what the panelists had to say in “Hong Kong Science Fiction Scene – Gender in SFF” for Yunchtime.

To find out more about the Hong Kong Science Fiction and Fantasy scene, Yunchtime reached out to Dr. Christine Yi Lai Luk, at the Institute for Humanities and Social Sciences of the Univeristy of Hong Kong, who attended the panel discussion….

YUNCHTIME: How did the seminar and panel discussion live up to the proposed topic?

LUK: There is plenty of room for improvement, I’d say. It is a panel of three women SF writers, but they did not explore “the world of women in SF” as advertised in the above description. It is more appropriate to call the seminar “women/gender and SF” because it is just three women talking about their SF work.

YUNCHTIME: How about the panelists, can you describe briefly some of their thoughts or comments?

LUK: I think Becky Chambers‘ views were the most relevant to the proposed topic. Chambers revealed how she was drawn into the world of SF from an early age onward. Raised in a space science-heavy family (her father is a rocket engineer and her mother an astrobiologist), she was introduced to SF and space fantasy movies as early as she could remember.

Her favorite SF novel of all time is “The Left Hand of Darkness” by Ursula LeGuin (a lot of nods from the audience as the name was dropped). She said writing SF gives her confidence as she is an introvert.

I think her experience reflects a certain gender norm in the SF realm: Unlike the blondy sorority type of girls, girls who are into SF are perceived as shy and nerdy, and incapable of drawing the attention from the opposite sex (except maybe from Wookie-dressed superfans).

Tang Fei does not write in English, only in Chinese. Her Chinese works are translated into English and they draw attention in the English-speaking world partly because her works are banned in China. Actually, Tang Fei is a pen name.

Because the conference was being held entirely in English and due to the language barrier, Tang Fei’s sharing was not effective as we could have hoped. She only managed to say a few sentences in English (with a very soft voice). Then, during the Q&A, she was relying on the organizer, Nicole Huang, to act as her interpreter.

The main thing I caught from Tang Fei is that in the future, human beings will exist in disembodied form and thus the only “gender” issue for SF writers to engage in will be purely on the psychological aspect.

Zen Cho talked about her upbringing in Malaysia and her identity as an English-speaking Hokkien among mainstream Malays. She did not identify herself as a SF writer, but as a fantasy writer. I don’t think she has said anything remotely relevant to gender.

(7) STEELE AND SF IN HONG KONG. Mlex also covered “Hong Kong Science Fiction Scene – Allen Steele on the Melon Conference 2018” for Yunchtime.

YUNCHTIME: What is your impression of Fritz Demoupolis? Is he a big SFF fan? Demoupolis is a successful entrepreneur and venture capitalist, do you think he sees a business opportunity for the SFF genre in Hong Kong and China?

STEELE: Fritz Demopoulos is an interesting fellow … a California-born ex-pat who came to Hong Kong about 20 years ago and has stayed to make his fortune. My brother-in-law did much the same thing, so I’m familiar with this sort of entrepreneurship. He’s most definitely a SF fan. He discovered the genre through finding his father’s beat-up copy of Asimov’s Foundation and has been reading SF ever since. He knows the field, is familiar with major authors both old and new, loves the same movies and TV shows the rest of us do, and overall is an example of a highly-successful businessman who also happens to be something of a geek.

Melon is Fritz’s brainchild — he’d have to explain to you why he gave it that name — and it’s unique among SF gatherings. As I said, it’s not a con in the conventional sense — yes, that’s a deliberate pun; stop groaning — but rather a symposium that’s sort of academic without being stuffy or pretentious. The people Fritz invited to be speakers were SF writers — a few Americans like myself, but mainly young Asian authors— scientists from the U.S., Europe, and Asia, and a number of Hong Kong-based entrepreneurs working in both emerging technologies like AI and also mass media

(8) HAWKING OBSEQUIES. Henry Nicholls, in the Reuters story “Friends, Family, Public Flock To Funeral of Physicist Stephen Hawking,” says that Hawking’s coffin had white “Universe” lilies and white “Polar Star” roses and a “space music” composition called “Beyond The Night Sky” was played.

The 76-year-old scientist was mourned by his children Robert, Lucy and Timothy, joined by guests including playwright Alan Bennett, businessman Elon Musk and model Lily Cole.

Eddie Redmayne, the actor who played Professor Hawking in the 2014 film “The Theory of Everything” was one of the readers in the ceremony and Felicity Jones, who played his wife, Jane Hawking in the film also attended the service.

(9) TODAY IN HISTORY

  • March 31, 1840 — President Van Buren issued executive order establishing 10-hour workday for federal employees.
  • March 31, 1987 Max Headroom aired on TV.
  • March 31, 1995 Tank Girl debuted in theaters.
  • March 31, 1999 The Matrix premiered.

(10) COMICS SECTION.

(11) WHICH COMES FIRST? THE PRESS RELEASE. In “The Silicon Valley elite’s latest status symbol: Chickens” the Washington Post says, “Their pampered birds wear diapers and have personal chefs — but lay the finest eggs tech money can buy.”

…In true Silicon Valley fashion, chicken owners approach their birds as any savvy venture capitalist might: By throwing lots of money at a promising flock (spending as much as $20,000 for high-tech coops). By charting their productivity (number and color of eggs). And by finding new ways to optimize their birds’ happiness — as well as their own.

Like any successful start-up, broods aren’t built so much as reverse engineered. Decisions about breed selection are resolved by using engineering matrices and spreadsheets that capture “YoY growth.” Some chicken owners talk about their increasingly extravagant birds like software updates, referring to them as “Gen 1,” “Gen 2,” “Gen 3” and so on. They keep the chicken brokers of the region busy finding ever more novel birds.

“At Amazon, whenever we build anything we write the press release first and decide what we want the end to be and I bring the same mentality to the backyard chickens,” said Ken Price, the director of Amazon Go, who spent a decade in San Francisco before moving to Seattle. Price, 49, has had six chickens over the past eight years and is already “succession planning” for his next “refresh.”

(12) ENERGIES IMAGINED. In “Fuelling the Future” on Aeon, Aberstywyth University historian Iwan Rhys Morus analyzes Robert A. Heinlein’s 1940 story “Let There Be Light” in an analysis of how sf writers created stories about new power sources.

Heinlein needed the sunscreens to make his future work; that is, to answer the problem of how technological culture might flourish in a world of diminishing resources. This was not a new problem, even in 1940, and it is an increasingly pressing one now. The question of what is going to fuel the future has never been more urgent. Is it going to be wind or wave power? Will fuel cells, solar panels or even the holy grail of fusion be the answer to our problems? Or are we going to frack ourselves into oblivion? If we want to better understand how we speculate about future energy now, then we need to appreciate the extent to which those speculations have a history, and that their history (from the early Victorian period on) contains such fictions as Heinlein’s story as often as, and frequently mixed in with, highly technical debates about the characteristics and requirements of different modes of energy production and consumption.

(13) RUSS’ INFLUENCE. The Baffler’s Jessa Crispin, in “No Mothers, No Daughters”, an excerpt from her introduction to a new edition of Joanna Russ’s How to Supress Women’s Writing, says “I came at Russ sideways…seeing her name-checked by the punk rock chicks who created their own culture through zines an mix tapes when they failed to see themselves through thee wider culture.”

Reading Joanna Russ’s How to Suppress Women’s Writing, I wondered, what the hell is it going to take? For decades we have had these types of critiques. We have had books and lectures and personal essays and statistics and scientific studies about unconscious bias. And yet still we have critics like Jonathan Franzen speculating on whether Edith Wharton’s physical beauty (or lack of it, as is his assessment of her face and body) affected her writing, we have a literary culture that is still dominated by one small segment of the population, we have a sense that every significant contribution to the world of letters was made by the heterosexual white man—and that sense is reinforced in the education system, in the history books, and in the visible world.

This complaint wasn’t even exactly fresh territory when Russ wrote her book, which I do not say to diminish her accomplishment. It is always an act of bravery to stand up to say these things, to risk being thought of as ungrateful. Your small pile of crumbs can always get smaller.

But what is it going to take to break apart these rigidities? Russ’s book is a formidable attempt. It is angry without being self-righteous, it is thorough without being exhausting, and it is serious without being devoid of a sense of humor. But it was published over thirty years ago, in 1983, and there’s not an enormous difference between the world she describes and the one we currently inhabit.

(14) THE MARCHING GENIUSES: At Featured Futures, Jason’s prepared another list of bright literary lights in the Summation: March 2018

The fifteen noted stories (nine recommended) come from the 112 (of about 560,000 words) that I’ve read with a publication date between February 26 and March 31. The printzines were decent, with Analog, Asimov’s, F&SF and Interzone (the latter reviewed for Tangent) being represented by more than one story from their bi-monthly issues. On the web, Lightspeed has two from just this month while Beneath Ceaseless Skies, Flash
Fiction Online
, and Nature also make appearances.

(15) JDA SIGHTING. Kilroy was there.

Or as JDA put it in his press release (!) –

Today was a step forward for the cviil rights of conservative-libertarians in SF/F, as I attended the Hugo Award Nomination ceremony without harassment from the Worldcon 2018 staff. It proves beyond a shadow of a doubt that I am 1. not disruptive at Worldcon events — or any convention, as FogCon proved and 2. that the discrimination I face from them was for reasons other than my being a danger to any guests (since I am clearly not, and they clearly didn’t think I was here).

The Worldcon Staff was uninviting — a nearly all white group I might add — not seeming to want to have a Hispanic author in their presence. It is something we will have to overcome in fandom together in time.

(16) GRAND THEFT LUNCH. SFF cannot keep up with stories like this from the real world!!!! Begin here —

(17) IN CHARACTER. Jeff Goldblum in his Thor: Ragnarok character in a short film “Grandmaster Moves To Earth.” From 2017, but it’s news to me!

[Thanks to JJ, Martin Morse Wooster, Mlex, Chip Hitchcock, John  King Tarpinian, Andrew Porter, Cat Eldridge, Jason, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Where To Find The 2018 Hugo Finalists For Free Online

By JJ: Since the Hugo Voter’s packet has not yet arrived, if you’d like to get a head start on your reading, you can use this handy guide to find material which is available for free online. Where available in their entirety, works are linked (most of the Novelettes and Short Stories are free, as are the Pro and Fan Artist images, and many of the Semiprozines and Fanzines).

If not available for free, an Amazon link is provided. If a free excerpt is available online, it has been linked. Excerpts are web pages, except where otherwise indicated. Overdrive excerpts are usually longer than web excerpts, and are read by clicking the right side of the page or swiping right-to-left to advance pages.

Fair notice: All Amazon links are referrer URLs which benefit fan site Worlds Without End.

Best Novel

Best Novella

Best Novelette

Best Short Story

 Best Series

Best Related Work

Best Graphic Story

Best Dramatic Presentation (Long Form)

  • Blade Runner 2049, written by Hampton Fancher and Michael Green, directed by Denis Villeneuve (Alcon Entertainment / Bud Yorkin Productions / Torridon Films / Columbia Pictures) (trailer 1) (trailer 2)
  • Get Out, written and directed by Jordan Peele (Blumhouse Productions / Monkeypaw Productions / QC Entertainment) (trailer)
  • The Shape of Water, written by Guillermo del Toro and Vanessa Taylor, directed by Guillermo del Toro (TSG Entertainment / Double Dare You / Fox Searchlight Pictures) (trailer)
  • Star Wars: The Last Jedi, written and directed by Rian Johnson (Lucasfilm, Ltd.) (supercut trailer)
  • Thor: Ragnarok, written by Eric Pearson, Craig Kyle, and Christopher Yost; directed by Taika Waititi (Marvel Studios) (trailer compilation
  • Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers) (trailer 1) (trailer 2)

Best Dramatic Presentation (Short Form)

Best Editor – Long Form

Best Editor – Short Form

Best Professional Artist (with galleries of selected 2017 works)

Best Semiprozine

  • Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
  • The Book Smugglers, edited by Ana Grilo and Thea James
  • Escape Pod, edited by Mur Lafferty, S.B. Divya, and Norm Sherman, with assistant editor Benjamin C. Kinney
  • Fireside Magazine, edited by Brian White and Julia Rios; managing editor Elsa Sjunneson-Henry; special feature editor Mikki Kendall; publisher & art director Pablo Defendini
  • Strange Horizons, edited by Kate Dollarhyde, Gautam Bhatia, A.J. Odasso, Lila Garrott, Heather McDougal, Ciro Faienza, Tahlia Day, Vanessa Rose Phin, and the Strange Horizons staff
  • Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky

Best Fanzine

Best Fancast

  • The Coode Street Podcast, presented by Gary K. Wolfe and Jonathan Strahan
  • Ditch Diggers, presented by Mur Lafferty and Matt Wallace
  • Fangirl Happy Hour, presented by Ana Grilo and Renay Williams
  • Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts, produced by Andrew Finch
  • Sword and Laser, presented by Veronica Belmont and Tom Merritt
  • Verity!, presented by Deborah Stanish, Erika Ensign, Katrina Griffiths, L.M. Myles, Lynne M. Thomas, and Tansy Rayner Roberts

Best Fan Writer

Best Fan Artist

 John W. Campbell Award for Best New Writer

The World Science Fiction Society (WSFS) Award for Best Young Adult Book

* if you encounter any invalid links, please let me know in the comments *

2018 Hugo Award Finalists

Worldcon chair Kevin Roche at the live announcement in San Jose.

The finalists for the 2018 Hugo Awards, John W. Campbell Award for Best New Writer, and the World Science Fiction Society (WSFS) Award for the Best Young Adult Book were announced March 31.

There were 1813 valid nominating ballots (1795 electronic and 18 paper) were received and counted from the members of the 2017, 2018, and 2019 World Science Fiction Conventions.

For the 1943 Retrospective Hugo Awards, 204 valid nominating ballots (192 electronic and 12 paper) were received.

Voting on the final ballot will open in April (date unspecified). The Hugo Award winners will be announced Sunday, August 19.

The Hugo Awards are the premier award in the science fiction genre, honoring science fiction literature and media as well as the genre’s fans. The Awards were first presented at the 1953 World Science Fiction Convention in Philadelphia (Philcon II), and they have continued to honor science fiction and fantasy notables for well over 60 years.

2018 Hugo Awards Finalists

Best Novel

  • The Collapsing Empire, by John Scalzi (Tor)
  • New York 2140, by Kim Stanley Robinson (Orbit)
  • Provenance, by Ann Leckie (Orbit)
  • Raven Stratagem, by Yoon Ha Lee (Solaris)
  • Six Wakes, by Mur Lafferty (Orbit)
  • The Stone Sky, by N.K. Jemisin (Orbit)

Best Novella

  • All Systems Red, by Martha Wells (Tor.com Publishing)
  • “And Then There Were (N-One),” by Sarah Pinsker (Uncanny, March/April 2017)
  • Binti: Home, by Nnedi Okorafor (Tor.com Publishing)
  • The Black Tides of Heaven, by JY Yang (Tor.com Publishing)
  • Down Among the Sticks and Bones, by Seanan McGuire (Tor.com Publishing)
  • River of Teeth, by Sarah Gailey (Tor.com Publishing)

Best Novelette

  • “Children of Thorns, Children of Water,” by Aliette de Bodard (Uncanny, July-August 2017)
  • “Extracurricular Activities,” by Yoon Ha Lee (Tor.com, February 15, 2017)
  • “The Secret Life of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)
  • “A Series of Steaks,” by Vina Jie-Min Prasad (Clarkesworld, January 2017)
  • “Small Changes Over Long Periods of Time,” by K.M. Szpara (Uncanny, May/June 2017)
  • “Wind Will Rove,” by Sarah Pinsker (Asimov’s, September/October 2017)

Best Short Story

  • “Carnival Nine,” by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017)
  • “Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde (Uncanny, September 2017)
  • “Fandom for Robots,” by Vina Jie-Min Prasad (Uncanny, September/October 2017)
  • “The Martian Obelisk,” by Linda Nagata (Tor.com, July 19, 2017)
  • “Sun, Moon, Dust” by Ursula Vernon, (Uncanny, May/June 2017)
  • “Welcome to your Authentic Indian Experience™,” by Rebecca Roanhorse (Apex, August 2017)

Best Series

  • The Books of the Raksura, by Martha Wells (Night Shade)
  • The Divine Cities, by Robert Jackson Bennett (Broadway)
  • InCryptid, by Seanan McGuire (DAW)
  • The Memoirs of Lady Trent, by Marie Brennan (Tor US / Titan UK)
  • The Stormlight Archive, by Brandon Sanderson (Tor US / Gollancz UK)
  • World of the Five Gods, by Lois McMaster Bujold (Harper Voyager / Spectrum Literary Agency)

Best Related Work

  • Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate, by Zoe Quinn (PublicAffairs)
  • Iain M. Banks (Modern Masters of Science Fiction), by Paul Kincaid (University of Illinois Press)
  • A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff (NESFA Press)
  • Luminescent Threads: Connections to Octavia E. Butler, edited by Alexandra Pierce and Mimi Mondal (Twelfth Planet Press)
  • No Time to Spare: Thinking About What Matters, by Ursula K. Le Guin (Houghton Mifflin Harcourt)
  • Sleeping with Monsters: Readings and Reactions in Science Fiction and Fantasy, by Liz Bourke (Aqueduct Press)

Best Graphic Story

  • Black Bolt, Volume 1: Hard Time, written by Saladin Ahmed, illustrated by Christian Ward, lettered by Clayton Cowles (Marvel)
  • Bitch Planet, Volume 2: President Bitch, written by Kelly Sue DeConnick, illustrated by Valentine De Landro and Taki Soma, colored by Kelly Fitzpatrick, lettered by Clayton Cowles (Image Comics)
  • Monstress, Volume 2: The Blood, written by Marjorie M. Liu, illustrated by Sana Takeda (Image Comics)
  • My Favorite Thing is Monsters, written and illustrated by Emil Ferris (Fantagraphics)
  • Paper Girls, Volume 3, written by Brian K. Vaughan, illustrated by Cliff Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image Comics)
  • Saga, Volume 7, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics)

Best Dramatic Presentaton – Long Form

  • Blade Runner 2049, written by Hampton Fancher and Michael Green, directed by Denis Villeneuve (Alcon Entertainment / Bud Yorkin Productions / Torridon Films / Columbia Pictures)
  • Get Out, written and directed by Jordan Peele (Blumhouse Productions / Monkeypaw Productions / QC Entertainment)
  • The Shape of Water, written by Guillermo del Toro and Vanessa Taylor, directed by Guillermo del Toro (TSG Entertainment / Double Dare You / Fox Searchlight Pictures)
  • Star Wars: The Last Jedi, written and directed by Rian Johnson (Lucasfilm, Ltd.)
  • Thor: Ragnarok, written by Eric Pearson, Craig Kyle, and Christopher Yost; directed by Taika Waititi (Marvel Studios)
  • Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers)

Best Dramatic Presentation – Short Form

  • Black Mirror: “USS Callister,” written by William Bridges and Charlie Brooker, directed by Toby Haynes (House of Tomorrow)
  • “The Deep” [song], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)
  • Doctor Who: “Twice Upon a Time,” written by Steven Moffat, directed by Rachel Talalay (BBC Cymru Wales)
  • The Good Place: “Michael’s Gambit,” written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television)
  • The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland (Fremulon / 3 Arts Entertainment / Universal Television)
  • Star Trek: Discovery: “Magic to Make the Sanest Man Go Mad,” written by Aron Eli Coleite & Jesse Alexander, directed by David M. Barrett (CBS Television Studios)

Best Editor – Long Form

  • Sheila E. Gilbert
  • Joe Monti
  • Diana M. Pho
  • Devi Pillai
  • Miriam Weinberg
  • Navah Wolfe

Best Editor – Short Form

  • John Joseph Adams
  • Neil Clarke
  • Lee Harris
  • Jonathan Strahan
  • Lynne M. Thomas & Michael Damian Thomas
  • Sheila Williams

Best Professional Artist

  • Galen Dara
  • Kathleen Jennings
  • Bastien Lecouffe Deharme
  • Victo Ngai
  • John Picacio
  • Sana Takeda

Best Semiprozine

  • Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
  • The Book Smugglers, edited by Ana Grilo and Thea James
  • Escape Pod, edited by Mur Lafferty, S.B. Divya, and Norm Sherman, with assistant editor Benjamin C. Kinney
  • Fireside Magazine, edited by Brian White and Julia Rios; managing editor Elsa Sjunneson-Henry; special feature editor Mikki Kendall; publisher & art director Pablo Defendini
  • Strange Horizons, edited by Kate Dollarhyde, Gautam Bhatia, A.J. Odasso, Lila Garrott, Heather McDougal, Ciro Faienza, Tahlia Day, Vanessa Rose Phin, and the Strange Horizons staff
  • Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky

Best Fanzine

  • File 770, edited by Mike Glyer
  • Galactic Journey, edited by Gideon Marcus
  • Journey Planet, edited by Team Journey Planet
  • nerds of a feather, flock together, edited by The G, Vance Kotrla, and Joe Sherry
  • Rocket Stack Rank, edited by Greg Hullender and Eric Wong
  • SF Bluestocking, edited by Bridget McKinney

Best Fancast

  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
  • Ditch Diggers, presented by Mur Lafferty and Matt Wallace
  • Fangirl Happy Hour, presented by Ana Grilo and Renay Williams
  • Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts; produced by Andrew Finch
  • Sword and Laser, presented by Veronica Belmont and Tom Merritt
  • Verity!, presented by Deborah Stanish, Erika Ensign, Katrina Griffiths, L.M. Myles, Lynne M. Thomas, and Tansy Rayner Roberts

Best Fan Writer

  • Camestros Felapton
  • Sarah Gailey
  • Mike Glyer
  • Foz Meadows
  • Charles Payseur
  • Bogi Takács

Best Fan Artist

  • Geneva Benton
  • Grace P. Fong
  • Maya Hahto
  • Likhain (M. Sereno)
  • Spring Schoenhuth
  • Steve Stiles

2018 Associated Awards (not Hugos)

John W. Campbell Award for Best New Writer

  • Katherine Arden
  • Sarah Kuhn
  • Jeannette Ng
  • Vina Jie-Min Prasad
  • Rebecca Roanhorse
  • Rivers Solomon

The World Science Fiction Society (WSFS) Award for Best Young Adult Book

  • Akata Warrior, by Nnedi Okorafor (Viking)
  • The Art of Starving, by Sam J. Miller (HarperTeen)
  • The Book of Dust: La Belle Sauvage, by Philip Pullman (Knopf)
  • In Other Lands, by Sarah Rees Brennan (Big Mouth House)
  • A Skinful of Shadows, by Frances Hardinge (Macmillan UK / Harry N. Abrams US)
  • Summer in Orcus, written by T. Kingfisher (Ursula Vernon), illustrated by Lauren Henderson (Sofawolf Press)

Pixel Scroll 3/30/18 Round The Decay Of That Colossal Scroll, Boxless And Bare, The Lone And Level Pixels Stretch Away

(1) WSJ’S TOP SF OF 2017. Congratulations to all the authors who made the Wall Street Journal’s list of best 5 sf novels of the year 2017. Especially Gregory Benford, who sent me the news item. (The list came out in December but is behind a paywall.)

  • All Our Wrong Todays, by Elan Mastai
  • The Berlin Project, by Gregory Benford
  • Change Agent, by Daniel Suarez
  • Artemis, by Andy Weir
  • The Genius Plague by David Walton

(2) THEORIES OF EVOLUTION AND TIME TRAVEL. The Conversation’s Jordi Paps says the answer to the question “Would stepping on the first butterfly really change the history of evolution?” depends on how you believe evolution works.

Science fiction writers can’t seem to agree on the rules of time travel. Sometimes, as in Doctor Who (above), characters can travel in time and affect small events without appearing to alter the grand course of history. In other stories, such as Back To The Future, even the tiniest of the time travellers’ actions in the past produce major ripples that unpredictably change the future.

Evolutionary biologists have been holding a similar debate about how evolution works for decades. In 1989 (the year of Back To The Future Part II), the American palaeontologist Stephen Jay Gould published his timeless book Wonderful Life, named after the classic movie that also involves time travel of sorts. In it, he proposed a thought experiment: what would happen if you could replay life’s tape, rewinding the history of evolution and running it again? Would you still see the same movie with all the evolutionary events playing out as before? Or would it be more like a reboot, with species evolving in different ways?

(3) RESOLVED. Rocket Stack Rank will comply with Charles Payseur’s request to drop him from the list of reviewers they track.

Charles Payseur acknowledged their response, and discussed some of comments made by Filers since the request hit the news yesterday. Jump on his thread here:

(4) WFC RATES WILL RISE. World Fantasy Convention 2018 registration rates are due to increase on April 1, from $200 to $250 for a full attending membership. If you become a member now you will still have time to nominate for this year’s World Fantasy Awards (for which the deadline is May 31.)

WFC2018 will be held at the Baltimore Renaissance Harborplace Hotel, Nov 1–4, hosted by the Baltimore Science Fiction Society (BSFS) and Washington Science Fiction Association (WSFA).

(5) THE BRADBURY FAMILY. On April 19, the Pasadena Museum of History presents a lecture by one of his daughters about “Growing Up with Ray Bradbury”.

Ray Bradbury’s daughter Ramona invites you to pull up a chair in her virtual living room as she shares an intimate evening of memories about growing up in the eclectic Bradbury household in the Cheviot Hills neighborhood of Los Angeles. The format is a conversation with historian Richard Schave (Esotouric Bus Adventures, Los Angeles), followed by a Q & A session.

Ramona will reminisce about life with her famous father, and share rare family photos and stories of weekend excursions to Hollywood Boulevard book shops and the Palos Verdes Peninsula (made more adventurous because her father didn’t drive!), eccentric family friends, special gatherings, and important public events.

(6) TWO ON ONE. Two NPR reviewers take on Ready Player One:

MONDELLO: A Willy Wonka prize worth playing for if you’re a gamer and a movie conceit worth playing with if you’re Steven Spielberg. Ernest Cline’s novel gave Halliday a consuming nostalgia for the 1980s, and who better to bring that to the screen? The filmmaker crams every corner of Wade’s cyberscapes with Deloreans, Batmobiles, aliens, King Kong, The Iron Giant. There’s Prince and Van Halen on the soundtrack and even a sequence where Spielberg lets loose his inner Kubrick. Wade, who calls himself Parzival in the OASIS, teams up with his best buddy, Aech…

Like the popular 2011 Ernest Cline science fiction novel on which it’s based, “Ready Player One” is an extended valentine to those pop culture relics, most of which came out in the ’80s and are thus beloved by people who grew up watching, well, Steven Spielberg movies. Spielberg avoids any allusions to his own films apart from a stray dinosaur who may or may not hail from “Jurassic Park.” But as one of the undisputed high priests of American popular entertainment, he is in many ways enshrining his own legacy. Frankly, I wish he’d been more careful with it.

(7) BOSON PURSUIT. Researchers say a “Higgs factory a ‘must for big physics'”.

Physicists had hoped that the [Large Hadron Collider] would turn up evidence of physics phenomena not explained by the Standard Model. So far, efforts to detect new physics have come away empty-handed, but studying the Higgs in more detail might break the impasse.

A successor to the Large Hadron Collider would be designed in a way that allows scientists to zero in on the Higgs boson.

The LHC works by smashing beams of proton particles together, but the collisions that produce the Higgs also produce many other particles. This makes it complicated to work out which collisions produce the Higgs boson.

A different type of particle smasher, called an electron-positron collider, should produce only a Higgs and another particle called a Z boson.

(8) VOYAGE TO THE MOON. A Kickstarter to fund the English translation of Georges Méliès’ autobiography hit its target in the first couple of days.

81 years ago, at the age of 77, Georges Méliès – the father of narrative and fantastical film – hand-wrote his autobiography; the story of the creation of cinema from not only a firsthand witness but also its greatest innovator. It has been completely unavailable since 1945 and has never been translated into English. This is one of the great unseen texts of cinema history.

I’ve had it translated. And it’s GREAT! Reading it blew my film-loving mind. A voice from history telling me in his own words about how cinema began and his role in it. Now I need your help to rescue this important, illuminating and fascinating testimony, to get it back into print and where it truly belongs – in our hands and on our bookshelves.

…. In 1937, a year before he died, he wrote longhand a 32 page autobiography detailing his life, his work and his observations on both. He sent it to a film historian who was writing a book about him. The first 500 copies of this book were packaged with a facsimile of the manuscript. What remains of that print run exists now only in the jealously guarded collections of film enthusiasts who have been lucky or wealthy enough to secure one.

This memoir is an enthralling story in which Méliès guides us from his childhood into his early career, explaining how all of the elements fell into place to put him in the perfect position to become a pioneer of cinema. He talks about becoming one of the first people in the world to see a projected moving image at a private demonstration by the Lumiére brothers and the international mission this inspired him to take to become a part of the new medium. He explains how and why he became the first impressario of cinema, how he built France’s first film studio and how he invented special effects techniques and helped define the very format of cinematic film. More than this, it’s a human story; at times braggadocios, joyous, humble and bitter. We learn how times and the industry changed, how he became the first victim of film piracy and how he ended up in his old age, forgotten, broke and selling toys and sweets in a tiny stall in Montparnasse train station. Most interesting to me was discovering that he was a man already aware of his legacy and surprisingly unhappy about how he could see he was going to be remembered. His memoir crackles with life and is a vivid account of the dawn of movies from its most colourful participant.

(9) HEAR FRITZ LEIBER. Fanac.org’s new YouTube video pairs a sound recording of Fritz Leiber’s “Monsters And Monster Lovers” talk from the 1964 Worldcon with selected images.

Pacificon II, the 22nd World Science Fiction Convention, was held in Oakland, CA in 1964. In this interesting audio with images, Fritz Leiber speaks eloquently about his favorite literary monsters (from Yog Sothoth to the forest in Peer Gynt), the relationship of science fiction to traditional monsters, why we are drawn to these characters, and on horror in a time of war. The first 10 minutes or so are a loving listing of characters, and the meat of the talk starts after that. This material was provided by The Southern California Institute for Fan Interests (SCIFI), and Jerome Scott, Director of Projects for SCIFI in LA.

 

(10) MAYNARD OBIT. Bill Maynard (1928-2018): British actor, died March 30, aged 89. Genre appearances: You Too Can Have a Body (1960), The Boy with Two Heads (all seven episodes, 1974), Zodiac (one episode, 1974).

(11) TODAY IN HISTORY

  • March 30, 1988 Beetlejuice premiered. The Hollywood Reporter has reposted its review of the film.
  • March 30, 1990 Teenage Mutant Ninja Turtles hit theaters.

(12) BIRTHDAY AUTHOR. Steven H Silver’s “Birthday Reviews” series at Black Gate celebrates “Chad Oliver’s ‘Transformer’”.

Oliver’s writing career began with the publication of the short story “The Land of Lost Content” in the November 1950 issue of Super Science Stories. He published short fiction through his career, with his final story published in 1991. During that time, he also published six novels and collaborated occasionally with Charles Beaumont and Garvin Berry. His 1984 story “Ghost Town” was nominated for the Nebula Award for Best Short Story.

(13) WILD ANIMAL WARNING. Your Charlton Police Department knows some coyotes are more dangerous to themselves.

(14) ACE REPORTER. Jon Del Arroz says he will be on hand for the Hugo finalist announcement at the 7 Stars Bar & Grill in San Jose tomorrow. The bar’s online schedule promises there will be Bottomless Mimosas and karaoke on Saturday – no wonder he can’t stay away!

(15) FREE READ. The winner of the “Quantum Shorts” fiction contest has been posted.

Scientific American and Nature partnered with the Center for Quantum Technologies in Singapore, which organizes the annual competition….

The mind-bending possibilities of quantum physics lend themselves to philosophy—to wondering about the theory’s implications for the meaning of life, the idea of free will, the fate of us all. A talented pool of writers have capitalized on those implications to produce an impressive array of entries in this year’s Quantum Shorts contest, which invites short fiction based on the ideas of quantum mechanics. Scientific American and Nature partnered with the Center for Quantum Technologies in Singapore, which organizes the annual competition. Judges, including Scientific American and Nature editors, selected a winner and runner-up in two categories—“open” and “youth”—and online voting identified a “people’s choice” favorite; all winners will receive a cash award, a certificate and an engraved trophy.

(16) NEW FORNAX. Charles Rector’s 21st issue of his fanzine Fornax [PDF file] is available at EFanzines. Here’s what’s inside —

Among other things is an essay about how I was treated as a handicapped student by gym teachers while I was in the public schools during the 1970’s.  There is also an essay about how the Big Tech companies such as Google, Twitter and You Tube have been using their power to censor political speech by conservatives and socialists and how this all ties in with the allegations that all anti-establishment activity is tied in with Vladimir Putin and his gang in Russia.  There is also an essay about irresponsible rhetoric such as Guy H. Lillian III’s defense of Al Franken and this Daniel Greenfield character who claims that we are on the verge of “civil war” because there is a great deal of opposition to the Trump Administration. There is also a look back at the Solar Empire game of yesteryear.

There are also some essays by both Robin Bright and Gerd Maximovic as well as poetry by Denny E. Marshall.

(17) RED PELT, BLUE PELT. Huffington Post reports “Alt-Right Furries Are Raging Online, And Leftist Furries Wonder What Is To Be Done”.

…However, the vocal subgroup of Alt-Furries has been hard at work asserting their space within the movement of late, and it’s this very spirit of inclusivity they wish to expunge.

“The furry ‘community’ is a fandom that has been overrun by liberal ‘tolerance’ and ‘acceptance’ and as a result it’s become sanctuary to hardcore paedophiles and
people with serious mental problems,” the unnamed author of Nazi furry erotica “The Furred Reich” told The New Statesman, which has been doggedly covering the Alt-Furry scene for years.

The core furry community, then, finds itself in quite the bind: Can a group founded upon the idea of consummate tolerance embrace a clique that’s so staunchly intolerant?

For the opposing furries leading an outright fight against the alt-right, the answer is no. Dogpatch Press, a furry news source offering “fluff pieces every week day,” often rails against Alt-Furries and their attempts at indoctrination. In February, a Dogpatch writer with the fursona Patch O’Furr published a “deep dive into the Altfurry mission to ‘redpill’ fandom with hate,” warning readers about the #AltFurry mission to indoctrinate members of the fandom and spread its white supremacist teachings.

According to O’Furr, furry fandom is a perfect venue for alt-right recruiters. Just as Pepe the Frog (RIP) served as a seemingly harmless, comedic package through which to promulgate racist, misogynist and xenophobic beliefs, fursonas can act as effective, hirsute fronts for extreme views. As Furry fandom member Deo elaborated in a Medium post, furry communities ? often populated by “socially awkward internet nerds” ? are prime targets for alt-right trolls, who target young people, outsiders and insecure, white men.

(18) KERMODE. Here are three recent genre film reviews by YouTuber Mark Kermode.

  • Ready Player One

“Really properly good fun!”

 

  • Annihilation (audio only)

“Shame I didn’t get the chance to see it in the cinema” and “a really fine piece of work”

 

  • A Wrinkle in Time

“I’d rather a film aimed high and tripped than played it safe, and I think A Wrinkle in Time does that”

 

[Thanks to John King Tarpinian, JJ, Martin Morse Wooster, Steve Green, Chip Hitchcock, IanP,Cat Eldridge, Andrew Porter, John A Arkansawyer, Gregory Benford, Ann Marie Rudolph, Brian Z., Charles Rector, with Carl Slaughter as The Beaver for some of these stories. Title credit belongs to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 3/27/18 Godstalk It, Jake, It’s Pixel Scroll

(1) READ THE GAME. The Read it Forward site is celebrating Ready Player One’s theatrical debut this week with an interactive 8-bit-inspired excerpt that “gamifies” the prologue from Ernest Cline’s novel. [Click on the GIF to view.]

Read your way to the top of the Scoreboard as you earn points for discovering Easter eggs that bring the content to life. As readers learn of Parzival’s hunt for the keys to OASIS, they’ll maneuver their way around a maze, attend an ‘80s dance party, unlock footnotes, and more. Upon completion, readers can add their name to a Scoreboard and share their score with a link to the excerpt on social media. All of the excerpt’s hidden extras are unlocked once a reader earns the maximum score of 10,000 points.

(2) TV INTEREST IN THREE-BODY PROBLEM. From io9: “Report: Amazon May Pay $1 Billion to Adapt the Hugo-Winning Chinese Novel The Three-Body Problem”.

The Hugo-winning Chinese novel The Three-Body Problem could become Amazon’s Game of Thrones. A new report from Financial Times suggests Amazon is pursuing a deal to make a three-season television show based on the trilogy from Liu Cixin, and it may be willing to pay up to $1 billion to do so.

According to the Financial Times report, international investors say Amazon is negotiating for the rights to produce three seasons based on Remembrance of Earth’s Past, the scifi trilogy more commonly known by the title of its first book, The Three-Body Problem.

In a statement reported by Chinese news outlets, YooZoo Pictures stated that it remains the sole owners for the film and TV rights for The Three-Body Problem, though it didn’t comment on whether Amazon had approached the company or were in talks with them to collaborate on this reported streaming project. Cixin was also asked about this development by Chinese news outlet MTime.com, where he revealed he knew nothing about the project and doesn’t know if he’d be invited to work on it.

(3) DISSENTING VOICE. In contrast to those looking forward to the movie, Vox says “The Ready Player One book used to be considered a fun romp. Then Gamergate happened,” in “The Ready Player One backlash, explained”.

A time traveler from 2011 could be forgiven for being deeply confused by this response. In 2011, Ready Player One was beloved. It was “a guaranteed pleasure.” It was “witty.” It was not only “a simple bit of fun” but also “a rich and plausible picture of future friendships in a world not too distant from our own.”

What gives? How did the consensus on a single book go from “exuberant and meaningful fun!” to “everything that is wrong with the internet!” over the span of seven years?

… But the main thing Ready Player One is doing is telling those ’80s-boy-culture-obsessed gamers that they matter, that in fact they are the most important people in the universe. That knowing every single goddamn word of Monty Python and the Holy Grail can have life-or-death stakes, because why shouldn’t it? (Yes, that is a crucial step in Wade’s battle to save the OASIS.)

For readers in Cline’s target demographic in 2011, that message felt empowering. For readers who weren’t, it felt like a harmless piece of affirmation meant for someone else. Everyone deserves a silly escapist fantasy, right? And since Cline’s silly escapist fantasy wasn’t specifically meant for girls — unlike, say, Twilight, which was getting savaged in popular culture at the timeReady Player One was largely left alone by the people it wasn’t built for…

(4) ASHBY STORY. This month’s entry in the Future Tense Fiction series, “Domestic Violence” by Madeline Ashby, is a free read at Slate.

A partnership of Slate, New America, and Arizona State University, Future Tense explores how emerging technologies will change the way we live. The latest consumer gadgets are intriguing, but we focus on the longer-term transformative power of robotics, information and communication technologies, synthetic biology, augmented reality, space exploration, and other technologies. Future Tense seeks to understand the latest technological and scientific breakthroughs, and what they mean for our environment, how we relate to one another, and what it means to be human. Future Tense also examines whether technology and its development can be governed democratically and ethically.

And there’s also a response essay from Ian Harris, who works on technology issues with the National Network to End Domestic Violence: “The Complicated Relationship Between Abuse and Tech”.

Violence against women is having something of a moment right now. Which is to say, portrayals of domestic violence in film and TV are gaining critical acclaim. Through shows like Big Little Lies and movies like I, Tonya, popular culture is grappling with more nuanced representations of domestic violence and the humanity of survivors of abuse. These are important conversations, and I hope that this is the start of a profound societal transformation, though time will tell. For me, the most disturbing part of these portrayals is not the brutality of the assaults, but how frequently physical violence is prioritized over other types of abusive behavior. It is what we don’t see that worries me.

We see this distorted prioritization in real life, too. I’ve been a domestic violence attorney for more than a decade. Despite the long list of clients who have struggled to get the justice system to live up to its name, I have found that survivors are much more likely to get help for physical assaults than for other kinds of abusive behavior such as stalking, surveillance, harassment, and intimate image disclosures, which frequently feel more harmful to the survivor.

(5) AVENGERS PLUG. A new TV spot for Marvel Studios’ Avengers: Infinity War.

The end is near. One month until Avengers: Infinity War.

 

(6) SEARCH FOR DIVERSE FICTION. Rocket Stack Rank has another new feature. Greg Hullender explains:

In response to readers who wanted a way to find good stories by diverse authors, we did an analysis of the most-recommended short speculative fiction stories written by people of color in 2015 and 2016 — “Best People of Color SF/F of 2015-2016”.

This only looks at stories that got some sort of recognition (e.g. solid recommendation from a prolific reviewer, inclusion in a years-best anthology, finalist for a major award), so just 481 stories across those two years. Of those, 112 were written by people of color.

The credit for this work goes to Eric Wong, who did the hard work of looking up information on all the authors as well as customizing the software to let readers group the data different ways.

(7) BLOWN UP, SIR. In “This teacher aims to get kids fired up about chemistry”, the Washington Post’s Kitson Jazynka profiles University of Texas chemistry instructor Kate Biberdorf, who “breathes fire and makes explosions that blast the eyes out of jack-o-lanterns.”

Or what about one who, with a quick pour of potassium iodide into a mix of hydrogen peroxide, dish soap and food coloring, makes bubbly foam that shoots toward the ceiling? Kate Biberdorf is no imaginary teacher. She’s real, and she’s coming to Washington next month, bringing along her blowtorch and cornstarch, her supplies of liquid nitrogen and dry ice, and a lot of enthusiasm for chemistry.

Bibersdorf’s website is http://katethechemist.com/.  How could Filers NOT be interested in a woman who says her goal in life is “to have an explosive science show in Vegas?”

(8) HELP BILL SPENCER. Paul Di Filippo urges readers to support a GoFundMe that will “Give Back to Bill Spencer”.

We all need a little help sometimes. This is one of those times for Bill. He has several different health issues going on right now and the medical expenses he is incurring that are not covered through Medicare are mounting and could get much worse.   As well, he’s facing some unforeseeable out of pocket expenses that could potentially end up being a serious problem.   Right now, Bill simply doesn’t have enough for monthly bills, day to day living expenses and numerous co-pays that keep coming his way for various medical necessities.

Many readers know Bill as the award-winning writer William Browning Spencer, author of novels like Zod Wallop, Resume with Monsters and short-story collections like his latest, The Unorthodox Dr. Draper and Other Stories.

But Bill has contributed to others in a very different way as well.  By freely and graciously donating endless amounts of his time over the years to sponsoring and supporting people who are facing their own daunting problems related to alcohol, drugs and living life.  It’s time to give back to Bill what he has so freely given.

This is something Bill would never ask for himself, but he is one of my best friends and I know he is important to folks like yourself, who may wish to help in his time of need.  Bill is truly one of the most amazing, caring and hilarious human beings I know and if you’re reading this you most likely feel the same.  I think we’d all love for Bill to have the peace of mind of knowing that, whatever happens, he need not be stressed out and worried each day about how he’s going to pay for medication or a test or procedure he needs on top of his modest monthly and day to day expenses.

(9) BISCHOFF OBIT. Writer David Bischoff, 66, of Eugene, OR died March 19. He was a contributor to Doug Fratz’ 1970s fanzine Thrust. His first professional successes included The Seeker, a novel published in 1976, and the Nebula-nominated story “Tin Woodman,” co-authored with Dnnis Bailey, later adapted into both a novel and TV episode for Star Trek: The Next Generation. He also wrote the Star Trek tie-in novel Grounded, which spent time on the bestseller list. His other TV work included Dinosaucers (with Ted Pedersen). Bischoff wrote 75 original novels, and tie-in novels for movies and TV series.

David Bischoff. Photo by and copyright Andrew Porter.

(10) A POLICEMAN’S LOT. Camestros Felapton reacted to Richard Paolinelli’s minor league prank of complaining to the Aussie cops about Felapton’s blog.

(11) MOUNTAINTOP EXPERIENCE. “The hidden history of the UK’s highest peak”: A tourist hiking trail once led to an early weather station whose records are now being used to trace climate change.

Back in Victorian Britain, science was still largely an amateur pastime conducted by bands of self-financed enthusiasts who formed scientific societies. One was the Scottish Meteorological Society, which set up and maintained a network of weather stations across Scotland between 1855 and 1920.

(12) WAVE GOODBYE. “Stephen Hawking’s final interview: A beautiful Universe” starts from LIGO discovery of grav waves.

Tell us how important is the detection of two colliding neutron stars?

It is a genuine milestone. It is the first ever detection of a gravitational wave source with an electromagnetic counterpart. It confirms that short gamma-ray bursts occur with neutron star mergers. It gives a new way of determining distances in cosmology. And it teaches us about the behaviour of matter with incredibly high density.

(13) MAY THE ODDS BE ALWAYS IN YOUR FAVOR. Don’t look up — “Tiangong-1: China space station may fall to Earth ‘in days'”.

Should I be worried?

No. Most of the 8.5-tonne station will disintegrate as it passes through the atmosphere.

Some very dense parts such as the fuel tanks or rocket engines might not burn up completely. However, even if parts do survive to the Earth’s surface, the chances of them hitting a person are incredibly slim.

“Our experience is that for such large objects typically between 20% and 40% of the original mass will survive re-entry and then could be found on the ground, theoretically,” the head of Esa’s space debris office, Holger Krag, told reporters at a recent briefing.

“However, to be injured by one of these fragments is extremely unlikely. My estimate is that the probability of being injured by one of these fragments is similar to the probability of being hit by lightning twice in the same year.”

(14) WEDDING BELLS. Page Six headline: “‘Star Trek’ star marries Leonard Nimoy’s son”:

Live long and prosper, you two.

Adam Nimoy, son of the late “Star Trek” icon Leonard Nimoy, and “Star Trek: Deep Space Nine” actress Terry Farrell married on Monday, on what would’ve been Leonard Nimoy’s 87th birthday.

The couple tied the knot in a civil ceremony at City Hall in San Francisco, according to film critic Scott Mantz, who tweeted a photo of the couple on their wedding day. Farrell retweeted Mantz’s photo and wrote, “Freakin AWESOME day!!!!!!! Love ya all! Aka: Mrs. Adam Nimoy.”

She also changed her Twitter bio to include “Mrs. Adam Nimoy.”

(15) COMPLAINTS ABOUT DATE OF HUGO ANNOUNCEMENT. The announcement of the 2018 Hugo finalists wouldn’t be on March 31/Passover/Easter weekend/a Saturday if it was up to these folks:

(16) VERTLIEB CANVASSES. Rondo Awards voting closes April 8 at midnight and Steve Vertlieb hopes people will consider his nominated article “Robert Bloch: The Clown at Midnight” for Best Article of the Year.

My published work about the author of “Psycho” … “Robert Bloch: The Clown At Midnight” … has been nominated for a Rondo Award for “Best Article of the Year.” Anyone can vote.  This year’s competition ends Sunday night, April 8th, at midnight. To vote for my remembrance of Robert, simply send your choice, along with your name, to taraco@aol.com

This is the story of my twenty five year friendship with acclaimed writer Robert Bloch, the author of Psycho. It is the newly published remembrance of a complex, remarkable man, and our affectionate relationship over a quarter century.

Robert Bloch was one of the founding fathers of classic horror, fantasy, and science fiction whose prolific prose thrilled and influenced the popular genre, its writers, and readers, for much of the twentieth century. An early member of “The Lovecraft Circle,” a group of both aspiring and established writers of “Weird Fiction” assembled by Howard Phillips Lovecraft during the early 1930’s, Bloch became one of the most celebrated authors of that popular literary genre during the 1940’s, 1950’s, and 1960’s, culminating in the publication of his controversial novel concerning a boy, his mother, and a particularly seedy motel. When Alfred Hitchcock purchased his novel and released “Psycho” with Anthony Perkins and Janet Leigh in 1960, Bloch became one of the most sought after authors and screen writers in Hollywood. His numerous contributions to the acclaimed television anthology series “Alfred Hitchcock Presents” are among the best of the director’s classic suspense series, while his legendary scripts, adaptations and teleplays for Boris Karloff’s “Thriller” series for NBC are among the most bone chilling, frightening, and horrifying screen presentations in television history. He also famously penned several classic episodes of NBC’s original “Star Trek” series for producer Gene Roddenberry. Writers Stephen King, Richard Matheson, and Harlan Ellison have written lovingly and profusely of their own literary debt to Robert Bloch. Bob was, for me, even more significantly, a profoundly singular mentor and cherished personal friend for a quarter century. This is the story of that unforgettable relationship.

(17) NUMBER PLEASE. A strange post at George R.R. Martin’s Not a Blog caught Greg Hullender’s eye: “I wonder if this is a coded announcement that Winds of Winter is coming?” “Yowza” consists of a series of pictures of hands with finger extended as though counting. But does the number 4534 really mean anything?

[Thanks to Andrew Porter, Joey Eschrich, Cat Eldridge, John King Tarpinian, Ghostbird, Martin Morse Wooster, JJ, Carl Slaughter, Chip Hitchcock, Mike Kennedy, Greg Hullender, Paul DiFilippo, and Mark Hepworth for some of these stories, Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

2018 Recommended SF/F List

By JJ: This thread is for posts about 2018-published works, which people have read and recommend to other Filers.

There will be no tallying of recommendations done in this thread; its purpose is to provide a source of recommendations for people who want to find something to read which will be Hugo-eligible next year.

You don’t have to stop recommending works in Pixel Scrolls, please don’t! But it would be nice if you also post here, to capture the information for other readers.

The Suggested Format for posts is:

  • Title, Author, Published by / Published in (Anthology, Collection, Website, or Magazine + Issue)
  • Hugo Category: (Novel, Novella, Novelette, Short Story, Related Work, Graphic Novel, etc)
  • link (if available to read/view online)
  • optional “Brief, spoiler-free description of story premise:”
  • optional “What I liked and didn’t like about it:”
  • (Please rot-13 any spoilers.)

There is a permalink to this thread in the blog header.

Pixel Scroll 3/17/18 Several Species Of Small Furry Filers Gathered Together In A Scroll And Grooving With A Pixel

(1) DISNEY EXTRACTS HAND FROM COOKIE JAR. Design Taxi reports “Disney Redesigns ‘Star Wars’ Posters After Getting Called Out For Plagiarism”.

Disney has unveiled a new set of posters for the upcoming Solo: A Star Wars Story after its previous artworks were called out by a French artist for plagiarism.

In this redesigned collection, Disney has amended the graphics whilst sticking to a similar color scheme.

Each character remains paired with a unique color. For instance, ‘Han’ is matched with an orange-red aesthetic, ‘Lando’ gets a blue hue, while ‘Q’ira’ receives a pink-purple scheme.

 

(2) SCRYING THE CRYSTAL CLARKE. Ian Mond takes his shot at predicting the Clarke Award shortlist in “Brief Thoughts on the Arthur C. Clarke Award 2018 Submissions List” at The Hysterical Hamster.

Mark Hepworth did the same in a comment here on File 770.

(3) MANO-A-MANO. Steven Barnes, while speculating about which characters will get killed off in the next Avengers movie, added an interesting cultural critique of the martial arts in Black Panther.

this is petty, and a trivial objection, but another missed opportunity was the battle between T’Challa and Killmonger during the ceremony. It relates to a complaint I had about Civil War (which I loved). This is from a life-long martial artist’s perspective, so I’m only partially serious. The problem is this: BP fought like everyone else in Civil War, and his technique looked very Asian. Korean in the kicks. Not what the Prince of Wakanda would use, because African arts are as lethal. But in BP, both T’Challa and Killmonger fought pretty much the same. I find it difficult to believe that Killmonger, never having been in Wakanda, would fight with techniques that look as if he had been trained by the same people who trained T’Challa. They could have had a fascinating clash of styles. But that is really nit-picking.

(4) PANTHER POLITICAL ANALYSIS. At Blog of the APA: In “Black Issues in Philosophy: A Conversation on The Black Panther”, Greg Doukas and Lewis Gordon discuss the politics and ethics of leading characters in the movie.

GREG DOUKAS: I am thoroughly perplexed by the reaction exhibited in some of my friends and colleagues, whose ideas I otherwise ordinarily agree with. The proposition they raise, and which I’ve been troubled by, is this: Over the duration of the film, our hero T’Challa [the Black Panther] makes a transformation from a nativist into a character representing a liberal politics of amelioration and liberalism more generally, while his nemesis Killmonger emerges as a distinctly Fanonian character in his own politics by presenting a radical critique of colonialism and racism. 

LEWIS GORDON: This is far from the case. First, Killmonger is not Fanonian. He is a tyrant. Fanon believed in radical democracy.  Wakanda is clearly a republic and possibly a constitutional monarchy in which each member of the society contributes as counsel and skilled citizen. It’s clearly a city-state or what in ancient Greek is called a polis, in which politeia (the thriving of citizens through activities cultivated by such a social space) is expected to occur. Killmonger is more like the case studies of colonial disorders in the later part of Fanon’s The Damned of the Earth. He is a tyrant because his relationship to everyone was asymmetrical, driven by resentment and hate, and his regard for life was nil. Think of how he killed his loyal girlfriend Linda and how he ultimately aimed to destroy or destabilize Wakanda—a functioning African state—with the now faddish Afropessimistic declaration of “burning it all down.”  His ego was such that he wanted to bar, through destruction of the special vibranium affected plant, the possibility of future Black Panthers emerging. Bear in mind also that T’Challa was not against fighting/violence. His point is that it should be used only when necessary, and he was doing so always on behalf of justice and a people in whose respect rested his legitimacy.  Killmonger didn’t care about respect from the people.  He also didn’t have respect for them. His “legitimacy” was like, say, Donald Trump’s: achieved purely from the strict adherence to the imperfect rules, though unlike Trump he actually defeated his opponent in fair combat. The people revolted against him not because he won the ritualistic battle but because his tyrannical rule defied the virtues the battle was to manifest. They fought against him in fidelity to the spirit of the rules.

(5) IMPRESSIVE. Rich Lynch actually came up with video of the Octavia Butler clue from Friday’s episode of game show Jeopardy! Click here: Jeopardy! Butler clue

(6) WHO AGAINST GUNS. Comics Beat updates readers: “Who Against Guns raises $16,000”.

We’ve been reporting on the fan-led effort known as Who Against Guns for several weeks now. Today, just over two weeks after the start of the campaign which launched February 26, organizers have announced that they’ve raised $16,000 for these gun violence prevention charities:  Community Justice Reform CoalitionMarch For Our Lives, the Brady Campaign to Prevent Gun Violence and Moms Demand Action.

(7) TOLKIEN’S DOG STORY. Middle-Earth Reflections takes up J.R.R. Tolkien’s Roverandom.

Originally Roverandom was conceived in 1925 when the Tolkiens — Ronald and Edith with their sons John, Michael and Christopher — went on a family holiday to Filey, Yorkshire. They rented a cottage with the view of the sea and the beach to spend a big part of September there. At that time the Tolkiens’ second boy Michael, who was about five years old, had a small, black-and-white toy dog. The boy  was extremely fond of it to the extent that he never parted with it. It was an unfortunate loss of that beloved toy during a walk on the beach one day and unavailing search for it that led Tolkien to make up a story about the dog’s adventures to explain its disappearance to the saddened boy.

In 1936, when The Hobbit was accepted for publication by Allen & Unwin, Tolkien was asked for more children’s stories, so he sent in Roverandom together with  Mr Bliss and Farmer Giles of Ham. However, Roverandom was not published then: in 1937 The Hobbit came out, proved a tremendous success and the publishers demanded more Hobbit stories from the author. It was only in 1998 that Rover’s tale finally saw the light of day.

Just like some other stories written by Tolkien, Roverandom began as something told to the amusement (or, in this case, consolation was the initial motive) of his own family. But as the story began to grow, it inevitably drew in more aspects of Tolkien’s background and interests. From a simple children’s story it established connections with Tolkien’s own Legendarium, Norse mythology, Arthurian legends, folklore, history and real events which took place at the time when the story was being created and written down.

(8) SPOILER WARNING. In Zhaoyun’s “Microreview [TV series]: The Frankenstein Chronicles” for Nerds of a Feather, the spoiler isn’t what you think.

It’s one of the longest-running gags in show business: cast Sean Bean in your TV series and there is an extremely high chance his character will perish by the end of season one. If in a movie, he’ll probably die heroically, indeed motivationally, spurring the surviving heroes on to greater successes; in TV series, his specter looms over the remainder of the show, meaning everything that happens from then on occurs in the shadow of his sacrifice (since he is usually innocent of any wrongdoing but is executed/killed anyway). So when I finally watched The Frankenstein Chronicles, I knew to expect a gruesome end for Bean’s “John Marlott” at the end of season one. I don’t even feel the need to issue a spoiler alert so far, because Sean Bean’s near-inevitable death early in projects is a truth universally acknowledged.

(9) TENTH ANNIVERSARY. Kasma editor Alex Korovessis offers 10 Years of SF as a free download:

10 Years of SF! is an anthology featuring some of the best stories I have had the privilege to publish over the past 10 years, since Kasma’s inception in 2009. It is available freely by clicking the appropriate button below.

(10) THE MORE THINGS CHANGE. A fan lamented:

In the few months I have been an active member of fandom, I have found knit into its fabric a conglomeration of ego, hate, progressiveness, overbearing acts, belligerence, perversities, totalitarianism, crack-pot ideas and every good and bad thing that goes to make up the outside world.

Today on Facebook? No, these are the words of Clarence “Sully” Roberds, an Illinois fan writing in November of 1939. Think about that the next time you read a complaint that fandom isn’t what it used to be.

(11) COMICS SECTION.

  • John King Tarpinian passes along Drabble’s stfnal St. Paddy’s joke.
  • And Bizarro’s tribute to the Sasquatch.

(12) 2019 HUGO RECOMMENDATIONS. Coffee break’s over – back to work!

Click to see Renay’s 2019 Hugo Sheet (at Google Docs).

(13) OFTEN IMITATED. Inverse celebrated the release of Forbidden Planet on March 15 in “62 Years Ago Today, the Template for All Sci-Fi Movies Was Born”.

Nearly every science fiction story you know and love today owes it all to one movie that came out in 1956, a film that set the standard for how sci-fi stories work for the modern audience. Franchises like Star Wars and Star Trek might have defined sci-fi for generations, but Fred McLeod Wilcox’s Forbidden Planet basically created sci-fi as we know it.

There’s even an opening scrawl with yellow text more than 20 years before the first Star Wars movie.

(14) BALLS. “Ikea Is Developing The Meatball Of The Future” – no, it’s not made from ground-up Billy bookcases.

Ikea is the largest furniture retailer in the world. But did you know that it’s also likely the largest meatball retailer in the world? Across its 340 stores worldwide, Ikea feeds people 2 million meatballs each day. Which is why Ikea’s high-concept Space10 lab is experimenting with a meatball of the future–one that uses zero actual meat. They call it the Neatball.

…The Space10 team is careful to clarify that none of these items are coming to market, but it’s interesting to see Ikea’s thought process on the future of food all the same. After all, Ikea has already given us a veggie version of its famous meatballs that people seem to like. And Space10 released meatball concepts not long ago that have since gone from art project to fully cooked concept here–because that’s what Space10 does: It prototypes the future for Ikea.

(15) AMAZON VS. CONSERVATIVES. Vox Day finds that Amazon’s alleged massacre of conservative authors’ book reviews is highly exaggerated [Internet Archive].

Of course, the mere fact that there is a closed alliance of authors with personal relationships who pay very close attention to reviews may explain at least a reasonable percentage of these deletions, given the terms of service. I checked out my reviews and it looks like ten or fewer reviews were deleted across all my various book listings. Not only that, but several of the reviews were one-star fake reviews, so two of my average ratings actually increased. This made me suspect that the deleted reviews were likely in open violation of Amazon’s terms of service, which Amanda Green’s investigation appears to have generally confirmed.

He also says in a comment:

Don’t get Clintonian. It’s not tricky at all. Are they family? Are they close friends? Did they work on your book?

If so, then don’t review their books.

That being said, I think Amazon would be well advised to limit reviews to Verified Purchases in addition to whatever conflict-of-interest limitations they see fitting.

Let’s face it, the world doesn’t need any more reviews on the lines of “I am so-and-so’s mother and I can’t believe he wrote a whole book! It’s really good!”

(16) COMICS RANT. The comics artist Colleen Doran went on an epic Twitter rant about “diversity hires.”

It implies things about race, it implies things about sex, it implies things about sexuality. And because I can’t read your mind, I don’t really know what “diversity hire” means to you. But I know what it means to me. So tread that ground with care.

Start the thread here —

(17) THE FORCE IS WITH THEM. Pacific Standard profiles “The Jedi Faithful”.

Disambiguating real-world practices from the traditions that the Star Wars franchise established is not so much a passing curiosity as one of the central reasons the group of Jedi has assembled here for the weekend. Belief in the Force here on Earth is ultimately simple enough, a matter of faith that requires no greater suspension of disbelief than praying to any other life-force or deity. However, the practical extension of that belief, as demonstrated in the Star Wars canon—namely, that one can use the Force to exert mental influence on the external world—poses a larger problem: The cosmos, absent green screens, doesn’t so easily succumb to the will.

And so, for those following the Gospel of Lucas, life can often seem a battle of approximations. Lightsabers here on Earth aren’t in fact shafts of light, but an alloy of plastic and LEDs. Jedi on Earth have downgraded telekinesis for noetic sciences and a belief that collective thought can influence external change. And, as their possession of DVD box sets, plastic lightsabers, and Star Wars kitsch indicates, they, unlike their fictional counterparts, haven’t quite subscribed to an ascetic’s denial of worldly attachments

(18) MAGIC SCHOOLS. L. Jagi Lamplighter says Superversive SF’s Fantastic Schools and Where to Find Them blog is “just a fun thing a couple of us are doing–covering magic schools and schooling in general. We are open to posts from anyone who writes about Magic Schools. It’s just a labor of love kind of thing. Nothing big. (Or anyone who has an opinion on either magic schools or schools in general.)”

She penned their most recent post: “Which Magic School Is For You: Roke”.

How many of you ever wished you could attend Roke? I bet many readers don’t even know what Roke is.

Once upon a time, in the long-ago dream time of the 1970s and 80s, there were three fantasy series everyone read: Tolkien’s Lord of the Rings, C. S. Lewis’s Narnia Chronicles, and Ursula LeGuin’s Earthsea Trilogy. Everyone who read fantasy had read all three, and they were considered equally great.

I remember the day, some years ago now, when I realized that while Narnia and Lord of the Rings had made the grade, Earthsea had been basically forgotten. Many modern fantasy fans had never heard of the books. They didn’t even know that LeGuin had invented one of their favorite concepts: the magic school.

But Ursula Leguin’s magic school in Wizard of Earth Sea was the first time a fantasy writer thought “Gee, we see so many wizards in stories. Who trains them? Where do they go to school?”

And what she gave us was Roke.

(19) MUPPETS. Gwynne Watkins, in the Yahoo Entertainment story “Miss Piggy’s ‘a mess inside’: Frank Oz and puppeteer pals reveal Muppet secrets”, interviews several associates of Jim Henson who are promoting Frank Oz’s HBO documentary Muppet Guys Talking.

If I were thinking about, from a viewer’s perspective, which Muppet changed the most over time, I would say Miss Piggy

Oz: Yeah, probably so. But Piggy is a different situation. I’ve said this before: Her beginnings were in the women’s liberation movement, just by accident. And I don’t consciously change things, but the characters don’t interact with the world — I interact with my world. And I don’t interact in such a way where I say, “Oh, I’ve got to put that in my character.” I think because of the zeitgeist, it just kind of happens without me knowing it. But Piggy’s a little different. Piggy is such a mess inside, that I think as the years go on, she gets more and more emotional baggage. And that’s mainly why she changes. She keeps being rejected by the frog. She keeps trying and cannot do the things that she wants to, like tell jokes or dance. So I think she has this emotional baggage that hurts her more and more and more, and as a result she covers more and more and more. That’s what I think. 

[Thanks to JJ, Mark Hepworth, Andrew Porter, John King Tarpinian, rcade, Cat Eldridge, David Doering, Carl Slaughter, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Ken Richards.]

2017 SFF Short Fiction Venue Eligibility Posts

By JJ: In the run-up to the Hugo Nomination deadline on March 16, for handy reference, here is a list of links to the eligible 2017 works published by short fiction venues.

Online and Print Magazines

Original Anthologies


If you can point me to eligibility lists by any of the missing magazines, it would be appreciated.

Update 02/24/2018: Added info provided by commenters.