Jason Sanford, who organized the fundraiser said in an update:
Thanks again to everyone who donated to support Oghenechovwe Donald Ekpeki! We have wrapped up the fundraising campaign. The science fiction and fantasy genre has some amazing people in our fandom, as proved by this campaign funding in less than 24 hours.
Because the campaign was successful, Ekpeki will soon release both the Kindle edition of the Year’s Best African Speculative Fiction anthology and the Bridging Worlds anthology for free download. He’ll also be sharing more info on his dealings with Amazon during all this.
As Amazon proved in their horrible dealings with Ekpeki, it is far too easy for companies to cut the access authors, editors and SF/F fans around the world need to fully take part in our genre. No company should have a monopoly on who can be a SF/F lover and fan!
Sanford’s comments are also available in a Twitter thread here.
Oghenechovwe Donald Ekpeki says he received a phone call from someone at Amazon who saw his social media campaign and that this is the explanation he was given about the shutdown:
The GoFundMe has raised $3,926 of its $5,000 goal as of this writing. Sanford gave this summary of events at the time it was launched:
Amazon recently shut down the publishing account of Nigerian author and editor Oghenechovwe Donald Ekpeki for supposed violations of their terms and conditions. Amazon refused to say what exactly the violations were and also insisted they would keep the over $2,000 in royalties from the sales of Ekpeki’s books, including The Year’s Best African Speculative Fiction anthology.
The money lost through this meant Ekpeki was unable to pay a number of authors for publishing their work, and was also out his costs for both this anthology and the upcoming Bridging Worlds non-fiction anthology, which could/will no longer be released through Amazon..
Once funding is achieved, Ekpeki will release both the Kindle edition of the Year’s Best African Speculative Fiction anthology and the entire Bridging Worlds anthology for free download. The Year’s Best African Speculative Fiction is the first ever year’s best anthology focusing on African speculative fiction and contains works from 29 Black and African writers of speculative fiction from both Africa and the diaspora.
The six works nominated for the 2022 Philip K. Dick Award were announced by the judges and the Philadelphia Science Fiction Society, along with the Philip K. Dick Trust on January 11.
Defekt by Nino Cipri (Tordotcom Publishing)
Plague Birds by Jason Sanford (Apex Book Company)
Bug by Giacomo Sartori, translated by Frederika Randall (Restless Books)
Far From the Light of Heaven by Tade Thompson (Orbit)
The Escapement by Lavie Tidhar (Tachyon Publications)
Dead Space by Kali Wallace (Berkley Books)
First prize and any special citations will be announced on Friday, April 15, 2022 at Norwescon 44. Plans for the ceremony will be posted here when they are available.
The Philip K. Dick Award is presented annually with the support of the Philip K. Dick Trust for distinguished science fiction published in paperback original form in the United States during the previous calendar year.
The award is sponsored by the Philadelphia Science Fiction Society and the Philip K. Dick Trust and the award ceremony is sponsored by the Northwest Science Fiction Society.? ?
The judges are John P. Murphy, Kelly Robson, David Sandner, Allen Steele, and Molly Tanzer (Chair).
Last year’s winner was Road Out Of Winter by Alison Stine (Mira) with a special citation to The Book Of Koli by M. R. Carey (Orbit).
The Ministry for the Future by Kim Stanley Robinson – My review of this novel was decidedly mixed and frustrated, and as I wrote there, I found the actual experience of reading it rather challenging. But as I come to close out the year, I can’t help but appreciate this effort, perhaps the first novel to not only address climate change but imagine how we might go about dealing with it, and what will be required to accomplish this. It’s not a perfect novel, but it might be a necessary one.
(2) ATOP MOUNT TO BE VIEWED. Abigail Nussbaum did a separate “Best TV of 2021” post for Lawyers, Guns & Money.
…I take two lessons from the state of the TV medium in 2021. The first is that this was the year that taught us the difference between “expensive” and “good”. So many shows came out the gate this year with stratospheric production values, huge names before and behind the camera, and stunning locations, but still felt as if little or no thought was given to creating coherent, satisfying stories. The Disney+ MCU shows are exhibit A of this phenomenon: five very different shows with unbelievable budgets and star-studded casts, none of which quite managed to stick the landing. But other streamers fell into the same trap. Apple TV+ produced an eight-episode adaptation of The Mosquito Coast that shot in the desert on the US-Mexican border and in picturesque locations in California and Mexico, but apparently no one involved considered that audiences might be put off if the central family didn’t even reach the Mosquito Coast until the season finale. Netflix poured millions upon millions of dollars into comic books adaptations like Sweet Tooth and Jupiter’s Legacy, while seeming to have skimped on the scripts. (To be fair, Jupiter’s Legacy also looked like ass; I really hope there was some serious money-laundering going on because otherwise I just can’t explain it.)
The short answer is that it’s inspired by other giant balls whose function was to indicate time. I say “was”, because the purpose of a “time ball” is now pragmatically obsolete, and almost all of these are gone. But one of the very earliest time balls, atop the Royal Observatory in Greenwich, England, has been dropped each and every day since 1833. It is raised halfway up its post a few minutes prior, to give notice, and then it is dropped at exactly the stroke of 1 P.M. Bongggg!
(4) CALMING THE DISCOURSE. [Item by Olav Rokne.] In an excellent, free Patreon post, Hugo-finalist fan writer Jason Sanford examines the troubling trend of targeted harassment campaigns against creators and pundits within the SFF genre, and asks how we as a community can do better. “Genre Grapevine on SF/F Abuse and Harassment Campaigns”.
…I’ve been on the receiving end of these mass harassment and abuse campaigns. When you’re subjected to harassment and abuse your world compresses to a single, painful point, like a black hole that traps you against your will. Nothing you say or do makes a difference. People can tell you the harassment and abuse is unjustified and that you did nothing wrong. But none of that matters.
Because in the end you are merely a convenient target for people who are deliberately refusing to see you as human….
(5) SAWYER Q&A. Host Mary Ito, previously with the CBC and TVOntario, interviews Robert J. Sawyer for The CRAM Podcast ~ Extraordinary Ideas Unleashed.
We all wonder about our future – post pandemic. And it’s something sci-fi writer Robert Sawyer thinks about a lot. His writing has captivated audiences with explorations of alternate worlds. Hear what one of Canada’s most fascinating big thinkers has to say about OUR world, and the transformation it’s undergoing. His audio series “The Downloaded” about a metaphorical post pandemic world will be available Fall 2022 on Audible. Robert Sawyer’s most recent book is “The Oppenheimer Alternative.”
(6) FREE TAFF BOOK. Ah! Sweet Laney! The Writings of a Great Big Man is the latest addition to TAFF’s library of free downloads. The reissue of Robert Lichtman’s and Pat Virzis’s compilation of Francis T. Laney’s other fanwriting (i.e. not Ah! Sweet Idiocy!) That will be a very familiar name if you happen to have just read about 1940s LASFS in Bixelstrasse. The collection is available in multiple formats at the Trans-Atlantic Fan Fund’s website, where they also hope you’ll make a little donation to the fund.
Though best remembered for his infamous 1948 memoir and polemic Ah! Sweet Idiocy! (also in the TAFF ebook library), Francis Towner Laney also published much other notable work in his own and others’ fanzines. In addition to a generous helping of Laney’s best writing other than Ah! Sweet Idiocy!, it includes a new introduction by Robert Lichtman and memoirs of “FTL” by Robert Bloch, Charles Burbee, Terry Carr and Jack Speer.
This first ebook edition is produced with the kind permission of Robert Lichtman and the welcome support of Pat Virzi, who provided the text in PDF format, now also available at Bill Burns’s eFanzines.com. The PDF download button above gives this 10Mb PDF (with all print layout, artwork, photographs etc) rather than the usual quick-and-dirty conversion from ebook format.
(7) SLF NEEDS GRANT JURORS. The Speculative Literature Foundation announced on Facebook they need jurors to read applications for the A.C. Bose Grant.
Ideally, we’re looking for people who are well read in science fiction, fantasy and horror, but we’d also like a mix of readers, writers, librarians, teachers, editors, etc. who are capable of judging literary quality in a work. The honorarium is $25.
Please note: We’d love to have South Asian and South Asian diaspora jurors for the AC Bose Grant, but it’s not a requirement.
Please contact Catherine (email@example.com) for more information.
Sir Julius Vogel Award nominations for the 2021 calendar year are now open. The nomination period will close at 11:59pm on 31st March 2022. The SJV awards recognise excellence in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents, and first published or released in the 2021 calendar year. Anyone can make a nomination and it is free!
(9) TANGLED WEBS. [Item by Martin Morse Wooster.] This Spider-Man blooper reel dropped two days ago. I thought what was most interesting was how much of the Spider-Man: No Way Home sets were real and what was CGI.
(10) BETTY WHITE. Actress Betty White died today, a few weeks short of her hundredth birthday. The New York Times obituary is here: “Betty White, a TV Fixture for Seven Decades, Is Dead at 99”. Although White performed a vast number of roles in her long career, only a few were genre. She was a Woman in Window encountered by the Dynamic Duo in Return to the Batcave (2003). She did voice work in several animated Christmas movies, and also on the Hercules TV series (1999), The Simpsons (as herself, 2007), The Lorax (2012), SpongeBob SquarePants (2016), and as a toy tiger named Bitey White in Toy Story 4.
Betty White, who created two of the most memorable characters in sitcom history, the nymphomaniacal Sue Ann Nivens on “The Mary Tyler Moore Show” and the sweet but dim Rose Nylund on “The Golden Girls” — and who capped her long career with a comeback that included a triumphant appearance as the host of “Saturday Night Live” at the age of 88 — died on Friday. She was 99.
(11) MEDIA BIRTHDAY.
1931 — [Item by Cat Eldridge.] Ninety years ago, Dr. Jekyll and Mr. Hyde, a horror film directed by Rouben Mamoulian premiered. The screenplay was by Samuel Hoffenstein and Percy Heath. It starred Starring Fredric March, Miriam Hopkins and Rose Hobart. It was a box office success making on piece three million on a budget of a million dollars. Critics loved it, and March won the award for Best Actor, sharing the award with Wallace Beery for The Champ. It has a most excellent eighty percent rating among audience reviewers at Rotten Tomatoes.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 31, 1937 — Anthony Hopkins, 84. I think one of his most impressive roles was as Richard in The Lion in Winter but we can’t even call that genre adjacent, can we? Well, we can as it’s alternate history. He was, during that period, also King Claudius in Hamlet. I’ll say playing Ian McCandless in Freejack is his true genre role, and being Professor Abraham Van Helsing in Bram Stoker’s Dracula is a plum of a genre role. It’s a better role that he as Odin has the MCU film franchise. What else to note? What have I missed that I should note?
Born December 31, 1943 — Ben Kingsley, 78. Speaking of Kipling, he voiced Bagherra in the live action adaptation that Disney did of The Jungle Book. He was also in Iron Man 3 as Trevor Slattery, a casting not well received. He’s The Hood in Thunderbirds (directed by Frakes btw), Charles Hatton in A Sound of Thunder and Merenkahre in Night at the Museum: Secret of the Tomb, the third of three great popcorn films.
Born December 31, 1945 — Connie Willis, 76. She has won eleven Hugo Awards and seven Nebula Awards for her work, a feat that impresses even me! Of her works, I’m most pleased by To Say Nothing of the Dog, Doomsday Book and Bellwether, an offbeat novel look at chaos theory. I’ve not read enough of her shorter work to give an informed opinion of it, so do tell me what’s good there. She’s very well stocked at the usual suspects and a number of her works qualify as Meredith moments.
Born December 31, 1949 — Ellen Datlow, 72. Let’s start this Birthday note by saying I own a complete set of The Year’s Best Fantasy & Horror which yes, I know it was titled The Year’s Best Fantasy for the first year. And I still read stories from them from time to time. If that was all she had done, she’d have been one of our all-time anthologists but she also, again with Terri Windling, did the Fairy Tale and Mythic Fiction series, both of which I highly recommend. On her own, she has the ongoing Best Horror of Year, now a decade old, and the Tor.com anthologies which I’ve not read but I assume collect the fiction from the site. Speaking of Tor.com, she’s an editor there, something she’s also done at Nightmare Magazine, Omni, the hard copy magazine and online, Sci Fiction webzine and Subterranean Magazine. And yes, she won a number of Hugos for her editing including one this year which she richly deserved.
Born December 31, 1953 — Jane Badler, 68. I first encountered her on the Australian-produced Mission Impossible where she played Shannon Reed for the two seasons of that superb series. She’s apparently best known as Diana, the main antagonist on V, but I never saw any of that series being overseas at the time. She shows up in the classic Fantasy Island, Sir Arthur Conan Doyle’s The Lost World, Bitch, Popcorn & Blood and Virtual Revolution.
Born December 31, 1958 — Bebe Neuwirth, 63. Ok she’s had but one television SF credit to her name which is playing a character named Lanel in the “First Contact” episode of the Next Gen series during season four, but I found a delightful genre credential for her. From April 2010 to December 2011, she was Morticia Addams in the Broadway production of The Addams Family musical! The show itself was ongoing up until the Pandemic started.
Born December 31, 1959 — Val Kilmer, 62. Lead role in Batman Forever where I thought he did a decent job, Madmartigan in Willow, Montgomery in The Island of Dr. Moreau, voiced both Moses and God in The Prince of Egypt, uncredited role as El Cabillo in George and the Dragon and voiced KITT in the not terribly well-conceived reboot of Knight Rider. Best role? Ahhh that’d be Doc Holliday in Tombstone. Nope, not even genre adjacent but I really, really love that film.
(13) JOINING GENRES. Clarion West will be offering a free online discussion – “Fantastic Intersections: Speculative Fiction and Romance” — on January 29, 2022, 1:00 – 2:00 p.m. Pacific. The participants will be Zen Cho, S. A. (Austin) Chant, C. L. Polk, KJ Charles, and L. Penelope, moderated by Rashida J. Smith. Register at the link.
From the sublime and magical to the stirring and steamy, storylines centering BIPOC and LGBTQIA+ characters are flourishing in the romance and speculative genres. We’ll tackle the nuance of building romance into the plot vs. romance as the plot, the role of the HEA or HFN in representation, and the future of the fantastic in romance.
…The story drove me on, because I wanted to read it all and find out what really happened. There is a central mystery to it – the opening cinematic sets it up beautifully. Why did the Blessed Isles fall? What is the Harrowing? You get some solid answers by the end. It’s like reading a novel while playing it as well. It was an experience I very much enjoyed. In addition to the main story there were the individual tales of each of our six main characters as well as bits of lore featuring dozens of other characters, some related and some not, that you just find as you explore the world….
… Anchoring the success of these films were the layered human performances amid all the green-screen effects. Here are a dozen actors who especially delivered depth within their superhero universes…
4. Margot Robbie (‘The Suicide Squad’)
Margot Robbie as Harley Quinn in 2021’s “The Suicide Squad.” (Warner Bros./Everett Collection)
Playing the relentlessly resourceful Harley Quinn,Robbie is reliably the most electric presence in DC’s sprawling team-up movies, dropping coy one-liners with as much force as her violent blows. She again steals entire scenes in James Gunn’s “The Suicide Squad,” and with each own-the-screen DC outing, including “Birds of Prey,” she proves that her radiant Harley could carry solo movies in between the “Suicide” squadfests.
(16) WITH SHARP, POINTY TEETH. [Item by Michael Toman.] Have to wonder what, say, Dylan Thomas, (“A Bright Child From Wales!”) would have done with this Late-Breaking Holiday News Update. “Bloodthirsty, ‘Psycho’ Squirrel Attacks 18 in Small Town Christmas Rampage” reports Newsweek. Will there be a movie from some of the Folks at The Asylum, the ones who gifted us with the “Sharknado Franchise?” Or maybe this needs to become an Uncuddly, Unwarm, Unfuzzy Picture Book? “What a world, what a world!”
A Welsh town is being held in the grip of fear by a most unusual source, a grey squirrel that is attacking residents.
Wales Online reported that the serial squirrel has indiscriminately attacked pensioners, pets, and children, jumping at people taking out the garbage, and been chasing after people down streets as they flee.
(17) DIANA GALLAGHER VIDEOS. Fanac.org’s Edie Stern introduces these Eighties recordings of Diana Gallagher singing filksongs.
Diana Gallagher is now known primarily for her science fiction media novels. However, especially early in her fannish career, she also impressed as a filk songwriter/performer, and a fan artist. She received several Pegasus Awards, as well as the 1988 Fan Artist Hugo Award. As her songs often show, Diana was also an avid supporter of the space program. She passed away in December 2021.
This recording was made in our living room in the early 1980s. At that time, she was a member of the local science fiction group, and an avid filker. She was our friend. This recording is excerpted from a longer filk recording, and features her performances of five songs (of which 4 were written by her). Many thanks to our Filk Consultant, Eli Goldberg and to our Sound Editor, Luke Bretscher for their help with this recording.
Here are links to all five videos — 1. Planetbound Lovers (0:05) 2. Following (2:52) 3. Free Fall (5:23) 4. Starsong (7:30) 5. Mary O’Meara (10:12)
(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Nickelodeon All-Star Brawl,” Fandom Games says this Nickleodeon smash compilation is meant for gamers who ask, “Say, what would happen if Garfield fought SpongeBob?” and that Nickelodeon is basically a network for “not so nuanced sex jokes and covering kids in sludge.”
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Olav Rokne, Daniel Dern, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]
… However, one fantasy blockbuster’s release problems predate the worldwide pandemic by over half a decade. It’s a film that has been mysteriously missing ever since its production finished in 2014. That film was originally known as “The Moon and the Sun,” before it dropped off the radar ahead of its planned 2015 release date. The vanishing movie is based on the 1997 Nebula Award-winning novel of the same name by Vonda N. McIntyre (via Deadline). The family-friendly fantasy epic features Pierce Bronson in a lead role, and — had the film arrived on schedule — it would have been the realization of nearly two decades worth of effort to get the story to the big screen.
Obviously, “The Moon and the Sun” didn’t make its release date and lost the attention of both the media and moviegoers as it went into a lengthy post-production limbo. However, it seems that the film, which has been rebranded and renamed, is finally ready for a wide release and will be headed to theaters in early 2022. Here is everything fans need to know about “The King’s Daughter,” and why they’ve had to wait nearly six years to finally see it….
McIntyre got to see production shooting in France (“Vonda Visits Versailles”). A print reportedly was shown during her GoH slot at Sasquan in 2015.
Harkonnens. Messiahs. Deadly, insect-like hunter-seekers. A secretive all-women order of spies, nuns, scientists, and theologians that’s bending history to its will. A spice harvested from an arid desert that enables space travel. ’Thopters. Interstellar war. Giant sand worms.
The world of Dune is a wild one, a tale spun by Frank Herbert in the tumultuous 1960s that mixes fear of authoritarian rule and environmental collapse with fascism, racism, and hallucinatory imagery. The 1965 novel, which eventually garnered widespread acclaim, was followed by a universe of sequels for its rabidly devoted fans. The trappings of its imagined, distant-future world feel wondrous, unfamiliar, and strange.
Or they would, if we hadn’t been steeped in Dune fever for so many years, even prior to the recent arrival of Denis Villeneuve’s extraordinary and resolutely abstruse film adaptation. Even the most Dune-averse person can hardly avoid the long tail of Herbert’s saga, whether they realize it or not.
… Unlike “Star Wars,” though, Villeneuve’s “Dune” isn’t a sparky, upbeat space opera. It’s more like a Wagnerian music-drama, a somber story built around intimations of doom and orchestrated with a soundtrack of pounding drums and high-pitched wailings and ululations. It is, however, packed with eye-popping visual spectacle, notably speedy little aircraft that resemble mechanical dragonflies and enormous space cruisers as sleek as any on the cover of an old issue of Thrilling Wonder Stories. Like Herbert’s book, the film is also deliberately majestic in its pacing and virtually without humor. Life is real, life is earnest and nobody has much fun. Instead, characters nobly pontificate or murmur gnomically about whether the young hero, Paul Atreides, is or isn’t the Kwisatz Haderach, the promised warrior prophet who will lead the tough and fiercely independent Fremen to victory over their brutal oppressors. Their cruelest enemy, the consummately evil Baron Harkonnen, symbolically dwells in darkness, surrounding himself with swirling smoke and completely hairless attendants. He is a grotesque vision of rampant, unbridled capitalism….
… Paul means little to me. Luke? I get Luke. I want to be Luke. I’ll fly the Death Star trench with him, and I’ll gladly join him on Dagobah for secret Jedi training, or I’d even stand shoulder-to-shoulder in a blazing lightsaber battle with Emperor Palpatine if Luke asked me to.
But … Paul?
He’s Christlike … so what does he need me for?
Now, categorically, none of this lessens the strengths of what director Villeneuve accomplishes visually. Clearly, he’s immersed himself in these worlds, and he’s spared no investor’s expense to bring them to life on the screen. He’s taken the wide, open, endless desert seas of Arrakis and made them visual poetry – certainly real enough for fans of this franchise to enjoy again and again, much like Marvel fans flock to their superhero yarns for endless repeats. He’s given breath to the political machinations of a galaxy that really only existed before in Herbert’s series of books in such a way that I’m sure folks will be reminded of Peter Jackson’s The Lord Of The Rings and HBO’s Game Of Thrones adaptations. These ships and vehicles are unlike anything many have ever seen before, and I’m convinced these production designs will become influential in the years and decades ahead for other filmmakers who want to tackle similar challenges with the kind of scale employed here….
…3. A fear that many people in the U.S.A., Canada and Europe don’t understand the financial barriers faced by those in other countries and that the hassles of arranging payments could cause some international authors and creatives to not have their works considered for publication in the first place.
That last point is a critical one to emerge from my interviews with more than a dozen authors, artists and creative people in countries such as Colombia, Australia, India, Nigeria, Brazil, South Korea, and Mexico, all of whom have experienced issues with receiving payments.
None of the people I spoke with knew of a single technical solution to the problems they’ve encountered with receiving payments. Instead, they spoke of worries about how the editors, publishers, and clients they’ve worked with in the U.S.A., Canada and Europe perceive these difficulties in receiving payments. It’s likely even their fellow authors and creatives in the U.S.A., Canada and Europe don’t generally understand these concerns.
In fact, most of the people I interviewed asked to remain anonymous because they feared harm to their career if they spoke publicly about the issue….
Halyna Hutchins was a talented and passionate cinematographer who was clearly enjoying her job as director of photography on Alec Baldwin’s latest cowboy movie.
Over the past three weeks, she posted photos on her Instagram account from the film’s rugged set in the foothills of New Mexico. They included vivid sunsets and a cast and crew picture in which Hutchins is standing next to Baldwin against the backdrop a log cabin.
There is also a short video clip taken on Wednesday in which Hutchins – wearing a grey scarf and wide-brimmed hat – sets off on horseback with colleagues. “One of the perks of shooting a western is you get to ride horses on your day off,” she wrote….
The first and most important thing to remember when writing a ghost story is the difference between scariness and creepiness. You will need to deploy both moods, so it’s well worth giving the matter some thought.
The part of us concerned with pure scariness is indescribably ancient, concerned only with fight or flight, with survival. As such, we are only truly, properly terrified when we’re confronted with those same primal terrors that threatened us a million years ago – being alone, being watched, being hunted or chased or otherwise pursued, with deadly intent… that small stock of evergreen human nightmares is where the pure, visceral scares will always come from….
(8) ANATOMY OF A SUBGENRE. [Item by Cora Buhlert.] Bill Ward has an article about the intersection of cosmic horror and sword and sorcery at Goodman Games, who are a remarkably good source of SFF related articles: “The Cosmic Horror of Sword & Sorcery”.
… The bones of sword & sorcery lie close to the skin, and one sure blade-stroke is enough to lay them bare for all to see. There is plot-driven pulp action there, at the core, but supporting that is a foundation of swashbuckling historical adventure, and expectations of encounters of the picaresque and the exotic kind. To be sure we can also see the unsentimentality of the hardboiled, the individualism of the American experience, and a surprising dose of literary realism for a genre concerned with fantastic monsters, haunted crypts, and vampiric blades….
The show has been taking its time by introducing the background and a broader plot about the fall of the Galactic Empire. However, if the pace was slow it was still moving. Episode 6 was a case of the show spinning its wheels without really going anywhere. There are some good bits but what momentum the story had in the previous episodes got caught up in dithering. Spoilers follow….
(10) YAKKO, WAKKO AND DOT. Hulu dropped this trailer for season 2 of Animaniacs yesterday.
“We’re so meta the shark jumped us!”
(11) SAME MOTIVE AS EVER, GETTING PAID. The Digital Antiquarian’s article about “I Have No Mouth, and I Must Scream” begins with an expansive biography of author Harlan Ellison before turning to the game based on one of his stories.
… Ellison’s attitude toward computers in general was no more nuanced. Asked what he thought about computer entertainment in 1987, he pronounced the phrase “an oxymoron.” Thus it came as quite a surprise to everyone five years later when it was announced that Harlan Ellison had agreed to collaborate on a computer game.
The source of the announcement was a Southern California publisher and developer called Cyberdreams, which had been founded by Pat Ketchum and Rolf Klug in 1990. Ketchum was a grizzled veteran of the home-computer wars, having entered the market with the founding of his first software publisher DataSoft on June 12, 1980. After a couple of years of spinning their wheels, DataSoft found traction when they released a product called Text Wizard, for a time the most popular word processor for Atari’s 8-bit home-computer line. (Its teenage programmer had started on the path to making it when he began experimenting with ways to subtly expand margins and increase line spacings in order to make his two-page school papers look like three…)
Angel got his start in the entertainment industry as a radio disc jockey in California. He worked in radio for almost 20 years before beginning his voice acting career on the popular Saturday morning cartoon “Super Friends.” Angel provided the voices of Hawkman, the Flash, and Super Samurai. He went on to perform in beloved cartoons including “The Smurfs,” “Scooby-Doo and Scrappy-Doo,” and “Spider-Man.” In 1985, Angel began voicing a number of characters for “The Transformers,” including Ramjet, Smokescreen, and Omega Supreme. He was the voice of Wetsuit in “G.I. Joe: A Real American Hero” and Dr. Zachary Darrett in “Pole Position” as well as providing a number of voices in “Voltron: Defender of the Universe.” Angel also worked in animated feature films, providing voices for many movies including “Beauty and the Beast,” “Aladdin,” “A Bug’s Life,” “The Iron Giant,” “Spirited Away,” and “Monsters Inc.” Angel was a U.S. Army veteran who served in Korea.
(13) MEDIA BIRTHDAY.
2006 – On this evening in 2006, Torchwood first aired on BBC Three before moving to BBC Two and finally to the level BBC One. A spin-off of Doctor Who which returned the previous year after a long hiatus, it was created by Russell T. Davies, the first Showrunner for the new Doctor Who. Its principal cast was John Barrowman, Eve Myles, Gareth David-Lloyd, Burn Gorman and Naoko Mori. Over five years, it would run for four series and forty-one episodes. I personally liked the first two series much better than the last two series. Audience reviewers at Rotten Tomatoes currently give it a most excellent seventy-four percent rating. Both BBC and Big Finish have continued the series in audio dramas.
(14) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 22, 1919 — Doris Lessing. The five novels collectively known as Canopus in Argos: Archives certainly established her genre creds. I personally would add her Cat Tales, three volumes of stories and nonfiction (Particularly Cats, Rufus the Survivor and The Old Age of El Magnifico) to your reading list. (Died 2013.)
Born October 22, 1938 — Derek Jacobi, 83. He played a rather nicely nasty Master in “Utopia”, a Tenth Doctor story. He’s played Metatron on Good Omens. And he was Magisterial Emissary in The Golden Compass. I’ll single out that he’s played Macbeth at Barbican Theatre in London as part of the Royal Shakespeare Theatre ensemble.
Born October 22, 1938 — Christopher Lloyd, 83. He has starred as Commander Kruge in The Search for Spock, Emmett “Doc” Brown in the Back to the Future trilogy, Judge Doom in the most excellent Who Framed Roger Rabbit, and played a wonderful Uncle Fester in The Addams Family and the Addams Family Values. (Though I admit didn’t spot him in that makeup.) Let’s not forget that he was in The Adventures of Buckaroo Banzai Across the 8th Dimension as John Bigbooté, and he played Dr. Cletus Poffenberger in a recurring role on Tremors.
Born October 22, 1939 — Suzy McKee Charnas, 82. I’d say The Holdfast Chronicles are her best work to date. “Boobs” won the Best Story Hugo at ConFiction. Her Beauty and the Opéra or The Phantom Beast novelette was a nominee at LoneStarCon 2. She’s also won the Otherwise, Mythopoeic Fantasy Award for Children’s Literature, Nebula, Gaylactic Spectrum, and Lambda Literary Awards. Any of you read her Sorcery Hall series?
Born October 22, 1943 — Jim Baen. Editor of Galaxy and If for three years. In late 1999, he started Webscriptions, now called Baen Ebooks, which is considered to be the first profitable e-book service. He also was the editor of Destinies and New Destinies which I remember fondly. He was nominated for Best Editor Hugo five times between 1975 and 1981 but never won. At Nippon 2007, he’d be nominated for Best Editor, Long Form. (Died 2006.)
Born October 22, 1952 — Jeff Goldblum, 69. The Wiki page gushes over him for being in Jurassic Park and Independence Day (as well as their sequels, The Lost World: Jurassic Park and Jurassic World: Fallen Kingdom and Independence Day: Resurgence), but neglects my favorite film with him in it, The Adventures of Buckaroo Banzai Across the 8th Dimension, not to mention the Invasion of the Body Snatchers remake he was in. Well, I do really like Independence Day. Though not even genre adjacent, he’s got a nice run on Law and Order: Criminal Intent as Zack Nichols.
Born October 22, 1954 — Graham Joyce. Selecting his best novel is a futile exercise as everything is fantastically good but I’ll single out Some Kind of Fairy Tale and The Tooth Fairy as the ones I found the most interesting reads. No Hugos not even a short list nomination but he’s won quite a few BFAs and one WFA for The Facts of Life novel. (Died 2014.)
RG: You have this seemingly idyllic upbringing with both of your parents, loving family, surrounded by books. How do you develop an interest in writing horror?
TD: That’s also my mother. She was a huge horror fan. It’s only in recent years really since her loss, ironically, which has been the biggest trauma of my life that I’m thinking, “Ah, I wonder if her love of horror had a lot to do with the trauma she suffered, first growing up under Jim Crow then being subjected to state violence as a civil rights activist?” That monster on a screen, whether it’s Frankenstein or the Wolf Man, can represent the real-life trauma you have to stand up to. And you watch characters stand up to it even when they don’t understand it, even when they don’t know how to fight it.
The upcoming documentary Kurt Vonnegut: Unstuck In Time looks pretty interesting if you (like me) are a fan of the late author. Filmmaker Robert Weide first approached Vonnegut in 1988 to propose the idea of a documentary, and they filmed on and off until Vonnegut’s death in 2007. As a result, the movie not only documents Vonnegut’s life and career, but also the evolution of the relationship between the two men.
… I find the books’ engagement with Islam to transcend linguistic wordplay and obscure intertextuality. After all, Herbert was fascinated by linguistics and believed words shape substantive meaning. The use of “Voice” by the Bene Gesserit, an order of imperialist superhuman female breeders, is a prime example of this, as is the saga’s running obsession with symbols and myths. As these semiotic tools wield tremendous power within the Dune universe, Herbert’s references likewise generate a profound “Muslimness” that goes beyond mere orientalist aesthetics. (This is not to say that the Dune novels are not orientalist in other ways, which I have detailed elsewhere.) Dune does not cheaply plagiarize from Muslim histories, ideas, and practices, but actively engages with them….
(18) NOT THE EXPANSE. Astronomy Picture of the Day: “Lucy Launches to Eight Asteroids.”
Comic book series created by Canadian cartoonist Dave Sim, which ran from December 1977 until March 2004. The title character of the 300-issue series is an anthropomorphic aardvark who takes on a number of roles throughout the series-barbarian, prime minister and Pope among them. The series stands out for its experimentation in form and content, and for the dexterity of its artwork, especially after background artist Gerhard joined with the 65th issue. As the series progressed, it increasingly became a platform for Sim’s controversial beliefs.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.]
“A Crewneck for Pete” on Vimeo, directed by Andy Mills, is about how you know it’s fall in New England, when the leaves turn and you drink cider straight from the jug. But where is Pete going to find a cozy crewneck sweatshirt?
[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, Rob Thornton, Will R., Cora Buhlert, Jason Sanford, Michael J. Walsh, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]
Some of you have been asking about the Hugo voting links so, here’s what’s happening: Hugo voting links won’t appear on your DC3 membership page until voting opens. We’ll let our members and the public know when that happens via email, social media, website, press releases, etc. We’re also working hard to get the Hugo packet of nominated works Worldcon members have come to expect out later this spring.
(2) BEYOND AFROFUTURISM. Clarion West and the Seattle Public Library have two more Beyond Afrofuturism virtual panels happening in May. Register here.
Come talk publishers on Sunday, May 16th, 1 p.m. Pacific with Bill Campbell (Rosarium), Milton Davis (MVmedia), Zelda Knight (AURELIA LEO), and Nicole Givens Kurtz (Mocha Memoirs) for Power in Publishing: Publishers Roundtable.
With major publishers stuck in a cycle of selling the same mainstream stories or tightening their belts when it comes to the work of marginalized communities, how are Black publishers shaping opportunities for BIPOC writers to have their voices heard?
Featuring: Bill Campbell (Rosarium), Zelda Knight (AURELIA LEO), Milton Davis (MVmedia), and Nicole Givens Kurtz (Mocha Memoirs)
Moderated by Clinton R. Fluker, Ph.D. Curator of African American collections at Emory University’s Stuart A. Rose Library
The event is presented in partnership with the Seattle Public Library and is supported by The Seattle Public Library Foundation.
(3) U.S. BOOK SHOW. The U.S. Book Show is a new book fair created by Publishers Weekly. The three-day show debuts virtually May 25 – 27. Publishers Weekly says they are focusing “on crafting a meeting place for publishing professionals and book buyers, with an emphasis on serving the interests of librarians and booksellers.”It’s a successor to BookExpo America/
…While at its height ABA and BookExpo America attendance never reached the draw of European book shows such as the Frankfurt Book Fair (286,000 attendees in 2017, according to Wikipedia), BookExpo saw global acceptance from the publishing community. In its 2002 iteration at the Javits Center in New York, BEA saw more than 30,000 attendees, including approximately 7,000 booksellers and librarians. By 2018, BookExpo in the same venue saw 7,800 total attendees.
The demise of the show provided an opening for Publishers Weekly to step in. The U.S. Book Show will be held virtually in 2021 and assessed after the fact for future possibilities.
David Bradley has praised original Doctor Who star William Hartnell as he returns to the role of the First Doctor in much anticipated live event Time Fracture.
The renowned actor first played the role in 2013’s An Adventure in Space and Time, which explored the creation of the long-running series, in which he portrayed both Hartnell and the late actor’s incarnation of the Doctor.
Bradley made such a strong impression on fans that he was invited back by writer Steven Moffat to play the First Doctor in two episodes of Doctor Who, both of which aired as part of Peter Capaldi’s stint on the show.
As he prepares to return to the role once again for Time Fracture, Bradley has hailed Hartnell’s “total dedication” to Doctor Who in an interview on the show’s official YouTube channel.
“He laid the template,” Bradley said. “All of the other subsequent doctors, they all owe a lot to William Hartnell. As it was, it started this phenomenon.”
…Bradley will co-star opposite John Barrowman in upcoming live event Time Fracture, billed as an “immersive experience”, which he believes could convert even non-believers.
…For over 35 years, Clarion West has held strictly to the Milford peer workshop model, assuming it to be the superior workshop method for all writers.
This belief was shaken a year ago, when we had to postpone the Summer Workshop for the first time in our history. In discussions with our instructors, we heard something new. A quiet criticism of the unchanging. A gentle push to consider that not every writer has been involved in the conversations around — and represented in — the design of our workshops.
Over the course of the last year, Clarion West has begun the process of exploring where our assumptions about key components of the workshop, including critiquing methods and social interactions, have limited the experiences of writers from a broad range of underrepresented communities. Communities whose voices are still emerging in prominent speculative fiction outlets.
And as we started looking for answers, we have found that a serious examination of traditional peer critique methods has been happening in the broader writing and workshopping field. See below for a recommended reading list.
As a result of this self reflection, Clarion West recognizes that changes need to be made within the workshop model. Our staff, alumni, faculty, and participants will help evolve our workshop culture and create protocols towards equity, empowerment, and innovation.
Clarion West seeks to make the structural changes needed to ensure that our workshops and classes are places where all participants will feel welcome and safe….
(6) HARRYHAUSEN EXHIBITION. The Ray Harryhausen, Titan of Cinema Exhibition just opened at National Galleries Scotland in Edinburgh and continues through February 2022. Quite a bit of material at the link — video, images, articles.
Film special effects superstar Ray Harryhausen helped elevate stop motion animation to an art. His innovative and inspiring films, from the 1950s onwards, changed the face of modern movie making forever.?This is the largest and widest-ranging exhibition of Ray Harryhausen’s work ever seen, with newly restored and previously unseen material from his incredible archive.
Ray Harryhausen’s work included the films Jason and the Argonauts, the Sinbad films of the 1950s and 1970s, One Million Years B.C. and Mighty Joe Young. He inspired a generation of filmmakers such as Peter Jackson, Aardman Animations, Tim Burton, George Lucas, and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day.
Titan of Cinema traces Harryhausen’s career as a special effects guru, whose only limits was his boundless imagination. Titan of Cinema shows his creative processes: from embryonic preparatory sketches, through to model making and bringing characters to life who went onto terrorise and delight audiences in equal measure on the cinema screen.
Two years after aliens land on Earth, survivors from Sydney, Aus., fight in a desperate war as the number of casualties continue to grow. It’s described as “Avatar meets Star Wars meets Independence Day,”
(8) DUKAKIS OBIT. Actress Olympia Dukakis died May 1 reports NPR. She was 89. An Oscar-winner, she was famous for non-genre roles in Moonstruck and Steel Magnolias. Her claims to genre fame are a role in the TV movie The Librarian: Return to King Solomon’s Mines and, if movies with talking dogs count as genre, Look Who’s Talking and its sequels Look Who’s Talking Too and Look Who’s Talking Now.
(9) MEDIA BIRTHDAY.
May 1, 1981 –On this day in 1981 in Canada, Outland premiered. Directed by Peter Hyams and produced by Richard A. Roth and Stanley O’Toole, it starred Sean Connery, Peter Boyle, Frances Sternhagen, James B. Sikking and Kika Markham. It made the final list of nominees for a Hugo at Chicon IV the next year. Most critics liked its high noon in space plot but the audience reviewers at Rotten Tomatoes gave it a mediocre fifty percent rating. The box office barely beat out the cost of making the film.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 1, 1905 – E. Mayne Hull. One novel, a dozen shorter stories. Some when re-issued also bore the name of her husband A.E. Van Vogt; for attempts to give credit where due, see here. (Died 1975) [JH]
Born May 1, 1924 — Terry Southern. Screenwriter and author of greatest interest for the screenplay from Peter George’s original novel, Two Hours to Doom (as by Peter Bryant) of Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb directed (and in part written) by Stanley Kubrick. He was also involved in scripting Barbarella. Though uncredited, he did work on the script of Casino Royale as well. (Died 1995.) (CE)
Born May 1, 1937 – Suzanne Vick. Two fanzines credited to both her and her husband Shelby Vick, one of our greats; much activity names him, careful fanhistory may discover her part more explicitly. Three daughters, of whom I have learned little. (Died 2002) [JH]
Born May 1, 1946 — Joanna Lumley, 75. No, she was no Emma Peel, but she was definitely more than a bit appealing (pun fully intended) in the New Avengers as Purdey. All twenty-six episodes are out on DVD. Her next genre outing was In Sapphire & Steel whichstarred David McCallum as Steel and her as Sapphire. If you skip forward nearly near twenty years, you’ll find her playing The Thirteenth Doctor in The Curse of Fatal Death in a Comic Relief special. Yes, she played the first version of a female Thirteenth Doctor.
Born May 1, 1952 — Andy Sawyer, 69. Member of fandom who managed the Science Fiction Foundation library in Liverpool for 25 years up to last year. For his work and commitment to the SF community, the Science Fiction Research Association awarded him their Thomas D. Clareson Award for Distinguished Service. The paper he wrote that I want to get and read is “The Shadows out of Time: H. P. Lovecraftian Echoes in Babylon 5” as I’ve always thought The Shadows were Lovecraftian! And his fanpublication list is impressive, editing some or all issues of &, Another Earth Matrix, Paperback Inferno and Acnestis. (CE)
Born May 1, 1954 – Joel Rosenberg. A score of novels, as many shorter stories. Correspondent of Asimov’s, the Patchin Review, SF Chronicle, SF Review. Interviewed in Thrust. Early author of gamers-transported-into-the-gameworld-which-may-not-be-what-they-thought fiction. (Died 2011) [JH]
Born May 1, 1956 – Phil Foglio, age 65. Colorful, comical graphic artist. Illustrated R. Asprin’s MythAdventures, drew comic books from them, worked for DC, Marvel. Magic: the Gathering cards. Some of this, and more particularly Buck Godot and Agatha Heterodyne, Girl Genius, with wife Kaja Foglio (who coined gaslamp fantasy: “we have no punk, and we have more than just steam”). Two Hugos for P as Best Fanartist; three for K & P with Girl Genius as Best Graphic Story. Website. [JH]
Born May 1, 1955 — J. R. Pournelle, 66. Some years ago, I got an email from a J. R. Pournelle about some SF novel they wanted Green Man to review. I of course thought it was that Pournelle. No, it was his daughter, Jennifer. And that’s how I came to find out there was a third Motie novel called Outies. It’s much better than The Gripping Hand. (CE)
Born May 1, 1957 — Steve Meretzky, 64. He co-designed the early Eighties version of The Hitchhiker’s Guide to the Galaxy video game with the full participation of Douglas Adams. ESF also says that he did also a space opera themed game, Planetfall and its sequel A Mind Forever Voyaging in the Eighties as well. He also did the definitely more erotic Leather Goddesses of Phobos as well. CE)
Born May 1, 1984 – Lindsay Smith, age 37. Six novels, a dozen shorter stories; also comics, serials. She & Max Gladstone created, and she is showrunner & lead writer for, The Witch Who Came in From the Cold. [JH]
Born May 1, 1985 – Catherine Cheek, age 36. Three novels, as many shorter stories. Interviewed in Fantasy. Clarion San Diego graduate. Brown belts in two martial arts. Taught English two years in Japan. Throws pots, binds books, plays with molten glass. Has read Moby-Dick, Lolita, The Grand Sophy, Watership Down. [JH]
…Officials announced the flight extension Friday, following three short flights in under two weeks for the $85 million tech demo. Soon afterward, there was more good news: Ingenuity — the first powered aircraft to soar at another planet — had aced its fourth flight at Mars.
For Friday’s trip, Ingenuity traveled 872 feet (266 meters) at a height of 16 feet (5 meters) for two minutes — considerably farther and longer than before. An attempt Thursday had failed because of a known software error.
On its fifth flight in another week or so, the 4-pound (1.8-kilogram) chopper will move to a new airfield on Mars, allowing the rover to finally start focusing on its own rock-sampling mission. The rover is seeking signs of ancient life at Jezero Crater, home to a lush lakebed and river delta billions of years ago….
It’s a balancing act that has to do with the individual person’s talents. I happened to have this already in place, and have the right layering to find something useful. Other writers are different in finding their way in. I’m always trying to write something that hopefully applies to the current moment, but if you read it down the line, it has something that’s meaningful, too.
In the press notes, you said this novel was the result of realizing that “we were living in a dystopia for some time.” Are you a pessimist? Are we getting out of this dystopia any time soon?
The pessimism/optimism thing boils down to me being pessimistic when we’re not dealing with the full issue and full facts in front of us. When we try to deflect. In Florida, we have these solar farms coming in, but which are destroying natural habitats. Green tech is being delinked from environmental issues in distressing ways. That’s the kind of thing that worries me more than, say, a climate-change denier, who isn’t going to help in the first place.
He later continues, “The Worldcon code of conduct should not be used to shut down a legitimate critique of a genre issue,” leaving untouched the issue actually raised here of whether the Worldcon should adhere to its own Code of Conduct and not broadcast the insulting title. A title Sanford himself is strangely reluctant to repeat, changing the “u” in “Fuck” to an asterisk.
(15) VIVO. Netflix dropped a trailer for Vivo, an animated musical with Lin-Manuel Miranda.
An animated musical adventure that follows VIVO, a one-of-kind kinkajou (aka a rainforest “honey bear,” voiced by Miranda), who must find his way from Havana to Miami in order to deliver a song on behalf of his beloved owner and mentor Andres (Buena Vista Social Club’s Juan de Marcos Gonzáles). The film features original songs by Miranda, a score by Alex Lacamoire, and a screenplay by Quiara Alegría Hudes and director Kirk DeMicco (The Croods)….
Voice talent includes three-time Grammy-winning Latin pop legend Gloria Estefan as Marta, the love of Andres’ life, newcomer Ynairaly Simo as Gabi, Andres’ grand-niece, Zoe Saldana as Rosa, Gabi’s mother, Michael Rooker as Lutador, a villainous Everglades python, Brian Tyree Henry and Nicole Byer as a pair of star-crossed spoonbills, Leslie David Baker as a Florida bus driver, and Katie Lowes, Olivia Trujillo, and Lidya Jewett as a trio of well-meaning but overzealous scout troopers. VIVO is an exhilarating story about gathering your courage, finding family in unlikely friends, and the belief that music can open you to new worlds.
(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Bizarre World of Fan Edits and Restorations” on YouTube, the Royal Ocean Film Society begins with fan edits we’ve all heard about (the mostly Jar Jar Binks-free version of The Phantom Menace) goes on to very strange edits (Planet Of The Apes reduced to a Twilight Zone episode, or Star Wars turned into silent films) and the historically important, such as a fan edit that presents a version of Richard Williams’s unfinished masterpiece The Thief And The Cobbler. As a bonus, you can find out which fan edit of a Brian De Palma film was so good that De Palma turned it into the director’s cut!
[Thanks to Martin Morse Wooster, Andrew Porter, Cat Eldridge, John Hertz, Michael Toman, John King Tarpinian, Mike Kennedy, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]
I’ve now had time to review the recent allegations made about Baen’s Bar, both specific and general.
And I can say with confidence that not a one of them is justified. What I saw was a vibrant, international community of readers who enjoyed engaging with each other for civilized discourse about everything from slush to scampi, from swords to shamans. I’ve gone through hundreds of posts, though admittedly not all of the hundreds of thousands of posts that were made over the decades long history of the Bar.
Were there posts that I disagreed with? Yes, some quite strongly. But that’s point of free speech. Were there posts which taken out of the context of the discussion they were in could be misconstrued? Yes. I did not see illegal speech even in the most heated discussions. And I did see long-time users step in to calm discussions down—which is what happens in healthy forums….
Weisskopf lays down the rules of conduct – which are the same the Bar has subscribed to all along.
There are traditional rules of the Bar decreed by the God Emperor Himself, Jim Baen of Sainted Memory, the most important of which after “no illegal posts,” are “no hitting” and “don’t be a butthead.”
A later paragraph about what topics are likely to be discussed in the forums includes this line about Tom Kratman —
Kratman is going to be discussing the past, present, and future of war, everywhere, involving everyone—and he has to abide by these rules, too.
He needs to do three things; start his own news channel, start his own party, and start his own well-armed militia as part of the party.
The militia – again, a _well_armed_ militia – is necessary to present a threat in being to the powers that be such that, should they use extra-, pseudo-, and quasi-legal means to try to suppress the party, the price presented will be far too high. The militia will be heavily infiltrated; this is a given. No matter; it will not be there for any purpose but to present a serious threat of major combat, and the shame of defeat, and the reality of death, to the tactical elements, police and military, that may be used against the party….
Weisskopf’s statement closes with this peroration:
But let me put this very clearly: if you are seeking to plan imminent violence, from whatever political direction or none at all, that won’t fly. Equally, if the mere existence of an opinion that differs from yours means that you want that opinion eradicated from the Bar: that won’t fly either.
Despite the warnings, that the kind of thing Kratman uses the Bar for remains within bounds tells readers that the real limits on conduct are set right where you’d predict – the same place they always were.
The only thing that would have come as a surprise is if the status quo had not been fully restored. And there are no surprises to report.
[Thanks to George Phillies and Michael J. Lowrey for the story. Art by Alexis Gilliland.]
Samuel Collingwood Smith of the Matthew Hopkins – The Witchfinder Generalblog (“We aim to expose corruption and terrorise the guilty without worrying too much about due process”), who has already published two articles about the Baen’s Bar situation and bragged about his efforts to harass Sanford by contacting his employer, now has added a toxic third piece to the series.
The post (which can be found here [Internet Archive link]) deconstructs one of Sanford’s recently-published short stories (here) as the pretext for applying a familiar tactic from the right-wing playbook — suggesting the victim is somehow linked to pedophilia. The title of the post does not warrant quoting, but this excerpt shows that Smith will be taking another run at getting Sanford in trouble with his employer:
…As such it is extremely uncomfortable and unpleasant reading. It is disturbing that a reputable organisation like the Ohio News Media Association (ONMA) would associate with this man, or that a magazine such as Interzone would give him such prominent treatment….
(Interzone published an all-Sanford theme issue in 2010.)
Yesterday Smith had prepared the way for his current article with an inquiry on the DisCon III (2021 Worldcon) Facebook group asking where he should send “an urgent safeguarding concern” about an unnamed “male individual.”
And when given directions, he made the following thuggish reply:
Then today, Smith dropped a link to his blog post in the DisCon III group.
(1) VARLEY MEDICAL UPDATE. R. Graeme Cameron relayed a report that John Varley’s heart bypass surgery today was successful.
Spider Robinson just dropped quickly in and out of my Monday fannish zoom meet to inform me that “Herb” John Varley’s heart operation went well, no complications, and they’ll be keeping him for five days to monitor recovery, then let him go home. Spider very relieved. Operation successful.
And according to Andrew Porter, “Varley’s partner Lee Emmett reports that he has successfully undergone a quadruple bypass and is in the ICU; he will be in the hospital for the next five days/”
(2) A LOOK AT THE NUMBERS. Mark Lawrence illustrates the limited effectiveness of an endorsement on a bookcover from a bestselling author by showing his own frustrated efforts to get attention from the many people who have already signed up for news about his work: “The Extraordinary Struggle to be Heard”.
…I’m a fairly popular author. People pay MONEY to read my books. Enough so that I can live off the proceeds. You would think this would mean that, when I offer my writing for free, people would jump on it. At least some of them. I’ve sold nearly two million books and must have hundreds of thousands of readers. So how many do you think would try on my recommendation not somebody they’ve never heard of but me: Marky?
On Wattpad I’ve been putting out chapters of a book I started writing called Jacob’s Ladder. I think it’s good. I’ve been alerting the 9,830 people who follow/friend me on Facebook to each chapter as it’s posted. I’ve also been posting about them to the 7,506 members of the Grimdark Fiction Readers & Writers group on Facebook where I’m reasonably popular.
I also have 2,815 followers on Wattpad itself who get alerts when I post the chapters. And I’ve tweeted about each chapter to my 28,600 followers on Twitter. And I’ve blogged on Goodreads about it where I have 48,029 followers.
I posted chapter 5 two days ago and it’s had 21 views (which are not necessarily reads) at least one of which was me.
All of which I throw out there to demonstrate how ridiculously hard it is to be heard and to have that audience act.
Now, new authors, consider how much of an impact the weeks this slow reader spends reading your book will have on your sales when condensed into a line on the cover…
(3) NYRSF READINGS THIS WEEK. Charles Yu will be on The New York Review of Books Readings livestream tomorrow, February 23.
CHARLES YU is the author of four books, including his latest, Interior Chinatown, which won the National Book Award for Fiction and was longlisted for the Andrew Carnegie Medal for Excellence in Fiction. He has been nominated for two Writers Guild of America awards for his work on the HBO series Westworld, and has also written for shows on FX, AMC, Facebook Watch, and Adult Swim. His fiction and non-fiction have appeared in a number of publications including The New Yorker, The New York Times, The Atlantic, Wired, and Harper’s. You can find him on Twitter @charles_yu.
The live event *should* be on https://www.facebook.com/groups/NYRSF.Readings and Jim Freund’s timeline, and you *should* (that word again) be able to join on YouTube at https://www.youtube.com/c/JimFreund
(4) YU CREATIVE WRITING AWARD. “Charles Yu establishes prize for young Taiwanese American creative writers” reports TaiwaneseAmerican.org. Submissions may be in any literary genre. Prior to his winning a National Book Award for his literary awork Interior Chinatown, Yu also wrote sff, such as How to Live Safely in a Science Fictional Universe (2010), and served as the Guest Editor for the Best American Science Fiction and Fantasy 2017. [Via Locus Online.]
TaiwaneseAmerican.org is pleased to announce the inaugural Betty L. Yu and Jin C. Yu Creative Writing Prizes. Created in collaboration with Taiwanese American author Charles Yu, the Prizes are intended to encourage and recognize creative literary work by Taiwanese American high school and college students, and to foster discussion and community around such work.
Submissions may be in any literary genre including fiction, poetry, personal essays or other creative non-fiction. Submissions must be sent via Google Form and must be received by March 31, 2021 at 11:59PM PT. In order to be eligible, submissions must be from writers of Taiwanese heritage (or writers with other significant connection to Taiwan), or have subject matter otherwise relevant to the Taiwanese or Taiwanese American experience.
Submissions will be considered in two categories, High School (enrolled in high school as of the deadline) and College (enrolled in community college or as an undergraduate as of the deadline). Winners and finalists will be announced in May 2021. A total of $1500 will be awarded to the winners. In addition, each of the winners and finalists will have their submitted work published online by TaiwaneseAmerican.org and considered for publication in a future edition of Chrysanthemum, and offered the opportunity to participate in an individual mentoring session with one of the judges.
Setting Boundaries: A writing career often comes with attention—wanted and unwanted. What kinds of boundaries do you set as an author with your readers, and how do those change throughout your career? Authors across the publishing spectrum discuss how they interact with, acknowledge, and encourage their readers while maintaining personal boundaries.
Writing Speculative Justice: Many envision a new role and future for the justice system in the United States and across the world—one that is more restorative, more equitable, and more just. As writers build our own worlds, what can and should we be thinking about when it comes to justice? How does our approach to laws, crime, retribution, and restoration impact the rest of our worldbuilding, characters, and plots? How can we craft a more just future?
(6) HOW MUCH ARE THOSE CLICKS IN THE WINDOW? James Pyles (PoweredByRobots) has been doing his darnedest to use the recent kerfuffle to get attention. And he doesn’t much care who that damages.
…Frankly, the Discon III / Worldcon decision to “uninvite” Weisskopf is looking less and less popular. Of course, I have no idea who Weber, Eggleton, and Gannon are (my understanding of SF/F personalities and their politics is shockingly limited), but on the surface, I can’t see anything awful, horrible, and offensive about their comments (well, maybe some of the language was just a little rough depending on how thin-skinned you are). In fact, they seem pretty reasonable….
Bounding Into Comics, as Doris V. Sutherland observes, belittled Sanford’s coverage, but they couldn’t deny what Jason found in Baen’s Bar.
Mad Genius Club’s Dave Freer’s purported explanation of the controversy rapidly deteriorated into gibberish: “Omnibus?”
…Back in the day you’d left right and center views – depending on where you went. His [Jason Sanford’s] ‘expose’ is drivel, out of context, imaginary and generally trivial — in keeping with how he earns his authorly income – but it is seized on as a reason to 1) expel Toni as a GoH from WorldCon (because you know, in omnibus, must chuck her under it – even though any sane definition of the Bar was 99.9999% innocuous by any interpretation. Omnibus see. Even if she had nothing to do with it, and didn’t know – and investigated once she did. Not good enough, Guilty. She turned Jason Sanford into a newt. And she has got a wart… maybe.) 2) The little friends mysteriously and suddenly attack the hosting service and other business connections to demand deplatforming because Baen is ‘hate speech and inciting violence’….
(7) IT’S THEIR RIGHT. Meanwhile, this unexpected announcement was tweeted today by American Conservative Union CPAC 2021. I don’t know who is being banned, either, it’s just a coincidence that’s remarkably timely.
…Creation games aren’t new; they go way back to the original SimCity and beyond. But in autumn 2019, during a period of intense, life-altering burnout, I came across Nathalie Lawhead’s Electric Zine Maker and it redefined what I thought I knew about play, creation and the art that can emerge from video game interfaces. Zine Maker is a clever, accessible tool in the disguise of a joyful toy. I had become sick from overwork and had resigned myself to transitioning careers, leaving writing fiction entirely to move into a more practical realm. I was convinced that the connection between the part of my brain that makes art and the part that produces joy was fried forever. But this game sparked it again.
… Electric Zine Maker gives us a playful way to design and create real, print zines once more. The software streamlines the creation of a one-page zine: an A4 page folded into an A8 booklet. The tools are simple: text boxes, image pasting, some paint brushes and filters. A folding guide tells you how to turn it from a flat page into a 3D object once you print it off. It’s all laid out in bright, roaring neon, reminiscent of a CD-Rom from the mid-1990s. It feels like a piece of time travel, a return to childhood tinkering in The Simpsons Cartoon Studio in 1996.
(9) GRR REMEMBERS WANDA JUNE. George R.R. Martin paid tribute to the late Wanda June Alexander, whose daughter is almost his neighbor in Santa Fe: “The Amazing Wanda June”.
…Wanda June was a dear dear friend… but more than that, really. She and Raya have been part of our family, in one sense or another, for decades. I do not actually recall when and where I first met Wanda. It was at a con, no doubt, probably in the late 70s or early 80s. I knew OF Wanda before I actually knew Wanda, however. She was an East Coast fan when I first began hearing tales of her, from mutual friends. Gardner Dozois, Jack Dann, David Axler, Dave Kogelmen, Joe and Gay Haldeman… all of them were friends of mine, and friends of the legendary Wanda June. She was one of Parris’s oldest, dearest friends, from the 70s on to this very day. …
(10) MEMORY LANE.
1961 — Sixty years ago at Seacon in Seattle, Rod Serling’s The Twilight Zone series wins the Hugo for Best Dramatic Presentation. It was directed by Wolf Rilla, and written by Stirling Silliphant, Wolf Rilla and Ronald Kinnoch. The other nominated works were the films Village of The Damned and The Time Machine.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 22, 1879 — Talbot Mundy. English-born, but based for most of his life in the States, he also wrote under the pseudonym of Walter Galt. Best known as the author of King of the Khyber Rifles which is not quite genre and the Jimgrim series which is genre, much of his work was published in pulp magazines. (Died 1940.) (CE)
Born February 22, 1879 – Norman Lindsay. When a critic said children liked to read about fairies more than about food, NL wrote The Magic Pudding, wherefore we may be grateful. He was also an artist in watercolour, oils, pencil, etching, bronze, concrete. A dozen other novels; essays, poetry, memoirs. Here is a World War I cover for The Bulletin. Here is Odysseus. Here is Age of Consent. Here is Lin Bloomfield’s book about NL’s drawings. (Died 1969) [JH]
Born February 22, 1917 – Reed Crandall. Early inker for Jack Kirby on Captain America. Did Blackhawk 1942-1953; Jim Steranko said “where [Chuck] Cuidera made Blackhawk a best-seller, Crandall turned it into a classic, a work of major importance and lasting value”. Forty interiors and a few covers for us, mostly of E.R. Burroughs. Here are the Blackhawks fighting a giant robot; here is a more airborne moment. Here is The Man with a Brain of Gold. Here is John Carter with the Giant of Mars. Eisner Hall of Fame. More here. (Died 1982) [JH]
Born February 22, 1953 – Genny Dazzo, Ph.D., age 68. Active Los Angeles fan. Fan Guest of Honor at DeepSouthCon 31, Loscon 27 (with husband Craig Miller). Reliable in local, regional, continental, World conventions; for example, Guest of Honor Liaison at L.A.con III the 54th Worldcon, L.A.con IV the 64th. Collects teapots. Member of County Fair Table Setting Competition fandom. Doctorate in Theoretical Chemistry. [JH]
Born February 22, 1955 — Paul J. McAuley, 66. Four Hundred Billion Stars, his first novel, won the Philip K. Dick Award, Fairyland which I adore won a Arthur C. Clarke Award and a John W. Campbell Memorial Award for Best SF Novel. He was Toastmaster along Kim Newman at Interaction. (CE)
Born February 22, 1956 — Caroline Thompson, 65. She wrote the screenplays for Tim Burton’s Edward Scissorhands, The Nightmare Before Christmas, and Corpse Bride. A stage version of the latter with director and choreographer Matthew Bourne was co-adapted with her this year. She also wrote the screenplay for The Addams Family. (CE)
Born February 22, 1965 – Max Frei, age 56. That age-statement isn’t quite right, because Max Frei was a composite of Svetlana Martynchik (whose birthday I gave) and her husband Igor Steopin (1967-2018) in writing (in Russian) Sir Max’s adventures in the Labyrinths of Echo; a score are available in English. More here. [JH]
Born February 21, 1974 – Michelle Knudsen, age 47. Six novels (Evil Librarian won a Fleischman Award – two sequels), one shorter story, for us; twoscore other books. Library Lion was a NY Times Best-Seller. Julie Andrews on a podcast reads “Marilyn’s Monster” aloud. Favorite Gilbert & Sullivan operetta, The Pirates of Penzance; has been in Iolanthe. Read aloud at the 2007 White House Easter Egg Roll. Taking boxing lessons. [JH]
Born February 22, 1981 – Ryan James, age 40. Two novels with his mother Syrie James. Much else in the games industry. Only a few decades ago, despite chess, bridge, gô, it would have been SF for there to be a games industry. [JH]
Therefore, I’m happy to welcome Jeff Goad and Ngo Vinh-Hoi of the Appendix N Book Club to my blog today:
Tell us about your podcast or channel.
We are a podcast about the literature that inspires our tabletop RPGs. Initially, we only focused on the Appendix N: a list of “inspirational reading” located in the back of the 1979 Advanced Dungeons & Dragons Dungeon Master’s Guide. Starting with episode 101, we are expanding the scope of the show to include ALL fiction that inspires our gaming. The first half of each episode focuses on the text from a literary perspective and the second half of each episode discussed the text from a gaming perspective….
Jim Henson’s classic series “The Muppet Show” began streaming on Disney+ on Friday, but now comes prefaced with an offensive content disclaimer.
“This program includes negative depictions and/or mistreatment of people or cultures,” the warning reads. “These stereotypes were wrong then and are wrong now. Rather than remove this content, we want to acknowledge its harmful impact, learn from it and spark conversations to create a more inclusive future together.”
The show, which ran for five seasons between 1976 and 1981, features the new content warning on 18 episodes, including those guest-hosted by Steve Martin, Peter Sellers, Kenny Rogers, Johnny Cash, Debbie Harry and Marty Feldman, among others.
Each episode bears the 12-second disclaimer for a different reason, from Cash’s appearance singing in front of a Confederate flag to negative depictions of Native Americans, Middle Easterners and people from other cultures. Additionally, two episodes from the final season, featuring guest stars Brooke Shields and staff writer Chris Langham, are left out entirely.
…In the Sherlock Holmes mythology, the “Baker Street Irregulars” are a group of street urchins in the employ of Holmes. They are his eyes and ears in the seedier parts of Jolly Ol’ Londontown. This version, naturally, will focus on that group. It appears they will have more in the vein of the supernatural to deal with. Various adaptations of Doyle’s stories have included a supernatural tinge, we should note, the original stories were always rooted in Victorian-era science. It’s elementary, really….
We have exclusively learned that certain characters from Big Hero 6 will be making their live-action debut in the MCU.
We’re not sure on who will be coming but we can at least expect Baymax and Hiro.
Some of the projects we heard about were Secret Invasion, Agents of Atlas, and Doctor Strange. However, we couldn’t get confirmation.
There’s also no word on if the actors will reprise their roles in regards to live-action appereances.
Big Hero 6 was loosely based on the comic of the same name. The comic was a three-part miniseries written by Scott Lobdell and artist Gus Vasquez. The series went on to be a very popular title, which spawned the animated film and TV series.
(16) FRANSON AWARD. National Fantasy Fan Federation (N3F) President George Phillies has picked the recipient of this year’s Franson Award, named for the late Donald Franson, and given as a show of appreciation:
It is my privilege and honor to bestow the Franson Award upon our new Treasurer, Kevin Trainor of Tonopah, Nevada. Being N3F Treasurer is a great responsibility. The Treasurer maintains the club financial records without which we would not know who is a member and who has departed. We spent close to a year during which the former Treasurer made clear he wanted to leave, but no member would volunteer to replace him. Can all be grateful to Kevin for volunteering and taking on the Treasurer’s role.
(19) VIDEO OF THE DAY. In “Transformers Pitch Meeting” on Screen Rant, Ryan George explains that Transformers is a “feature-length commercial with sort of a story line, because that’s what movies are these days.” Also, Megan Fox loves Burger King because, hey, it’s a product placement!”
[Thanks to John King Tarpinian, Martin Morse Wooster, James Bacon, Ben Bird Person, Michael Toman, Cat Eldridge, JJ, John Hertz, Andrew Porter, Michael J. Walsh, Daniel Dern, James Davis Nicoll, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Cat Eldridge with an assist from Tom Becker and Paul Weimer.]
[Note 7] According to the explanation in the list of banned Baen’s Bar topics, Mercedes Lackey posted a long rant on the forum about her distaste for Baen Books and Jim Baen personally, along with mentioning how she had been persecuted for being of a particular political bent. While it appears Lackey left the forum after that, Jim Baen “asked that the incident be stricken from discussion.”
Update: Mercedes Lackey reached out to me to say that the information shared on Baen’s Bar about why she left was simply not true. She says she left the forum after 9/11 when forum users were posting freely about murdering all Muslims. Lackey strongly attacked these posts in a long post on Baen’s Bar, but her post was heavily criticized by Tom Kratman and specifically John Ringo and Ringo’s followers. However, Lackey’s post and reasons for leaving said nothing about Jim Baen nor about Baen Books. She also says the note posted on the forum banning discussions around her leaving was written after Jim Baen passed, so he would have been unable to contradict it.
… As I’ve talked about before, programming is an art. Who you pick as GoH is part of that. Often programming starts with the GoHs and fills in around them. And one of the (reasonable) expectations of a GoH is that they participate in a hearty chunk of programming. The GoHs are the literal faces of the convention, smiling out from the convention advertising and program books.
Bearing that in mind, DisCon had to ask was Is supporting a place where a bunch of people spend their time expressing their hatred of other members of the F&SF community something that makes a field more awesome? as well as What do we do, knowing that a choice to keep Weisskopf will be read as an endorsement of those words?
Words that support an armed coup. Words saying people with differing political beliefs should be killed. Words urging violence towards other people.
We talk about free speech, but with free speech comes responsibility for one’s words. Baen cannot disavow responsibility for those words, regardless of whether or not they happened because someone was asleep at the wheel….
I know there is a thing! I know some of you want me to engage with the thing! I know this because you’ve sent me emails about the thing and I see the subject headers! I then delete the emails unread because I do not wish to engage with this thing! Engaging with this thing will not make me happy! I find myself looking at it and being glad it is not actually my problem!
So: Have fun with this thing without me!…
(4) NORMA K HEMMING AWARDS NEWS. The 2021 Norma K Hemming Awards will be held over until 2022, for a combined two-year consideration period.
This decision has been made due to several factors, including COVID-19, juror fatigue, and administrative changes. Please note that all 2020 and 2021 publications will be eligible when the Awards next run.
On a related note, Norma K Hemming Award Administrator Tehani Croft has resigned from this position.
Tehani would like to thank Rose Mitchell, outgoing Australian Science Fiction Foundation president, for her support, vision and efforts to ensure the Awards are relevant. This work could not have been achieved without her, and it has been very much appreciated by the community, particularly those creators whose work could be recognised, and by the audiences the Award reaches.
…So why have I written what sounds like an extended brag about how awesome I am? So I could tell you this: I’ve pushed and pushed and pushed myself for almost four decades now, and sometimes I don’t feel like a success at all. I don’t think I’m a failure – there’s too much evidence that I’m not – but I feel as if true success is always just out of my reach. Sometimes it makes me feel like my career has been kind of a cruel cosmic joke, and that gets me down and makes it hard to keep working. Sometimes it feels as if I’m on the downhill slide of my career, and there’s nothing I can do to turn things around. Sometimes I toy with the idea of quitting writing. I’ve always thought about quitting. I’m prone to depression and, as an imaginative person, I’m prone to drama. I may not evince this in my everyday life, but it’s true. I’m as much a drama queen inside as any other creative person. And the reason I feel all these things is because I listen too much to what the world tells me a successful writer should be. I think of my writing accomplishments as achievements to slap in a bio or bibliography, quickly forgotten as I rush toward the next project or goal I want to achieve. I forget to enjoy the results of my efforts, to savor the experiences, to have fun, to feel joy. If I’m not first writing for myself, writing to spend my life in a way that feels fulfilling to me, if I don’t remember to appreciate these things, that’s when I most feel like a failure. My writing is supposed to sustain me, but if it was water, I’d get regular deliveries of it, throw the jugs in the basement, and never drink a drop of it. I’d be too focused on obtaining more water without taking the time to appreciate the water I’ve already got.
In his wonderful speech “Make Good Art,” Neil Gaiman shares a story about a time when he was doing a signing alongside Stephen King. It was during the height of Sandman’s success, and Neil had a ton of people show up to get their comics signed. Steve told him, “This is really great. You should enjoy it.” But Neil didn’t. He was too focused on the next project, the next hill to climb. He calls Steve’s words “the best advice I ever got but completely failed to follow.”…
(6) VARLEY MEDICAL UPDATE. [Item by Trey Palmer.] Just learned that John Varley, author of Steel Beach, The Golden Globe, Millennium, the Gaea trilogy and many others, is headed into bypass surgery Monday. ”Sending Prayers to the Cosmos”.
If you can, spare him a little positive thought or prayer.
Last week John began having chest pains. Then we got snowed in for a few days. So it wasn’t until last Thursday that he saw a cardiologist for a stress test. Blockages! The doctor told him to go to the emergency room immediately. They scheduled him for an angiogram next day hoping that a stent would fix the problem. It didn’t, so now he’s going to have coronary bypass surgery Monday morning. Any good thoughts, prayers, strong visualizations that you can send his way would be greatly appreciated.
(7) MEDIA BIRTHDAY.
February 21, 1958 — On this day in 1958, Day The World Ended premiered in West Germany. It was produced and directed by Roger Corman. It starred Richard Denning, Lori Nelson, Adele Jergens, and Mike Connors. This was the first SF film by Corman. The film was shot over 10 days on a budget of $96,234.49. Critics at the time considered it silly and fun. Audience reviewers at Rotten Tomatoes give it a 42% rating. You can watch it here. (CE)
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 21, 1912 – P. Schuyler Miller. A novel (with Sprague de Camp), fifty shorter stories (“As Never Was” anthologized in the great Healy-McComas Adventures in Time and Space); fine book reviewer for Astounding and thus Analog, Special Committee Award from Discon I the 21st Worldcon. Treasurer of Pittcon the 18th. “Alicia in Blunderland” spoofing 1930s SF fans, pros, tales, appeared in the fanzine Science Fiction Digest; PSM was in FAPA. Amateur archeologist. Notable collector, left 3500 hardbacks, 4600 paper. His reviews await collection. (Died 1974) [JH]
Born February 21, 1913 – Ross Rocklynne. Two novels, a hundred shorter stories; attended Nycon I the 1st Worldcon; considered a figure of the 1930s-1950s, but he’s in Again, Dangerous Visions, Carr’s Universe 3 anthology, Amazing and Fantastic under White. Co-founder of the Nat’l Fantasy Fan Fed’n and the Cincinnati Fantasy Group. (Died 1988) [JH]
Born February 21, 1933 – Virginia Driving Hawk Sneve, age 88. Member of the Rosebud Sioux Tribe, she married a Norwegian and wrote The Trickster and the Troll about Iktomi and a nisse looking for the nisse’s family in the plains. “When Thunders Spoke” too is ours. A score of books. Spirit of Crazy Horse Award, Nat’l Humanities Medal. Historiographer of the Episcopal Church of South Dakota. More here. [JH]
Born February 21, 1935 — Richard A. Lupoff. His career started off with Xero, a Hugo winning fanzine he edited with his wife Pat and Bhob Stewart. A veritable who’s who of writers were published there. He also was a reviewer for Algol. To say he was prolific as a professional writer is an understatement as he’s known to have written at least fifty works of fiction, plus short fiction, and some non-fiction as well. I’m fond of Sacred Locomotive Files and The Universal Holmes but your tolerance for his humor may vary. The usual digital suspects stock him deeply at quite reasonable prices. (Died 2020.) (CE)
Born February 21, 1937 — Ingrid Pitt. Performer from Poland who emigrated to the UK who is best known as Hammer Films’ most sexy female vampire of the early Seventies. Would I kid you? Her first genre roles were in the Spanish movie Sound of Horror and the science-fictional The Omegans, followed by the Hammer productions The Vampire Lovers, Countess Dracula, and The House That Dripped Blood. She appeared in the true version of The Wicker Man and had parts in Octopussy, Clive Barker’s Underworld, Dominator, and Minotaur. She had two different roles twenty years apart in Doctor Who – somewhat of a rarity – as Dr. Solow in the “Warriors of the Deep” episode and as Galleia in “The Time Monster” episode. (Died 2010.) (CE)
Born February 21, 1953 — Lisa Goldstein, 68. Writer, Fan, and Filer whose debut novel, The Red Magician, was so strong that she was a finalist for the Astounding Award for Best New Writer two years in a row. Her short fiction has garnered an array of Hugo, Nebula, and World Fantasy Award nominations, as well as a Sidewise Award. The short story “Cassandra’s Photographs” was a Hugo and Nebula finalist and “Alfred” was a World Fantasy and Nebula finalist; both can be found in her collection Travellers in Magic. The quite excellent Uncertain Places won a Mythopoeic Award. You can read about her work in progress, her reviews of others’ stories, and other thoughts at her blog which is one of the better ones I’ve read. (CE)
Born February 21, 1959 – Debi Gliori, Litt.D., age 62. A dozen novels, six dozen picture books. Red House Children’s Book Award. Doctorate of Letters from Strathclyde Univ. Here is an interior from The Trouble with Dragons. Here is What’s the Time, Mr. Wolf?Here is Polar Bolero – you knew I’d get a dance in somehow. [JH]
Born February 21, 1961 – David Levine, age 60. First-rate fanziner with his wife the first-rate Kate Yule while she was alive; she saw him blossom also as a pro: “Tk’tk’tk” won a Hugo, DL’s acceptance was epic. By then he had won the James White, a few years later the Endeavour; later Arabella of Mars won the Andre Norton. Two weeks at a simulated Mars base in the Utah desert. Two more novels about Arabella; five dozen shorter stories; tried his hand at defining science fiction last March in Asimov’s. More of David (and Kate) here. [JH]
Born February 21, 1974 – Gideon Marcus, age 47. A novel, a short story, introduction to SF by Women 1958-1963. There are – I can’t say I know, but there must be – many journeys in this galaxy; GM founded (as he puts it) one of them, and won a Serling Award. Duty calls me to observe that his museum reviews the KLH 20 but not the wonderful KLH 11, the Antiochian’s Friend – I had one, I think we all did. [JH]
Born February 21, 1977 — Owen King. 44. There are not quite legions of Kings though sometimes it seems like it. Owen, son of Stephen and Tabitha, is early in his writing career. His first novel, Double Feature, was not genre and got mixed reviews. His second, Sleeping Beauties, written with his father is genre and got much better reviews. I’m rather fond of his short story collection, We’re All in This Together, but then I like his fathers short stories much better than I like his novels too. He has also got a graphic novel, Intro to Alien Invasion, but I’ve not seen it anywhere yet. (CE)
(9) VINTAGE 1953. [Item by Martin Morse Wooster.] Isaac Asimov, in his autobiography In Memory Yet Green, discusses a radio interview he gave during the 1953 Worldcon in Philadelphia. (John D. Clark was an author and fan active in the 1940s and 1950s.)
Sprague (de Camp), John Clark, and I went out to a local radio station where a local talk-show host interviewed us. We were made to order for him, because he thought it was the funniest thing in the world that science-fiction people were having a convention. (‘What do you people do? Wear beanies?’)
Sprague answered very patiently, because he is the soul of dignity and forbearance, but I chafed a bit. Finally, when it was my turn again, the host said to me, “Say, I have a question for you: Suppose you’re on Pluto and wearing those funny space helmets. How do you kiss?’
‘You don’t,’ I said, glowering at him. ‘You carry on a Plutonic love affair.’
The studio audience broke up and it was the host’s turn to glower. Apparently guests are not supposed to take the play away from the host. He didn’t speak to me again.
[Thanks to Cat Eldridge, John King Tarpinian, Mike Kennedy, JJ, Trey Palmer, Michael Toman, Andrew Porter, Martin Morse Wooster, and John Hertz for some of these stories. Title credit goes to File 770 contributing editor of the day Bill Higgins.]