Pixel Scroll 5/15/22 The Arc Of The Moral Universe Is Long, But It Scrolls Toward Pixels

(1) TIME IS FLEETING. The SFWA Silent Auction ends tomorrow at noon. Organizer Jason Sanford says, “In particular you and your File 770 readers might get a kick out of seeing the original Munchkin card in the auction, which I think is amazing and is shown in the press release. Also, the auction has up for bid original, first edition hardback copies of Green Hills of Earth and Revolt in 2100 by Robert A. Heinlein from the early 1950s — both of which are signed by Heinlein! I’m a little frustrated that more people haven’t noticed these two rare, signed copies of his books from the Golden Age of SF.”

Specifically, these are the links to the two books Jason pointed out: Green Hills of Earth by Robert A. Heinlein, an autographed Shasta hardcover first edition (1951; no jacket); and Revolt in 2100 by Robert A. Heinlein an autographed Shasta hardcover first edition (1953; no jacket). Both books include a chart of Heinlein’s Future History on a flyleaf.

(2) BRITISH FANTASY AWARDS SEEK NOMINATIONS. The British Fantasy Society is taking nominations for the British Fantasy Awards 2022. You can vote in the BFAs if you are any of the following: A member of the British Fantasy Society; An attendee at FantasyCon 2021; or A ticket-holder for FantasyCon 2022. The voting form is here. Voting will remain open until Sunday May 29, 2022.

Voters may list up to three titles in each category. A crowdsourced list of suggestions has been created here. You may vote for titles not on the suggestions list. Further guidance on the eligibility criteria for each category can be found here.

The four titles or names with the highest number of recommendations in each category will make the shortlist.

(3) ALERT THE MEDIA. “David Tennant and Catherine Tate returning to Doctor Who in 2023” reports Radio Times.

After plenty of rumours and red herrings, the BBC has confirmed the shock news that former Doctor Who stars David Tennant and Catherine Tate are returning to the long-running sci-fi drama, over 12 years after they originally handed in their TARDIS keys and just a week after Sex Education’s Ncuti Gatwa was announced as the new star of the series (taking over from current Doctor Jodie Whittaker).

As the time-travelling Tenth Doctor and Donna Noble, the pair presided over a popular and critically-acclaimed era for Doctor Who still fondly remembered by fans. And now, according to the BBC, they are set to reunite with screenwriter Russell T Davies to film new “scenes that are due to air in 2023”, coinciding with Doctor Who’s 60th anniversary celebrations.

…It could be that these scenes are little more than a cameo, or they could be a major comeback. For now, they’re keeping it all a bit mysterious….

(4) NEXT, THE GOOD NEWS. Yesterday’s Scroll ran an item about what was getting axed at CW. Today Variety has published “UPFRONTS 2022: The Full List of New Broadcast Series Orders”, which it will continually update. Here are examples of what different companies are planning to air next season.

KRAPOPOLIS (Fox Entertainment)

Logline: Animated comedy set in mythical ancient Greece, the series centers on a flawed family of humans, gods and monsters that tries to run one of the world’s first cities without killing each other.

QUANTUM LEAP (Universal Television)

A sequel to the original 1989-1993 time-traveling NBC fantasy drama picks up 30 years after Dr. Sam Beckett stepped into the Quantum Leap accelerator and vanished. Now a new team has been assembled to restart the project in the hopes of understanding the mysteries behind the machine and the man who created it.

GOTHAM KNIGHTS (Warner Bros. Television)

Logline: In the wake of Bruce Wayne’s murder, his rebellious adopted son forges an unlikely alliance with the children of Batman’s enemies when they are all framed for killing the Caped Crusader.

THE WINCHESTERS (Warner Bros. Television/CBS Studios)

Logline: This prequel to “Supernatural” tells the untold love story of how John and Mary Winchester met and put it all on the line to not only save their love, but the entire world.

(5) ANOTHER INTERPRETATION. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Nilanjana Roy discusses feminist retellings of classic myths.

In her debut novel Kaikeyi published this month, Chicago-based writer Vaishnavi Patel dramatically reframes a story from the great Hindu epic The Ramayana, of Queen Kaikeyo who demands that her husband King Dashrath exile her stepson, the young man-god Rama. ‘I wanted to discover what might have caused a celebrated warrior and beloved queen to tear her family apart,’ Patel writes in her introduction.

Like Patel, many are interested in questioning the framing of mythical women as both villains and heroes.  Korean-American writer Axie Oh writes a less submissive protagonist into the legend of Shim Cheong in her young-adult book, The Girl Who Fell Beneath The Sea. In Oh’s version Mina, a village girl, takes the place of Shim Cheong, the dutiful daughter in the legend who sacrifices herself to the sea gods–but her role in the story is a more active one.  ‘My fate is not yours to decide,’ she says.  ‘My fate belongs to me.’

(6) GENRE STAR GILLAN WEDS. “Karen Gillan marries American boyfriend in closely guarded ceremony at castle in Argyll” – the Daily Record has the story.

Avengers star Karen Gillan has wed her American boyfriend in a closely guarded ceremony at a castle in Argyll.

The Inverness-born star tied the knot this afternoon with American comedian Nick Kocher, 36, after jetting back to Scotland for her nuptials.

Some of the A-list guests at the wedding in Castle Toward in Dunoon included fellow action star Robert Downey Jnr and Pretty Woman star Julia Roberts, who were spotted in the town earlier today.

Steven Moffat, who was executive producer of Doctor Who when Karen was Matt Smith’s Tardis companion, was also a guest for her big day.

The 34-year-old, who had kept her engagement to the Saturday Night Live scriptwriter a secret, had chartered a yacht, The Spirit of Fortitude, to take family and friends to the 3.30pm ceremony….

(7) SFF FILLS THE 1953 MAGAZINE STANDS. [Item by Mlex.] James Wallace Harris of the Auxiliary Memory blog & SF Signal, posted a bibliographic essay on the year 1953 for science fiction short stories. “The 1953 SF&F Magazine Boom” at Classics of Science Fiction.

Science fiction in 1953 spoke to a generation and it’s fascinating to think about why. The number of science fiction readers before WWII was so small that it didn’t register in pop culture. The war brought rockets, atomic bombs, computers, and nuclear power. The late 1940s brought UFOs – the flying saucer craze. The 1950s began with science fiction movies and television shows. By 1953, science fiction was a fad bigger than the hula-hoop would ever be, we just never thought of it that way. I do wonder if the fad will ever collapse, but I see no sign it will.

He also posted a related cover gallery of magazine issues from that year at the Internet Archive: “1953 SFF Magazine Covers”.

(8) READING ALOUD. Space Cowboy Books presents the 51st episode of the Simultaneous Times podcast. Stories featured in this episode:

“The Jellyfish from Nullarbor” by Eric Farrell; music by RedBlueBlackSilver; read by Jean-Paul Garnier

“Apotheosis” by Joshua Green; music by Phog Masheeen; read by Jean-Paul Garnier

Theme music by Dain Luscombe

(9) MEDIA BIRTHDAY.

2006 [By Cat Eldridge.] Sixteen years on this date, one of the most unusual strips to come into existence did so in the form of Mark Tatulli’s Liō. It was very easy to market globally as it had almost no dialogue except that spoken by other people in the parodies that I’ll mention in a minute as Liō and the other characters don’t speak at all, and there were no balloons or captions at all again giving it a global appeal. 

Liō, who lives with his father and various monsters, i.e. Ishmael a giant squid and Fido a spider, various animals like Cybil a white cat (of course there’s a cat here, a very pushy feline indeed), aliens, lab creations, and even Liō’s hunchbacked assistant.  Why there’s even Archie, Liō’s psychopathic ventriloquist’s dummy. Liō’s mother is deceased. Though why she’s deceased is never stated. Definitely not your nuclear family here.

An important aspect of the strip is that will riff off other strips, and lots of them: BlondieBloom CountyCalvin and HobbesCathyGarfieldOpusPeanuts, even Pearls Before Swine (not one of my favorite strips I will readily admit) will become fodder for parody by this strip.  That’s where the only dialogue is spoken. 

Currently  the strip which runs daily globally in more than two hundred and fifty papers. 

Tatulli on the Mr. Media podcast back a decade or so said “It’s really a basic concept. It’s just Liō who lives with his father, and that’s basically it, and whatever I come up with. I set no parameters because I didn’t want to lock myself in. I mean, having no dialogue means that there is going to be no dialogue-driven gags, so I have to leave myself as open as possible to any kind of thing, so anything basically can happen.” 

There a transcript of that podcast here as the audio quality of that interview is, as the interviewer admits, rather awful. He got better after that first interview by him. 

In multiple interviews, Tatulli has said the two major contemporary influences on his style are Gahan Wilson and Charles Addams.

And yes, it’s still in existence and offending people as this strip from late last year will demonstrate.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 15, 1856 L. Frank Baum. I adore The Wizard of Oz film and I’m betting you know that it only covers about half of the novel which is a very splendid read indeed. I’ll confess that I never read the numerous latter volumes in the Oz franchise, nor have I read anything else by him. Nor have I seen any of the later adaptations of the Oz fiction. What’s the rest of his fiction like?  There is, by the way, an amazing amount of fanfic out here involving Oz and some of it is slash which is a really, really scary idea. (Died 1919.)
  • Born May 15, 1877 William Bowen. His most notable work was The Old Tobacco Shop, a fantasy novel that was one runner-up for the inaugural Newbery Medal in 1922. He also had a long running children’s series with a young girl named Merrimeg whom a narrator told her adventures with all sorts of folkloric beings. (Died 1937.)
  • Born May 15, 1926 Anthony Shaffer. His genre screenplays were Alfred Hitchcock’s Frenzy and Robin Hardy’s The Wicker Man. Though definitely not genre, he wrote the screenplays for a number of most excellent mysteries including the Agatha Christie-based  Evil Under the Sun,Death on the Nile, and Murder on the Orient Express. (Died 2001.)
  • Born May 15, 1948 Brian Eno, 74. Worth noting if only for A Multimedia Album Based on the Complete Text of Robert Sheckley’s In a Land of Clear Colors, though all of his albums have a vague SF feeling  to them such as Music for Civic Recovery CentreJanuary 07003: Bell Studies for the Clock of  The Long Now and Everything That Happens Will Happen Today which could be the name of Culture mind ships. Huh. I wonder if his music will show up in the proposed Culture series?
  • Born May 15, 1955 Lee Horsley, 67. A performer who’s spent a lot of his career in genre undertakings starting with The Sword and the Sorcerer (and its 2010 sequel Tales of an Ancient Empire), horror films Nightmare ManThe Corpse Had a Familiar Face and Dismembered and even a bit of SF in Showdown at Area 51. Not sure where The Face of Fear falls as it has a cop with psychic powers and a serial killer.
  • Born May 15, 1960 Rob Bowman, 62. Producer of such series as Alien NationM.A.N.T.I.S.Quantum LeapNext Generation, and The X-Files. He has directed these films: The X-FilesReign of Fire and Elektra. He directed one or several episodes of far too many genres series to list here.  
  • Born May 15, 1966 Greg Wise, 56. I’m including him solely for being in Tristram Shandy: A Cock and Bull Story. It is a film-within-a-film, featuring Steve Coogan and Rob Brydon playing themselves as egotistical actors during the making of a screen adaptation of Laurence Sterne’s 18th century metafictional novel Tristram Shandy. Not genre (maybe) but damn fun. 
  • Born May 15, 1971 Samantha Hunt, 51. If you read nothing else by her, do read The Invention of Everything,  a might be look at the last days in the life of Nikola Tesla. It’s mostly set within the New Yorker Hotel, a great concept. I’m avoiding spoilers naturally. She’s written two other genre novels, Mr. Splitfoot and The Seas, plus a handful of stories. 

(11) BUILDING THE GENRE BRICK BY BRICK. “Lego’s next batch of official unofficial sets go on sale May 17th, and you’ll want to be quick” The Verge tells collectors. (This is the link to the sale: Designer Program 2021 Invitational at BrickLink.) The quotes below were written by the designers.

…A from-the-ground-up rebuild of the original “Bulwark” gunship design of the Space Troopers project, the spaceship you see here is chock full of the developments of a decade’s worth of building, yet remains sturdy and with a chunky simplicity that reminds me of what I’d have loved to play with as a boy. From the rear’s double cargo doors ready to discharge rovers, troops, or scientists on an expedition, to the inner hatch and gunner’s console with its cramped ladder allowing access to the cockpit, the hold is packed with scenes ripe for customization and exploration. Crew bunks and a tiny galley round out the hull, and the off-center cockpit rises up between a sensor array and two massive engines that can rotate up or down for flight.

The sliding cargo doors aren’t just there for show; a sturdy mechanism just behind the wings allows you to attach the two included modules or design your own, dropping them off on some distant planet or opening the doors to allow for use in-flight. Two crimson hardsuits in the classic Space Troopers red are more than just my concession to the strictures of the brick—they’re my homage to the classic sci-fi writers whose tales of adventure on far-off planets and dropships swooping from the sky have shaped my life. Deploying on two rails from a module that locks into place in the dropship’s rear, the suits are chunky, bedecked with pistons and thrusters, and, most importantly, fit a minifigure snugly inside to allow for armored adventures….

…I think around this time I also watched some The Big Bang Theory episodes. During one of these nights I “designed” an observatory made from LEGO bricks in my mind. I really love science and space, and I have never seen an observatory as an official LEGO set. That’s when I thought about building an observatory in real bricks. But I didn’t want to use an IP because that would only be interesting for people who has a connection to the place. I wanted to create a playable observatory that has a unique design. I imagined a building on the top of a mountain and what it would look like. And that’s why I called it “Mountain View.”…

…The Steam Powered Science (previously known as the Exploratorium) is a Steam-Punk themed research facility whose mission is to delve into the mysteries of the universe. One half of the facility is dedicated to researching celestial motion while the other is dedicated to traversing the ocean’s depths. The set was designed as part of the Flight Works Series, a group of Steam-Punk themed submissions on LEGO Ideas….

(12) CHARGE IT! Are Colin Kuskie and Phil Nichols really going to advocate for that most controversial of critics’ notions? To find out you will need to listen to episode 17 of Science Fiction 101, “Canon to the left of me, canon to the right”.

Colin and Phil return, buoyed by the news that Science Fiction 101 has risen to number 6 in Feedspot’s league table of Best UK Sci-Fi Podcasts!

Our main discussion topic the contentious issue of the “canon” of science fiction, triggered by a blog post by Dr Shaun Duke. We also have a movie quiz, and the usual round-up of past/present/future SF.

(13) STRANGE NEW TREK PARAPHERNALIA. TrekCore is pleased to report that after a long wait “QMx Finally Beams Down USS ENTERPRISE Delta Badges”.

More than three years after their initial announcement, QMx has finally brought their Star Trek: Discovery-era USS Enterprise Starfleet delta badges into Earth orbit — just in time for the debut of Captain Pike’s own series, Star Trek: Strange New Worlds.

Originally announced all the way back in February 2019, the metal Starfleet badges were showcased at that year’s Toy Fair expo in New York City… only to shuffle off the horizon, as they’d gone “on hold” by the early part of the next year (as a QMx representative told us at Toy Fair 2020), likely waiting for the then-in-the-works Captain Pike series to be announced to the public….

(14) INGENUITY BEGINNING TO AGE OUT. [Item by Mike Kennedy.] NASA’s Ingenuity helicopter on Mars showed its first sign of approaching old age when it failed to wake on time to “phone home.” After far outlasting its planned life, the approach of winter with shorter days and more dust in the air is beginning to play havoc with its ability to keep a charge on its batteries overnight. “Ingenuity Mars Helicopter Went Silent, Leaving Anxious NASA Team in the Dark” at Gizmodo.

Late last week, NASA’s Ingenuity helicopter managed to reestablish its connection with the Perseverance rover following a brief communications disruption. The space agency says the looming winter is likely responsible and is making adjustments as a result.

On Thursday, Ingenuity—mercifully—sent a signal to Perseverance after the intrepid helicopter missed a scheduled communications session. It marked the first time since the pair landed together on Mars in February 2021 that Ingenuity has missed an appointment, according to NASA.

The team behind the mission believes that Ingenuity had entered into a low-power state to conserve energy, and it did so in response to the charge of its six lithium-ion batteries dropping below a critical threshold. This was likely due to the approaching winter, when more dust appears in the Martian atmosphere and the temperatures get colder. The dust blocks the amount of sunlight that reaches the helicopter’s solar array, which charges its batteries….

(15) BABY TALK. [Item by Martin Morse Wooster.] Baby Yoda showed up on Saturday Night Live’s “Weekend Update” to promote Obi-Wan Kenobi and discuss his questionable new friends.  But don’t ask him about Baby Groot or he’ll get really angry! “Baby Yoda on His Spiritual Awakening”.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Mlex, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 5/14/22 Scroll Me A Pixel I’ll Be Back For Breakfast

(1) BRAM STOKER LOSERS UNITE. Scott Edelman has famously lost many Bram Stoker Awards – and he has the card to prove it. He invites tonight’s unlucky nominees to become card-carrying members of this group.  

Tonight’s Bram Stoker awards ceremony means — there will be winners — but also losers. If any of the new Never Winner losers created tonight would like this Susan Lucci of the HWA to mail you one of my “It is an honor to be nominated” cards — ask, and one will be sent your way!

However — if you’re a previous Never Winner in Denver tonight who already owns of one of these cards and should lose yet again — please track down Lee Murray, whom I have deputized to punch you a new hole. Good … luck?

(2) LIVE LONG ENOUGH, YOU’LL PROSPER. Somtow Sucharitkul tells Facebook readers why a recent Star Trek episode rang a bell. BEWARE SPOILERS.

SPOILER COMING – But For What Exactly?

The Enterprise discovers that a comet is hurtling toward a planet that doesn’t have warp drive and whose civilization they cannot interfere with because of the prime directive. Presently, they discover that the comet is alive, and has some kind of intelligence. The only way to save the planet is to find a way to communicate with the comet, and it turns out that the key is to sing to it a folk song from someone’s homeworld….

Yes, this is the plot of the new episode of Star Trek: Strange New Worlds, but it’s also the plot of my 2001 Star Trek Novel, “Do Comets Dream?” which is itself vaguely adapted from a tale told in my Inquestor series, “The Comet That Cried for Its Mother”, originally published in AMAZING….

(3) IT’S A MASSACRE. “Everything on Broadcast TV Just Got Canceled” Vanity Fair declared yesterday. It will feel like that if you watched sff on CW.

In the ever-changing television landscape, this past Thursday was a particularly tough time to be a broadcast television show. Per TV Guide, 17 broadcast television shows were officially given the axe by their respective networks yesterday. “It’s the Red Wedding at WBTV/CW today,” tweeted showrunner Julie Plec, whose CW shows Legacies and Roswell, New Mexico were both among the carnage. “Much more to say, but not today. Loads of gratitude coming for fans and cast and crew in future tweets. But today, we mourn.” 

The CW was hit particularly hard, with nine shows getting chopped in all. Along with Legacies and Roswell, New Mexico, the teen-focused network said goodbye to Dynasty after five seasons, In The Dark after four seasons, and Batwoman after three seasons. The network is currently up for sale, which may explain why it was particularly ruthless with its cancellations and downsizing its slate from 19 original scripted series to 11 original scripted series ahead of next fall….

(4) WHAT’S IT ALL ABOUT, ALFIE? James Wallace Harris reprints and analyzes Alfred Bester’s vintage analysis of the genre in “Blows Against The Empire: Alfred Bester’s 1953 Critique of Science Fiction” at Classics of Science Fiction (a 2020 post).

…Bester is looking back over what many have called the Golden Age of Science Fiction and burning it down with his blaster. I wish I could find the fan reaction to this essay from back in the 1950s, but Google only returns seven results. And for those who aren’t familiar with the name Alfred Bester, he wrote two books in the 1950s that became classics: The Stars My Destination and The Demolished Man. At the time Bester had a reputation for being a writing stylist and innovator. So getting a dressing down from one of our own must have been painful.

I wonder what I would have thought if I read and understood this essay in 1962 when I first began reading science fiction. Science fiction wasn’t popular then like it is today. Science fiction was one step up from comic books, and you were called retarded (their word back then) by your peers if you read comics. I remembered also being called a geek and zero for reading SF. Back then those terms were the social kiss of death. I had two buddies that read science fiction in high school and I remember being very hurt by George’s mother when she sat is down one day and gave us a serious talk about evils of reading science fiction. George’s mother was a sophisticated, well-educated, widely traveled woman, and I was always impressed with her thoughts, so it really hurt when she tried to convince us we were reading trash. She implied reading SF was a sign we were emotionally and intellectually immature. We thought we were Slans…

(5) OPPOSING BOOK BANS. “More than 25 Organizations Join ALA’s ‘Unite Against Book Bans’ Campaign”. Among them are the Authors Guild and Comic Book Legal Defense Fund.

The American Library Association this week announced that more than 25 major organizations, including a host of publishers and author and bookseller groups, have joined its Unite Against Book Bans campaign, an effort to help communities defend the freedom to read. The ALA launched the campaign in April to raise awareness about the surge in book bans and other legislation targeting the work of schools and libraries, with support from the Steve and Loree Potash Family Foundation and the William and Flora Hewlett Foundation.

“Our partners and supporters are critical in moving the needle to ultimately bring an end to book bans,” said Deborah Caldwell-Stone, director of the ALA’s Office for Intellectual Freedom. “It’s time that policymakers understand the severity of this issue. ALA is taking the steps necessary to protect individuals’ access to information, but we can’t do this alone.”…

“Three-quarters of the 1,100 plus books currently banned in public schools in the United States have been written by authors of color, LGBTQ authors, or other traditionally marginalized voices,” said Authors Guild CEO Mary Rasenberger, in a statement.

(6) NAMING CONVENTIONS. He has a point –

(7) PERSONAL TAXONOMY. Joe Vasicek, often quoted here in the Sad Puppy days of 2015, shares what he calls “an interesting personal discovery” at One Thousand And One Parsecs.

…I just made a very interesting personal discovery, gleaned from the data on my reading of the Hugo and Nebula winning books. Of the 110 novels that have won either award, I have now read all but 16 of them, which is enough data to get some representative results.

One of the best predictors that I will DNF a book is whether the author is a childless woman. Of the 18 books written by childless women, I have DNFed all but three of them (Downbelow Station by C.J. Cherryh, which I read years ago and would probably DNF today, and Network Effect by Martha Wells, which is a genuinely entertaining read, and Jonathan Strange & Mr. Norell by Susanna Clarke, which I haven’t read yet). For childless men, it’s a little bit more of a crapshoot: of the 31 books written by childless men, I’ve DNFed 16 of them and read 11, but only 6 of those are books I thought were worth owning.

Conversely, one of the best predictors that I will enjoy a book is whether the author is a mother. Of the 20 books written by mothers, I have DNFed only 6 of them and read 8, all of which I think are worth owning. Of the six remaining books that I haven’t read yet, I will almost certainly finish four of them, and may finish all six. The only book by an author I haven’t already read and enjoyed is The Speed of Dark by Elizabeth Moon, which I am currently reading and will probably finish next week…

(8) LIGHT MY FIRE. “Firestarter (2022) vs. Firestarter (1984): Which Stephen King adaptation burns brightest?” – Clark Collis supplies his answer at Entertainment Weekly. The summaries of each film make good reading, too.

… The 1984 film stars Barrymore as Charlie McGee, a young girl with pyrokinetic powers who is fleeing from a sinister government organization called “The Shop” with her father Andy, played by David Keith. Andy has been training Charlie to use her powers properly by getting her to turn bread into toast with her mind but it is the unfortunate Shop agents who get browned as Barrymore’s character periodically sets them ablaze. The supporting cast is notable for a few reasons. Oscar-winners Art Carney and Louise Fletcher play a couple who befriend Charlie and Andy, while Martin Sheen portrays the head of the Shop just a year after his performance in David Cronenberg’s adaptation of King’s The Dead Zone. Finally, another Academy Award-winner, George C. Scott, is inexplicably cast as the seemingly First Nation assassin John Rainbird, who has a fondness for punching his targets’ noses into their brains and an unhealthy interest in our heroine…

(9) TOM SWIFT. Edge Media Network supplies an intro as “First Trailer Drops for New CW Series ‘Tom Swift’ Featuring a Black Gay Lead Character”.

…”Tian Richards already made his debut as Tom Swift on one of the best episodes of ‘Nancy Drew’ yet, but get ready to see him in a whole new light on his own show,” EW said.

As previously reported at EDGE, being gay was a prominent part of the character’s depiction when he made a guest appearance on “Nancy Drew.” Sparks flew between Tom Swift and “Nancy Drew” regular character Nick (Tunji Kasim), leading to an onscreen kiss….

(10) WHEN I USE A WORD. At Tor.com, CD Covington’s series on sff linguistics finally tackles the 500-lb gorilla: “On Tolkien, Translation, Linguistics, and the Languages of Middle-earth”.

Since I started this column in 2019, I’ve been avoiding one famous—possibly even the most famous—example of using linguistics in SFF literature: the work of J.R.R. Tolkien. It’s not because I don’t like Lord of the Rings—quite the opposite, in fact. It’s just such an obvious topic, and one which people have devoted decades of scholarship to exploring. Hell, my Old English prof has published academic scholarship on the topic, in addition to teaching a Maymester class on the languages of Middle-earth. But I suppose it’s time to dedicate a column to the book that first made me think language was cool and to the man who wrote it.

(11) MEDIA BIRTHDAY.

2010 [By Cat Eldridge.] I’m starting this essay by acknowledging that everyone has their favorite Robin Hood. My all-time favorite is the one in the Robin of Sherwood series, Robin of Loxley as played by Michael Praed. And yes, I acknowledge that the second Robin, Robert of Huntingdon as performed by Jason Connery was quite excellent too. Richard Carpenter did himself proud with this series. 

But I’m here tonight to talk about one of my favorite Robin Hood films (the other being Robin and Marian.) Ridley Scott’s Robin Hood premiered in the States on this date twelve years ago. It was written by Brian Helgeland who had done mostly horror films before this but was also the screenwriter of the beloved A Knight’s Tale. He along with Ethan Reiff and Cyrus Voris were responsible for the story.

It was produced by Ridley Scott, Brian Grazer and Russell Crowe. Yes the actor who played Robin Hood here helped produce it. So let’s turn to casting. 

I think Crowe made an outstanding Robin Longstride and Cate Blanchett as Marion Loxley was a great casting move. Other interesting casting here includes Max von Sydow as Sir Walter Loxley and William Hurt as William Marshal. This was not a cast of unknowns. I thought Matthew Macfadyen as the Sheriff of Nottingham was interesting as the actor usually had much lighter roles. Mark Addy as Friar Tuck was well cast. 

It was a very expensive undertaking costing at least two hundred million and it took in least three hundred and twenty-five million, so it likely just broke even.

And what was the opinion of critics at the time? Well it was decidedly mixed with Deborah Ross of UK’s Spectator on the side of the dissenters: “Scott decided, I think, to get away from the whole campy thing in tights business and wanted to make this ‘real’. So there is sweat and dirt and rats at the cheese and even bad teeth, which is fair enough, but it is also joyless.” 

But Richard Klein of Shadows on the Wall liked it: “Ridley Scott and his usual Oscar-winning crewmates turn the familiar old English legend it into a robust, thumping epic. The pacing is a bit uneven, but it keeps us thoroughly engaged.”

Let’s finish off with Jeffrey Westhoff of the Northwest Herald:  “Robin Hood doesn’t become the swashbuckling bandit of Sherwood until the final moments, when the tag “And so the legend begins” appears. You may walk away liking this Robin Hood well enough, but wishing you had seen the sequel.” 

It gets just a fifty eight percent rating among audience reviewers at Rotten Tomatoes. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 14, 1929 Kay Elliot. The actress who shows up in “I, Mudd” as the android form of Harry Mudd’s wife Stella Mudd. SPOILER ALERT (I promised our OGH I’d put these in. It’s possible someone here hasn’t seen “I, Mudd”.) Need I say she ends getting the upper hand in the end? She also had appearences in The Man from U.N.C.L.E. as Miss Prendergast in “The It’s All Greek to Me Affair” episode and multiple roles on Bewitched. That’s it, but she died young. (Died 1982.)
  • Born May 14, 1933 Siân Phillips, 89. Reverend Mother Gaius Helen Mohiam in David Lynch’s Dune, Cassiopeia in Clash of The Titans, Grandmother in A Christmas Carol, Charal in Ewoks: The Battle for Endor, and The Red Queen in Alice Through the Looking Glass. And I’m about to see her on Silent Witness.
  • Born May 14, 1935 Peter J. Reed. A Vonnegut specialist with a long track history starting with Kurt Vonnegut, Jr.; The Vonnegut Chronicles: Interviews and Essays that he wrote with Marc Leeds; Kurt Vonnegut: Images and Representations again with Leeds again. He also wrote a handful of essays such as “Hurting ’til It Laughs: The Painful-Comic Science Fiction Stories of Kurt Vonnegut” and “Kurt Vonnegut’s Bitter Fool: Kilgore Trout”. (Died 2018.)
  • Born May 14, 1944 George Lucas, 78. For better and worse, he created the Star Wars and Indiana Jones franchises. Raiders of the Lost Ark and Indiana Jones and the Last Crusade are fine, the others suck royally in my opinion. Later Star Wars films are meh though I adore the original trilogy. And let’s not forget THX 1138. So you ask, what are my favorite works that he was involved in? LabyrinthRaiders of the Lost Ark, The Empire Strikes Back and Willow. Yes Willow. Oh, and The Young Indiana Jones series which I really, really loved. 
  • Born May 14, 1945 Francesca Annis, 77. Lady Jessica in David Lynch’s Dune, Lady Macbeth in Roman Polanski’s Macbeth. I know only two roles, but what a pair of roles they were! She also appeared in Krull as The Widow of The Web but I’ll be damned if I can remember her in that role. 
  • Born May 14, 1952 Kathleen Ann Goonan. Her Nanotech Quartet is most excellent, particularly the first novel, Queen City Jazz. Her only Award was given for In War Times which garnered a John W. Campbell Memorial Award. She’s wrote an interesting essay on the relationship between sf and music, “Science Fiction and All That Jazz”. (Died 2021.)
  • Born May 14, 1952 Robert Zemeckis, 70. He’s responsible for some of my favorite films including the Back to the Future trilogy, The Muppet Christmas CarolThe WitchesWho Framed Roger Rabbit and the savagely funny in a twisted sort of way Death Becomes Her. So what’s your favorite films that’s he had a hand in? 
  • Born May 14, 1955 Rob Tapert, 67. I’d say he’s best known for co-creating Xena: Warrior Princess. He also produced and/or wrote several other television series including Hercules: The Legendary JourneysM.A.N.T.I.S. and American Gothic. Tapert also co-created the prequel series Young Hercules which I loved. He’s married to actress Lucy Lawless.

(13) COMICS SECTION.

  • Let Nick Mamatas introduce Tom Gauld’s strip for today’s Guardian.
  • Next, here’s Gauld’s latest comic for New Scientist.

(14) CLUES OF THE DAY. [Item by Martin Morse Wooster.] Keith Roysdon remembers newspaper crime comic strips (remember Steve Roper and Mike Nomad?) “Black and White and Noir All Over: A Brief History of Vintage Newspaper Crime Comic Strips” at CrimeReads.

Who could have known that newspaper comic strips and crime stories, including noir, were a match made in heaven?

Newspaper comic strips are an artistic genre that’s largely forgotten now. The strips that remain are for the most part humor strips like “Garfield.” A handful of dramatic strips are still published.

But serial dramatic strips were once a staple of the newspaper comics page. Many of them were soap opera-ish strips like “Mary Worth” and “Apartment 3-G.” To say that drama strips were slow moving is an understatement. I wish I could remember who joked that they came back to read “Apartment 3-G” after decades away and the caption read, “Later that afternoon …”

But that deliberate pace – well, maybe not quite that deliberate – was perfect for teasing out a good crime storyline. And crime and noir look awesome in black and white newsprint.

(15) MUSIC WITHOUT THE SPHERES. “Peace is Still Weirder Than War” asserts Laurie Penny in a very entertaining essay about Eurovision. Admittedly, nothing to do with sff except a brief reference to Catherynne M. Valente’s Space Opera at the end.

…Britain is a lot worse at Eurovision than you’d think. We’ve spent half a century distracting the world from our post imperial decline by flinging out wild handfuls of pop music and self deprecating humour, so we really ought to be able to deploy them here. Sadly, we’re scuppered every time by our even more fundamental fear of looking daft in front of the French.

We’ve made worse choices for the same reason.

But reasons are not excuses, and the land of Monty Python, David Bowie and the Bonzo Dog Doo-Dah Band should be able to do better than another basic bearded guitar boy. We do have the best tv commentary by miles, after Graham Norton seamlessly accepted the baton from the great Terry Wogan, proving once again that Britain’s comfort zone is making fun of other people.  Yes. Hi.

…For related reasons, Ukraine are likely to win this year. Russia can sulk all they like, just like they did when Ukraine stood down from Eurovision in 2015with the reasonable excuse that they were busy being invaded by Russia. in 2016, Ukraine was back, and it won, narrowly beating Russia, whose entry looked like someone repurposed a rave club as a re-education camp without redecorating. Not only did Ukraine win, it won with a song called ‘1944’, about the Soviet genocide of the Crimean Tartars. Russia has not forgotten this. State Television spent a long time denouncing Eurovision as a degenerate spectacle of homosexuality, which did as much good as denouncing bears for defecating in the woods.

But Russia has never really been any good at Eurovision. This year they’re not even going, partly because the Kremlin has no interest in any competition it can’t cheat at, but mostly because they got banned. It’s hard to get banned from Eurovision, but invading a neighboring country and massacring tens of thousands of people will do the trick….

(16) STOP, NOW, WHAT’S THAT SOUND? ScreenRant suggests “10 ‘Subtly’ Scary Horror Movies (For Horror Fans Sick Of Jump Scares)”. A Bradbury adaptation leads the list!

Sometimes the unknown or the unnatural can be much more terrifying than any masked slasher with a chainsaw.

….It’s not so much that these films rely on someone hiding in the shadows and yelling boo, but rather the audience knows something is wrong but can’t identify what. While jump scares and other such tactics might be sparsely employed, the real horror in these movies comes from both knowing and not knowing what might be in store.

Something Wicked This Way Comes (1983)

Sometimes, the scariest movies are the ones where nobody dies, and Disney’s Something Wicked This Way Comes is a brilliant example. Based on the book by Ray Bradbury, the film tells the story of what happens when a mysterious carnival lurks into town one windy October.

Led by the mysterious Mr. Dark, Cooger and Dark’s Shadow Show has the uncanny ability to grant anyone’s wishes and make their dreams come true. But like with most things Disney, all magic comes at a price. When two boys and the local librarian are able to see through the illusions, a slow-burning battle with the freakshow for the souls of the town takes place.

(17) THE HUNDREDTH SHADE. Paul Weimer reviews “Gregory A. Wilson’s Grayshade” at A Green Man Review.

… We meet Grayshade in the midst of an assassination that doesn’t go quite to plan, and a relatively atypical assassination target at that – the outwardly flighty socialite wife of a political powerful man, which in itself seems odd to Grayshade. We come to Grayshade at a point in his career where he is extremely experienced and very good at what he does. This is no “coming of age” novel where we follow the assassin through his first mission; rather this is someone who has past adventures and missions behind him, which grounds him for when things do not go according to his expectations. Things spiral out from the assassination not going right, to the point where Grayshade starts to question his purpose, his role, and the entire Order.

This makes a lot of the novel about information control and dissemination, which in turn reminds me of Wilson’s gamemastering….

(18) BAD BACK TO THE FUTURE. At Galactic Journey, Jessica Holmes gives us an recap of the latest (in 1967!) episode of Doctor Who. “[May 14, 1967] Ben And Polly To The Departure Gate (Doctor Who: The Faceless Ones [Part 2])”.

…We left things off with the Doctor having a sudden attack of a bad back, and things only get worse, with Spencer disabling Jamie and Samantha within moments of the episode’s opening.

Now would be a good time to finish them off, you’d think, but instead he sets up some sort of death ray to kill them… eventually. The thing moves so slowly the trio would probably have time for a round of golf before the ray fries them. Though mostly paralysed, Samantha conveniently has enough control of her faculties to get her mirror from her bag and hand it to Jamie, who uses it to reflect the beam and blow up the death ray machine.

With the machine destroyed, their partial paralysis wears off, which doesn’t make an awful lot of sense to me. I thought it was the freezing pen that paralysed them? And I’m still not sure what that device on the Doctor’s back did to him…

(19) AND YOU ARE THERE. This fossil is in a way a snapshot: “How the dinosaurs died: New evidence In PBS documentary” – the Washington Post digs into the story.

…The ground started shaking with intense vibrations while water in the nearby sea sloshed about in response. The sky filled with burning embers, which drifted down and set fire to the lush primordial forest.

Thescelosaurus panicked and looked to flee — but it was too late. Everything changed in a heartbeat as a 30-foot-high wave of mud and debris came racing up the seaway from the south, sweeping away life and limb in the process. The dinosaur was caught in the destructive deluge, its leg ripped off at the hip by the devastating surge.

That moment — 66 million years ago at the end of the Cretaceous period, when an earth-shattering asteroid ended the reign of the dinosaurs — is frozen in time today through a stunning fossil found last year at the Tanis dig site in North Dakota. This perfectly preserved leg clearly shows the skin, muscle and bones of the three-toed Thescelosaurus.

While the details of the death scenario described above are embellished, they’re based on remarkable new findings and accounts by Robert DePalma, lead paleontologist at Tanis.

“We’re never going to say with 100 percent certainty that this leg came from an animal that died on that day,” the scientist said. “The thing we can do is determine the likelihood that it died the day the meteor struck. When we look at the preservation of the leg and the skin around the articulated bones, we’re talking on the day of impact or right before. There was no advanced decay.”…

(20) DRAWN WITHOUT DRAWERS. CBR.com remembers: “Star Wars: Why George Lucas Had to Fight for Chewbacca Not to Wear Shorts”.

…So he wanted McQuarrie to go beyond humanoid and try to do more of an animal design for Chewbacca. Lucas’ recall led him to a recent issue of Analog Magazine, which had a short novel in it by a pre-Game of Thrones George R.R. Martin called “And Seven Times Never Kill a Man.” Artist John Schoenherr had designed some characters for Martin’s story and they made it to the cover of the magazine…

Lucas sent the drawings to McQuarrie and basically said, “Draw Chewbacca like that” and so that’s what McQuarrie did…

The problem with having basically a giant dog as a character is that dogs, well, you know, don’t have pants. McQuarrie kept coming up with some designs with the character in pants and Lucas kept saying no and that carried over to when the film started production. Lucas’ specific vision of what Chewbacca would look like required him to not have pants and that was a bit of a strange thing for the studio executives at the time.

During the DVD commentary for the 2004 release of Star Wars on DVD, Mark Hamill recalled what Lucas had to go through with regard to Chewbacca’s lack of clothes. “I remember the memos from 20th Century Fox. Can you put a pair of lederhosen on the Wookiee?’ All they could think of was, ‘This character has no pants on!’ This went back and forth. They did sketches of him in culottes and baggy shorts.”…

(21) BEING SNARKY. Would Lewis Carroll readers with an unassigned two hours or so available be interested in the opportunity to watch this complete production? “The Hunting of the Snark” posted by Official London Theatre.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 4/22/21 Do Jedi Name Their Lightsabers?

(1) FREE ON EARTH DAY. Yes, it’s F.O.E. Arizona State University’s Center for Science and the Imagination, in honor of Earth Day, has published Everything Change, Volume III, a free digital anthology of climate fiction featuring the winner and finalists of their 2020 global climate fiction contest. Edited by Angie Dell and Joey Eschrich, the book is available in a variety of digital formats. View the 10 original illustrations created by Brazilian artist João Queiroz at the book’s webpage (scroll down).

The title Everything Change is drawn from a quote by Margaret Atwood, our first Imagination and Climate Futures lecturer in 2014. The contest and anthology are presented by the Imagination and Climate Futures Initiative at Arizona State University, a partnership of the Center for Science and the Imagination and the Virginia G. Piper Center for Creative Writing.

Stories by: Barakat Akinsiku, Amanda Baldeneaux, J.R. Burgmann, Mason Carr, Scott Dorsch, Sigrid Marianne Gayangos, Kathryn E. Hill, Jules Hogan, Anya Ow, Natasha Seymour

(2) PENNSIC WAR DELAYED AGAIN. The Society for Creative Anachronism’s Pennsic War will not happen again in 2021, however, a non-SCA event called Armistice will be run at the same site. Here are excerpts from the official explanations:

From the Mayor: Pennsic War 49

G’Day Everyone When taking office in the position of Mayor for Pennsic 49 I made a promise to everyone. That promise was that above all else, I would endeavour to run a fiscally responsible and safe Pennsic 49. It was my dear friend and mentor Viscount Sir Edward that said to me “The people that attend this event are Pennsic, take care of them.” I promised him I would. Then COVID 19 hit and the entire world was plunged into a crisis, the like of which we have not witnessed in our lifetimes. Over the past few months, I have been in constant discussions with The Pennsic Seneschals Group (PSG), The President of the SCA Inc, Coopers Lake Management and my Pennsic Senior Executive Group. In addition, I have seen the comments from many of you and listened to the comments from my Deputy Mayors and their staff. I have kept you all updated as much as possible so that you all understand my decision-making process and so that you understand the path I am walking when I make decisions. Although change is happening and things are getting better, I must deal with the now, rather than what I think it may be like in 3 months’ time and unfortunately our vendors needs for commitment and certainty are requiring us to make commitments earlier than we originally intended. As Mayor of Pennsic 49, I was entrusted with, the welfare and safety of the entire Pennsic Family. It is therefore with great sadness that I must inform you today that, I have decided to Postpone Pennsic 49 for another 12 months to 2022. The new dates for Pennsic 49 will be 29 July 2022 – 14 August 2022. This has been an exceedingly difficult decision to make but I trust you understand the reasoning behind it.
…Yours in Service, Sir Gregory of Loch Swan Mayor Pennsic 49

To explain a little further, I just want to put a couple of ‘Myths” that are circulating to bed and for people to clearly understand a few things that have and are happening behind the scenes.

Please understand that SCA, Pennsic staff, and Coopers management are jointly working together to find a solution. A separate, non-SCA event Armistice was the best joint solution that solved the issues of liability, allowed the business to survive, and provided an event for folks.

1. We needed to make a decision earlier because as PA (Just talking about our PA based Support services) started to emerge from the pandemic and slowly ramp up their businesses to pre-pandemic levels over the next 6 months, vendors need some certainty about their future commitment for everything from Portaloos to Waste Disposal bookings. We could not commit to that as the Pennsic War considering the current rules the SCA has in place today for SCA events. That was one consideration in our decision.

2. …All these decisions were made in concert with the SCA, the Pennsic Financial Committee, and the Coopers management working together to determine the best path forward for this summer.

3. For the Pennsic War to survive for another 20+ years, we need to support the main business that has supported us over these many years, Cooper’s Lake Campground and many of the smaller businesses and merchants that rely on Pennsic for part of their yearly income.  They have survived 18 months of no business income and forced closure. That is tough for any business, let alone one, like Coopers Lake,  that solely depends on campers and events. To that end we have been in discussions with the Coopers Lake Management for weeks about their options to survive. Armistice is that option.

4. Armistice “IS NOT” taking over from the Pennsic War. The Coopers Lake Management don’t want that at all. This is a one off event to help them through another tough year and is supported by Pennsic War and many Pennsic staff will be working to make Armistice event successful. It’s an option that gives those that wish to camp and relax with friends in PA, under PA health Guidelines the option to do so in a relaxed medieval environment.

5. We are all adults. Many have asked how to support the Coopers, well I’d suggest that this is a way of doing that, even if you can’t attend the event. I registered even though it is likely I won’t be able to attend, given current international travel rules.

6. This “Is Not” an SCA event. It is a Coopers Lake event run under their rules and insurance.

I hope that clears up some of the questions. Simple language, we knew about this alternate event, were consulted and even offered our expertise to support it. I know, there will be those that want to see some hidden secret SMOF type agenda, but those that know me, know that isn’t the case….  

(3) TONY STARK, COME FORTH. “Marvel Fans Rent Billboard Campaigning For Iron Man To Be Brought Back To Life”CinemaBlend has the story.

…The above image comes to us from a now-deleted Twitter post, which was shared a few hundred times ahead of its mysterious disappearance. Both the social media account and said billboard encourage Marvel fans to use the hashtag #BringBackTonyStarkToLife on April 24th, marks the two-year anniversary of Avengers: Endgame.

…It seems the Marvel fans behind the campaign want to see Iron Man/Tony Stark get a happy ending in the MCU. A number of characters fell throughout Infinity War and Endgame, including Black Widow. But Tony’s death hit especially hard, and his funeral scene was an emotional one considering Pepper Potts and their daughter Morgan.

While both Natasha and Tony died in Avengers: Endgame, Captain America was given a chance at a happy ending. After returning the Infinity Stones to their proper place in the timeline, Steve went back and lived his happy ending with Peggy Carter. It’s likely due to this that fans want to see Iron Man get the same treatment.

Still, it seems unlikely that Tony Stark would somehow be brought back to life in the MCU. The Russo Brothers have spoken about the importance of real stakes, and that includes death scenes. Tony Stark’s death wrapped up the character’s arc, and showed the real sacrifices that come with saving the galaxy.

(4) FIYAHCON PLANS. FIYAHCON 2021, a virtual convention centering the perspectives and celebrating the contributions of BIPOC in speculative fiction, will be held September 16-19.

…The event is hosted by FIYAH Literary Magazine and carries a variety of entertaining and educational content surrounding the business, craft, and community of speculative literature. The inaugural event took place in October of 2020 to great acclaim, and we look forward to doing it all again this year!

Get ready for three-point-five days of dynamic, entertaining content with BIPOC at the center of speculative literature discourse! The event takes place September 16-19, 2021 and includes panels, presentations, games, office hours, write-ins, workshops, kickbacks, and more.

Where the magazine is focused specifically on the elevation of Black voices in short speculative fiction, FIYAHCON seeks to center the perspectives and experiences of BIPOC (Black, Indigenous, and People of Color). The reasoning is that Black voices are not the least represented in the field, and we don’t want to exclude groups who are already systemically excluded from other spaces….

(5) THE THAWED LEFTOVER EQUATIONS. [Item by Cliff.] The premise for this movie sounds strangely familiar…. “Stowaway review – a devastating dilemma drives tense Netflix sci-fi” in the Guardian.

Ever since Sandra Bullock MacGyver’d her way from mid-orbit chaos back down to earth in Alfonso Cuarón’s show-stopping thriller Gravity, we’ve seen a rise in briskly efficient sci-fi competency porn. It’s a subgenre of films working off the thrill of watching high-stakes problem-solving, of professionals using their reality-rooted smarts to deal with fantastical situations. We’ve since seen Matt Damon use botany in The Martian, Amy Adams use linguistics in Arrival, Natalie Portman use cellular biology in Annihilation and Chris Pratt use Jennifer Lawrence in the unintentionally creepy Passengers. Just a few months after Netflix ventured into similar territory with George Clooney’s business first, emotion later drama The Midnight Sky, they’re taking us up into the stars with Stowaway, a late-stage acquisition title that should scratch that itch a little more successfully….

(6) TUBERS. [Item by Martin Morse Wooster.] In the April 21 Financial Times, gaming columnist Tom Faber discusses the rise of virtual YouTubers, or “VTubers.”

CodeMiko is a video game character without a game.  The pink-haired avatar lives on Twitch, the live streaming platform owned by Amazon, where she chats with her half-million fans and interviews internet personalities in a signature style marked by absurdist humour and non sequiturs.  Her videos are immensely enjoyable, and they might just signal the next frontier of digital entertainment.

Controlling Miko is a human actress and programmer wearing a motion capture suit, known only as ‘The Technician.’  When The Technician moves or speaks, the Miko avatar mimics her precisely on screen.  This set up is a variation on the virtual YouTuber, or VTuber, a phenomenon where live streamers host videos as fictional characters, masked behind cutesy anime avatars..  As of last October, VTuber streams on YouTube were wracking up more than 1.5bn views a month.  It may seem curious that audiences choose animated figures over real humans, but the VTuber concept offers striking advantages to both streamers and viewers.

(7) THE PRESSURE IS ON. James Wallace Harris asks “Will Climate Change Crush Our Science Fictional Dreams?” at Classics of Science Fiction.

… Elon Musk might get people to Mars but we’ll discover two things. Living on Mars will not be the romantic fantasy that science fiction fans have always dreamed, and leaving Earth won’t save us. We’ll probably also return to the Moon, but we’ll discover trying to colonize it will be nearly impossible and we’ll learn the true value of the Earth and its biosystem that was so perfect for us.

As the years progress and the concentration of CO2 in the atmosphere increases and the percentage of habitable land decreases I believe our desire for space travel will wane. We won’t have to wait for dramatic sea level rise for everyone to be convinced, heat waves will start to kill millions. Just read the first chapter of The Ministry for the Future to understand. I expect events like it will come true sometime this decade. We won’t need to see drowned cities to know the disciples of Ayn Rand have doomed us. Increasing weather catastrophes, declining food production, and mass migrations of refuges will make it plain enough we made the wrong decisions and believed the wrong people….

(8) CON WILL REQUIRE ATTENDEES BE VACCINATED. Blerdcon, to be held July 16-18 in Washington, D.C., announced on Facebook they have decided to make Blerdcon 2021 “a vaccine mandated event (even if you HAD covid and recovered).”

…Only those having received their completed vaccine regiment and showing their Covid-19 Vaccination Record Card at registration will be admitted into the convention. This extends to all staff, volunteers, vendors, contractors and sponsors.

The community simply has too much to lose and nothing to gain by taking on any unnecessary risks, even as we anticipate low infection/high vaccination rates for mid-July. So we are adding this to our other anti-covid measures: outdoor parties and events, spaced seating in all panel rooms, mask mandate for all indoor spaces, sanitation stations, nightly cleaning.

(9) CAPTAIN JACK IS IMMORTAL – YOU ARE NOT. Radio Times thinks they have found some Secret Information in the advertising for a comic book: “Doctor Who leaks | Will time windows and Captain Jack be in series 13?” If you don’t want to know a possible spoiler – don’t blink click!

… The synopsis was originally found on the official Penguin Random House website, and while it has since been removed it is still publicly available to view on other sites. When contacted by RadioTimes.com, the BBC declined to comment on “speculation.”

(10) POWELL OBIT. Costume designer Anthony Powell died April 18 at the age of 85 reports Deadline. Powell won multiple awards for non-genre productions — a Tony Award for the costumes of 1963’s School for Scandal, and Oscars in 1972 for Travels with My Aunt  1978 for Death on the Nile and in 1979 for Tess. He received the Costume Designers Guild’s Career Achievement Award in 2000. For genre work he earned Academy Award nominations for Pirates (1986), Hook (1991) and 102 Dalmatians (2000) (for the costumes of Glenn Close’s Cruella de Vil). His other credits included Sorcerer, Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade, 101 DalmatiansThe AvengersThe Ninth Gate and Miss Potter, the 2006 Beatrix Potter biopic.

(11) MEDIA BIRTHDAY.

  • April 22, 2005 — On this day in 2005, Star Trek: Enterprise went where the original series and Deep Space Nine had gone before as they ventured into the Mirror Universe with “In A Mirror Darkly”  with the first part of a two-part adventure in the program’s fourth season. (Star Trek: Discovery would later retcon itself into this universe.)  It was written by Mike Sussman who got his start on Star Trek: Voyager and wrote nearly thirty Trek episodes across the two series.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 22, 1887 – Kurt Wiese.  A score of covers, many interiors for Walter Brooks’ Freddy the Pigbooks.  Among much else, here is Twenty Thousand Leagues Under the Sea; Caldecott Honor for You Can Write Chinese.  (Died 1974) [JH]
  • Born April 22, 1899 – Vladimir Nabokov.  Scientist, poet, translator, critic, teacher, fiction author, memoirist.  Said he didn’t like SF but wrote some anyway, e.g. “Lance”.  Superb treatment of “Dr. Jekyll and Mr. Hyde” and “Metamorphosis” in Lectures on Literature.  (Died 1977) [JH]
  • Born April 21, 1902 Philip Latham. Name used by Robert Shirley Richardson on his genre work. His novels were largely first published in Astounding starting in the Forties, with the exception of his children’s SF novels that were published in Space Science Fiction Magazine. He also wrote a few scripts for Captain Video, the predecessor of Captain Video and his Video Rangers. His Comback novel starts this way: ‘ When Parkhurst heard the announcement that climaxed the science fiction convention, he found that he’d been right, years ago when he had faith in science-fictionists’ dreams. But, in another way, he’d been wrong . . .’ It’s available at the usual digital suspects for a buck. (Died 1981.) (CE) 
  • Born April 22, 1928 – Robert Schulz.   Two dozen covers.  Here is The Sword of Rhiannon.  Here is The Caves of Steel.  Here is Space Tug.  Here is Beyond Time and Space.  (Died 1978) [JH] 
  • Born April 21, 1937 Jack Nicholson, 84. I think my favorite role for him in a genre film was as Daryl Van Horne in The Witches of Eastwick. Other genre roles include Jack Torrance in The Shining, Wilbur Force in The Little Shop of Horrors, Rexford Bedlo in The Raven, Andre Duvalier in The Terror, (previous three films are all Roger Corman productions), Will Randall in Wolf, President James Dale / Art Land in Mars Attacks! and Jack Napier aka The Joker in Tim  Burton’s The Batman. (CE) 
  • Born April 21, 1977 Kate Baker, 44. Editor along with with Neil Clarke and Sean Wallace of the last two print issues of Clarkesworld .  She won the Hugo Award for Best Semiprozine twice, and the World Fantasy Award (Special Award: Non Professional in 2014, all alongside the editorial staff of Clarkesworld . She’s a writer of three short genre stories, the latest of which, “No Matter Where; Of Comfort No One Speak”, you can hear it here. Warning it has as subject matters abuse and suicide. (CE)
  • Born April 21, 1984 Michelle Ryan, 37. She had the odd honor of being a Companion to the Tenth Doctor as Lady Christina de Souza for just one story, “Planet of the Dead”.  She had a somewhat longer genre run as the rebooted Bionic Woman that lasted eight episodes, and early in her career, she appeared as the sorceress Nimueh in BBC’s Merlin. Finally I’ll note she played Helena from A Midsummer Night’s Dream in BBC’s Learning project, Off By Heart Shakespeare. (CE) 
  • Born April 22, 1943 – Louise Glück, age 78.  Her poem “Circe’s Power” is anthologized here.  In The Wild Iris flowers talk with a gardener and an “unreachable father”.  Pulitzer Prize, William Carlos Williams Award, Bollingen Prize, U.S. Poet Laureate 2003-2004, Nat’l Humanities Medal, Nobel Prize.  Professor at Yale.  [JH]
  • Born April 21, 1944 Damien Broderick, 77. Australian writer of over seventy genre novels. It is said that The Judas Mandala novel contains the first appearance of the term “virtual reality” in SF. He’s won five Ditmar Awards, a remarkable achievement. I know I’ve read several novels by him including Godplayers and K-Machines which are quite good. (CE) 
  • Born April 22, 1966 – Marie Javins, age 55.  Editor-in-chief at DC Comics.  Has done Marvel too, e.g. prose adaptation of graphic novel Iron Man: In extremis; with James Gunn, The Art of “Guardians of the Galaxy”.  Colorist.  Travel writer.  Website.  [JH]
  • Born April 22, 1989 – Catherine Banner, age 32.  Three novels for us, the first when she was 19; another outside our field well received.  Lives in Turin.  “I underwent a shift, as all writers who continue writing beyond adolescence probably do, from thinking ‘What story shall I write?’ to asking, instead, the more pertinent question, the one which can sustain a lifetime of work: ‘How can I do justice to this story I feel I must tell?’”  [JH]

(13) COMICS SECTION.

  • Bizarro reveals the surprise ending to a crime story.

(14) THE HOSTS WITH THE MOST. “’Jeopardy!’: Robin Roberts, LeVar Burton & George Stephanopoulos To Guest Host” says Deadline. A different source reports LeVar Burton’s episodes will air July 26-30.

Jeopardy! has unveiled the final group of season 37 guest hosts, with Robin RobertsLeVar Burton and George Stephanopoulous among the TV personalities set to lead the  popular trivia game.

Executive producer Mike Richards revealed that David Faber, who is a former Celebrity Jeopardy! champion,  and Joe Buck will also step up to the lectern to wrap up the game show’s 37th season. Previous season 37 guest hosts, who have stepped in for the late longtime host Alex Trebek, include Anderson Cooper, Dr. Mehmet Oz, Dr. Sanjay Gupta, Savannah Guthrie, Bill Whitaker, Mayim Bialik, Katie Couric and Aaron Rodgers.

(15) RITE GUD. Raquel S. Benedict has released more Rite Gud podcast episodes. (Previously identified in this space by her initials, she is now going by her full name.)  

What makes a writer? Is it coffee and cats? Is it a good author photo? Is it having a screenname like @JaneDoeWrites? Is it in your soul, in your bones, in your DNA? Is it collecting photos of books and sharing writing memes and penning endless posts about writing (specifically, about how much you hate it)?
In this episode, Carmilla Mary Morrell joins us to talk about the dark secret of being a writer: you have to fucking write. We also discuss the problem of defining people by rigid identities and the Doctrine of Dog Cum.

If you’ve spent any time talking about geek culture, you’ve probably seen one word come up over and over again: gatekeeper. To be a gatekeeper is bad. To be a gatekeeper is exclusionary and harmful and discriminatory.

The internet was supposed to get rid of gatekeepers and usher in a new, democratic era of content, an era free of inequality or bias or those evil old boogeymen called gatekeepers. But is it really? Are we really getting rid of gatekeepers, or are we just replacing the old gatekeepers with new ones?

In this episode, Colin Broadmoor joins us to talk about fandom, The Monk, and why fiction should hurt.

If you’re into science fiction and fantasy, you might have heard of something called hopepunk. Hopepunk, according to its supporters, is a creative movement that believes that producing and consuming optimistic fiction will make the world a better place. But does hopepunk really offer meaningful hope and revolution, or is it just a way to numb yourself and hide from the world?

In this episode, Sid Oozeley gets on the mic to talk about how all fiction is escapist: the only question is, what are you escaping from?

(16) PINBALL WIZARDRY. SYFY Wire tells what players what to expect when “Star Wars Pinball, Resident Evil go VR in Oculus virtual reality gaming showcase”.

With Baby Yoda and Din Djarin as ringside spectators, you might think there’d be galactic levels of pressure not to foul up a task — even if it’s something as casual as a game of Star Wars Pinball. But in Oculus’ big quest (pun intended) to bring the galaxy far, far away and other big-name game franchises to its family of VR platforms, it all actually ends up feeling pretty fun….

For its VR upgrade, Star Wars Pinball isn’t just replaying the classics, it’s also roping in newcomers to Lucasfilm’s ever-expanding galaxy. In addition to familiar tables based on the original films, watch for a pair of new themes created specifically for VR, as well as franchise newcomers straight out of The Mandalorian. While Oculus unveiled the new look, its Quest platforms aren’t the only place you’ll be able to hone your virtual skills; in addition to Oculus Quest 1 & 2, Star Wars Pinball is also headed to Steam VR and PlayStation VR on April 29….

(17) BUTLER RESEARCHER. In “How Octavia Butler Created Her SciFi Worlds” at Jezebel. Joyzel Acevedo interviews Lynell George, author of A Handful of Earth, A Handful of Sky: The World of Octavia E. Butler.

Originally, it was Lynell George’s mother who was the Octavia Butler fan. A Los Angeles-based English teacher for 30 years, George’s mother would hand Butler’s books to students who didn’t like reading; “‘What are you interested in? Who are you? Oh, here, this is for you’,” she recalls. Once, she brought George along to a Butler reading in Pasadena, California, and George describes the awe she felt seeing Butler in person for the first time: “There was something very powerful about this tall, Black woman walking to the bookstore and sitting inches away from me—it was a small store—to talk about her work, to talk about writing.”…

(18) ZOOM WITH OKUNGBOWA. Powell’s Books presents Suyi Davies Okungbowa in conversation with S. A. Chakraborty on May 18, at 5:00 PM Pacific. Register for the Zoom webinar here.

From Suyi Davies Okungbowa, one of the most exciting new storytellers in epic fantasy, comes Son of the Storm (Orbit), a sweeping tale of violent conquest and forgotten magic set in a world inspired by the precolonial empires of West Africa. In the ancient city of Bassa, Danso is a clever scholar on the cusp of achieving greatness — only he doesn’t want it. Instead, he prefers to chase forbidden stories about what lies outside the city walls. The Bassai elite claim there is nothing of interest. The city’s immigrants are sworn to secrecy. But when Danso stumbles across a warrior wielding magic that shouldn’t exist, he’s put on a collision course with Bassa’s darkest secrets. Drawn into the city’s hidden history, he sets out on a journey beyond its borders. And the chaos left in the wake of his discovery threatens to destroy the empire. Okungbowa will be joined in conversation by S. A. Chakraborty, author of The Daevabad Trilogy.

(19) CAN’T BEAT THAT. The Guardian’s Alison Flood celebrates a new edition of the author’s first book in “Terry Pratchett’s debut turns 50: ‘At 17 he showed promise of a brilliant mind’”. There’s a 2-minute audio clip at the link.

In November 1971, a debut novel from a young author was published, to a small but not insignificant splash. Set in a world of tiny people who live in a carpet, it was described by the book trade journal Smith’s Trade News as “one of the most original tots’ tomes to hit the bookshops for many a decade”, while Teachers’ News called it a story of “quite extraordinary quality”.

The unknown author was Terry Pratchett, and the book was The Carpet People. This week, publisher Penguin Random House Children’s is releasing a 50th-anniversary edition, with Doctor Who and Good Omens star David Tennant reading the new audiobook.

“Terry would have loved knowing that David was going to do it,” said Rob Wilkins, Pratchett’s former assistant and friend who now manages the Pratchett estate. “David was a Doctor Who that really mattered in the Pratchett household, so he would have been so thrilled.”…

(20) VENISON WITH A VENGEANCE. The Late Show with Stephen Colbert shows what happens when you mess with nature in “Bambi Returns: The Clone Wars”.

(21) VIDEO OF THE DAY. In “How WandaVision Should Have Ended” on YouTube, the How It Should Have Ended Team thinks WandaVision would be better with the addition of several DC superheroes, Mel Gibson, and Keanu Reeves! QUITE POSSIBLY SPOILERS.

[Thanks to Peer, John Hertz, Cat Eldridge, Martin Morse Wooster, N., Andrew Porter, Cliff, John King Tarpinian, Michael Toman, JJ, Raquel S. Benedict, IanP, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/17/20 The Eliot Ness Monster

(1) CARRYING OUT THEIR LAST WISHES. J. Michael Straczynski posted on Facebook today about his all-consuming role as executor for Harlan and Susan Ellison.

… “How do YOU know what the deal is, huh? My guy talked to the executor just yesterday, who told him this straight-up. How do YOU know better than HE does?”

How do I know better? How do I know these are just rumors?

Because I am the Executor of the Harlan and Susan Ellison Trust.

I’ve kept a low profile since accepting this position in order to focus on of the million-and-one details that have to be addressed. I don’t know if anyone reading this has ever been appointed an executor, but it is a massive undertaking. To be an executor is to inherit nothing but be responsible for everything, and to implement the last wishes of those who entrusted you with the totality of their life’s work.

Consequently, ever since Susan’s passing, 80% of my day, every day, has gone into establishing the Trust, dealing with tax issues, creditors, court documents, lawyers, accountants, affidavits, death certificates, corporate minutes…in simpler cases, the process only takes a few months, and usually ends by parceling out bequests or auctioning off the estate.

But that is not the case here, because there is the legacy of Harlan’s work that must be preserved and enhanced. Looking after all this, and seeing to Harlan and Susan’s wishes, is something I will likely be doing for the rest of my life.

Everything that Harlan ever owned, did or wrote will be fiercely protected. Steps are being taken to certify Ellison Wonderland as a cultural landmark, ensuring that it will remain just as it is long after I have gone to dust.

To revive interest in his prose, literary representation has been shifted to Janklow & Nesbit, one of the largest and most prestigious literary agencies in the world. Film and TV rights will be handled through A3, previously known as the Abrams Agency, also a leading and influential agency. I will be working hand in glove with them to get Harlan’s work back into print in a big way.

There is more to say on future plans – much more – but all of that will come in time….

(2) WORD MAGIC. NPR’s Jessica P. Wick promises that Alix E. Harrow’s “‘The Once And Future Witches’ Will Have You Spellbound”.

…Harrow likes a secret society in the best way, and Witches is riddled with secrets, honeycombed with groups working toward overlapping or opposing goals. The Sisters engage in imaginative skulduggery, scrounging plans from overlooked skills and ignored know-how. She also likes an uprising, and here, where witchery and sickness both run deep as water under a layer of oil, that’s heady stuff. We all (I hope) agree women getting the vote was long overdue. Framing the reclamation of magic and power against that real-world struggle, which we know turned out a certain way, feels particularly apt to themes of once and future, poignant to the powerlessness many feel this year.

I adored watching characters as their expectations were subverted, as their understanding of their world expanded. Harrow revels in many-layered mysteries, in a story of many acts, in wordplay….

(3) MAUS ARTIST. The Guardian’s Sam Leith interviews “Graphic artist Art Spiegelman on Maus, politics and ‘drawing badly'”.

…Spiegelman’s success had the disconcerting effect of placing an artist who had been happy in the comix-with-an-x underground – a lysergic disciple of R Crumb – very firmly in the literary establishment. He became a staple of Tina Brown’s New Yorker, a darling of academics, and came to be regarded by many, not without resentment, as a sort of capo of the US comics scene.

“I remember when I first got this Pulitzer prize I thought it was a prank call,” he says, “But immediately after I got back to New York, I got an urgent call from a wonderful cartoonist and friend, Jules Feiffer: ‘We have to meet immediately. Can you come out and have a coffee?’ And we met. He said: ‘You have to understand what you’ve just got. It’s either a licence to kill, or something that will kill you.’”

That comics are now considered “respectable” – thanks in part to Maus – is something Spiegelman never quite looked for. But he acknowledges it has its advantages. “I’m astounded by how things have changed. And I would say I might have been dishonest or disingenuous when I said I wasn’t interested in it being respectable. I love the medium. And I love what was done in it from the 19th century to now. But I know that on some level, I want it to be able to not have to make everything have a joke, or an escapist adventure story.”

His rocket launch into canonicity was both “liberating and also incredibly confining – trying to find places to go where I wouldn’t have to be the Elie Wiesel of comic books”. Even at the time, Spiegelman seems to have been conscious that Maus would be in danger of defining him. The next project he took on was illustrating Moncure March’s jazz-age poem The Wild Party for a small press: “This was going to be a kind of polar opposite [to Maus]: decorative, erotic, frivolous in many ways and involved with the pleasures of making; although it didn’t turn out to be so pleasurable in its third year. Every project I start turns into a coffin.”

(4) MAKE IT SO. “‘I Longed To See Something Different, So I Wrote It’: Questions For Rebecca Roanhorse” at NPR.

… In an email interview, Roanhorse tells me that’s something she’s always wanted to write about. “I have been reading epic fantasies inspired by European settings since I was a child, and while I’m still a fan of many of these works, I longed to see something different,” she says. “So I wrote it. I never made a conscious decision to go in that direction. That direction was simply the natural culmination of my love of the architecture, poetry, politics, and history of these places and people that I’ve been learning about forever.”

(5) IN MEMORY NOT GREEN. The actress says it ain’t so: “Tatiana Maslany Refutes She-Hulk Casting Report: Lead Role In Disney+ Series ‘Not Actually A Thing” at SYFY Wire.

Previous reports that Tatiana Maslany was getting ready to go green may have been premature. The Canadian-born Orphan Black star recently told an Ontario newspaper that she’s not been cast, after all, as the star of Marvel’s upcoming She-Hulk series at Disney+.

Speaking with the The Sudbury Star this week, Maslany tapped the brakes on all the She-Hulk hype, saying she’s “unfortunately” not currently tied to the series. First reported by Variety in September, word quickly spread that Marvel had tapped Maslany to play Jennifer Walters (aka She-Hulk), the comics-based cousin of Bruce Banner.

(6) GAME FACE. Ty Schalter’s “Personal Canons: Ender’s Game” is the latest guest post in Sarah Gailey’s Personal Canons series.

…So why, then, am I putting on my cape and riding out for this book as one that Everyone Must Read?

It’s not just because it remains a beautiful piece of art. Neither is it just because many other great books Card wrote have been silenced by his own inability to let them speak for themselves. Nor is it just because Ender’s Game deserves to be snatched from the canonical pyre and preserved for future generations.

It’s because Ender’s Game is a warning.

It’s a warning to privileged kids like me, who believe they know better than everyone else, when they don’t know how to turn in their homework on time. It’s a warning to everyone who thinks the universe owes them anything, just because of the circumstances of their birth. It’s a warning to a society that will stop at nothing to put itself first, even if that means perverting everything it’s supposed to stand for. Most of all, it’s a warning to authors, to readers, to writers, to the SFF community.

Yes, it’s possible to build a future where everyone can thrive together. Where our stories and our lives are enriched by the diversity of our voices, experiences, myths, cultures, and canons. Where the stories we tell light the way for all of humanity.

But the moral arc of the universe doesn’t bend toward justice by default. It requires constant, collective work with hammer and tongs. It requires pain, exhaustion, sacrifice by those who are able on behalf of those who aren’t. It requires humble reflection on everything we’ve ever done and choosing to do the right thing now, again and again, no matter how badly (or how often) we’ve screwed up. It is the journey of a lifetime, or many lifetimes.

(7) THE LIGHTHEARTEDNESS OF OTHER DAYS. James Wallace Harris surveys the field in “Poking Fun at Science Fiction”, but confesses, “My problem is sarcasm, satire, and subtle jabs go right over my head (my lady friends take advantage of this).”

…Study that Emsh (Ed Emshwiller) painting above. At first I thought it a clever way to suggest action – a woman had been abducted from a space colony. But then I thought of something, and it became funny, But how could it possibly comic? Obviously a woman has been kidnapped by an alien on a colony world – that’s tragic. But if you know the history of science fiction magazines, and the cliches about covers with BEMs carrying off a scantily clad women, then you might think Emsh is playing around. In case you don’t know the lingo, BEM stands for bug eyed monster. Sex sells, even for science fiction magazines. Why did Emsh leave off the sexy woman and lower the sales of that issue? Because we expected a naked woman he thought might be funny to disappoint us. Sure, the painting is of a serious action scene, a man is running to rescue a woman. Maybe even the editor told him, “No babes.” But I like to think Emsh is also poking fun at science fiction (See the section below, Sex, Nudity, and Prudity in Science Fiction.)

(8) FLEMING OBIT. Actress Rhonda Fleming died October 14. The New York Times paid tribute: “Rhonda Fleming, 97, Movie Star Made for Technicolor, Is Dead”. Here’s a brief excerpt concerning her genre connections.

Rhonda Fleming, the red-haired actress who became a popular sex symbol in Hollywood westerns, film noir and adventure movies of the 1940s and ’50s, died on Wednesday in Santa Monica, Calif. She was 97.

Ms. Fleming’s roles included those of a beautiful Arthurian princess in the Bing Crosby musical version of Mark Twain’s novel “A Connecticut Yankee in King Arthur’s Court” (1949).

… Ms. Fleming’s … last film was “The Nude Bomb,” a 1980 spy comedy based on the 1960s sitcom “Get Smart,” in which she played Edith Von Secondberg, an international fashion designer.

In a 1993 interview with The Toronto Star, relaxing at her California home with Mr. Mann, she said, “My husband recently asked me if I’d seen any movie I wanted to appear in.” She went straight for a specific role. “I said yes, the dinosaur in ‘Jurassic Park.’”

(9) MEDIA ANNIVERSARY.

  • 1980 — Forty years ago at Noreascon Two, Alien would win the Hugo for Best Dramatic Presentation. It was directed by Ridley Scott from the screenplay by Dan O’Bannon off the story by O’Bannon and Ronald Shusett. This would the second Hugo nomination form O’Bannon who was nominated earlier at MidAmeriCon for Dark Star. He’d would win his second Hugo several years later for Aliens at Conspiracy ’87, and be later nominated at Chicon V for Total Recall and Alien 3 at ConFrancisco. A half million audience reviewers at Rotten Tomatoes give it a horrifyingly great ninety-four percent rating. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born October 17, 1856 – Jane Barlow.  Knew French & German; classical scholar; pianist.  D.Litt. from Univ. Dublin.  A score of books; Irish Idylls went into nine editions.  For us The End of Elfintown book-length poem; translation of The Battle of Frogs and Mice, title page here; under another name, A Strange Land.  (Died 1917) [JH]
  • Born October 17, 1917 Marsha Hunt, 103. Performer who appeared in both the original versions of the Twilight Zone and the Outer Limits, also appeared in Star Trek: The Next GenerationShadow Chasers and Fear No Evil. (CE) 
  • Born October 17, 1934 Alan Garner, 86. His best book? That’d be Boneland which technically is the sequel to The Weirdstone of Brisingamen and The Moon of Gomrath but really isn’t. Oh, and The Owl Service is amazingly superb! There’s a BBC video series of the latter but I’ve not seen it.  (CE) 
  • Born October 17, 1942 – John Sapienza, Jr., 78.  Gamer (six years in Alarums & Excursions), WSFA (Washington, DC, SF Ass’n) stalwart, helpful con-runner (he was at SMOFcon 7; SMOF for “secret masters of fandom” being as Bruce Pelz said a joke-nonjoke-joke; SMOFcon draws people who often do the work at SF conventions and want to do it better; SMOFcon 37 was in 2019), and lawyer, who found himself marrying Peggy Rae Pavlat, which had an effect like Atomic Mouse’s U-235 pills.  He was and is quite worthy; I said the only way Peggy Rae could have got more sapience was by marrying him.  [JH]
  • Born October 17, 1948 – Robert Jordan.  Best known for the Wheel of Time series, finished by Brandon Sanderson at RJ’s death.  Also Conan the Barbarian books.  Under other names, historical fiction, a Western, dance criticism.  In the Army earned a Distinguished Flying Cross with oak-leaf cluster, Bronze Star with “V” and oak-leaf cluster, two Vietnamese Gallantry Crosses with palm.  His widow continues as an editor.  (Died 2007) [JH]
  • Born October 17, 1950 – Michael J. Walsh, F.N., 70.  Another WSFA stalwart, he chaired ConStellation the 41st Worldcon, three Disclaves including one he couldn’t attend, two Capclaves, Balticon 15, three World Fantasy Conventions.  Fan Guest of Honor at Balticon 29, Lunacon 40, Armadillocon 36, World Fantasy Con 2018.  Fellow of NESFA (New England SF Ass’n; service award).  Publisher, Old Earth Books.  Occasional Filer.  [JH]
  • Born October 17, 1951 – Geraldine Harris, 69.  Five novels, two shorter stories; see her Website here.  Also children’s books on ancient Egypt.  Married name Geraldine Pinch identifies her academic work in Egyptology, from which she says she has retired.  [JH]
  • Born October 17, 1958 Jo Fletcher, 62. British editor who, after working for Gollancz for 16 years, founded Jo Fletcher Books in 2011. Interestingly ISFDB says she’s done two World Fantasy Convention souvenir books, Gaslight & Ghosts and Secret City: Strange Tales of London, both with Stephen Jones. She also wrote with him the British Report aka The London Report for Science Fiction Chronicle. (CE) 
  • Born October 17, 1968 Mark Gatiss, 52. English actor, screenwriter, director, producer and novelist. Writer for Doctor Who; with Steven Moffat, whom Gatiss worked with on Doctor Who and Jekyll, he also co-created and co-produced Sherlock. As an actor, I’ll noted he does Vogon voices in The Hitchhiker’s Guide to the Galaxy, and is Mycroft Holmes in Sherlock. (CE) 
  • Born October 17, 1971 Patrick Ness, 49. Best known for his books for young adults, including the Chaos Walking trilogy and A Monster Calls. He’s also the creator and writer of the Doctor Who spin-off Class series. And he’s written a Doctor Who story, “Tip of the Tongue”, a Fifth Doctor story. (CE) 
  • Born October 17, 1983 Felicity Jones,  37. She played Ethel Hallow for one series of The Worst Witch and its sequel Weirdsister College. She’d later be in The Amazing Spider-Man 2 as Felicia Hardy and in Rogue One as Jyn Erso. I’d say her role as balloon pilot Amelia Wren in The Aeronauts is genre adjacent. (CE) 
  • Born October 17, 1984 – Randall Munroe, 36.  Stick-figure cartoons can degenerate into word gags, and the endlessly sour can tire like the sweet, but speaking of endlessness, “Time” in RM’s xkcd won the Best-Graphic-Story Hugo having been updated every thirty minutes 25-30 Mar 2013, then every hour until 26 Jul, in total 3,099 images; he evidently learned Time must have a stopHuxley did.  A teacher of mine said “There’s a sense in which a genius can’t be wrong.”  [JH]

(11) COMICS SECTION.

  • October 17, 1937 — Huey, Dewey, and Louie (Donald Duck’s nephews) first appeared in a comic strip.
  • Bliss suggests the next Harry Potter title.
  • A mega-dose of secret history at Saturday Morning Breakfast Cereal.

(12) GRAB AND GO. October 20 will be the day NASA’s OSIRIS-Rex snatches a sample from the asteroid Bennu. Planetary Society has a briefing: “Your Guide to the OSIRIS-REx sample collection”. Click on planetary.org/live for NASA TV coverage starting at 2:00 p.m. PT / 5:00 p.m. ET / 21:00 UTC.

…Collecting a sample from Bennu is no small challenge. The asteroid, which measures 500 meters (a third of a mile) wide, ended up being much rockier than mission designers expected. The sample site is just 16 meters in diameter and surrounded by boulders bigger than OSIRIS-REx itself. The spacecraft must collect its sample without guidance from Earth, since it currently takes nearly 20 minutes for signals to travel between our planet and Bennu at the speed of light.

The entire process takes almost 5 hours. OSIRIS-REx will match Bennu’s 4-hour rotation rate and slowly descend to the surface. To give the spacecraft more room to maneuver, it adjusts itself into a Y-shape, extending its sample arm 3 meters and tilting back its two solar panels. Eventually OSIRIS-REx must turn its high-gain antenna away from Earth, restricting the volume of information ground controllers can receive. The spacecraft figures out where it is by comparing surface views from prior flyovers with real-time camera images. It will back away immediately if it thinks it’s going to crash.

Bennu barely has any gravity, so OSIRIS-REx can’t land. Instead, the spacecraft will high-five Bennu with a cylindrical dinner plate-sized device at the end of its arm called TAGSAM, the Touch-And-Go Sample Acquisition Mechanism. TAGSAM blasts nitrogen gas into the surface, kicking dust and small rocks into a collection chamber that runs around the inside of the device.

OSIRIS-REx won’t overstay its welcome, immediately backing a safe distance away from Bennu. The mission team will take pictures of TAGSAM to verify they got a sample, and later spin the spacecraft to weigh it. If for some reason things go awry, the spacecraft carries enough nitrogen for two more collection attempts. But if everything goes according to plan, OSIRIS-REx will store the sample in a capsule and depart for Earth next year. In September 2023, the capsule will parachute to a landing in Utah.

(13) POSSIBLE BREAKTHROUGH WITH BRAIN INSPIRED COMPUTING. [Item by SF Concatenation’s Jonathan Cowie.] A core trope of science fiction has been ‘artificial intelligence’ (AI) from Arthur Clarke’s HAL 9000 to Philip K. Dick’s replicants.  In real life, computer scientists have over-used the term, applying it to things like facial recognition, and so for what SF folk would call AI they call it General Artificial Intelligence (GAI).  In addition to the rod to GAI, there is also the problem of Moore’s Law by which computing power of a chip doubles every couple of years: this cannot go on indefinitely and we may reach the limit in a decade or so’s time.  Chinese computer scientists from the Centre for Brain-Inspired Computing Research, Tsinghua University, Beijing, have just had a breakthrough that is likely to help address both issues.  Their work is rather technical but in essence they have developed a new approach using neural networks. Instead of getting the network to work like a normal computer, they have developed a new computer system hierarchy.  In essence, while normal computers have an algorithm described in software which is accurately compiled into an exact equivalent intermediate representation of hardware — a set of instructions that is then run on the hardware, what the computer scientists have done is develop an inexact, approximate way to do this.  This overcomes the difficulty of producing exact representations in neural networks. One advantage of this is that their programs can be run on a number of different types of neural network.  Another is that while exactness is lost, processing speeds and power greatly increases.

All this sounds very fine, but will it work? Well, they have tried it out with three experiments done both their new way and on a traditional computer as well as a platform, based on devices called memristors, that accelerate neural network function. One, was to simulate the flight of a flock of birds. The second was to simulate riding a bike, and the third performing a linear algebra analysis called QR decomposition.  All worked.  However the degree of accuracy presented by the new architecture depended on the degree of approximation used. For example, with 10% error no bird, in the flock of birds simulation, matched the standard computer simulation. But with 0.1% error nearly all the birds were plotted either overlapping or immediately adjacent to those plotted with the standard traditional computer simulation.  It may well be that in a couple of decade’s time, when you are locked out of your home by your house AI and arguing with it to be let in, you may reflect that the key stepping stone to creating such GAIs was this research.  (See the review article as well as the primary research abstract and the full paper (available only to subscribers and at subscribing academic libraries’ computer terminals.)

Meanwhile you can see a summary of last season’s science over at ;SF² Concatenation.

(14) REPEATEDLY FRAMED. Not Pulp Covers gives Ray Harryhausen a taste of his own stop-motion:

Special effects master, Ray Harryhausen, demonstrates animating a skeleton warrior from 1963’s ‘Jason and the Argonauts’.

(15) VOLUMES OF MONEY. Learn “Why first edition books can attract obsessive collectors and sell for eye-watering sums” at Inews.

Sales of first editions have made headlines around the world this week after fetching eye-watering price tags.

A copy of William Shakespeare’s First Folio – the first collected edition of his plays, from 1623 – was sold by Christie’s at auction in New York for a record $9.98m (£7.6m), hot on the heels of the sale of a first edition of Harry Potter and the Philosopher’s Stone for £75,000 on Tuesday.

But beyond the big hitters, there are collectors all around the world quietly seeking out first editions. They can amass important collections that would be nigh-on impossible to achieve if it was art, and not books, they were buying.

… Beyond that, collectors love first editions because they can show how the author wanted the book to look and can be a joint collaboration between author and publisher.

F Scott Fitzgerald, for example, was shown the original artwork for the dust jacket of The Great Gatsby and it influenced his thoughts on the novel. He wrote to his publisher in August 1924, begging them to keep the jacket for him as he had “written it into the book”.

Arthur Ransome so disliked the drawings produced for his book Swallows and Amazons that only the dust wrapper, endpaper and frontispiece designs were retained. He would eventually go on to illustrate it himself.

The Hobbit’s famous first edition cover – featuring a mountainous landscape – was designed by JRR Tolkien himself and is loved by collectors and fans alike.

And Lewis Carroll withdrew the initial print run of Alice’s Adventures in Wonderland over the quality of the images. There are thought to be only 22 of them in existence; with such scarcity comes a willingness from collectors to pay huge sums.

(16) A HUNK OF BURNING LOVE. [Item by Mike Kennedy.] OK, so it’s actually a plasma torch, but it does look (and somewhat act) like the “real” thing. “Lightsaber technology has improved in the real world with the help of this retractable plasma sword” at SYFY Wire.

Lightsaber technology has come a long way since Star Wars‘ George Lucas painted some wooden dowel rods for Obi-Wan and Darth Vader. Now people in the real world have actually created the ancient and respected blade of the Jedi — and it’s getting closer and closer to the legit canon construction. The latest evolution involves a retractable flaming beam that offers up 4000° of Darth Maul-halving power.

The latest step in The Hacksmith‘s grand quest for a real-life lightsaber (the YouTuber has been advancing his constructions over many different iterations) involves a retractable “blade” that replaces the super-hot metal rod from previous editions like the protosaber. Now it really looks like the lightsaber blade is extending and retracting, along with all the fiery damage it brings.

[Thanks to Andrew Porter, JJ, John King Tarpinian, Lise Andreasen, John Hertz, Mike Kennedy, Contrarius, Cat Eldridge, Michael Toman, SF Concatenation’s Jonathan Cowie, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day OGH. Every now and then.]

Pixel Scroll 4/24/19 The Scroll Of The File King From Pixel Gynt

(1) AO3’S HUGO PACKET ENTRY. Archive of Our Own has publicly released its Hugo Voter Packet Submission. The two-page writeup is here [PDF file]. The following intro comes from Firenze to Therum:

AO3 was nominated for a Hugo Award this year for Best Related Work! This is an amazing achievement and we’re overjoyed that Hugo voters have recognised the incredible collaborative work that is the Archive.

Here’s some information about AO3, including its origins, some key features, and the team that makes it all possible. You can also check out the shiny PDF we submitted for the 2019 Hugo packet!

(2) AVENGING ECONOMIST. Behind the Financial Times paywall, economics columnist Tim Harford offers his thoughts on Avengers: Endgame.

Thanos fascinates me not only because he’s the best bad guy since Darth Vader–but because the muscular utilitarian is an economist on steroids.

Thanos’s claim to the economists’ hall of fame lies in his interest in scarce resources, his faith in the power of logical analysis, and a strong commitment to policy action–specifically, to eliminate half of all life in the universe, chosen at random…

…Thanos has convinced himself that he’s seen something nobody else can quite understand.  The truth is that he sorely needs peer review.  Like many powerful people, he regards himself as above his critics, not to mention every sapient being in the universe.  He views humans less as free-willed spirits capable of solving their own problems, and more like overbreeding rabbits, needing a cull for their own good.

(3) ENDGAME REVIEW. NPR’s Glen Weldon tells us “Mourning Has Broken Them: ‘Avengers: Endgame'”.

Going into Avengers: Endgame, one would be well-advised to manage both one’s expectations, and — given its three-hour-plus, intermissionless runtime — one’s fluid intake.

…The Russos’ decision to stick close to the experiences of the remaining Avengers proves a rewarding one, as they’ve expressly constructed the film as an extended victory lap for the Marvel Cinematic Universe writ large. Got a favorite character from any Marvel movie over the past decade, no matter how obscure? Prepare to get serviced, fan. Because the film’s third and final hour contains extended references to every single Marvel film that has led up to this one – yes! even Thor: The Dark World! I’m as surprised as you are! – and part of the delight Endgame provides to the patient audience member is gauging the size of the cheer that greets the entrance of any given hero, locale or – in at least once instance – item of super-hardware.

Make no mistake: There will be cheers. And boos. And gasps. The final, climactic battle (come on, you knew there’d be one) is legitimately thrilling, because every one of its manifold delights is fueled by (a cynic would say coasting on) the warm familiarity that spending a decade with these characters has engendered….

(4) GLEN WELDON HAS COMPANY. BBC does a roundup of the immediate reaction — “Avengers: Endgame ‘satisfying’ and ‘glorious’, say critics”.

Critics have been left dazzled by the latest Avengers film, describing it as “glorious”, “irresistible”, “intensely satisfying” and “masterful”….

(5) DON’T MISS THIS OPPORTUNITY. Clarke Award director Tom Hunter, seeing how few award submissions are by writers of color, says “Diversity in science fiction needs action now”.

…Many authors and industry spokespeople have talked more eloquently about the need to address this disparity in publishing than I will ever be able to. But I also suspect more than a few publishers will quietly check their new submissions piles or log into BookScan after reading this, and suggest that in order to affect any real change they need to submit more books by writers of colour.

They may argue, of course, that there needs to be more evidence of sales potential first to get those books past gatekeepers in marketing, finance and other departments. They might (just) have a short-term point, but to me this sounds more like using data to justify a current position – and I think it also misses the bigger publishing opportunity.

Here are four cultural tipping point trends that show what I mean.

  • From the SF&F bookshelves: N.K. Jemisin wins a record-setting third consecutive Hugo Award for Best Science Fiction Novel with the final part of her Broken Earth trilogy (parts one and two having taken the prize in their own respective years).
  • From the ‘respectable’ bookshelves: Colson Whitehead’s The Underground Railroad wins the Pulitzer, the National Book Award and the Arthur C. Clarke Award for science fiction literature.
  • From the Box Office: The Marvel Universe film Black Panther makes over a billion dollars at the box office in record time and gets nominated for seven Oscars including Best Picture (it doesn’t win that one though, of course).
  • From an adjacent cultural sector: The Musée d’Orsay in Paris opens their major exhibition Black Models: From Gericault to Matisse, challenging our historic perceptions of French masterpieces by reframing and renaming them to foreground attention on their black subjects, gaining both critical acclaim and a big upswing in first time visits from new audiences (new readers to you and me) along the way.

(6) HOPEPUNK AND HUGOS. Yes! takes a look “Inside Science Fiction’s Compassionate Revolution”.

…In 2018, almost every category of the Hugos were won by women, including N.K. Jemisin, who became the first person ever to win the Hugo for Best Novel three years in a row. Before Jemisin, no Black person of either gender had ever won the top award.

Then came this year’s historic collection of nominees, which are notable not just for the elevation of a more diverse field of storytellers, but for the specific type of story that many of them represent.

Rowland coined the term “hopepunk” on a whim in a 2017 Tumblr post, having no idea that it would catch on so strongly within the community. She defined it initially as “the opposite of grimdark,” referring to a popular dystopian subgenre characterized by nihilism, amorality, and a negative view of human nature. Hopepunk, in contrast, is optimistic about humanity and sees kindness as “an act of rebellion” against a power structure that benefits from people giving up on compassion.

In an essay for the Winter 2019 issue of The Stellar Beacon zine, Rowland expanded on hopepunk, emphasizing the resistance element. Unlike another subgenre dubbed “noblebright”—characterized by the belief that righteous heroes can and will prevail over wicked villains—hopepunk does not deny the inherent injustices of the real world. However, it also recognizes the potential for justice within humanity. Compassion and empathy are weapons in the eternal fight between good and evil within the human heart. Hopepunk acknowledges that that fight will never be won, but insists on fighting anyway, because, as Rowland wrote, “the fight itself is the point.”

(7) BIZARROCON PERSPECTIVE. Brian Keene interviewed Jeff Burk on a recent episode of The Horror Show With Brian Keene (“Jeff Burk Unchained – The Horror Show with Brian Keene – Ep 215”.)  Part of the discussion centered on the events at BizzaroCon where Chandler Morrison performed a section of one of his works; complete with a dead (toy) baby covered in blood (ketchup) — events covered in File 770 posts “A Reckoning for BizarroCon” and “Changes in Store for Bizarrocon”.

Dann listened to the podcast and sent along these notes —

During the interview, Burk categorically denied having anything to do with abusive/predatory behavior that had been an issue at past cons.  He was incensed at the post-con attempts to tie abusive behavior with himself or Morrison.    Burk suggested that the tone/perspective of comments that he received at the con were decidedly different from what was seen on the Internet in the days that followed.  The people complaining most loudly online had appeared to have substantially different perspectives while at the con.  He also denied that Morrison ever exposed himself during his performance.  A prosthetic/prop was used during the performance.

Burk acknowledged that he had made the mistake of thinking that BizarroCon was an appropriate venue for Morrison’s performance.  Similar (and perhaps more gross) performances have been a long tradition at KillerCon.

Brian Keene indicated that he had acted as a consultant/mediator after the BizarroCon performance, but he had no direct input on Deadite Press’ decision to fire Burk.

Burk indicated that he disagreed with the decision by Eraserhead Press’ decision to terminate him.  But he also said that he is still on good terms with the executives in charge and has a positive opinion of them.

He also discussed his new imprint “Section 31 Productions”.  Star Trek fans will recognize the homage in the company’s name.

(8) DRAGON CHOW. Eater’s article “How Much Do the ‘Game of Thrones’ Dragons Actually Need to Eat? An Investigation” kind of reminds me of the Lilliputians trying to feed Gulliver.

In the Season 8 premiere, Winterfell leather goth Sansa Stark questions her brother Jon Snow’s decision to bring his pushy new girlfriend (and aunt!) Daenerys and her two dragons to the north, wondering out loud what precisely the dragons are going to eat. The Mother of Dragons smugly replies, “Whatever they want.” (Which, judging from past episodes, includes a lot of animal herds and the occasional shepherd boy.)

Later in the episode, two of Dany’s Dothraki footmen inform her that her dragons only ate only “18 goats and 11 sheep” for lunch, a sign that they are losing their appetite as a result of the move up north. Considering that Game of Thrones scribes D.B. Weiss and David Benioff love foreshadowing, we couldn’t help but wonder if the dragon’s dietary needs will play some key role in the upcoming Battle of Winterfell. To better understand the dragon hunger situation and how it could impact the impending war with the Night King, Eater got in touch with a bona fide expert on large reptiles and flying animals, and asked her a few questions about how these aerial beasts might act during the epic battle ahead.

(9) CONNOR TRIBUTE. Graham Connor (1957-2018) co-founded SF² Concatenation at the 1987 Eastercon and remained one of its co-editors until his death in December 2018. Jonathan Cowie and other friends have assembled an illustrated profile of his life in SF and space communications in “A life in SF and space”, an advance post ahead of SF² Concatenation’s summer edition.

Graham was born in the Cumbrian, coastal town of Workington, in the shadow of Windscale (now Sellafield).  1957 was the year of the Windscale nuclear disaster.  And so the scene was set for Graham to potentially have been bitten by a radioactive spider and become a superhero. But, alas, that did not happen….

He did make it to several Worldcons — Brighton (1979), Brighton (1987), The Hague (1990) – he subsequently worked a couple of years for ESA nearby, and Glasgow (1995).  Sadly, chronic illness prevented further attendance beyond the mid-2000s.

(10) BARNES OBIT. From BBC: “Dick Barnes, pioneer behind oldest working computer, dies”. The 98-year-old died April 8.

One of the co-designers of a machine later recognised as the world’s oldest working digital computer has died.

Richard “Dick” Barnes helped to create the Harwell Dekatron, which was first put to use in 1951 by Britain’s fledgling nuclear research establishment.

He was also involved in the 2.5-tonne machine’s restoration, which saw it switched back on in 2012.

…He and two colleagues, Ted Cooke-Yarborough and Gurney Thomas, began their work on the Harwell Dekatron in 1949.

It was initially used by the Atomic Energy Research Establishment in Oxfordshire, where its tasks involved solving equations used to design the structure supporting the world’s first commercial nuclear reactor at Calder Hall.

…In November 2012 the machine was successfully switched back on after a three-year restoration project.

The revived machine functioned as planned, which is to say, very slowly.

It could take up to 10 seconds to multiply two numbers – but Mr Barnes and his co-designers had wanted a machine that could run continuously, not necessarily quickly, in order to be useful.

Indeed, it was known to calculate continuously for periods of up to 80 hours.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 24, 1930 Richard Donner, 89. Oh, now he’s credited in directing Superman as making the modern superhero film. H’h. Well I’m going to celebrate him instead for ScroogedThe Goonies (really not genre but fun) and Ladyhawke. Not to mention the horror he did — Tales from the Crypt presents Demon Knight and Bordello of Blood. Oh and the first X-Men film which was superb.
  • Born April 24, 1936 Jill Ireland. For her short life, she was in an amazing number of genre shows. She was on Star Trek romancing Spock as Leila Kalomi In “This Side of Paradise”. She had five appearances on The Man from U.N.C.L.E. as well as being on Night Gallery,  My Favorite Martian, Voyage to the Bottom of the SeaThe Voodoo Factor and the SF film The Girl, the Gold Watch & Everything based on the 1962 novel of the same name by John D. MacDonald. (Died 1990.)
  • Born April 24, 1946 Donald D’Ammassa, 73. Considered to be one of the best and fairest long-form reviewers ever. His Encyclopedia of Science Fiction (2005) covers some five hundred writers and as can two newer volumes, Encyclopedia of Fantasy and Horror Fiction (2006) and Encyclopedia of Adventure Fiction (2009) are equally exhaustive. I can’t comment on his fiction as I’ve only ever encountered as a reviewer.
  • Born April 24, 1947 Michael Butterworth, 72. Author with Michael Moorcock of, naturally, two Time of the Hawklords novels, Time of the Hawklords and Queens of Deliria. He also wrote a number of Space 1999 Year 2 novels, too numerous to list here. He also edited Corridor magazine from 1971 to 1974. He also wrote a number of short fiction pieces including one whose title amuses me for reasons I’m not sure, “Circularisation of Condensed Conventional Straight-Line Word-Image Structures“. 
  • Born April 24, 1953 Gregory Luce, 66. Editor and publisher of both the Science Fiction Gems and the Horror Gems anthology series, plus such other anthologies as Citadel of the Star Lords / Voyage to Eternity and Old Spacemen Never Die! / Return to Earth. For a delightful look at him and these works, go here. Warning: cute canine involved! 

(12) WILSON FUNDRAISING UPDATE. The “Help Gahan Wilson find his way” GoFundMe is now up to 1300 contributors and just over $60,000 raised. Gahan Wilson is suffering from severe dementia, and the goal is to pay for his memory care.

Gahan and my mother had been residing in an assisted living facility in Arizona. With my mother’s passing, he must move to a memory care unit.

…Gahan will be in our care at the casita, and we will also find him a memory care unit in Santa Fe since he also needs daily medical care.

Memory care is wildly expensive. More so than assisted living. If we could cover the cost ourselves, we would. We can’t, and Gahan and my mother did not save for anything like this. We are asking his fans to help us, help Gahan.

That’s what this is all about. Making the rest of Gahan’s days as wonderful as they can be.

(13) OVERLOOKED. In its review of a new sff collection, The Hugo Award Book Club faults “A People’s Future Without Labour”.

…Any author or editor attempting to claim the mantle of [Howard] Zinn’s work has an unenviable task ahead of them. But when SF luminaries John Joseph Adams and Victor LaValle — both of whom have produced top-quality works — announced a short story collection whose title is an homage to Zinn, we were very excited. 

Given the provocative and timely premise of A People’s Future Of The United States, we approached the collection of stories with enthusiasm. Unfortunately, the collection as a whole failed to live up to the grand ideas described by the editors.

…Questions of race, class and gender are important to explore and have all-too-often been ignored in science fiction. 

We would argue that because science fiction is an inherently political genre, it is of paramount importance to create inclusive futures we can believe in. Some of the stories in this volume do indeed ably tackle topics of race, class and gender. But the topic of labour is almost entirely neglected. 

It is disappointing that an anthology that so explicitly aims to address cultural blindspots has reproduced one itself. 

In comparison, the index to Zinn’s classic history book includes a full page of references to organized labour movements. At a rough estimate, 30 per cent of the book deals with the struggles of traditional union movement organizing, and workers rights are integral to much of the rest of the text…. 

(14) ROBOTS LIKE ME. James Wallace Harris reviews Ian McEwan’s Machines Like Me in “Why Should Robots Look Like Us?” at Auxiliary Memory.

McEwan’s story often digresses into infodumps and intellectual musings which are common pitfalls of writing science fiction. And the trouble is he goes over the same well-worn territory. The theme of androids is often used to explore: What does it mean to be human? McEwan uses his literary skills to go into psychological details that most science fiction writers don’t, but the results are the same.

I’ve been reading these stories for decades, and they’ve been explored in the movies and television for many years too, from Blade Runner to Ex Machina. Why can’t we go deeper into the theme? Partly I think it’s because we assume AI robots will look identical to us. That’s just nuts. Are we so egocentric that we can’t imagine our replacements looking different? Are we so vain as a species as to believe we’re the ideal form in nature?

…Instead of writing stories about our problems of dealing with facsimiles of ourselves, we should be thinking about a world where glittery metallic creatures build a civilization on top of ours, and we’re the chimpanzees of their world.

(15) POWER VOCABULARY. BBC’s science news “‘Exhilarating’ implant turns thoughts to speech” includes recorded sample.

Scientists have developed a brain implant that can read people’s minds and turn their thoughts to speech.

The team at the University of California, San Francisco says the technology is “exhilarating”.

They add that their findings, published in the journal Nature, could help people when disease robs them of their ability to talk.

Experts said the findings were compelling and offered hope of restoring speech.

The mind-reading technology works in two stages.

First an electrode is implanted in the brain to pick up the electrical signals that manoeuvre the lips, tongue, voice box and jaw.

Then powerful computing is used to simulate how the movements in the mouth and throat would form different sounds.

(16) KRUGMAN’S WORLDCON TALK. At Anticipation, the 2009 Worldcon in Montreal, Nobel Prize-winning economist Paul Krugman spoke and then took questions. Scott Edelman has posted an audio recording on YouTube.

(17) PROP MAKER. Kenneth Spivey is “The Swordsmith to the Stars”. Great Big Story has a video (just over 3 minutes) about this artist and prop maker who is “working on Hollywood films like the ones he’s always loved—and likely inspiring the next generation.” Chevy trucks are featured prominently since they are the corporate sponsor.

(18) GEMINI MAN. The Hollywood Reporter asks “Can ‘Gemini Man’ Revive the Golden Age of ’90s Sci-Fi?” That is, can it be “an event unto itself?” Will Smith stars opposite a CGI-ed 23-year-old version of himself in Ang Lee’s Gemini Man—a property with a long history of previous stars being attached. The movie opens October 11.

This morning Paramount had us seeing double with the first trailer for the Ang Lee-directed sci-fi/action film Gemini Man, starring not one, but two Will Smiths. The long-gestating film, which began development as a Tony Scott feature in 1997, centers on assassin on the verge of retirement Henry Brogen (Smith), who is forced to combat a younger clone of himself (Smith) in the not-too-distant future. Since the film’s inception in the late ’90s, a number of big names have been attached to star, including Harrison Ford, Nicolas Cage, Clint Eastwood and Sean Connery. When Ang Lee took over the project in 2017, he cast Smith in the lead role, giving the actor the unique opportunity to play both his current 50-year-old self and his 23-year-old self, who, thanks to the film’s revolutionary technology, looks like he just stepped right off the set of The Fresh Prince of Bel-Air. If the trailer for the film, which also stars Mary Elizabeth Winstead, Clive Owen and Benedict Wong, is any indication, Gemini Man may be just what the science fiction genre needs.

[…] Big-budget original science fiction needs a win, and hopefully Gemini Man can recapture the spirit of the ’90s where a big-name director, producer and actor were an event unto themselves, regardless of preexisting material. Gemini Man looks appealing not simply because of its concept and slick action sequences, but because it looks to simultaneously tap into our nostalgia with a sunglasses-wearing Smith, and also our desire for an original, high-concept property that doesn’t require any prior knowledge. It’s a double threat.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Dann, Carl Slaughter, StephenfromOttawa, Jonathan Cowie, Scott Edelman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 4/5/19 We Can Scroll It For You Wholesale

(1) GAME OF LUNCH. Ethnic cuisine of Westeros? Gothamist tells you how to order it in “Shake Shack Offering ‘Secret’ Game Of Thrones Items For Valyrian Speakers ONLY”.

Below, you’ll find a little guide explaining what you need to say in order to actually purchase these items. It’s more “bend the tongue” than “bend the knee,” but you get the drift

(2) BLOCKING TECHNIQUE. Foz Meadows takes stock of social media as various platforms enter their teenage years: “Cancel Culture: The Internet Eating Itself”.

…I’m tired of cancel culture, just as I was dully tired of everything that preceded it and will doubtless grow tired of everything that comes after it in turn, until our fundamental sense of what the internet is and how it should be managed finally changes. Like it or not, the internet both is and is of the world, and that is too much for any one person to sensibly try and curate at an individual level. Where nothing is moderated for us, everything must be moderated by us; and wherever people form communities, those communities will grow cultures, which will develop rules and customs that spill over into neighbouring communities, both digitally and offline, with mixed and ever-changing results. Cancel culture is particularly tricky in this regard, as the ease with which we block someone online can seldom be replicated offline, which makes it all the more intoxicating a power to wield when possible: we can’t do anything about the awful coworker who rants at us in the breakroom, but by God, we can block every person who reminds us of them on Twitter.

(3) A WARRIOR HANGS UP HIS SHIELD. Fulk Beauxarmes’ protests against the growing influence of white supremacists in the Society for Creative Anachronism, and use of their symbols in its heraldry, inspired me to nominate him for Best Fanwriter. In a new post he decries the continued inaction of the Society’s leadership and also announces that he’s “Leaving the SCA”.

On February 15th a post that Ronan Blackmoor had recently made was brought to my attention. He’d apparently posted to his Facebook page a triumphant announcement that he and Balder had been “completely cleared” of all accusations of wrongdoing and that there would be “consequences” for all the “leftists”, “SJWs” and “SCAntifa” who had brought “fake charges” against him.

…That was the last straw for me….

(4) AIRBNB ISSUE. Do you need to check your reservations?

(5) SURVIVAL REQUIREMENT. James Wallace Harris does a good job of describing the problem and of identifying a solution. If only he sounded more enthusiastic about it! “Subscribe to SF Magazines – Become a Patron of an Art” at Worlds Without End.

…I’ve come to realize that I have to pay if I want certain things in this world to exist, even if I don’t use them.

I subscribe to four SF magazines that I seldom read. I read when I can, or when I see a story recommended, or when a friend tells me about a story. I subscribe because I want them to exist. I subscribe because I want a place for new SF writers to get published. I subscribe because one day if I can ever get back into writing fiction I’ll have a place to submit my stories.

We have to realize that free content on the internet isn’t free. We’ve got to come up with revenue systems that work. I think the internet needs to remain free, so we can always have instant access to content, but we need to find ways to pay publishers who present free content on the web.

(6) THE KISS OF SOMETHING. Chuck Tingle mingles praise and profitmaking in his response to Archive of Our Own’s Hugo nomination.

(7) GHOST OF A MACHINE. In “A Crime Novel for Future Urban Planners” on CrimeReads, Benjamin Samuel interviews Seth Fried, author of The Municipalists, a near future novel in which detective Henry Thompson solves a cyberattack with the aid of OWEN, “an experimental, highly intelligent hologram…who’s developed his own protocol for day drinking.”

Despite being a holographic projection of a supercomputer, OWEN can sometimes feel more human than Henry—or at least OWEN seems to enjoy life a little more. But ultimately, there are limitations to what he can do. What were some of challenges of having an AI character?

OWEN was a lot of fun to write. Since he’s a shape-shifting light projection, he’s essentially a superhero who can’t physically interact with anyone. So anything he wants to accomplish has to come through trickery or convincing Henry to give some life-threatening strategem the old college try. 

(8) FRENCH ADDRESSING. Some authors had fun responding to this idea – Seanan McGuire and John Chu among them – but one took offense (see the thread).

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 5, 1900 Spencer Tracy. Yes, he did some genre, to wit he was in Dr. Jekyll and Mr. Hyde where he played Dr. Henry Jekyll and Mr Edward Hyde! The film even featured Ingrid Bergman and Lana Turner. (Died 1967.)
  • Born April 5, 1908 Bette Davis. She’s in Burnt Offerings, am Eighties horror film that did well with the audience and not so well with the critics; I also see she’s in Madame Sin which I think is SF given the premise. (Died 1989.)
  • Born April 5, 1909 Albert Broccoli. He’s mostly known as the producer of many of the James Bond films, and his heirs continue to produce new Bond films. With Harry Saltzman, he produced the first eight Bond films including From Russia with Love which is still my favorite Bond film though You Only Live Twice with a screenplay by Roald Dahl comes close. (Died 1996.)
  • Born April 5, 1917 Robert Bloch. His Wiki page says he’s best known as the writer of Psycho, but I’ll guarantee that only film geeks and many of y’all know that. I know him best as the writer of the Trek “Wolf in the Fold” episode. His Night of the Ripper novel is highly recommend. And I know that “That Hellbound Train” which won the Hugo Award for Best Short Story is the piece of fiction by him I’ve read the most. (Died 1994.)
  • Born April 5, 1926 Roger Corman, 93. Ahhhh, popcorn films! (See popcorn literature for what I mean.) Monster from the Ocean Floor in the early Fifties was his film and Sharktopus vs. Whalewolf on Syfy just a few years back was another such film. He’s a man who even produced such a film called, errr, Munchies. A Worldcon guest of honor in 1996.
  • Born April 5, 1920 A.C. Crispin. She wrote several Trek and Star Wars novelizations and created her series called Starbridge which was heavily influenced by Trek. She also co-wrote several Witch World novels, Gryphon’s Eyrie and Songsmith, with Andre Norton.  Pirates of the Caribbean: The Price of Freedom was her last novel prior to her death from bladder cancer while in hospice care. (Died 2013.)
  • Born April 5, 1965 Deborah Harkness, 54. She’s the author of the All Souls Trilogy, which consists of A Discovery of Witches and its sequels Shadow of Night and The Book of Life. I listened to the Jennifer Ikeda-narrated audiobooks which was an amazing experience. Highly recommended as Harkness tells a remarkable story here. I’m not even fond ’tall of vampires in any form and hers actually are both appealing and make sense.
  • Born April 5, 1982Hayley Atwell, 37. Agent Carter with her as Peggy Carter I’ll freely admit has been the only series or film in the MCU repertoire that I’ve flat enjoyed so far. Even the misogyny of the males though irritating in that setting made sense. Oh, and I’m interested to see her in Christopher Robin as Evelyn Robin.

(10) EATING THE FANTASTIC. Scott Edelman calls on everyone to “bond over bing bread” with Malka Older in Episode 92 of his Eating the Fantastic podcast.

Malka Older

This turns out to be a perfectly timed episode of Eating the Fantastic, though I didn’t plan it that way, and had no idea while recording such would be the case. The reason for my feeling of serendipity is because my guest is Malka Older, author of the novels InfomocracyNull States, and State Tectonics — which comprise the Centenal Cycle — and which just a few days ago was announced as having made the final Hugo Awards ballot in the category of Best Series….

She joined me for lunch at Momofuku CCDC, a restaurant which will be familiar to regular listeners of this podcast, because Rosemary Claire Smith joined me there a little more than two years ago in Episode 32. I try not to be a repeat customer at any of the spots I visit — at least not while recording for the podcast — but a lot has changed since that visit. David Chang installed a new executive chef, Tae Strain, and gave him orders to “destroy” the menu (according to an article in the Washingtonian), which meant ditching the ramen and pork buns for which Momofuku is so famous. But hey, where else am I going to get a chance to try kimchee potato salad?

We discussed why democracy is a radical concept which scares people (and what marriage has to say about the dramatic potential of democracy), the pachinko parlor which helped give birth to her science fictional universe, how what was intended to be a standalone novel turned into a trilogy, her secrets (and role models) when it comes to writing action scenes, which of her characters moves more merchandise, how (and why) editor Carl Engle-Laird helped her add 20,000 words to her first novel, what she learned about herself from the collaborative Serialbox project, the one thing about her background I was embarrassed to admit I’d never realized, and much more.

(11) OVERFLOWING JOY. Alasdair Stuart’s latest issue of Full Lid includes piece on Mac Rogers’ movie The Horror at Gallery Kay, a look at Us, a detailed look at Project Blue Book (Stuart says “Turns out you can take the boy out of ufology but the man keeps watching tv shows about it”) and some Hugos joy.

Project Blue Book was a real thing, the USAF’s probably whitewashed investigation into the UFO phenomena. Doctor J. Allen Hynek was a real person and remains one of the vanishingly small amount of actual scientists to look into UFOlogy as a field and not a snake oil vending machine. His son Joel is a prolific special effects technician who designed the camouflage effect for the Predator by the way. The cases the episodes are based on are real too, the first two episodes dealing with the Gorman (renamed Fuller) Dogfight and the The Flatwoods Monster. In the first, a pilot engaged a UFO in something approximating combat. In the second, a family were first terrified by what they were sure was a downed UFO and second by the enraged townsfolk who refused to believe them.

(12) FUTURE PLAY. “Books that would make great video games” were considered by Quirk Books. First on their list –

Ninefox Gambit by Yoon Ha Lee

This sci-fi novel features space battles, espionage, and cute talking robots. Obviously, we see this book being turned into a space opera-esque RPG ala Mass Effect, with a touch of shoot ‘em style space battles. Think Galaga but with interdimensional space politics and dueling. 10/10 would play for days.

(13) MORE APRIL FOOLISHNESS. Space.com finds this joke had multiple layers — “Behind the Scent: Lockheed Martin Bottles Astronaut’s Smell of Space”.

Lockheed Martin’s April Fools’ Day joke passed the smell test.

The aerospace company on Monday (April 1) kicked off its prank by announcing a launch, but rather than it being of a rocket or a spacecraft, it was Vector, “the first ever fragrance to capture the aroma of space.” And no sooner did the liftoff occur, than thousands of people came to Lockheed Martin’s website to request a sample.

One might expect that to be the gag, but the company went a step further, not only creating a spot-on ad for the bottled essence of space, but also producing the scent for real, as in actual vials of the unisex (if not also universal) eau de (zero-g) toilette

(14) MONETIZING. “Rare Harry Potter first edition with typos sells for $90,074” – UPI has the news.

Auction house Bonhams said the first-edition copy of Harry Potter and Philosopher’s Stone — known in the United States as Harry Potter and the Sorcerer’s Stone — attracted a high bid of $90,074.

The specific edition is famed in the Potter fandom for containing a handful of typos, including misspelling the word “Philosopher” and the repetition of “1 wand” on the list of items the boy wizard needs to obtain for school.

Think of all the rare typos I make here – I wonder how much Bonhams could get for my blog?

(15) FAILURE TO LAUNCH. SHAZAM! Never Takes Off” for Leonard Maltin.

Shazam! wants to be slick and smartassy except when it suddenly chooses to be warm and sincere—like a TV commercial for some medication or life insurance. You can’t have it both ways but this film repeatedly tries to do so. I’ve always loved the character who originated as Captain Marvel in 1940s comic books (and lost that name to Marvel in a famous lawsuit). He was essentially a rip-off of Superman but he had his own style and flavor. This movie, however, is a muddle.

(16) SLAG HEAPER. Vox Day sneers at this year’s Hugo-nominated novels in “From pulp to Puppies” [Internet Archive link] at Vox Popoli.

Total nonentities. All six of these novels together won’t sell as many copies as a single Galaxy’s Edge novel. Novik would have been considered a C-level talent at best in the 1980s. And people could be forgiven for thinking that the Rabid Puppies were still dictating the nominees with titles such as “The Secret Lives of the Nine Negro Teeth of George Washington” on the short list.

(17) FURTHER VIEWS. Ian Mond remarked on Facebook:

Congrats to all the Hugo nominees. I won’t whinge that the best novel category doesn’t, for the most part, reflect my tastes. Nor will I set up a movement of like minded people to ensure it does so in the future….

Jonathan Strahan responded in a comment:

For about 20 seconds I considered trying to put together an Alternate Hugos Best Novel list, and then I realised (1) there are a lot of those and (2) you can’t have an Alternate Hugo list really. These are the books that fans who nominated *liked* the most. That’s fine and pretty cool.

(18) WHERE IS IT? Adri Joy begins this review with many questions: “Microreview [Book]: Terra Nullius by Claire G. Coleman” at Nerds of a Feather.

I thought I knew what to expect, going in to Terra Nullius. I’d seen the book recommended on speculative sites, I’d read enough about it to know that its take on colonisation and extermination of indigineous people was almost but not quite based on the experience of Australia’s indigenous communities following the British invasion in 1788. And yet, by a hundred pages in, I was starting to doubt what everyone and everything (including the book’s own blurb) was telling me. Was I missing clues to a larger mystery? Were there adjectives that I was misreading or apparently historical references that I was misinterpreting? Where, to be blunt, was all the science fiction?

Of course, if you’re paying attention, that’s an intentional feature of Claire G. Coleman’s brilliant debut novel, which offers a perspective on the invasion of Australia which is very much a speculative novel, and yet still inexctricably and uncomfortably intertwined with the real historical treatment of Aboriginal Australians over centuries of white rule. Coleman herself is Noongar, a community from the south coast of what is now Western Australia, and Terra Nullius is the product of a black&write! indigenous writers fellowship. Despite being a first novel, this is a book that’s utterly confident both in its content and its narrative structure, and for very good reason….

(19) CHICXULUB SNAPSHOT. Douglas Preston tells about the discovery of fossils laid down on “The Day the Dinosaurs Died”.

He began shovelling off the layers of soil above where he’d found the fish. This “overburden” is typically material that was deposited long after the specimen lived; there’s little in it to interest a paleontologist, and it is usually discarded. But as soon as DePalma started digging he noticed grayish-white specks in the layers which looked like grains of sand but which, under a hand lens, proved to be tiny spheres and elongated ­droplets. “I think, Holy shit, these look like microtektites!” DePalma recalled. Micro­tektites are the blobs of glass that form when molten rock is blasted into the air by an asteroid impact and falls back to Earth in a solidifying drizzle. The site appeared to contain micro­tektites by the million.

As DePalma carefully excavated the upper layers, he began uncovering an extraordinary array of fossils, exceedingly delicate but marvellously well preserved. “There’s amazing plant material in there, all interlaced and interlocked,” he recalled. “There are logjams of wood, fish pressed against cypress-­tree root bundles, tree trunks smeared with amber.” Most fossils end up being squashed flat by the pressure of the overlying stone, but here everything was three-dimensional, including the fish, having been encased in sediment all at once, which acted as a support. “You see skin, you see dorsal fins literally sticking straight up in the sediments, species new to science,” he said. As he dug, the momentousness of what he had come across slowly dawned on him. If the site was what he hoped, he had made the most important paleontological discovery of the new century.

(20) HIGH LIFE REVIEW. NPR’s Andrew Lapin concluded: “In The Art-House Sci-Fi Film ‘High Life,’ No Aliens — Just Alienation”.

The spaceship hurtling away from Earth is staffed with men and women sprung from death row to aid in a mysterious science experiment. The once-condemned crew believe they’ve been given a chance to redeem themselves and do one final good deed for humanity. Only later, as their signals to Earth begin to go unanswered and their true mission comes into focus, do they realize they have in fact been condemned twice.

High Life is strange and wondrous, less a traditional sci-fi film than it is a seductive journey into the long, black night of death. For many Americans it will also be a wormhole into the work of French director Claire Denis, who’s been active in cinephile circles for three decades but has never before helmed a movie entirely in English. Of course, having the hipness cred of A24 and Robert Pattinson providing the rocket fuel doesn’t hurt.

A prologue that wouldn’t be out of place in a Tarkovsky film shows Pattinson’s human guinea pig Monte in the aftermath of something horrible, wandering alone on the deck of this rocket to nowhere, with only a mysterious baby keeping him company. It’s a great hook — what the hell happened here? — shot at Denis’ familiar meandering pace, proving that even lightspeed won’t rush her story. It’s also a mission statement. As he hurtles toward oblivion, Monte’s acts of paternal care exist in a kind of vacuum. Maybe life and love are possible within a universe of infinite cruelty, and it’s up to the individual to determine their worth.

(21) ON TRACK. When they write the book it should be titled The Hitchhiker’s Guide to Moby Dick“Fossil of ancient four-legged whale found in Peru”.

The fossil of a 43-million-year-old whale with four legs, webbed feet and hooves has been discovered in Peru.

Palaeontologists believe the marine mammal’s four-metre-long (13 ft) body was adapted to swim and walk on land.

With four limbs capable of carrying its weight and a powerful tail, the semi-aquatic whale has been compared to an otter or a beaver.

Researchers believe the discovery could shed light on the evolution of the whale and how it spread.

“This is the most complete specimen ever found for a four-legged whale outside of India and Pakistan,” Dr Olivier Lambert, a scientist at the Royal Belgian Institute of Natural Sciences and co-author of the study, said.

(22) SJWCS ARE JUST IGNORING YOU. NPR reports: “Cats Don’t Fetch, But Know Their Names As Well As Dogs, Researchers Say”.

Call a dog by his name, and his tail wags, he starts panting happily, and he showers you with love and affection.

Call a cat by his name, and… well, cats are a bit harder to read. Does the cat even know what his name is?

So researchers in Japan set out to answer the question: Can a cat understand the difference between its name and any other random word that sounds like it?

Research on cats is slim compared to research on dogs. That may be because cats can’t be bothered to participate in the experiments. But in a study published Thursday in the journal Scientific Reports, the Japanese researchers devised a way to get results whether or not the cats cared to cooperate.

[Thanks to Chip Hitchcock, Martin Morse Wooster, Greg Hullender, Michael Toman, ULTRAGOTHA, Carl Slaughter, Cat Eldridge, JJ, John King Tarpinian, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 7/16/16 Pixels, Scrolls, Roddenberry And Time

(1) POETRY DESTROYED. A sampling of Stoic Cynic’s satirical genius.

A fragmented excerpt from The Filer and the Astronaut by Louise Carol:

‘The time has come,’ the Filer said,
‘To talk of many things:
Of pups — and picks — and palimpsests —
Of Cadigan — and King —
And why this movie, cult is not —
And whether trolls believe.’

‘But scroll a bit,’ the Pixels cried,
‘Before you have your chat;
For some of us are full of links,
Oh do not rush so fast!’
‘No hurry!’ said the Astronaut.
They thanked him much for that.

‘A post of fifth,’ the Filer said
‘Is what we chiefly need:
Filking and Punnery besides
Are very good indeed —
Now, if you’re ready, Pixels dear,
We can begin to read.’

‘Pixels,’ said the Astronaut,
‘You’ve had a pleasant run!
Shall we be posting here again?’
But answer came there none —
And this was scarcely odd, because
They’d scrolled up every one.

(2) GHOSTBUSTERS REVIEW. Rachael Acks get the first word about “[Movie] Ghostbusters (2016)”. BEWARE SPOILERS.

Ghostbusters (2016) comes to us in a world saturated with sequels and remakes and reboots that no one wanted, needed, or asked for—and finally, we get a reboot we actually deserve.

I have a lot of love in my heart for 1984’s original Ghostbusters, which came out in theaters when I was way too young to see it. I remember my parents showing me the movie when I was a bit older, and recall that I thought the first ghost in the library was absolutely fucking terrifying, and that Egon was my favorite ghostbuster. I have a moderate little wad of affection for the at-times cringe-worthy sequel, Ghostbusters 2. I got up extra early on Saturday mornings for years so I could watch The Real Ghostbusters cartoon series. I owned action figures. My Ghostbusters love is not a matter for debate.

Two years ago, for the thirtieth anniversary of the movie, I got to watch Ghostbusters (1984) properly in a movie theater. It was still funny, and fun, and I still loved it to pieces. But it broke my heart a little when adult me noticed the incredibly creepy sexism of Venkman that child me skated around and just thought was at worst an endearing quirk.

And now today, I rode my bike over to a movie theater so I could eat some overpriced popcorn and watch a new Ghostbusters that made it all better.

(3) BEST OF 2016. Patrick St. Denis of Pat’s Fantasy Hotlist names the five best speculative fiction novels he read in the first half of 2016. Number one on the list —

  1. Children of Earth and Sky by Guy Gavriel Kay (Canada, USA, Europe) Here’s the blurb:

The bestselling author of the groundbreaking novels Under Heaven and River of Stars, Guy Gavriel Kay is back with a new novel, Children of Earth and Sky, set in a world inspired by the conflicts and dramas of Renaissance Europe. Against this tumultuous backdrop the lives of men and women unfold on the borderlands—where empires and faiths collide….

(4) CLASSIC SF OR COMFORT FICTION? James Wallace Harris finds there are many answers to the question “Who Still Reads 1950s Science Fiction?”

When I was growing up, the Golden Age of Science Fiction was considered 1938-1946,  mostly due to the editorship of Astounding Science Fiction by John W. Campbell. Certainly many of the classic science fiction short stories I read in the early 1960s were reprints from that era. Then Peter Graham said, “The Golden Age of science fiction is 12.” That felt so right that no other age has ever usurped it. The science fiction that imprinted on me at age 12 is the atomic clock by which I’ve measured all science fiction since.

My favorite SF novel in 2015 was Aurora by Kim Stanley Robinson. I admire it for great intellectual speculation. But, it’s no match emotionally for my favorite generation ship story, Orphans of the Sky by Robert A. Heinlein. Orphans first appeared in book form in 1963, reprinting two novellas from 1941, “Universe” and “Common Sense” that were originally published in Astounding Science Fiction.  I turned 12 in 1963. Aurora is a much more ambitious and sophisticated novel than Orphans in the Sky. Aurora had more to say about science and science fiction, but it’s the Heinlein story that resonates with my heart.

(5) 2016 CURT SIODMAK AWARDS. Voting has opened for the Curt Siodmak Preis, given for the best movie and TV program shown in the German language during the previous year. Fans will have until August 4 to cast an online vote.

The award is administered by Science Fiction Club Deutschland. The winners will be announced at MediaKon One over the August 12-14 weekend. [Via Europa SF.]

(6) BEYOND STAR TREK BEYOND. AV Club brings word that Kirk’s dad played by Chris Hemsworth will appear in the next Star Trek film to enter production.

Apparently figuring that it’s never too soon to start stoking the fires for a franchise’s next installment—even if the previous film hasn’t actually, y’know, come out—Star Trek reboot mastermind J.J. Abrams has announced that Chris Hemsworth will be returning to the franchise for the follow-up to Star Trek Beyond. For those of you with hazy memories of Star Trek (2009), Hemsworth briefly appeared in the movie as George Kirk, father of James, who lasted just long enough to pass on his “Handsome Chris” genetics to his son (Chris Pine) before Eric Bana could blow him to bits….

(7) THIRD PARTY. Speaking of bringing back the dead, what about Kirk’s running mate for President…?

kirk spock

(8) POTTERMORE TRAFFIC SPIKE. Word that J.K. Rowling had written a new Sorting Quiz helped her Pottermore site blow up one day in June.

J.K. Rowling now writes algorithms, too.

When the author released new details in June about America’s wizarding school – including a quiz in which fans could be sorted into one of the school’s houses — millions of Muggles flocked to her website, Pottermore.com.

This was the second sorting quiz Pottermore has offered since its beta launch in 2011. The first one sorted fans into one of four houses at Hogwarts.

“Of course, both quizzes are written by Jo,” Pottermore CEO Susan Jurevics said in an interview. “So it’s content that came directly from her. And she’s also been involved in the behind-the-scenes algorithm of it.”

….The quiz sent Potterheads into a frenzy. Traffic spiked on June 28, with 1.4 million visitors that day and 1.5 million the following day, according to data firm SimilarWeb. Some 9.2 million visitors came to the site over the 28 days ending July 11.

(9) BOOKS SPIKE, TOO. The Wall Street Journal’s Jennifer Maloney calls it “The Second Coming of Harry Potter”

“Cursed Child” has hovered between No. 1 and No. 2 on Amazon.com since it was announced in February. It’s Amazon’s top preorder this year in print and e-book, an Amazon spokeswoman said. Scholastic is printing 4.5 million copies of the play in the U.S. and Canada. While that’s far lower than the 12 million advance U.S. print run for “Harry Potter and the Deathly Hallows” in 2007, it’s considered a massive launch for a book, let alone a play. Last year’s top-selling book, Harper Lee’s “Go Set A Watchman,” has sold 3.3 million hardcovers in the U.S. and Canada, according to HarperCollins. A typical first print run for a new play by a prominent playwright is around 5,000.

Also news is that Rowling now has script control over anything developed from her books, which she didn’t have in the Harry Potter movies.

(10) TODAY IN HISTORY

  • July 16, 1969 Apollo 11, the first moon-landing mission, was launched from the Kennedy Space Center, carrying astronauts Neil Armstrong, Edwin “Buzz” Aldrin and Michael Collins.

(11) TODAY’S BIRTHDAY BOY

  • July 16, 1928 – Robert Sheckley

(12) REJECTION SLIP. Arlan Andrews, Sr. reports that Analog rejected “Fight”, the latest episode of his “Rist” series. Episode #2, “Flow,” was on both the Sad Puppies and Rabid Puppies slates for the 2015 Hugos. Greg Hullender opines, “Since Analog published the previous three episodes (‘Thaw,’ ‘Flow,’ and ‘Fall’) I’m a bit surprised that they rejected ‘Fight.’”

(13) PRO TIP. The way you get to be President of SFWA is by forcing yourself to exercise an even wilder imagination by constantly raising the bar on what you do in real life. It’s a theory, anyway.

(14) KEEP LOOKING. The Traveler at Galactic Journey found a “saving grace” in the August 1961 issue of Analog – but it’s not Mack Reynolds’ story.

For instance, almost half the issue is taken up by Mack Reynold’s novella, Status Quo.  It’s another of his future cold-war pieces, most of which have been pretty good.  This one, about a revolutionary group of “weirds,” who plan to topple an increasingly conformist American government by destroying all of our computerized records, isn’t.  It’s too preachy to entertain; its protagonist, an FBI agent, is too unintelligent to enjoy (even if his dullness is intentional); the tale is too long for its pay-off.  Two stars.

That said, there are some interesting ideas in there.  The speculation that we will soon become over-reliant on social titles rather than individual merit, while Campbellian in its libertarian sentiment, is plausible.  There is already an “old boy’s club” and it matters what degrees you have and from which school you got them.  It doesn’t take much to imagine a future where the meritocracy is dead and nepotism rules.

And, while it’s hard to imagine a paperless society, should we ever get to the point where the majority of our records only exist within the core memories of a few computers, a few revolutionaries hacking away at our central repositories of knowledge could have quite an impact, indeed!

(15) BIG BUSINESS. The BBC found someone is “Rescuing America’s Roadside Giants”.

Anyone making a road trip across America will sooner or later run across a giant statue – a cowboy, an American Indian chief or a lumberjack, perhaps. Many, now half a century old, are falling apart, but one man and his friends are tracking them down and bringing them back to life.

,,, The founding father was James V Lafferty, who built a six-storey elephant on a strip of undeveloped coastal land just south of Atlantic City, New Jersey, in 1881.

Lucy the Elephant was intended to attract property buyers and visitors and still stands as a tourist attraction today, having survived Hurricane Sandy in 2012. In 1882, Lafferty filed a patent on giant buildings “of the form of any other animal than an elephant, as that of a fish, fowl, etc.”, which he claimed was his invention.

 

giant

(16) USE THE CHARGE CARD LUKE. “Mark Hamill says Episode VIII lines will make fans ‘forget all about May the Force be with you’”. Does he means the lines in the script, or the lines to buy the toys?

He compared the avalanche of merchandise to the endless marching brooms from Disney’s The Sorcerer’s Apprentice. “The toys just start coming to your house. Bum-bah-bump, bah-bump…,” he sang. “Every day, more toys.”

Hamill said one of the earliest words his kids said was “Kenner!”

“I gave all those toys to the kids, and they grew up later and said, ‘Oh my God, Princess Leia in the box is $1,400 in mint condition! Why’d you let us give her a Sinead O’Connor haircut with cuticle scissors?’ I said, ‘They were your toys!’”

(17) LINEUP. BBC Radio Four’s consumer program You and Yours featured Star Wars Celebration Europe. Specifically, as part of the problems with selling tickets to pop events.

Today a new campaign group called Fan Fair Alliance is launched by big players in the music industry to tackle the problem of ticket touts. The manager of Nick Cave and the Bad Seeds and PJ Harvey tells You & Yours what the promoters and musicians are trying to do to stop so many tickets ending up on resale websites.

Sci-fi fans going to a Star Wars Convention this weekend are worried they’ve only bought a ticket which gives them the right to queue for a ticket to see the main events.

(18) YOU MIGHT BE INTERESTED IN MACII. I enjoyed this.

(19) POKÉMON GO STILL GOING. Washington Post editors must be letting all of their writers fill their quotas with stories about the newly released game.

The Post’s Pulitzer Prize-winning art critic Philip Kennicott spent a week wandering art museums trying to catch Pokémon.

I successfully bag my first creature, a Charmander, while walking the dog. Charmanders emit no detectable odor, so my dog is bored out of his mind as I jerk him around the neighborhood. The Charmander’s bad luck is my good fortune, advancing me to the point that some hipster professor figure who runs the game insists that I create a screen name. I choose Karl Kraus, because I’ve always admired the great Austrian satirist and social critic who died in 1936; but someone has already picked that name. Next, I try Susan Sontag, the American essayist and author, but that name is also taken. Is every pretentious twit on the planet playing this game?

Post humorist Alexandra Petri is excited by Pokémon Go because “I love any excuse to bump into things while walking around staring at my phone, and Pokemon really delivers there.”

She’s decided —

People are praising Pokemon Go as a rare activity that gets you to talk to strangers and go outdoors. Well, we used to have a hobby like that.  It was called smoking.  I’m thinking about taking that up instead.  It might get my mind off Pokemon Go.

(20) ANIMAL MAGNETISM. Lisa Goldstein reviews another Hugo nominee — Novella: “The Builders” – at inferior4+1.

This is such a weird story, you guys.  A captain brings together his old companions for one final battle, an attack on the usurpers who took over the town.  But in this version of the story everyone is a small animal: mouse, stoat, opossum, salamander, and so on….

(21) CHUCK TINGLE. Hugo nominee Chuck Tingle continues to entertain at a frantic pace. He released a work taking advantage of the Pokemon Go craze, with a predictable title. Earlier in the month he posted this silly warning —

(22) OOPS, TOO LATE. A Monster Calls comes to theaters in October.

A visually spectacular drama from acclaimed director Juan Antonio Bayona (“The Impossible”), based on the award-winning children’s fantasy novel. 12-year-old Conor (Lewis MacDougall) attempts to deal with his mother’s (Felicity Jones) illness and the bullying of his classmates by escaping into a fantastical world of monsters and fairy tales that explore courage, loss, and faith.

 

[Thanks to James Bacon, Chip Hitchcock, Martin Morse Wooster, Greg Hullender, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Cath.]