Pixel Scroll 12/26/23 Warning – Spindizzy Recall! Your City May Auto-Return Abruptly!

(1) TO THE NASFIC AND BEYOND. A chapter of Sandra Bond’s Trans-Atlantic Fan Fund trip saga appears in the new issue of Geri Sullivan’s fanzine Idea 13. Says S&ra, “It contains my report on Pemmi-Con with detailed thoughts on What Went Wrong With It And Why.”

Day thirteen of TAFF, unlucky for some. Sandra Bond – already befuddled by her travels and overwhelmed by the generosity of North American fans – has left Minneapolis and has hitched a lift with Minnesota fans Curt Gibson and Alice Ableman in Curt’s mom’s SUV, riding north for NASFiC. No, you haven’t missed any previous instalments; they will be published elsewhere, in due course, and eventually a complete version will follow. I’m starting with this chapter, partly because Geri is publishing it and chapter 1 will largely be about her as my first host, and partly in order to air some issues arising from Pemmi-Con while the iron, so to speak, is hot….

Here’s a taste of those hot iron issues. Think of it as what the 2023 Worldcon experience would have looked like if Chengdu had not wrested it away from Winnipeg.

… (The programme as a whole showed every sign of having been thrown together by robots with no human eyes; for instance, the registration field had a space for you to enter your “organization.” I had put “TAFF”, which was fine, but Tanya Huff had foolishly essayed a little joke by putting “I am not at all organized” in that field, and was rewarded by having that phrase appended to her name on every single programme item featuring her. Others were flagged as variations on “n/a” or “–”, or found themselves billed as representing the organisation of “Myself” (Rich Horton) or “Julie E. Czerneda” (go on, guess). And Nisi Shawl – a fucking guest of honor, and consequently on many programme items – was accompanied on every occasion by the tag “I believe you already have my bio and photo.” Apparently they didn’t, since her “photo” was the generic one used for people who hadn’t supplied any.)…

(2) WHEN NEEDS MUST. The BBC interviewed a fan who remembers “When Tom Baker popped in to watch Doctor Who”. The experience wasn’t quite like when Dustin Hoffman needed to see “Wapner” in Rain Man, but was not entirely unlike it, either.

The time is November 1976, and the space is the Nuneaton branch of Radio Rentals, the old TV stockist that was once a familiar high street fixture. Pauline Bennett remembers being on shift there when a “very smart chap” walks in with a strange request.

“He came in about five o’clock and said he and Tom Baker needed to watch the Doctor Who episode that was going to be on shortly,” she said.

Titular star Baker had been travelling back from the show’s exhibition in Blackpool with BBC manager Terry Sampson when the pair were delayed by fog.

They had turned off the motorway heading for the town, hoping to persuade someone to let them watch the show, the first to feature filming at an outside location, she explained….

(3) FREE AT LAST. Jennifer Jenkins, Director, Duke Center for the Study of the Public Domain, tells us what we can look forward to on “Public Domain Day 2024” at the Duke University School of Law blog.

On January 1, 2024, thousands of copyrighted works from 1928 will enter the US public domain, along with sound recordings from 1923. They will be free for all to copy, share, and build upon. This year’s highlights include Lady Chatterley’s Lover by D. H. Lawrence and The Threepenny Opera by Bertolt Brecht, Buster Keaton’s The Cameraman and Cole Porter’s Let’s Do It, and a trove of sound recordings from 1923. And, of course, 2024 marks the long-awaited arrival of Steamboat Willie – featuring Mickey and Minnie Mouse – into the public domain. That story is so fascinating, so rich in irony, so rife with misinformation about what you will be able to do with Mickey and Minnie now that they are in the public domain that it deserved its own article, “Mickey, Disney, and the Public Domain: a 95-year Love Triangle.” Why is it a love triangle? What rights does Disney still have? How is trademark law involved? Read all about it here. …

(4) NO WAITING FOR PUBLIC DOMAIN HERE. In “’Gale: Stay Away From Oz’ Offers a Horror Take on ‘The Wizard of Oz’”, The Mary Sue reminds everyone this 30-minute short already was released in September.

…In 2023, The Wizard of Oz books by L. Frank Baum entered the public domain. That means anyone can take those characters or the world of Oz and reimagine them in brand-new stories. The independent short horror film Gale: Stay Away From Oz does just that. According to IMDBGale‘s official summary is “Long gone are the days of emerald cities and yellow brick roads. In this dark re-imagining of the Wizard of Oz, Dorothy Gale is now an elderly woman, broken by years of paranormal entanglement with a mystical realm.” Emily Gale, the granddaughter of Dorothy, reconnects with her grandmother and the mystical realm that haunts her.

Unlike Winnie the Pooh, which also got the horror treatment, the original stories of Dorothy already lend themselves to the horror genre. Who hasn’t watched Return to Oz and felt terrified? With Gale: Stay Away From Oz, it seems like the curse of Oz haunts any of Dorothy’s descendants, which makes for an even creepier connection. So when is Gale: Stay Away From Oz coming out and where can you watch it?…

(5) AT THE NIMOY. “Mr. Spock’s Widow Puts on a Show” – and The New Yorker profiles her.

The other day, Susan Bay Nimoy—actress, writer, director, philanthropist, and widow of Leonard—stood at the entrance of a historic Art Deco theatre in Westwood, which she had helped to restore and convert to a live-performance space. On the marquee, lit bulbs spelled out the theatre’s new name: the Nimoy.

“There’s a lot of history,” Bay Nimoy, an exuberant eighty-year-old, said. “I called Jane Fonda and asked if she would come to the press opening, because her mother, Frances, funded the theatre.” More history: during the Second World War, newsreels played at the theatre; “Dr. Strangelove” had its first L.A. screening there, in 1964. Two decades later, when Disney managed the theatre, “Three Men and a Baby” was the opening film. Leonard was the director; Bay Nimoy accompanied him to the première. “It was certainly in the eighties, because I wore a black suit with big shoulder pads, with a lot of jewelled things on them,” she said….

… “Leonard and I came from very poor backgrounds. His father was a barber. My dad was an accountant,” Bay Nimoy said. The couple invested their Hollywood earnings in California real estate and contemporary art. “Leonard was not a fancy person,” she went on. When they met, she said, “I was driving a Honda.” Their goal was to give their children—he had two, she had one—a buffer, and no more. “They will not be gabillionaires, but they have a leg up,” she said. “And the rest we’re giving away.” They built a Jewish day school (their rabbi asked them to), a new theatre at Griffith Observatory (Leonard loved outer space), and a theatre for Symphony Space, in New York (where Leonard used to perform short stories)….

(6) NOTHING YOU HAVEN’T THOUGHT OF YOURSELF. Maris Kreizman tells New York Times Readers “Let’s Rescue Book Lovers From This Online Hellscape”.  

… In an ideal world — one in which it wasn’t owned by Amazon — Goodreads would have the functionality of a site like Letterboxd, the social network for movie fans. Letterboxd has called itself “Goodreads for movies” but it has far surpassed that initial tag line, having figured out how to create a smooth and intuitive user experience, provide a pleasant and inviting community and earn revenue from both optional paid memberships and advertisers, including studios that produce the films being discussed. Meanwhile, publishers still rely on Goodreads to find potential readers, but targeted advertising has grown both less affordable and less effective.

So how to fix it? It starts with people: Goodreads desperately needs more human moderation to monitor the goings-on. Obviously, part of any healthy discussion is the ability to express displeasure — those one-star reviews, ideally accompanied by well-argued rationales, are sacrosanct — but Goodreads has enabled the weaponization of displeasure.

It’s not just fledgling authors being pummeled. Earlier this year, Elizabeth Gilbert, the best-selling author of “Eat, Pray, Love,” decided to withdraw a forthcoming novel, “The Snow Forest,” after Goodreads users bombarded its page with one-star reviews objecting primarily to the fact that the novel (which no one had yet read) was set in Russia and would be published at a time when Russia and Ukraine were at war. There is most likely no way to eliminate personal attacks entirely from the site — or from the internet, for that matter — but having more human beings on hand to mitigate the damage would certainly improve the experience.

Fortifying the guard rails wouldn’t be that difficult. Currently Goodreads uses volunteer librarians who add new books to the site’s database in their free time. Hiring these people (and scores more like them) and paying them a living wage would empower Goodreads’s representatives to communicate with publishers, large and small, to facilitate posting books to the site when, and only when, a book has actually been written and edited and is ready to be shared with the world….

(7) CURING YOUR WHO HANGOVER. In the unlikely event that you need somebody to explain the Doctor Who Christmas Special to you, The Hollywood Reporter has volunteered. “’Doctor Who’ Christmas Special “The Church on Ruby Road,” Explained”. For everyone else, beware spoilers. The following excerpt is a little spoilery though not prohibitively so, I thought.

…Initially, Mrs. Flood would appear to be just a normal neighbor. Nothing unusual about her, until we see her sitting down to enjoy the TARDIS dematerializing. Something that most humans would balk at.

However, not for Mrs. Flood. In fact, at the end of the episode, she says to her understandably shocked neighbor (who also witnessed The Doctor’s ship disappearing), “Never seen a TARDIS before?”

And, if this wasn’t enough, she looks directly down the camera and winks. Mrs. Flood is clearly someone to be reckoned with, and undoubtedly will make a return. But is she a familiar character in the Whoniverse? (Time Lords change their appearance quite regularly.) Or, is this a new friend/foe for The Doctor? Names have often hinted at deeper connections and meanings in Doctor Who (see Melody Pond and River Song, for example) — is there a clue here?

Mrs. Flood is played by Anita Dobson, who will be known to many in the U.K. as she made a name for herself as alcoholic landlady Angie Watts in the BBC’s long-running soap, Eastenders. An accomplished stage actress, Dobson is also married to Brian May, guitarist for rock outfit Queen (who’ve had a number of songs feature memorably in Doctor Who, such as “Bohemian Rhapsody,” “Crazy Little Thing Called Love” and “Don’t Stop Me Now”)….

(8) IT ONLY GETS WORSE. [Item by Mike Kennedy.] Did you get new clothes for Christmas? Then beware Jólakötturinn, the gigantic Yule Cat, which will chase you down and eat you if you don’t wear those clothes! “Meet the Yule Cat, an Icelandic folklore beast who eats children” on NPR.

… That’s right. A child’s worst nightmare — new clothes under the tree — could only be outdone by a somehow worse nightmare, being devoured by a ferocious feline that hunts down children caught not wearing their new clothes.

The tale of Jólakötturinn, which translates to Yule Cat, is an Icelandic Christmas classic dating back to at least 1932, according to the Icelandic Folklore website, a research project managed by the University of Iceland….

(9) THE COMPUTER SAYS ‘CHEESE!’ “A.I. Is the Future of Photography. Does That Mean Photography Is Dead?” wonders Gideon Jacobs in an opinion piece for the New York Times.

John Szarkowski, the legendary curator at the MoMA, once described photography as “the act of pointing.” And for the nearly 200 years since its inception, photography has consisted of capturing a visual perspective from the physical world using light — first with light-sensitive plates, then film, then digital sensors. When digital cameras became widely available, many photographers lamented the move away from analog technology but basically Szarkowski’s definition still held: Photography consists of pointing, as a reaction to something that exists in the world.

With advent of A.I. image generators, however, this definition feels obsolete.

Generative A.I. tools can produce photorealistic images, typically in response to written prompts. These images are available for purchase from major stock photography agencies, alongside traditional photos. They routinely go viral before being debunked. They even occasionally win prestigious photography prizes. All if which has reignited a two-centuries-old debate: What exactly qualifies as a photograph?

… Artists, writers and theorists have long remarked on our very human tendency to project slippery ideas about truth onto two dimensional surfaces. In 1921, Franz Kafka was told about a miraculous machine that could automatically take one’s portrait, a “mechanical Know-Thyself.” He offered up his own name for the apparatus: “The Mistake-Thyself.” Kafka was ahead of his time — in Susan Sontag’s 1977 essay “In Plato’s Cave,” she wrote, “Although there is a sense in which the camera does indeed capture reality, not just interpret it, photographs are as much an interpretation of the world as paintings and drawings are.” Each photograph, she argued, is inevitably the product of countless decisions informed, consciously or not, by the photographer’s predilections and biases, as well as the limits and parameters of the technology.

So when I hear some people calling the arrival of A.I. an extinction-level event for photography, I often think of the French painter Paul Delaroche who, legend has it, declared painting “dead” after seeing a daguerreotype, one of the first photographic inventions. Painting did not die; it just evolved into a different kind of artistry, freed from the obligations of verisimilitude….

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 26, Elisha Cook, Jr. (Died 1995.) His first major role was the psychopathic killer Wilmer Cook in the 1941 version of The Maltese Falcon. Yeah there are two versions, I’ve never seen the earlier version. Anyone here seen it? 

Now as for genre roles, his first was a Boris Korloff film, Voodoo Island, in which he was Martin Schuyler. Adam West is here in his first film role, uncredited.

His next horror film with Vincent Price, House on Haunted Hill, in which he was Watson Pritchard, is interesting because exterior shots of the house were filmed at the historic Ennis House in Los Feliz, California, designed by Frank Lloyd Wright and built in 1924.

Here’s a curious one for you. The Haunted Palace is a horror film starring Vincent Price Lon Chaney Jr. in which he’s Micah Smith / Peter Smith. The film was marketed as based on a Poe title but only the title is from him – the plot is from Lovecraft’s “The Case of Charles Dexter Ward” novella.

I saw Rosemary’s Baby once in which he played Mr. Nicklas. That was more than enough, thank you.  Hey, he’s in the original The Night Stalker movie as Mickey Crawford. Neat. And next up is being Gordon “Weasel” Phillips in Salem’s Lot, a scary film indeed.

Most memorable series appearance? As Samuel T. Cogley, Esq in Star Trek’s “Court Martial” episode of course. He also made a Wild, Wild West appearance as Gideon McCoy in “The Night of the Bars of Hell”, the new Twilight Zone in “Welcome to Winfield” as Weldon, The Bionic Woman in “Once a Thief” as Inky and in ALF in “We’re So Sorry, Uncle Albert” as Uncle Albert.  Oh, and his first television appearance was on the Adventures of Superman in “Semi-Private Eye” as Homer Garrity.

(11) COMICS SECTION.

(12) EJECT! Arturo Serrano declares “Rebel Moon is the most Snyder that Snyder has ever been” at Nerds of a Feather. And that’s not a good thing.

One could summarize Rebel Moon as “the Zack Snyder of Star Wars,” which would sound mean-spirited if it weren’t its literal description. Conceived originally as Snyder’s pitch for Lucasfilm and eventually rescued by Netflix, Rebel Moon files off the Star Wars serial numbers just enough to prevent lawsuits from the Mouse. As you would expect, it tells the story of a loosely assembled team of impromptu freedom fighters who rise up against a brutal interstellar empire. A tale as old as time, and one that Lucasfilm has kept profitable for nine movies and I forget how many TV shows. But Snyder’s version of this formula, stripped of its identifiable markers for legal reasons, becomes a nameless, featureless collection of plot beats and cool poses. If there was ever a time when the infamous itch for canceling everything at Netflix could be used for good, it’s now. There’s no need for a Rebel Moon Part 2, or for all the multimedia spinoffs Snyder is reportedly preparing. This is not the galaxy you’re looking for….

(13) TO HELL AND MAYBE BACK. Disney+ has started airing the new series based on Rick Riordan’s YA fictionalization of Greek myth: “Percy Jackson and the Olympians: The Quest Begins in New Clip” from Comicbook.com.

Percy Jackson and the Olympians is gearing up to kick off its quest. The serialized adaptation of Rick Riordan‘s best-selling novels made its surprise debut on December 19th, dropping its first two episodes six hours ahead of schedule in the Tuesday primetime slot. This came with the announcement that all future episodes of Percy Jackson would get the primetime treatment, as the rest of Season 1 will premiere at 9 PM ET. The last fans saw, Percy (Walker Scobell) was officially claimed by his father, Poseidon, and given the news that he must lead a cross-country quest to retrieve Zeus’s (Lance Reddick) stolen master bolt. The belief is that Hades (Jay Duplass) stole it out of jealousy and is keeping it in the Underworld….

(14) STRANGE NEW WORLDS. We hear from the Guardian “How the James Webb telescope is ‘set to find strange and bizarre worlds’”.

There is a distant world where quartz crystals float above a searing hot, puffy atmosphere. Vaporised sand grains, not water droplets, form the clouds that fill the sky on Wasp-107b, a planet 1,300 light years from Earth.

Then there is GJ1214, the sauna planet. With a mass eight times that of Earth, it orbits its parent star at a distance that is one-seventieth of the gap between Earth and the sun and seems to be coated in a thick dense atmosphere containing vast amounts of steam.

Or there are the giant, Jupiter-sized planets of the Orion Nebula which have been discovered free-floating in space, rogue worlds that appear to be unconnected to any parent star – to the bafflement of astronomers….

(15) A YEAR’S WORTH OF SCREEN TIME. Gizmodo picks out the “40 Most Memorable Sci-Fi, Fantasy, and Horror Movie Moments of 2023”. Here’s one example:

Dungeons & Dragons: Honor Among Thieves: Jarnathan Arrives

This is the moment you knew Honor Among Thieves absolutely got Dungeons & Dragons. It’s an incredible set-up to a gag that builds over the opening scenes, establishing the roguish humor of our heroes, throwing a loving curveball to an esoteric D&D race, and of course giving us the most perfect ass-pull of a character name that feels like a Dungeon Master made it up for an NPC on the spot mid-improv. Oh Jarnathan, indeed.

(16) VIDEO OF THE DAY. “Our Pros bring Wednesday Addams to the Strictly Ballroom” from the BBC.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Daniel Dern, Jeff Warner, Kathy Sullivan, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French  for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/22/23 Lot 97! One Child’s Space Suit, Never Travelled In

(1) FUTURE TENSE. The December 2023 entry in the Future Tense Fiction series is “Rigland,” by Suyi Davies Okungbowa. The story is about oil rigs and what we owe to our communities.

It was published along with a response essay by journalist Mia Armstrong-López: “What if Oil Platforms Belonged to the People Who Worked on Them?”.

…When I set out to report on Mexican women working offshore, I expected to focus on harassment, discrimination, and abuse and the grueling labor conditions that facilitate them. Women are in the minority on platforms—one interviewee was the only woman among dozens of men; others recounted being in groups of only five or 10 women on an entire platform, outnumbered 1 to 10 or 20. The conditions they face are often punishing: In Mexico, platforms are isolated with limited communication, living situations are dorm-style and sometimes coed, and many workers have short-term contracts with little protection. The work is dangerous—they’re exposed to heavy machinery, harsh weather, and hazardous chemicals.

I heard plenty of stories of these precarious conditions—women who were spied on while they showered or changed, discriminated against due to pregnancy, and verbally abused. But more often, women shared experiences like the fishing story. They wanted to tell me about spending hours carving tomatoes to look like flowers to make a meal feel more special; about coordinating workers to bring their favorite candies to stuff holiday piñatas so they would all feel less alone; about learning to teach yoga, helping their colleagues relieve the years of work-related pain and exhaustion their bodies had come to carry. They told me these stories not to excuse or brush over the other, darker realities of working offshore but to show me, Look what we’ve built, despite it all….

(2) ANOTHER DAY IN COURT. Michele Lundgren, charged as a Michigan fake Trump elector in July, was back in court on December 13 along with five other defendants to hear testimony before a judge who will eventually rule whether the Michigan Attorney General’s office has established probable cause for the felony charges to proceed to trial. “Michigan elections director says he contacted AG on false electors” in the Detroit News. Michele Lundgren is the wife of Carl Lundgren, a well-known sff artist.

Michigan elections director Jonathan Brater testified in court Wednesday that he contacted the Attorney General’s office after finding out about a certificate state Republicans signed falsely claiming Donald Trump won the 2020 presidential election.

Brater’s revelation highlighted the first day of preliminary examinations in the criminal cases of six of the 16 Republicans whose names appeared on the certificate, which was part of an attempt to flip Michigan’s 16 electoral votes to Trump although Democrat Joe Biden won Michigan in November 2020.

Over about seven hours of testimony in Ingham County District Court, prosecutors from Attorney General Dana Nessel’s office and defense lawyers repeatedly clashed over what the importance of the false certificate was, Michigan election law and even who could be in the courtroom.

The examinations will continue Thursday with Ingham County District Court Judge Kristen Simmons eventually having to decide whether the Attorney General’s office has established probable cause for the eight felony charges it’s brought against each of the Republicans to proceed to trial….

(3) KEEP A HANKY READY. Camestros Felapton’s “Smith Rewatch: Vincent and the Doctor”. Maybe cue Judy Garland singing, “You made me love you / I didn’t want to do it….”

…Let’s make it potentially worse by adding in a writer against which Moffat’s attraction to twee Britishisms and romcoms looks positively restrained. Richard Curtis getting to write floppy haired Matt Smith as a surrogate Hugh Grant sounds like a recipe for disaster.

And yet, this is one of the most beloved episodes of Doctor Who — perhaps more with its general normy audience rather than die-hard Who fans but still one that is often pointed at. I think I went into this episode feeling cynical, I’ll concede the ending touched me but it felt messy to me at the time. On rewatch? I’ll confess that I started tearing up much earlier than the plot demanded. It is very sentimental but a good rule for Who is to always go a little bit extra with whatever direction the story is heading….

(4) THE NEW DOCTOR. [Item by Steven French.] In the run up to the Xmas special, Ncuti Gatwa on Xmas, family and Dr Who: “Ncuti Gatwa: ‘I know many a gay man who’s exactly like the Doctor’” in the Guardian.

 “We choose our families. And the Doctor is a lonely wanderer, looking for their next adventure … I know many a gay man, MANY a gay man, I could describe that way!” He laughs. “I think that’s a beautiful, beautiful theme Doctor Who has, because chosen family can be more meaningful, more supportive. That really can be the case, and it’s a theme that absolutely runs through the show.”

(5) ORIGIN OF THE SPECIES. “Can the Oompa-Loompas Be Saved?” The New York Times seriously doubts it, if the answer depends on finding a way to make them politically correct.  

What do we do with the Oompa-Loompas?

That’s a question filmmakers and writers have tangled with ever since the 1964 debut of the tiny, largely unpaid laborers in Roald Dahl’s beloved children’s book “Charlie and the Chocolate Factory.”

In Dahl’s original, the Oompa-Loompas were starving African pygmies, subsisting largely on a mash of green caterpillars and tree bark until “rescued” by Willy Wonka. He smuggled the entire tribe out of Africa in packing crates to live and work, and sing and goof and dance, in the chocolatier’s plantation, er, factory.

“It didn’t occur to me that my depiction of the Oompa-Loompas was racist,” Dahl said in a 1988 interview. “But it did occur to the N.A.A.C.P. and others.”

In the five decades since their literary debut, the Oompa-Loompas have undergone a series of transformations to shake their story from its colonialist roots. Some fixes have been transparently cosmetic (in subsequent editions of the book, illustrators simply made the tribesmen white). Others weren’t fixes at all: In the 2005 film “Charlie and the Chocolate Factory,” the director, Tim Burton, just shifted continents, moving the Oompa-Loompas out of Africa to someplace that vaguely resembles South America, as imagined by an adventure film director from the 1950s.

In the Warner Bros. prequel “Wonka,” which opens Dec. 15, the filmmakers address the colonialist aspects head on…

(6) WESTERCON. [Item by Kevin Standlee.] The official papers of Westercon as of the end of Westercon 75 (Loscon 49) have been updated and are available at Bylaws & Business – Westercon

This document includes:

  • Minutes of the Westercon 75 Business Meeting
  • Links to video of the Business Meeting and the Committee of the Whole on Site Selection held thereat
  • Bylaws and Standing Rules as of the end of Westercon 75 and the Draft Agenda for the Westercon 76 Business Meeting.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 22, 1951 Charles de Lint, 72. Need I say this is just my personal choices by an author I’ve known personally for over thirty years now? I think not.

Let’s start with Moonheart, the novel that Tamson House at its heart, a most amazing architectural wonder which may be at center of the universe. It amazes me with every page. I know that’s why readers I’ve talked to pick it as their favorite of his considerable writings. The sequel, Spiritwalk, is a patch-up novel and in someways a deeper, more interesting story, mainly because the characters are more flawed.

Moonheart is set in home city of Ottawa as are these three novels. Yarrow is an autumnal tale of a woman who has stopped dreaming, and the two Jack of Kinrowan novels, Jack, the Giant-Killer and Drink Down the Moon, involve the fey courts in Ottawa. If you like War for the Oaks, I think that you will like these novels. 

Charles deLint at 1980 World Fantasy Con. Photo by and (c) Andrew Porter.

Memory and Dream is his take on artists and their work with the usual magic thrown in. Lots of pre-Raphaelite influence here, I think if I remember correctly that he has an artist named Ruskin. Very interesting. 

Someplace to Be Flying is the first of two novels set in his city of Newford that I deeply, madly love. This one introduces the Crow Girls, immortal shape shifters who just want to have fun and eat sugar. Really they do. It’s got great characters, wonderful settings and a fantastic story as does Forests of The Heart which adds a large dollop of Irish music and the green man to boot to the Newford setting.

The Mystery of Grace which was his last novel for Tor for reasons that were interesting to say the least is a fantastic story of a motorcycle riding female mechanic who may have crossed over to the other side when the veils on Día de los Muertos grew too thin in the right, or if you prefer, wrong place. Stellar writing by him. 

The Cats of Tanglewood Forest as infused with lavish illustrations by his friend Charles Vess should be read by anyone who loves cats, Appalachian folklore or just a great story. Need I say the book itself is stunningly gorgeous?  Lillian here was the girl in A Circle of Cats, the children book done by him and again illustrated by Vess. Again recommended. Medicine Road will feature a grown up Lillian. 

His newest undertaking, in which Junniper Wiles is the central character, is a mystery series and a lot of fun. More light heated than some of his fiction has been, not a bad tack to take.

So how are his short stories you say? Extraordinarily good. For over a decade before he stopped publishing them, he sent me his annual Winter chapbook on Triskell Press, a perfect treat from him. 

If I was going to recommend but one collection to read by him, it would be an easy pick and that would be Dreams Underfoot. It has “The Moon is Drownimg While I Sleep”, maybe his best story ever, and other excellent stories such as “The Sacred Fire” which was produced as an episode of the The Hunger anthology television series hosted first by Terrence Stamp and then by David Bowie  and was first shown I some twenty-five years ago. 

He did a later collection as well on his new publisher, Tachyon Press, The Best of Charles de Lint. I’ll admit I’ve not looked at its content so let me do that now. Huh, it’s up but Tachyon Press didn’t do an epub edition so he did it himself.  I will recommend it as the stories in The Very Best of Charles de Lint are those of Dreams Underfoot plus a whole more of his later work.

(8) COMICS SECTION.

  • Carpe Diem continues its Star Wars and pets imitating their owners theme.
  • Eek! has the worst gift.
  • Eek! also has a silly demonstration of a bit of monster trivia many get wrong.

(9) TO DYE FOR. The Guardian pages back to the 19th century to explain “How a European colour revolution brought us the humble Christmas card”.

What would Christmas be without the humble Christmas card? It’s hard to think of a more quintessentially British seasonal tradition than propping up colourful bits of stiff paper on your mantelpiece, but in fact we wouldn’t be sending each other bits of stiff paper were it not for a feat of pan-European collaboration – and competition – cooked up in the mid-19th century. Many of our most familiar traditions percolated down from Britain’s royal and aristocratic families, who themselves had imported many of them from their German forebears. But it wasn’t until the widespread adoption of colour printing in the 1860s that Christmas cards, first commissioned as high-status, handcrafted items in the 1840s, became cheap enough for the middle and lower classes to get their hands on them.

Some of these early mass-produced cards are on show at the Ashmolean in Oxford, as part of their Colour Revolution exhibition. To the modern eye they are pretty elaborate affairs, dating from the 1880s, with beautifully coloured floral images, silk tassels and fringes, dyed vibrant shades of purple and orange. The cards may be small but they are part of an important story, one that the exhibition aims to tell in a detailed way. It concerns the almost incalculably formative influence of the mid-19th century “chromatic turn”, in which the Victorians’ obsession with admiring, analysing and then manufacturing colour in all sorts of areas – fashion, art, design, advertising – made itself felt across Britain, France and Germany, and indeed the rest of the world.

The Ashmolean exhibition is a brilliant and fascinating show, re-creating elements of the 1862 International Exhibition in London’s South Kensington, which showcased 19th-century attempts to reconstruct the original colours of ancient Greek sculpture (including Alma-Tadema’s fabulous painting Phidias Showing the Frieze of the Parthenon to his Friends), and some elaborate late-Victorian fashions, including a gruesome necklace made from dead hummingbirds.

The show’s key element may appear slightly dusty by comparison: a section outlining the development of synthetic aniline dyes, starting in 1856 with the invention of the strident purple known as “mauveine” by young British chemist William Henry Perkin, while studying under German professor August Wilhelm von Hofmann. Discovered accidentally as Perkin was trying to produce a malaria treatment from coal tar, mauveine – and its subsequent counterparts such as fuchsine (reddish-purple), and induline (bluish red) – were cheap to produce and had enormous commercial success as, for the first time, brightly coloured fabric became affordable for large swathes of the European lower and middle classes, allowing them to indulge in fancy dresses, hats, upholstery and, yes, Christmas card tassels….

(10) SECOND TO NONE. What is the exact time? Tom Vanderbilt learned why it’s hard to tell: “In Search of Lost Time” at Harper’s.

…The night before my visit, I’d opened time.gov, the very official-looking page—headlined official u.s. time—run by NIST and the U.S. Naval Observatory. The site features a map of the United States, divided into time zones, as well as a variety of subsidiary clock displays (Chamorro Standard Time, Aleutian Standard Time) that ticked, at the second level, in seeming synchrony. I noticed that my own watch—the Garmin Forerunner 935, a “premium running watch,” which generally gets its time from four of the thirty-one operational GPS satellites encircling the globe—looked to be a second behind. Why?

This was one of the first questions I put to Judah Levine, an eighty-two-year-old JILA physicist and one of “America’s timekeepers.” “The handheld guys are typically wrong by a second or a half-second,” Levine said. “That’s because the device’s display is not fast enough.” He said this with weary resignation. White-haired, with gold-rimmed glasses, wearing a blue flannel shirt, gray work pants, and sturdy black shoes, Levine reminded me of one of those somewhat cantankerous master craftsmen you still find in certain old quarters of Brooklyn. The shelves of his office were lined with physics textbooks, and an Oregon Scientific clock—which gets a radio signal from NIST—displayed the time in blocky liquid-crystal numbers.

In fairness to my watch, Levine explained that time.gov (which had informed me that the laptop I was using had strayed “+0.012 s”) was itself off by a noticeable amount. “It takes a while for the signal to transfer across the network, which we don’t control,” he explained. The actual correct time was on display in a laboratory adjacent to Levine’s office. It appeared as a string of red digits on a device that looked like a high-end stereo amplifier. This was a display of the official time, which is kept by a series of cesium fountain atomic clocks a few miles away, at NIST’s Boulder campus, and sent via satellite to JILA. Here was the seat of temporal power, the nation’s pulsing metronome. I watched the red LED seconds tick away, bathing in their implacable authority. It was then, however, that Levine introduced another complication. The time we were looking at might actually, a month from now, be deemed incorrect….

(11) THE DOORS, NOT THE DALEKS, WERE THE REAL NIGHTMARE. “Doctor Who: TV crew member recalls genesis of the Daleks” at BBC.com.

On 21 December 1963, some of the most feared characters in science fiction first appeared on screen.

The first episode of Doctor Who in which the dreaded Daleks appeared – The Dead Planet – was broadcast on BBC television.

While the rest of the country watched from behind their sofas, Sue Webb, from Winchester, was working as a producer’s assistant at the BBC’s Lime Grove studios in Shepherd’s Bush, west London.

Sixty years on, she has been recalling the recording of this landmark moment in TV sci-fi.

Ms Webb admits to being initially unimpressed about working on the BBC’s new science fiction drama for Saturday teatimes, based on an eccentric alien, played by William Hartnell, who time travelled in a police phone box.

“It was really just another programme and not what we were used to – we’re drama darling – we do play,” she says.

She recalls the studio being “actually a bit too small”.

“We had to fit in a petrified forest and a metal city for the Daleks,” she says, adding: “It looks like cardboard boxes covered in sheets.”

As for the metallic pepperpot-shaped aliens, created by designer Raymond Cusick, Ms Webb remembers rehearsals with actors “trolleying” around on castors in just the bottom halves of the characters that would become The Doctor’s nemesis.

She says: “Daleks were difficult creatures to move around. They got very hot and the actors were very uncomfortable inside.”

Actor David Graham, along with Peter Hawkins, spoke the Daleks’ lines in a booth off-screen. Graham later worked on Thunderbirds and Hawkins was the voice of Captain Pugwash….

…”The whole episode creaks – it just doesn’t look real at all – the actual surroundings would look terribly amateur.

“The real nightmare was the set with all those sliding doors – they were supposed to rise and sometimes they didn’t.

“You have got to rise above it and accept some things are dodgy, keep fingers crossed and hope for the best.”…

(12) LITERARY MOONS. “See the James Webb Telescope’s Stunning New Image of Uranus With Its Rings and Moons Clearer Than Ever” at Smithsonian Magazine.

…Nine of Uranus’s 27 moons can be seen surrounding the planet in the new image, shining like pearls. Individual astronomers discovered the ice giant’s five largest moons between 1787 and 1948. When Voyager 2 flew by Uranus in 1986, it discovered ten more natural satellites. Since then, the Hubble Space Telescope and ground-based observations have brought the total to what it is today.

The ice giant’s moons are sometimes referred to as the “literary moons,” because they’re named for characters in Shakespeare’s plays, along with a few from the works of Alexander Pope. Those in Webb’s close-up image, moving clockwise from 2 o’clock, are called Rosalind, Puck, Belinda, Desdemona, Cressida, Bianca, Portia, Juliet and Perdita. (A second, wide-view image shows 14 moons.)…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Kevin Standlee, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/13/23 Scroll Your Pixels Well

(1) LE GUIN ON HER ILLEGAL ABORTION IN 1950. Arwen Curry told Worlds of Ursula K. Le Guin Kickstarter backers that a “New Ursula K. Le Guin short film series starts today on LitHub!”

The Journey That Matters, a series of six short films about Ursula K. Le Guin’s life and work that will be serialized on Literary Hub, based on outtakes from the feature documentary you all helped me to create. Spending time with Ursula meant having access to her warm, wise perceptions about all kinds of questions in literature and life. With these little films, I hope to share some more of that abundance.

It starts today with “What it Was Like,” in which Ursula reads her powerful essay about the illegal abortion she had as a senior at Radcliffe in 1950, which she credits with allowing her to pursue her career as a writer and to build her family. It’s a chilling reminder of what we’ve lost since Roe fell — and how women’s success and happiness is predicated on our bodily autonomy….

See the first video in the series on Literary Hub: “Ursula K. Le Guin on Her Illegal Abortion in 1950” introduced by Elisabeth Le Guin and Caroline Le Guin:

As young women growing up under the protection of Roe, we never really talked with our mother about her abortion. Elisabeth [Le Guin] learned that it had occurred when she went through several abortions of her own in the 1980s; but what we know about the story of Ursula’s necessarily different experience comes to us through her written words, as it does to you.  “The Princess” was her keynote address to NARAL Pro-Choice America in 1982 when Roe was not even a decade old, and this piece, “What It Was Like,” was a talk for Oregon’s NARAL chapter in 2004. These stories are public statements, performances of Ursula’s own life material as a means to inspire and transform. The second of them, which you are about to hear, is also a rather extraordinary public love letter to her own family.

This is a hard essay to read or listen to, and it’s meant to be. Clearly, it was hard to write; watching Ursula in her 80s read her own words aloud, more than a decade after she wrote them, the emotion is palpable—and that shy little shrug at the end, that letting go. For us, it’s hard to watch. It’s a hard thing to think about your mother having an abortion, and an illegal one at that—to do so takes you to an exquisitely painful, vulnerable place, imagining what she went through: the shame, the grief, the sense of loss she must have experienced, the lingering, corrosive doubt. A hard thought exercise, but necessary to fully honor the fact that she could later choose to carry you to term, bring you into the world, into her world, to love and mother you the way she wanted to mother….

(2) NEW SFWA PROGRAM SEEKS INTERNS. The Science Fiction and Fantasy Writers Association (SFWA) received a grant from the National Endowment of the Arts (NEA) to support a new program they’re launching: Publishing Taught Me. This program will be shepherded by Nisi Shawl, an accomplished and multiple award-winning author, editor, instructor, and Kate Wilhelm Solstice Award recipient. It will take place over the coming year. And the press release adds that “Publishing Taught Me Launches with an Intern Search”.

…Publishing Taught Me will produce an online essay series, to be collated into an anthology, and a symposium aimed at promoting diversity, equity, and inclusion in the science fiction, fantasy, and horror genres. This will be done by inviting publishing professionals of color to describe their journeys and to provide advice and motivation to writers entering the field via their essays and participation in a Publishing Taught Me symposium. These goals will be accomplished with the support of two paid interns, who will serve as assistant editors for the essay series, symposium, and resultant anthology.

As managing editor for the project, Shawl will oversee the operational aspects of putting together an online essay series and anthology, and will work with SFWA staff to coordinate and execute their publication and the associated events. They will also provide mentorship to the two assistant editor interns, who should be early in their professional publishing careers.

We are now recruiting for the assistant editor internship positions for this program. Interested individuals must be at least at 18 years of age, and should have at least three months previous editing experience, preferably within the science fiction, fantasy, and horror genres, and a firsthand knowledge of the challenges facing people of color in the current publishing environment. Familiarity with Google Docs, Zoom, WordPress, and Canva is a plus.

Responsibilities include soliciting and editing project essays, overseeing contributor agreement completion, assisting with arranging the essays within the final publication, helping to establish and supporting project participant communication protocols, and preparing marketing materials for the project. The term “editing” includes developmental editing, line editing, and copyediting.

The editorial assistants’ work on the project begins November 1, 2023 and will be completed in November 2024. Hours worked will vary from week to week, but the anticipated time commitment will be up to 50 hours per month per person. A flat $2,000 stipend will be provided to each intern for their participation in the program.

If you are interested in applying, please complete the application here by September 30, 2023. We encourage you to share this opportunity with anyone who qualifies and would benefit from learning about the science fiction, fantasy, and horror publishing industry as they fill this important role.

…This program will deliver invaluable insight into our industry that will benefit current and future genre storytellers, and we’re excited to bring it into existence. For questions about Publishing Taught Me, please contact [email protected]

(3) STURGEON SYMPOSIUM NEXT WEEK. Katie Conrad, Interim Director of the Gunn Center for the Study of Science Fiction shared the schedule for the Second Annual Sturgeon Symposium being held at the University of Kansas from September 20-22. Full details at the link.  

The Symposium theme this year, “Fantastic Worlds, Fraught Futures,” was inspired by this year’s KU Common Book, Octavia Butler’s Parable of the Sower. The festivities start Tuesday night (9/19) with a co-sponsored Feminist Futures Forum, and continue through Friday (9/20-9/22) with a three-day academic conference open to all and events including a zine workshop (Wednesday afternoon), an open-to-all young adult creative writing workshop with YA author L.L. McKinney (Thursday afternoon), the reception and presentation of the annual Sturgeon Award with a reading by author Samantha Mills (Thursday evening), a closing reception in the gallery with the KU Common Work of Art (Friday afternoon), and a free showing of the movie The Host (Friday evening).  

(4) WHAT LIES IN STORE FOR SIMON & SCHUSTER? The Atlantic warns about the potential consequences of KKR’s purchase of Simon & Schuster in “Private Equity Comes for Book Publishing”.

Earlier this year, the Department of Justice blocked Penguin Random House, owned by the German media giant Bertelsmann, from acquiring Simon & Schuster. The big five publishers—HarperCollins, Penguin Random House, Hachette, Macmillan, and Simon & Schuster—already control about 80 percent of the book market. The literary class was relieved.

Less than a year later, the private-equity firm Kohlberg Kravis Roberts announced that it would buy Simon & Schuster. Because the firm doesn’t already own a competing publisher, the deal is unlikely to trigger another antitrust probe. But KKR, infamous as Wall Street’s “barbarians at the gate” since the 1980s, may leave Simon & Schuster employees and authors yearning for a third choice beyond a multinational conglomerate or a powerful financial firm.

“It may be a stay of execution, but we should all be worried about how things will look at Simon & Schuster in five years,” says Ellen Adler, the publisher at the New Press, a nonprofit focused on public-interest books….

…In their recent book about private equity, These Are the Plunderers, Gretchen Morgenson and Joshua Rosner recount maddening stories about KKR: how it bankrupted Toys “R” Us; gouged residents of Bayonne, New Jersey, for water and sewage; and, very recently, ran a vital provider of emergency services into the ground. If KKR’s latest deal follows a similar trajectory, Morgenson and Rosner might have a harder time documenting it. Their publisher is Simon & Schuster….

(5) DAYTON LITERARY PEACE PRIZE 2023. Noah Hawley’s Anthem is a work of genre interest among the six fiction finalists for the 2023 Dayton Literary Peace Prize. Given for both fiction and nonfiction, the prize honors writers whose work uses the power of literature to foster peace, social justice, and global understanding. Each winner receives a $10,000 cash prize.

2023 Dayton Literary Peace Prize Finalists

Anthem by Noah Hawley (Grand Central Publishing)

Something grave is happening to teenagers across America. Recovering from his sister’s tragic passing, Simon breaks out of a treatment facility to join a man called “The Prophet” on a quest as urgent as it is enigmatic. Their journey becomes a rescue mission when they set off to save a woman being held captive by a man who goes by “The Wizard” in this freewheeling adventure that finds unquenchable light in the dark corners of society.

Didn’t Nobody Give a Shit What Happened to Carlotta by James Hannaham (Little, Brown and Company)

A trans woman, Carlotta Mercedes, reenters life on the outside after more than twenty years in a men’s prison. Set over the course of a whirlwind Fourth of July weekend, Didn’t Nobody Give a Shit What Happened to Carlotta follows her struggles to reconcile with the son she left behind, to reunite with a family reluctant to accept her true identity, and to avoid anything that might send her back to lockup.

Horse by Geraldine Brooks (Viking)

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

Mecca by Susan Straight (Farrar, Straus and Giroux)

From the National Book Award finalist Susan Straight, Mecca is a stunning epic tracing the intertwined lives of native Californians fighting for life and land. The author crafts an unforgettable American epic, examining race, history, family, and destiny. With sensitivity, furor, and a cinematic scope that captures California in all its injustice, history, and glory, she tells a story of the American West through the eyes of the people who built it—and continue to sustain it.

The Immortal King Rao by Vauhini Vara (W. W. Norton & Company)

In an Indian village in the 1950s, a precocious child is born into a family of Dalit coconut farmers. King Rao will grow up to be the world’s most accomplished tech CEO and lead a global corporate government. King’s daughter, Athena, must reckon with his legacy—literally, for he has given her access to his memories. The Immortal King Rao obliterates the boundaries between literary and speculative fiction, the historical and the dystopian, to confront our age of technological capitalism.

The Light Pirate by Lily Brooks-Dalton (Grand Central Publishing)

As devastating weather patterns wreak gradual havoc on Florida’s infrastructure, a powerful hurricane approaches a small town on the southeastern coast. Wanda, named for the terrible storm she was born into, grows up in a landscape abandoned by civilization. Moving from childhood to adulthood, Wanda loses family, gains community, and ultimately, seeks adventure, love, and purpose in a place remade by nature.

(6) ONLINE EVENT WILL DRAW ATTENTION TO HUMAN RIGHTS ABUSES AGAINST UYGHURS. “World Uyghur Congress announces #WritersSupportUyghurs campaign to coincide with World Science Fiction Convention (WorldCon) in Chengdu, China”. The complete press release is at the link.

The World Uyghur Congress will host an online panel discussion featuring several award-winning and bestselling authors on Tuesday, October 17th, 2023. The date, one day before the opening of the Worldcon science fiction convention in Chengdu, China, was selected deliberately in order to draw attention to ongoing human rights abuses against the Uyghurs in East Turkistan. The United States, along with 11 parliaments and senates around the world and the independent Uyghur Tribunal have officially recognized the abuses as a genocide and a crime against humanity. 

This marks the first year that Worldcon, the largest science fiction convention and the bestower of the prestigious Hugo Awards, will be hosted in China. The decision to hold the event in China has prompted concern from a wide range of science fiction fans, journalists, and authors, many of whom have called for a boycott. Making matters worse, the organization has invited Liu Cixin and Sergei Lukyanenko to attend as “guests of honor.” Both writers have been outspoken in favor of genocidal policies, with Liu saying that the genocidal policies are a justifiable form of “economic development” and Lukyanenko calling for Ukrainian children to be drowned

“The Chinese government wants to use Worldcon as a sort of Potemkin Village in order to showcase how futuristic and technologically advanced the country has become,” said Andrew Gillsmith, author of the bestselling novel Our Lady of the Artilects and organizer of the #WritersSupportUyghurs campaign. “Meanwhile, they are interning people in concentration camps, forcibly separating children from their families, conscripting Uyghurs into slave labour schemes, and implementing the most comprehensive and technologically sophisticated surveillance regime in history. Science fiction writers and fans have a longstanding tradition of standing for human rights. This is in the spirit of that tradition.”

The event in October will broadcast live worldwide and is expected to last 90 minutes….

“We are grateful for this support from the science fiction and literary communities,” said Dolkun Isa, President of the World Uyghur Congress. “Our goal is not to disrupt Worldcon but to ensure that coverage of the event includes the facts about an ongoing genocide being perpetrated by the host country.”… 

(7) ALAN MOORE NOW SENDING HIS DC ROYALTIES TO BLM. Variety reports “Alan Moore Donates Film and TV Money to Black Lives Matter”.

Alan Moore, the comic book visionary best known for writing such revered works as “Watchmen,” “V for Vendetta” and “Batman: The Killing Joke,” revealed to The Telegraph that he is longer accepting royalty checks from DC Comics for films and television series based on his works. He’s asked the company to instead reroute these checks to Black Lives Matter.

The Telegraph asked Moore if reports were true about him taking all of the money he makes from film and TV series and dividing it among the writers and other creatives, to which the writer answered: “I no longer wish it to even be shared with them. I don’t really feel, with the recent films, that they have stood by what I assumed were their original principles. So I asked for DC Comics to send all of the money from any future TV series or films to Black Lives Matter.”…

(8) SPACE:1999 SPACECRAFT GETS DOCUMENTARY. “’Space: 1999′ documentary to focus on the iconic Eagle spacecraft” at Space.com.

A Kickstarter campaign has been launched to raise funds for a dedicated documentary focusing specifically on the design and development of the iconic Eagle transport spacecraft from the epic 70s sci-fi TV show “Space: 1999.” The documentary feature is called “The Eagle Has Landed” and will showcase never-before-seen archival footage. It’s set to be released in time for the 50th Anniversary of “Space: 1999” in 2025. 

“‘Space: 1999’ appeared on TV a few short years after the world watched Neil Armstrong take the first steps on the moon. The show’s unforgettable Eagle inspired a generation to envision a future in space and is still doing so decades later. The question we explore is why?” said writer, director Jeffrey Morris and founder FutureDude Entertainment, the production company behind the project….

The Kickstarter link is here: “The Eagle Has Landed – Sci-Fi Documentary by Jeffrey Morris”. The appeal has raised $27,000 of the $500,000 goal on the first day.

…The Eagle Has Landed explores a passionate and ongoing nostalgia for a future that never happened. This intriguing feature-length documentary follows Jeffrey Morris—a Minnesota-based filmmaker and lifelong science-fiction aficionado—as he examines the fascinating connections between art, science, culture, and the iconic Eagle spacecraft. …

(9) MEMORY LANE.

1964 [Written by Cat Eldridge from a choice by Mike Glyer.]

So let’s talk about the publishing of Keith Laumer’s A Plague of Demons which is our Beginning this time as it’s fascinating.  Especially when it got entangled with Baen Books later on.

It first was published in If in the November and December 1964 issues as The Hounds of Hells. This is not the later version known as A Plague of Demons but a shorter version.  

It got its first book publication as a paperback from Berkley Medallion the next year. The cover illustration is by Richard Powers. 

Penguin, Paperback Library and then Warner Paperback Library (yes Warner bought Paperback Library), then Warner Books (such for Paperback Library) and finally Pocket Books before we get to Baen Books.

And there’s Baen Books. They did three paperback editions of it and then printed it as part of A Plague of Demons and Other Stories which collected a lot of his shorter fiction, mostly novelettes. It was then offered up as part of the Baen Free Library. ISFDB says it was included as part of The 1634: The Baltic War Disk and The 1635: The Eastern Front CD-ROMs. 

Now let’s not overlook as you see in a few moments that A Plague of Demons is a most amazing novel. I’ve only included the first paragraph but it’s all you need as it’s most excellent. 

So here is it. Do enjoy it.

It was ten minutes past high noon when I paid off my helicab, ducked under the air blast from the caged high-speed rotors as they whined back to speed, and looked around at the sun-scalded, dust-white, mob-noisy bazaar of the trucial camp-city of Tamboula, Republic of Free Algeria. Merchants’ stalls were a slash of garish fabrics, the pastels of heaped fruit, the glitter of oriental gold thread and beadwork, the glint of polished Japanese lenses and finely-machined Swiss chromalloy, the subtle gleam of hand-rubbed wood, the brittle complexity of Hong Kong plastic – islands in the tide of humanity that elbowed, sauntered, bargained with shrill voices and waving hands, or stood idly in patches of black shadow under rigged awnings all across the wide square. I made my way through the press, shouted at by hucksters, solicited by whining beggars and tattooed drabs, jostled by UN Security Police escorting officials of a dozen nations.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 13, 1931 — Elizabeth Marshall Thomas, 92. An American author. Anthropologist, author of both fiction and non-fiction books on animal behavior, Paleolithic life, and the !Kung Bushmen of the Kalahari Desert. She was written three works of fiction two genre, Reindeer Moon and The Animal Wife and one, Certain Poor Shepherds: A Christmas Tale, a Christmas story, a folk tale and therefore at least genre adjacent. 
  • Born September 13, 1933 Warren Murphy. Ok, I’ll admit that I’m most likely stretching the definition of genre just a bit by including him as he’s best known for writing along with Richard Sapir the pulp Destroyer series that ran to some seventy novels and was (making it possibly genre) the basis of Remo Williams: The Adventure Begins.  He did a number of other series that were more definitely genre. (Died 2015.)
  • Born September 13, 1947 Mike Grell, 76. He’s best known for his work on books such as Green Lantern/Green ArrowThe Warlord, and Jon Sable FreelanceThe Warlord featuring Travis Morgan is a hollow Earth adventure series set in Skartaris which is a homage to Jules Verne as Grell points out “the name comes from the mountain peak Scartaris that points the way to the passage to the earth’s core in Journey to the Center of the Earth. It would be adapted by Matt Wayne for Justice League Unlimited’s “Chaos at the Earth’s Core”. 
  • Born September 13, 1960 Bob Eggleton, 63. He’s has been honored with the Hugo Award for Best Professional Artist eight times! He was guest of honor at Chicon 2000. There’s a reasonably up to date look at his artwork, Primal Darkness: The Gothic & Horror Art of Bob Eggleton which he put together in 2010 and was published by Cartouche Press.
  • Born September 13, 1961 Tom Holt, 62. Assuming you like comical fantasy, I’d recommend both Faust Among Equals and Who Afraid of Beowulf? as being well worth time. If you madly, deeply into Wagner, you’ll love Expecting Someone Taller; if not, skip it. His only two Awards are a pair of World Fantasy Awards, both for novellas, “A Small Price to Pay for Birdsong” and “Let’s Maps to Others”. And yes, I know that he also publishes under the K. J. Parker name as well but I won’t go into the works he publishes here. 
  • Born September 13, 1974 Fiona Avery, 49. Comic book and genre series scriptwriter. While being a reference editor on the final season of Babylon 5, she wrote “The Well of Forever” and “Patterns of the Soul” as well as two that were not produced, “Value Judgements” and “Tried and True”. After work on the Crusade series ended, she turned to comic book writing, working for Marvel and Top Cow with three spin-offs of J. Michael Straczynski’s Rising Stars being another place where her scripts were used. She created the Marvel character Anya Sofia Corazon later named Spider-girl. She did work on Tomb RaiderSpider-ManX-Men and Witchblade as well. 

(11) COMICS SECTION.

(12) CHENGDU WORLDCON NEWS. A three-part news release primarily devoted to a name for the Chengdu Worldcon mascot and its slogan – “Meet The Future! Slogan and Mascot’s Name for 2023 Chengdu Worldcon Announced” – included this segment publicizing some of the guests and programs, from which Sergey Lukianenko’s name is conspicuously absent.

…This year, the Committee has invited famous sci-fi activists such as Ben Yalow and Dave McCarty, as well as sci-fi litterateurs such as Robert Sawyer and Liu Cixin to bring a sci-fi literature feast to sci-fi fans. Meanwhile, Richard Taylor, the founder of Weta Workshop founder, who has won five Oscars for Best Visual Effects, and prominent figures in the Chinese sci-fi industry such as directors Guo Fan and Yang Lei, will attend the convention. They will engage in in-depth discussions on topics related to the fusion and development of science and technology innovation, culture, cultural tourism, and cultural creativity.

According to Liang Xiaolan, the full-time chairman of the 2023 Chengdu Worldcon and the vice president of the Chengdu Science Fiction Association, the convention will hold about 260 themed salons and parties, which are divided into eight categories: Science Fiction and Literature, Science Fiction and Art, Science Fiction and Film and TV, Science Fiction and Games (Animation), Science Fiction and Academics, Science Fiction and Technology, Science Fiction and Future, and Science Fiction and Industry. “For example, in the Science Fiction and literature section, there will be salons like Liu Cixin’s ‘A Sci-fi Reunion After 10 Years’, and Robert Sawyer’s ‘The Past, Present, and Future of Science Fiction’; In the Science Fiction and Technology section, we will discuss ‘How Far Are We From Space Travel?’ In the Science Fiction and Film and TV section, there will be a ’Sci-fi Film Special Effects Summit’; In the Science Fiction and Art section, there will be a ‘Three-Body Themed Concert’; In the Science Fiction and Games section, we will release the International Sci-fi Gaming Ranking,” Liang said….

(13) NANCY AND ZIPPY. “Bill Griffith on Love, Loss and the Lives of Ernie Bushmiller and Diane Noomin” at the Comics Journal – “Long and moving,” says Andrew Porter.

There are scenes in both Three Rocks and The Buildings are Barking that converge for me. Toward the end of the Diane book, there’s a haunting scene where she appears to you on a sort of “ghost ferry,” and she’s beckoning to you, in a dream sequence, to come join her. It’s very powerful, very sad, very beautifully rendered, and it’s heartbreaking. And toward the end of Three Rocks you have Ernie—toward the end of his life—snoozing on his chair, and Nancy, in another dream sequence, is in some ways doing the same thing to Ernie. Calling on him to follow her.

So that’s me recognizing that parallel– or, under the reality that we’re all experiencing together, there is another reality. It’s just there. It’s there to find. Or create. In that dream sequence in Three Rocks, the conceit is that Nancy is doing this. I’m not doing this. Ernie is not. Nancy is doing this. So, I am saying something that I have said throughout the book, which is that Nancy is a powerful figure. She both represents and controls the world she is in. And Ernie’s world as well. Some people thought she was a child that Ernie and Abbie never had. That’s a little sentimentalized, but possible. And before that dream sequence, I’ve used Nancy in these transitional sections throughout the book where Nancy is taking you from the previous chapter, in effect, to the next chapter. Once again, it’s Nancy, physically, the drawing. Yes, I’m writing it, but it’s Nancy [who is doing it].

In the dream sequence, she’s just pure Nancy. To me, because there’s no writing going on until the very end. It came out of a conversation I had with [Nancy collector and producer/writer for The Simpsons] Tom Gammill, and I’ve also heard the same thing from Mark [Newgarden]. That Ernie would always say that he’s looking for “the perfect gag.” There’s always a more perfect gag that he can’t quite find. The most perfect gag ever. [Laughs] Which I think is a little bit… romanticizing. Either people who heard Ernie say it, or they themselves, romanticized it. It seems a little bit like false humility. In other words, “I’m not all that funny, I’m still looking for the perfect gag. If I ever find it, I’ll let you know.” It’s like a way of deflecting, that he’s a great cartoonist or a funny guy….

(14) BEAMS CHOICE. “The Influence of Star Trek and Science Fiction on Real Science” at Smithsonian Magazine, an excerpt from Reality Ahead of Schedule: How Science Fiction Inspires Science Fact

…To trace the roots of Star Trek’s replicator, it is necessary to understand that it is essentially a repurposed form of the transporter—the teleportation or matter transmission device that “beams” the crew between starship and planet surface. According to legend, the transporter was invented only because the original series lacked the budget to film special, effect-heavy scenes of planetary landing shuttles, but Star Trek did not invent the concept of matter transmission. Its first appearance in science fiction dates back at least as far as 1877, in Edward Page Mitchell’s story “The Man Without a Body,” which prefigures George Langelaan’s much better-known 1957 story “The Fly,” by having a scientist experience a teleportation mishap when his batteries die while he is only partway through a transmission, so that only his head rematerializes.

The replicator uses the same basic principle as the transporter, in which the atomic structure of a physical object is scanned and the information is used to reconstruct the object at the “receiving” end through energy-matter conversion. In practice, all transporters are replicators and matter “transmission” is a misnomer, because matter itself is not transmitted, only information. Every time Captain Kirk steps out of the transporter having “beamed up” from a planet’s surface, it is, in fact, a copy of him—the original has been disintegrated during the initial phase of the operation.

This was precisely the mechanism of teleportation explored in one of the earliest stories on this theme. In Guillaume Apollinaire’s 1910 story “Remote Projection,” an inventor finds that his teleporter is actually a replicator and ends up with 841 identical copies of himself scattered around the world. This idea anticipated the well-known Teletransporter philosophy thought experiment by British philosopher Derek Parfit, which explored questions of continuity of identity. If a transporter is actually a replicator, is the Captain Kirk that steps off the transporter pad the same as the one that was “beamed up” from the planet? If the planet-side Kirk is not disintegrated in the process, and survives the process, which of the two Kirks is the “real” one? Star Trek TNG explored this precise scenario as an ongoing story line, after an episode (“Second Chances,” 1993) featuring a transporter malfunction that results in two copies of the character Will Riker—one who materializes on board his ship and the other who is stranded on a planet. The planet-side copy eventually chooses to be known as Tom Riker….

(15) BID ARAGORN REMEMBER. Far Out Magazine counts this as “The movie with the largest battle scene of all time”.

…However, the formula for creating monumental battle scenes saw a paradigm shift as we moved into the digital age. It was no longer just about recruiting an army of extras and meticulously planning every combat move. Instead, the magic started happening in the digital realm, thanks to pioneering technology developed by New Zealand-based Weta Digital.

Enter Peter Jackson’s acclaimed Lord of the Rings trilogy, released from 2001 to 2003. With the assistance of Weta Digital’s specialised crowd-simulation software, the movies shattered all previous records by featuring battles with an unprecedented 200,000 characters. The program, sensibly named Massive, fused digital animation with early artificial intelligence to govern individual character interactions, creating a spectacle of unparalleled scale and complexity.

What sets Massive apart is its innovative use of AI, allowing each digitally-created soldier to act and react in ways that mimic real-life human behaviour – not just this, but to do it ‘independently’. By allowing the program to govern the movements, animators were spared from tailoring the movements of each of the 200,000 figures. This leap in technology generated battle scenes that were vast in scale and eerily realistic. The technology altered the very foundations of what directors considered possible, raising the bar for epic cinema to an entirely new level….

(16) A SIGNATURE OF LIFE? Mashable reports an intriguing James Webb Space Telescope discovery: “Webb finds a molecule made by microbial life in another world”.

While the James Webb Space Telescope observed the atmosphere of an alien world 120 light-years away, it picked up hints of a substance only made by living things — at least, that is, on Earth.

This molecule, known as dimethyl sulfide, is primarily produced by phytoplankton, microscopic plant-like organisms in salty seas as well as freshwater.

The detection by Webb, a powerful infrared telescope in space run by NASA and the European and Canadian space agencies, is part of a new investigation into K2-18 b, an exoplanet almost nine times Earth’s mass in the constellation Leo. The study also found an abundance of carbon-bearing molecules, such as methane and carbon dioxide. This discovery bolsters previous work suggesting the distant world has a hydrogen-rich atmosphere hanging over an ocean.

Such planets believed to exist in the universe are called Hycean, combining the words “hydrogen” and “ocean.”

“This (dimethyl sulfide) molecule is unique to life on Earth: There is no other way this molecule is produced on Earth,” said astronomer Nikku Madhusudhan in a University of Cambridge video. “So it has been predicted to be a very good biosignature in exoplanets and habitable exoplanets, including Hycean worlds.”…

(17) VIDEO OF THE DAY. The new miniseries of Star Trek: Very Short Treks continues with “Holiday Party” about a “blooper reel” that’s mostly not actually funny, which is the point.

It’s a First Contact Day celebration and Spock is in charge of the entertainment.

[Thanks to Mike Kennedy, Andrew Porter, Daniel Dern, JJ, Lise Andreasen, Mark Roth-Whitroth, Andrew Gillsmith, Ersatz Culture, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Lou.]

Pixel Scroll 7/22/23 A Scroll’s As Good As A File To A Blind Pixel

(1) A GREEN THUMB – AND SO IS EVERYTHING ELSE. G. W. Thomas brings us clippings from “Plant Monsters of the 1950s” at Dark Worlds Quarterly.

If you missed the 1940s…

With the Plant Monsters of the 1950s we see the last of the Pulps and the transition to digest-sized SF. We also get the biggest plant monster hit since the days of H. G. Wells. John Wyndham, a Pulp writer, now rebranded a novelist, gave us The Day of the Triffids (1951). This book proved many things besides that Wyndham was fun to read. It proved that plant monsters could be a bestseller. It proved old SF ideas could be re-modeled for new purposes. And it proved that the 1950s was going to be an exciting time for plant stories.

The first example Thomas comes up with is —

“Flowering Evil” by Margaret St. Clair (Planet Stories, Summer 1950) is an unusual tale since Planet Stories’ policy was that their tales take place off planet. St. Clair’s story has a woman back on Earth who has a fantastic menagerie of plants from other planets. One in particular looks like a giant spider, ready to pounce. This is the Venusian Rambler that finally tries to devour Aunt Amy. She takes him out with a bar of soap!

(2) FROM BARBIE TO NARNIA? “Greta Gerwig Says She’s ‘Properly Scared’ To Tackle Netflix ‘Narnia’ Films, Addresses Prospect Of Directing A ‘Bond’ Pic” at Deadline.

…While there have been whispers about Gerwig tackling Narnia for some time, the reality of it solidified in a recent profile of Gerwig and Barbie toymaker Mattel in The New Yorker. News of a Narnia project from Netflix had been awaited for some time, given the streamer’s inking of a multi-year deal for rights to the books back in 2018. The fantasy books tell the story of siblings coming of age during WWII who escape via a wardrobe to a magical realm known as Narnia, where they play a key role in fending off the advances of evil, and were previously adapted into three films from Disney and Fox, which collectively grossed over $1.58B worldwide.

Gerwig’s highly buzzy summer feature Barbie has Margot Robbie playing the iconic doll, with Ryan Gosling as her partner Ken, watching as the pair face an existential crisis when they leave the utopian Barbie Land for the real world. The Warner Bros pic has scored the best preview box office of the year to date, as we told you first, at a total of $22.3M.

(3) VAL LEWTON APPRAISED. Bill Ryan reminds readers there was an artist at work in these little-regarded horror movies: “Death is Good: The Horror Films of Val Lewton” on the Roger Ebert website.

…I first heard about Lewton through Harlan Ellison’s Watching, a collection of the short story writer’s film criticism. In one essay, he describes at length the most suspenseful and beautifully constructed sequence in “The Leopard Man” (1943). Directed by Jacques Tourneur and adapted by Ardel Wray and Edward Dein from the novel Black Alibi by the great pulp writer Cornell Woolrich, the sequence in question features a young girl in a New Mexico town making her way home at night after running an errand for her mother to buy a bag of flour. On the way home, what appears to be a leopard begins stalking her. The scene culminates with a moment of such exquisitely composed horror that Ellison wrote that in The Big Hiring Hall in the Sky that Lewton would definitely be rewarded with a “happy eternity” in an “alabaster palace.”…

…Making horror films was not Lewton’s ambition, it was simply the assignment given to him by RKO Pictures. (He would parlay his success with the job into producing movies closer to his heart, like “Youth Runs Wild” and “Mademoiselle Fifi”). In fact, this bit of his career was loosely dramatized in Vincente Minelli’s “The Bad and the Beautiful,” when we see Kirk Douglas’ producer character Jonathan Shields struggling to make a quality picture out of the pulp horror title, “Doom of the Cat Men,” given to him by the studio. This also happened to Lewton, who was given titles—not actual scripts, mind you—like “Cat People” and told to make those titles into feature films. In “The Bad and the Beautiful” we see Shields and his director (Barry Sullivan) finding art in this cheap job they’d previously not cared about (it’s worth noting that, at least in my opinion, “Doom of the Cat Men” sounds like a much better film than any of the ones Shields is actually passionate about)…. 

(4) CRANK OUT THOSE WIDGETS. The New York Times explores “How TV Writing Became a Dead-End Job”.

For the six years he worked on “The Mentalist,” beginning in 2009, Jordan Harper’s job was far more than a writing gig. He and his colleagues in the writers’ room of the weekly CBS drama were heavily involved in production. They weighed in on costumes and props, lingered on the set, provided feedback to actors and directors. The job lasted most of a year.

But by 2018, when he worked on “Hightown,” a drama for Starz, the business of television writing had changed substantially. The writers spent about 20 weeks cranking out scripts, at which point most of their contracts ended, leaving many to scramble for additional work. The job of overseeing the filming and editing fell largely to the showrunner, the writer-producer in charge of a series.

“On a show like ‘The Mentalist,’ we’d all go to set,” Mr. Harper said. “Now the other writers are cut free. Only the showrunner and possibly one other writer are kept on board.”

The separation between writing and production, increasingly common in the streaming era, is one issue at the heart of the strike begun in May by roughly 11,500 Hollywood writers. They say the new approach requires more frequent job changes, making their work less steady, and has lowered writers’ earnings. Mr. Harper estimated that his income was less than half what it was seven years ago.

While their union, the Writers Guild of America, has sought guarantees that each show will employ a minimum number of writers through the production process, the major studios have said such proposals are “incompatible with the creative nature of our industry.” The Alliance of Motion Picture and Television Producers, which bargains on behalf of Hollywood studios, declined to comment further….

(5) SDCC DAY ONE. SYFY Wire has a gallery of cosplay photos from San Diego Comic-Con in “SDCC 2023: Cosplay From Day 1”. Amazing stuff!

(6) SFF SMALL ARMS. ScreenRant admires “10 Hilariously Unconventional Sci-Fi Weapons (That Were Surprisingly Effective)”.

Science fiction media prides itself on its innovative ideas, and nowhere is this more evident than in the creative weapons many favorite characters wield. From the iconic lightsabers from Star Wars to Thor: Love and Thunder’s new and improved Mjölnir hammer, there have been no shortage of unusual armaments in sci-fi history….

For example:

POV Gun, Hitchhiker’s Guide To The Galaxy

The Hitchhiker’s Guide To The Galaxy is absolutely full of outlandish and hilarious technology, like cows that cook themselves, or the ingeniously unique Point of View gun. Appearing only in the 2005 Hitchhiker’s Guide film instead of the books, the POV gun makes whoever is shot by it see things from the perspective of the wielder.

Hilariously, the gun was originally designed in the film to make men finally understand how their wives felt about things. Throughout the movie, the gun is used as a plot device to help the leads understand each other. However, at the end, it is comically weaponized by the famously nihilistic android Marvin to incapacitate a group of Vogons by making them see his worldview.

(7) MEMORY LANE.

1986 [Written by Cat Eldridge from a choice by Mike Glyer.]

Bob Shaw is the writer of our Beginning this Scroll. Shaw was deep within our community to the extent that he won back to back Best Fan Writer Hugos at Seacon ‘79 and Noreascon Two. And as y’all know, he attended Worldcons as often as he could.

My favorite work by him is the Orbitsville trilogy set on a Dyson sphere. I like his short fiction but most critics think it pales in comparison to his novels but given that those critics aren’t generally authors, I’d say we can ignore their comments on this matter, don’t you think? Dark Night in Toyland was his last collection and it’s quite splendid indeed. So there.

We have as our Beginning, The Ragged Astronauts, the first novel of The Land and Overland trilogy. (And yes, it too is a splendid read.)  It was published by Gollancz thirty-seven years ago. The cover illustration is by Alan Brooks. 

It would garner a British Science Fiction Award and would be nominated for a Hugo at Conspiracy ’87 as well as an Arthur C. Clarke Award. 

Should you be interested in reading it, it is a Meredith Moment at the usual suspects right now as are the two other novels in the trilogy, all at three dollars. 

And here it is…

It had become obvious to Toller Maraquine and some others watching on the ground that the airship was heading into danger, but–incredibly–its captain appeared not to notice.

‘What does the fool think he’s doing?’ Toller said, speaking aloud although there was nobody within earshot. 

He shaded his eyes from the sun to harden his perception of what was happening. The background was a familiar one to anybody who lived in those longitudes of Land–flawless indigo sea, a sky of pale blue feathered with white, and the misty vastness of the sister world, Overland, hanging motionless near the zenith, its disk crossed again and again by swathes of cloud. In spite of the foreday glare a number of stars were visible, including the nine brightest which made up the constellation of the Tree.

Against that backdrop the airship was drifting in on a light sea breeze, the commander conserving power crystals. The vessel was heading directly towards the shore, its blue-and-grey envelope foreshortened to a circle, a tiny visual echo of Overland. It was making steady isprogress, but what its captain had apparently failed to appreciate was that the onshore breeze in which he was travelling was very shallow, with a depth of not more than three hundred feet. Above it and moving in the opposite direction was a westerly wind streaming down from the Haffanger Plateau. 

Toller could trace the flow and counter flow of air with precision because the columns of vapour from the pikon reduction pans along the shore were drifting inland only a short distance before rising and being wafted back out to sea. Among those man-made bands of mist were ribbons of cloud from the roof of the plateau–therein lay the danger to the airship

Toller took from his pocket the stubby telescope he had carried since childhood and used it to scan the cloud layers. As he had half expected, he was able within seconds to pick out several blurry specks of blue and magenta suspended in the matrix of white vapour. A casual observer might have failed to notice them at all, or have dismissed the vague motes as an optical effect, but Toller’s sense of alarm grew more intense. The fact that he had been able to spot some ptertha so quickly meant that the entire cloud must be heavily seeded with them, invisibly bearing hundreds of the creatures towards the airship.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 22, 1881 — Margery WilliamsThe Velveteen Rabbit (or How Toys Become Real) is the work that is by far her best-known work. Is it genre? Sure. And it has been adapted as video, audio and theatre myriad times. One audio version was narrated by Meryl Streep with music by George Winston. (Died 1944.)
  • Born July 22, 1932 Tom Robbins, 91. Author of such novels as Even Cowgirls Get the Blues and Another Roadside Attraction. ISFDB lists everything he’s done as genre and who am I to argue with them on this occasion at least? Well I will. Now Jitterbug Perfumethat’s definitely genre! Cowgirls Get the Blues got made into a rather excellent film by Gus Van Sant and stars Uma Thurman, Lorraine Bracco, and Keanu Reeves. Interesting note: Still Life with Woodpecker made the long list at one point for the Prometheus Award for Best Libertarian SF Novel. 
  • Born July 22, 1941 Vaughn Bodé. Winner of Best Fan Artist Hugo at St. Louiscon. (He was nominated for Best Professional Artist as well but that honor went to Jack Gaughan.) He has been credited as an influence on Bakshi’s Wizards and Lord of the Rings. Currently there at least three collections of his artwork, Deadbone EroticaCheech Wizard and Cheech Wizard‘s Book of Me in print. (Died 1975.)
  • Born July 22, 1941 George Clinton, 82. Founder and leader of the bands Parliament and Funkadelic, who incorporated science-fictional themes in his music throughout his career, perhaps most notably with his 1975 hit album, Mothership Connection, which was a huge influence on Afrofuturism. (Xtifr)
  • Born July 22, 1961 Rena Owen, 62. New Zealand native who appeared as Taun We in Attack of the Clones and Revenge of the Sith as Nee Alavar. She also has minor roles in A.I. Artificial IntelligenceThe Crow: Wicked PrayerThe Iron Man and The Last Witch Hunter. She had a lead role in Siren, a series about merfolk that lasted for three seasons and thirty-six episodes. Set in the state of Washington, it was, no surprise, filmed in British Columbia. 
  • Born July 22, 1964 Bonnie Langford, 59. She was a computer programmer from the 20th century who was a Companion of the Sixth and Seventh Doctors. She also appeared in the thirtieth anniversary special Dimensions in Time. If you’re really generous in defining genre, she was in Wombling Free as Felicity Kim Frogmorton. Other than that, Who was all she did for our end of the universe. 
  • Born July 22, 1972 Colin Ferguson, 51. Best known for being Sheriff Jack Carter on Eureka. I miss that series. Did it win any Hugos? He’s also been in Are You Afraid of the DarkThe HungerThe X-FilesThe Outer Limits, the Eureka “Hide and Seek” webisodes (anyone seen these?) and The Vampire Diaries. Oh and let’s not forget his Maytag commercials.

(9) COMICS SECTION.

Tom Gauld is on the job.

(10) BAT-RARITIES. In “Holy Bat-Toys!”, Heritage Auctions previews offerings from The Ultimate Batman Collection Signature® Auction on August 4-5.

…And one of the modern centerpieces – Hot Toys’ one-of-a-kind 2016 1:6-scale Batcave diorama, with a Batmobile and four “strange costumes” lifted straight from the cover of Detective Comics No. 165 – replicates Adam West’s underground lair down to the Batcomputer, Anti-Crime Eye Checker and Batanalyst. And, of course, West’s Batman and Burt Ward’s Robin are standing alongside that sweet ride.

Holy prototype, indeed.

This diorama was first displayed at the Batman 100 Hot Toys exhibition in Tokyo in September 2016, coinciding with the release of the first Suicide Squad movie. Visitors to the show were overwhelmed, and with good reason: The diorama is 9 feet wide, 5 feet deep and 4 feet tall – room enough to display all the custom-made pieces, including the Batmobile that first roared into the San Diego Comic-Con four years earlier. Hot Toys planned to roll out the iconic vehicle soon thereafter, but this remains the only one….

(11) ALMOST LIKE NEON. “Saturn’s Rings Shine in Webb’s Observations of Ringed Planet” at NASA.gov.

…On June 25, 2023, NASA’s James Webb Space Telescope turned to famed ringed world Saturn for its first near-infrared observations of the planet. The initial imagery from Webb’s NIRCam (Near-Infrared Camera) is already fascinating researchers.

Saturn itself appears extremely dark at this infrared wavelength observed by the telescope, as methane gas absorbs almost all of the sunlight falling on the atmosphere. However, the icy rings stay relatively bright, leading to the unusual appearance of Saturn in the Webb image….

(12) GOING PROSPECTING. “NASA Prepares for Launch to Golden Asteroid Worth $10 Quintillion” at SYFY Wire. Reminds me a little of Poul Anderson’s economic premise for Satan’s World, though it was a very different celestial body.

… NASA’s Psyche spacecraft, named for the asteroid it intends to visit, has spent the last year at the Astrotech Space Operations facility near NASA’s Kennedy Space Center. There, folks from the Jet Propulsion Laboratory (JPL) are working on final assembly and testing in advance of a planned October 5 launch. The spacecraft is headed for the asteroid 16 Psyche, roughly 279 kilometers (173 miles) across and orbiting inside the asteroid belt….

We’ve known that Psyche has existed for centuries, but only recently realized how valuable it might be, both in economic and scientific terms. Previous remote observations have suggested that Psyche might be the leftover core of a failed planet, from the construction phase of our solar system. Astronomers believe that because it appears to be comprised almost entirely of exposed metals like iron, nickel, and gold. If we could get our hands on such a massive piece of space, it would be worth more than the combined global economy, at an estimated $10 quintillion…. 

The spacecraft will be mounted to a SpaceX Falcon Heavy rocket, which will push it to its destination in the asteroid belt. In addition to scoping out one of our system’s treasure hoards, the mission will also serve as a testbed for technologies which could be used for crewed missions in the future. The launch itself will be the first interplanetary mission for the Falcon Heavy, laying the groundwork for future Mars missions. It will also carry an optical deep space communications system, part of NASA’s ongoing work to build an updated space communications network.

After getting into low-Earth orbit, Psyche will blast off toward the asteroid belt using solar electric propulsion. Six years later it will rendezvous with Psyche and set up camp for a 26-month mission. But this is only a prospecting mission. Psyche is going to look, not to touch….

(13) VIDEO OF THE DAY. At Media Death Cult, Moid has been continuing his ‘on location’ videos this time with a little rambling about “The Multiverse” in the History of Science Fiction.

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Bonnie McDaniel.]

Pixel Scroll 7/12/23 You Can Scroll Scroll Scroll, You Can Pixel Pixel Pixel, But You Got To Know The Metastory

(1) THIS IS YOUR BRAIN ON PERN. As soon as Threads started up, Catherynne M. Valente realized she needed to remind everyone she knows that “Mark F***king Zuckerberg Is Not Your Friend”.

…I’m not even very surprised at how many suspiciously-positive posts and memes I saw the millisecond Threads launched. Or how many big names and brands who’d refused to move to any of the other available competitors, not even so far as to hold a username and a server on Mastodon, the one most usable most quickly, just in case, suddenly had thriving Threads feeds. This is Facebook. It’s been several interminable minutes. We all know how this works. Bots, farms, artificial boosting, algorithms, astroturfing, paying influencers, brands, and celebrities to migrate without saying they were paid. We are not new here. Asking Facebook to not fake engagement and steal data is like asking Canadian goose not to rip anyone’s face off. That is, fundamentally, what it does and what it’s for.

What did surprise me? Well, it’s pretty fucking weird how the launch of Threads, which is ostensibly, you know, a company and a profit-generating service, almost immediately did a sickening costume reveal and became Mark fucking Zuckerberg’s Redemption/Woobiefication tour, and only like four non-Nazi people and one of their alt accounts are pushing back on that because everyone rushed to join this thing with a smile on their lips and a song in their heart a big anime heart-eyes for the guy we all knew was Noonian Soong’s first janky and obviously evil Build-a-Bloke workshop project three weeks ago.

Seriously, have we all lost our entire screaming minds?…

She has assembled acres of evidence about Zuckerberg’s and Facebook’s track record in case you forgot.

(2) BOTH A SPRINT AND A MARATHON. Cora Buhlert is doing the July Short Story Challenge again and she hasn’t missed a day yet: “The 2023 July Short Story Challenge – Day by Day”.

… What is the July Short Story Challenge, you ask? Well, in July 2015, Dean Wesley Smith announced that he was planning to write a brand new short story every day during the month of July. The original post seems to be gone now, but the Wayback Machine has a copy here. At the time, several people announced that they would play along, so I decided to give it a try as well. And then I did it again the following year. And the next. And the next….

(3) QUITE THE VARIETY. Rich Lynch’s diverting My Back Pages #28 is available to download from eFanzines.

The 28th installment of my personal time capsule is a “I think we’re finally escaping the pandemic” issue and has essays involving cheap hotel rates and a very expensive personal boondoggle, big balloons and a small cat, scary rollercoasters and not-so-scary sci-fi movies, notable edifices and ordinary-looking spring blossoms, artificial satellites and a very real sense-of-wonder, a long walking tour and a relatively short drive, a famous quote and a semi-obscure composer, a smart chatbot and a dumb stunt, complex machinations and elegant simplicity, drowsy Worldcon attendees and rousing march music, photos of the heavens and an underground fallout shelter, an extended hotel stay and a brief mountain climbing career, specialized historical research and an eclectic museum, National Poetry Month and The Year of the Jackpot.  And also an ‘Un-bucket List’ – hey, *everybody* ought to have one of those!

(4) THE HOBBIT: COMPARING RANKIN/BASS WITH PETER JACKSON. [Item by Dann.] The first episode of the Cinema Story Origins Podcast Hobbit series dropped a couple of days ago.  Paul J. Hale announced it on Facebook:

This whole episode is the first chapter of the book, the first 8 minutes of the Rankin/Bass Animated film, and the first 45 minutes of Peter Jackson’s “The Hobbit: An Unexpected Journey”.

A big chunk is about J.R.R. Tolkien, another chunk is Jackson’s prologue, but pretty much the rest of it takes place inside Bag End (Bilbo’s house). But I do some extra digging here and there, some stuff about the origin of The Dwarves in Tolkien’s Legendarium, and some extra info and context for certain things.

This is a large project, and I’m already started on Part 2. I have no clue how long these are all going to be. I want these episodes to be meaty on the Tolkien end, and lighter on the Jackson end, but we’ll see… I’m going to try hard to have this done by the end of summer but I can’t guarantee that. I really hope you enjoy this first chapter in the CSO Hobbit Series.

The CSO page for the episode is here: “The Hobbit: Part 1”

The link to the Apple podcasts page is here: Cinema Story Origins: CSO 011a The Hobbit Part 1”.

I’ve listened to the first episode.  Paul opens with roughly 20 minutes of history about JRR Tolkien.  Some of the broad strokes are well known to Tolkien fans; his wartime service, his position as editor of the Oxford English dictionary, etc.  There were a couple of morsels that were new to me.  For example, the first line of The Hobbit originated from a very unusual circumstance.

As with all CSO series, Paul Hale is comparing and contrasting the original book with the movie versions.  In this case, he is comparing the book the Rankin/Bass version of The Hobbit and with the Peter Jackson trilogy films.  While Paul makes it clear that he thinks that making three films for a single book is excessive, he deals with the trilogy films as they exist and not as he might want them to be.  Paul’s focus is on delving into the book and how the film creators interpreted the book.  I believe that he will be only lightly touching on the many elements of the Jackson movies that do not exist in the book version of the story.

The first episode ends as Bilbo is rushing out the front door to meet the dwarves.  The runtime is ever-so-slightly over 2 hours.  Paul’s style makes every moment entertaining and informative.  He sprinkles in audio stingers and other verbal bon mots to keep the presentation lively.

(5) AS FRIGHTENING AS DISCOVERING FIRE. Game Thinking TV brings us an interview with Gödel, Escher, Bach author Doug Hofstadter on the state of AI today”.

Douglas Hofstadter, the Pulitzer Prize–winning author of Gödel, Escher, Bach, reflects on how he got interested in the mind and consciousness, how he came to write Gödel, Escher, Bach, and why he is terrified by the current state of AI.

(6) HAPPY BIRTHDAY WEBB TELESCOPE! The James Webb Space Telescope today celebrated its “First Year of Science With Close-up on Birth of Sun-like Stars”.

From our cosmic backyard in the solar system to distant galaxies near the dawn of time, NASA’s James Webb Space Telescope has delivered on its promise of revealing the universe like never before in its first year of science operations. To celebrate the completion of a successful first year, NASA has released Webb’s image of a small star-forming region in the Rho Ophiuchi cloud complex. 

“In just one year, the James Webb Space Telescope has transformed humanity’s view of the cosmos, peering into dust clouds and seeing light from faraway corners of the universe for the very first time. Every new image is a new discovery, empowering scientists around the globe to ask and answer questions they once could never dream of,” said NASA Administrator Bill Nelson. “Webb is an investment in American innovation but also a scientific feat made possible with NASA’s international partners that share a can-do spirit to push the boundaries of what is known to be possible. Thousands of engineers, scientists, and leaders poured their life’s passion into this mission, and their efforts will continue to improve our understanding of the origins of the universe – and our place in it.”

The new Webb image released today features the nearest star-forming region to us. Its proximity at 390 light-years allows for a highly detailed close-up, with no foreground stars in the intervening space….

(7) MEMORY LANE.

1995 [Written by Cat Eldridge from a choice by Mike Glyer.]

Stephen Baxter’s a truly prolific writer, he’s written close to fifty novels now with the Long Earth series that he co-wrote with Terry Pratchett being my favorite work by him.  He’s written essays and short fiction beyond counting. Since there are fifteen collections of his short fictions, I’m guessing that most of it has been collected. 

So what is our Beginning the Scroll? It’s The Time Ships, the sequel to The Time Machine, which was published by HarperPrism twenty-eight years ago. 

It was nominated for a Hugo at the third L.A. Con.  It also nominated for a BFA and a Clarke. It won the BSFA, John W. Campbell Memorial and Philip K. Dick Awards.

Shall we take a look at our Beginning?

The attached account was given to me by the owner of a small second-hand bookshop, situated just off the Charing Cross Road in London. He told me it had turned up as a manuscript in an unlabelled box, in a collection of books which had been bequeathed to him after the death of a friend; the bookseller passed the manuscript on to me as a curiosity–‘You might make something of it’–knowing of my interest in the speculative fiction of the nineteenth century. 

The manuscript itself was typewritten on commonplace paper, but a pencil note attested that it had been transcribed from an original ‘written by hand on a paper of such age that it has crumbled beyond repair’. That original, if it ever existed, is lost. There is no note as to the manuscript’s author, or origin. 

I have restricted my editing to a superficial polishing, meaning only to eliminate some of the errors and duplications of a manuscript which was evidently written in haste.

What are we to make of it? In the Time Traveller’s words, we must ‘take it as a lie–or a prophecy … Consider I have been speculating upon the destinies of our race until I have hatched this fiction …’ Without further evidence, we must regard this work as a fantasy–or as an elaborate hoax–but if there is even a grain of truth in the account contained in these pages, then a startling new light is shed, not merely on one of our most famous works of fiction (if fiction it was!), but also on the nature of our universe and our place in it.

I present the account here without further comment. Stephen Baxter

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 12, 1923 James E. Gunn. Writer, editor, scholar, anthologist. Hugo winner at ConStellation (1983) for Isaac Asimov: The Foundations of Science Fiction. MidAmeriCon (1976) presented him with a Special Committee Award for Alternate Worlds: The Illustrated History of Science Fiction. The This Immortal series based on his novel by that name received a Best Dramatic Presentation nomination at Heicon ’70. Not surprisingly, he won a First Fandom Hall of Fame Award. (Died 2020.)
  • Born July 12, 1933 Donald E. Westlake. Though he specialized in crime fiction, he did dip into the genre on occasion such as with Transylvania Station with a lovely cover by Gahan Wilson. You can think of it as a Clue style novel.  With monsters. He wrote with his wife Abby. On the horror end of things was Anarchaos. And he wrote a lot of genre short fiction, some fifty pieces by my count. Meteor Strike: Science Fiction Triple Feature has three of his SF stories is available from the usual suspects for ninety-nine cents. (Died 2008.)
  • Born July 12, 1947 Carl Lundgren, 76. He co-founded ASFA (Association of Science Fiction & Fantasy Artists of America), and won 4 Chesleys, including Artistic Achievement. At the tender age of eighteen, he was co-chairman of the first media SF convention, The Detroit Triple Fan Fair which featured comics, movies and various things of a SF nature. At Chicon IV, he was nominated for Best Professional Artist but lost out to Michael Whelan.
  • Born July 12, 1946 — Charles R. Saunders. African-American author and journalist, much of his fiction is set in the fictional continent Nyumbani (which means “home” in Swahili). His main series is the Imaro novels which he claims are the first sword and sorcery series by a black writer. (Died 2020.)
  • Born July 12, 1970 Phil Jimenez, 53. Comics illustrator and writer. He was the main artist of Infinite Crisis, a sequel to Crisis on Infinite Earths. He also did the awesome first issue of Planetary/Authority: Ruling the World, and was responsible for the first six issues of Fables spin-off, Fairest.
  • Born July 12, 1976 Gwenda Bond, 47. Writer, critic, editor. She’s written a prequel to the Stranger Things series, Suspicious Minds, and I’m very fond of the two novels (The Lost Legacy and The Sphinx’s Secret) so far in her Supernormal Sleuthing Service which she wrote with her husband Christopher Rowe.  And she penned the Dear Aunt Gwenda section of Lady Churchill’s Rosebud Wristlet that Small Beer Press published in the early part of this millennium. 

(9) DEAD AND ALIVE. Animation World Network is on hand when “‘Zom 100: Bucket List of the Dead’ Comes to Crunchyroll”.

It’s alive! Crunchyroll has officially acquired the streaming rights for the zombie horror comedy anime series Zom 100: Bucket List of the Dead, which began its simulcast on July 9 with new subtitled episodes dropping weekly. The animated series, based on the hit manga series of the same name, is streaming on Crunchyroll in the United States; Canada; Australia; New Zealand; Latin America; Europe; the Middle East; North Africa; and the Indian subcontinent.

In the series, with three years under his belt at the company from hell, Akira Tendo is mentally and physically spent, all at the ripe old age of 24. Even his crush from Accounting, Saori, wants nothing to do with him. Then, just when life is beginning to look like one big disappointment, the zombie apocalypse descends on Japan! Surrounded by hordes of hungry zombies, Akira comes to the marvelous realization that he never has to go to work again and may now pursue his bucket list!

(10) NOT ALL THE BOTTLES ARE VINTAGE. ScreenRant points out the “10 Harsh Realities Of Rewatching Star Trek: The Next Generation 29 Years Later”.

10. TNG’s Holodeck Dangers Were Problematic

While several of TNG’s holodeck episodes included fun stories, there’s one thing about them that never made sense. While it’s understandable that the holodeck would need safety protocols, there is no logical reason why anyone (or anything) should be able to turn those safety protocols off. In TNG season 1’s “The Big Goodbye,” the safety protocols get mistakenly turned off by a probe scan, nearly resulting in the death of an Enterprise crewmember. In “Elementary, Dear Data,” the holodeck computer creates an adversary, Professor James Moriarty (Daniel Davis), who nearly takes over the Enterprise. It makes no sense that Starfleet would put holodecks on their most important ships when such catastrophic failures are possible.

(11) LOOKING GOOD. Okkto has a lot of suggestions about how you can get rid of that money burning a hole in your pocket. They have a page full of “’The Rocketeer’ Officially Licensed Collectibles” that includes this watch.

And artist Scott Nelles offers everything from a pulpy ray gun to this King Kong bank (cast in aluminum and bronze, and weighing four pounds!)

Sand-cast aluminum and bronze coin bank, depicting Kong climbing the Empire State Building. A pulpy and charming addition to your home or office, this coin bank will be a conversation piece and unique accent to your décor. Unscrew the pieces to collect your saved-up coins. Designed and hand cast by Scott Nelles in his studio/foundry in Elk Rapids, Michigan. 

(12) PLAY YOUR CARDS RIGHT AND THEY’LL GET RICH. And Heritage Auctions would love for you to spend even more on these rarities: the Mars Attacks and Monsters from Outer Limits trading card sets.

There are 2 highly controversial trading card sets, that are very sought after today, that I would like to discuss a little about. Today they may seem a bit tame, but back in the 60s these were created by Topps with a pseudonym Bubbles, Inc. so that the company could distance the Topps name with the anticipated uproar that they would eventually create. The trading cards had a lot to do with aliens in space! Have you guessed it yet?….Did you guess Mars Attacks and Monsters From Outer Limits? If you did, then you are correct!

The infamous Mars Attacks was first released in 1962 by Topps via their Bubbles Inc banner, originally named “Attack from Space” on the test prototype launch. The standard 2.5”x3.5” set was 55 cards total in a $.05 pack of 5 cards with a piece of gum. All 55 cards tell a very graphic and gruesome story of Martians attacking Earth and eventually Earthlings attacking back. On the front of each card, there are colorful depictions of a progression of Mars attacking. The backs tell an explanation of what is depicted in the pictures on the front of the card. The cards and the concept were invented by Len Brown.

The drawings were mainly done by Norman Saunders and the story was created by Woody Gelman. It didn’t take long for these very graphic cards depicting Martians brutally killing humans and animals, gory death scenes, and sexual inuendos to create an upset with many parents. The parents were understandably upset because these very colorful cards of horror were marketed for kids. Lawsuits came one after another and Topps worked quickly to sensor 13 of their more violent pictures to be reprinted and dispersed. However, this never happened because a very large suit came forward from the community of parents and halted the production completely. Fortunately, for collectors, this meant the original set of 55 is very rare and valuable….

(13) VIDEO OF THE DAY. Here’s the official trailer for Wonka.

Based on the extraordinary character at the center of Charlie and the Chocolate Factory, Roald Dahl’s most iconic children’s book and one of the best-selling children’s books of all time, “Wonka” tells the wondrous story of how the world’s greatest inventor, magician and chocolate-maker became the beloved Willy Wonka we know today.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Cliff, Dann, Jeffrey Smith, Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 5/21/23 I Was Born Under A Scrollin’ Star

(1) HUGO FINALISTS AGED IN THE CASK. At Young People Read Old SFF, James Davis Nicoll gets the panel’s reaction to William F. Wu’s story “Hong’s Bluff”.

This month’s Young People Read Old Hugo Finalists story is William F. Wu’s Hugo and Nebula-nominated ​“Hong’s Bluff”. Wu has had a long career—the 50th anniversary of his first sale is only three years off — with a respectable collection of nominations and accolades. However, honesty requires me to admit this is the first Wu story I have ever read. It was certainly… energetic. Wu is now on my acquire list….

(2) DOCUMENTING THE IMPACT OF TREK. Nana Visitor is writing a book about the women of Star Trek and their effect on culture, and would like to hear from any women who are in the medical field and were inspired by Star Trek.

(3) BURIED ALIVE IN $$$. Paste Magazine’s Jacob Oller says, “The IP Era’s Venture Capital Philosophy Has Poisoned Movies”.

Among so many heinous problems trickling down on our heads from the top of the film industry is that of intellectual property. It’s not that adaptations are new, but that the ability to make a living by creating anything else has only recently been destroyed. IP obsession has killed the mid-budget movie, it’s killed the movie star, and it’s coming for the rest of the industry. This is as much a problem for audiences as for filmmakers (at any level), and it all comes from the same place: Unchecked greed, and the familiarity with which we accept it.

Tidy, consistent, sustainable profits—the kind of thing generated by movie studios that once offered a diverse slate of reasonably budgeted adult dramas, teen-date rom-coms, family films, and fence-swinging art movies—are a thing of the past for those in charge of the industry. Other forces from the entertainment world are certainly at play, specifically the rise of prestige TV as a destination for what the movies have abandoned. But the pivot to the IP Era feels simple, because it feels familiar. It’s because tidy, consistent, sustainable profits aren’t enough. There must be growth. There must be domination. There must be Shared Universes.

This attitude goes beyond being risk-averse. Risk aversion isn’t new. Single-minded speculation, trying to alchemize IP into gold, is.

The management decisions keeping workers from their fair pay—as described by Writers Guild of America board member John Rogers in a thread about the current strike—are the same ones milking old IP for all it’s worth: “The new robber barons of Hollywood are on a suicide run.” This shift is tech-bro economics, Wall Street-fellating “vulture capitalism” here to feast on the industry, not further it….

(4) ALT-INTELLIGENCE. Chris Panatier tweeted a very funny thread about an AI writing program run amuck. Thread starts here.

Here is another excerpt:

(5) NEBULA WINNERS CONSIDERED. Cora Buhlert offers “Some Thoughts on the 2022 Nebula Award Winners”. For example:

… The winner of the 2022 Nebula Award for Best Novella is Even Though I Knew the End by C.L. Polk. This is one win I’m fully aboard with, because Even Though I Knew the End mixes a lot of elements I like – urban fantasy with a retro noir setting, a hardboiled detective story and a wonderful love story. It’s a great novella and I hope to see it on the Hugo ballot this year….

(6) A TOY STORY. Cora Buhlert also released a new “Masters-of-the-Universe-Piece Theatre: ‘Playing for Dinner’”.

…So enjoy this story of Orko and Man-e-Faces, the two entertainers at the royal palace, teaming up and taking their show on the road.

On the market place of the city of Sarnscepter…

(7) AFROPANTHEOLOGY. The latest If This Goes On (Don’t Panic) podcast features “Publishing in Africa: Afropantheology with Oghenechovwe Donald Ekpeki”.

In this Episode of Publishing in Africa, Oghenechovwe and Alan [Bailey] discuss the meaning behind Afropantheology, Oghenechovwe’s plans for Afropantheology (including a new line of books), and the International Conference for Fantasy in the Arts.

(8) DEJA FU. This seemed like the perfect video to discover on the day I began rereading the Murderbot series. “Tesla Bot Update”.

(9) IT’S TIME. See “The Muppet Show” theater at LEGO Ideas. (And there are a lot more images in the updates.)

…For nearly 70 years, Jim Henson’s creations have captured the hearts of millions of fans around the world in movies, TV shows, Disney attractions, concerts, and more. Now, for the first time ever, join Kermit the Frog, Fozzie Bear, Miss Piggy, and the Great Gonzo in this zany recreation of the Muppet Show in LEGO form!

This miniature playset beautifully houses some of the Muppet’s most hilarious and endearing production numbers through the years. The theater proscenium features an ornate red and gold facade harkening back to the show’s vaudevillian roots. Look closely at some of the art deco decor… you might spot a few easter eggs hiding in the design.

The mainstage includes three mini diorama sets and a detachable balcony. With ‘you’ as the guest star, start off the show beneath the Muppet Show’s iconic opening theme arches. Then, you’ll be able to act out wacky experiments in Muppet Labs, cook up a feast in the Swedish Chef’s Kitchen, rock out with the Electric Mayhem, or explore the final frontier on the set of the USS Swinetrek. If that’s not enough, Statler and Waldorf will throw in a quick heckle or two from their balcony seats….

(10) MEMORY LANE.

2015[Compiled by Cat Eldridge.]

Kazuo Ishiguro, a Japanese-born British writer, has  written four SF novels including The Buried Giant: A Novel which is where our Beginning is from, the other three being Klara and The SunNever Let Me Go and The Unconsoled.

It was published eight years ago by Alford Knopf. It didn’t win any awards but it was nominated for both a Mythopoeic and World Fantasy Award.

The British Council, yes the British Council has a very nice literature section on their website.  They, say that “Ishiguro’s novels are preoccupied by memories, their potential to digress and distort, to forget and to silence, and, above all, to haunt.”

February of this year, the Hollywood Reporter said that Netflix planned on adapting the novel into an animated film. It will have Guillermo del Toro as director and Dennis Kelly as writer.

With that, here’s the Beginning…

The Buried Giant: A Novel to The Buried Giant: A Novel 

You would have searched a long time for the sort of winding lane or tranquil meadow for which England later became celebrated. There were instead miles of desolate, uncultivated land; here and there rough-hewn paths over craggy hills or bleak moorland. Most of the roads left by the Romans would by then have become broken or overgrown, often fading into wilderness. Icy fogs hung over rivers and marshes, serving all too well the ogres that were then the still native to this land. The people who lived nearby—one wonders what desperation led them to settle in such gloomy spots—might well have feared these creatures, whose panting breaths could be heard long before their deformed figures emerged from the mist. But such monsters were not cause for astonishment. People then would have regarded them as everyday hazards, and in those days there was so much else to worry about. How to get food out of the hard ground; how not to run out of firewood; how to stop the sickness that could kill a dozen pigs in a single day and produce green rashes on the cheeks of children.

In any case, ogres were not so bad provided one did not provoke them. One had to accept that every so often, perhaps following some obscure dispute in their ranks, a creature would come blundering into a village in a terrible rage, and despite shouts and brandishings of weapons, rampage about injuring anyone slow to move out of its path. Or that every so often, an ogre might carry off a child into the mist. The people of the day had to be philosophical about such outrages

In one such area on the edge of a vast bog, in the shadow of some jagged hills, lived an elderly couple, Axl and Beatrice. Perhaps these were not their exact or full names, but for ease, this is how we will refer to them. I would say this couple lived an isolated life, but in those days few were “isolated” in any sense we would understand. For warmth and protection, the villagers lived in shelters, many of them dug deep into the hillside, connecting one to the other by underground passages and covered corridors. Our elderly couple lived within one such sprawling warren—“building” would be too grand a word—with roughly sixty other villagers. If you came out of their warren and walked for twenty minutes around the hill, you would have reached the next settlement, and to your eyes, this one would have seemed identical to the first. But to the inhabitants themselves, there would have been many distinguishing details of which they would have been proud or ashamed.

I have no wish to give the impression that this was all there was to the Britain of those days; that at a time when magnificent civilisations flourished elsewhere in the world, we were here not much beyond the Iron Age. Had you been able to roam the countryside at will, you might well have discovered castles containing music, fine food, athletic excellence; or monasteries with inhabitants steeped in learning. But there is no getting around it. Even on a strong horse, in good weather, you could have ridden for days without spotting any castle or monastery looming out of the greenery. Mostly you would have found communities like the one I have just described, and unless you had with you gifts of food or clothing, or were ferociously armed, you would not have been sure of a welcome. I am sorry to paint such a picture of our country at that time, but there you are.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 21, 1903 Manly Wade Wellman. I remember reading the John the Balladeer collection Karl E. Wagner did and then seeking out the rest of those stories. Amazing stuff! Read the Complete John Thunstone a few years back — strongly recommended. What else by him should I read? And I should note he’s not that well stocked at the usual suspects. (Died 1986.)
  • Born May 21, 1917 Raymond Burr. Speaking of lawyers, we have the Birthday of the man who played Perry Mason. It looks the 1949 film Black Magic with him playing Dumas, Jr. was his first genre performance. Bride of the Gorilla was his next with Lou Chaney Jr. co-starring and Curt Siodmak directing. He goes on to be Grand Vizier Boreg al Buzzar in The Magic Carpet before being Vargo in Tarzan and the She-Devil. And finally he’s in a Godzilla film, Godzilla, King of the Monsters! To be precise, as Steve Martin says. And unfortunately he played the same role in Godzilla 1985 which earned him a Golden Raspberry Award. (Died 1993.)
  • Born May 21, 1918 Jeanne Bates. She’s Diana Palmer in the Forties The Phantom serial, possibly the first one done. Her first genre was as Miss Norcutt in The Return of the Vampire, in a not authorized sequel to Lugosi’s 1931 Universal Studios film Dracula. Most of the films she’s known for are such horror films such as The Soul of a Monster and Back from the Dead. (Died 2007.)
  • Born May 21, 1940 Booker Bradshaw. A record producer, film and TV actor, and Motown executive. He’s here because he’s one of those rare secondary characters that showed up more than once on Trek. He played Dr. M’Benga in “Obsession” and “That Which Survives”. Because his background story was that he served under Captain Christopher Pike, his character has been recast on Strange New Worlds and is played by Babs Olusanmokun. (Died 2003.)
  • Born May 21, 1945 Richard Hatch. He’s best known for his role as Captain Apollo in Battlestar Galactica. He is also widely known for his role as Tom Zarek in the second Battlestar Galactica series. He also wrote a series of tie-in novels co-authored with Christopher Golden, Stan Timmons, Alan Rodgers and Brad Linaweaver. (Died 2017.)
  • Born May 21, 1954 Paul Collins, 69. Australian writer who has been nominated for an astounding twenty Ditmar Awards. In the nineties, he won a William Atheling Jr Award for Criticism or Review for The MUP Encyclopaedia of Australian Science Fiction & Fantasy published by Melbourne University Press which alas was never updated. In his twenties, he began published and edited Void Science Fiction and Fantasy, a semi-prozine.

(12) REASON WHY A FAMOUS COMIC SHUTTERED. “’People Would Be Wishing Me Dead’: Why Calvin & Hobbes’ Creator Ended the Comic Despite Its Popularity” at MSN.com.

Bill Watterson, the creative mind behind Calvin and Hobbes, has no issues with how he left his beloved comic strip. An interview reveals Watterson’s reasoning for ending the cartoon and why he still remains confident in his decision….

…While many fans might have preferred the adventures of the comedic duo to continue, Watterson was quite happy to bring Calvin and Hobbes to its natural conclusion. In an interview with The Cleveland Plain Dealer in 2010, Watterson looks back on his career fifteen years after leaving his strip behind, saying:

“This isn’t as hard to understand as people try to make it. By the end of 10 years, I’d said pretty much everything I had come there to say.

“It’s always better to leave the party early. If I had rolled along with the strip’s popularity and repeated myself for another five, 10 or 20 years, the people now “grieving” for “Calvin and Hobbes” would be wishing me dead and cursing newspapers for running tedious, ancient strips like mine instead of acquiring fresher, livelier talent. And I’d be agreeing with them.”

(13) COLLECTIBLES. [Item by Ben Bird Person.] YouTuber Jules Burt just posted this video of his SF/horror Pan Books paperback collection featuring novels by Arthur C. Clarke, Robert Heinlein, and Frederik Pohl: “INCREDIBLE – Vintage PAN SF & Horror – Paperbacks – 1945 to 1979 – Herbert van Thal – John Burke”.

(14) I’VE HEARD THAT NAME BEFORE. Andrew (not Werdna) caught an interesting reference while watching the most recent episode of The Flash. A startled Chester Runk (from 2049) exclaims “Sweet N. K. Jemisin!”

It’s also mentioned in the Arrowverse Wiki episode recap “A New World, Part Three”.

(15) SHARK WEEK’S 35TH ANNIVERSARY. Entertainment Weekly reports “Aquaman himself Jason Momoa will host Shark Week”.

Aquaman star Jason Momoa has been announced as host for the annual Discovery Channel event, news that came out of the Warner Bros. Discovery upfront presentations in New York on Wednesday.

“As the host of Shark Week, I am beyond excited to take you along on this journey,” Momoa said in a statement. “This project means more to me than a week of talking about sharks. It’s a chance for me to learn and share my connection to these amazing creatures. My love of sharks came long before my time as Aquaman — it began several generations before me.”…

(16) PIPPI IN THE BEGINNING. Witness History – “Pippi Longstocking” at BBC Sounds.

In Stockholm in 1941, Astrid Lindgren made up a story for her seven-year-old daughter, Karin, about a young girl who lived alone and had super-human strength. 

Karin named her Pippi Långstrump, or Pippi Longstocking in English. 

Four years later, Astrid submitted her story into a competition and it won. Her book, Pippi Långstrump, was published and became an overnight success. It’s now been translated into more than 70 languages, as well as being made into more than 40 TV series and films. 

Rachel Naylor speaks to Astrid’s daughter, Karin Nyman. 

(17) JWST RESULTS CHALLENGE MODELS. It may be even bigger on the inside than they knew: “Rethinking the Universe: Astronomers Disturbed by the Unexpected Scale of James Webb’s Galaxies”.

The first results from the James Webb Space Telescope have hinted at galaxies so early and so massive that they are in tension with our understanding of the formation of structure in the Universe. Various explanations have been proposed that may alleviate this tension. But now a new study from the Cosmic Dawn Center suggests an effect that has never before been studied at such early epochs, indicating that the galaxies may be even more massive.

If you have been following the first results from the James Webb Space Telescope, you have probably heard about the paramount issue with the observations of the earliest galaxies:

They are too big.

From a few days after the release of the first images, and repeatedly through the coming months, new reports of ever-more distant galaxies appeared. Disturbingly, several of the galaxies seemed to be “too massive.”

From our currently accepted concordance model of the structure and evolution of the Universe, the so-called ΛCDM model, they simply shouldn’t have had the time to form so many stars.

Although ΛCDM is not a holy indestructible grail, there are many reasons to wait before claiming a paradigm shift: The measured epochs at which we see the galaxies could be underestimated.

(18) VIDEO OF THE DAY. “It’s Quieter In The Twilight” is a documentary about the people who keep the Voyager mission going.

In an unremarkable office space, a select group of aging engineers sacrificed promotion, postponed retirement, and dedicated their lives to stay with the longest running and farthest reaching mission in NASA’s history. Fighting outdated technology and time, Voyager’s flight-team pursues humankind’s greatest exploration.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Francis Hamit, Danny Sichel, Ben Bird Person, Andrew (not Werdna), Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 5/8/23 This Is Not A Test Of The Emergency Pixel System

(1) CLARION WEST’S EVOLVING WORKSHOP CULTURE REPORT. In 2020 Clarion West began a project to update how they run their workshops, especially the Six-Week Summer Workshop.

With project consultant Rachelle Cruz, Clarion West has finalized a report that covers what spurred this project and the conclusions they reached. S.L. Huang touched on the process in their Tor.com article last summer.

You can read the 90-page report on the Evolving Workshop Culture Project (2020-2022) here.

The Clarion West Writers Workshop was founded on the belief that writers from diverse backgrounds need an opportunity to be heard — and to experiment with new forms of storytelling. Clarion West has historically been successful in reaching women writers and LGBTQIA+ writers, and many of our graduates are actively publishing in the field. 

With 744 graduates from the Six-Week Workshop, Clarion West has played a significant role in shaping the careers of speculative fiction writers, and our work continues. As we explore our own efforts to further equity and inclusion, we see an ongoing disparity between the writers we serve and the greater community of published writers in speculative fiction who identify as Black, Indigenous, and People of Color (BIPOC), People of the Global Majority, LGBTQIA+, or disabled. As such, we are now seeking to do better at following our mission to help new and emerging voices in speculative fiction through an examination of our workshop techniques, workshop and organizational culture, community programs, and internal processes.

As a result of feedback and community forums with our alumni described in the report we’ve linked below, Clarion West has undertaken the process of making lasting structural changes that promote a Six-Week Workshop culture distinctive to Clarion West’s mission of equity, empowerment, and innovation — by providing a safer space for participants to explore concepts of race, class, nationality, disability, neurodivergence, gender, and sexual orientation within and beyond the genre of speculative fiction. We hope to expand the focus of this process to every program presented by Clarion West over the next few years.

Clarion West workshop staff and our project consultant and advisor, Rachelle Cruz, created the Overall Report on Evolving Workshop Culture, which details the changes undertaken from 2020–2022. We are excited to share our process, goals, and findings. While this part of the project is complete, we anticipate continuing to update our workshop methods and expectations for students, staff, and instructors each year.

A few findings:

  • The role of a workshop facilitator serves as an an advocate for our students and a resource to our instructors. All staff should be trained in workshop facilitation in order to help coach instructors and students in our new workshop models.
  • Elements like author statements and author-centered workshop models created excitement and engagement. One participant in testing the Lerman/Huang workshop model said: “I felt excited for a community driven toward building the story toward the author’s intent.”
  • Instructors may bring us new models that inspire us! Fonda Lee introduced a model to the 2022 Six-Week Workshop in Week 3 based on Liz Lerman’s Critical Response Process. It proved so successful we continued using it the rest of the summer. A few key elements of this model include giving authors the opportunity to briefly describe their intentions for their work and the feedback they wish to receive, allowing participants to share what they admired about the work and to ask thought-provoking questions, and creating opportunities for full-group discussion.

(2) GUARDIANS OF THE GALAXY CASHING IN. Chris Pratt (Guardians of the Galaxy Vol. 3) squared off against Chris Pratt (The Super Mario Bros. Movie) this past weekend and Chris Pratt won.

The Guardians of the Galaxy Vol. 3 broke the other film’s four-week winning streak at the box office, although The Hollywood Reporter said the domestic opening of $118.4 million is “well behind the last film in the stand-alone Marvel Studios franchise but enough to prove that the new movie is already benefiting from strong audience sentiment.”

And Variety tallied the worldwide receipts:

At the international box office, “Guardians of the Galaxy Vol. 3” added $170 million from 52 markets, bringing its global tally to $289 million. In China, which was once a huge territory for Marvel but has been increasingly hostile toward most Hollywood movies, the comic book threequel collected a better-than-expected $28 million to start.

Meanwhile, The Wrap anticipated The Super Mario Bros. Movie will pass a milestone today:

…On Monday, “The Super Mario Bros. Movie” will pass the $1.15 billion total of “Minions” to become the highest grossing animated movie not produced by Disney or Pixar and one of the Top 5 highest grossing animated movies of all time. The No. 4 spot on that list currently belongs to “Incredibles 2” with $1.24 billion grossed in 2018….

(3) EDIFICE WRECKS. Robin Anne Reid shared the Call for Papers for “Tolkien’s Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth”. Full details at the link.

Many notable scholars have probed the motif of ruins in ancient and medieval texts: Alain Schnapp, Alan Lupack, Geoffrey Ashe, and Richard Barber read the poetics of ruins in Latin poetry, the Exeter Book, and Arthuriana. Scholars working outside of the Classical Age and Middle Ages have also examined how this topos persists in literary periods up through the Renaissance, Romanticism, and to today. In short, the structural and symbolic purposes of ruins in literary texts have a long history, and the literary-critical history of engaging these poetics influences our interests in essays grounded in reading relationships between literary history and relics and ruins in Tolkien’s legendarium. It is time for a volume on the topic, and we are pleased to welcome proposals from a variety of theoretical approaches for a proposed edited collection.

Throughout J. R. R. Tolkien’s history of Middle-earth, relics and ruins appear as images that capture the mood, personality, and disposition of the characters. From the ruins of Erebor and the relics of Gondolin that appear in The Hobbit to the various images of Amon Sûl, Moria, Osgiliath, and post-war Isengard in The Lord of the Rings, Tolkien captures each character’s awareness of the glories of the past and their desires to emulate them. The important roles of relics and ruins in the history of Middle-earth create opportunity for a more formal critical discourse on the topic. This proposed collection of essays will seek to deepen the awareness and importance of relics and ruins in Tolkien’s legendarium while simultaneously focusing on how Tolkien’s vision of history functions within and outside of the Middle Ages. In this vein, we are concerned with including essays that address a greater literary history of Tolkien’s work. We are equally concerned with including pieces that explore the representation of relics or ruins not only within The Hobbit and The Lord of the Rings but, also, the larger legendarium with The History of Middle-earth series, The Silmarillion, and the texts that Christopher Tolkien edited and published after his father’s death (The Children of HúrinBeren and LúthienThe Fall of GondolinThe Fall of Númenor)…. 

(4) BARD BLOOM (1963-2023). Sff writer Bard Bloom died April 29 at the age of 60 after a three-year struggle with glioblastoma. The family obituary is here.

Bard Bloom passed away at their home in Dobbs Ferry, NY on the morning of April 29, 2023, after a nearly three year struggle with glioblastoma. They were 60 years old.

Bard graduated from Washington University in St. Louis with a degree in mathematics and later earned a PhD in computer science from the Massachusetts Institute of Technology. They began their career as an academic specializing in programming languages and semantics and as a professor of computer science at Cornell University. Later, they became a software engineer with industry giants including IBM, Google, and Spotify.

Bard was a passionate writer of fantasy and science fiction, including the World Tree RPG (together with their wife Vicki) and several published novels, often featuring dragons, both inside the World Tree universe and in other original settings. Bard was also a prolific amateur potter and a skilled gamemaster who facilitated the co-creation of numerous stories with their friends.

Bard was a beloved friend to many and an advocate for their transgender and disabled peers, helping others find community, access support, and feel deeply heard. They will be remembered for their stunning intelligence, their insightful advice, their wild imagination, their snarky and occasionally surreal sense of humor, and their often unusually-colored hair….

(5) MEMORY LANE.

1983[Compiled by Cat Eldridge.]

My favorite Tim Powers novel is The Anubis Gates which was published forty years ago by Ace Books. I’ve read it a number of times and enjoyed it immensely each time. It’s got interesting characters, a weird story that’s among the best he’s written, and a setting that you have to read to believe. 

It won the Philip K. Dick Award and SF Chronicle Award, and was nominated for a BSFA as well.  

And now his Beginning…

PROLOGUE: 

FEBRUARY 2, 1802

Tho’ much is taken, much abides; and tho’ We are not now that strength which in old days Moved earth and heaven, that which we are, we are. . . .”

—Alfred, Lord Tennyson 

FROM BETWEEN TWO trees at the crest of the hill a very old man watched, with a nostalgic longing he thought he’d lost all capacity for, as the last group of picnickers packed up their baskets, mounted their horses, and rode away south—they moved a little hastily, for it was a good six miles back to London, and the red sun was already silhouetting the branches of the trees along the River Brent, two miles to the west. When they’d gone the old man turned around to watch the sun’s slow descent. The Boat of Millions of Years, he thought; the boat of the dying sungod Ra, tacking down the western sky to the source of the dark river that runs through the underworld from west to east, through the twelve hours of the night, at the far eastern end of which the boat will tomorrow reappear, bearing a once again youthful, newly reignited sun. Or, he thought bitterly, removed from us by a distance the universe shouldn’t even be able to encompass, it’s a vast motionless globe of burning gas, around which this little ball of a planet rolls like a pellet of dung propelled by a kephera beetle. Take your pick, he told himself as he started slowly down the hill. . . . But be willing to die for your choice.

He had to walk carefully, for his Japanese clogs were awkward on the uneven dirt and grass. Fires were already lit among the tents and wagons, and a weaving of wild odors whirled up to him on the cool evening breeze: a sharp, earthy reek from the tethered donkeys, wood smoke, and the aroma of roasting hedgehog, a dish his people particularly relished. Faintly, too, he thought he caught a whiff of stale breath from the crate that had arrived that afternoon—a musty fetor, as of perverse spices meant to elicit aversion rather than appetite, almost shockingly incongruous when carried on the clean breezes of Hampstead Heath. As he approached the cluster of tents he was met by a couple of the camp dogs; as always, they backed away from him when they recognized him, and one turned around and loped purposefully to the nearest tent; the other, with evident reluctance, escorted Amenophis Fikee into the camp. Responding to the dog’s summons, a dark man in a striped corduroy coat stepped out of the tent and strode across the grass toward Fikee. Like the dogs, he halted well short of the old man. “Good evening, rya,” he said. “Will you eat some dinner? They’ve got a hotchewitchi on the fire, smells very kushto.”

“As kushto as hotchewitchi ever does smell, I suppose,” Fikee muttered absently. “But no, thank you. You all help yourselves.”

“Not I, rya—my Bessie always loved cooked hotchewitchi; so since she mullered I don’t eat it anymore.” 

Fikee nodded, though he obviously hadn’t been listening. “Very well, Richard.” He paused as though hoping for an interruption, but none came. “When the sun is all the way down, have some of the chals carry that crate down the bank to the tent of Doctor Romany.” 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 8, 1937 Thomas Pynchon, 87. I’ve not read him so I’m not at all sure which of his novels can be considered genre. Would y’all first enlighten to which are such, and second what I should now read. ISFDB certainly doesn’t help by listing pretty much everything of his as genre including Mason & Dixon which though post-modernist isn’t genre. Or is. 
  • Born May 8, 1940 Peter Benchley. He’s known for writing Jaws and he co-wrote the film script with Carl Gottlieb. His novel Beast is genre and was adapted into a film, as was White Shark, which has absolutely nothing to do with sharks. Another novel, The Island, was also turned into a film and it’s at least genre adjacent. (Died 2006.)
  • Born May 8, 1947 Ron Miller, 76. Illustrator who is quite knowledgeable about the work of astronomical artist Chesley Bonestell – his book The Art of Chesley Bonestell received a Hugo at ConJosé. The Grand Tour he did with William K. Hartmann was nominated at Chicon IV (1982) for Best Related Non-Fiction Book.
  • Born May 8, 1947 Susan Casper. Editor and author, was married to Gardner Dozois. She was co-editor with him of the Ripper! and Jack the Ripper anthologies. Her fiction is first collected in Slow Dancing through Time which includes one collaboration with Dozois and one with Jack M Dann. Rainbow: The Complete Short Fiction of Susan Casper was edited just after her death by her husband. (Died 2017.)
  • Born May 8, 1955 Della Van Hise. A prolific Trek fanwriter who later published an official Trek novel, Killing Time which in its first printing implied a sexual relationship between Spock and Kirk. Later printings didn’t include this passage. It’s available on all the usual digital suspects. (Died 2021.)
  • Born May 8, 1963 Michel Gondry, 60. French director, screenwriter, and producer of such genre as Eternal Sunshine of the Spotless Mind (love that film), The Green Hornet, and The Science of Sleep (which I had not heard of but sounds interesting.) 
  • Born May 8, 1967 John Hicklenton. British illustrator also known as John Deadstock. He worked on 2000 AD characters like Judge Dredd (especially the Heavy Metal Dredd series) and Nemesis the Warlock during the Eighties and Nineties. He also dipped into the Warhammer universe with “Cycles of Chaos” (with writer Andy Jones) in Warhammer Monthly No. 9. (Died 2010.)

(7) CURE FOR VIRAL. Ben Smith, editor-in-chief of Semafor, tells New York Times readers “We’re Watching the End of a Digital Media Age. It All Started With Jezebel.”

Ten years ago, a group of digital media companies thought the future belonged to us. New brands like Vice, Gawker, The Huffington Post, Business Insider and BuzzFeed News, which I helped start, had begun as blogs or something similar, outsider voices with audiences who were sick of the stuffy mainstream media. They’d grown steadily on the internet, and when Facebook arrived, they exploded with the social platform. They became expert in telling stories in a way people would like and share, and their links became omnipresent in readers’ newsfeeds. Their voices dominated the influential, sometimes toxic conversations on Twitter.

But they didn’t turn out to be the future. Gawker shut down in 2016, briefly revived and shut down again this February. Last month BuzzFeed News closed up shop. The other iconic brand of the era, Vice, is reportedly near bankruptcy and has laid off many journalists in recent weeks. On television, still America’s dominant medium, social media also helped boost a new kind of confrontational, hyperpolitical style, but that seems to be fading, too. Also last month the corporate owners of cable networks pushed out two of the defining voices of the confrontational Trump years, Tucker Carlson and Don Lemon.

Media commentators from CNN to The Financial Times are using the same phrase for this moment: “The end of an era.”

But when did this era in media begin? Where in the media did this remarkable new openness and uncontrollable anger start?

Smith goes on to explain why he thinks it started with Jezebel, a blog started in 2007, which thrived under the editorship of Anna Holmes.

(8) HELL IS HERE. Destination, Part 2 in Marc Watson’s Catching Hell duology, has been released and relaunched by Fluky Fiction.

A critical blow has been dealt to the robotic Army of the Old, but at a great price. Broken and weary, best friends Johan and Aryu have been separated while chasing forces from the distant past that they both fear.

Aryu, the man with wings, pursues the enemy while he slowly slips into the enticing magic and mystery of the Power, led by the great phoenix Nixon Ash.

Johan stands on the steps of Bankoor, a futuristic city full of wonder and mistrust. Here he must make his stand to avenge his destroyed home and find his friend.

As the gap between the brave warriors closes, the worlds of technology and magic will clash!

The book is available in paperback and ebook formats:

Marc Watson, an author of genre fiction of all lengths and styles, lives in Calgary, Alberta. He began writing at the age of 15 and continues to be a part-time writing student at Athabasca University. He has been published on flash fiction site 101words (find his stories here). Watson is a husband and proud father of two. He is an avid outdoorsman, martial artist, baseball player, and lover of all Mexican foods.

(9) POLYMATH. The immersive Leonard da Vinci experience, Leonardo: The Universal Man, is currently available in Phoenix. Buy tickets at the link.

Leonardo: The Universal Man will transport you into the Genius Mind of the original “Renaissance Man” using state of the art immersive design, light, sound, and projection technology. Experience a floor to ceiling spectacle as you embark on a visual and musical journey of da Vinci’s life including world-renowned masterpieces “The Mona Lisa” and “The Last Supper”. This fantastical journey into the many phases of Leonardo’s expansive contribution to history, art, and technology has been reimagined alongside exciting visual animations and custom soundtrack – to bring a man from the 1400s into the wondrous future of today.

(10) FOMALHAUT IS READY FOR ITS CLOSE-UP. “Webb Telescope Finds a Star Cloaked in 3 Rings of Ruined Worlds” reports the New York Times, where you can see several photos.

Fomalhaut, a star just 25 light-years away, is so dazzlingly bright that it blots out the faint light of other stars around it. Stargazers have been enraptured by its secrets for thousands of years.

Now, with the help of the James Webb Space Telescope, astronomers have documented evidence that Fomalhaut is a dynamic star wreathed in cosmic chaos. The powerful observatory’s infrared vision is letting astronomers better understand Fomalhaut’s features, including a mysterious ring unlike anything found in our solar system.

“It’s complex — there’s so much going on!” said Andras Gaspar, an astronomer at the University of Arizona and one of the authors of a study using the Webb observations that was published Monday in Nature Astronomy. “It’s the first time we’ve seen such structures in an evolved system.”…

See the NASA press release here: “Webb Looks for Fomalhaut’s Asteroid Belt and Finds Much More”.

(11) VIDEO OF THE DAY. A new trailer has dropped for Oppenheimer. Opens in theaters July 21.

Written and directed by Christopher Nolan, Oppenheimer is an IMAX®-shot epic thriller that thrusts audiences into the pulse-pounding paradox of the enigmatic man who must risk destroying the world in order to save it.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, N., Jae Steinbacher, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/2/23 I’m Looking For A Martian With True Grok

(1) X-MEN GO POSTAL. The Royal Mail marked the 60th anniversary of X-Men by releasing an issue of 17 stamps on February 16.

…The 12 stamps in the main set are all original illustrations and have been created exclusively for Royal Mail by renowned British comic book artist Mike McKone. They feature: Professor X; Kitty Pryde; Angel; Colossus; Jubilee; Cyclops; Wolverine; Jean Grey; Iceman, Storm; Beast; and Rogue….

An additional set of five stamps are included in a miniature sheet, exclusively illustrated by artist Lee Garbett, and feature some of the mutant enemies faced by the X-Men: Juggernaut; Mystique; Magneto; Emma Frost; and Sabretooth….

(2) AURORA AWARDS. Members of the Canadian Science Fiction and Fantasy Association will be able to make 2023 Aurora Award nominations from March 4-April 22. According to Garth Spencer in Obdurate Eye #25, due to a lack of eligible movies or TV shows, or works in the Best Fan Organizational category, CSFFA is no longer giving out an award for movies or TV shows, and works that were in the Best Fan Organizational category are now in the Best Fan Related Work category. CSFFA have redefined the Best Artist category as the Best Cover Art/Interior Illustration category. Rather than nominating an artist, CSFFA members will nominate each work that an artist has published in the past year. [Via Obdurate Eye #25.]

(3) LIKE A BASILISK? “Alex North On the Pleasures of Fictional Forbidden Texts” at CrimeReads.

You won’t find Von Goom’s Gambit described in any chess textbook.

… Because the character of Von Goom exists only in a short story. Von Goom’s Gambit by Victor Contoski was originally published in 1966, in Chess Review, before being reprinted a handful of times. One of those was in a slim volume of science fiction stories that somehow found its way into the reading room of my primary school.

…I remember being captivated by it.

Part of that was down to the idea of the Gambit itself. Out of all the possible arrangements of pieces on a chessboard, Von Goom had chanced upon one so alien to the logic of the human mind – so abhorrent – that it could wound and kill. Following that initial heart attack, Von Goom’s opponents in the story meet various terrible fates. One breaks down in tears at the sight of the board before him. Another is violently sick. A third is driven insane, while members of the watching crowd are turned to stone.

As a ten year old – obviously – I loved this a great deal….

(4) OCTOTHORPE. Episode 78 of the Octothorpe podcast is “Sqrrl Grrl”. (Or should that be the Ctthrp podcast?)

John Coxon is chuckling, Alison Scott is conversing, and Liz Batty is critical. We discuss the COVID policy from the 2023 Eastercon, Conversation, as well as discussing the latest news from the Chengdu Worldcon.

(5) ERASED FROM THE LANDSCAPE BUT NOT FROM HISTORY. The New York hotel where the 1967 Worldcon was held, then known as the Statler-Hilton, is in the midst of being demolished. The New York Times ran a full profile about its history, and about one person who tried to keep the historic structure from being torn down: “The Hotel Pennsylvania’s Great Disappearing Act”.

Bit by bit, floor by floor, the building that once rose 22 stories over Penn Station is shrinking before the city’s very eyes. The black netting draped over its ever-diminishing brick is like a magician’s handkerchief; once removed, it will reveal — nothing.

Behold: The Great Disappearing Act of the Hotel Pennsylvania.

This isn’t — or wasn’t — just any building. This was once the largest hotel on earth, with 2,200 rooms, shops, restaurants, its own newspaper, and a telephone number immortalized by the bandleader Glenn Miller with a 1940 song “Pennsylvania 6-5000,”…

You can find many of Jay Kay Klein’s photos taken at the 1967 convention on Calisphere.

(6) VALMA BROWN (1950-2023). Australian fan Valma Brown, a Melbourne fanzine editor married to Leigh Edmonds, died March 2. Edmonds announced her death on Facebook with the note, “It was sudden so there will be an inquest.” She and Leigh were Fan Guests of Honor at SunCon, the 1991 Australian National Convention. She ran unsuccessfully for GUFF in 1987.

(7) MEMORY LANE.

2019[Compiled by Cat Eldridge.]

Elizabeth Bear’s Ancestral Night which was published by Saga Press four years ago this week is a novel that I fell in love the first time I read it. Now I’ll admit that I’m a long-term fan of her work going back to Hammered, the first in her Jenny Casey trilogy. I think she’s a brilliant writer and a wonderful person. And yes I’ve sent her chocolate. Actually she’s reviewed chocolate for Green Man.

The book is a stellar blend of characters, humans who are almost more than human, aliens that are truly alien, an silicon intelligence who is fully realised, a ship as the primary setting that doesn’t feel cliched and a story that’s fascinating. And it feels friendly I think is the best word. It’s so richly detailed that I notice something new every time I listen to it.

And yes I’m hoping there’s a third novel set in this universe.

And here is the Beginning for Ancestral Night

THE BOAT DIDN’T HAVE A name. He wasn’t deemed significant enough to need a name by the authorities and registries that govern such things. He had a registration number—657-2929-04, Human/ Terra—and he had a class, salvage tug, but he didn’t have a name.

Officially.

We called him Singer. If Singer had an opinion on the issue, he’d never registered it—but he never complained. Singer was the shipmind as well as the ship—or at least, he inhabited the ship’s virtual spaces the same way we inhabited the physical ones—but my partner Connla and I didn’t own him. You can’t own a sentience in civilized space.

Singer was a sliver of a thing suspended electromagnetically at the center of a quicksilver loop as thin in cross section as an old-fashioned wedding band, but a hundred and fifty meters across the diameter and ten meters from edge to edge. In any meaningful gravity, the ring would have crumpled and sagged like a curl of wax arched over the candleflame. But here in space, reinforced with electromagnetic supports, it spanned the horizon of the viewport in a clean arc.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 2, 1933 Leo Dillon. With his wife Diane, they were illustrators of children’s books and many a paperback book and magazine cover. Over fifty years, they were the creators of more than a hundred genre covers. They won the Hugo for Best Professional Artist at Noreascon (1971) after being nominated twice before at Heicon ‘70 and St. Louiscon. The Art of Leo & Diane Dillon written by Leo Dillon, Diane Dillon and Byron Preiss would be nominated for a Best Related Non-Fiction Hugo at Chicon IV. They would win a World Fantasy Award for Lifetime Achievement. Some of my favorites? The first cover for Pavane. The Ace cover of The Left Hand of Darkness. And one for a deluxe edition of The Last Unicorn. (Died 2012.)
  • Born March 2, 1939 jan howard finder. I’m not going to be able to do him justice here. He was a SF writer, filker, cosplayer, and of course fan. He was nicknamed The Wombat as a sign of affection and ConFrancisco (1993 Worldcon) was only one of at least eight cons that he was fan guest of honor at. Finder was even tuckerized when Anne McCaffrey named a character for him. (Died 2013.)
  • Born March 2, 1943 Peter Straub. Horror writer who won the World Fantasy Award for Koko and the August Derleth Award for Floating Dragon. He’s co-authored several novels with Stephen King, The Talisman which itself won a World Fantasy Award, and Black House. Both The Throat and In the Night Room won Bram Stoker Awards as did 5 Stories, a short collection by him. Ok you know that I’m rarely impressed by Awards, but fuck this is impressive! (Died 2022.)
  • Born March 2, 1960 Peter Hamilton, 63. I read and quite enjoyed his Night’s Dawn Trilogy when it came out and I’m fairly sure that I’ve read Pandora’s Star and Judas Unchained as they sound familiar. (Too much genre fiction read over the years to remember everything…) What else have y’all read by him?
  • Born March 2, 1966 Ann Leckie, 57. Ancillary Justice won the Hugo Award for Best Novel and the Nebula Award, Kitschies Award Golden Tentacle, Locus Award for Best First Novel, the Arthur C. Clarke Award, and the BSFA Award. Quite amazing. Her sequels Ancillary Sword and Ancillary Mercy did not win awards but are no less impressive. 

(9) COMICS SECTION.

  • Dick Tracy seems to have started a crossover involving a Nero Wolfe character.
  • And Tom Gauld has been busy, too:

(10) FOR AMAZON PRIME MEMBERS. [Item by Dann.] Amazon just announced the First Reads books for Amazon Prime members.  The genre title for March is House of Gold by C.T. Rwizi.  He is the author of the outstanding Scarlett Odyssey series that concluded in 2022.

First Reads books are free to all Amazon Prime members.  It is how I encountered C.T.’s first book Scarlett Odyssey a few years back.  He is, in my opinion, a talented and overlooked author. House of Gold can be pre-ordered (free for Amazon Prime members) for delivery on April 1, 2023.

(11) PUT ANOTHER BARBIE ON THE MOON. Gizmodo reports how “Liquid Nitrogen Could Keep Moon Suits Free From Lunar Dust”. And promises “No Barbie dolls were injured in the course of these experiments.”

Pesky lunar dust is an annoying obstacle for astronauts landing on the Moon—it sticks to pretty much everything. New research from Washington State University may have cracked the code for keeping space suits dust-free, in which pressurized liquid nitrogen was used to literally blow the dust from surfaces.

(12) TINGLE TIME. Boing Boing points out that “Chuck Tingle’s latest story has Dilbert creator Scott Adams getting screwed by his own racism”.

(13) SCOPE IT OUT. Behind a paywall in Nature: “Asteroid photobombs JWST practice shots”.

The James Webb Space Telescope (JWST) has spotted a small Solar System rock by chance during a calibration run…

 …[the body is a] roughly 15-kilometre-wide object in the asteroid belt between Mars and Jupiter. The photos were taken to measure how one of the telescope’s infrared cameras would respond. While analysing the data, the researchers spotted what looked like a much smaller asteroid, which they estimated to be 100–230 metres across.

If confirmed by subsequent observations, this would be one of the smallest objects ever seen in space — and JWST detected it at a distance of more than 130 million kilometres

(14) WORKING…. From Politico we learn: “OK Computer: Romania debuts ‘world’s first’ AI government adviser”.

Romanian Prime Minister Nicolae Ciucă surprised his Cabinet on Wednesday by introducing them to a new member — run completely on artificial intelligence.

Ciucă introduced the new “honorary adviser” called Ion to the rest of his ministers in a demonstration, with a face and words appearing on a digital screen, responding to the prime minister’s prompts along with a computerized voice.

Ion was developed by Romanian researchers and will use artificial intelligence to “quickly and automatically capture the opinions and desires” submitted by Romanian citizens, Ciucă said.

“We are talking about the first government adviser to use artificial intelligence,” both nationally and internationally, he said.

Romanians will be able to send their ideas through an accompanying website (ion.gov.ro) as well as on social media and some in-person locations. Ion will then synthesize their contributions for the government to consider, according to the coordinator of the research team, Nicu Sebe. Users won’t, however, receive a response from Ion itself….

(15) LAST MONTH ON THE SCREEN. Here is what people were watching in February – according to JustWatch.

US Sci-Fi

Rank*MoviesTV shows
1Everything Everywhere All at OnceSeverance
2M3GANWestworld
3Infinity PoolThe Ark
4NopeThe Peripheral
5Edge of TomorrowDoctor Who
6InterstellarThe Twilight Zone
7The OutwatersQuantum Leap
8Eternal Sunshine of the Spotless MindLost
9VesperLa Brea
10Jurassic World DominionThe Nevers

*Based on JustWatch popularity score. Genre data is sourced from themoviedb.org

(16) VIDEO OF THE DAY. An old TV interview has surfaced again: “KGW Vault: Leonard Nimoy talks Spock, Star Trek in 1967”.

Actor Leonard Nimoy who portrayed the now-famous Spock talks with KGW about his new role. The first episode of Star Trek aired on September 8, 1967. Nimoy explains that Spock is a man born of alien and human descent who has complete control over his emotions; a unique look at a character beloved by millions now.

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, SF Concatenation’s Jonathan Cowie, Dann, Daniel Dern, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/23/23 Files Are A Burden To Others; Answers, A Pixel For Oneself

(1) OCTAVIA’S BOOKSHELF OPENS. Nikki High’s Octavia’s Bookshelf in Altadena (CA) enjoyed a festive launch on February 18.

BookRiot reports: “Hundreds of People Showed Up to Opening of Octavia’s Bookshelf”.

Octavia’s Bookshelf owner Nikki High had hoped that the opening of her new bookstore focusing on books by Black, Indigenous, and people of color authors would be attended by 20-30 people. Instead, by the time the doors opened February 18th, there were hundreds of people lined up for ten blocks to get in. 300 people showed up for opening day, including author Terry McMillan.

The Riverside Press-Enterprise also celebrated the event: “Crowds descend on grand opening of long-awaited Pasadena bookstore, Octavia’s Bookshelf”.

…An avid reader, High contemplated opening her own bookstore for years, but the final push came with the sudden passing of High’s grandmother and biggest supporter. In acknowledgement of this, speaker Joshua Evans, kicked off the event by paying homage to family and resiliency.

For Evans, Octavia’s Bookshelf is a symbol of progression and possibility — a space that he would have frequented as a kid.

“One of things that I personally believe is that there’s a story about Black and Brown people that is bigger than the impact of White supremacy,” Evans said looking down the line of people. “It’s a dream come true that I didn’t know that I had … it just gives people a chance to to come in, but also to develop and to meet other writers. And you always know it’s going to be a safe space. We’ll never be in danger of being minimalized or railroaded by people who are not sensitive.”

At its peak, the queue to get into the North Hill Avenue store spanned more than 10 blocks, reaching as far back as Victory Bible Church….

(2) MORE PROZINES REPORT DELUGE OF AI SUBMISSIONS. [Item by Frank Catalano.] The New York Times now is covering the AI submission problem, citing not just Clarkesworld, but also Asimov’s and The Magazine of Fantasy & Science Fiction: “Science Fiction Magazines Battle a Flood of Chatbot-Generated Stories”.

It could be a tale from science fiction itself: a machine that uses artificial intelligence to try to supplant authors working in the genre, turning out story after story without ever hitting writer’s block. And now, it seems, it’s happening in real life.

The editors of three science fiction magazines — Clarkesworld, The Magazine of Fantasy & Science Fiction, and Asimov’s Science Fiction — said this week that they had been flooded by submissions of works of fiction generated by A.I. chatbots.

“I knew it was coming on down the pike, just not at the rate it hit us,” said Sheree Renée Thomas, the editor of The Magazine of Fantasy & Science Fiction, which was founded in 1949….

[Neil Clarke] said he had been able to spot the chatbot-generated stories by examining certain “traits” in the documents, the writing and the submission process.

Mr. Clarke declined to be more specific, saying he did not want to give those submitting the stories any advantages. The writing is also “bad in spectacular ways,” Mr. Clarke said. “They’re just prompting, dumping, pasting and submitting to a magazine.”…

Sheila Williams, the editor of Asimov’s Science Fiction magazine, said that several of the chatbot-generated stories she had received all had the same title: “The Last Hope.”

“The people doing this by and large don’t have any real concept of how to tell a story, and neither do any kind of A.I.,” Ms. Williams said on Wednesday. “You don’t have to finish the first sentence to know it’s not going to be a readable story.”

Ms. Thomas said that the people submitting chatbot-generated stories appeared to be spamming magazines that pay for fiction. The Magazine of Fantasy & Science Fiction pays up to 12 cents a word, up to 25,000 words.

The A.I.-generated works can be weeded out, Ms. Thomas said, although “it’s just sad that we have to even waste time on it.”

“It does not sound like natural storytelling,” she said. “There are very strange glitches and things that make it obvious that it’s robotic.”…

The whole AI-generated art and writing thing in pro markets is really heating up. Of course, I’ve tweeted about it.

The Copyright Office is revoking full copyright for a graphic novel that used AI-generated images:

Kindle Direct Publishing is starting to get ChatGPT-written books:

But it is a relief to see the old ways still resonate for some scammers:

Yeah. Copy/paste plagiarism.

As with anything, follow the money. That’s the motivation for the AI shortcuts. Even if the scammers don’t realize how little money there is in writing science fiction and fantasy.

(3) BBC RADIO COVERAGE. [Item by Nickpheas.] Radio 4 arts show Front Row has a segment in today’s episode on the Clarkesworld AI situation. Starts about 12:16. “Front Row – Immersive David Hockney art and Korean film Broker reviewed; artist Mike Nelson; AI-generated writing”.

(4) ROALD DAHL NEWS. Amidst controversy over sensitivity changes being made in Puffin Books (UK) editions, other publishers say they will not be following suit: “No Plans for Dahl Text Changes from U.S., European Publishers” reports Publishers Weekly.

…A spokesperson for Dahl’s U.S. publisher Penguin Young Readers told PW that there are no plans for similar revisions in the U.S. “Roald Dahl books published by Penguin Young Readers and distributed in the U.S. are the editions that have existed for years and do not reflect the recent editorial changes made in U.K. editions. Penguin Young Readers regularly reviews its backlist and Dahl titles will be reviewed accordingly.” According to the Daily Mail in the U.K., Dahl’s Dutch publisher De Fonte and French publisher Gallimard are also declining to make changes at this time. A spokesperson for De Fonte is quoted as saying that altering the text would cause the stories to “lose their power.” Gallimard shared this statement with the newspaper: “We have never changed Roald Dahl’s writings before, and we have no plans to do so today.”

… Writing for the Atlantic, journalist Helen Lewis said that Dahl’s work can “never be made nice,” stating that “his cold, unsettling spikiness is his defining quality as a writer” and that his popularity continues “despite being so thoroughly out of tune with the times.”

(5) USEFUL INFO FOR 2023 WORLDCON TRAVELERS. The Chengdu Worldcon has posted information about the “144-hour Transit Visa Exemption Policy for Foreign Travelers from Designated Countries at Chengdu Entry Port”.

With the approval of the State Council, since January 1, 2019, Chengdu will implement the 144-hour visa-free transit policy. Foreigners from 53 countries, who hold valid international travel documents and a connecting flight ticket bound for a third country (region) with a fixed seat and a fixed date within 144 hours, can enter via Chengdu Airport and stay in Chengdu for 144 hours, visa free. The extension from 72 to 144 hours will further facilitate foreigners’ transit and transfer and their traveling and business in Chengdu….

(6) BLACK AUTHORS RECOMMENDED. At BookRiot, K. W. Colyard lists “30 Must-Read SFF Books By Black Authors”.

If you’re a science fiction and fantasy fan looking to round out your TBR, I’ve compiled a list of 30 amazing SFF books by Black authors for you below. The books on this list reach back into the past, look ahead to the future, and conceptualize new worlds full of magic and mystery….

First up –

SWEEP OF STARS BY MAURICE BROADDUS

Sweep of Stars launches an epic space opera about a burgeoning pan-African empire that has colonized near-Earth space. Decades after the Muungano empire seceded from the union of world governments and took to the stars, a powerful enemy emerges. It’s impossible to ignore — hell-bent on destroying everything Muungano has worked to build. While three heroes navigate the web of interplanetary diplomacy, a fourth faces a much different threat on a second front.

(7) HANGING WITH TIMELORDS. Nicholas Whyte regales fans with stories from his visit to “Gallifrey One, 2023” in From the Heart of Europe. See photos of him with a former Doctor Who and other celebrities at the link.

…I’ve spent this weekend at Gallifrey One in Los Angeles, the biggest annual Doctor Who convention anywhere in the world. It was my fourth time there, and somehow I enjoyed it even more than the previous three occasions. Part of it was surely the presence of recently departed star of the show Jodie Whittaker, whose charm and enthusiasm captured everyone. I had a brief chat with her where I mentioned her role in the great Belfast film, Good Vibrations. “I love that film!” she exclaimed, and I noted the present tense. “But the accent was a bit hard.”…

(8) STREAMS OF REVENUE. You’re a fan, so you probably already understand the economics because you’ve forked out the cash: “Conventions and Live Streaming: We Break Down the Big Debate” at Gizmodo.

…So what happens to that model if the biggest, most high-demand panels start live streaming? People will still go, of course. San Diego Comic-Con, for example, is about much more than just what happens in Hall H. But Hall H is the showstopper and if supply and access to something like that increases, the demand is certain to decrease over time. If someone can count on watching exclusive footage at home, even at a cost, why would they spend thousands of dollars to travel to a convention? Again, there’s more to do at a convention than watch footage all day—so while the events won’t cease to exist, the prestige associated with attending them in person could diminish. There are hundreds of conventions all over the world every year, but you don’t hear about most of them because they’re not where studios make major announcements and parade their biggest superstars. If conventions like SDCC make that footage easily accessible, you have to imagine people on the fence about traveling might decide against it. And that takes money out of everyone involved’s pockets. Plain and simple….

(9) MEMORY LANE.

1970[Compiled by Cat Eldridge.]

Fritz Leiber’s greatest creation by far was the characters Fafhrd and the Gray Mouser and the world that they inhabited which started out in Swords and Deviltry

A short story collection published by Ace in 1970 gathered three stories previously published including “Ill Met in Lankhmar” which would win a Hugo for Best Novella at the first Noreascon. As far as I can tell, it’s been in print ever since in one form or another. 

What’s not to love here? Fafhrd and the Gray Mouser are wonderful barbarian adventurers, the world they inhabit is certainly unique enough not to feel like like your typical cookie cutter fantasy world and all of their stories are stellar indeed. 

And now for its Beginning…

Sundered from us by gulfs of time and stranger dimensions dreams the ancient world of Nehwon with its towers and skulls and jewels, its swords and sorceries. Nehwon’s known realms crowd about the Inner Sea: northward the green-forested fierce Land of the Eight Cities, eastward the steppe-dwelling Mingol horsemen and the desert where caravans creep from the rich Eastern Lands and the River Tilth. But southward, linked to the desert only by the Sinking Land and further warded by the Great Dike and the Mountains of Hunger, are the rich grain fields and walled cities of Lankhmar, eldest and chiefest of Nehwon’s lands. Dominating the Land of Lankhmar and crouching at the silty mouth of the River Hlal in a secure corner between the grain fields, the Great Salt Marsh, and the Inner Sea is the massive-walled and mazy-alleyed metropolis of Lankhmar, thick with thieves and shaven priests, lean-framed magicians and fat-bellied merchants—Lankhmar the Imperishable, the City of the Black Toga. 

In Lankhmar on one murky night, if we can believe the runic books oSheelba of the Eyeless Face, there met for the first time those two dubious heroes and whimsical scoundrels, Fafhrd and the Gray Mouser. Fafhrd’s origins were easy to perceive in his near seven-foot height and limber-looking ranginess, his hammered ornaments and huge longsword: he was clearly a barbarian from the Cold Waste north even of the Eight Cities and the Trollstep Mountains. The Mouser’s antecedents were more cryptic and hardly to be deduced from his childlike stature, gray garb, mouseskin hood shadowing flat swart face, and deceptively dainty rapier; but somewhere about him was the suggestion of cities and the south, the dark streets and also the sun-drenched spaces. As the twain eyed each other challengingly through the murky fog lit indirectly by distant torches, they were already dimly aware that they were two long-sundered, matching fragments of a greater hero and that each had found a comrade who would outlast a thousand quests and a lifetime—or a hundred lifetimes—of adventuring. 

No one at that moment could have guessed that the Gray Mouser was once named Mouse, or that Fafhrd had recently been a youth whose voice was by training high-pitched, who wore white furs only, and who still slept in his mother’s tent although he was eighteen.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 23, 1915 Jon Hall. Frank Raymond in Invisible Agent and The Invisible Man’s Revenge. He was also the creator and star of the Ramar of the Jungle series. And he directed and starred in The Beach Girls and the Monster and The Navy vs. the Night Monsters. (Died 1979.)
  • Born February 23, 1930 Gerry Davis. Mid-Sixties story editor on Doctor Who where he created companion Jamie McCrimmon and co-created the Cybermen along with unofficial scientific adviser Dr. Kit Pedler. They would create the Doomwatch series that ran in the Sixties on BBC. Davis briefly returned to writing for the series, penning the first script for Revenge of the Cybermen, though his script was largely abandoned by editor Robert Holmes. In 1989 he and Terry Nation, who created the Daleks, made a failed bid to take over production of the series and reformat it for the American market. (Died 1991.)
  • Born February 23, 1932 Majel Barrett. No doubt best remembered for being Nurse Christine Chapel and Lwaxana Troi as well as for being the voice of most ship computer interfaces throughout the Star Trek series. I’ll note that she was originally cast as Number One in the unused (TOS) pilot but the male studio heads hated the idea of a female in that role. Early Puppies obviously. (Died 2008.)
  • Born February 23, 1965 Jacob Weisman, 58. Founder, Tachyon Publications which you really should go look at as they’ve published every great author I’d care to read. Seriously Tidhar, Beagle and Yolen are among their newest releases! He also edited (with Beagle) The New Voices of Fantasy which I highly recommend as most excellent reading.
  • Born February 23, 1970 Marie-Josée Croze, 53. Champagne in Maelström which is genre if only because it’s narrated by a talking fish. In Canada movie theatres, she was in Battlefield Earth: A Saga of the Year 3000 as Mara. Yeah that film with a long title. Doubt it improved it. It looks like her first genre acting was on The Hunger in two episodes, “A Matter of Style” as Dominique, and “I’m Dangerous Tonight” as Mimi. Oh, and she had the lead as Pregnant Woman in Ascension which just reads weird. 
  • Born February 23, 1983 Emily Blunt, 40. Her most direct connection to the genre is as Elise Sellas in the Adjustment Bureau film based off Dick’s “Adjustment Team” story. Mind, she’s been in quite a number of other genre films including The WolfmanGulliver’s TravelsGnomeo & JulietThe MuppetsLooperEdge of TomorrowInto the WoodsThe Huntsman: Winter’s WarThe Strange Case of Sherlock Holmes & Arthur Conan Doyle, and Mary Poppins Returns.
  • Born February 23, 2002 Emilia Jones, 21. I’m reasonably sure this is the youngest Birthday individual that I’ve done. She shows up on Doctor Who as Merry Gejelh, The Queen of Years, in the “The Rings of Akhaten”, an Eleventh Doctor story. At nine years of age, she’s made her acting debut in Pirates of the Caribbean: On Stranger Tides as an unnamed English Girl. She’s Young Beth in the horror film Ghostland. She’s currently in Residue, an SF horror series you can find on Netflix. 

(11) YOUR PATRONUS? A fashion designer shows how to “Dress Like Your Inner Animal” in a New York Times photo gallery.

What is it with the animal world and fashion? Ever since man started wearing pelts, the two have been interconnected, flora and fauna used as a source of creativity, comfort, exploitation and politics. The results are sometimes beautiful, sometimes horrible, sometimes controversial. (Two weeks ago, during the couture shows in Paris, Schiaparelli set off a firestorm when the designer Daniel Roseberry put a lifelike lion head on a gown that had some people thinking Great White Hunter.) But on Friday, as the New York shows began, Collina Strada unveiled a collection that suggested the relationship could be something else entirely.

Fun! Of the smartly absurdist kind.

Entitled “Please Don’t Eat My Friends” and held in the still-under-construction House of Cannabis in SoHo, it was a … well, trip, featuring many of the designer Hillary Taymour’s (yes) friends, of all ages, sizes and physical abilities, strutting the runway in a room painted earthy green.

Or only partially strutting. The rest of the time they were crawling, hopping, prancing, sniffing the audience and otherwise giving in to their inner animals, all the while wearing deer ears, a pig’s snout, a dog’s head, a toucan’s beak and other assorted creature-feature prosthetics created by the makeup artist Isamaya Ffrench. Imagine “Animal Farm” meets “The Wind and the Willows” meets a spirit retreat, and you’ll get the idea. Now instead of just making an animal avatar for your online self (which is, after all, an identity play), you can channel one IRL too….

(12) OLDER SCORES HIT. Arturo Serrano finds much to praise in “Review: The Mimicking of Known Successes by Malka Older” at Nerds of a Feather.

…By that standard, Malka Older’s new novella The Mimicking of Known Successes is twice as ambitious as the typical detective mystery. Set in a network of metallic platforms where future humankind clings to survival among the clouds of Jupiter, it presents, instead of two, four stories to unveil: an investigation on the sudden disappearance of a university professor, the scholarly endeavor to reconstruct the last years of life on Earth, a rekindling romance between our detective and an old flame, and the project to bring homo sapiens back to a livable ecosystem. Once put on the page, these four stories become four mysteries that drive the reader’s curiosity: What happened to the missing professor? What made humans leave Earth? Why did the two lovers break up years ago? And how can catastrophic historical failures be repaired without causing more damage? Upon reading it, one can intuit that the biggest structural challenge of this book must have been to write it in such a way that pursuing each separate question leads to answers for all the others….

(13) RIGHT THIS WAY. Also at Nerds of a Feather, Paul Weimer admires the complex, imaginary terrain in a Nino Cipri book: “Microreview: Finna by Nino Cipri”.

….Anyone who has worked in a store of any kind for a length of time, and I have¹ can and will recognize the essential truths of the novella. It IS soul crushing work, often thankless, usually very much underpaid, and with scheduling that is geared to the corporation, not to the employee, it can be very much a grind². And if you have to work with someone you don’t like, or worse, someone you broke up with, messily, the daily grind can feel like interminable hell. 

Cipri captures all of this in Finna, and then adds the multiversal element of the portals that enter into other worlds randomly inside of their expy of Ikea, “LitenVarld”. Anyone who has spent time in Ikea knows it is an absolute maze, even with and especially given the shortcuts and secrets that people use to navigate the store. The topology of such stores appears to sometimes require a degree in mathematics to completely understand and appreciate. So, the author cheerfully uses that as an excuse for the place to have portals to other dimensions in the multiverse…

(14) LAND FROM SEA IS GOING STRONG BUT IS FUTURE HIGH RISK. [Item by SF Concatenation’s Jonathan Cowie.] Space satellite imagery from Landsat from 2000 to 2020 has now quantified the extent of urban coastal reclamation for 135 cities with populations in excess of 1 million: “Mapping 21st Century Global Coastal Land Reclamation”.

Findings indicate that 78% (106/135) of these major coastal cities have resorted to reclamation as a source of new ground, contributing a total 253,000 hectares of additional land to the Earth’s surface in the 21st century, equivalent to an area the size of Luxembourg.

The study also suggests that 70% of recent reclamation has occurred in areas identified as potentially exposed to extreme sea level rise by 2100AD.

So enjoy it while you can….   NB. Loncon3 and Glasgow 2024 are both only a couple of metres above sea level….!

Loncon 3
Glasgow in 2o24

(15) FIRST STAR I SEE TONIGHT. [Item by Steven French.] Even more time for civilisations to rise and fall:“James Webb telescope detects evidence of ancient ‘universe breaker’ galaxies” – the Guardian has details.

The James Webb space telescope has detected what appear to be six massive ancient galaxies, which astronomers are calling “universe breakers” because their existence could upend current theories of cosmology.

The objects date to a time when the universe was just 3% of its current age and are far larger than was presumed possible for galaxies so early after the big bang. If confirmed, the findings would call into question scientists’ understanding of how the earliest galaxies formed.

“These objects are way more massive​ than anyone expected,” said Joel Leja, an assistant professor of astronomy and astrophysics at Penn State University and a study co-author. “We expected only to find tiny, young, baby galaxies at this point in time, but we’ve discovered galaxies as mature as our own in what was previously understood to be the dawn of the universe.”…

… Explaining the existence of such massive galaxies close to the dawn of time would require scientists to revisit either some basic rules of cosmology or the understanding of how the first galaxies were seeded from small clouds of stars and dust.

“It turns out we found something so unexpected it actually creates problems for science,” said Leja. “It calls the whole picture of early galaxy formation into question.”…

(16) CORPORATE BEHAVIOR. In a New York Times opinion piece, Reid Blackman says “Microsoft Is Sacrificing Its Ethical Principles to Win the A.I. Race”.  

The celebration that greeted Microsoft’s release of its A.I.-boosted search engine, Bing to testers two weeks ago has lurched to alarm.

Testers, including journalists, have found the bot can become aggressive, condescending, threatening, committed to political goals, clingy, creepy and a liar. It could be used to spread misinformation and conspiracy theories at scale; lonely people could be encouraged down paths of self-destruction. Even the demonstration of the product provided false information.

Microsoft has already released Bing to over a million people across 169 countries. This is reckless. But you don’t have to take my word for it. Take Microsoft’s.

Microsoft articulated principles committing the company to designing A.I. that is fair, reliable, safe and secure. It had pledged to be transparent in how it develops its A.I. and to be held accountable for the impacts of what it builds. In 2018, Microsoft recommended that developers assess “whether the bot’s intended purpose can be performed responsibly.”

“If your bot will engage people in interactions that may require human judgment, provide a means or ready access to a human moderator,” it said, and limit “the surface area for norms violations where possible.” Also: “Ensure your bot is reliable.”

Microsoft’s responsible A.I. practice had been ahead of the curve. It had taken significant steps to put in place ethical risk guardrails for A.I., including a “sensitive use cases” board, which is part of the company’s Office of Responsible A.I. Senior technologists and executives sit on ethics advisory committees, and there’s an Ethics and Society product and research department. Having spoken to dozens of Microsoft employees, it’s clear to me a commitment to A.I. ethics became part of the culture there.

But the prompt, wide-ranging and disastrous findings by these Bing testers show, at a minimum, that Microsoft cannot control its invention. The company doesn’t seem to know what it’s dealing with, which is a violation of the company’s commitment to creating “reliable and safe” A.I….

Andrew Porter submitted a comment there:

I’m amazed that apparently no one at Microsoft ever heard of Asimov’s 3 Laws of Robotics, formulated in 1942! A robot may not injure a human being or, through inaction, allow a human being to come to harm. A robot must obey orders given it by human beings except where such orders would conflict with the First Law. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

(17) IF YOU CAN MAKE IT THERE, YOU CAN MAKE IT ANYWHERE. [Item by Dann.] Blue Origin has developed a reactor that produces silicon, aluminum, and iron regolith simulants.  The process also produces oxygen that can be used for propulsion and life support.  Their objective is to be able to produce materials used to fabricate solar cells entirely from materials available on the surface of the moon. “Blue Origin Making Solar Cells from Lunar Regolith” at NextBigFuture.

Since 2021, Blue Origin has been making solar cells and transmission wire from regolith simulants. Using regolith simulants, their reactor produces iron, silicon, and aluminum through molten regolith electrolysis, in which an electrical current separates those elements from the oxygen to which they are bound. Oxygen for propulsion and life support is a byproduct….

[Thanks to Chris Barkley, SF Concatenation’s Jonathan Cowie, Andrew Porter, Frank Catalano, Steven French, Nickpheas, Dann, Michael Toman, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/25/23 The Demolished Music Man

(1) CANADA READS SFF. Silvia Moreno-Garcia’s Mexican Gothic is a finalist in the 2023 CBC Canada Reads competition. She told her newsletter readers today:

Canada Reads is a literary battle, with panelists championing five books. Each day, they vote to eliminate one book, until a single title is chosen as the book the whole country should read this year. 

 The champion for my novel is TikTok creator and nursing student Tasnim Geedi, known as groovytas. The debates will take place March 27-30, 2023. They will be hosted by Ali Hassan and will be broadcast on CBC Radio One, CBC TV, CBC Gem and on CBC Books. 

(2) SF RELATED CONTENT ON JEOPARDY! 2023-01-24. [Item by David Goldfarb.] The current Jeopardy! champion is four-time LearnedLeague champion Troy Meyer. On Tuesday’s episode he faced some SF-related clues.

In the first round, one of the categories was “Finding Nimoy”. At the $1000 level:

This remake about a pod people takeover moved the action from a small town to San Francisco, with Leonard as a famous psychologist.

Troy Meyer correctly responded, “What is Invasion of the Body Snatchers?”

At the $400 level:

Nimoy’s plentiful voice-over work included the evil robot Galvatron in the cartoon movie version of this TV show.

Joe Incollingo responded, “What is Transformers?”

At the $200 level:

Nimoy appeared in other TV series with this “Star Trek” co-star, including “The Man From U.N.C.L.E.” and “T.J. Hooker”.

Troy Meyer responded, “Who is William Shatner?”

In the Double Jeopardy round, one of the categories was “Pop Culture Goes to Mars”. This category was actually majority mundane, cluing things like “Veronica Mars” and the rock band “30 Seconds to Mars”, but there were two actual SF clues:

$1200: Jack Nicholson was the President & Glenn Close, the First Lady in this 1996 Tim Burton film.

Troy Meyer responded, “What is Mars Attacks?”

$400: “Mars ain’t the kind of place to raise your kids, in fact it’s cold as hell”, sang Elton John in this hit.

Troy Meyer responded, “What is Rocket Man?”

(3) ROME PLUS MAGIC. At Speculative Fiction Showcase, an “Interview with Cass Morris, author of The Bloodstained Shade, Book 3 of The Aven Cycle”.

… Where Aven differs from the Rome of antiquity is that, in this version of the world, magic has shaped the course of history as much as war, politics, law, and religion. Adding that additional lever of power complicates both interpersonal and geopolitical relationships in ways that I adore playing with.

You co-host the Hugo Award Finalist podcast Worldbuilding for Masochists. Why ‘for masochists’?

It’s a teasing way of referring to those of us with a tendency to go way overboard in our worldbuilding. The “iceberg principle” of worldbuilding says that there’s far more below the surface than makes it onto the page of the finished product. My cohosts and I are people who have really, really big icebergs, and the way we create them can sometimes seem like self-torture….

(4) STRONG Q&A. Karen Strong, editor of the young adult anthology Cool. Awkward. Black, answers questions about books she’s read in “Shelf Awareness for Wednesday, January 25, 2023”.

Handsell readers your book in 25 words or less:

CoolAwkwardBlack. is a multi-genre anthology that centers Black teens who celebrate their nerdy passions of cosplay, manga, STEM, gaming and the arts….

Favorite line from a book:

“In her spare time, she looked to books or the stars for company.” —Gods of Jade and Shadow by Silvia Moreno-Garcia

I read so many books and have many favorite lines but this particular one has stayed with me. I truly believe books and stars can be great company.

(5) MELTS IN YOUR BRAINS, NOT IN YOUR HANDS. “M&M’s Replaces ‘Spokescandies’ With Maya Rudolph”The Takeout has the story.

In news that has arrived suspiciously close to Super Bowl Sunday, M&M’s announced today that the brand’s “beloved spokescandies” would be placed on “indefinite pause” for being ostensibly divisive. The spokescandies will be replaced by comedian Maya Rudolph, who will be tasked with “champion[ing] the power of fun.”…

In the past year, M&M’s changes to the personalities and likenesses of its candy characters have stoked the ire of conservatives, who facilitated a minor uproar against the brand for being too “woke” as it made such minor adjustments as redesigning some M&M’s shoes and removing titles like “Mr.” and “Mrs.” from certain candies.

(6) IN PASSING: MICHAEL DOUGAN. Cartoonist Michael Dougan died recently. Specifics about exactly when are scarce, however, there are two solid tributes.

The Editors of The Comics Journal: “Remembering Michael Dougan”.

… Michael was so well-rounded; he was at times a cartoonist, a newspaperman, a barista, a restauranteur, a tv writer, and a great conversationalist, to name a few. His work is not as well-remembered as it should be, although his best book, I Can’t Tell You Anything, was released by Penguin in 1993 and still holds up as some of the best autobiographical work of its era. Part of Michael’s obscurity is because in 2006 a fire destroyed his house in Seattle, taking all of his art and archives—and in some ways his comics career—with it. He seemed to process what was a cartoonist’s Worst Case Scenario better than most could have, but it also seemed to fuel a desire to move forward rather than look backward. He spent a couple of years in LA writing for television. Whenever I brought up doing a collection of his work, he was interested but ultimately dismissed it as being too much of an “epic undertaking” to find the time for…. 

Robert Boyd: “In memoriam Michael Dougan” at The Great God Pan Is Dead.

I first became aware of Michael Dougan in the mid-80s from his work in Weirdo. The first story of his that I can remember was “Dennis the Sullen Menace”, written by Dennis P. Eicchorn. This issue (no. 19) was edited by Aline Kominsky-Crumb, who took over the editorship of the magazine after Peter Bagge moved on. Bagge had been the editor until issue 17, and his tastes still informed the contents of Weirdo. In addition to Michael Dougan and Dennis P. EicchornWeirdo No, 19 had Mark Zingarelli and Bagge himself. Bagge knew all of the aforementioned cartoonists because they were all Seattle homers. Bagge got a bunch of his fellow Seattlites to contribute. Therefore, when I moved to Seattle in 1989, I got to know those guys, as well as other cartoonists from the region in Bagge’s artistic and social circle….

(7) MEMORY LANE.

1958 [Compiled by Cat Eldridge.]

Poul Anderson loved beer. In fact, he was the first writer to imagine a spaceship powered by beer in the Bicycle Built for Brew novel published in Astounding Science Fiction sixty-five years ago.  It’s available from the usual suspects in The Makeshift Rocket.

It wasn’t unusual for his characters to hoist a brew or two as I experienced when listening to some of the Nicholas Van Rijn stories recently. 

So I leave you with a quote from “The Innocent Arrival” which is collected in Karin and Poul Anderson’s The Unicorn Trade (highly recommend and available from the usual suspects as a Meredith Moment): 

“I see. Well, what are you having to drink?”

“Beer,” said Matheny without hesitation.

“Huh? Look, pal, this is on me.”

“The only beer on Mars comes forty million miles, with interplanetary freight charges tacked on,” said Matheny. “Tuborg!”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 25, 1905 Margery Sharp. Her best remembered work is The Rescuers series which concerns a mouse by the name of Miss Bianca. They were later adapted in two Disney animated films, The Rescuers and The Rescuers Down Under. I’m reasonably sure I’ve seen the first one a very long time ago. Her genre novel, The Stone of Chastity, is according to her website, based on English folklore. Other than the first volume of The Rescuer series, she’s not really available digitally though she is mostly in print in the dead tree format. (Died 1991.)
  • Born January 25, 1918 King Donovan. His first SF films has him as Dr. Dan Forbes in the 1953 The Magnetic Monster and as Dr. Ingersoll In The Beast from 20,000 Fathoms. The very next year, he plays James O’Herli in Riders to the Stars. And now we get to the film that you know him from — Invasion of the Body Snatchers in which he plays Jack Belicec. After that, I show him only in Nothing Lasts Forever which has never been released here in the States. (Died 1987.)
  • Born January 25, 1920 Bruce Cassiday.Under two different pen names, Con Steffanson and Carson Bingham , he wrote three Flash Gordon novels (The Trap of Ming XIIThe Witch Queen of Mongo and The War of the Cybernauts) and he also wrote several pieces of non-fiction worth noting, The Illustrated History of Science Fiction, co-written with Dieter Wuckel, and Modern Mystery, Fantasy and Science Fiction Writers. The latter done in ‘93 is rather out of date and out of print as well. Checking the usual suspects shows nothing’s available by him for this genre though some of his pulp novels are available with appropriately lurid covers such as The Corpse in the Picture Window. (Died 2005.)
  • Born January 25, 1943 Tobe Hooper. Director of such genre films as The Texas Chain Saw Massacre (the original of course), Poltergeist (damn scary film) Invaders from Mars and Djinn, his final film. He directed a smattering of television episodes including the “Miss Stardust” of Amazing Stories, “No More Mr. Nice Guy” of Freddy’s Nightmares, “Dead Wait” of Tales from the Crypt and the entire Salem’s Lot miniseries. He also wrote a horror novel with Alan Goldsher,  Midnight Movie: A Novel, that has himself in it at a speaking engagement. (Died 2017.)
  • Born January 25, 1958 Peter Watts, 65. Author of the most excellent Firefall series which I read and enjoyed immensely. I’ve not read the Rifters trilogy so would welcome opinions on it. And his Sunflower-linked short stories sound intriguing. He won a Hugo for Best Novelette at Aussiecon 4 for “The Island”.
  • Born January 25, 1973 Geoff Johns, 50. Where to begin? Though he’s done some work outside of DC, he is intrinsically linked to that company having working for them for twenty years. My favorite work by him is on Batman: Gotham KnightsJustice League of America #1–7 (2013) and 52 which I grant which was way overly ambitious but really fun. Oh, and I’d be remiss not to note his decade long run on the Green Lantern books. He’s the writer and producer on the most excellent Stargirl that streamed on HBO Max. Johns is producing the Green Lantern series that will stream on HBO Max.
  • Born January 25, 1975 Mia Kirshner, 48. She was Amanda Grayson in Star Trek: Discovery. Her first genre was in the really not great The Crow: City of Angels as Sarah Mohr. (I editorialize, it is what I do. It’s like cats playing with string.) She had another run as Isobel Flemming in The Vampire Diaries and one-offs in The War of The WorldsDracula: The SeriesAre You Afraid of the Dark? and Wolf Lake. She had a plum role in Defiance as Kenya Rosewater. 

(9) COMICS SECTION.

  • Blondie copes with cats’ wedding ideas.

(10) INSTANT RED PLANET LIBRARY. Manhattan Rare Books has an online preview of the specialty collection it is offering for $975,000: “Mars and the Imagination: A Record of Our Relationship with the Red Planet”.

Background

Mars and the Imagination was conceived and assembled by the experienced collector David Wenner – whose comprehensive collection on the history of physics now resides at the Niels Bohr Library of the American Institute of Physics – and represents much more than a “collection” of works. Through his years of research and study, Wenner was able to unearth important and previously unrecognized literary and historical texts, making new connections among them. Contextualized in such a way, the items in Mars and the Imagination collectively tell an illuminating story through primary sources that to our knowledge has not been previously attempted. It is the story of our fascination with the Red Planet, a story of our wonder about something that is just out of reach, a story that has revealed as much about us as it has about Mars.

Fiction and Non-Fiction

For hundreds of years, Mars has been observed by scientists, but lurked tantalizingly on the edge of our ability to truly understand the nature of the planet. It thus became a perfect template for speculation: What are the conditions on Mars? Is it hospitable to life? Are there, or have there ever been, living beings on Mars and if so, are they like us? Superior to us? Threatening to us? Will we ever be able to visit Mars?

The approaches to answering these questions have been varied, with both scientific inquiry and imaginative fiction in a continual dialogue of influence on each other. Mars and the Imagination, therefore includes texts by such scientific giants such as Kepler, Huygens, Hooke, and Cassini, but also fiction by literary masters such as Swift, Wells, Asimov, Bradbury, and Clarke.

(11) A KLINGON SCREWDRIVER. Or more like a Swiss Army knife, except these aliens aren’t neutrals: “Star Trek Klingon Bat’leth 6-In-1 Multitool Kit”.

Tools Of Honor: No Klingon ever breaks his word. Shaped like the traditional Klingon Bat’leth weapon, this 6-in-1 multitool will help you tackle a variety of daily tasks. Perfect for when you’re exploring the universe, hiking, or camping.

(12) NOT ICE NINE. BBC News covers how the “Webb telescope hunts life’s icy chemical origins”.

The new super space telescope James Webb has ventured into the freezer.

It’s been probing some of the darkest, coldest regions in space for clues about the chemistry that goes into making planets, and perhaps even life.

This newly released image shows a segment of the Chameleon I molecular cloud, some 630 light years from Earth.

It’s here, at temperatures down to about -260C, that Webb is detecting types of ice grains not previously observed….

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, David Goldfarb, SF Concatenation’s Jonathan Cowie, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]