UK firm PS Publishing will launch a new online sf magazine called ParSec later this year. The announcement came in the wake of Interzone’s Andy Cox (TTA Press) reversing his decision to turn the magazine over to them.
Cox, in yesterday’s blog post “Interzone Does Not Have A New Publisher…” said “The deal we had was a very simple one and they had to commit to just one thing, but as soon as it became obvious they weren’t going to honour it we had no choice but to withdraw the magazine…” Whether existing subscriptions would be fulfilled seems to have been the issue, a concern prompted by PS Publishing’s statement that when Interzone resumed “by way of a goodwill gesture, the first electronic PS IZ (August 2021) will be sent free of charge to all previous subscribers,” which was understood to mean subscriptions would not be carried over by the new firm.
Ian Whates, who was going to step in as editor of Interzone and will still have that role with ParSec,told Facebook readers:
It is with considerable regret I report that I will not be the new editor of ‘Interzone’ as previously announced. On Tuesday afternoon I received an email from Andy Cox at TTA Press informing me that he had changed his mind and would not be passing the magazine over to PS Publishing after all.
I see no point in getting involved in any mud-slinging, and nor does PS, but I will say that after working solidly for three weeks on the project this came as a body blow to me, and I know that Peter [Crowther] and Nicky feel the same. There had been one stickling point regarding the handling of existing subscriptions, but we believed that to have been settled.
Determined that the energy and effort we have invested in this would not go to waste, we are excited to announce that as of this summer, PS Publishing will be launching a new digital genre magazine provisionally called ‘ParSec’ (though that might change), with yours truly as editor. What’s done is done. All of us are fired up about this new venture, and promise something very special; so watch this space!
We are excited to announce that LeVar Burton, award-winning actor and longtime host of Reading Rainbow, has been named the inaugural PEN/Faulkner Literary Champion. Launched in conjunction with the PEN/Faulkner Foundation’s 40th Anniversary, this annual commendation will recognize devoted literary advocacy and a commitment to inspiring new generations of readers and writers.
…PEN/Faulkner Literary Champion LeVar Burton will be honored, along with this year’s PEN/Faulkner Award for Fiction winner and finalists, in a virtual celebration to be held on May 10, 2021.
Following concerns expressed by subscribers and the increasing confusion about what the new publisher intended to do with the magazine, we sought some clarity. The deal we had was a very simple one and they had to commit to just one thing, but as soon as it became obvious they weren’t going to honour it we had no choice but to withdraw the magazine, along with the various parts of it we’d already handed over. In other words, we are still the publisher of Interzone.
Admittedly this does throw a spanner into the TTA works. We’d already made plans for Black Static and other things – including my own “retirement” – based on Interzone being given to a new publisher. So I’d like to ask for some time to get things back into place, and to make any changes that have to be made in order to fulfil our commitments to you. We will do everything we can to fill subscriptions, but stuff like format and schedule may have to change. We might even have to stop taking new subscriptions and follow the winding-down Black Static route. Meanwhile we will continue to try to find a trustworthy publisher who is right for Interzone.
Your input on all of this and more is always welcome so please don’t hesitate to contact me.
I’d like to finish this update by thanking everybody for the heartwarming messages received over the past few weeks. I’ve tried to reply to everybody but if I missed you please don’t think for an instant that I’m ungrateful. Like I said before, it really has been an honour.
(3) BUTLER AS VISIONARY. [Item by Joel Zakem.] In honor of Black History Month, the NPR podcast radio show Throughline is looking at the lives and legacies of three Black visionaries including Octavia Butler, whom they describe as follows:
Octavia Butler was a deep observer of the human condition, perplexed and inspired by our propensity towards self-destruction. She described herself as a pessimist, “if I’m not careful.” As an award winning science fiction writer and ‘mother of Afrofuturism,’ her visionary works of alternate realities reveal striking, and often devastating parallels to the world we live in today. Butler was fascinated by the cyclical nature of history, and often looked to the past when writing about the future. Along with her warnings is her message of hope – a hope conjured by centuries of survival and persistence. For every society that perished in her books, came a story of rebuilding, of repair. These are themes Butler was intimately familiar with in her life. She broke on to the science fiction scene at a time when she knew of no other Black woman in the field, saying she simply had to “write herself in.”
While the show is scheduled to debut on February 18, 2021, you should, as they say, check your local listings. My local NPR news station (WFPL in Louisville) is running the show on Saturday, February 27 at noon.
(4) PLAYABLE DOOMS. [Item by Martin Morse Wooster.] In the January 27 Financial Times, gaming columnist Tom Faber looks at why gamers love apocalypses.
You know how it looks. Even though the original cataclysmic text, The Book Of Revelation, is extraordinarily vivid, with the sun turning black, stars falling to earth, and a pregnant woman fighting a seven-headed dragon across the sky, gaming apocalypses are drab affairs. You trudge past areas of grey and brown wreckage, shattered cities and crumbling landmarks. You wear tattered, colourless clothes, eat out of cans and sleep in bunkers and dirty mattresses. The Whore of Babylon never swoops down on unbelievers the way she does in the Bible, drunk on the blood of slain martyrs. Clearly the apocalypse just isn’t what it used to be.”
…While the aesthetics of the gaming apocalypse are mostly tired, there are a few exceptions. Horizon Zero Dawn and Zelda: Breath Of The Wild argue that the end might look colourful and lush, Meanwhile, The Last Of Us series offers evocative dioramas of lives lived in abandoned American homes following a zombie outbreak. There are the crops on a deserted farm left to wither on the vine, and the diary entries of a girl who cannot understand why her father never comes home.
(5) THE WINTER OF OUR CONTENT – MUCH CONTENT. George R.R. Martin’s “Reflections on a Bad Year” at Not A Blog talks about the pandemic, isolation, and loss. On the other hand —
What was good about 2020? Besides the election?
Well… for me… there was work.
I wrote hundreds and hundreds of pages of THE WINDS OF WINTER in 2020. The best year I’ve had on WOW since I began it. Why? I don’t know. Maybe the isolation. Or maybe I just got on a roll. Sometimes I do get on a roll.
I need to keep rolling, though. I still have hundreds of more pages to write to bring the novel to a satisfactory conclusion.
That’s what 2021 is for, I hope.
I will make no predictions on when I will finish. Every time I do, assholes on the internet take that as a “promise,” and then wait eagerly to crucify me when I miss the deadline. All I will say is that I am hopeful.
(6) THE NEXT MIDDLE AGES. You won’t have to go back in time to get to the Middle Ages. Tribes of Europa premieres on Netflix on February 19.
2074. In the wake of a mysterious global disaster, war rages between the Tribes that have emerged from the wreckage of Europe. Three siblings from the peaceful Origines tribe – Kiano (Emilio Sakraya), Liv (Henriette Confurius) and Elja (David Ali Rashed) – are separated and forced to forge their own paths in an action-packed fight for the future of this new Europa.
…If you do not enjoy sci-fi, turn around now. Raised by Wolves is modern sci-fi at its best. The production value is very high and the scenes are beautifully shot and executed. The actors they have chosen have extremely interesting features that kind of picks up on the modernity of the entire series.
Despite being quite modern in both look and feel, it is definitely reminiscent of Ridley Scott’s earlier interests (like the first Bladerunner or Alien) which actually gives it a very retro-modern feel. We had a sneak-peek of the first two episodes, and the use of the barren landscapes and hostile environments are contrasted against the technological advances that Scott, who produced the first two episodes, fully leans into.
(8) THE NARRATIVE. “Interview with Kurt Vonnegut” at Robert Caro’s website is a terrific roundtable interview LBJ biographer Caro, Barbara Stone and Daniel Stern conducted with Kurt Vonnegut in 2012.
… VONNEGUT Let’s just use a simple word here: truth. In Slaughterhouse Five I wanted a person who dies of carbon monoxide poisoning to be a beautiful blue, and then you know I wanted a sort of swooning with the beauty of this corpse. Well, that was a mistake and I got a letter from a doctor who said a person who is a victim of carbon monoxide poisoning is rosey and it’s often commented on how well the person looks. I got letter after letter about that for about two or three years.
CARO To my mind, the prose in a non-fiction work that’s going to endure has to be of the same quality as the prose in a work of fiction that endures. And I actually tested this out for myself. I read one hunk of Gibbon ‘s Rise and Fall of the Roman Empire, then I read a part of War and Peace which is a grand historical novel, right, so I figured that’s the closest to Gibbon. So I would read a part of one then apart of the other. I did this all summer. And the writing in Gibbon is at the same level, you know, they don’t read at the same cadences but it’s at the same intensity and level as in War and Peace. I’ve always felt that no one understands why some books of non-fiction endure and some don’t, because there’s not much understanding among many non-fiction writers that the narrative is terribly important. I would say what we both do that is the same is the narrative. I mean history is narrative, just like your books are narrative.
VONNEGUT Or the reader will stop reading….
(9) JRRT. Shelf Awareness’ feature “Reading with… John Hart” – a multiple Edgar Award winner – includes these fond memories of Tolkien.
Favorite book when you were a child:
The Lord of the Rings by J.R.R. Tolkien was a birthday gift when I turned 15, and I read the entirety of it in two days, mostly sprawled out on the living room floor, or in bed until the wee small hours. This was before the movies, of course, so the experience was one of raw imagination and total immersion. Few people build worlds the way Tolkien did. I still see it my way, and not as Peter Jackson brought it to the screen….
Book you most want to read again for the first time:
Is it sad that I keep coming back to The Lord of the Rings? As an adult, I read very little fantasy. As a child, though, I was transported by the remarkable depth of this imaginary world, the complex interweaving of multiple geographies, religions, histories, cultures and interests, the peoples and places, and how they’d evolved, fought and co-existed for thousands of years. Tolkien created a foreign, remarkable, unforgettable world, yet made it entirely real to me. Total conviction. I read those stories with childlike wonder, and would pay dearly to have the experience again. I’m too old and jaded, I’m sure, but if anyone could make it happen, Tolkien would be the one to do it.
…Karl worked for Paramount for roughly 15 years, … an integral part of the campaigns for the first two Transformers movies, Indiana Jones and the Kingdom of the Crystal Skull,Star Trek, Paramount’s early Marvel movies Iron Man and Iron Man 2, Thor and the Shia LaBeouf pics Disturbia and Eagle Eye.
Post-Paramount, Karl served as the Head of Publicity for Digital Domain as well as serving various PR stints with 20th Century Fox, CBS Films and most recently Amazon…
Paramount’s Waldman told me today: “Karl was the original fanboy digital publicist. He was friendly with all the fanboy-site guys and could talk the talk. He was an integral part of Paramount’s most successful movies like the Transformers launch in 2007, Iron Man in 2008 and so many more. When we had Indiana Jones and the Kingdom of the Crystal Skull, he knew Lucasfilm left, right and center. When it came to that incredible Comic-Con when we assembled The Avengers in 2010, Karl was there.”
(11) MEDIA ANNIVERSARY.
2016 — Fifteen years ago, the Sidewise Award went to Charles Stross to Merchant Princes series for the Best Long Form Alternate History for the first three novels, The Family Trade, The Hidden Family, and The Clan Corporate. (Stross on his blog tells the story of reediting the early books in this series for republication on Tor in substantially different form. It’s well worth reading.) Invisible Sun, the next novel in the series, is due out in September of this year after being delayed several times.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 3, 1870 – Beatrice Grimshaw. Journalist with three decades in the South Pacific. Two novels and thirty shorter stories for us; a dozen novels all told, essays, a memoir. You might be able to read The Sorcerer’s Stone here. (Died 1953) [JH]
Born February 3, 1907 – James Michener. Pulitzer Prize. Tales of the South Pacific became a Broadway musical and two feature films. From best-selling novels and nonfiction (75 million copies sold during his life, e.g. Hawaii, Caravans, Centennial; nonfiction Iberia, The Floating World on Japanese prints; A Century of Sonnets, his; memoirs) a major philanthropist. Space (1982) starting with the Space program as it then existed becomes SF and is worth attention. (Died 1997) [JH]
Born February 3, 1925 — John Fiedler. He’s solely here as he played the ever so bland bureaucrat who gets possessed by the spirit of Jack the Ripper on the Trek episode “Wolf in the Fold”. I’m less interested in him than who wrote that screenplay. It was written by Robert Bloch, a master of horror who would write two other Trek episodes, “What Are Little Girls Made Of?” and “Catspaw”. (Died 2005.) (CE)
Born February 3, 1938 — Victor Buono. I remember him best in his recurring role of Count Manzeppi in The Wild Wild West. In his very short life, he showed up in a number of other genre roles as well including as a scientist bent on world domination in the Voyage to the Bottom of the Sea in an episode titled “The Cyborg”, as Adiposo / Fat man in Beneath the Planet of the Apes, Colonel Hubris in The Man from U.N.C.L.E., Professor William McElroy / King Tut in Batman, Sir Cecil Seabrook in The Girl from U.N.C.L.E. and Mr. Schubert on Man from Atlantis. (Died 1982.) (CE)
Born February 3, 1946 – Eclare Hannifen, age 75. (Personal name pronounced “ee-klar-ee”.) As Hilda Hoffman, grew interested in SF and fandom, married Owen Hannifen; active awhile as Hilda Hannifen; changed her name. Learned Dungeons & Dragons, introduced it to many West Coast fans; she and O conducted Lee Gold’s first session. Part of Sampo Productions with O and the late great Jerry Jacks. [JH]
Born February 3, 1954 – Shawna McCarthy, age 67. One story with Charles Platt. Edited SF Digest. Followed Kathleen Moloney at Asimov’s, promptly won a Hugo as Best Pro Editor; four anthologies, Isaac Asimov’s Wonders of the World, IA’s Aliens & Outworlders, IA’s Space of Her Own, IA’s Fantasy; succeeded by Gardner Dozois. SF editor at Bantam. Co-edited two Full Spectrum anthologies. Fiction editor at Realms of Fantasy. Then a career as an agent. Guest of Honor at ArmadilloCon 21, WindyCon XXIX, World Fantasy Convention 2011. [JH]
Born February 3, 1963 — Alex Bledsoe, 57. I highly recommend his Tales of The Tufa which can sort of be described as Appalachian Fae though that’s stretching it. His Eddie LaCrosse novels remind me of Cook’s Garrett PI series and that’s a high compliment as that’s one of my favorite fantasy PI series. Anyone read his Firefly Witch series? (CE)
Born February 3, 1964 – Rita Murphy, age 57. Five novels. Taught awhile at Monteverde Friends School in Costa Rica. Delacorte Press Prize, starting with two pages in mid-September and turning in her book by December 31. “I sometimes feel that I have very little to do with the setting of the story or the characters that emerge.” For Harmony, “I contacted the Cherokee Heritage Center in Oklahoma, spoke with a man there of Cherokee descent, and used their online Cherokee dictionary.” [JH]
Born February 3, 1970 — Warwick Davis, 51. Nearly fifty live and voice appearances since first appearing in the Return of the Jedi in place of Kenny Baker who was going to be an Ewok before he fell ill. Did you know he’s in Labyrinth as a member of the Goblin Corps? I certainly didn’t. Or that he did a series of humorous horror films centered around him as an evil Leprechaun? They did well enough that there was six of them. Hell he even shows up in Doctor Who in the “Nightmare in Silver” episode. (CE)
Born February 3, 1979 — Ransom Riggs, 42. He’s best known for Miss Peregrine’s Home for Peculiar Children which I’ll confess I know absolutely nothing about, so educate me. I know it was turned into a film by Tim Burton which could a Very Good Thing. His first book btw was The Sherlock Holmes Handbook: The Methods and Mysteries of the World’s Greatest Detective. (CE)
Born February 3, 1984 – Rodrigo Adolfo, age 37. Ten covers for us. Here is Trial by Fire. Here is Sunker’s Deep. Two DeviantArt sites, one pro, one for his hobbyist photography. [JH]
Three comics industry veterans have joined together to produce The Access Guide to the Black Comic Book Community 2020-2021. The title is the first in a series of reference works that will introduce creators of color who released books in 2020 as well as industry institutions and events that spotlight their works.
The reference work will be released on February 17 and all proceeds will be donated to the Dwayne McDuffie Foundation to be used to subsidize academic scholarships for diverse students. The foundation is named after the late McDuffie, an Eisner-award winning comics writer, animator and a cofounder of Milestone Media, a celebrated Black superhero publishing venture that focused on minority representation in comics….
In this adult and humorous space opera, Captain Eva Innocente and the crew of La Sirena Negra cruise the galaxy delivering small cargo for even smaller profits. When her sister Mari is kidnapped by The Fridge, a shadowy syndicate that holds people hostage in cryostasis, Eva must undergo a series of unpleasant, dangerous missions to pay the ransom.
But Eva may lose her mind before she can raise the money. The ship’s hold is full of psychic cats, an amorous fish-faced emperor wants her dead after she rejects his advances, and her sweet engineer is giving her a pesky case of feelings. The worse things get, the more she lies, raising suspicions and testing her loyalty to her found family….
Titanic is a movie that has stood the test of time… and has one of the BIGGEST unanswered questions of any movie. No, I don’t mean could they both fit on the door if Rose had just moved over a little. I mean the question is Jack a time traveler sent to make sure the Titanic sinks? Yes, that age old question. Well Theorists, today we are going to answer that once and for all!
(16) HOT OFF THE PRESS. Peeps are not genre, or even genre adjacent. Why do I feel compelled to write about them? These new flavors must spark a connection between “exotic” and “alien” in my imagination. “Holiday Peeps Are Back in Time for Easter”.
In addition to returning fan-favorite flavors, Peeps-lovers can look forward to two “delectable new flavors” — Hot Tamales Fierce Cinnamon Flavored Marshmallow Chicks and the Froot Loops Flavored Pop — which will be available nationwide….
… The Afro-futuristic science fiction series, which is currently in development, will be set in a city where the rise of biotechnology has created an ever-widening gap between the haves and have-nots. Two rising stars from either side of this divide are pitted against each other in a story that will ultimately explore equality and kinship within a corrupt society.
“We’re thrilled to be collaborating with Idris and Sabrina to develop this anime-inspired sci-fi epic,” said Sarah Victor, Head of Development, Crunchyroll. “It is a privilege to work with such talented, creative partners and we look forward to bringing this exciting project to life.”
As the world continues to mourn the tremendous loss of SOPHIE, who passed away this weekend following an accident in Athens, fans are asking for the Scottish producer’s otherworldly legacy to be honored in space. A new petition created by Christian Arroyo asks for NASA to consider naming the recently discovered planet TOI 1339 b after SOPHIE, due to the aesthetic similarities between the planet and SOPHIE’s visual lexicon….
…When artist renditions of TOI 1338 b (a circumbinary exoplanet discovered by Wolf Cukier and fellow scientists at NASA’s Goddard Space Flight Center) were featured in the press following the 235th American Astronomical Society meeting in Honolulu, many fans noticed the similarities between the interpretations and the aesthetic sense of SOPHIE’s visual work, specifically the cover for her 2018 album Oil of Every Pearl’s UnInsides.
I am requesting, at the discretion of the incredible scientists who discovered the planet, that TOI 1338 b be named in honor of the great LGBT+ influence, SOPHIE. Her fans would love to pay homage by having her name be remembered in this way and for her influence to continue to flourish for years to come.
Dungeons and Dragons sells itself on the principle of creativity, allowing you the freedom to imagine someone entirely different to play, or design a fantastical version of yourself. Yet for all the innovation encouraged in its play, the game’s core rules have proven somewhat restrictive, or non inclusive for many.
Dungeons and Diversity is hoping to change that, starting with the creation of some seriously impressive combat wheelchair miniatures. Created by Strata Miniatures, the models include a Human Druid, Elf Rogue, Tiefling Cleric and Dwarf Barbarian. Each is intricately detailed, with equipment loaded across the sides and back…
(20) FANTASTIC FOUR AT 60. Marvel Comics’ Fantastic Four celebrates its 60th anniversary this year, and now the company will present their saga in a radical new way in Fantastic Four: Life Story.
Written by acclaimed writer Mark Russell (Second Coming, Wonder Twins) and drawn by Sean Izaakse (Fantastic Four, Avengers No Road Home) , Fantastic Four: Life Story …will tell the entire history of the Fantastic Four from beginning to end, set against the key events of the decades through which their stories were published.
Fantastic Four: Life Story #1 will take place in the “Swinging Sixties” when Reed, Ben, Sue, and Johnny took that fateful journey to space that changed the face of comic book storytelling forever. Against the backdrop of the Cold War and the Space Race, a terrible accident occurs that gives them great powers and a terrible secret, entangling them in Earth’s history forever as they transform into the world’s premiere super hero team.
“What I’ve always loved about the Fantastic Four is how it reduces the cosmic struggle of human survival to the scale of a family squabble while treating personal relationships as a matter of truly galactic importance,” Russell said. “Weaving their story and their world into our story and what’s happened in our world over the last sixty years was an important reminder to me of how smart it is to approach life like that.”
Click to view larger images:
[Thanks to Michael Toman, Martin Morse Wooster, Jennifer Hawthorne, Andrew Porter, JJ, Cat Eldridge, Joel Zakem, John King Tarpinian, John Hertz, N., and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]
(1) LOCUS LIST’S UNEXPECTED TREND. Dave Truesdale on Facebook wonders why so few of the listed stories come from Analog,Asimov’s, and F&SF. It is rather surprising.
Over at Locus Online the February Locus Magazine Recommended Reading List for 2020 has been posted. Granting my total count of novellas, novelettes, and short stories might be off by one, it makes no difference to the statistic I am about to reveal.
Of the novellas there are Zero stories from Analog, Asimov’s, or F&SF.
Of the novelettes there are Zero stories from Analog, One story from Asimov’s, and Two stories from F&SF.
Of the short stories there are Zero from Analog, Asimov’s, or F&SF.
Out of 124 stories in three fiction length categories selected by Locus reviewers and a few other outsider recommenders, there are exactly 3 stories selected from what has been traditionally known as the Big Three SF magazines. Offer your own theories as to why this has occurred–and has been occurring with a steady downward slide for a number of years now. They don’t give their fiction away for free is one guess and only a few review copies are sent out to review sites, thus accounting for perhaps fewer number of short fiction recommenders, and although other zines posting online do charge a little bit they are in the distinct minority. So are Locus recommenders reading primarily free magazines, or is there some other reason, maybe one having to do with content? This picture isn’t hanging quite straight and I’d like to know why so miserably few short fiction recommendations coming from Locus have appeared in the pages of Analog, Asimov’s, and F&SF. I’m sure their editors and authors would like to know, too. So if you have any ideas…
(2) KGB. Fantastic Fiction at KGB reading series hosts Matthew Kressel and Ellen Datlow will host livestream readings with this month’s authors, Kathleen Jennings and Shveta Thakrar, on YouTube, Wednesday, February 17 at 7 p.m. Eastern. The link will is posted later.
Kathleen Jennings is a writer and illustrator from Australia. In 2020, her debut (illustrated) novella Flyaway was published by Tor.com, and her debut poetry collection Travelogues: Vignettes from Trains in Motion by Brain Jar Press. Her short stories have been published by Tor.com, Lady Churchill’s Rosebud Wristlet, and Strange Horizons, among others. She’s currently working on a PhD about contracts in fantasy novels.
Shveta Thakrar is a fantasy writer and full-time believer in magic. Her work has appeared in a number of magazines and anthologies including Enchanted Living, Uncanny Magazine, A Thousand Beginnings and Endings, and Toil & Trouble. Her debut young adult fantasy novel, Star Daughter, is out now, and her second novel will follow in 2022.
“A couple festivals have DMed me and said they’re pulling the film, and the main actor in the film also told me he wasn’t aware that it was plagiarized and he never would’ve signed on if he knew,” Ellis told Newsweek. “It’s hard to know what festivals they submitted to, since the filmmakers haven’t been in contact with me.”
Ellis said that he was not currently pursuing litigation against the filmmakers.
“I’ve also had some lawyers reach out, and I’m keeping my options open, but I’m not interested in legal action at the moment,” Ellis said. “I don’t think it would ultimately lead anywhere, but we’ll see what happens. Mostly I just want the film to be pulled. The story is personal to me and I’m protective of it!”
…Nielsen says Wonder Woman 1984 racked up huge audiences on its opening weekend, becoming the biggest feature film in Nielsen’s rankings—and one of the biggest streaming titles of any kind since Nielsen launched its streaming measurement. (THR / Live Feed)
The movie amassed nearly 2.3 billion minutes viewed among U.S. viewers, about 35 percent more than Soul. Previously, Nielsen had said Pixar’s Soul was the most-viewed on its Top 10 streaming ranking for Dec. 21-27, 2020. (Variety)…
(6) BRIEF INTERZONE UPDATE. [Item by PhilRM.] This addendum was posted today on the TTA Press – Interzone page:
UPDATE 1ST FEB: Please be assured that we are addressing the concerns expressed by some subscribers and are seeking confirmation of certain matters. We’ll update again asap. Assuring you of our best efforts at all times…
(7) WE INTERRUPT THIS WANDAVISION. An intriguing mid-season trailer has dropped for Marvel Studios’ WandaVision. John King Tarpinian says of the show, “Really well done, each episode keeps you on your toes.”
(8) BURNS OBIT. Producer and screenwriter Allan Burns died January 30. Deadline’s tribute begins with some of his genre credits:
Allan Burns, a television producer and screenwriter best known for cocreating and cowriting for the television sitcoms The Munsters, The Mary Tyler Moore Show, and Rhoda, died Saturday at home. He was 85….
His first venture included working in animation for Jay Ward on The Rocky and Bullwinkle Show, Dudley Do-Right, and George of the Jungle. Among his other accomplishments in his early days was creating the Cap’n Crunch cartoon character for Quaker Oats.
Burns formed a writing partnership with Chris Hayward, and the team created The Munsters (1964) and My Mother The Car (1965). They also teamed as story editors for the classic Get Smart.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 1, 1874 – Hugo von Hofmannsthal. Two of this gifted poet’s short stories for us are available in English. He worked closely with another strange gifted man, Richard Strauss, writing the words of two fantastic Strauss operas, The Woman without a Shadow and The Egyptian Helen. More about HH here. (Died 1929) [JH]
Born February 1, 1884 – Yevgeny Zamyatin. Had he only written We it would have been enough for us – maybe; others have taken it as a springboard. Three of his shorter stories and an essay on Wells are in English; We has been Englished nine times. Z’s life was so complicated you might want to look here. (Died 1937) [JH]
Born February 1, 1908 — George Pal. Let’s see… Producer of Destination Moon (Retro Hugo at Millennium Philcon), When Worlds Collide, The War of the Worlds (which I love), Conquest of Space (anyone heard of this one?), The Time Machine, Atlantis, the Lost Continent, Tom Thumb, The Time Machine, Atlantis, the Lost Continent, The Wonderful World of the Brothers Grimm, 7 Faces of Dr. Lao (another I love)and his last film being Doc Savage: The Man of Bronze which is not so great. Can we hold a George Pal film fest, pretty please? (Died 1980.) (CE)
Born February 1, 1936 – Paul Turner. Rooted in Los Angeles, knew and reached many. Promoted a LASFS (L.A. Science Fantasy Society) building fund, kept at it till the spark caught; LASFS with luckily finite improbability bought a clubhouse; few have. Served a term as Director (as it then was), later President; earned the Evans-Freehafer Award (service); thirty years later, Fan Guest of Honor at Loscon 20. Also promoted conversation. Particular friend of Bill Rotsler. My appreciation here. (Died 2019) [JH]
Born February 1, 1942 — Terry Jones. Member of Monty Python who was considered the originator of the program’s structure in which sketches flowed from one to the next without the use of punchlines. He made his directorial debut with Monty Python and the Holy Grail, which he co-directed with Gilliam, and also directed Life of Brian and The Meaning of Life. He also wrote an early draft of Jim Henson’s 1986 film Labyrinth, though little of that draft remains in the final version. (Died 2020.) (CE)
Born February 1, 1946 — Elisabeth Sladen. Certainly best known for her role as Sarah Jane Smith on Doctor Who, the most loved of all the Companions among fans. She was a regular cast member from 1973 to 1976, alongside the Third Doctor (Jon Pertwee) and Fourth Doctor (Tom Baker), and reprised her role down the years, both on the series and on its spin-offs, K-9 and Company (truly awfully done including K-9 himself) and The Sarah Jane Adventures (not bad at all). It’s not her actual first SF appearance, that honor goes to her being a character called Sarah Collins in an episode of the Doomwatch series called “Say Knife, Fat Man”. The creators behind this series had created the cybermen concept for Doctor Who. (Died 2011.) (CE)
Born February 1, 1954 — Bill Mumy, 67. Well I’ll be damned. He’s had a much longer career in the genre than even I knew. His first genre roles were at age seven on Twilight Zone, two episodes in the same season (Billy Bayles In “Long Distance Call” and Anthony Fremont in “Its A Good Life”). He makes make it a trifecta appearing a few years later again as Young Pip Phillips in “In Praise of Pip”. Witches are next for him. First he plays an orphaned boy in an episode of Bewitched called “A Vision of Sugar Plums” and then it’s Custer In “Whatever Became of Baby Custer?” on I Dream of Jeannie, a show he shows he revisits a few years as Darrin the Boy in “Junior Executive”. Ahhh his most famous role is up next as Will Robinson in Lost in Space. It’s got to be thirty years since I’ve seen it but I still remember and like it quite a bit. He manages to show up next on The Munsters as Googie Miller in “Come Back Little Googie” and in Twilight Zone: The Movie In one of the bits as Tim. I saw the film but don’t remember him. He’s got a bunch of DC Comics roles as well — Young General Fleming in Captain America, Roger Braintree on The Flash series and Tommy Puck on Superboy. Ahhh Lennier. One of the most fascinating and annoying characters in all of the Babylon 5 Universe. Enough said. I hadn’t realized it but he showed up on Deep Space Nine as Kellin in the “The Siege of AR-558” episode. Lastly, and before our gracious Host starts grinding his teeth at the length of this Birthday entry, I see he’s got a cameo as Dr. Z. Smith in the new Lost in Space series. (CE)
Born February 1, 1962 – Maryrose Wood, age 59. Ten books for us, two of them with the Duchess of Northumberland (I am not making this up). Was in the original cast of Merrily We Roll Along (the musical, not the Kaufman & Hart play – nor was it with that Prince; another one). Three Richard Rodgers Awards. [JH]
Born February 1, 1965 — Sherilyn Fenn, 56. Best known for playing as Audrey Horne on Twin Peaks. Her first genre work was in The Wraith as Keri Johnson followed by being Suzi in Zombie High (also known charmingly not as The School That Ate My Brain). Her latest work is Etta in The Magicians series. (CE)
Born February 1, 1965 — Brandon Lee. Lee started his career with a supporting role in Kung Fu: The Movie, but is obviously known for his breakthrough and unfortunate fatal acting role as Eric Draven in The Crow, based on James O’Barr’s series. Y’ll know what happened to him so I’ll not go into that here. (Died 1993.) (CE)
Born February 1, 1967 – Meg Cabot, age 54. (Rhymes with “habit”.) Two dozen novels for us, half a dozen shorter stories; eighty books all told. Princess Diaries became two Disney films. Many awards, NY Times top best-sellers, 25 million copies of her books in print worldwide. Married on April Fool’s Day, possibly to spoof her husband, anyway they’re still at it. Works with charities e.g. Make-a-Wish Fdn, United Nations Refugee Agency, Reading is Fundamental, NY Public Libraries. Blogs abut her cats. [JH]
Born February 1, 1972 – Cristina Jurado, age 49. Editor and translator, SuperSonic. A dozen short stories, half available in English; so are anthologies Spanish Women of Wonder (not its Spanish title) and The Apex Book of World SF vol. 5. “Fandom in Spain” for the Worldcon 75 Souvenir Book, thanks Jukka, Curtis, Charlotte, Vesa. Interviewed (in English) in Three Crows. [JH]
A tiny new species of chameleon has been discovered, and it seems to be the smallest reptile in the world. Known as Brookesia nana, or the nano-chameleon, the petite species can perch on a fingertip and may have the smallest adult males of any vertebrate….
Daniel P. Dern notes, “I’m sure that, at least with this group, I’m not the only person who instantly thought of the classic Bob & Ray ‘The Komodo Dragon’ bit.”
Abstract: Long before photocopiers and on-line blogs became the tools of fandom, science-fiction fans mastered the art of mimeography and other methods of amateur publishing. Since the late 19th century, amateur printers had grouped together in so-called “amateur press associations” (or “apas”) to distribute their home-made magazines to each other in bundles. The “apa” was a key feature of science fiction fandom by the 1940s. By the 1950s, critics were wondering whether the back-and-forth exchanges which went on inside “apas”, as members used their own magazines to respond to others, was producing unprecedented levels of infighting and souring the atmosphere in science fiction fandom. In the early 1960s, a move to block an accused pedophile from attending the World Science Fiction Convention split science fiction fandom into warring factions, and the heated discursive environment of the amateur press association was seen as one cause of this atmosphere of intense polemic. Drawing on my new research into mimeography, pre-media fandoms and the amateur press association, I will show how systems for the distribution and circulation of fanzines shaped particular climates of dissension.
A Maine company that’s developing a rocket to propel small satellites into space passed its first major test on Sunday.
Brunswick-based bluShift Aerospace launched a 20-foot (6-meter) prototype rocket, hitting an altitude of a little more than 4,000 feet (1,219 meters) in a first run designed to test the rocket’s propulsion and control systems.
It carried a science project by Falmouth High School students that will measure flight metrics such as barometric pressure, a special alloy that’s being tested by a New Hampshire company — and a Dutch dessert called stroopwafel, in an homage to its Amsterdam-based parent company. Organizers of the launch said the items were included to demonstrate the inclusion of a small payload.
The company, which launched from the northern Maine town of Limestone, the site of the former Loring Air Force Base, is one of dozens racing to find affordable ways to launch so-called nano satellites. Some of them, called Cube-Sats, can be as small as 10 centimeters by 10 centimeters….
(14) COLORING INSIDE THE LINES. The Schickele.com Site Map is the best ever says Daniel Dern. It helps that it’s an actual map. The site promotes the performer known as PDQ Bach. And that’s not all he’s known for.
Turns out the entire universe is a product of the number 42, specifically 42 times the collection of lm/2t, such that l, m and t are the Planck Units. In a newly published paper, Measurement Quantization Describes the Physical Constants, both the constants and laws of nature are resolved from a simple geometry between two frames of reference, the non-discrete Target Frame of the universe and the discrete Measurement Frame of the observer. Its only and primary connection to our physical reality is a scalar, 42. Forty-two is what defines our universe from say any other version of our universe. So, while Douglas Adams may have just been picking numbers out of the sky when writing Hitchhiker’s Guide to the Galaxy, it turns out he picked the right number, the one that defines … well … everything.
In addition to presenting new descriptions for most of the physical constants (descriptions that don’t reference other physical constants), the paper is also noted for presenting a classical unification of gravity and electromagnetism.
On Friday, missing alerts for the Texas Department of Public Safety included the murderous doll, Chucky, and his son, Glen Ray. Glen is described as having a blue shirt and black collar while Chucky is said to be wearing “blue denim overalls with multi-colored striped long sleeve shirt” and “wielding a huge kitchen knife.”
The local NBC affiliate learned that this was actually the result of a test gone wrong. The Department of Public Safety was testing out its server when it accidentally made these faux alerts public.
(17) VIDEO OF THE DAY. In “The Hunger Games Sequels Pitch Meeting” on ScreenRant, Ryan George takes on the three sequels to The Hunger Games, noting †he capitol is guarded by “really mean Power Rangers” and the plot of the third movie can be summarized as “The rebels compensate for Katniss’s poor acting abilities.”
[Thanks to John King Tarpinian, Hampus Eckerman, David Doering, Michael Toman, Andrew Porter, Martin Morse Wooster, PhilRM, Mike Kennedy, JJ, John Hertz, Danny Sichel, Daniel Dern, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]
(1) ROBOT IS 100. The Czech Consulate of Los Angeles invites fans to the Robot is 100! Webinar on Thursday, February 4 at 12:00 PM Pacific exploring the influence of Karel Capek’s play “R.U.R.” on other forms of art, and the future of robotics. Register here.
[Note: WordPress does not support the proper character for the author’s last name, so the Latin C has been used. And a screenshot of the program description is used to work around the same problem.]
Enjoy an audio created by the BBC Sounds: “The Robots are Us.” This BBC Radio Documentary features Jesse Brown O’Dell, PhD. graduate from the UCLA Department of Slavic, East European and Eurasian Languages and Cultures.
(2) EATING THE FANTASTIC. Scott Edelman invites everyone to settle in for bagels and a schmear with comics retailer Joel Pollack in Episode 137 of his Eating the Fantastic podcast.
Joel Pollack has been a part of comics fandom even longer than I have — he attended one of Phil Seuling’s 4th of July Comic Art Conventions two years before I did — in 1968 — and founded Big Planet Comics in Bethesda, Maryland in 1986. That flagship store has expanded to other locations in Washington, D.C., College Park, MD, and Vienna VA, and I thought it would be fun to chat about the world of comics and comics fandom of the past half century, and how comics retailing has changed over the past three and a half decades.
We discussed what the pandemic has done to the comics shop business, the comic his mother bought him which changed his life, the card game which led to him getting his first piece of original art, how his run-in with a young Howard Chaykin convinced him he wasn’t cut out to be a professional comics artist, what opening day was like at the first of his Big Planet comic book stores, the biggest sales event he’s seen during his 35-year retailing career, what inspired Bernie Wrightson to draw a freaky issue of Swamp Thing, how he fights back against the Comic Book Guy cliche to makes his shops welcoming places, our joint distaste of slabbing, why he doesn’t like doing appraisals, and much more.
(3) INTERZONE UPDATE. [Item by PhilRM.] This week’s PS Publishing newsletter provides some more information on their take-over of Interzone (first mentioned in the 1/8/2021 Pixel Scroll) from Andy Cox and TTA Press (and note that Strahan’s post referenced there didn’t make the latter clear: not only is Ian Whates taking over as editor, but Interzone will be published by PS Publishing). Interzone will now appear on a quarterly schedule, and only in digital format. The first issue will appear in August, and will be free to current subscribers.
And heh, we’re kind of jazzed up a little right now where electronic reading matter is concerned . . . and it’s all thanks to our taking on board INTERZONE, which we’ll be running in digital format only, kicking off in August. Ian has already earmarked some 60/70 thousand words for the debut, and the special festive issue in December (always assuming we have a festive season, that is). So watch out as further details emerge and IZ takes its justified place in the pantheon of Science Fiction and Fantasy in digital format only.
All queries/comments regarding the TTA Press Interzone should be directed to either Andy Cox or Roy Gray direct at firstname.lastname@example.org or email@example.com. In the meantime, by way of a goodwill gesture, the first electronic PS IZ (August 2021) will be sent free of charge to all previous subscribers. Subsequent issues will be sent quarterly on receipt of an email to be found in the magazine. Watch out for more information
(4) UP PERISCOPE ON SUBSTACK. Yudhanjaya Wijeratne tweeted a list of recommended newsletters. Thread starts here. I’m only familiar with the ones by sff writers and they’re good, so I expect you’ll find more gold in the rest of his list. Here are a few examples:
(5) STOCK MARKET NEWS. Cory Doctorow makes the information comprehensible with his own comments. Read it complete at Threadreader.
(6) DIANA PHO ON DVCON. DVCon 2021 is a free convention for marginalized writers happening online January 30-31.
DVcon, a product of #DVpit, is a free, two-day virtual writers conference for self-identifying marginalized book creators. The mission of DVcon is to educate and connect authors & illustrators who have been historically underrepresented and marginalized in the book publishing industry. Featuring a diverse faculty as well as #DVpit alum, DVcon will offer informative workshops, fun micro-content, and our additional focus will be on community-building and forging connections.
Editor Diana Pho is part of the Money Talks panel from 2:00-3:00 PM Eastern on January 30.
Money Talks. 2:00pm-3:00pm
Let’s face it: publishing doesn’t always pay. Between low advances, payment installments stretched out for years, and the uncertainty of royalties, authors and illustrators might need to get creative about making ends meet. Our panel will discuss different and unexpected ways that authors and illustrators can make money and still stay on the publishing track. It will also help explain some basics about how payments occur in publishing and how to hustle with your writing. Sponsored by the Authors Guild
Featuring: Rebecca Kuss, Thao Le, Diana Pho, Holly Root, Jennifer Ung, Rebekah Weatherspoon
(7) AMBITIOUS ANIME. [Item by Martin Morse Wooster.] In the January 25 Financial Times, Leo Lewis and Kana Inagaki look at whether Japanese anime producers can compete globally against Disney and Netflix.
For many industry executives, the stage is now set for Japanese animation to truly go global. A newly invigorated Sony is competing with Netflix and global giants to uncover the untapped trove of lucrative anime content. ‘We were forced to accelerate efforts on all three fronts of digitalization, global expansion and streaming services. It became now or never,’ said George Wada, senior vice-president at Production IG, the company behind the anime hits Ghost In The Shell and Attack On Titan, ‘We are on the brink of whether Japanese animation becomes big or goes minor.’…
…The list of the world’s 25 most valuable franchises are topped by two Japanese giants–Pokemon and Hello Kitty with respective all-time sales of $92bn and $80bn–and include nine other Japanese names.But behind that success, say analysts, has been a tendency to under-exploit the anime gold mine and heavily criticized labour practices that are hidden behind the most popular titles.
Frank Frazetta (1928–2010) may someday hang his paintings in the Guggenheim Museum (hey, whoever thought that Norman Rockwell would have a major exhibition in Frank Lloyd Wright’s temple of Modern?). False equivalency aside, anything is possible in the current what-is-art world (what’s more, Frazetta already has his own museum). Frazetta is to fantasy what Max Ernst is to surrealism (which is fantasy on another psychic and perceptual plane)….
Frazetta transformed the fantasy genre. What can you point to as his most emblematic work?
There was a gradual building, including comic book covers in the early ’50s, which influenced George Lucas and Star Wars. Then Frank’s early 1960s illustrations for Edgar Rice Burroughs books, including Tarzan and John Carter of Mars. And Frank had a good run, painting big studio, humorous caricature-based movie posters in the mid-’60s. Most illustrators would consider movie poster work as a dream come true. But Frank walked away from them for what he felt was more uniquely his own, with his Sword & Sorcery heroic fantasy art. A shortlist of pieces that I cite as rocking the public’s collective consciousness would include “The Barbarian,” which first ran as the cover to the Conan the Adventurer paperback in 1966. Also “Death Dealer,” which first appeared on an early-’70s paperback but inspired American Artist magazine to break their own traditions to produce a special issue devoted to illustration, including coverage of Frazetta and covered with the Death Dealer. “Dark Kingdom” is another, which most people recall as running on a multi-million–selling Molly Hatchet album cover….
Check out this item in the forthcoming Focus Magazine. It gives hugely well deserved recognition to well known local SF/Fantasy authors Piper Mejia, Lee Murray, Jean Gilbert and the many other genre authors around NZ who have helped with their efforts in teaching and mentoring and publishing young students.
…Two years ago, Nick Smith, a Pasadena library technician, curated a “Dreaming the Universe: The Intersection of Science, Fiction & Southern California” exhibit at the Pasadena Museum of History. His observation: While the creators of science fiction are rightly lauded, the history of the sci-fi fandom here is also worth acknowledgment.
“I think that’s part of why this has been home to a lot of science fiction,” says Smith, who is the former president of the Los Angeles Science Fantasy Society. Founded in 1934, it’s the oldest such fan group in the world, with a teenage Ray Bradbury one of its early members.
California appealed to science-fiction writers in the same way it appealed to anyone, Smith says. There were jobs to be had here, the promise of a better life and more opportunity or acceptance for people who might be discriminated against in other parts of the nation.
“Hollywood and television also contributed,” he says. “They provided a steady extra income for some of the writers.”
(11) DARROLL PARDOE OBIT. UK fanzine fan Darroll Pardoe (1943-2021) died January 28 at the age of 77 from COVID-19. Pardoe joined the Birmingham (UK) Science Fiction Group in 1965. He took over Les Spinge from Ken Cheslin and Dave Hale in 1966 and published it until 1979. He also was noted for editing the newzine Checkpoint for a year in the Seventies, and an issue of the British Science Fiction Association’s Vector.
He is survived by his wife, Rosemary Pardoe, co-founder of the British Fantasy Society.
(12) CHRISTOPHER LITTLE OBIT. The agent who handled Rowling’s Harry Potter series, Christopher Little, died January 7. The New York Times obituary is here.
Christopher Little, who as a struggling literary agent took a chance on a scrappy submission about tween-age wizards — even though he once disdained children’s fiction as a money-loser — and built it into the most successful literary empire in history on the strength of its lead character, Harry Potter, died on Jan. 7 at his home in London. He was 79.
J.K. Rowling, the author of the Harry Potter series, was an unpublished, unemployed single mother in Edinburgh in 1995 when she sent Mr. Little the first three chapters of her first book after finding his name in a directory of literary agents. Knowing nothing about the business, she picked him because his name made him sound like a character from a children’s book.
Mr. Little submitted the manuscript for “Harry Potter and the Philosopher’s Stone” to 12 publishers. He received 12 rejections in response, before selling it for £2,500, or about $3,400 (the equivalent of about $5,800 today). It was a meager amount, but his genius was in the details: He sold only the rights to publish it in Britain and the Commonwealth, and he asked for high royalties….
Mr. Little did more than launch Ms. Rowling’s career. He was the architect of the entertainment powerhouse that grew up around Harry Potter, helping line up everything from Legos to amusement parks.
Ms. Rowling was the first author to earn more than $1 billion off her work, and it’s no surprise that her agent did well too: By some estimates Mr. Little made over $60 million from the Harry Potter franchise. He never claimed credit for her success, but he was ever-present in the background, appearing alongside his client at book launches and movie premieres, enjoying those brief moments in the limelight….
(13) MEDIA BIRTHDAY.
January 29, 1964 — Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb premiered. Starring a stellar cast of Peter Sellers, George C. Scott, Sterling Hayden, James Earl Jones and Slim Pickens, it was directed, produced, and co-written by Stanley Kubrick.
It was not the original title as Kubrick considered Dr. Strangelove’s Secret Uses of Uranusas well as Dr. Doomsday or: How to Start World War III Without Even Trying, and the much shorter Wonderful Bomb.
The film is somewhat based on Peter George’s political thriller Red Alert novel. (Originally called Two Hours To Doom.) Curiously Dr. Strangelove did not appear in the book. This novel’s available on at usual digital suspects. And George’s novelization of the film is on all digital sources. If you purchase it, it has an expanded section on Strangelove’s early career.
It would not surprisingly win the Hugo for Best Dramatic Presentation at Loncon II in London in 1965 with The Seven Faces of Dr. Lao being the only other film on the final ballot.
The film was a box office success. Critics were universal in their belief that it was one of the best films ever done with Ebert saying it was “arguably the best political satire of the century”. At Rotten Tomatoes, it currently holds a ninety four percent rating with over two hundred thousand audience reviewers casting a vote.
A sequel was planned by Kurbrick with Gilliam directing though he was never told this by Kurbrick and only discovered this after Kurbrick died and he later said “I never knew about that until after he died but I would have loved to.”
Born January 29, 1835 – Susan Coolidge. Known for What Katy Did and two sequels. Edited Diary and Letters of Frances Burney. Louisa May Alcott edited Coolidge’s collection New-Year’s Bargain, which is ours; three dozen books all told; short stories, poems. Alice Dalgliesh edited a posthumous Coolidge coll’n Toinette and the Elves. (Died 1905) [JH]
Born January 29, 1860 – Anton Chekhov. (Note that kh in the usual Roman-alphabet spelling of his name represents a single consonant in Russian: the pronunciation is near to “che-hoff”). A dozen stories have fantastic elements making them particularly for us; stories, plays, generally, for everyone. You can see Nabokov’s discussion of “The Lady with the Little Dog” here. (Died 1904) [JH]
Born January 29, 1907 – John Clymer. Illustrator of the American West (worked in U.S. and Canada); Prix de West, Rungius Medal, Royal Canadian Acad. of Arts. Also Argosy, Marine Corps Gazette, Saturday Evening Post (eighty covers), Woman’s Day, Chrysler, White Horse whisky; some for us. Clymer Museum in Ellensburg, Washington. Here is the Aug-Sep 37 Romance; it and more about him here. (Died 1989) [JH]
Born January 29, 1918 — Robert Pastene. He played the title role in the first televised Buck Rogers series on ABC that also had Kem Dibbs and Eric Hammond in that role. 35 episodes were made, none survive. As near as I can tell, his only other SFF performance was on the Out There and Lights Out series. (Died 1991.) (CE)
Born January 29, 1932 — Paddy Chayefsky. In our circles known as the writer of the Altered States novel that he also wrote the screenplay for. He is the only person to have won three solo Academy Awards for Best Screenplay. The other winners of three Awards shared theirs. He did not win for Altered States though he did win for Network which I adore. (Died 1981.) (CE)
Born January 29, 1938 — Ralph Bakshi, 83. Started as low-level worker at Terrytoons, studio of characters such as Heckle and Jeckle and Mighty Mouse. His first major break would be on CBS as creative director of Mighty Mouse and the Mighty Heroes. Fast forwarding to Fritz the Cat, which may or may not be genre but it’s got a foul-mouthed talking cat. Genre wise, I’d say War Wizards which features voice work by Mark Hamill and given a title with the last word Wizards so it wouldn’t be confused with you-know-what film. Next up was The Lord of the Rings, a very odd affair. That was followed by Fire and Ice, a collaboration with Frank Frazetta. Then came what I considered his finest work, the Mighty Mouse: The New Adventures series! Then there’s Cool World… (CE)
Born January 29, 1942 – Rosemary Wells, age 79. Five novels for us, counting Voyage to the Bunny Planet and two sequels; ten dozen all told. Illustrator too. Daughter of a ballerina and a playwright, who “praised what I did well and didn’t care much about what I didn’t do well…. I drew uncannily for a youngster…. hunted rats with a bow and arrows…. fierce and devoted Brooklyn Dodger fan.” [JH]
Born January 29, 1945 — Tom Selleck, 76. Setting aside the matter of if Magnum P.I. is genre which some of you hold to be true, he was Sgt. Jack R. Ramsay in Runaway which is most definitely SF. He recently did some voice acting by being Cornelius, Lewis’ older self, in the animated Meet the Robinsons film, and he showed up as himself in the “What Do You Want to Be When You Grow Up?” of the Muppet Babies nearly forty years ago. (CE)
Born January 29, 1958 – Nic Farey, age 63. Irreverent and valuable (sorry, Nic, but it’s true) fanziner. Two first-rate fanzines, Beam with Ulrika O’Brien, This Here solo (I omit the TH ellipsis mark lest you think I’m eliding, but it’s there); both have won FAAn (Fannish Activity Achievement) Awards. Chaired fanziners’ convention Corflu (named for mimeograph correction fluid, once indispensable) 19, co-chaired Corflu 31. Likes association football. [JH]
Born January 29, 1970 — Heather Graham, 51. Best known SF role was no doubt Dr. Judy Robinson on the Lost on Space film. She played also Felicity Shagwell that same year in Austin Powers: The Spy Who Shagged Me. And she was Annie Blackburn on Twin Peaks. (CE)
Born January 29, 1985 – Giovanna Fletcher, age 36. Among writing, singing, acting, blogging and vlogging (I am not making this up), two novels for us with husband Tom Fletcher. Sang “Moon River” with him. Won Series 20 of I’m a Celebrity – Get Me Out of Here. Nine other books, some nonfiction. Website. [JH]
Born January 29, 1988 — Catrin Stewart, 33. Jenny Flint in five episodes of Doctor Who. She was the wife of Madame Vastra and the friend of Strax with the three known as the Paternoster Gang who appeared first during the Eleventh Doctor and last during the Twelfth Doctor. Big Finish has continued them in their audiobooks. She also played Stella in two episodes of the Misfits series, and was Julia in a performance of 1984 done at London Playhouse a few years back. (CE)
There are lots of professors of Film Studies or equivalent, and plenty of them have turned their attention to SF. But a hasty google does not reveal the exact title “Professor of Science Fiction Film Studies” at any other institutions. Could this be the world’s first? And science fiction’s first? Further research may be needed.
Though I myself am capable of droning on for hours and hours about SF films, the job requires “Ph.D in film studies or a related field,” which lets me out. Also, they probably don’t want to hire someone with the “ink-and-paper SF is better” prejudice.
Thanks to Fred Scharmen and Bill Leininger for bringing this to my attention.
(16) SOUTHERN FANDOM STORIES. Fanac.org has announced another FanHistory Zoom session (in addition to the second Ted White segment already reported in the Scroll). RSVP to firstname.lastname@example.org for the Zoom link.
February 20, 2021, 7PM EST (4PM PST, 12:00 AM London, 11AM Sunday in Sydney) – An Anecdotal History of Southern US Fandom, with Toni Weisskopf, Janice Gelb and Guy Lillian III. Get a perspective on Southern Fandom from the inside. Topics expected to include history and impact of conventions and Worldcons, clubs and fanzines, and bigger than life individuals.
Michaela Goade, illustrator of We Are Water Protectors by Carole Lindstrom, reflected on the experience of winning the 2021 Caldecott Medal; she is the first BIPOC woman and the first Indigenous artist to receive the award. “I felt a bit like a deer in the headlights and did not know what to say!,” Goade told PW.
Joe Biden was three weeks from taking office as a freshman U.S. senator when the moon rock that is now newly on display in the White House was collected by astronauts on the lunar surface.
Six terms in Congress, two terms as the Vice President of the United States and one presidential inauguration later, Biden and the lunar sample 76015,143 will now share the Oval Office.
The Biden Administration requested an Apollo-recovered moon rock for display as “a symbolic recognition of earlier generations’ ambitions and accomplishments, and support for America’s current moon to Mars exploration approach,” according to NASA. The 0.7-pound (333-gram) rock, held by a metal clamp and encased in glass, sits on the bottom shelf of a recessed bookcase beside a painted portrait of Ben Franklin and adjacent to the Resolute desk.
(19) THEY LOST ON JEOPARDY! Andrew Porter’s ears perked up when they had a Star Trek-related item on tonight’s Jeopardy! A contestant missed it.
Answer: George Herbert’s poetic query “Is there there in truth no” this? became the title of the “Star Trek” episode with the Medusans.
Explanation: Why does Saturn appear so big? It doesn’t — what is pictured are foreground clouds on Earth crossing in front of the Moon. The Moon shows a slight crescent phase with most of its surface visible by reflected Earthlight known as ashen glow. The Sun directly illuminates the brightly lit lunar crescent from the bottom, which means that the Sun must be below the horizon and so the image was taken before sunrise. This double take-inducing picture was captured on 2019 December 24, two days before the Moon slid in front of the Sun to create a solar eclipse. In the foreground, lights from small Guatemalan towns are visible behind the huge volcano Pacaya.
Debris will premiere on Monday, March 1 at 10 p.m. ET/PT, NBC announced during its first TCA panel on Tuesday. In addition to teasing the upcoming series and unveiling the premiere date, the Debris team also talked parallels to Fringe.
“There’s always going to be my DNA in the show,” [J.H.] Wyman, who serves as executive producer and showrunner said. “But it’s definitely its own thing.”
Like Fringe, Debris follows government officials as they investigate when wreckage from a destroyed alien spacecraft has mysterious effects on humankind. Riann Steele will star as MI6’s Finola Jones and Jonathan Tucker as the CIA’s Bryan Beneventi.
While the series will feature different stories driven by the odd effects of the alien leftovers, Debris will see the relationship between the two leads develop and gain complexity as the show continues.
(22) BREAK TIME. “30 Minutes of Relaxing Visuals From Studio Ghibli” on YouTube is a compilation of short clips about nature from Studio Ghibli films prepared by HBO Max.
[Thanks to John Hertz, JJ, Cat Eldridge, Bill Higgins, Andrew Porter, Michael Toman, Mike Kennedy, John King Tarpinian, PhilRM, David K.M. Klaus, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) WHATESNEW INTERZONE EDITOR. The PS Publishing newsletter (which I haven’t seen) announces Ian Whates is taking over the editorial reins of Interzone, Jonathan Strahan confirms. Whates follows Andy Cox, who has run the UK zine for years.
(2) WHO WROTE THE BOOK. Joyce Reynolds-Ward in “Writing the Revolution” argues that sff helped fuel the mindset behind yesterday’s debacle in DC.
…For every nuanced, mindful, well-thought-out version of Writing the Revolution, there are at least three or four crudely sketched out wish-fulfillment fantasies that are no more realistic than a first-person-shooter video game or their real-life variant, the run-and-gun tacticool classes that are nothing more than jumped up paintball, that allow the participants to fantasize that they are Real Warriors. Hell, I see several of these books pop up every day on my Facebook and Twitter feeds, either through ads or assorted promotional groups. And they’re churned out to fulfill a reader demand for romantic notions about what Rebellion or Revolution really is.
(Dare I mention Star Wars here? Um, maybe not.)
Couple that sort of romanticized view of revolution and warfare with the sort of political polemic dominating social media over the past five years (Um. Longer) and you end up with events like January 6th, 2021.
You end up with an angry mob seeking to interfere with the peaceful transfer of power because they’ve been fed lies about the legitimacy of the 2020 election and who view themselves as akin to their fictional heroes.
And the intersection of the two has created the foundation for that idealized conceptualization of revolution….
(3) FAAN AWARDS BALLOT AVAILABLE. Nic Farey, FAAn (Fanzine Activity Achievement) Awards Administrator, has published The Incompleat Register [PDF file] as a voters’ guide. The nominating ballot is within, and votes must be received before midnight PDT, Friday March 12, 2021. Voting is open to anyone with an interest in fanzines. Farey cautions that the Register —
should not be considered to be a definitive list of what you can and cannot vote for. My sources are primarily efanzines.com, Guy Lillian’s listzine ‘The Zine Dump’ and also paper zines personally received. As I can’t possibly be aware of everything, all votes received will be counted in good faith. A “fanzine”, for our purposes, is defined as an immutable artifact, once published not subject to revision or modification. The fanzine might not exist in a physical form. A pdf, for example, is an artifact.
And he adds —
You do NOT have to be a member of Corflu or anything else for that matter.
You do NOT have to have read or received any minimum number of fanzines to vote, although of course we encourage you to check out the contenders.
2. A BAD SCI-FI MOVIE INSPIRED OCTAVIA BUTLER TO START WRITING.
It was a 1954 movie called Devil Girl from Mars, which Butler saw when she was about 12 years old, that ignited the future author’s interest in science fiction. “As I was watching this film, I had a series of revelations,” Butler said during a 1998 talk at MIT. “The first was that ‘Geez, I can write a better story than that.’ And then I thought, ‘Gee, anybody can write a better story than that.’ And my third thought was the clincher: ‘Somebody got paid for writing that awful story.’ So, I was off and writing, and a year later I was busy submitting terrible pieces of fiction to innocent magazines.”
A genre polymath who does crime, horror, and SFF, she brings a delightfully pulpy twist to everything she writes, whether it’s mashing up fantasy or science fiction with mystery or penning weird westerns. (Her website is here.) But if you give one book a shot…
First off, I cannot get over this cover. (The cover for the sequel, A Theft Most Fowl, is also gorgeous.) Second, we have winged people following a Phoenix goddess, with a caste system that’s laid out as kind of birds. And our main character, Prentice Tasifa, is a Hawk, gifted with the supernatural ability to see things others can’t. And then it’s a well written procedural mystery where Prentice has to hunt down a serial killer.
…Moviemaking fans of other fantasy franchises have complex relationships with the companies that own them, and “Star Wars” fan films do walk a legal tightrope. Disney asks that they be clearly marked, not raise money through crowdfunding, omit copyrighted media, and not profit from ticket sales or online advertisements. The company doesn’t appear to discriminate between fan films made by professionals and those made by amateurs, provided they follow its rules. “There is a point where you do have to protect your copyright,” Hale said.
Not everybody complies. An Indiegogo campaign to finance “Kenobi” got help from James Arnold Taylor, who has voiced the character in “Star Wars” animated television shows. (He also plays the villain in “Kenobi.”) Others have turned to Kickstarter to crowdfund their work.
And some who try to observe the rules have run into trouble. Warner/Chappell, which shares some “Star Wars” music rights with Lucasfilm, in 2019 claimed copyright over a Darth Vader fan film, “Shards of the Past,” posted on YouTube. A torrent of onlinecriticism followed, accusing the company of seeking to profit from fan work. Lucasfilm ultimately intervened to lift the claim. (Hale said she could not comment about copyright claims.)
As technology stretches the capabilities of fan storytelling, questions of propriety could become even thornier. Severalfilms by Peter Csikasz, a Hungarian university student, combine digital assets from official “Star Wars” video games with original motion-capture animation. Csikasz said the games’ developers were aware of his work, even as fan-made “Star Wars” video games have been repeatedly shutdown.
As these films grow technically more artful, they have also grown more expensive. A two-minute animated movie can cost more than $5,000 to produce. The budget for “Kenobi” approached $100,000, Satterlund said. (Costly expectations can be prohibitive: last month, Ortiz indefinitely suspended his project after failing to raise $20,000 through crowdfunding.)
Disney’s rules mean many fan movies are financial losses, but a well-executed production can drive YouTube subscribers, attract sponsors for future work or open doors to professional opportunities. “It greases the wheels,” Satterlund said of his short. “It’s helped get me in the room to talk to somebody.”
Martha Wells’ cranky, TV-binging Murderbot, the star and narrator of four superb novellas before this novel, made for a perfect quarantine companion. Her SecUnit killing machine has favored a solitary existence ever since it hacked its way to sentience. It feels safest hunkered down in a storage bay, mainlining its favorite shows, far removed from the messy emotions and motives of people – a preference that only became more relatable as 2020 stretched on….
(8) MODEL CITIZEN. [Item by Martin Morse Wooster, Designated Financial Times Reader.] In a December 31 piece in the Financial Times about the failures of polling, Christine Zhang and Courtney Weaver note a prediction Isaac Asimov made in 1955.
In a fictional America, elections are decided by Multivac, a supercomputer that requires only the input of one ‘representative’ voter to statistically model the outcomes of thousands of nationa1, state, and local contests. This is the 2008 that science fiction author Isaac Asimov portrayed i his 1955 short story “Franchise,” published three years after Univac, one of the earliest commercial computers, successfully predicted Dwight Eisenhower’s landslide victory on US television network CBS.
Asimov’s dystopian democracy has not yet materialized. As it turns out–particularly in the two most recent US presidential races–the electorate is not so easy to reliably predict. Yet it is not from a lack of trying.
…When Narinder S. Kapany was in high school in the 1940s in Dehradun, an Indian city in the Himalayan foothills, his science teacher told him that light travels only in straight lines. By then he had already spent years playing around with a box camera, and he knew that light could at least be turned in different directions, through lenses and prisms. Something about the teacher’s attitude, he later said, made him want to go further, to prove him wrong by figuring out how to actually bend light.
By the time he entered graduate school at Imperial College London in 1952, he realized he wasn’t alone. For decades researchers across Europe had been studying ways to transmit light through flexible glass fibers. But a host of technical challenges, not to mention World War II, had set them back.
He persuaded one of those scientists, Harold Hopkins, to hire him as a research assistant, and the two clicked. Professor Hopkins, a formidable theoretician, provided the ideas; Dr. Kapany, more technically minded, figured out the practical side. In 1954 the pair announced a breakthrough in the journal Nature, demonstrating how to bundle thousands of impossibly thin glass fibers together and then connect them end to end.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born January 8, 1891 – Storm Jameson. Suffragette, took part in the Women’s Pilgrimage. World War II led her to recant pacifism. Four novels and a shorter story for us; forty other novels, novellas, criticism, history, memoirs. (Died 1986) [JH]
Born January 8, 1908 — William Hartnell. The very first Doctor when Doctor Who firstaired on November 23rd, 1963. He would be the Doctor for three years, leaving when a new Showrunner came on. He played The Doctor once more during the tenth anniversary story The Three Doctors (aired 1972–73) which was the last thing he filmed before his death. I scanned through the usual sources but didn’t find any other genre listing for him. Is that correct? (Died 1975.) (CE)
Born January 8, 1926 – Bob Pavlat. Co-founder of WSFA; chaired Disclave 4-5. Among his fanzines, Bobolings, Contour. With Bill Evans, the monumental Evans-Pavlat Fanzine Index. Had the good taste to marry Peggy Rae McKnight; Big Heart (our highest service award) given to both; after his death she found no one worth remarrying for sixteen years. Appreciations here. (Died 1983) [JH]
Born January 8, 1942 – Stephen Hawking, Ph.D., F.R.S. Physically active in college, coxed a rowing crew; in graduate school contracted Lou Gehrig’s disease, with which he lived, defying all, for fifty years. Fellow of the Royal Society. Lifetime member of the Pontifical Academy of Sciences – although an atheist; as Pope John Paul II said, “Both believing scientists and non-believing scientists are involved”. U.S. Presidential Medal of Freedom. A score of other substantial awards. Masterly communicator of science, e.g. best-seller A Brief History of Time. Appeared on Star Trek (The Next Generation), Futurama, The Big Bang Theory; foreword to The Physics of ”Star Trek”; five George’s Secret Key novels with daughter Lucy Hawking. (Died 2018) [JH]
Born January 8, 1945 – Nancy Bond, age 76. Newbery Honor and Tir na n-Og Award for A String in the Harp. Two more books for us, five others. Lived in Boston, Concord, London, and Borth. “Each of my books has a firm geographical setting.” [JH]
Born January 8, 1947 — David Bowie. First SF role was as Thomas Jerome Newton in The Man Who Fell to Earth. He next shows up in The Hunger, an erotic and kinky film worth seeing. He plays The Shark in Yellowbeard, a film that Monty Python could have produced but didn’t. Next up is the superb Labyrinth where he was Jareth the Goblin King, a role perfect for him. From that role, he went on to being Pontius Pilate in The Last Temptation of Christ, an amazing role by the way. He was in Twin Peaks: Fire Walk with Me as FBI Agent Phillip Jeffries, a role which was his last role when he appeared later in the Twin Peaks series. He also played Nikola Tesla in The Prestige from Christopher Priest’s novel. Ok, what did I am leaving y’all to mention? (Died 2016.) (CE)
Born January 8, 1954 – Sylvie Germain, Ph.D., age 67. Six novels for us translated into English; two dozen others, biography, a children’s book, essays. Prix Femina, Moncrieff Prize, Prix Goncourt des Lycèens, Prix mondial Cino del Duca. [JH]
Born January 8, 1977 — Amber Benson, 44. Best known for her role as Tara Maclay on Buffy the Vampire Slayer. Her post-BtVS genre credits are scant with a bit of work on Supernatural, a web series called The Morganville Vampires and, I kid you not, a film called One-Eyed Monster which is about an adult film crew encountering monsters. She is by the way a rather good writer. She’s written a number of books, some with Christopher Golden such as the Ghosts of Albion series and The Seven Whistlers novel which I read when Subterranean Press sent it to Green Man for review. Her Calliope Reaper-Jones series is quite excellent too. As an audiobook narrator her credits include works by Seanan McGuire and John Scalzi. (CE)
Born January 8, 1979 — Sarah Polley, 42. H’h what did I first see her in? Ahhhh she was in The Adventures of Baron Munchausen! Let’s see what else she’s done… She’s been in the animated Babar: The Movie, Existenz, No Such Thing (which is based very loosely on Beowulf), Dawn of the Dead, Beowulf & Grendel (well sort of based on the poem but, errr, artistic license was taken) and Mr. Nobody. (CE)
Born January 8, 1983 – Michael Ziegelwagner, age 38. Fifty short stories, e.g. “On the Unreality of Our Forests”, “Bee, Wasp, Bumblebee, Fish”, “New Rules for the Robot Car”. Mostly in German. [JH]
Born January 8, 1965 — Michelle Forbes, 56. Best remembered as Ensign Ro Laren in Star Trek: The Next Generation, she also showed up in the Battlestar Galactica: Razor film as Admiral Helena Cain, and the pilot of Warren Ellis scripted Global Frequency as Miranda Zero. She played Maryann Forrester on True Blood as well. (CE)
(11) FREUDIAN SPACE. Stephen Colbert makes a couple of (possibly NSFW) genre references in this installment of “Quarantinewhile…” on The Late Show.
Jigsaw Puzzle 1000 Pieces for Adults: This collage of vintage sci-fi magazine covers is nearly 28? across. Our thick cardboard construction and high-quality paper laminate makes for a durable and beautiful puzzle image. Includes puzzle image insert to help you complete the puzzle without the box image.
(13) FAME ON THE MENU. Here’s another of those food places that gives celebrity names to its fare. The Atomo minimart in Los Angeles:
jean luc batard
made with fresh brewed earl grey, oat milk and a touch of agave. make it so.
a moist vanilla cake with almond and rum notes, bedazzled with rainbow sprinkles and frosted with a vanilla butter cream. make everyday your birthday.
The oldest light in the universe is that of the cosmic microwave background (CMB). This light was formed when the dense matter at the beginning of the universe finally cooled enough to become transparent. It has traveled for billions of years to reach us, stretched from a bright orange glow to cool, invisible microwaves. Naturally, it is an excellent source for understanding the history and expansion of the cosmos.
The CMB is one of the ways we can measure the rate of cosmic expansion. In the early universe, there were small fluctuations of density and temperature within the hot dense sea of the big bang. As the universe expanded, the fluctuations expanded as well. So the scale of fluctuations we see in the cosmic microwave background today tells us how must the universe has grown. On average, the fluctuations are about a billion light-years across, and this gives us a value for the rate (the Hubble parameter) as somewhere between 67.2 and 68.1 km/sec/Mpc….
Sci-fi author Michael Moorcock has published a dizzying array of books since getting his start editing a Tarzan fanzine when he was still a teenager. In addition to his extensive literary career, Moorcock has also had some pretty praiseworthy experiences in the world of rock and roll including having played banjo for Hawkwind (as well as writing lyrics for the band) and penning three songs for Blue Öyster Cult. However, as excellent as Mr. Moorcock is, this post is about a man whose art adorned countless covers of books by Moorcock and others in the genre of fantasy and sci-fi for years, Bob Haberfield. If you are of a certain age you will very likely remember being in a store (especially in the UK) catching yourself staring right at one of Haberfield’s many contemplative psychedelic book covers that were staring right back at you…
(16) VIDEO OF THE DAY. In “Random lessons Learned From Making Films” on Vimeo, director David F. Sandberg offers lessons he’s learned from making his three sf/fantasy films, including the complexity of having multiple actors in a scene (he had 14 in one scene in SHAZAM, and camera angles had to be plotted for all of them) and why good sound is more important in a film than good images. BEWARE SPOILERS.
[Thanks to Daniel Dern, Rob Thornton, John Hertz, JJ, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, Michael Toman, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Tsunduko” Dern.]
…You might note also that negative reviews are one of the ways we communicate with creators of products and arbiters of service in order to improve the quality of that product or that service — which is true! If someone at American Airlines shits in my bag, I’m gonna say something on Twitter, and I’m going to say it to American Airlines. If the dishwasher I bought was full of ants, you bet I’m going to tag GE in that biz when I go to Twitter. But books are not dishwashers or airlines. You can’t improve what happened. It’s out there. The book exists. You can’t fix it now. And art isn’t a busted on-switch, or a broken door, or a poopy carryon bag, or an ant-filled dishwasher….
(2) THE PERIPHERALS
WHISPERER. Ursula Vernon has many talents – this is another one.
(3) KGB READINGS. Fantastic Fiction at KGB reading
series hosts Ellen Datlow and Matthew Kressel present Simon Strantzas and Kai
Ashante Wilson on Wednesday, May 15, 7 p.m. at the KGB Bar (85 East 4th Street, NY, just off 2nd
Simon Strantzas is the author of five collections of short fiction, including Nothing is Everything (Undertow Publications, 2018), and is editor of the award-winning Aickman’s Heirs and Year’s Best Weird Fiction, Vol. 3. His fiction has appeared in numerous annual best-of anthologies, in venues such as Nightmare, Postscripts, and Cemetery Dance, and has been nominated for both the British Fantasy and Shirley Jackson awards. He lives with his wife in Toronto, Canada.
Kai Ashante Wilson
Kai Ashante Wilson won the Crawford award for best first novel of 2016, and his works have been shortlisted for the Hugo, Nebula, Shirley Jackson, Theodore Sturgeon, Locus, and World Fantasy awards. Most of his stories are available on Tor.com. His novellas The Sorcerer of the Wildeeps and A Taste of Honey may be ordered from local bookstores or online. Kai Ashante Wilson lives in New York City.
I am a fat guy. I will likely always be a fat guy.
Fat Thor is not fat-shaming.
Fat Thor is character humor: the man has given up. Tony Stark went in one direction, the Odinson went in another. He’s a binge-drinking, binge-eating, emotionally fragile shell of himself, and while some of the other characters make unkind (and, dammit, funny) remarks, it is his diminishment and not his enlargement that is the source of the humor.
Sure, bloody explain it to me now.
I don’t know, I don’t understand.
Fvck you, I’m a fat guy. I do know, I do understand. I have been mocked for my weight, sometimes viciously. I know it all.
(I haven’t personally encountered these complaints, I can only assume
there must be some, else why Castro’s post.)
Ah for those halcyon days. Now Fantastic is showcasing fabulous Leiber, Moorcock, and Le Guin. Moreover, Vic has added the superlative Worlds of Tomorrow to her beat. What have I got? Analog is drab and dry, Avram Davidson has careened F&SF to the ground, IF is inconsistent, and Galaxy…ah, my poor, once beloved Galaxy…
(6) TERRAIN TERROR. Laird Barron now writes crime
novels set in Alaska. But he used to be a horror writer, and “In Noir,
Geography Is a Character” on CrimeReads, Barron
has anecdotes about Michael Shea and the World Fantasy Convention in San Jose.
…A decade ago, bound for the World Fantasy Convention in San Jose, I stared out the window of a light commercial plane swooping in low over the Central Valley. Low enough I made out details of oak trees covering big hills and the rusty check patterns of the yards of individual homes. Country roads radiated like nerves from a plexus. Cars crawled along those snaking roads through golden dust. The rumpled land subtly descended toward the haze of the Pacific. I realized this was where Michael Shea got his flavor. This “obvious” revelation slapped me in the face.
Michael left us too soon five years later in 2014. His memory looms large in the weird fiction and horror fields as the man who wrote the landmark collection Polyphemus. A deep vein of mystery and noir travels through his work, grounding the fantastical tropes. I’d read him since my latter teens, absorbing the unique cadence of his prose without giving conscious thought to how echoes of the natural world inflected his grimiest urban settings, how the superstructures and sprawl of his version of LA and San Francisco were influenced by the ancient earth they occupy….
(7) TODAY IN HISTORY.
This was a big date in sff history.
May 9, 1973 — Soylent Green premiered.
May 9, 1986 — Short Circuit debuted in theatres.
May 9, 1997 — The Fifth Element arrived in movie houses.
(8) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 9, 1860 — J. M. Barrie. Author of Peter Pan, or The Boy Who Wouldn’t Grow Up, which I’ve read a number of times. Of the movie versions, I like Steven Spielberg’s Hook the best. The worst use of the character, well of Wendy to be exact, is in Lost Girls, the sexually explicit graphic novel by Alan Moore and Melinda Gebbie. If you’ve not read it, don’t bother. (Died 1937.)
Born May 9, 1920 — William Tenn was the pen name of Philip Klass. Clute says in ESF that ‘From the first, Tenn was one of the genre’s very few genuinely comic, genuinely incisive writers of short fiction, sharper and more mature than Fredric Brown and less self-indulgent in his Satirical take on the modern world than Robert Sheckley.’ That pretty sums him up I think. All of his fiction is collected in two volumes from NESFA Press, Immodest Proposals: The Complete Science Fiction of William Tenn: Volume I and Here Comes Civilization: The Complete Science Fiction of William Tenn: Volume II. (Died 2010.)
Born May 9, 1920 — Richard Adams. I really loved Watership Down when I read it long ago — will not read it again so the Suck Fairy may not visit it. Reasonably sure I’ve read Shardik once but it made no impression one way or the the other. Heard good things about Tales from Watership Down and should add it my TBR pile. (Died 2016.)
Born May 9, 1925 — Kris Ottman Neville. His most famous work, the novella Bettyann, is considered a classic of science fiction by no less than Barry Malzberg. He wrote four novels according to ISFDB over a rather short period of a decade and a number of short story stories over a longer period. (Died 1980.)
Born May 9, 1936 — Albert Finney. His first genre performance is as Ebenezer Scrooge in Scrooge. That’s followed by being Dewey Wilson in Wolfen, a deeply disturbing film. He plays Edward Bloom, Sr. In the wonderful Big Fish and voices Finis Everglot in Corpse Bride. He was Kincade in Skyfall. He was Maurice Allington in The Green Man based on Kingsley Amis’ novel of the same name. Oh and he played Prince Hamlet in Hamlet at the Royal National Theatre way back in the Seventies! (Died 2019.)
Born May 9, 1951 — Geoff Ryman, 68. His first novel, The Unconquered Country, was winner of the World Fantasy Award and British Science Fiction Association Award. I’m really intrigued that The King’s Last Song during the Angkor Wat era and the time after Pol Pot and the Khmer Rouge, grim times indeed for an SF novel.
Born May 9, 1979 — Rosario Dawson, 40. First shows as Laura Vasquez in MiB II. Appearances thereafter are myriad with my faves including being the voice of Wonder Women in the DC animated films, Persephone in Percy Jackson & the Olympians: The Lightning Thief and her take as Claire Temple across the entire Netflix Marvel universe.
In 1981, Eastercon was held in Leeds. Four attendees were David Pringle, Simon Ounsley, Alan Dorey (then chairman of the British Science Fiction Association (BSFA)) and Graham James. David Pringle was a co-chairman of the convention and Simon Ounsley was assisting with the finances. The convention made a profit of £1,300, which Simon states was completely unintentional and purely down to cautious budgeting. At Graham James’ suggestion, the committee agreed to use the money to launch an SF magazine. Simon recalls how controversial this decision was at the time, but in any event, the four men teamed up to start a magazine.
At the same time, four friends in London were also trying to get an SF magazine off the ground. They were Malcolm Edwards, who worked for SF publisher Gollancz, and SF critics John Clute, Colin Greenland, and Roz Kaveney. They had asked the BSFA if they would publish the magazine and it had declined. However, Alan made David aware of the London proposal and the two groups got together.
As Simon says, this was an ideal match because the Leeds contingent had the money and the London team had the connections. The name of the magazine was suggested by David. It was an imaginary city in the William S. Burroughs novel Naked Lunch.
Moviegoers across the country were able to see Tolkien ahead of its release this Friday, along with a Q&A moderated by Lord of the Rings super-fan Stephen Colbert, even if they weren’t at the Montclair Film Festival in New Jersey on Tuesday for the first-ever screening of the movie.
The panel, featuring the Fox Searchlight film’s stars Nicholas Hoult and Lily Collins with director Dome Karukoski, was simulcast to select theaters following special screenings. In Montclair, Karukoski revealed what goes into a film like Tolkien, which chronicles the formative years of J.R.R. Tolkien’s life as he forms friendships, goes to war and falls in love….
To close out the Q&A, Colbert praised Karukoski’s efforts and Tolkien itself. “Thank you for the film you created. It reminds me of the power of story, and how it can give us hope,” the late-night host said before citing one of Tolkien’s quotes from The Return of the King: “I will not say: do not weep; for not all tears are an evil.”
Continued Colbert, “I cried many times watching this film, and I want to thank you for those tears of pain and of those tears of joy and thank you for what you have given me of his [Tolkien’s] life and for your beautiful performances.”
Although these supernovae are rarer than neutronstar mergers, the larger amount of material ejected per event compensates for the lower rate of occurrence. We calculate that collapsars may supply more than 80 per cent of the r-process heavy element content of the Universe.
…Mort Drucker’s art is exquisite as always, and DeBartolo’s writing is top notch, loaded with puns and hilarious jokes. (Spook: “That’s what your MIND says! What does your HEART say?” Kook: “Pit-a-pat! Pit-a-pat! Pit-a-pat — just like everybody else’s!”) But one of the most interesting things about this parody is the way the story wraps up — the solution is for the Boobyprize to reverse orbit and go back in time. You might recognize this plot device from the first Superman movie. Somehow DeBartolo ripped it off, despite “Star Blecch” coming out 11 years before the film.
Today I’ve gathered Brian, Mike, Phoebe and Vance to chat about our Endgame reactions: what made us punch the air in glee and what had us sliding down in our seats in frustration. Needless to say, all the spoilers are ahead and you really shouldn’t be here unless you’ve had a chance to see the movie first.
Adri: So, Endgame! That was fun. Even more fun than I expected after, you know, all the dead people and the feelings about them.
Brian: First impressions are that I thought this was a great conclusion to all of the movies that came before it. The MCU could stop here (it won’t, but it could) and I would be completely satisfied.
Vance: The woman seated next to me — and I’ve never experienced this in a movie theater — started taking deep, centering breaths the moment the lights went down. And I love her for it. Infinity War was a gauntlet for fans, yet she was there opening day for whatever came next, no matter how gutting. Turned out the movie was a lot of fanservice, so she made it through. As did I!
…Once a time window expires, park employees dressed as “Star Wars” characters will politely tell parkgoers that they need to leave the land to make way for new visitors.
Disneyland representatives say they expect that most guests will abide by the courteous directions to move on. But they remain mum about what will happen if guests ignore the requests.
“Four hours is a long time in the land,” said Kris Theiler, vice president of the Disneyland Park. “Most guests are going to find that they’re ready to roll after four hours.”
[Thanks to Greg Hullender, JJ, Cat Eldridge, Chip Hitchcock, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Michael Toman, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
The winning story was selected by judges Anne Charnock, RJ Barker and Una McCormack.
The winner receives £200 and publication of the story in Interzone.
The judges also awarded a special commendation to:
“A Sip of Pombé” by Gustavo Bondoni
RJ Barker, author of Age of Assassins, praised the winning story:
A short story is a hard thing to write. You have to establish a a realistic and believable character in a very short space of time to carry it (sometimes I struggle to do this with a whole novel at hand). Then of course you have to tell a satisfying, and self-contained, story. An SFF short story is an even harder thing to write because you not only have to do all of the above but you have to establish a world with rules and structure and make the reader buy into it. ‘Two Worlds Apart’ does that brilliantly.
Life springing up on a planet with no sun that just wanders the galaxy? Is that even possible or likely? Probably not, I reckon, when you start thinking about radiation and meteors and all that science stuff. But did I ever question it in this story? No. Not for a moment. It absolutely sold its premise and ideas and I flew through it with a real sense of wonder at the alien-ness of it all, it felt like something new – and that is a beautiful thing to happen. More than that, the story itself left me with a sense of hope and real feeling that in the end people are worthwhile and I think, in a time when the news cycle is increasingly grim, that’s an important message to be putting across. A worthy winner in among a set of stories that showed some real talent at work and were a pleasure to judge.
And Anne Charnock added:
A tightly written story with well-drawn characters, ‘Two Worlds Apart’ poses profound questions about what it is to be a species. Earth hopes to join a Consortium of species and, as a test, a group of human emissaries aided by a Consortium facilitator – an augmented insectoid – is attempting first contact with the Tarshach. The Tarshach face extinction, their energy resources close to depletion. But will they accept help? Why do the Tarshach repeatedly ask “What is expected of us?” A fascinating glimpse into the imagined cultural differences between intelligent species, the inevitability of good intentions lost in translation.
Una McCormack said about runner-up, Gustavo Bondoni’s “A Sip of Pombé”:
Our world at the moment seems to have turned inwards, away from the stars and the promise of the stars, becoming lost in divisions and threat. ‘A Sip of Pombé’, which concerns an illicit Ugandan mission to Mars, shows us how humanity can be audacious and strive towards a better future. It reminds us that if we are to have such a future, it must be found together. A fine story within an excellent set of short stories.
The other shortlisted stories in this year’s competition were:
“Imago” by Matthew Eeles
“Ms. Höffern Stays Abreast of the News” by Sarah Pauling
“My Fault” by Sarah Palmer
“The Big I Am” by E.M Faulds
Award administrator Martin McGrath said the 2019 James White Award will open to entries in October.
The competition is open to original, unpublished short stories of not more than 6,000 words by non-professional writers. The award, established in 2000, offers non-professional writers the opportunity to have their work published in Interzone, the UK’s leading sf magazine. In addition, this year’s prize is £200.
The competition received 312 valid entries, and 29 stories made it to the second stage of judging. Because the stories are judged anonymously, only the titles have been released:
A Long Way From Home
A Sip of Pombé
Amalus and the Automatons
Androids for the Elderly
Blood, Bone, Feather
By the Boiler’s Hand
For the Love of AI
Ghost in the War Machine
How Grady Lost Andraya
In Communion with the Invisible Flock
Ms Hofferen Stays Abreast of the News
The Big I AM
The Gift That Keeps on Taking
The Human Condition
The Malfunctioning Heart
Two Worlds Apart
Waiting for the Winter
The judges for the final stage of the competition will be announced in weeks to come. The winning story is scheduled to be chosen by the end of July
Alan Dorey, a major figure in British sf fandom since the late Seventies, died July 24. The cause was not announced.
Dorey was one of eight co-editors who started Interzone magazine in 1982, along with John Clute, Malcolm Edwards, Colin Greenland, Graham James, Roz Kaveney, Simon Ounsley and David Pringle. (Dorey left Interzoneafter issue 10.)
He first became active in fandom while attending Leeds University in the late Seventies. He co-founded the Surrey Limpwrists (a local club near his hometown), worked on the Eastercon committee, and was elected Chairman of the BSFA, all in 1979. He continued as BSFA chair until 1985. During that span he also wrote a lot of columns and reviews for BSFA’s fanzines Matrix and Vector.
His own fanzines included Black Hole for the Leeds University sf club, Gross Encounters, and Sirius (with Mike Dickinson).
His fanpublishing resume didnot include the first issue of Another Bloody Fanzine (1979), although he and Joseph Nicholas shared the masthead. As Rob Hansen explains in his British fanhistory, THEN:
For some months, Alan Dorey and Joseph Nicholas had been telling everyone of their intention to puiblish a fan zine of that name that would be devoted to killer fanzine reviews to end all killer fanzine reviews, so when ABF 0 dropped onto their doormats most assumed it was the much awaited thunderbolt….
The hoax penned by David Langford and Kevin Smith caused at least as much of an uproar as had been promised by the real editors, and when Nicholas and Dorey did in fact put out an issue by that title in late 1979 it was almost anticlimactic.
Dorey’s fanac tailed off in the 1990s but in 2012 he revived Gross Encounters where he explained:
The late 1990s saw my activity increasingly head towards the back burner, taking its place amongst a host of other projects that sat there gently simmering away. I can’t quite place my finger on the exact moment, but sometime between 1998 and the fuss over the new millennium, the shilling in the meter must have run out and the burner flickered no more.
By then his real passion was his radio show. Dorey’s first experience in radio came decades ago at BBC Radio Manchester. He wrote book reviews and discussed them on air with the show’s host, Briony Barton. Since 2006 he had been a presenter and DJ at Forest FM, where his show was called “Music Box.” Dorey described it this way –
The show runs to a loose format which can be summed up as “old, New, Borrowed, Blues” . It’s a simple formula, but it works and it ensures that there’s always plenty of new music as well as older sounds and a mix of genres. There’s a handy little phrase in putting a show together—”hammocking”: this is the process of bookending segments with more familiar music so that casual listeners aren’t put off with too much new and unfamiliar music.
Today many listeners have left messages on his Facebook page praising his openness to new music and support for local artists.
Dorey is survived by his wife, Rochelle, and their children.
[Thanks to Andrew Porter and Steven H Silver for the story.]
The winner of the 2017 James White Award is “The Morrigan” by Stewart Horn. The award, established in 2000, offers non-professional writers the opportunity to have their work published in Interzone, the UK’s leading sf magazine.
Commenting on the winning story on behalf of the judging panel, David Gullen said:
The Morrigan works very well, a very tight piece of writing, confident and accomplished. It breaks the rule on colloquial speech and not only makes it work but is stronger for it. An original take on a very old tale with good pace, and sense of time and place.
Horn’s story wins £200 and will be published in a future issue of Interzone.
The judges also chose to give a special commendation to “May the Pain Guide You Home” by Daniel Roy. Award Adminstrator Martin McGrath said, “Daniel’s story scored highly with all the judges, it packs a powerful emotional punch in a well-written and tightly told story.”
The winning story was chosen from a field of almost 200 entrants this year.
The judges were Lorna Gibb, David Gullen, and Konrad Waleski.