Pixel Scroll 8/27/20 Don’t Pixel Me, ’Cause I’m Scrolled To The Edge, I’m Trying Not To Get Outraged

(1) PAPERS PLEASE? Here in the future, an unpredictable surge in demand for books on paper has run afoul of a world-threatening pandemic: “Printer Jam: Serious Supply Issues Disrupt the Book Industry’s Fall Season” reports the New York Times.

This spring, when the pandemic forced bookstores across the country to close and authors to cancel their tours, many editors and publishers made a gamble. They postponed the publication of dozens of titles, betting that things would be back to normal by the fall.

Now, with September approaching, things are far from normal. Books that were bumped from spring and early summer are landing all at once, colliding with long-planned fall releases and making this one of the most crowded fall publishing seasons ever. And now publishers are confronting a new hurdle: how to print all those books.

The two largest printing companies in the United States, Quad and LSC Communications, have been under intense financial strain, a situation that has grown worse during the pandemic. LSC declared bankruptcy in April, and the company’s sales fell nearly 40 percent in the fiscal quarter that ended June 30, a drop that the company attributed partly to the closure of retailers during the pandemic and the steep fall of educational book sales. In September, LSC’s assets will be put up for auction. Quad’s printing business is also up for sale; this spring, the company had to temporarily shut down its printers at three plants due to the pandemic.

At the same time, there has been a surprising spike in sales for print books, a development that would normally be cause for celebration, but is now forcing publishers to scramble to meet surging demand. Unit sales of print books are up more than 5 percent over last year, and sales have accelerated over the summer. From early June to mid-August, print sales were up more than 12 percent over the previous 10 weeks, according to NPD BookScan. The surge has been driven by several new blockbuster titles, including books by Suzanne Collins, Stephenie Meyer, John Bolton and Mary Trump. Publishers have also seen an unexpected demand for older titles, particularly books about race and racism, children’s educational workbooks and fiction.

“The infinite printer capacity hasn’t been there for a while, now enter Covid and a huge surge in demand, and you have an even more complex situation,” said Sue Malone-Barber, senior vice president and director of Publishing Operations for Penguin Random House, which is delaying titles at several of its imprints as a result of the crunch.

(2) DIAL M. A trailer dropped for Come Play, a horror movie about creatures that live inside a cellphone.

Newcomer Azhy Robertson stars as Oliver, a lonely young boy who feels different from everyone else. Desperate for a friend, he seeks solace and refuge in his ever-present cell phone and tablet. When a mysterious creature uses Oliver’s devices against him to break into our world, Oliver’s parents (Gillian Jacobs and John Gallagher Jr.) must fight to save their son from the monster beyond the screen. The film is produced by The Picture Company for Amblin Partners.

(3) HUGO RULES PROPOSAL. Jay Blanc tweeted a link to their first draft of a proposed amendment to the WSFS Constitution that would provide a standing Advisory Committee for the Hugo Awards. See the text at Google Docs. Blanc’s commentary justifies the need for a new committee:

Commentary:

The intent of this amendment is to correct a point of failure in the current way the Hugo Awards are administered, a flawed institutional memory and a lack of any consistent infrastructure.

The innate problems of “reinventing the wheel” when it comes to infrastructure became obvious when the 2020 Hugo Awards online-ballot process failed to be ready for use for the ballot deadline. When it did become ready to use, after the ballot deadline was pushed back, it was discovered that it did not correctly register votes for some users. 

There had been a pre-existing online ballot system, used by Helsinki and Dublin, this system was robust and had an open development process. However it is unclear why this system was not used, or if it was why it was heavily modified and those modifications kept private and unreviewed. This is a clear failure of infrastructure that can be fixed by having standing advice on applying online balloting systems.

Further, there appears to have been some issue with confusion over information provided to Hugo Award finalists, and a lack of clear communication lines and recording of any complaints raised.

While the unique localised structure of the Worldcon is overall beneficial, these problems can only be addressed by having some form of standing committee. This amendment does not mandate this committee as replacement for the Worldcon Committee’s handling of the Hugo Awards, but does establish a weight of advice and infrastructure. I would expect Worldcon Committees to opt-in to accepting this advice and infrastructure, rather than continue to reinvent the wheel. But this amendment leaves it open to any individual Worldcon to choose to go it’s own way in the administration of the Hugo Awards if it decides that is correct….

(4) OPTIONS. “‘No aspect of writing makes you rich’ – why do authors get a pittance for film rights?” The Guardian tries to answer the question.

…Stephen King requests only a token amount from anyone optioning one of his novels; the “option” reserves a book for a limited time, usually a year, with the big bucks coming if and when that option is exercised. “I want a dollar,” King said in 2016, “and I want approvals over the screenwriter, the director and the principal cast.” That’s a snip until you realise that the back end is where he makes his real movie money: he got an eight-figure cheque from the recent adaptation of It.

More common are those tales of writers whose work takes an interminable time to reach the screen – Caren Lissner, for instance, whose book Carrie Pilby was optioned on several occasions between publication in 2003 and the film’s production in 2016 – or those that never get greenlit at all.

How realistic is it for writers to get rich from selling adaptation rights? “It’s just not,” says Joanna Nadin, whose YA novel Joe All Alone was adapted into a Bafta-winning 2018 television series. “It’s unrealistic to think any aspect of writing can make you rich.” Nadin confesses that she gets dollar signs in her eyes when she learns that a book of hers has been optioned. “For about 10 minutes, I revamp my Oscar acceptance speech, choose my mansion and dine out on imaginary caviar. Then I try not to think about it, knowing that, if anything happens, it won’t be for many years.”

(5) SCRIBE OF MARADAINE. The Austin Chronicle’s Wayne Alan Brennervisits “The Many Worlds of Author Marshall Ryan Maresca”.

Marshall Ryan Maresca’s debut novel, The Thorn of Dentonhill, came out from DAW Books in February of 2015. Five years later – now, in 2020, smack in the midst of a global pandemic – Maresca is publishing four different series of novels with DAW, each series already three books in, each one set in his originally devised city of Maradaine. And there are many more books on the way.

Even those of us who write almost creatively, day-in, day-out, to meet the relentless deadlines of journalism are like, “Maresca, how the hell? How do you write so much so quickly? And how do you sell novel after novel after novel when other writers we know can’t even seem to land a publisher?”

…”When I started this particular project,” says Maresca over a cup of java and safely distanced at a picnic table outside Thunderbird Coffee on Manor, “I’d already had the world stuff built out, but it wasn’t quite working for me. I thought that, since I’d done all the world-building, I needed to show all of it to the reader at once. Which was a terrible idea, and it didn’t work. But when I was working on that book – which is now sitting in a drawer and will never see the light of day – I had this sort of wild idea, that drew in part from inspiration from comic books.”

Note: Maresca’s favorites among comics are West Coast Avengers, Chris Claremont’s classic run of X-Men, and Mark Gruenwald’s many-charactered D.P.7 – all adding, he tells us, to the authorial influence of such unillustrated story cycles as Zilpha Keatley Snyder’s Green Sky trilogy and David Eddings’ Belgariad. But, the wild idea?

“I thought, instead of trying to show everything,” says Maresca, “why don’t I just show one city, different aspects of that? And from there, I could tell different kinds of stories and have them be somewhat interconnected. And so, somewhere in my file cabinets, there’s a handwritten piece of paper, where I’ve written four story tracks: one vigilante-by-night, one old-time warrior, one two-brothers-heists, one two-cops-solve-murders. And that was the origin of everything. And so I slowly built up my outlines of what all these were – and part of that also came from just the way the publishing industry is. I wrote Thorn of Dentonhill first, and then, while I was shopping for agents, I was also like, well, I should just keep writing. But it’d be silly to write a book two of this series without knowing if I sold book one. So I wrote a different book one – the first book of a different series. And then, as I was looking for someone to buy Thorn, I got that second book one done. And I was like, okay, now that I have an agent interested, I’m gonna write another book one. So that, by the time my agent Mike Kabongo was shopping things around, and the editor at DAW was interested, I had the first book of each of the four series already done.”

 (6) ILLUSTRATING KINDRED. Artist James E. Ransome is interviewed by Aaron Robertson for LitHub in “An Illustrator Brings Realism into Octavia Butler’s Speculative Fiction”.

The Folio Society recently published a special edition of Octavia Butler’s 1979 novel Kindred, a time-travel narrative set between modern-day Los Angeles and a pre-Civil War US. I interviewed the book’s illustrator, James E. Ransome, about what it took to depict scenes of slavery, Ransome’s artistic influences, his dream projects, and more….

AR: Had you read the Damian Duffy/John Jennings graphic novel of Kindred before working on this?

JR: I hadn’t read it beforehand, but I came across it at a bookfair in the middle of working on this project. I was impressed. It was good to see a graphic novel with an illustration for every scene, and as a creator I enjoyed getting another take on the material.

AR: How did you decide which scenes to showcase?

JR: The Folio Society’s art director, Sheri Gee and I discussed it in a series of conversations. We were looking for dramatic scenes that would be interesting to capture. Things that were more dynamic than, say, two people sitting at a table talking. The very beginning scene, with the boy drowning, was a natural choice. Butler’s chapter titles—“The River,” “The Fire,” etc.—were also helpful leads.

(7) RUH-ROH. Scooby-Doo’s co-creator and former children’s TV mogul Joe Ruby passed away August 26. The Hollywood Reporter has the story: “Joe Ruby, Co-Creator of Scooby-Doo, Dies at 87”.

Ruby met Ken Spears when both were sound editors and then staff writers at the cartoon powerhouse Hanna-Barbera, and they created the supernatural kids show Scooby-Doo, Where Are You!, which centered around a talking Great Dane and bowed on CBS in September 1969. All but four of the first 25 episodes were written and story-edited by them.

In the early 1970s, then-CBS president of children’s programming Fred Silverman hired Ruby and Spears to supervise the network’s Saturday morning cartoon lineup, and they followed the executive to ABC for similar duties in 1975. (Scooby-Doo joined that network’s lineup as well.)

Two years later, ABC set up Ruby-Spears Productions as a subsidiary of Filmways, and the company launched Saturday morning animated series around such characters as Fangface, Plastic Man, Mister T and Alvin and the Chipmunks.

Ruby-Spears was acquired by Hanna-Barbera parent Taft Entertainment in 1981.

…In the 1980s, legendary comic book artist Jack Kirby was hired by Ruby to bring his vision to Ruby-Spears Productions. As a result, the Ruby family owns the rights to hundreds of original Kirby-designed characters and more than two dozen projects developed by Ruby. The intellectual property rights to those characters, artwork and projects are now being offered for sale.

(8) BOOK ANNIVERSARY.

  • In August sixteen years ago, Catherynne M. Valente published her first novel, The Labyrinth. Described by the publisher as “a journey through a conscious maze without center, borders, or escape–a dark pilgrim’s progress through a landscape of vicious Angels, plague houses, crocodile-prophets, tragic chess-sets, and and the mind of an unraveling woman”, it was published by Prime Books with an introductory essay by Jeff VanderMeer. It is not currently in-print. (CE)

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 27, 1922 – Frank Kelly Freas.  Three hundred covers, over a thousand interiors (I think; I lost count twice) for us; five hundred saints for the Franciscan Order; MAD magazine 1957-1964 with Alfred E. Neuman front, advertising-parody back covers; airplanes while serving in the U.S. Air Force; Skylab; comics; gaming.  Interviewed in GalileoInterzone, LighthouseLocus, PerigeeSF ReviewShadowsSolarisThrust.  Eleven Hugos; three Chesleys (with wife Laura).  LASFS (L.A. Science Fantasy Soc.) Forry Award (service to SF); Skylark; Inkpot; Phoenix; Frank Paul Award.  Writers & Illustrators of the Future Lifetime Achievement Award.  Fellow, Int’l Ass’n Astronomical Artists.  SF Hall of Fame.  Guest of Honor at DeepSouthCon 10, 14, 26; Boskone 10, Lunacon 34, Balticon 31, Loscon 27; Chicon IV (40th Wordcon), Torcon 3 (61st Worldcon; could not attend).  Eight artbooks e.g. A Separate StarAs He Sees It.  This famous image was adopted by the Judith Merril Collection in Toronto.  This famous image was adapted by the band Queen for its album News of the World.  Here is John Cross in Slan. (Died 2005) [JH]
  • Born August 27, 1929 Ira Levin. Author of Rosemary’s BabyThe Stepford Wives and The Boys from Brazil. All of which became films with The Stepford Wives being made twice as well as having three of the television sequels. I’ve seen the first Stepford Wives film but not the latter version. Rosemary’s Baby would also be made into a two-part, four hour miniseries. (Died 2007.) (CE) 
  • Born August 27, 1942 – Robert Lichtman, 78.  Leading fanwriter, faneditor.  Fourteen FAAn (Fan Activity Achievement) awards, as a correspondent and for his fanzine Trap Door.  TAFF (Trans-Atlantic Fan Fund) delegate.  Secretary-Treasurer of FAPA (Fantasy Amateur Press Ass’n, our oldest and highest-regarded apa, founded 1937) since 1986.  Edited Ah! Sweet Laney! (F.T. Laney collection; named for FTL’s I’m-leaving-goodbye zine Ah! Sweet Idiocy!), Some of the Best from “Quandry” (Lee Hoffman collection; her zine Quandry so spelled), Fanorama (Walt Willis collection; his columns in Nebula); co-edited last issue of Terry Carr’s fanzine Innuendo.  Fan Guest of Honor, Westercon 55.  [JH]
  • Born August 27, 1945 Edward Bryant. His only novel was Phoenix Without Ashes which was co-authored with Harlan Ellison and was an adaptation of Ellison’s pilot script for The Starlost. The only short stories of his that I’m familiar with are the ones in the Wild Cards anthologies. Phoenix Without Ashes and all of his short stories are available from the usual digital suspects. (Died 2017.) (CE)
  • Born August 27, 1947 Barbara Bach, Lady Starkey, 73. She’s best known for her role as the Bond girl Anya Amasova in The Spy Who Loved Me.  (A Roger Moore Bond, not one of my favored Bonds.) One of her other genre appearances is in Caveman which her husband Ringo Starr is also in. It’s where they first hooked up. (CE) 
  • Born August 27, 1952 – Darrell Schweitzer, 68.  Three novels; two hundred fifty shorter stories, as many poems; anthologist, bookseller, correspondent, editor, essayist, historian, interviewer, reviewer.  “Books” in Aboriginal, “The Vivisector” in SF Review, “Words & Pictures” (motion-picture reviews) in Thrust and Quantum.  Editor, Weird Tales 1987-2007 (sometimes with J. Betancourt 1963-  , G. Scithers 1929-2010).  If sandwich man were still a current expression one could pun that DS often serves dark and horror on wry.  A few essay titles: “Naked Realism versus the Magical Bunny Rabbit”, “Prithee, Sirrah, What Dostou Mean by Archaic Style in Fantasy?”, “Halfway Between Lucian of Samosata and Larry Niven”.  Two Best Short Fiction of DS volumes expected this year.  [JH]
  • Born August 27, 1955 – Steve Crisp, 65.  Two hundred twenty-five covers, a dozen interiors, for us; illustration, photography, outside our field.  Here is Best Fantasy Stories from The Magazine of Fantasy & Science Fiction.  Here is The Worlds of Frank Herbert.  Here is a Fahrenheit 451.  Here is a Neuromancer.  Website here.  [JH]
  • Born August 27, 1957 Richard Kadrey, 63. I’m admittedly way behind on the Sandman Slim series having only read the first five books. I also enjoyed Metrophage: A Romance of the Future and The Everything Box. I’ve got The Grand Dark on my interested in listening to list. (CE)
  • Born August 27, 1962 Dean Devlin, 58. His first produced screenplay was Universal Soldier. He was a writer/producer working on Emmerich’s Moon 44. Together they co-wrote and produced Stargate, the first movie to have a website.The team then produced Independence Day, the rather awful Godzilla rebootand Independence Day: Resurgence which so far I’ve avoided seeing. They’re also credited for creating The Visitor series which lasted just thirteen episodes, and The Triangle, a miniseries which I’ll bet you guess the premise of. (CE) 
  • Born August 27, 1965 – Kevin Standlee, 55.  Long active in San Francisco Bay Area fandom. Fan Guest of Honor at Baycon 1993, Marcon 43, CascadiaCon (8th NASFiC; North America SF Con, since 1975 held when Worldcon is overseas), Westercon 72 (with wife Lisa Hayes and her bear Kuma); co-chaired ConJosé (60th Worldcon; with T. Whitmore); chair of Westercon 74 (scheduled for 2022).  Has chaired World SF Society’s Hugo Awards Marketing Committee, Mark Protection Committee; has chaired Worldcon and other con Business Meetings, no small task, notably and heroically at Westercon 64, when no bid for Westercon 66 got enough votes and site selection fell to the Bus Mtg in a contentious 3-hr session.  Patient explainer of parliamentary procedure.  [JH]
  • Born August 27, 1970 – Ann Aguirre, 50.  Forty novels, a dozen shorter stories, some under other names, some with co-authors.  Honor Bound (with R. Caine) a Hal Clement Notable Young Adult Book for 2020.  Withdrew Like Never and Always from RITA Award consideration.  “Can you tell us a two-sentence horror story?”  “It’s just like the flu.  Don’t worry about taking precautions.”  [JH]
  • Born August 27, 1978 Suranne Jones, 42. Not a long genre performance history but she shows up on the Doctor Who spin-off, The Sarah Jane Adventures as Mona Lisa in “Mona Lisa”. Yes, that Mona Lisa. More importantly, she’s in “The Doctor’s Wife”, an Eleventh Doctor story as written by Neil Gaiman. She’s Idris, a woman hosting the Matrix of the TARDIS. She’s Eve Caleighs in The Secret of Crickley Hall series, an adaption of the James Herbert novel. (CE) 

(10) YOU ARE DEEP SIX. Camestros Felapton takes notes while “Timothy and I Watch Patriotic Submarines”.

  • Camestros: There is literally nothing I want to watch here…
    • Timothy: We could…
  • Camestros: No, no, we are not watching Cats again. Look, maybe it’s time to go outside?
    • Timothy: No way! It’s a hellscape out there! A seething dystopian nightmare! Woke mobs are cancelling cats for not wearing masks! It’s EU commissioners herding us inside our borders and stealing our holiday homes in the South of France and forcing us to use metric! It’s Attack on Titan but with giant buck naked Boris Johnsons eating people! There are SCOTTISH people about!

(11) PRESELLING LOVECRAFT COUNTRY. Variety delves into “How HBO’s ‘Lovecraft Country’ Marketing Campaign Spotlighted the Blerd Community”.

…In late July and early August before the series aired, the network sent out stylized packages made up of “Lovecraft Country”-inspired items from Black-owned businesses, brands and creatives. The gift bag included a backpack from Life on Autopilot, sunglasses from Bôhten Eyewear, a “Sundon” candle by Bright Black, a Grubhub gift card for recipients to order from Black-owned restaurant; as well as the novels “Children of Blood and Bone” by Tomi Adeyemi, “The Water Dancer” by Ta-Nehisi Coates and “Lovecraft Country” by Matt Ruff (provided by Amalgram Comics & Coffeehouse).

For Gagne and her team, the creation of the kit was also about saluting “Lovecraft Country’s” creator Misha Green and the Black heroes of her story, so the package also included direct nods to the show with a “South Side Futuristic Science Fiction Club” sweatshirt from BLK MKT Vintage and a notebook which serves as a “field guide” to understanding the cultural context behind all of the items in the bag, as well as information on the businesses themselves.

With “influencer kits” and their focus on Black-owned businesses, Gagne says, “given everything that’s going on, I think that that’s something that people really embrace and honor and really want to support in a big way.”…

(12) READING TIMES. Amal El-Mohtar’s Otherworldly column for the New York Times deals with “Power and Passage: New Science Fiction and Fantasy”.

The discourse about reading fiction during the pandemic has followed two broad tracks: There are those who take comfort in the activity, and those who have found reading impossibly difficult. I belong to the latter camp, but I’m all the more excited to share the following books, which, while very different in genre and mode, shook me out of listless distraction with their originality.

DANCE ON SATURDAY (Small Beer Press, 318 pp., paper, $17) is Elwin Cotman’s third collection of short fiction. We tend to call fiction “short” when it’s not a novel, but the six stories in “Dance on Saturday” are long, deep and rich, each so thoroughly engrossing and distinctive in its style that I had to take long breaks between them…

Also praised:

THE SPACE BETWEEN WORLDS (Del Rey, 327 pp., $28) is Micaiah Johnson’s debut, but that word is utterly insufficient for the blazing, relentless power of this book, suggesting ballroom manners where it should conjure comet tails…

(13) THE HYDROGEN BOOM. “New Video Shows Largest Hydrogen Bomb Ever Exploded”  reports the New York Times.

Hydrogen bombs — the world’s deadliest weapons — have no theoretical size limit. The more fuel, the bigger the explosion. When the United States in 1952 detonated the world’s first, its destructive force was 700 times as great as that of the atomic bomb that destroyed Hiroshima.

And in the darkest days of the Cold War, the Soviets and the Americans didn’t only compete to build the most weapons. They each sought at times to build the biggest bomb of all.

“There was a megatonnage race — who was going to have a bigger bomb,” said Robert S. Norris, a historian of the atomic age. “And the Soviets won.”

Last week, the Russian nuclear energy agency, Rosatom, released a 30-minute, formerly secret documentary video about the world’s largest hydrogen bomb detonation. The explosive force of the device — nicknamed Tsar Bomba, or the Tsar’s bomb, and set off on Oct. 30, 1961 — was 50 megatons, or the equivalent of 50 million tons of conventional explosive. That made it 3,333 times as destructive as the weapon used on Hiroshima, Japan, and also far more powerful than the 15 megaton weapon set off by the United States in 1954 in its largest hydrogen bomb blast…

(14) THE EYES HAVE IT. Cora Buhlert shows off her handiwork.

(15) VIDEO OF THE DAY. Check out Klaatu on top of the Capital Records building (along with some other famous guy named Ringo)… From 1974.

[Thanks to David Doering, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, JJ, John Hertz, Cat Eldridge, Michael Toman, and Andrew Porter for some of these stories. Title cedit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 8/10/20
Ancillary Mustache

(1) ADDING A HUGO CATEGORY. Speculative Fiction in Translation’s Rachel Cordasco renews her appeal that “major Anglophone SFF awards should include a separate translation category” in “SFT And The Awards”.

…Really, all of this comes down to a naming problem. If the Hugos are going to be a “World Award,” logically they should include works from around the world, in any language. Since that doesn’t seem likely any time soon, and Anglophone readers generally don’t learn multiple languages unless they have to, then the award should (again, logically) stop calling itself a “World Award” and start acknowledging that, from the very beginning, it has been and still is an award given to English-language SFF by English-language readers.

….And then there’s the whole set of general arguments opposing, or at least not immediately embracing, a separate translation category. I’ve listed a few below:

  • We already have too many award categories.
  • Not enough Anglophone readers read SFT so how could they vote on it?
  • Creating a separate translation category will send the message that SFT is inferior to Anglophone speculative fiction.
  • SFT can win and has won awards without any “help.”
  • But how can we determine if the translation is any good?
  • Changing award rules is too difficult.

I’m going to address each of these points separately, making sure that I reiterate that I am not involved in any of these awards at the executive level, though I did participate in the most recent Locus Awards voting and was able to bring my knowledge of current SFT to the discussion, which I truly appreciated.

You may also know that I started a “Favorite SFT” poll in 2018, which is open to anyone who would like to vote (once!). This approach has its flaws but it’s the best I can do with the resources I have. Just the fact that the poll exists makes me think that more people are becoming aware that SFT does exist.

To the first point that “we already have too many award categories”: so what? And also, is a translated category somehow less important than the “Young Adult” or “First Novel” category? And to the subpoint that some translated work might win in two categories, can’t that happen with other categories? And aren’t there ways to get around that? I freely admit that I’m not cut out for business meetings and deciding rules about rules- which is one of the reasons why I’m not on these committees. This is just me on a website putting forth my opinions, against which everyone is free to argue. (Just be respectful when you rip me to shreds, ok?)….

(2) DAY AFTER DAY. SYFY Wire explores “The Unending Appeal Of Time Loops”. But only once.

…But outside of a stay-at-home crisis, time loops have gained traction in their appeal due to the same themes that made Groundhog Day so popular to begin with. Like the drunken locals that Phil Conners laments to in Punxsutawney, or the fellow wedding guest in the Palm Springs hotel pool talking to Samberg’s Nyles, those existing outside the loop can relate on a visceral level to the experience of feeling like today is the same as yesterday and tomorrow. For Bill Murray, the appeal of Groundhog Day as a script was its representation of people’s fear of change, and how we choose to repeat our daily lives to avoid it. These themes echoed in Russian Doll, which as a bingeable streaming series really allowed audiences to inhabit the repetitive nature of the loops, ironically utilizing the same technologies that have sped our lives up and caused them to feel even more cyclical.

(3) FIYAHCON. I signed up for FIYAHCON (October 17-18) news in time to receive its August Update naming three more guests:

FIYAHCON tweeted additional information: Rebecca Roanhorse: “We suspect you know @RoanhorseBex from all of that constant award-winning she does as a Black + Indigenous writer of many brilliant things.”; Cassie Hart: “is a Maori writer who’s been working intensely behind the scenes to shine a light on SFF from Aotearoa while grinding out an impressive number of works herself.”; Yasser Bahjatt: “chaired the Worldcon bid for Saudi Arabia. And while that didn’t land, we are thrilled to hear more from him about Arabian SFF and other ways we can uplift and celebrate the spec community there.”

The three newcomers join FIYAHCON’s previously announced guests:

There’s also an educational FIYAH Definition T-Shirt that’s new.

(4) THE NEXT MARTIAN. io9 points to today’s trailer drop: “Hilary Swank Is on a Mission to Mars in the Emotional First Trailer for Netflix’s Away.

She’s boldly going where no one has gone before, but doing so means leaving the people she loves the most. We’ve got the first trailer for Netflix’s Away, a new series that sees Hilary Swank joining the first manned mission to Mars—a three-year journey that will test the limits of its crew, as well as the patience of those who were left behind….

(5) JUST SAYIN’. Jay Blanc tweeted his ideas for improving Hugo administration. Thread starts here. Whether or not he has the solution (and CoNZealand Deputy Hugo Administrator Nicholas Whyte responded skeptically in the thread), I had to agree with Blanc’s last tweet about what one of the problems is.

He’s not alone in marveling at how many times in the past decade the Hugos have been hamstrung because someone was writing code from scratch. That doesn’t always happen for the same reason. We didn’t always need or want, in the past, a system that integrates all aspects of a member’s digital interaction with the convention. That’s what they’re moving toward, therefore it would make sense for that software to be created and stabilized. Funding it, having the work done and vetted, and working out licensing to the committees (which are entities of their own) would all be part of the mission.

(6) THE EYES HAVE IT. “Looking Forward on Looking Backwards” at The Hugo Book Club Blog.

… Because they are voted on primarily by people who were born decades after the original publication dates, the Retro Hugos are less likely to recognize work that has not been reprinted. This means that the average Retro Hugo voter inevitably experiences the works they’re voting on through a filter created by the intervening generations. Other than Erle KorshakCora Buhlert, and Gideon Marcus, we’d be hard-pressed to name a Hugo voter who is likely to have read a 1945-era pulp magazine cover-to-cover and experienced the works in something like their original context….

No need to be so “hard-pressed.” You have not because you ask not.

…For the Retro Hugos to be relevant and worthwhile awards, we as members of the World Science Fiction Society need to wrestle with why the awards need to exist. Is their intent to reproduce the racist tastes of the past or can they help focus a critical lens on the history of the genre and help us discover works that might have been overlooked?

(7) MEDIA BIRTHDAY.

  • August 10, 1951 Tales Of Tomorrow first broadcast the “Blunder” in which a scientist is warned his experiment with nuclear fission could destroy the earth. Written by Philip Wylie who wrote the screenplay for When Worlds Collide.  The primary cast is Robert Allen and Ann Loring. It was directed by Leonard Valenta who otherwise did soap,operas. The original commercials are here as well.  You can watch it here.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 10, 1902 Curt Siodmak. He is known for his work in the horror and sf films for The Wolf Man and Donovan’s Brain, the latter  from his own novel. ISFDB notes the latter was part of his Dr. Patrick Cory series, and he wrote quite a few other genre novels as well. Donovan’s Brain and just a few other works are available in digital form. (Died 2000.) (CE)
  • Born August 10, 1903 Ward Moore. Author of Bring the Jubilee which everyone knows about as it’s often added to that mythical genre canon and several more that I’m fairly sure almost no one knows of. More interestingly to me was that he was a keen writer of recipes of which ISFDB documents that four of his appeared in Anne McCaffrey’s Cooking Out of This World: “Kidneys — Like Father Used to Make” and “Pea Soup — Potage Ste. Germaine“ being two of them. (Died 1978.) (CE)
  • Born August 10, 1913 Noah Beery Jr. Genre-wise, he’s best remembered as Maj. William Corrigan on the Fifties classic SF film Rocketship X-M, but he showed up in other genre undertakings as well such as 7 Faces of Dr. LaoThe Six Million Dollar ManFantasy IslandBeyond Witch MountainThe Ghost of Cypress Swamp and The Cat Creeps. I think he appeared in one of the earliest Zorro films made where he’s credited just as a boy, he’d be seven then, The Mark of Zorro which had Douglas Fairbanks Sr. and his father, Noah Beery Sr. (Died 1994.) (CE)
  • Born August 10, 1931 – Alexis Gilliland, 89.  Seven novels, six shorter stories and a Feghoot; Campbell (as it then was) for Best New Writer.  Chaired six Disclaves.  WSFA (Washington, D.C., SF Ass’n) met at his house for decades.  One of our finest fanartists.  Four Hugos, three FAAn (FAn Activity Achievement) Awards, Rotsler.  Letters, perhaps three hundred cartoons in AlexiadAlgolAmazingAnalogAsimov’sChungaFantasy ReviewFlagJanusLocusMimosaPulphouseSF EyeSF CommentarySF ReviewSFWA (Science Fiction & Fantasy Writers of America) BulletinStar*Line, Worldcon Souvenir Books.  Here is a cover for SF Review.  See hereherehere.  Makes good deviled eggs.  [JH]
  • Born August 10, 1944 Barbara Erskine, 76. I’m including her because I’ve got a bit of a mystery. ISFDB lists her as writing over a dozen genre novels and her wiki page says she has a fascination with the supernatural but neither indicates what manner of genre fiction she wrote. I’m guessing romance or gothic tinged with the supernatural based on the covers but that’s just a guess. What do y’all know about her? (CE)
  • Born August 10, 1955 Eddie Campbell, 65. Best-known as the illustrator and publisher of From Hell (written by Alan Moore), and Bacchus, a most excellent series about the few Greek gods who have made to the present day. Though not genre in the slightest way, I highly recommend The Black Diamond Detective Agency which he did. It’s an adaptation of an as-yet unmade screenplay by C. Gaby Mitchell. (CE)
  • Born August 10, 1955 – Tom Kidd, 65.  Eight Chesleys.  Artbooks KiddographyOtherWorldsHow to Draw & Paint Dragons.  Three hundred eighty covers, a hundred forty interiors.  Here is Not This August.  Here is the Oct 83 Fantasy & Science Fiction.  Here is Songs of the Dying Earth.  Here is Overruled.  [JH]
  • Born August 10, 1962 – Horia Gâbea, Sc.D., 58.  Romanian playwright, poet, essayist, novelist, engineer, popularizer of contract bridge.  University of Bilbao prize for poetry.  The Serpent performed by the British Royal Court Theatre.  Translator of Chekhov, Corneille, John D. MacDonald, Machiavelli.  Accused of being “gratuitously bookish…. a pun more important than a murder…. thin and edgy like a razor…. forgives no one no thing.” Worlds and Beings anthology in English.  [JH]
  • Born August 10, 1965 Claudia Christian, 55. Best-known role is Commander Susan Ivanova on Babylon 5, but she has done other genre roles such as being Brenda Lee Van Buren in The Hidden, Katherine Shelley in Lancelot: Guardian of Time, Quinn in Arena, Lucy in The Haunting of Hell House and Kate Dematti in Meteor Apocalypse. She’s had one-offs on Space RangersHighlanderQuantum LeapRelic Hunter and Grimm. She’s Captain Belinda Blowhard on Starhyke, a six-episode series shot in ‘05 you can on Amazon Prime.  (CE)
  • Born August 10, 1971 – Lara Morgan, 49.  Six novels for us.  “Her mission is to rid the world of tea, one cup at a time.  This is going quite well.”  She liked All Our Yesterdays, alas for me not Harry Warner’s but Cristin Terrill’s; ranked Ender’s Game about the same as Lilith’s Brood.  Website here.  [JH]
  • Born August 10, 1985 – Andrew Drilon, 35.  A dozen short stories; Philippine Speculative Fiction 9 with Charles Tan; four covers, three dozen interiors; comics.  Here is Heroes, Villains, and Other Women.  Here is WonderLust.  Here is a sequence from his own Whapak! [JH]

(9) COMICS SECTION.

(10) DOUBLE-OH BRACKETS. Morgan Jeffery, in “Sean Connery named the best James Bond as thousands of 007 fans vote in our poll” in Radio Times, says that 14,000 James Bond fans voted to see who the best Bond of all time was, with Sir Sean Connery first, Timothy Dalton second, and Pierce Brosnan third.  Sam Heughan from Outlander was named the #1 choice to be the new Bond in the survey,

…Round 1 saw Connery knock out current 007 actor Daniel Craig, coming out on top with 56 per cent of the vote compared to Craig’s 43 per cent, while Pierce Brosnan winning Round 2 with 76 per cent against his opponent George Lazenby’s 24 per cent.

Round 3 saw perhaps the most surprising result yet, as Roger Moore was knocked out of the competition – with 41 per cent of the vote, he lost out to his immediate successor Timothy Dalton, who scored 49 per cent of the vote.

(11) TOP TEN. ScreenRant lists “Star Trek: The 10 Weirdest Official Merch You Can Buy”. After all, nobody wants to buy just plain old Trek merchandise. And one item meets a need of Filers who never have enough of these —

4. Next Generation Spoons

At some point, someone decided that Star Trek fans were fanatical about cutlery and all things fine dining, hence the creations of a series of elegant Next Generation spoons.

The high-quality spoons feature the faces of fan-favorite characters such as Captain Picard and Data on the handle of each implement. While nice its almost impossible to imagine anyone actually using these spoons to eat with and the illogical decisions that led to their creation would no doubt befuddle Spock.

(12) APOLLO 1 INVESTIGATION. Dwayne Day continues his exploration of space history with new details about the Apollo 1 fire of 1967 in The Space Review: “After the fire: a long-lost transcript from the Apollo 1 fire investigation”.

As long as there has been spaceflight, there have been conspiracy theories. There were conspiracy theories about Sputnik in the late 1950s (“their Germans are better than our Germans”) and dead cosmonauts in the early 1960s. Even before some people claimed—on the very day that it happened—that the Moon landing was faked, Apollo had its own conspiracy theories. In those days it was difficult for them to propagate and reach a wide audience, unlike today, when they can spread around the world at the speed of light. One of those Apollo conspiracy theories was about a whistleblower named Thomas Baron, who later died under mysterious circumstances.

Baron worked on the Apollo program in Florida for one of the key contractors. After the Apollo 1 fire in early 1967, Baron testified before a congressional fact-finding delegation that went to Florida. He later died under what some people considered to be mysterious circumstances, fueling speculation that he was killed to shut him up. The transcript of his testimony also could not be found by later researchers, which fueled the speculation that somebody was covering up damaging information.

In 1999, in honor of the 30th anniversary of the Apollo 11 landing, radio station WAMU in Washington, DC, aired a program about the role of Washington politics in the lunar landing. “Washington Goes to the Moon” was written and produced by Richard Paul and featured interviews with a number of key figures in the story. Paul had decided that the Apollo 1 fire and the subsequent investigations into its cause would be a key focus of the program. In the course of researching the fire, he stumbled upon a document that many believed was long-lost: a transcript of an interview with Thomas Baron, who alleged that there were numerous improper actions taken by his employer, North American Aviation, which was building the spacecraft.

(13) THAT WAS A CLOSE ONE. “The nuclear mistakes that nearly caused World War Three” – BBC kept count.

From invading animals to a faulty computer chip worth less than a dollar, the alarmingly long list of close calls shows just how easily nuclear war could happen by mistake.

…All told, there have been at least 22 alarmingly narrow misses since nuclear weapons were discovered. So far, we’ve been pushed to the brink of nuclear war by such innocuous events as a group of flying swans, the Moon, minor computer problems and unusual space weather. In 1958, a plane accidentally dropped a nuclear bomb in a family’s back garden; miraculously, no one was killed, though their free-range chickens were vaporised. Mishaps have occurred as recently as 2010, when the United States Air Force temporarily lost the ability to communicate with 50 nuclear missiles, meaning there would have been no way to detect and stop an automatic launch.

(14) BLOCKHOUSE FOR BLOCKHEADS? [Item by Martin Morse Wooster.] Isaac Schultz, in “For Sale: A Cold War Bunker and Missile Silo in North Dakota” on Atlas Obscura, says that tomorrow auctioneers will sell a 50-acre site in North Dakota that housed a missile base loaded with Sprint missiles that were supposed to be the last line of defense against Soviet ICBM’s.  The missiles are gone but the buildings are still there, and it’s perfect for a slan shack or future Worldcon bid, or would be an ideal place to conduct fan feuds.  What better place to launch verbal missiles than a place that housed real missiles? Plus all the former missile silos are guaranteed to be socially distant from each other!

HALF AN HOUR SOUTH OF the Canadian border, in Fairdale, North Dakota, a hulking concrete structure rises up from the flat fields that surround it. The beige buildings are so prominent on an otherwise pastoral landscape that they could be mistaken for a 20th-century Stonehenge.

It’s a Cold War missile site, and it’s for sale.

(15) I WALK TO THE TREES. In “The Lord of The Rings:  The Two Towers Pitch Meeting” on ScreenRant, Ryan George promises a film with “a whole lot of walking.  Even the trees walk.”

[Thanks to John Hertz, Lise Andreasen, N., Chip Hitchcock, Andrew Porter, James Davis Nicoll, Martin Morse Wooster, John King Tarpinian, JJ, Cat Eldridge, Michal Toman, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]