Pixel Scroll 6/16/21 No One Is Born A Pixel, Except In A French Scroll Where Everyone Is

(1) FANTASY ART EXHIBIT AND SYMPOSIUM. The “Enchanted” fantasy art exhibit opened at the Norman Rockwell Museum in Stockbridge, MA last weekend:

Donato Giancola: St. George and the Dragon (2010)

Enchanted: A History of Fantasy Illustration explores fantasy archetypes from the Middle Ages to today. The exhibition will present the immutable concepts of mythology, fairy tales, fables, good versus evil, and heroes and villains through paintings, etchings, drawings, and digital art created by artists from long ago to illustrators working today. Mythology explores the adventures of Apollo and Thor, Perseus rescuing Andromeda with the head of Medusa, and the labours of Hercules; fairy tales depict the worlds of elves, fairies, and mermaids, and conjure dreams of Little Nemo in SlumberlandAlice in Wonderland, and Cinderella; heroes and villains follow the exploits of Arthurian legends, Prince ValiantConan the Barbarian, and The Lord of the Rings; and haunting images of sorcerers and witches, and battles between angels and demons embody the struggle between good and evil.

James Gurney has a report on his site Gurney Journey “Fantasy Art Exhibition Opens in Massachusetts” – including photos from the artists’ reception.

… Rather than setting up the exhibit chronologically, curator Jesse Kowalski arranged it thematically, with rooms full of new and classic paintings devoted to mythic themes, such as dragons, faeries, mermaids, and monsters. ….

This weekend they’re holding an on-line symposium: “Enchanted: Epic Adventures in Fantasy Illustration” with opening remarks from Sara Frazetta, granddaughter of Frank Frazetta, and two artist panels. RSVP at the link – there is a charge.

Artist Panel One: The Frazetta Legacy in Contemporary Fantasy Illustration: A Family of Artists

Julie Bell, Boris Vallejo, Anthony Palumbo, and David Palumbo are gifted artists who have been inspired by the notable legacy of fantasy and science fiction illustrator Frank Frazetta. This panel will explore their art, their position as the first family of fantasy illustration, and the creative and technical approaches that has inspired the acclaim and admiration of many fans.

Artist Panel Two: The Epic Fantasy Adventure

The rich histories relayed by the storytellers, writers, artists, historians, and philosophers have helped to define epic adventures and fantastical characters through time, from The Epic of Gilgamesh in 2100 BCE to the dynastic rivals of The Game of Thrones. Alessandra Pisano, Donato Giancola, and Gregory Manchess will discuss their work as well as the fantasy narratives that have inspired it.

(2) TWO NGHI VO INTERVIEWS. “Nghi Vo gets the green light” – a Q&A conducted by Noah Fram at Bookpage.

When F. Scott Fitzgerald’s The Great Gatsby entered the public domain in 2021, it became free game for adaptation. But unfortunately for any future reimaginings of the iconic Jazz Age novel, it’s going to be hard to top Nghi Vo’s historical fantasy, The Chosen and the Beautiful.

Shifting narrators from Nick Carraway to Jordan Baker, Daisy’s best friend and a fan favorite, Vo adds even greater power to Fitzgerald’s depiction of the haves and have-nots of American capitalism by making Jordan the adopted Vietnamese daughter of a rich, white couple. We talked to Vo about Jordan’s idiosyncratic allure, the dangers of Hemingway and more.

The Chosen and the Beautiful is a stunning book in its own right, but I’m essentially obligated to ask: What led you to adapt The Great Gatsby and why did you choose this particular genre?
Well, I’m absolutely a fantasist, so of course I was going to write it as a fantasy, and plus, it’s just too much fun to miss. The ’20s were wild to begin with, and the temptation to imagine people drinking demon’s blood cocktails, trading faces and chasing ghosts was far too strong for me….

One of the challenges of adapting a widely known work of fiction is creating something new and vital on a well-established canvas. How did you go about finding spaces to add intrigue, twists and surprises, especially since your readers will most likely be familiar with the events of The Great Gatsby itself?
So in writing The Chosen and the Beautiful, I more than doubled Fitzgerald’s word count. This actually makes a lot of sense to me because when I went back to read The Great Gatsby, what I found from a mechanical perspective is that Gatsby is a brick of a book in disguise. Fitzgerald doesn’t spell things out so long as the reader walks away with the general point. There are a ton of spaces to explore in the original. The ones that stand out most significantly to me are the secret conversations Jordan Baker is canonically having with Jay Gatsby, the ones that actually set the whole thing into motion, but those are far from the only ones! (cough, lever scene, cough)…

The Los Angeles Daily News probes “How this queer ‘Great Gatsby’ remake finds magic in reimagining a classic novel”.

Nghi Vo was halfway through writing a novel about “a young woman who was raised by dead people” when her agent suggested she begin work on what would become the novel “The Chosen and the Beautiful.”

The book she had been writing is still on her computer. “I haven’t gone back to it yet,” says the Milwaukee-based author, whose previous works include the novellas “When the Tiger Came Down the Mountain” and “The Empress of Salt and Fortune.”

With “The Chosen and the Beautiful,” which will be published June 1 by Tor, Vo reimagines “The Great Gatsby” from the perspective of Jordan Baker, who in this version is a young, queer woman who was born in Vietnam and raised in White, American high society. Vo also incorporates elements of the fantastic in the story, aiming to make the story seem true even if it ventures into the unreal.

“Which means that this could absolutely never happen in the real world at all. It defies physics. It defies logic, but somehow, it’s still true,” she says on a recent phone call. “That’s the grail for me when it comes to writing.”…

(3) SF SPARKLE SALONS. Arizona State University’s Center for Science and the Imagination launched a new video series today: Science Fiction Sparkle Salons, hosted by Malka Older. The first episode features Karen Lord, Amal El-Mohtar, Arkady Martine, astrophysicist Katie Mack, and Annalee Newitz having a wide-ranging, informal conversation about a variety of issues in fiction and science, enhanced by factoids and graphics in the style of VH1’s “Pop-Up Video.”

(4) BRUSH UP YOUR INKLINGS. Brenton Dickieson tells “5 Ways to Find Open Source Academic Research on C.S. Lewis, J.R.R. Tolkien, and the Inklings” at A Pilgrim in Narnia.

… Therefore, partly in response to student need and partly to encourage great research by you, dear reader–who also may not have a university behind you–I thought I would feature some places where you will find open-access Inklings research beyond my little website.

5. Free Materials Among Print Journals

Finding the right open-source material is always a challenge. Even though I am a faculty member at several libraries, I am always using my networks to find things that I need. There are some resources that we use as go-to places for accessible research:

  • Open JSTOR and Artstor, offering tools for search for materials online and in partnership with the libraries where you do have access
  • Also check out Open Access On MUSE
  • DOAJ.org lists open-access journals and articles
  • Google Scholar, a weirdly dated but moderately helpful resource for materials where you have specific texts or search-words; it does not distinguish between reviews, articles, and other academic resources–though it does list most of what I’ve done in the last 10 years (not everything is linkable)
  • Google Books, deeply limited but sometimes quite helpful in searching a phrase or two or finding an outdated resource, and includes the Books Ngram Viewer–a visual history of term usage
  • Kindle Samples are a good way to get a sense of what books might be helpful in your research and often includes a copy of the introduction or preface
  • Universities usually archive their MA and PhD thesis and dissertations, though some may be embargoed; and check your national research resources: Canada, for instance makes all of their publicly funded major projects searchable (see here, where there were four dozen results each for “C.S. Lewis,” “Tolkien,” and “L.M. Montgomery”)

(5) BAD TO WORSE. Camestros Felapton advances the Sad/Rabid Puppy saga to May 2015 in “Debarkle Chapter 42: May”.

… April had been a mixed month for the public-relations campaign of the Sad Puppies. Their apparent victory in the nomination stages was more than the leaders had expected and the scale of the controversy was possibly more than they had planned for. Nevertheless, they had started as winners. Brad Torgersen had gained some sympathy after the error-prone Entertainment Weekly article (see chapter 41) had falsely claimed that the Sad Puppies had only nominated white men. After anti-Gamergate campaigner Arthur Chu had referred to Torgersen’s wife and child as “shields”[2], Torgersen compared himself to a prisoner in a gulag[3]. However, both Correia and Torgersen had used April to argue with George R.R. Martin and his posts about the Puppy campaigns. Correia, in particular, followed his normal style of internet argument in an attempt to discredit Martin’s characterisation of the Sad Puppies[4]. While their responses pleased their followers, they reacted to Martin’s posts on “Puppygate” as if he were a major opponent rather than a potential ally in opposing the No Award Strategy[5].

The Sad Puppy campaign needed to start May with some positive presentation of their views. Unfortunately, things quickly went badly wrong….

(6) ROWLING REP’S NEW LITIGATION REVEALS OLD SETTLEMENT AMOUNT. A lawsuit in the UK has led to the discovery that Neil Blair at The Blair Partnership paid his former employer Christopher Little £10 million as a settlement fee in January 2012 after Blair set up his own agency in 2011 and took over representation of J.K. Rowling. Blair borrowed the money for the lump sum payment from Rowling herself. “Revealed: £10m payout for Harry Potter agent after Rowling fallout” at Evening Standard.

The only previous report of the settlement, in the Daily Mail in 2012, was based on a statement from reputation and crisis-management firm Project Associates indicating the parties had settled for an unspecified amount “believed to be worth millions of pounds.”

Publishers Lunch says Blair is now suing his former accountant, alleging negligence “in connection to advice relating to the restructuring of his business,” apparently related to tax treatment of that settlement payment to Little.

(7) DON’T TICK HIM OFF. “Q returns in time-hopping teaser” for Picard Season 2. (Can Federation time be broken any worse than it is in my comments software?)

In celebration of “Picard Day” (named for the celebration thrown on the Captain’s behalf by the children of the Enterprise-D back in the Next Generation days) on Wednesday, Paramount+ released the first intriguing teaser for Star Trek: Picard Season 2, and in the process set up a confrontation we’ve long been waiting for. The series has already revealed that the great John de Lancie will reprise his role as the enigmatic Q for Season 2, but that doesn’t stop the goosebumps when he finally appears, looking as mischievous as ever as he prepares to put Picard through yet another test. It seems all of time is broken, and Jean-Luc and his crew may be our only hope of putting it back together.

(8) MEMORY LANE.

  • 1996 — Iain M. Banks wins the BSFA for Excession, a Culture novel, published by Orbit Books. It would be his second genre Award and last English language genre Award for a novel following garnering another BSFA Award for Feersum Endjinn, one of four SF novels that he wrote that’s not set in the Culture, the others being The AlgebraistTransition and Against a Dark Background.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 16, 1894 — Mahlon Blaine. Illustrator who’s largely of interest here for his work on the covers of the Canaveral Press editions in 1962 of some Edgar Rice Burroughs editions. He told Gershon Legman who would put together The Art of Mahlon Blaine “that he designed the 1925 film, The Thief of Bagdad, but Arrington says that his name doesn’t appear in any of the published credits.” He also claimed to have worked on Howard Hawks’ Scarface, but IMDB has no credits for him. (Died 1964.)
  • Born June 16, 1896 — Murray Leinster. It is said that he wrote and published more than fifteen hundred short stories and articles, fourteen movie scripts, and hundreds of radio scripts and television plays. Among those was his 1945 Hugo winning “First Contact” novella which is one of the first (if not the first) instances of a universal translator in science fiction. So naturally his heirs sued Paramount Pictures over Star Trek: First Contact, claiming that it infringed their trademark in the term. However, the suit was dismissed. I’m guessing they filed just a bit late given the universal translator was used in Trek prior to that film. (Died 1975.)
  • Born June 16, 1939 — David McDaniel. A prolific writer of The Man from U.N.C.L.E. novels, penning seven of them with such names as The Vampire Affair and The Hollow Crown Affair. He also wrote a novel for The Prisoner series, The Prisoner: Number Two. As a fan, he was quite active in LASFS, serving as its Director, writing various APAs and is remembered as a “Patron Saint” which is to say he financially support the a Club. (Died 1977.)
  • Born June 16, 1920 — T. E. Dikty. One of our earliest anthologists and publishers. At Shasta Publishers, with E. F. Bleiler, he published the first “Best of the Year” SF anthologies, The Best Science Fiction, which ran from 1949 until 1957. He did a handful of later anthologies. He also edited two issues of Fantasy Digest in 1939, and as the editor of Tenth Anniversary Program of World Science-Fiction Convention. (Died 1991.)
  • Born June 16, 1940 — Carole Ann Ford, 81. Best known for her roles as Susan Foreman in  Doctor Who, and as Bettina in  of The Day of the Triffids. Ford appeared in the one-off 50th-anniversary comedy homage The Five(ish) Doctors Reboot.
  • Born June 16, 1957 — Ian Buchanan, 64. Best remembered as Dick Tremayne on Twin Peaks. He’s done one-offs on the first Flash series, Quantum Leap, voice roles on GargoylesBatman: The Brave and the BoldBatman Beyond and Justice LeagueCharmed and Stargate SG-1
  • Born June 16, 1962 — Arnold Vosloo, 59. His best remembered role is as Dr. Peyton Westlake / Darkman in Darkman II and Darkman III, andImhotep inThe Mummy and The Mummy Returns. He’s done several notable voice roles, first as Black Adam in Shazam!: The Return of Black Adam, and Abin Sur in Green Lantern: Emerald Knights
  • Born June 16, 1972 — Andy Weir, 49. His debut novel, The Martian, was later adapted into a film of the same name directed by Ridley Scott. He received the Astounding Award for Best New Writer. His next two novels are Artemis and Project Hail Mary. Intriguingly, he’s written one piece of Sherlockian fan fiction, “James Moriarty, Consulting Criminal“ which is only available as an Audible audiobook. 

(10) COMICS SECTION.

  • Bizarro shows two well-known comics antagonist trying to shrink their problems.
  • Tom Gauld’s cartoon, one fan claimed, is what attending this year’s ConFusion Eastercon was like. (Click on image.)

(11) BOOSTING GRAPHIC NOVELS IN LIBRARIES. [Item by Michael Toman.] Am pleased to report that the Overbooked (Overwhelmed?) Undersigned has had a pretty good success rate with his “Suggestions for Purchase” for Graphic Novels at all of the local Los Angeles area libraries where he has cards over the years. Would be delighted to have more Interested Library Users get involved, too! “Libraries Look to Sustain Surge in Graphic Novels” reports Publishers Weekly.

…In February, the GNCRT accomplished one of its key goals with the release of the first Best Graphic Novels for Adults list. Nominations were taken throughout 2020, and the final list includes more than 50 titles. It’s a big achievement because adult librarians have traditionally been reluctant to start graphic novel collections and have had the burden of starting to build them from scratch with fewer resources than children’s librarians.

“The adult list was needed, because adult librarians are among the last holdouts of librarians who don’t want to buy graphic novels,” Volin says. “This list has been incredibly helpful for librarians who don’t know anything about the format and who rely on selection lists, or for librarians limited by their collection policy to only purchase things that have been reviewed positively. A book showing up on a selection list like this almost guarantees that they’re going to be able to purchase it.”

Matthew Noe, lead collection and knowledge management librarian at Countway Library at Harvard Medical School and incoming president of the GNCRT, helped launch the adult graphic novel list. He has already seen displays at his local libraries with books from the 2020 list. He confirms that this is a big step for recognizing the category within libraries. “We harp on the legitimacy thing all the time, but this lends some weight to the medium,” he adds….

(12) KNOCK ON SPOCK. [Item by Martin Morse Wooster.] In the June 12 Financial Times, Tim Harford discusses Julia Galaf’s The Scout Mindset, which has extensive discussion about Spock.

Spock’s model of other minds is badly flawed.  For example, in an early ‘Star Trek” episode, ‘The Galileo Seven’. Spock and his subordinates have crashed a small ship and face hostile aliens who kill one crew member. Spock decides to deter any future attacks by firing warning shots.  The aliens respond not by retreating in fear, but by attacking in anger, killing another member of the crew.

‘Most illogical reaction,’ comments Spock. “(When) we demonstrated our superior weapons, they should have fled…I’m not responsible for their unpredictability.’

To which Dr  McCoy   rages in response:  ‘They were perfectly predictable, to anyone with feeling.’

Spock is not being rational here, but the problem is not that he lacks feeling, rather he lacks the capacity to learn from experience.  He should have realised aggression is often met with aggression.

(13) MOVING UP TO THE WEST SIDE. New York YIMBY specializes in eye-catching architecture, like this eye-catching plan for some Manhattan condos.

…“Era is unlike any building on the Upper West Side with its unique cantilever structure that was developed to provide spacious residential layouts with various exposures to maximize fresh air and natural light, a collection of luxury amenity offerings, and a rooftop complete with a rare outdoor pool and expansive views of the Hudson River and Manhattan skyline,” said Omri Sachs, co-founder of Adam America Real Estate.

(14) THE DINO EGG IS IN THE MAIL. “Italian Customs Authorities Seized a Dinosaur Egg Hidden In a Package” reports Vice.

Italian authorities discovered an authentic fossilized dinosaur egg during a routine customs check, the Customs and Monopolies Agency announced on Sunday. 

In a Facebook post, authorities said that the egg had been found at Milan Bergamo Airport in Northern Italy in a package sent from Malaysia. A video embedded in the post appears to show a large and strikingly intact, pasty-colored egg. 

“Even dinosaurs pass through customs,” the Facebook post reads. “As part of [customs] checks on e-commerce goods aimed at fighting the illegal import of goods, we found an authentic fossil egg embedded in a rocky sediment inside a package […] This discovery was accompanied by a certificate of origin with dubious authenticity issued by an organization which was later found to be non-existent.”… 

(15) THE TITLE IS ACCURATE. Old West meets magic in Wizard With a Gun, a multiplayer survival adventure game announced at Devolver’s MaxPass+ showcase. Wizard With a Gun is coming to Nintendo Switch and PC in 2022.

(16) THEY FORGOT TO DUST. “Mystery of Betelgeuse’s dip in brightness solved”European Southern Observatory has the details. [Hat-tip to Paul Weimer.]

Betelgeuse’s dip in brightness — a change noticeable even to the naked eye — led Miguel Montargès and his team to point ESO’s VLT towards the star in late 2019. An image from December 2019, when compared to an earlier image taken in January of the same year, showed that the stellar surface was significantly darker, especially in the southern region. But the astronomers weren’t sure why.

The team continued observing the star during its Great Dimming, capturing two other never-before-seen images in January 2020 and March 2020. By April 2020, the star had returned to its normal brightness.

“For once, we were seeing the appearance of a star changing in real time on a scale of weeks,” says Montargès, from the Observatoire de Paris, France, and KU Leuven, Belgium. The images now published are the only ones we have that show Betelgeuse’s surface changing in brightness over time.

In their new study, published today in Nature, the team revealed that the mysterious dimming was caused by a dusty veil shading the star, which in turn was the result of a drop in temperature on Betelgeuse’s stellar surface.

Betelgeuse’s surface regularly changes as giant bubbles of gas move, shrink and swell within the star. The team concludes that some time before the Great Dimming, the star ejected a large gas bubble that moved away from it. When a patch of the surface cooled down shortly after, that temperature decrease was enough for the gas to condense into solid dust.

“We have directly witnessed the formation of so-called stardust,” says Montargès, whose study provides evidence that dust formation can occur very quickly and close to a star’s surface.

(17) TIME ENOUGH FOR ROVE. [Item by Mike Kennedy.] A new simulation claims to show that even taking slow ships there has been far, far more than enough time since the era of galactic formation for an advanced civilization to spread throughout a Milky Way sized galaxy. Gizmodo has the story: “Aliens Wouldn’t Need Warp Drives to Take Over an Entire Galaxy, Simulation Suggests”. At the link you can see a video clip.

…A simulation produced by the team shows the process at work, as a lone technological civilization, living in a hypothetical Milky Way-like galaxy, begins the process of galactic expansion. Grey dots in the visualization represent unsettled stars, magenta spheres represent settled stars, and the white cubes are starships in transit. The computer code and the mathematical analysis for this was project were written at the University of Rochester by Jonathan Carroll-Nellenback. Astronomer Adam Frank from the University of Rochester also participated in the study….

(18) VIDEO OF THE DAY. In “Honest Game Trailers: Biomutant” on YouTube, Fandom Games says Biomutant is an example of the rare “cute furry animals with guns” genre where the protagonist is “basically Sid from the Ice Age movies as a mass murderer.”

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Arnie Fenner, Daniel Dern, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day David Shallcross.]

Art of the Fantastic Exhibit
Coming to Allentown

Star Wars by Jim Steranko

An ambitious showcase of contemporary fantastic art will run June 3-9 at the Allentown Art Museum of the Lehigh Valley. Art at the Edge: Art of the Fantastic will feature works by James Gurney, Greg Hildebrandt, Paul Lehr, Jim Steranko and others.

The exhibition’s guest curators, Patrick and Jeannie Wilshire, fantastic art has been around since man has “been able to make meaningful marks on permanent materials.”  They go on to say that, “Ancient artwork is rife with narrative depictions of gods, monsters, shining deeds and things crawling from dark shadows.”

A press release asserts this “will not only be the most comprehensive exhibition of fantastic art to date, it will also be the first time that this discipline has been presented on such a large scale.”

I wonder if they’ll make good on that boast? This will have to be quite an event to surpass Alex and Phyllis Eisenstein’s Classics of Science Fiction Art at Chicago 2000, which presented works by Ed Emshwiller, Frank Kelly Freas, Edd Cartier, John Schoenherr, Ed Valigursky, Richard M. Powers, Mel Hunter, Wallace Wood, H. R. van Dongen, and others.

[Thanks to Andrew Porter for the story.]

Thomas Kinkade (1958-2012)

James Gurney (left) and Thomas Kinkade (right) at work on Ralph Bakshi's "Fire and Ice."

Thomas Kinkade, “The Painter of Light,” died at home in Los Gatos, California on April 6. He was 54. A family spokesman said death was apparently due to natural causes.

Kinkade was among the most commercially successful artists in the history of America, selling his work in malls and earning tens of millions of dollars. Nothing in his work suggests his career ever intersected with the sf & fantasy genres – yet not only did it intersect, his brief work in the genre had a big impact on the success that followed.

Kinkade and James Gurney, of Dinotopia fame, roomed together as freshmen at UC Berkeley in 1976. Both later attended the Art Center College of Design in Southern California. And in 1982 they were hired together to paint backgrounds for Ralph Bakshi’s animated movie Fire and Ice.

In between, the two spent a summer crossing the country on freight trains, paying their way by making sketches of bar patrons and doing house portraits for $10.

They would stop by pubs and start out by sketching the bartender. Thom would give the sketch to the barkeep and ask if he could paint the patrons that came in. The bartenders usually said yes and Thom would set-up at the end of the bar with a jar and a sign that read, “Sketches – $2.00”. People enjoyed the sketches so much that Thom and Jim thought it would be a great idea to teach people how to sketch. So they said, “Let’s write a book”. One night they spent hours on the pier above the Hudson River and banged out what became “The Artist’s Guide to Sketching”.

Having finished the book, the two applied for jobs at Bakshi Studios. They made “hundreds of scenes of jungles, volcanoes, swamps, and forests in which the rotoscope cel-animated characters” performed. These all had to match the style of artist Frank Frazetta, the movie’s co-producer.

Kinkade’s web biography says “This intensive period of work for the movie business may well have been the genesis of Kinkade’s mastery of pictorial lighting effects.”

Can you imagine? The Artist of Light got his inspiration from working for the artist of Conan.

[Thanks to Michael Walsh for the story.]