Pixel Scroll 11/18/20 Am I Overlooking An Elephant?

(1) 55 YEARS AGO TODAY. Cora Buhlert has written an article about Franco-Belgian-Dutch comics for Galactic Journey“[NOVEMBER 18, 1965] HUMOUR, HEROES AND HISTORY: THE COMICS OF FRANCE, BELGIUM AND THE NETHERLANDS”. Cora did a lot of research: “While I read all of those comics as a kid (my Dad worked in the Netherlands and Belgium and while my Dutch was never good enough for novels, comics were no problem), I rarely paid attention to artists and writers nor did I have any idea what was published when and where.” She knows now!

…The comics heart of Europe undoubtedly beats in France and Belgium. For here, comics are considered not disposable entertainment for kids, but a genuine art form. Belgian comics artist Maurice De Bevere, better known as Morris, referred to comics as “the ninth art”.

US comic books only focus on a single character or group. The French-Belgian industry is different, since it focusses on anthology magazines, which contain several different serialised comic strips. The most popular comics are later collected in books known as albums.

Three comic magazines dominate the French-Belgian-Dutch market. The Belgian magazines Spirou (Robbedoes in Flemish) and Tintin (Kuifje in Flemish) and the French magazine Pilote. All three have their own distinct style and voice….

(2) WINDOW ON CHENGDU. At Black Gate Francesco Verso pulls out all the stops for the Chengdu in 2023 Worldcon bid: “Guest Editorial: Let’s Welcome the Future… in China”. A successful Italian sff author, Verso also is Founder and Editor-in-Chief of Future Fiction, “a multicultural project, publishing the best SF in translation from 8 languages and more than 20 countries.” He has edited an international SF anthology for the Chinese publisher Guangzhou Blue Ocean Press that was to be distributed to Chinese high schools and universities in 2019.

…Reading Chinese SF gave me a feeling of freshness and cautious optimism; a unique “sense of wonder” permeated many of the stories I read. From climate change to inter-generational scenarios, from android caregivers to futuristic market forces, Big Data and of course the traditional Chinese culture updated to contemporary flavors, the ideas came from a rapidly changing society living them today. To quote Han Song, “You simply need to open a window in China to see a preview of the future.”

The same applies for Science Fiction Conventions. I’ve had the honor and privilege to attend many meetings organized by fandom in collaboration with various institutions (both public and private ones) from Beijing to Chongqing, from Shenzhen to Chengdu.

These conventions are nothing like we’ve seen and experienced in the West.

Thousands of passionate fans, hundreds staff, tens of Special Guests from China and the rest of the world displayed an expertise and enthusiasm which struck me from the very first time, at the 4th International SF Convention of Chengdu in 2017 (see Black Gate‘s report here). During many panels, there were real-time interpreters from Chinese to English and from English to Chinese to help with communication. No guest was left alone and a true sense of community (already strong in all SF conventions) was circulating from morning to night events.

Three years have since passed and I’ve visited China six times to participate in events like the first Asia Pacific SF Convention and the National Chinese SF Convention in Beijing (see Locus Magazine’s report here), the 5th International SF Convention of Chengdu (see Black Gate‘s report here), the opening ceremony of the Fishing Fortress Center of Science Fiction of Chongqing. I can fairly say the following without fear of being proved wrong: No other country can benefit from such a rich past and an innovative present as China.

No other country – from fandom to scholars, from magazine to publishing houses, from conventions to academic meetings – is investing so much energy and passion in Science Fiction as China.

No other country has the level of support – including public sector grants, private institutions funding and fan staff – as China.

That’s an incredible leverage to use for boosting Science Fiction in a highly-populated country that has come to realize that it will shape a relevant part of the future awaiting the whole world.

The committee of the Chengdu bid for the 2023 WorldCon is doing an excellent job to prepare for the event. They are showing the beauty of the city, its many historical traces, such as the Three-Star Piles, the Water Conservancy project of the Qin Dynasty, the poets of the Tang Dynasty and of course the pandas!

(3) SECOND, ER, SIXTH CHANCE. “Academy Museum Gives Debbie Reynolds Her Due as a Costume Conservator” – finally. The New York Times has the story. Tagline: “When the ‘Singin’ in the Rain’ actress was alive, the film academy turned up its nose at her fabled costume collection. Now it has gone to her son with hat in hand.”

… The Academy of Motion Picture Arts and Sciences turned her down — five times. Reynolds quoted an uninterested David Geffen in her 2013 memoir as once saying, “Why don’t you just sell that stuff?”

In debt, she finally had no other choice, auctioning Marilyn Monroe’s ivory-pleated halter dress that blew upward in “The Seven Year Itch” for $4.6 million and Audrey Hepburn’s lace Royal Ascot number from “My Fair Lady” for $3.7 million — prices that shocked moviedom’s aristocracy and proved Reynolds had been right. Also sold, in some cases to anonymous overseas collectors, were Charlton Heston’s “Ben-Hur” tunic and cape, the acoustic guitar Julie Andrews strummed in “The Sound of Music” and every hat that Vivien Leigh flaunted in “Gone With the Wind.”

Now, four years after she died at 84, there has been a plot twist in the Debbie Reynolds costume collection saga, one that she would undoubtedly find both maddening and satisfying: The Academy Museum of Motion Pictures, set to open on April 30 and costing $482 million, finds itself caring about her collection — at least the part that is left, which includes iconic costumes she wore in movies like “Singin’ in the Rain.” Also remaining are screen garments created for Mary Pickford, Deborah Kerr and Cyd Charisse, as well as rare memorabilia from classics like “The Wizard of Oz” and “The Maltese Falcon.”

… So far, Fisher has agreed to lend the Academy Museum one item from his own collection: a set of seven Bausch and Lomb Baltar lenses used by Gregg Toland, the fabled “Citizen Kane” cinematographer. But Fisher, 62, said more items would come, as long as the Debbie Reynolds Conservation Studio exists on the museum’s lower level next to the Shirley Temple Education Studio.

“My mother was one of the most forgiving people ever,” Fisher said. “She would never want me to hold a grudge just because I have knowledge of all the missed opportunities — how the people running the academy in the past were never willing to step up and support her. She would have wanted me to share these important artifacts with future generations. So, as long as they are properly recognizing my mother for her contribution to this discipline, I agreed to provide access to whatever I have access to.”…

(4) HELPING YOURSELF. Advice from the Milford SF Writers blog: “Launching a book during a pandemic: tips & tricks for doing your own PR/marketing by Tiffani Angus”.

Think beyond the obvious. Sure, you want reviews and other events, but there might be angles that you’re not considering. My book is historical fantasy set in a garden over 400 years. Our list included the usual outlets such as the British Fantasy Society, but we knew we could expand from there. Because the book is historical, we put organisations such as the Historical Novel Society on the list. I also remembered that I used to go to the Garden History Museum in London when I was a student and had a slight correspondence with the director, so I put him and the museum on the list along with National Trust houses near me with inspirational gardens and giftshops in hopes of maybe getting the book on those shelves.

Go local. Smaller towns (and some larger ones) love stories about locals. If your town has a paper, send a press release. If you work in a different town, send one there, too. Writing a release takes some practice, but there is plenty of advice on the ‘net. Small stories about me showed up in the paper where I live and the paper in my work-town, along with a magazine in my work-town. From those, I’ve sold several copies out of the local book shop….

(5) WW84. Lyles Movie Files says mark your calendar: “Wonder Woman 1984 arriving in theaters and HBO Max on December 25”.

Considering the sequel already cost $200 million, Warner Bros. likely expected a massive payday and was hoping to wait out the pandemic so audiences worldwide (specifically domestically) could pay for it.

But with another wave of COVID-19 predicted, the domestic theatrical window seems even more in jeopardy. This will be an interesting development and could signal further changes for delayed 2020 blockbusters like No Time to Die, Black Widow and Fast and Furious 9.

(6) AMY CARPENTER OBIT. Well-liked Pacific Northwest book dealer Amy Carpenter has died Filk Radio reported on Facebook:

Very Sad news. A friend Amy Carpenter, aka Amycat, has passed away. She was a fixture at convention dealer’s rooms selling books as Book Universes. She will be missed.

Many people are leaving warm personal tributes on her FB page.  

The cause of death was not posted. However, just two weeks ago Carpenter wrote on Facebook about a trip to the ER for “what seems to have been a small heart attack.”

(7) COCKROFT OBIT. “The Dice Man author George Cockcroft (aka Luke Rhinehart) dies aged 87”The Guardian pays tribute.

The author of the cult classic novel The Dice Man, in which a bored psychiatrist travels to some very dark places when he lets “the dice decide” his options, has died at the age of 87.

George Powers Cockcroft, who published The Dice Man in 1971 under the pseudonym Luke Rhinehart, died on 6 November, his publishers confirmed to the Guardian.

…The author of 11 books, most recently Invasion, a novel in which furry aliens come to Earth to have fun, Rhinehart remains best known for The Dice Man. Published in 1971, it was seemingly an autobiography, telling of a psychiatrist named Luke Rhinehart who decides to roll a dice each time he has to make a decision.

I knew a guy at LASFS who said he did this for awhile, too.

(8) LONG OBIT. [Item by Steven H Silver.] Artist and author Duncan Long (b.1949) died on December 31, 2016. His death was unreported here at the time.  Long wrote the Spider Worlds trilogy and three other novels. His art appeared on the covers of Asimov’sThe Leading Edge, and the Steven Barnes collection Assassins and Other Stories. He also served as the art director for the revamped Amazing Stories.

(9) MEDIA ANNIVESARY.

1980 — Forty years ago, Ray Bradbury was given the Gandalf Grand Master Award for life achievement in fantasy writing. The Gandalf Award was created and sponsored by Lin Carter and the Swordsmen and Sorcerers’ Guild of America, an association of fantasy writers including John Jakes, Poul Anderson, Fritz Leiber, C. J. Cherryh, Tanith Lee and Roger Zelazny to name but a few of the members. (Much of their work is collected in the Flashing Swords! anthology series.)  J. R. R. Tolkien, recently deceased, was given the first such Award, and the other recipients were Fritz Leiber, L. Sprague de Camp, Andre Norton,  Poul Anderson, Ursula K. Le Guin and C. L. Moore. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born November 18, 1922 – Edward C. Connor.  Known as “Ecco”.  Took over the Fanewscard from Tucker in the mid-1940s, ran it for a year with Frank Robinson.  Famous for a Post Office (as it then was) adventure with Ecco’s zine S.F. Echo; that and more here.  (Died 1999) [JH]
  • Born November 18, 1923 – Alan Shepard.  First American in Space.  Piloted the Apollo lunar module Antares to the most accurate landing of the Apollo missions.  Hit two golf balls on the Moon.  Moon Shot with Deke Slayton and two journalists.  Two (nonconsecutive) terms as Chief of the Astronaut Office.  Not fiction, but the right stuff.  More here.  (Died 1998) [JH]
  • Born November 18, 1936 – Suzette Elgin.  Founded the SF Poetry Ass’n; its Elgin Awards (one for chapbook, one for full-length, annually) named for her.  Edited Star*Line three years.  SF Poetry Handbook by her, with Mike Allen & Bud Webster helping; an SF Site review here.  A dozen novels, another of shorter stories (“Lo, How an Oak E’er Blooming” was translated into German as Siehe, die Eiche blüht ewig, another time as Und ewig blühet die Eiche, both titles missing the allusion to Es ist ein Ros entsprungen), three dozen poems; many essays in Star*Line and elsewhere.  If SF prose is hard, SF poetry is harder.  Or easier.  Or – let’s go to the next birthday notice.  (Died 2015) [JH]
  • Born November 18, 1946 Alan Dean Foster, 74. There’s fifteen Pip and Flinx novels?!? Well the first five or so were superb. Spellsinger series is tasty too. Can’t say anything about his Stars Wars work as I never got into it. (CE)
  • Born November 18, 1950 Michael Swanwick, 70. I will single out The Iron Dragon’s Daughter and Jack Faust as the novels I remember liking the best. His short fiction is quite excellent, and I see both Apple Books and Kindle have the most excellent Tales of Old Earth collectionwith this lovely cover. (CE)
  • Born November 18, 1950 Eric Pierpoint, 70. I’d say that he’s best known for his role as George Francisco on the Alien Nation franchise. He has also appeared on each of the first four Trek spin-offs. And he’s got a very impressive number of genre one-offs which I’m sure y’all tell me about. (CE)
  • Born November 18, 1952 – Doug Fratz.  Aerosol scientist and fan.  Known for his zine Thrust, later renamed Quantum, then merged with SF Eye. Many reviews there, on SF Site, and in NY Rev SF.  More about him here.  (Died 2016) [JH]
  • Born November 18, 1953 Alan Moore, 67. His best book is Voice of the Fire. Though the first volume of The League of Extraordinary Gentlemen is very close. Pity about the film. His worst work? The Lost Girls which is genre in an odd manner. Shudder. I’m also fond of The Ballad of Halo Jones and Swamp Thing as well. (CE) 
  • Born November 18, 1961 Steven Moffat, 59. Showrunner, writer and executive producer of Doctor Who and Sherlock Holmes. His first Doctor Who script was for Doctor Who: The Curse of Fatal Death, a charity production that you find on YouTube and I suggest you go watch now.   He also co-wrote The Adventures of Tintin: The Secret of the Unicorn, a most excellent animated film. He has deservedly won four Hugo Awards. (CE) 
  • Born November 18, 1966 – Madelyn Rosenberg, 54.  A dozen books, plus articles, poetry (this one has butter-shined stars).  Outside our field, here frinstance is an interview with Doc Watson.  “I write because I love telling other people’s stories as well as my own.”  [JH]
  • Born November 18, 1972 – Lisa Olstein, 48.  Four books of poetry and a chapbook The Resemblance of the Enzymes of Grasses to Those of Whales Is a Family Resemblance.  Hayden Carruth Award.  Guggenheim Fellowship.  Pushcart Prize.  Here is “Radio Crackling, Radio Gone”.  [JH]
  • Born November 18, 1981 Maggie Stiefvater, 39. Writer of YA fiction, she currently has three series, The Dreamer trilogy, The Wolves of Mercy Falls, and the quite superb Raven Cycle. With her sister, Kate Hummel, she writes and records a piece of music for each novel she releases. These are released in the form of animated book trailers. (CE) 

(11) HOLIDAY SPECIAL. “C-3PO actor: Original ‘Star Wars’ special was ‘gentle nightmare'” — Anthony Daniels remembers. (There’s video of the interview at the link.)

ANTHONY DANIELS: Here’s the thing, go to YouTube and watch a bit of it, because it’s there. You will be amazed and not in a good way. And go to the back end of it, the end. That’s when myself and Carrie and Mark and Harrison came on. That’s the Star– that’s the real Star Wars. But go through some of the other bits, and you will be astounded that the producers were brave enough to use the title “Holiday Special” because it’s normally– it sets off sirens and heart attacks.

Such a weird experience that you had to laugh at it. And it’s in my book “I am C-3PO– The Inside Story,” where I talk about, in fact, I detail what it was like on the set with these Wookiees, basically treading on things because they couldn’t see in the dark and the dry ice, and how I was only there for three or four days. And I just laughed and laughed as we drove away from the studio because it had been a kind of very gentle nightmare.

(12) THE KERFUFFLE YOU DIDN’T KNOW ABOUT. A little like Macy’s Santa in that movie, KTLA tells people to watch their PBS stations for these: “Charlie Brown holiday specials return to free TV after uproar; here’s how to watch”.

…Last month, Apple TV+ became the new home to the beloved Peanuts holiday specials. That sparked an outcry from viewers who were accustomed to annually tuning in on network TV. Apple offered each special to stream for free for a handful of days, but that didn’t stop online petitions from gathering hundreds of thousands of signatures.

On Wednesday, Apple bowed to the backlash, announcing it had teamed up with PBS for ad-free broadcasts of “A Charlie Brown Thanksgiving” (on Nov. 22) and “A Charlie Brown Christmas” (on Dec. 13).

Both specials will also be available for free during three-day windows on Apple TV+ (Nov. 25-27 for “Thanksgiving” and Dec. 11-13 for “Christmas.”) For subscribers, the specials will be available beginning Nov. 18 and Dec. 4, respectively.

(13) INCIPIENT MOTHERHOOD. We first met her singing about Ray Bradbury. Now — “Rachel Bloom Shares Footage of Herself Singing ‘Space Jam’ — While Giving Birth to Her Daughter” reports People.

During an appearance on Late Night with Seth Meyers this week, the Crazy Ex-Girlfriend star, 33, shared footage from her delivery room when she gave birth to her daughter in late March with husband Dan Gregor. In the video, Bloom sings the lyrics to “Space Jam” (by the Quad City DJ’s for the 1996 movie of the same name) while laying on her hospital bed.

“You know, I was making a labor playlist, and I was like, ‘What’s going to make me happy? And what’s going to make my vagina muscles wanna push a baby out?’ There was only one answer,” she joked to Meyers.

(14) TIL DEATH. Yahoo! Entertainment shares details about how “Jamie Lee Curtis officiated wedding of ‘Halloween’ superfan moments before his death”. (Curtis also discussed it on The Talk.)

Jamie Lee Curtis made a terminally ill fan’s dream come true.

The actress virtually officiated the wedding of 29-year-old Anthony Woodle and his girlfriend, Emilee, one hour before he passed away. Woodle, a horror movie fanatic who loved the Halloween franchise and holiday, was diagnosed with stage IV esophageal cancer last year. Emilie opened up about her late husband’s final moments to Charleston’s The Post and Courier.

Woodle, an aspiring director, was diagnosed with cancer on Halloween 2019, three years after proposing to Emilee on his favorite holiday. As his condition worsened over the last year, Woodle got connected to Curtis through Rough House Productions, the local South Carolina based production company reviving the Halloween franchise. They talked about the new movie, his health and how he planned to get married soon. Curtis said that she’s ordained and offered to officiate their wedding, per the paper. Arrangements were made for Sept. 13.

On the day of the ceremony, Woodle turned for the worse. Curtis got on the phone and Woodle’s family gathered around. He was unconscious in bed with Emilee by his side. The actress expressed joy, sadness and said she felt honored as she began the ceremony at 10:30 p.m.

(15) VIDEO OF THE DAY. in “Honest Game Trailers: Plasmophobia” on YouTube, Fandom Games says that Plasmophbia lets you pretend to be a ghost hunter from a cheap cable series of 20 years ago and thrill to having a ghost take you over and make your body act “like a baby who’s failed depth perception.”

[Thanks to Steven H Silver, JJ, John Hertz, Andrew Porter, Michael Toman, John King Tarpinian, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 10/22/20 Yondo Lies The Pixel Of My Filer

(1) GET READY TO LAUNCH. At Nerd and Tie, “Interview: Eliana González Ugarte and Coral Alejandra Moore of Constelación Magazine” conducted by Andrea Johnson,

NOAF: I am so excited for Constelación Magazine! When and how, and why did you decide to make this magazine a reality?

Coral Alejandra Moore: The entire process of building Constelación from the idea to what you can see on the website and social media now was really organic. Eliana and I met at a virtual convention called Flights of Foundry in May of this year, and a few weeks later we met again at the Nebulas convention. We both happened to be a in a zoom room where John Picacio and Mary Robinette Kowal started talking about Spanish language speculative fiction because of Eliana’s experience with it, and that got the hamsters in my brain turning. A few emails, and Twitter DMs later, Eliana and I were already moving forward at warp speed, and we really haven’t stopped since then. Lots of people got quarantine puppies during the pandemic, but we got a quarantine magazine!

NOAF: What makes Constelación Magazine different from other speculative fiction magazines out there?

Eliana González Ugarte: We take stories in both English and Spanish! One of our goals is to publish more Latin American and Caribbean authors who may not be able to submit their stories directly in English, or they’d have to first pay someone to translate it for them in order to be able to submit. 

(2) NEXT REVELATION. Alastair Reynolds has delivered the latest book in the Revelation Space series. It will probably be called Inhibitor Phase: “I’ve delivered a book”.

… As may be apparent to those familiar with my work, the book takes place in the Revelation Space universe and is largely set in the years after ABSOLUTION GAP, my 2003 novel. 

It’s not intended as a sequel to that book, but merely another entry in the mosaic of books and stories which illuminate a larger future history. That said, it does have connective tissue with some of the other novels. although I’ve scrupled as carefully as I can to make the book function as a standalone title, a single book which tells a complete tale in its own right and can be read as “just” an isolated story.

.. What happens in the book? I’m not going to say – just yet. I can state that some of the influences that have fed into the book include a film by Ingmar Bergman, a song by Scott Walker (in fact more than one), and the closing track of a Muse album.

(3) HEINLEIN STANDING DOWN. “‘Starship Troopers’ is off the Marine commandant’s reading list, but ‘White Donkey’ by Terminal Lance is in”. Would you like to know more? Task & Purpose has the story.

The Marine Corps commandant’s reading list saw some big changes this week, with the sci-fi military classic Starship Troopers getting the boot as newer works of fiction like The White Donkey took a place on the shelf.

The change came on Tuesday when Marine Commandant Gen. David Berger released the new reading list, which includes 46 books across a range of topics and genres….

(4) AFTERLIFE POSTPONED. Yahoo! Life reports ”End of the world delays Ghostbusters: Afterlife to June 2021″.

Perhaps sensing that the minds of the moviegoing public—as much as concepts like “moviegoing” and “public” exist during the COVID-19 pandemic—were otherwise occupied with images far more horrifying than a giant SlorSony announced this afternoon that the release of Ghostbusters: Afterlife has been pushed to June 11, 2021. For those keeping score at home, that’ll put the Jason Reitman-directed sequel into theaters 37 years after the original Ghostbusters, four months after its first revised release date, and approximately two-and-a-half years after self-proclaimed “first Ghostbusters fan” Reitman stuck his foot in his mouth upon announcing that his new addition to the comedy franchise was “for all the other fans.” But then again, what’s waiting 16 additional weeks in the midst of 40 years of darkness, earthquakes, volcanoes, and all of the other stuff that Dan Aykroyd might attribute to the difficulties of getting a third film set in the continuity of the first two Ghostbusters movies in front of people?

(5) A FLASH FROM FIFTY-EIGHT. Fanac.org has added 17 photos from the late Karen Anderson’s collection (thanks to Astrid Bear) to the Solacon (1958 Worldcon) album. These include half a dozen photos from “Alice in Thrillingwonderland”  which was performed at the con.

In issue #795 of Karen’s fanzine Zed, you can read the script for the play starting on page 7. So now you can read the script, see the pix and imagine yourself there. There are also some wonderful masquerade photos and some individual photos as well. Thanks to Astrid for letting us put them up.

(6) SUPPORT YOUR LOCAL MAMMAL. “It’s a Wild City! Funny Wildlife PSAs Appear in NYC”Untapped New York knows where they came from.

… Hynes got his start writing for Untapped New York and turned his animal-focused column into Wild City, which was released earlier this year. It’s an illustrated exploration that highlights everything from the return of the humpback whale to the pizza rat…. 

The illustrator of the animals on the posters is Kath Nash, who also illustrated Wild City. Each of the PSAs have more highlights about each creature. The Mandarin Duck one says “Remember this little guy? Used to be around all the time! Loved to swim in Central Park and have his picture taken. But now he’s just gone! We will always love you, Gucci duck. Please come home soon! ENJOY YOUR LOCAL WILDLIFE TODAY!” One of the mastodon says, “NEW YORK GIANTS. Mastodons were the original New Yorkers. These big buddies lived all over the city back in the day. Just imagine this furry elephant roaming around Inwood or wherever. It’s wild.”…

(7) VINTAGE 98.6. [Item by Mike Kennedy.] It’s a cold Halloween night. What better to curl up with than a warm bucket of blood? “Halloween Kills: Jamie Lee Curtis Jokes About All The Fake Blood Needed For The Sequel” at CinemaBlend.

[…L]egendary scream queen [Jamie Lee Curtis} recently joked about the massive amount of fake blood needed to make the project [Halloween Kills] into a reality.

Halloween Kills is in the can and was set to arrive in theaters this October, before being delayed a full year amid the pandemic. Jamie Lee Curtis is as disappointed as anyone else about this, although she recently posted an awesome video from the movie’s set. The Knives Out actress shared the story behind said clip, saying:

So the second movie that we shot takes place immediately where the first movie lets off, which is similar to what Hallowen II did. Halloween II picked up exactly after Halloween I. So I’ve been stabbed in the stomach by Michael. And the first sequence is us in the back of this truck which you see us climb into at the end of the movie. I posted on Instagram this video because you’re in the back of a truck, they’re trailing behind you. But I’m supposed to literally be bleeding out, I’m supposed to be hemorrhaging. So we had to freshen the sticky blood. And they have this big bucket, like a paint bucket. And by the end of it I was like ‘Give me my bucket. I want my bucket.’ Because it was warm, and it was super cold. David called it ‘the sauce.’ He said ‘Bring in more sauce.’

[…Y]ou can check out the video that Jamie Lee Curtis was referencing [at Instagram].

(8) MONTANARI OBIT. Gianni Montanari, writer, translator, curator of the Italian prozine Urania from 1985 to 1990, has died at the age of 71 reports Fumetto Logica. Francesco Spadaro called him, “A genius I’ve known for years through printed paper, then in person in an unexpected friendship like all the great gifts life gives you.”

Montanari was also creator of the Urania Prize.

(9) MEDIA ANNIVERSARY.

  • 1990 — Thirty years ago at ConFiction, Hyperion by Dan Simmons wins the Best Novel Hugo. Runner-ups were George Alec Effinger’s A Fire in the Sun, Orson Scott Card’s Prentice Alvin, Poul Anderson‘s The Boat of a Million Years and Sheri S. Tepper‘s Grass. It is the first book of his Hyperion Cantos and was followed by The Fall of Hyperion. It would also be nominated for the BSFA and Clark, and win the Locus Award for Best SF Award. (CE)

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born October 22, 1882 – N.C. Wyeth.  One of America’s greatest illustrators; his masterpiece Treasure Island; over a hundred books.  For us e.g. Rip Van WinkleRobin Hood.  Outside our field e.g. Coca-Cola, Lucky Strike; Beethoven, Liszt, Wagner for Steinway & Sons; public and private buildings; patriotic images during both World Wars.  Besides illustration – “Painting and illustration cannot be mixed” – portraits, landscapes.  Here is a gallery.  (Died 1945) [JH]
  • Born October 22, 1927 – Lee Jacobs.  When he wrote “The Influence of Science Fiction on Modern American Filk Music”, filk was a typo.  But it acquired a life of its own.  Active in Washington, D.C, fandom; then Los Angeles.  Took part in FAPA (Fantasy Amateur Press Ass’n, our oldest apa), SAPS (Spectator Am. Pr. Society, our second-oldest), SFPA (Southern Fandom Pr. Alliance), The Cult.  Wrote The Ballard Chronicles (pulp-magazine parody featuring Wrai Ballard) and Redd Boggs – Superfan.  (Died 1968) [JH]
  • Born October 22, 1938 Derek Jacobi, 82. He played a rather nicely nasty Master in “Utopia”, a Tenth Doctor story. He’s currently Metatron on Good Omens. And he was Magisterial Emissary in The Golden Compass. I’ll single out that he’s played Macbeth at Barbican Theatre in London as part of the Royal Shakespeare Theatre ensemble. (CE) 
  • Born October 22, 1939 Suzy McKee Charnas, 81. I’d say The Holdfast Chronicles are her best work to date. “Boobs” won the Best Story Hugo at ConFiction. She’s also won the Otherwise, Nebula, Gaylactic Spectrum, and Lambda Literary Awards. Any of you read her Sorcery Hall series? (CE) 
  • Born October 22, 1943 Jim Baen. Editor of Galaxy and If for three years. He edited the sf line at Ace ad then Tor before starting his own namesake company in 1983. In late 1999, he started Webscriptions, now called Baen Ebooks, which is considered to be the first profitable e-book service. He also was the editor of Destinies and New Destinies which I remember fondly.  He was nominated for Best Editor Hugo five times between 1975 and 1981 but never won. At Nippon 2007, he’d be nominated for Best Editor, Long Form. (Died 2006.) (CE)
  • Born October 22, 1948 – Debbie Macomber, 72.  Over 200 million copies of her books in print worldwide.  First winner of the Quill Award; Romantic Times Distinguished Lifetime Achievement Award; RITA Award.  For us, three novels about three angels who work miracles but have a hard time resisting the use of human technology, which sometimes lands them in trouble; they are named – which couldn’t resist – Shirley, Goodness and Mercy.  [JH]
  • Born October 22, 1952 Jeff Goldblum, 68. The Wiki page gushes over him for being in Jurassic Park and Independence Day (as well as their sequels, The Lost World: Jurassic Park and Jurassic World: Fallen Kingdom and Independence Day: Resurgence, but neglects my favorite film with him in it, The Adventures of Buckaroo Banzai Across the 8th Dimension, not to mention the  Invasion of the Body Snatchers remake he was in. (CE) 
  • Born October 22, 1954 Graham Joyce. Selecting his best novel is a futile exercise as everything is fantastically good but I’ll single out Some Kind of Fairy Tale and The Tooth Fairy as the ones I found the most interesting reads. (Died 2014.) (CE) 
  • Born October 22, 1956 Gretchen Roper, 63. Long-time member of fandom, filker and con-runner. She co-founded Dodeka Records with her husband, Bill Roper. She received with her husband the Pegasus Award for Best Original Humorous Song, “My Husband The Filker”, and was inducted into the Filk Hall of Fame. She runs The Secret Empire, a business selling filk-related stuff and other things at cons. (CE)
  • Born October 22, 1958 – Keith Parkinson.  A hundred forty book covers, a hundred eighty interiors. Three artbooks, most recently Kingsgate.  Cards. Video and online games.  Here is the May 85 Amazing.  Here is In the Shadow of the Master (in Dutch; English title After the King; Tolkien).  (Died 2005) [JH] 
  • Born October 22, 1960 – Dafydd ab Hugh, 60.  Eight Star Trek novels, four others; four shorter stories including “The Coon Rolled Down and Ruptured His Larinks, a Squeezed Novel by Mr. Skunk” (novelette; Hugo & Nebula finalist).  Served in the U.S. Navy. [JH]
  • Born October 22, 1992 – Carrie Hope Fletcher, 28.  Four novels for us; career onstage including A Christmas Carol (Menken, Ahrens & Ockert 1994), The Addams Family (Lippa, Brickman & Elice 2009), Cinderella (Lloyd Webber, Zippell & Fennell 2019), Mary Poppins (Sherman, Sherman, Drewe & Fellows, 2004).  Singer, Internet celebrity.  YouTube channel with 650,000 subscribers.  [JH]

(11) COMICS SECTION.

  • At Bizarro, Trolls and Gremlins come to an agreement.

(12) HELD FOR RANSOM. Brenton Dickieson found an unexpected connection between some works of C.S. Lewis: “My Paper, “A Cosmic Shift in The Screwtape Letters,” Published in Mythlore” at A Pilgrim in Narnia.

 …It isn’t that Lewis wrote these Screwtapian letters; rather, as he says in the preface published in your copy of The Screwtape Letters:

“I have no intention of explaining how the correspondence which I now offer to the public fell into my hands.”

What is intriguing about the handwritten preface, is that Lewis makes a link between Screwtape and his Ransom book–Out of the Silent Planet from 1938 and Perelandra, which he was writing at this time. This is the first sentence of the “Ransom Preface,” as I call it:

“Nothing will induce me to reveal how my friend Dr. Ransom got hold of the script which is translated in the following pages.”

It is a pretty exciting discovery and one that I have spent years working on…. 

…. You can purchase Mythlore here, and the free open-access copy of this paper is available here.

(13) VIDEO OF THE MINUTE. In “Honest Trailers: Us” the Screen Junkies take on the 2019 film, which has “enough social commentary to trick snobs into watching B-movie sci-fi horror action.”

(14) POE IN TOWN. In “Edgar Allan Poe And The Rise Of The Modern City” on CrimeReads, College of Charleston English professor Scott Peeples looks at Poe’s story “The man In The Crowd” to discuss Poe’s attitudes towards urban life.

First published in December 1840, Poe’s story “The Man of the Crowd” encapsulates the mystery and fear that attended the rapid development of cities and the influx of “strangers.” Though set in London, where Poe had lived as a child and whose density and growth exceeded those of American cities in 1840, the tale reflects the future shock of mid-nineteenth-century urban experience generally. For the first third of the story, the narrator, recuperating from an unnamed illness, sits alone at the “large bow-window” of a coffee house, watching the parade of pedestrians at the workday’s end. A shrewd taxonomist of urban types, he identifies the professions and social stations of passersby. The first group includes “noblemen, merchants, attorneys, tradesmen, stock-jobbers . . . men of leisure and men actively engaged in affairs of their own.” He proceeds down the social ladder, calling attention to visible clues…

(15) SHARDS OF PLENTY. Gizmodo finds Bennu is ready for its close-up. “Stunning Images Show NASA’s Attempt at Scooping Samples From an Asteroid”.  

…Pictures snapped by the spacecraft’s SamCam imager show the 1-foot-wide (0.3-meter) sampling head absolutely bathed in debris. Though I’m no expert, it would be hard to believe that nothing got scooped up by the collection system, known as Touch-and-Go, or TAG. But images can be deceiving, and the team, led by the University of Arizona, will spend the next week trying to figure out how much debris was collected.

Approximately one second after making touchdown, the probe fired a nitrogen gas bottle, which produced the debris cloud, according to a NASA statement. OSIRIS-REx arrived at a predetermined site called Nightingale and reached the surface during its first attempt….

(16) VIDEO OF THE DAY. “Bob Marley — Redemption Song” on Vimeo is an animation of the classic Marley song by Octave Marsel and Theo de Gueltzl.

[Thanks to Rob Thornton, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Rich Horton, Cat Eldridge, JJ, John Hertz, Michael Toman, Michael J. Walsh, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jeff Smith.]

Pixel Scroll 10/14/18 There Ain’t No Such Thing As A Free Pixel

(1) WHO NOVELIZATION. The Irish Times profiles Dave Rudden, an Irish writer of Doctor Who tie-in fiction: “Meet the Irish author who is reinventing Doctor Who”. The article includes a sweet story about how Rudden dedicated one of the first 13th Doctor stories to an elderly lady and longterm Who fan, who was bullied by the nuns at her school for her love and science and SF.

At the invitation of the franchise’s custodians at Puffin and the BBC, he has written a new anthology of Doctor Who stories for kids (he has no idea why he was chosen beyond hypothesising that someone must have felt he would do the franchise justice). Get even the tiniest detail wrong – he is, of course, confident he hasn’t – and the internet will emit a mighty howl of outrage.

“I know I am stepping into an established canon,” says Rudden. “People have a preconceived notion as to what a Doctor Who short story should be. And I am little nervous about that. There are people who will say, ‘that’s not how [iconic Fourth Doctor] Tom Baker would speak . . . I hope I get it right. If not, I’ll take the criticism on board.”

Doctor Who: Twelve Angels Weeping represents another feather in the cap of a writer who has built a fanbase with his Knights of the Borrowed Dark fantasy saga (a TV adaptation is in the works). The collection also makes a small piece of sci-fi history. It’s the first Dr Who book to feature Whittaker’s Thirteenth Doctor, rainbow braces and all.

(2) EMOTIONAL LIVES OF WRITERS. Peter M. Ball returns to the subject of “Writing and Shame” at Man Versus Bear.

…I’ve written about the connections between writing and shame before–the first time back in 2010, when I talked about the connection between shame, writing, and money, and more recently in 2013 when I pondered the narratives of shame that come with the gig of writing. I found myself hinting at it yesterday, talking about cohorts, and it comes up again and again when I start looking at my recurring anxieties.

I often talk about the fear inherent in being a writer, but often it should be phrased as shame: so much of the fear is a consequence of being ashamed at what’s achieved, or more often, what is hoped for.

It starts early, the moment you decide to start writing and the world conspires to tell you that decision is wrong. The terms by which your work will be valued are laid out for you in the rhetoric you hear as a constant refrain: There is no money in writing. Can i buy your work in a bookstore? You should try writing the next Harry Potter. Oh, what have you had published? 

(3) NO PREMIO MINOTAURO IN 2018. Ediciones Minotauro has issued a statement that the XV edition of the Minotauro Award will be given in 2019.

The Minotauro Award has been awarded since 2004, and is the one with the highest endowment among fantastic genre awards in Spanish. In 2004, the winner (León Arsenal , with Mascaras de Matar) was awarded 18,000 Euros, although, due to the crisis, that amount was reduced to 6,000 that Pablo Tébar won in 2017 with Nieve en Marte.

(4) ‘TIS THE HWA SEASON. The Horror Writers Association blog is counting down to Halloween. Here are a few highlights:

One of the main things to remember when world building, especially for horror, is to strike a balance between the suspension of disbelief and logic. If you’re creating a serial killer or monster with supernatural powers, for instance, there should be some limitations on what they can and can’t do so their victims have somewhat of a fighting chance, even if the odds are never in their favor.

“My name is Victoria Winters and my journey is beginning…a journey that will take me to a strange, dark house, high atop Widows’ Hill.  A house called Collinwood…”

So begins the first episode of “Dark Shadows” (DS), a popular 1960’s soap opera featuring an otherworldly cast of vampires, werewolves, ghosts, witches and other spooks germane to the Halloween season.  As each episode opens with a monologue to set the scene, so it opens with a view of “Collinwood,” the sprawling chateau where the show’s action unfolds.

The image of Collinwood, with its tower, dormers, and multiple chimneys, is as iconic as the vampire Barnabas. Although the interiors of the great estate were stage sets, the exterior of the house and the grounds belong to Seaview Terrace, a mansion in Newport, RI, where I have been privileged to spend Halloween in the company of other DS fans.  This Halloween will be our tenth in the house.  Over time, party attendance has grown from two-dozen people to nearly 100.

Before there were TV horror hosts, haunted houses, and the Rocky Horror Picture Show, there were spook shows. Now a nearly forgotten bit of Americana, these once incredibly popular shows toured around the country on the movie theater circuit from the 1940’s through the 1960’s. In some ways the last vestige of vaudeville, they featured comedy, spooky magic, a little burlesque and often a séance. A half-century before it was a term, the spook shows were also on the cutting edge of “immersive” theater. The climax of every show was a “blackout sequence,” in which the audience was placed in total darkness, surrounded by supernatural phenomena they could see, hear and feel. They had all kinds of tricks to make that happen.

(5) HEAR KRUGMAN. Tyler Cowen interviews Paul Krugman in an episode of the “Conversations With Tyler” podcast — “Paul Krugman on Politics, Inequality, and Following Your Curiosity (Ep. 51)”.  The episode has a lot of sfnal content.  Krugman talks about a paper on interstellar travel he wrote in the early 1990s, and answers the question of “Star Trek or Star Wars?” by saying he doesn’t particularly like either show, but likes some of the speculation in Star Trek.  Krugman also discusses his love of Isaac Asimov, and said he became an economist because he wanted to be a psychohistorian, and then explains why Asimov’s psychohistory won’t work.  Finally, he says his favorite contemporary sf writer is Charles Stross, and his favorite Stross series are the Merchant Princes novels, which he says is “a type of development economics.”

(6) DEATH BY CHOCOLATE. Adweek promises “These Brazilian Candy Ads Are Undeniably Dark Yet Surprisingly Entertaining”.

“Chocolate World” for the Lacta 5Star bar is a series of ads where this community of confection is under siege by a raft of cookies, cocoa and caramel, the three ingredients in the candy. All of the spots grab your attention pretty quickly and, despite their graphic nature and dark storylines, are compelling to watch—but be forewarned, this might not be the candy advertising you’re used to.

In one ad, asteroids, in the form of delicious cookies, destroy everything in sight, resulting in rivers of caramel.

In another, an astronaut attempts to flee a massive baked boulder to no avail as a planet explodes into celestial caramel goodness.

And, in probably the most graphic spot in the set, a skier tries to outmaneuver an angry squirrel, only to have his head snipped by a tree before falling into a lake of caramel.

 

(7) TODAY IN HISTORY.

  • October 14, 1926 — A. A. Milne’s classic, Winnie-the-Pooh, was published.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 14, 1891 – Dorothy McIlwraith, Editor from Canada. She was the third editor of the long-running horror fiction and fantasy fiction venue Weird Tales, one of the earliest pulp magazines, and was responsible for buying some of the first published stories by Fritz Leiber and some of the earliest covers and interior art by Hannes Bok. She edited Weird Tales for more than fourteen years, starting in 1940 until the end of its publication in 1954. She also edited Short Stories magazine, an adventure-oriented pulp magazine. She was a finalist for the 1941 Retro Hugo for Best Short Form Editor.
  • Born October 14, 1916 – Jack Arnold, Actor and Director, best known as one of the leading filmmakers of 1950s science fiction films, whose works included Creature from the Black Lagoon, Tarantula, the Hugo-winning adaptation of Richard Matheson’s The Incredible Shrinking Man, and the Hugo-nominated It Came from Outer Space, for which the screenplay by Harry Essex was derived from an original treatment by Ray Bradbury (screen legend says that Bradbury wrote the screenplay and Harry Essex merely changed the dialogue and took the credit). He also directed several episodes of the TV series Science Fiction Theatre and It’s About Time. In 1985 he was given a special Saturn Award, the President’s Award, for his career contributions to science fiction cinema.
  • Born October 14, 1944 – Udo Kier, 74, Actor from Germany who emigrated to England, has appeared in more than 200 films, and has become a well-known face in genre movies (especially of the vampire variety), frequently cast as the villain. Some of his more notable appearances include Johnny Mnemonic, Blade, End of Days, Shadow of the Vampire, BloodRayne, Barb Wire, and Grindhouse. He has also done considerable voice work in animated series including recurring roles in Scooby-Doo! Mystery Incorporated and Beware the Batman.
  • Born October 14, 1946 – Katy Manning, 72, Actor from England, later Australia, who appeared in 77 episodes in three years playing Companion to the Third Doctor, a role she reprised with the Eleventh Doctor in 2010 in The Sarah Jane Adventures episode “Death of the Doctor”.
  • Born October 14, 1947 – David Day, 71, Writer and Artist from Canada known for numerous illustrated reference works in the Tolkien domain. Don’t where Tolkien falls for JJ but for me, he is a creature of Autumn, and I love the reference works about him and his fiction, so here’s an academic to my liking and here’s a few of his works: The Hobbit Companion (which I highly recommend), An Atlas of Tolkien, and his newest work, The Dark Powers of Tolkien.
  • Born October 14, 1953 – Richard Christian Matheson, 65, Writer of both horror fiction and screenplays, including the film Nightmare Cinema, the TV series Splatter, and a thankfully-unproduced miniseries of The Chronicles of Amber. He has had dozens of short fiction works published, and his only genre novel was nominated for a Stoker Award.
  • Born October 14, 1953 – Greg Evigan, 65, Actor and Singer who played the lead in William Shatner’s TekWar TV films and series, and had genre roles in the movies DeepStar Six, House of the Damned, Cerberus, and Journey to the Center of the Earth, and in episodes of the TV series The Six Million Dollar Man, The Outer Limits, and Alfred Hitchcock Presents.
  • Born October 14, 1963 – Lori Petty, 55, Actor, Writer, and Director probably best known within the genre for her turn as the eponymous character in Tank Girl; she has an extensive genre acting history, including films Dead Awake, Route 666, Cryptid, and Bates Motel, guest roles in TV series The Twilight Zone, Alien Nation, Star Trek: Voyager, Gotham, and Freddy’s Nightmares, and voice parts in several animated series.
  • Born October 14, 1974 – Itoh Keikaku, Writer from Japan whose breakout 2007 novel Genocidal Organ won a Nihon SF Taisho Award (the Japanese equivalent of the Nebula) and is considered one of that country’s best SF novels of the last decade. Harmony, the sequel, won a Seiun Award and its English translation was a finalist for a Philip K. Dick Special Citation; the translation of his novella The Indifference Engine was a Shirley Jackson finalist; and his novel The Empire of Corpses won a Seiun. All three of his novels were adapted into anime films. His early promise was cut short by his death from cancer in 2009 at the age of 34.
  • Born October 14, 1980 – John Edgar Browning, 38, Writer, Editor, and Critic. It being that month, I’ve got an academic who focuses on the horror genre and vampires. He’s edited nonfiction anthologies of reviews and essays, such as Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race, and Culture, and Graphic Horror: Movie Monster Memories, and co-written the work Zombie Talk: Culture, History, Politics.

(9) RUN AWAY! Mashable issues a warning with this news item — “Jon Favreau teases his Star Wars TV series with an alarming set photo”.

It’s time to pack it in, my fellow Star Wars fans. The atrocious(ly amazing) Holiday Special is officially canon.

Jon Favreau treated Instagram followers to a teasing visual nugget tied to his upcoming TV series, The Mandalorian. You might look at the photo and think, “So what? It’s just a funky Star Wars blaster, right?”

Right. And wrong. This image contains multitudes. Look upon it and weep, Star Wars faithful.

That’s not just any blaster, you see. That blaster contains multitudes. It bears a striking resemblance to the one an animated version of the notorious bounty hunter carried around in the infamous Star Wars Holiday Special, a made-for-TV assault on the senses driven by hilariously bad writing and excessive holiday schmaltz.

(10) MIB. SYFY Wire boosts the signal — “Tessa Thompson shares photo from new Men in Black set”.

With the sneak peeks Tessa Thompson and Chris Hemsworth are giving us of the upcoming Men in Black film, we have to hope no one with a neuralyzer shows up at our door any time soon. The two have been doing an excellent job of teasing the film, from sharing their travels from the set to that of Avengers 4 to giving us an initial image of themselves as MIB agents. Now we have an even better idea of what the two will look like in the movie thanks to a photo Thompson shared on Instagram Friday from the set.

View this post on Instagram

Buds in Black. @chrishemsworth ?: @cidneyrenee

A post shared by Tessa Thompson (@tessamaethompson) on

(11) SCREAM QUEEN. Leonard Maltin interviews “Jamie Lee Curtis on Her Return to Halloween.

At one point, she recalls making a conscious effort to leave the horror genre behind. Then the son of late producer Moustapha Akkad, who launched the Halloween films, convinced her in 2011 to attend an event to benefit a children’s charity called sCare dedicated to corralling horror fans, and stars, to fight poverty and homelessness among America’s youth.

She agreed and met her fans en masse for the first time. It made her realize she’d made the right decision, movie-wise, and that being scared could, indeed, be a good thing, with very positive vibes.

“I had a bucket,” she recalls. “People would come up with a hundred bucks and say, ‘I believe in what you’re doing. Thank you for those movies.’ It was crazy. It was fantastic. What I ended up getting back from that group is love—pure, beautiful love of the genre. Love of Laurie, love of the story, love of it all.”

(12) REFASHIONING SCI-FI. Dazed, in “New zine Vagina Dentata is exploring sci-fi through a feminist lens”, speaks to founder Smin Smith “about the importance of representation, reclaiming science fiction from the cis, white hands of Hollywood and how minorities are biting back in a post-Trump world.”

Hey Smin, can you start by telling us a bit about where you interest in sci-fi and fashion came from?
Growing up, I didn’t watch any science fiction or fantasy, but I loved designing as a child and would watch Alexander McQueen catwalks on YouTube, so this probably all stems back to the Plato’s Atlantis collection. I was 15 at the time and can remember having it in every sketchbook at school, finding a way I could incorporate it into every project – that’s how I discovered science fiction.

I went on to study at UCA (Epsom) and one of my first projects at university was a zine inspired by film culture, so I drew my favourite characters in collections from that season – Tom Ripley in Commes Des Garçons, Barbarella in Vivienne Westwood and Princess Leia in McQueen. Science fiction, fashion, and feminism have always been the biggest influences upon my creative practice (whether as a stylist or writer), and the concept evolved over the next few years and became the much more collaborative and photographic zine that you see today.

So what was your mission when launching Vagina Dentata Zine?
I wanted to explore the symbiotic relationship I saw between science fiction, fashion and feminism. Recent theories like Xenofeminism have proposed a shift in technology production away from white, cis men, and into the hands of minorities. This feels particularly poignant when you realise that sci-fi film employs less women than any other film genre (both in front and behind of the camera). The zine provides a platform for those excluded by Hollywood (women, LGBTQIA+, POC and non-binary creatives) to interact and engage with science fiction – so it’s both a love letter and a burn book to the genre that shaped me.

(13) BARREL OF LAUGHS. “Whisky Wonka-style tour creates a boozy wonderland” – the Calgary Herald tells an LA story.

… Hidden behind a Queen of Hearts painted wall where the eyes rotate to see who is walking into the warehouse-come-distillery in the heart of the Los Angeles Arts District is a wonderland of amusements and whisky….

…As we continue our journey, we enter the vast lab to hear about “Project One Night Stand.” In the middle of the room sits a lonely nightstand made in the 1880s from a now-extinct American chestnut. The team of beakerheads are trying to recreate a whisky that was aged in barrels matured in that American chestnut. To do that, they scour antique stores to find old furniture to chip into the reactor.

We move on to taste more spirits in a tent with first edition novels by H.G. Wells lining the walls, then to another room to drink from ornate tea cups. But then, the tour takes a spin. Serious … we spin on a carousel where someone in the dark starts reciting that creepy Willy Wonka Tunnel song … ”there’s no way of knowing … which direction we are going …” As it borders on creepy, the curtain opens to a new land and, yeah … more booze and it’s tasting better all the time.

(14) BURNING BOOKS. Carolyn Kellogg finds the mystery irresistible: “Who started the 1986 fire at the Los Angeles Library? Susan Orlean investigates in her new book” in the Los Angeles Times.

Hundreds of L.A. firefighters fought the devastating fire.at downtown’s Central Library on April 29, 1986. Thousands of people contributed to the Save the Books campaign afterward. Millions heard the news that the library was burning and then that it was caused by arson. But more than three decades later, only Orlean was asking who did it and why, and wondering whether anyone today should care. In a reverse “Fahrenheit 451,” Orlean took a fire and turned it into a book.

Titled — aptly and ingeniously — “The Library Book,” it tells the story of the mysterious fire that burned 400,000 books while also tracing Orlean’s love of libraries, from trips with her mother to taking her son….

Tapping a concrete wall, she explained where the fire had started, in the stacks. Built as two secure concrete chutes within the original 1926 building, the stacks held hundreds of thousands of books and were connected by a catwalk for librarians. After the fire started — leaping across the catwalk from the first stack to the second — the chutes served as dual furnaces, books trapped inside with the fire.

“Their covers burst like popcorn. Pages flared and blackened and then sprang away from their bindings, a ream of sooty scraps soaring on the updraft. The fire flashed through fiction, consuming it as it traveled,” Orlean writes in her book. “It reached for the cookbooks. The cookbooks burned up. The fire scrambled to the sixth tier and then to the seventh. Every book in its path bloomed with flame.”

(15) SUPERHERO SPECTRUM. Here’s an interesting concept – where else would you find Watchmen’s Doctor Manhattan, the Genie from Disney’s Aladdin, and Sadness from Inside Out teamed together? “This Artist Sorted Famous Characters By Color And Here’s What She Found Out” at deMilked.

The artist said she tried to classify these pop culture characters to see how different shades and tones interact in a group of characters of supposedly the same color. “Unlike humans, fictional characters are very different from one another – they have different, sometimes very odd, forms, they are made of different unearthly substances, and lastly, they are, undeniably, different colors – even when they seem the same. Is the blue color of a Smurf the same as Megaman’s? I don’t think so,” said Linda about her project.

Check out the color-coded characters in the gallery below!

[Thanks to Cora Buhlert, Chip Hitchcock, Mike Kennedy, John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jamoche.]