Tag Archives: Hugo Losers Party

Pixel Scroll 2/16/20 I Scroll. The Pixels Take The Same Shape As A Previous Title. All Scroll. O The Embarrassment

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(1) FOR WANT OF A NAIL. A Miss Manners column linked here earlier in the month has now made its appearance in the Washington Post — “Miss Manners: ‘Losers’ party’ goes from bad to worse”. The comments have led a few hundred people to File 770’s post “GRRM on the Hugo Losers Party”.

Dear Miss Manners: I was nominated for an award, which I did not win — and that’s fine!

Before the awards ceremony, all nominees were given an invitation to the “losers’ party” after the ceremony. The party was off-site, and we (losing nominees and our plus-ones) were taken there in buses.

I was on the second bus, and when we arrived, we found out that entry into the party venue had been cut off due to capacity concerns. Our bus driver refused to take us back to the original venue, and we were all left standing in the street on a chilly evening, wearing our nice clothes — “we” being at least 50 people….

(2) BACK TO BACK. Nerdbot points out another remarkable example of what you cn do with tech today: “Here’s RDJ & Tom Holland As Doc And Marty In Back To The Future”.

Deepfake videos never cease to amaze me. They do such an amazing job that it’s hard to imagine that they aren’t really performing the part. Now EZRyderX47 on YouTube has created a mash up of Back to the Future with none other than our favorite Marvel dynamic, Robert Downey Jr. and Tom Holland. Check out the film down below.

(3) SWEAR IN THE PANEL. [Item by Daniel Dern.] “Anti-solar panel can generate electricity at night, researchers say” – Inverse has the story.

Researchers from the University of California, Davis explain in a new paper that was just published in the journal ACS Photonics that if you want to create a solar panel that generates electricity at night, then you just have to create one that operates the exact opposite way solar panels work during the day. It’s being referred to as the “anti-solar panel.”

Solar panels are cold compared to the Sun, so they absorb the Sun’s light and turn it into energy. Space is very cold, so if you point a panel on Earth that is comparatively warm toward it, it will radiate heat as invisible infrared light. This allows you to generate electricity by capturing that power. The paper claims such a device could generate about a quarter of the electricity at night that a normal solar panel generates during the day.

Jeremy Munday, a professor in the Department of Electrical and Computer Engineering at UC Davis who is an author of the paper, tells Inverse that whether it’s a solar panel or this anti-solar panel, these things are essentially just “heat engines.”

(Music to cue up: Flanders and Swann, “…heat can’t pass from the cooler to the hotter” from their “First & Second Law” (of thermodynamics, not robotics.)

And here’s a dramatic (and dramatized) (not sung) version: “First and Second Laws of Thermodynamics”

Finally, here’s a charming version via Oberlin! “First and Second Laws — Scofield, Lemberger, and Owen”

Oberlin College Physics Professors John H. Scofield and Rob Owen along with OC senior physics major Ben Lemberger (piano) perform Flanders and Swann’s “First and Second Laws” for intro physics class on May 7, 2014.

(4) FOLLOWED BY A SECRET PANEL. “13 things you didn’t know about Ray Bradbury” from RayBradbury.com.

2

The Secret Panel

Not only did Bradbury create fantastical worlds with pen and paper, he also lived in a surreal world of his own creation. His Beverly Hills office (just like his home basement office) was filled with items that tickled his imagination: cartoons, figurines, stuffed animals, masks, and magic. In fact, Bradbury was so often lost in his own imaginary world that he would forget the demands of reality. He regularly forgot the keys to his office, but he solved this minor inconvenience by using a secret sliding panel.

(5) SFF AT BOOKEXPO 2020. Machado and Roanhorse will be there: “Reedpop Announces Annual Adult Book & Author Breakfast Lineup at BookExpo 2020”.

The lineup for BookExpo’s Adult Book & Author Breakfast, scheduled for Thursday, May 28, has been announced. Zerlina Maxwell, radio host and MSNBC political analyst, will host and discuss her new book The End of White Politics: How to Heal Our Liberal Divide (Hachette Books), which will hit stores just a few days earlier, on May 26.

Joining Maxwell will be United States Poet Laureate Joy Harjo, there to present When the Light of the World was Subdued, Our Songs Came Through, a Norton Anthology of Native Nations Poetry featuring the work of more than 160 poets from nearly 100 indigenous nations; bestselling author Carmen Maria Machado, who will discuss her upcoming comic book debut, The Low, Low Woods, a new horror comic from Joe Hill’s imprint at DC; U.S. Representative Ilhan Omar (D.-Minn.), onstage to showcase her forthcoming memoir, This Is What America Looks Like, arriving from HarperCollins on May 26; and fantasy author Rebecca Roanhorse, there to discuss her novel Black Sun, the first book in a new epic fantasy trilogy about four warring matriarchies vying for power, to be published by Gallery/Saga Press.

(6) REMINGTON OBIT. Artist Barbara Remington, whose work included iconic covers of paperback editions of The Lord of the Rings and The Hobbit, has died at the age of 90 reports Comicbook.com.

…Remington is best known for illustrating Ballantine Books’ paperback editions of Tolkien’s fantasy novels, which began to be published in 1965 and quickly gained a cult status amongst readers. According to The New York Times, Remington died on January 23rd in Susquehanna, Pennsylvania, with her longtime friend John Bromberg citing breast cancer as the cause of death.

As Remington revealed in an interview with Andwerve, her work on the Lord of the Rings and Hobbit covers came about on a very tight deadline.

“Ballantine was in a hurry to get these books out right away,” Remington revealed. “When they commissioned me to do the artwork, I didn’t have the chance to see either book, though I tried to get a copy through my friends. So I didn’t know what they were about. I tried finding people that had read them, but the books were not readily available in the states, and so I had sketchy information at best.”

“When Tolkien saw the fruit tree, he asked, ‘What are pumpkins doing in a tree?’ Of course they weren’t pumpkins, but he wasn’t sure what they were,” Remington added. “He was especially perplexed about the lion on the cover because there are no lions in the story. He requested that Ballantine remove the lions from the cover, so they painted them over for later books.”

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 16, 1939 — Chuck Crayne. An important conrunner who died before his time. (I’m quoting Mike there, so please don’t complain.) He was a LASFS member who was most active during the Sixties and Seventies. You can read Mike’s full post on him here. (Died 2009.)
  • Born February 16, 1951 — William Katt, 69. Ralph Hinkley, the lead of The Greatest American Hero. A series I know I watched and loved at the time.  In December 1975, he auditioned for the part of Luke Skywalker But didn’t get the role obviously. 
  • Born February 16, 1953 — Mike Glyer, 67. Let’s praise the man who’s created the finest online community for SFF fandom that one could possibly hope for. One that entertains and educates us. It’s no wonder that he has won the Best Fan Writer Hugo four times and File 770 Itself has won the Best Fanzine Hugo seven times. Happy Birthday Mike!
  • Born February 16, 1954 — Iain M. Banks. I’m certain I’ve read the entire Culture series even though I certainly didn’t read them in the order they were written. My favorites? The Hydrogen Sonata was bittersweet for being the last ever, Use of Weapons and the very first, Consider Phlebas, are also my favs. And though not genre, I’m still going to make a plug for Raw Spirit: In Search of the Perfect Dram. It’s about whisky, good food and his love of sports cars. (Died 2013.)
  • Born February 16, 1957 — Ardwight Chamberlain, 63. The voice of Kosh on Babylon 5. And that tickles me, as I don’t think they credited it during the series, did they? Most of his other voice work English dubbing versions of Japanese anime including Digimon: Digital Monsters and The Swiss Family Robinson: Flone of the Mysterious Island.
  • Born February 16, 1964 — Christopher Eccleston, 56. The Ninth Doctor who’s my third favorite among the new ones. Other genre work includes 28 Days Later, The Seeker, G.I. Joe: The Rise of Cobra, Thor: The Dark World, The Leftovers, The Second Coming and The Borrowers. He also played Macbeth at the Royal Shakespeare Theatre and the Barbican Theatre. 
  • Born February 16, 1968 — Warren  Ellis, 52. I think Planetary is bloody brilliant as is Global Frequency and Transmetropolitan. His work on The Authority is not to be sniffed at either, nor should we overlook Iron Man: Extremis. He’s got two rather superb novels, Crooked Little Vein and Gun Machine, that are not genre but which if if you like hard-boiled detective fiction, I’ll strongly recommend both.

(8) COMICS SECTION.

(9) WHAT’S THE MATTER WITH KIDS TODAY? Grayson Quay reminds readers about “The Time C.S. Lewis Went Full ‘Get Off My Lawn’” at The American Conservative.

…That essay, “Delinquents in the Snow” [1957] from the collection God in the Dock, begins with Lewis griping about neighborhood kids who constantly bother him by singing terrible renditions of Christmas carols at his door and expecting money in return. Then, with increasing crankiness, he tells the reader that these are probably the same kids who broke into his shed and stole some stuff recently. Other than Lewis’s intuition, there’s no connection between the carolers and the discourse on criminal justice that follows. Like I said, it’s a weird essay.

Basically, Lewis is angry that the kids who robbed his shed were let off easy by the court and will therefore likely grow up to commit “burglary, arson, rape, and murder.” Without any additional evidence, he extrapolates this single event into a nationwide trend and predicts that unless something is done about it, the result will be either an outbreak of vigilante violence or a full-scale revolution.

“Delinquents in the Snow” is full of cringe-inducing moments. Lewis insists on referring to the female judge who gave the delinquents a mere slap on the wrist as “the Elderly Lady,” suggesting a lack of respect for women in positions of authority. He also writes that “when the State ceases to protect me from hooligans I might reasonably, if I could, catch and trash them myself.” The mental image of a 59-year-old university don beating up children would be funny if I weren’t afraid he actually meant it. There’s even a hint of Atlas Shrugged in there when he says that by failing to adequately punish crime, society risks pushing middle-class “bearers of what little moral, intellectual, or economic vitality remains” to the point at which “they will snap.”

(10) CZECH THAT OUT. Glenn Erickson remembers “Three Fantastic Journeys by Karel Zeman” at Trailers from Hell

…t first it seemed too good to be true, a movie all about the ‘fabulous’ aventures of one of the two authors I’d read at age nine, Jules Verne. I was visiting my Aunt Virginia (yes, for real) and she dropped me off alone at the theater in Las Vegas. First, I had to sit through a dumb circus movie called Jumbo, probably Bimbo the Great. But then came a movie that looked like a cartoon, but not really. At first I was really disappointed, as were some of the kids in the theater with me. But after just a couple of minutes we were entranced. It wasn’t what we expected from a cartoon, or a movie. It was like vintage book illustrations come to life. Every new scene was a wonderment that went beyond the question, ‘how’d they do that?’   We were transported to the other side of movie reality, into something like a moving dream. Who knew that this movie and the brilliant sci-fi picture Voyage to the End of the Universe came from a Communist country?  All the names were Anglicized. I had heard of Czechoslovakia in 1962 only because somebody said it had been invaded in a war newsreel.

(11) GREEN LANTERN. DC press release: “Green Lantern 80th Anniversary 100-Page Super Spectacular #1 Arrives May 20, 2020”. Tagline: “Comics’ Brightest Celebrate Eighty Years of Galactic Peacekeeping.”

“In brightest day, in blackest night,
No evil shall escape my sight.
Let those who worship evil’s might,
Beware my power, Green Lantern’s light.”

Since the first Green Lantern was introduced in All-American Comics #16 in May 1940 by artist Martin Nodell and writer Bill Finger, the Green Lanterns have been fan-favorite characters with millions of comic book fans….

To commemorate the 80th anniversary of the original Green Lantern, Alan Scott, DC will be publishing Green Lantern 80th Anniversary 100-Page Super Spectacular #1 on May 20, 2020. Join us to see tales of all of the universe’s most legendary Green Lanterns: Alan Scott, Hal Jordan, John Stewart, Guy Gardner, Kyle Rayner, Jessica Cruz and Simon Baz, plus appearances from other cosmic favorites!

In addition to a dynamic cover by Liam Sharp, fans and collectors can also look forward to eight variant covers spotlighting Lanterns throughout the decades, drawn by some of comics’ premier artists….

(12) HIGHLANDS AND OUTLANDS. In the Washington Post, Erika Mailman says that many fans of Outlander enjoy visiting the 42 sites in Scotland where filming took place during the first four seasons of the show and gives a guide to where the show films and what fans can see when they visit. “The Outlander Effect: The popular book and TV series is increasing travel to these Scottish sites”.

Best-selling author Diana Gabaldon hadn’t even set foot in Scotland when she began the book that launched the popular Outlander series. But she’s made the country so attractive to readers — and to watchers of the Starz television program, which resumes with Season 5 on Sunday — that the Scottish government’s tourism agency gave her an honorary Thistle Award for generating a flood of visitors to the fens, glens, jagged mountains and soft jade landscapes she so alluringly describes. According to numbers from VisitScotland, Outlander has increased tourism by an average of 67 percent at the sites mentioned in the books or used in filming.

(13) ALL ABOARD. Food & Wine says “‘Harry Potter’ Fans Will Love the Napa Valley Wine Train’s New Murder Mystery Experience”.

…The “Witches and Wizards” theme will take place on Saturday, October 24, and guests are encouraged to wear witch hats and wizard robes. (If you have a wand, you might as well bring that too.) Like the rest of the murder mystery experiences on the train, it includes a ride on the train, “murder mystery dinner theatre,” and a multi-course gourmet meal, which is prepared by executive chef Donald Young…

(14) AN ANTI-SMARTWATCH? That’s one description — “Activate This ‘Bracelet of Silence,’ and Alexa Can’t Eavesdrop” in the New York Times.

Last year, Ben Zhao decided to buy an Alexa-enabled Echo speaker for his Chicago home. Mr. Zhao just wanted a digital assistant to play music, but his wife, Heather Zheng, was not enthused. “She freaked out,” he said.

Ms. Zheng characterized her reaction differently. First she objected to having the device in their house, she said. Then, when Mr. Zhao put the Echo in a work space they shared, she made her position perfectly clear:“I said, ‘I don’t want that in the office. Please unplug it. I know the microphone is constantly on.’”

Mr. Zhao and Ms. Zheng are computer science professors at the University of Chicago, and they decided to channel their disagreement into something productive. With the help of an assistant professor, Pedro Lopes, they designed a piece of digital armor: a “bracelet of silence” that will jam the Echo or any other microphones in the vicinity from listening in on the wearer’s conversations.

The bracelet is like an anti-smartwatch, both in its cyberpunk aesthetic and in its purpose of defeating technology. A large, somewhat ungainly white cuff with spiky transducers, the bracelet has 24 speakers that emit ultrasonic signals when the wearer turns it on. The sound is imperceptible to most ears, with the possible exception of young people and dogs, but nearby microphones will detect the high-frequency sound instead of other noises.

(15) APRIL SHOWERS BRING MAYFLOWERS. “Mudlarks Scour the Thames to Uncover 2,000 Years of Secrets” in the New York Times.

From ribald tokens from London’s Roman past to hints of the Mayflower’s fate, mudlarks discover the story of a constantly changing London — but only at low tide….

“What you are looking for are straight lines and perfect circles,” she said, her eyes scanning the surface of the mud for man-made artifacts. “They sort of stand out from the natural shapes.”

Within minutes she had spotted fragments of a 17th-century jug, the half-face of a bearded man visible in the clay.

The name — mudlark — was first given to the Victorian-era poor who scrounged for items in the river to sell, pulling copper scraps, rope and other valuables from the shore. But more recently the label has stuck to London’s hobbyists, history buffs and treasure hunters who scour the river edge searching for objects from the city’s past.

Mudlarking’s popularity has grown steadily in recent years, driven in part by social media communities where enthusiasts share their finds, and tour groups that offer a trudge through the shards of history’s castoffs.

…“I like just to collect what the river decides it’s going to leave on that day,” Ms. Maiklem said. “It’s that element of luck.”

But sometimes there are more significant finds, like the first “spintria” found in Britain. Spintriae are Roman bronze tokens, with depictions of sexual acts on one face and a Roman numeral on the other, whose purpose remains uncertain.

And every tide reveals some of the city’s varied story: Roman coins, medieval badges worn by religious pilgrims, an elaborate 17th-century watch.

The Thames, the very reason people began settling in the city over 2,000 years ago, is one of the best preservers of London’s history. The river has been used many ways over the millenniums — as a highway, a source of food and, most important to mudlarks, as a dump.

(16) OLD VIDEO OF THE DAY. Kirk Douglas drinks coffee with Ray Bradbury, John Barry and John Frankenheimer in Japanese commercials

[Thanks to Dan Bloch, John King Tarpinian, JJ, N., Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Andrew Porter, Patrick Nielsen Hayden, Michael Toman, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Jamoche.]

Pixel Scroll 2/5/20 Scroll, A Scroll, A Scroll I’ll Make, How Many Pixels Will It Take?

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(1) EXTREME 18TH CENTURY HORROR. For publishing this book author Lewis would live the rest of his life under a cloud, even though he did get to spend “the summer of 1816 with Mary Shelley and Percy Bysshe Shelly in Geneva, where the three of them recounted ghost stories to each other.” — “Brian Keene’s History of Horror Fiction, Chapter Eight: The Monk and 1796 Cancel Culture” at Cemetery Dance.

As I pointed out in our last column, Walpole’s novel is one of two that has inspired much that has come since, beginning with Mary Shelley, Bram Stoker, and Edgar Allan Poe (all of whom we’ll be getting to soon).

The other novel that serves as the genre’s ancestral blueprint is The Monk by Matthew Gregory Lewis.

Up until the publication of The Monk in March of 1796, the Gothics mostly followed Walpole’s formula. The books usually featured a mystery or threat to the main character, an evil villain threatening the virtue of a virginal female, supernatural elements such as a ghost or an ancestral curse, and secret passages in crumbling mansions or castles. That template carried over into the next century, as evidenced by the bulk of the stories published in the pulps during the 1930s.

But with The Monk, Matthew Gregory Lewis took Walpole’s formula, as well as the influence of Radcliffe’s The Mysteries of Udolpho, and ran them through a meat grinder. The result was the most shocking novel of the century. If The Castle of Otranto was the world’s first horror novel, then The Monk was the world’s first extreme horror novel. As author J.F. Gonzalez once said, “In some ways, The Monk can be seen as the entire hardcore oeuvre of Edward Lee and Wrath James White of 1796. It was certainly hardcore for its time, and as a result it was banned and suppressed in later editions.” 

(2) ON THE FRONT OF F&SF. The Magazine of Fantasy & Science Fiction’s Mar/Apr 2020 cover art is “Walkabout” by Mondolithic Studios.

(3) MO*CON. The day after Maurice Broaddus’ 50th birthday Mo*Con: Origins begins: “Imagine a convention that’s nothing but a barcon. writers, artists, publishing professionals, and fans having great conversations while enjoying great meals”.

The event takes place May 1-3, 2020 at Café Creative (546 E. 17th Street, Indianapolis, IN). Guests of Honor are Nisi Shawl, Chesya Burke, Linda Addison, Wrath James White, and Brian Keene, with Editor Guest Scott Andrews (Beneath Ceaseless Skies), Publisher Guest of Honor Jason Sizemore, Special Guests K. Tempest Bradford, Jeff Strand, Lynne Hanson, and Featured Local Artists Deonna Craig and Rae Parker.

(4) RIPPLES OF RESENTMENT. Miss Manners answered a letter of complaint about the Hugo Losers Party at Dublin 2019 in the San Francisco Chronicle on February 3: “Party was for ‘losers,’ and that’s how they felt”.

No apology or explanation has been given by the party organizers, and that’s really all I want. The radio silence feels like an implication that I’m being the unreasonable one for being upset I wasn’t allowed into a party I was explicitly invited to. Am I in the right or wrong here?

George R.R. Martin wrote several thousand words of explanation here, and specifically said there were things he was sorry for, including — “They had to wait, yes, and I am sorry for that, and it should not have happened, and a number of mistakes were made, most by me.” Alex Acks, who was one of the invited Hugo losers stuck outside, thought the piece fell far short of being an apology (“I didn’t feel personally belittled until this moment: George’s Hugo Losers Party explanation”). Although the Miss Manners letter has parallels to Acks’ post, since that’s been on the internet since September anybody could have cribbed from it. (Question: Does Miss Manners really just wait for letters to show up, or does she have helpers searching for real-life inspirations like this?)

(5) CLASH OF OPINIONS. Deadline says SYFY Wire’s The Great Debate will begin airing this summer, hosted by comedian and actor Baron Vaughn (Grace & Frankie, Mystery Science Theater 3K) and his robot sidekick DB-8.

The show will throw a group of nerds in a room as they answer questions like “Who’d be a worse boss, Darth Vader or the Joker?” or “Would you rather have a Green Lantern ring or a Wizard Wand?”

(6) WE CAN REMOVE YOU WHOLESALE. Tor.com’s James Davis Nicoll calls these “Five SF Precursors to Murderbot”. Number two is —

Jenkins, a robot who appears in Clifford Simak’s City fix-up, at first glance seems an Asimovian robot, dutifully serving the Webster family across generations. Each new cohort of humans make decisions that seem justifiable at the time; each choice assists humans on their way to irrelevance and extinction. It’s little wonder, therefore, that ultimately Jenkins transfers his loyalty away from foolish, suicidal, and sometimes vicious humans to their successors, the gentle Dogs. Humans may have built Jenkins but rather like Frankenstein, they never earned his loyalty.

(7) A DIFFERENT ‘TUDE. The Times Literary Supplement’s Science Fiction Issue came out this week.

John Updike was not much of a fan of science fiction, objecting to the flash and glare of its imagined scenery, complaining that it “rarely penetrates and involves us the way the quietest realistic fiction can”. To Updike, the genre was little more than an “escape into plenitude”. This week, we certainly provide plenitude, but also an examination of the breadth of science fiction, not least the way it often involves much more than Updike ever allowed.

We begin with two authors whose membership of the SF canon comes with qualification: they are “more” than simply genre novelists. Both H. G. Wells and John Wyndham share a certain approach to the extra-terrestrial, “examining the impact on real-life society of a perturbing incident or two”. Pippa Goldschmidt notes that, when it comes to Wyndham’s triffids, only “persistent and hard physical work will succeed in clearing the protagonist’s land of these all-pervasive plants”. There is more quiet realism here than Updike might have noticed.

One of the pieces is “When we fought a lot of dwarves”, a memoir about the Advanced Dungeons & Dragons Players Handbook.

… Robert Cohen, in The Sun Also Rises, liked to brag that if all else fails, a man can still make a living playing bridge. Somewhere in the back of my mind, I’ve always known that if I hit rock bottom, there’s a shelf in the TV room of my parents’ house in Austin where I’ve got several hundred dollars’ worth of role-playing games. Not just the standard stuff (bent-sided bright red box sets of the old Basic edition), but specialist limited editions like Privateers and Gentlemen. The pick of the bunch, the one that gave me the most pleasure as a kid, is also the most obvious: my 1978 Advanced Dungeons & Dragons Players Handbook.

(8) BARNETT OBIT. The Encyclopedia of Science Fiction crew mourns the death of one of their colleagues: “Paul Barnett (1949-2020)”.

Our old friend and fellow-encyclopedist Paul Barnett — who published mostly as by John Grant — died unexpectedly on 3 February 2020. Besides a prodigious output of solo-written sf, fantasy and nonfiction, he was Technical Editor of the second edition of the SF Encyclopedia (1993), and co-editor with John Clute of the 1997 Encyclopedia of Fantasy , for which they shared a Hugo; he also wrote many new artist entries and updated existing ones for the current online edition of this encyclopedia. See his SFE entry for some indication of his considerable achievement.

(9) KIRK DOUGLAS OBIT. Kirk Douglas, a throwback to Hollywood’s golden age, died February 5 at the age of 103. Although best known as the leading man in movies from Spartacus to Paths of Glory, his portfolio includes appearances in such genre productions as Ulysses (based on Homer), Disney’s production of 20,000 Leagues Under the Sea, TV movie Dr. Jekyll and Mr. Hyde (he played both leads, of course), Saturn 3, the WW2 time-travel movie The Final Countdown, and an episode of the Tales From the Crypt TV series.

He also was the recipient of the 25th Ray Bradbury Creativity Award in 2012.

Bo Derek and Kirk Douglas in 2012.

He wasn’t known as a singer, yet his rendition of “Whale of a Tale” is iconic.

(10) TODAY IN HISTORY.

  • February 5, 1944 — The original Captain America himself — Dick Purcell — premiered theatrically in the silver screen serial. This Republic black-and-white serial film was based on the Timely Comics (now known as Marvel Comics) Captain America character. It was the last Republic serial made about a superhero, and the next theatrical release featuring a Marvel hero would not occur for more than forty years. It was the most expensive serial the company ever produced. You can watch it here.
  • February 5, 1953 — Walt Disney’s Peter Pan premiered.
  • February 5, 1983 — T. J. Hooker‘s “ Vengeance Is Mine” premiered. It’s being listed here as Shatner playing Sgt. T. J. Hooker encounters Nimoy in the role of a disturbed police officer whose daughter was raped. For this one episode, these two Trek stars were reunited. 
  • February 4, 1994 – The Next Generation’s “Lower Decks” episode from their final season first aired. It’s being included here as the CBS All access service will be adding an animated series in 2020 to the Trek universe called Star Trek: Lower Decks which has already been given a two-season order. The episode itself is consistently ranked among the best episodes of that series making the Best of Lists, and ranking as high as Variety listing it as one of the fifteen best Next Gen episodes. 
  • February 5, 1998 — Target Earth premiered. It starred Janell McLeod, Dabney Coleman and Christopher Meloni, and was directed by Peter Markle from a script from Michael Vivkerman. It seems to have been intended as a pilot for a series but it faired poorly at the box office, critics didn’t like (“sheer rubbish” said several) and it currently has a 29% rating among reviewers at Rotten Tomatoes.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 5, 1906 — John Carradine. I’m going to count Murders in the Rue Morgue as his first genre appearance. After that early Thirties films, he shows up (bad pun, I know) in The Invisible Man, The Black Cat, Bride of Frankenstein,  Ali Baba Goes to Town, The Three Musketeers and The Hound of the Baskervilles. Look that’s just the Thirties. Can I just state that he did a lot of genre work and leave it at that? He even had roles on The Twilight Zone, The Munsters, Lost in Space, Night Gallery and the Night Strangler. (Died 1988.)
  • Born February 5, 1915 — Sam Gilman. He played Doc Holliday in the Trek episode,”Spectre of the Gun”. Surprisingly he’s done little additional in genre showing only up in a one-off in the Tucker’s Witch series, and a starring role in Black Sabbath. Now Westerns he was a pro at. (Died 1985.)
  • Born February 5, 1919 — Red Buttons. He shows up on The New Original Wonder Woman as Ashley Norman. Yes, this is the Lynda Carter version. Somewhat later he’s Hoagy in Pete’s Dragon followed by being the voice of Milton in Rudolph and Frosty’s Christmas in July.  He also played four different characters on the original Fantasy Island. (Died 2006.)
  • Born February 5, 1924 — Basil Copper. Best remembered for Solar Pons stories continuing the character created as a tribute to Sherlock Holmes by August Derleth. I’m also fond of The Great White Space, his Lovecraftian novel that has a character called Clark Ashton Scarsdale has to be homage to Clark Ashton Smith. Though I’ve not seen them them, PS Publishing released Darkness, Mist and Shadow: The Collected Macabre Tales of Basil Copper, a two-volume set of his dark fantasy tales. (Died 2013.)
  • Born February 5, 1941 — Stephen J. Cannell. Creator of The Greatest American Hero. That gets him Birthday Honors. The only other genre series he was involved with was The 100 Lives of Black Jack Savage which I never heard of, but you can see the premiere episode here. (Died 2010.)
  • Born February 5, 1961 — Bruce Timm, 59. He did layout at Filmation on the likes of of Flash Gordon and He-Man and the Masters of the Universe. Sought work at DC and Marvel without success before being hired at Warner Brothers where his first show was Tiny Toons before he and his partner on that series created Batman: The Animated Series. That in turn spawned more series by him —  Superman: The Animated Series, Batman Beyond, Static Shock, Justice League in several series and Green Lantern: The Animated Series. Certainly not all of them but that’s the one I remember seeing and enjoying. His first love is comics. He and writer Paul Dini won the Eisner Award for Best Single Story for Batman Adventures: Mad Love in the early Nineties and he’s kept his hand in the business ever since. Harley Quinn by the way is his creation. He’s a voice actor in the DC Universe voicing many characters ranging from the leader of a Jokerz gang in a Batman Beyond episode to playing The Riddler in Batman: Under the Red Hood.
  • Born February 5, 1964 — Laura  Linney, 56. She first shows up in our corner of the Universe as Meryl Burbank/Hannah Gill on The Truman Show before playing Officer Connie Mills in The Mothman Prophecies (BARF!) and then Erin Bruner in The Exorcism of Emily Rose. She plays Mrs. Munro In Mr. Holmes, a film best described as stink, stank and stunk when it comes to all things Holmesian. Her last SF was as Rebecca Vincent in Teenage Mutant Ninja Turtles: Out of the Shadows.
  • Born February 5, 1974 — Rod Roddenberry, 46. Son of those parents. Currently Executive Producer on Discovery, Picard and Lower Decks. His very first job in the Trek franchise was as production assistant on Next Gen. Interestingly his Wiki page says he was a Consulting Producer on the fanfic video Star Trek: New Voyages. 

(12) COMICS SECTION.

  • Shoe makes a confession when asked to define a word.
  • Lio creates Dr. Jekyll & the Missing Link.
  • Bizarro creates what I might call a “meowshup.”

(13) IS GOOFY JEALOUS? SYFY Wire wonders if “Pluto’s frozen heart could be causing all those strange formations on its surface”.

Pluto might have been demoted from planet status, but it still has a heart.

Tombaugh Regio is literally the beating heart of Pluto. Half nitrogen ice and half glacier-studded highlands, this frozen heart is located in the Sputnik Planitia basin and is now thought to control the dwarf planet’s wind circulation — kind of like how the human heart is the epicenter of the human circulatory system. It could also possibly be the source of many strange features, like those weird ice dunes that could be a landscape from beyond the Wall in Game of Thrones.

(14) FOUR WALLS DO NOT A PRISON MAKE. At Galactic Journey, Cora Buhlert reviews two stories, a James White prison break, and Jack Vance’s Space Opera. “[February 4, 1965] Space Prison of Opera (February Galactoscope #1)”.

When I spotted The Escape Orbit by James White in the spinner rack at my local import store, what first attracted me was the cover, showing two humans fighting a tusked and tentacled monstrosity. But what made me pick up the book was the tagline “Marooned on a Prison Planet”. Because stories about space prisons are like catnip to me.

(15) BEWARE KRAPTONITE. Io9 warns: “Forget Superbabies, Superman & Lois Will Feature Superteens Instead”.

Sorry if you were looking forward to seeing superpowered baby-raising shenanigans on the CW’s upcoming Superman & Lois spin-off series. The network just announced who’ll be playing the sons of Superman and Lois Lane, and it looks like the show will be leaning into teen drama instead. Well, it is the CW. What did you expect, really?

(16) RECYCLED HEAT. “Can we heat buildings without burning fossil fuels?”

The world is on average getting warmer, but we still need to keep buildings at liveable temperatures year-round. Is it possible to cut emissions while keeping warm in winter?

To look at, the dark, dripping sewers of Brussels seem an unlikely place for anything particularly valuable to be hidden. But a wet day reveals all.

During a winter downpour, the brick tunnels become subterranean waterslides. Fresh rain tumbles from drains in the street above, joining waste water already in the sewers from sinks, baths, showers and toilets on their long journey downstream. The volume of these fluids and, crucially, their temperature are the reason that the city’s energy experts’ minds are in the gutter.

“The heat of the tunnels always astonished me,” says Olivier Broers, head of investment at the city’s water company, Vivaqua. He first noticed the Belgian city’s dormant heat source 20 years ago when he worked in tunnel restoration. He recalls days when there was ice and snow in the city, but on climbing down a manhole, he would find the sewers an ambient 12-15C. “Enough to fog my glasses,” he recalls.

…Tunnel Vision

In Belgium, residential heating accounts for around 14% of total greenhouse gas emissions. Of that heat, the largest source of loss is through what goes down the drain and into the sewer. To try and recoup that loss, Broers has developed a prototype heat converter that can be installed in the sewers themselves….

(17) BEST SUPPORTING ROLE. “Green light for UK commercial telecoms Moon mission” – BBC has the story.

UK satellite company SSTL has got the go-ahead to produce a telecommunications spacecraft for the Moon.

The platform, which should be ready for launch in late 2022, will be used by other lunar missions to relay their data and telemetry to Earth.

Satellites already do this at Mars, linking surface rovers with engineers and scientists back home.

The Lunar Pathfinder venture will do the same at the Moon.

SSTL is financing the build of the satellite itself but will sell its telecoms services under a commercial contract with the European Space Agency (Esa).

It’s hoped other governmental organisations and private actors will purchase capacity as well.

…Nasa’s Project Artemis has identified 2024 as the date when the “first woman and the next man” will touchdown, close to the lunar south pole.

The plan is to put the UK satellite into a highly elliptical orbit so that it can have long periods of visibility over this location.

Pathfinder is expected to be particularly useful for any sorties – human or robotic – to the Moon’s far side, which is beyond the reach of direct radio transmission with Earth.

(18) VIDEO OF THE DAY. “Turtle Journey: The Crisis In Our Oceans” on YouTube is a cartoon done by Aardman Animations for Greenpeace about the need to protect turtle habitat in the oceans.

[Thanks to Mike Kennedy, John King Tarpinian, Martin Morse Wooster, Cat Eldridge, Chip Hitchcock, JJ, Gordon Van Gelder, Darrah Chavey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xopher Halftongue.]

Buhlert: Dublin 2019 Worldcon Photos — Part 2: The Hugo Losers Party

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[Editor’s Introduction: Cora Buhlert shares her photos from the Hugo Losers Party at Dublin 2019.]

By Cora Buhlert:

  • At the Hugo Losers Party at approx. 11:20 PM. Doesn’t look very busy yet
  • This must be the infamous “old guard” partying that we’ve heard so much about. (I have no idea who these people are, but they sat at the same table all night. I think Greg Hullender chatted with them, so he might know).
  • So what do you do at the coolest party in town? Check out Hugo longlists and statistics, of course.
  • George R.R. Martin speaking
  • George R.R. Martin handing out Alfie Awards to Jane Johnson and Malcolm Edwards
  • Jo Van and I line up for our mugshots
  • A look across the atrium of the Guinness Storehouse at the Hugo Losers Party, which has spilled out onto the mezzanine. The function room, where the party took place, is named after William Arrol, a Scottish engineer/architect who designed the steel construction of the Guinness Storehouse as well as the Tower Bridge in London and several other bridges around the UK and the gantry crane used to build the Titanic.
  • A look at William Arrol’s steel construction at the Guinness Storehouse. Yes, I’m weird and go to the coolest party in town to take pictures of the architecture.
  • Another look at the mezzanine and atrium at the Guinness Storehouse
  • A downward look at the atrium of the Guinness Storehouse and William Arrol’s steel construction.
  • A tank, pipes and valves at the Guinness Storehouse. Like I said, I’m weird and took photos of the architecture.

GRRM: More Hugo Losers
Party History

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By George R.R. Martin: Tammy Coxen’s history of the Hugo Losers Party was informative, even to me.    I was at almost all of those conventions, and a good many of those parties, but the precise details of when the next year’s Worldcon took over have been lost in the mists of time.

Here are a few additional details that you may find of interest… things I do remember…

We say that the 1976 party was held in my hotel room at KC, and that’s certainly how it started… but there was more to it than that.   Purely by happenstance, my room — an ordinary double in the Muehlebach Towers — was at the end of a corridor, on the same floor as the hotel pool.   Capacity was an issue even then, but when the crowd overfilled the room, the party simply spilled out into the hallway, and then out onto the pool deck.   Hotels did not seem to mind hall parties in those days.   People sat on the floor with their backs against the walls and passersby stepped over them.  And when Joe Haldeman showed up, having won the Hugo for FOREVER WAR, the fans picked him up and threw him in the pool.   Today’s winners get off easy with their funny hats.

I don’t even recall when and how we came to throw a second party, at Suncon (1977).   Certainly I had no intention of doing so; the 1976 party had been so unique I figured it was a one-time thing.   But so many people asked me whether there would be a second party that I decided to see if we could do one.   My room that year was nothing special, however, no pool deck conveniently to hand, so I did not know where we could hold it.   I believe it was Ace Books who came to the rescue by lending us their suite.   I think Jim Baen was the editor there then, but I may be getting the years mixed up.   But it was definitely Ace that hosted the 1977 party.   They provided some of the booze too, but once again Gardner and I also scrounged from other parties.

 In 1978, in Phoenix… again, I may be mixing up the years… but Jim Frenkel was starting Bluejay Books around then, and came to me to ask for the right to host the party to publicize the line.   So the Phoenix bash doubled as a Bluejay Launch Party.   (If I have the right year).

The 1979 Worldcon was in the UK and I did not have the money to attend.   So far as I know there was no Hugo Losers Party that year.

George R.R. Martin at Noreascon (1980).

But we resumed in 1980, at Noreascon II in Boston.   Ahhh, yes.   That year I had the bad taste to win not one, but TWO Hugo Awards, so Gardner got me good when I dared showed my face at the party with the rockets in hand.   I think it was at that party that he sprayed my head with whipped cream and even had a maraschino cherry to pop on top.   And, of course, he formally threw me out of the Hugo Losers club with appropriate ceremony.   Needless to say, I have a lot of good memories of that night.   I don’t recall where we found the suite for the party, though.   We may have begged for the use of the SFWA Suite, or maybe that was a later year.

At Denver in 1981 I lost in novella with “Nightflyers” and was readmitted to the ranks of Losers.     No publisher stepped forward to let us use a suite that year, so I begged and pleaded and convinced Rusty Hevelin to let me use the suite the con had given him as Fan GOH.   It was a big lavish suite, but even so, at one point the crush became so thick that Rusty stood on a table and shouted for quiet and said, “If you are not a Hugo Loser, or do not even KNOW a Hugo Loser, please leave.”   I don’t recall if anyone did.  This was decades before the Alfies, to be sure, but I did make a presentation of sorts at that party.   Howard Waldrop had just lost for “The Ugly Chickens” (which had won the Nebula earlier that year), so I presented him with a fake F&SF cover for a non-existent special “Howard Waldrop Issue” that I’d had painted by Jim Odbert.   I also remember the rented red dinner jacket I wore that night.   Parris said I looked like the waiter at an Italian restaurant.

George R.R. Martin with the faux F&SF cover.

After that things get very fuzzy.   We threw parties in the next few years, but the details escape me.   L.A.con II in 1984 may have been the last one I helped run.   The 1985 con was Aussiecon II, and I did not have the money to get to Australia.  I don’t know if someone else threw a Losers Party there or not.    But I was definitely out of it by Atlanta in 1986.

After other hands took it over, the name Hugo Losers Party continued for a bit, but eventually they jettisoned even that.   At one party in the late 90s or early 00s I was reprimanded for calling it by the original name.  “The nominees do not appreciate being called losers,” I was told with a sniff.   “How would you like being called a loser?”   I just laughed.   “I’m one of the original losers,” I replied.   A lot of folks still used the Hugo Losers name colloquially thereafter, but from that point the official name was always something like “The Post Hugo Nominees Reception.”  At one such, during a year when he was not a nominee, Gardner Dozois was even turned away.   He was not on the list.   (He laughed about it.  A somewhat rueful, resigned laugh, but a laugh nonetheless).

Returning to the present… it might interest your readers to know that the Guinness Storehouse was our second choice for a venue.   I wanted Dublin Castle.   Alas, though they do rent the castle for parties, they have a firm policy that all events must end at 11:00 pm.   That would not have worked for us, for obvious reasons.

A Brief History of the Hugo Losers Party

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By Tammy Coxen:

1976 – GRRM holds the first Hugo Loser’s Party, an unofficial event in his hotel room

1976-1985 – GRRM continues to run the HLP as an unofficial event “usually teaming up with a publisher”

1985 to 1987 – Other people run the HLP, but it continues as an unofficial event

1988 – The people who have been running the party say they can’t do it. The 1989 Worldcon (Noreascon 3) offers to run it. At their con in 1989, they offer the 1990 Worldcon (ConFiction) the opportunity to run it, and it becomes a tradition for it to be done this way.

1989-2014 – The HLP is now an event hosted by the following year’s convention, specifically targeted at the finalists of the current year’s Hugo Awards. It’s generally held at the convention with other parties, and often opens up to the general membership after the Losers have been and gone. It gets progressively more formal as the years go on, with gifts for the finalists provided by the next year’s con. And because conventions and budgets vary, sometimes it’s a great party, and sometimes it’s not so great.

2015 & 2016 – Along come the Puppies, and GRRM revives his Hugo Losers Party. In a much bigger and more extravagant fashion, because he’s now that GRRM and he can afford to throw the best parties ever. The official, next-convention-run party continues in parallel, but attendance is dismal, with many of the finalists not even bothering to stop in before heading off to the exciting party.

2017-2019 – If you can’t beat ’em, join em! Rather than spend money and people points hosting an official convention-run HLP, the next year’s conventions decide instead to team up with George, contributing their labor and paltry budget to his grander extravaganza. This works to varying degrees of success, culminating in 2019 with Hugo finalists (who from 1988 to 2016 were told explicitly that this was a party FOR THEM) not being able to get into the party, and being understandably grouchy about it.