Pixel Scroll 3/29/18 Two Scrolls Diverged In A Wood And I – I Took The One Less Pixeled

(1) EVERYONE MUST GET STONED. James Davis Nicoll shares “The Lottery” by Shirley Jackson with the panel in the latest installment of Young People Read Old SFF.

Incredibly influential, Shirley Jackson died aged only 48 back in the 1960s. I sense that while some of her acolytes (and their students) are well known Jackson herself has declined in fame. If a young person has encountered Jackson, it’s most likely thanks to the film adaptation of The Haunting, in which an attempt to probe the secrets of an ancient house goes very badly indeed (and the second, lesser, adaptation at that.). “The Lottery” is a more constrained affair than The Haunting. It’s a simple account of annual celebration that binds a small community together. A classic or superseded by more recent works?

Let’s find out…

(2) ETHICS QUESTION. Charles Payseur asked Rocket Stack Rank to drop him from the list of reviewers they track. His thread starts here —

Although as reported in the March 27 Scroll, the RSR piece was a project by Eric Wong, it may be the case that the reviewers tracked are predominantly white, as that is the demographic of many well-known critics and bloggers. But what about the point of the project – and one of Payseur’s goals as a reviewer – to help get more eyeballs on good sff by PoCs? Therefore, isn’t RSR multiplying the effectiveness of Payseur’s reviews? Should a reviewer have a veto in a case like this? And as I do quote from Payseur in the Scroll somewhat often, I now wonder what would I do if he asked me to stop?

(3) VR. The Washington Post’s Steven Zeitchik talked to people who say “It could be the biggest change to movies since sound. If anyone will pay for it.” He visited the Westfield Century City mall, where people can experience the 12-minute Dreamscape Immersive virtual reality production Alien Zoo for $20.  He surveys the current state of virtual reality projects and finds that many of them are sf or fantasy, including an adaptation of Neil Gaiman’s The Wolves in the Walls.

The Westfield Century City mall runs a dozen of the latest blockbusters at its modern movie theater here, but recently some of the most cutting-edge entertainment was playing one story below, at a pop-up store across from Bloomingdale’s.

That’s where groups of six could enter a railed-off area, don backpacks and headsets, and wander in the dark around the “Alien Zoo,” a 12-minute virtual-reality outer-space experience with echoes of “Jurassic Park.”

By bringing the piece to the mall, “Zoo” producer Dreamscape Immersive — it counts Steven Spielberg among its investors — hopes it has cracked a major challenge bedeviling the emerging form of entertainment known as cinematic VR.

(4) GENDER MALLEABLE. At The Verge, Andrew Liptak questions “Wil Wheaton and Amber Benson on depicting gender in John Scalzi’s next audiobook”.

Next month, Audible will release the recorded version of John Scalzi’s upcoming novel Head On, a sequel to his 2014 thriller Lock In. Like Lock In — but unlike most audio editions — this release will come in two versions: one narrated by Star Trek: The Next Generation’s Wil Wheaton, and the other by Buffy the Vampire Slayer’s Amber Benson, who are each popular audiobook narrators.

Why?

When Scalzi wrote Lock In, he made a creative decision to not reveal Chris’ gender, creating a character who readers could read as male, female, or neither. He explained that he did it as a writing challenge, and realized that in this world, gender might not be easily distinguishable for a Haden using a robotic body.

(5)  FIVE DAYS TO GO. The Kickstarter appeal to fund The Dark Magazine “for two more years of unsettling fiction” has achieved 70% of its $12,500 goal with just five days remaining.

The Dark Magazine has been around for five years and in that short period of time we have published award-winning stories by new and established authors; showcased great artwork from all corners of the world; and done it all on the backs of a small team of simply wonderful people. But now it is past time to take it to the next level, and help finance the magazine for two more years to allow us to increase the subscription base, increase the pay rate from three cents to five cents a word, and increase the amount of fiction we bring to you, with double Christmas issues. Because we don’t just like dark fantasy, horror, or weird fiction . . . we love it. And it means so much to us to introduce you to unsettling and thoughtful stories every month that we want to keep on doing it, with your help.

(6) F&SF COVER REVEAL. Gordon Van Gelder shared the May/June 2018 cover for The Magaine of Fantasy and Science Fiction. The cover art is by Alan M. Clark.

(7) TODAY’S BIRTHDAY XENA

  • Born March 29, 1968 – Lucy Lawless

(8) COMIC SECTION.

  • John King Tarpinian spotted an especially funny Brevity  — at least I thought it was, because I’m familiar with the collectible they’re joking about.

(9) NATURE CALLS. The next issue of Concatenation, the British SFF news aggregator, comes out in a couple of weeks, but while you’re waiting, Jonathan Cowie, lead editor of the original zine, sent along this link to the new issue of research journal Nature which carries a piece on “The ageless appeal of 2001:A Space Odyssey.

Fifty years on, Arthur C. Clarke and Stanley Kubrick’s masterpiece looks more prophetic than ever, reflects Piers Bizony.

…Monoliths aside, 2001 was prescient in almost all its detailed predictions of twenty-first-century technology. For instance, in August 2011, the Samsung electronics group began a defence against a claim of patent infringement by Apple. Who invented the tablet computer? Apple claimed unique status for its iPad; Samsung presented a frame from 2001.

Samsung noted that the design claimed by Apple had many features in common with that of the tablet shown in the film clip — most notably, a rectangular shape with a display screen, narrow borders, a flat front and a thin form. In an era when computers still needed large rooms to accommodate them, Kubrick’s special-effects team rigged hidden projectors to enliven devices that looked as though you could hold them in one hand. Only the need to trim the film’s running length prevented ingenious mock-ups of touch-sensitive gaming screens and electronic newspapers from making the final cut.

(10) OFF WITH ITS HEAD. Can social media be saved? Should it? That’s the question Kevin Roose tries to answer in a New York Times column.

I don’t need to tell you that something is wrong with social media.

You’ve probably experienced it yourself. Maybe it’s the way you feel while scrolling through your Twitter feed — anxious, twitchy, a little world weary — or your unease when you see a child watching YouTube videos, knowing she’s just a few algorithmic nudges away from a rabbit hole filled with lunatic conspiracies and gore. Or maybe it was this month’s Facebook privacy scandal, which reminded you that you’ve entrusted the most intimate parts of your digital life to a profit-maximizing surveillance machine.

Our growing discomfort with our largest social platforms is reflected in polls. One recently conducted by Axios and SurveyMonkey found that all three of the major social media companies — Facebook, Twitter and Google, which shares a parent company with YouTube — are significantly less popular with Americans than they were five months ago. (And Americans might be the lucky ones. Outside the United States, social media is fueling real-world violence and empowering autocrats, often with much less oversight.)

(11) THE MATTER. “Ghostly galaxy may be missing dark matter”. i.e., it apparently doesn’t have any.

An unusually transparent galaxy about the size of the Milky Way is prompting new questions for astrophysicists.

The object, with the catchy moniker of NGC1052-DF2, appears to contain no dark matter.

If this turns out to be true, it may be the first galaxy of its kind – made up only of ordinary matter. Currently, dark matter is thought to be essential to the fabric of the Universe as we understand it.

(12) L’CHAIM! Shmaltz Brewing’s latest Star Trek beer is “Terrans Unite India Pale Lager.”

STAR TREK MIRROR UNIVERSE
TERRANS UNITE! INDIA PALE LAGER

Available in 4-Packs and on Draft.

MALTS: 2-Row, Pilsen, Patagonia 90
HOPS: Pacific Gem, Centennial
5% ABV

What if there was another world, a world that appeared similar to our own, with the same people, the same places, and even the same advancements in technology, but a world in which the motives and ethics of its inhabitants were turned upside down? The heroic now villainous and the noble corrupt, valuing power over peace and willing to obtain their desires by any means necessary – this is the Terran Empire in the Mirror Universe.

Our universe may feel villainous and corrupt at times, but we can still find comfort in good friends and tasty beer. By spanning north and south, east and west, continents and traditions, Mirror Universe blends ingredients bringing together the world of brave new craft brewing. HOPS – MALTS – LAGER – UNITE!

(13) EXCEPT FOR ALL THE REST. Panoply took flak for appearing to overlook how far other podcasting pioneers have already taken the medium.

Here’s an example of the feedback:

(14) LEARNING FROM WAND CONTROL. Washington Free Beacon editor Alex Griswold, in “Harry Potter Is An Inspiring Parable About #Resisting Gun Control”, argues that “I’ve read all seven (Harry Potter) books on several occasions, and they make the strongest case for an armed populace and the evils of gun control I’ve ever read.”

…Even if you buy into the notion that fantasy books should dictate our policy, I find it surprising that so many of the children who read Harry Potter came away thinking we need more gun control. I’ve read all seven books on several occasions, and they make the strongest case for an armed populace and the evils of gun control I’ve ever read.

Instead of guns, wizards in Harry Potter use wands for self-defense. Every wizard is armed at eleven, taught to use dangerous spells, and released into a society where everyone’s packing heat and concealed carry is the norm. It’s an inspiring example the United States should strive towards.

But the reader slowly discovers there is wand control in the Harry Potter universe, and that it’s a racist, corrupt and selectively enforced. In the second book, Chamber of Secrets, we learn that the Hogwarts groundskeeper Hagrid has been forcibly disarmed after being accused of a crime he didn’t commit. When government officials again come to falsely arrest Hagrid, he lacks any means of self-defense….

(15) TODAY’S THING TO WORRY ABOUT. New Statesman advised “Forget Facebook, Russian agents have been pretending to be furries on Tumblr”.

Cambridge Analytica. Mark Zuckerberg. Steve Bannon. Russians pushing propaganda on Facebook and Twitter. Yeah, you’ve heard it all before, but did you know that Russian agents were posing as furries on Tumblr to destabilise the crucial ‘Riverdale stans’, K-Pop obsessive, secretly-looking-at—‘arty’-porn in the office demographic? Because they were. And Tumblr just admitted it.

(16) REN AND STIMPY CREATOR ACCUSED. Buzzfeed tells “The Disturbing Secret Behind An Iconic Cartoon”.

Robyn Byrd and Katie Rice were teenage Ren & Stimpy fans who wanted to make cartoons. They say they were preyed upon by the creator of the show, John Kricfalusi, who admitted to having had a 16-year-old girlfriend when approached by BuzzFeed News….

In the summer of 1997, before her senior year of high school, he flew her to Los Angeles again, where Byrd had an internship at Spumco, Kricfalusi’s studio, and lived with him as his 16-year-old girlfriend and intern. After finishing her senior year in Tucson, the tiny, dark-haired girl moved in with Kricfalusi permanently at age 17. She told herself that Kricfalusi was helping to launch her career; in the end, she fled animation to get away from him.

Since October, a national reckoning with sexual assault and harassment has not only felled dozens of prominent men, but also caused allegations made in the past to resurface. In some ways, the old transgressions are the most uncomfortable: They implicate not just the alleged abusers, but everyone who knew about the stories and chose to overlook them.

(17) TRAILER PARK. The Darkest Minds, due in theaters August 3, sure has a familiar-sounding plot:

When teens mysteriously develop powerful new abilities, they are declared a threat by the government and detained. Sixteen-year-old Ruby, one of the most powerful young people anyone has encountered, escapes her camp and joins a group of runaway teens seeking safe haven. Soon this newfound family realizes that, in a world in which the adults in power have betrayed them, running is not enough and they must wage a resistance, using their collective power to take back control of their future.

(18) SCOOBYNATURAL. Daniel Dern found this video via io9. Dern leads in: “Yes, there was the Farscape episode which turned the characters (and action) into an animated cartoon sequence. And the Angel episode where Angel got turned into a large-ish puppet. (That was fun.) And now this…”

“…as in, the Supernaturalists (if that’s the right word) somehow end up in a Scooby episode. (Note, this isn’t a show I’ve watched, and not clear I will catch this episode, but I’m glad I know about it.)”

[Thanks to John King Tarpinian, Jonathan Cowie, JJ, Cat Eldridge, Brian Z., Andrew Porter, Martin Morse Wooster, Daniel Dern, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 3/24/18 It Would Be The Last Pixel In The World That Scrolled By Molly Grue

(1) START AN INVESTIGATION. “Why the Hell Are These Books Out of Print?” demands James Davis Nicoll in a post at Tor.com. Here are a few of his examples:

Chester Anderson’s 1967 The Butterfly Kid is the first volume in the Greenwich Trilogy. It is without a doubt the finest SF novel in which a collection of futuristic hippies band together to save the world from drugs, blue space lobsters, and the nefarious Laszlo Scott. Anderson and his friend Michael Kurland feature as protagonists. It’s a delightful, light-hearted romp—although apparently not delightful enough, because it has been out of print for decades. The Butterfly Kid was followed in 1969 by Michael Kurland’s The Unicorn Girl and in 1970 by T. A. Waters’ The Probability Pad, both of which are in print.

(2) JOHN TRIMBLE HEART SURGERY. The Trimbles announced on Facebook:

John is getting heart surgery this coming Monday, and the doctor doesn’t want him to do anything strenuous for several months. So a very busy 2018 is going to be seriously curtailed. As for the cruise, we took out insurance, so didn’t lose all the money paid for it. If things go well, we will go next Spring.

John is in good health; in fact the doctor said he was as healthy as the average 60-year-old. The operation is a bit sudden, but when John’s heart checked out to be in the process of clogging, the doctor said he’d as soon operate before doing it during a cardiac arrest. Good thinking!

Good wishes are all John needs. Don’t send flowers, please. But if so moved, please make a donation to the Heart Fund. Any Heart Fund. Research helped to find John’s problem. We’d like to know that others can be helped, too.

(3) NOT READY FOR MORE LIKE THIS. Edmonton’s Hugo Award Book Club blog takes an iconoclastic look at Ready Player One in “Tomorrow isn’t about yesterday”, criticizing what they believe is nostalgia’s undermining effect on science fiction.

There is a subtle – but significant – difference between genuine appreciation for works from those who wrote before us and an ugly, toxic nostalgia that displaces the creation and appreciation of new works.

Which brings us to Ready Player One, a book that has become emblematic of the notion that the works of the past are somehow superior to those of the present or perhaps even the future.

… [I] will be forever grateful that Hugo voters did not include it on the ballot in 2012, despite the massive hype it received when published.

(4) WHAT’S THAT SMELL? Whatever you think about the games, this movie based on a famous old game sucked. The Guardian remembers: “‘The stench of it stays with everybody’: inside the Super Mario Bros movie”.

“We’re in the bedroom of King Koopa’s skyscraper; it’s a big set,” recalls actor and co-star Richard Edson. “Dennis [Hopper] comes in and he’s looking pissed off. He’s mumbling to himself, he won’t look at anyone. So the directors ask, ‘What’s up Dennis?’”

Something was about to go horribly wrong.

The incendiary actor-director, who had unapologetically told everyone he had taken the role for money alone, stood amid the grandeur of his character’s penthouse suite and exploded. “He just starts screaming at Annabel and Rocky,” recalls Edson. “He’s telling them they’re completely unprofessional, that he’s never seen anything like this. Rocky says ‘Dennis, what is it?’ And he yells: ‘You rewrote my lines! You call this writing? This is shit! It’s shit! And the fact you’d do it without asking me?’ He went on and on. He couldn’t control himself.

“This went on for 45 minutes. The producers were looking at their watches, Rocky and Annabel were looking at each other, like, what the fuck can we do? The actors were like, oh my God, this is amazing, this is better than the movie. Finally, they say: let’s go to lunch – but lunch turns out to be another two hours of Dennis screaming at the directors and producers about the state of movie making. Meanwhile, there are 300 extras waiting for the next scene. Rocky and Annabel start begging him – they’re like, Dennis, please tell us what you want, we’ll do anything.

“But he wasn’t through yelling at them. People were knocking at the door, producers were going out trying to tell people what the fuck was going on. Finally, Rocky and Annabel said, ‘Look, you rewrite the scene, or we’ll go back to the original, whatever you want.’ And finally he goes: ‘OK, we’ll do the scene the way it’s written now.’ Everyone sighs, we go back three and a half hours after it was meant to be done, we do the scene exactly the way it was written when he started.”

(5) THE CASE FOR CASH. Whether these creators’ games look to the past or future, they look like money says the BBC: “How video games turn teenagers into millionaires”.

Alex Balfanz is an 18-year-old student at Duke University in North Carolina. Every day he has lectures or seminars, followed by assignments. Like many students his age, he devotes a couple of hours per day, and many more at weekends, to video games.

But he’s not just playing them – he’s making them. And making a lot of money doing it.

“In the 10 months that Jailbreak has been released, it has already yielded seven figure profits,” Balfanz says of his cops-and-robbers adventure game released last year. A few weeks ago, it was played for the billionth time.

Balfanz is just one of thousands of young gaming entrepreneurs in their teens or twenties making money in an industry that made $36 billion last year.

(6) ENDANGERED SPECIES. Nobody was more shocked than the dino: “T-Rex goes up in flames at Colorado dinosaur park”.

The owners of a dinosaur theme park in Colorado said an “electrical issue” was behind the demise of a life-sized animatronic T-Rex.

Zach and Carman Reynolds, owners of the Royal Gorge Dinosaur Experience in Canon City, said in a Facebook post that the Tyrannosaurus Rex statue went “extinct” Thursday.

Mike Kennedy joked, “Are the humans fighting back against the coming robot revolution? But the dino park owners say they plan to replace the bot, so the resistance may need to strike again.”

(7) DOG STAR. NPR’s Chris Klimek says Wes Anderson’s Isle Of Dogs takes Best in Show: “The Fast And The Furry Us: Wes Anderson’s Masterful ‘Isle Of Dogs'”.

You have an opinion, probably, on which of the two most common species of household pet you deem superior — and an opinion, possibly, on the fastidious filmography of Wes Anderson. But this much, at least, is fact: Nobody ever made a good movie about the nobility of cats.

Not even Anderson, who certainly seems like he might be a cat person, with his velvet-and-tweed blazers and his indoor scarves and his arched-eyebrow worldview. But no one will question his right-thinking canine-supremacy bone-a-fides after Isle of Dogs. (Go on, say the title out loud.) His dizzying new stop-motion epic is so visually rich, so narratively ambitious and so openhearted in its admiration for Japanese culture and the unshakable loyalty of doggos that it’ll likely roll right over the familiar cries that Anderson is too fussy or whatnot like a Corgi rolling over for a belly rub.

(8) ROTHFUSS AT WONDERCON. Comics Beat is covering a bunch of panels at this weekend’s WonderCon, such as “WonderCon ’18: Patrick Rothfuss Speaks of ‘What If’ at ‘Gather ‘Round the Campfire: Telling Tales'”.

Novels like J.R.R. Tolkien’s The Hobbit and Neil Gaiman’s American Gods are all considered literary masterpieces, but fantasy novels didn’t always get the recognition they do today. Even still there are those who see fantasy as pale comparisons to the likes of Hemingway, Buck, and Steinbeck. If this is the case, why do authors still choose to write in the fantasy genre?

At this year’s WonderCon, this question and others were heavily discussed at the “Gather ‘Round the Campfire: Telling Tales” panel. In attendance were authors Jenna Rhodes, Tina LeCount Myers, R.A. Salvatore, and WonderCon guest of honor Patrick Rothfuss.

(9) TODAY’S BIRTHDAY BOY

  • Born March 24, 1930 — Steve “The Blob” McQueen

(10) NICE BEANIE. John Scalzi gets more fannish all the time.

(11) CATS AND BOOKS. This image reportedly has gone viral even though the cat is wide awake!

Cats Are Seriously Unimpressed At Being Awakened From Their Nap To Pose Next To Related Works

(12) YOUR NEXT PARTY. Who wouldn’t like this?

(13) THE SCORE. Steve Vertlieb hopes you’ll read his post about the composer for “Max And Me”:

Composer Mark McKenzie has written a superb score for the upcoming animated Mexican film production of “Max And Me”, concerning the life and martyred death of Franciscan priest Maximillian Kolbe, who gave his life so that others may live, in the Auschwitz concentration camp.  Here is my critique of this brilliant original motion picture score.

A note from composer Mark McKenzie regarding the release of his newest, most powerful film score…

One hundred thirty-five of London’s finest musicians gathered at Abbey Road Studios to record MAX AND ME including one of the most expressive solo artists of our generation, concert violinist Joshua Bell. Polish priest Maximillian Kolbe, tortured at Auschwitz asked those around him to not be overcome with hatred but to love for “Only love is creative.” His compassion lead him to sacrificially die in Auschwitz’s starvation bunker to help a man with children survive. The film makers, musicians and I hope this message of hope, love, and beauty amidst great darkness will be enjoyed by many and spread widely. A portion of each sale goes to the Shoah Foundation, Word Vision and Catholic Relief Services.

(14) BACK TO THE PAST. Even when there’s not a Mercury launch, science is smokin’ in 1962 says Galactic Journey: “[March 24, 1963] Bumper Crop (A bounty of exciting space results)”.

February and March have been virtually barren of space shots, and if Gordo Cooper’s Mercury flight gets postponed into May, April will be more of the same.  It’s a terrible week to be a reporter on the space beat, right?

Wrong!

I’ve said it before and I’ll say it again.  Rocket launches may make for good television, what with the fire, the smoke, and the stately ascent of an overgrown pencil into orbit…but the real excitement lies in the scientific results.  And this month has seen a tremendous harvest, expanding our knowledge of the heavens to new (pardon the pun) heights.  Enjoy this suite of stories, and tell me if I’m not right…

(15) THE COURTS BE WITH YOU. Lucasfilm’s legion of lawyers couldn’t win this one: “Star Wars firm Lucasfilm must pay ‘failed’ Darth Vader film damages”.

A film-maker who sued Stars Wars producers Lucasfilm for blocking plans to make a film about Darth Vader has won almost £39,500 in damages.

Marc John, 46, of Buckinghamshire, claimed he was stopped from beaming a live interview with actor David Prowse to 1,200 cinemas.

He claims the film would have made about £3m, with his share worth £1.35m.

A High Court judge ruled Mr John could have made the film but for Lucasfilm’s interference.

Mr John, of Thornley Close, Aylesbury, claimed the Darth Vader interview and other scenes from the “For the Love of the Force” Star Wars convention in Manchester would have netted him a seven-figure sum.

It would have been broadcast in December 2015, just prior to the release of Star Wars: The Force Awakens, when anticipation and hype for the franchise was “sky high”, his legal team said.

(16) PRE-INTERNET ANTIQUE. Motherboard spreads the word that “You Can Now Play the First LGBTQ Computer Game, For the First Time”.

Caper in the Castro is a legendary video game, not because legions of die-hard fans continue to play it, but because it was thought to be lost forever. Now, what is largely considered to be the first LGBTQ-focused video game (it was released in 1989) is on the Internet Archive for anybody to play.

The game is a noir point-and-click that puts the player in the (gum)shoes of a private detective named Tracker McDyke who is, in case you couldn’t guess by the name, a lesbian. McDyke must unravel the mystery behind the disappearance of Tessy LaFemme, a transgender woman, in San Francisco’s Castro district, an historically gay neighbourhood.

Caper in the Castro was coded by a developer who goes by CM Ralph and spread through early message board systems, known as BBS boards. The game was originally released as “CharityWare,” and came with a short message from Ralph asking the player to donate to an AIDS charity. Since those early days, though, the game was thought to be lost and unpreserved for future generations to enjoy or appreciate. Until now.

(17) BOUNCEHENGE. This 2012 item is still news to me! “English Artist Creates Life-Sized Stonehenge Bounce House”

Stonehenge is one of the most famous monuments in the world, but if you go to visit it you have to enjoy it from a distance. In order to protect the historical site, tourists must stick to a path that surrounds the stones and can’t actually walk among them. Recently, the Turner Prize winning artist, Jeremy Deller, created a monument of his own that visitors are more than welcome to walk through; in fact, visitors to this version of Stonehenge are encouraged to jump and flail about to their hearts content. There’s no need to worry about damaging this Stonehenge, for as visitors will quickly find out as they approach the structure, it is actually a bounce house.

 

[Thanks to Chip Hitchcock, ULTRAGOTHA, Martin Morse Wooster, JJ, John King Tarpinian, Mark Hepworth, Mike Kennedy, Carl Slaughter, Cat Eldridge, Olav Rokne, Steve Vertlieb, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Barrett.]

Pixel Scroll 3/14/18 Scroll Longa, Pixel Brevis

(1) HERSTORY. James Davis Nicoll, in “Fighting Erasure: Women SF Writers of the 1970s, Part III”, continues his series for Tor.com.

…Clarion graduate P. C. Hodgell has been active since the late 1970s. She is the author of the long-running Chronicles of the Kencyrath (nine volumes since 1982). Readers of a certain vintage may have vivid memories of the twelve-year desert between the third book in the series, Seeker’s Mask, and the fourth, To Ride a Rathorn. Currently she has the active support of a publisher whose name escapes me. Since the series is continuity-heavy, you will want to start with the first volume, 1982’s God Stalk, in which an amnesiac woman of a race of staunch monotheists finds herself in a city of a thousand gods—none of whom seem to be particularly helpful gods…

(2) CROWDFUNDING AMAZING: AN UPDATE. The Amazing Stories Kickstarter has accumulated $7,811 of its $30,000 goal, with 23 days remaining. Steve Davidson has begun revealing the authors who will be in the first print issue:

We are pleased to announce the following writers have contributed stories; Kameron Hurley, Paul Levinson, Dave Creek, Shirley Meier, Drew Hayden Taylor, and Allen Steele.

While we’re excited about all our authors, let us tell you a little bit about Kameron Hurley and her story…

(3) ANALOG BLOG. From a Featured Futures’ links post I learned about The Astounding/Analog Companion, “the Official Analog Science Fiction and Fact blog.” Last month they published Gregory Benford’s background notes about a piece he wrote for the magazine: “Thinking About Physics a Century Hence”.

I’ve published over 200 short stories and over 200 scientific papers, reflecting a symmetry of sorts.

My career as a professor of physics at UC Irvine has taken most of my working life, with writing as a hobby that has surprised me by success. So I see SF through a scientific lens, focused on plausible futures. But sometimes I just wing it, and speculating on physics a century hence is a grand leap, indeed.

The mock future news report in the current Analog issue [“Physics Tomorrow: A News Item of the Year 2116,” March/April 2018 Analog, on sale now] came from a contest the journal Physics Today ran in 2016: to devise an entry for that journal in a century. I took the challenge, and produced this “story” because the physics intrigued me.

Physics Today did not select my essay, from 230 others. They published much more pedestrian stuff. Since then, I’ve worked with an old friend and general relativity physicist Al Jackson, to calculate in detail how to in fact make a “gravwave transmitter.”

Then I thought, why not try Analog? As a physicist and SF writer, both avenues are natural. Indeed, maybe writing future news items is a new way to think of SF….

(4) ASIMOV’S TOO. There’s also an Asimov’s Science Fiction Magazine Author & Editor Blog called From the Earth to the Stars. They recently conducted a “Q&A with Mary Robinette Kowal” about her Asimov’s story “Artisanal Trucking, LLC.”

Asimov’s Editors: What is the story behind this piece?

Mary Robinette Kowal: I was at a conference in a round table discussion talking about automation and privilege. At some point, we were talking about how knitting, which used to be a necessary thing, became automated with knitting machines and now it is a luxury art. It’s expensive to buy wool. It takes time and leisure to make a garment. I said, “I imagine the hipsters of the future will totally do artisanal trucking.” I had more of a point but stopped talking as Story stampeded through my brain.

(5) USING SOCIAL MEDIA. Dawn Witzke begins a series of posts with  “On Professionalism: Part 1” at Superversive SF. No writer can go wrong following this piece of advice:

Social Media

Writers must be on social media, which means that everything, personal and professional is up for examination. How you present yourself online can affect what impression other authors, editors and publishers make of you.

Stick to arguing ideas, not making personal attacks. Most likely this will not be reciprocated. That’s okay. Let them look like the jerk.

Trolling is a whole other ball game. While it’s not seen as professional, some writers use it as a marketing tool (Milo Yiannopolus), which is all well and good if you publish in hotly debated subjects like politics. But in general, it creates as many enemies online as friends. Use with caution.

(6) HAWKING ON THE AIR. Watch Mojo has assembled the “Top 10 Unforgettable Stephen Hawking Cameos in Pop Culture.”

Renowned scientist Stephen Hawking passed away March 14, 2018. But before Stephen Hawking died, he not only made some incredible scientific breakthroughs; there are also many hilarious Stephen Hawking cameos to remember him by. Whether he was supporting Monty Python, speaking to John Oliver or playing poker on “Star Trek: The Next Generation,” Stephen Hawking was a fabulous ambassador for science.

  • #10: “Monty Python Live (Mostly)” (2014)
  • #9: “Late Night with Conan O’Brien” (1993-2009)
  • #8: Pink Floyd’s “Keep Talking” (1994) & “Talkin’ Hawkin’” (2014)
  • #7: “Stephen Hawking’s New Voice” (2017)
  • #6: “Anyone Can Quantum” (2016)
  • #5: “Last Week Tonight with John Oliver” (2014-)
  • #4: “Futurama” (1999-2013)
  • #3, #2 & #1???

(7) A BBC/HAWKING ROUNDUP.

The downside of my celebrity is that I can’t go anywhere in the world without being recognized. It is not enough for me to wear dark sunglasses and a wig. The wheelchair gives me away.

As the world mourns Prof Stephen Hawking, who has died aged 76, there has been a particular outpouring of emotion in China, where the visionary physicist was revered by scientists, students, the state and even boy band stars.

In 1982, I had responsibility for his third academic book for the Press, Superspace And Supergravity.

This was a messy collection of papers from a technical workshop on how to devise a new theory of gravity.

While that book was in production, I suggested he try something easier: a popular book about the nature of the Universe, suitable for the general market.

Stephen mulled over my suggestion.

(8) FLEISHER OBIT. Michael Fleisher (1942-2018): US comics writer and novelist; died February 2, aged 75. Titles he worked on include The Spectre, Jonah Hex, Shade the Changing Man (created and drawn by Steve Ditko). Famously sued The Comics Journal, publisher Gary Groth and Harlan Ellison over a 1979 interview in which the latter described Fleisher (tongue in cheek, Ellison later claimed) as a “certifiable (..) bugfuck (..) lunatic”; the court found for the defendants. [By Steve Green.]

(9) TODAY IN HISTORY

  • March 14, 1994 Robocop: The Series premiered on television.

(10) TODAY’S BIRTHDAY RELATIVIST

  • Born March 14, 1879 – Albert Einstein

(11) COMICS SECTION.

  • John King Tarpinian isn’t the only one who remembered this is Pi Day – The Argyle Sweater.
  • Off the Mark also has a subtle play on the day.
  • As a commenter says after reading today’s Lio, “Before buying a book, always check to see if the title is a typo or not.”

(12) THANKS AND PRANKS. CBR.com answers its own question about the Harlan Ellison references in Hulk comics of the Seventies: “Comic Legends: Did A Hulk Classic Pay Hidden Tribute to a Sci-Fi Great?”

Anyhow, amusingly enough, Thomas was so pumped about having Ellison work on these issues that he actually decided to go a step further and, since the issue came out on April 1st, he would do an April Fool’s prank of sorts by working the name of over 20 Ellison stories into the story!

I won’t list all of them here, but I’ll do a few (the great poster, ruckus24, has all of them here).

Most notably is the title of the story, which is an adaptation of one of Ellison’s most famous story collections…

(13) MAD, YOU SAY. At Galactic Journey, Rosemary Benton reviews the newly released (55 years ago) Vincent Price film Diary of a Madman: “[March 14, 1963] Rising Stars and Unseen Enemies (Reginald Le Borg’s Diary of a Madman)”.

It feels as though, no sooner had the curtain fell and the lights came up on February’s horror/fantasy gem, The Raven, that the film reel snapped to life with another genre-crossing macabre film. While last month’s movie was a light, dry and sardonic comedy with a vaguely medieval setting and a cast of horror movie icons, Diary of a Madman, steps forward with a much more sobering aesthetic.

(14) SEMIPRO AND FAN CATEGORIES. Abigail Nussbaum continues a discussion of her Hugo nominating ballot in “The 2018 Hugo Awards: My Hugo Ballot, Publishing and Fan Categories”. Here’s Nussbaum’s picks to succeed her in a category she won last year.

Best Fan Writer:

(A brief reminder here that I have announced that I would decline a nomination in this category if I received enough votes to qualify this year.)

  • Nina Allan – Nina had a great 2017, with her second novel The Rift gaining wide acclaim and attention.  She also continued to do good work as a critic and reviewer, on her personal blog, at Strange Horizons, and in the Shadow Clarke project.
  • Vajra Chandrasekera – We didn’t see as much of Vajra’s nonfiction writing in 2017 as I would have liked–his focus these days seems to be on his own fiction and on being a fiction editor at Strange Horizons.  But his writing at the Shadow Clarke site was some of the most insightful writing that project offered up, in particular this review of Aliya Whitely’s The Arrival of Missives.
  • Erin Horáková – After nominating Erin’s magnum opus for Best Related Work, you’re probably not surprised to find me nominating her in this category.  As well as that magnificent essay, Erin did other writing for Strange Horizons in 2017, covering movies, plays, and board games.
  • Samira Nadkarni – A lot of Samira’s best work is happening on twitter, where in 2017 she made some incisive comments about works like Star Trek: Discovery or Thor: Ragnarok (she had some equally interesting things to say last month about Black Panther).  In longer writing, some standouts include her review of Deserts of Fire, an anthology about “modern war” whose project Samira argues with vociferously, and of the Netflix show Crazyhead, in which she discusses the genre trope of conflating mental health problems and superpowers.

(15) NEWS TO ME. Those who wish to enhance their terminological education can start the thread here –

Just remember – once you know, there’s no going back!

(16) INFOGALATIC. Did you forget about Vox Day’s intended Wikipedia replacement, Infogalactic? Camestros Felapton hasn’t. He gives a status report in “Revisiting Voxopedia”.

Actor Robert Guillaume is alive and well on Voxopedia despite dying in October 2017 in Wikipedia: https://infogalactic.com/info/Robert_Guillaume as is (for all you Swap Shop fans out there) Keith Chegwin https://infogalactic.com/info/Keith_Chegwin who on Wikipedia died in Decemeber 2017. More famous people are more likely to have their deaths recorded but it is hit and miss.

The majority of pages remain as out-of-date Wikipedia pages from 2016 and the basic issue with Voxopedia remains the same: not enough editors and the editors it does have are mainly working on fringe projects. These are supplemented by one-off vanity pages (e.g. https://infogalactic.com/info/Richard_Paolinelli )

In comments, Camestros says Paolinelli wrote most of his own entry for Infogalactic. I’m fine with that. Never depend on others to make you famous, as Elst Weinstein and I concluded 40 years ago. (You probably wondered why there’s a copy of Weinstein & Glyer’s Discount Hoaxarama in every hotel room.)

(17) UP IN THE AIR. From the BBC: “Archaeopteryx flew like a pheasant, say scientists”. A synchrotron scan shows that the bones were hollow enough to allow short bursts of flight.

The famous winged dinosaur Archaeopteryx was capable of flying, according to a new study.

An international research team used powerful X-ray beams to peer inside its bones, showing they were almost hollow, as in modern birds.

The creature flew like a pheasant, using short bursts of active flight, say scientists.

Archaeopteryx has been a source of fascination since the first fossils were found in the 1860s.

(18) OFF THE SHELF. Our hero: “‘Boaty McBoatface’ sub survives ice mission”. The popular-choice name was passed on to autonomous submersible operating from the officially-named RSS David Attenborough. Boaty is just back from 48 hours exploring under an ice shelf.

The nation’s favourite yellow submarine swam under a near-600m thick ice shelf in the Antarctic, returning safely to its launch ship after 48 hours away.

It was an important test for the novel autonomous vehicle, which was developed at the UK’s National Oceanography Centre (NOC).

Boaty’s handlers now plan even more arduous expeditions for the sub in the years ahead.

This includes a traverse under the sea-ice that caps the Arctic Ocean.

(19) FANTASTIC DESTINATION. David Doering declares, “This Miyazki-inspired ad for Oregon travel is stupeyfyingly gorgeous!” — “Only Slightly Exaggerated | Travel Oregon”.

[Thanks to Martin Morse Wooster, Chip Hitchcock, John King Tarpinian, Steve Green, JJ, Cat Eldridge, Carl Slaughter, David Doering, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 3/2/18 Green Eggs And Lembas

(1) ADDING AN OSCAR. Animation World Network asks, “Do Digital Characters Deserve Academy Awards?”

Producing photorealistic digital humans, animals and other types of creatures has been a one of the holy grails for computer scientists and digital artists since the nascent days of the CGI technology revolution. More recently, in the last 10-15 years, many filmmakers have made significant strides toward achieving the goal — some more convincingly than others — of bringing believable photoreal human and lifelike digital characters to the screen.

From the first full-length photorealistic animated film, Hironobu Sakaguchi’s Final Fantasy: The Spirits Within (2001) to Peter Jackson’s ground-breaking Lord of the Rings trilogy (2001-2003), Robert Zemeckis’ innovative but not hugely popular Polar Express (2004) and Beowulf (2007), David Fincher’s mesmerizing The Curious Case of Benjamin Button (2008), various wildly popular Marvel movies starting with Iron Man (2008), and of course, seminal films like James Cameron’s Avatar (2009) and Rupert Wyatt’s Rise of the Planet of the Apes (2011), filmmakers have continually raised the bar, and stakes, with a series of increasingly complex digital characters that don’t just wow audiences with their stunning visuals, but capture people’s hearts with their believably emotional performances. The growing list of such digital performances is a testament to the unending audience appetite for visually engaging storytelling produced by a new generation of talented filmmakers more and more adept at embracing and making use of sophisticated production technology.

… According to Edlund, when you consider digital characters such as Caesar, you must also consider the team responsible for animating the performance. “Well, [the Academy is] studying this whole issue,” he says. “I know Andy Serkis thinks that he was the first one to use motion-capture and all that, and he’s a talented guy. But the thing is, Andy Serkis’s performances are also tweaked by animators, and so rather than giving Andy Serkis the entire award…if he were to be nominated and voted in, you’d have to split the award with the animators. So, it’s a very difficult thing. There’s always a serendipity about performance. There are things not on the page of the script that happen within the performance of the actor. When you animate, everything is intellectual, everything is being created. So, this is the valley that animators have to cross.”

(2) ALL FAME IS FLEETING. It’s time again for Young People Read Old SFF. James Davis Nicoll has turned them loose on Hall of Fame short story “It’s A Good Life” by Jerome Bixby.

Jerome Bixby was one of those reliable, unremarkable mid-listers the field used to support in decades past. In general, his work was a decent way to pass a half hour but not often memorable. “It’s a Good Life” is the exception, selected for the Hall of Fame, adapted to TV and the silver screen and referenced in a number of other works. Of course, the story’s heyday was in the distance past, in a now half-forgotten era of slide-rules and black & white television. How will it read to my Young Readers?

(3) #WHOAGAINSTGUNS. Doctor Who fandom is becoming a nexus of support in efforts against gun violence. A podcast, with some Who celebrities as participants, will be used as a fundraiser reports Comics Beat — “Doctor Who writers, artists, fans launch podcast to benefit gun violence prevention”

This groundswell of action also includes fan communities. One such organization is .Gallifrey Stands, a coalition who announced their Who Against Guns campaign on Monday. According to organizers, the campaign is “an initiative to encourage Doctor Who fans to take action against gun violence.”

To that end, the group has organized a massive charity podcasting effort: 40 Doctor Who fans, which include professional Doctor Who writers and artists, will record an exclusive commentary to the 1969 Classic Who story “The War Games.” The 11-episode podcast will only be released to listeners who make a donation of $10 or more to an organization committed to ending gun violence. Supporters then forward their receipt to the group, and the commentary will be made available for download on March 12th.

Who Against Guns suggests that fans direct donations towards several groups working to prevent gun violence: the aforementioned March For Our Lives, the Brady Campaign to Prevent Gun Violence and Moms Demand Action. In recognition of Doctor Who’s international fan base, organizers have said they will honor donations made to charities that work to prevent gun violence outside of the US, and have provided a few suggestions on their website.

One of Who’s biggest names is involved — “Steven Moffat joins Who Against Guns”.

Doctor Who showrunner and writer Steven Moffat is joining the effort to raise money for gun violence prevention charities–but only if fans donate a total of $7000 by March 12. If they do, Moffat will provide a special commentary on episode 10 of “The War Games.”

…He joins a growing roster of professional Doctor Who scribes that have signed on to Who Against Guns, lending their thoughts to a commentary which includes Paul Cornell (“Human Nature”, “Family of Blood”) Jamie Mathieson (“Oxygen”, “Flatline”), Andrew Smith (“Full Circle”), and Peter Harness (“The Zygon Invasion”, “Kill The Moon”).

Comic professionals have also lent their efforts to the campaign. Titan Comic artists  Rachael Stott (Doctor Who: The Thirteenth Doctor), and Simon Fraser (Doctor Who: The Eleventh Doctor) are among those commentating, as are a number of Doctor Who podcasters.

(4) ARCHIVE RESCUED. Comichron’s John Jackson Miller reports “History saved: Comics Buyer’s Guide bound and file copies, distributor publication library preserved”. Miller and Maggie Thompson have saved the Krause era (1983-2013) of Comics Buyer’s Guide from destruction.

Krause Publications, which for years published both Comics Buyer’s Guide and Comics Retailer,  is closing its Iola, Wis., office in March, moving the remaining personnel to a larger city. But as my fellow former employee Maggie Thompson learned last week, the file copies of most of the magazines were to be discarded, as well as a significant portion of the library materials.

For Comics Buyer’s Guide — read my history of the magazine here — this took in a huge number of issues. More than 5,000 copies, between two and ten each of every issue from #482 in 1983 to #1699 in 2013. This amounted to 105 cases weighing more than two tons — all destined for destruction.

The company donated the materials to Maggie and me to place, but the caveat was that we only had 72 hours to find homes for them all — and while Maggie sent the CBG bound copies to Columbia University, the file copies were still a very large problem.

(5) WATCH THE WATCH. The Verge says Pratchett’s famous series is coming to television: “BBC Studios is adapting Terry Pratchett’s iconic Discworld books for a six-part TV series”.

Discworld is a massive series written by Pratchett — who died in 2015 — which spans 41 books, dozens of characters, and a variety of smaller, thematic sub-series within the larger work. This show will reportedly be a six-episode series, with a current working title The Watch. That implies that it’ll be based off one of the most popular subsets of the overall series, featuring the Ankh-Morpork City Watch, which grows from a ramshackle group of a couple officers trying to get by to a full-fledged city police force over the course of the series.

(6) TODAY’S BIRTHDAY BREWER

  • Born March 2, 1904  — Theodor Seuss Geisel

Narragansett Beer has reason to celebrate.

Today we celebrate the birthday of Dr. Seuss with a little bit of history you might not have known… So pull up a chair and prepare for the story of how Dr. Seuss made his way into our wonderfully weird world of beer.

Who Knew? Dr. Seuss Could Brew?

Whether it’s the childhood memories of his books or you’re watching the new films today, Dr. Seuss’s tales are “too good to miss.” Theodor Seuss Geisel was born on March 2, 1904 in Springfield, MA. Remember those famous illustrations he made for Narragansett Beer back in the day? The most famous being the tray shown above. Antique collectors date these works around the 1940?s. He did other illustrations that appeared in print ads and coasters like this one.

One of the most interesting facts was that both his father, Theodor Robert Geisel, and grandfather Geisel were brewers. In fact, his German immigrant grandfather owned the Kalmbach and Geisel Brewery, or “Come Back and Guzzle” as the locals called it, in Springfield. In 1894 it was renamed the Highland Brewery and five years later it became part of the Springfield Breweries.

(7) LE GUIN OVERVIEW. John Crowley, in “The Whole Household of Man”, reviews the Library of America edition of Ursula K. Le Guin’s The Hainish Novels and Stories for Harper’s Magazine.

In the science fiction of Ursula K. Le Guin, who died last month at the age of eighty-eight, planets circle suns other than ours, yet have landscapes and skies and seas not so unlike ours and natives who are mostly not very different from us. A single, tremendous idea made her imagined realms effectively strange, even while binding them all together as realms of the human. This is what she conceived: Some hundreds of thousands of terrestrial years ago, an advanced society on an Earth-like planet called Hain discovered the principle of near-light-speed travel, and with this advance they began to explore their galaxy. They sought planets where, whatever the differences from their home, beings like themselves could live and thrive, and there they planted colonies. Over the course of cosmic time, nine planets (among them our Earth, called Terra) were populated by Hainish people. Some of the populations are different in body and all different to some degree in culture; they come to have histories reaching back to time out of mind, and ways of doing and understanding things that are also ancient—but they are our own relations, brought and adapted to their worlds by our common ancestor. For every way we differ there is a way in which we are alike.

Le Guin’s parents were both famed ethnographers—her father, Alfred Kroeber, documented the life of Ishi, called “the last wild Indian in California”; her mother, Theodora, wrote Ishi in Two Worlds, a popular telling of his story. Le Guin became in her fiction not one ethnographer or historian but many. She deploys a force of investigators throughout the Hainish-populated parts of the galaxy to rediscover colonies founded millennia before, who observe and collect and draw conclusions that sometimes turn out to be inconsistent with one another—just as human ethnography and ethnographers do.

(8) NATIONAL BIRD. NPR’s All Things Considered says “If You Want To Find The Millennium Falcon, Just Head To The National Cathedral”.

For the last six months, a red-tailed hawk has made its home in the ramparts of the Washington National Cathedral. And now, it officially has a name: Millennium Falcon.

(9) MONSTROUS GOOD STORY. Edmonton Hugo’s Book Club argues that Emil Ferris’ recent graphic novel My Favourite Thing Is Monsters should be strongly considered for nomination for this year’s Best Graphic Story Hugo. They compare the art to that of luminaries like Robert Crumb and Maurice Sendak, and suggest that this artwork elevates is above other contenders for comic book awards this year: “Best Graphic Story 2017 – My Favourite Thing Is Monsters”.

My Favorite Thing Is Monsters is the first graphic novel from Chicago-born illustrator and toy designer Emil Ferris. It may be the most significant and worthwhile graphic presentation to be published in the past decade.

Told in the form of a diary written by a 10-year-old girl in late-‘60s Chicago, My Favorite Thing Is Monsters is a love-letter to classic horror movies, to science fiction fandom, and to Forrest J. Ackerman’s Famous Monsters Of Filmland.

Ferris weaves a variety of narratives through the work, as the young protagonist Karen Reyes investigates the murder of her mysterious neighbor Anka Silverberg. Reyes’ isolation and alienation are expressed through her transformation (possibly only in her imagination) into a werewolf-style monster.

(10) SAFETY FIRST. Superseding flat-packs? “AutoSaw: Robot carpenter makes custom furniture”.

Robotics have long been used to manufacture mass-produced, flat-pack furniture but MIT’s work could pave the way for robots to create custom furniture for specific purposes and spaces.

The robots will cut the wood correctly, adding the holes needed to assemble it, and carry the component parts around the room.

Compared to existing machines used by carpenters, AutoSaw is considerably cheaper and more mobile. As well as Roomba, the project uses two robots from German firm Kuka – though the particular model utilised by MIT’s team has since been discontinued.

(11) MORE THAN A LITTLE. There was so much penguin poo it was visible from space, says the BBC. Oh, and so were the birds: “Penguin super-colony spotted from space”.

Scientists have stumbled across a huge group of previously unknown Adélie penguins on the most northerly point of the Antarctic Peninsula.

Numbering more than 1.5 million birds, they were first noticed when great patches of their poo, or guano, showed up in pictures taken from space.

The animals are crammed on to a rocky archipelago called the Danger Islands.

(12) JUNK AVOIDANCE. Inspired by Gravity: “The teenage scientist tracking a sea of space junk”. [Video.]

When Amber Yang watched the film Gravity – which features a cataclysmic collision which destroys the International Space Station – it gave her an idea.

She knew that hundreds and thousands of miles above Earth, pieces of wreckage were whizzing around our planet – some of them big enough to cause billions of dollars worth of damage to precious satellites and spacecraft.

So Yang, bored by her schoolwork, decided to try and find a way of tracking it, and ensuring cosmic debris doesn’t become a danger to the next generation of humans venturing into space.

(13) BEST OF BRITISH SF. Here is the table of contents for “Best of British Science Fiction 2017” edited by Donna Scott. Twenty-two stories, from established names and rising stars.

Introduction – Donna Scott
Blinders – Tyler Keevil
In the Night of the Comet (2017) – Adam Roberts
The Walls of Tithonium Chasma – Tim Major
3.8 Missions – Katie Gray
Over You – Jaine Fenn
The Ghosts of Europa Will Keep You Trapped in a Prison You Make for Yourself – Matt Dovey
Uniquo – Aliya Whiteley
Looking for Laika – Laura Mauro
A Good Citizen – Anne Charnock
Mercury Teardrops – Jeff Noon
The Nightingales in Plàtres – Natalia Theodoridou
The Road to the Sea – Lavie Tidhar
When I Close My Eyes – Chris Barnham
Targets – Eric Brown
London Calling – Philip A. Suggars
The Last Word – Ken MacLeod
After the Atrocity – Ian Creasey
Voicemail – Karen McCreedy
Green Boughs Will Cover Thee – Sarah Byrne
Airless – N.J. Ramsden
Product Recall – Robert Bagnall
The Endling Market – E. J. Swift
About the Authors

(14) SPACE MUSIC. Broken Bells’s “The Ghost Inside” is a music video that has spaceships and other sf imagery in it.

[Thanks to John King Tarpinian, Chip Hitchcock, JJ, Tim Walters, Mark Hepworth, James Davis Nicoll, Martin Morse Wooster, Cat Eldridge, Andrew Porter, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/25/18 I, Pixel

By JJ:

(1) ALSO #METOO. In a follow-on to Myke Cole’s mea culpa as reported in the February 15 Pixel Scroll (item #3) about a thread on industry harassment at School Library Journal, author Janci Patterson, in a post entitled “Sexual Harassment, Apologies, and Forgiveness” explains how Cole’s willingness to own, and apologize for, his past behavior has made a huge difference in her life:

That is what it was like being a woman in publishing who had been harassed. I watched people discrediting the women who spoke up on the basis of their comments being anonymous. If it was true, why would they need anonymity?

I knew why. After Zoe Quinn, women in my position all know. We are all one internet post away from being Zoe Quinn.

And then Myke apologized. If you haven’t yet, take a minute and read what he wrote. What he says describes my experience exactly. It’s a damn good apology. He admits to what he did, in specific terms. He expresses that he was unaware that he did it, but he doesn’t treat that as an excuse. He addresses his victims directly and says he’s sorry. He expresses additional sorrow. He talks about both what he’s going to do to make reparations and also how he’s going to address his behavior going forward.

Reading that changed the whole world for me. I had been watching the cultural shifts in our post-#metoo, post-Weinstein-scandal world, but for me, this was the final piece. In that moment, I went from a scared woman with a difficult secret to a woman who could speak authentically. Who could tell the truth. No one could jump on me in any kind of credible way anymore. It was true. It happened. Myke admitted it was true. He saw the hypocrisy in his feminism. He owned it.

He set me free.

Another SFF author who was mentioned in the comments on the SLJ thread, Dan Wells, also posted his thoughts on harassment and being willing to step up and do better:

I have always believed that you should believe a woman who says she’s been harassed, so I believe these women, too.

And then I was accused of being a harasser.

And then the same woman recanted her accusation.

I do not know who this woman is, as she posted anonymously both times, but I want to take this opportunity to pubicly accept her apology, and to thank her for coming forward.

But here’s the thing: I believed her. Obviously I didn’t believe that I had assaulted someone and then forgotten about it, or anything ridiculous like that. But I was – and am – willing to believe that without intending to and without noticing I had done something to make a woman feel uncomfortable or unwelcome or unsafe…

I could have raged against the injustice of this comment – and to be perfectly honest, a part of me did – but the more useful, more helpful response was to sit down and take a good hard look at myself and my actions. What have I been doing, and what can I do in the future, to make the conventions I attend and the spaces I inhabit safer for other people?

Recanted accusation or not, I found some stuff I need to work on. Not a long history of abusive behavior, but a tune-up on boundaries, and on thinking before I speak.

(2) THE LATTER IS NOT RECOMMENDED. SFF author Jeremiah Tolbert spent last Saturday at the Planet ComicCon Kansas City 2018, and he says, “ComicCons Are More Fun With Children. You Should Make Some, or Steal Somebody’s”.

So given that I’m not big on photos with famous people (but definitely not above walking past autograph alley to oogle them and say, without fail, “oh, they’re shorter than I expected”), and I am not really a collector of toys or comics, why would I ever attend these things? Two simple reasons: to meet up with professionals attending who are good friends and to watch my tiny human

lose.

his.

shit.

Little Dude Tolbert (hereafter referred to LDT) will be four in June, and he’s developing into quite the little protogeek.

 

(3) CONTRACTUALLY DEFICIENT. In a public post on Patreon, Jason Sanford reported:

Since the first of the year I’ve written a couple of times about Spectacle Magazine, a new quarterly speculative fiction publication (see here and here for previous articles). The magazine is published and edited by Kevin Hale and Danny Dumas and aims to be a high-end venue for thought-provoking fiction and non-fiction focused on SF/F themes.

Three days ago the Spectacle’s editors sent out a number of story acceptances. Normally you’d expect authors to be excited about acceptances, but news quickly spread that many of them were not happy with the contract terms being offered. I personally had multiple authors contact me about issues around the contracts they were offered…

There are several issues there, including with derivative rights. At worst this derivative rights grab could allow Spectacle to create films or video games or nearly anything else using the stories they purchased and the authors wouldn’t be able to object.

There are also other issues with the contract, such as not laying out when the work would be published or that the rights will revert to the author in the case the story is never published.

Shortly afterward, Spectacle Magazine published the following tweet:

Another author on Twitter noted, with astonishment:

(4) DEADLINE EXTENDED. Worldcon 76 has announced that the deadline for submissions to their Academic Track have been extended to March 1, 2018:

Participants in the Academic Track will have a chance at winning a “Best Academic Track Paper” cash prize from The Heinlein Society.  This $250 prize will be awarded based on the presentations as given at Worldcon 76.  Given this new opportunity, we will extend the submission deadline to March 1st.

Details on submitting can be found at the Worldcon 76 website.

(5) THIS IS THE FUTURE THAT FILERS WANT. Via Foz Meadows:

http://peppylilspitfuck.tumblr.com/post/171099260572/fozmeadows-majorgenerally-writing-prompt-s

(6) TAKING CREDIT. Kristine Kathryn Rusch, in her latest column “Business Musings: Editorial Encroachment”, comments on the recent trend she’s been seeing of editors requiring equal authorial credit on books:

Last week, as I was searching for a friend’s book on Amazon, I made a loathsome discovery. My friend’s book, which is up for preorder, lists her name and the name of someone else on the byline.

I had never heard of that someone else. So I clicked on the preorder, and what did I see? A cover, with just my friend’s name on it.

So I glanced up at the title. Beneath it was this byline:

My Friend (Author), Annoying Person (Editor)

I went through the roof. My friend wrote that book. She hired Annoying Person to edit the book.

I looked up Annoying Person and found her terms and conditions. She sounds like a fairly knowledgeable editor. She only handles copy editing and line editing (although it sounds like she would have a pretty heavy hand). She explicitly says she does not do developmental editing.

Which means she has done exactly nothing on this book. She didn’t come up with the concept. She didn’t brainstorm the characters. She didn’t improve the plot. She didn’t imagine the setting.

All she did was tweak the words.

So why the hell is she getting credit for this book?

Rusch explains in detail why she believes that going along with this is damaging to an author’s brand, and offers advice to authors who are faced with such contracts by their editors.

(7) CHESHIRE CATS. In a Twitter thread, lindsay beth explains how your SJW Credential always manages to magically appear, despite not having been in any of the places you’ve looked: (click the date/time stamp to read the whole thread)

(8) NEBULOSITY. Filer Cora Buhlert has posted “Some Thoughts on the 2017 Nebula Award Nominees”, and offers her thoughts on the shortlists of the various categories as well as some possible trends.

In general, what’s notable about the adult fiction categories is that Uncanny dominates the short fiction categories, followed by Tor.com and Clarkesworld. Tor.com absolutely dominates the novella category, while Orbit dominates best novel. The decline of the big three print magazines continues. F&SF and Asimov’s managed to garner one nomination each, while Analog didn’t get any at all. Only a single nominee in the fiction categories is self-published. Thematically, I don’t see a clear trend beyond a preferences for works with historical settings.

Buhlert’s piece contains more detailed analysis of individual entries, as well as of the levels of diversity reflected by the shortlist authors.

(9) DOCTOR WHEN. The Gallifrey Times says that during the February 21 BBC Worldwide Showcase Panel at Liverpool’s Echo Arena, it appeared to be confirmed that Doctor Who will be returning in October 2018.

In the background, we see a promotional photo of the Thirteenth Doctor with some text that reads:

Series 11 – 1×65 – 9×50 – delivers October 2018

You can view the Liverpool Echo’s photo gallery of the event here.

(10) ACHIEVEMENT GATEKEPT. Experienced gamer and blogger Mysty Vander describes how she conquered her social anxiety to attend a gaming convention in 2017, only to be confronted with outrageous sexism, in “Honey, Let the Real Gamers Play”:

We reached a point where my Gunslinger passed a search check nobody else did. I had found a letter. My character was quiet, stoic, and kept to herself – she likely would only divulge the necessary information. When the GM took the letter out, he handed it to the man playing Freya instead of myself. Okay…that’s fine, not a big deal, as long as I get to read it in the end (being partially deaf at a convention, I truly needed to read it with my own eyes to understand all of it).

That didn’t quite happen. Freya’s player read it, passed it along to the older man beside him, and then the note went no further. “Oh, so we need to find the South Gate?” Freya inquired.

The player beside him responded, “Seems like it,” and handed the note back to the GM.

“May I see the note?” I asked.

Without hesitation, the player playing Freya responded, “No need, we know what it meant, sweetie,” he said with a smile.

(11) JUMPING ON THE MAPWAGON. The February 19 Pixel Scroll (item #9), mentions an artist who has done Lord of the Rings-style maps of UK and US National Parks. Kim Huett points out that an Australian artist has done a map of Canberra in the style of Game of Thrones.

(12) BIRTHDAYS.

  • Born February 25, 1966Alexis Denisof (The Avengers, Guardians of the Galaxy)
  • Born February 25, 1966Téa Leoni (Deep Impact, Jurassic Park III)
  • Born February 25, 1971Sean Astin (The Lord of the Rings, Stranger Things)
  • Born February 25, 1986Jameela Jamil (The Good Place)

(13) BUG REPORTS. In xkcd’s 2018 CVE List, Randall Munroe details the most recently-discovered Common Vulnerabilities and Exposures of software, of which we must all be wary. Be sure to mouseover the image for a special Security Disclosure.

(14) DEBUNKING THE MYTHS. In “Hugo Myth Season Again”, Cheryl Morgan dispels the idea that nominators must have read exhaustively in order to be legitimate nominators:

Voting is open for this year’s Hugo Awards, and consequently I need to get back to dispelling the strange ideas about the Hugos that seem to proliferate at this time of the year.

This post has been inspired in particular by the latest episode of the Coode Street Podcast where Gary and Jonathan do their usual fine job, but don’t quite get everything right.

Something that they do get right is the “I haven’t read enough” myth. Every year people trot out the idea that if you haven’t read “everything” then you are not eligible to nominate. This is nonsense.

However, Morgan says that there is another persistent myth to which even the Coode Street Regulars have fallen, which must be corrected:

Finally we come to the bit where the podcast goes totally off the rails. Jonathan resurrects one of the best known zombies of Hugo lore, the idea that the Hugos were once for science fiction only and were later changed to include fantasy. This is not entirely Jonathan’s fault. He got the story from Justin Ackroyd. I have had this discussion with Justin before. He was wrong then and he is still wrong now.

 

(15) I GOT YOUR EXHIBIT RIGHT HERE. Filer von Dimpleheimer, after seeing the announcement in the February 18 Pixel Scroll (item #21) that the exhibit “A Conversation Larger Than the Universe: Science Fiction and the Literature of the Fantastic from the Collection of Henry Wessells” would be taking place at The Grolier Club, stopped by when he was in the neighborhood. You can see his photos of the exhibit here.

– photo by von Dimpleheimer

(16) INADVERTENT DOXXING. In an article entitled “Furry Website Leaks Real Identities”, Medium contributor Sky raises some issues for concern regarding the registration software system used by a number of fannish conventions.

A “feature” in the popular convention registration system ‘Convention Master’ lets anyone find out your fursona name just by typing your real name.

The software is used widely by many conventions, especially in the furry scene. Civet Solutions, the maker of the software, boast “over one hundred and fifty thousand registrations processed.” If you’ve ever attended a furry convention, there’s decent odds they have your data on file… and are now leaking it with no plans to ever stop.

During online pre-registration, you enter your first and last name to see if you have an account at that convention. Unfortunately, anyone can do this. If you’ve ever pre-registered for that convention, or registered on site in a previous year, you have an account. And everyone can see you’ve attended that con with just your first and last name.

Even worse, your fursona name is also displayed.

Yep, that’s right. Anyone can find your fursona name if they know your real name.

Known affected furry cons:

  • Alamo City Furry Invasion
  • Califur
  • Fur-Eh!
  • Furlandia
  • Pacific Anthropomorphics Weekend
  • Scotiacon
  • Vancoufur
  • Wild Prairie Fur Con

Known affected non-furry cons:

  • Arisia
  • RustyCon

The article’s author discusses potential personal and professional implications of the public accessibility of members’ information, as well as possible avenues for remediation. They have also added a follow-up:

UPDATE NOTE: This article was updated with a section of feedback from Civet Solutions at the end of the article. Although the real name look-up feature in question will unfortunately not be removed from the software in future, I encourage you to read the update over to better understand their point of view and their future development plans.

(17) OLD PEOPLE READ YOUR SFF. In the past, James Davis Nicoll took requests on a commission basis only. However, he has now opened a Suggestion Box. There’s no guarantee that the work you suggest will be reviewed; however, submissions are welcome.

(18) YOU SHOULD SEE THIS. At Skiffy and Fanty, Stephen Geigen-Miller offers his “Best Graphic Story Hugo Recommendations”:

One of my biggest personal goals with these reviews – I mention this in the introduction to every column, and unpacked it a bit in my Month of Joy post – is to bring more, and different, deserving SFFnal comics, webcomics and graphic novels to the attention of SF&F readers.

That’s especially important when when it gets to be Hugo nomination season; I want to see a diverse, inclusive, smart Best Graphic Story category that reflects the breadth of the material that’s out there, and I want other genre readers to have the chance to find and fall in love with those comics, like I have.

(19) WHY SETI IS CONTRAINDICATED.

(20) ANNIHILATED. At The Verge, Annihilation and Ex Machina director Alex Garland talks about using sci-fi to explore self-destruction:

I think the main thematic preoccupation probably belongs primarily to the film, which is really about self-destruction. It’s about the nature of self-destruction in a literal sense: cells have life cycles and stars have life cycles and plants and the universe and us. You, me, everyone. But also psychological forms of self-destruction.

It was born out of a funny kind of preoccupation I started to have, that everybody is self-destructive, which is a strange thing to notice. I think a lot of self-destruction is very obvious. [Gestures to cigarettes on the table.] That’s an obvious self-destruction, right? And if a friend of yours is a heroin addict or an alcoholic, that’s an obvious kind of self-destruction. But there are also… You’ve also got friends, or people you encounter, who are super comfortable in their own skin, and very self-possessed, and feel like they have understood some sort of secret to existence that you’re not party to. And then you start to see, no, that’s not quite right. It’s more complicated than that. And fissures and fault lines appear, and between the fissures and the fault lines, you see bits of behavior that doesn’t really make sense – like they’re dismantling things in their lives for no good reason.

In “People Have Accused Annihilation of Whitewashing. Here’s How Its Director and Stars RespondedTIME Magazine reports:

Anticipation for the movie has been high since the release of the first trailer last fall. But recently, some, including the advocacy group Media Action Network for Asian Americans, have accused the film of whitewashing the roles played by Portman’s and Leigh’s characters, saying the characters on which they are based are of Asian descent and Native American descent, respectively, in the trilogy. In a statement, Alieesa Badreshia, an MANAA board member, said that writer-director Alex Garland “exploits the story but fails to take advantage of the true identities of each character.”

Others have pointed out that revelations of the two characters’ ethnic backgrounds are not made until subsequent books in the series.

In response to the criticism, Garland provided the following statement to TIME:

This is an awkward problem for me, because I think whitewashing is a serious and real issue, and I fully support the groups drawing attention to it.

But the characters in the novel I read and adapted were not given names or ethnicities. I cast the film reacting only to the actors I met in the casting process, or actors I had worked with before. There was no studio pressure to cast white. The casting choices were entirely mine.

As a middle-aged white man, I can believe I might at times be guilty of unconscious racism, in the way that potentially we all are. But there was nothing cynical or conspiratorial about the way I cast this movie.

While Portman, Leigh and Novotny are white, co-stars Thompson and Rodriguez are women of color. Oscar Isaac, who plays Portman’s character’s husband in the film, is of Guatemalan and Cuban descent.

 

[Thanks to Cora Buhlert, James Davis Nicoll, Jason Sanford, Kim Huett, RedWombat, ULTRAGOTHA, and von Dimpleheimer for some of these stories. Title credit goes to File 770 Contributing Editor of the Day JJ.]

Pixel Scroll 2/17/18 Scrolls of Mystery and Imagination

By JJ:

(1) THE RIGHT STUFF, WITH A NEW WRINKLE.

Most of you may remember that at just 9 years old I raised funds via GoFundMe to attend my first Space Camp in Huntsville, Alabama and that one day I will be an astronaut, scientist and an engineer. Since then outlets like GoFundMe not only help my STEM dreams come true but others as well. Just this year through GoFundMe I raised over $20,000 to send over a 1000 girls to see the movie Hidden Figures because it was important to me that girls know that with drive, determination, and hard work you be anything, a scientist, a mathematician, an engineer, an astronaut or maybe the President of the United States even when the odds are against you!

I am 14 now and using my voice to not only bring girls of color to STEM/STEAM but all kids all over the U.S. and abroad.

I’m so excited about the upcoming movie A Wrinkle in Time, which is scheduled to come out spring 2018.

My goal is to send a 1000 girls to see this movie.

Why? I have a lot of reasons but the main ones are:

  1. It shows young, black girls deserving a chance to be a part of the scifi cultural canon.
  2. It has a female protagonist in a science fiction film. A brown girl front and center who looks like me in the role of Meg, a girl traveling to different planets and encountering beings and situations that I’d never seen a girl of color in.
  3. Most impressive and importantly, it’s a fantasy film that is not about some white boys fighting evil, but about a black girl overcoming it.

Thanks to donors, including a $10,000 gift from JJ Abrams and his wife Katie McGrath, the goal has been exceeded. Richardson says that any funds raised above what is needed for the movie event will go to projects, events, and scholarships to bring diversity and gender equality to the STEM field.

(2) ELIMINATING CONFUSION. The opening weekend of Marvel’s Black Panther film has unsurprisingly been marked by attacks and trolling. No sooner had the screenings started, says Lauren Rearick at Teen Vogue, than posts began appearing on social media claiming that white people who attended showings of the movie were being attacked by black people.

The social media posts in question have used images from previous acts of violence that have absolutely nothing to do with the film. Among the photos being used include a woman who was attacked at a bar in Sweden last month, and Colbie Holderness, ex-wife of former White House staff secretary Rob Porter who recently opened up about alleged domestic abuse.

People on social media are fighting back against the false claims by sharing links to Teen Vogue and other articles documenting the fake photos.

Trolls have also been targeting theatres showing the film, determined to set them straight about the fictional nature of the film:

Variety reported that Black Panther’s box office take after Thursday and Friday reached almost $76 million, marking the eighth-highest opening day ever, and third largest for Marvel, according to comScore.

(3) GIVE THE SHOGGOTH A TIME HUG. Dr. Janelle Shane, whose work with neural networks turned loose on generating Harry Potter fiction, Dungeons & Dragons game scripts, and Christmas Carols has previously featured on File 770, last week set her twisted brainchild to composing Candy Heart messages, using messages taken from real candy as input. The neural network not only uses words it is fed, but it creates what it thinks are similar words to use in its results as well. Some of the stranger romantic messages it generated:

ALL HOVER

OOG LOVE
TIME HUG
SWOOL MAT
BEAR WIG
TWEET UP BAT
LOVE 2000 HOGSYEA
YOU ARE BOA
SWEAT PEAR

Dr. Shane adds:

There was yet another category of message, a category you might be able to predict given the prevalence of four-letter words in the original dataset. The neural network thought of some nice new four-letter words to use. Unfortunately, some of those words already had other meanings. Let’s just say that the overall effect was surprisingly suggestive. Fill out the form here and I’ll send them to you.

(4) ORIGIN STORY. Oor Wombat has revealed the possible inspiration for her Hugo Whalefall speech:

(5) DELIBERATELY SCUTTLED. Barnes and Noble appears to be scaling back operations, as a prelude to a complete shutdown. But the ship didn’t sink on its own, says blogger audreyii_fic in “The entirely unnecessary demise of Barnes & Noble”:

On Monday morning, every single Barnes & Noble location – that’s 781 stores – told their full-time employees to pack up and leave. The eliminated positions were as follows: the head cashiers (those are the people responsible for handling the money), the receiving managers (the people responsible for bringing in product and making sure it goes where it should), the digital leads (the people responsible for solving Nook problems), the newsstand leads (the people responsible for distributing the magazines), and the bargain leads (the people responsible for keeping up the massive discount sections)…

We’re not talking post-holiday culling of seasonal workers. This was the Red Wedding. Every person laid off was a full-time employee. These were people for whom Barnes & Noble was a career. Most of them had given 5, 10, 20 years to the company. In most cases it was their sole source of income.

There was no warning.

But it gets worse…

The Barnes & Noble executives do not intend to rebuild.

How do I know this? Because every decision from the upper levels is being made solely to increase cash on hand.

(6) HOPES DASHED. Benjamin C. Kinney, whose essays on neuroscience have been featured on File 770 in the past, relates a tale of woe in “The Story that Never Was”:

I hit a writer milestone yesterday, though a sad one it is. You see, about a month ago, I had another short story accepted at a professional SFF magazine! I was just waiting on the contract to make it official, and then tell you all about my delightful Fairy Gentrification story. The eldritch diner with the portal between worlds was torn down for condos years ago – but there’s one last fairy chevalier stranded in this world, seeking out the owners’ son.

But, alas, it is not to be. Because the magazine has died, with my story in its casket.

The publication in question, PerVisions, has been defending a trademark suit against their original name, Persistent Visions, by an animation production company of the same name, and according to Publisher Christophe Pettus in a story on Locus Online:

The core reason for us having to stop accepting work is that our budget for acquisitions was largely consumed by a long and unpleasant dispute over the name of the publication. Although the other party was not in the publishing industry and we had no intention of causing any confusion with their services, ultimately, it became clear that no compromise except changing the name of the journal was possible.

Sadly, working through that legal issue was very expensive, and consumed our available capital. I would not ask to publish material that I could not pay a decent rate for, and keeping authors in suspense while the future of the journal is decided is not fair to them.

The website will remain live, so that stories they previously published will be preserved.

(7) BELIEVE IT OR NOT. Deadline reports that the 80s TV series The Greatest American Hero is getting a reboot:

With New Girl coming to an end, series’ co-star Hannah Simone has been tapped for the title role in ABC’s single-camera comedy pilot The Greatest American Hero, from the Fresh Off the Boat duo of Rachna Fruchbom and Nahnatchka Khan. In the reimagining with a gender switch of Steven J. Cannell’s 1981 cult classic, the unlikely (super)hero at the center, played by William Katt in the original, is being reconceived as an Indian-American woman.

 

(8) STANDLEE STILL, STAY SILENT. Kevin Standlee has announced that he will not be adding any Hugo recommendations to the Bay Area Science Fiction Association’s list this year:

I’m not making any Hugo Award recommendations this year. As one of the members of this year’s Hugo Awards Administration Subcommittee, I don’t want my own personal preferences being seen as trying to influence anything. But BASFA continues with its practice of meeting to discuss works/people they think are Award-worthy… if you go to BASFA’s web site, you should see a link to this year’s recommendations. Or you can just download the 2018 BASFA Hugo recommendations PDF directly.

(9) NO ROOM AT THE INN. GenCon attendees with accessibility needs report that this year’s hotel room reservation system is unable to allocate ADA accessible rooms online, and that fans have to wait up to 2 weeks to hear if they have an ADA room. Meanwhile, the hotel room blocks continue to be sold online to other members, and hotels which run out of regular rooms are apparently assigning their ADA rooms to online registrants instead of holding them back for accessibility applicants.

Maria Turner: IMPORTANT PSA:

Housing will no longer be allowed to be traded to avoid cancellation fees.

AND people requesting ADA rooms may not get confirmation they actually got an ADA room for TWO WEEKS!!! This is totally unacceptable. Totally. I am awaiting a response from Gen Con on this matter.

Todd Bunt: I am sad today. My friend a disabled veteran cannot get a room this year since there were no ADA room reserved. He has a hard time walking but the only room he can get is 10 miles away. Last years he got an ADA room in one of the hotels attached to the convention center. (t made it easy for him to go to the room to rest during the day. He was looking forward to going to GenCon this year but that was taken from him. Maybe next year they can hold some ADA rooms for those that need the help.

Daniel Lagos: Has anyone who needed an ADA room at any hotel in the Gencon block, who called and got the answering machine for the call center, actually gotten a call back yet?

I had an 8:44pm time for getting a room, and I left my information in my message. So far, I haven’t gotten a call yet. (more comments follow)

Doug Triplett: Arrrgh. I tried to call the ada line and they shut it off. Said it wasn’t working this weekend. Anyone else had an issue with that today. And in the portal the closest hotel is at least 10 miles away. This sucks!

Miriam Breslauer: NOOOOOOOOO!!!!!!!!!!

Gencon set my housing request time to 10:28 pm. Because I need an ADA room I had to call them. There was no one there, because it was outside business hours! WTF! I am beyond pissed. Hopefully, they just call me back tomorrow and there are magically still some rooms left.

Not cool Gencon. Not cool at all.

Maria Turner: Does anyone know where one submits an ADA complaint re the hotel reservation process icw a major convention?…

What is wrong with the process is the way the search criteria is processed.

1) ADA requirement is not a component of the housing acquisition query screen

2) Hotels with all available rooms are returned as available

3) it is not until a person goes to a hotel returned from the initial query that one requests an ADA room with no idea if there is even one available at that hotel or not

4) No one will confirm for me if hotels are selling ADA rooms to non-ADA attendees as current law provides if there is demand that exceeds their supply of non-ADA rooms

5) ADA attendees wait up to two weeks to receive confirmation that their reservation for the room and/or hotel they requested is accepted

6) non-ADA attendees receive confirmation immediately their reservation was accepted.

7) ADA attendees may be moved to other hotels

I’ve been back and forth with Mike Boozer regarding the process, and he’s unresponsive citing supply and demand when that’s not the issue.

All the people I know who have obtained ADA rooms have had to do so out of block. I’m not paying $770/night at the JW, so we’ll likely be commuting if we don’t get a room via Authors/Artists housing block this weekend.

ADA Room checkbox needs to sit on that initial screen, the available hotels list returned should be only hotels with ADA room availability.

Thus far, there do not appear to be any posts on Gencon’s Facebook page which address the situation.

(10) ECLECTIC LADY. Janelle Monáe, who starred in the Hugo-nominated Hidden Figures as well as releasing Afrofuturist music albums The ArchAndroid, Metropolis: Suite I (The Chase), and The Electric Lady (which was nominated for a Tiptree Award in 2014) has announced a new SFFnal album Dirty Computer:

Janelle Monáe has confirmed early details of her follow up to 2013 album The Electric Lady. Titled Dirty Computer, the album currently has no release date but a trailer starring Monáe alongside actress Tessa Thompson (Thor: Ragnarok and the upcoming Annihilation) can be seen below.

(11) BIRTHDAYS.

  • Born February 17, 1912 – Andre Norton, Author (Beastmaster, Witch World)
  • Born February 17, 1925 – Hal Holbrook, Actor (Capricorn One, Creepshow)
  • Born February 17, 1954 – Rene Russo, Actor (The Adventures of Rocky & Bullwinkle, Thor)
  • Born February 17, 1981 – Joseph Gordon-Levitt, Actor (Inception, Looper)
  • Born February 17, 1991 – Bonnie Wright, Actor (Harry Potter)

(12) WALKAWAY GONE WALKABOUT. Cory Doctorow, author of 2017’s Walkaway, will be doing a Down Under book tour for the novel starting next week, with stops in Perth, Melbourne, Sydney, and Adelaide in Australia, and Wellington in New Zealand. Perhaps he’ll wave to Camestros as he passes through Aberdeen.

(13) MOUNT TSUNDOKU, IN 12 PARTS. Grant Snider’s Incidental Comics features a story which may sound familiar to many Filers: My Bookshelf

(14) A NOVEL WAY TO DEAL WITH MARKETING SPAM.

(15) RE-VISITING A… ER, CLASSIC? According to SyFy, a feature film version of the TV series “V” is in the works:

Desilu Studios has announced it’s going to bring V The Movie, based on the classic 1983 miniseries, to theaters in a big-budget film version that will be written and directed by Kenneth Johnson, creator of the original show.

The two-part miniseries aired on NBC in 1983 and chronicled an invasion of Earth by vicious reptilian aliens who disguised themselves as friendly humanoids, triggering a human resistance movement. A metaphor for revolution against a fascist government, V was hugely popular with audiences, spawning a 1984 sequel, V: The Final Battle, a short-lived 1985 show called V: The Series, and a 2009 reboot that lasted for two seasons on ABC.

Casting, production details, and a release date for V The Movie are all yet to be determined.

(16) MORE YOUNG PEOPLE READ OLD SFF. This time out, James Davis Nicoll has them reading Tanith Lee’s horror story “The Gorgon”, and the reactions cross the whole spectrum, from “intriguing and mysterious” to “annoying and racist”, with some bonus commentary on imprudent alcohol consumption.

(17) THE NO AWARD AWARD. In the February 2, 2018, issue of the Times Literary Supplement, J.C. says:

In early December, we stumbled on a blog at the Paris Review Daily site, written by Ursula K. Le Guin, on the subject of one of our most coveted awards, the Jean-Paul Sartre Prize for Prize Refusal. It is open to any writer who has refused a literary prize.

“I first learned about the Sartre Prize from NB”, Ms Le Guin wrote, “the last page of London’s Times Literary Supplement, signed by J.C. The fame of the award, named for the writer who refused the Nobel in 1964, is or anyhow should be growing fast.” Ms Le Guin flattered us further by quoting from a past NB: “So great is the status of the Jean-Paul Sartre Prize for Prize Refusal that writers all over Europe and America are turning down awards in the hope of being nominated for a Sartre”. As we noted at the time, and Ms Le Guin repeated it, “The Sartre Prize itself has never been refused”…

Ursula Le Guin died on January 22, aged eighty-eight. She left us with an idea, however: “I do hope you will recommend me to the Basement Labyrinth so that I can refuse to be even nominated, thus earning the Pre-Refusal of Awards Award, which has yet to be named”. It has a name now: The Ursula K. Le Guin Prize, for writers who refuse shortlisting, longlisting and any other form of nomination for literary prizes. The essay, “A Much Needed Literary Award”, is included in her final book, No Time To Spare: Thinking About What Matters, published in December last year.

(18) MARKET REPORT. David Steffen has compiled the “SFWA Market Report for February” for the SFWA Blog, listing those publications which are opening or closing for submissions.

(19) STROSS SHOUTS AT CLOUDS. Not every SF work needs to conform to strict worldbuilding standards, writes Cora Buhlert “In Defence of Wallpaper Science Fiction”:

A few days ago, Paul Weimer pointed me on Twitter to this post by Charles Stross in which Stross laments the current state of the science fiction genre, because a lot of SF writers these days focus more on plot, action, characters and their relationships than on worldbuilding, particularly on economics, which is the aspect of worldbuilding that is closest to Stross’ heart.

Whenever Stross posts a variation of this “other people are doing science fiction wrong” rant, it inevitably gets my hackles up…

That doesn’t mean that there isn’t a kernel of truth in Stross’ post. Because all too often, things show up in science fiction, just because “that’s the way things are”, whether in genre or life, regardless if this makes sense in this particular setting. The prevalence of Galactic Empires vaguely modeled on the Roman or British Empire in science fiction is a result of tropes being imported from other genre works unexamined, as is the fact that every future military ever is either modelled on the US Marine Corps of the 20th/21st centuries or the British Royal Navy of the 18th and 19th centuries and that every starship is modelled on a modern aircraft carrier…

So if all that Stross’ post did was implore science fiction writers to interrogate their worldbuilding choices and ask themselves “Why did I choose this?” and “Does this even make sense for the world that I built and if not, how can I make it fit?”, I would probably have heartily applauded. However, that’s not all he does.

(20) THE PUNCH LINE. So an SFF writer, a zombie, and a cat walk into a bar…

(21) THIS IS THE WAY THE WORLD ENDS.  A Kickstarter has gone live for Tiny Wastelands, a post-apocalyptic RPG, and it’s already blown way past its goal in the first few days, racking up $22,906 in pledges against its original goal of $6,000.

Tiny Wastelands is post-apocalyptic roleplaying in a minimalist package! Using the rules in this book, you’ll be able to play survivors of lost and destroyed civilizations, mutants rampaging the wastelands and so, so much more.

Stretch goals include additional micro-settings for the game written by various authors, including this one already achieved:

$14,000: Paul Weimer takes us to High Plains Drift!

“The High Plains of the Dakotas are wide, flat, and deadly. Between the mutant prairie dogs, what lurks in the minuteman silos, and the farmers turned bandits who have adapted farm tractors to war vehicles, survival on the plains is nasty, brutish and short.

What makes it unique? Farm Tractor war vehicles, mutant wildlife and endless horizons in a hardscrabble world.”

(22) WHICH CAME FIRST? Hampus Eckerman believes that Filers will enjoy this SFF film short from 2016:

[Thanks to Camestros Felapton, Cora Buhlert, Hampus Eckerman, lauowolf, PJ Evans, RedWombat, Standback for some of these stories. Title credit goes to File 770 Contributing Editor of the Day JJ.]

Pixel Scroll 2/12/18 One Night In Genre And Worlds Are Your Oyster

(1) FIVE FAVORITES. Uncanny Magazine released its 2017 Favorite Fiction Reader Poll Results. Six stories made the Top Five – now that’s uncanny!

1- And Then There Were (N-One) by Sarah Pinsker

2- Fandom for Robots by Vina Jie-Min Prasad

3- IS A TIE!!!

Small Changes Over Long Periods of Time by K.M. Szpara

Sun, Moon, Dust by Ursula Vernon

4- Monster Girls Don’t Cry by A. Merc Rustad

5- Clearly Lettered in a Mostly Steady Hand by Fran Wilde

(2) BANKS ART BOOK COMING. Did you know Iain M. Banks could draw, too? “Orbit announces the publication of original Culture drawings from the Estate of Iain M. Banks”.

Original drawings by Iain M. Banks, author of the hugely popular Culture novels, will be included in a book that celebrates the author’s vision of the Culture universe. The previously unseen drawings, most of which are annotated by the author, and many of which predate the writing of the novels themselves, will be curated by the Estate of Iain M. Banks and Iain’s life-long friend and science fiction writer Ken MacLeod. With additional commentary by MacLeod, further notes on the Culture, and extracts from the Culture novels, the book will provide a unique insight into the Culture, including its history, language, technology, philosophy and values.

(3) KEEP THE HONOR IN GOH. Seanan McGuire has spot-on advice for conrunners about GoH invitations and etiquette. Jump on the thread here —

(4) WOMBAT IN DEMAND. A gig at Anthrocon is in her future.

(5) THE WAY TO SAN JOSE. John Picacio revealed more recipients of Mexicanx Initiative sponsored Worldcon memberships.

(6) THE SCHOOL OF BAD EXAMPLES. Diana Pharaoh Francis tells how to learn craftsmanship in “The Classroom of Dissatisfaction” at Book View Café.

Likewise, he’s never noticed her and suddenly she’s his ‘mate.’ (This is a shifter story). He’s apparently been dreaming about her and even though he’s known her previously, never paid attention to her. But what bothers me is that when he realizes he has to work to win her affections, he doesn’t stop to consider what their relationship has been, how they’ve interacted before, and why she might not like him.

The more I read, the less I’m convinced that their attraction is real instead of shoehorned into a situation without enough attention to actually building a believable foundation.

So what do I learn from this? Well, stuff I already knew. The motivations have to be believable. The character interactions have to be genuine and real. That readers want to stick with the story but won’t waste their time if there are significant cracks in it. But I also learned that you can have things in the story that will pull a reader along despite problems. That a reader *wants* to like the characters and will be fairly forgiving if you just smooth out the road a little.

I’ve read books that I wanted to put down because of the problems, but I kept getting dragged along because *something* in the book demanded it. But then I get to the end and I have regrets that the book wasn’t executed better. And those regrets make me sad.

(7) STAR TREK DISCOVERY WITH SPOILERS. Looking ahead: “‘Star Trek: Discovery’ Producers on Season 1 Finale, and How Season 2 Will Be ‘What Trek Does Really Well’”.

According to “Star Trek: Discovery” co-showrunner Gretchen Berg, legendary TV producer Aaron Spelling is the reason why no major character dies in the season finale of “Star Trek: Discovery.”

“We worked on the original ‘Beverly Hills 90210,’” she told IndieWire, “And somebody was going to die or not going to die, and his attitude came back down that he didn’t want the person to die and I was like, ‘Why? Come on, that’s life!’”

Added Aaron Harberts, her co-showrunner, “The Mr. Spelling in me is always like, ‘You don’t kill a character! You just don’t. Because it’s good to be able to bring them back.’”

(8) CRIDER OBIT. Crime fiction writer Bill Crider died February 12 at the age of 72. Crider, who also won a 2015 Sidewise Award for his story “It Doesn’t Matter Anymore,” had entered hospice care in December.

(9) TODAY IN HISTORY

  • February 12, 1931 — Bela Lugosi’s famous role of Dracula hit the silver screen in New York
  • February 12, 1940The Invisible Man Returns premiered theatrically.

(10) TODAY’S BIRTHDAY BOY

  • Born February 12, 1915 — Lorne Greene, Commander Adama (or Pa Cartwright, if you prefer.)

(11) MUSIC TO WRITE BY. Neil Gaiman has written an essay about ex-Pixies guitarist Kim Deal’s band The Breeders to celebrate their new album All Nerve:

The first time I heard of Kim Deal, it was because the co-owner of Dark Carnival, the bookstore in San Francisco I was signing in had been mistaken for her the night before by a waiter, who had taken her protestations that she was a bookshop person as a cover story and brought her and the people she was with, bookstore people whom he believed to be the rest of the Pixies, free drinks all night. I now knew a band called the Pixies existed.

I owned a tiny black and white television that sat on the corner of my desk, and kept me company when I wrote, all alone, too late at night, playing badly dubbed European Detective shows, late night rock shows, cheap television. Somewhere in 1989 it played a Pixies video. A week later I had every Pixies CD you could find in London record shops. I loved the aesthetic as much as the music: the Vaughn Oliver art and typefaces.

Information scarcity. I didn’t know who these people were. I was 29 years old, writing Sandman, in England, with two small children. I bought the CD of Pod, and I wrote Sandman to the jangly Breeders music.

(12) PRO TIP. From Sarah Gailey:

(13) SEVENTIES WOMEN SFF WRITERS. James Davis Nicoll is back with “Fighting Erasure: Women SF Writers of the 1970s, Part II” at Tor.com. First up —

Sally Miller Gearhart

Gearhart may be best known now for her political activism and her decades of scholarly work. The Sally Miller Gearhart Chair in Lesbian Studies at the University of Oregon is named for her. SF fans unacquainted with her work might do well start with The Wanderground, a novel about feminist separatism set in a near future. Any of you planning to write a feminist separatist novel (or found a separatist feminist community) might want to explore prior art, including Gearhart’s contributions.

(14) SCRIPTER AWARDS.  SyFy Wire reports “Under His Eye The Handmaid’s Tale wins yet another award”.

On Saturday night, the 30th annual Scripter Awards were hosted at the University of Southern California. The Scripter Awards are given out annually honoring adaptations of “printed word into film” and are awarded to both the original author and writer of the screenplay. The pilot episode of Hulu’s adaptation of Margaret Atwood’s The Handmaid’s Tale won in the television category with writer Bruce Miller, who is also the creator and executive producer of the show, picking up the award.

(15) OPEN FIELD. Diane Duane is one writer unaffected by last year’s version of Best Series, as she explains in “2018 Hugo Award eligibility: for those who were asking”.

First of all: the 2017 e-publication* of Interim Errantry 2: On Ordeal means that the Young Wizards series is once again eligible for Hugo consideration. In 2017 this would have been because of the 2016 publication of Games Wizards Play, which made the series eligible for the Best Series one-time “special” Hugo awarded by Worldcon 75 in Helsinki. That, however, was a different award from the new Best Series Hugo. (A distinction that apparently may make a difference for last year’s award finalists, if this year’s Hugo Administrator decides to rule out their nomination this year. But that’s hardly an issue for me.)

So — as confirmed here on the list of Best Series Hugo eligibles at File 770 — the Young Wizards series is eligible for nomination for the 2018 Best Series Hugo. Yay! …And if (as someone eligible to nominate) you feel inclined to nominate it, then I encourage you to do so.

(16) SECRET SFWA OPERATION CODENAMES REVEALED. The leak came right from the top!

(17) LIFE PRESERVER. The BBC, in “UK team set for giant Antarctic iceberg expedition”, tells about a team looking at life hidden over 100K years, now exposed by calving.

Scientists will set out in the next week to study an Antarctic realm that has been hidden for thousands of years.

A British Antarctic Survey-led team will explore the seabed ecosystem exposed when a giant iceberg broke away from the Antarctic Peninsula in 2017.

The organisation has also released the first video of the berg, which covers almost 6,000 sq km.

(18) USA TODAY’S TOP 100 SELLERS OF 2017. Here are the works of genre interest that made the top 100 books of the year, according to data from USA TODAY’s Best-Selling Books list.

5. The Handmaid’s Tale by Margaret Atwood
12. It by Stephen King
15. Astrophysics for People in a Hurry by Neil deGrasse Tyson
19. Oh, the Places You’ll Go! by Dr. Seuss
31. Hidden Figures by Margot Lee Shetterly
32. 1984 by George Orwell
41. Ready Player One by Ernest Cline
54. Goodnight Moon Board Book by Margaret Wise Brown, art by Clement Hurd
55. Dr. Seuss’s ABC by Dr. Seuss
57. Harry Potter and the Sorcerer’s Stone by J.K. Rowling, art by Mary GrandPré
59. The Trials of Apollo: The Dark Prophecy by Rick Riordan
63. Harry Potter and the Prisoner of Azkaban: The Illustrated Edition by J.K. Rowling; art by Jim Kay
65. The Very Hungry Caterpillar Board Book by Eric Carle
66. Harry Potter and the Cursed Child Parts One and Two by J.K. Rowling, Jack Thorne, John Tiffany
70. Magnus Chase and the Gods of Asgard: The Ship of the Dead by Rick Riordan
76. A Wrinkle in Time by Madeleine L’Engle
80. Sleeping Beauties by Stephen King and Owen King
86. Green Eggs and Ham by Dr. Seuss
92. The Dark Tower I: The Gunslinger by Stephen King
93. Fahrenheit 451 by Ray Bradbury
94. Norse Mythology by Neil Gaiman

(19) THEY CAME FROM SPACE. SFF is the latest fashion — “Philipp Plein takes NY Fashion Week on snowy spaceship ride”.

Provocateur Philipp Plein descended on New York Fashion Week with a giant spaceship, silvery rock formations and Migos lighting up the crowd Saturday night as fake snow fell and covered the floor of a huge industrial space at the Brooklyn Navy Yard.

And there were clothes. Skiwear mostly, lots emblazoned with Plein’s name, skulls and crossbones and some Playboy logos.

The show roared to life with a couple of motorcycle riders and a space utility vehicle that plowed through Plein’s fake wall of rocks. Later came a schmoozy transformer (big person in costume) who greeted Irina Shayk as she slinked out of the ship in a black bodysuit emblazoned with “I Love You Philipp Plein.”

(20) HUMANS EVOLVED. The Titan Official Trailer.

[Thanks to Mark Hepworth, JJ, Joel Zakem, Martin Morse Wooster, Rob Thornton, John King Tarpinian, Cat Eldridge, Carl Slaughter, Chip Hitchcock, Soon Lee, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Matthew Johnson.]

Pixel Scroll 1/22/17 How Do We Tell If A Scroll is Made of Pixels?

By JJ:

(1) MOVING FORWARD. ScreenRant broke the news that Wonder Woman 2 will be the first film to adopt the Anti-Sexual Harassment Guidelines announced on Friday by the Producers Guild of America, prior to their annual awards gala.

As reported by Variety, the PGA’s board of directors voted unanimously to ratify the new guidelines, which were then issued to the organization’s 8,200 members. PGA presidents Gary Lucchesi and Lori McCreary said of the guidelines:

Sexual harassment can no longer be tolerated in our industry or within the ranks of the Producers Guild membership. We provide key leadership in creating and sustaining work environments built on mutual respect, so it is our obligation to change our culture and eradicate this abuse. While the PGA is a voluntary membership organization, the PGA’s Anti-Sexual Harassment Guidelines are sanctioned as best practices for our members.

The Wonder Woman sequel being the first film to officially adopt these guidelines certainly makes sense considering the character’s position as a role model for girls and women everywhere (though that might not necessarily be why it will be the first to adopt the guidelines). Additionally, Jenkins’ Wonder Woman broke records for movies directed by women, solidifying it as a major step forward for gender representation in terms of Hollywood directors. Further, it was reported last year while Jenkins and Gadot were negotiating their deals for the sequel that the actress refused to sign on for Wonder Woman 2 unless Warner Bros. cut ties with Brett Ratner’s production company RatPac for the film. (Ratner was accused of sexual misconduct by a number of women, including X-Men: The Last Stand’s Ellen Page.)

(2) THE WRITING BOAT IS OPEN FOR BOARDING: Dan Wells from the Writing Excuses podcast announced that applications are open for their 2018 Writing Excuses Retreat Scholarship:

The sixth annual Writing Excuses Workshop and Retreat makes a triumphant return to the Caribbean Sea! We begin in Houston, TX, on September 22; we’ll visit Roatan, Belize City, and Cozumel; and then we’ll end up back in Houston again on September 30. You can find all the other info, including our incredible guest list, here.

We are also delighted to report that we are offering more scholarships in 2018 than ever before: five! One of these is sponsored by the hosts of Writing Excuses, one by our amazing patrons on Patreon, and three (3) by our incredibly awesome alumni. They’ve been on the retreat (sometimes more than once), they love it, and they want to share it with as many people as possible.

As always, our scholarships come in two categories: three Out of Excuses Scholarships, awarded to those in financial need, and two Carl Brandon Society Scholarships, awarded to writers of color. Both categories have introduced us to some incredible writers in the past, and we can’t wait to see who we get to meet this year. Share this post with everyone you know, read the rules carefully, and apply!

Workshop presenters announced thus far include Amal El-Mohtar, Piper Drake, Maurice Broaddus, Kathy Chung, K Tempest Bradford, Valynne E Maetani, Mary Robinette Kowal, Dan Wells, and Howard Tayler.

(3) I SEE YOU SHIVER WITH ANTICI

(4) FURY STILL TO BE UNLEASHED. On an update to the Kickstarter for the Hath No Fury anthology of fantasy, science fiction, and urban fantasy tales featuring lead characters inspired by women from literature, history, and film, editor Melanie R. Meadors announced that Outland Entertainment has committed to complete the anthology after the original publisher, Ragnarok Publications, shut down:

The good news is that Outland Entertainment has absorbed all the rights to Ragnarok’s anthologies. The books will continue to be in print, and Hath No Fury will be published as well. The files for the books are currently being processed so that they have the copyright and logo info updated, and Hath No Fury is being sent to the printer. There has been a super long delay with that, and Outland wants you to know they are really sorry about that. The money Ragnarok received for this Kickstarter had been used for other business expenses by Ragnarok, and so Outland had to figure things out in order to get backer rewards paid for out of their own pocket. The money to pay for all printing expenses and shipping, etc for the Kickstarter backers is now earmarked and ready to go, however, and the only delay right now is with printing – in order for printing to be done as efficiently as possible, Outland is doing a batch printing order with another project, and they just had to wait for that to finish up in order to submit the job.

I know you folks have been itching to get your hands on the books, and communications have been sparse. I apologize for that. Outland wanted to be sure to try to get accurate information out there instead of giving a lot of false starts and dates based on hopes. I don’t have an exact date yet (the head of the other project’s mother just passed away, so as soon as he’s back to work, I can get more details on that), but it WILL be this spring, and the money for the printing and processing IS earmarked and will not be going anywhere. I’m really grateful to Outland for helping to make all this happen, especially for absorbing such a huge cost to them for fulfilling the Kickstarter. More details are forthcoming as far as what is shipping when, and when folks can expect to get surveys. Again, I apologize for the delays and the gaps in communication, but going forward we should see some real progress.

The Kickstarter had more than doubled its $14,500 goal, receiving $32,047 in pledges.

(5) KEEPING IT IN THE FAMILY MAUSOLEUM. Tina Romero, daughter of the grand master of zombie horror George A. Romero, will be directing zombie movie Queens Of The Dead, according to ScienceFiction.com:

The apple doesn’t fall far from the tree as it now looks like Tina Romero is going to be directing a new feature film titled Queens of the Dead. With George A. Romero creating the modern zombie and his son Cameron busy at work with Rise of the Living Dead, it seems like the undead are becoming a family affair. Tina had previously announced that she was working on a new horror web-series with Tom Savini but now that partnership will also have a new movie as well.

There is no news if this movie will be part of the Night of the Living Dead universe or set in her own world and will just be paying tribute to her father’s work with the title.

As to what the movie will be about and what inspired her to do it?

“Queens of the Dead is a fusion of two huge parts of my world: zombies and Gay nightlife. It’s a tribute to my father as well as my entrée into the genre he grandfathered. I can’t say too much yet, but what I can tell you is that this film will have all the hallmarks of a George A. Romero classic: farce, politics, heroes, assholes, and most importantly, herds of silly and slow-moving walkers that you can’t help but love. But I’m doing it Tina-style, and bringing the glitter, choreography, queers & queens.”

Basically, it boils down to showing us “the zombie apocalypse, seen through the eyes of the patrons at a drag nightclub.” Now, that is an idea which hasn’t been done before and could prove to be full of humor and heart.

(6) DARKNESS FALLS. All 1,225 Episodes of vintage TV series Dark Shadows have been released on Amazon Prime Streaming, says Bloody Disgusting:

Depicting the lives, loves, trials and tribulations of the wealthy Collins family of Collinsport, Maine, where a number of supernatural occurrences take place, the American gothic television series “Dark Shadows” aired from June 27, 1966, to April 2, 1971 on ABC. The show ran for five years, delivering a staggering 1,225 episodes.

As of this week, you can stream EVERY episode through Amazon Prime US & UK!

The Wikipedia entry for the cult series offers this description:

The series became hugely popular when vampire Barnabas Collins (Jonathan Frid) appeared ten months into its run. Dark Shadows also featured ghosts, werewolves, zombies, man-made monsters, witches, warlocks, time travel, and a parallel universe. A small company of actors each played many roles; as actors came and went, some characters were played by more than one actor.

Dark Shadows was distinguished by its vividly melodramatic performances, atmospheric interiors, memorable storylines, numerous dramatic plot twists, adventurous music score, broad cosmos of characters and heroic adventures.

(7) SETTING PRIORITIES. The NASA History Office came up with this gem right before they turned out the lights:

(8) GOODNIGHT EARTH. In a lengthy piece, “What Happens to Astronauts During a Government Shutdown?“, The Atlantic verifies that the astronauts on the International Space Station (ISS) won’t be completely abandoned:

As the wheels of the U.S. government ground to a halt Friday at midnight, thousands of federal employees prepared to face days or weeks without work or pay until their offices reopened.

Some employees will continue working through the government shutdown, however, including the three with the longest commute: NASA astronauts Mark Vande Hei, Joseph Acaba, and Scott Tingle. Despite the political tussle that closed most of the government on Saturday, the American part of the International Space Station remains open for business. Mission-control staff, considered “essential” personnel, will keep working, too, to support the astronauts.

Phew. And, well, obviously! After all, NASA can’t exactly press pause on the work of keeping humans alive in microgravity 200 miles above Earth, even if Congress missed the deadline for the government running out of money.

“To protect the life of the crew as well as the assets themselves, we would continue to support planned operations of the ISS during any funding hiatus,” states a NASA plan, published in November, that outlines protocols for a potential government shutdown.

(9) HOUSTON, CAN YOU READ ME? Former ISS Commander Chris Hadfield reminisces about the last time the lights went out:

(10) QUICK, WHILE THEY’RE NOT LOOKING.

(11) SAY, ARE YOU RELATED TO…? Author and Filer Laura Resnick posted a diary of an unnamed convention where she was a guest, exposing the sordid truth concealed behind the glamorous myths about a midlist writer’s life. Here’s a spine-tingling excerpt:

At dinner, am required to sit at assigned table and be available to interested attendees.

Overhear attendees say, “All the good seats are taken, I guess we’ll have to sit here,” a moment before they sit down at my table.

Table gradually fills up with disappointed attendees who had hoped to sit with someone better than me at this meal.

No one at table sits next to me. The chairs are empty on either side of me. I suggest someone might like to sit closer to me. No response.

Nearest person on left asks me, “Are you any relation to Mike Resnick, the science fiction writer?”

I respond, “Yes, he’s my dad.”

Ten minutes later, nearest person on right asks me, “Are you any relation to Mike Resnick?”

(Old man will enjoy this. Must make sure he never finds out.)

Otherwise, not much said to me throughout meal.

(12) A FUTURE INFORMED BY BLACKNESS. Mic, a digital news media site, discusses revolutionary Afrofuturistic elements in “Black Panther isn’t just another Marvel movie – it’s a vision of a future led by blackness.”

Wakanda is more than just a fun spectacle; it represents something much more magnificent and powerful – a version of Africa unaffected by the external world, one that was allowed to pursue its own march toward spectacular progress.

When the most recent trailer for the movie was released in October, people weren’t just excited, they were jubilant. Now, it’s an event pretty much every time there’s a new Marvel movie but – no disrespect to Spider-Man: Homecoming, Thor: Ragnarok, etc. – those blockbusters don’t normally have an entire culture of people impatiently awaiting their release. So what makes Black Panther especially noteworthy?

The secret sauce of Marvel’s Black Panther is Afrofuturism – an arts form that combines science fiction with black culture to create a future informed by blackness. On its face, Black Panther masquerades as Marvel’s latest superhero flick. Dig deeper and you’ll find the movie’s true identity: an Africa-set, Afrofuturist film – made for black people, by black people – powered by a Disney budget.

(13) CHALLENGE ACCEPTED. New York native Frederick Joseph’s GoFundMe campaign to set up screening of Black Panther for children has gone viral, says ABC News.

Joseph knew he wanted to give back to his community in some way and with the highly-anticipated Black Panther hitting theaters next month, he decided to try and raise funds to send a few hundred kids from the Boys & Girls Club of Harlem for free.

But what has happened over the last few days since his GoFundMe page launched is something straight out of the pages of Marvel Comics.

Joseph’s original goal of $10,000 has been well surpassed and now stands at around $25,000 and climbing. More than 500 people have donated. The campaign also boasts support from Chelsea Clinton, J.J. Abrams and ESPN’s Jamele Hill.

After seeing his goals exceeded so quickly and enthusiastically, Josephs issued the #BlackPantherChallenge:

… start a @gofundme to buy tickets for kids in your city to see Black Panther. If you’re a teacher, buy tickets for your entire classroom. If you’re a coach, take your team. If you’re a community leader, do some organizing and get the kids and parents in your community to the theater. 10 campaigns that answer the #BlackPantherChallenge will receive a $100 donation from GoFundMe.

Comicbook.com reports that rapper Snoop Dogg has announced that he will fund one of the NYC screenings and a screening for kids in Los Angeles, as well as donating funds to Joseph’s GoFundMe campaign.

Joseph’s GoFundMe now stands at $42,642 of $10,000 goal.

(14) TODAY’S BIRTHDAYS:

(15) FINALLY NAMING NAMES. Compulsive list-maker and Filer James Davis Nicoll has made the first in a new series of posts over at Tor.com, Fighting Erasure: Women SF Writers of the 1970s, A Through F.

You may have been annoyed by recurrent comments from a certain surprisingly flammable Waterloo-region reviewer. He complains about the erasure from SF memory of women writing SF back in the 1970s – but has that reviewer ever bother to name names? Suggest books? I think not. It is time to confront the erasure directly. Forward! Excelsior!

In an attempt to keep this list to a manageable length, I will focus on women authors who first published in the 1970s. That means skipping some significant authors who were already active at the time. I also reserve the right to cheat a bit by including a few works published after the 1970s. I am also going to break this list into several installments, beginning with A through F. Which should tell you just how many women have been erased. Whole binders full of women.

(16) SO THAT’S WHAT’S UNDER THERE. In a comment on File770, RedWombat (aka Ursula Vernon) says:

I went through what I called an “objectified Scotsman” phase about two months ago. A very specific, very silly genre, mostly tied to kilts, existence thereof, and what may or may not be worn underneath them.

You have to be absolutely in it for the romance, there is no comedy of manners, and they run INTENSELY formulaic (and I say this as one who respects romance enormously as a genre, couldn’t write it, and believe it deserves an immense amount of respect) but they are hella fun for comfort reads.

Structure goes as follows:

Act One: Arranged Marriage

HIM: I hate the English.

HER: Goddamn.

Act Two: Love

HIM: I still hate the English, but this one’s mine.

HER: Hot damn!

Act Three: The Clans Go To War

HIM: Let’s kill those other English!

HER: Oh, damn.

(17) THE TOR BOYCOTT HAS SUCCEEDED.

(18) NOW THAT YOU MENTION IT. Angered by what he apparently perceived to be too many “girl cooties” ruining his childhood in The Last Jedi, a Mens’ Rights Activist released last week a version of the 152-minute movie called “The Last Jedi De-Feminized Fanedit”, with the female characters almost completely excised. The resulting movie is (wait for it…) 46 minutes long. Dorkly’s Tristan Cooper takes one for the team and reports on the result.

I know. Part of you kind of wants to see this tragic, insecure shitshow. Don’t worry, you don’t have to scrub through the sketchier side of the internet just to satisfy your morbid curiosity – I’ve already done that for you. I watched the De-Feminized Fanedit of The Last Jedi, and I can tell you with authority that it’s even worse than you think…

In response, Twitter user Logan James released his own gender-edited films:

(19) MOTOR CITY COMIC MADNESS. SFF Author Saladin Ahmed has a new comic book, Abbott, debuting on January 24, set in 1972 Detroit. The Detroit Free Press gives us the lowdown:

Whether she’s arriving at a crime scene, standing up to her boss or just listening at home to John Coltrane albums, Elena Abbott is cool.

So cool that the fictional newspaper reporter is the title character of a new comic book series set in 1972’s “two Detroits: one white, one black” – a place where “the former would rather leave the city than truly share it with the latter.”

(20) BUT WAIT UNTIL AFTER THEIR BEDTIME. I’m Going to Outer Space by Timothy Young is a picture book for your little SF lover – and for the adults who will delight in spotting the Enterprise, a Space:1999 Eagle, and the Jupiter-Two among the spacecraft in the illustrations, and Bender, Robby, “the Robot”, Daleks, Maria, and many other old friends among the robots in the illustrations. An Amazon reviewer describes it as “the Where’s Waldo? for science fiction fans”.

(21) THAT’LL TAKE THE WIND OUT OF YOUR CAPE.

(22) FOLLOWING IN HIS FATHER’S STARSTEPS. Director Duncan Jones, whose film Moon won a Hugo Award in 2010, has produced another science-fiction movie Mute, which will debut on Netflix on February 23. Jones is better known in some quarters as the son of The Man Who Fell to Earth, David Bowie.

 [Thanks to Andrew, Bonnie McDaniel, Chris M., Cora Buhlert, Hampus Eckerman, James Davis Nicoll, lauowolf, Laura Resnick, Lee Billings, Mark-kitteh, Paul Weimer, RedWombat, Robin A. Reid, and ULTRAGOTHA for some of these stories. Title credit goes to File 770 Contributing Editor of the Day JJ.]

Pixel Scroll 1/15/18 Scroll Down, You File Too Fast, You Got To Make The Pixels Last

(1) KURT ERICHSEN’S RETIREMENT MAKES THE NEWS. The Toledo Blade has published a superb article about fanartist Kurt Erichsen, who is retiring from his day job as vice president of water quality planning for Toledo Metropolitan Area Council of Governments after a 34-year career. I learned all kinds of things I never knew about his work on getting the Ottawa river cleaned up, and was pleased to see they also covered some of the fannish things I did know about the 2002 Rotsler Award winner —

Mr. Erichsen’s passion for environmental planning wasn’t his first calling in life, though. He was fascinated with drawing since he was young. He might have pursued a career as an illustrator if his parents hadn’t convinced him otherwise, but he never gave up his passion for drawing.

From 1980 to 2008, he produced a comic strip called “Murphy’s Manor.” It focused on the lives of gay men living in the fictional town of Black Swamp, Ohio. That series and others he produced, including “The Sparkle Spinsters” and “GLIB Talk,” appeared in as many as 70 publications marketed to homosexuals, resulting in awards from the Gay/?Lesbian Press Association.

“I was trying to be entertaining while making a point,” Mr. Erichsen said.

Mr. Erichsen also has produced artwork for fans of science fiction fanzines and conventions.

(2) COMES THE MILLENNIUM. Congratulations to James Davis Nicoll, who sent a link to his review of Elizabeth Hand’s Winterlong – captioned “And Rain Keeps Falling Like Helpless Tears” – with the note that it is his 1000th review.

Elizabeth Hand’s 1990 debut novel Winterlong is the first volume in her Winterlong Trilogy.

Nuclear war and germ warfare have left Washington a shadow of its once glorious past. A handful of administrators, descended from self-appointed curators, control the relics of America’s lost past, defending the remnants from the diseased, mutated, and simply unlucky inhabitants of the surrounding sea of ruins….

(3) VERSE AS SWORD AND SHIELD. Middle-Earth Reflections’ new post “On the songs of power” discusses how they work in The Silmarillion.

Among many powerful notions in the world of Arda few are more potent than music and language. Music is the essential element of Arda, its heart and soul, as the world was created and shaped by the majestic Music of the Ainur. And it was the word of Ilúvatar — Eä! — that brought the created vision to life.

The power of words in Middle-earth cannot be overestimated. If used masterfully, with subtlety and skill they can inspire others to do incredible things. It is especially prominent when words are put into verse: songs can become something a lot more potent than mere poetic recitals. I have already spoken about the songs of challenge in The Silmarillion: sung in the situations of dire need and despair, they bring hope and salvation against all the odds. A special place in the story is occupied by the songs of power. They are very effective verses able to create or destroy, be used as a weapon or for defence.

It is by means of a song that Yavanna brings to life the Two Trees of Valinor and, later, the last fruit and flower from them used for creating the Sun and the Moon after the Trees’ destruction. Finrod duels with Sauron on the songs of power. Lúthien sings an equally powerful song to make Tol-in-Gaurhoth tremble and be heard by Beren trapped in Sauron’s dungeons.

(4) HANDMAID’S TALE. Hulu previews the second season.

Whatever is silenced will clamor to be heard. The Handmaid’s Tale Season 2 returns April 25.

 

(5) ATWOOD’S FEMINISM. Margaret Atwood answers her own question, “Am I a bad feminist?”, in an op-ed at the Toronto Globe and Mail.

So let us suppose that my Good Feminist accusers, and the Bad Feminist that is me, agree on the above points. Where do we diverge? And how did I get into such hot water with the Good Feminists?

In November of 2016, I signed – as a matter of principle, as I have signed many petitions – an Open Letter called UBC Accountable, which calls for holding the University of British Columbia accountable for its failed process in its treatment of one of its former employees, Steven Galloway, the former chair of the department of creative writing, as well as its treatment of those who became ancillary complainants in the case. Specifically, several years ago, the university went public in national media before there was an inquiry, and even before the accused was allowed to know the details of the accusation. Before he could find them out, he had to sign a confidentiality agreement. The public – including me – was left with the impression that this man was a violent serial rapist, and everyone was free to attack him publicly, since under the agreement he had signed, he couldn’t say anything to defend himself. A barrage of invective followed.

But then, after an inquiry by a judge that went on for months, with multiple witnesses and interviews, the judge said there had been no sexual assault, according to a statement released by Mr. Galloway through his lawyer. The employee got fired anyway. Everyone was surprised, including me. His faculty association launched a grievance, which is continuing, and until it is over, the public still cannot have access to the judge’s report or her reasoning from the evidence presented. The not-guilty verdict displeased some people. They continued to attack. It was at this point that details of UBC’s flawed process began to circulate, and the UBC Accountable letter came into being.

A fair-minded person would now withhold judgment as to guilt until the report and the evidence are available for us to see. We are grownups: We can make up our own minds, one way or the other. The signatories of the UBC Accountable letter have always taken this position. My critics have not, because they have already made up their minds. Are these Good Feminists fair-minded people? If not, they are just feeding into the very old narrative that holds women to be incapable of fairness or of considered judgment, and they are giving the opponents of women yet another reason to deny them positions of decision-making in the world.

The #MeToo moment is a symptom of a broken legal system. All too frequently, women and other sexual-abuse complainants couldn’t get a fair hearing through institutions – including corporate structures – so they used a new tool: the internet. Stars fell from the skies. This has been very effective, and has been seen as a massive wake-up call. But what next? The legal system can be fixed, or our society could dispose of it. Institutions, corporations and workplaces can houseclean, or they can expect more stars to fall, and also a lot of asteroids.

If the legal system is bypassed because it is seen as ineffectual, what will take its place? Who will be the new power brokers? It won’t be the Bad Feminists like me. We are acceptable neither to Right nor to Left. In times of extremes, extremists win. Their ideology becomes a religion, anyone who doesn’t puppet their views is seen as an apostate, a heretic or a traitor, and moderates in the middle are annihilated. Fiction writers are particularly suspect because they write about human beings, and people are morally ambiguous. The aim of ideology is to eliminate ambiguity.

(6) VENUS IF YOU WILL. At Galactic Journey, The Traveler reports on the wealth of information collected by the latest (in 1963) Venus probe — “[January 15, 1963] Venus’ true face (Scientific Results of Mariner 2)”.

Getting there is half the fun

Before I talk about Mariner’s encounter with Venus, it’s important to discuss what the spacecraft discovered on the way there.  After all, it was a 185 million mile trip, most of it in interplanetary space charted but once before by Pioneer 5.  And boy, did Mariner learn a lot!

For instance, it has finally been confirmed that the sun does blow a steady stream of charged particles in a gale known as the “Solar Wind.”  The particles get trapped in Earth’s magnetic field and cause, among other things, our beautiful aurorae.

Mariner also measured the interplanetary magnetic field, which is really the sun’s magnetic field.  It varies with the 27-day solar rotation, and if we had more data, I suspect the overall map of the field would look like a spiral.

Why is all this important?  Well, aside from giving us an idea of the kind of “space weather” future probes and astronauts will have to deal with, these observations of the sun’s effect on space give us a window as to what’s going on inside the sun to generate these effects.

One last bit: along the way, Mariner measured the density of “cosmic dust,” little physical particles in space.  It appears that there’s a lot of it around the Earth, perhaps trapped by our magnetic field, and not a lot in space.  It may be that the solar wind sweeps the realm between the planets clean….

(7) LAST JEDI DOES NOT IMPRESS CHINESE. According to The Hollywood Reporter, “China Box Office: ‘Jumanji’ Clobbers Competition With $40M, ‘Last Jedi’ Crashes and Burns”.

Dwane Johnson’s Jumanji: Welcome to the Jungle roared into China over the weekend, racking up a strong $40 million.

The Sony tentpole finally toppled runaway Chinese hit The Ex-File 3: The Return of the Exes, which earned $25.3 million in its third frame, bringing its local total to $272 million. Globally, Jumanji, also starring Kevin Hart, has earned $667 million.

Disney’s and Lucasfilm’s Star Wars: The Last Jedi, meanwhile, didn’t even put up a fight. Only in its second weekend on Chinese screens, The Last Jedi pulled in a paltry $2.4 million — a 92 percent decline from its disappointing $28.7 million debut, according to data from EntGroup.

The Star Wars franchise, never popular in China, appears to be on a precipitous decline in the Middle Kingdom, the world’s second-largest film territory.

…The global picture is far better, of course: As of Sunday, Last Jedi had a worldwide haul of $1.264 billion, making it the biggest film of 2017.

Looper attempts to explain the disappointing numbers –

(8) BINTI ARC CONCLUDES. The B&N Sci-Fi & Fantasy Blog points out how Binti: The Night Masquerade Is the Epic Climax to a Deeply Personal Saga”.

Each of the previous two books in Dr. Nnedi Okorafor’s coming-of-age story saw Binti faced with tremendous change and exposed her to new truths that widened her world, and made it smaller. She’s taken on attributes of the (sometimes) murderous and very alien Meduse, and come to understand there’s more to the seemingly uncivilized desert people of her homeland than she’d ever imagined. The Night Masquerade is the conclusion of her journey, and the title refers to a spectre of change that appears to significant people at times of great crisis. It’s wonderfully evocative of the climactic nature of the story, and Binti will face a great deal more turmoil before hers is done.

(9) TODAY’S BIRTHDAY BOY

  • Born January 15, 1935 – Robert Silverberg

(10) COMICS SECTION.

  • Mike Kennedy says Pearls Before Swine showed him an excellent reason (or three) to keep the closet closed
  • John King Tarpinian discovered the consequences of making a Flintstones reference in B.C.
  • Mike Kennedy learned news happens whether you know it or not in this installment of Nonsequitur.
  • The Flying McCoys explore what would happen to Batman if a certain supervillain lived up to his name.

(11) WHAT GOES UP. The BBC talks to “The astronaut fighting to save our home in space”:

The International Space Station (ISS) is humanity’s most expensive structure – and in just six years’ time, it may vanish, plunging into the Pacific Ocean. BBC Future meets the man trying to save it.

… “I’ve been very, very, very, very lucky,” he says, laughing. “Most astronauts are very jealous of me, which is probably why I won’t get to fly in space again!”

Most famously, Foale was on board Mir in June 1997 when an un-crewed Progress supply ship ploughed into the station, smashing a solar panel and breaching the hull. With the master alarm sounding, air leaking, power failing and the station spinning, Foale worked with his two Russian crewmates to prepare their Soyuz escape capsule and close off the damaged module.

By holding his thumb to a station window and examining the movement of stars, Foale used his physics training to estimate the spin rate of the station, so mission control could fire thrusters to bring it back under control.

(12) MUST COME DOWN. Someone hit the center divider on the road, went airborne and crashed into the SECOND floor of a dental business —

Which inspired this Harry Potter reference from “Typical Girl” —

(13) MIXED MARTIAL ARTS. In “Bruce Lee Lightsabers Scene Recreation,” Patrick Nan asks, “What if Bruce Lee fought with lightsabers?”

(14) COMMITMENT. Laura Resnick continues a series about her volunteer work — “Cat Rescue, Part 3: Return to Sender”.

I’m writing a series of blog posts about my volunteer work in cat rescue with Cat Adoption Team (C.A.T.). Part 1 discusses how I got involved and outlines how it works. Part 2 talks about the happy endings that are so rewarding in this work, as well as the sad ones (and also the appallingly infuriating ones) that make some days very hard.

There is another kind of outcome to pet adoption, too. Despite good people trying hard, sometimes things just don’t work out. A cat turns out to be a bad fit for a family, or the family’s life changes in tragic ways that make keeping the cat impossible… and they return them to C.A.T.. This is sad for everyone, but it is absolutely the right thing to do in such circumstances.

I cannot stress this strongly enough: if family decides not to keep a pet, they should return the animal to us (and any responsible rescue group has this same policy). The most important thing to us is that the cat should always be safe. By rescuing the cat, we made a promise that we will never abandon this animal or allow it to return to the condition from which we rescued it, alone and forsaken in the world. Do not break our promise by abandoning the animal we entrusted to you at the time of adoption. Return it to us.

(15) CLASSIC WEIRD. Jared pays tribute to “Jane Gaskell, First Lady of the Weird” in a compelling review article at Pornokitsch. Here’s an excerpt:

The Atlan Series: The Serpent (1963), Atlan (1965), The City (1966), Some Summer Lands (1977)

Note: To keep things complicated, later printings split The Serpent into two volumes (The Serpent and The Dragon)

This series – Gaskell’s epic fantasy saga – is batshit crazy.

It follows Princess Cija, as she meddles in the politics of Atlantis. She goes from princess to prisoner to conqueror to spy to Chosen One to fugitive to back again… It is bonkers, risque and occasionally befuddling.

In a way, the Atlan saga is an even more extreme version of Strange Evil, exacerbated, perhaps, due to its epic length. Cija, like Judith, lacks agency. She is notable because she is desired, rather than possessing any strong desires of her own. She’s passed from hand to hand (to paw), partner to partner. Her bloodline is important, her presence is ‘destined’, but, again, we find in Cjia a distressing subversion of a Chosen One. She is one that has been Chosen, rather than having any control over her fate. This is the Epic Fantasy with the princess-in-the-tower as the first person protagonist, and it can make for harrowing reading: to be the prize and not the hero is, unsurprisingly, kind of dark.

Atlan also has an utterly ridiculous setting – packed with ‘SPACE AGE’ SF, mad science, dragons, monsters, death rays, lizard people, whatever. It feels almost deliberately pulpy, in a way that makes its sneaky-dark message all the more sinister.

Michael Moorcock included the series in Fantasy: The 100 Best Books (1988), and admires – slightly sarcastically – the over-the-top pulpy elements. He refers to the series’ “bewildering status changes” and “breathless peregrinations”, and his summary gleefully points out how silly the whole thing is. But he eventually concludes “Too much? Never! Stirring stuff, all of it.”

Others also (mostly) approve – John Clute describes it with lukewarm praise: “In genre terms the series – sometimes uneasily, but at points with real panache – marries sf and the popular romance; it is full of vigorous and exuberant invention and occasionally overheated prose.” (It is worth noting that late 1960s ‘popular romance’ was pretty bleak stuff – this isn’t a sappy love story, but a harrowing tale of self-actualisation [or… semi-reluctant acceptance].)

(16) ROBOTS V. FAIRIES. SF Bluestocking’s Bridget McKinney isn’t high on this new collection — “Book Review: Robots vs. Fairies edited by Dominik Parisien and Navah Wolfe”.

Robots vs. Fairies is my first reading disappointment of 2018. I loved Dominik Parisien and Navah Wolfe’s first anthology, 2016’s The Starlit Wood, so I was very hyped for this one when it was announced. Unfortunately, Robots vs. Fairies is a bit of a sophomore slump for the editing pair, with a theme that feels more questionable the farther one reads into the collection, stories that largely feel a little too written to spec, and not enough that’s new and interesting to recommend it on those scores. It might work as sort of comfort reading for those who find its table of contents—filled with some of the hottest short fiction writers currently working in SFF—appealing, but if you’re looking for exciting, fresh, innovative work, there’s not much of that here.

(17) JDA TODAY. Jon Del Arroz tries to defend against the Jim C. Hines compilation without mentioning the author by name in “The Ever-Changing Narrative And Double Standards Show They’re Disingenuous” (link to the Internet Archive).

In the past couple days, with that Narrative being such bad publicity for the convention because of the double standard they applied over political affiliation, it’s shifted to “he’s mean on the internet!”  NYT Bestsellers have been swearing about me on their twitter, lower-selling midlist authors are cheering and congratulating each other over spreading rumors and gossip like this is a high school clique rather than professionals. This strategy is going to backfire as well, because first, being mean on the internet is not a crime. No one has been banned from conventions over being mean on the internet before. And it applies to these folk in a massive double standard way. I don’t go around being nearly as mean or cruel as they are.

(18) MEDIC, I’M HIT! I was bitterly disappointed that Jim C. Hines showed in comments today that he reviewed the evidence with JDA about his doctored “Goodbye Jon” email conversation with me (which actually happened in this order) only to conclude —

The summary: We have several possibilities here.

  1. Jon is faking his screenshots.
  2. Mike is lying.
  3. Jon’s Sent Mail shows a different Sent Time than the email(s) Mike received from him.

(19) CHOPPAGE. At Pedestrian, Ben McLeay reports the latest antics of men’s rights activists – erasing women from The Last Jedi — “MRAs Make 46-Minute Cut Of ‘The Last Jedi’ That Edits Out All The Women”.

It is utterly tragic that MRAs aren’t given the respect they deserve. It’s truly galling that just because their entire worldview was formed around a profound sense of entitlement induced by watching thousands of hours of harem anime, no one takes them seriously. It’s heartbreaking to think that people dismiss them out of hand just because – instead of addressing actual issues like the rates of suicide and depression among men – they focus on dumb shit like editing out all the parts of The Last Jedi that aren’t centred around men.

If that last thing sounded too ridiculous to be true, you have clearly forgotten which time it is that we live in and the corresponding fact that pretty much nothing now is too ridiculous to be true. We live in the most aggressively ridiculous timeline. Accordingly, the self-described “chauvinist cut” of TLJ is very, very real, and exactly as dumb as it sounds.

Uploaded to The Pirate Bay yesterday by an anonymous user, the “The Last Jedi: De-Feminized Fanedit” is, according to their own description “basically The Last Jedi minus Girlz Powah and other silly stuff“.

(20) HARD-HITTING JOURNALISM. WIRED delivers a less-than-stunning revelation: “Cantina Talk: The Last Jedi’s Shirtless Kylo Is Proving a Problem for Cosplayers”.

So, About Kylo’s High-Waisted Tights…

Source: The Wall Street Journal, of all places

Probability of Accuracy: They did get a high quality still of shirtless Kylo, so there’s no denying that they know what they’re doing.

The Real Deal: Perhaps the most surprising Last Jedi story to appear in recent weeks is this Wall Street Journal piece about the high-waisted tights Kylo wore in that one super-uncomfortable scene of him Force-communicating with Rey. (Don’t pretend like you know know exactly which one we’re talking about.) For one, it was surprising because it was in the Journal, but also because it focused on how hard Shirtless Buff Kylo Ren was to pull off for cosplayers. The piece even quotes Last Jedi costume designer Michael Kaplan, who said, “The world of Star Wars is not our world… Kylo Ren is not some hipster in hip-hugging jeans. Think Errol Flynn swashbuckling coolness as a point of departure. Hide that navel!” So, now you know. (Also, let’s be honest: Kylo Ren most definitely is some hipster in hip-hugging jeans, even if his wardrobe doesn’t reflect it.)

(21) BLACK PANTHER. Ruth Carter “‘Black Panther’ Costume Designer Talks Tribal-Tech Inspirations” in The Hollywood Reporter.

Ruth Carter has created costumes for some epic films, Amistad, Malcolm X and Selma among them, but nothing prepared her for the size and scope of Black Panther. For the super-stylish superhero film opening Feb. 12, she imagined a new African diaspora with 700 costumes fusing futurism, indigenous dress and high fashion, using research that spanned from the Rose Bowl Flea Market to textile dealers in Accra, Ghana.

The Ryan Coogler-directed film brings to the big screen Marvel Comics’ first black superhero, reinventing the circa 1966 character for today. Black Panther is depicted as T’Challa (Chadwick Boseman), who rules over the fantastical African country of Wakanda, rich with vibranium, a mythic metal that is woven into the superhero’s sleek black, repeating triangle-pattern suit (designed by Marvel’s Ryan Meinerding), and has allowed the population to make technological advances nearly a century ahead of the rest of the world. The fight for vibranium is at the heart of the story, with T’Challa defending the kingdom against Michael B. Jordan’s Erik Killmonger.

Carter worked with five illustrators, 14 designers, mold makers, fabric dyers, jewelry makers and more. “It was an army,” the costume designer says. On her mood boards were images of African dress from the Maasai, Tuareg, Turkana, Xhosa, Zulu, Suri and Dinka peoples (including a men’s glass bead, animal skin and cowry shell corset from the Metropolitan Museum of Art), as well as piercings and body art, and more abstract examples of drapery and beading. She also examined fashion by avant-garde pleating master Issey Miyake, African-style vintage pieces by Yves Saint Laurent and Donna Karan.

(22) STARTS TOMORROW. CW released a clip from Black Lightning — The Resurrection Scene 2 – a show that premieres January 16.

About BLACK LIGHTNING: Jefferson Pierce is a man wrestling with a secret. Nine years ago, Pierce was gifted with the superhuman power to harness and control electricity, which he used to keep his hometown streets safe as the masked vigilante Black Lightning. However, after too many nights with his life and his family on the line, he left his Super Hero days behind. Almost a decade later, Pierce’s crime-fighting days are long behind him…or so he thought. But with crime and corruption spreading like wildfire, Black Lightning returns — to save not only his family, but also the soul of his community.

 

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, ULTRAGOTHA, Carl Slaughter, Cat Eldridge, Martin Morse Wooster, Michael J. Walsh, James Davis Nicoll, Dann, Will R., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day John From GR.]

Pixel Scroll 1/11/18 Agent 770, With A License To Scroll

(1) YOUNG PEOPLE. James Davis Nicoll asked the crew at Young People Read Old SFF their response to Octavia Butler’s “Bloodchild”. Two of the four readers said it was their first experience with the author. (The others didn’t say one way or the other.)

Octavia E. Butler was one of a small handful of African American SF authors back in the 1970s, an era when SF was often whiter than a crowd of naked albinos holding loaves of Wonder Bread in a snowstorm. Butler’s stories often focused on people doing their best from a position of profound weakness, striving despite slavery, apocalypse or worse. This example of her work won the 1984 Nebula Award for Best Novelette, the 1985 Hugo Award for Best Novelette, the 1985 Locus Award for Best Novelette and the 1985 Science Fiction Chronicle Award for Best Novelette.

Young People Read Old SFF also recently tackled “The Light of Other Days” by Bob Shaw. Some liked it, but Mikayla did not disappoint….

Bob Shaw was born in Northern Ireland. Over the course of the three decades of his career, he won three BSFA awards and was nominated for the Hugo, the Locus, the Campbell, and the Clarke.

The Light of Other Days is an atypical Shaw. It is a classic idea story, a story in which an author tries to show unexpected implications of some new development. Slow glass, a material in which the speed of light is so slow it takes decades for light to pass from one side to the other of a thin sheet, was one of the rare examples of an idea veteran editor John W. Campbell considered actually original at the time of publication. It was shortlisted for the Nebula Award for Best Short Story and for the Hugo Award for Best Short Story.

Of course, just because professionals and fans liked a story half a century ago is no guarantee modern readers will. Let’s see what they thought….

(2) HUNGARIAN BLOGGER. Bence Pintér recommends the new English-language blog of Balázs Farkas, a Hungarian author; especially his post on Black Mirror.

Black Mirror needs to reinvent itself. The sooner, the better.

Don’t get me wrong. The fourth season has cleverly written, beautifully directed episodes throughout, as usual. It’s still the prime science-fiction anthology, and one of the most relevant TV series, even if contemporary science-fiction writers and futurologists already explored most of its ideas. The problem is, the new season didn’t have any new ideas, at all…

Also recommended, his thoughts on the comedy in Get Out

Last year Get Out was nominated for a Golden Globe in the category of Best Motion Picture – Musical or Comedy. Many consider Get Out one of the best horror films of 2017. I was intrigued for months, but I rarely watch movies nowadays, but I decided to see Get Out for myself and see whether it’s a comedy or a horror. Well, I found out it’s neither, but can be interpreted as both, and it’s really fascinating to see why.

And on the short fiction of Aleister Crowley.

“Do what thou wilt shall be the whole of the Law.”

The interesting thing about Aleister Crowley is that he really believed this. We don’t consider him a fiction writer (at least not primarily), but he went and did it for a while, because he could do whatever and whenever. So he wrote fiction, but only between 1908 and 1922, that’s merely fifteen years from his prolific and incredibly versatile mind. This was an era when he approached the literary world as a critic and writer, although at first quite reluctantly (“I had an instinctive feeling against prose; I had not appreciated its possibilities,”  he wrote, later admitting that“the short story is one of the most delicate and powerful forms of expression”). He wasn’t only a writer, but he still made sure that his legacy includes a large collection of miscellaneous prose, now presented in a prestigious (and affordable) Wordsworth edition, titled The Drug and Other Stories.

(3) INSIDE THE SHELL. In The New Yorker, Teddy Wayne tells why “A Storm Trooper Reconsiders His Support for Snoke”.

…Except things started changing when Snoke passed that big tax bill. The very next day, we’re told our pensions are getting cut—which hardly matters, because Storm Troopers have a seventy-five-per-cent fatal occupational-injury rate. (Some from combat, but mostly guys falling into chasms off narrow ship walkways that for some reason don’t have guardrails.)

Sure, the galaxy’s health insurance wasn’t perfect, but at least I got a little subsidy from Vadercare. Snoke repeals the individual mandate and all these Storm Troopers, fresh out of the academy, thinking they’re invincible, go, “Awesome—I’m young and healthy, Han Solo’s dead, screw it.” My premiums suddenly shoot through the roof, so I’m going without it this year and hoping I don’t run into a freaking Jedi Knight. But how am I gonna pay for the infirmary visit when a trespassing Resistance fighter conks me on the head to steal my uniform and gain access to a ship’s inner sanctum, which now seems to happen every other year? And if my arm’s sliced off with a lightsabre, you think my Storm Trooper’s comp will cover the robotic prosthetic?

(4) A FAITHFUL 451. The Hollywood Reporter interviews co-writer, exec producer and director Ramin Bahrani, who assures them “HBO’s ‘Fahrenheit 451’ Will Stay True to Ray Bradbury’s Central Themes”.

Bahrani, who co-wrote the telepic alongside Amir Naderi and reteams with Shannon after he starred in their feature 99 Homes, confessed that he told his agent at one point that he should call HBO and refund the network’s money because he felt that he couldn’t finish the script. He spoke at length about the parallels between Bradbury’s 1953 work and what’s happening in the world today.

“I don’t want to focus so much on [Trump] because I don’t want to excuse the 30 to 40 years prior to that; he’s just an exaggeration of it now,” he said. “I don’t want us to forget what Bradbury said — that we asked for this. We elected [politicians] over many decades, we’re electing this thing in my pocket [pulls out his cellphone]. Between the technological advancements in the last 20 years and politics, Bradbury’s biggest concern about the erosion of culture is now.”

Bahrani said he never had the opportunity to meet with Bradbury before his death but did an extensive amount of research, watching and reading multiple interviews and more. “Bradbury’s novel was set in the future where he was predicting having screens on the wall that you could interact with. Social media and supercomputers like my phone are real now. [The film] is not set in the distant future like Bradbury’s novel but an alternate tomorrow where technology is here right now — like Amazon’s Alexa,” he said. “One of the things in the film is storing knowledge, books in DNA. This exists now. All your drives could be stored 100-fold in DNA. There was no reason to put it in the future; it’s just [set in] a strange tomorrow.”

(5) THE TOLL. Kameron Hurley, who I admire for her unflinchingly transparent posts about her life as a writer, tells a heartbreaking story about her experiences in 2017 — “The Year I Drowned My Emotions”.

Depression is a complex state of being. I know we want to try and pretend it’s easy. Just pop a pill, increase your meds, try new meds, find something that works! But there’s also depression caused by external forces, and that’s the sort of depression that you can paint over with pills, sure, but the root of it is still there, like painting over a crack in your wall.

I was already feeling overwhelmed and deflated in the months leading up to the election. I was struggling with the reality that I’d produced three books in a year but still had to function at a day job, and the relentless treadmill of publishing was still going, without the sort of reward I needed in order to maintain my sanity. I’ve talked before about how writing all those books and then promoting books and having a weird dude-bro day job (at the time) conspired to murder me. What we don’t acknowledge is that when you experience that kind of breakdown followed by grief and disappointment, you can’t just… get back up like nothing happened.

(6) HADLEY OBIT. At ComicMix, Glen Hauman reports “Cinamon Hadley, The Girl Who Was Death, Has Died”.

Cinamon Hadley, whose appearance inspired the look of Death in the Sandman comic series, passed away today according to Sandman co-creator Neil Gaiman.

The body-piercer and goth icon whose portrait was immortalized as the second eldest in a family of anthropomorphized forces called the Endless, Hadley was described as extremely tall, extraordinarily thin, with bone-white skin, impeccable make-up and thin, black hair.

(7) TODAY’S BIRTHDAY BOY

  • Born January 11, 1937 — Felix Anthony Silla, known for his role as the costumed character of “Cousin Itt” on television’s The Addams Family.

(8) ADVENTURE OR COOKBOOK? Having seen the movie, this one has me a little worried – Star Wars: The Last Jedi: Chewie and the Porgs:

From Emmy award-winning writer Kevin Shinick comes a lovable tale of Chewbacca the Wookiee and the pesky porgs of Ahch-To Island. Featuring adorable illustrations by artist Fiona Hsieh.

(9) WATCHWORTHY. In “Consumption: 2017”, John Harden makes “a list of everything I watched in 2017 plus my very excellent and totally correct opinions on same.”

I make this list every year, for fun and as a reference. As always, it only reflects things seen for the first time. “POLTERGEIST on TV, 14th viewing” doesn’t make the list. Nor do films not viewed in their entirety, for example, Guy Ritchie’s THE MAN FROM U.N.C.L.E, which got ejected from the Blu-Ray player after 15 minutes. I’d never seen Henry Cavill in anything before but he seems to emit some kind of anti-charisma particle.

I didn’t bother making a numbered best-of list this year. But if I had, LOGAN would be at the top. It’s perfect. Damn you James Mangold, for making me cry at your Wolverine movie.

(10) SLOW DOWN, YOU MOVE TOO FAST. How fast is the universe expanding? “‘Serious gap’ in cosmic expansion rate hints at new physics”.

To calculate the Hubble Constant, Prof Riess and others use the “cosmic ladder” approach, which relies on known quantities – so-called “standard candles” – such as the brightness of certain types of supernova to calibrate distances across space.

However, a different approach uses a combination of the afterglow of the Big Bang, known as the Cosmic Microwave Background (CMB), as measured by the Planck spacecraft and a cosmological model known as Lambda-CDM.

The Hubble Constant obtained using these data is 66.9 kilometres per second per megaparsec. (A megaparsec is 3.26 million light-years, so it follows that cosmic expansion increases by 66.9km/second for every 3.26 million light-years we look further out into space).

The gap between the two is now at a confidence level of about 3.4 sigma. The sigma level describes the probability that a particular finding is not down to chance. For example, three sigma is often described as the equivalent of repeatedly tossing a coin and getting nine heads in a row.

A level of five sigma is usually considered the threshold for claiming a discovery.

However, Prof Riess said that at the three sigma level “this starts to get pretty serious I would say”.

(11) EYES IN THE SKY. “Finnish start-up ICEYE’s radical space radar solution” — swarms of small cheap satellites for continuous coverage.

Big things sometimes come in small packages. That’s the hope of Finnish start-up ICEYE, who are about to see their first satellite go into orbit.

The young company are making waves because they’re attempting what no-one has dared try before; indeed, what many people had previously said was impossible.

ICEYE aim to launch a constellation of sub-100kg radar micro-satellites that will circle the Earth, returning multiple pictures daily of any spot on the globe, whether it’s dark or light, good weather or bad.

The special capability of synthetic-aperture radar (SAR) satellites to sense the planet’s surface whatever the conditions is loved by government and the military, obviously – and they make sure they always have access to this kind of imagery.

But here’s the rub: the spacecraft that gather this sort of data have traditionally been big, power-hungry beasts.

(12) ANCIENT WINGS. BBC invites you to “Meet the butterflies from 200 million years ago”. They evolved nectar-suckers before there were flowers.

Newly discovered fossils show that moths and butterflies have been on the planet for at least 200 million years.

Scientists found fossilised butterfly scales the size of a speck of dust inside ancient rock from Germany.

The find pushes back the date for the origins of the Lepidoptera, one of the most prized and studied insect groups.

… “These finds push back the evolution of this group with proboscises – with a tongue – by about 70 million years,” said Dr van de Schootbrugge.

“Our finds show that the group that was supposed to co-evolve with flowers is actually much older.”

(13) REEL STINKERS. ComicMix’s Arthur Martinez-Tebbel looks back on the worst of the year in “Box Office Democracy: Bottom 6 Movies of 2017”. At the very bottom is —

  1. Valerian and the City of a Thousand Planets

If this was just about wasted potential, Valerian would easily be on the top of this list.  There are five worse movies this year but none of them have a fraction of the visual artistry displayed here by Luc Besson.  Valerian has some of the best design I’ve seen in a movie all year and two of the most inventive chase sequences maybe ever.  It also features a terrible script that meanders forever over trivial nothing and merrily skips past dense plot without a moment for inspection.  I loved watching the action but I never really understood why any of it was going on.  Toss on top some of the worst chemistry I’ve ever seen between an on-screen couple (and honestly maybe Dane DeHaan isn’t ready to be a leading man) and this is an unpleasant movie to watch at any volume above mute.

(14) BURROWER DOWN UNDER. Introducing Vulcanops jennyworthyae – “Giant bat: Remains of extinct burrowing bat found in New Zealand”

The fossilised remains of a giant burrowing bat that lived in New Zealand millions of years ago have been found on the country’s South Island.

The teeth and bones of the extinct bat were found to be three times the size of an average modern bat.

The bat, which weighed around 40g (1.41oz), not only flew but also scurried about on all fours looking for food.

The remains were recovered from ancient sediments near the town of St Bathans.

(15) ALTERED CARBON. Netflix has released Altered Carbon Official Trailer # 3.

In the distant future, human consciousness can be digitized and downloaded into different bodies. Brought back to life after 250 years by Laurens Bancroft (James Purefoy) the richest man on Earth, ex-Envoy soldier Takeshi Kovacs (Joel Kinnaman / Will Yun Lee) must solve Bancroft’s attempted murder for the chance to live again in a world he doesn’t recognize. Altered Carbon debuts exclusively on Netflix February 2nd, 2018.

 

(16) SCORCHED EARTH. The Official Trailer –

The planet has suffered an environmental collapse; the air became dangerous to breathe, the water became toxic, and billions of people died. Generations later, mankind has finally re-established a rudimentary society, in an attempt to pick up the pieces that continue to blister in the sun. Attica Gage (Gina Carano) is a bounty hunter with a chance at the bounty of a lifetime: to bring down the ruthless outlaw, Elijah Jackson. Gage infiltrates Jackson’s gang, and everything is going to plan until she meets a slave girl who reminds her of her dead sister. With her loyalty to only herself now tested, Gage learns that there might be more to life than just survival.

 

[Thanks to Michael J. Walsh, JJ, John King Tarpinian, Mark Hepworth, Martin Morse Wooster, Carl Slaughter, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]