By Steve Vertlieb: I grew up with television in the 1950s. The little box sitting in my living room, brightly lit from within, became a lifelong companion. During those most impressionable years, I came to recognize a variety of character actors and actresses who, in my private adolescent world, became trusted friends. Their faces were comforting affirmations of my youthful belief in the ultimate goodness of mankind. Among the most reassuring of these, both then and now, belonged to Jack Klugman. While he later established a delightful persona as Oscar Madison (opposite Tony Randall) in television’s adaptation of The Odd Couple, I will always regard Jack Klugman as one of the most vulnerable, deeply honest, and passionate actors in television history. He was “everyman” … a poor, simple “Joe,” trying to lift himself out of the gutter and become a “Mentsch.”
Klugman, along with Burgess Meredith, was particularly cherished by Rod Serling, who utilized their talents in four separate episodes each of his classic Twilight Zone series on CBS. Two of those episodes in particular affected me deeply during my formative years. In “A Passage For Trumpet,” Klugman played Joey Crown, a sad, lonely man with an affinity for his horn. In a world filled with strangers, his trumpet seemed his only friend … an instrument of beauty that alone elevated his soul. In a later episode of the classic series, Klugman was an inconsequential gambler (Max Phillips) whose sole meaning and value in life seemed the future of his only son, wounded in Vietnam. He sacrifices his own shabby life in order to save his boy … a selfless act “In Praise of Pip.”
In 1957, Jack Klugman co-starred with, perhaps, the most startling ensemble of young actors ever assembled in a single motion picture. Alongside Henry Fonda, Lee J Cobb, Martin Balsam, Edward Binns, Jack Warden, Ed Begley, Robert Webber, and George Voskovic as “Juror No. 5” in Sidney Lumet’s landmark courtroom drama, Twelve Angry Men, Klugman delivered an impassioned performance as a loner struggling to voice his humanity in a sea of cynicism. He was always the common man, the quiet, dignified soul yearning to find expression in a world that often had no time for him.
His powerful guest starring role in the CBS dramatic series The Defenders in 1964 (“The Blacklist”) won him a well deserved Emmy Award. Klugman could always be counted on to deliver a strong, moralistic performance as he did opposite Jack Lemmon, as Jim Hungerford, in Blake Edwards’ tragic study of alcoholism, The Days of Wine and Roses (1962). He created the role of Ethel Merman’s friend and companion in the original production of Gypsy on Broadway (later re-created by Karl Malden in the motion picture version opposite Rosalind Russell). He delivered comforting support to Frank Sinatra in a strong performance as a loyal police officer in The Detective.
I was running the film department at WTAF TV 29 in Philadelphia during the late Seventies and early Eighties, and had become friendly with Dan Silverman, the head of publicity at Universal, who would take my brother and I on private walking tours of the studio’s back lot. On one such occasion, we visited the set of the popular Quincy series during filming and had a lovely meeting with the superb Jack Klugman whose heart melted upon learning that we had come from his favorite city, Philadelphia. I’d always wanted to meet him, and so this opportunity was quite literally a dream come true.
I’d been warned that the actor could be somewhat temperamental, and so I made sure that he knew right from the start that I had journeyed to Hollywood from The City of Brotherly Love. He was very warm, and threw his arms around me immediately.
After chatting for a few moments, Jack asked if my brother Erwin and I might like to return to the set after lunch to watch them film an episode of the weekly NBC series. “Would you boys like to come back after lunch, and watch us shoot,” he asked. I watched him walk over to his director. Pointing to us, he said “These gentlemen are going to come back after lunch and watch us “shoot.” “They’re from Philadelphia … Ya know … PHILADELPHIA!” He was very cute.
Jack Klugman remains one of my favorite actors, both on the small and large screens. His charm and self effacing humor when I met him on the set of Quincy is a memory that I’ll cherish always … as I will his profound body of work both in film and television.
Amazon has called the conclusions of a recent report into US author earnings flawed, after the Authors Guild suggested that the retail giant’s dominance could be partly responsible for the “a crisis of epic proportions” affecting writers in the US.
The report from the writers’ body, published last week, highlighted the statistic that median income from writing-related work fell to $6,080 (£4,730) in 2017, down 42% from 2009, with literary authors particularly affected. Raising “serious concerns about the future of American literature”, the writers’ body singled out the growing dominance of Amazon for particular blame. “Amazon (which now controls 72% of the online book market in the US) puts pressure on [publishers] to keep costs down and takes a large percentage, plus marketing fees, forcing publishers to pass on their losses to authors,” said the report.
But on Wednesday, Amazon took issue with the report’s conclusions. “The Authors Guild has acknowledged that there are significant differences between the data it compared in its recent survey and years prior, noting that ‘the data does not line up’,” said an Amazon statement. “As a result, many of the survey’s conclusions are flawed or contradictory. For instance, the survey also shows that earnings increased almost 17% for traditionally published authors and 89% for independent [self-published] authors, and that full-time authors saw their median income rise 13% since 2013.”
…Outreach to underserved and underrepresented writers in the SFF community
Again, the most important aspect of this, as the most underserved and underrepresented writers in the SF/F community are conservatives and Christians. These groups feel like they’re not welcome anywhere within the sphere of publishing, and it needs to change.
I’m confident Ms. Kowal will enact change here, which is the primary reason for my endorsement. I also volunteer to act as an ambassador to the conservative/Christian writing communities on her behalf, as many writers feel they can safely speak with me in confidence, when their concerns might get them ostracized or their businesses hurt if they voice their issues elsewhere. With me in such a role, we can repair the bridge in fandom so we can make it about books again, and selling for authors, and not about petty political squabbles.
Ms. Kowal has demonstrated to me personally that she is sincere in this effort by attempting to assist me with Worldcon 2018 when they horribly discriminated against me last year because of my outspoken beliefs, and because I was under threat of physical harm being done to me at their convention by extreme left-wing agitators. The cycle of victim blaming must stop, and Kowal has assured me SFWA will not be an organization that will treat conservative authors as 2nd class citizens. This is a human rights issue and very big for me!
But Kowal also puts her money where her mouth is. When I was coming up and needed promotion as a writer, Kowal featured me on her blog not just once—but twice, and the second after I’d already become a prominent outspoken conservative within the community. She cares about books FIRST – and this is what sets her apart from others.
I’m excited for her tenure so I can finally join the professional guild (as is my due) without being shut down and held to standards others within SFWA are not.
Discovery season one seemed like a declarative end of a chapter with the Federation-Klingon war coming to its conclusion. Why did you choose to start the second chapter by bringing in the Enterprise, considering its notoriety?
We discover in season one that Michael has a relationship with Spock. The mystery of why Spock, who we’ve known for over 50 years, has never mentioned his sister, is huge. It felt like there was no way we were going to be able to answer that question in one or two episodes. It was easily going to be the substance of a whole season. This season is a deep-dive into that relationship and what went wrong, their history and where they’re headed. That excited me. It’s the unwritten chapter of how Spock became the character that we meet in the original series. We’ll come to understand that were it not for his relationship with Michael, many of the things we know and love about Spock may not have flowered in the way that they did.
…Launching into this first episode reminded me that I do actually like these characters. I felt happy to see Michael, Tilly, Saru and Stamets again. Also, Discovery remains visually impressive, it’s easily the best looking Star Trek. The promised story arc appears to be a mysterious simultaneous signal from five points across the galaxy — a signal that Spock knows something about and which (apparently coincidentally) Captain Pike has been tasked with investigating….
(6) COSTA BOOK AWARDS. The 2018 Costa
Book Awards, a general literary prize in the UK, have a winner of genre interest — Stuart Turton won the
First Novel award for The Seven (or 7 1/2) Deaths of Evelyn Hardcastle.
At a party thrown by her parents, Evelyn Hardcastle will be killed – again. She’s been murdered hundreds of times, and each day Aidan Bishop is too late to save her. The only way to break this cycle is to identify Evelyn’s killer. But every time the day begins again, Aidan wakes in the body of a different guest. And someone is desperate to stop him ever escaping Blackheath……
Stuart Turton is a freelance travel journalist who’s previously worked in Shanghai and Dubai. He’s the winner of the Brighton and Hove Short Story Prize and was longlisted for the BBC Radio 4 Opening Lines competition. TV rights for The Seven Deaths of Evelyn Hardcastle have been optioned by House Productions. He lives in West London with his wife and daughter.
Judges: ‘Impossibly clever, genre-busting murder mystery that feels like a mash-up of Cluedo, Sherlock and Groundhog Day.’
(7) VIDEO OF THE DAY. “WCFF-Dream” on Vimeo is an animated version of “I Dreamed a Dream” with many cute animals that was shown at the World Conservation Film Festival in October.
(8) PEARLMAN OBIT. Alan
R. Pearlman (1925-2019) has died at the age of 93. The New
York Times notes he was —
Founder of ARP Instruments and designer of its early synthesizers, which were used in Star Wars: A New Hope (R2-D2’s beeps), Close Encounters of the Third Kind (that infamous 5-note sequence, shown being played on an ARP 2500), and the 1980’s version of the Dr. Who theme.
[Compiled by Cat
Born January 18, 1882 – A.A. Milne. Oh Pooh has to count as genre, doesn’t he? Certainly that an exhibition entitled “Winnie-the-Pooh: Exploring a Classic” appeared at the Victoria and Albert Museum in London shows his place in our culture. There’s also Once on a Time, a rather charming fairy tale by him. And though it isn’t remotely genre, i wholeheartedly recommend The Red House Mystery, a Country House Mystery that’s most excellent! (Died 1956.)
Born January 18, 1933 – John Boorman, 86. I will admit that he does not at all have a lengthy genre resume though it’s quirky one nonetheless as it manages to encompass one howlingly horrible film being Zardoz featuring Sean Connery in diapers and Excalibur giving us a bare breasted Helen Mirren as Morgana. Did you know by the way that Robert Holdstock wrote the novelisation of The Emerald Forest which he directed? He also directed Exorcist II: The Heretic which frankly the less said about, the better.
Born January 18, 1937 – Dick Durock. He was best known for playing Swamp Thing in Swamp Thing and The Return of Swamp Thing and the following television series. His only other genre appearances were in The Nude Bomb (also known as The Return of Maxwell Smart) and “The First” of The Incredible Hulk. (Died 2009)
Born January 18, 1953 – Pamela Dean, 66. Her best novel is I think Tam Lin though one could make an argument for Juniper, Gentian, and Rosemary which Windling claims is her favorite fantasy novel. Her Secret Country trilogy is a great deal of fun reading. Much of her short stories are set in the Liavek shared universe created by Emma Bull and Will Shetterly. Alll of these are now available on all major digital platforms. According to the files sitting in my Dropbox folder, there’s eight volumes to the series. They’re wonderful reading. End of plug.
Born January 18, 1955 – Kevin Costner, 64. Some of his films are his genre films are really atrocious, to wit Robin Hood: Prince of Thieves, Waterworld, The Postman and the recent Dragonfly but I really like his Field of Dreams and his acting in it as Ray Kinsella is quite excellent. Not quite as superb as he was as “Crash” Davis in Bull Durham but damned good. I forgot until just reminded that he was Jonathan Kent in both Man of Steel and Batman v Superman: Dawn of Justice. I know that’s two more horrid films he’s been in.
Born January 18, 1960 – Mark Rylance, 59. Prospero’s Books, an adaption of The Tempest which I really want to see, The BFG and Ready Player One are the films he’s been in. An active thespian, he’s been in A Midsummer Night’s Dream at Royal Opera House, Hamlet at American Repertory Theater and Macbeth at Greenwich Theatre to show but a few of his appearances.
Born January 18, 1968 – David Ayer, 51. Film director, producer and screenwriter. Recent genre film from him were Suicide Squad and Bright, both of which have Will Smith in them and both of which, errr, were utter crap. He’ll be directing Gotham City Sirens which will not presumably have Will Smith in it. Yes I’m being snarky.
(10) SIGNS OF SPRING. Jonathan
Cowie announced that the Spring edition of SF2 Concatenation is now online,
with its rich mix of con reports, articles, seasonal giant news page and loads of
In a paper titled “Lego — The Toy of Smart Investors,” Dobrynskaya analyzed 2,300 sets sold from 1987 to 2015 to measure their price-return over time. She found that collections used for Hogwarts Castles and Jedi star fighters beat U.S. large-cap stocks and bonds, yielding 11 percent a year. Smaller kits rose more than medium-sized ones, similar to the size effect in the Fama-French model (though the relation isn’t exact).
Lego sets that focus on superheroes, Batman and Indiana Jones are among the ones that do best over time. The Simpsons is the only Lego theme that has lost value, falling by 3.5 percent on average.
The Harald Mogensen Prisen for the best thriller went to Jesper Stein for his novel Solo.
The Danish Criminal Academy’s debut award was won by Søren Sveistrup for the thriller novel “Kastanjemanden” (The Chestnut Man).
The Palle Rosenkrantz Award for this year’s best foreign thriller novel has been awarded to Michael Connelly for Two Kinds of Truth. The award recognizes the best crime fiction novel published in Danish. It is named in honour of Palle Rosenkrantz (1867-1941), who is considered the first Danish crime fiction author; his novel Mordet i Vestermarie (Murder in Vestermarie) was published in 1902.
(13) J FOR JANUARY AND JOY.
Cora Buhlert’s guest post “Space Opera and Me”
is part of the Month of Joy project of the Skiffy
and Fanty Show:
At the time, a friend asked me why I always watched Star Trek, even though I’d seen much of it before and it was all the same anyway. “You watch soap operas, don’t you?” I asked her. She nodded and said, “Yes, to relax.” – “Well, Star Trek is my soap opera,” I told her.
I was on to something there, because there are similarities between space operas and soap operas beyond the fact that both started out as derogatory terms including the word “opera”. Both soap operas and space operas (and actual operas for that matter) offer larger-than-life drama with a huge cast of characters. Both offer the grand spectrum of emotion, love and hate, birth and death, weddings and funerals. However, space opera has aliens, ray guns, starships and space battles to go with the melodrama.
Another thing that unites space operas and soap operas is that no matter how fascinating the settings, how shocking the twists, how grand the melodrama, what makes us come back for more are the characters. The best space and soap operas feature people (in the loosest sense of the term) we want to spend time with, whether it’s in the mundane surroundings of Coronation Street or Lindenstraße or on the deck of a starship or the surface of an alien planet.
(14) FLOCKS OF HUGO RECOMMENDATIONS.
Nerds of a Feather makes its collective
picks in several Hugo categories at each post. Examples are included below.
(15) HOW WE GOT HERE. An article in this
week’s Nature reminds me of the old
t-shirt design pointing out “You are here” — “The
Once and Future Milky Way” [PDF file].
Data from the Gaia spacecraft are radically transforming how we see the evolution of our Galaxy.
There was a a smashup between the young Galaxy and a colossal companion . That beast once circled the Milky Way like a planet around a star, but some 8 billion to 11 billion years ago, the two collided, massively altering the Galactic disk and scattering stars far and wide. It is the last-known major crash the Galaxy experienced before it assumed the familiar spiral shape seen today. Although the signal of that ancient crash had been hiding in plain sight for billions of years, it was only through the Gaia space probe’s data set that astronomers were finally able to detect it.
Simulation software that can create accurate “digital twins” of entire cities is enabling planners, designers and engineers to improve their designs and measure the effect changes will have on the lives of citizens.
Cities are hugely complex and dynamic creations. They live and breathe.
Think about all the parts: millions of people, schools, offices, shops, parks, utilities, hospitals, homes and transport systems.
Changing one aspect affects many others. Which is why planning is such a hard job.
So imagine having a tool at your disposal that could answer questions such as “What will happen to pedestrian and traffic flow if we put the new metro station here?” or “How can we persuade more people to leave their cars at home when they go to work?”
This is where 3D simulation software is coming into its own.
Architects, engineers, construction companies and city planners have long used computer-aided design and building information modelling software to help them create, plan and construct their projects.
But with the addition of internet of things (IoT) sensors, big data and cloud computing, they can now create “digital twins” of entire cities and simulate how things will look and behave in a wide range of scenarios.
We’re looking at Saturn at a very special time in the history of the Solar System, according to scientists.
They’ve confirmed the planet’s iconic rings are very young – no more than 100 million years old, when dinosaurs still walked the Earth.
The insight comes from the final measurements acquired by the American Cassini probe.
The satellite sent back its last data just before diving to destruction in the giant world’s atmosphere in 2017.
“Previous estimates of the age of Saturn’s rings required a lot of modelling and were far more uncertain. But we now have direct measurements that allows us to constrain the age very well,” Luciano Iess from Sapienza University of Rome, Italy, told BBC News.
You can tell a lot about an animal from the way it moves, which is why scientists have been recreating the movements of an extinct crocodile-like creature called Orobates pabsti. Orobates lived well before the time of the dinosaurs and is what’s called a ‘stem amniote’ – an early offshoot of the lineage which led to birds, reptiles and mammals. Using 3D scans of an exquisitely preserved Orobates fossil – and an associated set of fossilised footprints – researchers were able to build a dynamic computer simulation of the creature’s movement. The simulation incorporates data from extant animals such as lizards and salamanders to create more realistic motion as it walks along. And the simulation didn’t just stay on a computer; the researchers tested the models in the real world using a Orobates robot, helping bring this ancient creature to life.
Cora Buhlert, Mike Kennedy, Carl Slaughter, Chip Hitchcock, SF Concatenation’s
Jonathan Cowie, Cat Eldridge, JJ, John King Tarpinian, Alan Baumler, Martin
Morse Wooster, and Andrew Porter for some of these stories. Title credit belongs
to File 770 contributing editor of the day Patrick Morris Miller.]