By James Bacon: Journey Planet, editors James Bacon, Christopher J Garcia, Alissa McKersie, Ann Gry, Chuck Serface, John Coxon and Steven H Silver are incredibly proud and pleased to have been considered by fans to be worthy of being nominated as a Hugo finalist.
2019 was a wonderful year for us all, in many ways, and we openly admit that this delightful news was and is badly needed at this difficult time for so many in 2020 and our thoughts are with those who work and strive in these challenging times. .
We hope that we can share our love and appreciation of so many things through our fanzines and welcome this opportunity to share them.
Last year’s issues were: Antique Space, Defying Integrity of Continuity, Apollo XI, and The Matrix.
Each of these issues are so distinctly different: from celebrating a historic anniversary to publishing Russian poetry, to the world of fiction in two so very wondrous and different ways. We are so privileged to have the time and good will of so many people who enjoy spending their time contributing, creating, and helping make these zines.
We would like to thank our contributors: Artist Sara Felix who did amazing covers for two of our issues. Artists Meg Frank and Vanessa Applegate who did a cover each.
Our thanks to Stephanie Alford, Bob Hole, and Jose Sanchez Ed Hengeveld, David M. Stein, Kurt Erichsen, Jack Clemons, John Scalzi, Richard Man, Alma Alexander, Allen M. Steele, Bryan A. Palaszewski, David Hardy, John Donat, Joseph Green, C. Stuart Hardwick, Nancy Jane Moore, Bill Higgins, Gregory Benford, y Pádraig Ó Méalóid, Brenda W. Clough, Scott Hipp, Sarah Gulde, Rob Hansen, Patty Wells, Regina Kanyu Wang, Teddy Harvia, and Tim Gagnon, NASA (we used a lot of their photos). Emma Harris, Warren Frey, Espana Sheriff, Jenn Scott Ulrika O’Brien, Jenn Scott Peppard Saltine, Cardinal Cox, Helena MacCallum, James Mason, and Bill Howard.
We are very grateful for everyone’s support and hard work, and we are thankful for the honour of being Hugo Finalists.
Our thanks to all those who nominated us but also to the Hugo Administrator Tammy Coxen and her team, the WSFS Division and of course the Chairs, Committee and staff of ConZealand.
Chris, James, Alissa, Ann, Chuck, John, and Steven.
[The Glasgow 2024 team had their initial team meetings and social gatherings in Glasgow this past weekend, and James Bacon has sent us a thorough write-up.]
By James Bacon: It was lovely to be back in
Glasgow, amongst fans, looking at the Scottish Exhibition Campus (formerly the
SECC) and being welcomed and to the city which held two Worldcons
such a wonderful city and I was impressed to find that there are now tours of
Glasgow Central Station going underground, overground and so forth in proper
hard hats (glasgowcentraltours.co.uk).
I paused to look around the Central Hotel which has changed so much since the
Moscow 2017 bid with their incredible amount of vodkas tempting fans to support
their efforts in 1995. The view from the bar in the hotel which has hosted
Eastercons, Albacon of course, and those parties in 1995 looking out over the
busy station is lovely.
made my way to the new Forbidden Planet, in its new premises on Sauchiehall St,
it is very large, and I was stunned by how many new comics they stocked. It was
a vast amount. The shop is spread over two floors, and I was pleasantly engaged
by some staff, which was helpful. Also on my list to get to were Thistle Books,
Caledonia Books, the Voltaire & Rousseau Bookshop and City Comics.
All four not far north from the area of the SEC.
The walk from the city to the SEC has changed, The Anderston
‘bridge to nowhere’ Footbridge which I spent a lot of time contemplating
in 1995, in its unexpected glory leading to the sky, and of course the Iain
Banks Espedair Street reference. The area around the SEC has developed mightily
also, The Radison
Red hotel, now one of six hotels in the immediate area (and two more are being
built.) has a fabulous interior. All of the 174
rooms and public spaces have wallpaper designed by legendary Glasgow comic
artist Frank Quitely, depicting scenes in a beautiful style.
MacCallum-Stewart had announced at Novacon in 2015 that a team were
investigating Worldcon venues in the UK, concurrently with the practical visits
and analysis, presentations at Eastercon Smofcons and Novacons, fans were asked
— Where would they like to go? — and Glasgow was overwhelmingly the most
popular choice of city. The selection process came to fruition in 2019 when it
was announced at Eastercon that the SEC was the venue that the team would look
to bid for the 2024 Worldcon. At Dublin 2019 Lewis Hou and the Science Ceilidh
had stolen the show, and it was a bold move to bring over the band from
Scotland, which along with their parties and continual table work, saw over 600
people pre-supporting the Glasgow 2024 bid.
was nice to walk into the SEC, to contemplate the venue. Mike, it’s a fecking
lifetime ago since I was an Area Head here in Glasgow, at a Worldcon, but it is
a great venue and it feels so nice to be here. The SEC welcomed the bid and
hosted these meetings. Signage throughout the venue was adorned with the 2024
Logo and Space Field, both by Sara Felix.
were joined by Jennifer Roddie of the SEC and Aileen Crawford of the Glasgow
Convention Bureau. Aileen has worked with us on the previous Worldcons at
Glasgow and as there have been several changes to the venue since it was last
used it was a good opportunity for everyone to see it for the first time
or with fresh eyes.
tour was lovely but there have been many changes, technology is now much more
prevalent, the area on the mezzanine has been developed into a meeting academy,
with what was a restaurant now a very nice 400-seater room and soft furnishings
in the common area. Space is of course a fair question. Worldcons are popular.
London, Helsinki, and Dublin have demonstrated that there is more interest from
too early to make assumptions of what exactly space will be used for, but what
is interesting is that Mark Meenan had already spent considerable time on the
matter, thinking about new programme space, and shared the concept of having a
1,500-seater Second Stage in Hall 2, a 400-seater programme space in Hall
1 and the addition of M1 with its 400 seats and taking ideas that worked well,
such as the giant Gaming Marquee that held the successful gaming at Loncon 3.
With eight hotels now in the immediate vicinity, there are also so many more
options on smaller workshop type spaces, and of course the Armadillo, which has
had a refresh since I was last in it, will be used the full five days. I admit
I found all this very exciting… and we even found a throne for Esther.
vision for the convention was then worked through, teams using word association
and short tasks to come up with ideas and thoughts, which were presented back.
Marguerite Smith did a very good job of getting everyone thinking and
contemplating what they want and hope for and with a quick and energised
approach we were soon vectoring in on tangible elements and tasks. Timeline,
budget, and recruitment were all important items on the agenda for the weekend,
and Marguerite took the lead and managed the 20+ people present.
MacDonald and Matt Calvert were announced as the leads for the Bid Promotions
team, beautifully choreographed just in time to question the task-based ideas
that came from the Promotions Brainstorming sessions, again managed by
Marguerite, but here the new leads got to engage directly and explore new ideas
and established strategies.
new fans was something that was recognised as being very important, and it was
not lost on me that in 2013, some seven years ago, Esther walked in to a Loncon
3 staff meeting a new volunteer herself, and was in charge of multiple areas by
the time the convention occurred, went on to be a successful Division Head for
Dublin and is now Bid Chair. Although Esther did go to Conspiracy in 1987,
possibly by accident. Marguerite was part of the Valley Forge NASFiC bid, and
in early 2016 joined the Dublin team as a volunteer, was soon promoted to
Deputy Division head and then onto DH for promotions. Other fans in the room,
who had only volunteered for Dublin were now looking at more senior roles. It
was amazing to think that one of the participants in the room, had been a
youngster at YAFA* in 2005 and was now making a very important contribution.
The doors are open, and fans are coming in. There were also Albacon, Eastercon,
Satellite, Worldcon staff and chairs all adding experience as well as those
bringing skills from outside fandom to the conversations.
was good fun there was a dynamism and energy to the weekend that was really
nice. Esther has sought out and found fans who are so excited with the prospect
of a Glasgow Worldcon and keen to help and it was good to be brought together
to chat and catch up.
evenings, drinking and chatting took place. The bar was rammed on Saturday, and
Bowmore 12 year old proved very popular. A cracking good weekend. I’ll be
back up for a comic book swap meet event in March and then Satellite 7 in May.
Adult Fun Activities at Interaction the 2005 Glasgow Worldcon.
The latest edition of Journey Planet is a departure for the team of Christopher J. Garcia and James Bacon as they focus on a single Russian poem, “Defying Integrity of Continuity,” accompanied by art by Ann Gry with a stunning cover by Sara Felix.
You can read it at Weebly here or on eFanzineshere.
Ann Gry who
co-edited this issue is from Moscow, is an event runner, lecturer in law,
artist and poet, who was welcomed by Prof. Jocelyn Bell Burnell to read at a
Dublin 2019 programme item featuring astronomy-related poetry pieces.
The editors say:
The question of what one does for poetry and how one finds poetry was important to the process of producing the fanzine. Journey Planet supports and welcomes work from fans and professionals alike, and have been privileged to have so many amazing contributions. In this issue the simplification of what readers are receiving, is hoped to allow a focus on poetry, allowing some thought, cogitation and consideration of the poem in full. The importance of art complementing the poetry is vital here. Ann Gry created the interior art, revised from the initial idea of presenting this zine in a livre d’artiste format. And all co-editors were absolutely overjoyed to be able to have such a fabulous cover by Sara Felix.
Ann Gry discusses the poem: ‘It is one of the most important pieces I’ve produced so far and it was largely inspired by the Irish Worldcon with all the readings, writings and conversations. I trust you to fill in the lines that follow with your own meanings.’
Chris and James recognize that this is perhaps the purest art edition of Journey Planet they have edited. Both approached this very differently. James was captured imaginatively by the simple yet beautiful line, that soon became the title of the zine, while Chris has always enjoyed penning and reading poetry, Ann became fully immersed in the editorial process, contributing more than expected to the layout, decisions and process while also seeing it as so many fans have, as a starting point.
James noted that he has bought art by Sara Felix, and supports writers, comic artists and YouTubers both by Kickstarter and Patreon. But how do we support a burgeoning poet? So James was very pleased when Ann said that she would start a Patreon to coincide with the release of this issue. Looking forward to her future work at https://www.patreon.com/AnnGry
Not all countries can access Weebly, and the editors “are grateful to Bill Burns for hosting and managing efanzines.com“.
issue will also be available on Scribd and Issuu:
An international team of fans are looking at Lisboa (Lisbon), Portugal as a venue for Smofcon 2021. This weekend saw Vincent Docherty and James Bacon enjoying a tremendous amount of local fannish Portuguese hospitality.
By James Bacon: Pedro Alves Martins and Margarida Simões of comic shop Legendary Books were hosting two events. Legendary Books is in the Alvalade neighbourhood, which was busy with shoppers and diners on the nicely warm November evening. The shop had a wide selection of comics and collections, but interestingly also had a varied amount of local art, and some very nice signed US comics. All very affordable.
The first event was the launch of an art show of illustration and
comic art by Ana
Varela. Ana, a professional illustrator, turned her attention to
comics in 2018, when she was invited to appear in the third issue of Apocryphus.
Apocryphus is an independent comic anthology published by Mighell
Publishing, now in its fourth volume. (https://www.facebook.com/pg/apocryphusproject/)
That same year, Ana was promptly awarded an Honorable Mention for
the comic “The Mountain” by the Amadora BD comics competition. This delightful
eight-page colour comic was on sale at the event, and is also online translated
The art on display was stunning. Ana has a lightly-hatched, busy –
yet clean and beautiful – ink style that captures actions and feelings in a
very stylish way and is pleasing to the eye. Ana’s coloured work was very clean
and vibrant, adjusted I felt skillfully to the media in use, presenting a
vibrant and pleasing way of storytelling that is gentle on the eye. I picked up
a number of her comics, including “Door”, which has no words, proving that I
could read Portuguese comics. This is a comic artist who is developing
technique and style and on a journey, which was really nice to observe in the
pleasant surroundings of Legendary.
Next up was a presentation by Carlos Silva of The Tales of the King in Yellow by Robert W. Chambers, translated
to Portuguese for the first time, with artist João Pinto on hand to discuss the
illustrations in this edition. João’s artwork from the book was also on
display, and he spoke eloquently to the crowd, as they all applauded!
I opted not to rely on my Google translate to capture the elegant
words, given previous interesting experiences with machine translations!
I was grateful for the ease in which English is used in Lisboa
generally, but especially here. It is truly a second language, and although I
did offer to compromise and speak in Irish, this was not as universally welcome
as I had hoped. “Obrigado” got me very far, and “obrigada” got the laughs, so
it was friendly and fun.
Carlos is a machine, and indeed, it was quickly becoming apparent
that those active in the community are driven and determined, and working to a
very high standard. Carlos, as well as being an editor and publisher, has
written novels and short stories. His novel Angels
won the 2015 Divergência Award. He set up the imprint Imaginauta, dedicated to
promoting and publishing speculative fiction books that fit science fiction,
fantasy, terror, weird, magical realism and more. Since 2017, through
Imaginauta, he organizes the Contact Literary Festival each Easter, which is
held in a library and has a varied programme including a room for Harry Potter
As we enjoyed the art on display, looked at comics, and contemplated Blacksad and Corto Malteses, Rita from Dois Dedos de Conserva, a boutique wine and food shop across the road, brought wine for all those present to enjoy. Fans, professionals and friends alike moved casually between both venues. There was late night comic shop browsing with fine drinks in hand and lovely plates of charcuterie available as nibbles. Margarida was busy showing art from a small press collection they produced, entitled Legendary Horror Stories, edited by Pedro and Margarida from the Legendary Books store — local Jorge Coelho illustrated the cover of the said book — but we were all quite taken by the stunning artwork of Rita Alfaiate in the story “NÓS” written by Nuno Duarte.
The discussion turned to convention running with Rogério Ribeiro
and Miguel Jorge, who run Fórum Fantástico, which has now been a successful
event for fifteen years. Miguel is also editor, artist and publisher of Apocryphus,
the aforementioned comic anthology, which is stunning. I have to admit, I am
often wary that a comic anthology with a brilliant cover disintegrates for me
with art that is not to the same level, but Apocryphus
was another matter altogether. Issue 3, “Femme Power”, and Issue 4, “Sci-Fi”,
are generously sized graphic collections and were impressive.
Rogério speaks with a sparkle of future conventions, the idea of a
Eurocon in Lisboa, and with such enthusiasm and warmth for a Smofcon in Lisboa.
Technology, including Skype, Google Documents and the like, while brilliant at
linking up fans, does not seem to be as enjoyable as a group around a table,
glasses holding down maps, guides and government venue publications to hand,
reviewing and discussing potential venues for a Smofcon, reflecting on site
visits, and facilities and locations, and how easy and cheap a taxi can be.
All are fully on board with the Smofcon bid of course, their
encouragement, advice and enthusiasm a vital part to any success that a
travelling convention would need, and excited by the opportunities and
prospects that it offers. Also exciting was the lifting of the cloak of
ignorance which in-person discussions can illustrate so well, and did so and we
all shared and learned about the busy local scene.
Lisboa is a fabulous city, but it presents unique challenges that
the government recognise and want to go out of their way to help with. Of note
is that for the traveller, Portugal is very cheap and affordable, the airport
is a city airport, taxis are quick and plentiful. However, earnings for locals
are not the same as Northern Europe, and tailoring matters to all communities
generated ideas and thoughtfulness. What scope there is at a convention for
conrunners to be introduced to local Science Fiction activities needs
exploring, and there are many ideas that would complement an extensive Smofcon
programme. Could the Smofcon be a launching point for larger endeavours? We all
hoped it could be.
Missing the evening’s events was Cristina Alves, who manages the
Portuguese Portal. The Portal has proven a gift, allowing international fans to
connect and engage with fans and activities that are happening in Portugal, and
is purposely designed and maintained to share activities in Portugal with the
English-speaking world. The Portal is one of those fan endeavours that opens up
the community in a welcoming way. https://theportugueseportal.com/
Some fascinating things came up that I was totally ignorant of.
For instance, Festival Vapor is a Steampunk festival every September in the
National Train Museum, in Entroncamento, about an hour north from Lisboa. While
I readily admit the clamouring for Red Jackets and Imperialistic Britishness in
denial of history has steadfastly eroded my interest in the subgenre, this
excited me and when I saw images of talks in train sheds, next to Royal
Carriages and fans on model railways, I admit I was intrigued.
As the talk continued and ranged across a host of subjects, and
people departed with farewells, we ended up at around 10pm, in what was
described as a ‘Local Joint’ where beers were €1.70 and a huge platter of food,
with monstrous steaks, and what I would describe as very Irish Chipper chips or
varieties of rice, was less than ten euro. Rammed with locals, there was
incredible friendliness and a very relaxed atmosphere. The venue closed, and we
continued to drink, and be welcomed until Saturday passed into Sunday.
A fabulous evening, great fun.
Further details on the bid will be announced in December at the
Smofcon in America, and shared online at www.smofconeurope.com. Information can be
sought from email@example.com
…Neither realized how difficult it would be to find, acquire and get permission to use the letters.
They searched archives at UCLA, AFI, the academy, the Harry Ransom Center at the University of Texas, the Library of Congress and the Kennedy Library at Boston University. They reached out to auction houses and families with personal collections.
Lang even hired private detective David Gurvitz to track down relatives for permission to publish the letters. “The copyright was with the writer, not the receiver,” he said.
(2) WE ASKED FOR IT. Saturday’s Scroll works hard for a
living linked to The Guardian’s list of best books of the 21st
Century, leading some of us to ask what a journalist would have picked in 1919
as the best books of the early 20th Century. The legendary Kyra took up the
The Wonderful Wizard of Oz The Hound of the Baskervilles Five Children and It The Phoenix and the Carpet Peter Pan The Scarlet Pimpernel I Am A Cat The House of Mirth The Story of the Amulet The Enchanted Castle A Room With a View Anne of Green Gables The Man Who Was Thursday The Wind in the Willows The Secret Garden Howard’s End O Pioneers! The Valley of Fear My Antonia
(3) YE OLDE DAYS. Fanac.org just scanned and posted
9 of the 12 issues of my genzine Scientifriction
published between 1974 and 1983. I recommend Dave Locke’s column “Beyond the
Shift Key” in issue
#11 (1979) as perfectly illustrating the kind of faneditorial diplomacy I am
known for and alluded to in comments yesterday…. and provoked Dave to yank my
“What is your shtick this time” [Mike] queried me. “If I ask for fanhumor, what are you going to give me? Will you pretend to write a pain story while actually telling everyone why you think science fiction writers should be individually certified by the U.S. Department of Agriculture?”
“I’ve never believed that SF writers should – “
He waved his hand again. “It was just an example,” he said. “And if I show a preference for something that will bring in a little discussion, what then?” He looked at me in a severe manner. “Will you draw a framework to support the philosophy that fandom has many direct parallels with the practice of cannibalism, and somehow use it to talk about the time you fell out of a rollercoaster into the cotton candy concession?”…
(4) DRINK TANK. Or if you prefer a really fresh fanzine,
Drink Tank 413 – “Dublin 2019” edited by Chris Garcia and Alissa McKersie.
Cover by Vanessa Applegate.
We take a look at the Dublin WorldCon through the eyes of Chairman James Bacon, Hugo nominee Chuck Serface, all-arounf good guy Fred Moulton, the photos of Jim Fitzpatrick, and a MASSIVE trip report by Chris! Cover is by Vanessa Applegate!
…In Science Fiction and Fantasy, we often employ handwavium – healing spells, regen(eration), nannites, divine favour, what have you. And that’s excellent, when needs must, the plot drives, and it’s worldbuilt in. (Who wouldn’t go to the clinic if they could?)
…Actually, that last sentence is an interesting source of complications. Who wouldn’t? Why would they be unable to get there, or to use it? What’s it like to be a person with more consequences for every risk than those around you, and how does that change their plans? As Brandon Sanderson put it in his Second Law of Magic, “Limitations are more interesting than powers.”
(6) MAIL EARLY FOR HALLOWEEN. The US Postal Service will release
Silhouettes stamp issue on October 11.
The Spooky Silhouettes stamps feature digital illustrations with Halloween motifs rendered as black silhouettes in eerily backlit windows. The images include a cat with an arched back beneath a raven perched on a bare tree branch, all against a yellowish-green background; two ghosts against an orange background; a spider and a web against a red background; and three bats against a purple background.
(7) COSMONAUT OBIT. [Item by Cora Buhlert.] Siegmund Jähn, the first German person in space, has died
aged 82. Because he was from East Germany and went into space with the Soviets,
his contributions to space explorations were sadly ignored in West Germany
until the unification. I had never even heard of Siegmund Jähn until the 1990s,
even though I shared the usual SFF geek’s interest in all things space.
Siegmund Jähn was also the first and likely
only person to officiate at a wedding in space. During his spaceflight in 1978,
Jähn took along a doll of Sandmännchen (Little Sandman), star of a popular East
German children’s program (though West German kids loved it, too, and I had a
Little Sandman doll as a kid, courtesy of my Great Aunt Metel from East
Germany). It just happened that his Soviet colleague Valeri Bykovski had also
brought along a toy, a doll named Masha from some Russian children’s program.
And on a lark, Jähn married the two dolls aboard Soyuz 31. The doll wedding was
apparently filmed, though the footage was never broadcast, because East German
television objected to Little Sandman getting married.
In addition to “Deep Space Nine,” Eisenberg also had roles in the TV movie “Amityville: The Evil Escapes” and the features “The Horror Show,” “Playroom” and “Beverly Hills Brats,” all in the late 1980s.
(9) TODAY’S DAY.
September 22 — Hobbit Day sponsored by the American Tolkien Society. “Tolkien Week is observed as the calendar week containing September 22, which is always observed as Hobbit Day. Tolkien Week 2019 will begin Sunday, September 22 and end Saturday, September 28.”
(10) TODAY IN HISTORY.
September 22, 1968 — Irwin Allen’s Land of the Giants aired “The Crash”, the first episode of the series. Starring Gary Conway and Don Matheson, it would last two seasons.
September 22, 1973 — The Canadian-produced series The Starlost aired its first episode. The program was originally conceived by Harlan Ellison, who changed his credit to “Cordwainer Bird” and ran away from it as fast as he could.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 22, 1917 — Samuel A. Peeples. Memory Alpha says that he’s the person that gave Roddenberry the catch phrase he used to sell Trek to the network: “[As] fellow writer Harlan Ellison has credited him with the creation of one of the most famous catch phrases in Star Trek-lore, ‘[Gene Roddenberry] got “Wagon Train to the stars” from Sam Peeples. That’s what Gene said to me. They were at dinner and Sam Peeples, of course, was a fount of ideas, and Gene said something or other about wanting to do a space show and Sam said, “Yeah? Why don’t you do Wagon Train to the stars?”’” (Died 1997.)
Born September 22, 1952 — Paul Kincaid, 67. A British science fiction critic. He stepped down as chairman of the Arthur C. Clarke Award in April 2006 after twenty years. He is the co-editor with Andrew M. Butler of The Arthur C. Clarke Award: A Critical Anthology. He’s also written A Very British Genre: A Short History of British Fantasy and Science Fiction and What It Is We Do When We Read Science Fiction.
Born September 22, 1954 — Shari Belafonte, 65. Daughter of Harry Belafonte, I first spotted her on Beyond Reality, a Canadian series that showed up when I was living in upstate Vermont. You most likely saw her as Elizabeth Trent in Babylon 5: Thirdspace as that’s her most well-known genre performance.
Born September 22, 1982 — Billie Piper, 37. Rose Tyler, companion to the Ninth and Tenth Doctors. She later starred as Brona Croft/Lily in the Penny Dreadful series. Not really genre, but she‘s in the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in the North where she’s Sally Lockhart, a Victorian orphan turned detective.
Born September 22, 1971 — Elizabeth Bear, 48. I’ve enjoyed many of her novels down the years including Ancestral Nights. I’m also fond of her very early SF in the form of the Hammered, Scardown and Worldwired novels. And now you get you get to hear the very first time she read one of her stories, “The Chains That Refuse” as she let us put it up on Green Man.
Born September 22, 1981 — Maria Ashley Eckstein, 38. She’s voice of Ahsoka Tano on Star Wars: The Clone Wars, Star Wars Rebels, and Star Wars Forces of Destiny. She also voices Dagger on the Ultimate Spider-Man series. Did we mention she’s 38? Not 27 or 37? 38!
Born September 22, 1985 — Tatiana Maslany, 34. Performer of the multiple clones role in Orphan Black. Show won the Best Dramatic Presentation, Short Form in 2015 for its “By Means Which Have Never Yet Been Tried” episode. She’s currently voicing in Aja & Queen Coranda in 3Below: Tales of Arcadia.
Born September 22, 2001 — Ghreat Revelation of Ghughle, age (if that’s really applicable) 17. As Fancyclopedia 3 puts it, “Ghughle is a new and obscure fannish ghod whose Ghreat Revelation occurred to Steven H Silver on September 22, 2001 at a SMOFCon planning meeting. Within five minutes, the first schism happened when Erik Olson insisted on spelling the ghod’s name “Ghugle.” The Ghospel of Ghughle first appeared in Argentus 2 (2002).
In the hills of western Massachusetts, the mid-summer breeze carries the scent of honeysuckle and the sound of genius. This is Tanglewood, the summer home of the Boston Symphony Orchestra and of its best-known artist-in-residence, John Williams.
The maestro actually lives in Los Angeles, but he says Tanglewood is where he’s done some of his best work. “Its effect on me is very spiritual and very exciting,” he said. “And I’ve written so much music here, so many film scores in this place. Right here, I come every summer – ‘Star Wars’ films, ‘Indiana Jones’ and ‘Schindler’s List,’ ‘Harry Potter,’ a great percentage of that work done physically here.”
And what astonishing work it is.
Williams is the most-honored movie composer of all time, with five Academy Awards (so far). And he has 51 Oscar nominations, more than any other living person. Only Walt Disney has more.
“I know you’re a very modest man…” said correspondent Tracy Smith. “But do you ever allow yourself that moment to step back and say, ‘Wow. Look what I’ve done!'”
… Fresh, indeed: Williams has recently reworked some of his movie music for violin, specifically for the instrument of Anne-Sophie Mutter, one of the greatest violinists ever to pick up a bow.
(14) X-FILES IMPACT. “Geena
Davis just made children’s TV more feminist”, a piece by Ann Hornaday
in the Washington Post about the efforts of the Geena Davis Institute to
promote gender equity in Hollywood, has this paragraph quoting the institute’s
president, Madeline Di Nonno:
Di Nonno recalls being commissioned by 21st Century Fox in 2017 to validate the ‘Scully effect,’ wherein Gillian Anderson’s character in ‘The X-Files’ inspired girls and young women to go into scientific fields. ‘We found that 63 percent of the women who are working in STEM today attribute it to that character,’ Di Nonno says.
Receding water levels in Spain’s Valdecañas Reservoir has exposed a stone monument dating back to between 4,000 to 5,000 years ago.
Unusually warm weather produced drought conditions across much of Europe this past summer, including Spain. The lack of rain, while a headache for farmers and gardeners, has resulted in the complete re-emergence of an ancient megalithic site known as the Dolmen of Guadalperal, as reported in The Local.
Debut novelist Christina Dalcher has been awarded The Goldsboro Books Glass Bell Award 2019 for her thought-provoking and suspenseful dystopian thriller VOX, which imagines a near future in which an evangelical sect has taken control of the US and women have been limited to speaking just a hundred words a day.
(17) PASTURES OF PLENTY. A catalog of links to these book reviews can be found at Friday’s Forgotten Books: The name of the reviewer comes first, then the name of what they reviewed.
Patricia/Abbott: Beautiful Ruins by Jesse Walter
Stacy Alesi: The G List: Fiction Reviews 1983-2013
Angie Barry: New Orleans Mourning by Julie Smith
Brad Bigelow: Angry Man’s Tale by Peter de Polnay
Paul Bishop: The Cowboy and the Cossack by Clair Huffaker
Les Blatt: Sealed Room Murder by Rupert Penny; The Case of the Fighting Soldier by Christopher Bush
Elgin Bleecker: Zero Avenue by Dietrich Kalteis
Joachim Boaz: Orbit 4, edited by Damon Knight
John Boston: Amazing: Fact and Science Fiction Stories, October 1964, edited by Cele Goldsmith Lalli
Brian Busby: The Silver Poppy by Arthur Stringer
Joseph J. Corn: “The First Successful Trip of an Airship” by A. I. Root, Gleanings in Bee Culture, 1 January 1905
Martin Edwards: Dear Laura by Jean Stubbs
Peter Enfantino: Atlas (proto-Marvel) horror comics, September 1952
Peter Enfantino and Jack Seabrook: DC war comics, September 1975
Will Errickson: The Nightrunners by Joe R. Lansdale; Slob by Rex Miller
José Ignacio Escribano: Murder in the Maze by “J. J. Connington” (Alfred Walter Stewart); Hallowe’en Party by Agatha Christie
Curtis Evans: Sudden Death by Freeman Wills Crofts
Olman Feelyus: The Girl from Nowhere by “Rae Foley” (Elinor Denniston); No Orchids for Miss Blandish by James Hadley Chase
Paul Fraser: New Worlds SF, August 1965, edited by Michael Moorcock (Jeremiah Cornelius)
Barry Gardner: Down in the Zero by Andrew Vachss
Kathleen George: Scoundrels edited by Gary Phillips
John Grant: This Sweet Sickness by Patricia Highsmith; The Courilof Affair by Irène Némirovsky (translated by Sandra Smith)
Aubrey Hamilton: The Gourmet Detective by Peter King; The Defendants by John Ellsworth
Bev Hankins: Thrones, Donations by Dorothy L. Sayers and Joan Paton Walsh; The First Fifteen Lives of Harry August by Claire North; False Scent by Ngaio Marsh; The Case of the Ill-Gotten Goat by Claudia Bishop
Rich Horton: Tanith Lee stories; Why Do Birds? and stories by Damon Knight; Wil McCarthy stories; Howard Waldrop stories; Steve Rasnic Tem stories
Jerry House: The Silent Death by “Maxwell Grant” (Walter B. Gibson); originally in The Shadow Magazine. 1 April 1933, edited by John Nanovic; Thriller Comics Library, 6 November 1956, “Dick Turpin and the Double-Faced Foe” written by Joan Whitford, story illustrations by Ruggero Giovanni
Kate Jackson: Stairway to an Empty Room and Terror Lurks in Darkness by Dolores Hitchens; Postern of Fate by Agatha Christie and Agatha Christie’s Murder in the Making as edited by John Curran
Tracy K: More Work for the Undertaker by Margery Allingham
Colman Keane: Darwin’s Nightmare by Mike Knowles
George Kelley: The Great SF Stories 13 (1951) edited by Isaac Asimov and Martin H. Greenberg
Joe Kenney: Omerta by Peter McCurtin; Fire Bomb by “Stuart Jason” (James Dockery)
Rob Kitchin: Don’t Look Back by Karin Fossum (translated by Felicity David); Tightrope by Simon Mawer
B. V. Lawson: Final Proof by Marie R. Reno
Evan Lewis: “Waterfront Wildcat” (text story) by Robert Turner, Crash Comics, November 1940
Steve Lewis: “Small Chances” by Charlaine Harris, Ellery Queen’s Mystery Magazine, September/ October 2016, edited by Janet Hutchings; The Wiseman Originals by Ron Goulart; Wedding Treasure by David Wilson
Mike S. Lind: The Madhouse in Washington Square by David Alexander
John O’Neill: The Quiet Invasion by Sarah Zettel
Matt Paust: Pnin by Vladimir Nabokov
James Reasoner: Stampede by “Yukon Miles” (Dan Cushman)
Richard Robinson: The Man in My Grave by Wilson Tucker
Sandra Ruttan: Sob Story by Carol Anne Davis
Gerard Saylor: Locked Doors by Blake Crouch
Steven H Silver: “The Button Molder” by Fritz Leiber, Whispers magazine, October 1979, edited and published by Stuart David Schiff; SF Commentary edited and published by Bruce Gillespie
Victoria Silverwolf: Worlds of Tomorrow, September 1964, edited by Frederik Pohl; Counterfeit World aka Simulacron-3 by Daniel F. Galouye
Kevin Tipple: Parker Field by Howard Owen
“TomCat”: Seeds of Murder by (F.) Van Wyck Mason; “The Case of Murder on D. Hill” aka “D zaka no satsujin-jiken” by “Edogawa Rampo” (Hirai Tar?), first published in Shin-Seinen, January 1925, and as translated by William Varteresian
Mike Tooney: Old-Time Detection, Summer 2019, edited by Arthur Vidro
David Vineyard: Prelude to a Certain Midnight by Gerald Kersh
Bill Wallace: The Day of the Monkey by David Karp; The White People by Arthur Machen; Turn Off Your Mind: The Mystic Sixties & the Dark Side of the Age of Aquarius by Gary Lachman
(18) VIDEO OF THE DAY. In “Alive at the Autoplex”
on Vimeo, Zachary Loren Jones explains how bingewatching “Survivor”
can help you survive a cosmic catastrophe!
[Thanks to Cat Eldridge, Cora Buhlert, Mike Kennedy, Darrah
Chavey, Martin Morse Wooster, JJ, John King Tarpinian, James Bacon, and Andrew
Porter for some of these stories. Title
credit goes to File 770 contributing editor of the day Chip Hitchcock.]
With Dublin 2019 – An Irish Worldcon ending its five-day run, CoNZealand has picked up the reins as host of the next World Science Fiction Convention (Worldcon).
CoNZealand will be the 78th Worldcon and will take place from Wednesday, July 29 to Sunday, August 2, 2020. Guests of Honour are the authors Mercedes Lackey and Larry Dixon, New Zealand artist Greg Broadmore, and fandom star Rose Mitchell. George R.R. Martin, a longtime friend of Worldcon, will be Toastmaster.
New Zealand is the second southern hemisphere country ever to host a Worldcon, following Australia, where four Worldcons have taken place. New Zealand’s own National Science Fiction Convention has been running since 1979, and the country has attracted significant fan tourism since the release of Peter Jackson’s Lord of the Rings films, which were filmed and produced in New Zealand.
“We’re excited to be able to bring one of the world’s most important science fiction conventions to New Zealand fans, and bring the international science fiction community to Middle Earth,” said CoNZealand Co-Chairs Norman Cates and Kelly Buehler.
2019 sold out, with more than 5,800 members attending and more than 7,380
memberships sold in total including supporters. In addition, more than 500 day
passes were sold.
“It has been a thrill to welcome fans to Ireland and I want to thank
everyone who contributed to the experience,” said Dublin 2019 chairman
James Bacon. “That includes programme participants, volunteers, and all
the members, as well as venue staff. We wish CoNZealand every success with New
Zealand’s debut Worldcon.”
By Chris M. Barkley: After a brutal and taxing
trans-Atlantic transit on Monday, my partner Juli and I were able to obtain our
membership badges fairly easily Tuesday morning.
Yesterday was mainly spent getting used to our surroundings and
the weather; the city could have been any busy port city in New England in tone
save for the local traffic patterns were the opposite from what we Americans
were used to and the skies were for the most part slightly chilly, overcast
with partial, misty showers throughout the day.
At 10:20 a.m., Juli and I walked to the Convention Centre which was located less than a kilometer away from the gated apartment complex we were renting for the week.
My first panel was at 11 a.m. in a moderately sized room on the
second floor of the Centre, “Crime and Punishment in the Age of Superheroes.”
Since it was early in the morning on the first day, my expectations were quite
low. I met my fellow panelists, UK fan Rachel Coleman and US novelist Dan Moren
in the Green Room situated at the top floor of the building. In our initial
greetings they reminded me that I was the moderator of the panel, which I had
conveniently forgotten and was a momentary source of amusement. Our fourth
member, the Hugo-nominated French author Aliette de Bodard was missing but we
weren’t particularly worried that she might not show.
Imagine our surprise when we walked into our room and saw that it
was nearly standing room only crowd! As we settled in, Ms. de Bodard came
hustling in out of breath but quite able and willing to dive into our subject.
What followed was a lively session in which we discussed the
degree superheroes might be legally liable for their activities, the rendition
of super villains, how any super-powered person might be tried and imprisoned
and what sort of punishment would be appropriate and what would be considered
“cruel and unusual punishment”.
One of the more entertaining bits of discussion was comparing the
relative degree of danger a person the psychological profile like Tony Stark or
Bruce Wayne would be versus some like Peter Parker, who, at least at this point
in the Marvel Cinematic Universe, is relatively altruistic.
As always with the panels I moderate, half the time was spent with
the panel and the remaining time we took comments and questions from the
We could have easily gone on for another hour. At the end of our
time, the audience gave us a healthy round of applause and we were quite pleased with their
My next panel, “Sports in Science Fiction and Fantasy” was scheduled
for 2 p.m. We decided to cruise through the Dealer’s Room, which was rather
smaller in comparison to the previous Worldcons I have attended but I was quite
happy with the number of vendors and their wares.
Another early shopper was the well-known media mogul/mega best-selling
author George R.R. Martin (pictured below), who was only slightly disguised
(eschewing his usual fishing cap in favor of a Game of Thrones baseball
cap) and enjoying himself immensely. He also took a moment to take me to task
for proposing yet another Hugo Award category (In this case, the Best
Translated Novel, which might be discussed at the Main Business Meeting
if it is passed on from the Preliminary Business Meeting on Friday.)
“It’s getting to be too much,” Martin said. “I hope it doesn’t get
to be like the Emmy Awards.”
“What do you mean,” I asked.
“Well, some of the awards are not going to be televised and are
going to be given out before the show. I don’t want that to happen to the
I assured GRRM that I did not want that to happen either and that
I personally did not have any plans to introduce any other changes at the
moment. We then parted, he with a somewhat relieved look on his face. Have a
Happy Worldcon, George…
I had to make a courtesy visit to the Press Office, where Daniel
Dern presented me with a spare File 770 “Scum and Villainy” button and
met the Area Head, the gracious and amiable Diana Ben-Aron, who presented me
with a Press ribbon.
UK fan Neil Williamson was the moderator of “Sports in Science
Fiction and Fantasy” along with novelist Fonda Lee, prolific writer Rick Wilber
(author of many baseball and sports related short stories. I described myself
as a lifelong baseball fan whose home is also that of the first professional
baseball team, the Cincinnati Reds, celebrating this year the 150th Anniversary
of the first team.
With that, I pulled out my black ESPN cap and offered a Euro to
the first person who could tell me what the letter “E” stood for. A number of US fans in the
audience were flummoxed by the challenge but a quick-thinking male European fan
remembered that it stood for Entertainment Sports Programming Network. Hilarity
ensued when I fumbled around and was unable to FIND the coin in my change
purse. Anxious to move on, Neil produced a coin and paid off the winner. (Juli
gave me a coin to reimburse Neil and I found the coin later and paid her back…)
Fonda Lee and Rick Wilber gave some excellent examples through
their own works of how the portrayal of sports in fiction gave some insight
into the societies they were writing about. Neil and I mostly mused on how the
sports we love might change in the future. Again, the audience seemed to have
had a good time and gave us all a round of applause.
From there we checked off the obligatory “American food experience
in a foreign country” of the travel list with a lunch at Eddie Rocket’s, a
disturbingly familiar place that served burgers, fries and milkshakes.
The restaurant was adjacent to the Odeon Theater at The Point our
next programming destination, where artist John Picacio was giving a slideshow
overview of his works. The venue was rather unique because it took place in a
mid-sized movie theater in the complex.
Mr. Picacio regaled the almost full house with stories of how he
became artist, techniques and style tips for beginning artists and some
fascinating stories of how George R.R. Martin roped him into doing the 2012 Game
of Thrones calendar and how the images from this source were highly-referenced
by the producers and casting directors in choosing actors for their roles.
The highlight of the day was the Opening Ceremonies which also
presented the1944 Retro Hugo Awards. After some festive banter by our hosts
Ellen Klages and Dave Rudden, we were treated to a short comi-tragic play and
the introduction of the Guests of Honor, who also served as Hugo presenters.
Hilarity ensued through the evening as each successive presenter
struggled to open the award envelopes, which were triple sealed by masking AND
Well, not all of the presenters; Author Guest of Honor Diane Duane
was undaunted because she was the only one who was carrying a knife, because,
as she explained, “Knives ALWAYS work.” She declined to share the knife with
any of the other presenters.
After that it was off to the parties, which were being held on the
third level of the Centre. As crowded and festive as this gathering was, I can
only wonder what Edie Stern, Joe Siclari and former Worldcon Chair Michael
Walsh were intensely discussing near the escalators away from all the
During today’s The Orville panel at San Diego Comic-Con, show creator and star Seth MacFarlane made big news, announcing the show is hopping from the Fox Broadcasting Network to the Hulu streaming service.
Note: These novellas don’t get much push from me beyond a few blog and chat-space posts, so getting the word out is pretty much up to their readers. Amazon always gets plenty of reviews, so appropriate mentions and reviews out-and-about elsewhere on the Net extend the reach more. Do please pass the word, if you are so moved.
(4) ANOTHER REVOLUTION. Journey Planet 45 – The Matrix dropped yesterday, assembled by guest editor John Coxon with Chris Garcia and James
Bacon. The stunning cover is by Meg Frank. Download the issue here.
Twenty years ago, The Wachowski sisters brought a groundbreaking film to fruition that not only bent the rules in regard to production but became the most memorable film of 1999 far eclipsing easily forgotten movies or disastrous disappointments.
The contributors to this issue ask many questions, discuss a variety of angles and consider the work now with ample time for reflection and digestion.
Contributors include, Emma Harris, Warren Frey, España Sheriff, Jenn Scott, Dave Lane, Ulrika O’Brien, Peppard Saltine, Helena MacCallum, Pete ‘Cardinal’ Cox, Bill Howard and CiteUnScene AI.
Art contributors include España, Chris, OzynO, Dark Ronin, Helianmagnou, Dark Tox1c, Frederikz, L0lock and ShaqueNova.
The Matrix spawned sequels, comics, animation and a considerable amount of books, thinking about concepts it set out.
Join us as you realize that 20 years have slipped by, and remind yourself of how you felt and what you thought about this fantastic film.
Audible tells The Verge that the captions are “small amounts of machine-generated text are displayed progressively a few lines at a time while audio is playing, and listeners cannot read at their own pace or flip through pages as in a print book or eBook.” Audible wouldn’t say which books would get the feature, only that “titles that can be transcribed at a sufficiently high confidence rate” will be included. It’s planning to release the feature in early September “to roll out with the 2019 school year.”
Penguin Random House, one of the world’s five biggest publishers, told The Verge that “we have reached out to Audible to express our strong copyright concerns with their recently announced Captions program, which is not authorized by our business terms,” and that it expects the company to exclude its titles from the captions feature.
(6) FRED PATTEN NEWS. Together with Stan Lee and
other notables, Fred Patten was commemorated by San Diego Comic-Con’s in
memoriam list, shown last night during the Eisner Awards ceremony. Fanbase
Press tweeted photos:
Sherrill Patten, his sister, says Fred’s final two books
are available to order.
has just published Fred’s last furry fiction anthology, the Coyotl Awards
Books now shows the cover of Furry Tales – A Review of Essential
Anthropomorphic Fiction in their online FALL catalog. Copies can be
Tales featuring anthropomorphic animals have been around as long as there have been storytellers to spin them, from Aesop’s Fables to Reynard the Fox to Alice in Wonderland. The genre really took off following the explosion of furry fandom in the 21st century, with talking animals featuring in everything from science fiction to fantasy to LGBTQ coming-out stories.
In his lifetime, Fred Patten (1940–2018)—one of the founders of furry fandom and a scholar of anthropomorphic animal literature—authored hundreds of book reviews that comprise a comprehensive critical survey of the genre. This selected compilation provides an overview from 1784 through the 2010s, covering such popular novels as Watership Down and Redwall, along with forgotten gems like The Stray Lamb and Where the Blue Begins, and science fiction works like Sundiver and Decision at Doona.
(7) REMEMBRANCE. Now online is Dublin 2019’s In Memoriam list, which shows the names of sff people who have died
since the last Worldcon.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 20, 1924 — Lola Albright. Though she’s best remembered best known for playing the sultry singer Edie Hart, the girlfriend of private eye Peter Gunn, she did do some genre performances. She’s Cathy Barrett, one of the leads in the Fifties film The Monolith Monsters, and television was her home in the Fifties and Sixties. She was on Tales of Tomorrow as Carol Williams in the “The Miraculous Serum” episode, Nancy Metcalfe on Rocket Squad in “The System” episode, repeated appearances on the various Alfred Hitchcock series, and even on The Man from U.N.C.L.E. in the episodes released as the feature length film The Helicopter Spies. She was Azalea. (Died 2017)
Born July 20, 1930 — Sally Ann Howes, 89. She is best known for the role of Truly Scrumptious in Chitty Chitty Bang Bang. She was in Brigadoon as Fiona McLaren at New York City Center Light Opera Company, and in Camelot as Guenevere at St. Louis Municipal Opera. She was even in The Hound of the Baskervilles as Laura Frankland which has a certain Starship Captain as George Stapleton.
Born July 20, 1931 — Donald Moffitt. Author of the Baroness thriller series, somewhat akin to Bond and Blaise, but not quite. Great popcorn literature. Some SF, two in his Mechanical Skyseries, Crescent in the Sky and A Gathering of Stars, another two in his Genesis Quest series, Genesis Quest and Second Genesis, plus several one-offs. (Died 2014.)
Born July 20, 1938 — Diana Rigg, née Dame Enid Diana Elizabeth Rigg, 81. Emma Peel of course in The Avengers aside Patrick Macnee as a John Steed. Best pairing ever. Played Sonya Winter in The Assassination Bureau followed by being Contessa Teresa “Tracy” Draco di Vicenzo Bond on On Her Majesty’s Secret Service. By the Eighties, she’s doing lighter fare such as being Lady Holiday in The Great Muppet Caper and Miss Hardbroom in The Worst Witch, not to mention The Evil Queen, Snow White’s evil stepmother in Snow White. Now she would get a meaty role in Game of Thrones when she was Olenna Tyrell. Oh and she showed up recently in Dr. Who during the Era of the Eleventh Doctoras Mrs. Winifred Gillyflower in the “The Crimson Horror” episode.
Born July 20, 1949 — Guy H. Lillian III, 70. Letterhack and fanzine publisher notable for having been twice nominated for a Hugo Award as best fan writer and rather amazingly having been nominated twelve straight times without winning for the Hugo for best fanzine for his Challenger zine. As a well-fan of Green Lantern, Lillian’s name was tuckerized for the title’s 1968 debut character Guy Gardner.
Born July 20, 1959 — Martha Soukup, 60. The 1994 short film Override, directed by Danny Glover, was based on her short story “Over the Long Haul”. It was his directorial debut. She has two collections, Collections Rosemary’s Brain: And Other Tales of Wonder and The Arbitrary Placement of Walls, both published in the Nineties. She won a Nebula Award for Best Short Story for “A Defense of the Social Contracts”. “The Story So Far” by her is available as the download sample on iBooks in Schimel’s Things Invisible to See anthology if you’d liked to see how she is as a writer.
Born July 20, 1977 — Penny Vital, better known as Penny Drake, 42. Uncredited role as Old Town Girl in Sin City, Sox in Zombie Strippers (which also stars Robert Englund and Jenna Jameson), Astrid in Star Chicks, Sabula in Monarch of the Moon and Annette DeFour in Dreamkiller which I think is genre.
(10) CAKE RE-ENACTMENT. Yessir, don’t we all love gray
frosting? Other than that, impressive!
(11) HARD SCIENCE. The latest issue of IEEE Spectrum — Project Moon Base – contains fifteen
excellent articles about getting to the moon, building a base there, long-term
stays on the moon, and a bit of history. Greg Hullender says, “Highly
recommended to anyone interested in lunar exploration, particularly anyone
thinking of writing a story set in a future moonbase.”
IEEE Spectrum: You invented a completely new technology for landing on the moon. It seems to combine a maglev train, a railgun, and a hyperloop. Can you briefly describe how that works and how you came up with it?
Kim Stanley Robinson: I got the idea from a lunatic friend of mine. It’s basically the reverse of the magnetic launch rails that have been postulated for getting off the moon ever since the 1930s: These take advantage of the moon’s light gravity and its lack of atmosphere, which allow a spaceship to be accelerated to a very high speed while still on the surface, after which the ship could just zoom off the moon going sideways, because there is no atmosphere to burn up in on the way out. If you just reverse that process, apparently you can land a spaceship on the moon according to the same principle.
It blew my mind. I asked about the tolerance for error; how precise would you have to be for the system to work? My friend shrugged and said it would be a few centimeters. This while going about 8,000 miles an hour (12,900 kilometers per hour)! But without an atmosphere, a landing can be very precise; there won’t be any winds or turbulence, no friction. It was so fantastic a notion that I knew I had to use it.
(12) COLLECTIBLE. Montegrappa prices this beautiful
fountain pen at 6,750 Euros.
Moon Landing L.E.
A giant leap for mankind
In 1969 Neil Armstrong, Buzz Aldrin, Michael Collins captivated the world. Supported by a cast of thousands, their supreme achievement continues to set the bar for how big boyhood dreams can be. Developed in close coordination with NASA, a marvel of engineering in miniature transforms the act of writing. Allow your ideas to go where no-one has gone before. The Eagle has landed!
When Buzz Aldrin embarked 50 years ago on his historic voyage to the moon aboard Apollo 11, he packed a tiny, credit-card-sized book, “The Autobiography of Robert Hutchings Goddard, Father of the Space Age.”
Goddard, who was a physics professor at Worcester’s Clark University, launched the first liquid-fueled rocket in Auburn in 1926 and is generally considered the father of modern rocketry.
For Aldrin, who was the second man to set foot on the moon, there was also a personal connection.
Goddard had taught Edwin Aldrin Sr., Buzz’s father. Buzz never met Goddard but cherished his father’s connection with the professor, said Fordyce Williams, a coordinator of archives and special collections at Clark, where the book is on display.
The cast of HBO’s recently concluded Game of Thrones took the stage at San Diego Comic-Con Friday night to reflect on their time on the long-running fantasy series, and revealed a few secrets about their characters.
warning followed that opening paragraph. Tons of spoilers followed the warning.
So, you have now been warned
twice. (Or is it thrice?)
(15) UNDER COVER. ScreenRant profiles “The Most Popular Actor You’ve Never
Doug Jones is a highly respected and acclaimed actor who has appeared in over 150 acting jobs to his name to this day. However, chances are you never realized who Doug Jones was unless you’re a hardcore cinephile. That’s because many of Jones’ roles require him to be covered in extensive makeup and costumes that hide his natural visage. Jones is the man behind such iconic characters as the Lead Gentleman in Buffy the Vampire Slayer’s best episode, “Hush”, the monster in The Shape of Water, Saru in Star Trek Discovery and Abe in Hellboy, the latter of which took seven hours in makeup everyday just to bring the character to life. Jones got his start not by acting, but as a mime for his University’s mascot.
(16) FAN MAIL FROM A FLOUNDER. The surprising thing
about Richard Paolinelli is not that he wants to be insulting, but that he only
repeats insults someone else thought up first. Which probably informs potential
readers what to expect from his fiction.
There will be no manholes in Berkeley, California. City workers will drop into “maintenance holes” instead.
Nothing will be manmade in the liberal city but “human-made.” And students at the University of California, Berkeley, will join “collegiate Greek system residences” rather than fraternities and sororities.
Berkeley leaders voted unanimously this week to replace about 40 gender-specific words in the city code with gender-neutral terms — an effort to be more inclusive that’s drawing both praise and scorn….
(18) JEOPARDY! Andrew Porter was tuned in to Jeopardy!
on Friday and witnessed this:
Category: African-American Authors.
Answer: In the “African Immortals” series by Tananarive Due, vampire-like beings from this Horn of Africa country prey on the living.
Incorrect questions: “What is Somalia?” and “What is Cape Horn?”
Correct question: “What is Ethiopia?”
[Thanks to Mike Kennedy, John King Tarpinian, JJ, Cat
Eldridge, Chip Hitchcock, Martin Morse Wooster, Michaeline Duskova, Carl Slaughter, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Rob Thornton.]
Journey Planet 46 marks the 50th anniversary of the Moon Landing. Editors, Chris Garcia and James Bacon welcomed Steven H Silver as guest editor on this special issue. Download the 144-page fanzine here.
contributions from Regina Kanyu Wang, Allen M. Steele, Gregory Benford, John
Scalzi, Patty Wells and Jack Clemons, there is a wide variety of subjects
covered -all connected with the Moon Landing.
“Walter, Frank, Jules, My Grandfather and Me” by David M. Stein
“Apollo 11 and the Volvo” by Jack Clemons, Images courtesy Jack Clemons
“Moon Shots—Words and Pictures” by John Scalzi
“The Hasselblad and the Space Program” by Richard Man
“The First Time All Over Again” by Alma Alexander
“Waiting for Someone From China… or Maybe California” by Allen M. Steele
“Apollo 11 Reminiscences” by Bryan A. Palaszewski
The Apollo Art of David Hardy
“Church and Space” by Nancy Jane Moore
“Coolock is Full of Spacers” by Pádraig Ó Méalóid
“Passing the Torch” by Brenda W. Clough
“Knowing Buzz” by Gregory Benford
The issue includes art and cartoons by Ed Hengeveld, Kurt Erichsen, Tim Gagnon, and Teddy Harvia.
on the fanzine began last year, and it is notable that co-editor James Bacon,
after making much mention of his pleasure at meeting Nasa Astronauts, said “I
will hope that Norah Patten, Ireland’s astronaut scientist, achieves her
dreams, and gains entry into the elusive and exclusive club of people who
have travelled into space, and I wish that she gets to watch the silent
stars go by” — perhaps he will say that in person at Dublin 2019.
By James Bacon: Today sees the 70th Anniversary of the
publication of Nineteen Eighty-Four, and it is ten years now since
Claire Brialey, Chris Garcia, Pete Young and myself published Journey Planet
no.3 that focused on that book. Here is my editorial from Journey Planet
3, published Ten Years ago now/:
I am not sure when I fell in love with Julia. I am unsure when I read Nineteen Eighty-Four for the first time, but it left a mark on me as a teenager. There’s a rebellious streak somewhere in me, and I found the book rousing. At the time, I was in a Christian Brothers Catholic school, so the ideas of sexual repression and censorship not only repulsed me, but also were focus of my teenage angster. I hate censorship by the state, I hate the idea of them controlling, not for us, but for protecting the system. Fortunately, the state is rather incompetent; I don’t worry too much, although that incompetence can be fatal to any bystander, here or over there. The book has influenced so many things that I also love dearly. V from V for Vendetta, perhaps my favourite comic ever, is in my mind a successor to Winston Smith. Moore and Lloyd pay great homage to Orwell’s piece, yet this is still an original take on the concept of what is a super hero. Taking the fight back to “The Leader”. Moore’s recent League of Extraordinary Gentlemen: Black Dossier also beautifully amazing in its homagical setting. The TV series 1990 by the BBC in 1977, dubbed ‘1984 plus six’, was a great and more recent find staring Edward Woodward. Equilibrium and Brazil are truly derivative, but in a very enjoyable way. The Matrix strangely seems to replace a person we don’t see with a computer, but I think I may be alone. Burgess’s 1985 is a great read and I love the way he breaks it down into two parts, easier for the likes of me to wrap my brain, thoughts and imagination around. I do wish I could have gone to the Orwell Conference in Antwerp on 11 November 1983. The collection of nineteen papers I have in Essays from Oceania and Eurasia beginning with Burgess’s ‘Utopia and Science-Fiction’ indicates that if one likes something enough, even the academics seem interesting. The BBC play from 1955 is another favourite: Peter Cushing is a perfect Winston Smith, and nearly as good as the later John Hurt. I liked both Julias. She reminds me of someone. Someone I love. I wonder do I love these Julias or the book one. Romance is not strong in the book, although Orwell did like women. I like the way that the novel and terms therein have pervaded throughout modern culture, and although I am sure many fans of Ozzy will know why he says what he does, watchers of the Cathode Udder probably have no idea. I do, though, and that’s what matters. It is the book, the words penned so lovingly and carefully rewritten and worked on, chiselled at until they are perfect, that is what matters. This fanzine is partly an expression of gratitude and appreciation on my part. Is it science fiction? I’m still uncertain, but it’s a cracking good read for sure. end.
the first edition was a strong cover, Penguin books have issued so many
editions which I find attractive that I’ve come to own more than one edition.
True to say that eyes and moustaches do feature, and I honestly don’t have
every edition. Indeed, a quite check shows that a new Penguin Classics edition
has been released on the 6th of June. D-Day. Fans will note the subtle move
from Penguin Modern Classics to Classic’s, and I will no doubt seek out and
confirm who the cover artist is, although they are unfortunately not credited
on Penguins website.
There is so much about Nineteen Eighty-Four, that haunts humanity currently. For sure, many of us are fortunate enough not to be living the life that Winston and Julia had but the concepts and concerns and ideas and dreadfulness seem to have leaped from the pages to reality, scarily and vividly in an era of ‘alternative facts’ I think Orwellian elements are more pervasive now than they were ten years ago.
interest to fans could be the Secker and Warburg facsimile edition that
contains as much of the manuscript that exists, which as you can see with a
typed on the facing page to assist reading. Produced in 1984, it is a
fascinating insight into a piece of the writing process and although itself 35
years old, can be found for reasonable prices.
although I have only seen a number of Charlie Brooker’s Black Mirror TV
programmes, I do wonder if he sees the future as insightfully as Orwell
think it makes Nineteen Eighty-Four more important than ever.