Pixel Scroll 5/15/18 Pixel sCrola. It’s The Refreshing Cola With The Scrolling Taste You Love!

(1) ENCHANTED PORCH. Comics writer Gail Simone found something unexpected with the rest of the deliveries on her porch. Hilarious thread – starts here.

(2) HIDING INSIDE CHUCK TINGLE? The actor, appearing in disguise on a South Korean TV show, let people discover “Deadpool star Ryan Reynolds is a surprisingly great singer”.

Deadpool is a natural performer, the superhero that’s as good at wisecracking as he is at battling villains. So it shouldn’t come as a big surprise that Deadpool actor Ryan Reynolds can not only act, he can sing like a rock star.

While promoting Deadpool 2 in Asia, Reynolds entered a singing competition on Korean TV while dressed liked a unicorn.

 

(3) DOESN’T GET BETTER THAN THIS. Ansible Links pointed to the amazing cover design for Oregan Publishing’s Kindle edition of Lovecraft’s The Shadow Over Innsmouth, released May 7.

(4) UNSUBTLE. NPR’s Glen Weldon on new releases: “‘Solo’ Makes The Jump To Light-Speed … Eventually”.

…You get the picture: Should you harbor burning questions about infinitesimal details of Han Solo’s backstory that are entirely and hilariously immaterial to the Star Wars saga’s broader tale, or if you’re prepping for a Han Solo-themed pub quiz, know that fan service doesn’t get more serviceable than Solo: A Star Wars Story.

For everyone else: Donald Glover’s Lando is really, really smooth and funny!

Inasmuch as Solo is, expressly and unambiguously, an origin story, it contains numerous winks to the more well-versed members of the audience (as when a character demands of Han, “Do you know what it’s like to have a price on your head?” har har har). Actually, wink implies subtlety — which is not, for director Ron Howard and screenwriters Jonathan and Larry Kasdan, a going concern….

(5) IN HOT TRIVIAL PURSUIT. NPR’s Glen Weldon has also taken in the weekend’s other blockbuster release: “Grim ‘N’ Gritty Is Out, Glib ‘N’ Smarmy Is In: ‘Deadpool 2′”.

…There are, it is only fair to note, actual jokes in Deadpool 2 — sincere, crafted, legitimately funny gags that are clearly the product of human thought and loving effort. There’s … not a lot of those, but they’re there if you look, and should you happen across one, it will very likely delight you.

Because what’s taking up most of the room that would otherwise be occupied by jokes in Deadpool 2‘s screenplay are those many, many, many references.

It’s Family Guy: The Movie.

Or, technically I suppose, it’s Family Guy 2: Here Are Some More Mentions Of Other, Tangentially Related Things You Recognize And Like.

… And it’s gonna make a kabillion dollars….

(6) BBC DEADPOOL ROUNDUP. The BBC also finds a mixed bag: “Deadpool 2: What the critics thought”.

Many have welcomed the return of Reynolds’ wise-cracking vigilante and his X-Force team, but it wasn’t all five-star reviews.

Some felt that while the sequel stayed true to its predecessor’s style of quickfire edgy jokes and send-ups of the superhero genre, it was starting to feel a bit cynical….

(7) VORKOSIVERSE. The cover was just revealed at Lois McMaster Bujold’s Facebook page.

(8) EARTHSEA. The Verge’s Andrew Liptak, in his art-filled post “This illustrated collection of Ursula K. Le Guin’s Earthsea books finally does the series justice”, says The Books of Earthsea will be in stores October 23.

Saga Press’ editorial director Joe Monti tells The Verge that the project was something he wanted to do from “day one,” when he joined Simon & Schuster’s Saga Press in 2013. Last November the imprint released several collected editions of the late author’s work under his supervision. (Library of America likewise released an omnibus edition of some of her work with The Hainish Novels & Stories, Volume One and Volume 2 last year, as well.) While they had long wanted to tackle a comprehensive volume of Le Guin’s Earthsea stories, something in the vein of the many omnibus editions of Tolkien’s Lord of the Rings, Monti says that “Ursula was reticent” to the idea, having “been burned over the last several of decades” by creative partners that never listened or accepted her creative vision.

(9) TODAY IN HISTORY

  • May 15, 1968 Witchfinder General with Vincent Price is released.

(10) COMICS SECTION.

  • Mark Hepworth spotted this horrific vision:

(11) CORREIA. Larry Correia expanded on yesterday’s Facebook statement in today’s blog post at Monster Hunter Nation: “Statement Concerning My Being Disinvited as the Guest of Honor for Origins Game Fair” [Internet Archive}. This included a fresh spin about Sad Puppies:

…Up next, there was much outrage about how I was a Sad Puppy. Correction, I was the original Sad Puppy, and I’m proud of that. Now, the way these people portray it, this was my evil scheme to rig the sainted Hugo awards, to get myself an award, and to also simultaneously keep women and minorities out of publishing.  Which is ironic, since by “rig” they meant I got more fans to participate in the voting, I turned down my nomination, and since the other people I got nominated included a bunch of women and minorities (as well as authors of various sexual orientations and belief systems) I must really suck at this bigotry thing. But keep in mind, the people slandering me over Sad Puppies are the same folks who the year before hailed 14 white liberals and 1 Asian liberal winning as a huge victory for diversity.

In reality, it was my attempt to demonstrate that the Hugo awards were not in fact an award to represent all of fandom, but were actually extremely politically biased, and dominated by a few small insular cliques. They went out of their way to prove I was right….

(12) INDUSTRY INSIDERS. Posted on Reddit, this is reportedly the text of a message sent by John Ward, Executive Director of Origins Game Fair, to the Game Manufacturers Association:

(13) A PIUS FINN. Declan Finn recommended some ideas for harassing Ward in “Correia was Ringoed”.

…Though to be honest, I was sort of surprised this even worked once, on Ringo. He’s a bestselling author. He doesn’t need the PR by going to cons. He goes to have fun and hang out. Larry too is also at the level where con appearances can only help the con, not himself.

But hey, it makes the SJWs feel good. It makes them think that they’re getting something done. I suppose that pointing out to people that this will only force Larry to have more free time is a waste of time.

Now, I’m not going to suggest sending an email to GoDaddy about how the originsgamefair.com site is being used by John Ward to defame Larry Correia.

….Though you can email at abuse@godaddy.com, and send something like, oh, I don’t know….

(14) CRITICAL CORRESPONDENCE. Jason Cordova’s post “Origins” quoted the entirety of his letter to John Ward, which says in part:

…Mr. Correia had always shown grace, been polite, and worked with the concom of every convention he has attended. Those who seek to discredit and destroy him are abusing the rules of your convention in a manner which they were not meant for and raising enough of an outcry that your convention, undoubtedly, feels compelled to respond to. Unfortunately, instead of speaking with Mr. Correia, it appears that you have reacted in a manner which can only be described as “knee-jerk”. You have allowed concern trolls to dictate your guest list while alienating you from a fan base which both pays to see their favorite author and supports other commercial endeavors at conventions as well.

Conventions such as Origins are supposed to be for all fans. However, with outward appearance of appeasement to the vocal minority who seek to undermine all of Mr. Correia’s hard work as well as alienate his fan base from any future conventions you might host, it behooves me to suggest that you are hurting nobody but yourselves with this move….

(15) VOICE OF VOX. Vox Day’s reaction “Larry Correia banned from Origins” [Internet Archive] largely consists of quotes:

This is almost unbelievable. SJWs are running completely amok.

[Screencap of John Ward’s FB announcement]

It just goes to show that they will come for you eventually, no matter how minor your offenses against the Narrative may be.

[Text of Larry Correia’s original response (without expanded text linked above)]

One gets the impression that Larry is simply too worn out with the Culture War to feel like fighting the SJWs anymore. And, let’s face it, like John Ringo, he is too independently successful for their antics to do him any real harm. For now, anyhow.

(16) INTERNET TOXICITY. James Patrick Kelly made these posts at the end of February. I spotted them while doing some Google searches today.

It was possible at the time to read this as a tongue-in-cheek PR stunt that failed, since despite Correia’s lobbying, Monster Hunter Legion did not make the Hugo ballot. However, the next year he returned with reinforcements, birthing the insurgency known as the Sad Puppies. (The self-deprecating name refers to this ASPCA commercial www.youtube.com/watch?v=IO9d2PpP7tQ. It’s meant to compare pulp writers who provide entertainment to the masses, but get no recognition, to abused pets.) Not only did Correia have a new novel to flog, but he also posted a slate www.monsterhunternation.com/2014/03/25/my-hugo-slate of twelve works of fiction and non-fiction that he urged his Puppy minions to nominate. As an act of provocation, he included a novelette by one Vox Day, a pseudonym for a notorious internet troll www.time.com/4457110/internet-trolls named Theodore Beale. As Correia blogged, “. . . one of my stated goals was to demonstrate that SJWs would have a massive freak out if somebody with the wrong politics got on. So on the slate it went. I nominated Vox Day because Satan didn’t have any eligible works that period.” What’s a SJW, you ask. Wikipedia explains http://en.wikipedia.org/wiki/Social_justice_warrior: “‘Social justice warrior” is a pejorative term for an individual promoting  socially progressive views, including feminism, civil rights, multiculturalism, and identity politics.”

A follow-up installment, “Troll Bridge”, takes a broad look at internet culture:

In 2018, the challenge of internet governance looms large. Last year the Pew Research Center www.pewinternet.org issued a report called The Future of Free Speech, Trolls, Anonymity and Fake News Online www.pewinternet.org/2017/03/29/the-future-of-free-speech-trolls-anonymity-and-fake-news-online. The researchers asked 1,537 technology experts, scholars, corporate practitioners, and government leaders, “In the next decade, will public discourse online become more or less shaped by bad actors, harassment, trolls, and an overall tone of griping, distrust, and disgust?” Forty-two percent of the respondents said they expected no major change for better or worse in our current troubling online culture, while 39 percent thought that the next decade would see even more negative activity. Just 19 percent were hopeful that online interactions would be “less shaped” by harassment, trolling, and distrust.

These experts were invited to expand on their replies by considering how social media might evolve. Are there technologies on the horizon that might discourage trolling and encourage inclusive behaviors? How might these solutions impact free speech?

Their extended responses are well worth a look, although they fill some eighty pages in the PDF version, and, alas, reach no consensus. They fall into four broad themes.

(17) HOW’S YOUR SPANISH? Morgan Blackhand’s Spanish-language blog post “Polémica en la Origins Game Fair” is highly critical of Correia and complimentary towards Origins Game Fair’s decision to revoke his GoH invite.

(18) HOW’S YOUR ENGLISH? Meanwhile, Mad Genius Club’s Amanda S. Green defends and praises Larry Correia at length in “It is time to fight back”  [Internet Archive.]

…Now, how many problems can you see with this statement by John Ward? I see a number. First, it is all about him. He didn’t know. He wasn’t aware. He felt it necessary re “recend” Larry’s invitation. No mention that he discussed it with the rest of those folks involved with the running of the con. No mention that he did due diligence ahead of time to see who his guest of honor was or what he did. Note also there is no mention of the fact Larry is an avid gamer. Nope, Ward was told Larry was a bad man and knee-jerked his reaction. Now he is running and hiding and refusing to answer simple questions like “exactly how are Larry’s views specifically unaligned with the philosophy” of the con?

I find it amazing Ward could issue this statement within an hour or so of first announcing Larry would be GoH and then the revocation of his invite and yet he couldn’t be bothered to answer the many questions about why?

Oh, there’s more.

Even as the con removed the thread on their Facebook page about Larry, they left this thread up. [Now removed] For those not wanting to go there, here’s the image you need to be aware of.

Now, if you had seen this yesterday before Larry was uninvited, his name would have been included as one of the tagged authors. In fact, if you look at the book cover, you see him listed as the third author. So the con has no problem making money off of him. He’s just not good enough to attend their con. Needless to say, there are a number of folks asking how long before this image is changed as well, possibly with the con organizers blacking out Larry’s name or even asking for volunteers to help tear out the pages on which his story is printed. After all, we mustn’t risk letting his annoying and dangerous ideas out into the gaming public.

(19) MORE PRO-CORREIA RESPONSE. Victory Girls Blog begins “Origins Game Fair Caves to SJZ Brownshirts” like so:

The usual purple-haired, hairy armpitted, androgynous, “mayonnaise is a gender,” social justice landwhales swung into action, whining about how upset they were that Larry was invited as Guest of Honor. They maligned him as a racist (he’s actually a person of color), misogynist (despite the fact that Larry spent years teaching self defense to women), they claimed he was a terrible, awful person who made them feel unsafe (even though Larry has attended numerous conventions, and by every account was charming, bright, funny, friendly, and polite), and they demanded that Origins rescind the invitation, because SAD PUPPIES!

[Thanks to John King Tarpinian, Rev. Bob, Mike Kennedy, Cat Eldridge, Chip Hitchcock, JJ, Martin Morse Wooster, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Camestros Felapton.]

Pixel Scroll 4/11/18 Today’s Pixel Scroll Takes Place In An Alternate Universe Timeline!

(1) CITIZEN ROBOTS. Politico covers the latest legal uproar about robots:

Autonomous robots with humanlike, all-encompassing capabilities might still be decades away, but lawmakers, legal experts and manufacturers are already locked in a high-stakes debate about their legal status: whether it’s these machines or human beings who should bear ultimate responsibility for their actions. Last year, Luxembourgish MEP Mady Delvaux kicked a hornets’ nest when the Legal Affairs Committee suggested that self-learning robots could be granted some form of “electronic personality,” so they can be held liable for damage they cause if they go rogue….

No thanks: The opposition has galvanized. In a letter to the European Commission, seen by POLITICO, 156 artificial intelligence experts hailing from 14 European countries, including computer scientists, law professors and CEOs, warn that granting robots legal personhood would be “inappropriate” from a “legal and ethical perspective.” And as each side turns up the volume on its advocacy and lobbying, one thing is clear: Money is pouring into the field of robotics, and the debate is only set to turn louder.

See Janosch Delcker’s full story, “Europe divided over robot ‘personhood’”.

Think lawsuits involving humans are tricky? Try taking an intelligent robot to court.

While autonomous robots with humanlike, all-encompassing capabilities are still decades away, European lawmakers, legal experts and manufacturers are already locked in a high-stakes debate about their legal status: whether it’s these machines or human beings who should bear ultimate responsibility for their actions.

The battle goes back to a paragraph of text, buried deep in a European Parliament report from early 2017, which suggests that self-learning robots could be granted “electronic personalities.” Such a status could allow robots to be insured individually and be held liable for damages if they go rogue and start hurting people or damaging property.

Those pushing for such a legal change, including some manufacturers and their affiliates, say the proposal is common sense. Legal personhood would not make robots virtual people who can get married and benefit from human rights, they say; it would merely put them on par with corporations, which already have status as “legal persons,” and are treated as such by courts around the world.

This situation was anticipated decades ago by Alexis Gilliland’s character Corporate Skashkash in the Rosinante series.

(2) TOUGH SPOT. The commercial lives up to AdWeek’s promise: “This Film Festival’s Bleak, Intense Look Into the Future Will Leave You Feeling Frayed”.

As sure as the jacaranda trees bloom every spring in Southern California, the Newport Beach Film Festival launches a quirky, cinematic work of art to promote its weeklong event.

This year is no exception, with a beautiful and brutal 3-minute spot that looks like it could’ve been lifted directly from the mind of Ridley Scott. Instead, it’s the creation of director Jillian Martin, production company Untitled.tv and agency Garage Team Mazda in its first campaign for the festival.

“Quota: Who Made the Cut” centers on two beaten-down miners in space suits dangling by ropes from a massive, alien edifice, mining for crystal with hand drills and bad attitudes.

Are they the future’s exploited working class? Prisoners? They may be both. They’re certainly in competition with one another to find a mother lode of the precious substance and earn their way back home.

Their only respite from the bleak, oppressive scenario are VR memories from home now and again, which don’t so much provide the rest they need as remind them of the life they’re missing. Those vivid images they see in their fitful waking sleep—a lover with whip cream on a taut belly, for one—are both a tease and an incentive.

No wonder things get violent.

 

(3) SHIMMER PROGRAM. Steven H Silver’s SF Site News was first with the winners of the Shimmer Program’s stipends, Shi Ran (Sharon Shi) and Lin Jiayu (Mackenzie Lin), who each will get RMB 10,000 to attend and help staff Worldcon 76 in San Jose, California. Bios of the winners are available on Facebook at this link.

Mike Willmoth, Facilities DDH of Worldcon 76, and Yang Sumin, winner of Worldcon 75 Attending Funding & Media Event AH of Worldcon 75, worked as judges for the selection.

(4) JAMES PATRICK KELLY. Steven H Silver’s Black Gate series continues with “Birthday Reviews: James Patrick Kelly’s ‘Rat’”.

Kelly won the Hugo Award for his novelettes “Think Like a Dinosaur” and “1016 to 1.” His novella Burn won the Nebula Award as well as the Italia Award. His works have also been nominated for the Seiun Award, the Gaylactic Spectrum Award, the James Tiptree, Jr. Award, and the Theodore Sturgeon Memorial Award. He is the author most published in Asimov’s Science Fiction Magazine, with both fiction and a regular column appearing in the magazine.

(5) D’OH. This is the government’s best advice: “FCC On Hawaii’s Bogus Alert: Don’t Say ‘This Is Not A Drill’ During Drills”.

The Federal Communications Commission recommended on Tuesday that emergency workers drop the phrase “This is not a drill” when conducting emergency alert exercises.

A final report on a false missile alert, which left Hawaii residents fearing for their lives for 38 minutes, offered analysis on what went awry within the state’s emergency management agency and guidance on how to avoid more false warnings.

(6) PACIFIC RIMSHOT. The wheels on the jaeger go round and round…. “The World of Pacific Rim Uprising, A 360 Experience.”

(7) FOR TEN YEARS WE’VE BEEN ON OUR OWN. Marvel Cinematic Universe pays tribute to fans:

(8) FAMILY DRAMA. But it’s been a tough decade for Marvel’s iconic Stan Lee says The Hollywood Reporter: “Stan Lee Needs a Hero: Elder Abuse Claims and a Battle Over the Aging Marvel Creator”.

Back in early February, fighting what he later called “a little bout of pneumonia,” 95-year-old Stan Lee had an argument with his 67-year-old daughter, J.C. This was hardly unusual, but it seems to have been a breaking point.

The comic book legend — whose creative tenure at the helm of Marvel Comics beginning in New York in the early 1960s spawned Spider-Man, Black Panther and the X-Men and laid the foundation for superhero dominance in Hollywood that continues with the April 27 release of Avengers: Infinity War — sat in the office of his attorney Tom Lallas and signed a blistering declaration.

The Feb. 13 document, obtained by The Hollywood Reporter, begins with some background, explaining that Lee and his late wife had arranged a trust for their daughter because she had trouble supporting herself and often overspent. “It is not uncommon for J.C. to charge, in any given month, $20,000 to $40,000 on credit cards, sometimes more,” the document states. It goes on to describe how, when he and his daughter disagree — “which is often” — she “typically yells and screams at me and cries hysterically if I do not capitulate.”

Lee explains that J.C. will, “from time to time,” demand changes to her trust, including the transfer of properties into her name. He has resisted such changes, he states, because they “would greatly increase the likelihood of her greatest fear: that after my death, she will become homeless and destitute.”

(9) HOUSTON? This may not be what you remember when somebody mentions Apollo 13. Popular Science looks into the question: “Is a hot dog a sandwich? The Apollo 13 astronauts had some thoughts”.

During Apollo 13, Commander Jim Lovell settled the age old question of whether or not a hot dog is a sandwich in a communication with CAPCOM Joe Kerwin. Lovell did, however, screw up the question of “mustard or catsup” on a hot dog.

Jim Lovell (Commander): Hello Houston, Apollo 13.

Joe Kerwin (CAPCOM & Lead [White Team] Flight Director): Houston. Go ahead.

Lovell: Just a passing comment Joe, we’re having lunch right now and I just made myself a hot dog sandwich with catsup. Very tasty and almost unheard of in the old days.

Kerwin: That’s correct 13. As I recall the flight plan, you’re supposed to put mustard on the hot dogs and not catsup but I guess we’ll overlook that.

Jack Swigert (Command Module Pilot): We blew it.

Lovell: Right.

Kerwin: How’s everything going?

Lovell: About pretty good. We have about 4 different methods of spreading catsup, right now.

…but according to the book Apollo 13, co-written by the astronaut himself, the crew actually got quite a kick out of the frozen hot dogs, bouncing them off the walls of the cockpit.

The article has much more info about space cuisine, with the perhaps sad note that hot dogs are no longer on the menu for the International Space Station.

(10) ITS CUSTOMERS ARE PEOPLE! Gizmodo cheerful headline announces, “Good News, You Will Soon Be Able to Disrupt Eating Actual Food By Buying Soylent At Walmart”.

Per the Verge, Soylent’s maker Rosa Foods announced on Wednesday that it is bringing the signature brand of packaged, flavored sludge—which takes its name from the disheartening 1973 dystopian film Soylent Green, where it’s eventually revealed the product’s key ingredient is uh, “long pig”—to 450 Walmart stores across the country. Soylent CEO Bryan Crowley added in a statement that the move is “a significant step in providing more ways for consumers to get access to our brand,” expanding beyond its current placement in 7-Eleven stores.

[Thanks to JJ, John King Tarpinian, Steven H Silver, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, Nicholas Whyte, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day JJ.]

James Patrick Kelly & Jennifer Marie Brissett Read at the KGB Bar

By Mark L. Blackman: On the lovely autumn evening of Wednesday, October 18 (and as the Yankees were winning in the Bronx), the monthly Fantastic Fiction Readings Series hosted authors James Patrick Kelly and Jennifer Marie Brissett at its longtime venue, the doubly-aptly-named Red Room at the 2nd floor KGB Bar in Manhattan’s East Village. The gathering again seemed smaller than usual.

KGB Bar

The Series is characterized by its mix of well-established authors and newer writers quickly making a name for themselves, but the evening’s readers shared a noteworthy connection, aside from each having triple-barreled names. It turns out that Kelly was Brissett’s graduate mentor. “She passed,” he hastened to add.

The event opened, as customary, with Series co-host Matthew Kressel’s exhortation to support the Bar by buying a drink or two (and tip the bartenders) – “Support the Bar, support the Series” – and announcing upcoming readers:

  • November 15: Grady Hendrix and David Rice
  • December 20: N.K. Jemisin and Chris N. Brown
  • January 17: Joseph Helmreich
  • February 21: Cassandra Khaw and Peternelle van Arsdale

(All dates – other than December’s, which is a Saturday – are the third Wednesday of the month. Details and lineup well into 2018 are available at the Series website. He concluded by introducing the evening’s first reader.

Jennifer Marie Brissett, a Jamaican-British-American, is the author of Elysium, or The World After. She has been shortlisted for the Locus Award, the James Tiptree, Jr. Award, the storySouth Million Writers Award, and has won the Philip K. Dick Special Citation. Her short stories have appeared in Fantastic Stories of the Imagination, Lightspeed, Uncanny, The Future Fire, APB: Artists against Police Brutality, and other publications. She read from her next novel, Eleusis, the upcoming sequel to Elysium (she had just handed it in to her agent). The myth of Persephone and Demeter is “at the heart of the story,” she explained, before cautioning the audience about the ugly violence in her selection. In a post-apocalyptic future, the activities of a group of children, one of whom, Cora, has visions, is interrupted by the invasion of a rebel army. The boys, he declares, are now child soldiers, and the girls, including Cora, are raped; those resisting are summarily shot.

During the intermission, Kelly circulated, handing out print copies of his newsletter, Strangeways. Afterward, Series co-host Ellen Datlow assumed the podium and introduced Kelly, the second reader of the night.

James Patrick Kelly has won the Hugo, Nebula, and Locus awards for his works, among which are . Planet of Whispers, Look Into the Sun, Wildlife, Burn, “Think Like a Dinosaur” and “1016 to 1.” Additionally, he has edited several reprint anthologies with John Kessel, among them The Secret History of Science Fiction. His most recent publications are the novel Mother Go (“my first novel in twenty-something years”), an audiobook original from Audible (and an audio exclusive – there’s “no print edition for the foreseeable future”), and the career retrospective Masters of Science Fiction: James Patrick Kelly from Centipede Press. He also writes a column on the internet for Asimov’s Science Fiction Magazine.

“I love to read aloud,” he began, and “this is my favorite place to read.” Though he should have been “flogging” Mother Go (his editor was in the audience), he instead read “Yukui!” (pronounced U-Q-E), an (the) original story from his new collection (forthcoming in February from Prime), The Promise of Space. (“I used up my yearly allotment of exclamation points,” he quipped.) The titular character is a DI, directed intelligence, or sidekick, who calls herself Sprite for her avatar’s fairy body, in unrequited lust with her owner. As a result, she is, to her great dismay, transferred into a sexless shell or chassis, deprived of what she considered her destiny and given another. (Tongue firmly planted in cheek, he said that it’s “my Blade Runner story.”)

Copies of Brissett’s Elysium were for sale at the back of the room from the Word Bookstores of Greenpoint, Brooklyn (and Jersey City). (As it happens, “once in her life, a long time ago and for three and a half years,” she herself owned and operated a Brooklyn indie bookstore called Indigo Café & Books, which I confess apologetically never having visited.)

Prior to the readings, as usual, Datlow snapped photos of the readers and the audience. Her photos of the event may be seen at the Series website, http://www.kgbfantasticfiction.org/.

James Patrick Kelly and Mark Blackman

Pixel Scroll 9/4/17 Little Miss Muffet Sat On A Pixel. Along  Came A Scroll.

(1) YOUR 1962 HUGO WINNERS. The Traveler at Galactic Journey spent Labor Day Weekend in Chicago engaged in fandom’s favorite pastime of complaining about the Hugo winners, like that gosh-darned Heinlein novel, Stranger in a Strange Land: “[Sep. 4, 1962] Differences of opinion (the 1962 Hugo Awards!)”

This line-up shouldn’t shock me, given the pre-convention buzz, and yet it does.  Stranger has gotten a lot of attention, particularly from the mainstream edges of our fandom (probably because it dares to mention sex).  It has also earned its fair share of scorn.  It’s a lousy, preachy book, but if we’re judging by the sales, then it’s won its trophy, fair and square.

He hates Brian Aldiss’ winning works too! (Quick, the fainting cloths!)

I did give a Star to the first story in the Hothouse series, but the quality of the tales went down over the course of the publication.  I understand they were novelized early this year, so Aldiss may get another bite at the apple.  He doesn’t deserve it, though (the reviewer for UK sf digest, New Worlds, agrees with me).

(2) HANDMAID REX. Mari Mancusi saw something strange:

The handmaids were at the DragonCon parade. I’m a little concerned by the look of one of them…

(3) MORE SURPRISES. Here’s Atlanta Loop’s photos of the rest of the parade. Wait a minute – Jane Yolen was there?!?

Literary Guest of Honor and author of “The Devil’s Arithmetic,” Jane Yolen, waves to the crowd as she rides in the annual Dragon Con Parade. Photo: Jonathan Phillips

(4) SORRY, SON. Did you remember Indiana Jones has a son? Me neither. And no need to start remembering — Entertainment Weekly says “Indiana Jones 5 won’t feature Shia LaBeouf’s character”.

Will an Indiana Jones protege soon snatch the iconic wide-brimmed fedora from atop Harrison Ford’s head? Perhaps, but it won’t be Mutt Williams — a.k.a. Indy’s son, Henry Jones III — the character Shia LaBeouf played in 2008’s Kingdom of the Crystal Skull.

“Harrison plays Indiana Jones, that I can certainly say,” screenwriter David Koepp, who has penned a script for the fifth film in the storied Indiana Jones franchise, tells EW. “And the Shia LaBeouf character is not in the film.”

(5) EATING THE FANTASTIC. Scott Edelman invites everyone to “Chow down on Tortellini Carbonara with James Patrick Kelly” in Episode 46 of Eating the Fantastic.

James Patrick Kelly

James Patrick Kelly is a Hugo and Nebula Award-winning writer who recently published a career short story retrospective as part of the Centipede Press Masters of Science Fiction series. And had I not been turned down by the Clarion Science Fiction Writers Workshop in 1974, I might have shared a dorm room with him! (But don’t worry. I was accepted in 1979.)

We discussed the reason he needed to attend the Clarion Science Fiction Workshop twice—and why the rules were then changed so no one could do it again, the suggestion Kate Wilhelm made that saved one of his short stories, why his reaction to comics as a kid was “Marvel, yes, DC, feh,” how the science fiction field survived the Cyberpunk/Humanist wars of the ‘80s, why he takes an expansive view of fanfic, how Cory Doctorow inspired him to enter the world of podcasting early, what allows him and frequent collaborator John Kessel to work together so well, his advice for how writing 10 endings to a story in progress will help writers find the right ending, and more.

(6) GEEKWIRE. Frank Catalano returns with the second podcast in his GeekWire special series on science fiction, pop culture and the arts.

This time, I interview SFWA President Cat Rambo about the new game writer’s Nebula Award, consider the importance of awards in a crowd-sourced recommendation landscape, revisit the Puppies controversy in light of last month’s Hugo results (you’ll recall I wrote about the Puppies for GeekWire two years ago), and get some advice for wanna be writers.

The story (focused on the game writing Nebula) with a link to the full podcast is here: “Game writers to be honored with Nebula Award in first for professional science fiction and fantasy org”.

SFWA President Cat Rambo says the organization began admitting game writers as members last year, and announced a Best Game Writing award category for 2018 to cover works published this year.

“I would think that one of the things a Nebula imprimatur would mean for a game is that it is a game that really has some story to it,” Rambo said. “That it’s a game that can achieve that sort of immersive wonderful experience that only text can bring.”

Rambo, a Seattle writer who is in her second term as SFWA president, sat down with GeekWire for this episode of our new podcast series on science fiction, pop culture, and the arts. Rambo has written more than 200 short stories and been nominated for the Nebula and World Fantasy Awards. Her stories are most recently collected in Neither Here Nor There (Hydra House) and Altered America: Steampunk Stories (Plunkett Press)….

Catalano says, “I have to admit, I’m enjoying mining my science fiction writing background. (And I do provide a full disclosure disclaimer early in the podcast interview that I am a former officer of SFWA, and still-active member.)”

(7) NO BUCK ROGERS, NO BUCKS. The iconic sf character is only making money for lawyers right now: “‘Buck Rogers’ Ownership at Center of Coming Trial”. Two rival estates want those bucks for their own.

The lawsuit is between descendants of author Philip Francis Nowlan, who created the fictional space explorer in the 1920s, and descendants of John Flint Dille, whose newspaper company once syndicated a Buck Rogers comic strip. On Friday, a Pennsylvania federal judge wrote the latest chapter in a long-running contest over rights with a decision that sets up a forthcoming trial over ownership….

“Although the question of whether the commercial success of Buck Rogers owes more to John F. Dille or Philip F. Nowlan is surely of great interest to the parties, and to Buck Rogers fans, it is simply irrelevant to the trademark questions that the trier of fact must answer here,” writes the judge.

The first big trademark question is who had priority on “Buck Rogers.” Who came first to claim “Buck Rogers” as their own? Not Nowlan or Dille, but rather their respective trusts. The Dilles no longer have a valid federal registration, so they must establish prior use of the mark in a way sufficiently public to be identifiable in the minds of the public.

Beetlestone writes that “there is a genuine issue as to whether Plaintiff can establish priority of use in the BUCK ROGERS mark. It must be noted that it is not necessary for Plaintiff to trace its claim to the BUCK ROGERS mark back to John F. Dille or Philip F. Nowlan. Instead, Plaintiff need only point to evidence from which a trier of fact could conclude that it developed trademark rights in the mark prior to January 15, 2009.”

That’s the date the Nowlans filed an intent-to-use trademark application.

The judge notes that the Dilles held registrations on “Buck Rogers” in the 1980s and had licensed those rights for games, comics and books.

(8) CANDID GIZZARD. The BBC reports “Scientists have developed a camera that can see through the human body”.

Scientists have developed a camera that can see through the human body.

The device has been designed to help doctors track medical tools, known as endoscopes, during internal examinations.

Until now, medics have had to rely on expensive scans, such as X-rays, to trace their progress.

The new camera works by detecting light sources inside the body, such as the illuminated tip of the endoscope’s long flexible tube.

(9) BREW HAULER. A true fan: “German waiter smashes beer carrying record – again”. Video at the link.

Oliver Struempfel spent months of training to carry as many full one-litre mugs as possible for a distance of 40m.

(10) TODAY IN HISTORY

  • September 4, 1966 – Gene Roddenberry showed Star Trek’s “Where No Man Has Gone Before” at Tricon, the Worldcon in Cleveland, OH.
  • September 4, 1975 Space:1999 premiered in the U.S.

(11) COMICS SECTION. John King Tarpinian will remember why he recommended this one in a moment: Speedbump.

(12) SECOND VICTIM IDENTIFIED. The Atlanta Journal-Constitution has published the name of the second woman injured by chairs thrown from the Atlanta Marriott early Sunday morning during Dragon Con:

Jamie Temple-Thompson Amador, who was dressed as Jessica Rabbit from the movie “Who Framed Roger Rabbit,” was rushed to Wellstar Atlanta Medical Hospital, friend Jennifer Matteson told The AJC.

Both women have been released from their hospitals.

Mattheson said she and Amador drove from Louisiana for their first Dragon Con.

All in all, Matteson said their experience was still positive from the “phenomenal” hotel hospitality to the community.

“The love and support from the Dragon Con family is heart warming to say the least,” Matteson said. “We can’t wait to return for an even better experience, and reconnect with our new Atlanta family!”

Jamie Temple-Thompson Amador

(13) DRAGON AWARDS. At Women Write About Comics, Doris V. Sutherland says “2017 Dragon Awards Are No Longer Puppy Awards”. My mileage may vary.

Despite its recent vintage, the Dragon Awards already have a rocky history. Last year, the awards largely reflected the tastes of a very specific voting bloc: namely, supporters of the Sad Puppies and Rabid Puppies campaigns that formed to counter perceived left-wing bias at Worldcon’s Hugo Awards.

This led to such ludicrous situations as Brian Niemeier, a Puppy-aligned author, campaigning for his little-known space opera Souldancer to be voted into the Best Horror category for tactical reasons — and winning. L. Jagi Lamplighter, who edited Souldancer and became a finalist this year for her YA novel Rachel and the Many Splendored Dreamlandacknowledged the Puppies’ influence on the Dragon Awards results in 2016: “Puppy fans were eager to vote in a new award and may have been more vigilant than general fans who didn’t necessarily know about the Dragon Awards ahead of time.” Other authors from the Puppysphere, meanwhile, insisted that the Dragons were evidence of their mass popularity with the wider fandom.

However, it seems the farce of the 2016 Dragon Awards can now be consigned to the dustbin of fandom history. The 2017 Dragons have received a much higher turnout of voters and, all in all, they have done a considerably better job of living up to their stated aim of offering “a true reflection of the works that are genuinely most beloved by the core audience.”

This year, the one victory from the Puppy circles was earned by Larry Correia and John Ringo’s Monster Hunter Memoirs: Grunge, which won Best Fantasy Novel. Correia was the founder of the Sad Puppies campaign and is almost certainly the most popular author to be aligned with the movement, so his success here should not come as too much of a surprise.

(14) NIEMEIER ON DRAGON AWARDS. It’s kind of like watching a dog take a victory lap with one leg lifted.

(15) LOOK OUT. Kevin Standlee got splashed – uh, with vitriol, that is: “They Doth Protest Too Much Methinks”.

I (probably unwisely) tried to ask some of the people crowing over how the recent Dragon Awards are the Best Awards Evar and that The Hugo Awards are dead, dead, dead because of course the only Real Awards are the Dragons, etc., asking why they thought an award that allowed someone with a bit of internet savvy the ability to vote potentially hundreds of times was a good thing, and the amount of vitriol sent my way was, well, not surprising, really. I’m sort of wondering if these people simply assume that everything is corrupt and everyone is on the take. They assumed, after all, that the Hugo Award results were rigged by a Secret Cabal. They don’t care of their pet system is rigged or flawed, as long as they Get What They Want. It’s sort of like the people who were quoted as saying they didn’t care if the last American Presidential election was corrupted, because Their Guy Won, and that’s all that matters.

(16) BACK FROM HELSINKI. Susanna Shore adds to the legion of Worldcon 75 reports in “My #worldcon75 experience”:

The first panel was called Bad Romance. I’d chosen it because I write romance and I don’t want to write it badly, but also because Max Gladstone was on it. He doesn’t strike me as a romance writer, but I like his Craft Sequence fantasy series and wanted to hear him. He turned out to be worth the queuing.

The panel had a hiccupy start as the chair didn’t show up, but a member of the audience volunteered to moderate. She turned out to be Julia Rios, who had won a Hugo Award the previous night for Uncanny Magazine and had partied till four in the morning, but she still managed to be a great moderator. Not only did she keep the conversation flowing, she also managed to live tweet the panel. As a whole, the panel was good and funny, though I didn’t learn anything I hadn’t known before.

(17) MARVEL’S INHUMANS. Sneak peek.

[Thanks to JJ, Mark-kitteh, Chip Hitchcock, Andrew Porter, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

2015 Clarion Writers’ Workshop

2015 Clarion Writers WorkshopApplications are now being accepted for the famous Clarion Writers’ Workshop which has been training and encouraging aspiring science fiction writers since 1968.

Writers in residence for the 2015 workshop will be Christopher Barzak, Saladin Ahmed, James Patrick Kelly, Karen Joy Fowler, Maureen McHugh, and Margo Lanagan.

Held on the UC San Diego campus, Clarion is an intensive six-week summer program focused on fundamentals of writing sf and fantasy short stories. There is a long list of distinguished Clarion alumni.

A different professional writer or editor conducts the workshop during each of the first four weeks. The last two weeks are run by a two-writer anchor team. Workshoppers are housed in college apartments, and classes are held in seminar facilities. The resident writers live nearby and are continuously available to students. Mornings are devoted to critiquing manuscripts in a workshop setting. Afternoons, evenings, and weekends are devoted to individual writing, conferences with the current writer-in-residence, social activities, and the completion of class assignments.

There also are two other independently-run workshops with the Clarion name: Clarion South in Australia and Clarion West in Seattle, Washington.

Electrocuting the Hugos

James Patrick Kelly, since you have so generously tried to give us a clue, it’s only fair to offer you three in return.

First

Don’t just sit home smiling at your own cleverness as you write condescending crap like:
“Is there anyone out there who considers the world wide web ‘an exceptional circumstance?’ In my twenty-first century, it has become as commonplace as sliced bread and infomercials.” This is the kind of blogly “argument” now presented everywhere in counterfeit of real political debate. Why waste time on the merits when there are straw men to set ablaze? Really, no active sf fan thinks the Web is anything less than one of the most important media distributing science fiction and fanac. Why even go there? You damage your credibility when you don’t write the truth.

Second

Hasn’t it ever occurred to you that somebody has to vote for the changes you want?

“While I agree in principle with the need for conservation of Hugos, my solution would be to cut some of the soon-to-be-obsolete print categories in order to make room for digital replacements.”

I’m guessing it won’t help to pass your rule changes to douse yourself with political gasoline by championing the elimination of Hugo categories regularly won by (a) the #1 trade magazine in the sf field and (b) fanzines that are popular with folks who actually show up to vote at Worldcon Business Meetings. If somebody has a problem with the number of categories, make them waste their political capital shortening the list. That’s a distraction from your real issue.

You also might want to reread your comments about Emerald City’s Fanzine Hugo – if you think the voters awarded the Hugo to a website (rather than a fanzine delivered by a website), why would you want to kill an example of a category that already delivers the result you want?

Third

“It is that the Hugo awards are now seriously flawed and will become increasingly irrelevant until they are regularly given for websites….

“If I were elected Supreme Being, I would decree that there be no less than five digital Hugos: Best Fiction Site, Best Non-Fiction Site, Best E-zine, Best Opinion Site, and Best Blog.”

Expanding the Hugos to cover web-delivered subject matter is the right thing to do, but your current proposal makes about as much sense as adding five magazine categories. The Web is just a delivery technology, like a household appliance. Nobody gives Hugos to radios, we give them to people whose stories inspire our imagination.

Harlan Ellison convinced the 1972 Business Meeting to put back the fourth fiction Hugo – at the time, Best Novella and Best Novellette were merged in the Best Short Fiction category. His most powerful argument was that fan recognition helped the careers of good writers. Because of the unique interaction of sf fans and writers, he wasn’t talking about being nice to strangers but asking us to help people who are part of our own sf community. He felt another Hugo would marginally improve their chances to make a living by increasing the recognition of their work. Years have passed since Harlan won that vote, but fans haven’t changed that much. Helping people is still the most potent argument you could make.

So what people are getting shortchanged because their web-delivered content doesn’t have its own Hugos?

Not fiction writers – you may not know that the verb used in the general rule for Hugos is “appearing,” not published:

“3.2.1: Unless otherwise specified, Hugo Awards are given for work in the field of science fiction or fantasy appearing for the first time during the previous calendar year.”

The four fiction categories are defined by word lengths alone, not by the medium used to deliver those words. And Worldcon committees already collaborate with story publishers to make Hugo nominated fiction from any medium available on the Web during the voting period.

Nonfiction, opinion and blog writers? You’re not going to want to hear this, but your column in Asimov’s is no different animal than what we call sercon fanwriting. The Best Fanwriter category is already open to people whose writing appeared “in generally available electronic media during the previous calendar year.” Congratulations — you’re eligible to compete against Dave Langford! (Psst – I’ve tried it. It isn’t easy!)

Websites, then? Maybe, but is that all you’re really trying to reward? Fandom stopped giving Hugos exclusively to pro magazines when we realized we wanted to give Hugos to great fiction editors more than to a particular magazine or publisher. Since Best Prozine morphed into Best Professional Editor, the rule has included a minimum “press run,” but the existing category could easily be made web friendly by redefining it to cover anyone who edits any science fiction that appears in a year.

You probably would still want a Best Website Hugo, for some of the same reasons we created art and drama categories — at least my own view is that websites are a mass artform. But see, you don’t need five webzine Hugos.

P.S.

Nobody can replace you in democratic processes. If you believe in a revolutionary approach to the Hugo Awards, simply walk into the Business Meeting and make the motion. It doesn’t take anything more than that. It also can’t be done any other way.

Hugo categories are not passed by Congress or announced by the Pope, Worldcon members vote them into the constitution of the World Science Fiction Society. They can be added, subtracted and changed by a vote at any year’s Worldcon business meeting (with changes taking effect after a ratifying vote at the following year’s meeting.) Business meetings are run by democratic process, like a town meeting. Any member can come and submit motions or cast a vote. And by virtue of the respect you enjoy as a leading writer in the field, your voice will find a receptive audience.

This does not mean your ideas will automatically be passed. Just don’t assume any resistance to website Hugos comes solely from traditionalists. There are also plenty of people who simply feel “We don’t need another Hugo to give to Locus every year….”